Latest / The conspiracy / The ASTROWORLD Tragedy_ CONCERT Or RITUAL
Transcript
- 0:00Speaker 1: We're read.
- 0:08Speaker 2: When it starts, you could see people just dropping like flies,
- 0:24Speaker 2: dropping like flies.
- 0:25Speaker 3: And their limp bodies had to be dragged out of
- 0:28Speaker 3: the crowd.
- 0:28Speaker 4: But things really escalated as Travis Scott took.
- 0:31Speaker 5: The stage and it was just like like a concert
- 0:34Speaker 5: from Hello.
- 0:47Speaker 6: The crowd raged.
- 0:48Speaker 7: Aiden prayed sorry for him to accept me into Heaven,
- 0:53Speaker 7: accepting him as my lord and savior.
- 0:55Speaker 6: In that moment a miracle.
- 0:56Speaker 8: Aiden says he locked eyes with a friend who dragged
- 0:59Speaker 8: him up from a pile of people unable to breathe.
- 1:02Speaker 8: Piles of people on the ground, some clawing on their
- 1:05Speaker 8: clothes as a lifeline, trying to get up so they
- 1:07Speaker 8: weren't trampled, pressed so close to strangers that you couldn't
- 1:10Speaker 8: lift your arms or turn your head. They were trapped
- 1:13Speaker 8: and helpless.
- 1:14Speaker 2: I was literally praying, and I was like, please get
- 1:17Speaker 2: me out of here.
- 1:17Speaker 9: This is not how I want to go.
- 1:20Speaker 6: Please picture yourself standing before the ancient Pyramids of Giza.
- 1:34Speaker 6: They're towering silhouettes looming against the blood red sunset, casting long,
- 1:39Speaker 6: eerie shadows across the desert sands. These colossal structures erected
- 1:43Speaker 6: over four thousand, five hundred years ago, have silently guarded
- 1:47Speaker 6: secrets of Pharaoh's gods and perhaps something far more sinister.
- 1:51Speaker 6: It was here amidst this haunting backdrop that superstar Travis
- 1:55Speaker 6: Scott planned a monumental concert to unveil his album Utopia
- 2:00Speaker 6: on July twenty eighth, twenty thirteen. The event promised to
- 2:03Speaker 6: blend modern music with ancient mystique, and people across the
- 2:07Speaker 6: planet were watching. This was exciting. Something of this scope
- 2:10Speaker 6: and scale had never truly been done before. After all
- 2:13Speaker 6: was said and done, ticket sales for the concert showed
- 2:16Speaker 6: that people were flying in from fifty four different countries
- 2:19Speaker 6: for this event, and it was almost a guarantee that
- 2:22Speaker 6: almost anyone with a social media account in the days
- 2:25Speaker 6: following the performance would see clips from the show. However,
- 2:29Speaker 6: ten days before the concert, when Travis's team showed up
- 2:32Speaker 6: at the site and attempted to gain access, they were
- 2:35Speaker 6: denied without explanation. The sun was beating down on them
- 2:39Speaker 6: and they were now working against the clock to get
- 2:42Speaker 6: this event set up. On day nine, they tried to
- 2:44Speaker 6: gain access to the site once again, and again officials
- 2:48Speaker 6: told them that they didn't have permission to be there,
- 2:51Speaker 6: And then suddenly, the Utopia release show was abruptly canceled.
- 2:55Speaker 6: The album release party had been abandoned, and the scrubbed
- 2:58Speaker 6: event was suddenly shrouded in whispers of forbidden rituals and
- 3:02Speaker 6: cultural clashes. What dark forces could have silenced the spectacle
- 3:06Speaker 6: before it even began. Travis Scott, a visionary known for
- 3:09Speaker 6: his electrifying performances in avant garde's stage designs, envisioned the
- 3:14Speaker 6: Pyramids as the ultimate stage for his Utopia album launch.
- 3:18Speaker 6: The concert had sold out in minutes, with fans worldwide
- 3:21Speaker 6: clamoring to witness history unfold at one of the seven
- 3:24Speaker 6: Wonders of the Ancient World. Yet, like I just mentioned,
- 3:27Speaker 6: only a few days before the event, after months of
- 3:30Speaker 6: rigorous planning, the Egyptian Musicians Syndicate, a local group from Egypt,
- 3:35Speaker 6: pulled the plug, declaring that Scott's performance would violate the
- 3:38Speaker 6: cultural identity of the Egyptian people. This sudden decision left
- 3:42Speaker 6: Van's reeling and ignited a firestorm of speculation across social
- 3:46Speaker 6: media platforms. The official explanation for the cancelation, as given
- 3:51Speaker 6: by the group in a written release, stated that the
- 3:53Speaker 6: event was canceled due to quote complex production issues, A
- 3:57Speaker 6: vague term that hinted at logistical hurdles in the desert setting.
- 4:01Speaker 6: But beneath this surface level excuse were darker allegations. The
- 4:05Speaker 6: Musicians Syndicate and their written release referenced peculiar rituals in
- 4:10Speaker 6: Travis Scott's shows, suggesting that these rituals clashed with Egypt's
- 4:14Speaker 6: societal values. In fact, one of the leaders of the Syndicate,
- 4:18Speaker 6: a man named Mustapha Camel, a lawyer, released a statement
- 4:22Speaker 6: after the show's cancelation which included the following wording, as
- 4:26Speaker 6: the Musician Syndicate is part of the fabric of our
- 4:28Speaker 6: beloved country. It works towards its stability and security, and
- 4:32Speaker 6: rejects any tampering with the societal values, customs, and traditions
- 4:36Speaker 6: of Egypt and the Arab world. After examining social media
- 4:39Speaker 6: opinions and feedback, as well as the news circulating on
- 4:43Speaker 6: search engines and social media platforms, which included authenticated images
- 4:47Speaker 6: and information about peculiar rituals performed by the star during
- 4:51Speaker 6: his performance, contradicting our authentic societal values and traditions, the
- 4:56Speaker 6: Syndicate's president and board of directors have decided to cancel
- 4:59Speaker 6: the license issued for hosting this type of concert, which
- 5:02Speaker 6: goes against the cultural identity of the Egyptian people. Immediately,
- 5:06Speaker 6: social media erupted with claims that Travis Scott's performances harbored
- 5:10Speaker 6: satanic or Masonic undertones, fueled by an online campaign that
- 5:14Speaker 6: painted him as a figure of occult influence. But where
- 5:18Speaker 6: did all these rumors really begin? While they can mostly
- 5:21Speaker 6: be attributed to the theories and videos that emerged in
- 5:24Speaker 6: the wake of the twenty twenty one Astra World tragedy,
- 5:27Speaker 6: where a deadly crowd crush was spun by conspiracy theorists
- 5:31Speaker 6: as a sort of demonic sacrifice, were these accusations mere
- 5:34Speaker 6: paranoia or did they hold the kernel of truth that
- 5:37Speaker 6: alarmed Egyptian authorities. The Astra World incident cast a long
- 5:41Speaker 6: shadow over Travis Scott's career, with TikTok and x platforms
- 5:45Speaker 6: awash with videos claiming that his stage designs like an
- 5:48Speaker 6: alleged upside down cross opened portals to help and I
- 5:52Speaker 6: remember this. Posts were popping up all across social media
- 5:56Speaker 6: stating that the Astra World tragedy was filled with overt
- 5:59Speaker 6: Masonic and occult symbolism. An Egyptian lawyer, Ammar Abdol Salaam
- 6:04Speaker 6: publicly denounced Travis Scott as a quote Masonic, satanic devil
- 6:08Speaker 6: worshiper end quote, amplifying the narrative that led to the
- 6:11Speaker 6: permit's revocation. But was this backlash rooted in cultural protection
- 6:15Speaker 6: or did it stem from fear of unleashing something uncontrollable
- 6:19Speaker 6: that a site steeped in esoteric lore. So what really
- 6:22Speaker 6: stopped Travis from performing at the Pyramids of Giza. Was
- 6:25Speaker 6: it a straightforward clash of cultures or did the authority
- 6:28Speaker 6: sense a deeper, more unsettling threat. Could the Pyramids, rumored
- 6:33Speaker 6: to channel ancient energies themselves, have been deemed too potent
- 6:36Speaker 6: a stage for Travis Scott's provocative artistry, or was this
- 6:40Speaker 6: all a misunderstanding driven by viral misinformation and the human
- 6:44Speaker 6: tendency to fear the unknown. Well to understand, we have
- 6:47Speaker 6: to go back to November fifth, twenty twenty one, in Houston, Texas.
