Latest / Luke's English Podcast / T3DDY_ MAURO NAKADA _ CHRISTIAN FIGUEIREDO - Podpah _1043
Transcript
- 0:14Speaker 1: The 6 of 6 of Amazon is there for you
- 0:16Speaker 1: to prepare to root for the selection.
- 0:18Speaker 2: Say it, Canarinho.
- 0:19Speaker 1: Up to 60% off, free front, millions of coupons. How incredible.
- 0:26Speaker 1: It's because he doesn't speak.
- 0:28Speaker 3: 6 of 6 of Amazon.
- 0:29Speaker 4: If I were there, I would hold your hand and
- 0:31Speaker 4: turn you.
- 0:31Speaker 2: And then they pass the old lines.
- 0:33Speaker 5: She sat down with her eyes closed and kind of
- 0:37Speaker 5: believed that she was in the country of wonders.
- 0:40Speaker 2: A new world awaits you in Audiolibro.
- 0:43Speaker 6: Audiolibro.
- 0:45Speaker 2: Watch it. Watch it. Watch it. Mítico Jovem for another Podpá!
- 1:02Speaker 3: And I want applause to start with Antemão, Mítico Jovem!
- 1:06Speaker 3: I want applause from Antemão!
- 1:07Speaker 7: Today YouTube is bursting with joy here, it's going to
- 1:10Speaker 7: be a very.
- 1:11Speaker 3: The whole Brazil stopped in front of the TV today.
- 1:12Speaker 2: For sure. The whole Brazil. Nostalgia. You're awesome, huh?
- 1:15Speaker 7: You too, with the jacket... Two open buttons, cordonzinho, pá...
- 1:20Speaker 7: I'm loose, brother.
- 1:21Speaker 1: Yeah?
- 1:21Speaker 3: It's beautiful, huh?
- 1:23Speaker 2: You too. I would eat you today. What?
- 1:25Speaker 7: Sorry, people, it's... It came out of my head out
- 1:30Speaker 7: of nowhere. But when you get there, leave your like,
- 1:32Speaker 7: subscribe there, because the potpato is heading to do.
- 1:38Speaker 2: Heading to.
- 1:39Speaker 3: Heading to 10 million!
- 1:40Speaker 2: Let's go! Now it came out! It almost didn't come out!
- 1:44Speaker 3: Let's go, fuck! What a John 1 of Pará! That's us,
- 1:47Speaker 3: Eliana's Chiquinho!
- 1:48Speaker 2: Stop with that! Stop with that! Guys, let's do the following.
- 1:54Speaker 3: I want to talk to the people who haven't had
- 1:57Speaker 3: the chance to read the books yet.
- 1:59Speaker 2: That's it, Mítico João. Let's talk about education, let's talk
- 2:01Speaker 2: about reading. Now let's talk about serious stuff.
- 2:03Speaker 3: Here's the thing. For you who haven't had the chance
- 2:06Speaker 3: to read the books yet, because reading is very important,
- 2:08Speaker 3: it's great.
- 2:09Speaker 2: There are.
- 2:11Speaker 3: People who just got into audiobooks, guys. Because if you
- 2:14Speaker 3: can't sit down to read a physical book, why don't
- 2:17Speaker 3: you try an audiobook?
- 2:18Speaker 2: There are people who end up saying they don't like
- 2:20Speaker 2: to read, right?
- 2:21Speaker 1: Exactly.
- 2:21Speaker 2: Don't listen to them.
- 2:24Speaker 3: So, here's the deal. Audio books and audio series services,
- 2:27Speaker 3: thousands of titles available on Audible, exactly, in partnership with
- 2:31Speaker 3: Amazon Prime, our sponsor. Here's the deal. It's good for
- 2:35Speaker 3: you who's in the rush, in the bus, cleaning the house,
- 2:37Speaker 3: put an audio book, get yourself in touch, generate that
- 2:41Speaker 3: content in your brain while you're doing things. I like
- 2:44Speaker 3: it a lot. But it's also cool, you're also making
- 2:47Speaker 3: a physical book, but I really like it. And the
- 2:49Speaker 3: thing is this, wonderful works with narrations of extremely, my God,
- 2:54Speaker 3: spectacular people, like Lázaro Ramos, Matheus Solano and Alice Braga,
- 2:57Speaker 3: Mítico Jovem, friend of Mítico Jovem, Alice Braga.
- 2:59Speaker 2: Alice Braga, you owe me a movie. Fuck, just that. Yeah?
- 3:02Speaker 3: Yeah, we agreed.
- 3:04Speaker 2: You're a partner, right?
- 3:05Speaker 3: If you want to continue on the screen, Mítico Jovem,
- 3:07Speaker 3: sign up. And the thing is this, If you sign
- 3:10Speaker 3: up now, you get 30 days free to test, to
- 3:13Speaker 3: see if it fits in the routine. And if you
- 3:15Speaker 3: are a Amazon Prime customer, you have 90 days, exactly.
- 3:18Speaker 2: It's been three months. 90 days. Too much time.
- 3:22Speaker 3: And the thing is, now let's talk about our sponsor, Master,
- 3:24Speaker 3: let's talk about Amazon Prime, Mítico Jovem. The 6 of
- 3:27Speaker 3: 6 is there with up to 60% discount. Because there's
- 3:28Speaker 3: the championship that's going to happen, right? That I can't
- 3:32Speaker 3: say the name, right? I don't have the right to
- 3:33Speaker 3: say the name. That's going to happen, a very crazy business.
- 3:35Speaker 3: Everyone knows, in a little while. This is the thing,
- 3:40Speaker 3: this football championship is coming, and have you bought your TV?
- 3:44Speaker 3: Have you bought your cooler to get everyone together?
- 3:47Speaker 2: Remembering that it's free for the whole of Brazil.
- 3:49Speaker 3: Exactly, and remembering that on the Amazon site it delivers
- 3:51Speaker 3: very quickly, and the price there is always a price, mate. So,
- 3:55Speaker 3: what you were already looking to buy, play there on
- 3:57Speaker 3: the Amazon site, because I'm sure it will fit in
- 3:59Speaker 3: your pocket.
- 3:59Speaker 2: Yes, and what you think you don't have, you will
- 4:02Speaker 2: have there too.
- 4:03Speaker 3: Exactly, Mítico Jovem.
- 4:04Speaker 2: Really, Igor? Really. Pode pesquisar, qualquer coisa vai ter lá
- 4:07Speaker 2: na Amazon.
- 4:08Speaker 3: Cueca, fio dental, será que tem?
- 4:10Speaker 2: Tem, claro que tem. Quer recolher na tela? Já pesquisei.
- 4:14Speaker 2: Vamos lá.
- 4:15Speaker 3: Recebam com muito carinho, chegou o momento, batam muitas palmas,
- 4:18Speaker 3: derrubem esse estúdio para os nossos convidados de hoje, Míticos Jovens.
- 4:21Speaker 2: Que isso, Igão Underground.
- 4:22Speaker 3: Vambora, recebam com muito carinho, Christian Figueiredo, Mauro Nakada e Ted!
- 4:25Speaker 2: Palmas! Exactly! Exactly!
- 4:57Speaker 1: That's it. Wow!
- 4:58Speaker 6: Wow!
- 4:58Speaker 2: How are you guys? Great. I'm good. How are you, Ted?
- 5:02Speaker 1: I'm good, Mauro.
- 5:03Speaker 2: I'm good, Christian. I'm really good.
- 5:04Speaker 4: We were recording a podcast last week to be here
- 5:06Speaker 4: with you guys. We wanted to train to be here today.
- 5:07Speaker 4: We were warming up. We were warming up.
- 5:10Speaker 2: No, no.
- 5:10Speaker 1: The worst thing is that people may not know. That
- 5:18Speaker 1: we always see each other, bro. We always see each other.
- 5:21Speaker 2: That I already knew. Now, yeah, so... They thought we
- 5:23Speaker 2: had distanced ourselves. But sometimes you... You're all kids. You
- 5:25Speaker 2: don't even like the story.
- 5:26Speaker 7: You like to leave the mystery appearing that you.
- 5:28Speaker 1: Don't... I don't know. There are times that we don't.
- 5:30Speaker 1: There are times that we just don't show anything, you know?
- 5:32Speaker 1: It's so cool that you say, ah, you're.
- 5:34Speaker 3: Going to film yourself, why? But it's not because people
- 5:37Speaker 3: tend to think that reality only happens when they see
- 5:39Speaker 3: it on the internet.
- 5:40Speaker 6: Yes.
- 5:40Speaker 1: And if she didn't see it on the internet, you
- 5:41Speaker 1: never talked to each other in life.
- 5:43Speaker 3: Exactly.
- 5:43Speaker 1: We have this notion, you know?
- 5:44Speaker 3: But we kind of.
- 5:46Speaker 2: It.
- 5:47Speaker 1: Doesn't matter, right, Crisão?
- 5:48Speaker 4: We say it's CNPJ and Pessoa Física. We meet at
- 5:51Speaker 4: Pessoa Física.
- 5:52Speaker 2: And at CNPJ.
- 5:53Speaker 7: But who started to make content together now?
- 5:56Speaker 2: You started to pop your content together.
- 5:58Speaker 6: So, what happened is that Ted stayed abroad for a year, right, bro?
- 6:02Speaker 6: He came back now in April.
- 6:03Speaker 2: Nobody even knows that he came back right. I even
- 6:05Speaker 2: wanted to know a little more about him. So, let's go.
- 6:07Speaker 2: Why did you go out? Exactly. Mano... Mauro trying to
- 6:10Speaker 2: understand him. He never talked about it. I suffered an
- 6:13Speaker 2: assault in front of his house. He got scared and
- 6:15Speaker 2: fled from Brazil. No, man. Is that true? An assault?
- 6:17Speaker 1: This happened. This happened.
- 6:19Speaker 3: What did they take from Christian Figueiredo?
- 6:22Speaker 4: They took my dignity, my soul. I'll talk about it
- 6:25Speaker 4: in my show this weekend. Look at the merch!
- 6:28Speaker 2: Look at the merch!
- 6:29Speaker 8: Look at the last tickets for the 6th and 7th.
- 6:32Speaker 4: I'll spend my birthday on stage telling this story of
- 6:34Speaker 4: the bandit with a gun in my head in front
- 6:36Speaker 4: of Teddy's house.
- 6:36Speaker 2: You can't even... You can't give it away, right?
- 6:39Speaker 1: Do you want to talk.
- 6:41Speaker 2: A little bit?
- 6:41Speaker 8: No, I just wanted to know about your trip.
- 6:44Speaker 2: It was just a quick merch.
- 6:45Speaker 1: But after that, Chris changed as a person. He started
- 6:47Speaker 1: to be much more annoyed.
- 6:48Speaker 2: It's bizarre. Like, when he's in the car. He's mad.
- 6:51Speaker 2: He's got a gun in his head too. No, it's
- 6:53Speaker 2: all for him to rob. He's a boy on a boat.
- 6:56Speaker 2: He's a robber. I don't know what.
- 6:57Speaker 6: A lady.
- 6:57Speaker 2: A lady is going to rob me. Yeah, I've seen it.
- 7:00Speaker 1: How many times has he robbed you, Christian?
- 7:02Speaker 2: A few. A few? What is this? A few? It's true.
- 7:05Speaker 2: He even changed his voice. It's true. It's true.
- 7:08Speaker 1: But there was that time when you were robbed inside
- 7:10Speaker 1: the house.
- 7:11Speaker 2: There was a robbery. There was a car theft. They dropped.
- 7:14Speaker 8: A post with my car already, crazy.
- 7:15Speaker 2: Calm down, calm down. That's why I'm leaving the forest.
- 7:17Speaker 2: The people say, Chris is in a slum there.
- 7:19Speaker 4: I said, no, because I wanted to live a little
- 7:21Speaker 4: in the middle of the forest there, because the city
- 7:23Speaker 4: traumatized me for a period there.
- 7:24Speaker 2: I understand, so it was really strong.
- 7:26Speaker 1: It was strong, yeah. You're scratching your nose.
- 7:31Speaker 2: No, it's because the city of Mitalma... It's because it's tyrannical.
- 7:34Speaker 2: It's tyrannical. And then... It's already the end of the episode.
- 7:36Speaker 1: No, okay, okay.
- 7:37Speaker 3: They stole you from your house. Were they friends? Friends, no.
- 7:42Speaker 3: Or people you thought you trusted?
- 7:43Speaker 2: Mission given. I'll never know. I'll never know. It's already
- 7:47Speaker 2: happened to me, too.
- 7:48Speaker 8: But, like, you stay... Who did I put in the house?
- 7:50Speaker 4: It was a time when I was single. Every day
- 7:52Speaker 4: there was a party in the house.
- 7:54Speaker 2: It was like.
- 7:55Speaker 4: It was a friend's friend at home. I didn't know
- 7:57Speaker 4: what was going on there.
- 7:57Speaker 2: You know?
- 7:57Speaker 6: So, like.
- 7:58Speaker 2: It's fucked. You lose control. I was a pussy. Yeah,
- 8:01Speaker 2: the right words. It's a good choice of words. He
- 8:04Speaker 2: was a boceteiro.
- 8:05Speaker 3: He was a boceteiro.
- 8:06Speaker 2: A boceteiro is good, right? Let's go, Lucas Oliotti. Why
- 8:08Speaker 2: did you go to.
- 8:09Speaker 3: Live in Los Angeles? Let's understand what happened in this
- 8:12Speaker 3: last year. He stopped being a boceteiro.
- 8:13Speaker 2: And what a sly mustache, huh? Brazilian t-shirt, mustache, what
- 8:16Speaker 2: the fuck, Ted? You're fucking painted, Ted. No, it's too
- 8:20Speaker 2: much painted. What is it?
- 8:28Speaker 1: It looks more like a father than a fucking father. Ju,
- 8:30Speaker 1: my fiancee, she loves this mustache. She doesn't let me
- 8:33Speaker 1: go back with the beard.
- 8:34Speaker 2: Really?
- 8:34Speaker 1: She doesn't want it. She must be watching.
- 8:36Speaker 2: She doesn't want it, man.
- 8:37Speaker 1: And then I stay with my mustache.
- 8:39Speaker 2: And then... So it's her will.
- 8:40Speaker 3: It's her will.
- 8:40Speaker 1: No, pregnant is full of will. Pregnant is full of will.
- 8:44Speaker 2: She's pregnant? What pregnant, man? Of course not. She's not pregnant.
- 8:47Speaker 2: It's a joke that Cris does right away, right? Then....
- 8:58Speaker 1: He always goes for the pregnancy route. He loves it.
- 9:02Speaker 4: It was just to have a clip for the clipboard
- 9:04Speaker 4: to make that TikTok vibe.
- 9:05Speaker 2: 2 million views on this clip. It's good, right?
- 9:08Speaker 1: But why did I go to Los Angeles?
- 9:11Speaker 2: Why? So, man.
- 9:11Speaker 1: Me and Ju, we were wanting to live a different routine,
- 9:14Speaker 1: you know? The idea was to go to Ireland, but
- 9:23Speaker 1: it didn't work out, so we went to the United States.
- 9:27Speaker 1: You just wanted another trip.
- 9:30Speaker 2: Yeah, exactly.
- 9:31Speaker 1: Since we work from home, I work from home, I
- 9:33Speaker 1: can work from anywhere. So I said, okay, let's do it.
- 9:36Speaker 1: It was Ju's dream to live abroad. But in your head,
- 9:39Speaker 1: was it a period or you could stay? No, it
- 9:40Speaker 1: was always just a period.
- 9:49Speaker 2: Man, very cool, man. nice. Peace?
- 10:01Speaker 1: Peace, a lot of peace. It was kind of shocking
- 10:05Speaker 1: at the beginning because we live in a house, bro.
- 10:08Speaker 1: The wall was like this, it was very low. For
- 10:10Speaker 1: us who are Brazilians, we are not used to it, right?
- 10:11Speaker 1: I didn't live in a closed condominium and such. When
- 10:15Speaker 1: I saw that, living in that place, it was absurd
- 10:18Speaker 1: for me. I thought everyone was going to stare at me.
- 10:20Speaker 2: You had another quality of life there, right?
- 10:23Speaker 6: Yeah.
- 10:23Speaker 7: What were the strengths and weaknesses of living there?
- 10:26Speaker 3: Strengths?
- 10:27Speaker 1: Ah, man, the purchasing power is a very strong point, right?
- 10:30Speaker 1: Because there you buy all the equipment, like that, man,
- 10:33Speaker 1: much cheaper. So, I professionalized a lot my recording equipment,
- 10:37Speaker 1: I learned a lot, right? And English too, right? English too.
- 10:42Speaker 1: I didn't get fluent or anything. But I improved a lot. No,
- 10:45Speaker 1: I improved a lot. It's because to get fluent, I
- 10:47Speaker 1: think it's a lot more than six months.
- 10:49Speaker 3: But it's not because you think that getting fluent is
- 10:51Speaker 3: like talking like Mel Gibson.
- 10:52Speaker 2: It's true.
- 10:52Speaker 6: He was alone in the car, giving a slap in
- 10:54Speaker 6: the face, and he survived there.
- 10:56Speaker 2: For me, talking is fluent. No, and I always managed
- 10:59Speaker 2: to solve everything, you know?
- 10:59Speaker 1: Even the bureaucratic things I could do.
- 11:04Speaker 6: Taking care of the dogs, being a dog, traveling by plane.
- 11:08Speaker 8: It was the whole life.
- 11:10Speaker 1: Ju and I became specialists in that, you know? In
- 11:12Speaker 1: how to take the dogs to other countries. Because after
- 11:16Speaker 1: the USA we went to Mexico, then to Barcelona, France.
- 11:21Speaker 2: Fuck! You lived!
- 11:22Speaker 6: We stayed in the USA for 6 months, in Los Angeles,
- 11:25Speaker 6: and then we took care of the dog, and he
- 11:26Speaker 6: started to poop in other places and take.
- 11:27Speaker 2: Care of the house.
- 11:28Speaker 1: We thought, what if we extend this? There was no
- 11:32Speaker 1: reason not to go. So we went.
- 11:34Speaker 2: He made a vlog for us.
- 11:35Speaker 8: He's doing a tour, sending it on WhatsApp.
- 11:37Speaker 2: List it for us.
- 11:38Speaker 1: Let me see if I remember everything, because the memory
- 11:42Speaker 1: is bad. We started in Los Angeles. Then we met
- 11:45Speaker 1: him in the United States. We went to Hawaii. Hawaii
- 11:48Speaker 1: is awesome.
- 11:49Speaker 2: I really want to go to Hawaii. He caught a
- 11:51Speaker 2: tsunami there. I was stuck in the mountain. It was
- 11:53Speaker 2: an earthquake. There was a tsunami. She was crying. She
- 11:56Speaker 2: was like, she's here filming the vlog.
- 11:58Speaker 1: We received some tsunami alerts there in Hawaii. And it
- 12:03Speaker 1: was very serious. Even the people who live there, who
- 12:06Speaker 1: are always used to these alerts, they said that that
- 12:09Speaker 1: alert was really absurd. To be worth it. To be
- 12:11Speaker 1: worth it. Everyone had to go to the highest point
- 12:14Speaker 1: of the island. to take refuge, man. Because at 6 p.m.
- 12:19Speaker 1: there was going to be a tsunami.
- 12:21Speaker 2: Were you scared or was it normal? For me, this is.
- 12:23Speaker 1: It's unbelievable, you know? So I couldn't be scared. You
- 12:26Speaker 1: didn't know what to feel. Yeah, you didn't know what
- 12:28Speaker 1: to expect. That movie was impossible.
- 12:30Speaker 4: The guys were at the resort and the wave was coming.
- 12:34Speaker 2: Wow, you told me about this movie. I saw it
- 12:37Speaker 2: while the storm was coming. He was there and I said,
- 12:38Speaker 2: watch this movie. Good, good recommendation. You two didn't get like...
- 12:42Speaker 2: Not pissed, but like, what about Ted, man?
- 12:47Speaker 3: You'll be far away, you won't see each other anymore.
- 12:49Speaker 2: How was it for you? They supported me.
- 12:51Speaker 4: He changed the style of Ireland to the US, because
- 12:53Speaker 4: we did his head, we participated in this.
- 12:55Speaker 1: It's true, they convinced me to go to the US.
- 12:58Speaker 1: And then I convinced Ju and everything worked out. But
- 13:00Speaker 1: the idea was to go to Ireland, man. Stay there
- 13:03Speaker 1: for three months.
- 13:04Speaker 6: It was less time in the beginning, then he extended it.
- 13:07Speaker 6: But at first I thought, let's see what he does.
- 13:09Speaker 6: It will be nice to follow him. Experiencing life. But
- 13:12Speaker 6: it was good to go to the US, train in English.
- 13:15Speaker 6: Which country did you.
- 13:16Speaker 2: Like the most?
- 13:18Speaker 3: If Brazil wasn't here, I would live here.
- 13:20Speaker 1: I liked Spain a lot.
- 13:21Speaker 2: Spain is good. Barcelona is nice.
- 13:24Speaker 1: We stayed in Barcelona. It's very nice there. You stayed in.
- 13:27Speaker 7: This city for a short time after.
- 13:29Speaker 2: It was the United.
- 13:30Speaker 1: States for six months. Then we went to Cancun quickly.
- 13:33Speaker 1: And then we went to.
- 13:37Speaker 1: To Spain, it was a month and a half in Spain,
- 13:40Speaker 1: in Barcelona, then we.
- 13:41Speaker 2: Went up to France.
- 13:43Speaker 1: Was it on the beach?
- 13:44Speaker 3: Yes, in Barcelona.
- 13:45Speaker 1: We lived next to a beach, bro.
- 13:47Speaker 6: We drank some drinks on the beach. You lived a
- 13:50Speaker 6: wonderful life.
- 13:51Speaker 2: And working, you know?
- 13:52Speaker 1: That's what was good, that I kept recording and posting
- 13:54Speaker 1: every day. At the same frequency as always?
- 13:56Speaker 2: At the same frequency, bro.
- 14:00Speaker 4: He saw something really cool there that no one saw.
- 14:02Speaker 4: I thought I should have made more.
- 14:03Speaker 2: Vlogs, more images, but I didn't. Did you see any
- 14:05Speaker 2: of his content? I saw, but I think I saw little.
- 14:07Speaker 2: Because in my head you were only in Los Angeles.
- 14:09Speaker 2: It was hard to follow the table, even through Whatsapp.
- 14:11Speaker 2: It was hard to understand where you were. It's that
- 14:12Speaker 2: I always stay in this....
- 14:16Speaker 1: Mano, eu prefiro não postar por algum motivo, tá ligado? Ah,
- 14:19Speaker 1: não vou postar isso não.
- 14:20Speaker 2: Eu só sei também, velho.
- 14:21Speaker 1: Tá tudo bem, deixa eu viver aqui tranquilo. E aí
- 14:24Speaker 1: depois eu vou lá e sento na minha cadeira e
- 14:25Speaker 1: faço o meu vídeo, que é a Game Day.
- 14:28Speaker 2: O seu jeito de contar. Exato, sabe? Sim.
- 14:30Speaker 1: Então eu não fiz muitos vlogs.
- 14:32Speaker 3: Barcelona é bom, Mítico Jovem? Praia.
- 14:34Speaker 1: É bom.
- 14:35Speaker 2: O que mais? O que mais, Igão? Comida.
- 14:37Speaker 3: Tapas, tapas.
- 14:38Speaker 2: Tapas, é. Tem muita aperitiva. Tapas. That's it! Look at
- 14:43Speaker 2: that noise!
- 14:44Speaker 3: It's an electric scooter, with people passing by. A lot
- 14:48Speaker 3: of electric scooters. The 8-meter wide sidewalks.
- 14:50Speaker 2: The people love it. It's beautiful.
- 14:52Speaker 3: The cathedral that didn't end.
- 14:54Speaker 1: That's it. Holy family, that cathedral. But it's very cool,
- 14:57Speaker 1: I thought it was very cool. I had never seen
- 15:00Speaker 1: an architecture like that. I went to the Barcelona game.
- 15:04Speaker 1: The Barcelona game. It was in a game that Barcelona
- 15:05Speaker 1: put 6 to 1. I don't remember which team.
- 15:09Speaker 2: I'm from Brazil now, 6 years old. Oh, Lamine! Lamine Amal. Oh, Lamine! Oh, Lamine!
- 15:14Speaker 2: You're a magician, right, Cris? Oh, Lamine!
- 15:17Speaker 8: No, because it's Gael's case. Gael says, Lamine Amal.
- 15:19Speaker 7: Oh, your son, you keep filming your son, I see
- 15:23Speaker 7: that the.
- 15:23Speaker 2: Kid is playing, right? He's absurd, he's absurd. He has
- 15:25Speaker 2: a roll, right? He does, he does. He has a
- 15:27Speaker 2: lot of players. He does, he's a guy with a
- 15:29Speaker 2: holding of players.
- 15:30Speaker 4: He says, in a year, we'll take him to do this,
- 15:32Speaker 4: you choose the team, we do the... I said, you
- 15:34Speaker 4: don't need a peneira? He said, no, no, peneira is
- 15:35Speaker 4: from the past.
- 15:35Speaker 2: I said, but... I don't know.
- 15:37Speaker 8: He didn't say that.
- 15:38Speaker 2: Maybe in the headlines he said that.
- 15:39Speaker 8: But I said, okay, in a year.
- 15:46Speaker 8: But you can see that you're very crazy, man.
- 15:48Speaker 7: You must be there in the training room paying a
- 15:51Speaker 7: lot of money for the kid.
- 15:52Speaker 2: Too much. Too much.
- 15:53Speaker 4: Sometimes I go out of São Paulo at dawn to
- 15:54Speaker 4: take him to class in the morning, then I take
- 15:56Speaker 4: him to school, I take him to soccer.
- 15:57Speaker 2: The worst thing is.
- 15:58Speaker 6: That the same day we recorded there, he left São
- 15:59Speaker 6: Paulo at midnight, got home at half past one and
- 16:02Speaker 6: woke up at six in the morning to.
- 16:04Speaker 2: Take Gael to play ball, to go to school and everything.
- 16:06Speaker 2: I don't jump, I don't jump.
- 16:07Speaker 3: Man, you saw his two kids grow up, right?
- 16:09Speaker 2: Yes. Both of them. It's funny, isn't it, bro?
- 16:11Speaker 4: When Gael was born, Mauro put a fake tooth on Gael.
- 16:15Speaker 2: Smiling, right? Smiling.
- 16:15Speaker 9: Did you give Gael the Spider-Man case?
- 16:18Speaker 1: He liked it.
- 16:19Speaker 4: I recorded a video of him thanking you, but I
- 16:21Speaker 4: didn't send it.
- 16:21Speaker 2: You didn't send it? I didn't send it.
- 16:22Speaker 1: Gael, his oldest son, is a fan of Spider-Man. Then
- 16:25Speaker 1: I gave him a case of the Spider-Man Play 5.
- 16:29Speaker 1: Then I want to know if he liked it.
- 16:31Speaker 2: I'll show you the video here. He didn't say anything.
- 16:33Speaker 2: I bought it with a lot of affection.
- 16:35Speaker 7: Let's close with the conversation.
- 16:38Speaker 2: The guy kept traveling.
- 16:40Speaker 7: I'll talk to Cris in a little while. But what
- 16:43Speaker 7: about you? How have you been in these last times, brother?
- 16:46Speaker 2: In the dark, according to the public. He kicked Molden.
- 16:49Speaker 2: He kicked Molden. He kicked Molden. We talked about this recently.
- 16:51Speaker 2: I spent five years without posting on the internet. Wow, look.
- 16:57Speaker 2: Léo Dayu Blogs! Léo Blogs! Great Léo! Léna, I miss
- 17:04Speaker 2: you so much.
- 17:05Speaker 9: I love you so much.
- 17:07Speaker 2: You came, bro. So, I made a mod, right, bro?
- 17:09Speaker 6: I didn't post on the internet for 5 years.
- 17:12Speaker 2: But I was looking for things that I don't buy.
- 17:14Speaker 2: I was looking for... Experiences. Yeah.
- 17:16Speaker 1: But what was the moment that you said, bro.
- 17:18Speaker 2: You looked at the mod and made a mod. You said,
- 17:20Speaker 2: fuck it, I'm going to stay a while. You... Did
- 17:26Speaker 2: you think about it? Did you make a plan? How
- 17:28Speaker 2: was it? Or was it just... There's a video.
- 17:30Speaker 3: Of him from seven years ago saying like this, I
- 17:31Speaker 3: got tired of YouTube.
- 17:33Speaker 2: There is, there is.
- 17:33Speaker 6: There I was tired, but I still survived there, you know?
- 17:36Speaker 6: But I think it was in the pandemic, bro. Like,
- 17:39Speaker 6: after the pandemic there, I did the series of the
- 17:41Speaker 6: seven wonders of the modern world, posted it on my channel,
- 17:43Speaker 6: then I didn't find myself anymore, I didn't know what
- 17:45Speaker 6: to do. Everyone was on the vertical, everyone was making humor.
- 17:47Speaker 6: Then I said, is it that I'm humor really, bro?
- 17:50Speaker 2: From the vertical?
- 17:51Speaker 9: And I don't think it's funny, bro. There are many
- 17:52Speaker 9: things that I don't think are funny.
- 17:53Speaker 2: So I don't... Oops.
- 17:54Speaker 6: I couldn't find anything that would fit me at the time,
- 17:57Speaker 6: you know?
- 17:57Speaker 2: And then I retired, in quotes, right?
- 17:59Speaker 6: And then I went to find what I really wanted
- 18:02Speaker 6: as a career, what I like to tell, what I
- 18:04Speaker 6: like to do.
- 18:05Speaker 9: Weren't you afraid of running out of income?
- 18:07Speaker 2: No, not because... I like to work. I like to work.
- 18:09Speaker 3: And I like to work doing what I like to do,
- 18:12Speaker 3: you know?
- 18:12Speaker 6: So if I were to get a job to do,
- 18:14Speaker 6: produce or drive something, I would be enjoying it.
- 18:15Speaker 2: And that's what I want to do.
- 18:23Speaker 6: I want to get a job so I can work,
- 18:25Speaker 6: make projects, you know?
- 18:26Speaker 3: So, at that moment, you were tired of how the
- 18:29Speaker 3: algorithm itself was spinning there.
- 18:31Speaker 2: The market, right?
- 18:32Speaker 3: Because the algorithm crushes us.
- 18:33Speaker 2: It crushes, man. You have to be there always wanting
- 18:36Speaker 2: to survive. You have to be very frequent, man. Yeah,
- 18:40Speaker 2: and he fed me. And he has to feed the algorithm,
- 18:42Speaker 2: he has to be there.
