Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Lux Radio Theater: Captain Carey USA (EP1670s)

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Lux Radio Theater: Captain Carey USA (EP1670s) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
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• 1:42
  Speaker 1: Patreon dot great Detectives dot net. Well, now we turn
• 1:47
  Speaker 1: to today's special, and it's the Lux Radio Theater presentation
• 1:52
  Speaker 1: of Captain Carey USA, Captain Carry USA was originally released
• 1:59
  Speaker 1: in nineteen fifty starring Alan Ladd, and it won an Oscar.
• 2:05
  Speaker 1: You won't hear the Oscar winning element in this episode.
• 2:09
  Speaker 1: In this episode of the Lux Radio Theater, future Oscar
• 2:13
  Speaker 1: winner Charlton Heston takes over the lead role, which was
• 2:17
  Speaker 1: played by Ladd in the film version, while Wanda Hendrix
• 2:22
  Speaker 1: reprises her role as the female lead. The original aired
• 2:26
  Speaker 1: eight on This is February second, nineteen fifty three, so
• 2:31
  Speaker 1: more than two years after the film version. But here
• 2:35
  Speaker 1: now is the Lux Radio Theater presentation of Captain Carey USA.
• 2:41
  Speaker 2: Lux presents Holly would leave her brother's company. The maker
• 2:53
  Speaker 2: is a Lux dot It sol bring you the Lux
• 2:56
  Speaker 2: Radio Theater.
• 2:57
  Speaker 3: Ladies and gentlemen.
• 2:58
  Speaker 2: You are a producer, mister.
• 3:06
  Speaker 4: Reading from Hollywood, ladies and gentlemen. And whenever you see
• 3:10
  Speaker 4: a star on a dressing room door in our motion
• 3:12
  Speaker 4: picture studios, you can rest assured. In these dressing rooms
• 3:16
  Speaker 4: of glamorous screen beauties. The favorite beauty care is Lux
• 3:20
  Speaker 4: toilet soap Refreshing. Lux facials bring such quick new beauty
• 3:24
  Speaker 4: to skin. It's no wonder that our loveliest Hollywood stars
• 3:28
  Speaker 4: are devoted to Lux soap for their daily Beauty care
• 3:33
  Speaker 4: Now Captain Carey USA, starring Charlton Heston as Webcarey and
• 3:39
  Speaker 4: Wanda Hendrix as Julia. In northern Italy, there's an ancient landmark,
• 3:53
  Speaker 4: a palace built on an island surrounded by.
• 3:56
  Speaker 3: A beautiful lake. It's the Palazzo Decretion.
• 4:00
  Speaker 4: Over the centuries, it's been the scene of good and evil,
• 4:03
  Speaker 4: of romance and despair. In nineteen forty four, when Nazi
• 4:11
  Speaker 4: troops were in the village of Belmonte, the castle was
• 4:15
  Speaker 4: occupied by an old countess and her granddaughter, Julia. Beneath
• 4:19
  Speaker 4: the castle, in a forgotten wine cellar, was the headquarters
• 4:23
  Speaker 4: of two American officers, members of the OSS. It'd been
• 4:28
  Speaker 4: operating out of there for months, organizing the Italian partisans,
• 4:33
  Speaker 4: but one night they were portrayed and their work ended
• 4:37
  Speaker 4: in a burst of German rifle fire. It's a long
• 4:47
  Speaker 4: way from the palazzo to a shop window in New York,
• 4:51
  Speaker 4: but this is the real beginning of our story. When
• 4:54
  Speaker 4: Webcarey and a girl paused to look at.
• 4:56
  Speaker 5: Some paintings, come along, web Father is.
• 5:01
  Speaker 3: Waiting for it. Please, let'sy, it's the painting I've seen
• 5:04
  Speaker 3: that before.
• 5:05
  Speaker 5: Really I had a long talk last night with father.
• 5:09
  Speaker 5: I told him that I was in love with you
• 5:11
  Speaker 5: and you were.
• 5:12
  Speaker 6: He said he felt the same way about mother after
• 5:14
  Speaker 6: he came back from his war.
• 5:16
  Speaker 5: And what you need is a job.
• 5:18
  Speaker 7: Oh, Nancy, I want to speak to someone about that penny.
• 5:22
  Speaker 5: Oh very well, dear, let's go in.
• 5:25
  Speaker 8: Yes, sir, about that penning in the window, the Palazza
• 5:28
  Speaker 8: de CRESSI. I see, you know Italian history, the more
• 5:31
  Speaker 8: recent Italian history.
• 5:32
  Speaker 9: How we've been very fortunate. The Italian government doesn't usually
• 5:35
  Speaker 9: allow treasures like this to.
• 5:36
  Speaker 3: Leave the country.
• 5:37
  Speaker 5: It's lovely, isn't it?
• 5:38
  Speaker 9: An outstanding work by billion him?
• 5:40
  Speaker 3: Madame?
• 5:40
  Speaker 9: In Blinnese time, the decresis where the ruling family in
• 5:43
  Speaker 9: northern Italy? Last week we refused an offer of thirty
• 5:46
  Speaker 9: thousand dollars from a museum thirty thousand?
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  Speaker 3: Where did you get this penny.
• 5:51
  Speaker 9: Through our agent?
• 5:51
  Speaker 3: Sir?
• 5:52
  Speaker 9: In Switzerland?
• 5:53
  Speaker 3: Where did they get it? Forgive me?
• 5:55
  Speaker 9: But are you an accredited art leader?
• 5:57
  Speaker 3: No?
• 5:58
  Speaker 9: Well then I'm sorry, sir. I'm I'm able to give
• 6:00
  Speaker 9: you any further information.
• 6:02
  Speaker 5: Well, I don't understand. Why are you so interested?
• 6:05
  Speaker 8: Because two people died, a man and a girl, and
• 6:07
  Speaker 8: I spent three years in a hospital. And because you
• 6:11
  Speaker 8: won't have to worry about me getting a job, I've
• 6:13
  Speaker 8: got one now in Italy. What kind of a job
• 6:15
  Speaker 8: finding the man who saw this painting?
• 6:18
  Speaker 3: But why because I'm going to kill him?
• 6:28
  Speaker 10: Luigi Luigian, don't you remember me? I remember, Signora Cano.
• 6:35
  Speaker 10: You have come back.
• 6:36
  Speaker 3: You don't seem overjoyed to see me. You were once.
• 6:39
  Speaker 10: Many things in our village have a change since the war.
• 6:42
  Speaker 8: Your you ever just arrived? Yes, the bus from Alana.
• 6:46
  Speaker 8: It was the same back there in the plazas. Somebody
• 6:48
  Speaker 8: recognized me and all the people disappeared.
• 6:51
  Speaker 3: I mind my business.
• 6:53
  Speaker 8: I'm glad I found you here at the lake. I
• 6:55
  Speaker 8: want you to row me over to the island the Palazza.
• 6:58
  Speaker 3: Get in the boat.
• 6:59
  Speaker 11: Christ she's not even surprised to see me. It does
• 7:03
  Speaker 11: not matter. Signor get in the boat.
• 7:18
  Speaker 3: Come in, Senor if you want to. Said you wanted
• 7:20
  Speaker 3: to see the head of the house to talk about
• 7:23
  Speaker 3: a painting. I'm sorry, palazzo is not open to tourists.
• 7:26
  Speaker 3: I'm not a tourist. My name's Webster Kerry. I am
• 7:29
  Speaker 3: Carlo de Creeshchi.
• 7:31
  Speaker 8: You don't look like like her, Your sister Julia in here, please,
• 7:38
  Speaker 8: my grandmother will see you.
• 7:40
  Speaker 5: This is the man who asked about the painting.
• 7:43
  Speaker 3: Signor Kerrie Nona, good afternoon, pending by Bolina Contests. This
• 7:48
  Speaker 3: is a photograph of it.
• 7:51
  Speaker 5: Remarkable.
• 7:52
  Speaker 12: It is our island, this island, but as it was.
• 7:57
  Speaker 5: Many years ago.
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  Speaker 3: You're familiar with the painting, Contesse, you've seen it before.
• 8:01
  Speaker 5: No, mister Kerey, why should I have?
• 8:04
  Speaker 8: Because it's one of a half dozen paintings that Major
• 8:07
  Speaker 8: Williams and I discovered, and your granddaughter, Contessa Julia. We
• 8:12
  Speaker 8: came across them one night while we were trying to
• 8:14
  Speaker 8: find a place to hide her equipment.
• 8:16
  Speaker 12: Oh so you are one of the Americans who hid here.
• 8:20
  Speaker 12: It was quite a shock to learn that our home
• 8:22
  Speaker 12: was being used as your headquarters.
• 8:24
  Speaker 8: When did you find out we were hiding in your
• 8:26
  Speaker 8: cellar's Contessa.
• 8:28
  Speaker 12: After the Germans came, of course? But what has all
• 8:31
  Speaker 12: this to do with the painting peace?
• 8:33
  Speaker 3: No one knew about the existence of that hiding.
• 8:35
  Speaker 8: Place except the three of us, Julia, the Major and
• 8:38
  Speaker 8: me and the man who betrayed us to the Nazis.
• 8:41
  Speaker 8: Julia's dead, so's the Major, and all I've got to
• 8:44
  Speaker 8: go on. Is that the man who smuggled the painting
• 8:46
  Speaker 8: out of the country is the man who betrayed us.
• 8:48
  Speaker 3: I'm going to find him.
• 8:50
  Speaker 5: Why Why?
• 8:51
  Speaker 3: Because Julia would be alive.
• 8:52
  Speaker 12: Julia is alive, mister Kerrey, alive through those doors you
• 8:57
  Speaker 12: find her out on the terran.
• 9:02
  Speaker 3: Julia, I can't believe it. I can't believe it. Wis
• 9:08
  Speaker 3: what's the matter? Are you're glad to see me?
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  Speaker 13: This is it? This is my husband, Baron de Griffy.
• 9:18
  Speaker 14: I think I understand, darling. You will leave us for
• 9:20
  Speaker 14: a few moments.
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  Speaker 13: Please, no, no, no, I think I should.
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  Speaker 14: I will explain to mister Carey. Now, please do as
• 9:25
  Speaker 14: I said. Julia away, signor you wish to embarrass my wife. No,
• 9:30
  Speaker 14: of course, not sit down, mister Carey. I know your
• 9:33
  Speaker 14: name because Julia's brother told me you were calling Signor.
• 9:37
  Speaker 14: I know how she once felt about you. She has
• 9:39
  Speaker 14: told me herself many times, the romance of a young
• 9:42
  Speaker 14: girl swept off her feet by the heroic American secret
• 9:45
  Speaker 14: hiding places, the meetings at midnight, or she laughs about it,
• 9:49
  Speaker 14: never to say anything more. Please don't blame Julia. You
• 9:52
  Speaker 14: understand that she You are leaving Signor.
