Latest / I Am All In with Scott Patterson / It’s the Heinz Family’s Little Joke (S2, E2 "Hammers and Veils")

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It’s the Heinz Family’s Little Joke (S2, E2 "Hammers and Veils") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all In. Let's just you. I Am all
• 0:17
  Speaker 1: In with Scott Patterson and I Heart Radio Podcast. Alright,
• 0:21
  Speaker 1: hi everybody, Scott Patterson and this is the I Am
• 0:25
  Speaker 1: all In Podcast I Heart Radio one eleven Productions. We
• 0:28
  Speaker 1: are excited. We have a very special guest. Look. First,
• 0:32
  Speaker 1: we're going to talk to our guest. She was an
• 0:34
  Speaker 1: extra on on Sadie Sadie. We're gonna talk to her
• 0:37
  Speaker 1: about that in her experiences, she was in the background
• 0:39
  Speaker 1: and a couple of scenes uh in Sadie Sadie and uh.
• 0:43
  Speaker 1: And then after that we're gonna break down Hammerson Vales.
• 0:46
  Speaker 1: But before we talk to her, we got another big announcement.
• 0:49
  Speaker 1: Uh right here, right now, you heard it here. First,
• 0:53
  Speaker 1: the third guest is joining us that we are revealing
• 0:56
  Speaker 1: for the live virtual podcast with Friends Giving November eleven.
• 1:01
  Speaker 1: Mr Jackson Douglas who played Jackson Jackson. He played Jackson correct. Um,
• 1:10
  Speaker 1: so he's gonna join us. We're very excited. Uh. Uh,
• 1:14
  Speaker 1: terrific guy, terrific actor. It's gonna be a lot of fun.
• 1:17
  Speaker 1: Get your tickets. So let's bring her on. Uh excited
• 1:22
  Speaker 1: to talk to her and get her her take on
• 1:25
  Speaker 1: what it was like. To be an extra on Gilmore Girls,
• 1:30
  Speaker 1: and I already I know, I know she's gonna say, Scott.
• 1:34
  Speaker 1: It was a lot of sitting around. We were sitting
• 1:37
  Speaker 1: around a lot and we were at the crowd of Wayna.
• 1:39
  Speaker 1: Here she comes there, she is, Hi, how you doing,
• 1:43
  Speaker 1: Carol v backs back strand bextrand. I'm good, I'm good.
• 1:47
  Speaker 1: I kind of remember your face. I was an extra
• 1:52
  Speaker 1: a lot. I remember you. How are you? I'm good, goodness,
• 1:58
  Speaker 1: thanks for coming on, thanks for having me. I'm excited
• 2:02
  Speaker 1: to be here. Yeah. So um so you were so
• 2:05
  Speaker 1: tell us how you got the gig? How did you?
• 2:08
  Speaker 1: How did you get the gig on Gilmore? Were you
• 2:10
  Speaker 1: doing a lot of extra girls or extra work in general?
• 2:13
  Speaker 1: No? No No, and Gilmore? I mean, how had you been
• 2:16
  Speaker 1: doing it? Prior to Uh? I had been doing extra
• 2:19
  Speaker 1: work on various shows. And I couldn't get on Gilmore Girls.
• 2:22
  Speaker 1: And I was a huge fan. I watched the pilot.
• 2:25
  Speaker 1: After the second episode, I started telling everyone, I knew,
• 2:28
  Speaker 1: you have to watch this at the show. It's great.
• 2:30
  Speaker 1: And I couldn't get on. I couldn't figure out who
• 2:32
  Speaker 1: the casting director was, and so, oh my goodness, I
• 2:35
  Speaker 1: can't believe I'm saying this, but the day before I
• 2:37
  Speaker 1: got on Gilmore, I had worked on West Wing and
• 2:40
  Speaker 1: I still pass to get on the studio lot from
• 2:43
  Speaker 1: West weit and I just kind of flashed it really
• 2:47
  Speaker 1: fast and they're like, oh, go on in, and so
• 2:50
  Speaker 1: I went walked into Stars Hollo and I found the
• 2:52
  Speaker 1: person that extras were supposed to check in with, and
• 2:54
  Speaker 1: I was like, Hi, did anyone not show up? Who
• 2:56
  Speaker 1: should have? And they said yeah, and I said, can
• 3:00
  Speaker 1: I have their voucher? I actually still have it with
• 3:03
  Speaker 1: their name cross off and my name and um that.
• 3:07
  Speaker 1: I started talking to the other extras and like, who's
• 3:09
  Speaker 1: the casting director? Who do I need to call? And
• 3:11
  Speaker 1: I got the number and I called them and I said, hey,
• 3:15
  Speaker 1: every time you need to fill a townsperson for Gilmore,
• 3:18
  Speaker 1: called me. And so I started doing a lot of Gilmore.
• 3:21
  Speaker 1: But I totally sneaked on the first time. That is
• 3:24
  Speaker 1: how you get a job in Hollywood. It takes moxie,
• 3:27
  Speaker 1: It takes guts, It takes breaking the law. Look at you.
• 3:31
  Speaker 1: You you broke onto the That's not an easy lot
• 3:33
  Speaker 1: to get onto. I mean, well it was it was
• 3:36
  Speaker 1: easier before, yes, of course before still wasn't easy. Still
• 3:41
  Speaker 1: wasn't easy, but you know, yeah, yeah, you're right, You're
• 3:43
  Speaker 1: definitely right. But it's harder even now. It's harder because
• 3:48
  Speaker 1: I was just over there and it's a man. They
• 3:49
  Speaker 1: put you through the ring or over there. Yeah, now
• 3:53
  Speaker 1: they do. But good for them, right, you know you
• 3:55
  Speaker 1: need the security. So, um god, what a great story
• 3:59
  Speaker 1: that is. How that's a that's a Hollywood legendary story.
• 4:02
  Speaker 1: That's how you get a job. Sneaked on the set,
• 4:06
  Speaker 1: they're gone. You know what when I when I used
• 4:09
  Speaker 1: to play pro ball, Johnny Saying used to say to me,
• 4:11
  Speaker 1: you know, you've got to figure out a way to win.
• 4:13
  Speaker 1: You know, you gotta think outside the box. You gotta
• 4:15
  Speaker 1: figure out a way. Scott, you figured out a way
• 4:19
  Speaker 1: to win. Yeah, that's fantastic. I love that. Um so
• 4:25
  Speaker 1: how do you? Um? I mean, so you've been an
• 4:29
  Speaker 1: extra on other shows? What other shows were you an
• 4:32
  Speaker 1: extra on before you did Gilmore? And what was the
• 4:34
  Speaker 1: experience like compared to Gilmore. I liked being on Gilmore
• 4:39
  Speaker 1: because I started to know all the same people, all
• 4:41
  Speaker 1: the regular extras. We got to be good friends. Um.
• 4:46
  Speaker 1: Extra work was not my life. I was a teacher
• 4:49
  Speaker 1: and so the six weeks off in the summer when
• 4:51
  Speaker 1: I had nothing to do, I would do extra work
• 4:53
  Speaker 1: because I like to read, and there's so much sitting
• 4:56
  Speaker 1: around in downtime that I would take a gig. I
• 4:58
  Speaker 1: would take three books with me, and then there's a
• 5:01
  Speaker 1: whole lot of hurry up and wait, and so I
• 5:03
  Speaker 1: would just have my book with me and I would
• 5:05
  Speaker 1: just read all day long. And it's like, oh, we're
• 5:07
  Speaker 1: gonna shoot now, Okay, put my book down. Shoot. Actually
• 5:11
  Speaker 1: I don't know if it's the next episode of The
• 5:13
  Speaker 1: One After where Max and Lorlie, Rory and Dean have
• 5:15
  Speaker 1: a double date and they're in town there in Stars Hollow.
• 5:18
  Speaker 1: I was sitting there reading and when they went to
• 5:20
  Speaker 1: place the extras like I like that you're reading. Go
• 5:23
  Speaker 1: sit in the bookstore and keep reading. I'm actually sitting
• 5:27
  Speaker 1: in the bookstore just reading my book. They're like, Okay,
• 5:29
  Speaker 1: back to one, let's shoot it again. And I just
• 5:30
  Speaker 1: kept reading my book. I'm like, I'm getting paid to read.
• 5:34
  Speaker 1: There you go. Isn't that great? Jeez? That's that's what
• 5:38
  Speaker 1: we did too. There was so much downtime that you
• 5:41
  Speaker 1: just you go back to your trailer and you just
• 5:43
  Speaker 1: you read anything that you have on hand or what
• 5:45
  Speaker 1: you're brought with you. I mean, it's just like I
• 5:47
  Speaker 1: would bring a lot of books. You can catch up
• 5:49
  Speaker 1: on a lot of reading on that yeh yeh um.
• 5:56
  Speaker 1: So that was the first time you weren't actually on
• 5:59
  Speaker 1: the show, Sadie, Sadie, that was the first time, my
• 6:01
  Speaker 1: first one. Okay, So you were in the background of
• 6:03
  Speaker 1: that scene when she Laura I was coming to tell
• 6:07
  Speaker 1: me about the engagement, right, okay. Um, what do you
• 6:11
  Speaker 1: remember about that that diner scene when you're pressed up
• 6:14
  Speaker 1: against the winter? How many? How many? How many takes
• 6:17
  Speaker 1: did they do on that? I don't remember how many
• 6:20
  Speaker 1: takes there was for that one, because we were outside
• 6:23
  Speaker 1: and all the good stuff was happening inside, and they
• 6:25
  Speaker 1: just said stand there, and we just stood there and
• 6:27
  Speaker 1: stood there and stood there. Um. I think we broke
• 6:31
  Speaker 1: a couple of times and we had to get back
• 6:32
  Speaker 1: in the exact same spots, you know, for protinuity. I
• 6:36
  Speaker 1: remember the multiple takes from when I was more in
• 6:40
  Speaker 1: the action, like two episodes from now, when Laura La
• 6:45
  Speaker 1: comes to talk to you, there's only four of us
• 6:47
  Speaker 1: in the diner, and you turn and you yell at
• 6:48
  Speaker 1: all of us and the camera turns and it's just
• 6:50
  Speaker 1: like me right there, and so that was that was
• 6:54
  Speaker 1: those I remember more because I'm there and I can
• 6:56
  Speaker 1: listen to you. I was listening to you guys act.
• 6:58
  Speaker 1: And then I remember all of the Okay, let's say it, Okay,
• 7:01
  Speaker 1: let's shoot it from this angle, Okay, let's do this.
• 7:03
  Speaker 1: But from that particular scene in Sady Sadie, I don't remember.
• 7:07
  Speaker 1: I was just outside and you couldn't really hear anything, right,
• 7:11
  Speaker 1: And Liz Torres was kind of leader of though that
• 7:14
  Speaker 1: whole thing, right, because everybody was following Liz because she
• 7:16
  Speaker 1: kept going back and throwing dialogue back at you guys. Um, yeah,
• 7:21
  Speaker 1: well that's so so that So was it a hot day?
• 7:23
  Speaker 1: Do you remember because it was daytime? But do you
• 7:25
  Speaker 1: remember being particularly hot? Because because it was August, So
• 7:29
  Speaker 1: I remember being very hot on set a lot and
• 7:32
  Speaker 1: we're supposed to be in Connecticut, so they're like, put
• 7:33
  Speaker 1: a sweater on. I'm like no, yeah, um. And then
• 7:39
  Speaker 1: I was in Hammers and Vales. It was the one time,
• 7:41
  Speaker 1: one and only time I got to be a childen student,
• 7:44
  Speaker 1: because after that I got pretty well established in the town.
• 7:47
  Speaker 1: Like you can't be in Childen and the town, but
• 7:50
  Speaker 1: in Hammers and Vales, I was a Childen student and
• 7:53
  Speaker 1: then I'm all over maximulalized engagement party. So I was
• 7:58
  Speaker 1: pretty well established as a person and I got to
• 8:00
  Speaker 1: be accounts person quite a bit. It was fun. Yeah,
• 8:03
  Speaker 1: that was. That was quite the engagement party, wasn't it.
• 8:07
  Speaker 1: It was quite the setup I was. I was having
• 8:09
  Speaker 1: engagement party envy as a matter of fact. Okay, so
• 8:14
  Speaker 1: I this is just me. I take pictures. The attention
• 8:17
  Speaker 1: to detail on that set was ridiculous. They had curved fruit.
• 8:23
  Speaker 1: Look at that everything that said like Max and Lorala,
• 8:25
  Speaker 1: And it's like you didn't see all that attention to detail.