- 18:43Speaker 6: There was, it started the need to be every day,
- 18:46Speaker 6: on Instagram, on TikTok, in all places.
- 18:49Speaker 9: And I, man, I don't want to be every day,
- 18:50Speaker 9: in every place, in my life, you know?
- 18:52Speaker 6: There are days when I don't want to answer anyone
- 18:53Speaker 6: on Whatsapp, I don't want to open a story to
- 18:55Speaker 6: say good morning. Because I don't like to say good morning.
- 18:58Speaker 6: So why do I have to start doing this? You know,
- 19:00Speaker 6: to keep my Instagram alive. I don't want to keep
- 19:02Speaker 6: my Instagram alive, so I want to keep myself.
- 19:04Speaker 2: Alive, you know? Then I went to watch a lot
- 19:07Speaker 2: of movies.
- 19:08Speaker 6: There was a year that I watched movies every day.
- 19:11Speaker 6: Then there was the year of Oscar, I wanted to
- 19:14Speaker 6: watch all the Oscars.
- 19:16Speaker 3: I kept ticking which one I thought would win.
- 19:18Speaker 2: Which one didn't.
- 19:18Speaker 6: So I kind of took some time to look and
- 19:20Speaker 6: not have any commitment. Because even at the time of Algorithm,
- 19:23Speaker 6: I had to deliver. You have to deliver on Saturday,
- 19:25Speaker 6: Sunday you have to be in such and such a place.
- 19:27Speaker 6: So I wanted to kill it all, you know? So
- 19:30Speaker 6: I can sit down and say, who am I? What
- 19:32Speaker 6: do I like to watch?
- 19:33Speaker 2: What do I want to do?
- 19:34Speaker 9: So for two, three years I had infinite free time.
- 19:37Speaker 2: But didn't it scare you?
- 19:39Speaker 6: There are always insecurities in many aspects, right? But since
- 19:44Speaker 6: I want to do some things, I have to keep studying.
- 19:46Speaker 6: So I keep studying music, studying cinema, studying audiovisual.
- 19:49Speaker 2: I love it. I still love it. Whenever we made.
- 19:51Speaker 6: The videos, I did it because I liked it. I
- 19:53Speaker 6: wanted to do the most awesome thing later.
- 19:56Speaker 7: But there was a moment when you missed it? Even
- 19:59Speaker 7: if you had to post, give a good day, didn't
- 20:01Speaker 7: you miss it sometimes?
- 20:02Speaker 6: Sometimes I miss it, yes, I miss that engagement, being
- 20:05Speaker 6: with the guys.
- 20:05Speaker 9: The funny comments, the cute comments.
- 20:08Speaker 7: I was activating it from time to time.
- 20:10Speaker 6: Making a little clip there and another here, but I
- 20:13Speaker 6: knew that one day I was going to come back.
- 20:15Speaker 6: I knew that one day we were going to be
- 20:17Speaker 6: sitting here talking, you know? But I don't like to
- 20:19Speaker 6: do things forced. So, if I was doing the same
- 20:24Speaker 6: things every day, you would see me very bad on
- 20:27Speaker 6: the internet.
- 20:27Speaker 2: Tired. It would be worse than.
- 20:29Speaker 1: It would be worse than being disappeared.
- 20:30Speaker 3: But I think that everyone who didn't have this pause
- 20:32Speaker 3: like yours, got bad on the way.
- 20:36Speaker 2: And it was going, right?
- 20:37Speaker 1: And it was going.
- 20:38Speaker 3: I was very bad on the way, I had to
- 20:40Speaker 3: rebuild myself going, but it's because of that, right, bro?
- 20:43Speaker 2: A lot of people are saturated.
- 20:44Speaker 3: Feed the algorithm, it can't stop, and then things get
- 20:48Speaker 3: bigger and bigger, there's more and more response.
- 20:50Speaker 2: You have a ship here to pilot.
- 20:51Speaker 3: But sometimes, not that it.
- 20:52Speaker 2: Makes you want to, but the mind asks.
- 20:54Speaker 6: It asks.
- 20:59Speaker 2: A break, you know? And it's crazy, because you can't, man.
- 21:02Speaker 2: And if we.
- 21:03Speaker 3: It's crazy, right? What he said, to be everywhere, at
- 21:05Speaker 3: every moment, on all social networks.
- 21:07Speaker 2: And you have to be always well, right, man?
- 21:09Speaker 6: You have to answer people. Like, even on WhatsApp, even. Oh,
- 21:12Speaker 6: choose this one for me, do this one for me.
- 21:14Speaker 6: I wanted to cancel this for a period, you know?
- 21:16Speaker 3: Wow, and it was good for you.
- 21:17Speaker 6: It was wonderful, man. I, man, canceled everything that fills
- 21:20Speaker 6: my bag, you know? And then I realized, I said, man,
- 21:22Speaker 6: I don't like this kind of trap. I'm not going
- 21:24Speaker 6: to get it to do it ever again, you know?
- 21:25Speaker 2: And you realized that friends....
- 21:28Speaker 3: Seus, que estavam em volta de você, que estavam ainda
- 21:30Speaker 3: vivendo esse algoritmo da internet, Instagram, tal, redes sociais, que
- 21:34Speaker 3: você tava girando, ou tava com um humor, temperamento mais calmo,
- 21:39Speaker 3: mais tranquilo, você percebia isso, né? Tipo, Caramba, falando de.
- 21:42Speaker 2: Tal tá muito acelerado, mano. Sim, mano.
- 21:43Speaker 6: Você consegue perceber os caras hoje em dia que são fritos,
- 21:46Speaker 6: que querem render tudo da hora.
- 21:47Speaker 3: Tá frito parece normal hoje.
- 21:49Speaker 2: Sim, sim.
- 21:49Speaker 3: Mas eu queria... Eu fico muito... Mano, como que era
- 21:51Speaker 3: antes da internet? Eu não lembro mais, tá ligado?
- 21:53Speaker 2: Então, e hoje em dia eu gosto disso, mano, de
- 21:55Speaker 2: estar presente.
- 21:56Speaker 6: Então, de tipo, pô, vamos sentar pra fazer o podcast,
- 21:58Speaker 6: voltar 100% aqui, não tô preocupado. Pô, tem que subir
- 22:00Speaker 6: não sei o quê, tem que correr pra cortar não
- 22:02Speaker 6: sei o quê. Eu gosto de fazer hoje em dia.
- 22:03Speaker 2: 100% is focused, you know?
- 22:05Speaker 6: So if it was to come here at Podpá too,
- 22:07Speaker 6: it was for us to come on a day that
- 22:08Speaker 6: everyone really wants to.
- 22:09Speaker 2: Come, you know?
- 22:10Speaker 6: Yes.
- 22:10Speaker 2: And not because there's a delivery. Or because, ah, let's
- 22:13Speaker 2: go there.
- 22:13Speaker 6: To make money, because it's going to give view, because
- 22:16Speaker 6: the guys are going to engage us, you know?
- 22:17Speaker 2: I don't really like this energy.
- 22:18Speaker 3: Do the piece.
- 22:19Speaker 1: Do the piece.
- 22:20Speaker 2: Do a little agenda. Yeah, Christian came to share his piece. No, no, no, no.
- 22:24Speaker 4: I came to talk about this, he talked about ship too.
- 22:27Speaker 4: I said, damn, I identified myself a lot.
- 22:28Speaker 2: I put my ship.
- 22:29Speaker 8: You have a ship here that you can't put in
- 22:31Speaker 8: cruise mode.
- 22:31Speaker 2: I see that I put.
- 22:34Speaker 4: My ship, a period of my life in cruise mode.
- 22:37Speaker 4: I stayed in the comfortable, in a comfort zone to
- 22:39Speaker 4: enjoy this other side of the coin, which is the family,
- 22:41Speaker 4: which are the children, which are these moments that I
- 22:43Speaker 4: know will.
- 22:44Speaker 2: Not come back. But here you have already done a
- 22:46Speaker 2: lot of things, brother. I deserved this. I deserved this experience. Yes, music.
- 22:49Speaker 3: But I think it's different from Mauro. He chose and
- 22:53Speaker 3: made a wonderful option for his life.
- 22:55Speaker 2: He was out.
- 22:56Speaker 4: I was still on the vertical. I said, the horizontal
- 22:58Speaker 4: demanded much greater attention. So my YouTube was.
- 23:00Speaker 2: Stopped, the guys were pissed.
- 23:02Speaker 3: But I thought.
- 23:03Speaker 2: But it's extremely necessary to do that, man. No, because
- 23:05Speaker 2: if not....
- 23:19Speaker 4: Who are already there, falling, and dedicating myself to the family.
- 23:23Speaker 3: No, that's right, man. You have to dedicate yourself.
- 23:25Speaker 4: And now I accelerated on the boat, now I want
- 23:27Speaker 4: to see the audience again.
- 23:28Speaker 7: I see that you're back to recording, you're recording for YouTube.
- 23:31Speaker 8: I put the cruise there to give a better navigation.
- 23:34Speaker 2: What is it like to reconquer?
- 23:35Speaker 3: The guys, not to conquer, but to say like this, man,
- 23:37Speaker 3: I'm still here.
- 23:37Speaker 2: Is it hard, man?
- 23:41Speaker 4: It's weird, because you're talking about a lot of things. Like,
- 23:44Speaker 4: who do I belong to? Who do they want to
- 23:46Speaker 4: see me with? It's like, who am I going to
- 23:48Speaker 4: bring here to interview? Who's going to give the match?
- 23:51Speaker 4: Sometimes you bring a guest here and they don't give
- 23:52Speaker 4: the match, then the guy goes to the floor and
- 23:54Speaker 4: gives more matches, because you don't know who to bring
- 23:55Speaker 4: to your bubble.
- 23:56Speaker 2: So you say, I'm going to be alone. But then, nowadays....
- 23:59Speaker 4: The people want collab, it's a generation that's asking for it.
- 24:02Speaker 2: I think since always, bro.
- 24:04Speaker 8: But today there's a thirst, I feel.
- 24:06Speaker 1: But remember those collabs we did in 2015?
- 24:08Speaker 2: Jesus, bro.
- 24:08Speaker 3: I think the people are thirsty for collab today, it's
- 24:10Speaker 3: a lot... If you enter this area, I'll have a
- 24:11Speaker 3: lot of things to say.
- 24:13Speaker 2: I think it's a lot.
- 24:13Speaker 3: I think it's a lot because of what Mauro brought, bro.
- 24:15Speaker 3: I think the people want collab a lot. because she
- 24:21Speaker 3: misses those moments. Today, everyone is very tired, even the guys. So,
- 24:24Speaker 3: when I bring Júlio and you here at the table,
- 24:26Speaker 3: the guys are like, my God, thank you.
- 24:27Speaker 2: It seems that even the guys say like this, I'm
- 24:29Speaker 2: just going to have fun. Don't you think the internet
- 24:30Speaker 2: is like that?
- 24:31Speaker 7: It turned videos long and stuff, more real, then it
- 24:34Speaker 7: became very superficial, videos faster, videos, content faster.
- 24:38Speaker 6: Yes, yes.
- 24:38Speaker 2: And I think I hope to come back one day.
- 24:41Speaker 2: I also want to come back with my daily vlogs,
- 24:42Speaker 2: you know?
- 24:43Speaker 7: I want to come back to produce some longer stuff.
- 24:46Speaker 7: I do this here on the podcast.
- 24:47Speaker 2: But, like... I feel like the internet is also needing
- 24:50Speaker 2: more real content. But it's clean.
- 24:54Speaker 6: So, what you said is right, because nowadays all the
- 24:56Speaker 6: content you open, any vertical, it seems that the guy
- 24:59Speaker 6: is doing everything to catch your attention. Like, don't go out,
- 25:01Speaker 6: don't go out, look here, click there. Everything is like that,
- 25:04Speaker 6: then it's very lazy to start watching.
- 25:05Speaker 2: It's tiring. Everyone is in this time. Everything is armed, man.
- 25:09Speaker 9: Everything is armed.
- 25:10Speaker 3: I was talking about it. Everything is armed, man.
- 25:12Speaker 2: It's not armed to try to scheme it more.
- 25:14Speaker 1: It doesn't have more naturalness.
- 25:15Speaker 3: Like, I was talking about this with the mythical. I
- 25:19Speaker 3: really like soccer. I think it's the thing I've watched
- 25:22Speaker 3: the most in my life.
- 25:23Speaker 2: But when I went to the National Team game, when
- 25:25Speaker 2: you look at it, you say.
- 25:26Speaker 3: Man, it all became a brand. Even the fans. It's
- 25:28Speaker 3: a big flag of something. And you say, damn, it
- 25:30Speaker 3: all kind of became a template.
- 25:32Speaker 8: You know?
- 25:32Speaker 3: It's no longer in favor of the fan who wants
- 25:35Speaker 3: a lot, has a contact with.
- 25:40Speaker 3: Porque dá pra fazer a publicidade assim também. É isso
- 25:42Speaker 3: que eu queria falar pro pessoal. De um jeito naturalzão,
- 25:44Speaker 3: sem atrapalhar, né? Tá tudo muito... Encaixotado, né?
- 25:47Speaker 2: Encaixotado, envelopado.
- 25:49Speaker 6: E todo mundo que entra na internet hoje em dia,
- 25:50Speaker 6: quer entrar, já, pô, quero fazer publi. Aí já entra encaixotadão. Tipo,
- 25:53Speaker 6: tem que postar, então, cortes, terça, quinta e sexta. And
- 25:57Speaker 6: if you're going to talk about soccer, you have to
- 25:59Speaker 6: talk only about soccer or only about such and such team,
- 26:01Speaker 6: because otherwise the algorithm will not catch you and will
- 26:03Speaker 6: not launch you.
- 26:04Speaker 9: Then you don't even talk about soccer anymore just because
- 26:06Speaker 9: you like it.
- 26:06Speaker 3: We're going to program ourselves into a little robot.
- 26:08Speaker 2: It's because today there's a table of everything.
- 26:10Speaker 4: There's the dance guys, there's the people of this, there's
- 26:12Speaker 4: the people of that. In the past there was no people,
- 26:14Speaker 4: it was a large nucleus of people on the internet.
- 26:15Speaker 2: There was no value.
- 26:16Speaker 8: I remember that the council would come to me and say,
- 26:18Speaker 8: when are you charging?
- 26:19Speaker 2: What does Júlio' s voice do? You got me by surprise.
- 26:21Speaker 2: Keep talking. And it was kind of obvious. There was
- 26:24Speaker 2: no market value agenda. How much is a feed?
- 26:27Speaker 4: How much is a video on YouTube? How much is
- 26:29Speaker 4: an insertion? It was Canoe, right?
- 26:31Speaker 2: Just Canoe. It was Canoe.
- 26:32Speaker 6: Canoe.
- 26:33Speaker 3: It was Canoe.
- 26:33Speaker 2: I was. I was too, Canoe.
- 26:35Speaker 6: I was.
- 26:40Speaker 2: Man, but I think that what was happening too.
- 26:42Speaker 3: I don't know if you remember this period, when we
- 26:44Speaker 3: were just recording vlogs, back in 2015 and such, I
- 26:47Speaker 3: remember that any video that resembles, let's say, any video
- 26:49Speaker 3: that someone made that, wow, looks a lot like Christian's,
- 26:52Speaker 3: that was an offense.
- 27:00Speaker 2: Today it's only from eBay. It's copying.
- 27:02Speaker 3: When TikTok came, it kind of popularized, like, I'm going
- 27:06Speaker 3: to do one here, and Mitch can do the same thing,
- 27:08Speaker 3: and Mauro the same thing.
- 27:09Speaker 2: And it's all good now. And it's all good.
- 27:10Speaker 3: And then, kind of, we didn't realize, we became.
- 27:13Speaker 2: One copy of the other. We lost our identity. Why
- 27:15Speaker 2: was it.
- 27:16Speaker 3: Cool to follow everyone before? Because Windrush was like that,
- 27:18Speaker 3: Julio was like that, Gustavo was like that, Mauro was
- 27:20Speaker 3: like that, Pyong was like that, you know? Everyone was
- 27:22Speaker 3: like that. And then I think this authenticity got lost, man.
- 27:26Speaker 3: Because today we have to... Man, we just recorded the
- 27:29Speaker 3: song here because... Obviously, I like the song too, but
- 27:33Speaker 3: we recorded it because everyone.
- 27:35Speaker 2: Is recording and we need this engagement too.
- 27:37Speaker 3: It's a trend, let's do it to continue surviving in
- 27:40Speaker 3: this algorithm.
- 27:41Speaker 2: You know?
- 27:41Speaker 1: You're kind of forced to do that too, right, bro?
- 27:44Speaker 2: But.
- 27:45Speaker 1: You know that I kind of don't care much and
- 27:47Speaker 1: I kind of... I don't get into this, you know?
- 27:51Speaker 2: It's true, he doesn't do any trend, man.
- 27:52Speaker 1: You don't see him doing any trend. But I know
- 27:54Speaker 1: how important it is, you know, bro?
- 27:56Speaker 3: But no, it's that you guys have a very different thing.
- 27:59Speaker 3: But especially you, Ted, because I think you still found
- 28:03Speaker 3: the balance of not pausing.
- 28:05Speaker 1: Yes, and keep doing it.
- 28:06Speaker 3: And keep feeding the algorithm, bro.
- 28:08Speaker 2: You have your.
- 28:12Speaker 2: Your people have been there for a long time. My
- 28:13Speaker 2: YouTube community. He's a Sushi Man. People go there every
- 28:15Speaker 2: day to eat his sushi.
- 28:16Speaker 9: You didn't have a period when you said, guys, I'm
- 28:18Speaker 9: going to give a time here.
- 28:19Speaker 2: Yes, there was one.
- 28:20Speaker 3: In my whole career.
- 28:21Speaker 2: I think it was three weeks. In 2017. Because I
- 28:23Speaker 2: wanted to ride a motorcycle. Eat pente gatão at dawn.
- 28:40Speaker 2: There was a time when he was a motorcyclist.
- 28:41Speaker 1: There was, I loved it. But anyway, man.
- 28:44Speaker 2: I never.
- 28:46Speaker 1: I never.
- 28:46Speaker 2: Wanted to stop.
- 28:47Speaker 8: Even being robbed in the middle of the road.
- 28:49Speaker 2: Exactly. Always a robbery to get in the way. The
- 28:51Speaker 2: banditry is ending everything, man.
- 28:52Speaker 1: It's over with my motovlog, man. Anyway, but I think
- 28:56Speaker 1: I never stopped so much because I always have a
- 28:59Speaker 1: lot of fun doing it, you know? Until today, bro.
- 29:01Speaker 2: Even if it's been so long, I.
- 29:03Speaker 1: Go there and it's always... It's always improvised, it's always fun.
- 29:07Speaker 1: But it's from the heart, right?
- 29:08Speaker 2: I laugh, it's from the heart, bro.
- 29:09Speaker 1: And the audience is really there, right?
- 29:12Speaker 2: They didn't leave you, bro.
- 29:15Speaker 4: I think this exclusivity that he's always there, alone, he's
- 29:17Speaker 4: with him, it's more faithful than he's with a crowd.
- 29:21Speaker 2: It's kind of.
- 29:22Speaker 4: I say that he is more state-owned. They are very
- 29:23Speaker 4: original people, like Cocielo. There is a personality that hasn't changed.
- 29:26Speaker 4: You take me in 2016 and today. And it's the
- 29:28Speaker 4: same content, right? And it's not a criticism.
- 29:30Speaker 2: No, the guys are a personality. It's Luciano Huck, it's
- 29:31Speaker 2: a Faustão, bro. be Bola. If he changes, he won't
- 29:41Speaker 2: be Bola do Pânico anymore. Humiliating! No, but I understand.
- 29:43Speaker 2: It's the person. Yes, yes. But, bro, you're going to
- 29:46Speaker 2: 20 million subscribers. What is this, bro? And with 14
- 29:48Speaker 2: years of career, bro. Yeah. Congratulations. You're a YouTuber, brother.
- 30:00Speaker 1: Yeah.
- 30:00Speaker 2: That didn't migrate. He's a 100% YouTuber, man. You have
- 30:04Speaker 2: Tik Tok? He posts one every million followers.
- 30:06Speaker 1: It's not the focus, you know, Micho?
- 30:08Speaker 8: Every million he posts.
- 30:09Speaker 2: It's the celebration of that moment. Do you have people
- 30:11Speaker 2: who cut your stuff?
- 30:12Speaker 6: No.
- 30:13Speaker 2: No. It's the root. So, like... You don't have a clip?
- 30:15Speaker 2: I don't, bro.
- 30:17Speaker 3: And I know the importance of all of this, bro.
- 30:20Speaker 2: You're Zika.
- 30:21Speaker 9: Yeah, he doesn't do anything, bro, that he needs to do.
- 30:23Speaker 2: I found out about his wedding and I was shocked.
- 30:25Speaker 2: He does the video, he posts the video. He's in 2015. Yeah.
- 30:27Speaker 1: That's why you're happy.
- 30:29Speaker 9: That's why it's working out.
- 30:30Speaker 2: You're in 2015. That's why it's working out.
- 30:31Speaker 1: But I'm happy because, like, there's my community there, which
- 30:34Speaker 1: is a big community, right?
- 30:35Speaker 2: And I'm happy with them, with the Bears. And, like.
- 30:38Speaker 3: There was never more funk for the Bears. Music.
- 30:41Speaker 1: There was no more music.
- 30:42Speaker 2: Oh, Igor, you followed, right, bro? I followed.
- 30:44Speaker 3: I'm Bear, bro. Make a quote.
- 30:45Speaker 2: I know. Make a quote.
- 30:47Speaker 3: My dream was to participate in that game with him,
- 30:49Speaker 3: where he was jumping from one square to the other.
- 30:52Speaker 1: Geometry Dash?
- 30:53Speaker 2: That's awesome.
- 30:54Speaker 1: We're talking about 11 years.
- 30:55Speaker 2: We're talking about elite.
- 30:57Speaker 1: We're talking about Elidio.
- 30:58Speaker 6: I'll never forget you asking to appear in Final Cut.
- 31:02Speaker 2: Are you crazy, bro? About 10, 11 years old. I
- 31:04Speaker 2: remember Igão. Mauro Nakada's fan. That's what you do.
- 31:07Speaker 3: I never put Igão there.
- 31:08Speaker 2: Because I was about to finish the picture, poor thing.
- 31:11Speaker 1: Because your father hates Igão.
- 31:12Speaker 2: Exactly. I hate Igão? Mauro Nakada's father hates me. Mauro's
- 31:15Speaker 2: father hates you?
- 31:16Speaker 3: Mauro's father hates me.
- 31:17Speaker 9: Do you want me to tell your version of the story?
- 31:20Speaker 1: I'll tell my version.
- 31:21Speaker 2: Perfect.
- 31:21Speaker 3: I think I know what happened.
- 31:23Speaker 2: This cut went viral, Cris. Hmm. Man, are you serious?
- 31:25Speaker 3: No, no, you'll understand.
- 31:26Speaker 2: And he's watching it there.
- 31:27Speaker 9: It's the first time we're going to pass a link
- 31:30Speaker 9: to this story.
- 31:30Speaker 2: Your dad is watching it, then? He must be. We
- 31:32Speaker 2: got a lot of tickets.
- 31:34Speaker 3: For the pre-release, the movie. And then Júlio always said,
- 31:37Speaker 3: come with me. And then, bro, he said, Mauro will
- 31:39Speaker 3: be there.
- 31:40Speaker 2: I said, no, it's time.
- 31:41Speaker 3: I watched the movie with Mauro, okay? But Mauro, Júlio
- 31:43Speaker 3: got the ticket, took the son. Mauro got the ticket, cute,
- 31:46Speaker 3: took the dad.
- 31:52Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 31:54Speaker 2: Another line. Another line.
- 31:54Speaker 1: Another line.
- 31:54Speaker 2: Another line. Another line. Another line. Another line.
- 31:56Speaker 8: Another line.
- 31:57Speaker 2: Another line. Another line. Another line. Another line.
- 31:58Speaker 3: Another line.
- 31:58Speaker 2: Another line. Another line. Another line.
- 31:59Speaker 3: Another line.
- 32:00Speaker 2: Another line. Another line. Another line. Another line.
- 32:01Speaker 1: Another line.
- 32:02Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 32:04Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 32:06Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 32:07Speaker 3: Another line.
- 32:08Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 32:09Speaker 2: Another line. Another line. Another line. Another line.
- 32:11Speaker 3: Another line.
- 32:11Speaker 6: Another line.
- 32:11Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 32:13Speaker 2: Another line. Another line. Another line. Another line.
- 32:16Speaker 3: Another line. Another line.
- 32:17Speaker 2: Another line. Another line. Another line. Another line. Another line.
- 32:19Speaker 2: Another line. Another line. Another line.
- 32:20Speaker 1: Another line.
- 32:21Speaker 2: Another line A Japanese guy. Mauro's security.
- 32:25Speaker 3: It was just another guy next to Mauro.
- 32:26Speaker 2: I didn't see who it was. I just said, hey, Mauro.
- 32:29Speaker 2: That's it.
- 32:30Speaker 3: His father just looked at me like... He didn't say it,
- 32:34Speaker 3: but he saw me look at him and said, oh,
- 32:37Speaker 3: these are your.
- 32:39Speaker 2: Friends. I said, wow, the guy's father, man. The guy's father.
- 32:43Speaker 2: But he didn't say anything. You got more and more.
- 32:45Speaker 3: I got more and more. Then I made a joke
- 32:47Speaker 3: with him.
- 32:47Speaker 2: I said, man, your father, my God.
- 32:48Speaker 9: Ah, but for you, was that all you remember?
- 32:50Speaker 1: There's more there.
- 32:51Speaker 2: Hold it. How was your father's vision?
- 32:54Speaker 3: If you're going to upset me, don't tell me. No, no.
- 32:57Speaker 2: Look.
- 32:58Speaker 6: I think this was the first pre-release I was going,
- 33:00Speaker 6: if I'm not mistaken.
- 33:01Speaker 2: I don't know if this was the first one.
- 33:03Speaker 1: What movie was it?
- 33:03Speaker 2: It was Impossible Mission, man. The fifth, I think. Impossible
- 33:07Speaker 2: Mission from 2015. The cross was new.
- 33:08Speaker 9: It must be Rogue Nation, come on.
- 33:10Speaker 3: What happened?
- 33:11Speaker 6: It was the first pre-release I was going. Then I
- 33:15Speaker 6: went with my dad, we sat up there. I had
- 33:17Speaker 6: interacted with Higão. Then my dad waited for the movie
- 33:20Speaker 6: and suddenly Júlio.
- 33:20Speaker 2: Secret Nation.
- 33:21Speaker 6: Secret Nation, right? Suddenly Júlio and Higão came up to
- 33:25Speaker 6: sit next to us here, look.
- 33:27Speaker 2: He said, there's space left, let's sit there. Júlio and
- 33:29Speaker 2: Igão were screaming. The popcorn was falling, the others were jumping.
- 33:34Speaker 9: It looked like a school trip in the movies.
- 33:36Speaker 2: No problem. They sat there. No problem. No problem. They
- 33:40Speaker 2: sat next to us.
- 33:40Speaker 8: In the movie, they were making fun of us.
- 33:44Speaker 2: They sat next to us.
- 33:45Speaker 6: My father didn't get anything with Igão.
- 33:46Speaker 2: He must have looked at Igão and thought, I don't
- 33:49Speaker 2: know who he is. But that's what happened during the movie.
- 33:52Speaker 2: I don't know who Igão is.
- 33:52Speaker 3: He was 18 years old.
- 33:54Speaker 6: When the movie started, he and Júlio would throw popcorn at.
- 33:57Speaker 2: The crowd downstairs. And the Guaraná disc. The Guaraná disc.
- 34:02Speaker 2: The Guaraná disc.
- 34:03Speaker 6: It was a pre-release, everyone from the agency, from the
- 34:06Speaker 6: one who released the movie, the guys from Terno, everyone from.
- 34:10Speaker 9: The agency and influencers.
- 34:12Speaker 8: At that time, we.
- 34:13Speaker 3: Didn't know that.
- 34:15Speaker 3: Oh, there are some clients.
- 34:17Speaker 6: Who have to.
- 34:17Speaker 2: Yeah, clients, yeah. What the fuck? Then the movie was
- 34:20Speaker 2: going on.
- 34:20Speaker 1: They invited us, but.
- 34:21Speaker 2: Then they.
- 34:21Speaker 6: Passed the guy on the screen and said, this one
- 34:23Speaker 6: is going to die soon, this one, look.
- 34:25Speaker 2: Then, right in the middle of the movie, this one dies. Like, saying, like.
- 34:29Speaker 3: Do you know the stereotype of the movie?
- 34:31Speaker 2: Ah, I don't know what.
- 34:32Speaker 1: It's going to die.
- 34:32Speaker 2: The spoiler, fake, right?
- 34:33Speaker 6: Then I went to the bathroom, when I came back,
- 34:35Speaker 6: I went up like this, laughing.
- 34:37Speaker 3: And I put these.
- 34:39Speaker 6: So, dude, I was feeling so bad because the guys
- 34:42Speaker 6: next to me were struggling. Then, Júlio was eating a
- 34:45Speaker 6: popcorn with lemon pepper, dude. And then he ate it all,
- 34:48Speaker 6: and then the lemon pepper was left over.
- 34:49Speaker 9: That was the final act, I think. The lemon pepper.
- 34:52Speaker 2: Was left over.
- 34:53Speaker 6: Then Júlio looked and said, Júlio, I doubt you took
- 34:54Speaker 6: the lemon pepper here.
- 34:57Speaker 2: Then Júlio went down the lemon pepper, feeling bad. He
- 35:00Speaker 2: went down feeling bad, right? Yeah, that's it, dude.
- 35:02Speaker 3: That was the night.
- 35:03Speaker 2: You know that friend of mine, I was like this
- 35:05Speaker 2: to Júlio.
- 35:07Speaker 3: Igão, shut up this building, your equipment.
- 35:09Speaker 2: I doubt it.
- 35:10Speaker 1: I doubt you'll break the taco in the pot.
- 35:14Speaker 2: That was the experience.
- 35:15Speaker 6: Then Júlio went home once or twice, and Igão said,
- 35:19Speaker 6: I'm going home too.
- 35:20Speaker 2: I was joking, I said, no, Igão, you're banned at home.
- 35:23Speaker 2: My dad hates you. But curiously, I never went to
- 35:24Speaker 2: Mauro's house. No, it's because of Mauro. Because of his father.
- 35:27Speaker 2: But did your father really say anything about that day?