• 9:56
  Speaker 5: About the painting.
• 9:57
  Speaker 12: Mister Kerey, you say it is very What are we
• 10:01
  Speaker 12: to do when.
• 10:02
  Speaker 3: You lose something you thought was valuable? I don't know.
• 10:05
  Speaker 8: Contestant bleed a little and forget. I suppose mister.
• 10:09
  Speaker 3: Cary, please, I'm afraid I have offended.
• 10:14
  Speaker 2: Hey, Copeca or Momento.
• 10:18
  Speaker 3: Oh it is you a Lazarus reason from the dead.
• 10:21
  Speaker 11: Hah oh, I might the first to greet you on
• 10:24
  Speaker 11: the limit of the partisans. Ah, you look good, baby,
• 10:29
  Speaker 11: Come we walk out together.
• 10:30
  Speaker 3: I'm leaving too, professional call or what one of the servants.
• 10:33
  Speaker 3: Fascinating case group?
• 10:37
  Speaker 11: Now tell me? How can you possibly be alive? They
• 10:39
  Speaker 11: kill you down there?
• 10:40
  Speaker 3: No? No, not quite. They decided I was worth keeping alive.
• 10:44
  Speaker 3: They thought i'd talked. Maybe I would have. Then our
• 10:47
  Speaker 3: paratroops captured their hospital training. Who you?
• 10:50
  Speaker 11: Oh, I arranged more easily. I was in Milana when
• 10:53
  Speaker 11: the raid came. I just stayed there. What are you
• 10:56
  Speaker 11: doing now?
• 10:57
  Speaker 2: You're married?
• 10:57
  Speaker 3: What brings you back here?
• 10:59
  Speaker 8: I'm a civil engine with no job, and I'm not married,
• 11:02
  Speaker 8: and I don't know exactly what did bring me back?
• 11:06
  Speaker 3: Was it to find the trader? That was the general idea?
• 11:10
  Speaker 11: Hey, captain as a doctor, let me tell you, Liessa,
• 11:14
  Speaker 11: vengeance cures nothing, nothing. Now, how do you get back
• 11:20
  Speaker 11: to the village.
• 11:21
  Speaker 3: Luigi is waiting for me, he wrote me over.
• 11:23
  Speaker 11: I must stay on the island for a while. I
• 11:24
  Speaker 11: have other calls to make. I'll see you later most certainly,
• 11:28
  Speaker 11: my friend. Hey, listen to me. Some American girl will
• 11:31
  Speaker 11: mend your heart. You will become married, and I have
• 11:34
  Speaker 11: twenty children. The night, maybe I stop at the hotel.
• 11:38
  Speaker 11: We drink some wine.
• 11:38
  Speaker 15: Uh yeah, sure, you did not have visited the palazzo
• 11:52
  Speaker 15: for long, Senor Luigi, tell me something, village.
• 11:56
  Speaker 3: Why did the people go away when they saw me?
• 11:59
  Speaker 10: You brought death, one say, or you might bring it again.
• 12:03
  Speaker 10: After the raid, the Germans searched the village. They take men,
• 12:07
  Speaker 10: twenty seven men. They lined them up and killed them.
• 12:11
  Speaker 3: They said, we helped you betrayed this Luig.
• 12:15
  Speaker 10: Everybody in the village knows his name. My son, my son, Mario.
• 12:19
  Speaker 3: Mario Maria didn't know where we were. The people do
• 12:22
  Speaker 3: not believe him. They drive him through the streets. They
• 12:25
  Speaker 3: beat him to death for seven days. They let him
• 12:27
  Speaker 3: hanging from a tree. Why did they think he was guilty?
• 12:30
  Speaker 10: Because the night before the raid, Mario brought a message
• 12:33
  Speaker 10: to one of the German.
• 12:34
  Speaker 3: Officers, from whom from the betrayer senior? Who was it
• 12:37
  Speaker 3: who gave him the message?
• 12:38
  Speaker 10: They do not let my son talk.
• 12:40
  Speaker 3: You must help me. You must have found who sent
• 12:44
  Speaker 3: the message. Please send your help me help her name
• 12:47
  Speaker 3: Marion knew now his death. You did not talk like
• 12:51
  Speaker 3: this before. It's nothing I can do.
• 12:53
  Speaker 10: Mario is there, yes, But his wife and child said,
• 12:56
  Speaker 10: you know who gave you food.
• 12:57
  Speaker 3: At the farm. And the boy Pietro, Pietro.
• 13:00
  Speaker 10: Is bigger now than your Pietro, the son.
• 13:02
  Speaker 3: Of the traitor who gave Mario the message. Piece. I
• 13:08
  Speaker 3: don't know, but there is much I can tell you.
• 13:11
  Speaker 3: It doesn't matter now, Luigi, not to me. Take me
• 13:15
  Speaker 3: back to the village.
• 13:27
  Speaker 16: The room is ready in your anytime you wish to
• 13:29
  Speaker 16: go up the stairs.
• 13:30
  Speaker 8: Thanks are under grafy. That's what Luigi Julia said, isn't it?
• 13:36
  Speaker 14: That is correct?
• 13:38
  Speaker 3: May I please have a word with you? Thank you?
• 13:42
  Speaker 14: Being back here again must be quite exciting for you,
• 13:45
  Speaker 14: meeting all your old friends, many of them are dead.
• 13:48
  Speaker 14: I spent most of the war in Switzerland diplomatic service.
• 13:51
  Speaker 14: I couldn't join you here in the fight. You were privileged.
• 13:54
  Speaker 3: I was drafted. It was an interesting story you told
• 13:58
  Speaker 3: us before. I'm glad you're liked it.
• 14:00
  Speaker 14: But the crecy had nothing to do with the sale
• 14:02
  Speaker 14: of the painting. I assured you. Julia told us about
• 14:05
  Speaker 14: those forgotten rooms in the cellar, but when we returned
• 14:08
  Speaker 14: after the war, they were empty. This is the first
• 14:11
  Speaker 14: we've heard of the value of the paintings. Of course,
• 14:13
  Speaker 14: we'd like to recover them.
• 14:14
  Speaker 8: I'm not stopping him, but they don't interest me anymore.
• 14:17
  Speaker 8: And if you and if and if you want the truth,
• 14:21
  Speaker 8: I have no interest in this town, or the palazzo
• 14:24
  Speaker 8: or the people in it, including your wife.
• 14:26
  Speaker 3: That's what you really want to hear, isn't it.
• 14:29
  Speaker 14: War does different things to different people. You it has heard.
• 14:33
  Speaker 14: But it has given me a chance to be happy.
• 14:35
  Speaker 14: How easily it might have been the other way. Let's
• 14:37
  Speaker 14: just blame it on the Germans. Now, if you'll excuse
• 14:40
  Speaker 14: me better than I'm going up. Well, I just left
• 14:52
  Speaker 14: your husband. I don't think he'd approved. I wanted to
• 14:56
  Speaker 14: leave without seeing you again. He there's a bus back
• 15:00
  Speaker 14: to Milana the night. Don't tell me you want me
• 15:02
  Speaker 14: to stay.
• 15:02
  Speaker 13: No, no, I want you to leave. But as a friend.
• 15:05
  Speaker 13: That's why I came here. And there are so many questions.
• 15:09
  Speaker 8: Questions. Yeah, there's one I'd like to ask. When I
• 15:13
  Speaker 8: can't answer, Are you happy?
• 15:16
  Speaker 13: I'm trying.
• 15:17
  Speaker 8: That's a good answer. I'll do the same, I promise,
• 15:20
  Speaker 8: I'll try as hard as I can.
• 15:22
  Speaker 5: Oh wait, why did you come back?
• 15:23
  Speaker 8: Because I thought you were dead? Because the one who
• 15:25
  Speaker 8: betrayed this might be alive. Maybe it was seeing the
• 15:28
  Speaker 8: painting of the island. It made me lonesomeer. Maybe I
• 15:31
  Speaker 8: like Sandro's spaghetti. You take your pick better?
• 15:33
  Speaker 13: Can we even talk with?
• 15:34
  Speaker 3: What do you want from me? A wedding present?
• 15:36
  Speaker 13: All I want is that you try to understand? Is
• 15:38
  Speaker 13: that asking too much? The night of the raid, the
• 15:41
  Speaker 13: last thing I remember was you on the floor when
• 15:44
  Speaker 13: I woke up. I was in a concentration camp with
• 15:46
  Speaker 13: my grandmother. We were there for months and I kept
• 15:48
  Speaker 13: asking for you day and night, and she told me
• 15:51
  Speaker 13: you were dead. I wouldn't believe her, And then one
• 15:54
  Speaker 13: day they let us go and we made our way
• 15:56
  Speaker 13: into Switzerland.
• 15:57
  Speaker 3: Good for you.
• 15:58
  Speaker 5: Rocco was there.
• 16:00
  Speaker 13: I've known him ever since I was a little girl.
• 16:01
  Speaker 13: He used to visit us during the war. Grandmother had
• 16:04
  Speaker 13: always wanted me to marry him.
• 16:06
  Speaker 3: Simple, so you did no, no.
• 16:08
  Speaker 13: No nothing. I had the crazy hope i'd hear from you.
• 16:12
  Speaker 13: And then when we came home after the war, I
• 16:16
  Speaker 13: found this in the cellar, the medal of Saint Christopher.
• 16:19
  Speaker 13: I'd give them to you, and then I knew.
• 16:22
  Speaker 5: You were dead.
• 16:23
  Speaker 3: May I have that back?
• 16:25
  Speaker 13: I was hoping you want.
• 16:27
  Speaker 3: It, that little cross I gave you here. You're still worried.
• 16:34
  Speaker 8: Yes, If anyone asks me where I got this medal,
• 16:39
  Speaker 8: I'll say from a friend, a friend.
• 16:41
  Speaker 3: Who died in the war.
• 16:43
  Speaker 17: You can say the same. Okay, okay, peace, It's wonderful, goodbye, goodbye.
• 17:05
  Speaker 16: Well, come come quickly. You told me the bus was
• 17:09
  Speaker 16: not the busses Senor Luigi. Luigi is dead with a knife,
• 17:19
  Speaker 16: don't you.
• 17:19
  Speaker 9: Doctor LENARTI, what can you tell us about the police commissioner?
• 17:22
  Speaker 3: I tell you all I know. They called me to
• 17:25
  Speaker 3: the hotel. When I told you, who called you? I
• 17:27
  Speaker 3: did this in your I did, that's right.
• 17:30
  Speaker 8: I told Sundra to get doctor Lenardi as quickly as
• 17:32
  Speaker 8: he could.