• 8:29
  Speaker 1: Like I was rewatching the episode and like, man, the
• 8:32
  Speaker 1: close ups and the attention to detail and the all
• 8:35
  Speaker 1: the stuff that they do to make those parties. I
• 8:37
  Speaker 1: remember all of those stars hollow parties and and they
• 8:41
  Speaker 1: were all out. You can't you can't even see it
• 8:45
  Speaker 1: when you watch the episodes, how detail oriented they got. Yeah,
• 8:50
  Speaker 1: it's yeah, they leave nothing to chance and just in
• 8:55
  Speaker 1: case they want to push in andto a close up
• 8:57
  Speaker 1: of a cupcake or something, everything has to be Yeah,
• 8:59
  Speaker 1: it was. It was truly amazing. Um so, who, so
• 9:04
  Speaker 1: tell us more about that. Your memories of being on
• 9:08
  Speaker 1: the Gilmore said, who did you pile around with? Did
• 9:10
  Speaker 1: you talk to anybody from the main cast or the
• 9:13
  Speaker 1: supporting cast? Did you were your friends with anybody? Um?
• 9:17
  Speaker 1: I was mostly friends with the regular extras who were
• 9:19
  Speaker 1: there a lot, because you know, we kind of hung
• 9:21
  Speaker 1: out with each other. But I remember everyone was really
• 9:23
  Speaker 1: really nice. I remember one time, I think it was
• 9:26
  Speaker 1: a Thursday, and Krispy Kreme started to get really popular
• 9:30
  Speaker 1: right around then, and I think on Thursdays they would
• 9:33
  Speaker 1: bring in Krispy Kreames, and Lauren one day came to
• 9:35
  Speaker 1: set and she was just like giddy because Krispy Kremes
• 9:37
  Speaker 1: were there, and she was really excited about it. And
• 9:39
  Speaker 1: then she kind of looked at me, was like, oh wait,
• 9:41
  Speaker 1: do the extras get Krispy Kreames? Like, yes, Chris Creams too.
• 9:45
  Speaker 1: They put them on our on our crafty service table.
• 9:48
  Speaker 1: But I thought I was so sweet at her. I'm like,
• 9:50
  Speaker 1: you're the star of the show and you're concerned that
• 9:52
  Speaker 1: we extra background people are getting Krispy Kremes. I just
• 9:55
  Speaker 1: thought she was just so nice. Um. What I remember
• 9:58
  Speaker 1: was everyone was really nice. You were really nice. Um.
• 10:01
  Speaker 1: I sat behind you in a town hall meeting once
• 10:04
  Speaker 1: and I think you backed into me or bumped me
• 10:07
  Speaker 1: or something, and in between sets you turned around you
• 10:09
  Speaker 1: like put your hand on my knees. You're like, oh,
• 10:10
  Speaker 1: I'm really sorry, Okay, Like, yeah, it's normal human interactionally
• 10:15
  Speaker 1: butt me. But I just remember everyone being really kind,
• 10:18
  Speaker 1: really nice, and just overly friendly. Um Max Scott Cohen,
• 10:24
  Speaker 1: he and I were standing together waiting to start a
• 10:27
  Speaker 1: scene and he accidentally leaned against a cardboard table and
• 10:30
  Speaker 1: the cardboard tables rickety and it fell over, and one
• 10:32
  Speaker 1: of the A d s or p as or I
• 10:33
  Speaker 1: don't remember who turned around and started to yell at
• 10:35
  Speaker 1: whoever knocked it down and realized it was Scott Cohen,
• 10:38
  Speaker 1: and I was like, oh, this is gonna turn on me,
• 10:41
  Speaker 1: and of course they don't want to yell the guest star,
• 10:43
  Speaker 1: so they started yelling at me. And I had been
• 10:46
  Speaker 1: down and we were like trying to pick everything up
• 10:47
  Speaker 1: and fix the table, and Scott was so nice. He
• 10:50
  Speaker 1: was like he wasn't the one who knocked it over,
• 10:52
  Speaker 1: it was me. And I was like, it's okay, I'll
• 10:54
  Speaker 1: take the rap. I'm just the background person. You're the
• 10:57
  Speaker 1: guest star. He's like, no, it was me. And I
• 10:59
  Speaker 1: just remember everyone being ridiculously kind on set I had.
• 11:04
  Speaker 1: I was on a bunch of shows, and I can't
• 11:05
  Speaker 1: say that in every show, but Gilmore Girls, everyone was
• 11:08
  Speaker 1: really nice. Yeah. We uh yeah. We didn't really uh
• 11:14
  Speaker 1: pranced around like we were anything special. We were just
• 11:16
  Speaker 1: sort of there to do a job, you know, like
• 11:18
  Speaker 1: everybody else. Yeah, that's kind of how we felt about it,
• 11:21
  Speaker 1: how I felt. I was there. I was there on
• 11:23
  Speaker 1: Milo's first day, and he was really shy and quiet,
• 11:27
  Speaker 1: and all of the experts who knew each other really well,
• 11:29
  Speaker 1: we were powling around and being silly waiting to start
• 11:31
  Speaker 1: our scene, and he was just kind of standing there
• 11:32
  Speaker 1: like Hi, I'm the new guy, and we were just like,
• 11:34
  Speaker 1: who's this guy? And I remember We're like trying to
• 11:38
  Speaker 1: talk to him and make him feel comforting and welcome,
• 11:40
  Speaker 1: and we were doing stupid human talents and he shared
• 11:45
  Speaker 1: his with us and we were giggling and just kind
• 11:47
  Speaker 1: of like, Okay, nice to meet you. Who are you
• 11:48
  Speaker 1: And he's like, I'm Luke's nephew on the show. We're like, okay, cool.
• 11:53
  Speaker 1: But he was really kind to and it was just
• 11:56
  Speaker 1: some fun set to hang out on. Do do you
• 11:58
  Speaker 1: do you remember what as stupid human talent was? Milos?
• 12:03
  Speaker 1: I do I do? So stupid? Is so dumb? We
• 12:07
  Speaker 1: need to know this. He can list all of the
• 12:12
  Speaker 1: dwarfs from snow By the Seven Doors ridiculously fast, like
• 12:18
  Speaker 1: all seven just useless stupid human talent. I was not
• 12:25
  Speaker 1: expecting that. No, right, who would say that? So next
• 12:29
  Speaker 1: time you see him, ask me if you can still
• 12:30
  Speaker 1: list the seven doors. That's just that's so perfect. It's perfect.
• 12:43
  Speaker 1: So those are some great memories. What are some more
• 12:45
  Speaker 1: memories of of being an extra on the show? How
• 12:47
  Speaker 1: many episodes would you say you did? Oh, dozens and
• 12:51
  Speaker 1: dozens that as I'm rewatching I would forget. I'm like,
• 12:55
  Speaker 1: oh I just watched by I forgot I was in business.
• 12:59
  Speaker 1: I have a hard time sometimes because I'm like, oh,
• 13:02
  Speaker 1: look there's Paul in the background. Oh, there goes Emily,
• 13:04
  Speaker 1: you know, because I know everyone in the background, and like, wait,
• 13:06
  Speaker 1: I'm supposed to be watching the main characters. Um oh,
• 13:10
  Speaker 1: I remember one I was riding a bike around the
• 13:12
  Speaker 1: town square, just riding the bike, and I think it
• 13:17
  Speaker 1: was too tall for me. I'm kind of short and
• 13:21
  Speaker 1: I don't know what happened, but I fell off the
• 13:23
  Speaker 1: bike while it was while you guys were filming, and
• 13:27
  Speaker 1: I'm like, I am not going to create even more
• 13:29
  Speaker 1: of a nuisance because I've just fallen over. So I
• 13:31
  Speaker 1: just kind of stayed down, just trying to be quiet
• 13:33
  Speaker 1: until they called cut. And as soon as they called cut,
• 13:36
  Speaker 1: I heard extra down, there's an extra down. Okay. I
• 13:42
  Speaker 1: just didn't want to cause a scene what everyone was filming,
• 13:46
  Speaker 1: and it just was I was so I don't get
• 13:49
  Speaker 1: I was actually a little embarrassed when they were screaming,
• 13:51
  Speaker 1: there's down. Yeah, I'm just trying not to cause a scene. Yeah.
• 13:59
  Speaker 1: That was what a great instinct though for you. You
• 14:01
  Speaker 1: you went down, you stayed down years of live theater
• 14:06
  Speaker 1: there like they're filming. Don't cause any more problems. You
• 14:10
  Speaker 1: just go with it, right. It's like, I meant to
• 14:12
  Speaker 1: do that, right, I was direct exactly. I meant to
• 14:15
  Speaker 1: crash this bike. Speaking of which, did you get a
• 14:18
  Speaker 1: lot of direction from the director directors on any particular
• 14:22
  Speaker 1: episode about what to do, how to be you know
• 14:25
  Speaker 1: that kind of thing that you can recall. Usually the
• 14:27
  Speaker 1: directors there was usually like one of the production assistant
• 14:30
  Speaker 1: one of the assistant directors would tell us what to do,
• 14:33
  Speaker 1: where to go, um. And usually it was like when
• 14:37
  Speaker 1: someone says this, you walk there, when someone says that,
• 14:39
  Speaker 1: cross over there, um. But for the most part, no,
• 14:42
  Speaker 1: they gave us a general idea, do this, make sure
• 14:45
  Speaker 1: you started the same time. Every time we did a
• 14:47
  Speaker 1: different take, and there wasn't much direction. There was no
• 14:51
  Speaker 1: like okay, you're shocked, look surprised. Now. It was a
• 14:54
  Speaker 1: walk from there to there, and it was like, okay,
• 14:56
  Speaker 1: stand there, okay. So I think a lot of people
• 15:00
  Speaker 1: realize what an important piece that is to any production
• 15:03
  Speaker 1: is that the extras have to respond in a believable way.
• 15:07
  Speaker 1: And that's so when they don't, it really is glaring
• 15:11
  Speaker 1: and jarring and it kind of takes you out of
• 15:12
  Speaker 1: that reality. So I know they were very good about
• 15:14
  Speaker 1: that on Gilmore because the extras on Gilmore, you guys
• 15:18
  Speaker 1: were great. I mean you were uh, you know, you
• 15:22
  Speaker 1: helped sell as much as anybody. The you know the
• 15:26
  Speaker 1: reality of that town. You know that that was a
• 15:29
  Speaker 1: real place with real people, and that's hugely important, um,
• 15:34
  Speaker 1: because when you don't see it and you see people
• 15:36
  Speaker 1: not focused or they're not, you know. You like in
• 15:39
  Speaker 1: some productions, even like big budget movies, you see people like, oh,
• 15:42
  Speaker 1: look in the sky, there's God appeared. And then you know,
• 15:45
  Speaker 1: somebody's looking over there. Somebody's looking like it's ridiculous. You
• 15:50
  Speaker 1: can see them adjusting, like, wait a minute, I think
• 15:52
  Speaker 1: it's I should be looking over there. Um, it just
• 15:54
  Speaker 1: takes you out of it, you know, you don't believe
• 15:56
  Speaker 1: it anymore. I do remember sometimes they would tell us
• 15:59
  Speaker 1: not to like blatantly stare at you know that whoever
• 16:03
  Speaker 1: was doing the acting, whether it was you or Lauren
• 16:06
  Speaker 1: or Alexis because you know, if you if I was
• 16:09
  Speaker 1: normally eating in your diner, I wouldn't be staring at
• 16:12
  Speaker 1: to other people having a conversation, you know. But we'd
• 16:14
  Speaker 1: be like, oh, look they're talking. You know, we were sitting. No,
• 16:17
  Speaker 1: ignore them, pretend you're talking to you know, whoever you're doing.
• 16:21
  Speaker 1: And um, it got. It was pretty easy to do
• 16:24
  Speaker 1: after a while because everyone, I mean, we're all professionals.
• 16:28
  Speaker 1: As much as a background extra could be. I was
• 16:30
  Speaker 1: just for kicks and giggles. Um, when I wasn't teaching,
• 16:34
  Speaker 1: to hang out on setting and to have fun. Yeah,
• 16:38
  Speaker 1: it's It's hard being an extra because you guys are
• 16:41
  Speaker 1: especially in the diner scenes, and there were so many
• 16:43
  Speaker 1: times where the extras were trying to and they were
• 16:46
  Speaker 1: doing a great job, but you know, they drop a fork,
• 16:49
  Speaker 1: or they'd make too much noise cutting a piece of
• 16:51
  Speaker 1: food or something like, or their glass would go down,
• 16:54
  Speaker 1: and it's just amazing. You know that they're doing their
• 16:59
  Speaker 1: normal stuff, they're being great at it, and then a
• 17:01
  Speaker 1: directors cut and then a p a comes over and
• 17:04
  Speaker 1: asking an extra extra not to drop the fork like
• 17:07
  Speaker 1: that and not to make the cutting noise and not
• 17:09
  Speaker 1: to whisper because you can hear the whispering when you're acting.