- 35:29Speaker 1: No, but at that time I was afraid of Igão
- 35:31Speaker 1: to cause it.
- 35:32Speaker 2: No, because you were a mess.
- 35:33Speaker 6: Because Júlio came home, but he was all like, hi aunt,
- 35:37Speaker 6: how are you?
- 35:41Speaker 2: It's okay, everything is fine.
- 35:42Speaker 7: It's very good to hear that, because Igor nowadays is
- 35:45Speaker 7: very soft, even too much, it irritates me. He just
- 35:48Speaker 7: wants to stay calm at home, he's very serious. It
- 35:50Speaker 7: looks like he's 52 years old, he's so serious. Then
- 35:52Speaker 7: I see this madness of the time, I say, hey, man.
- 35:54Speaker 7: I was like, go there, kick that sack there in
- 35:56Speaker 7: the trash.
- 35:57Speaker 4: He would go there, cross it and kick it. When
- 35:58Speaker 4: they were at his house, we took the neighbor's egg.
- 36:00Speaker 4: I took it too.
- 36:01Speaker 2: I was there. The neighbor threw the egg at us.
- 36:04Speaker 4: With that mouth, we talking on the street, they talking loud,
- 36:06Speaker 4: the neighbor started to throw the egg at us.
- 36:08Speaker 2: But it was funny. This story is funny.
- 36:10Speaker 1: It's very funny.
- 36:11Speaker 2: My cousins saw the cut, they found the beak. It's
- 36:14Speaker 2: a wonderful story. Did you film his vlog?
- 36:16Speaker 3: No, I think I told it on your podcast.
- 36:19Speaker 2: Oh, you said it too. Yeah, it was on Chris'
- 36:21Speaker 2: podcast that he told it.
- 36:22Speaker 3: Man, what a good phase, man.
- 36:24Speaker 2: It was just Besterol and... So, you were just being
- 36:26Speaker 2: yourself there, man. There was no way... I was just
- 36:29Speaker 2: being happy. There was no way to be happy. It's
- 36:31Speaker 2: the unfiltered. It's the unfiltered. But, man, imagine.
- 36:33Speaker 3: I swear to God, man. Like, I had never experienced anything.
- 36:36Speaker 2: Suddenly.
- 36:38Speaker 3: I watched a movie for free, I got popcorn. Man,
- 36:40Speaker 3: that was too much for me. What is that?
- 36:42Speaker 2: Fuck it. I don't know anything, man. I don't know anything.
- 36:46Speaker 3: Do you think I had the notion that if I behaved,
- 36:47Speaker 3: the people of Guaraná Antarctica would look and say.
- 36:53Speaker 2: This guy is good.- I' ll call him.- I' ll throw the
- 36:55Speaker 2: Guaraná stuff out, man.- I don't care.
- 36:58Speaker 3: Free popcorn, throw it at the zoo.
- 36:59Speaker 6: At the beginning, I was remembering what he said about
- 37:01Speaker 6: the 2015 collabs. I remembered Bica no Cu, Tapa na Cara. Wow!
- 37:05Speaker 2: This is my favorite of you guys.
- 37:07Speaker 1: This is the first time that Igão appeared on my channel.
- 37:09Speaker 2: I met Ted.
- 37:09Speaker 3: In this video?
- 37:10Speaker 2: In this week. Bica no Cu, Tapa na Cara.
- 37:12Speaker 3: This is my favorite.
- 37:13Speaker 2: Video of you guys.
- 37:14Speaker 3: In this week, I met the legend and Ted in
- 37:16Speaker 3: this week. I met Ted on Charlie Charlie's day.
- 37:20Speaker 2: Wow, at the boys' house. Yes. This video... This video...
- 37:24Speaker 2: This video existed, this slap in the.
- 37:25Speaker 7: Face, you who invented it, just for us to record
- 37:28Speaker 7: a shit.
- 37:28Speaker 2: I've never seen a video like this.
- 37:30Speaker 1: We got the idea right away.
- 37:31Speaker 2: Right away.
- 37:31Speaker 1: And everything was.
- 37:33Speaker 3: Man, it was a challenge.
- 37:34Speaker 2: It was like this, today I'm going to.
- 37:37Speaker 2: That's true.
- 37:38Speaker 3: And then whoever said a word that didn't have so
- 37:40Speaker 3: much context, would choose to get slapped in the face
- 37:43Speaker 3: or a slap in the neck.
- 37:44Speaker 2: I'd slap him in the neck. What about Gocelo's channel?
- 37:46Speaker 7: No, Ted's channel. You see how this day was lit up.
- 37:49Speaker 7: This video came out, this classic. The first Bate ou
- 37:52Speaker 7: Regaça came out.
- 37:54Speaker 2: That's true. It was on that day. The first Bate
- 37:55Speaker 2: ou Regaça.
- 37:55Speaker 1: Mauro's question.
- 37:56Speaker 2: At the hotel. Júlio asked me to comment, right?
- 37:58Speaker 3: I know.
- 37:59Speaker 2: What? Júlio asked me to comment on Bate o Regaço.
- 38:02Speaker 3: The question about Bate o Regaço is, do you doubt
- 38:03Speaker 3: doing a Bate o Regaço with a punch in your face?
- 38:06Speaker 3: Mauro is the one.
- 38:07Speaker 2: Who asks the question.
- 38:09Speaker 1: What is this?
- 38:09Speaker 2: It's all connected. It's Mauro who did it. On the
- 38:11Speaker 2: same room we recorded this video. I never participated. But
- 38:14Speaker 2: you called. I never wanted to drink.
- 38:16Speaker 3: I ran away too. You ran away too.
- 38:17Speaker 2: You never went.
- 38:17Speaker 1: You're going back.
- 38:18Speaker 2: You're going back. You can't go to TV. You're kidding.
- 38:20Speaker 1: But a punch as absurd as the time?
- 38:23Speaker 2: Júlio Cossio. What is this, man? Will there be airsoft
- 38:26Speaker 2: and cachaça?
- 38:27Speaker 6: Probably.
- 38:27Speaker 2: Let's do it.
- 38:28Speaker 1: But how are we going to do it today, with
- 38:31Speaker 1: the current rules of YouTube? Dude, that's it.
- 38:33Speaker 3: We're not going to mess with the beast, we're going
- 38:36Speaker 3: to do some things. But I think it fits a
- 38:37Speaker 3: lot with what we're talking about here. There are content
- 38:40Speaker 3: that we're doing that is a little more editorial, that
- 38:43Speaker 3: will have one brand or another, because we need to
- 38:45Speaker 3: make money and make money and follow. There are content
- 38:48Speaker 3: that we make just to please the public, man.
- 38:51Speaker 2: Yes, cool.
- 38:51Speaker 3: And Bate o Regaço is one of them. So, like,
- 38:53Speaker 3: Bate o Regaço, if we go from zero to zero...
- 38:55Speaker 3: It's good, right?
- 38:56Speaker 2: There are other things that give profit.
- 38:57Speaker 3: But then we do, like, let's invest and do it because, bro,
- 39:01Speaker 3: it's what Mauro said, it's like doing a little bit
- 39:03Speaker 3: of 2015, you know? It's a project that you like
- 39:05Speaker 3: to see, right?
- 39:06Speaker 9: I like to see, I like to do, I swear,
- 39:07Speaker 9: it's going to be exciting, it's going to be fucking.
- 39:08Speaker 3: Good, it has an audience for that. The fuck is
- 39:11Speaker 3: doing something that doesn't fit in the metric and doesn't
- 39:13Speaker 3: have an audience. But since there's an audience, I think
- 39:16Speaker 3: it's going to happen.
- 39:17Speaker 1: And is it going to be a hit or a regaça?
- 39:19Speaker 2: It's going to. It's the same idea. What's that? It's
- 39:22Speaker 2: the same idea.
- 39:22Speaker 7: We don't want to make it too different, because we
- 39:25Speaker 7: want to please the audience, who always wants to watch
- 39:29Speaker 7: this stuff.
- 39:29Speaker 2: Even the scenery, we're thinking about leaving it in HD,
- 39:33Speaker 2: let's say. It's going to be a collab on 4K.
- 39:35Speaker 6: Yes.
- 39:36Speaker 2: Post it together. Or it's going to be here? I
- 39:38Speaker 2: don't know, because.
- 39:39Speaker 3: Here, it's going to be on 4K. YouTube also doesn't
- 39:40Speaker 3: open anything for us, right? We think that these collabs
- 39:42Speaker 3: are more annoying, because.
- 39:43Speaker 2: It helps, man.
- 39:44Speaker 9: Yeah, and it goes to a corner down there, right?
- 39:46Speaker 2: It doesn't even stay on the person's feed.
- 39:47Speaker 3: Yeah, so I said, I don't even know if it's good.
- 39:50Speaker 3: But if it works, we're testing it. Sometimes it works,
- 39:53Speaker 3: sometimes it doesn't.
- 39:54Speaker 4: Sometimes it pushes the tool and we say, is it
- 39:56Speaker 4: good to use it? Instagram uses edits, then you use
- 39:58Speaker 4: it and.
- 39:59Speaker 2: Say, hmm, I don't know.
- 40:00Speaker 3: Did you really deliver everything you said? I doubt it.
- 40:04Speaker 3: But going back to what I was saying, Mauro, really, man,
- 40:07Speaker 3: I always found your content, even in 2015.
- 40:09Speaker 2: 2014, very well done. High level.
- 40:10Speaker 3: And high level, like, making music, rhyming very well, and
- 40:13Speaker 3: doing some rap with Júlio, I remember, playing on Night.
- 40:17Speaker 2: Yes, that's a hit, right? Classic. It was a huge hit, man.
- 40:20Speaker 8: And he used to do some awesome traps that I
- 40:22Speaker 8: used to listen to on Spotify.
- 40:23Speaker 2: So, but that's what I was going to say, man. Cortisol.
- 40:25Speaker 3: What did you consume of audiovisual and music at that
- 40:30Speaker 3: moment to be able to create that level of content
- 40:34Speaker 3: in 2015?
- 40:34Speaker 2: Because I saw that....
- 40:36Speaker 3: Japa was also like that. He drank a different content
- 40:39Speaker 3: that I didn't have access to, I swear. What was
- 40:42Speaker 3: your source of.
- 40:44Speaker 1: That's it.
- 40:45Speaker 9: And you saying it, I know it's true, because you
- 40:46Speaker 9: said it at the time.
- 40:47Speaker 2: Of course it's true, I swear to God.
- 40:49Speaker 9: Man, I watched, I liked music a lot, you know
- 40:52Speaker 9: Lonely Island?
- 40:52Speaker 2: I was a big fan of the guys.
- 40:54Speaker 9: The one they did with Waco, I Just Had Sex.
- 40:56Speaker 3: Yes, yes, yes, yes.
- 40:57Speaker 2: And I was a big fan of the guys.
- 40:58Speaker 6: I listened to all their albums, I think they have
- 41:01Speaker 6: three albums. And I listened to it a lot, but
- 41:03Speaker 6: it was in English, right? And in Brazil there was
- 41:05Speaker 6: no one who did that in Portuguese, rap of dry things, right?
- 41:08Speaker 6: Pastel rap, salad rap, colica renal rap, milho.
- 41:12Speaker 9: But that's what you did.
- 41:14Speaker 2: That's what I did.
- 41:15Speaker 6: And that's what I thought was funny. So my references
- 41:18Speaker 6: were very gringas, like that. There weren't many references in Brazil.
- 41:21Speaker 6: So much so that the guys thought I was very
- 41:22Speaker 6: playboy at the time, right? The guys saw me and said,
- 41:24Speaker 6: this boy is a playboy.
- 41:25Speaker 2: He... Man, I didn't think.
- 41:26Speaker 1: That was you.
- 41:27Speaker 3: But people thought so, right?
- 41:28Speaker 2: Júlio said that too.
- 41:28Speaker 6: When Júlio started to stick it in your house, there's
- 41:30Speaker 6: a term called Playboy, which is.
- 41:36Speaker 3: Yes, it's the Playboy. We used to say that he
- 41:40Speaker 3: is the guy who owns a Macbook. Do you get it?
- 41:44Speaker 1: That's what people used to call.
- 41:46Speaker 2: It back then. Back then? It's not a Macbook, it's the...
- 41:49Speaker 2: The iMac.
- 41:50Speaker 1: The guy with the iMac.
- 41:51Speaker 3: He used to edit on Final Cut.
- 41:54Speaker 2: Yes, on Final Cut.
- 41:55Speaker 3: He thought that was too much. For us, he was
- 41:58Speaker 3: Steve Jobs.
- 41:59Speaker 1: What was the most difficult.
- 42:00Speaker 2: Video you made at that time?
- 42:01Speaker 7: Because I looked at your videos and said, man, it's
- 42:04Speaker 7: very edited, it must be a lot of work to
- 42:06Speaker 7: do this.
- 42:06Speaker 6: It was difficult to do the final cut, right? Because
- 42:09Speaker 6: there was everything in the frame, right? So you had
- 42:11Speaker 6: to answer questions, you had to make a song, you
- 42:13Speaker 6: had to.
- 42:13Speaker 2: A challenge. A challenge, a culinary there, something.
- 42:15Speaker 3: There's a race that you're in the garage, the thing
- 42:17Speaker 3: is kind of like that, I remember it.
- 42:18Speaker 2: Was a thing... Chair race, office in the garage.
- 42:20Speaker 6: Because at the time it was also a lot of
- 42:21Speaker 6: challenge that was on YouTube, it was cool to do challenges,
- 42:23Speaker 6: everyone wanted to do one or the other, right?
- 42:24Speaker 3: To brush your teeth with wasabi.
- 42:26Speaker 6: Everyone did a challenge here on YouTube, right?
- 42:29Speaker 2: Even Castanhari! Even Castanhari! Look at her! You're gonna put
- 42:31Speaker 2: it there? Ah, I thought he was gonna put it.
- 42:34Speaker 8: There are the pictures.
- 42:35Speaker 2: The challenge of the T-shirt, how was that? Wow, do
- 42:37Speaker 2: you remember that? Exactly! So this is a challenge too, right?
- 42:40Speaker 2: Alex shows the phenomenon on the tables. Look!
- 42:49Speaker 1: Is it me here?
- 42:50Speaker 6: It's me.
- 42:50Speaker 2: It's the shirt on his face.
- 42:51Speaker 1: He put water on the shirt and then let it go.
- 42:54Speaker 2: It was Alex. It was Alex. It was Alex. It
- 42:56Speaker 2: was Alex. It was Alex. I thought it was because
- 43:09Speaker 2: of the hair here. Man, for me, I swear... You
- 43:11Speaker 2: guys are sons of bitches.
- 43:12Speaker 3: Ted already knew that... Ted already knew when I met
- 43:16Speaker 3: him personally, I said, oh, Ted records this content. Ted, you,
- 43:17Speaker 3: out of your channel, you're... Not that you're another guy,
- 43:20Speaker 3: but you.
- 43:24Speaker 3: Put Zazinha on the outside.
- 43:25Speaker 1: No, but even on the channel I put Zazinha on
- 43:27Speaker 1: the outside.
- 43:28Speaker 2: That's true. Look at this content, right?
- 43:29Speaker 3: But Mauro, for me, being recording with him like that,
- 43:31Speaker 3: for me it was like, bro, this is not Mauro's face.
- 43:34Speaker 2: He's recording with us and it's very funny. It was
- 43:35Speaker 2: for the tour, right, bro?
- 43:36Speaker 6: We were even at dawn there in his house recording this.
- 43:39Speaker 2: But then... Look, I was that guy there.
- 43:40Speaker 3: The shirt fell on my face and I'm like, yes.
- 43:43Speaker 2: So, one more thing... Osasco in the vein.
- 43:46Speaker 9: One thing about the YouTube of the time that.
- 43:49Speaker 3: Everyone here has... Look at Ted imitating me.
- 43:51Speaker 1: You can see that you're doing it like this.
- 43:53Speaker 3: You're doing it like this.
- 43:54Speaker 1: Look, Eagle, that's it. You were doing it, I was
- 43:57Speaker 1: doing it too.
- 43:57Speaker 2: He's imitating your.
- 44:01Speaker 3: I didn't need that.
- 44:02Speaker 2: Sorry, Mauro, I liked you. No, no, no, let's finish
- 44:04Speaker 2: watching here.
- 44:04Speaker 8: Look at Igão, man, so young.
- 44:07Speaker 2: Man, 17, 18 years old. Man, all the collab recordings
- 44:09Speaker 2: in this track were chaos. Everyone got hurt. Then the
- 44:11Speaker 2: guys said I was crooked. It's true, in the mirror, right?
- 44:13Speaker 3: In the mirror, Igão gets crooked.
- 44:15Speaker 2: That I was crooked.
- 44:16Speaker 3: I never thought of that. The guy said your face
- 44:20Speaker 3: was crooked. Júlio is the bully, right, man? He looks,
- 44:22Speaker 3: points and laughs, man.
- 44:23Speaker 2: He's Nelson. You look like a banana. You look like
- 44:25Speaker 2: a pineapple. You look like a pineapple. You look like
- 44:28Speaker 2: a pineapple.
- 44:28Speaker 1: You look like a pineapple. You look like a pineapple.
- 44:31Speaker 3: Mano, did he break your barber or Mauro on that day?
- 44:33Speaker 2: He fell on the floor or it was Mauro. Oh,
- 44:35Speaker 2: I played, I hit someone, bro. I hit someone. So,
- 44:37Speaker 2: you got out of it too. Someone hit me. Whose
- 44:39Speaker 2: bathroom was that? Ted's, Ted's house.
- 44:40Speaker 1: It was my house, bro. The discharge was.
- 44:42Speaker 2: Mano, this bathroom was all shit afterwards. It was all water.
- 44:45Speaker 3: No, but this video.
- 44:47Speaker 2: The video was millions, right? No, this one was a classic.
- 44:49Speaker 1: And the worst thing is that it shouldn't even be
- 44:51Speaker 1: on YouTube anymore.
- 44:52Speaker 2: It's not anymore.
- 44:53Speaker 1: Because the music I used in the edition... It's a
- 44:56Speaker 1: reupado of someone, you know? Oh, the reupado.
- 44:58Speaker 2: Is saving the story.
- 44:59Speaker 1: I have everything saved. I have everything in the drive saved, cute.
- 45:04Speaker 2: But I can't reupload.
- 45:05Speaker 1: I have, man.
- 45:06Speaker 2: I have. This is 15.
- 45:07Speaker 6: 11 years.
- 45:10Speaker 3: I don't know if you remember, but on that day,
- 45:12Speaker 3: you and Mauro were in the car and a monster
- 45:15Speaker 3: came in. You almost broke the car.
- 45:17Speaker 2: I don't remember that. Man, you don't remember? We were
- 45:20Speaker 2: going to a.
- 45:22Speaker 1: I was in Clio.
- 45:22Speaker 3: No, I think it was the Veloster.
- 45:26Speaker 2: Ah, that Veloster.
- 45:27Speaker 6: After recording, we went to the McDonald's.
- 45:30Speaker 3: That's right. And then I think a libella came in.
- 45:33Speaker 1: And we went to record that video of you trolling
- 45:36Speaker 1: on BK.
- 45:37Speaker 3: Yeah, then we go out to record a McDonald's employee
- 45:40Speaker 3: asking for a job at Burger King.
- 45:41Speaker 2: On that day. Yeah, these guys are recording until 3
- 45:44Speaker 2: in the morning, right?
- 45:44Speaker 3: Yeah, man, in this house there's a lot of history.
- 45:47Speaker 3: We discovered that Ted was pre-ejaculation. What is that?
- 45:51Speaker 1: No, that's on the internet. No, but that doesn't exist either.
- 45:54Speaker 2: That's on the internet. 15 seconds.
- 45:56Speaker 1: Wait a minute.
- 45:58Speaker 3: Yeah, there was Thumb, right? From 15 seconds.
- 46:00Speaker 2: On your channel, Christian.
- 46:01Speaker 1: It was him. It was him who won.
- 46:03Speaker 2: Christian always planned.
- 46:03Speaker 1: Christian, you have an ability that I think.
- 46:05Speaker 3: I've never seen in my life. He recorded with the
- 46:06Speaker 3: most famous people of the time. Larissa Manoela in his house,
- 46:12Speaker 3: Celso Portioli recording with him. And he extracted the worst.
- 46:15Speaker 3: And he extracted things from people, like, he recorded with Ted,
- 46:19Speaker 3: then he, in his own way, he managed to make
- 46:22Speaker 3: a thumbnail with Ted.
- 46:24Speaker 2: He lasts 15 seconds. But I managed to tell Ted
- 46:26Speaker 2: that it lasted 15 seconds. You said that. It was
- 46:28Speaker 2: in a Raphinha interview. He said.
- 46:29Speaker 1: There was a time when I went to Raphinha's interview,
- 46:31Speaker 1: but it.
- 46:31Speaker 2: Was because it had become a character.
- 46:33Speaker 1: It had become part of the character.
- 46:35Speaker 2: Take it clean, go. You don't have to take it,
- 46:36Speaker 2: it doesn't exist.
- 46:37Speaker 1: You don't have to take anything out. No, you don't
- 46:41Speaker 1: need that, man.
- 46:42Speaker 2: You don't need it.
- 46:43Speaker 1: Yeah, there's no such thing.
- 46:46Speaker 3: No, I just remembered that he told us in this house.
- 46:50Speaker 2: Yeah.
- 46:50Speaker 3: And he said, I'm taking medicine, man.
- 46:53Speaker 2: It's true.
- 46:53Speaker 1: So, but it was very.
- 46:54Speaker 3: I was going to say something that I experimented.
- 46:56Speaker 1: No, there was no pomade, no. There wasn't even a
- 47:00Speaker 1: little bit. It was more psychological, you know?
- 47:04Speaker 2: Nervousness, right? Nervousness.
- 47:06Speaker 1: It wasn't a problem. No, it was anxiety.
- 47:09Speaker 2: A little bit. It was anxiety.
- 47:11Speaker 1: But then you talk, you know, Mítico? You talk to
- 47:12Speaker 1: people to make them laugh, right?
- 47:14Speaker 2: To give in, right? You talk to your friends, right?
- 47:16Speaker 2: For your friends to lift your ball. What do your
- 47:18Speaker 2: friends do? They put it on YouTube.
- 47:19Speaker 1: Turn it into a thumbnail.
- 47:20Speaker 2: Yeah, put it on the thumbnail of YouTube. The other
- 47:22Speaker 2: one was rescued in the middle of the match.
- 47:24Speaker 1: Rescued in 2026.
- 47:26Speaker 2: O cara meteu a pomadinha.
- 47:27Speaker 1: Eu não sei que história é de pomadinha.
- 47:30Speaker 2: Pomada? O Christian lembrou. Não, não.
- 47:34Speaker 1: It was, it was sublingual.
- 47:34Speaker 2: It was under the tongue.
- 47:36Speaker 1: Under the tongue.
- 47:36Speaker 2: At that time you were doing events.
- 47:38Speaker 1: You too?
- 47:38Speaker 2: No, it's because I remember. I remember that way, that
- 47:41Speaker 2: we did a lot of events together. True, man. In
- 47:44Speaker 2: Leo's case. We even traveled together once, it was for
- 47:46Speaker 2: him to go and he meowed. Do you remember?
- 47:49Speaker 6: I didn't go to the event. We went to Christmas,
- 47:50Speaker 6: it was a lot of events, right? We went to Christmas.
- 47:54Speaker 2: Me and you.
- 47:55Speaker 7: Yes, man, that's why I love Christmas, it was because
- 47:56Speaker 7: of this trip.
- 47:57Speaker 1: You and Mauro Dani Russo.
- 47:59Speaker 2: That's it. And it was for him to go together, man.
- 48:01Speaker 2: I thought they hated me, I went. And he was
- 48:03Speaker 2: Danny Russo.
- 48:04Speaker 1: I was like, my God.
- 48:05Speaker 2: I thought they were going to kill me. Hey, YouTube team,
- 48:06Speaker 2: I'm going to kill you. I was like... My first
- 48:08Speaker 2: trauma in the big city.
- 48:09Speaker 7: Was them, because I was like, they're going to kill me.
- 48:13Speaker 8: I thought Danny Russo was going to kill me.
- 48:15Speaker 2: Everyone was going to kill me. I was neurotic. I
- 48:17Speaker 2: was going to the club, I thought I was going
- 48:19Speaker 2: to beat them up. I was a little scared, yeah.
- 48:26Speaker 4: But I told the guys, they.
- 48:28Speaker 2: Said, it's going well. There was a video where they
- 48:30Speaker 2: recorded a tag.
- 48:31Speaker 7: I didn't say it, but I saw the guys, I'm
- 48:33Speaker 7: going to get it, I'm going to break it, I
- 48:35Speaker 7: don't know what, YouTube, and I.
- 48:37Speaker 2: Said, man, it's not like that. And I received it,
- 48:40Speaker 2: take care, Cris. I had other friends of yours who
- 48:43Speaker 2: also participated in your videos. And they said that too.
- 48:45Speaker 2: And they said things, I said, no, no. And I
- 48:47Speaker 2: had Moema there receiving it, take care, Cris, alone, living alone.
- 48:50Speaker 6: What?
- 48:53Speaker 2: I had just left my mother's house. Augusta sent me.
- 48:56Speaker 2: I was shocked.
- 48:57Speaker 8: Augusta sent me and said, Cris, let's make a mess.
- 49:00Speaker 2: I said, make a mess of what? No, watch Cauê
- 49:02Speaker 2: Moura's video. Watch Cauê Moura's video. Youtuber Team. With the voice.
- 49:06Speaker 2: What year is this? He was swearing like hell. Only
- 49:09Speaker 2: good kids. He said a lot of things.
- 49:11Speaker 8: December 14th.
- 49:11Speaker 2: What did he say in the video?
- 49:13Speaker 3: He was swearing like hell. He said that this idolatry.
- 49:14Speaker 2: For youtubers can't exist.
- 49:15Speaker 3: Because, damn it.
- 49:20Speaker 2: Right? Yeah, shouting to.
- 49:20Speaker 8: He cursed a lot, so I got scared.
- 49:22Speaker 4: What he was criticizing was a bit of what we said,
- 49:24Speaker 4: that the people who were entering YouTube at that time
- 49:26Speaker 4: already knew.
- 49:27Speaker 3: That they could make money and everyone was turning into
- 49:29Speaker 3: a product. Yeah, kind of like that. But the guy
- 49:38Speaker 3: who was the most successful in the team was Christian.
- 49:41Speaker 2: So it looked like it was with him. But everyone
- 49:43Speaker 2: said it, so I was scared.
- 49:44Speaker 4: Then his audience came to me and told me that
- 49:47Speaker 4: I was a fucking youtuber.
- 49:48Speaker 8: Then I walked to the airport in fear.
- 49:50Speaker 7: But the first time I cheated on you was at
- 49:53Speaker 7: the airport.
- 49:55Speaker 2: Exactly. Live. Exactly. So scream.
- 50:00Speaker 1: When did this start?
- 50:03Speaker 2: 2016, bro. In March. Say it again, this bullshit.
- 50:05Speaker 9: I remember we went to record a video.
- 50:08Speaker 2: He's the boyfriend who remembers the date and gets angry.
- 50:20Speaker 2: It was in March. Tell us, love. We went to
- 50:23Speaker 2: record a video. I had purple hair, remember? It was
- 50:26Speaker 2: our first time, something like that. Wow, it was like
- 50:28Speaker 2: Eric Maffra. Our first time. And you were there! You
- 50:30Speaker 2: were narrating the background video. It was our first time.
- 50:33Speaker 8: Me, him and Mauro telling our first time and.
- 50:35Speaker 2: You narrating the video. You were waiting for us to
- 50:37Speaker 2: eat a burger. We went to the burger. It was
- 50:39Speaker 2: this time that we went to the burger. I love
- 50:40Speaker 2: this video. What video is this? I want to see.
- 50:42Speaker 4: Our first time, me, Mauro and Ted, and you keep
- 50:45Speaker 4: narrating the video.
- 50:46Speaker 2: You keep commenting. It's true, well remembered, bro. It was
- 50:49Speaker 2: in this video that... You're like 8 and 8. I'm
- 50:50Speaker 2: 8 and 6, bro. Yeah, because it was almost 8
- 50:52Speaker 2: and 7. Our first time, Trooper 7.
- 50:53Speaker 9: Man, if you play Trooper 8 and 7, you'll see
- 50:55Speaker 9: it in the video.
- 50:56Speaker 2: That's it, our first time. That's it. You were there.
- 51:09Speaker 1: On the first day.
- 51:10Speaker 2: I remember. We recorded this video and went to dinner.
- 51:12Speaker 6: So, was it on this day that Júlio refused to
- 51:15Speaker 6: get in Ted's car and walked back to Chris' house?
- 51:17Speaker 5: Why?
- 51:17Speaker 2: I'm not going to get in this shitty car with
- 51:20Speaker 2: three doors. I'm not going to get in this car. Man,
- 51:22Speaker 2: I'll see this video later. It's a lie that I'm
- 51:25Speaker 2: in the mess. You keep commenting.
- 51:26Speaker 3: I think you appear until the end.
- 51:27Speaker 2: I think you appear until the end. Then we go
- 51:29Speaker 2: to the booger later. Ah, Júlio is here. So, you too.
- 51:34Speaker 2: Why didn't we have this chat to record what?
- 51:36Speaker 3: You guys just stuck there.
- 51:37Speaker 2: To waste some time. You guys stayed there, you had
- 51:40Speaker 2: a schedule. What are you going to do? Julio stuck
- 51:42Speaker 2: at Savero. I said, stick there, Julio. He spent the
- 51:44Speaker 2: whole afternoon there. Here. Look. There, man. On our first podcast.
- 51:49Speaker 2: You're on day one, Igor. You have to respect, man.
- 51:53Speaker 6: That's why we decided to do the comeback here at Podpar.
- 51:56Speaker 2: Thank you for this moment. It was a great moment.
- 51:58Speaker 2: First podcast that we go together. The three of us.
- 52:01Speaker 2: It's true.
- 52:02Speaker 1: Thank you for the invitation.
- 52:03Speaker 2: Thank you for giving us this opportunity. So, we were
- 52:06Speaker 2: on that day.
- 52:07Speaker 9: I was watching something on the week, imitating.
- 52:10Speaker 2: Faustão, because he only said 8-7.
- 52:12Speaker 6: On the day of Dilma's election, he paused the game
- 52:16Speaker 6: and said, exactly, 8-7, now the result of the election
- 52:20Speaker 6: is out.
- 52:21Speaker 9: Every time there's an election, people send me this clip.
- 52:24Speaker 2: So, Faustão always said 8-7, because I think he saw
- 52:26Speaker 2: it on the clock.