• 17:34
  Speaker 3: Continue. Doctor the poor fellow was dead when I got there.
• 17:37
  Speaker 3: Apparently he started up the stairs. Someone was waiting for him.
• 17:39
  Speaker 3: In the landing. I have the weapon here, oh ss
• 17:43
  Speaker 3: knife from the war. That's right, we all had these knives, Commissioner.
• 17:49
  Speaker 3: I used the mind to prune the trees until I
• 17:51
  Speaker 3: lost it. Well, nothing more I can do, not for now, doctor,
• 17:55
  Speaker 3: Thank you. Sandra g you saw Luigi come into your hotel.
• 18:00
  Speaker 16: Where I'm at the desk. He comes to me. He
• 18:03
  Speaker 16: asked for the American? Who ever saw him?
• 18:05
  Speaker 3: Who else? Who else?
• 18:07
  Speaker 16: He Giovanni Lucci?
• 18:10
  Speaker 3: Who knows your Dandi from the plaza? Signor they servant
• 18:13
  Speaker 3: They come every day to the village for the male.
• 18:16
  Speaker 16: I'm checking my account, but I can't see everybody. Maybe
• 18:19
  Speaker 16: the Baroni was there also, Signor Barone. I don't know
• 18:22
  Speaker 16: for sure.
• 18:23
  Speaker 3: Who else?
• 18:23
  Speaker 16: Andre, well, the baroness. She came into the courtyard. She
• 18:31
  Speaker 16: also wanted to talk to Senior.
• 18:33
  Speaker 3: Carry she left before it happened. Senor, why did Luigi
• 18:37
  Speaker 3: come to see you? Well? Do you know? No, No,
• 18:41
  Speaker 3: I don't know, and.
• 18:42
  Speaker 9: Until we find out, I must ask you to remain
• 18:44
  Speaker 9: here in the village.
• 18:45
  Speaker 3: Don't worry, commission and nothing could drive me away.
• 18:48
  Speaker 2: Now we'll continue with that too, of Captain Carey USA
• 19:05
  Speaker 2: in a few moments. Now here's Libby Collins with a lux.
• 19:08
  Speaker 6: Movie news hi Ken Tonight's picture is a thriller, diller
• 19:12
  Speaker 6: an adventure film with an exotic background.
• 19:15
  Speaker 5: It's Tropic Zone.
• 19:16
  Speaker 6: Paramount's technical and melodrama starring Ronald Reagan, Randa Fleming, and Estalita.
• 19:21
  Speaker 2: Isn't Randa the owner of a banana plantation in this picture, Libby?
• 19:24
  Speaker 6: Yes, but her plantation grows nothing but trouble. You see,
• 19:27
  Speaker 6: she has an enemy plotting to steal her land, and
• 19:30
  Speaker 6: he almost succeeds until Randa hires Ronald Reagan, a soldier
• 19:33
  Speaker 6: of fortune, to investigate.
• 19:35
  Speaker 2: And he rescues Randa from her trouble.
• 19:37
  Speaker 6: Yes, but it almost costs Reagan his life. He's caught
• 19:40
  Speaker 6: in a mysterious raging fire. His fight proves worthwhile, though,
• 19:45
  Speaker 6: because Tropic Zone ends with Ronald Reagan winning the heart
• 19:48
  Speaker 6: of lux lovely Rhonda Fleming.
• 19:50
  Speaker 2: Libby. There's another of Randa's pictures that is big, big news.
• 19:54
  Speaker 2: That's her photograph in this month's magazines showing Rondo wearing
• 19:58
  Speaker 2: a gorgeous mink coat. And here's the news, ladies. You Yes,
• 20:03
  Speaker 2: you can win a gorgeous mink coat just like you
• 20:06
  Speaker 2: see on Rhonda in the photograph.
• 20:08
  Speaker 6: Oh, you're talking about the wonderful Lux Soap contests with
• 20:11
  Speaker 6: all those exciting prizes of luxurious mink coat, stoles and scarves.
• 20:16
  Speaker 2: Yes, Lux Toilet Soap is offering one hundred and fifty
• 20:19
  Speaker 2: thousand dollars in mink prizes in four weekly contests. All
• 20:23
  Speaker 2: in all, there are twenty magnificent mink coats, forty beautiful
• 20:27
  Speaker 2: mink stoles, three hundred luxurious mink scarves, and.
• 20:30
  Speaker 6: All such beautiful silky mink styled by famous Annis furs.
• 20:35
  Speaker 2: It's easy to enter these contests. Just write twenty five
• 20:38
  Speaker 2: additional words or less to complete the statement I like
• 20:42
  Speaker 2: Lux Toilet Soap because with each entry and close two
• 20:45
  Speaker 2: rappers from any size Lux Soap mail to Lux Contest
• 20:50
  Speaker 2: Box three, New York, forty six, New York.
• 20:53
  Speaker 6: Send in lots of entries every week for more chances
• 20:57
  Speaker 6: to win your mink, but hurry.
• 20:58
  Speaker 2: Entries for this week's contest must be postmarked by Sunday midnight.
• 21:02
  Speaker 2: See entry blanks at most grocers for detailed rules. But
• 21:06
  Speaker 2: you can write your entry now tonight on plain white paper.
• 21:09
  Speaker 6: Just complete the statement I like Lux Toilet Soap because
• 21:13
  Speaker 6: in twenty five additional words or less.
• 21:15
  Speaker 2: Mail to Lux Contest Box three, New York, forty six,
• 21:20
  Speaker 2: New York. Hurry get Lux toilet soap. Enter this week's contest.
• 21:25
  Speaker 2: Now you may be the lux lovely girl who wins
• 21:28
  Speaker 2: a gorgeous mink coat. Now our producer mister Cummings.
• 21:32
  Speaker 4: Act two of Captain Carey USA, starring Charlton Heston's Web
• 21:36
  Speaker 4: and Wanda Hendrix as Julia. It's a few moments later
• 21:49
  Speaker 4: outside the police station, Doctor La Natty is waiting for
• 21:52
  Speaker 4: Web Carrey.
• 21:56
  Speaker 3: They want you to stay here, Captain. Yeah, listen, baby,
• 21:59
  Speaker 3: I'm gonna go to Milano. I know a lawyer, A
• 22:00
  Speaker 3: good lawyer. Would I need a lawyer? Doug. That knife
• 22:04
  Speaker 3: I recognized it belong to Frank Major Williams.
• 22:08
  Speaker 8: So whoever found the painting also found the knife. The
• 22:11
  Speaker 8: betrayer and Luigi's killer are the same. All right, suppose
• 22:14
  Speaker 8: you're right how you find it. Luigi's inspected somebody Luich
• 22:17
  Speaker 8: is dead. His son's wife is Sarah Finish. He must
• 22:20
  Speaker 8: know something.
• 22:20
  Speaker 3: Maybe, don't be foolish. If she knew, she would have
• 22:22
  Speaker 3: shouted from the rooftops long ago. Now take my advice,
• 22:26
  Speaker 3: leave the past alone.
• 22:28
  Speaker 8: This afternoon Luigi said there were twenty seven dead men
• 22:31
  Speaker 8: demanding justice when I killed his son.
• 22:33
  Speaker 3: That made twenty eight. Now it's twenty nine.
• 22:35
  Speaker 11: Be careful, sweetheart, lest it become thirty. Huh, there's such
• 22:48
  Speaker 11: an Honor's such a great time. I please to be
• 22:50
  Speaker 11: seeing saying, okay, we'll be done.
• 22:51
  Speaker 2: At once morning morning, mister key.
• 22:54
  Speaker 3: Sandra just said that great aunt and Andro.
• 22:56
  Speaker 12: Has been kind enough to lendous use of his office.
• 23:00
  Speaker 12: We will be alone.
• 23:02
  Speaker 3: Oh, she's cold.
• 23:03
  Speaker 16: Day is such an hon It's such a pleasure.
• 23:07
  Speaker 12: I have come, among other things, to apologize. I was
• 23:11
  Speaker 12: told that last night, after you had been questioned by
• 23:14
  Speaker 12: the police, some of the people of this village attacked you.
• 23:17
  Speaker 3: Yes, after doctor Lenardi left it. It didn't last long.
• 23:21
  Speaker 12: You were insulted, you were stoned in a sense. I
• 23:25
  Speaker 12: am the head of the village, so I beg you
• 23:27
  Speaker 12: to accept my apologies.
• 23:29
  Speaker 5: They could not have realized what they were doing.
• 23:31
  Speaker 3: Just a reminder to me that I'm not very popular
• 23:34
  Speaker 3: around here.
• 23:35
  Speaker 5: They believe you bring bad luck. But you won't be
• 23:39
  Speaker 5: molested anymore.
• 23:40
  Speaker 3: Do you mean because I'm living here? Partly?
• 23:43
  Speaker 12: That partly because I'm living Not yet, mister Kerry Julia
• 23:52
  Speaker 12: was very young when you fell in love with her.
• 23:55
  Speaker 12: Young girls form romantic attachments very quickly. Now she's grown
• 24:01
  Speaker 12: up and happily married.
• 24:03
  Speaker 3: I'm sure of it.
• 24:04
  Speaker 12: Baron de Graffi has the most distinguished political career before him.
• 24:08
  Speaker 12: The marriage binds two houses of strength and merit. This
• 24:13
  Speaker 12: is the proper arrangement of things, a sort of mathematical equation.
• 24:21
  Speaker 5: I realized that isn't so. Perhaps in America.
• 24:26
  Speaker 3: As is a little more chemical. Girl picks her.
• 24:29
  Speaker 5: Own husband by experiment.
• 24:33
  Speaker 18: Mister Kerry, I wish you good luck and a pleasant trip.
• 24:53
  Speaker 3: I want you for the last time we get up.
• 24:54
  Speaker 3: Don't you recognize with the captain the American? I know
• 24:58
  Speaker 3: who you are.
• 24:58
  Speaker 2: I want to tell your dog that lay up, put
• 25:00
  Speaker 2: down your rife.
• 25:02
  Speaker 19: Yo, Now, Luigi.
• 25:08
  Speaker 8: Murderers all sure, come to sunny Italy and have the
• 25:11
  Speaker 8: time of your life.
• 25:12
  Speaker 3: What do you want. It's a long walk to the
• 25:14
  Speaker 3: farm here. I don't want to leave till I've talked
• 25:16
  Speaker 3: to you.
• 25:17
  Speaker 2: I have nothing to talk.
• 25:18
  Speaker 8: I'm your friend, Sarafino. I was Maria's friend, and I
• 25:21
  Speaker 8: don't believe he was guilty. Please trust me.
• 25:23
  Speaker 2: I trust no one go.