• 17:13
  Speaker 1: It's just sort of like move your mouth. You don't
• 17:16
  Speaker 1: produce any souense. It's hard to do. Oh, speaking of
• 17:20
  Speaker 1: in Hammers and Veils, that is that when you just
• 17:22
  Speaker 1: watched Hammers and Veils? I did, Yes, yes, okay. So
• 17:26
  Speaker 1: it's at the at the party at maxim Realized party, um,
• 17:29
  Speaker 1: when Lane and Rory are talking and there's a bunch
• 17:32
  Speaker 1: of people dancing in the background. I was mortified watching
• 17:36
  Speaker 1: myself because, and I remember this, there was no music,
• 17:39
  Speaker 1: so we're all dancing at a different beat and they said,
• 17:42
  Speaker 1: do not move your feet noise. So it's like, you
• 17:46
  Speaker 1: want me to hold hold my feet still, have no music,
• 17:50
  Speaker 1: and and so we're just kind of like it's the
• 17:52
  Speaker 1: most awkward looking dancing because we have to hold our
• 17:55
  Speaker 1: feet still like you said, so we wouldn't be making noise.
• 17:59
  Speaker 1: And it's like, how do how to dance and hold
• 18:01
  Speaker 1: my feet still to no music? And I was watching
• 18:05
  Speaker 1: myself like this last night, going, oh my gosh, I
• 18:07
  Speaker 1: love those two. But here's the thing. I mean, I
• 18:09
  Speaker 1: just I just saw the episode for the first time.
• 18:12
  Speaker 1: Just like you know, ten minutes ago I finished it,
• 18:14
  Speaker 1: or twenty minutes ago. It wasn't distracting. I don't even
• 18:17
  Speaker 1: recall people in the background dancing, But now that you think, yeah,
• 18:20
  Speaker 1: there were people dancing, but all I was focused on
• 18:23
  Speaker 1: was the scene with the two girls. So you guys
• 18:25
  Speaker 1: did your job. There was no distractions, you know. I mean,
• 18:28
  Speaker 1: that's that's telling the story. Helping to tell the story. Well,
• 18:32
  Speaker 1: we were dancing to no feet still, so we wouldn't
• 18:37
  Speaker 1: make any noise, right, right, And and for the audience
• 18:39
  Speaker 1: listening at home, uh, you cannot have the music blaring
• 18:44
  Speaker 1: while people are acting, because it's a nightmare for the
• 18:46
  Speaker 1: sound department. It's impossible for an editor. It's impossible for
• 18:50
  Speaker 1: the sound department to even deal with with that. So, yeah,
• 18:54
  Speaker 1: everything is silent. It's it's it's a bizarre world that
• 18:57
  Speaker 1: we create. And when they say action, you can't hear
• 18:59
  Speaker 1: any sound but the actors and everybody else's minding. It
• 19:02
  Speaker 1: looks like a bunch of crazy people. But um, anyway, uh,
• 19:07
  Speaker 1: are you still doing it or did you stop? Did
• 19:10
  Speaker 1: you stop being an extra? I haven't done it for years. Um,
• 19:15
  Speaker 1: I haven't done it for years. It was like I said,
• 19:17
  Speaker 1: it was something I did just for fun and for giggles. Um.
• 19:21
  Speaker 1: I was like, like I said, I'm a teacher. I'm
• 19:23
  Speaker 1: still a teacher. Um, I just did it for I
• 19:26
  Speaker 1: did it to get on the shows I liked, and
• 19:28
  Speaker 1: to hang out on set and just to have fun
• 19:30
  Speaker 1: and just to see what it was like being on set.
• 19:32
  Speaker 1: And I just did it for fun. I haven't done
• 19:34
  Speaker 1: it for years, but I did very much enjoy it
• 19:37
  Speaker 1: every time I did it. The funny thing I said,
• 19:39
  Speaker 1: I was a teacher. The funny thing is when I
• 19:41
  Speaker 1: started teaching, I looked about fourteen, which was great for
• 19:45
  Speaker 1: extra work because they wanted to cast people who were
• 19:48
  Speaker 1: older but who looked young. And when I started teaching,
• 19:51
  Speaker 1: my students kept saying, you don't make gold enough to
• 19:53
  Speaker 1: be our teacher. You don't make gold enough to be
• 19:54
  Speaker 1: your teacher, and like, I am, I promise, And then
• 19:57
  Speaker 1: my whole class came in one day with their arms
• 19:59
  Speaker 1: crossed and laring at me, and they're like, we saw
• 20:02
  Speaker 1: you on TV last night, and you were in high school,
• 20:06
  Speaker 1: our teacher. And I was like, um, I'm not in
• 20:10
  Speaker 1: high school on TV. It's just pretend, you know, I
• 20:13
  Speaker 1: just look young. But that was very entertaining for all
• 20:17
  Speaker 1: of my students to catch me and they're like, we
• 20:19
  Speaker 1: saw you, you were in high school. You're not old
• 20:21
  Speaker 1: enough to be our teacher. You can't. You can't be
• 20:22
  Speaker 1: our teacher anymore. You're you're too young. Really really, they
• 20:25
  Speaker 1: were gonna do a walkout or something that we're gonna
• 20:27
  Speaker 1: go to the the principal son get your fired. Like, I
• 20:30
  Speaker 1: don't know, I don't know. I have fun with my students.
• 20:33
  Speaker 1: We have a good time. One saying I'm thirty, not
• 20:39
  Speaker 1: think I was older. But it was really helpful to
• 20:41
  Speaker 1: do extra work. Oh my god, that's fun. That is
• 20:45
  Speaker 1: just funny. Um, so listen, we have. It's been a
• 20:51
  Speaker 1: pleasure catching up with you. Really, you're you're you're a
• 20:53
  Speaker 1: great great, uh, a great guest, and I really appreciate
• 20:58
  Speaker 1: your time. Well, thank you for inviding me. You know, Um,
• 21:05
  Speaker 1: it's fun to get all the different perspectives, you know,
• 21:07
  Speaker 1: because everybody has a story or two and they're just
• 21:11
  Speaker 1: funny and and it's just so you know, you just
• 21:15
  Speaker 1: never know who's going to bring the heat, you know.
• 21:17
  Speaker 1: And uh, it was really really a delight catching up
• 21:21
  Speaker 1: with you, and thank you for sharing these stories. We
• 21:23
  Speaker 1: really appreciate it. Thank you for having me. It was
• 21:26
  Speaker 1: a real honor. And it's good to see you again.
• 21:27
  Speaker 1: And I'm having flashbacks to twenty years ago and hanging
• 21:30
  Speaker 1: out on set with all of you guys. And thank
• 21:33
  Speaker 1: you for being a teacher. It's quite the calling, a
• 21:38
  Speaker 1: huge responsibility. You're changing lives every day. Um, you know,
• 21:42
  Speaker 1: teachers save my butt and and put me in the
• 21:45
  Speaker 1: right direction in life. And thank God for him. Um,
• 21:49
  Speaker 1: so thank you for doing that. That's that's wonderful. It's wonderful,
• 21:53
  Speaker 1: it's fun. I enjoy it. Good good, all right, take
• 21:56
  Speaker 1: care now, and thank you so much. Thank you for
• 21:59
  Speaker 1: having me. All right, bye bye, yeah, alright, everybody, we're back.
• 22:07
  Speaker 1: It's time to break down hammers and veils on Scott Patterson.
• 22:10
  Speaker 1: This is the I Am ole In podcast. I hit
• 22:12
  Speaker 1: Radio one to live in production and I am joined
• 22:15
  Speaker 1: with my intrepid team. Here my on air correspondence. We
• 22:20
  Speaker 1: have Danielle Romo bottom right, we have Riley. We don't
• 22:26
  Speaker 1: even try prices price Lee. I just like seeing you try,
• 22:32
  Speaker 1: so Pringle say it Pellusis I like that? I'm gonna
• 22:41
  Speaker 1: remember that. That's my job to remember that. And the
• 22:45
  Speaker 1: intrepid executive producer of I Am all In Amy the
• 22:50
  Speaker 1: Sugar sugar Man. There she is later. Good episode. You know,
• 22:57
  Speaker 1: I got angry watching it. I got angry. I got
• 22:59
  Speaker 1: a little angry. What made you? I got angry at
• 23:01
  Speaker 1: myself for depriving myself of this brilliant schmoorgs Borg of entertainment?
• 23:09
  Speaker 1: Is that true? You got a little mad? Like why
• 23:10
  Speaker 1: didn't I watch this? I was kicking myself. I was
• 23:13
  Speaker 1: kicking myself on the butt so hard. I don't have
• 23:15
  Speaker 1: a butt anymore. But what about now? Like now you
• 23:18
  Speaker 1: are you kind of like, oh my god, I get
• 23:20
  Speaker 1: to see this now, you know, how when you're talking
• 23:23
  Speaker 1: to someone and you're like, you've never seen The Walking Dead.
• 23:26
  Speaker 1: I'm so jealous because you get to start it now, Like, yeah,
• 23:30
  Speaker 1: I just I didn't have the time. I didn't have
• 23:33
  Speaker 1: the inclination at the time. I didn't care. And I'm
• 23:37
  Speaker 1: saying to myself today after watching Hammers and Vales even
• 23:40
  Speaker 1: during it, like why didn't you make the time to
• 23:42
  Speaker 1: watch this brilliance? Why? And then I gave my Then
• 23:46
  Speaker 1: I you know, and then I had a cookie and
• 23:48
  Speaker 1: I was fine. I was okay. It was a low
• 23:50
  Speaker 1: blood sugar, that's all I mean. I know every episode
• 23:53
  Speaker 1: is a ten out of ten. That's what is astounding
• 23:56
  Speaker 1: about this show. I think this started out slow though.
• 23:59
  Speaker 1: I think it started off kind of off. It's normal,
• 24:04
  Speaker 1: you mean, like with the Gilmore dinner. No, no, no, no.
• 24:07
  Speaker 1: I think the the opening scene for me wasn't strong
• 24:10
  Speaker 1: and I was like, m this this thing clicking and clicking,
• 24:14
  Speaker 1: uh Laura, Laura and Roy scene, Um, I just seemed
• 24:18
  Speaker 1: I don't know, there was just something about it that
• 24:19
  Speaker 1: didn't draw me in as much as the other opening
• 24:22
  Speaker 1: scenes do. It got very very hot, boy, I tell you,
• 24:27
  Speaker 1: they really made up for it that is for sure. Um,
• 24:31
  Speaker 1: And I like to listen to the theme song a
• 24:33
  Speaker 1: little bit, but I kind of skip over it, but
• 24:34
  Speaker 1: today I do. But but now I listen to it
• 24:38
  Speaker 1: and I'm gonna listen to it every time because I
• 24:40
  Speaker 1: love the song, because I think the song, I think
• 24:42
  Speaker 1: the Carol's Kings song has as much to do with
• 24:44
  Speaker 1: the success of that show as anything. That that theme
• 24:47
  Speaker 1: song triggers people in such a way, and it triggers me,
• 24:50
  Speaker 1: So I'm gonna listen to it from now. I'm not
• 24:51
  Speaker 1: gonna skip. The music is important in Gilmore always, you
• 24:57
  Speaker 1: know the songs they use in the episode. Music is
• 25:01
  Speaker 1: an important part. I know you should be that. No,
• 25:03
  Speaker 1: just keep talking, just we'll just talk so we can
• 25:12
  Speaker 1: go and reverse. But we do need to talk about
• 25:15
  Speaker 1: that that engagement party. Just look what music does to
• 25:19
  Speaker 1: a nor. You have a couple of sentences and everything
• 25:22
  Speaker 1: just gets elevated. Right, Yeah, No, I agree. I should
• 25:25
  Speaker 1: do this synopsis with with Scott laying in the background.
• 25:30
  Speaker 1: Let's do it like create a mood. Hang on, no,
• 25:37
  Speaker 1: you don't start until no, no, no, you gotta get
• 25:39
  Speaker 1: the mood. This is episode two Hammers and Veils. Ear
• 25:46
  Speaker 1: date October nine, two one, rory sudden flurry of extracurricular
• 25:51
  Speaker 1: activity strains her relationship with Dean. Meanwhile, Emily is cold
• 25:56
  Speaker 1: when More Life finally reveals her big NEWSPSS. You leave
• 26:16
  Speaker 1: it on that open note, right, so perfect, so perfect
• 26:22
  Speaker 1: that n Riley had a nice tone to her voice.