- 6:57Speaker 6: On that day, the air at NRG Park in Houston
- 7:00Speaker 6: and Texas crackled with electric anticipation as fifty thousand fans
- 7:04Speaker 6: gathered for the Astro World Festival, headlined by hometown wrapper
- 7:08Speaker 6: Travis Scott. The crowd, a vibrant mosaic of young faces,
- 7:12Speaker 6: buzzed with excitement, many having waited years to experience Travis
- 7:16Speaker 6: Scott's high energy show. Earlier that day, chaos had foreshadowed
- 7:20Speaker 6: the night, when hundreds had stormed the festival gates at
- 7:23Speaker 6: two pm, trampling each other in a frenzied rush to enter,
- 7:27Speaker 6: even if they didn't have tickets. As night fell that night,
- 7:44Speaker 6: the stage lights flared, illuminating a towering set designed with
- 7:48Speaker 6: a mountain and a giant eyeball, a spectacle that promised
- 7:51Speaker 6: an unforgettable show. And despite the cool November breeze, the
- 7:55Speaker 6: heat from thousands of packed bodies created a stifling atmosphere
- 7:59Speaker 6: thick with the scent of sweat and adrenaline. The crowd
- 8:02Speaker 6: swayed and chanted, unaware of the nightmare about to unfold.
- 8:06Speaker 6: Wed This was meant to be a celebration, but it
- 8:20Speaker 6: would end in tragedy. At nine o two pm, a
- 8:29Speaker 6: countdown timer hit zero, and Travis Scott exploded onto the stage,
- 8:33Speaker 6: igniting the crowd with a deafening roar of cheers. The
- 8:41Speaker 6: pulsating base of the opening track reverberated through the crowd,
- 8:45Speaker 6: vibrating in the chests of every attendee. Travis Scott's voice
- 8:49Speaker 6: boomed over the speakers, urging the sea of bodies before
- 8:52Speaker 6: him to jump and rage. But as the music thundered,
- 8:55Speaker 6: a dangerous shift occurred from the back. A wave of
- 8:58Speaker 6: fans searched forward, desperate to get closer to their idol,
- 9:02Speaker 6: compressing those at the front against metal barriers, and within minutes,
- 9:06Speaker 6: the excitement turned to discomfort, then panic as the crowd
- 9:10Speaker 6: became an unyielding mass. Survivors like Zachary Scott later recalled
- 9:14Speaker 6: quote I couldn't breathe as the pressure crushed their rips.
- 9:18Speaker 6: The situation quickly spiraled into pure horror as the crowd
- 9:22Speaker 6: crushed intensified. By nine oh seven pm, the first nine
- 9:25Speaker 6: one one call reported distress.
- 9:27Speaker 10: We're having a structural issues that could be catastrophic and
- 9:30Speaker 10: we need everybody together. It's like the folks are coming
- 9:32Speaker 10: out of crowd, playing of difficulty breathing, pressing cup injuries,
- 9:36Speaker 10: things like the crowd is compressing. I could tell I
- 9:38Speaker 10: was on the delta size and I probably saw at
- 9:40Speaker 10: least four or five people pouring out of the crowd,
- 9:43Speaker 10: just trying to get away from the crowd. The conference
- 9:45Speaker 10: still going on, the crowd is compressing its desicit and
- 9:47Speaker 10: compressing and uh, you know the the intel we're getting
- 9:50Speaker 10: us that the the A barricade is might being compromised
- 9:55Speaker 10: or being compromised.
- 9:56Speaker 6: But the relentless music drowned out the screams of those trapped.
- 10:00Speaker 2: Too many people panic and that's when you started to
- 10:02Speaker 2: hear people like screaming, and you couldn't tell if it
- 10:05Speaker 2: was like you're screaming for Travis or you're screaming for
- 10:07Speaker 2: like you need help.
- 10:16Speaker 11: Wow, what.
- 10:32Speaker 3: Does see somebody in the dream?
- 10:33Speaker 4: Tell it?
- 10:33Speaker 2: Lights on?
- 10:37Speaker 12: Tell nice, I'll tell it nice song.
- 10:40Speaker 6: Thinking that's one.
- 10:41Speaker 9: Boy right there hanging in the tree, right there.
- 10:54Speaker 6: I just.
- 11:17Speaker 7: Turn off to Bob.
- 11:19Speaker 1: You worry leaving you already.
- 11:31Speaker 7: Before were you born?
- 11:44Speaker 3: I want to think it back both before you real quick.
- 11:49Speaker 1: Yeah, you either had your arms down or up. You
- 11:59Speaker 1: were just like doing this. You definitely weren't moving your arms.
- 12:01Speaker 1: You were here, were here. I had four to six
- 12:03Speaker 1: people touching me at all times. Probably felt like I
- 12:05Speaker 1: probably had fifteen to twenty pounds on my chest and back.
- 12:08Speaker 1: Whenever there would be a strong push from the back,
- 12:10Speaker 1: wheneveryone would go forward, I'd fall forward, and then whenever
- 12:12Speaker 1: that wave would come back, I would I would step back,
- 12:14Speaker 1: and I would be catching the person in front of me.
- 12:17Speaker 6: People gasped for air, their arms pinned, faces turning purple
- 12:21Speaker 6: from oxygen deprivation, as described by survivor Julius La Colpa.
- 12:26Speaker 6: Another survivor, Kya Retas, begged for help while being trampled,
- 12:30Speaker 6: covered in vomit from others, her life saved only by
- 12:33Speaker 6: a stranger's intervention. Desperate fans climbed camera platforms, waving frantically
- 12:37Speaker 6: to stop the show. But they're pleased for help, were ignored.
- 12:41Speaker 1: No, we're in there, brother, Set the fuck up exact.
- 12:45Speaker 13: People are fucking down thing in my life.
- 13:26Speaker 6: Some people collapsed, their bodies then trampled underfoot by the
- 13:29Speaker 6: obvious throng, while unconscious victims were crowdsurfed overheads in a
- 13:34Speaker 6: futile bid for safety. But even though all this was happening,
- 13:37Speaker 6: people were being crushed and killed, the thunderous music continued,
- 13:41Speaker 6: its pounding beats, a cruel counterpoint to the chaos below.
- 13:44Speaker 10: Hey has a medical and there's a lot of people
- 13:48Speaker 10: trembled and they're passed out at the front stage.