- 52:28Speaker 6: He doesn't want to say 8 and 8, right?
- 52:31Speaker 2: Because 8 and 8 is very... Redundant. Very mystical, right?
- 52:33Speaker 2: Then he goes, 8 and 7. He must have said
- 52:35Speaker 2: it about 10 times. He said it many times, 8
- 52:37Speaker 2: and 7.
- 52:37Speaker 1: I think it was the time he said it the most.
- 52:39Speaker 1: Then this meme was marked.
- 52:40Speaker 2: Then what happened? I imitated Faustão once and he cracked
- 52:44Speaker 2: his beak. No, I had a laugh attack.
- 52:45Speaker 4: It hurt my belly like hell. And I kept asking
- 52:47Speaker 4: all the time. Like I asked Cosselo to imitate Marcelo Rezende,
- 52:50Speaker 4: I asked... I was like, is that funny?
- 52:52Speaker 1: Okay.
- 52:52Speaker 2: Exactly, and now, 8 and 7. 8 and 7. I
- 52:54Speaker 2: thought it was amazing.
- 52:54Speaker 10: I was recording Fantástico, the director was pissed because I
- 52:58Speaker 10: was talking about 8 and 7, I was putting Maurinho's audio,
- 53:01Speaker 10: and the guys were pissed.
- 53:07Speaker 2: I was like, how do you think that's funny? Then
- 53:10Speaker 2: it burned me in the globe. Then I never recorded
- 53:11Speaker 2: Fantástico again. What was Fantástico?
- 53:13Speaker 3: There was the picture. Chupa, Felca.
- 53:15Speaker 2: Me Conta Lá No Quarto. Wow. Calm down, calm down.
- 53:19Speaker 2: The music of Biel.
- 53:20Speaker 8: The music of Biel, but then the episode came out
- 53:22Speaker 8: of the air.
- 53:23Speaker 2: What was the song?
- 53:24Speaker 3: How was the music of Me Conta Lá No Quarto?
- 53:27Speaker 4: The music didn't go on air, because there was a
- 53:28Speaker 4: controversy at the time. And his episode was canceled. One
- 53:30Speaker 4: day before the premiere, the premiere was with him.
- 53:32Speaker 2: What a controversy! No, but it's not necessary. No, anyway,
- 53:35Speaker 2: things of life.
- 53:35Speaker 4: And then we started the episode with episode 2, because
- 53:38Speaker 4: the premiere episode was going to be with Biel. And
- 53:40Speaker 4: then we started with 2 already. So the picture already
- 53:43Speaker 4: started there in the middle. Tell me there in the room.
- 53:46Speaker 4: And the first one was me going to the fans' house.
- 53:49Speaker 2: Telling them their problems. Tell me there in the room.
- 53:51Speaker 2: Tell me there in the room. And what was it
- 53:53Speaker 2: supposed to tell?
- 53:54Speaker 3: What are you talking about?
- 53:56Speaker 2: All the fans.
- 53:57Speaker 4: Sent problems that they lived, or at school, socially, anyway.
- 53:59Speaker 4: There was a father there who took the daughter's door because.
- 54:04Speaker 4: I had to follow everything she did, she broke the
- 54:07Speaker 4: door in the room. So, there were situations where they
- 54:09Speaker 4: put me as an intermediary in the story, because I
- 54:12Speaker 4: was the guy who communicated with teenagers at the time.
- 54:14Speaker 4: My book was top 1 of the Veja, of the
- 54:16Speaker 4: adolescent nothing conventional, which was I get crazy. So, the
- 54:20Speaker 4: adolescent audience was like this, let's listen to Cris and
- 54:22Speaker 4: the parents, okay, listen to Cris and Cris speaks, it's spoken.
- 54:25Speaker 2: Then the father put the door later.
- 54:26Speaker 3: Cris at the time was the YouTuber who most blew
- 54:29Speaker 3: the bubble, man.
- 54:29Speaker 2: It was. It was the adult cult. He's the one
- 54:31Speaker 2: who opened the doors. He's the one who released the
- 54:33Speaker 2: book first. He's the one who made the movie about him.
- 54:36Speaker 8: And put me in a position as a coach for teenagers.
- 54:38Speaker 2: His movie is good. His movie is good.
- 54:39Speaker 3: It's a good internet movie. And there's a song there.
- 54:42Speaker 6: That's fucking good.
- 54:43Speaker 2: I watched his movie and I was like, man, what
- 54:44Speaker 2: a cool movie, man. And it was a pro-movie song, right?
- 54:46Speaker 2: We went to the cinema to watch it. And this
- 54:47Speaker 2: song is a... No, she released.
- 54:49Speaker 4: It together with the movie, and then Alok and Ziba,
- 54:53Speaker 4: Bruno Martin at the time, we were talking, so let's
- 54:55Speaker 4: make the premiere together, married, and then he released the clip,
- 54:58Speaker 4: and I released the clip together, he gave the copyrights,
- 55:00Speaker 4: I released together with the clip of the film, the
- 55:02Speaker 4: trailer of the film with the clip.
- 55:04Speaker 2: It was a trailer.
- 55:05Speaker 6: It's the music with the movie's images. It's like a
- 55:07Speaker 6: Brazilian music video.
- 55:09Speaker 4: It was the whole music video with the movie's scenes.
- 55:11Speaker 4: The trailer got 15 million views. It was a huge
- 55:14Speaker 4: audience for the movie.
- 55:15Speaker 2: I also wanted to say that we have four actors here.
- 55:18Speaker 2: Why four? Four? Four? Four.
- 55:23Speaker 1: And you?
- 55:23Speaker 2: Ah, from the internet, the movie. Ah, I knew it.
- 55:27Speaker 8: He didn't call the movie to talk about the internet,
- 55:29Speaker 8: the movie.
- 55:30Speaker 7: Man, I always have to put this agenda here, because
- 55:33Speaker 7: if you're from home and you've never watched.
- 55:35Speaker 2: The internet, the movie... Give it a chance.
- 55:37Speaker 8: I think Rafinha is very pissed when we talk about
- 55:38Speaker 8: this movie.
- 55:39Speaker 2: Watch this movie. This movie is a classic. No, it's
- 55:41Speaker 2: also well said.
- 55:42Speaker 1: He talks?
- 55:42Speaker 3: Yeah.
- 55:42Speaker 4: Because he gave a follow on everyone on the internet,
- 55:45Speaker 4: went to the United States, I think he got pissed
- 55:47Speaker 4: with everyone.
- 55:47Speaker 1: Oh, Chris has this.
- 55:48Speaker 2: He looked at me and said, Rafinha, don't follow me anymore?
- 55:49Speaker 4: No, no, I wasn't sad, but then I said, no,
- 55:51Speaker 4: I think he cleaned it up there and it was
- 55:52Speaker 4: a great one.
- 55:54Speaker 4: .
- 55:55Speaker 2: But that's what makes
- 56:10Speaker 2: it all good.
- 56:11Speaker 1: What do you think was bad about the editing?
- 56:13Speaker 2: What happened there?
- 56:14Speaker 6: This movie got a cult status on the internet. You
- 56:17Speaker 6: go on Twitter and people go like, internet.
- 56:19Speaker 2: Movie, you know?
- 56:21Speaker 3: It's like The Room, it's a cult status. Who opens
- 56:23Speaker 3: the movie?
- 56:24Speaker 1: Mauro in the face.
- 56:24Speaker 2: I open the movie.
- 56:25Speaker 6: So, the movie was supposed to be linear, right? It
- 56:29Speaker 6: was supposed to meet at the event.
- 56:30Speaker 2: Sorry, it's the opposite. They were supposed to be blocks.
- 56:34Speaker 2: They were supposed to be separate stories.
- 56:35Speaker 3: No, it was supposed to be a single story. But
- 56:37Speaker 3: it ended up being blocks.
- 56:39Speaker 2: Because I can't put them together. That was a problem, right?
- 56:42Speaker 3: They wrote it to be just a story, like a movie.
- 56:46Speaker 3: Everyone there will meet and make a story. But the
- 56:49Speaker 3: way it was written, with the people who were chosen,
- 56:53Speaker 3: and the characters who were chosen for those people, why, bro?
- 56:57Speaker 3: Mauro Nakada was going to be a YouTuber, but it
- 56:59Speaker 3: had nothing to.
- 57:00Speaker 2: Do with him.
- 57:01Speaker 6: It was Christian's place, he refused, I took his role.
- 57:03Speaker 2: Then I had to be a YouTuber.
- 57:06Speaker 8: I did the DJ, but there was also controversy, because
- 57:07Speaker 8: I said, where are the.
- 57:08Speaker 2: Fans of Felipe Neto? No, but it was on the script.
- 57:12Speaker 4: Then Felipe got one, I felt that he got one.
- 57:13Speaker 2: He never called me for a collab. It was supposed
- 57:16Speaker 2: to be Júlio. But then we sent bad, because we
- 57:17Speaker 2: were not actors.
- 57:18Speaker 3: And I was also interpreting another thing there, that when
- 57:20Speaker 3: they went to make the movie, they said, bro, it
- 57:21Speaker 3: doesn't make sense, right? Because it's not good, right?
- 57:25Speaker 2: There's glue.
- 57:25Speaker 3: I think it didn't stick.
- 57:27Speaker 2: It sucked when editing. There must be something.
- 57:30Speaker 1: But then Ted was a monster, because that role.
- 57:36Speaker 2: Wait for Júlio.
- 57:37Speaker 3: Júlio didn't accept because he was dating at the time.
- 57:39Speaker 3: He had to give a kiss.
- 57:40Speaker 2: I'm rich, Ted. It was good, right? It was good
- 57:42Speaker 2: on the paper. Ted, really, you're one of the best....
- 57:47Speaker 3: You can't say that your acting is bad.
- 57:48Speaker 1: I need to watch it today to see if it
- 57:50Speaker 1: was good.
- 57:51Speaker 2: Do a react.
- 57:51Speaker 1: Do a react of your scenes.
- 57:53Speaker 2: I already did, but it's.
- 57:55Speaker 1: Been 10 years.
- 57:55Speaker 3: Today it would be totally different.
- 57:59Speaker 2: But it doesn't look like he's acting. You see Ted there.
- 58:02Speaker 3: Call us, call Júlio and we'll do a react.
- 58:04Speaker 2: Let's do a react.
- 58:05Speaker 7: When you watched it for the first time in the cinema,
- 58:07Speaker 7: you watching it, You don't look at the.
- 58:16Speaker 1: Other guy and say, it's bad. I was ashamed of myself.
- 58:18Speaker 2: When it went up, turn it down for what? What
- 58:21Speaker 2: was your feeling?
- 58:23Speaker 6: I liked it because it appeared in the first five minutes,
- 58:27Speaker 6: and then it was only in the bengala.
- 58:29Speaker 1: I thought it was funny.
- 58:30Speaker 2: You produced the movie very well. I wasn't ashamed of anyone,
- 58:33Speaker 2: thank God.
- 58:35Speaker 1: I wasn't even really worried about the movie itself. I
- 58:37Speaker 1: was worried about myself, if that part of mine would
- 58:40Speaker 1: have been good.
- 58:40Speaker 2: Cristiano Ronaldo, right? Fuck you guys. I wanted to see
- 58:43Speaker 2: if I did well.
- 58:44Speaker 1: But I remember I was a little embarrassed. There were
- 58:46Speaker 1: some scenes where I was like, oh my God. But like...
- 58:54Speaker 1: you all have this other perspective and watched and said
- 58:57Speaker 1: that it was good bro I need to see again
- 58:59Speaker 1: now giving one more chance.
- 59:01Speaker 3: I want to watch it is also good the part
- 59:03Speaker 3: that I was like I.
- 59:05Speaker 4: Don't have this memory that you have that was so
- 59:07Speaker 4: bad in my head I don't know.
- 59:30Speaker 7: But I think there was a prejudice with the people
- 59:32Speaker 7: at that time.
- 59:33Speaker 2: It's just a movie, man. Watch it without judging.
- 59:35Speaker 3: But the people did.
- 59:36Speaker 2: Look, I'll tell you.
- 59:37Speaker 3: The people did like this. How many Júlio followers do
- 59:38Speaker 3: you have?
- 59:38Speaker 2: Seven.
- 59:39Speaker 3: Christian, there are eight more. Ted, so many. Then they
- 59:43Speaker 3: added up and said like this. There will be 52
- 59:45Speaker 3: million people in the cinema.
- 59:47Speaker 2: Sold tickets. I believed too.
- 59:48Speaker 1: Me too. That's right.
- 59:50Speaker 2: This sum.
- 59:50Speaker 3: I also thought it was good, bro.
- 59:51Speaker 2: It's crazy. But I think the problem was that.
- 59:53Speaker 8: They wanted to print the internet in the cinema, but
- 59:54Speaker 8: we couldn't do anything.
- 1:00:10Speaker 2: Yeah, it was in that line.
- 1:00:11Speaker 3: Yeah, because it was talking about the internet, but with
- 1:00:13Speaker 3: the people from the cinema, who didn't even know what
- 1:00:15Speaker 3: the internet was at that time.
- 1:00:16Speaker 2: I think the essence of the people was missing in
- 1:00:19Speaker 2: the movie.
- 1:00:19Speaker 1: Yeah, because it was all scripted, we had already passed.
- 1:00:22Speaker 2: Cool. And your movie, Cris? Júlio let me go in
- 1:00:25Speaker 2: and pay for it. But it was an incentive.
- 1:00:26Speaker 3: Your movie hit the record, right? It hit, but there
- 1:00:29Speaker 3: was a charge from the post-movie.
- 1:00:39Speaker 8: Because we always talk about good things.
- 1:00:41Speaker 4: But the part that I felt about cinema in Brazil
- 1:00:45Speaker 4: is that it has that numerical expectation that I was
- 1:00:47Speaker 4: very much on the side.
- 1:00:49Speaker 2: Of trusting the public, promoting the follower.
- 1:00:52Speaker 4: And I think I didn't focus on the traditional media
- 1:00:55Speaker 4: to reach the goal of 2 million viewers.
- 1:00:57Speaker 2: It was a high number, but we saw it. It hit,
- 1:00:59Speaker 2: I don't know, 800,000 people, 700,000.
- 1:01:01Speaker 4: So it reached close to 1 million. So it didn't
- 1:01:03Speaker 4: hit the goal of 2 million. So, at that moment,
- 1:01:05Speaker 4: that's it. We already have a second movie for the
- 1:01:09Speaker 4: following year. No, let's hold on a little longer. Then
- 1:01:11Speaker 4: one passes in front, another passes. Now we were already
- 1:01:14Speaker 4: developing an argument to make a movie... the father, the paternity,
- 1:01:20Speaker 4: so it's molded according to the story. I released a book,
- 1:01:22Speaker 4: which is called I Will Be a Father, So, it's
- 1:01:25Speaker 4: a lot about the result. When we have a result,
- 1:01:27Speaker 4: it's a trigger. Like, my mother is a piece. The
- 1:01:30Speaker 4: guy made 12 million tickets, 15 million people. So, it
- 1:01:33Speaker 4: was a trigger on the other. Because it gave the
- 1:01:35Speaker 4: result to everyone.
- 1:01:35Speaker 2: The distributor, everyone. The guy must have a lot of work.
- 1:01:39Speaker 2: And he came in.
- 1:01:40Speaker 4: With a producer. The guy was a man show. He
- 1:01:43Speaker 4: was a director, he did everything.
- 1:01:45Speaker 3: Is it hard to make a movie, Mauro?
- 1:01:48Speaker 2: It is, right? You need money, right, bro?
- 1:01:49Speaker 6: Money.
- 1:01:50Speaker 2: That's what I want too.
- 1:01:50Speaker 3: For those who don't know, Mauro is a movie director.
- 1:01:52Speaker 2: Mauro directed even.
- 1:01:54Speaker 8: Christian Figueiredo's clips.
- 1:01:56Speaker 2: Do you remember? Chuby? Yes, he produced it. I produced it,
- 1:02:00Speaker 2: but I didn't direct it. When did you do Chuby?
- 1:02:02Speaker 8: I released 30,000 on Mauro's hands and said, make a
- 1:02:04Speaker 8: great clip with 30,000.
- 1:02:05Speaker 2: He said, 30,000? Okay.
- 1:02:07Speaker 1: When did you do Chuby?
- 1:02:08Speaker 2: Nothing. He did everything. When did you do Chuby?
- 1:02:10Speaker 3: It's not that long ago.
- 1:02:11Speaker 1: 2018.
- 1:02:11Speaker 6: 2018.
- 1:02:11Speaker 9: At that time, only those who believed in.
- 1:02:13Speaker 2: It did Trap.
- 1:02:14Speaker 3: Only those who knew Trap.
- 1:02:16Speaker 2: Rafa Moreira, Japa. Recard Mob. And the other Rafa Moreira too. True. Matue.
- 1:02:25Speaker 2: The guys used to put Matue on TV. Matue was
- 1:02:28Speaker 2: Anus Luz.
- 1:02:29Speaker 8: I didn't know who Matue was.
- 1:02:30Speaker 1: The guy was falling like this.
- 1:02:31Speaker 2: And who is Matue? He was starting there. Migos. Post Malone,
- 1:02:36Speaker 2: who is a foreigner.
- 1:02:37Speaker 3: What are the challenges you face to make a movie?
- 1:02:40Speaker 3: You're a young director, Mauro Nakata.
- 1:02:42Speaker 6: So, the first challenge is money, right? Because you need
- 1:02:45Speaker 6: to hire people. You don't make a lot of movies alone.
- 1:02:48Speaker 2: And it's expensive, right? Yeah, you need equipment and everything.
- 1:02:51Speaker 2: And that's why I'm back, bro.
- 1:02:54Speaker 6: Because I need money to record the movies I want
- 1:02:55Speaker 6: to record, you know? I need 27 million to record
- 1:02:57Speaker 6: a movie.
- 1:02:58Speaker 2: What the fuck? 27 million? The script already has.
- 1:03:01Speaker 9: Because it's a feature film of 2 hours and 20 minutes, right?
- 1:03:04Speaker 2: It needs 27 million. 27 million?
- 1:03:06Speaker 9: Yeah, to start I need this amount, you know?
- 1:03:09Speaker 2: That's why I'm back.
- 1:03:09Speaker 1: You'll get it, Maurinho.
- 1:03:10Speaker 2: Yeah, but do you want to make a movie of what? Vafinha.me,
- 1:03:13Speaker 2: let's start.
- 1:03:14Speaker 6: Man, I have some scripts, I have some scripts, I
- 1:03:16Speaker 6: already have some projects writing like that, but my business
- 1:03:19Speaker 6: is a lot of action, like that. So much so
- 1:03:21Speaker 6: that I released a short on my YouTube now, which
- 1:03:23Speaker 6: is called Mother Tried Again, which is a soundtrack of
- 1:03:27Speaker 6: Drone and.
- 1:03:27Speaker 9: Bass that I made, and the short is Two Runners Running.
- 1:03:30Speaker 2: In São Paulo.
- 1:03:30Speaker 3: Ah, I saw that it was filmed on iPhone X.
- 1:03:32Speaker 2: That's it, I watched it.
- 1:03:33Speaker 6: So my approach is more or less like this, people running, action,
- 1:03:35Speaker 6: less possible dialogue nowadays, I want less dialogue because I
- 1:03:39Speaker 6: want to do something more international. So there's no need
- 1:03:42Speaker 6: for dialogue, it's people running in the city. So my
- 1:03:44Speaker 6: cinema is more or less like that.
- 1:03:46Speaker 3: But does it necessarily have to have a message? Do
- 1:03:48Speaker 3: you like it behind the scenes?
- 1:03:49Speaker 6: No, there doesn't have to be a message, but I
- 1:03:51Speaker 6: think there has to be a beginning, a middle and
- 1:03:53Speaker 6: a clear ending, you know? It starts here, this happens
- 1:03:56Speaker 6: and it ends that way.
- 1:03:58Speaker 9: Now, the message doesn't always have to be something very deep.
- 1:04:00Speaker 2: Sometimes, like in the.
- 1:04:01Speaker 6: Case of Curtinha, it's just a guy who was on
- 1:04:04Speaker 6: the first day in a group race training, He is
- 1:04:08Speaker 6: a beginner, so as he didn't understand the proposal, he
- 1:04:10Speaker 6: thought that everyone was running between themselves.
- 1:04:12Speaker 2: Then he tried to get a shortcut, then he got lost.
- 1:04:15Speaker 2: And then when he comes back, he realizes.
- 1:04:17Speaker 6: That only he is excluded from the group, because he
- 1:04:19Speaker 6: was his expert and lost the thread of the lie.
- 1:04:21Speaker 1: And you can communicate this without text.
- 1:04:23Speaker 2: Without text, yeah.
- 1:04:23Speaker 6: But it doesn't have to be something very megalomaniacal. Sometimes
- 1:04:26Speaker 6: it's a little thing, right?
- 1:04:28Speaker 3: I like the... about the less is more.
- 1:04:30Speaker 2: Yeah, I'm going that way nowadays.
- 1:04:33Speaker 1: Let me tell you, me and Mauro, we're doing... We're
- 1:04:37Speaker 1: planning a musical project, right? He's going to produce the music,
- 1:04:42Speaker 1: and I'm going to do an animation of animated drawings,
- 1:04:46Speaker 1: that involves, I don't know, a teddy bear... But are.
- 1:04:49Speaker 3: You going to animate?
- 1:04:51Speaker 2: No, no, no. He's going to be the creator, the producer.
- 1:04:53Speaker 1: I'm creating the whole atmosphere, right?
- 1:04:56Speaker 2: The whole universe.
- 1:04:57Speaker 1: The whole universe. And then I want to do it
- 1:05:00Speaker 1: like this too, bro. Like, Mauro makes the song, there
- 1:05:02Speaker 1: doesn't need to be a lyric, a text or anything,
- 1:05:05Speaker 1: and we create a story in five minutes, like that.
- 1:05:07Speaker 3: Do you produce too, Mauro?
- 1:05:08Speaker 2: I'm producing.
- 1:05:10Speaker 6: I spent the whole past producing an album for a
- 1:05:13Speaker 6: foreign singer, right?
- 1:05:14Speaker 2: A friend of mine, called Margarita. Then we... Marg, right?
- 1:05:17Speaker 2: On Spotify.
- 1:05:19Speaker 6: And we produced five songs and released two more this year.
- 1:05:22Speaker 9: And then we made some songs also to send to streaming,
- 1:05:26Speaker 9: for them to use in.
- 1:05:28Speaker 2: In series, in... You're crazy, man.
- 1:05:30Speaker 6: So I'm doing some things like that.
- 1:05:32Speaker 2: Now, you know? Production.
- 1:05:33Speaker 3: So where did it go?
- 1:05:34Speaker 2: Was it in those five years that you learned all that?
- 1:05:36Speaker 6: Yeah, so, that's what I said. In those five years,
- 1:05:39Speaker 6: I always had the need to... To have control of
- 1:05:42Speaker 6: what's going to be told. So I got a lot
- 1:05:45Speaker 6: of opportunities to direct clips.
- 1:05:47Speaker 2: For other artists.
- 1:05:49Speaker 6: But I didn't always like the music. Or it made
- 1:05:52Speaker 6: sense to me. Then it didn't do me very well, like,
- 1:05:54Speaker 6: to top this kind of thing.
- 1:05:57Speaker 9: And it was creating the need for me to make
- 1:05:59Speaker 9: a story, I.
- 1:06:00Speaker 6: Have to write it, I have to be the owner
- 1:06:02Speaker 6: of this story, so I can put more energy, you know?
- 1:06:05Speaker 6: To believe in it. So, in these last years, what
- 1:06:08Speaker 6: I had to learn to use all these tools and
- 1:06:13Speaker 6: tell the story I want to tell. So, which camera,
- 1:06:16Speaker 6: which timbre, which note we put here.
- 1:06:18Speaker 2: Here is the kick.
- 1:06:20Speaker 6: That we will put, here we will leave it unbeaten,
- 1:06:21Speaker 6: it will be just a pad, an instrumental. But that's
- 1:06:25Speaker 6: what I really wanted to learn, to have this absolute.
- 1:06:27Speaker 2: Control, you know?
- 1:06:28Speaker 6: And now, at the end of the month, I'm going
- 1:06:30Speaker 6: to release an album that I made, 100%. But the
- 1:06:33Speaker 6: author is yours. The author is mine. There are 12 songs,
- 1:06:35Speaker 6: there's half an hour. You were listening to it yesterday, right?
- 1:06:37Speaker 2: You were listening to it yesterday.
- 1:06:39Speaker 6: Good. He asked me to listen to it. There are
- 1:06:42Speaker 6: 30 instrumental songs, all of them I played with the
- 1:06:44Speaker 6: piano and with the things on the app.
- 1:06:45Speaker 2: There's no voice. There's no voice at all. Fuck, 30 songs?
- 1:06:48Speaker 2: 30 minutes. 12 songs.
- 1:06:50Speaker 3: But what's the approach?
- 1:06:52Speaker 1: Trap?
- 1:06:52Speaker 6: Ambient approach. Half video game, half ambient. Something to put
- 1:06:57Speaker 6: to study.
- 1:06:58Speaker 2: Exactly.
- 1:06:58Speaker 9: But this is for now.
- 1:07:01Speaker 6: Because when I come with Ted, we'll come with something
- 1:07:04Speaker 6: more pop.
- 1:07:05Speaker 1: With various rhythms. Marshmello.
- 1:07:06Speaker 2: Electronic, trap. You like it a lot. Hydro dele.
- 1:07:09Speaker 1: Exactly.
- 1:07:09Speaker 2: Then the idea of Ted Land... Ted Land.
- 1:07:13Speaker 9: The main character will be Ted's bear.
- 1:07:16Speaker 2: And he will have many other characters. They will have
- 1:07:19Speaker 2: an adventure. So it will be a series on YouTube. Yes, bro. Musical. Yes, yes.
- 1:07:22Speaker 1: It's already written. Now, animating is a problem. Because it's
- 1:07:26Speaker 1: very expensive, bro.
- 1:07:29Speaker 2: To animate.
- 1:07:29Speaker 1: To find the line. To do the animation. To find
- 1:07:31Speaker 1: the line that we like. It's kind of complicated. But
- 1:07:34Speaker 1: we already have 50% of the project ready, bro. It's
- 1:07:37Speaker 1: all about making money, right, Maurinho?
- 1:07:39Speaker 2: 27 million. 27 million for the project. No, 27 million
- 1:07:41Speaker 2: is long. But do you three feel like....
- 1:07:48Speaker 7: Get together more and stay in front of the cameras,
- 1:07:51Speaker 7: you three together, record things.
- 1:07:54Speaker 8: So, that's what's funny, because.
- 1:07:57Speaker 2: I.
- 1:07:57Speaker 6: Think we only survived 10 years in this, right?
- 1:08:01Speaker 2: Never fought, never saturated, even the public, right?
- 1:08:03Speaker 6: Because the public could be pissed off with us, these
- 1:08:05Speaker 6: guys post directly.
- 1:08:06Speaker 2: Or leave. Leave, right?
- 1:08:08Speaker 6: But I think it's because we never forced a fixed meeting,
- 1:08:10Speaker 6: or it has to be like that, or it has
- 1:08:13Speaker 6: to have a troupe channel, nothing has to... So, he
- 1:08:16Speaker 6: stayed there for a year. It's a year without anything.
- 1:08:20Speaker 6: But he came back, we ended up meeting.
- 1:08:23Speaker 2: Then Chris said, let's record? Let's see if we can record.
- 1:08:26Speaker 1: Who was the one who said, let's meet there, go.
- 1:08:29Speaker 1: I think it was me, because I came back and said,
- 1:08:31Speaker 1: let's kill the longing, stick it here at home. Then
- 1:08:33Speaker 1: I moved home too.
- 1:08:34Speaker 2: Then they went there to meet.
- 1:08:35Speaker 3: Then it was a week.
- 1:08:36Speaker 2: They burned your agenda, right? They showed your house. It's
- 1:08:39Speaker 2: his thing, right?
- 1:08:39Speaker 6: Of course.
- 1:08:40Speaker 2: You're with Chris. If you don't post today, he'll post
- 1:08:42Speaker 2: for you.
- 1:08:44Speaker 1: And then I said, man, show it, okay? The video
- 1:08:46Speaker 1: started saying it wasn't.
- 1:08:47Speaker 4: Going to show it, but in the end he showed
- 1:08:48Speaker 4: it all. You can see the whole house. It's because
- 1:08:50Speaker 4: I have.
- 1:08:50Speaker 1: A little freshness of not wanting to show things, you know?
- 1:08:52Speaker 1: I don't know if it's a freshness or if it's a...
- 1:08:55Speaker 1: Your intimacy. It's a matter of being intimate, right? So
- 1:09:00Speaker 1: I avoid showing personal life like that, you know, bro?
- 1:09:04Speaker 1: Because I'm already there on YouTube every day. If people
- 1:09:07Speaker 1: want to see the TED, it's there, bro. My content
- 1:09:10Speaker 1: is already there.
- 1:09:11Speaker 2: I don't know.
- 1:09:12Speaker 1: Anyway, not that I have any problem showing something. I
- 1:09:16Speaker 1: just don't think about it. I just think about producing
- 1:09:17Speaker 1: the content there and that's it. But I know that
- 1:09:20Speaker 1: I have to be a little more present in the world.
- 1:09:23Speaker 1: I don't know.
- 1:09:24Speaker 2: If you're married. If he wants to grow more, to
- 1:09:25Speaker 2: expand his audience.
- 1:09:26Speaker 3: If he were his girlfriend, he wouldn't know.
- 1:09:28Speaker 9: Two parallel conversations going on.
- 1:09:29Speaker 2: It's true.
- 1:09:30Speaker 1: Sorry.
- 1:09:30Speaker 6: It's a good question. Did you really need it? Because
- 1:09:32Speaker 6: I'm here until today, right, bro?
- 1:09:34Speaker 2: With my audience there and such.
- 1:09:35Speaker 1: Without showing much, I don't know if you really have
- 1:09:38Speaker 1: to do that, right? But I know that people expect more.
- 1:09:50Speaker 7: I think that sometimes doing something, your audience would love it.
- 1:09:55Speaker 2: Yes. Don't show too much intimacy, but show things.
- 1:09:57Speaker 1: Make a carousel on Instagram, I think there's no problem, right?
- 1:10:00Speaker 1: As much as I traveled, I have all the photos
- 1:10:03Speaker 1: saved there. It's cute, man. I just need to post it.
- 1:10:05Speaker 1: But now, how do I post a trip from France
- 1:10:08Speaker 1: 12 months ago, you know? It's kind of... You already
- 1:10:11Speaker 1: did it this week, right?