• 26:27
  Speaker 1: She she settled in with the music. So not only
• 26:31
  Speaker 1: was the party amazing, but how about the scene where
• 26:35
  Speaker 1: Lourla goes into the kitchen at the Independence Inn where
• 26:39
  Speaker 1: Suki has made all the cupcakes treats crazy amazing pink
• 26:46
  Speaker 1: frosting beat. The time that must have taken to prepare
• 26:50
  Speaker 1: all those desserts with the detail insane amazing. Yeah, I mean,
• 26:58
  Speaker 1: we'll talk about increasing the budget on the cupcake budget
• 27:02
  Speaker 1: on the show. And I don't recall those edibles being
• 27:08
  Speaker 1: served after that scene. Somebody must have on the crew
• 27:13
  Speaker 1: or several people on the crew must have taken home
• 27:15
  Speaker 1: some serious treats to that. I was I was wondering
• 27:18
  Speaker 1: if they were all real or if they had to
• 27:20
  Speaker 1: be like more plastic e because they had to last
• 27:22
  Speaker 1: for like five days. They used the same I don't
• 27:24
  Speaker 1: I don't think they do that. I think everything's real.
• 27:26
  Speaker 1: They wanted to be real. It's all real. Yeah, that
• 27:29
  Speaker 1: was spectacular. It was. It was and a much needed
• 27:34
  Speaker 1: scene because now such a great contrast because Laurel I realize,
• 27:37
  Speaker 1: as wow, I may not have she's not even aware
• 27:41
  Speaker 1: of the mistake that she made, cutting her mother out
• 27:44
  Speaker 1: and all of that, But I do have friends. These
• 27:48
  Speaker 1: people love me to look at this. That what what
• 27:50
  Speaker 1: an expression of love? You know. I was surprised Emily
• 27:53
  Speaker 1: and Richard did not show up for the engagement party.
• 27:56
  Speaker 1: I thought, I don't know, they usually do, just like
• 28:00
  Speaker 1: they showed up for the birthday party. I thought they
• 28:02
  Speaker 1: would show up. She didn't tell them that she was
• 28:04
  Speaker 1: getting married. But I get to see. The thing is
• 28:07
  Speaker 1: is I get what Laurel I said in that final
• 28:10
  Speaker 1: scene with her mother, I didn't want you. I mean
• 28:13
  Speaker 1: she was insulting her by by by way of explanation,
• 28:16
  Speaker 1: she was still insulting her mother by giving her cold
• 28:19
  Speaker 1: heart facts and reality about what it's like to grow
• 28:21
  Speaker 1: up as a daughter of Emily Gilmore. On the speech
• 28:24
  Speaker 1: she gave about the thousands of mates tell servants have
• 28:29
  Speaker 1: escaped communist regimes, survived. Can't last ten minutes with Emily Gilmore.
• 28:37
  Speaker 1: That was hysterically funny. But but you know, Mom, I
• 28:41
  Speaker 1: didn't want you to ruin it for me. I didn't
• 28:43
  Speaker 1: want to share this with you because I don't trust
• 28:45
  Speaker 1: you emotionally, because I know you're gonna belittle me somehow
• 28:48
  Speaker 1: or tell me that I'm wrong or dumb or something
• 28:50
  Speaker 1: like that. I so empathize with that. I so empathized.
• 28:54
  Speaker 1: You know, it's a real trigger for kids when their
• 28:57
  Speaker 1: parents can be, you know, a little too uf on
• 29:00
  Speaker 1: him and so hypercritical. And you know, I get why
• 29:04
  Speaker 1: they're doing it, but it's like Jesus lay off once
• 29:07
  Speaker 1: in a while and you know, pat somebody on the head,
• 29:10
  Speaker 1: and she needed a little pat on the head, you know,
• 29:12
  Speaker 1: and she wasn't gonna get it. She wasn't gonna risk it.
• 29:15
  Speaker 1: And I think that kind of like my daughter doesn't
• 29:17
  Speaker 1: trust me. My daughter wants to cut me out. And
• 29:20
  Speaker 1: I think it's really just sort of Emily anger at herself.
• 29:23
  Speaker 1: That's why I think it's so explosive, because that scene
• 29:26
  Speaker 1: was so explosive when Emily, because I was wondering, like,
• 29:29
  Speaker 1: when is Emily gonna pop? When is she going to
• 29:31
  Speaker 1: say it? Because we know why she's we know why
• 29:34
  Speaker 1: she's hurt and she's just allowing Laurelai to go on
• 29:36
  Speaker 1: and on and on and ramping up and then bob boom,
• 29:39
  Speaker 1: she comes up with an uppercut and knocks her out,
• 29:42
  Speaker 1: and what a moment, right, And you know, it's interesting
• 29:47
  Speaker 1: you say that because not all shows would have made
• 29:49
  Speaker 1: the audience privy to why Emily was acting the way
• 29:54
  Speaker 1: she did, because you could have done it a totally
• 29:56
  Speaker 1: different way where the audience finds out from Emily, but
• 30:02
  Speaker 1: they chose to let us see that in the episode before,
• 30:04
  Speaker 1: so we're like, oh, we know this isn't going to
• 30:07
  Speaker 1: go well. That's the difference between an audience participating or
• 30:10
  Speaker 1: an audience just observing and sitting back and not feeling
• 30:15
  Speaker 1: like they're involved in it. So if you make the
• 30:18
  Speaker 1: audience smarter, if you give them more knowledge than the
• 30:21
  Speaker 1: characters have, then they can then they participate, then they're
• 30:25
  Speaker 1: actively a part of it. That's the beauty of the writing. Yeah,
• 30:29
  Speaker 1: that's really true, because the writer could have made the
• 30:32
  Speaker 1: other choice. But I do think for for us that
• 30:36
  Speaker 1: the fans, the viewers, we really understood more and you sympathize,
• 30:41
  Speaker 1: empathize with both of them, and to anticipate and you
• 30:44
  Speaker 1: sit on the edge of your seat waiting for the payoff,
• 30:46
  Speaker 1: because the payoff, it's the setup and then the payoff.
• 30:50
  Speaker 1: It's beautifully executed, beautifully executed, and perfectly placed in the
• 30:56
  Speaker 1: piece in the hour, in the in the hour, they
• 30:59
  Speaker 1: have perfectly placed about three quarters the way through. Structurally,
• 31:03
  Speaker 1: it's perfect. This information has to come out in a
• 31:07
  Speaker 1: scene of extreme conflict to really pay off. And that
• 31:11
  Speaker 1: you know by the book, every book you read on
• 31:14
  Speaker 1: writing and screenwriting and that kind of a thing. It's
• 31:16
  Speaker 1: perfectly placed, perfectly executed well and just perfectly awkward with
• 31:21
  Speaker 1: Max Medina there just like and he says that Terence
• 31:26
  Speaker 1: would love to have dinner with you. The roll is
• 31:29
  Speaker 1: nice meeting you. Oh god, this pork but I mean
• 31:37
  Speaker 1: it was just so funny. He's so great that hair,
• 31:40
  Speaker 1: the head of hair on Scott Colin. Huh. I always
• 31:43
  Speaker 1: I still do. But even back then I remember thinking
• 31:46
  Speaker 1: he was hot. He's a great looking guy. Yeah. I mean,
• 31:51
  Speaker 1: it's more it's his personality to it's who he is.
• 31:54
  Speaker 1: It's his hot teacher. Yeah, he's like the hot teacher.
• 31:57
  Speaker 1: You know, he's what a head of hair. Good God,
• 32:02
  Speaker 1: it was perfectly quaffed getting past how gross. That scene
• 32:06
  Speaker 1: was when they were in bed. Remember how much that
• 32:08
  Speaker 1: just made me, Well, I've I've been to therapy and
• 32:10
  Speaker 1: I'm I'm through it now. Yeah, it doesn't bother me anymore.
• 32:16
  Speaker 1: It doesn't let that go to In fact, the fact
• 32:21
  Speaker 1: that you brought it up, say, I have the skills
• 32:24
  Speaker 1: now to deal with it. Those memories, It doesn't bother me.
• 32:31
  Speaker 1: I'm not gonna spin around twenty times and then knock
• 32:33
  Speaker 1: on the door forty times before I go up there
• 32:36
  Speaker 1: to shake that off. So, now, what do you think
• 32:37
  Speaker 1: when Laura Lai comes to tell Luke, Hey, come on out,
• 32:42
  Speaker 1: I want you here. I was blown away by that scene.
• 32:46
  Speaker 1: I was blown away by that whole arc um because
• 32:50
  Speaker 1: you know, he really showed how he devastated he was.
• 32:54
  Speaker 1: You know, he really did, and even in front of her,
• 32:58
  Speaker 1: and he was he was so devastated he couldn't hide it,
• 33:02
  Speaker 1: and he's good at hiding stuff. Um yeah, I just yeah,
• 33:09
  Speaker 1: I beefed up over the hiatus, didn't I was? I
• 33:12
  Speaker 1: guess I gained I gained I gained weight. She's not
• 33:17
  Speaker 1: noticed that. I'm thinking I was working out too much.
• 33:20
  Speaker 1: It's like, what's going on there? I guess I could
• 33:23
  Speaker 1: see that when you're behind the counter there. Maybe I
• 33:26
  Speaker 1: just I don't know, I looked a little large for
• 33:31
  Speaker 1: for my comfort. No, but I thought those I thought
• 33:33
  Speaker 1: those scenes were you know, if you're sitting there with
• 33:37
  Speaker 1: Look the first look when they were sitting there, the
• 33:39
  Speaker 1: king and Queen of the party, the engagement party, right
• 33:41
  Speaker 1: in their thrones, And the first time that Laurel I
• 33:44
  Speaker 1: looked over to see the diner and the light was on,
• 33:47
  Speaker 1: I thought, oh, and that's Look, that's a tell that
• 33:51
  Speaker 1: she's thinking about Luke and to the audience and it's like, whoa, whoa, Okay,
• 33:56
  Speaker 1: she's not going to marry Max. She's thinking about Luke.
• 34:00
  Speaker 1: He's over there, how's he feeling? And you know she
• 34:03
  Speaker 1: said to him when she got there, I just you know,
• 34:05
  Speaker 1: you're a friend of mine and I want you to
• 34:07
  Speaker 1: share and be happy for me. But we know what
• 34:10
  Speaker 1: a bunch of grap who leaves their engagement party to
• 34:13
  Speaker 1: go into a diner to talk to the dude filling
• 34:15
  Speaker 1: the ketchup bottles? Like do you know what I'm saying?
• 34:19
  Speaker 1: Like you're filling the ketchup bottles rather than go to
• 34:22
  Speaker 1: her engagement party. And she's taken all the time to
• 34:25
  Speaker 1: come and say like, hey, I really want you to come.
• 34:27
  Speaker 1: He's inventing chores for him to do to avoid it exactly. Basically,
• 34:32
  Speaker 1: basically he set a trap for her with the light on,
• 34:35
  Speaker 1: come on in because because at that time of night,
• 34:38
  Speaker 1: it's well, I guess it's still open. It wasn't too late.
• 34:40
  Speaker 1: It was like eight o'clock, so maybe he's still open.
• 34:42
  Speaker 1: But I mean then she's dancing and it's very sweet
• 34:46
  Speaker 1: and there you are and she you know, your eyes connect.
• 34:50
  Speaker 1: It's just like come on the iconic scene where I
• 34:52
  Speaker 1: sitting next to the little ballerinas. I mean, that's that's
• 34:56
  Speaker 1: that's his iconic an image for Luke As. I think
• 35:00
  Speaker 1: there is really that that stands out for you. Well,
• 35:03
  Speaker 1: they really at the time, they really pushed that image
• 35:07
  Speaker 1: in the marketing side of things. It was it was
• 35:09
  Speaker 1: one of like these shots that's it has very sweet
• 35:14
  Speaker 1: and perfect and you know you you do you feel
• 35:18
  Speaker 1: bad for little You're like, oh, perfect setup, perfect setup.
• 35:26
  Speaker 1: What a party. I wanted to be at that party?
• 35:28
  Speaker 1: Oh my god, me too, And I thought, I thought.
• 35:30
  Speaker 1: One of the lighter, funnier moments was when Laurel I
• 35:33
  Speaker 1: walked up to Kirk and said, Kirk, can I have
• 35:35
  Speaker 1: that megaphone for a second. She walked away with it.
• 35:39
  Speaker 1: It's realized. Looking at it, he reminds me of a
• 35:43
  Speaker 1: like a rooster, a perplexed rooster, you know, just kind
• 35:48
  Speaker 1: of like he's great in this one. It's like perfect.
• 35:50
  Speaker 1: Like he's trying to run the engagement party scene with
• 35:54
  Speaker 1: Jackson and Suki when they're I always say Jackson and
• 35:57
  Speaker 1: Suki because I think the character on True Blood is sucky,
• 36:02
  Speaker 1: and it always I have to check that. But anyway,
• 36:06
  Speaker 1: Jackson and Suki are talking as she's like putting the
• 36:09
  Speaker 1: cookies out. That was pretty good scene too. You know,
• 36:12
  Speaker 1: he doesn't want to get married, he's not ready that
• 36:14
  Speaker 1: they want to live together, and she's just like, what
• 36:17
  Speaker 1: do you know how hard it is to to to
• 36:21
  Speaker 1: act that kind of laughter? That's that Melissa acted in
• 36:25
  Speaker 1: that scene because it was several different levels of giddiness.