- 14:10Speaker 7: Now that crowded Super ten supermen go in there, the
- 14:13Speaker 7: ships be turned to an off rescue situation, and that
- 14:15Speaker 7: makes extremely for everyone. So right now, if you women
- 14:19Speaker 7: are good to them, does not try your mestment. Every
- 14:21Speaker 7: commands into the cloud to help out. Other than that,
- 14:24Speaker 7: be careful.
- 14:25Speaker 4: I was like, at this is like, this is not safe.
- 14:28Speaker 4: Like I started to notice. I look in front of me,
- 14:31Speaker 4: I see people flying. I look in the side of
- 14:33Speaker 4: I see my friends. They're yelling for help. They're saying,
- 14:36Speaker 4: we got to get out.
- 14:48Speaker 3: Mm hmm. I remember seeing this kid being carried out.
- 15:08Speaker 3: Normally you see people carried out, they're all nestled in
- 15:11Speaker 3: the person, or they got their arms or legs and
- 15:14Speaker 3: they're taking them out. I've never seen anybody carried out
- 15:17Speaker 3: the way that this kid got carried out. And it
- 15:22Speaker 3: looked like Dravis is trying to process it and try
- 15:26Speaker 3: to figure out what to do next.
- 15:32Speaker 1: It felt like a horror movie.
- 15:34Speaker 14: You see people going like this.
- 15:36Speaker 3: You can hear the screams.
- 15:38Speaker 10: You don't see this.
- 15:48Speaker 6: At ten twelve pm, the performance finally ended and the
- 15:51Speaker 6: stage lights dim, revealing a scene of pure devastation and terror.
- 15:59Speaker 6: Motionless by lay scattered across the ground, their faces etched
- 16:03Speaker 6: with the agony of their final moments. Medics rushed through
- 16:06Speaker 6: the crowd, performing CPR on victims like nine year old
- 16:09Speaker 6: Ezra Blount, the youngest to die that night. Ambulances, their
- 16:12Speaker 6: sirens piercing the night, struggled to navigate the dense crowd
- 16:16Speaker 6: to reach those in need. After all was said and done,
- 16:19Speaker 6: ten lives had been lost to compressive asphyxiation, a death
- 16:23Speaker 6: likened to being crushed by a car, With hundreds more injured,
- 16:27Speaker 6: The festival, intended as a joyous escape, had become a
- 16:31Speaker 6: graveyard of dreams, leaving survivors and their families scarred forever.
- 16:36Speaker 6: The tragedy sparked lawsuits and investigations, but no criminal charges
- 16:40Speaker 6: were ever filed, leaving many to question how such a
- 16:44Speaker 6: nightmare could unfold. Immediately after the end of the event,
- 16:49Speaker 6: people on social media began analyzing the footage, and they
- 16:54Speaker 6: began to claim that what they had witnessed that evening
- 16:57Speaker 6: wasn't a stage show, it was a human sacrifis of
- 17:00Speaker 6: demonic proportions, and pretty soon there were hundreds of thousands
- 17:04Speaker 6: of people discussing how Travis Scott had murdered ten people
- 17:08Speaker 6: that evening for his occult masters in an attempt to
- 17:12Speaker 6: ascend to a higher plane of consciousness. But was there
- 17:15Speaker 6: truth to any of this? Did any of these symbols
- 17:18Speaker 6: actually mean anything? Or were these just bizarre, baseless accusations. Well,
- 17:24Speaker 6: let me tell you there's definitely more here than meets
- 17:27Speaker 6: the eye. The stage design at Astro World twenty twenty
- 17:36Speaker 6: one was no ordinary set up. It was a spectacle
- 17:39Speaker 6: that seemed to draw from the depths of occult lore.
- 17:42Speaker 6: At the heart stood Utopia Mountain, a volcanic looking structure
- 17:46Speaker 6: with a massive eyeball that some have interpreted as having
- 17:49Speaker 6: represented the all Seeing Eye, a symbol tide to lucifer
- 17:53Speaker 6: and secret societies in occult traditions. Obviously, the all Seeing
- 17:57Speaker 6: eye has ancient roots, but many people really associate this
- 18:01Speaker 6: symbol with freemasonry. Just take a dollar bill from your
- 18:04Speaker 6: pocket and flip it around. Look at the back. What
- 18:07Speaker 6: do you see the all Seeing Eye. I'll discuss all
- 18:09Speaker 6: of this in a later video, but just know that
- 18:12Speaker 6: it's only going to get weirder from here. The stage
- 18:14Speaker 6: itself was formed in a pretty peculiar shape. When viewed
- 18:18Speaker 6: from above, the stage appears to be an upside down
- 18:21Speaker 6: cross or crucifix, obviously a symbol commonly associated with Satanic
- 18:26Speaker 6: practices or anti Christian beliefs. Now, one can argue that
- 18:30Speaker 6: this represents the Saint Peter's Cross, which isn't Satanic, but
- 18:33Speaker 6: we aren't really going to dive into all of that now.
- 18:36Speaker 6: One important distinction here is to make note of the
- 18:38Speaker 6: fact that if you were in the audience looking towards
- 18:41Speaker 6: the direction of the stage, the cross was oriented that
- 18:44Speaker 6: evening so that it would be upside down, meaning that
- 18:48Speaker 6: if this really was some sort of a symbol meant
- 18:50Speaker 6: to evoke some sort of a presence or energy, it
- 18:53Speaker 6: was intended to be seen and interpreted as an inverted
- 18:57Speaker 6: cross on stage. There was also throughout the show a
- 19:01Speaker 6: spiral portal glowing with an otherworldly light, which appeared within
- 19:05Speaker 6: the mountain, accompanied by the chilling phrase see on the
- 19:08Speaker 6: other side. Some users online have likened these portal like
- 19:12Speaker 6: visuals seen on stage to be reminiscent of a stargate
- 19:15Speaker 6: or a gate referenced in some ancient occult beliefs that
- 19:19Speaker 6: supposedly connects our world with the astral plane. In imagery
- 19:22Speaker 6: associated with freemasonry, we constantly see references to the stars
- 19:27Speaker 6: and can observe various celestial motifs, and one of the
- 19:30Speaker 6: most infamous and mysterious symbols of freemasonry itself is the arch.
- 19:36Speaker 6: The arch is said to represent an arch found underneath
- 19:39Speaker 6: the biblical Temple of Solomon before a vault. I should
- 19:43Speaker 6: note here that the Temple of Solomon in the last
- 19:45Speaker 6: few centuries has become a somewhat infamous location found within
- 19:49Speaker 6: biblical texts, and that's thanks to works like The Testament
- 19:53Speaker 6: of Solomon, a non canonical work from the first fifth
- 19:56Speaker 6: century CE, and the magical work The Lesser Key of Solomon,
- 20:00Speaker 6: works which describe King Solomon as having had power over demons,
- 20:04Speaker 6: using a magical ring to control them for tasks like
- 20:07Speaker 6: building the temple. The Lesser Key of Solomon is an
- 20:10Speaker 6: incredibly compelling book also known as Lemegatin Claviculus Solemonis, and
- 20:16Speaker 6: is a seventeenth century grim noir or magical how to
- 20:20Speaker 6: book attributed to King Solomon, which compiles five books on
- 20:23Speaker 6: demonology and ritual magic. The book details the process of summoning, binding,
- 20:29Speaker 6: and controlling seventy two different demons, each with specific ranks, powers,
- 20:34Speaker 6: and sigils, as well as instructions for creating magical tools
- 20:37Speaker 6: and performing rituals. The text, likely a product of European
- 20:41Speaker 6: occult traditions rather than Solomon himself, blends Jewish, Christian and
- 20:46Speaker 6: mystical occult elements to guide practitioners in their processes of
- 20:50Speaker 6: invoking supernatural entities. So whenever I see the Temple of
- 20:54Speaker 6: Solomon referenced in tandem with Freemasonry, knowing connections and works
- 20:59Speaker 6: like these always raise an eyebrow, and it begs the question,
- 21:03Speaker 6: could the Masonic arch be some sort of an allusion
- 21:05Speaker 6: to a stargate of sorts, a gait one can pass through,
- 21:09Speaker 6: whether physically or metaphorically, that would connect one with the Godhead,
- 21:13Speaker 6: whatever that may be. And could the use of this
- 21:15Speaker 6: imagery by Travis Scott have been a mere artistic flourish
- 21:19Speaker 6: or was it a deliberate nod to a darker narrative.