• 25:25
  Speaker 19: I turned the dog loose again.
• 25:26
  Speaker 8: Okay, when your boy, when Pietro asks why he grew
• 25:29
  Speaker 8: up a trader's son, you'd tell him you wouldn't talk
• 25:31
  Speaker 8: to an American.
• 25:34
  Speaker 19: Perfactly, Capitana. Please, I am sorry.
• 25:38
  Speaker 3: It's all right, I understand.
• 25:41
  Speaker 19: Come and we talk on the posture. For years, they
• 25:46
  Speaker 19: treat us like criminals, Pietro and me. When I sent
• 25:50
  Speaker 19: him to school, he comes home covered with blood. The
• 25:55
  Speaker 19: other children hit him with stones. Now Luigi is dead.
• 26:00
  Speaker 3: Friendly, I'm still here, Serina.
• 26:03
  Speaker 19: What can you do?
• 26:04
  Speaker 8: Luigi was killed because he came to the hotel to
• 26:07
  Speaker 8: tell me something.
• 26:07
  Speaker 3: Do you know what it was? I do not know.
• 26:09
  Speaker 8: Did he ever say anything about a painting?
• 26:12
  Speaker 3: I think hard.
• 26:13
  Speaker 8: It's very important. They say Mario delivered a message to
• 26:16
  Speaker 8: a fascist office.
• 26:17
  Speaker 19: They lie Mario hated the FASCISTI he was not a traitor.
• 26:20
  Speaker 8: I know that the one who gave him the message
• 26:22
  Speaker 8: was the trader who was Mario with before he left, Sandro.
• 26:26
  Speaker 3: Doctor Lenardi, one of the Partisans. You've got to remember.
• 26:29
  Speaker 2: I do not know.
• 26:30
  Speaker 3: Miss You've had years to think about this. You must
• 26:33
  Speaker 3: suspect someone, someone in the village. No one in the village,
• 26:36
  Speaker 3: in the palazzo. Don't be afraid. You don't tell me.
• 26:40
  Speaker 3: I can't help you.
• 26:41
  Speaker 19: There's someone at the gate.
• 26:43
  Speaker 3: I keep that dog quite. How did you know I
• 26:49
  Speaker 3: was here.
• 26:51
  Speaker 13: I wanted to hear what Serafina had to tell you.
• 26:53
  Speaker 2: I say nothing, not to her.
• 26:55
  Speaker 8: You can trust Julias. She believes Mario was innocent. Remember
• 26:59
  Speaker 8: she was betrayed to Sisty.
• 27:01
  Speaker 6: Everyone in palazzo.
• 27:02
  Speaker 3: Look, I know you've suffered more than anyone else.
• 27:04
  Speaker 8: But Julie and her family suffered too. They were in
• 27:07
  Speaker 8: a concentration camp.
• 27:08
  Speaker 19: But they get out. They were not touched. And I
• 27:10
  Speaker 19: tell you why. Because of the brother Carlo. We were
• 27:14
  Speaker 19: here fighting. He was in Germany.
• 27:16
  Speaker 13: You do not believe, then ask her, yes, it is true.
• 27:19
  Speaker 13: Carlo was in Germany, a German prisoner condemned to death.
• 27:22
  Speaker 5: Do they kill him?
• 27:24
  Speaker 9: No?
• 27:25
  Speaker 19: Others they kill, not you and your family. You are
• 27:28
  Speaker 19: back in the palazzo.
• 27:29
  Speaker 3: You are rich, finer. Way weren't all killed? You're alive?
• 27:32
  Speaker 3: So am I? And all this cuss And why.
• 27:34
  Speaker 19: Do the FASCISTI and people from the black market come
• 27:36
  Speaker 19: to the palazzo in secret and night?
• 27:37
  Speaker 5: That's not true.
• 27:38
  Speaker 19: Last month I see a man Luigi ro across.
• 27:40
  Speaker 3: The lake in his Basque.
• 27:41
  Speaker 5: I don't know what she's talking.
• 27:42
  Speaker 3: What about the man.
• 27:43
  Speaker 19: Luigi said from Milano? He stayed at the Alberto the hotel,
• 27:46
  Speaker 19: same as you remember what there was. I remember it
• 27:50
  Speaker 19: was day after Pietro's birthday, the last day of June, the.
• 27:54
  Speaker 3: Last day of jew That seems to mean something to you.
• 27:57
  Speaker 13: Yes, yes, that night. No, no, my grandmother had one
• 28:01
  Speaker 13: of her attacks and we were all up until dawn.
• 28:03
  Speaker 13: It had been a visitor. I would have seen him.
• 28:05
  Speaker 3: How long did he stay at the palazza, Lui?
• 28:07
  Speaker 6: Did you say?
• 28:08
  Speaker 20: One?
• 28:08
  Speaker 19: How when he comes back he carries something, a bundle of.
• 28:12
  Speaker 3: What did he look like?
• 28:13
  Speaker 19: I come to the village for Luis. He has to
• 28:15
  Speaker 19: see the man get out of the boat, and not
• 28:17
  Speaker 19: to see his face.
• 28:17
  Speaker 3: I had one more question, Sarafina. Did he wear shoes? Shoes?
• 28:22
  Speaker 13: That's a strange question.
• 28:23
  Speaker 3: The village there's a blind man, Marco.
• 28:25
  Speaker 5: Did he played music and bag pop?
• 28:27
  Speaker 3: Yes?
• 28:28
  Speaker 13: During the war he helped to sew his music. Used
• 28:30
  Speaker 13: to warn us.
• 28:31
  Speaker 3: Maybe he was warning me again this morning. He told
• 28:34
  Speaker 3: me to ask Sarafina about a man with bare feet.
• 28:37
  Speaker 19: A man with a Luigi shoes.
• 28:41
  Speaker 3: I do not look. I'll go back to the village.
• 28:44
  Speaker 3: I'm very grateful to you.
• 28:45
  Speaker 19: Oh what can I do?
• 28:47
  Speaker 3: Nothing, I'll be back again.
• 28:55
  Speaker 13: I have a car out there.
• 28:57
  Speaker 3: Thanks. So, your brother was in prison. I didn't know
• 29:01
  Speaker 3: that it's.
• 29:01
  Speaker 13: Not true what Teaffine had told you. I won't have
• 29:03
  Speaker 13: you suspecting me or my family.
• 29:05
  Speaker 3: Maybe I can find the truth in.
• 29:06
  Speaker 13: Milano, and I'll go to Milano with you.
• 29:08
  Speaker 3: That's fine. I'm sure your husband will like that.
• 29:11
  Speaker 13: He'd like it even less if he knew that people
• 29:12
  Speaker 13: are suspecting us of entertaining men from the black market
• 29:15
  Speaker 13: or as trade.
• 29:16
  Speaker 3: Do you know him better than I do? But you're
• 29:17
  Speaker 3: not going with me.
• 29:18
  Speaker 13: I'm more involved in all of this than you are.
• 29:21
  Speaker 13: If you won't let me help you, then I'll do
• 29:22
  Speaker 13: what I can by.
• 29:23
  Speaker 8: Myself, all right, Then go back to the island and
• 29:25
  Speaker 8: make some excuse meantime, I'll try to find out who
• 29:28
  Speaker 8: stayed at Sandra's hotel in the thirtieth of June.
• 29:31
  Speaker 3: Pick me up there when you're read.
• 29:44
  Speaker 13: Well, are you ready to tell me?
• 29:47
  Speaker 3: Tell you what?
• 29:48
  Speaker 6: Well?
• 29:48
  Speaker 13: Something must have happened when I went to the hotel
• 29:50
  Speaker 13: to pick you up. Sandra was very upset. He said,
• 29:52
  Speaker 13: I'd find you back at Seraphine's.
• 29:54
  Speaker 3: Again, I took you out of your way. I'm sorry
• 29:56
  Speaker 3: what happened. There was a detective at the hotel.
• 30:00
  Speaker 8: Seems his job was to make sure I didn't leave
• 30:02
  Speaker 8: without him, so I left through the window.
• 30:04
  Speaker 13: Was very foolish.
• 30:05
  Speaker 8: Made a purchase from Sundra too. Is guest list of
• 30:08
  Speaker 8: June thirtieth eight or ten names Ana. They look promising tourists,
• 30:13
  Speaker 8: all from Milano with have.
• 30:16
  Speaker 13: You already made up your mind about us? A very beauty?
• 30:21
  Speaker 3: I haven't taken a ballad yet. True Serafina doesn't make sense.
• 30:26
  Speaker 3: She doesn't know yet.
• 30:28
  Speaker 13: Thank you?
• 30:29
  Speaker 3: What are you smiling at?
• 30:32
  Speaker 13: I was just thinking, how much like old times.
• 30:36
  Speaker 3: You'd better talk about the weather, betterness and get us
• 30:39
  Speaker 3: to Milano. Well, any luck, nothing sick stop we've made
• 30:53
  Speaker 3: so far. They've all said they were just seeing the sights.
• 30:56
  Speaker 3: Strangely enough, they all seem to be telling the truth,
• 30:58
  Speaker 3: and they all wore shoes.
• 31:00
  Speaker 13: Well, you're just wasting time. Everyone in the village knows
• 31:03
  Speaker 13: the blind man a little crazy. And how do you
• 31:05
  Speaker 13: know that Serafina hasn't dreamed all this about a man
• 31:08
  Speaker 13: from Milano.
• 31:08
  Speaker 8: Because she doesn't sleep that well anymore? We'll soon find out.
• 31:13
  Speaker 3: Three names left, two is next.
• 31:15
  Speaker 13: I'm Alfredo Auto Villosamorelli thirty two.
• 31:18
  Speaker 3: Let's get going and don't forget. I'll do the talking.
• 31:20
  Speaker 3: And my name's cut William Coutt. See is he there?
• 31:34
  Speaker 3: Your son? William Cutter, A Latin lazy.
• 31:37
  Speaker 21: See Senora Acuta zakrobats played all over the world. What
• 31:40
  Speaker 21: can I do for you?
• 31:41
  Speaker 13: You have your gymnasium here.
• 31:43
  Speaker 21: I should be delighted to show you, Senora.
• 31:44
  Speaker 5: Oh, he's thinking of booking your actor, aren't you, dear?
• 31:47
  Speaker 3: It's possible.
• 31:48
  Speaker 21: Yes, excellente, excellente. Come with me please. They are practicing
• 31:52
  Speaker 21: now inside before Cellini bands later.
• 31:54
  Speaker 3: Maybe I want to talk to you privately.
• 31:55
  Speaker 21: Oh, as you were, Senora. I have scrap books here
• 31:58
  Speaker 21: on the table, clipping from all of the newspaper.