• 36:30
  Speaker 1: That is not easy, that is, and she did it
• 36:34
  Speaker 1: without you know, tightening up or putting too much pressure
• 36:38
  Speaker 1: on it or or hitting it too hard. Yeah, oh man.
• 36:42
  Speaker 1: You know the thing about her is every episode even
• 36:45
  Speaker 1: has a little bit that the skill level on her
• 36:48
  Speaker 1: is extraordinary. It's just extraordinary. And I know did you
• 36:52
  Speaker 1: all know that? Then? Oh yeah, because you work, you
• 36:55
  Speaker 1: do a scene with her and it's like wow, and
• 36:58
  Speaker 1: I mean it's I think especially Lauren would know because
• 37:02
  Speaker 1: she worked with her. And for Lauren to stay that
• 37:05
  Speaker 1: relaxed and that in character and that cool and her
• 37:11
  Speaker 1: timing perfect because you know she's feeding Suki too, because
• 37:14
  Speaker 1: when you're when you're ramping up doing something like that
• 37:17
  Speaker 1: or laughter or cries or things like that, and another
• 37:20
  Speaker 1: person driving the scene and you've got to just continue
• 37:22
  Speaker 1: to feed them lines but not trip them up by
• 37:25
  Speaker 1: screwing up the timing. Wow, that's hard, and Lauren makes
• 37:28
  Speaker 1: it look easy. And she had Melissa had almost the
• 37:32
  Speaker 1: same amount of physical stuff that you had, moving the
• 37:38
  Speaker 1: plates and moving to this and serving the hammer, and
• 37:40
  Speaker 1: she's doing the same thing and to have to do
• 37:42
  Speaker 1: it the same just like you said you did, I
• 37:44
  Speaker 1: mean that would be so hard. Yeah, it's she has
• 37:49
  Speaker 1: that physical comedy to where she has to burn herself
• 37:52
  Speaker 1: or drop the plate or spilled with this, and you're
• 37:54
  Speaker 1: just like, but you know what, actually, in a way,
• 37:56
  Speaker 1: it's almost easier than just you know, not using the
• 38:00
  Speaker 1: props because you attach the timing and the beats and
• 38:05
  Speaker 1: the and the actual dialogue to certain props, and it's
• 38:08
  Speaker 1: certain way it's sort of easier to remember everything and
• 38:11
  Speaker 1: where you are in the scene because you have to
• 38:13
  Speaker 1: go perform a task and you know that those lines
• 38:16
  Speaker 1: are coming while you were on the way to performing
• 38:18
  Speaker 1: that task, while you're performing the task, and when you're
• 38:20
  Speaker 1: finished that task. So that shocks me because somebody was
• 38:24
  Speaker 1: teaching me this thing the other day where you okay,
• 38:26
  Speaker 1: so take your left hand and rub it up and down, okay,
• 38:29
  Speaker 1: on the left side, and then you have to take
• 38:31
  Speaker 1: your right hand and tap, and it's like, you know
• 38:34
  Speaker 1: how you're so to me, that's what that is. Okay,
• 38:37
  Speaker 1: so you take your left hand. Everybody has to do it.
• 38:39
  Speaker 1: So you take your left hand and you're like rubbing
• 38:42
  Speaker 1: it up and down right, so just like up down,
• 38:44
  Speaker 1: up down on your chest. And then you take your
• 38:47
  Speaker 1: right hand and you have to tap, and it's like
• 38:50
  Speaker 1: freaking hard because your brain, your brain starts to do
• 38:53
  Speaker 1: the right So to me, that is like what it
• 38:55
  Speaker 1: would be like to have to do all those physical
• 38:58
  Speaker 1: movements while you're trying to act. This is really easy
• 39:01
  Speaker 1: to do. What is your problem is that does anyone
• 39:04
  Speaker 1: else think it's hard. I love what Scott's like slamming.
• 39:09
  Speaker 1: He's not really tapping. All right, you want me tap
• 39:14
  Speaker 1: your challenge, your challenge? Switch now switch, So now with
• 39:19
  Speaker 1: your right hand, rub it up and down, and then
• 39:22
  Speaker 1: with your hard I'm hard. That's a little harder, so hard.
• 39:30
  Speaker 1: I couldn't do the switch the right hand rubbing and
• 39:32
  Speaker 1: then tap with the It's like, you can't do it.
• 39:34
  Speaker 1: I got it. I'm doing it. Well, that's because you
• 39:37
  Speaker 1: know how to, because your brain has been trained to
• 39:40
  Speaker 1: do that type of act. I have a trained brain, yes, right,
• 39:44
  Speaker 1: which I'm like, what, I can't do that. I can't
• 39:47
  Speaker 1: do physical at the same time as like can you
• 39:51
  Speaker 1: can you tap your head and make a circle on
• 39:54
  Speaker 1: your stomach too, I mean, yeah, I can't put if
• 39:58
  Speaker 1: I switch. Just get that. But it's the same thing.
• 40:00
  Speaker 1: It's hard. Everybody, take a deep breath, good, let it out.
• 40:08
  Speaker 1: I mean, so, now, I guess we have to talk
• 40:10
  Speaker 1: all about Paris, Rory Dean the hammer. There's a whole
• 40:17
  Speaker 1: other thing going on here. I think the uh I
• 40:22
  Speaker 1: think that well, I'm not gonna say now, but one
• 40:24
  Speaker 1: of the funniest lines came in these sequences when they're
• 40:27
  Speaker 1: building the house. But yeah, um, I love the fact
• 40:33
  Speaker 1: that what is it Louise or who's uh is still
• 40:37
  Speaker 1: friendly with with Rory and Paris strongly disapproved of that
• 40:43
  Speaker 1: and look gives her dirty looks. And I don't know
• 40:47
  Speaker 1: about revealing Paris revealing so much intimate knowledge like that
• 40:54
  Speaker 1: kind of knowledge about what Harvard is looking for in
• 40:56
  Speaker 1: the extracurriculus, how important they are. Why would pair arrists
• 41:00
  Speaker 1: tell Rory this if she's in direct competition with her.
• 41:03
  Speaker 1: I didn't get that. Somebody please explain this to me.
• 41:06
  Speaker 1: Because Paris is supposed to be so smart, she's trying
• 41:08
  Speaker 1: to crush her enemy. She she has cast Rory as
• 41:11
  Speaker 1: the enemy, her competition, somebody that's smart as smart, if
• 41:15
  Speaker 1: not smarter than her, maybe going to take her place,
• 41:19
  Speaker 1: get into Harvard. Maybe there's one more place. And this
• 41:21
  Speaker 1: the two of them, and they go, you know what,
• 41:23
  Speaker 1: We're gonna take Rory and Paris was a little psycho
• 41:26
  Speaker 1: in the interview and you know a little too much,
• 41:29
  Speaker 1: you know. So my theory, this is just my theory,
• 41:32
  Speaker 1: is that Paris is just so overwhelmed with herself that
• 41:36
  Speaker 1: she just has to spew it out like I've been
• 41:38
  Speaker 1: doing this and this and this and this and this
• 41:40
  Speaker 1: and this and this, then it should have been angrier.
• 41:46
  Speaker 1: It should have been out of control for me to
• 41:49
  Speaker 1: believe that she would had taken leave of her senses,
• 41:53
  Speaker 1: because she does have sense, right, even if she is
• 41:57
  Speaker 1: quote unquote confused, did somewhat evil, Um, then she needed
• 42:03
  Speaker 1: to be angry when she was doing it because she
• 42:05
  Speaker 1: wasn't see my thing on Paris. And she isn't actually evil.
• 42:09
  Speaker 1: She's just so insecure, you know what I'm saying. I'm
• 42:12
  Speaker 1: not I don't think yeah, yeah, no, I know that's
• 42:15
  Speaker 1: what I'm saying though, But I think that's why she's
• 42:16
  Speaker 1: not more mad, because she's just so But she had
• 42:20
  Speaker 1: to be in such a state where it just spills
• 42:22
  Speaker 1: out and then she realizes, oh god, I just gave
• 42:26
  Speaker 1: her all that, She gave her the key to getting
• 42:28
  Speaker 1: into Harvard when you know, so it had to be
• 42:31
  Speaker 1: she had to be out of control. That's kind of
• 42:33
  Speaker 1: exactly how I let's go back and rewrite this scene
• 42:36
  Speaker 1: and reshoot this scene. But what you just did so perfect? Oh,
• 42:40
  Speaker 1: I just get really keys like that's exactly because she
• 42:44
  Speaker 1: did right, he could see her doing that. I wouldn't
• 42:49
  Speaker 1: give that to my enemy. I wouldn't tell my competition
• 42:53
  Speaker 1: how to get into Harvard when you know we know
• 42:55
  Speaker 1: that it's you know, there's just so many spots. Yeah,
• 42:59
  Speaker 1: I think just had that breakdown moment where you're just
• 43:02
  Speaker 1: like if I was getting break down there, it was
• 43:05
  Speaker 1: just pure I don't know, it's just I don't know. Ye.
• 43:13
  Speaker 1: Do you like Paris mm hmmm, when she's vulnerable? Yeah, yeah, yeah,
• 43:24
  Speaker 1: I want the thing. I the thing for somebody that
• 43:27
  Speaker 1: is that extreme. I want more background on him. I
• 43:29
  Speaker 1: want to see a scene with her and her parents,
• 43:31
  Speaker 1: more than one scene with her and her parents. I
• 43:33
  Speaker 1: want to see something more significant so I can invest
• 43:36
  Speaker 1: in her a little bit more and have more thoughts
• 43:39
  Speaker 1: about her um and therefore it would be easier to
• 43:43
  Speaker 1: empathize with her. But it's just so difficult. She's kind
• 43:47
  Speaker 1: of on a desert right, and it's like hard to
• 43:49
  Speaker 1: empathize with her when she's just and I think it's
• 43:52
  Speaker 1: good for the drama, right because then you're just so
• 43:57
  Speaker 1: route for Rory, and Rory is just smelling like a
• 43:59
  Speaker 1: rose all the time time. But I don't think it
• 44:01
  Speaker 1: hurts that you You you you sort of flesh out
• 44:05
  Speaker 1: the Paris character a little bit and deepen her and
• 44:08
  Speaker 1: give her some more dimensions. She's just feeling a little
• 44:11
  Speaker 1: one dimensional to me. Yes, So we we liked her
• 44:14
  Speaker 1: at the Bengals concert because she really that was cool.
• 44:18
  Speaker 1: And then I liked her when she came over and
• 44:20
  Speaker 1: Rory helped her get ready for the date. So you
• 44:22
  Speaker 1: have these moments where you're like, is that the real
• 44:25
  Speaker 1: Paris or is this crazy chick the real Paris? Right?
• 44:29
  Speaker 1: And I think we just don't know. I mean, they
• 44:31
  Speaker 1: give Lane all this, uh, I mean we know what
• 44:34
  Speaker 1: why Lane is and what her whole deal is. I
• 44:37
  Speaker 1: mean we see her mother and multiple episodes in these
• 44:40
  Speaker 1: classically funny uh scenes and and almost disturbing scenes, but um,
• 44:48
  Speaker 1: you don't really see anybody else getting developed. It's it's
• 44:51
  Speaker 1: kind of Lane. You don't see Dean getting developed. We
• 44:53
  Speaker 1: don't never meet his parents, We don't you know, nobody's
• 44:56
  Speaker 1: really developed there. I mean I have a sister, and
• 44:59
  Speaker 1: then I have you know, and I have a daughter. Um,
• 45:03
  Speaker 1: but really, I mean who else is developed in that cast?
• 45:08
  Speaker 1: I mean a Suki? What do we know about Suki?
• 45:10
  Speaker 1: What do we know about Michelle? Not much? Not really anything.
• 45:14
  Speaker 1: So it's like, but they're such fun characters and those
• 45:17
  Speaker 1: they're so uh. I mean, in Michelle's case, I mean,
• 45:21
  Speaker 1: how can you not love that guy? Even? Did it again?
• 45:24
  Speaker 1: He said because I can't eat those cookies because then
• 45:27
  Speaker 1: I can't love my boloburger. Later, what does he says? Boloberg.
• 45:31
  Speaker 1: That's a great line. I love that I forgot almost
• 45:35
  Speaker 1: sorry almost. Ut. Yeah, it's really interesting what you're saying
• 45:41
  Speaker 1: about Paris. I want her develop. I want to see
• 45:44
  Speaker 1: her home life because I want a chance to empathize
• 45:46
  Speaker 1: with an understanding a little more. And even though I
• 45:49
  Speaker 1: get it because they had the one scene, you gotta,
• 45:51
  Speaker 1: you know, I want to see it more. Just want
• 45:54
  Speaker 1: give me a give me a couple of scenes with
• 45:56
  Speaker 1: Paris and her parents or yeah, I think this is
• 45:58
  Speaker 1: the first episode where where Liza is now a series
• 46:01
  Speaker 1: regular as opposed to a guest star. Is that right? Yeah?