- 21:22Speaker 6: The imagery, combined with the festival's chaotic energy, set the
- 21:25Speaker 6: stage for a night that would leave an indelible mark
- 21:28Speaker 6: on all who witnessed it. Amidst the chaos of the
- 21:31Speaker 6: night at Astro World, large flames licked the nighttime skies,
- 21:35Speaker 6: huge violent looking spirals of flame which seemed to reach
- 21:39Speaker 6: up from the pits of Hell towards the dark Texas sky.
- 21:42Speaker 6: Was this imagery meant to evoke visions of Hell in
- 21:45Speaker 6: the viewer? Well, there could even be darker explanations than that.
- 21:50Speaker 6: Aleister Crowley, once known as the Wickedest Man in the World,
- 21:53Speaker 6: is one of the most infamous occultists of all time.
- 21:56Speaker 6: Aleister Crowley was an English occultist, writer, and mountaineer who
- 22:00Speaker 6: gained notoriety for founding the mystical philosophy of Thelema, centered
- 22:04Speaker 6: on the principle do what thou wilt shall be the
- 22:07Speaker 6: whole of the Law. Born into a wealthy Christian family,
- 22:10Speaker 6: Alistair rebelled against his upbringing, studying esoteric traditions and joining
- 22:15Speaker 6: groups like the Ramatic Order of the Golden Dawn before
- 22:18Speaker 6: forming his own magical order, the AA. Crowley authored influential
- 22:23Speaker 6: works on magic, including The Book of the Law, and
- 22:26Speaker 6: his provocative lifestyle, marked by drug use, sexual experimentation, and
- 22:30Speaker 6: public scandals, made him a controversial figure, dubbed the Wickedest
- 22:35Speaker 6: man in the world. Alistair was a pioneer in the
- 22:37Speaker 6: world of the occult and the texts that he penned
- 22:40Speaker 6: and rituals that he created are still being read and
- 22:43Speaker 6: implemented across the world to this very day. And in
- 22:46Speaker 6: the belief systems of Crowley, fire itself is an incredibly
- 22:50Speaker 6: important element. Also, I want to add in here. I
- 22:53Speaker 6: studied the occult in college. I had a professor who
- 22:56Speaker 6: was obsessed with Alistair Crowley and chronicling his head history,
- 23:01Speaker 6: and he pronounced it Crowley. He said that Crowley is
- 23:04Speaker 6: the correct pronunciation. I know people are going to be saying, oh,
- 23:07Speaker 6: it's Crowley, but let me tell you. From studying this
- 23:09Speaker 6: at university, I was told from somebody who has spent
- 23:12Speaker 6: his life researching this man, that it is Croley. But
- 23:15Speaker 6: before we get into Crowley, you have to understand alchemy.
- 23:19Speaker 6: Alchemy is an ancient occult practice that blends mysticism, protoscience,
- 23:23Speaker 6: and philosophy, primarily aiming to transmute based materials into gold
- 23:28Speaker 6: and discover the elixir of life for immortality. Practitioners active
- 23:32Speaker 6: from antiquity through the Renaissance used symbolic rituals, laboratory experiments,
- 23:38Speaker 6: and esoteric knowledge, often encoding their work in cryptic texts
- 23:42Speaker 6: and allegories. Beyond material transformation, alchemy also sought spiritual purification,
- 23:49Speaker 6: viewing the alchemist's inner enlightenment as parallel to the perfection
- 23:53Speaker 6: of matter. Fire itself, in fact, is a universal symbol
- 23:57Speaker 6: of transformation in occultism. Mister Crowley's teachings emphasize fire's role
- 24:02Speaker 6: in alchemical processes. In his writings on magic, such as
- 24:06Speaker 6: in the paper Magic in Theory and Practice, Crowley describes
- 24:10Speaker 6: fire as a purifying force that burns away impurities, ignorance, ego,
- 24:14Speaker 6: or mundane attachments to reveal the purified self. This aligns
- 24:18Speaker 6: with the alchemical concept of calcinadio, where fire reduces matter
- 24:23Speaker 6: to its essence, a process Crawley applied to spiritual growth.
- 24:27Speaker 6: For Croley's the Lemites, engaging with fire in meditation or ritual,
- 24:31Speaker 6: such as visualizing flames or simply claiming to work with
- 24:35Speaker 6: fire gods, facilitates the shedding of false identities to align
- 24:39Speaker 6: with one's true will. In Croley's system, fire is also
- 24:43Speaker 6: linked to the cephiroth of Gebura on the Cabalistic Tree
- 24:46Speaker 6: of Life, representing strength, destruction of the obsolete, and the
- 24:51Speaker 6: refining power of divine justice. Practitioners might invoke fire to
- 24:55Speaker 6: break through spiritual barriers or catalyze radical change, seeing it
- 25:00Speaker 6: as both destructive and creative. Crowley's occult system heavily incorporates
- 25:05Speaker 6: the four classical elements fire, water, air, and earth, with
- 25:09Speaker 6: fire representing the suit of wands in his Thoth Tarot deck,
- 25:13Speaker 6: co created with artist FRIEDA. Harris. In the deck, fire
- 25:17Speaker 6: and wands symbolize will, creativity, ambition, and spiritual energy. The
- 25:22Speaker 6: Ace of Wands, for example, depicts a radiant flame, signifying
- 25:26Speaker 6: pure creative potential and a divine spark. Practitioners use these
- 25:30Speaker 6: cards in divination or meditation to tap into fire's qualities,
- 25:35Speaker 6: seeking inspiration or courage to pursue their goals. Crowley's emphasis
- 25:39Speaker 6: on fire as the element of action reflects his belief
- 25:42Speaker 6: in the magician as an active agent of change, wielding
- 25:46Speaker 6: will like a flame to shape reality. And keep in
- 25:49Speaker 6: mind here that people online reference Travis Scott himself and
- 25:53Speaker 6: his supposed deep state shadow handlers as the magicians. So
- 25:58Speaker 6: for comparison here, when however, we reference a magician and
- 26:01Speaker 6: what a magician might do, imagine that it was Travis
- 26:04Speaker 6: Scah on that evening, and why he might be using
- 26:07Speaker 6: things like these to achieve certain goals. In Aleister Crowley's
- 26:11Speaker 6: occult rituals, fire often plays a practical and symbolic role.