• 32:00
  Speaker 3: I'm more interested in paintings than in acrobats. Painting some
• 32:03
  Speaker 3: old masters.
• 32:04
  Speaker 8: I've bought I can't seem to get permission to take
• 32:06
  Speaker 8: them out of Italy.
• 32:08
  Speaker 21: This is very interesting, Senora, But why do you.
• 32:10
  Speaker 3: Come to me. You manage the acro bats see see
• 32:13
  Speaker 3: the finest in the world. You travel from one country
• 32:15
  Speaker 3: to another.
• 32:16
  Speaker 8: Well, I was told you could help me get the
• 32:18
  Speaker 8: paintings out for a price, of course.
• 32:20
  Speaker 21: Oh but this is not true, Signora. Who tells you
• 32:23
  Speaker 21: these things?
• 32:23
  Speaker 22: Mr?
• 32:23
  Speaker 3: True friend?
• 32:24
  Speaker 8: He seemed to have had a similar problem with a
• 32:26
  Speaker 8: Bellini in the village of Belmonte.
• 32:29
  Speaker 21: Belle Monty. I'm afraid I'm not even acquainted with anyone
• 32:32
  Speaker 21: in belmont.
• 32:32
  Speaker 3: If you've just forgotten you met him at the palazzo
• 32:35
  Speaker 3: in June thirtieth.
• 32:36
  Speaker 21: June thirtieth, Belmonte. Ah, yes, yes, of course I tried
• 32:41
  Speaker 21: to get an engagement for the festival, but I was
• 32:43
  Speaker 21: not at the palazza that night.
• 32:44
  Speaker 8: He just said night. How did you know it was night?
• 32:46
  Speaker 8: I didn't say so. Where are your shoes at Curto?
• 32:49
  Speaker 8: Don't you like shoes?
• 32:52
  Speaker 21: Shoes or predonama, Signor? It is a habit from the
• 32:55
  Speaker 21: years when I too performed for Strong Feet, Senora, you
• 32:58
  Speaker 21: wear the shoes as little as possible.
• 33:00
  Speaker 3: Now let's get back to the Pilutz.
• 33:02
  Speaker 21: But I know nothing about this business.
• 33:04
  Speaker 8: You're lying at Cuter. You were seen leaving the plazza.
• 33:06
  Speaker 8: The boatman recognized, Oh this is not you. Stole that painting, No, Senor,
• 33:10
  Speaker 8: stole the painting, and you killed Luigi Luigi.
• 33:12
  Speaker 21: I do not know what you are talking about. You
• 33:14
  Speaker 21: have no paintings.
• 33:15
  Speaker 3: You are police now I'm not police, secuto. But it's
• 33:17
  Speaker 3: not a bad idea. Excuse me, I'll use your phone.
• 33:20
  Speaker 21: No, no, no, wait, Senora, please, you are making a
• 33:21
  Speaker 21: big mistake. I do not kill anybody. I'm not a murderer.
• 33:26
  Speaker 21: I smuggled the paintings, yes, but I did not steal it.
• 33:29
  Speaker 3: Can't prove that you didn't prove But I.
• 33:31
  Speaker 21: Can't, Senora, I prove in my office, in the safe.
• 33:33
  Speaker 3: What about the safe.
• 33:34
  Speaker 21: I will get you a copy I made out of
• 33:35
  Speaker 21: the seat. I have the copy made out with the
• 33:37
  Speaker 21: cray crashy Oh no, no, Senora, you wait, I bring
• 33:41
  Speaker 21: it to you.
• 33:41
  Speaker 3: No trick, secudo, I've got a gun tricks.
• 33:45
  Speaker 21: I just don't want any trouble. I opened the safe
• 33:47
  Speaker 21: and I.
• 33:47
  Speaker 2: Bring you the.
• 33:50
  Speaker 3: I knew I should have dot you out. I was
• 33:52
  Speaker 3: crazy to let you come along way.
• 33:56
  Speaker 13: Did he stop talking?
• 33:57
  Speaker 3: Asking?
• 33:59
  Speaker 13: Or you're auto?
• 34:01
  Speaker 3: You in there? I warned you. I didn't want any
• 34:04
  Speaker 3: kuto with a nurse.
• 34:08
  Speaker 8: I'm afraid he is Look an open window. Whoever did
• 34:11
  Speaker 8: it came and left for the window.
• 34:13
  Speaker 3: Let's go. What are those papers in his hand.
• 34:16
  Speaker 13: Nothing that even looks like a sea.
• 34:18
  Speaker 3: That's what the killer came for. Yes, I know you're
• 34:24
  Speaker 3: quickly the stairs.
• 34:26
  Speaker 15: Your nicotel to your chast's see you, chas.
• 34:43
  Speaker 5: But are you sure that they saw it?
• 34:44
  Speaker 8: Yes, I'm sure at least two of them saw me.
• 34:46
  Speaker 8: I'm going to stop the car at the next corner.
• 34:48
  Speaker 8: Just do as I tell you. By now they've given
• 34:50
  Speaker 8: my description to the police. You'l drive the car back
• 34:51
  Speaker 8: to Belmonte if you stopped. You don't know anything about me.
• 34:54
  Speaker 8: You haven't seen me, understand, And I have to get
• 34:56
  Speaker 8: back to the hotel before they pined this something.
• 34:58
  Speaker 3: Now go on, I'll get back. You have been very quiet, Baby,
• 35:13
  Speaker 3: you have deep thoughts.
• 35:14
  Speaker 8: Maybe it's you. I still don't understand it. Lenati, if
• 35:18
  Speaker 8: all the people in Milano, you.
• 35:20
  Speaker 3: Should just happen to be driving by and just happen
• 35:23
  Speaker 3: to see me.
• 35:24
  Speaker 11: Orio, I was going to Malan to find a lawyer.
• 35:27
  Speaker 11: What were you doing in the city looking up some people?
• 35:29
  Speaker 11: And in luck a little?
• 35:31
  Speaker 8: And when we get back, then what I want to
• 35:33
  Speaker 8: take a look at our old hiding place in the
• 35:35
  Speaker 8: Palazza cellar for what, Baby, A long.
• 35:38
  Speaker 3: Time ago I left some oss knives there. They're gone now,
• 35:42
  Speaker 3: along with the paintings, so they tell me. But if
• 35:44
  Speaker 3: the rest of the paintings is still there, then someone's lying.
• 35:47
  Speaker 3: Right down the line. Someone is lying. But who you guess, Lenadi.
• 35:52
  Speaker 3: I'll wait and.
• 35:53
  Speaker 23: See now, would someone mind telling me what this is
• 36:09
  Speaker 23: all about?
• 36:10
  Speaker 14: Police officers, guns, flashlights.
• 36:13
  Speaker 3: Only the griff.
• 36:13
  Speaker 9: You you will forgive us, please? We see you here
• 36:16
  Speaker 9: at the lake. We did not recognize you in the da.
• 36:19
  Speaker 14: I was about to drive the launch back to the island.
• 36:21
  Speaker 14: But if something is wrong, snor allow me. Baroni de Graffi.
• 36:25
  Speaker 9: This is Lieutenant CHRISTOLDI of the Milano Police and Signor
• 36:28
  Speaker 9: Simonds from the American Consulate in Milano.
• 36:32
  Speaker 24: We're looking for a compatriot of mine, Baroney, who seems
• 36:35
  Speaker 24: to have gotten into trouble.
• 36:36
  Speaker 14: The compatriot not Senor Carey.
• 36:39
  Speaker 9: Yes, you have heard of the death of the boatman
• 36:42
  Speaker 9: Luigi tragedy Commissioner, so we play Senor carry on the surveillance.
• 36:47
  Speaker 9: It was as much for his own protection, so he disappeared.
• 36:52
  Speaker 9: Lieutenant CHRISTOLDI can't tell you the rest.
• 36:55
  Speaker 22: This afternoon, Signor Milano, a man named Akuto is murdered.
• 37:00
  Speaker 22: A man named Chellini telephoned the police. He claimed that
• 37:02
  Speaker 22: Senoracuto had two strangers in his office, a man and
• 37:06
  Speaker 22: a woman. The man is an American of the same
• 37:09
  Speaker 22: description as Webster care I.
• 37:12
  Speaker 24: Still say that does mean a thing. Lieutenant Webster Carey
• 37:15
  Speaker 24: was planning anything as monstrous as this is highly unlikely
• 37:19
  Speaker 24: would have called on me first.
• 37:21
  Speaker 9: He he called on you, yes, yes, at the councilor
• 37:25
  Speaker 9: a few days ago. He wanted some information regarding the
• 37:29
  Speaker 9: export of painting.
• 37:30
  Speaker 14: Forgive me, Signori. But I still don't understand why you
• 37:33
  Speaker 14: think that he will have.
• 37:34
  Speaker 22: Two excellent reasons for wanting him Broonic, One because he
• 37:37
  Speaker 22: has disappeared, and two because shortly after the murder of Signoracuto,
• 37:42
  Speaker 22: I received a telephone call. He would not give his name,
• 37:46
  Speaker 22: but he said, the man who killed Lakuto is a webster.
• 37:48
  Speaker 24: Carry your mysterious informant easily could be the murderer himself,
• 37:53
  Speaker 24: trying to throw you off the track.
• 37:54
  Speaker 22: You can't be sure, Signori, there will be an arrest
• 37:57
  Speaker 22: without definite proof and evidence.
• 38:00
  Speaker 14: Signor Carrey was of great help to her people during
• 38:03
  Speaker 14: the war.
• 38:03
  Speaker 3: We do not question that, Baroni.
• 38:05
  Speaker 14: Therefore, I am most reluctant to say what I am
• 38:08
  Speaker 14: now compelled to say.
• 38:10
  Speaker 3: You've seen him? Where where is he? Surely not to
• 38:14
  Speaker 3: pilot no no.
• 38:15
  Speaker 14: I passed him on the road outside the village, perhaps
• 38:18
  Speaker 14: twenty minutes ago. The road tought the border. I tried
• 38:21
  Speaker 14: to call to him, but he was in too much
• 38:23
  Speaker 14: of a hurry. He was driving Alancha Caliphorna.
• 38:26
  Speaker 9: Where the nearest quickly, I will show you a part
• 38:28
  Speaker 9: of the Swiss border sixty kilometers.
• 38:29
  Speaker 3: We still have a chance.
• 38:35
  Speaker 14: You can come out of the launch signor they are
• 38:37
  Speaker 14: gone next for the help.
• 38:38
  Speaker 3: I've been running ever since I saw the police in
• 38:41
  Speaker 3: front of the hotel.
• 38:42
  Speaker 14: Where you're safe for the moment. The roads are full
• 38:44
  Speaker 14: of lanches, all going fast. Italians like to speed. Why
• 38:49
  Speaker 14: did you lie to them?