- 1:10:12Speaker 2: It's an exercise, right?
- 1:10:13Speaker 9: He did an exercise this week.
- 1:10:15Speaker 2: There's no problem, man.
- 1:10:16Speaker 1: Yeah, I'll do it, because I like.
- 1:10:18Speaker 9: Yeah, we care a lot, but those who are from
- 1:10:20Speaker 9: outside don't care, right?
- 1:10:21Speaker 2: People just receive the post there.
- 1:10:22Speaker 4: But when you post about a subject, there's a demand for...
- 1:10:25Speaker 4: the continuation of the story.
- 1:10:27Speaker 2: What's up?
- 1:10:27Speaker 8: You posted this place, you posted this person, what's up?
- 1:10:30Speaker 2: You fought with this person, so.
- 1:10:32Speaker 4: So if you post something and the story dies, I
- 1:10:34Speaker 4: think people have a burden, right?
- 1:10:35Speaker 8: Frustrate them.
- 1:10:36Speaker 2: Frustrate them. It's a dump and every six months, guys.
- 1:10:38Speaker 8: So in this dump, you're going to do the recap
- 1:10:40Speaker 8: of my life.
- 1:10:40Speaker 2: In six months, there's going to be another one.
- 1:10:42Speaker 6: But the public was always saying, man, they're separated, they're fighting,
- 1:10:44Speaker 6: they're this and that.
- 1:10:45Speaker 2: And you've never done it? No.
- 1:10:54Speaker 1: I was a little pissed with Cris when he showed
- 1:10:56Speaker 1: some things that I couldn't. But it was to give
- 1:11:00Speaker 1: a return, right Crisão?
- 1:11:01Speaker 8: He called and said, Crisão, you posted that there.
- 1:11:03Speaker 2: And didn't even send me. No, I was a little
- 1:11:05Speaker 2: pissed in 2016.
- 1:11:05Speaker 6: When he also sent it to the editor and we
- 1:11:07Speaker 6: were just going to find out what was going to
- 1:11:09Speaker 6: happen in the video when the video was already on air.
- 1:11:12Speaker 2: Look, he entered that part, bro. It's what, some bullshit.
- 1:11:15Speaker 2: His picture in private. I don't know what it is.
- 1:11:18Speaker 9: We only knew the video after it.
- 1:11:20Speaker 2: Went to the air. At that time, Chris posted everything.
- 1:11:24Speaker 4: It was a time when I was recording for my channel.
- 1:11:27Speaker 2: Editing, and I posted.
- 1:11:28Speaker 4: And then, suddenly, I was with the editor, and he
- 1:11:30Speaker 4: was a guy I trusted a lot, he took over
- 1:11:32Speaker 4: the channel, he made the thumbnail, he uploaded the video
- 1:11:35Speaker 4: for me on YouTube. So I started to delegate, because
- 1:11:37Speaker 4: it was a video every day on Daily, and three
- 1:11:39Speaker 4: a week on Facebook. So I sent it to Bruto,
- 1:11:42Speaker 4: and the night we went to the club, the next
- 1:11:44Speaker 4: day the video was on air. Then I found out
- 1:11:46Speaker 4: at the time too.
- 1:11:47Speaker 2: The pi, we.
- 1:11:48Speaker 6: Talked about something, there was pi in the mouth, the
- 1:11:51Speaker 6: cretarius in the mouth. Then Ted Puto, who appeared there,
- 1:11:54Speaker 6: he was in the private, 15.
- 1:11:55Speaker 2: Seconds, there was no filter. Then I threw it in
- 1:11:58Speaker 2: the editor, I threw it in the editor.
- 1:11:59Speaker 3: It was lighter.
- 1:12:01Speaker 8: Yeah, because they were stupid things.
- 1:12:03Speaker 2: It sucks nowadays. It's funny, the audience loved it. They
- 1:12:06Speaker 2: loved it.
- 1:12:07Speaker 6: And we answered the question, like, would you change anything
- 1:12:09Speaker 6: from the past? And we said, nothing, nothing would change.
- 1:12:12Speaker 2: It's crazy, there's no reason. There's no reason.
- 1:12:15Speaker 1: It's great, man. We had thought of making the Trooper's Mansion, etc.
- 1:12:19Speaker 2: At the time. 2018, right?
- 1:12:20Speaker 1: But it lasted, like.
- 1:12:20Speaker 2: Three days.
- 1:12:21Speaker 1: It lasted three hours, the idea.
- 1:12:22Speaker 2: Three hours. We were going to make a mansion, Educoff's mansion.
- 1:12:25Speaker 2: Why did you guys give up soon?
- 1:12:26Speaker 1: Because it didn't make much sense to us.
- 1:12:28Speaker 2: We always ran away from.
- 1:12:30Speaker 8: Where is everyone going?
- 1:12:31Speaker 2: Where is everyone going?
- 1:12:31Speaker 8: Let's get together and go somewhere else. We always questioned
- 1:12:33Speaker 8: ourselves about everything.
- 1:12:34Speaker 2: We saw something there and we said, what's this? We're
- 1:12:36Speaker 2: not going to do it. We don't like it. We're
- 1:12:38Speaker 2: not going to do it.
- 1:12:39Speaker 3: We're doing a podcast.
- 1:12:40Speaker 2: We held it. But I think that's it. What made
- 1:12:42Speaker 2: it last was the naturalness.
- 1:12:44Speaker 6: So we never forced anything. And even when we, Marga, meet,
- 1:12:45Speaker 6: it's never very forced. And there's no one person.
- 1:12:53Speaker 6: Because, for example, everyone has their busy lives, right? So,
- 1:12:56Speaker 6: there's no one here who is unoccupied and says,- Oh,
- 1:12:59Speaker 6: you forgot about me.
- 1:13:02Speaker 2: Let' s try again.
- 1:13:03Speaker 7: You' re so boring, man.- You' re the worst person here, man.-
- 1:13:06Speaker 7: You' re so boring.- I hate those who do that, man.
- 1:13:08Speaker 2: So.
- 1:13:08Speaker 6: But.
- 1:13:08Speaker 2: I work all day, man.- All three of us hate it, man.-
- 1:13:10Speaker 2: I work all day, there's no way.- No, those who
- 1:13:12Speaker 2: charge me...- Then the person who charges me, I'll say...- No,
- 1:13:14Speaker 2: you're feeling forgotten.- Yeah, maybe that's it, man.- Hey, bro,
- 1:13:16Speaker 2: don't go away.
- 1:13:17Speaker 1: It was supposed to be, bro.
- 1:13:20Speaker 2: My brother doesn't disappear anymore, so I said, it's not
- 1:13:23Speaker 2: a brother anymore. Otherwise I wouldn't have disappeared. If I
- 1:13:25Speaker 2: hadn't disappeared, son of a bitch. What's that? My brothers
- 1:13:28Speaker 2: know where I am. No, and everything is fine too, disappeared. Exactly.
- 1:13:30Speaker 2: Everyone is an adult, it's crazy. So.
- 1:13:33Speaker 7: I went, Carlão made his birthday yesterday. Carlão, man, my friend, man.
- 1:13:37Speaker 2: People go to hell, they change ideas to hell. Then
- 1:13:40Speaker 2: I saw, today I said, oh, son of a bitch, congratulations, man.
- 1:13:42Speaker 2: He said, it was yesterday. Then I said, man, it
- 1:13:44Speaker 2: was bad. He said, it's okay, fuck it, we're together.
- 1:13:46Speaker 2: That's it. Fuck, man. The guy is old, he knows
- 1:13:48Speaker 2: that life is very crazy. It's not for nothing.
- 1:13:50Speaker 7: It's that there are people who pin it and say, oh,
- 1:13:52Speaker 7: it's famous, right?
- 1:13:53Speaker 8: There's always something to pin it, you don't need to
- 1:13:54Speaker 8: feel bad.
- 1:13:55Speaker 2: I hate people who do that. Like, forget it, you're
- 1:13:56Speaker 2: not very famous. I said, fuck.
- 1:13:58Speaker 1: Oh, fuck.
- 1:14:03Speaker 2: What is your.
- 1:14:04Speaker 8: Favorite show to do together?
- 1:14:07Speaker 10: Man, it's... Okay, call me for that one.
- 1:14:39Speaker 1: That's it, that's it. Dude, we'll just meet at home, idiot.
- 1:14:42Speaker 1: Rarely a restaurant too.
- 1:14:43Speaker 9: We stopped, right?
- 1:14:44Speaker 2: Restaurant is better to ask for delivery. We can keep
- 1:14:46Speaker 2: playing out of conversation, right?
- 1:14:48Speaker 1: At home.
- 1:14:49Speaker 2: Hey, call me. Let's make one of these? Like you
- 1:14:50Speaker 2: saw in the day when we were in Trupe.
- 1:14:51Speaker 3: It would be cool, huh?
- 1:14:52Speaker 2: Of course.
- 1:14:53Speaker 1: We'll redo it.
- 1:14:55Speaker 2: It took a long time. What?
- 1:14:56Speaker 6: What? What?
- 1:14:57Speaker 2: Yes, come on, eat a pizza. Of course.
- 1:14:58Speaker 4: Do you remember Cris' insane Tuesdays? It was Domino's, I
- 1:15:01Speaker 4: don't know, he would get one and get another pizza.
- 1:15:04Speaker 4: And everyone had Tuesdays at home.
- 1:15:05Speaker 2: That's why it was Tuesday.
- 1:15:06Speaker 4: Because it was cheaper. Then he would crack the conselo.
- 1:15:09Speaker 4: Then he would crack it right.
- 1:15:12Speaker 2: The conselo would get angry with the bill. Do you remember?
- 1:15:16Speaker 6: Yeah.
- 1:15:16Speaker 3: No, I didn't eat that, damn it. Yeah, bro, we
- 1:15:18Speaker 3: were like.
- 1:15:18Speaker 1: That time it was billed.
- 1:15:20Speaker 2: But do you still remember that time when you were together?
- 1:15:23Speaker 7: Because it was very funny, it was a very nostalgic moment,
- 1:15:25Speaker 7: very fun for everyone.
- 1:15:27Speaker 2: There was no reference, there was no reference of what
- 1:15:29Speaker 2: it was before.
- 1:15:30Speaker 4: Today, people who are starting on the internet have a
- 1:15:32Speaker 4: reference of what the internet was like in 2010, 2006.
- 1:15:39Speaker 2: It was the time of.
- 1:15:40Speaker 4: Memes, Mamilo, Polemico, Sou Foda, Na Cama de Esculacho, Não Salvo,
- 1:15:45Speaker 4: Jacaré Banguela, Guz Horn, Kéfera.
- 1:15:47Speaker 2: Those first internet couples.
- 1:15:49Speaker 8: We were watching all of that.
- 1:15:50Speaker 2: You have Kéfera on Snapchat. You're old too. I'm old.
- 1:15:56Speaker 1: Wow, Galo Frito, Dança com o Douro. The parodies of
- 1:15:58Speaker 1: Dança com o Douro.
- 1:15:59Speaker 2: Harley Shake. In a minute, he... It rewinds. My head
- 1:16:02Speaker 2: is still working here. My head is fast, my body
- 1:16:06Speaker 2: is slower. But where did you want to go?
- 1:16:13Speaker 10: I like to say that my head is faster than
- 1:16:16Speaker 10: my body.
- 1:16:17Speaker 2: The head is still fast, the body is slower. Where
- 1:16:19Speaker 2: did you want to get with all this information? Let's
- 1:16:21Speaker 2: go back.
- 1:16:22Speaker 4: I did a rewind to say that at that time
- 1:16:23Speaker 4: it was really awesome. Because today you're going to do...
- 1:16:26Speaker 4: YouTube canceled the YouTube rewind because there's nothing to do.
- 1:16:28Speaker 2: It's going to give IB, it's going to put POV.
- 1:16:30Speaker 2: It's over, rewind. It's that today everything is niche, right, bro? Shorts.
- 1:16:34Speaker 2: Shorts is the only thing that gives subscribers today.
- 1:16:36Speaker 4: I posted a shorts there, it gave 50 million views,
- 1:16:38Speaker 4: a repost.
- 1:16:39Speaker 2: Then it gave 30 million subscribers. I said, man, fuck it.
- 1:16:42Speaker 2: He didn't like it. He didn't like it. He didn't
- 1:16:45Speaker 2: like it.
- 1:16:46Speaker 3: He didn't like it.
- 1:16:47Speaker 2: He didn't like it. He didn't like it.
- 1:17:09Speaker 4: Do you think the myth was the rules? I asked
- 1:17:11Speaker 4: him for a box and he didn't answer. I asked
- 1:17:12Speaker 4: him for a box and he didn't answer.
- 1:17:13Speaker 2: Let's change the box.
- 1:17:14Speaker 8: I asked him for a box and he didn't answer.
- 1:17:16Speaker 3: Explain to the people what changing the box is. Changing
- 1:17:18Speaker 3: the box was like this.
- 1:17:19Speaker 4: In your channel, you put the partner channels. You put
- 1:17:22Speaker 4: the person's channel there. And whoever subscribed to your channel,
- 1:17:26Speaker 4: I automatically subscribed to the people who were in the box.
- 1:17:29Speaker 2: It was kind of like... Automatic?
- 1:17:30Speaker 1: Yeah.
- 1:17:30Speaker 4: But the person ended up clicking unintentionally.
- 1:17:33Speaker 2: So it was a mechanism... It helped.
- 1:17:35Speaker 3: It helped a lot.
- 1:17:36Speaker 4: And it made YouTube grow a lot, right? Zé Graça
- 1:17:37Speaker 4: put me in his box and I got 10,000 subscribers.
- 1:17:39Speaker 4: I was 18 years old, I was in school, last
- 1:17:40Speaker 4: year of school. I got 10,000 subscribers in 15 days.
- 1:17:42Speaker 4: Then he took me out of the box.
- 1:17:43Speaker 2: Then I.
- 1:17:49Speaker 8: He gave me a taste of what life can be
- 1:17:51Speaker 8: on the internet.
- 1:17:51Speaker 7: That's crazy. He gave me 15,000 subscribers. He told me
- 1:17:54Speaker 7: to trade boxes with others.
- 1:17:55Speaker 4: I don't know if you subscribe to me. He said,
- 1:17:57Speaker 4: I liked your content, I'll give you this opportunity. He
- 1:17:59Speaker 4: told me, I'll take you out of the box. I
- 1:18:01Speaker 4: think it gave a nice result.
- 1:18:02Speaker 2: I said, man, I'm your fan. My name is because
- 1:18:04Speaker 2: of Zé Graça, man. Mítico Jorge. Mítico. Mítico.
- 1:18:07Speaker 7: It wasn't for me to create a channel, it was
- 1:18:10Speaker 7: for me to create an account.
- 1:18:11Speaker 2: I'm so old that it was to create an account
- 1:18:14Speaker 2: on YouTube to like his videos. That's cool.
- 1:18:16Speaker 1: It's almost a fan club.
- 1:18:18Speaker 2: Of Zé Graça. I was one of Bordão' s... Have you
- 1:18:21Speaker 2: talked about him here? No, not yet. You have to
- 1:18:23Speaker 2: call him. Zé Graça is a legend.
- 1:18:24Speaker 4: Zé Graça, the god of comedy, when he lost the channel,
- 1:18:27Speaker 4: I made a video to go back to his channel.
- 1:18:28Speaker 2: There was Zé Graça 2, Zé Graça 3, Zé Graça 4.
- 1:18:30Speaker 3: I remember a lot of things from YouTube.
- 1:18:34Speaker 2: Zé Bostola. Zé Bostola.
- 1:18:36Speaker 3: Do you remember? I'm Zé Bostola, I'm a thief in
- 1:18:40Speaker 3: Rio de Janeiro.
- 1:18:41Speaker 2: I don't remember that. Havaiana de pau, let's go back.
- 1:18:44Speaker 2: YouTube Poop.
- 1:18:46Speaker 1: It's George.
- 1:18:47Speaker 3: It's George, George, George, George.
- 1:18:49Speaker 2: Yeah, it's wonderful. From 2015 to 2017. It was a discovery.
- 1:19:03Speaker 2: Everything was crazy.
- 1:19:05Speaker 8: We participated in 2015. For me, 2010 was because I watched.
- 1:19:08Speaker 8: I was a spectator. So there was Felipe Neto, Oculos Escuros,
- 1:19:11Speaker 8: Phil Carr.
- 1:19:11Speaker 2: Cauê Moura, Kéfera, Felipe Neto. Hey, hey, guys.
- 1:19:14Speaker 3: Man, at that time I only followed Cauê.
- 1:19:16Speaker 2: The Vagazoides. Fumar. Vagazoides. Vagazoides I followed.
- 1:19:19Speaker 1: And Ronald Rios.
- 1:19:20Speaker 2: If you want to taste watermelon, you eat watermelon. A
- 1:19:22Speaker 2: lot of stand-up at the time was good, right, bro?
- 1:19:24Speaker 1: Did you watch the time of Guilherme Zayden back there?
- 1:19:26Speaker 6: Wow!
- 1:19:26Speaker 2: Guilherme Zayden, man.
- 1:19:31Speaker 6: Mr.
- 1:19:31Speaker 2: Guitar Man. Mr. Guitar Man.
- 1:19:50Speaker 3: Any one of you was very cool, bro. Like, let's
- 1:19:52Speaker 3: go to Moema, Chris's house. Let's go to Ted's house.
- 1:19:56Speaker 3: Today we're going to meet Mauro. My God, bro, today
- 1:19:58Speaker 3: the kids are going to Castanhara's house. I was like, bro,
- 1:20:01Speaker 3: that's cool. The vibe itself on the internet, there wasn't
- 1:20:03Speaker 3: so much hate either. There wasn't hate, everyone was.
- 1:20:05Speaker 2: Helping each other. Just the cool comments, it was very cool, man.
- 1:20:08Speaker 3: The excitement was, Júlio is going to come there and
- 1:20:10Speaker 3: he's going to show Saveiro.
- 1:20:11Speaker 2: He bought a Saveiro. And in the house you knew.
- 1:20:16Speaker 6: At that time, the internet was more niche. The internet
- 1:20:19Speaker 6: itself was more niche. And those who were on the
- 1:20:21Speaker 6: internet were the more creative people. The people who wanted
- 1:20:24Speaker 6: to connect with people.
- 1:20:25Speaker 2: Who made videos. The different ones. It was the different ones. Nowadays,
- 1:20:28Speaker 2: everyone is on the internet. Everyone has a cell phone.
- 1:20:29Speaker 6: Everyone has an account on Insta.
- 1:20:31Speaker 9: So I think it's a second moment. At that time,
- 1:20:33Speaker 9: the niche.
- 1:20:34Speaker 3: It was YouTube Brazil.
- 1:20:35Speaker 2: It was being on the internet. It was being on
- 1:20:37Speaker 2: the internet.
- 1:20:38Speaker 7: And you remember that people kind of made us feel
- 1:20:40Speaker 7: ashamed also for the.
- 1:20:41Speaker 2: Fact of us making videos, you know? For being on
- 1:20:44Speaker 2: the internet.
- 1:20:44Speaker 7: Because it was so different, right? Go there, make the videos.
- 1:20:47Speaker 7: Look at the shit he does, you know? People didn't
- 1:20:49Speaker 7: know what was going to turn out.
- 1:20:50Speaker 2: Everyone wants to be on the internet nowadays, right? Everyone
- 1:20:52Speaker 2: wants to be on the internet nowadays. No, everyone is
- 1:20:54Speaker 2: on the internet. Everyone is.
- 1:20:57Speaker 3: Like, the guy is a doctor, but if he doesn't
- 1:20:58Speaker 3: post on the feed... Everyone became an influencer.
- 1:21:01Speaker 2: Everyone, man. But at the time, there were 15 guys.
- 1:21:03Speaker 9: There were 15 crazy people.
- 1:21:05Speaker 2: Already?
- 1:21:05Speaker 3: No, everyone fit in the case you knew, man.
- 1:21:07Speaker 2: Yes.
- 1:21:07Speaker 1: Exactly.
- 1:21:08Speaker 2: Really?
- 1:21:08Speaker 1: Everyone there, yeah.
- 1:21:09Speaker 2: It was the whole internet, man.
- 1:21:11Speaker 3: It was everyone from the game, everyone from the vlog,
- 1:21:14Speaker 3: everyone from the challenge.
- 1:21:15Speaker 2: From the live. Everyone, Mítico. Man, that's crazy.
- 1:21:19Speaker 3: Mítico did live in Azubu.
- 1:21:20Speaker 2: In Zubo?
- 1:21:21Speaker 1: What was Zubo?
- 1:21:22Speaker 2: It was a live platform. I've done everything, man. You've
- 1:21:24Speaker 2: done everything, Mítico.
- 1:21:24Speaker 6: I used to watch Vida Mítica, man, from time to time,
- 1:21:27Speaker 6: because you appeared directly on Inhalta.
- 1:21:30Speaker 2: I appeared. Then there was no way to watch, man.
- 1:21:32Speaker 2: I remember there were only 8 videos on Inhalta.
- 1:21:33Speaker 6: Only.
- 1:21:34Speaker 2: It was a category, entertainment. Wow, and sometimes I saw
- 1:21:36Speaker 2: mine there in second, and it was like.
- 1:21:38Speaker 7: Some very crazy videos.
- 1:21:41Speaker 1: Who dominated.
- 1:21:42Speaker 2: Who dominated... HB20 Vermelho. HB20 Vermelho. In that time. 2010, 2011.
- 1:21:45Speaker 6: 2015.
- 1:21:45Speaker 2: 2015 dominated Rom... Romero Cossiello. Romero Cossiello.
- 1:21:48Speaker 8: Desce a letra ainda também.
- 1:21:49Speaker 2: O Anderson. O Anderson.
- 1:21:51Speaker 3: O Japa também, né?
- 1:21:52Speaker 2: Japa. Japa. Japa responde pra caralho. When they recorded with
- 1:21:58Speaker 2: Rafinha and Cauê, it was... Not Cauê, Rafinha and Castanhari.
- 1:22:01Speaker 1: Castanhari and Indica, right?
- 1:22:04Speaker 2: Yeah, Castanhari and Indica.
- 1:22:05Speaker 1: They made a joke at the beginning and then they
- 1:22:08Speaker 1: would answer.
- 1:22:09Speaker 2: A guy gave me a picture in Pânico. I recorded
- 1:22:11Speaker 2: a video with him.
- 1:22:12Speaker 1: In the closet?
- 1:22:12Speaker 2: Yeah, in the closet.
- 1:22:14Speaker 4: The next day, the producer of Pânico said, we saw
- 1:22:17Speaker 4: that your video blew up with him.
- 1:22:19Speaker 2: On the next day, it was 1 million.
- 1:22:21Speaker 8: We want to talk live about your video. I went there.
- 1:22:24Speaker 8: He said, don't you want to do this painting in Panic?
- 1:22:27Speaker 2: Emílio said, let's do it in Panic. Everyone wanted to
- 1:22:30Speaker 2: do it in Panic. It was crazy. There were eight
- 1:22:32Speaker 2: episodes of Torta na Cara. I didn't want to do it.
- 1:22:34Speaker 8: I did it with my father, with the guests.
- 1:22:36Speaker 2: Then Júlio went too.
- 1:22:38Speaker 3: Yeah, you opened the door for Juro and Pan. And
- 1:22:40Speaker 3: then I started recording with the guys.
- 1:22:42Speaker 2: You stayed there for a while. I was there for
- 1:22:44Speaker 2: a year, recording with the guys.
- 1:22:46Speaker 4: Then came this picture of the cake on my face,
- 1:22:48Speaker 4: then came the crush on Christian, because I had been single.
- 1:22:50Speaker 2: Wow, that's when I composed it.
- 1:22:51Speaker 3: A crush on Christian Figueiredo.
- 1:22:53Speaker 2: I saw it until the end, I saw the finalist,
- 1:22:55Speaker 2: I remember. The girl, reality. The other day, she was here,
- 1:22:57Speaker 2: she moves with the robot. She was there? Stephanie?
- 1:23:02Speaker 3: I don't remember her name. I think she has the tattoo.
- 1:23:03Speaker 1: It's here, man.
- 1:23:05Speaker 8: Look.
- 1:23:05Speaker 2: Here, look. The letter E.
- 1:23:07Speaker 8: I didn't remember that.
- 1:23:08Speaker 2: The logo of the painting and her S. That's cool.
- 1:23:10Speaker 2: That's crazy. Look at this. That's crazy. I remember that.
- 1:23:14Speaker 2: It was awesome. One day I was walking on the
- 1:23:17Speaker 2: street and the motoboy stopped next to me. I was like...
- 1:23:25Speaker 2: And I was scared, right?
- 1:23:26Speaker 8: Oh, brother, the paniquetes are delicious, my brother.
- 1:23:30Speaker 2: Oh, yeah. Oh, the picture is cool there, which one
- 1:23:33Speaker 2: are you going to get?
- 1:23:34Speaker 8: I was in the day that Motoboy recognized him and
- 1:23:35Speaker 8: said that.
- 1:23:36Speaker 2: All the time, it was all the time. And the
- 1:23:37Speaker 2: guys stopped on.
- 1:23:38Speaker 6: The side, accelerating.
- 1:23:40Speaker 2: E as paniquete?
- 1:23:41Speaker 8: E as paniquete, gostosa mesmo.
- 1:23:42Speaker 2: Era todo dia essa pergunta. É, é, é, gostosa.
- 1:23:46Speaker 1: Não, o Cris, ele virou um dos caras mais conhecidos
- 1:23:50Speaker 1: do Brasil na época, porque ele tava no Fantástico, ele
- 1:23:54Speaker 1: tava no Pânico.
- 1:23:55Speaker 2: Livro? Filme?
- 1:23:56Speaker 1: Ele tava no livro, ele tava no filme. It was
- 1:23:58Speaker 1: impossible not to recognize Christian. And he was the only
- 1:24:00Speaker 1: one who.
- 1:24:00Speaker 3: Was recording with people who were from TV.
- 1:24:03Speaker 2: Exactly. No one recorded with TV people. I was hot.
- 1:24:06Speaker 2: I was like Felka. I was hot. I sent DMs
- 1:24:07Speaker 2: to everyone. Portiolli, let's go. And people accepted.
- 1:24:09Speaker 8: And even today he says, thank you for.
- 1:24:11Speaker 2: Opening the door.
- 1:24:12Speaker 1: You were the first guy on.
- 1:24:13Speaker 2: YouTube that I recorded. I go live there.
- 1:24:15Speaker 8: Ten years later he says, thank you.
- 1:24:16Speaker 2: Thank you, Christian. Thank you, Christian. You're not crazy at
- 1:24:18Speaker 2: this time, are you? Because a lot of things were
- 1:24:20Speaker 2: happening in your life.
- 1:24:27Speaker 7: Like, go crazy, or if you go too far, or like.
- 1:24:32Speaker 2: Go crazy.
- 1:24:33Speaker 4: Ah, that's it, because I was robbed, it's like, it's
- 1:24:36Speaker 4: losing the... It's losing the reference, like, of who you're
- 1:24:39Speaker 4: putting in your bubble.
- 1:24:41Speaker 2: And I'm a very.
- 1:24:41Speaker 4: I don't know if you believe it, but... Energetically, you're
- 1:24:44Speaker 4: putting energies there that... That won't hit yours, and suddenly
- 1:24:47Speaker 4: you're being contaminated by these people. You're getting more tired,
- 1:24:50Speaker 4: you don't know why. Damn, suddenly there's a guy there
- 1:24:53Speaker 4: that you don't... You don't know them, sleeping in your house,
- 1:24:56Speaker 4: you say, fuck, I.
- 1:24:56Speaker 2: Woke up the next day.
- 1:24:59Speaker 9: Strangers in my house.
- 1:25:00Speaker 2: Yeah, strangers, and then I... That's too bad.
- 1:25:02Speaker 4: And then I had lost a little of the control of... Like,
- 1:25:04Speaker 4: the back of my life.
- 1:25:06Speaker 2: The thread of my life. The thread of my life.
- 1:25:08Speaker 4: And then I was feeling a little drained at that time,
- 1:25:10Speaker 4: because I was seeing the result of having connected with
- 1:25:13Speaker 4: a lot of people.
- 1:25:13Speaker 8: I was a friend of the promoter of the party,
- 1:25:15Speaker 8: I was.
- 1:25:15Speaker 4: A friend of the camera of the Panic show, of
- 1:25:18Speaker 4: the director, of Emílio, then I was in the ball room,
- 1:25:21Speaker 4: then I was in the room, I don't know who,
- 1:25:22Speaker 4: I was changing rooms, I was still going.
- 1:25:25Speaker 8: I was in the 220.
- 1:25:25Speaker 2: My body was tired. My body was 220 and my
- 1:25:27Speaker 2: head 220. Let's go, let's go. There was a day
- 1:25:29Speaker 2: that I went on six tours.
- 1:25:29Speaker 1: I was recording a.
- 1:25:30Speaker 2: Video in the afternoon. The night ended at the club.
- 1:25:32Speaker 1: After the club, there was an after.
- 1:25:33Speaker 8: I didn't go on tours with them. I couldn't stand
- 1:25:35Speaker 8: the rhythm of the guys.
- 1:25:36Speaker 2: He cursed. I went to the Villa Mix. I stayed
- 1:25:38Speaker 2: all night there. I stayed on the PC there. And
- 1:25:51Speaker 2: they were sending... They.
- 1:25:52Speaker 3: Were going to Vila Misa a lot.
- 1:25:54Speaker 2: I was sending Ted. We were three in the morning,
- 1:25:55Speaker 2: like this. We were in the corner, falling on the floor.
- 1:25:58Speaker 8: And Ted and I got Camaro. We had bought Camaro.
- 1:26:00Speaker 8: We got Camaro.
- 1:26:00Speaker 2: Camaro Amarelo. We went to Ribeirão. Where did we go? No, Ribeirão. Sorocaba.
- 1:26:04Speaker 2: New Year's Eve in Ted's house, I've been there. New
- 1:26:07Speaker 2: Year's Eve? New Year's Eve? It was, it was.
- 1:26:09Speaker 3: I swear I said, pay the tax.
- 1:26:12Speaker 2: Yeah, yeah. What New Year's Eve was this? New Year's Eve.
- 1:26:15Speaker 2: 2015 to 16. 15 to 16, right? It's been 10 years.
- 1:26:16Speaker 1: It was cool, this one, huh?
- 1:26:19Speaker 2: In your house?
- 1:26:20Speaker 1: No, it wasn't in my house.
- 1:26:21Speaker 3: No, Ted invited us. It was in his friend's house.
- 1:26:22Speaker 6: Ah, 2016?