- 26:16Speaker 6: The lesser banishing ritual of the Pentagram, adapted by Kroley
- 26:20Speaker 6: from The Golden Dawn, invokes the archangel Michael associated with
- 26:24Speaker 6: fire to protect and empower the practitioner. Similarly, in the
- 26:28Speaker 6: Star Ruby ritual a, thelemic version of the banishing ritual,
- 26:32Speaker 6: fire is invoked through physical gestures and mental visualizations to
- 26:37Speaker 6: assert the magician's authority. Crowley also drew on fire deities
- 26:42Speaker 6: such as rahure Kui, the warlike aspect of Horace, and Thalema,
- 26:46Speaker 6: whose fiery energy represents conquest and liberation. Practitioners who follow Crowley,
- 26:52Speaker 6: or even the occult in general, might light flames to
- 26:55Speaker 6: honour these godlike deities, believing that the fire amplifies their
- 26:59Speaker 6: god connection to divine forces on the other side. As
- 27:03Speaker 6: you can see, the element of fire is deeply tied
- 27:06Speaker 6: to occult practices, and in a lot of these rituals
- 27:09Speaker 6: or ceremonies, practitioners simply need to have a flame present
- 27:13Speaker 6: to carry out their work. The flames don't have to
- 27:16Speaker 6: be igniting anything or ending lives. They just have to
- 27:20Speaker 6: be there, licking the air, which has led many to
- 27:23Speaker 6: question why astor World's show contained so many pyrotechnic displays.
- 27:28Speaker 6: Could this have symbolized Travis Scott's transformation into something new?
- 27:32Speaker 6: Could it have represented his soul being transformed, his ascent
- 27:36Speaker 6: into a higher plane of consciousness within the occult. I
- 27:40Speaker 6: don't know, but this all continues to get stranger. The
- 27:44Speaker 6: image of flames, especially in occult context, is closely tied
- 27:48Speaker 6: to the phoenix, the symbol that Alister Crowley openly revered
- 27:52Speaker 6: and admired for its association with resurrection, rebirth, and eternal renewal.
- 27:58Speaker 6: In Thelema, the phoenix, represented as a menacing, fiery bird,
- 28:03Speaker 6: represents the cycle of death and rebirth, a process central
- 28:07Speaker 6: to achieving the great work, the unification of the self
- 28:11Speaker 6: with the divine. Crowley's Book of Thought describes the phoenix
- 28:14Speaker 6: as a fiery emblem of spiritual transformation which rises from
- 28:19Speaker 6: its ashes to embody the triumph of will and what
- 28:22Speaker 6: do you know? At one point during the Astro World festival,
- 28:25Speaker 6: as unfortunately, people were beginning to lose their lives in
- 28:29Speaker 6: the crowd, and thousands of people were experiencing intense pain
- 28:33Speaker 6: and suffering. A giant phoenix flew up from the stage
- 28:37Speaker 6: crowd area and entered the screens above the stage, hovered
- 28:41Speaker 6: for a moment overlooking the chaos, and then took off
- 28:44Speaker 6: towards the sky. Was this phoenix meant to symbolize Travis
- 28:48Speaker 6: Scott's rebirth, his movement into a higher plane of occult
- 28:51Speaker 6: consciousness or was this just a cool symbol that he
- 28:55Speaker 6: and his team thought would symbolize his progression as an artist.
- 28:59Speaker 6: The posters for the upcoming Astra World Festival also contained
- 29:02Speaker 6: some disturbing occult imagery. For example, in multiple posters advertising
- 29:07Speaker 6: the upcoming festival, we can see an esoteric influenced image
- 29:11Speaker 6: depicting two hands with eyes, which itself has deep connections
- 29:15Speaker 6: to the occult. In occult symbolism, two human hands with
- 29:18Speaker 6: eyeballs in the center could be most commonly associated with
- 29:22Speaker 6: the hamsa, a palm shaped amulet found across Middle Eastern
- 29:26Speaker 6: and North African cultures, also known as the hand of
- 29:29Speaker 6: Fatima in Islam or the hand of Miriam in Judaism.
- 29:33Speaker 6: The hamsa, typically depicted as a single hand but sometimes
- 29:37Speaker 6: stylized as two symmetrical hands, features an eye in the
- 29:40Speaker 6: palm to ward off the evil eye a malevolent glare
- 29:43Speaker 6: believed to cause misfortune or harm. This symbol represents protection,
- 29:48Speaker 6: power and blessings, with the eye serving as a talisman
- 29:51Speaker 6: to deflect negative energies, and the five fingers often linked
- 29:55Speaker 6: to spiritual concepts like the five Pillars of Islam, the
- 29:58Speaker 6: Five Books of the Torah, or the five Chakras in
- 30:01Speaker 6: Hindu Buddhist traditions. But in the posters for Astra World,
- 30:05Speaker 6: we can clearly see two hands with eyeballs in the palms,
- 30:09Speaker 6: and this causes the image to take on a whole
- 30:11Speaker 6: different meaning. The image of two human hands, each with
- 30:14Speaker 6: an eyeball in the palm is a rare and less
- 30:16Speaker 6: standardized motif compared to the single handed hansa, and they
- 30:20Speaker 6: represent a dualistic or intensified form of protection, perception, and
- 30:25Speaker 6: spiritual power, with the eyes symbolizing heightened awareness or vigilance
- 30:29Speaker 6: against negative forces, or possibly drawing from esoteric traditions that
- 30:34Speaker 6: emphasize symmetry or mirrored forces like left and right, masculine
- 30:38Speaker 6: and feminine, and so on. Some interpretations in modern occultism,
- 30:42Speaker 6: particularly in Western esoteric or chaos magic circles, could link
- 30:47Speaker 6: this to the concept of seeing hands where the hands
- 30:50Speaker 6: act as tools of creation and manipulation, guided by divine
- 30:54Speaker 6: or supernatural insight, though it should be noted that no
- 30:57Speaker 6: canonical source defines the symbol. In fact, in certain esoteric
- 31:01Speaker 6: and occult traditions, particularly those rooted in Western demonology and
- 31:06Speaker 6: Satanic lore, the striking imagery of eyes on palms can
- 31:10Speaker 6: even evoke Abadden, known as the Abyss Angel or Destroyer,
- 31:14Speaker 6: a demonic figure often associated with the first level of
- 31:17Speaker 6: Hell or the bottomless pit of Revelation nine to eleven
- 31:21Speaker 6: in the Bible, where he is depicted as the king
- 31:23Speaker 6: of a plague of locusts. The eyes in Palm's motif,
- 31:27Speaker 6: while not directly link to a baden in canonical texts,
- 31:30Speaker 6: resonates with his role as a watcher, an enforcer of
- 31:33Speaker 6: divine or infernal judgment, symbolizing unrelenting surveillance He's always watching
- 31:39Speaker 6: and the power to perceive hidden truths or sins, much
- 31:42Speaker 6: like the unsettling Omnissians attributed to demonic entities in Groom noirs.