• 38:51
  Speaker 3: You should be a great success.
• 38:52
  Speaker 14: In Pallet experer. Let us understand each other, mister Carey. Personally,
• 38:57
  Speaker 14: I have no objection to your going to prison, but
• 39:00
  Speaker 14: I cannot afford to have my wife involved in a murder.
• 39:03
  Speaker 3: Where do you get your information an.
• 39:05
  Speaker 14: Unimpeachable thought signor from Julia herself. We all talked things
• 39:11
  Speaker 14: over when she returned this afternoon, and we decided that
• 39:14
  Speaker 14: you should get out of Italy as fast as you can.
• 39:17
  Speaker 3: I am here to see that you do notice sending
• 39:20
  Speaker 3: voice in a family circle.
• 39:22
  Speaker 8: Not not that I'm ungrateful, Baroni, but I don't like
• 39:25
  Speaker 8: being pushed around by you, your family, the police, or
• 39:27
  Speaker 8: anybody else. And I don't like people to let innocent
• 39:30
  Speaker 8: men take the blame for the crimes they've committed. So
• 39:33
  Speaker 8: thanks again for your help, But I'm going to stick around.
• 39:35
  Speaker 3: At bother people, can of bother people till I find
• 39:38
  Speaker 3: the man who turned us in, And.
• 39:40
  Speaker 8: Having found him, then would you leave? Then I'll set
• 39:43
  Speaker 8: a speed record. You know a lot of answers, Baroni.
• 39:46
  Speaker 8: Maybe you can help me. I don't know who killed Luigi.
• 39:50
  Speaker 8: I certainly would not know who killed this man Acuto,
• 39:53
  Speaker 8: but I do know who told the Germans that night
• 39:56
  Speaker 8: in nineteen forty four. And I also knowe that Julia
• 40:02
  Speaker 8: is the last person in the world you would heart Julia.
• 40:06
  Speaker 8: Julia betrayed his Anna. No that that one I can't
• 40:09
  Speaker 8: accept it is true, and she'll.
• 40:11
  Speaker 3: Have to tell me so herself.
• 40:13
  Speaker 14: She will senor get back in the launch. You can
• 40:16
  Speaker 14: ask Julia yourself, Amina.
• 40:25
  Speaker 13: Amina Pietro, Oh, I could beat you.
• 40:28
  Speaker 6: Why you come home so late.
• 40:29
  Speaker 3: I hear them talking.
• 40:30
  Speaker 13: Momina at the lake.
• 40:31
  Speaker 12: I heard him, the baron and the American, the one
• 40:34
  Speaker 12: who was here talking.
• 40:35
  Speaker 5: The baron told him Amina the name of the trader.
• 40:38
  Speaker 13: The Baronessa, Julia betrayed.
• 40:41
  Speaker 3: To the Germans, Pietro. If you lie as I'm the.
• 40:44
  Speaker 12: Son of my father, Mari, who I swear it, Julia,
• 40:48
  Speaker 12: the baron.
• 40:48
  Speaker 19: Said, so come, we go to the village, the police,
• 40:52
  Speaker 19: to the Battersians those who are left.
• 40:54
  Speaker 25: Then we crossed the lake and killed the trader before
• 41:12
  Speaker 25: we bring you back. Three of Captain carry Usa. Here's
• 41:15
  Speaker 25: Irving Cummings with tonight's guest, Paramount's lovely Starlett Catherine Grandstaff.
• 41:20
  Speaker 3: Hello Catherine.
• 41:21
  Speaker 4: What's happening at Paramount these days?
• 41:23
  Speaker 26: Well, for one thing, everybody's still laughing at the sides
• 41:26
  Speaker 26: splitting attics of Dean Martin and Jerry Lewis in that
• 41:29
  Speaker 26: wonderful Hal Wallace comedy The Stooge. That's the very funny
• 41:32
  Speaker 26: picture which, besides Dean and Jerry, stars Mary and Marshall,
• 41:36
  Speaker 26: Eddie Mayhoff and Polly Bergen.
• 41:37
  Speaker 4: I understand that, besides their usual hilarious routines, Dean and
• 41:41
  Speaker 4: Jerry have some moments of very serious drama.
• 41:43
  Speaker 26: That's right, it's a great story of the happiness and
• 41:46
  Speaker 26: heartbreaks of show business. Of course, Dean sings several hit
• 41:50
  Speaker 26: songs in his customary smooth manner, and not to be outdone,
• 41:53
  Speaker 26: Jerry too sings several songs in his not so smooth manner.
• 41:57
  Speaker 3: Well.
• 41:57
  Speaker 4: Besides music and laughs, I know the Student Hug has
• 42:00
  Speaker 4: plenty of glamour with two such lovely stars as Marion
• 42:03
  Speaker 4: Marshall and Polly Bergen, they're both devoted lux girl.
• 42:06
  Speaker 26: When I'm a lux girl too, mister Cunning, I love
• 42:09
  Speaker 26: the way Locks soap facials leave my skin feeling.
• 42:11
  Speaker 2: So soft, Yes, Catherine, Hollywood's most glamorous stars agree on this.
• 42:16
  Speaker 2: Daily Lux soap care works wonders for the complexion. It's
• 42:20
  Speaker 2: the gentle toning action and lux care that gives skin
• 42:23
  Speaker 2: new softness, freshness.
• 42:25
  Speaker 3: So try it girls.
• 42:26
  Speaker 2: Luck's care works so quickly You'll have lovelier skin with
• 42:30
  Speaker 2: just one cake of Lux. Now that's a guarantee for
• 42:34
  Speaker 2: any normal skin from Lever Brothers Company and Lucks.
• 42:37
  Speaker 26: Facials are so easy, mister Carpenter. You just cream in
• 42:40
  Speaker 26: the rich ladder rinse warm, splash cold and it's a
• 42:43
  Speaker 26: joy to see how your skin sparkled.
• 42:45
  Speaker 2: Tomorrow, girls, get lux toilet soap for your skin. Remember
• 42:49
  Speaker 2: nine out of ten screen stars use Lucks. You'll see
• 42:53
  Speaker 2: Hollywood's favorite beauty care will make your skin smoother too.
• 42:58
  Speaker 2: We pause now for station I don'tification. This is the
• 43:01
  Speaker 2: CBS Radio Network.
• 43:06
  Speaker 3: And k n X Columbia Square, Los Angeles.
• 43:29
  Speaker 4: The Curtain Risers are Act three of Captain Carey USA,
• 43:33
  Speaker 4: starring Charlton Heston, Is Webb and Wanda Hendrix as Julia.
• 43:47
  Speaker 4: In the village of Belmonte, an angry crowd gathered in
• 43:50
  Speaker 4: the plaza Sheriffina has told them the new name of
• 43:53
  Speaker 4: the traitor. Meanwhile, Webb and the baron have returned to
• 43:57
  Speaker 4: the palazza. You remember Carlo, mister Kerey, Julia's brother.
• 44:05
  Speaker 3: Good evening, sorning your sister. Where is she?
• 44:08
  Speaker 14: I will tell Julia that you're here. Carlo, well, Giovanni,
• 44:14
  Speaker 14: I'm not sure where he is. If you should see him,
• 44:16
  Speaker 14: tell him to put the lunch in the boathouse. Now
• 44:19
  Speaker 14: get a drink from mister.
• 44:20
  Speaker 9: Carey, won't you see down?
• 44:23
  Speaker 3: Thanks? What saw the mister case? It doesn't matter whatever
• 44:26
  Speaker 3: is handing Carlo who's Giovanni is a valet signor my
• 44:30
  Speaker 3: brother in law?
• 44:31
  Speaker 14: Seventy?
• 44:32
  Speaker 3: Now, if you excuse me, I get your drink.
• 44:36
  Speaker 14: Where is she? Giovanni? The baronessa a pastairs with the
• 44:39
  Speaker 14: old woman. You want to I'll get her myself. Go
• 44:43
  Speaker 14: down to the cellar Giovanni.
• 44:44
  Speaker 21: So Ala just tell me to put the lungeoy.
• 44:47
  Speaker 14: And I tell you to go down to the cellar.
• 44:49
  Speaker 3: Carlos.
• 44:50
  Speaker 21: Say you came back with the Americano.
• 44:51
  Speaker 14: Then you know what has to be done. There will
• 44:54
  Speaker 14: be no travel signor I'll come down.
• 44:57
  Speaker 3: With him later. Something wrong, grand Mother? The contess is
• 45:04
  Speaker 3: not ill again. I told you it's nothing. It's very obvious.
• 45:07
  Speaker 3: Why don't you get it off your chest? This much?
• 45:10
  Speaker 3: I can't tell you it will be here any moment.
• 45:12
  Speaker 3: Just do whatever Julia ask.
• 45:14
  Speaker 6: You to do.
• 45:14
  Speaker 3: You'll have to tell me more than that. I cannot.
• 45:16
  Speaker 3: I will not.
• 45:17
  Speaker 8: Besides, too late, do you mean, mister Carey?
• 45:21
  Speaker 12: We will talk in here, Julia.
• 45:24
  Speaker 14: We can forget the amenities, Julia. Mister Carey is very
• 45:27
  Speaker 14: anxious to get to the point.
• 45:29
  Speaker 3: Julia.
• 45:29
  Speaker 8: Your husband wants me to believe that I'm sure the
• 45:32
  Speaker 8: one who told the Germans the one who betrayed it.
• 45:35
  Speaker 14: I it's a very simple answer, he wants, Julia, you'll
• 45:40
  Speaker 14: say yes.
• 45:41
  Speaker 3: What do you say? No? Yes, I don't believe it.
• 45:46
  Speaker 5: You must because it's true.
• 45:47
  Speaker 14: Why would you betray The police may be here at any minute.
• 45:50
  Speaker 3: To tell him.
• 45:51
  Speaker 13: A few nights before the raidar I told you I
• 45:54
  Speaker 13: had to go to Milan. Or do you remember you
• 45:55
  Speaker 13: told me.
• 45:56
  Speaker 3: You were going to get medicine for the contests.
• 45:57
  Speaker 13: Yes, but I lied. We was still a German prisoner.
• 46:01
  Speaker 13: I heard that he was going to be executed. I
• 46:04
  Speaker 13: went to Elano to pick for Carlo's life. The Nazis
• 46:07
  Speaker 13: agreed to let him go if I would tell him
• 46:09
  Speaker 13: where the Oas says for hiding you and Major Williams.
• 46:12
  Speaker 14: He had no choice, mister Carey, none whatsoever out of it.
• 46:16
  Speaker 3: Go on, Julia, go on.