- 1:26:22Speaker 2: We did a lot of things together, bro.
- 1:26:25Speaker 3: We did a lot of things together.
- 1:26:26Speaker 1: I was very, very present.
- 1:26:27Speaker 2: I loved when Igão was there.
- 1:26:28Speaker 1: He was very young, bro. When we went to Rio
- 1:26:29Speaker 1: to do the things of the campaign.
- 1:26:31Speaker 2: You guys were coca, right? Yes. But you were there too.
- 1:26:33Speaker 2: We used to fight against the brands. Against the brands.
- 1:26:45Speaker 3: I tried to call Júlio, but he didn't answer. He
- 1:26:47Speaker 3: knows he's live.
- 1:26:48Speaker 6: He'll call me and I won't be near his phone.
- 1:26:49Speaker 6: I had sent him a message, but he didn't answer.
- 1:26:51Speaker 6: He must be at his dad's. Last time I heard
- 1:26:53Speaker 6: he was here. Does he always come here? He comes
- 1:26:55Speaker 6: here a lot, but not so often.
- 1:26:56Speaker 1: But now he'll come more because of the show. Because
- 1:26:59Speaker 1: of the show. You're the only one who doesn't like F1, right?
- 1:27:01Speaker 1: He doesn't care.
- 1:27:02Speaker 2: He doesn't care. It's because I don't follow, I don't understand, bro.
- 1:27:16Speaker 2: Do you have something to say about Formula 1?
- 1:27:18Speaker 6: Why?
- 1:27:18Speaker 2: Do you have something? Ah, my partner, Max Verstappen. Ah. No, no, no, because.
- 1:27:21Speaker 3: Do it, do it.
- 1:27:22Speaker 2: It's cool, it's cool. We're competing, we're competing.
- 1:27:24Speaker 3: Bro, the thing is that I like it, I like
- 1:27:25Speaker 3: to follow and there's a simulator in the house.
- 1:27:28Speaker 2: I wanted to know.
- 1:27:28Speaker 3: You have? Ah, but not like yours. But you don't
- 1:27:30Speaker 3: even know what it is? Which one is yours?
- 1:27:36Speaker 2: No, but his is Pika. I know his is Pika.
- 1:27:38Speaker 3: Mine is Logitech, damn it.
- 1:27:40Speaker 2: Ah, the one from TED is a whole market there.
- 1:27:42Speaker 1: Look, here's the thing. Change the steering wheel. You like
- 1:27:45Speaker 1: to play Formula 1, don't you?
- 1:27:46Speaker 2: Yes.
- 1:27:46Speaker 1: Take the steering wheel from Logitech, which is a car
- 1:27:47Speaker 1: steering wheel.
- 1:27:48Speaker 3: No, my steering wheel is already from.
- 1:27:49Speaker 1: You bought it from Formula 1.
- 1:27:50Speaker 3: Yeah, but it's from Logitech, but from Formula 1.
- 1:27:52Speaker 2: It's round.
- 1:27:53Speaker 1: But this one is great too, to play. Yes, to play.
- 1:27:55Speaker 3: But I wanted to raise the competitiveness a little, but
- 1:27:59Speaker 3: it's hard.
- 1:28:00Speaker 2: It's too hard. Do you decorate the gears?
- 1:28:01Speaker 6: No.
- 1:28:02Speaker 3: Say that it's true.
- 1:28:02Speaker 2: Yes, yes, I decorate it.
- 1:28:04Speaker 1: It's kind of automatic. You know that in the curve there,
- 1:28:06Speaker 1: you'll have to enter second. It's not a sixth curve
- 1:28:08Speaker 1: that you accelerate.
- 1:28:09Speaker 6: Because the car is asking you to put more gears
- 1:28:11Speaker 6: or to take them off.
- 1:28:12Speaker 2: So, just by ear, you'll know. But it's a game
- 1:28:14Speaker 2: that you can't... For example....
- 1:28:22Speaker 3: Sometimes the video game is there on the second screen.
- 1:28:25Speaker 3: You're playing, pause, cell phone, I don't know what.
- 1:28:28Speaker 2: No, it's not possible.
- 1:28:28Speaker 3: To play Formula 1, you have to have headphones on,
- 1:28:31Speaker 3: I'm here. I'll stay an hour without talking to people.
- 1:28:34Speaker 9: If you're going to run a 25% race, we don't pause.
- 1:28:36Speaker 2: 25%, Igão, it's like 25%.
- 1:28:30Speaker 3: Online right you want to run with us I'm bad
- 1:28:31Speaker 3: I want to start sticking with you to learn.
- 1:28:54Speaker 2: Let's play. Let's play.
- 1:28:56Speaker 1: Do you play with the whole track or just the curves?
- 1:28:59Speaker 2: It's starting, apparently. It's starting, play.
- 1:29:00Speaker 1: It's starting like this.
- 1:29:01Speaker 3: It's been a while since I've played, but I haven't
- 1:29:03Speaker 3: played enough to the point of developing myself. So I
- 1:29:05Speaker 3: still use brake assistance, kind of low, but I use it.
- 1:29:08Speaker 3: But it's cool. When you take the ABS off, you'll
- 1:29:10Speaker 3: see that the car.
- 1:29:10Speaker 1: Will be amazing. It will be in your hand.
- 1:29:14Speaker 6: That's cool, this development, because you feel your evolution.
- 1:29:18Speaker 3: So, I want to go to your house so we
- 1:29:20Speaker 3: can talk like this, Igão, you're at this level here,
- 1:29:22Speaker 3: take this and this and try like this, you know?
- 1:29:24Speaker 3: To go little by little.
- 1:29:25Speaker 2: Ah, but you're his coach, right, Ted?
- 1:29:26Speaker 3: Yeah, the coach type.
- 1:29:27Speaker 2: I'm going to learn together. It's cool, man. I'm going together.
- 1:29:29Speaker 3: You're going to drive?
- 1:29:30Speaker 4: No, I'm looking at you guys there, taking a business.
- 1:29:33Speaker 2: No, but... Let's go, man.
- 1:29:34Speaker 9: It's been a while since.
- 1:29:37Speaker 2: We've seen each other. Let's go, let's go. Without working.
- 1:29:39Speaker 2: Every week we're sticking to his house. Every week. Two weeks.
- 1:29:42Speaker 1: Because he came back two weeks ago.
- 1:29:45Speaker 3: We don't want to be in drama, but invite us
- 1:29:47Speaker 3: to Vasco.
- 1:29:47Speaker 2: We'll do a little after Podpá tour. Let's do it.
- 1:29:50Speaker 2: 2015 tour.
- 1:29:51Speaker 3: Did you also set up the cockpit?
- 1:29:54Speaker 1: Almost.
- 1:29:54Speaker 7: I changed, but yesterday I was seeing about it that
- 1:29:57Speaker 7: I really want to have one.
- 1:30:00Speaker 2: You have a peak, right?
- 1:30:01Speaker 1: Now in the new house, I set up the professional,
- 1:30:04Speaker 1: let's say, which is with the screen here. The curved
- 1:30:07Speaker 1: screen here in front.
- 1:30:08Speaker 3: My dream was that.
- 1:30:09Speaker 2: The chair is inclined just like in Formula 1. It shakes.
- 1:30:12Speaker 1: No, don't shake, because those who shake, I've never seen
- 1:30:15Speaker 1: one that was so realistic, you know? It's not real.
- 1:30:19Speaker 2: So he's just going to shake to say that he shakes. Generic, right?
- 1:30:23Speaker 2: Like control shaking.
- 1:30:24Speaker 1: Any place will shake.
- 1:30:25Speaker 3: Because when we went to interview Max Verstappen, there was
- 1:30:29Speaker 3: the cockpit of Formula 1, which is the same as
- 1:30:31Speaker 3: the guys.
- 1:30:32Speaker 2: Simulator. Yeah, the simulator.
- 1:30:33Speaker 1: And it shakes?
- 1:30:35Speaker 2: No, it doesn't shake. Oh, okay.
- 1:30:36Speaker 3: But, man, if you hit it, you break your arm, man.
- 1:30:38Speaker 2: Yes. Because of the strength, right?
- 1:30:40Speaker 1: When you hit, you take your hand off the steering wheel.
- 1:30:42Speaker 2: That's right.
- 1:30:43Speaker 1: If you have your hand on the steering wheel, you
- 1:30:45Speaker 1: break your arm.
- 1:30:46Speaker 2: It's not entertainment, it's realism. It's from Fanatec. It's the
- 1:30:50Speaker 2: most expensive. And then he has the same responsiveness, right?
- 1:30:52Speaker 1: The weight of the steering wheel, man.
- 1:30:54Speaker 3: You can take it off if you want.
- 1:30:55Speaker 2: No, I swear I couldn't do the first curve. Man,
- 1:30:57Speaker 2: the guys.
- 1:30:57Speaker 3: It's painful, right?
- 1:30:58Speaker 9: But you went there and it was there that he trained?
- 1:31:01Speaker 2: How is that?
- 1:31:02Speaker 6: No, no, no.
- 1:31:02Speaker 2: It's that.
- 1:31:05Speaker 3: They stayed in the Palácio de Tangará.
- 1:31:09Speaker 2: You set up the studio there, right? I saw the
- 1:31:11Speaker 2: making-off of it.
- 1:31:12Speaker 3: We set up the studio there, it was very cool.
- 1:31:16Speaker 3: And there, in the hotel hall, there was a Formula
- 1:31:21Speaker 3: 1 car.
- 1:31:22Speaker 2: From Red Bull.
- 1:31:23Speaker 3: There was the Formula 1 official cockpit. So, we who
- 1:31:27Speaker 3: were having this access, we could go there and see.
- 1:31:30Speaker 3: So the guy said, it's one of those that Max
- 1:31:34Speaker 3: has on his plane. When he comes, he has one
- 1:31:37Speaker 3: of those on his plane. The guy breathes and runs inside.
- 1:31:39Speaker 2: It's because he runs another form of Formula 1. He
- 1:31:41Speaker 2: explained it to us.
- 1:31:42Speaker 3: I've seen him running in sports too, online and such.
- 1:31:45Speaker 3: He competes in sports too and wins.
- 1:31:47Speaker 2: He wins, he wins.
- 1:31:49Speaker 9: Do you play other Formula 1 games?
- 1:31:51Speaker 1: I play.
- 1:31:52Speaker 2: I'm playing Forza now. It's cool. It's very cool, man. Yes.
- 1:32:00Speaker 8: Force is a shot?
- 1:32:04Speaker 2: It's a run. It's a run.
- 1:32:05Speaker 3: It's Force 6.
- 1:32:06Speaker 2: No, I didn't say that. It's a run, Crisal. Force
- 1:32:09Speaker 2: is a shot. There's a great shot game, right? Force.
- 1:32:14Speaker 2: I don't know. I'm zero left in the game. No,
- 1:32:16Speaker 2: it's very cool.
- 1:32:16Speaker 3: You don't play anything?
- 1:32:17Speaker 2: Include him, include him. No, I'm listening here. I'm learning, man. No,
- 1:32:20Speaker 2: you don't play any game.
- 1:32:23Speaker 8: You don't play FIFA with Gael, which he likes to play.
- 1:32:26Speaker 2: I like to play idiot. Boomerang Fu. Boomerang Fu.
- 1:32:29Speaker 1: It's a very casual mini-game. That's what Chris likes.
- 1:32:34Speaker 2: It's kind of hallucinogenic. It's at the end of the night.
- 1:32:36Speaker 2: You play it at 11 or 12. It's great. Buy
- 1:32:38Speaker 2: the Switch. I love it. The Switch is awesome. Even
- 1:32:41Speaker 2: the Donkey Kong. Gael likes to play FIFA. Did you
- 1:32:44Speaker 2: see how Mauro talked about Chris' kids? The boys.
- 1:32:46Speaker 3: Gael gives gifts to the boys.
- 1:32:55Speaker 2: The boys will like it. The boys will like it.
- 1:32:57Speaker 3: Play the game for the boys.
- 1:32:58Speaker 2: Do your kids like it? Look, they liked it when.
- 1:33:02Speaker 3: I saw it last time.
- 1:33:03Speaker 2: It's been two years.
- 1:33:05Speaker 8: We don't go to Vinhedo that much. And they don't
- 1:33:07Speaker 8: come here, right?
- 1:33:07Speaker 1: They came to Vinhedo two years ago, but Nick liked them.
- 1:33:10Speaker 3: They made creamy eggs.
- 1:33:11Speaker 8: When we see them, they love it.
- 1:33:12Speaker 2: They're a figure, bro. How is the creamy egg? Nick
- 1:33:13Speaker 2: says creamy.
- 1:33:14Speaker 6: It's an egg that I keep stirring for a while
- 1:33:16Speaker 6: on low heat, and then it gets creamy.
- 1:33:24Speaker 4: So Nick was addicted to egg quemosão. So he would
- 1:33:26Speaker 4: wake up in the morning with his dad's quemosão.
- 1:33:28Speaker 2: Then I made quemosão for them. Croissant, quemosão.
- 1:33:32Speaker 1: Did you like quemosão? Chris is a good dad, man.
- 1:33:34Speaker 1: Because he has an absurd patience to make this egg, man.
- 1:33:37Speaker 2: Because he.
- 1:33:39Speaker 1: He gets very wet. He's on low heat for 5
- 1:33:41Speaker 1: or 10 minutes.
- 1:33:43Speaker 2: That's not why you're a good father.
- 1:33:44Speaker 3: I liked it because of the quemosão egg.
- 1:33:46Speaker 8: But quemosão egg is a good test of paternity.
- 1:33:49Speaker 2: Of patience. You fried your son because of quemosão egg.
- 1:33:52Speaker 2: It became a slogan.
- 1:33:53Speaker 1: For your son.
- 1:33:54Speaker 2: Is it still like that?
- 1:33:56Speaker 8: Now he likes fried egg, soft yolk.
- 1:33:58Speaker 4: If the yolk bursts, he gets angry. I'm creating a...
- 1:34:00Speaker 4: I'm creating a little jackan.
- 1:34:01Speaker 2: He likes goat cheese. You get it?
- 1:34:07Speaker 4: He eats crab cheese salad, he eats salad, Gael doesn't
- 1:34:10Speaker 4: like salad anymore, he likes hamburger.
- 1:34:11Speaker 2: Nick eats a tartar.
- 1:34:13Speaker 4: So I ask for a hamburger for Gael, Nick eats
- 1:34:15Speaker 4: a tartar of tuna, with 4 years of age.
- 1:34:17Speaker 3: Nick eats hamburger, french fries and futebol.
- 1:34:20Speaker 2: No, Gael. Nick eats tartar, champagne. He got sad that
- 1:34:25Speaker 2: he was going to ban foie gras in Brazil. Nick
- 1:34:27Speaker 2: read the article and said.
- 1:34:32Speaker 2: I'm so sad. I'll have to import from Spain. Now
- 1:34:34Speaker 2: I'm Roger. But do they have different personalities?
- 1:34:37Speaker 6: Totally.
- 1:34:37Speaker 2: Nick stays still.
- 1:34:38Speaker 4: I go to football with Gael. Nick stays by my side.
- 1:34:40Speaker 4: We watch Gael like this.
- 1:34:42Speaker 2: Go, bro!
- 1:34:43Speaker 8: Screaming like hell.
- 1:34:45Speaker 2: It's awesome. He's not from football. He's from another.
- 1:34:49Speaker 4: Eat, watch movies.
- 1:34:52Speaker 2: Eat, watch movies. He doesn't like school. He's Mauro's son.
- 1:34:56Speaker 2: He likes art.
- 1:34:56Speaker 8: Today he's very happy. He's very happy because it's holiday tomorrow.
- 1:35:00Speaker 2: I'm happy, happy, happy. Before I came here, I looked
- 1:35:02Speaker 2: for them. And Gael must be sad because he's retired.
- 1:35:05Speaker 4: I said, son, why are you so happy? Gael and
- 1:35:08Speaker 4: Gael won't have soccer on Saturday.
- 1:35:09Speaker 2: What makes Gael sad? Not going to soccer. And Nicky?
- 1:35:14Speaker 2: There's no goat cheese at home. Nicky's omelette has to
- 1:35:18Speaker 2: be in olive oil.
- 1:35:19Speaker 1: It's the personality of the two in two sentences.
- 1:35:21Speaker 4: Gael's is in butter and Nicky's is in olive oil.
- 1:35:24Speaker 2: Exactly.
- 1:35:28Speaker 3: Man, I'm totally Gael, right? I'm sure my son will
- 1:35:32Speaker 3: come all Nick.
- 1:35:34Speaker 4: But you keep creating this, like, you present the egg,
- 1:35:37Speaker 4: and you're going to caprichar one day, and you make
- 1:35:39Speaker 4: it creamy, and you present a good egg, and he
- 1:35:41Speaker 4: always wants that.
- 1:35:41Speaker 2: So you keep creating this.
- 1:35:43Speaker 4: So we present things to children, right? So he comes
- 1:35:45Speaker 4: with what he likes. So I think the more things
- 1:35:47Speaker 4: you present to children.
- 1:35:48Speaker 3: But who introduced football to Gael? Because you're not from football.
- 1:35:51Speaker 2: True, right? The school. He's not from football. He came saying, Dad,
- 1:35:54Speaker 2: I gave some dribbles today, we played football, I gave
- 1:35:56Speaker 2: some dribbles. And I said, ah... Show it to me.
- 1:35:57Speaker 4: Then he said, I'm learning the cartwheel.
- 1:36:00Speaker 2: Then he made the cartwheel. Ted doesn't know how to
- 1:36:02Speaker 2: make a cartwheel.
- 1:36:03Speaker 1: Of course I know.
- 1:36:04Speaker 2: If you get a ball, I'll do it now.
- 1:36:05Speaker 9: Dude, I didn't know you knew how to make a cartwheel, man.
- 1:36:08Speaker 2: I'll do it now. You're fucked. Oh, the light will
- 1:36:12Speaker 2: mess up there, Ted. Really, man. You went to talk, man.
- 1:36:15Speaker 1: I know how to do it.
- 1:36:15Speaker 2: If I knew how to play the ball there. Look there,
- 1:36:17Speaker 2: look there. Maybe at first it won't work, but look. Wow,
- 1:36:20Speaker 2: look at the danger, man. The camera is there, look.
- 1:36:27Speaker 6: That's the Brazilian jersey!
- 1:36:30Speaker 2: Exa is coming! Get out of there, Cris! He didn't
- 1:36:33Speaker 2: show it yet!
- 1:36:33Speaker 1: I didn't show it?
- 1:36:35Speaker 2: There you go! Exa is coming! What a big ass! Wait,
- 1:36:37Speaker 2: let me sit down!
- 1:36:38Speaker 1: You have a nice ass!
- 1:36:39Speaker 2: Do you know how to make carretilha, Cris? Do you
- 1:36:44Speaker 2: know how to enjoy the jam? I know, of course
- 1:36:46Speaker 2: I know!
- 1:36:47Speaker 1: But I do better with the creamy egg!
- 1:36:49Speaker 2: I do better! And you guys, do you want to
- 1:36:51Speaker 2: be a dad? No pressure. It was just a question
- 1:36:58Speaker 2: of desire. No, I don't have. I'll pass it to Ted, because.
- 1:37:02Speaker 1: He says more. I want to be a father.
- 1:37:05Speaker 2: I don't know if I'm prepared, but.
- 1:37:06Speaker 1: You would be a very cool father.
- 1:37:08Speaker 2: I think so, too, man.
- 1:37:09Speaker 1: Because I like to play.
- 1:37:11Speaker 2: I get along with... You're not a uncle. I am.
- 1:37:13Speaker 1: So, that's it, you know? Like... It's that now, it's awesome, right?
- 1:37:16Speaker 1: Living in São Paulo, my nieces in Ribeirão Preto. But
- 1:37:19Speaker 1: when we see each other, I have fun with.
- 1:37:21Speaker 3: Them, you know? We talk a lot.
- 1:37:22Speaker 2: Your parents will stay in Ribeirão forever, right?
- 1:37:24Speaker 1: Yeah, they don't want to leave there.
- 1:37:26Speaker 2: Because it's a nice place.
- 1:37:29Speaker 3: Liberão is wonderful, man. And they're there in 2015, right?
- 1:37:34Speaker 2: They're calm.
- 1:37:36Speaker 3: 2015 became a.
- 1:37:37Speaker 2: What was it? A state of mind.
- 1:37:39Speaker 3: A good state of mind. A state of mind.
- 1:37:41Speaker 2: They're there in 2015. Feeling like 2015. It's good to
- 1:37:42Speaker 2: let the old people there. It's a nice comfort for
- 1:37:45Speaker 2: them there. It's very comfortable.
- 1:37:46Speaker 1: There's no reason for them to leave there. I don't want...
- 1:37:49Speaker 1: Every time we're going there too.
- 1:37:54Speaker 1: I bring them here, my dad picks up the.
- 1:37:57Speaker 2: Cart and comes.
- 1:37:57Speaker 1: It's not far, two and a half to three hours.
- 1:37:59Speaker 9: Three hundred and twenty per hour.
- 1:38:01Speaker 2: Yeah, he runs like hell. What is that?
- 1:38:03Speaker 3: Seriously, seriously, seriously. Two and a half to three hours.
- 1:38:06Speaker 3: You look at Ted and you say, Ted is a
- 1:38:07Speaker 3: good boy and such.
- 1:38:09Speaker 2: I was a fast biker. I was scared. And I
- 1:38:11Speaker 2: ran like a car. Almost.
- 1:38:13Speaker 3: I ran inside the speed.
- 1:38:15Speaker 2: Allowed by traffic.
- 1:38:16Speaker 1: I mean that you like it.
- 1:38:18Speaker 2: I like it. I like it.
- 1:38:19Speaker 3: I'm always driving a kart. What was the car you
- 1:38:21Speaker 3: liked the most? that you had you said man this
- 1:38:28Speaker 3: car was the most annoying.
- 1:38:30Speaker 1: I had the most delicious the Audi TT is very
- 1:38:34Speaker 1: cool the Audi TT is convertible, you.
- 1:38:37Speaker 3: Know, remember when the sun broke, there was only one
- 1:38:41Speaker 3: seven digits.
- 1:38:42Speaker 6: But his was the youngest of all, right at the
- 1:38:43Speaker 6: time it was mine, I.
- 1:38:45Speaker 1: Don't know, it was like the year, you know, yes,
- 1:38:50Speaker 1: But it was really cool, because it was.
- 1:38:53Speaker 2: A hand-held car, very low.
- 1:38:54Speaker 1: After that, the most enjoyable car I drove was the
- 1:38:57Speaker 1: Ford Fusion.
- 1:38:58Speaker 2: You know? Damn!
- 1:38:59Speaker 1: Yeah, because it's low.
- 1:39:01Speaker 2: No, it's there.
- 1:39:02Speaker 3: It's there.
- 1:39:02Speaker 2: Cool, isn't it?
- 1:39:03Speaker 1: Of the ones I've already had.
- 1:39:05Speaker 2: Damn, you've already had it. Ford Fugue. White. I love it.
- 1:39:09Speaker 2: It's there, man. It's delicious, this car.
- 1:39:12Speaker 3: I met you guys from Yokota.
- 1:39:13Speaker 8: I thought you were going to say that it was
- 1:39:15Speaker 8: the BYD that you got now.
- 1:39:16Speaker 1: Ah, the BYD is a delight too. And it runs.
- 1:39:18Speaker 2: It's electric.
- 1:39:19Speaker 1: It's that stylish.
- 1:39:20Speaker 2: The answer is right on time. But you took a
- 1:39:22Speaker 2: wave with Veloster. With Veloster. This Veloster marked, right, Léo?
- 1:39:26Speaker 1: I sold the Veloster to Léo.
- 1:39:27Speaker 3: Do you remember me coming back from Jundiaí?
- 1:39:29Speaker 1: The aquaplaning there, that gave that... It sucked.
- 1:39:32Speaker 2: It sucked. I saw this cut.
- 1:39:33Speaker 1: It sucked. It was.
- 1:39:35Speaker 2: I saw.
- 1:39:35Speaker 3: Júlio Nassaveiro kicking Marcha and him on Veloster.
- 1:39:39Speaker 2: The two skated?
- 1:39:39Speaker 1: The aquaplaning? We were coming back from João' s house, Meu Mundo,
- 1:39:44Speaker 1: Minha Vida.
- 1:39:45Speaker 2: I think it was João' s.
- 1:39:45Speaker 3: We were there in Jundiaí.
- 1:39:47Speaker 1: We were there.
- 1:39:48Speaker 2: In João, Meu Mundo, Minha Vida. We were there in MMMV.
- 1:39:53Speaker 1: And then coming back.
- 1:39:54Speaker 2: Fuck, man, João.
- 1:39:55Speaker 1: It was raining.
- 1:39:56Speaker 2: Did you see the car or not?
- 1:39:57Speaker 1: No, it didn't hit, but the car came out of
- 1:39:59Speaker 1: the rear and gave a lot of shit.
- 1:40:02Speaker 4: You could not be here today.
- 1:40:04Speaker 2: Or at least hurt.
- 1:40:04Speaker 3: I flirted with it a few times.
- 1:40:06Speaker 2: It was, bro.
- 1:40:07Speaker 1: It was tragic.
- 1:40:08Speaker 2: What is this? What is this? The weather is so
- 1:40:11Speaker 2: bad here. It was very bad.
- 1:40:12Speaker 1: What was tragic... I remember many.
- 1:40:13Speaker 4: People who almost got in a car accident. Our generation
- 1:40:15Speaker 4: that counted the accidents. I don't even know if they
- 1:40:17Speaker 4: explained it.
- 1:40:18Speaker 2: I won't say the name. Do you remember? I remember.
- 1:40:20Speaker 2: A very famous one.
- 1:40:21Speaker 3: The one of Júlio do Whindersson.
- 1:40:22Speaker 2: One that caught fire. Ah, do Whindersson. Ah, have you
- 1:40:25Speaker 2: talked about it? No, but the news came out at
- 1:40:27Speaker 2: the time.
- 1:40:28Speaker 3: Ah, it came out, thank God. It didn't come out?
- 1:40:30Speaker 2: I don't know. His KZ4 caught fire.
- 1:40:32Speaker 1: It's a detail.
- 1:40:33Speaker 6: Okay.
- 1:40:33Speaker 2: Hey, Mítico.
- 1:40:33Speaker 1: Another tragic thing was on a plane trip of ours.
- 1:40:35Speaker 1: We were going to a city and.
- 1:40:39Speaker 1: The plane went to make that curve of his to
- 1:40:42Speaker 1: be able to land and there was a fall of 4,
- 1:40:45Speaker 1: 5 seconds.
- 1:40:45Speaker 2: I remember that to this day. Were you there? Leo
- 1:40:47Speaker 2: was also there. Man, Leo almost died. Because I had
- 1:40:49Speaker 2: never felt that. One thing is when it shakes. Turbulence.
- 1:40:53Speaker 2: It's turbulence, but it was a thing like this.
- 1:41:02Speaker 1: It was in the curve of the plane, he simply
- 1:41:05Speaker 1: lost the support and started to fall. It was about
- 1:41:08Speaker 1: 4 or 5 seconds of each free. Leo is traumatized
- 1:41:11Speaker 1: with the plane until today because of that.
- 1:41:14Speaker 2: It was absurd, man.
- 1:41:15Speaker 1: It was in Brazil, we were going to do some event.
- 1:41:17Speaker 1: And the pilot gave a save after what happened? He
- 1:41:18Speaker 1: didn't give a save, but after he landed.
- 1:41:27Speaker 1: The flight attendants went to the cabin, desperate, to understand
- 1:41:31Speaker 1: what was happening. They went to have a meeting afterwards,
- 1:41:33Speaker 1: to understand the shit that.
- 1:41:34Speaker 2: Happened, you know?
- 1:41:35Speaker 1: And when we looked at the flight attendants, they were
- 1:41:38Speaker 1: very worried at that moment, you know? It was like
- 1:41:42Speaker 1: a flash, because.
- 1:41:45Speaker 1: Everyone went to the side, you know? Really, like... It
- 1:41:48Speaker 1: was absurd. It shook everything.
- 1:41:51Speaker 2: It shook.
- 1:41:51Speaker 1: And I remember some flashes like that.
- 1:41:54Speaker 3: I looked at the airmen and they were in shock.
- 1:41:56Speaker 1: And that's when you start.
- 1:41:57Speaker 2: If they're in shock, then you have to be in shock.
- 1:41:59Speaker 9: And there are times when a lot of shit happens,
- 1:42:01Speaker 9: they're there like that, right?
- 1:42:02Speaker 3: Do you have any fear, Mauro?
- 1:42:03Speaker 2: I don't like it very much, bro.
- 1:42:06Speaker 1: And Mauro traveled the world.
- 1:42:07Speaker 9: He did the 7 Wonders.
- 1:42:08Speaker 2: I talked about this thing, bro, about this roulette. 7 Wonders.
- 1:42:11Speaker 7: I went to Petra.
- 1:42:14Speaker 2: But I think Petra is the most impressive. I don't
- 1:42:15Speaker 2: know any of them. Not even Christ the Redeemer. But
- 1:42:18Speaker 2: I think Petra must be Sei lá, parece uma vibe meio.
- 1:42:37Speaker 3: Caralho, tô no God of War. É, as pessoas lá, mano,
- 1:42:41Speaker 3: é tudo muito diferente.
- 1:42:42Speaker 6: É porque são castelos esculpidos em.
- 1:42:45Speaker 2: Montanhas, né, mano?
- 1:42:46Speaker 9: É um negócio assim gigantesco, né, de uma escala.
- 1:42:49Speaker 2: É muito grande. Então, aí foi 2017.
- 1:42:51Speaker 6: Eu peguei, fui viajando... And then I went to Machu Picchu,
- 1:42:55Speaker 6: I think in January. And then I thought, Machu Picchu
- 1:42:57Speaker 6: is one of the seven wonders. I think I want
- 1:42:58Speaker 6: to meet the others. Because I liked the feeling. Ted
- 1:43:01Speaker 6: went to Machu Picchu, right?
- 1:43:02Speaker 2: It's cool, right?
- 1:43:02Speaker 9: Visiting one of the wonders, right?
- 1:43:04Speaker 2: Yes. Because it's not just like a photo. It's like
- 1:43:07Speaker 2: all the experience until you get there.
- 1:43:08Speaker 6: It's the culture, it's the food, it's the people on
- 1:43:12Speaker 6: the street.
- 1:43:12Speaker 1: I remember you always.
- 1:43:14Speaker 3: Posted a photo.
- 1:43:15Speaker 2: With your hand like this, right? Oh, well remembered. What
- 1:43:17Speaker 2: was the second one? Man.