- 31:47Speaker 6: Like the Lesser Key of Solomon in some modern occult interpretations,
- 31:51Speaker 6: this imagery of the eyeballs in the palms aligns with
- 31:54Speaker 6: the Baden's dominion over chaos and destruction, where the hands
- 31:58Speaker 6: represent agency or mais manipulation of the material world, and
- 32:02Speaker 6: the eyes signify his ability to gaze into the abyss,
- 32:05Speaker 6: binding the spiritual and physical realms. But others have made
- 32:09Speaker 6: even more disturbing connections here. Some online believe that the
- 32:13Speaker 6: hands with eyeballs in the palms reference a well known
- 32:16Speaker 6: character known as the Pale Man from Pan's Labyrinth, a
- 32:19Speaker 6: character allegedly associated with greed and child sacrifice. In the film,
- 32:24Speaker 6: the Pale Man is a terrifying creature encountered by the
- 32:27Speaker 6: protagonist Ophelia in one of her fantastical tasks. The pale
- 32:31Speaker 6: Man with eyes in the palms of his hands sits
- 32:34Speaker 6: at a lavish banquet table surrounded by forbidden food, which
- 32:38Speaker 6: Ophelia is warned not to touch. While the film doesn't
- 32:41Speaker 6: explicitly state that the Pale Man wants to sacrifice children,
- 32:45Speaker 6: his chamber contains disturbing imagery, including piles of children's shoes
- 32:50Speaker 6: and frescoes, depicting him devouring or attacking children, strongly implying
- 32:55Speaker 6: that he preys on and consumes them. When Ophelia eats
- 32:58Speaker 6: from the table, the paleman awakens and pursues her, suggesting
- 33:02Speaker 6: that he intends to harm, kill, or eat her, aligning
- 33:05Speaker 6: with folklore motifs of child eating monsters. One author of
- 33:10Speaker 6: an online post even notes, regarding the eyes in hand symbolism, quote,
- 33:14Speaker 6: now let's remove the amount of hands for the reference
- 33:17Speaker 6: and say maybe it was just an eye in a hand. Well,
- 33:20Speaker 6: guess what, that's even worse. The all seeing eye is
- 33:23Speaker 6: already an occult symbolism, but inside of a hand is
- 33:26Speaker 6: symbolism that is incredibly eerie. End quote. This is all
- 33:30Speaker 6: linked to all chemical apotheosis, where through some sort of
- 33:34Speaker 6: formula and ritual, man ascends into godhood. Described as a
- 33:39Speaker 6: very grim symbol in the occult, highlighting its unsettling nature.
- 33:44Speaker 6: So fire transformation, a blazing phoenix representing rebirth, leveling up
- 33:50Speaker 6: in the afterlife, alleged references to child killers in the
- 33:54Speaker 6: artwork Magical Alchemy, all seeing eyes, stargates, and portals. This
- 33:59Speaker 6: entire event was like in occult buffet for the eyes.
- 34:03Speaker 6: But that wasn't all that was noticed. Perhaps one of
- 34:06Speaker 6: the most disturbing elements of this show was the image
- 34:09Speaker 6: seen on Travis Scott's shirt that he wore that evening
- 34:13Speaker 6: during the performance. On the shirt, astute viewers can see
- 34:17Speaker 6: quite clearly and without question artwork depicting people entering a
- 34:21Speaker 6: door and emerging as what looked to be demons. In
- 34:25Speaker 6: the art, these humans are being transformed after they passed
- 34:29Speaker 6: through this gate into beings with horns, common symbolism that
- 34:32Speaker 6: relates to the demonic. This shirt normally wouldn't raise any eyebrows,
- 34:37Speaker 6: but after attempting to decode this event and realizing the
- 34:41Speaker 6: devastation that occurred there that night, it takes on a darker,
- 34:45Speaker 6: deeper meaning. As you can see, so many of these
- 34:48Speaker 6: symbols seemed to symbolize rebirth and change, transmutation, and in
- 34:54Speaker 6: some ways magical alchemy. There's the phoenix rising from the
- 34:58Speaker 6: ashes that flies above Travis Scott's head. There's the shirt
- 35:02Speaker 6: he's wearing, which shows literally people transforming after passing through
- 35:07Speaker 6: a portal into demons. There's the portal on stage, the
- 35:11Speaker 6: upside down cross, the heavy presence of fire. It's so strange,
- 35:17Speaker 6: but for a moment, we have to examine the musical
- 35:19Speaker 6: projects that Travis Scott was planning on releasing shortly after
- 35:23Speaker 6: the Astro World Festival, Specifically, his works titled Dystopia and Utopia.
- 35:29Speaker 6: One author of a post online about this subject wrote, quote,
- 35:32Speaker 6: Travis Scott's new projects are respectfully named Dystopia and Utopia,
- 35:37Speaker 6: and he has been constantly referencing this. There must first
- 35:40Speaker 6: be Dystopia before utopia narrative as an artistic expression, but
- 35:44Speaker 6: it could be more grim end quote. And it's very interesting.
- 35:48Speaker 6: Here we see yet another reference to a sort of
- 35:51Speaker 6: motif where one must be transformed through some sort of
- 35:55Speaker 6: a process, seemingly, in this case, through some sort of
- 35:58Speaker 6: devastation Dystopia into a higher being with a higher state
- 36:03Speaker 6: of consciousness and a godly utopia. There were also some
- 36:07Speaker 6: specific quotes posted on Travis Scott's social media accounts before
- 36:11Speaker 6: the astral World Festival, which read when the end derives,
- 36:14Speaker 6: it's really the beginning, who knows what lies beneath the
- 36:17Speaker 6: surface and the true Dystopia is here, which were posted
- 36:22Speaker 6: just a day before the event, which suggests a narrative
- 36:25Speaker 6: where Dystopia might precede Utopia through a sacrifice to achieve
- 36:30Speaker 6: a goal or status. One commenter online concludes, after analyzing
- 36:34Speaker 6: these bizarre connections, quote, that is all just very weird imagery.
- 36:38Speaker 6: Travis Scott used for this series of projects and events
- 36:41Speaker 6: incredibly eerie stuff man end quote, leaving the interpretation open ended.
- 36:47Speaker 6: There was also the entrance to the astral World Festival itself,
- 36:50Speaker 6: which caused controversy in the wake of what happened. The entrance,
- 36:54Speaker 6: A giant sculpture of Travis Scott's head was likened by
- 36:57Speaker 6: some to Hieronymous Bosh's Christ in Limbo, a painting which
- 37:02Speaker 6: graphically depicts the mouth of Hell, and clearly, when looking
- 37:07Speaker 6: at the two side by side, you can see the resemblance.
- 37:11Speaker 6: It looks like Travis Scott himself is swallowing people alive
- 37:14Speaker 6: and welcoming them into the inferno. People also pointed out
- 37:18Speaker 6: the slogan see You on the other Side, which was
- 37:21Speaker 6: plastered across the screen on the festival at evening, and
- 37:24Speaker 6: stated obviously that it took on a sinister tone in hindsight,
- 37:28Speaker 6: as the saying seems to suggest a passage of the
- 37:31Speaker 6: reader from this world to a darker realm. Where these
- 37:34Speaker 6: interpretations the product of overactive imaginations or did some people
- 37:39Speaker 6: stumble upon a hidden truth about the event's true purpose.
- 37:43Speaker 6: Beyond the primary symbols, Additional elements amplified the festival's eerie aura.
- 37:48Speaker 6: The stage's fiery Mountain, described as a portal to Hell,
- 37:52Speaker 6: featured a spiral that some believe represented a gateway to
- 37:55Speaker 6: another dimension. Giant hands appeared over this portal towards the
- 37:59Speaker 6: end of the show, suggesting that the crowd or Travis
- 38:02Speaker 6: Scott himself were being controlled by unseen forces. Creepy eyeballs
- 38:07Speaker 6: filled the mountain at a moment when lives were being lost,
- 38:10Speaker 6: a coincidence that conspiracy theorists find too precise to ignore,
- 38:14Speaker 6: especially given the symbolism of eyeballs in the occult and
- 38:18Speaker 6: the date of the festival, November five, twenty twenty one.
- 38:22Speaker 6: Adds another layer to this dark mystery, following within the
- 38:25Speaker 6: week of sam Hain, a time revered in occult traditions
- 38:29Speaker 6: when the veil between the living and the dead is thinnest.