• 46:05
  Speaker 1: I think so rightly? That's right, right, that's correct? Yet? Okay,
• 46:09
  Speaker 1: so they promoted her in season two? Yes, Wow, Danielle,
• 46:15
  Speaker 1: what were you going to say? I was gonna say,
• 46:17
  Speaker 1: we did. We didn't need Paris's mom and she is
• 46:20
  Speaker 1: kind of she is kind of crazy. Not enough for
• 46:23
  Speaker 1: me though, I remember that scene. I agree with you,
• 46:26
  Speaker 1: we need we definitely need more. But even just that
• 46:28
  Speaker 1: one scene with with her mom was like, oh, I
• 46:31
  Speaker 1: kind of get I kind of get Pars a little bit,
• 46:33
  Speaker 1: but having more of them would I think fill in
• 46:37
  Speaker 1: the blanks. Yeah, we talked about she has the same
• 46:39
  Speaker 1: mom as Kelly Taylor on nine O two one oh right,
• 46:42
  Speaker 1: same actress for an opinion on Yeah, and I don't
• 46:50
  Speaker 1: think we get to see her again if I remember correctly,
• 46:54
  Speaker 1: that's it. That's it. Well, or at least that actress
• 46:59
  Speaker 1: only plays her in this in that one episode where
• 47:01
  Speaker 1: we saw at the school, so brief are we pointing
• 47:04
  Speaker 1: out an obvious hole? We're finding a hole? I think
• 47:08
  Speaker 1: we just found one. Yeah, I think we're discussing it
• 47:12
  Speaker 1: because we do meet Lane's mom. We know Lane's mom,
• 47:15
  Speaker 1: so it's not like we don't meet these people's family.
• 47:18
  Speaker 1: But I want an answer, gosh darn it as to
• 47:22
  Speaker 1: why somebody is so smart would reveal such crucial information
• 47:28
  Speaker 1: to the enemy, because she certainly wasn't angry and out
• 47:32
  Speaker 1: of control. Did you think the Dean Rory fight was
• 47:37
  Speaker 1: justified or Rory just having a meltown? Did it feel forced?
• 47:42
  Speaker 1: In other words. Um no, he's they're young. I mean,
• 47:50
  Speaker 1: I get it. She Yeah, he had every right to
• 47:54
  Speaker 1: kind of flip a little bit. You know, he got jealous.
• 47:58
  Speaker 1: He both needed to just chill. Chill the hell, you know.
• 48:00
  Speaker 1: Come on, he's in over her. Come on totally, come on.
• 48:05
  Speaker 1: I mean you can't get denied twice in the same day.
• 48:11
  Speaker 1: I mean, he's sitting there waiting for at the bus stop.
• 48:15
  Speaker 1: How did he know when she was coming? Right? How
• 48:18
  Speaker 1: did he know a bus she was gonna Yeah, I
• 48:20
  Speaker 1: mean he's just like sitting there all day. You know,
• 48:22
  Speaker 1: all day. I didn't think about like a panting dog
• 48:27
  Speaker 1: waiting she'll be on the maybe she'll be on the
• 48:29
  Speaker 1: next one. Well, I'll just sit here, maybe she'll be
• 48:31
  Speaker 1: on the next one. Um, total Forrest Gump, just at
• 48:35
  Speaker 1: the bus stop. It's like, I love, I'm starting to
• 48:40
  Speaker 1: really like Dean or Jared Pate Icky, I'm not sure which.
• 48:44
  Speaker 1: More and more he showed up in the shirt and
• 48:47
  Speaker 1: the necklace again. I know theace right was a leather
• 48:53
  Speaker 1: I'm thinking leather. I think he's I looked like a
• 48:57
  Speaker 1: chain to me. But same button, undone, the same untucked shirt.
• 49:02
  Speaker 1: You know, it's like a little lighter color for the festivities.
• 49:05
  Speaker 1: The necklace and Carol v are the new clown pillow
• 49:11
  Speaker 1: off the necklace spot Carol v Um. Yeah I would.
• 49:18
  Speaker 1: I probably at that age would have had the same reaction,
• 49:21
  Speaker 1: you know, getting getting face planted twice by the same
• 49:24
  Speaker 1: girl that you love and the same day. And it's like,
• 49:26
  Speaker 1: come on, he's just waiting all day for he's waiting
• 49:29
  Speaker 1: and it's summer, right, he has a point, you know,
• 49:34
  Speaker 1: he is that. Okay, So it's summer, am I right?
• 49:37
  Speaker 1: And then Max is going so this is Max's summer
• 49:40
  Speaker 1: job he's going to do in Canada. And I I'm
• 49:43
  Speaker 1: just trying to like, yeah, Max is going to Toronto
• 49:46
  Speaker 1: on sabbatical or something summer job. Was he No, he's
• 49:52
  Speaker 1: gonna go teach, right, Yeah, he's going to Toronto or something.
• 49:55
  Speaker 1: He's going to Toronto. So yeah, so okay. So and
• 49:59
  Speaker 1: Dean did say it's mercy summer breaks, you know I did.
• 50:03
  Speaker 1: I did mutter to myself summer school. Yes, she's in
• 50:07
  Speaker 1: summer school. Yes, um, everybody's in summerchool. Yes, it's all
• 50:11
  Speaker 1: summer And and so I did mutter to myself. I
• 50:14
  Speaker 1: will admit this, Um, I will admit that I did
• 50:18
  Speaker 1: mutter under my breath while I was watching that scene
• 50:22
  Speaker 1: back Off Losers, she's going to Harvard. I didn't. I
• 50:24
  Speaker 1: did do that. Yeah, I did the same thing where
• 50:29
  Speaker 1: I was like, chill out, dude, like you got forever,
• 50:32
  Speaker 1: calm down. Let this girl like have a meltdown, like
• 50:36
  Speaker 1: to read the room. She likes you. She's just melting
• 50:39
  Speaker 1: down that she doesn't have any extracuragetion. We had dirt
• 50:42
  Speaker 1: on her forehead, she had dirt on her cheeks. She
• 50:47
  Speaker 1: was dusty, and I thought she was gonna she looked
• 50:50
  Speaker 1: so tired and dirty. I thought she was gonna say,
• 50:52
  Speaker 1: I'm exhausted and I can I take a rain check.
• 50:55
  Speaker 1: But when she when that came out of her mouth,
• 50:57
  Speaker 1: and May told us sense, you know, she's got to
• 51:01
  Speaker 1: catch up. She's gotta She's right, she's got to do
• 51:04
  Speaker 1: the clubs. Oh, and then we can really see the necklace.
• 51:08
  Speaker 1: There is that leather resuming in on the necklace. Let's see.
• 51:14
  Speaker 1: It still looks like a weird chain. To me, it
• 51:16
  Speaker 1: definitely has a it's not puka shells. It's like refined
• 51:20
  Speaker 1: pa shells. I think you're right. I think it's not leather. Yeah,
• 51:25
  Speaker 1: so Riley was right when she thought it was. And
• 51:29
  Speaker 1: also little trivia. Is that the construction foreman, the guy
• 51:34
  Speaker 1: that comes Tom Fifer, that's the one, only wonderful biff Er.
• 51:41
  Speaker 1: Yeah that's a hammer. What's that? Oh that's a hammer.
• 51:48
  Speaker 1: My mom just likes to dress it up, to dress
• 51:51
  Speaker 1: it up. Yeah about a hammer? Is classes? I know?
• 51:56
  Speaker 1: That was that was great? Um so uh yeah, I
• 52:03
  Speaker 1: think Dean is completely justifying. I'm glad they got back together.
• 52:07
  Speaker 1: They're they're a nice little summer playing a couple of
• 52:10
  Speaker 1: things that's not gonna last. But think Lane is Lane
• 52:14
  Speaker 1: ever coming back? That's super. The suitcase was on the
• 52:21
  Speaker 1: top of their like wagon ere. Yeah, that was good,
• 52:24
  Speaker 1: good image. The Kims have a rad car though. I
• 52:27
  Speaker 1: love a wagon here. It's a wagon here. Yeah, yeah,
• 52:30
  Speaker 1: the suburban suv if it's time that wagon ere. I
• 52:34
  Speaker 1: do love a wagon Sidber. They're bringing it back and
• 52:38
  Speaker 1: it's not as cool. Yeah, it's like coming back any
• 52:42
  Speaker 1: minute wagon here and it is Google it. It's not
• 52:46
  Speaker 1: that cool. It's not as cool as the Kims at all. Well,
• 52:49
  Speaker 1: then I'll probably get one. It would be a nice
• 52:54
  Speaker 1: family truckster for you if you are. Yeah, I've been
• 52:58
  Speaker 1: pining for a mini and with the Okay, so I
• 53:02
  Speaker 1: know people that love minivan. I drove one for a
• 53:06
  Speaker 1: couple of days on a location and I just like,
• 53:08
  Speaker 1: this is so cool. I'd like to have it if
• 53:10
  Speaker 1: I was, if I was exactly that right, those are
• 53:15
  Speaker 1: cool cars and they drive beautifully. Not cool, not cool,
• 53:19
  Speaker 1: it doesn't matter. It's it's the convenience and the comfort.
• 53:23
  Speaker 1: I have friends that drive minivan, so they're truly right. Um,
• 53:28
  Speaker 1: I hope you get one. Maybe maybe come help me
• 53:31
  Speaker 1: pick one out, you know, and like your opinion. Everybody's invited,
• 53:35
  Speaker 1: you know. Make sure you get the remote. You got
• 53:38
  Speaker 1: to get the remote tour. I vote, I vote podcast
• 53:41
  Speaker 1: from the minivan. Oh my god. If you get a minivan,
• 53:44
  Speaker 1: we will do it live from the mini. Yes, and
• 53:47
  Speaker 1: then maybe you know, put the graphics, the fancy graphics
• 53:50
  Speaker 1: on the minivan. I'll do that. We could wrap it
• 54:00
  Speaker 1: low Toyota. Yeah, everybody, I don't think I'm that like
• 54:04
  Speaker 1: guy's cousin that drives around Hollywood and I'm for hire.
• 54:07
  Speaker 1: You know that guy who dresses up his car. Have
• 54:10
  Speaker 1: you ever seen that guy's car still around? I don't know,
• 54:14
  Speaker 1: but he was around for years now we don't leave
• 54:17
  Speaker 1: our houses. Who knows what's happening. I don't really know anymore.
• 54:22
  Speaker 1: That guy's car was so full of junk. I couldn't
• 54:24
  Speaker 1: believe that that the police let him drive around like that.
• 54:27
  Speaker 1: It's like, I'm you can hire me. I'm an actor,
• 54:30
  Speaker 1: and hey, look man, he's out there trying. Good for him.
• 54:34
  Speaker 1: I hope it worked out background before you, So you
• 54:38
  Speaker 1: went from like Baseball two, you got a part. I know.
• 54:42
  Speaker 1: I did background in plays, Okay, Oh yeah, I was
• 54:47
  Speaker 1: in an orgy scene at the Actors Studio in New
• 54:50
  Speaker 1: York Um during the performance of God. Was it resputant
• 54:59
  Speaker 1: or was it Miss Jewell clothes on? Yeah? Yeah, I
• 55:03
  Speaker 1: mean it was just sort of like loiny clothy things
• 55:08
  Speaker 1: like did you have to make out with someone? I
• 55:11
  Speaker 1: think I did? Yeah, yes, yes, and uh yeah I did,
• 55:17
  Speaker 1: I did. I did. I also did background and well
• 55:21
  Speaker 1: it wasn't really background, but it was like a one
• 55:22
  Speaker 1: or a two liner and Miss Julie at the Actor's
• 55:24
  Speaker 1: Studio Karen Allen starring Karen Allen. I loved Karen Allen Starman.
• 55:29
  Speaker 1: Yes Allen was in Starman, Yes, and uh she had
• 55:33
  Speaker 1: at the Actors Study. It was kind of small backstage
• 55:35
  Speaker 1: area and they had they had given her a private
• 55:38
  Speaker 1: dressing room. Um. And one day during rehearsal, she came
• 55:42
  Speaker 1: out and she was very upset and she said, somebody
• 55:46
  Speaker 1: in my watch is going my my, my rolex my
• 55:49
  Speaker 1: my diamonds, gold crusted special and it's like worth tens
• 55:53
  Speaker 1: of thousands of Dutch dolls. So everybody searched for it,
• 55:57
  Speaker 1: and uh was it found? I found it? Where was
• 56:01
  Speaker 1: it in her dressing room? And then I got accused
• 56:05
  Speaker 1: of stealing it, of stealing it, And that's how it
• 56:11
  Speaker 1: goes for me. I watch only murders in the building
• 56:15
  Speaker 1: and soward. I didn't get rewarded. I got it kissed.