- 1:43:19Speaker 6: So I went to Machu Picchu, then in April I
- 1:43:22Speaker 6: went to China, I went to the China Wall.
- 1:43:24Speaker 2: Wow, the China Wall must be absurd. Very crazy, right?
- 1:43:27Speaker 2: So 2,000 kilometers, right? Cutting.
- 1:43:28Speaker 9: Then you see in several points of the country.
- 1:43:30Speaker 2: You went too, right?
- 1:43:30Speaker 1: I went to China, but I didn't go to the
- 1:43:32Speaker 1: China Wall. Oh, you didn't?
- 1:43:34Speaker 2: No.
- 1:43:34Speaker 1: It's near Hong Kong.
- 1:43:35Speaker 2: Beijing.
- 1:43:37Speaker 1: Exactly.
- 1:43:38Speaker 3: China must be absurd, man.
- 1:43:39Speaker 1: It's a lot. It was the most technological country I've
- 1:43:43Speaker 1: been to.
- 1:43:44Speaker 2: It's absurd.
- 1:43:44Speaker 3: The guys are in 2050.
- 1:43:45Speaker 2: It's bizarre. I think it's cool too.
- 1:43:47Speaker 1: There's a lot of light. There's no tall building. It's
- 1:43:49Speaker 1: all skyscrapers, practically. Man, there are those fairs on the
- 1:43:52Speaker 1: 30th floor.
- 1:43:53Speaker 2: Yes, man. It's like a floor there again, right?
- 1:43:56Speaker 3: It looks like you're on the plane, but no. You're
- 1:43:59Speaker 3: too tall.
- 1:43:59Speaker 1: It's on Shenzhen there.
- 1:44:01Speaker 2: Did you go to Shenzhen?
- 1:44:02Speaker 1: No, I didn't. We stayed there. What's the capital? I forgot.
- 1:44:06Speaker 2: Hong Kong, right?
- 1:44:07Speaker 1: No, no, no.
- 1:44:08Speaker 2: Shanghai.
- 1:44:08Speaker 1: I always forget Shanghai. We stayed there for a month.
- 1:44:11Speaker 1: The culinary is great.
- 1:44:12Speaker 3: I like Chinese food.
- 1:44:13Speaker 2: It's good. It depends.
- 1:44:14Speaker 1: I mean the Chinese food in São Paulo.
- 1:44:17Speaker 3: There were moments when we saw the head of an animal.
- 1:44:20Speaker 1: The bone of the head. And a meat for you
- 1:44:22Speaker 1: to eat. It's very peculiar, you know? There's a lot
- 1:44:31Speaker 1: of peculiar food there. So, from there, from Asia, the
- 1:44:35Speaker 1: food that I liked the most between China, South Korea
- 1:44:39Speaker 1: and Japan was South Korea.
- 1:44:42Speaker 2: Really?
- 1:44:42Speaker 9: Korean food is delicious, right? A Korean barbecue.
- 1:44:46Speaker 3: Everything is sweet.
- 1:44:47Speaker 2: Wow, barbecue. Wow, very good.
- 1:44:49Speaker 3: Wow, I love it too. It's all sweet.
- 1:44:51Speaker 2: Is that what we do?
- 1:44:52Speaker 9: The meat on the plate?
- 1:44:52Speaker 2: Ah, yes, yes. Ah, okay, it's true. This is Korean, man.
- 1:44:55Speaker 2: Korean barbecue. I love it, I love it.
- 1:44:58Speaker 3: Korean barbecue too. Nossa, eu gosto muito.
- 1:45:00Speaker 2: E aí a terceira.
- 1:45:01Speaker 6: Aí foi Muralha da China, aí no mesmo mês eu
- 1:45:04Speaker 6: tava na China, já comprei uma passagem e fui pro
- 1:45:05Speaker 6: Taj Mahal, na Índia.
- 1:45:06Speaker 2: Puta que pariu. Taj Mahal deve ser.
- 1:45:09Speaker 6: É, pica, é, porque é todo de mármore branco assim, né,
- 1:45:12Speaker 6: com pedras preciosas.
- 1:45:13Speaker 2: E qual que era a missão?
- 1:45:13Speaker 7: Você ficava uma semana ou você só ia via a...
- 1:45:18Speaker 7: And did you go away or did you have an
- 1:45:20Speaker 7: experience in India?
- 1:45:21Speaker 2: For example, in.
- 1:45:22Speaker 6: China I stayed 15 days. Then I got married on
- 1:45:26Speaker 6: the second day. And then I was making the content later.
- 1:45:30Speaker 6: But then, in the case of India, I stayed a
- 1:45:31Speaker 6: week in India.
- 1:45:32Speaker 2: What did you think, man?
- 1:45:33Speaker 6: I ended up going on the last day to Taj Mahal.
- 1:45:36Speaker 6: India is more complicated.
- 1:45:38Speaker 2: Like, for you... It's too much.
- 1:45:40Speaker 1: There's a lot of people, right?
- 1:45:42Speaker 2: There's a lot of people.
- 1:45:43Speaker 6: There's almost 2 billion people there. There's a lot of
- 1:45:46Speaker 6: people who are not registered.
- 1:45:48Speaker 2: Damn!
- 1:45:49Speaker 6: This number we have is people who are registered, but
- 1:45:52Speaker 6: there's a lot more who don't have a record, you know?
- 1:45:55Speaker 2: A lot, a lot more.
- 1:45:56Speaker 3: So it must be a chaos, the city itself, right?
- 1:45:58Speaker 3: Its operation, traffic, everything. I've never been to India, but
- 1:46:01Speaker 3: I want to go there.
- 1:46:02Speaker 2: I want to go there to eat street food. Ah,
- 1:46:05Speaker 2: the whole video, right? Those street fuckers.
- 1:46:07Speaker 1: Like Nova de Raiz.
- 1:46:08Speaker 9: I had a bad time with pepper there, bro.
- 1:46:11Speaker 2: Everyone says that, that you eat and shit yourself. The
- 1:46:13Speaker 2: hemorrhoid started in India. Oh, man. Hey, TV, bro.
- 1:46:16Speaker 1: Did you jump?
- 1:46:18Speaker 9: Because I love pepper, bro. But I thought I liked it.
- 1:46:20Speaker 2: But your hemorrhoid?
- 1:46:21Speaker 1: My hemorrhoid, right?
- 1:46:23Speaker 2: Hey!
- 1:46:23Speaker 3: I didn't know!
- 1:46:24Speaker 2: You didn't know about this hemorrhoid, did you? I didn't either.
- 1:46:27Speaker 2: It happens. But it's because I went to India, bro.
- 1:46:29Speaker 9: And like that, every meal.
- 1:46:31Speaker 2: I took pepper. I said, no, let's go, let's go, pepper.
- 1:46:33Speaker 6: Then, bro, it comes in a way, but then at
- 1:46:34Speaker 6: the time of leaving, it would destroy, bro.
- 1:46:37Speaker 3: Seriously?
- 1:46:38Speaker 2: It burned me like that.
- 1:46:39Speaker 9: But it was delicious, I loved it.
- 1:46:42Speaker 2: It was cool, it was worth it.
- 1:46:43Speaker 9: What were you asking about Taj Mahal?
- 1:46:46Speaker 3: What is Taj Mahal?
- 1:46:47Speaker 2: Is it a temple? What is it? It's a cemetery, bro.
- 1:46:49Speaker 2: It's a mausoleum.
- 1:46:51Speaker 6: I think the emperor is the one who told them
- 1:46:53Speaker 6: to build it. And then they built another tomb next
- 1:46:57Speaker 6: to it, which I think is his favorite princess.
- 1:46:59Speaker 2: And then he told them to build Taj Mahal, which
- 1:47:01Speaker 2: is a cemetery, a tomb, right? A mausoleum, right?
- 1:47:05Speaker 6: And there were 20,000 people who built it, with marble
- 1:47:08Speaker 6: and precious stones. And after he finished building it, he
- 1:47:11Speaker 6: told them.
- 1:47:11Speaker 2: To cut off everyone's hands.
- 1:47:12Speaker 1: Oh, crazy!
- 1:47:13Speaker 2: But why? To not build any more. To not build
- 1:47:15Speaker 2: any more.
- 1:47:15Speaker 6: And the plan was to build a Taj Mahal of
- 1:47:17Speaker 6: black marble on the other side of the river.
- 1:47:20Speaker 2: Damn, man.
- 1:47:21Speaker 3: So it's a mausoleum that shines, right? With these precious stones.
- 1:47:26Speaker 3: It shines, it's white.
- 1:47:27Speaker 6: When the sun hits, it's just what you see, white.
- 1:47:29Speaker 6: Then you go in there, there's nothing. It's just a
- 1:47:32Speaker 6: marble coffin. Then you walk in circles.
- 1:47:35Speaker 2: It's an empty space just for the coffin. Yeah. That's crazy, man. Continue,
- 1:47:41Speaker 2: what was the next one? Then I went to Petra.
- 1:47:43Speaker 6: Straight from India, I took the plane and went to Jordan, right?
- 1:47:47Speaker 2: How long did you stay there? I stayed there for
- 1:47:49Speaker 2: about 20 days, man. Or a lot, huh?
- 1:47:52Speaker 3: And you ate that goat head, right?
- 1:47:53Speaker 2: Goat head with rice, like that. When did you go?
- 1:47:57Speaker 2: It was in 2018. Did you record? I recorded. I'm
- 1:48:00Speaker 2: going to look, man, to see your experience in Jordan.
- 1:48:02Speaker 7: It's very light, like that. Because I went to the
- 1:48:04Speaker 7: Masai company. And it was Naguila, some stuff like that.
- 1:48:09Speaker 7: I went there, man, from Essence. And then I lived
- 1:48:12Speaker 7: a lot there, man.
- 1:48:13Speaker 2: Did you go to Israel? No. I only went.
- 1:48:15Speaker 7: To Jordan, Dubai, I swam in the Dead Sea, mixed
- 1:48:18Speaker 7: with lava there.
- 1:48:19Speaker 2: I was diving in the Dead Sea.
- 1:48:20Speaker 7: I was diving, trying to sink, and it doesn't sink,
- 1:48:23Speaker 7: not even fucking. You did it like that in the
- 1:48:25Speaker 7: water and put it like that in your mouth. With certainty.
- 1:48:27Speaker 2: It's bitter, right?
- 1:48:27Speaker 1: Wait, isn't it the river where the bodies stay there,
- 1:48:29Speaker 1: the dead bodies stay there?
- 1:48:31Speaker 2: No, this is the Ganges, there in India. It's the
- 1:48:33Speaker 2: Dead Sea because.
- 1:48:34Speaker 6: The Dead Sea is because there's a lot of salt
- 1:48:36Speaker 6: in the water, and if it doesn't sink, it survives there.
- 1:48:40Speaker 2: There's no fish.
- 1:48:40Speaker 3: I didn't go there.
- 1:48:42Speaker 1: I'll have to go there still, bro.
- 1:48:43Speaker 2: But you filled it with mud too?
- 1:48:44Speaker 6: I filled it with mud, I filled it with mud.
- 1:48:47Speaker 6: Then I went to Petra, in Jordan. Because you have
- 1:48:49Speaker 6: to get the car and go.
- 1:48:51Speaker 2: About 4, 5 hours in the desert, right? To get there.
- 1:48:55Speaker 2: Very crazy. I stayed in the desert there too. Like,
- 1:48:57Speaker 2: the guys make food. They take the animal, kill the animal,
- 1:48:59Speaker 2: make the food. Dig in the desert.
- 1:49:01Speaker 7: During the morning. Then leave the panela there in the desert,
- 1:49:05Speaker 7: in the hole. To have dinner at night.
- 1:49:07Speaker 2: I ate it.
- 1:49:08Speaker 3: It's fucking hot.
- 1:49:09Speaker 2: The heat of the desert cooks it.
- 1:49:11Speaker 6: And it becomes a soft meat, like the panela meat
- 1:49:14Speaker 6: that we.
- 1:49:15Speaker 2: Eat here melting. It's crazy, man. Then I arrived at night,
- 1:49:18Speaker 2: I went on foot.
- 1:49:18Speaker 6: By the time I got there, the guys were taking
- 1:49:21Speaker 6: the panela out of the desert.
- 1:49:22Speaker 2: That's cool. It's really cool. Did you ride a camel?
- 1:49:25Speaker 6: I rode a camel in Jordan. Man, it's a cool experience.
- 1:49:28Speaker 6: Jordan is also a cool country to visit. You went
- 1:49:29Speaker 6: to Qatar, right? It's cool there, the Middle East.
- 1:49:31Speaker 1: It's for the Cup, but I was quick.
- 1:49:33Speaker 2: You went too, right?
- 1:49:34Speaker 1: I hated it.
- 1:49:35Speaker 8: It's a ghost town, right?
- 1:49:36Speaker 6: Yes.
- 1:49:36Speaker 2: It's a ghost town.
- 1:49:38Speaker 1: It's kind of theatrical.
- 1:49:39Speaker 2: It's not theatrical, but it's all set up. It's like
- 1:49:43Speaker 2: a stage. There's nothing cultural. It's all set up. And then,
- 1:49:46Speaker 2: those who work get isolated in the corner. Yes, so
- 1:49:48Speaker 2: it's that.
- 1:49:49Speaker 3: It gives a vibe kind of.
- 1:50:17Speaker 6: You have to try more Middle East in Jordan and
- 1:50:20Speaker 6: eat some stuff like that.
- 1:50:21Speaker 2: I think I already ate a lot. Jordan is awesome.
- 1:50:24Speaker 2: Jordan is awesome.
- 1:50:25Speaker 6: Then Jordan, same year, you did it all in 2017.
- 1:50:28Speaker 3: Then it was in April.
- 1:50:30Speaker 1: I didn't even fart.
- 1:50:32Speaker 6: Then in June I went to Mexico. You went to
- 1:50:35Speaker 6: Chichen Itza too, right?
- 1:50:36Speaker 1: Chichen Itza.
- 1:50:37Speaker 2: There's the pyramid there of the Mayans. I think it was.
- 1:50:41Speaker 1: I don't remember 100%.
- 1:50:43Speaker 3: But I saw that it's a bit closed in the middle,
- 1:50:45Speaker 3: in the middle, right? It's a historical center there in Pará.
- 1:50:48Speaker 9: Yes, it's a historical center. It's a city that was already.
- 1:50:50Speaker 2: A village, right?
- 1:50:51Speaker 3: That recently had an attack there.
- 1:50:54Speaker 2: And this was in the time of the moon, right?
- 1:50:55Speaker 9: Then Titine said it's another, but it's all the same
- 1:50:57Speaker 9: role there.
- 1:50:57Speaker 2: I went there. In the city of Mexico. Did you
- 1:51:00Speaker 2: like it too?
- 1:51:01Speaker 9: I liked it.
- 1:51:02Speaker 6: The good thing about this is that the 7 Wonders
- 1:51:06Speaker 6: was something that happened in 2007.
- 1:51:08Speaker 2: I think.
- 1:51:08Speaker 9: They put 200 destinations as an option and it.
- 1:51:11Speaker 2: Was popular vote.
- 1:51:13Speaker 9: The people chose which are the 7 Wonders of the
- 1:51:15Speaker 9: modern world.
- 1:51:16Speaker 2: It was like that.
- 1:51:17Speaker 6: Which are the most complete places for you to visit.
- 1:51:19Speaker 6: It's like Estrela Michelin. So, you know, Estrela Michelin has
- 1:51:21Speaker 6: 3 stars. It means that it's worth it to make
- 1:51:23Speaker 6: a trip just to go to that restaurant. two Michelin
- 1:51:29Speaker 6: stars or a Michelin star is a place you have
- 1:51:32Speaker 6: to go to the place you have to go and
- 1:51:34Speaker 6: the other one is worth it you change your route
- 1:51:36Speaker 6: to go eat and go back to your route so
- 1:51:37Speaker 6: like each Michelin star is a level that you have
- 1:51:40Speaker 6: to go, you know, man, Michelin star restaurant is a
- 1:51:42Speaker 6: cool experience, obviously it's a little more salty, it's expensive,
- 1:51:46Speaker 6: but it's a man, it's another type, it's another type
- 1:51:49Speaker 6: of culinary experience, man, artistic, right?
- 1:51:50Speaker 2: Man, I was recently.
- 1:51:54Speaker 3: Man, there's a restaurant in Miami that we go to
- 1:51:57Speaker 3: that is from.
- 1:51:59Speaker 2: Korea Barbecue.
- 1:52:01Speaker 3: I think it's good as hell. I think it's 12
- 1:52:03Speaker 3: Estrela Michelin.
- 1:52:04Speaker 9: I think I've heard of this one, but it's famous, right?
- 1:52:07Speaker 2: It's good as hell.
- 1:52:08Speaker 3: It's 400... No, no, no. 300 dollars to eat there.
- 1:52:10Speaker 9: Don't there have some Formula 1 drivers that go there?
- 1:52:12Speaker 2: Man, I don't know. Okay, okay. I think I've seen
- 1:52:14Speaker 2: a video that someone said.
- 1:52:14Speaker 6: I know that there's a guy there cooking for you,
- 1:52:17Speaker 6: just the agui, the thing is very.
- 1:52:18Speaker 2: There was one in France with a carpet.
- 1:52:21Speaker 3: Wall that I really hated. We were three Michelin stars,
- 1:52:24Speaker 3: the only one in France. But I hated it.
- 1:52:27Speaker 2: It looked like a grandma's room.
- 1:52:29Speaker 3: Everything was carpet, I was allergic to it.
- 1:52:31Speaker 2: The food was very messy.
- 1:52:32Speaker 3: Only the little things.
- 1:52:35Speaker 1: The little things with cream.
- 1:52:37Speaker 2: I didn't like it.
- 1:52:38Speaker 3: Now that we went to Boston, it was also Japanese.
- 1:52:41Speaker 3: It was fucking good.
- 1:52:48Speaker 2: I don't remember the names, but... How many stars?
- 1:52:50Speaker 3: I think only one.
- 1:52:51Speaker 2: But it was very good. Look at this conversation. 2016,
- 1:52:53Speaker 2: how many stars? Now your dad will like me. Now
- 1:52:55Speaker 2: he's going to like it. If Wigão heard this conversation
- 1:52:57Speaker 2: in 2016, he would curse. I wouldn't curse.
- 1:52:58Speaker 3: He would curse.
- 1:52:59Speaker 2: YouTuber Tim, what kind of talk is this about Tim?
- 1:53:01Speaker 2: You talked about Wagyu.
- 1:53:11Speaker 1: I went there in Japan, in the city.
- 1:53:13Speaker 2: The real A5, A10, right?
- 1:53:14Speaker 1: In Kobe.
- 1:53:14Speaker 2: The city is called Kobe, right?
- 1:53:15Speaker 1: It's Kobe, from where the Kobe beef comes from. Which
- 1:53:17Speaker 1: is the Wagyu that we know. It's absurd how soft
- 1:53:25Speaker 1: this meat is.
- 1:53:26Speaker 2: Tasty. Tasty.
- 1:53:27Speaker 1: Marble, right? It looks like... Its consistency reminds me of
- 1:53:34Speaker 1: a goiabada.
- 1:53:35Speaker 2: Goiabada, right?
- 1:53:35Speaker 1: Goiabada.
- 1:53:37Speaker 2: Goiabada, right.
- 1:53:38Speaker 1: It's very tasty. But it's that. You can't eat a
- 1:53:41Speaker 1: lot because it's a lot of fat.
- 1:53:43Speaker 2: Yes.
- 1:53:43Speaker 1: That's why it's soft. Because it's a lot of fat.
- 1:53:45Speaker 2: 200, 300 grams, you're already satisfied. We went to a.
- 1:53:49Speaker 1: In a Wagyu restaurant. You can't eat a lot. You
- 1:53:52Speaker 1: can't hurt yourself.
- 1:53:53Speaker 3: You have to get a sashimi of meat from every place.
- 1:53:56Speaker 6: Exactly.
- 1:53:57Speaker 2: You have to taste it.
- 1:53:57Speaker 1: I'm going to finish the list.
- 1:53:59Speaker 3: Then there was Chichen Itza.
- 1:54:01Speaker 6: Then Christ the Redeemer, which is here in Brazil. Then
- 1:54:03Speaker 6: the Coliseum in Italy. The Coliseum is the easiest to
- 1:54:06Speaker 6: go to. Even the Christ the Redeemer is the hardest.
- 1:54:08Speaker 6: But did you go to the Coliseum? Yes, I went
- 1:54:12Speaker 6: with Ted.
- 1:54:17Speaker 2: We went there.
- 1:54:17Speaker 1: Now there's a museum at the Coliseum subway station. Did
- 1:54:20Speaker 1: you go back there? No, I didn't go back there yet.
- 1:54:23Speaker 1: But now the Coliseum is absurd.
- 1:54:26Speaker 6: It was and it's there again. Now the guys put
- 1:54:29Speaker 6: a portrait ceiling, right?
- 1:54:31Speaker 2: I don't know.
- 1:54:31Speaker 6: What was the best one in your opinion? For me, man,
- 1:54:35Speaker 6: I think Taj Mahal.
- 1:54:37Speaker 2: I was very impressed.
- 1:54:38Speaker 9: Very beautiful. Machu Picchu is also very cool, right? Machu
- 1:54:43Speaker 9: Picchu is very tall, man.
- 1:54:44Speaker 2: The guys made a.
- 1:54:46Speaker 1: Um condomínio ali na época.
- 1:54:48Speaker 6: Isso.
- 1:54:48Speaker 2: Em cima de uma montanha, assim, ó.
- 1:54:50Speaker 9: E é o lugar mais sagrado pra eles, assim, né?
- 1:54:53Speaker 6: Dos Incas, porque é onde tinha a melhor... The connection
- 1:54:56Speaker 6: with the sun and all the stars. The place on
- 1:54:59Speaker 6: top of a mountain, 3,000 meters, in Cusco. And you
- 1:55:03Speaker 6: can see everything in the condominium.
- 1:55:04Speaker 2: It's very beautiful. It's absurd.
- 1:55:07Speaker 1: If you want to do this, it's hard for you.
- 1:55:08Speaker 2: How do you do it?
- 1:55:09Speaker 1: To travel now, to see the Seven Wonders? I can
- 1:55:11Speaker 1: do it.
- 1:55:11Speaker 3: That's what kills me. But what you can do is
- 1:55:19Speaker 3: meet one, and after a while, you meet another.
- 1:55:22Speaker 6: Yeah, I saw it on your Insta, you're in the
- 1:55:24Speaker 6: United States, and suddenly you're in the Brazil game here,
- 1:55:27Speaker 6: and it's like, man.
- 1:55:28Speaker 2: It's just pipocando. It's pipocando, man.
- 1:55:30Speaker 3: But it's cheating, you know?
- 1:55:31Speaker 1: But you can sell the PodPay shares and enjoy life.
- 1:55:33Speaker 2: That's it. Would you do that?
- 1:55:41Speaker 3: No, I think that the bodipar... Obviously, I think that
- 1:55:44Speaker 3: if it was to continue in the same tone... Because
- 1:55:49Speaker 3: I think that one hour... We are independent until today,
- 1:55:52Speaker 3: but I feel that one hour this independence will hit
- 1:55:55Speaker 3: the ceiling. I think there is a ceiling. And then,
- 1:55:58Speaker 3: to get out of that ceiling, you need someone.
- 1:56:00Speaker 2: And then I wouldn't do a sale to.
- 1:56:02Speaker 3: Stop producing. Yeah, because I think Podipa works because it's
- 1:56:07Speaker 3: with us here. But I would do it like Jovem
- 1:56:10Speaker 3: Nerd and Azaghal, yes. To improve the product. Yeah, to
- 1:56:13Speaker 3: go further, to make even bigger content. Things like, I
- 1:56:16Speaker 3: don't know... We're writing a film with Netflix and scripting
- 1:56:19Speaker 3: a series for Globo. We want to do it for us, man.
- 1:56:21Speaker 3: But for that we need... 27 million, right?
- 1:56:28Speaker 2: Yeah, 27 million, right? But it's cool what you're doing, man.
- 1:56:32Speaker 2: We're doing everything, man.
- 1:56:33Speaker 3: We take risks, we're not afraid. Sometimes I see people
- 1:56:38Speaker 3: dropping a lot of notes, like, Mítico and Igão are
- 1:56:41Speaker 3: going to draw a program for Globo, and I see
- 1:56:43Speaker 3: people like, we're not afraid to do things.
- 1:56:46Speaker 1: But it's not about you?
- 1:56:48Speaker 3: No, never.
- 1:56:49Speaker 2: And neither are we, we're not going to appear. You're
- 1:56:51Speaker 2: just the producers, right? We're just writing. Top, top.
- 1:56:55Speaker 3: He's writing and producing.
- 1:56:57Speaker 2: But you guys are hardworking. No one knew?
- 1:56:59Speaker 7: No, because this article came out and people said, I'm
- 1:57:02Speaker 7: going to have a humor program, thinking that we're going
- 1:57:05Speaker 7: to present a humor program.
- 1:57:06Speaker 2: If we're going to do a fucking planet, no, for
- 1:57:08Speaker 2: the love of God. But you guys are hardworking, you
- 1:57:10Speaker 2: guys are there. No, you guys are here.
- 1:57:12Speaker 1: Until today, just growing.
- 1:57:13Speaker 2: It's a lot of effort.
- 1:57:14Speaker 1: A lot of team also helps a lot, there's no way.
- 1:57:16Speaker 3: But you know, imagine us, in a little while, Mauro
- 1:57:19Speaker 3: directing a movie, you can't go to TV.
- 1:57:21Speaker 2: I direct, man. A little series. That's what I'm talking about.
- 1:57:28Speaker 3: I wanted to do a project where only YouTubers participated.
- 1:57:31Speaker 3: For example, I'll do a track called Mauro Lucas, which
- 1:57:35Speaker 3: is really musical. I'll do an animation. Castanhari, come back
- 1:57:38Speaker 3: to animate just to do this. To be a total
- 1:57:40Speaker 3: YouTube product, you know? To show that we are good
- 1:57:43Speaker 3: as hell too. Let's do it.
- 1:57:44Speaker 2: If you want to scratch the pilot 1, we come there, bro.
- 1:57:47Speaker 3: We are in the energy to do things. I like
- 1:57:49Speaker 3: to tell people that we grew up doing vlogs, but
- 1:57:52Speaker 3: today we intend to do these things. Have our own audiovisual,
- 1:57:54Speaker 3: make our films, our series, our programs. You want to
- 1:57:56Speaker 3: do things that you would watch, right?
- 1:57:58Speaker 2: You pay a lot.
- 1:57:59Speaker 3: The internet asks for that, today the format.
- 1:58:09Speaker 2: You know? The format.
- 1:58:10Speaker 1: And the good thing is that now, man, YouTube is
- 1:58:13Speaker 1: being watched, at least in my analytics, 70% of the
- 1:58:16Speaker 1: public watches it on television.
- 1:58:19Speaker 2: That can be like that too.
- 1:58:20Speaker 4: Mine appeared there 40%, I posted 6 videos only.
- 1:58:23Speaker 2: Mine is returning, it's returning. But 40% I thought a lot.
- 1:58:26Speaker 2: I said, damn. No, it will go up.
- 1:58:27Speaker 3: The people today stop watching YouTube.
- 1:58:29Speaker 8: That's why people give less like, because there's no like
- 1:58:32Speaker 8: on TV.
- 1:58:33Speaker 2: Exactly. Subscribe less. Subscribe less.
- 1:58:35Speaker 3: I think YouTube has increased so much the quality that, man,
- 1:58:40Speaker 3: even videos that are just I don't know, a react.
- 1:58:42Speaker 3: I watch it on TV, bro. I don't watch it
- 1:58:43Speaker 3: on my phone.
- 1:58:43Speaker 2: I only watch it on TV. I don't watch it
- 1:58:45Speaker 2: on TV. I watch it on YouTube. I prefer to
- 1:58:46Speaker 2: watch it on TV, bro.
- 1:58:47Speaker 7: I'm starting to watch a video on my phone, then
- 1:58:50Speaker 7: I say like this, bro, it's cool, I'm going to
- 1:58:52Speaker 7: the TV.
- 1:58:53Speaker 2: This video is good, it deserves to be watched on TV.
- 1:58:55Speaker 2: It's kind of like that, you know?
- 1:58:57Speaker 6: And the things that go to TV directly have cuts
- 1:58:58Speaker 6: on YouTube already, so you just put it on watch later.
- 1:59:01Speaker 2: Yes.
- 1:59:02Speaker 1: YouTube, is it kind of like an open TV now?
- 1:59:04Speaker 1: Because people are watching on TV.
- 1:59:06Speaker 2: Yes. And then you have.
- 1:59:07Speaker 1: To be careful... sometimes with the things you say, because
- 1:59:11Speaker 1: it's not just the person who's watching, sometimes there's the
- 1:59:13Speaker 1: father of the person who's there.
- 1:59:14Speaker 3: Because YouTube is an open TV with the catalog open.
- 1:59:17Speaker 1: Exactly.
- 1:59:18Speaker 3: You know, like, I don't know, Globo, I like Jô
- 1:59:22Speaker 3: Soares talking to Mamonas Assassinas, but.
- 1:59:25Speaker 2: Where? Where am I going to find that? In my
- 1:59:26Speaker 2: house there's no TV.
- 1:59:27Speaker 3: The guy says, man, I want to see the video
- 1:59:29Speaker 3: of Ted's t-shirt, he'll find it, Reupado, somewhere he'll find it.
- 1:59:34Speaker 1: I love YouTube. That's why, man, I closed myself on
- 1:59:37Speaker 1: YouTube and I don't miss it.
- 1:59:38Speaker 3: I think it's the best social media, man.
- 1:59:41Speaker 2: The one that worked the most.
- 1:59:43Speaker 1: The platform that worked the most is YouTube.
- 1:59:46Speaker 2: And that's taking the TV audience away. The TV is
- 1:59:49Speaker 2: bothered by YouTube, too.
- 1:59:51Speaker 1: Video is on YouTube.
- 1:59:53Speaker 2: Video is on YouTube. Video is YouTube, man. That's it.
- 1:59:57Speaker 3: We're back. Hey, Tik Tokers, it's over, bro.
- 2:00:01Speaker 2: It's over. We're back. Tik Tokers, let's make videos on
- 2:00:03Speaker 2: YouTube too, bro. That's it.
- 2:00:05Speaker 1: Bring everyone to YouTube.
- 2:00:06Speaker 8: YouTube has become a Tik Tok too.
- 2:00:08Speaker 2: Shorts and everything.