- 38:31Speaker 6: The timing has fueled speculation of ritualistic intent. Sam Hain
- 38:37Speaker 6: is associated with sacrifices and spiritual transitions, once again, making
- 38:42Speaker 6: the festival's imagery and tragedy all the more provocative. While
- 38:45Speaker 6: official investigations point to logistical failures, the alignment of the
- 38:50Speaker 6: event with this occult period definitely raises questions. That linger
- 38:54Speaker 6: in the minds of those who seem more than meets
- 38:56Speaker 6: the eye. Was Astro World twenty twenty one tragic incident,
- 39:01Speaker 6: or a carefully orchestrated event cloaked with the guise of
- 39:04Speaker 6: a music festival. Something else that I'll note here that
- 39:07Speaker 6: I've seen circulating across social media are clips and videos
- 39:11Speaker 6: that people claim show shadow figures or demonic entities flying
- 39:15Speaker 6: around the stage, jumping throughout the crowd, and appearing to
- 39:19Speaker 6: even enter at some points Travis Scott's body.
- 39:22Speaker 14: Did anybody remember the Travis Scott concert where all those
- 39:27Speaker 14: people died and this same entity was flying over the crowd.
- 39:34Speaker 14: Does nobody else remember that?
- 39:36Speaker 1: Because I do. It's not a fling, and.
- 39:43Speaker 3: I think it's.
- 39:45Speaker 14: A spirit of some kind of dark spirit.
- 39:48Speaker 1: Maybe I don't know.
- 39:50Speaker 14: This is twice that I've seen that entity in large
- 39:55Speaker 14: groups of crowds. The first time it didn't go.
- 39:59Speaker 6: So now some of these I believe can easily be explained.
- 40:03Speaker 6: They appear to be people in the crowd, maybe jumping
- 40:06Speaker 6: off of platforms into the sea of bodies below. Obviously,
- 40:10Speaker 6: with low light and how cameras work, sometimes someone can
- 40:13Speaker 6: look like a shadow figure, even if they aren't one,
- 40:16Speaker 6: and these clips have once again encouraged people to question
- 40:20Speaker 6: the real motive behind this performance. Strangely, after Travis Scott's
- 40:31Speaker 6: performance that year, people noticed some changes in him. A
- 40:34Speaker 6: short while later, he was photographed with some friends of
- 40:37Speaker 6: his wearing a upside down cross pendant, and this immediately
- 40:42Speaker 6: struck people as being incredibly strange. This wasn't something that
- 40:47Speaker 6: he had done before, and in the past, Travis had
- 40:50Speaker 6: openly talked about his relationship with God. So why the
- 40:53Speaker 6: upside down cross now? Well, some people have claimed that
- 40:56Speaker 6: it has to do with a record label or the
- 40:58Speaker 6: group of friends that he would hanging out with. It's
- 41:01Speaker 6: still a strange coincidence. There's also a shirt design that
- 41:04Speaker 6: Travis Scott's company dropped just a short while ago. It
- 41:08Speaker 6: says on the front Utopia the Madness of it All,
- 41:11Speaker 6: Saint Jack, the Light of Redemption, Chaos, no Future, and
- 41:17Speaker 6: it appears to show a hound of hell and a
- 41:19Speaker 6: man being crucified on the front, covered in symbols from
- 41:24Speaker 6: Travis Scott's music and record label. On forms about this shirt,
- 41:28Speaker 6: lots have called this design incredibly sacrilegious, But I'll leave
- 41:32Speaker 6: that up to you to decide. There's also Travis Scott's
- 41:35Speaker 6: strange friendship with artists and fashion designer Michelle Lamie, wife
- 41:40Speaker 6: of Rick Owens, who herself has talked openly about how
- 41:43Speaker 6: she has dark influences in her art. A lot of
- 41:46Speaker 6: people have pointed out this photo that features Michelle and
- 41:50Speaker 6: Travis and the eerie a most disturbing feeling that it
- 41:54Speaker 6: gives them as they gaze upon it. Now, there's a
- 41:56Speaker 6: lot that we could get into here. Michelle has even
- 41:59Speaker 6: talked to in interviews how she collects the voodoo figures
- 42:02Speaker 6: and appreciates this darkness. But do I think that this
- 42:06Speaker 6: is truly some sort of an evil connection? Not really, No,
- 42:10Speaker 6: what do I think about this whole thing after all? Actually,
- 42:13Speaker 6: do I believe that Travis Scott sacrificed all these people
- 42:17Speaker 6: for some sort of nefarious satanic blood ritual. I don't
- 42:21Speaker 6: necessarily believe so, And that's just my opinion. You are
- 42:25Speaker 6: free to believe in whatever you'd like to. In my opinion,
- 42:29Speaker 6: the real blood here is on the hands of those
- 42:31Speaker 6: who plan this festival, who claim they were going to
- 42:33Speaker 6: be providing security to this festival, and the people who failed.
- 42:38Speaker 6: All the individuals who attended that night In fact, my
- 42:41Speaker 6: own sister was there with her boyfriend at the time,
- 42:44Speaker 6: and she was sending me photos and videos from in
- 42:46Speaker 6: the crowd, So I have a personal connection to this
- 42:49Speaker 6: whole thing. But I will say, even if I don't
- 42:52Speaker 6: necessarily believe that Travis Scott sacrificed these souls to some
- 42:57Speaker 6: sort of entity, why the symbol is? Why is there
- 43:02Speaker 6: so much symbolism? And why does it all paint this
- 43:06Speaker 6: broader picture of transformation, of souls being lifted, of using
- 43:11Speaker 6: flame to destroy and create new concepts and ideas and
- 43:15Speaker 6: beings of all seeing eyes and hell? There are so
- 43:20Speaker 6: many different artists across the planet who throw shows all
- 43:24Speaker 6: the time, and yet none of them have the decoding
- 43:28Speaker 6: potential that this show had.
- 43:30Speaker 1: Why is that?
- 43:31Speaker 6: And why was there so much symbolism at a show
- 43:34Speaker 6: that unfortunately ended up taking the lives of ten people?
- 43:38Speaker 6: I guess those are questions that I just don't have
- 43:40Speaker 6: an answer to right now. But if you thought it
- 43:42Speaker 6: all ends there, it doesn't. Remember at the beginning of
- 43:50Speaker 6: this video, when I discussed Travis trying to play a
- 43:53Speaker 6: show at the Pyramids of Giza, Well, obviously those pyramids
- 43:57Speaker 6: are deeply connected to the occult as well. In the
- 44:00Speaker 6: desolate sands of Egypt. The Pyramids of Giza rise like
- 44:04Speaker 6: ancient sentinels, their weathered stones whispering tales of a forgotten era.
- 44:08Speaker 6: Constructed during the fourth dynasty of the Old Kingdom, these
- 44:12Speaker 6: monumental structures, according to historians, were built as eternal tombs
- 44:17Speaker 6: for pharaohs Cufu, Coffrey, and Mankari, with the Great Pyramid
- 44:21Speaker 6: of Cufu standing as the tallest at four hundred and
- 44:24Speaker 6: eighty one feet for over three thousand, eight hundred years.
- 44:28Speaker 6: Comprising of over two point three million limestone blocks, their
- 44:32Speaker 6: construction is a marvel, yet their precision fuels eerie speculations
- 44:37Speaker 6: that challenge mainstream archaeology. One persistent theory suggests extraterrestrial intervention,
- 44:43Speaker 6: claiming the ancient Egyptians lacked the technology to erect such
- 44:47Speaker 6: colossal edifices, an ocean popularized by shows like Ancient Aliens.