• 46:18
  Speaker 5: What more you have to know, mister Kerey, There is
• 46:20
  Speaker 5: nothing else.
• 46:21
  Speaker 13: Do what you think is right, but go away. I
• 46:23
  Speaker 13: tig of you.
• 46:23
  Speaker 14: Go away if you will allow me, mister Carey, there
• 46:26
  Speaker 14: is one more particular. Julia sent a letter to a
• 46:29
  Speaker 14: prominent fascist asking him to arrange a meeting with the
• 46:32
  Speaker 14: German commandant. Mario delivered it.
• 46:36
  Speaker 3: Now, will you go yes, now I'll go.
• 46:39
  Speaker 14: You have a gun, mister Kerey, I did have, but
• 46:42
  Speaker 14: I threw it away.
• 46:43
  Speaker 8: You were very wise eleven't have explaining to do without
• 46:46
  Speaker 8: accounting for a gun.
• 46:48
  Speaker 3: It's too late the window. Look there are a dozen boths.
• 46:51
  Speaker 14: The police already, or perhaps you are ready to talk
• 46:53
  Speaker 14: to them.
• 46:53
  Speaker 3: No, not yet. Then I'll take you through the cellar.
• 46:56
  Speaker 3: This way is innor I know the way.
• 47:10
  Speaker 14: The light is rather dimmed down here. Be careful, mister carey.
• 47:13
  Speaker 14: This place has a lot of memories, Baronet. If you
• 47:16
  Speaker 14: keep walking down the passage, you will get out through
• 47:18
  Speaker 14: the greenhouse.
• 47:19
  Speaker 3: I have another boat on the other side of the island.
• 47:21
  Speaker 3: Wait a minute.
• 47:21
  Speaker 8: At door, Yeah, that's where they killed him. Had you
• 47:25
  Speaker 8: Williams right at the door, we'd found the painting. At
• 47:27
  Speaker 8: a hurry, I'd like to go in and take another look.
• 47:30
  Speaker 8: I wouldn't waste any time, mister. Call only be a minute.
• 47:33
  Speaker 8: Delay may be fatal.
• 47:34
  Speaker 3: This is where I spent six months of my life.
• 47:37
  Speaker 3: I'd like to refresh my memory. There are a candle
• 47:39
  Speaker 3: in here, I believe, so.
• 47:41
  Speaker 8: Come in, Baroney, and that you said this room was empty.
• 47:46
  Speaker 8: The other paintings they're still here, and the supplies we stowed.
• 47:49
  Speaker 8: We were going to give this equipment to the partisan.
• 47:51
  Speaker 3: If you're through reminiscing, yes, I'm through, and I know
• 47:55
  Speaker 3: now why Julia was lying. She lied to protect you.
• 47:58
  Speaker 14: No, mister Carey, Julia was trying to get you to leave,
• 48:01
  Speaker 14: to save your life. She knows that if you found
• 48:05
  Speaker 14: your betrayer, I would be left with no alternative. I
• 48:09
  Speaker 14: would be forced to kill you, just as you killed
• 48:12
  Speaker 14: Luigi and Nakuta, as Giovanni killed Luigi and Akuto. I
• 48:15
  Speaker 14: merely supervised.
• 48:16
  Speaker 3: So you're the betrayed. How did you know about a
• 48:19
  Speaker 3: hiding place?
• 48:20
  Speaker 14: I didn't, mister care But Julia's grandmother did. When the
• 48:24
  Speaker 14: Contessa learned that Carlo was to be executed, she sent
• 48:28
  Speaker 14: for me. I contacted the Nazis. The arrangements were simple,
• 48:32
  Speaker 14: a single letter, innocently delivered by Mario, trading your hiding
• 48:36
  Speaker 14: place for Carlo's life.
• 48:38
  Speaker 3: You see, he is the last of the depression. You
• 48:42
  Speaker 3: smuggled up that painting of the island.
• 48:44
  Speaker 14: It was very helpful in financing my career. Naturally, I
• 48:48
  Speaker 14: cannot let my illegal sale of paintings and my former
• 48:50
  Speaker 14: connection with the Nazis become known. It would mean the
• 48:53
  Speaker 14: end of everything. I am sure you can understand my position. Giovanni.
• 48:59
  Speaker 3: He will not live here.
• 49:00
  Speaker 27: But I'm a contest. I tell you it's not the police.
• 49:15
  Speaker 27: Is the people of the village.
• 49:17
  Speaker 5: What do they wish to Tolu Nati?
• 49:19
  Speaker 13: I think I know they come for me, Julia.
• 49:22
  Speaker 3: No, not in the name of all the saints. Sorry,
• 49:24
  Speaker 3: don't stand here. Go on through the cellar.
• 49:26
  Speaker 5: Go through the cellar with the doctor.
• 49:29
  Speaker 12: Julia.
• 49:29
  Speaker 3: Sorry, they're breaking the door down.
• 49:31
  Speaker 21: I'll stay here with no stop.
• 49:38
  Speaker 3: I come on you to.
• 49:39
  Speaker 24: Tap you, disgrace the dead.
• 49:43
  Speaker 12: They ask you for justice, not for revenge.
• 49:45
  Speaker 20: I tell you that Julia is not guilty of this thing.
• 49:49
  Speaker 21: Husband plays Get out of the way, said the house.
• 49:52
  Speaker 28: She must be here, cap down, captain, if you're in
• 50:03
  Speaker 28: the cellar, opened the door, Captain, it's Julia.
• 50:06
  Speaker 3: They want Julia web Web opened the door. It's our
• 50:11
  Speaker 3: only chance.
• 50:21
  Speaker 8: I got barons, Grenadesia, the hand grenades.
• 50:26
  Speaker 3: They were still there where we'd left them.
• 50:31
  Speaker 6: They stopped.
• 50:32
  Speaker 13: They want to kill you.
• 50:33
  Speaker 3: There we are.
• 50:37
  Speaker 2: He must pay.
• 50:38
  Speaker 3: He must find anything. The trail is dead. You have
• 50:42
  Speaker 3: to found about on it.
• 50:43
  Speaker 6: He said.
• 50:44
  Speaker 3: She was guilty. The barony lied to me to protect himself.
• 50:48
  Speaker 3: He had Luigi murdered and the man in Malana. Wee
• 50:50
  Speaker 3: can fist.
• 50:51
  Speaker 13: Then we will find them.
• 50:53
  Speaker 3: Where is he?
• 50:53
  Speaker 7: He'll find them down there in the passage the griffy Engeva.
• 51:04
  Speaker 7: I had no choice, Julia, Giovanni was waiting for me.
• 51:07
  Speaker 7: He'd sent him down here to kill me. I've told
• 51:15
  Speaker 7: you the truth, Seraphine.
• 51:17
  Speaker 19: Mario's memory is cleared.
• 51:21
  Speaker 2: Pietro will never be called cret A son again.
• 51:23
  Speaker 3: Pietro's father was a patriot. Tell them to go home.
• 51:27
  Speaker 3: The dead can sleep in peace. Now.
• 51:29
  Speaker 19: Grat, grat.
• 51:36
  Speaker 9: You grat.
• 51:42
  Speaker 3: Julia. Come upstairs, Lenadi, get word to the police. Tell
• 51:52
  Speaker 3: them I'm here. You'll be here soon enough. I saw
• 51:56
  Speaker 3: the lights of their boats on the lake.
• 51:58
  Speaker 13: I was told everything to say when I came back
• 52:01
  Speaker 13: from Milano. My husband is okay.
• 52:04
  Speaker 5: There is something I want to say.
• 52:07
  Speaker 3: Doesn't matter our contestion. The baronet told me about.
• 52:10
  Speaker 5: You this time. He did not lie.
• 52:15
  Speaker 3: Your punishment is living with yourself.
• 52:18
  Speaker 12: It won't be for long here, doctor, do nothing will
• 52:22
  Speaker 12: confirm that.
• 52:24
  Speaker 5: What did you tell me doctor? One month too?
• 52:28
  Speaker 13: Perhaps, card Look, come, I I have no right to
• 52:35
  Speaker 13: ask for anything with or even forgiveness.
• 52:39
  Speaker 3: What will you do now, I'm not sure. First I've
• 52:43
  Speaker 3: got to square myself with the police. That may take
• 52:45
  Speaker 3: a while. Then I'm going home. I want you to
• 52:49
  Speaker 3: take this Julia.
• 52:54
  Speaker 5: The middle of Saint Christo, but I'll come.
• 52:57
  Speaker 3: Back when you send it to me. Don't make it
• 53:00
  Speaker 3: too long.
• 53:20
  Speaker 4: In a moment as stars who return. Now Here is
• 53:23
  Speaker 4: ken coppenter.
• 53:24
  Speaker 2: Chlorodent toothpaste does more to give you a clean, fresh
• 53:28
  Speaker 2: mouth than any other danifice, And now here is proof
• 53:32
  Speaker 2: that chlorodent gives you a healthier mouth too. In the
• 53:35
  Speaker 2: interest of child health, chlorodent was tested under the supervision
• 53:39
  Speaker 2: of dentists at Father Flanagan's famous Boys Town. In this research,
• 53:44
  Speaker 2: chlorodent and a fine white toothpaste were used regularly by
• 53:48
  Speaker 2: different groups of youngsters, and in just sixty days, dentists
• 53:52
  Speaker 2: found that three fourths of the boys using chlorodent showed
• 53:56
  Speaker 2: dramatic improvement in mouth health. Chlorodent was proved twice as
• 54:01
  Speaker 2: effective as the fine white toothpaste for quickly reducing a
• 54:04
  Speaker 2: cute gingivitis, a common mouth ailment, and that's another reason
• 54:09
  Speaker 2: why Leber Brother's company unconditionally guarantees that chlorodent does more
• 54:14
  Speaker 2: for you than any other toothpaste white, ammoniated or chlorophyll
• 54:18
  Speaker 2: to give you a clean, fresh, healthy mouth. Make sure
• 54:23
  Speaker 2: you get the toothpaste used in this boys Town research Chlorodent.
• 54:27
  Speaker 2: Here's mister Cummings with our stars.
• 54:29
  Speaker 4: And for two excellent performances, we'd like them to step
• 54:32
  Speaker 4: forward for a curtain call. Charlton Heston in Wanda Hendrix,
• 54:44
  Speaker 4: wonder you haven't paid us a visit for a long time?
• 54:46
  Speaker 21: What's the meeting of this desertion?
• 54:48
  Speaker 13: Oh, just lots of work iving. I've been making pictures
• 54:50
  Speaker 13: in Europe, doing TV New York, and just lately I've
• 54:53
  Speaker 13: been brushing up on radio, one of my favorite acting mediums.