• 56:19
  Speaker 1: They're like, you planted it after oh my god, oh
• 56:24
  Speaker 1: my god. Um. But that did not put me off
• 56:28
  Speaker 1: helping people or saving their lives. Thank goodness, Riley, this
• 56:39
  Speaker 1: seems like the perfect moment for you to take over.
• 56:44
  Speaker 1: I'm ready, I'm Riley, and this is your pop culture.
• 56:50
  Speaker 1: We'll go through this one a little quickly. Laura I
• 56:53
  Speaker 1: is trying to figure out her veil length with Rory
• 56:55
  Speaker 1: for the wedding, and Laura Lee says, and then there's
• 56:57
  Speaker 1: a full one. Diana Diana, Princess of Wales, was a
• 57:00
  Speaker 1: member of the British royal family and being the first
• 57:02
  Speaker 1: wife to Charles, Prince of Wales. Diana's veil was made
• 57:05
  Speaker 1: of a hundred forty tool The fairy dust wedding veil
• 57:10
  Speaker 1: was embellished over long nights by a single secret embroiderer.
• 57:14
  Speaker 1: The wedding was made that veil. The yeah, he plan
• 57:24
  Speaker 1: my acts. It's just like to rub your left hand
• 57:31
  Speaker 1: and tap with your right hand. And a lot of
• 57:33
  Speaker 1: things happening right now. We just need stroves and what
• 57:37
  Speaker 1: will be completely we had visually, I think I'd have
• 57:42
  Speaker 1: I'd have a problem. Okay, keep going, Riley, I'm focusing.
• 57:47
  Speaker 1: The wedding was iconic in the ceremony itself was seen
• 57:50
  Speaker 1: by a crowd of people, and seven hundred and fifty
• 57:53
  Speaker 1: million people watched it on TV at home, millions seven
• 57:59
  Speaker 1: fifty million. Was it pay per view? Did they do
• 58:03
  Speaker 1: pay per view? That would have broken all the records.
• 58:07
  Speaker 1: That's a missed opportunity. I bet they would have made
• 58:10
  Speaker 1: a lot of I bet you Megan, Markle and Harry
• 58:12
  Speaker 1: would have done pay per view? Did they do pay
• 58:13
  Speaker 1: per view on theirs? They should have. They should have
• 58:16
  Speaker 1: Dana White like do the whole thing for him. Yeah,
• 58:18
  Speaker 1: they wouldn't have had any problems with their budget. And
• 58:21
  Speaker 1: before the bloody m m A fight, we're gonna do
• 58:23
  Speaker 1: Harry and Megan's wedding two dollars there wait, Danielle. Oh no,
• 58:29
  Speaker 1: Danielle is now holding up the scrob light. Oh God,
• 58:33
  Speaker 1: I know I can't look at that. Keep going, Riley,
• 58:36
  Speaker 1: Am I supposed to keep going? Okay, it's Scott. We
• 58:40
  Speaker 1: might need it a little softer, a little softer. Okay,
• 58:44
  Speaker 1: there go right, Louise, Madeleine and Paris are talking about
• 58:47
  Speaker 1: grades and the study schedules at Chiltern. Louis says, Princess
• 58:50
  Speaker 1: Grace didn't go to college, and Paris says, thank you
• 58:52
  Speaker 1: for the history. Lesson A. J. Benza. Grace Kelly was
• 58:55
  Speaker 1: an American actress in the mid nineteen fifties who later
• 58:58
  Speaker 1: became Princess of Monica. Her family had to pay a
• 59:01
  Speaker 1: two million dollar dowry to the prince, and she said
• 59:04
  Speaker 1: to have to take a fertility test before the wedding.
• 59:07
  Speaker 1: Grace Kelly's family had to pay for her to marry
• 59:09
  Speaker 1: the Prince of Monica. You think that was a two
• 59:11
  Speaker 1: million dollar admission figure. That seems like a lot. I'd
• 59:16
  Speaker 1: be like twenty million dollars. But wait a bit, wait
• 59:18
  Speaker 1: a where that was back? And when that? Like the sixties,
• 59:20
  Speaker 1: mid nineteen fifties, Literally like whoa weird? Weird? So A. J.
• 59:31
  Speaker 1: Venza is an American gossip columnists and calumnists and television host.
• 59:34
  Speaker 1: Benza populized the CAF phrase fame. Ain't it a bit
• 59:39
  Speaker 1: like A J? Benza? Reference does not land as well
• 59:41
  Speaker 1: twenty years later because I know who he is, but
• 59:43
  Speaker 1: like I bet new people don't not know that. Benza
• 59:47
  Speaker 1: reportedly punched an employee of Howard Stern's show in the face,
• 59:51
  Speaker 1: alleging that the employee was screening out positive listener questions
• 59:54
  Speaker 1: about him. Rory asked Flora, la is okay after the
• 59:58
  Speaker 1: interaction with Emily or La being sarcastic and refers to
• 1:00:01
  Speaker 1: her level of okay nous as a perfect as perfect
• 1:00:04
  Speaker 1: as the Victoria's Secret women. Laura says, I have hit
• 1:00:07
  Speaker 1: a level of perfection that has rarely been seen outside
• 1:00:10
  Speaker 1: of the Victoria's Secret catalog. Victoria's Secret is American laundree,
• 1:00:14
  Speaker 1: clothing and beauty retailer up being Peppy Laura lia Is
• 1:00:24
  Speaker 1: venting about Emily rushing their dinner. Loreaae says, yeah, Well,
• 1:00:27
  Speaker 1: by the time I could get my jaw off the ground,
• 1:00:29
  Speaker 1: Speed Racer had taken my plate. In n seven, Speed
• 1:00:32
  Speaker 1: Racer made its debut debut, igniting the first Japanese anime
• 1:00:36
  Speaker 1: cartoon to ever succeed in the United States. Yoshida, the
• 1:00:39
  Speaker 1: creator was inspired by Elvis's style. The two thousand and
• 1:00:42
  Speaker 1: eight film adaptation started Emil Hirsch and Matthew Fox sadly
• 1:00:47
  Speaker 1: bad movie. By the way, bad movie. It flopped. Yeah.
• 1:00:51
  Speaker 1: Rory sees paris Is building skills at the construction site,
• 1:00:54
  Speaker 1: and Rory says, funny, I never pictured you as a
• 1:00:57
  Speaker 1: Bob Vila kind of girl. Robert Vila is an American
• 1:01:01
  Speaker 1: home improvement television show host. He earned his fame for
• 1:01:04
  Speaker 1: being the host to This Old House at, a home
• 1:01:07
  Speaker 1: improvement show he hosted from ninety nine. Tim Allen, American
• 1:01:12
  Speaker 1: actor and comedians, saw Bob as a rival and made
• 1:01:15
  Speaker 1: attempts to outdo him. Rory is talking to Dean's Kim
• 1:01:20
  Speaker 1: tim Allen on Home Improvement or Tim Allen in real
• 1:01:23
  Speaker 1: life on Home Improvement. I'm assuming on Home improvement. Yeah, yeah,
• 1:01:27
  Speaker 1: I don't think he's mean like that. Not Tim Allen
• 1:01:29
  Speaker 1: the acts seems like a nice fellow. I'm like, why
• 1:01:34
  Speaker 1: would he care. Rory is talking to Dean about her
• 1:01:36
  Speaker 1: lack of extracurricular activities, and Rory says, Paris has been
• 1:01:40
  Speaker 1: accumulating these things since she could walk. I mean, she
• 1:01:42
  Speaker 1: has a list of good deeds that could bump Mother
• 1:01:45
  Speaker 1: Teresa off the Harvard list. Mother Teresa was an Albanian
• 1:01:48
  Speaker 1: Indian Roman Catholic nun and missionary. When she won the
• 1:01:51
  Speaker 1: Nobel Prize in nineteen seventy nine, those who honored her
• 1:01:54
  Speaker 1: praise her not only for her commitment to the poor,
• 1:01:57
  Speaker 1: but her managerial skills as well. She had a state
• 1:02:02
  Speaker 1: funeral in India, which means that the government of India
• 1:02:04
  Speaker 1: felt she was an important enough person in the country
• 1:02:06
  Speaker 1: to pay for her Funeral's that pay per view Rory.
• 1:02:15
  Speaker 1: Rory and Paris go back and forth near the bulletin
• 1:02:17
  Speaker 1: board as Paris attempts to convince Rory not to go
• 1:02:20
  Speaker 1: to the construction project. Paris says, if you thought that
• 1:02:23
  Speaker 1: we had some kind of deep Thelma and Louise thing
• 1:02:25
  Speaker 1: going on here, but we didn't Thelma and Louise in
• 1:02:29
  Speaker 1: film directed by Ridley Scott, starring Oh Yeah, give it
• 1:02:34
  Speaker 1: a try, you got it. We practiced this, we did
• 1:02:38
  Speaker 1: get ready Give it a starring Susan Sarandon. Thank you,
• 1:02:48
  Speaker 1: George Cliney. It's like a Cluney wrong clinic. George Clooney
• 1:02:53
  Speaker 1: audition five times to play the character j D that
• 1:02:56
  Speaker 1: Brad Pitt ended up playing, and Gina Davis was nervous
• 1:02:59
  Speaker 1: to do this any hot scenes with Brad Pitt. Brad
• 1:03:03
  Speaker 1: Pitt was smoking hot and that thing. He was great
• 1:03:05
  Speaker 1: in that role. He's still smoking hot now. He's like
• 1:03:08
  Speaker 1: my number one, my number one, he's he's my number
• 1:03:10
  Speaker 1: one two. I understand, No, no, no, it's like, are
• 1:03:14
  Speaker 1: you kidding me? I mean he correct. He is so
• 1:03:17
  Speaker 1: smoking hot, and he's super smart and hilarious. He's a
• 1:03:22
  Speaker 1: cool dude. I love everything about him. He's a cool dude. Yeah.
• 1:03:26
  Speaker 1: I don't know him, but I don't either. I saw
• 1:03:28
  Speaker 1: him from Afar. I've seen him, I've been I've been
• 1:03:32
  Speaker 1: near him. But he's a tall drink of water. He
• 1:03:35
  Speaker 1: is just everything. If you're in my trailer at Gilmore
• 1:03:41
  Speaker 1: when he pulled up on his motorcycle, with Cleary got off,
• 1:03:44
  Speaker 1: took his helmet off, the blonde hair tumbled down iconic
• 1:03:49
  Speaker 1: like just like I mean, it was just like, are
• 1:03:50
  Speaker 1: you kidding me? Are you kidding me? How do you
• 1:03:54
  Speaker 1: think you are? He really is speaking of epic. I
• 1:04:04
  Speaker 1: hope he's listening. I hope he's He's a good producer too.
• 1:04:06
  Speaker 1: He produces really really great films. You know, there's a
• 1:04:12
  Speaker 1: there's a lot more to him than you know, a
• 1:04:15
  Speaker 1: hairline and blue eyes. I know, I think we would
• 1:04:17
  Speaker 1: be a great couple. I'm just saying, let's get it going.
• 1:04:21
  Speaker 1: Are you Are you available though? Are you? And for
• 1:04:25
  Speaker 1: broad pitched? Yeah? Right, he's your hall pass and you're
• 1:04:31
  Speaker 1: you're currently depressed. Boyfriend is now hearing this information for
• 1:04:37
  Speaker 1: the first time. I'm sweating. But if you go to
• 1:04:42
  Speaker 1: somebody and it's like hon you know, Brad called, I
• 1:04:45
  Speaker 1: would be out. He just wants to have drinks. He
• 1:04:48
  Speaker 1: just he just wants to have drinks. I'm gonna go.
• 1:04:52
  Speaker 1: You go ahead, and and you know, you put on
• 1:04:54
  Speaker 1: the macaroni and cheese, the craft macaroni and cheese, and
• 1:04:57
  Speaker 1: I'll be back. Just it was just we're talking, you know,
• 1:05:01
  Speaker 1: we're talking. Maybe he comes on the podcast. You know,
• 1:05:05
  Speaker 1: Scott's really like the show spiking. It's like really snowballing,
• 1:05:10
  Speaker 1: and you know he expressed an interest. So it's just
• 1:05:12
  Speaker 1: a meeting. I'll be back. It's it's it's we're gonna
• 1:05:16
  Speaker 1: do like it's gonna be twenty minutes, maybe two hours.
• 1:05:19
  Speaker 1: Maybe maybe it'll be six hours. Maybe it'll be a day.