- 2:00:09Speaker 1: Yes, there's the Tik Tok of YouTube. Which is where
- 2:00:12Speaker 1: it's really giving more subscribers. You're the one who passed
- 2:00:16Speaker 1: me this call. Post shorts.
- 2:00:18Speaker 3: Yeah, because YouTube wants to compete with TikTok, right, man?
- 2:00:21Speaker 3: So he's going to push.
- 2:00:22Speaker 2: Shorts, right?
- 2:00:22Speaker 6: To make it work.
- 2:00:23Speaker 4: I recorded with Jacquin for my Reels the day before
- 2:00:25Speaker 4: yesterday and posted it on Shorts.
- 2:00:27Speaker 2: It got half a million. I was like, damn, I'm pissed, man.
- 2:00:30Speaker 2: It works, man. If it doesn't get a million, 30,000.
- 2:00:32Speaker 2: He likes long videos, square ones.
- 2:00:35Speaker 4: Then the long one gets 140,000. 30 seconds, half a million.
- 2:00:37Speaker 4: I was like, damn, it's Shorts, man.
- 2:00:39Speaker 2: It's Shorts. Then it got 2,000 subscribers, Jacquin. I was like,
- 2:00:41Speaker 2: thank you, Jacquin. But this has to be a movement
- 2:00:43Speaker 2: of us to send the videos.
- 2:00:44Speaker 8: But you have to hug, you have to do everything.
- 2:00:47Speaker 8: Hit the ball, play fast, 4x8 is 7.
- 2:00:48Speaker 1: It's now.
- 2:00:48Speaker 3: The worst day they've lived together. Man, worst day?
- 2:00:52Speaker 2: Some job.
- 2:00:52Speaker 1: The guys woke up early, it.
- 2:00:56Speaker 9: Was boring to do, and we came back home.
- 2:00:58Speaker 2: Now no brand hiring anymore. That's right, never hire the
- 2:01:01Speaker 2: guys again. The guys hate jobs.
- 2:01:03Speaker 1: I don't know, man.
- 2:01:03Speaker 2: Best day they've lived together.
- 2:01:04Speaker 8: Best day, okay.
- 2:01:05Speaker 1: There are several, right? There are several.
- 2:01:12Speaker 2: It's a memorable day.
- 2:01:13Speaker 3: Okay, Crisão.
- 2:01:14Speaker 2: Let's see.
- 2:01:14Speaker 1: The three of us together. There's a lot of rola.
- 2:01:17Speaker 1: Look at the uncle.
- 2:01:18Speaker 2: Look at the uncle.
- 2:01:24Speaker 1: Mano, a gente fez a Coca-Cola juntos, tipo, lá no
- 2:01:28Speaker 1: Rio de Janeiro.
- 2:01:29Speaker 8: Ah, foi uma viagem gostosa.
- 2:01:30Speaker 2: Foi uma viagem gostosa.
- 2:01:31Speaker 3: Mas não foi a melhor, viu, Cris?
- 2:01:33Speaker 2: Ah, foi uma viagem gostosa. Foi uma viagem... Tem rolês
- 2:01:37Speaker 2: que não dá pra falar, né?
- 2:01:38Speaker 3: Melhor dia, mano.
- 2:01:39Speaker 1: Tem muitos anos de amizade, é difícil lembrar.
- 2:01:41Speaker 2: De que a gente jogou um passo-re-passa? Wow! It's true!
- 2:01:45Speaker 3: If you don't pass, I'll do it again.
- 2:01:46Speaker 2: It was cool, it was cool. We went, the three
- 2:01:48Speaker 2: of us.
- 2:01:49Speaker 1: Of course! I remember it was me and you.
- 2:01:51Speaker 2: You didn't go? No, I'll stay light. Pass or pass.
- 2:01:53Speaker 2: It was the best day of my life. Damn, Ted
- 2:01:55Speaker 2: doesn't even remember that you went.
- 2:01:56Speaker 1: No, I didn't go.
- 2:01:59Speaker 2: You wanted to remember things from party parties, like.
- 2:02:01Speaker 1: That you're thinking.
- 2:02:02Speaker 6: No, no, no.
- 2:02:02Speaker 2: It's the best day.
- 2:02:03Speaker 8: It's from Porto de Olhos, eating pie, whipped cream on
- 2:02:06Speaker 8: the face.
- 2:02:06Speaker 1: It's not possible.
- 2:02:07Speaker 2: It's the best day of your life. I'm able to
- 2:02:09Speaker 2: remember fast, bro. I'll get home and I'll see. No,
- 2:02:10Speaker 2: but I accepted.
- 2:02:11Speaker 3: Tell you with a little censorship. O melhor dia da trupe.
- 2:02:13Speaker 3: Foi uma festa?
- 2:02:15Speaker 2: Foi quando eu conheci o Ted.
- 2:02:18Speaker 1: Não você sabia? Mas o Mauro não tava. É. Caralho, mano.
- 2:02:23Speaker 1: É muito difícil, velho. Porque a gente sempre se diverte
- 2:02:26Speaker 1: meio que.
- 2:02:27Speaker 2: Próximo. De boa.
- 2:02:28Speaker 8: Caralho, é.
- 2:02:29Speaker 3: Diga algo para o outro sendo 300% sincero.
- 2:02:32Speaker 2: Caralho. Caralho.
- 2:02:35Speaker 3: Ah, você não faz isso.
- 2:02:35Speaker 1: Fala, Maurinho. Você que é o cara dos porcentos sinceros.
- 2:02:38Speaker 2: Tô pensando. Vamos lá.
- 2:02:39Speaker 3: Faça uma colocação sobre o Ted agora.
- 2:02:43Speaker 2: Ted. If you want.
- 2:02:46Speaker 1: If you want.
- 2:02:47Speaker 2: 300% honest.
- 2:02:47Speaker 4: 300% honest, he'd rather not have come back to Brazil,
- 2:02:49Speaker 4: to be isolated there.
- 2:02:50Speaker 2: He regretted it. He regretted it. He regretted it. He
- 2:02:52Speaker 2: regretted it. He regretted it. He regretted it. He regretted it.
- 2:02:55Speaker 2: He regretted it.
- 2:03:00Speaker 3: I think it's this way. He didn't want to go
- 2:03:02Speaker 3: back to Brazil?
- 2:03:03Speaker 2: I don't think so.
- 2:03:04Speaker 1: He regretted it.
- 2:03:05Speaker 2: I liked it. I liked to travel. He said he
- 2:03:06Speaker 2: got anxious. He increased the dose of the anxiolytics.
- 2:03:09Speaker 1: I don't have my anxiolytics.
- 2:03:10Speaker 2: He cut it.
- 2:03:11Speaker 1: I don't have my anxiolytics.
- 2:03:12Speaker 2: He cut it.
- 2:03:13Speaker 3: Chris has already got a son.
- 2:03:14Speaker 2: Anxiety.
- 2:03:15Speaker 3: It's like that, bro.
- 2:03:15Speaker 2: 300% honest.
- 2:03:16Speaker 1: Chris wants a son from Ted.
- 2:03:18Speaker 2: That's what he wants.
- 2:03:18Speaker 6: That's what he keeps saying all the time. Yeah, I
- 2:03:20Speaker 6: want him to be a father too.
- 2:03:22Speaker 1: He wants.
- 2:03:22Speaker 2: To change this little figure. No, because he already has
- 2:03:26Speaker 2: a room to be a father. I'm going to take
- 2:03:27Speaker 2: Gael to play. It's going to take a while, right?
- 2:03:29Speaker 2: You'll have 15, your son will have... Six.
- 2:03:31Speaker 1: You don't know.
- 2:03:32Speaker 2: I don't know when.
- 2:03:33Speaker 1: I'll give you a hint.
- 2:03:34Speaker 2: I think in the next five years. I played the cycle. Yeah,
- 2:03:37Speaker 2: that's a lot. Five years will come. I think so. Good, good, good. Yeah.
- 2:03:41Speaker 1: Yes, but I don't have anything to say.
- 2:03:43Speaker 2: You're being honest, man. So, say it.
- 2:03:45Speaker 3: Say it about Mauro, Christian. Are you okay?
- 2:03:48Speaker 2: About Maurinho? Yeah. No, 300% sincere? What is he thinking?
- 2:03:54Speaker 2: It's hard, right? You'll see. It's hard, like, in the
- 2:03:57Speaker 2: first talk. For him to go back to YouTube was
- 2:03:59Speaker 2: a pain.
- 2:04:02Speaker 4: I can't see anything negative about Mauro because they're in
- 2:04:05Speaker 4: the best phase. Ted is living his dream with his
- 2:04:09Speaker 4: future wife. I think he's living a calm moment, he's
- 2:04:12Speaker 4: more relaxed. Mauro also wanted to go back to the
- 2:04:14Speaker 4: internet with everything. He's much more socially communicative.
- 2:04:19Speaker 2: Yes, that's great. He's alive.
- 2:04:21Speaker 1: He's alive, everyone is alive. Mauro is producing content now.
- 2:04:24Speaker 1: Mauro never disappeared for us. But now we're seeing Mauro
- 2:04:28Speaker 1: more on the internet. That's good, bro.
- 2:04:31Speaker 6: To be 300% honest, I saw that people commented that
- 2:04:33Speaker 6: we're shippuden.
- 2:04:35Speaker 1: It's in the Shippuden version.
- 2:04:36Speaker 6: Prime.
- 2:04:36Speaker 2: It's in Prime.
- 2:04:37Speaker 3: Prime came now.
- 2:04:38Speaker 2: We said that the peak had passed. The peak is now. 6-7.
- 2:04:39Speaker 2: I thought it was.
- 2:04:40Speaker 1: 6-7.
- 2:04:40Speaker 2: Who released 6-7?
- 2:04:41Speaker 6: I sent a shocking phrase and the guy sent 6-7.
- 2:04:45Speaker 2: I thought about the cut.
- 2:04:48Speaker 1: I thought about a great show.
- 2:04:49Speaker 2: One that we don't need to censor. I remember when
- 2:04:50Speaker 2: you went to take the car with me. The first....
- 2:05:00Speaker 4: I bought a Camaro, which was his dream. I said,
- 2:05:03Speaker 4: let's take the car together. We left with the car
- 2:05:06Speaker 4: in Morumbi, with a gas wire.
- 2:05:09Speaker 2: It's over?
- 2:05:09Speaker 4: No, we stopped the car on the side of the globe,
- 2:05:12Speaker 4: in Marinho.
- 2:05:14Speaker 2: We left and went to get the gas.
- 2:05:17Speaker 1: It was funny. It was funny.
- 2:05:20Speaker 2: It was good because we got together.
- 2:05:22Speaker 4: Recording with Júlio Cossielo was cold in the belly?
- 2:05:28Speaker 2: He hated it. He hated it. He hated it. He
- 2:05:30Speaker 2: hated it. He hated it. He hated it. He hated it.
- 2:05:33Speaker 2: He hated it. He slapped me and then recorded it.
- 2:05:51Speaker 2: I went to sleep. I was the first to die.
- 2:05:53Speaker 6: Julio wanted to do the Ice Bucket Challenge at my house.
- 2:05:56Speaker 3: With cachaça.
- 2:05:57Speaker 6: But it wasn't a bucket of water. It was a
- 2:05:59Speaker 6: bucket of cachaça. He said, then we do it and
- 2:06:01Speaker 6: play in the pool. I said, it's a good idea.
- 2:06:03Speaker 6: We do it in the pool.
- 2:06:04Speaker 2: In the condominium pool? Didn't it suck?
- 2:06:06Speaker 9: Then I threw it in his head and a lot
- 2:06:08Speaker 9: of shit fell in the pool.
- 2:06:09Speaker 2: Then everything was fine. It took a year, man. The
- 2:06:12Speaker 2: people from the building discovered the video, man. Then the
- 2:06:14Speaker 2: guys went there to charge. I had to pay a fine.
- 2:06:17Speaker 1: It's a lie, it was a fine, man.
- 2:06:18Speaker 2: A year? A year. Because they find out, right? And
- 2:06:21Speaker 2: there was no way to lie. I said, it's true, man.
- 2:06:23Speaker 2: It was us who threw 51 in the pool, unfortunately.
- 2:06:25Speaker 1: And everyone swimming for a year there in the water,
- 2:06:28Speaker 1: with cachaça.
- 2:06:29Speaker 2: Curing in the fridge. It's great.
- 2:06:31Speaker 3: It's good, right?
- 2:06:32Speaker 2: This was to record with Júlio at the time. Yeah,
- 2:06:35Speaker 2: but I liked it.
- 2:06:36Speaker 1: I always liked to record with Júlio.
- 2:06:36Speaker 2: No, it was always good laughs. In the background, it
- 2:06:39Speaker 2: was fun. Yes, it was.
- 2:06:40Speaker 1: Nothing was set up. He took us out of the
- 2:06:42Speaker 1: comfort zone.
- 2:06:43Speaker 3: Júlio surfed... Júlio surfed.
- 2:06:45Speaker 2: It's true. That's right. And he surfed any wave, right? Yeah. Like,
- 2:06:49Speaker 2: with the gamers. With the funk. With rock. He's like Nirvana, right?
- 2:06:53Speaker 2: He was our Xuxa, bro. He is. He is.
- 2:07:02Speaker 6: By the way, in the 7x1, I was with Júlio
- 2:07:04Speaker 6: at the NHBAU FanFest.
- 2:07:06Speaker 2: In 2014.
- 2:07:06Speaker 6: Júlio and I were watching the big screen in the center.
- 2:07:10Speaker 2: Of São Paulo. There was a time when you guys
- 2:07:12Speaker 2: saw each other a lot. I think every week, right?
- 2:07:15Speaker 2: At that time of the World Cup, I think. In 2014?
- 2:07:17Speaker 9: Yeah, because we saw the World Cup together.
- 2:07:19Speaker 6: And in the 7x1, we were together, we scored three
- 2:07:21Speaker 6: goals and we said, let's go. Then we went to
- 2:07:24Speaker 6: the subway, made a big line, and the guys said,
- 2:07:26Speaker 6: you scored another goal. And when I left the subway
- 2:07:29Speaker 6: and came to the bakery, I scored another goal. I
- 2:07:31Speaker 6: was going home and Júlio was going to him.
- 2:07:33Speaker 3: Wow, you did horse attack.
- 2:07:35Speaker 2: At the events, right?
- 2:07:38Speaker 3: Yeah, I was Júlio' s camera.
- 2:07:40Speaker 2: XMA, BRMA, do you remember? I remember. You were in
- 2:07:43Speaker 2: all the events, right? Me and you. Yeah, we were
- 2:07:47Speaker 2: in all of them.
- 2:07:47Speaker 1: In the anime, I saw Mítico do.
- 2:07:50Speaker 2: Desbravar. Yeah, yes.
- 2:07:52Speaker 1: Tinha isso.
- 2:07:52Speaker 6: Tinha.
- 2:07:53Speaker 1: Quem que era?
- 2:07:50Speaker 3: Desbravar.
- 2:07:51Speaker 2: Yeah, yeah.
- 2:07:52Speaker 1: Do sarrada on stage.
- 2:07:53Speaker 2: Wow, remember?
- 2:07:54Speaker 3: Campinas.
- 2:07:55Speaker 2: There were guys who patented sarrada. I'm the owner of sarrada.
- 2:07:58Speaker 2: There was that. There was. Who was the owner of sarrada?
- 2:08:01Speaker 3: Dani Russo. Dani Russo was the owner of sarrada. A
- 2:08:04Speaker 3: wonder of the world, super esteemed.
- 2:08:06Speaker 9: Super esteemed?
- 2:08:07Speaker 1: Super esteemed?
- 2:08:08Speaker 2: Dude. Dude.
- 2:08:11Speaker 3: Will it be Christ?
- 2:08:12Speaker 2: No way!
- 2:08:14Speaker 9: But people say it's just a statue. I think it's cool,
- 2:08:16Speaker 9: I like it, I think it's beautiful.
- 2:08:17Speaker 1: It's because it's not as big as the other statues
- 2:08:20Speaker 1: we've seen.
- 2:08:21Speaker 2: It's not a construction.
- 2:08:22Speaker 1: But I think the sum of everything, him on top
- 2:08:25Speaker 1: of that mountain... I think so too. It's beautiful, right?
- 2:08:28Speaker 2: It's the beauty. But when you're there, you see the
- 2:08:30Speaker 2: best view of the river.
- 2:08:31Speaker 3: It's Jesus Christ here of stone blessing the paradise.
- 2:08:34Speaker 2: Exactly. It's true.
- 2:08:36Speaker 1: No, it's cool.
- 2:08:37Speaker 2: Chris is cool.
- 2:08:37Speaker 6: But I think for those who are gringos, I don't
- 2:08:40Speaker 6: understand that much.
- 2:08:40Speaker 2: Look, Taj Mahal, when you told me it was a mausoleum, I...
- 2:08:42Speaker 2: You thought it was overestimated.
- 2:08:45Speaker 3: Not overestimated, because I think it's a very beautiful thing,
- 2:08:46Speaker 3: but I say, fuck.
- 2:08:47Speaker 2: It's a... The plot is not so good. You thought
- 2:08:50Speaker 2: it was like a castle.
- 2:08:51Speaker 3: I thought it was a temple.
- 2:08:53Speaker 2: I also thought it was something like that. You get there,
- 2:08:56Speaker 2: there's nothing else.
- 2:08:57Speaker 3: Ah, it's the tomb of the man who cut the.
- 2:09:00Speaker 2: Arms of the guys. Fuck you, man. Is that it?
- 2:09:02Speaker 2: It's answered. We couldn't give a concrete answer. It's difficult.
- 2:09:06Speaker 2: Is this ball game difficult? Have you already left your
- 2:09:08Speaker 2: hands together? In the hand?
- 2:09:10Speaker 6: No. Already?
- 2:09:11Speaker 2: Against that guy? The three of us against that guy?
- 2:09:12Speaker 2: That he came out all crouched? Oh, it's true. He
- 2:09:15Speaker 2: came out of the club there? Yeah. Yeah, robbed. What
- 2:09:16Speaker 2: is this? We are fucked.
- 2:09:18Speaker 1: We didn't come out against him.
- 2:09:19Speaker 2: We came out together against a guy.
- 2:09:20Speaker 3: That's what I'm talking about.
- 2:09:22Speaker 2: Against a person. No, no, no.
- 2:09:23Speaker 3: No, but no, right?
- 2:09:24Speaker 2: No. Never, never, never. We never.
- 2:09:26Speaker 1: We ran away.
- 2:09:26Speaker 2: We ran away from the fight. The guys wanted to
- 2:09:28Speaker 2: fight in the club, I ran.
- 2:09:29Speaker 1: Now, Igão.
- 2:09:29Speaker 2: Igão fought?
- 2:09:32Speaker 1: Igão still makes jokes today. I don't even know, but
- 2:09:35Speaker 1: I know you used to make a lot of jokes.
- 2:09:38Speaker 1: You were a stressed guy, right?
- 2:09:40Speaker 2: You couldn't drink, right? They're inventing things about Igão. A
- 2:09:44Speaker 2: lot of neurosis.
- 2:09:45Speaker 3: Who would survive longer in BBB?
- 2:09:46Speaker 1: We talked about that, right?
- 2:09:47Speaker 2: Chris, right?
- 2:09:54Speaker 1: Chris is more of a chameleon, you know?
- 2:09:56Speaker 8: He's more of a network guy.
- 2:09:58Speaker 4: He said that the answer he gave on Mauro's channel was.
- 2:10:00Speaker 8: That I had more lips. I said, man, lips are
- 2:10:02Speaker 8: like falcatrua.
- 2:10:03Speaker 2: The guy has lips.
- 2:10:04Speaker 1: No, Chris is the guy from the network.
- 2:10:06Speaker 3: He was going to have four girls in there.
- 2:10:08Speaker 2: Two. Like Jonas. Two. I was going to be canceled. Why?
- 2:10:12Speaker 8: No, because I was like a kaffa gesto, a romp.
- 2:10:15Speaker 2: What is that? Do you think that about the others?
- 2:10:18Speaker 8: No, but four girls in the Big Brother who have
- 2:10:20Speaker 8: eight girls?
- 2:10:20Speaker 2: Did you stay with half of the house? It's part
- 2:10:22Speaker 2: of it. What is this? He's a German from that time.
- 2:10:24Speaker 6: I was going to make friends with two and call
- 2:10:27Speaker 6: myself Planta, right?
- 2:10:28Speaker 1: That's what we.
- 2:10:28Speaker 2: And what was your profile going to be? He's Planta, you're...
- 2:10:30Speaker 2: I was going to.
- 2:10:31Speaker 1: Make friends with everyone too and I was going to
- 2:10:34Speaker 1: be the guy who's on.
- 2:10:35Speaker 2: On... On.
- 2:10:36Speaker 1: On top of the wall.
- 2:10:37Speaker 2: He reached Generation Z. On top of the wall. On
- 2:10:39Speaker 2: top of the wall I was going to be.
- 2:10:40Speaker 1: Because I was going to be a friend of everyone,
- 2:10:42Speaker 1: you know? Everyone that I think is cool. In the
- 2:10:44Speaker 1: resistance tests.
- 2:10:45Speaker 2: I was going to be good.
- 2:10:49Speaker 3: I would.
- 2:10:50Speaker 2: I would. I would.
- 2:10:51Speaker 3: If the guys said, you have to stay here to
- 2:10:54Speaker 3: win a Palha, I would say, I will stay.
- 2:10:56Speaker 2: I will stay, yes.
- 2:10:57Speaker 3: Even more, Palha in a car? I would stay, yes, Cristian.
- 2:11:00Speaker 3: You would stay inside the Fiat Mobi, yes. I would
- 2:11:02Speaker 3: stay in the Mobi. You would, yes.
- 2:11:06Speaker 2: I don't know how long. You would, yes.
- 2:11:07Speaker 3: You would be like Rodriguinho.
- 2:11:09Speaker 2: Rodriguinho, I'm not going, I already have a car. He
- 2:11:13Speaker 2: said that. I'm not going to run to win a car,
- 2:11:16Speaker 2: I already have a car. People would be like, why
- 2:11:19Speaker 2: is he here?
- 2:11:20Speaker 1: I would go for competitiveness. Like, now we have to
- 2:11:23Speaker 1: win this. Since I'm here. Since I'm here. Not to
- 2:11:26Speaker 1: win the PVB, but to win the proof of resistance.
- 2:11:28Speaker 1: How many more are there? There's the last one.
- 2:11:30Speaker 2: What is it? Are you in a hurry? I'm going
- 2:11:32Speaker 2: to the bathroom.
- 2:11:33Speaker 6: Do you think it's worth it for me to go
- 2:11:34Speaker 6: or is it worth it for me to hold?
- 2:11:36Speaker 2: He wants to know if you're going to end the show.
- 2:11:39Speaker 2: I don't know if you understood. What's your vision? He's Japanese,
- 2:11:43Speaker 2: he stepped on.
- 2:11:44Speaker 3: Let me do the last one and then we'll go.
- 2:11:47Speaker 2: Okay.
- 2:11:47Speaker 6: Can I?
- 2:11:47Speaker 2: Hang on, hang on. Where are we going?
- 2:11:48Speaker 6: If you're thinking, it's really cool, I think it's worth
- 2:11:51Speaker 6: more than three hours.
- 2:11:52Speaker 2: It's really cool.
- 2:11:53Speaker 3: But we make three hours there.
- 2:11:55Speaker 2: Good, got it.
- 2:11:55Speaker 3: In your room.
- 2:11:56Speaker 2: I love his room. You met him there. I didn't
- 2:11:59Speaker 2: know his room. He has a room.
- 2:12:00Speaker 3: The doctor has a room too?
- 2:12:01Speaker 2: It's our room.
- 2:12:02Speaker 1: It's our room.
- 2:12:02Speaker 2: The host's room. Who's richer?
- 2:12:04Speaker 1: Ted, right?
- 2:12:04Speaker 2: I don't know.
- 2:12:11Speaker 3: I also think so. I would vote for Ted, too.
- 2:12:12Speaker 2: I don't know. The guy spent a year abroad. A
- 2:12:14Speaker 2: year abroad.
- 2:12:14Speaker 1: Los Angeles, Japan, Korea.
- 2:12:16Speaker 2: Yuan, Euro. He opened his YouTube channel. The guy spent
- 2:12:19Speaker 2: less money.
- 2:12:19Speaker 6: But Cris is a guy who's been making a lot
- 2:12:21Speaker 6: of money for a long time.
- 2:12:22Speaker 2: For a long time.
- 2:12:27Speaker 1: For a long time.
- 2:12:28Speaker 3: Mauro has so much money that he can.
- 2:12:30Speaker 2: Stop for 10 years. Exactly.
- 2:12:31Speaker 8: I think it's Mauro, because he stopped for a long time.
- 2:12:33Speaker 2: No, my business is the other way around. Actually, I
- 2:12:35Speaker 2: spend very little, you know? So I don't have this.
- 2:12:37Speaker 3: You don't need much.
- 2:12:38Speaker 9: I don't have employees, I don't have all these things
- 2:12:41Speaker 9: they need.
- 2:12:42Speaker 1: I think Cris is the guy who seems to have
- 2:12:43Speaker 1: more money. But I think that of this whole institution,
- 2:12:46Speaker 1: it's Victor.
- 2:12:47Speaker 2: Victor?
- 2:12:47Speaker 1: From Podpá?
- 2:12:48Speaker 2: The one who's winning the most, is that what you said?
- 2:12:52Speaker 2: It's the mythical. Is it a mythic? It's a mythic.
- 2:12:56Speaker 2: It's a mythic. It's a mythic. It's a mythic. It's
- 2:12:58Speaker 2: a mythic. It's a mythic. You have to be honest.
- 2:13:15Speaker 2: But what kind of publicity would you bring here together?
- 2:13:17Speaker 2: A boxing one. But you have to pay well.
- 2:13:20Speaker 8: Fight Music Show.
- 2:13:21Speaker 2: No, it has to be UFC.
- 2:13:23Speaker 9: UFC calling you to fight.
- 2:13:25Speaker 2: No, no. So, Engão, what's the figure? No. You don't
- 2:13:29Speaker 2: need to. It's about the meaning.
- 2:13:33Speaker 3: It's just for fun.
- 2:13:33Speaker 2: I'm kidding.
- 2:13:34Speaker 3: I just want to make you laugh, my friends.
- 2:13:36Speaker 2: Just to play, right?
- 2:13:37Speaker 1: Just to play, right?
- 2:13:38Speaker 2: No, Lucas Zoliotti. You like to play, right? I'm playing.
- 2:13:40Speaker 2: Let's go there and play. You have to laugh. You
- 2:13:41Speaker 2: have to make me laugh. Let's go. Let's make Faça
- 2:13:43Speaker 2: me laugh too? Let's do Me Here. Did you like it?
- 2:13:46Speaker 7: I loved it, I loved it.
- 2:13:47Speaker 2: Very good, man. Let's mark a little roll. Very good.
- 2:13:49Speaker 2: Podify Troop. Let's go, let's go, let's go. In his house.
- 2:13:52Speaker 2: In his house. Play in the simulator. For sure. It
- 2:13:54Speaker 2: took a while. I'm going with Júlio.
- 2:13:56Speaker 1: Go, go with Mítico too.
- 2:13:57Speaker 7: This is good, Igão saying, let's do it at your house.
- 2:14:00Speaker 2: Yeah, but it has to be at his house. It
- 2:14:02Speaker 2: has to be at his house. It has to be
- 2:14:03Speaker 2: at my house. Wow, Mítico has a great house too.
- 2:14:05Speaker 3: He has a great structure there.
- 2:14:06Speaker 2: He's got a good structure, right? Structural. Yeah, we're getting structured.
- 2:14:10Speaker 3: I want to make peace with your father.
- 2:14:12Speaker 2: Let's mark it too, I don't know, at my father's house. Yes,
- 2:14:14Speaker 2: a barbecue. Eat a pizza.
- 2:14:16Speaker 1: No, take him to Dom, because you like restaurant estrela, Michela.
- 2:14:18Speaker 2: Take him to Dom.
- 2:14:42Speaker 3: Se gostou, deixa o like, se inscreva no canal, siga
- 2:14:44Speaker 3: o Christian, siga o Ted, siga o Mauro em todas
- 2:14:46Speaker 3: as redes sociais, vão estar aí na descrição. Siga a
- 2:14:48Speaker 3: Trupe 87, vá na peça do Christian, dia 6 e 7.
- 2:14:51Speaker 8: 6 e 7 de junho, últimos ingressos, cola. Dia 6 esgotou, acho,
- 2:14:54Speaker 8: mas dia 7 tem ali.
- 2:14:55Speaker 2: Onde que acha o ingresso? No meu Insta. Build o
- 2:14:58Speaker 2: meu Insta, Christian _ _ fig.
- 2:15:00Speaker 3: Are you going to talk about the crisis of the 30s?
- 2:15:02Speaker 4: When we get to the 30s, the last 5 years
- 2:15:03Speaker 4: that they said I was in a mess, I'm going
- 2:15:04Speaker 4: to talk about what was happening.
- 2:15:06Speaker 8: Are you really going to talk about it?
- 2:15:07Speaker 2: I'm going to talk about everything. 300% honest?
- 2:15:08Speaker 3: 300% honest on stage.
- 2:15:09Speaker 2: I'm going to talk about what we're going to do
- 2:15:11Speaker 2: on that stage.
- 2:15:11Speaker 3: I'm going to talk about what we're not supposed to do.
- 2:15:14Speaker 2: I'm even afraid.
- 2:15:15Speaker 3: Give it a like, subscribe to the channel, follow them
- 2:15:17Speaker 3: on all social media, follow Podpah, get 10 million subscribers,
- 2:15:19Speaker 3: make me look.
- 2:15:20Speaker 2: Young, make me look old. You can go, man. Bye, guys.
- 2:15:23Speaker 2: Subscribe and get 10 million. Look, he went to take
- 2:15:26Speaker 2: the water out of the piece. Dignity. Mauro has a
- 2:15:29Speaker 2: piece that looks like a Havaian. Really? I'm going to
- 2:15:31Speaker 2: hold it for him then.
- 2:15:32Speaker 1: I'm going there.
- 2:15:56Speaker 2: Because he doesn't speak.
- 2:15:57Speaker 3: 6 out of 6 from Amazon.
- 2:15:58Speaker 4: If I were there, I would hold your hand and
- 2:16:00Speaker 4: turn you in the space of the old films.
- 2:16:02Speaker 5: She sat with her eyes closed and kind of believed
- 2:16:06Speaker 5: that she was in the country of wonders.
- 2:16:08Speaker 9: A new world awaits you in an audiobook.
- 2:16:12Speaker 2: Audiobook.