• 54:56
  Speaker 4: Yeah, just like Charlton, who also likes to keep his
• 54:59
  Speaker 4: hand in all phases.
• 55:00
  Speaker 5: Well, I know.
• 55:01
  Speaker 13: Charlton is partial to television because that's where producer how
• 55:04
  Speaker 13: Wallace discovered him.
• 55:05
  Speaker 3: Yes, the play I was doing more or less took
• 55:08
  Speaker 3: the place of his screen test for me.
• 55:09
  Speaker 4: Halla's responsible for bringing some splindor talent to the screen.
• 55:13
  Speaker 4: For his latest production, come Back Little Sheepa, he chose
• 55:16
  Speaker 4: Shirley Booth right from the stage play.
• 55:18
  Speaker 8: Well, of course, Shirley had already won seven awards for
• 55:21
  Speaker 8: his stage Betrayal, and now she's won three more for
• 55:24
  Speaker 8: performance in the film.
• 55:26
  Speaker 4: Well, that certainly will set a high stand for other actresses,
• 55:28
  Speaker 4: will it Wander.
• 55:29
  Speaker 13: Yes, indeed, I shall immediately join the circuses in acrobat.
• 55:33
  Speaker 3: What for you need the exercise or something?
• 55:36
  Speaker 13: Well, that's how britt Lancaster has started. And they're also
• 55:38
  Speaker 13: talking about his getting an Academy Award nomination for come
• 55:41
  Speaker 13: Back Little Sheba.
• 55:42
  Speaker 4: Well, Wander, you'd win a nomination anywhere as one of
• 55:45
  Speaker 4: our prettiest Lux girls, and that's something.
• 55:48
  Speaker 13: Lux is a wonderful complexion.
• 55:49
  Speaker 3: Care.
• 55:50
  Speaker 13: I'm absolutely devoted to it.
• 55:52
  Speaker 3: Irving, I hear you.
• 55:53
  Speaker 8: Keeping the next week's play a secret, Yes, it's a
• 55:56
  Speaker 8: secret until Wednesday, because next week's players a very special event.
• 56:01
  Speaker 8: It was selected by the movie goers of America in
• 56:04
  Speaker 8: a nationwide pole for Photoplay magazine to determine the winner
• 56:08
  Speaker 8: of its famous Gold Medal award for the most Popular
• 56:11
  Speaker 8: Picture of nineteen fifty two, and the name of that
• 56:15
  Speaker 8: picture and it stars will be announced in the new
• 56:18
  Speaker 8: issue of Photoplay, which comes out Wednesday, February fourth. Until then,
• 56:24
  Speaker 8: I can only say this is the play you've all
• 56:27
  Speaker 8: been asking and waiting for.
• 56:29
  Speaker 13: We certainly won't miss it irving good.
• 56:31
  Speaker 3: Night, good night, good night. Don't stay away for.
• 56:38
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  Speaker 4: The maker's have Lux Toilet Soap invite you to be
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• 57:47
  Speaker 4: Radio Theater presents with an.
• 57:49
  Speaker 3: All stock caps A picture voter.
• 57:51
  Speaker 4: That's the most popular of nineteen fifty two is reserving
• 57:54
  Speaker 4: Comings saying good night to you from Hollywood.
• 58:08
  Speaker 2: Heard in our cast tonight were Angela Clark as Sarafina,
• 58:12
  Speaker 2: Jeanette Nolan as the Countess, Edgar Barrier as Graffie, Laurence
• 58:16
  Speaker 2: Stodkins Lunati, Jay Novello as Sandro Master, Paieva as Luigi,
• 58:20
  Speaker 2: Tony Barrett as Carlo Bill, Justinez A Kuto and Herb Butterfield,
• 58:24
  Speaker 2: William Johnstone, Jack Crucian, David Duval, Sharon Douglas, Bob Bence,
• 58:28
  Speaker 2: and Eddie mar Our radio play was adapted by sh Barnett,
• 58:33
  Speaker 2: and our music was written and directed by Rudy Schreeger.
• 58:36
  Speaker 2: And now let's listen to a familiar voice.
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  Speaker 3: Hi, there, my name's art Link Letter.
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  Speaker 2: Your money refunded. This is your announcer, Ken Carbon, reminding
• 59:55
  Speaker 2: you to join us again next Monday night to hear
• 59:58
  Speaker 2: America's most popular picture nineteen fifty two, as chosen by
• 1:00:02
  Speaker 2: Potoplay magazine. Yes, there's a CBS Radio network.
• 1:00:13
  Speaker 3: And KNX Radio Los Angeles.
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  Speaker 3: this evening at eight on KNX Radio.
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  Speaker 13: This is Andrew J.
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  Speaker 3: Graham, author of the web surface series Oh and A
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  Speaker 3: Man of His Wife.
• 1:00:49
  Speaker 21: You're listening to the great Detectives of Old Time Radio.
• 1:00:59
  Speaker 1: Welcome back. Well, this is one case where I think
• 1:01:03
  Speaker 1: that the radio version beat the film version. The first
• 1:01:07
  Speaker 1: time we played Captain Carrey as a special back at
• 1:01:12
  Speaker 1: our seven hundred special, I had not had the opportunity
• 1:01:16
  Speaker 1: to see the film. However, since that time the film
• 1:01:20
  Speaker 1: became available on Netflix. It's no longer available. It's now
• 1:01:24
  Speaker 1: made its way onto DVD and you can also rent
• 1:01:28
  Speaker 1: the film from Amazon Instant Video if you're curious. But
• 1:01:32
  Speaker 1: I felt the audio version was better just because it
• 1:01:36
  Speaker 1: really it really slimmed down the story, and I think
• 1:01:40
  Speaker 1: that the chemistry between Heston and Hendrix was better than
• 1:01:45
  Speaker 1: that between lad and Hendrix. The Oscar winning element was
• 1:01:49
  Speaker 1: the song Mona Lisa. It became a standard It was
• 1:01:55
  Speaker 1: well known for being sung by Nat King Cole, and
• 1:01:58
  Speaker 1: it was introduced in this mode implausibly enough as a
• 1:02:02
  Speaker 1: signal song for spies. Apparently when you thought the fascist
• 1:02:08
  Speaker 1: were coming, you'd go out. I believe it was Mario
• 1:02:11
  Speaker 1: in the movie. They actually did flashback to nineteen forty
• 1:02:15
  Speaker 1: four in the movie, and you do the nineteen forty
• 1:02:19
  Speaker 1: four settings and show it to us as opposed to
• 1:02:22
  Speaker 1: hear where we start directly into the nineteen fifties postwar era,
• 1:02:30
  Speaker 1: and it really does create the sense of mystery. And
• 1:02:33
  Speaker 1: I have to admit to being partial to Charlton Heston's voice,
• 1:02:38
  Speaker 1: such an amazing voice and such a great acting talent.
• 1:02:43
  Speaker 1: I have seen no Wayne's World, never watched the movie
• 1:02:48
  Speaker 1: or the sketch, but on a search I found a
• 1:02:53
  Speaker 1: scene from Wayne's World to featuring Charlton Aston. And in
• 1:02:58
  Speaker 1: that scene, they had a mechanic at a service station
• 1:03:03
  Speaker 1: who they were running in to ask directions for and Wayne,
• 1:03:07
  Speaker 1: you know, the guy did the scene and Wayne said,
• 1:03:10
  Speaker 1: I'm sorry but and I know this is only a
• 1:03:13
  Speaker 1: small part, but can we get somebody a bit better
• 1:03:16
  Speaker 1: than this? And they brought in Charlton Heston, who took
• 1:03:19
  Speaker 1: that small part and did an extremely good, emotional, powerful,
• 1:03:25
  Speaker 1: evocative scene which itself was a bit funny, but also
• 1:03:28
  Speaker 1: brought home the point of how much he brought to
• 1:03:32
  Speaker 1: every single role he took on, and such a beautiful voice.
• 1:03:36
  Speaker 1: It's a shame that his career really didn't allow him
• 1:03:40
  Speaker 1: the opportunity that the great stars of earlier of earlier
• 1:03:45
  Speaker 1: eras had to really sink their teeth into radio. But
• 1:03:49
  Speaker 1: as they mentioned, television was already very big for him,
• 1:03:52
  Speaker 1: and so any sort of audio work would be voiceovers
• 1:03:56
  Speaker 1: and occasional animated character, but there was a lot of
• 1:04:01
  Speaker 1: audio drama that he could have done. It's magnificent to
• 1:04:05
  Speaker 1: hear him in this role and just such presence, even
• 1:04:10
  Speaker 1: this early in his career. And I did actually almost
• 1:04:14
  Speaker 1: I got within I think about ten feet of him
• 1:04:17
  Speaker 1: when he was out in my hometown of Callispell, as
• 1:04:21
  Speaker 1: Maxwell Smart said, missed him by that much. Really a
• 1:04:24
  Speaker 1: shame I didn't get to meet him at any rate.
• 1:04:27
  Speaker 1: A wonderful and poignant film in this radio version does
• 1:04:31
  Speaker 1: a really good job of capturing the emotional core of
• 1:04:35
  Speaker 1: the story. So I hope you enjoyed it as much
• 1:04:38
  Speaker 1: as audio, or if not, that you enjoyed it half
• 1:04:40
  Speaker 1: as much as Idio. I think even if you only
• 1:04:43
  Speaker 1: enjoyed it half as much, it was such a great
• 1:04:46
  Speaker 1: program that you'd get that it would be well worth
• 1:04:50
  Speaker 1: listening to at that rate. All right, Well, we returned
• 1:04:54
  Speaker 1: to the last week of our listener support campaign and
• 1:04:58
  Speaker 1: coming up on Monday, The Saint with Tom Conway. In
• 1:05:02
  Speaker 1: the meantime, do send your comments to Box thirteen at
• 1:05:05
  Speaker 1: Great Detectives dot net. Be sure and support our listener
• 1:05:10
  Speaker 1: support campaign support dot great Detectives dot net for your
• 1:05:15
  Speaker 1: one time donations. Among the options that we do have
• 1:05:19
  Speaker 1: at the one hundred dollars level, I will send you
• 1:05:23
  Speaker 1: pui Ros Finest Cases. This collects eight complete BBC Radio
• 1:05:29
  Speaker 1: four full cast audio dramas adapting Poirot stories starring the
• 1:05:35
  Speaker 1: late great John Moffatt, and that's pow Row's Greatest Cases.
• 1:05:39
  Speaker 1: The donation of one hundred dollars or more. A full
• 1:05:42
  Speaker 1: list of available items is at support dot Great Detectives
• 1:05:46
  Speaker 1: dot net. In the meantime, sendra comments to Box thirteen
• 1:05:50
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• 1:06:02
  Speaker 1: This is your host, Adam Grahamson and off