• 1:05:22
  Speaker 1: I don't know, it'll be like eight days. It's maybe
• 1:05:26
  Speaker 1: if you had to have a meeting with Brad Pitt,
• 1:05:28
  Speaker 1: do you think you could act normal? Yes, you said
• 1:05:34
  Speaker 1: that was real confidence. He doesn't do it for me?
• 1:05:38
  Speaker 1: Whoa whoa, whoa hush that unpopular opinion. I'm popular, and
• 1:05:44
  Speaker 1: who does do it for you? Shut the cat out
• 1:05:49
  Speaker 1: of the bag like an Ashton Kutcher or Dermot mulrooney
• 1:05:54
  Speaker 1: or I love First of all, it's Dermott mulroney. It's Dermott. Yeah,
• 1:05:59
  Speaker 1: but I love Dermott moll rooney. But he's a babe.
• 1:06:02
  Speaker 1: But he's so old for you. I know, I was
• 1:06:04
  Speaker 1: thinking of somebody that was okay, But do you love
• 1:06:09
  Speaker 1: Dermott mulroney now, or like Dermott mulroney and my best
• 1:06:12
  Speaker 1: friend's wedding my best friend's wedding started it, but I
• 1:06:15
  Speaker 1: still think he's very attractive. My best friend's wedding ye,
• 1:06:20
  Speaker 1: Cameron Diaz, Dermott mulroney, Julia Roberts got got you know
• 1:06:24
  Speaker 1: now I say he's dark hair, yeah, but he's gray now.
• 1:06:27
  Speaker 1: But he is super hot. But this is like my
• 1:06:30
  Speaker 1: Michael Keaton thing. So I worship Michael Keaton, like I
• 1:06:34
  Speaker 1: love him, thank you. But one of my friends was
• 1:06:38
  Speaker 1: like Batman Michael Keaton or Birdman Michael Keaton, and I'm
• 1:06:42
  Speaker 1: like Batman Michael Keaton, and he's like that guy doesn't
• 1:06:45
  Speaker 1: even exist anymore because it's like he is. He's older now,
• 1:06:49
  Speaker 1: but I still love Michael Keaton. I've been watching him
• 1:06:51
  Speaker 1: on He's on sixteen minutes, Bellow Michael Keaton. I had
• 1:06:56
  Speaker 1: a restaurant thing with with Michael Keaton. He's very quick.
• 1:06:59
  Speaker 1: I didn't no, no, no, we were I was waiting
• 1:07:03
  Speaker 1: for a table or we were going to our table,
• 1:07:05
  Speaker 1: and he kind of walked in and he came up
• 1:07:07
  Speaker 1: from his table and we just, I don't know, we
• 1:07:09
  Speaker 1: just exchanged a funny thing. But he's friendly, but he
• 1:07:13
  Speaker 1: but he gets the kind of weird humor that I
• 1:07:15
  Speaker 1: was going with and he kind of laughed, and I
• 1:07:17
  Speaker 1: just thought, Wow, that guy's got a sensibility, you know,
• 1:07:19
  Speaker 1: he's so here's what's super weird. This is the first
• 1:07:22
  Speaker 1: time I've talked about this. I believe somehow, like cosmically,
• 1:07:27
  Speaker 1: Michael Keaton and I are like meant to be friends
• 1:07:29
  Speaker 1: or were like together in a previous life, because I
• 1:07:32
  Speaker 1: literally bump into him constantly. I mean we're talking thirty
• 1:07:39
  Speaker 1: forty times. I've been in the same restaurant as him,
• 1:07:42
  Speaker 1: walking down He does live in my neighborhood, so like
• 1:07:45
  Speaker 1: walking down the street, so weird. At the gas station
• 1:07:49
  Speaker 1: after this, like it's maybe he's talking you. I don't
• 1:07:54
  Speaker 1: think so. I think it's just that we are neighbors.
• 1:07:57
  Speaker 1: It's just so we're neighbors and we go to like
• 1:07:59
  Speaker 1: the same but it is still weird. Wow. Yeah, Hey,
• 1:08:04
  Speaker 1: Michael Keaton. So so no, actually, real name, real name,
• 1:08:08
  Speaker 1: Michael Douglas. Total sidebar. You know his name isn't Michael Keaton.
• 1:08:13
  Speaker 1: It's Michael Douglas. Are you and he changed it because
• 1:08:15
  Speaker 1: it was a Michael Douglas already? Correct? Wow, I know
• 1:08:20
  Speaker 1: the things you learned on this body. So Michael Keaton
• 1:08:24
  Speaker 1: is actually Michael Douglas, but he couldn't be Michael Douglas.
• 1:08:27
  Speaker 1: Would be funny, Michael, Michael, Michael Douglass. Name was Michael Keaton.
• 1:08:32
  Speaker 1: It would have been like, but I changed my name
• 1:08:35
  Speaker 1: because you have to know, but I changed my wall
• 1:08:36
  Speaker 1: always screwed up. So unclear. If Michael Keaton is like
• 1:08:40
  Speaker 1: making a reservation at a restaurant, if he says Michael
• 1:08:42
  Speaker 1: Keaton or Michael Douglas, and it doesn't really matter because
• 1:08:45
  Speaker 1: both will get him from the table. Yep, there you go.
• 1:08:51
  Speaker 1: So Dermott mulrooney, that's your guy. Yeah, that's your guy.
• 1:08:58
  Speaker 1: You could throw in Jude Law, you could throw in
• 1:09:00
  Speaker 1: Leo DiCaprio. DiCaprio, this is a wide just Red Pitt,
• 1:09:06
  Speaker 1: he I could, I could, I could have a meeting
• 1:09:09
  Speaker 1: with him. I'll be fine. It's very generous of you,
• 1:09:13
  Speaker 1: very generous. We're so sorry to everyone listening. Riley were
• 1:09:21
  Speaker 1: We don't mean to leave you out of this. Who's yours?
• 1:09:25
  Speaker 1: She's not on her head, like no, don't get me
• 1:09:26
  Speaker 1: involved in this stuff. And she's like, no, please don't
• 1:09:29
  Speaker 1: bring me to this. We're talking like older or can
• 1:09:32
  Speaker 1: I just see anybody? Yeah, you can just go with you,
• 1:09:35
  Speaker 1: just just anybody. Um mine is an athlete. But no, no,
• 1:09:47
  Speaker 1: Anthony Davis. I don't even know who that is running
• 1:09:52
  Speaker 1: back he played for the Lakers basketball player Anthony Davis. Okay,
• 1:09:59
  Speaker 1: what's I'm with that? Nobody's going to cone. You can
• 1:10:02
  Speaker 1: don't think anyone's going to compete. Okay, okay, but you
• 1:10:07
  Speaker 1: didn't compete. Who did compete? Riley Elizabeth Taylor. She has
• 1:10:14
  Speaker 1: seven husbands and she has mentioned in this episode of
• 1:10:18
  Speaker 1: Gilmour she brought it back around. Look at that. That's art,
• 1:10:25
  Speaker 1: that's craft right there, shut us up. Good thing is
• 1:10:30
  Speaker 1: we don't get off tangent until the end of the episode,
• 1:10:34
  Speaker 1: which is less irritating to people. So like everyone that
• 1:10:37
  Speaker 1: stopped listening ten minutes ago, they got the good the
• 1:10:40
  Speaker 1: good stuff already, so any means they got everything before
• 1:10:46
  Speaker 1: the pop culture. Yeah, they're like, it's fine, We're just
• 1:10:50
  Speaker 1: going to tune in next week for red light on
• 1:10:51
  Speaker 1: the wedding. No, but no, but pop culture now is
• 1:10:54
  Speaker 1: a thing. People really like it. No, it's it's like
• 1:10:57
  Speaker 1: a thing now. Yeah, do I have this line right
• 1:11:01
  Speaker 1: from this episode? And then after all that planning, the
• 1:11:04
  Speaker 1: reception will still be a disaster, because no matter what
• 1:11:06
  Speaker 1: you do or how carefully you plan, halfway through one
• 1:11:09
  Speaker 1: of those nauseating bet Meddler ballads, Someone's getting drunk, someone's
• 1:11:11
  Speaker 1: sleeping with someone else's wife, and someone's chicken kiv is
• 1:11:14
  Speaker 1: landing on the cake. Luke, I didn't deliver it quite
• 1:11:20
  Speaker 1: as well as you, but I tried. Hey man, so
• 1:11:27
  Speaker 1: I was looking at parasilting. My favorite line is from
• 1:11:30
  Speaker 1: Emily and she says, your head is much too big
• 1:11:33
  Speaker 1: for a veil. Oh, that was gonna be mine. That
• 1:11:36
  Speaker 1: was a great line. Did you blurt out laughing like
• 1:11:38
  Speaker 1: I did when she's at it? It was good. My
• 1:11:41
  Speaker 1: favorite rhyan is from Rory and she says, Dean, I
• 1:11:44
  Speaker 1: promised the only way you could be more important to
• 1:11:46
  Speaker 1: me is if you had a kit cut bar growing
• 1:11:47
  Speaker 1: out of your head. Dean said that to Rory. Rory
• 1:11:51
  Speaker 1: says that, Tory says that the Dean. Sorry, I should
• 1:11:53
  Speaker 1: pay attention more. Yeah, favorite line now is off the table.
• 1:11:58
  Speaker 1: Danielle has trumped me. He has stolen my line. I
• 1:12:03
  Speaker 1: am lost in the middle of a desert looking for
• 1:12:06
  Speaker 1: another line. Let me say, let me pick one out
• 1:12:08
  Speaker 1: of the many, many great lines. Um help me out, Guys,
• 1:12:11
  Speaker 1: what was another great line? You know? I like the uh,
• 1:12:14
  Speaker 1: I think I like the Then I had a good
• 1:12:18
  Speaker 1: line that I laughed out loud at a line of mine.
• 1:12:23
  Speaker 1: Not ashamed to admit it, but I think I'm gonna
• 1:12:26
  Speaker 1: go with the Scott Cohen Scott Cohen line to the
• 1:12:30
  Speaker 1: Max line to Emily nice meeting you. Yeah. Then it
• 1:12:34
  Speaker 1: was just more in the acting than the looks that
• 1:12:37
  Speaker 1: made me blurred out laughing. But Michelle had I think
• 1:12:40
  Speaker 1: the Michelle line. Let's okay, the Scott the Max Medina
• 1:12:43
  Speaker 1: line is now scrubbed. I've just downloaded a better line.
• 1:12:48
  Speaker 1: It's the Michelle line. I cannot have that cookie. I
• 1:12:52
  Speaker 1: am a day If I have that cookie, I cannot
• 1:12:56
  Speaker 1: have my Bolo Burger later, a boga berb cooka Burger
• 1:13:01
  Speaker 1: Berger later. That's the line for me, Thank you very much. Wow,
• 1:13:08
  Speaker 1: Well we made it. You made it through next week.
• 1:13:13
  Speaker 1: I cannot wait. Red light on the wedding night, Red
• 1:13:16
  Speaker 1: light on the wedding night. And that's it. Huh, that's
• 1:13:20
  Speaker 1: gonna be it For hammers and veils. We sliced and
• 1:13:24
  Speaker 1: dice that one, didn't we We even rewrote it. Now
• 1:13:27
  Speaker 1: we're like, not only analyzing. We're offering suggestions to improve
• 1:13:31
  Speaker 1: the episode. I mean, what is going on here? All right, everybody,
• 1:13:36
  Speaker 1: We're gonna wrap it up, but don't forget to get
• 1:13:38
  Speaker 1: your tickets for friends Giving, our live virtual event on
• 1:13:42
  Speaker 1: November eleven. And that's gonna be a thank you ladies.
• 1:13:45
  Speaker 1: Thank you Danielle, thank you Riley, Thank you Amy. Amy,
• 1:13:48
  Speaker 1: don't cry. I know you're upset. I just started to
• 1:13:52
  Speaker 1: get ahead to red Light. No. I understand you're emotional.
• 1:13:55
  Speaker 1: It's it's emotional and packing all of this stuff after
• 1:13:58
  Speaker 1: watching these brilliant episodes. Anyway, I am Scott Patterson and
• 1:14:01
  Speaker 1: this is the I Am All In Podcast with I
• 1:14:04
  Speaker 1: Heart Radio one eleven productions. We will see you next week.
• 1:14:07
  Speaker 1: Stay safe everyone, Hey everybody, and don't forget Follow us
• 1:14:39
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• 1:14:44
  Speaker 1: us at Gilmore at I heart radio dot com. Oh
• 1:14:48
  Speaker 1: you Gilmore fans. If you're looking for the best cup
• 1:14:50
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• 1:14:53
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• 1:14:56
  Speaker 1: T y P dot com, Scott e P dot com,
• 1:14:58
  Speaker 1: Grade one, especially Coffee m