- 44:52Speaker 6: Another chilling hypothesis posits hidden chambers within the pyramids concealing
- 44:57Speaker 6: advanced technology or ancient wisdom, a theory reignited by a
- 45:01Speaker 6: recent twenty twenty five radar study, which claims that they've
- 45:05Speaker 6: discovered vast underground structures beneath Caffrey's Pyramid. Some even whisper
- 45:10Speaker 6: that the pyramids were crafted by a lost civilization, perhaps
- 45:14Speaker 6: the fabled Atlantist, as suggested by nineteenth century pseudo archaeologists
- 45:20Speaker 6: like Ignatius Donelly. These haunting narratives, though unsupported, weave a
- 45:24Speaker 6: spectral tapestry around Giza, ensuring that its mysteries endure in
- 45:28Speaker 6: the public's imagination. But to those in the occult tradition,
- 45:32Speaker 6: the Pyramids of Giza are not mere tombs, but sacred
- 45:35Speaker 6: temples pulsating with esoteric significance. Manly P. Hall, a prominent
- 45:40Speaker 6: twentieth century mystic, described the Great Pyramid as a sermon
- 45:44Speaker 6: in stone, a divine structure encoding the secrets of the
- 45:47Speaker 6: universe and serving as a stage for ancient initiation rituals.
- 45:53Speaker 6: In his view, the King's Chamber was a crucible where
- 45:56Speaker 6: initiates underwent a symbolic second death, merging reborn with enlightened consciousness,
- 46:02Speaker 6: a process tied to the pyramid's role as a microcosm
- 46:06Speaker 6: and macrocosm. The pyramid's geometric form, with its four triangular
- 46:11Speaker 6: faces converging to a point, is seen as a conduit
- 46:14Speaker 6: for cosmic energies, symbolizing the soul's assent from the material
- 46:18Speaker 6: to the spiritual realm. This interpretation resonates with occult schools
- 46:23Speaker 6: like Rosicrucianism and Theosophy, which revere the pyramids as repositories
- 46:28Speaker 6: of timeless wisdom. The precise alignment of the Pyramids with
- 46:31Speaker 6: cardinal points in celestial bodies such as Vega sixty eight thousand,
- 46:35Speaker 6: eight hundred and ninety years ago, further fuels occult beliefs
- 46:39Speaker 6: in their mystical purpose. To the initiated. To the occult practitioner,
- 46:44Speaker 6: the pyramids stand as silent guardians of arcane knowledge, their
- 46:48Speaker 6: enigmatic presence a chilling invitation to come visit them, to
- 46:52Speaker 6: probe the unseen, to be initiated into a higher realm
- 46:55Speaker 6: of consciousness. Some theorists assert that Freemasons are the modern
- 46:59Speaker 6: cascos stodians of the pyramid builder's knowledge, pointing to alleged
- 47:03Speaker 6: Masons marks proprietary symbols found on Giza's stones documented by
- 47:09Speaker 6: nineteenth century Egyptologists like William Flinders Petrie. These marks, possibly
- 47:15Speaker 6: indicating Artisan's identities, have sparked speculation of a direct link
- 47:19Speaker 6: to Freemasonry, though mainstream scholars note that freemasonry as a
- 47:24Speaker 6: formal institution emerged in the seventeenth century millennia after the
- 47:29Speaker 6: pyramid's construction. Thomas Holland's eighteen eighty five book Freemasonry from
- 47:33Speaker 6: the Great Pyramid of Ancient Times boldly claimed that Freemasons
- 47:37Speaker 6: built the Great Pyramid, an ocean dismissed by most due
- 47:41Speaker 6: to historical discrepancies, but one that still fuels esoteric narratives. Obviously,
- 47:47Speaker 6: the Eye of Providence, a Masonic symbol of divine watchfulness,
- 47:51Speaker 6: like the one depicted atop a pyramid on the US
- 47:53Speaker 6: dollar bill, amplifies conspiracy theories about secret societies who control
- 47:58Speaker 6: global affairs. So, as you can see, the Great Pyramids
- 48:03Speaker 6: of Giza are highly regarded by occultists, occult practitioners, Masons,
- 48:08Speaker 6: secret societies, and groups like this across the world. They're
- 48:12Speaker 6: known as a highly important and highly powerful spiritual area
- 48:17Speaker 6: where one can go to become initiated into once again
- 48:21Speaker 6: a higher realm of consciousness or a higher state of being. So,
- 48:26Speaker 6: after all we've gone over, isn't it a little strange
- 48:29Speaker 6: to you that this is where Travis Scott wanted to
- 48:32Speaker 6: emerge into his new era into his utopia after Dystopia.
- 48:39Speaker 12: I don't know.
- 48:41Speaker 6: People on Reddit, for example, for sure one hundred percent
- 48:44Speaker 6: believe that all of this was a conspiracy. People have
- 48:48Speaker 6: claimed that this event had too many satanic symbols and
- 48:51Speaker 6: could be linked to mk ultra. Others claim that Travis
- 48:54Speaker 6: Scott's behavior during the show itself, such as when he
- 48:58Speaker 6: was humming when he was watching people care ried out,
- 49:01Speaker 6: was bizarre and that he was chanting like some sort
- 49:04Speaker 6: of ritual. Others claimed that it seems very ritualistic and
- 49:08Speaker 6: that this whole thing creeped them out. Others aren't even
- 49:10Speaker 6: more bald, claiming all I could think was it looked
- 49:13Speaker 6: like a sacrifice. And there were also other strange news
- 49:17Speaker 6: stories that emerged in the wake of astor World, like
- 49:20Speaker 6: how almost immediately the authorities here in Houston, Texas claimed
- 49:24Speaker 6: that somebody had been drugging people that evening by injecting
- 49:28Speaker 6: them in the neck with some sort of drug or substance.
- 49:31Speaker 6: Just take a look, I.
- 49:33Speaker 12: Will tell you. One of the narratives was that some
- 49:36Speaker 12: individual was injecting other people with drugs. We do have
- 49:41Speaker 12: a report of a security office, according to the medical staff,
- 49:45Speaker 12: that was out and treated him last night that he
- 49:48Speaker 12: was reaching over to restrain or grab a citizen and
- 49:52Speaker 12: he fell to prick in his neck. When he was examined,
- 49:54Speaker 12: he went unconscious. They administer narkhan. He was revived, and
- 49:59Speaker 12: the medical staff did notice a prick that was similar
- 50:03Speaker 12: to a prick that you would get if somebody's trying
- 50:07Speaker 12: in jeck. That is one part of it. The other
- 50:10Speaker 12: thing that's very important, there were some individuals that would tramp,
- 50:14Speaker 12: and we want to be respectful to that, but we
- 50:16Speaker 12: just asked that y'all give us time to do a
- 50:18Speaker 12: proper investigation. Kids and young individuals that was out there.
- 50:22Speaker 12: If you see something, say something. This is not criminal investigation.
- 50:26Speaker 12: That's gonna involve our homicide division as well as narcotics,
- 50:30Speaker 12: and we're gonna get down to the bottom of it.
- 50:32Speaker 6: So that's incredibly bizarre, isn't it. Well, just a short
- 50:36Speaker 6: while later, the same authorities had some sort of a
- 50:39Speaker 6: chat or maybe they were told something, and they came
- 50:43Speaker 6: back at another press conference and said this.
- 50:46Speaker 12: In terms of the security guard that I discussed on Saturday.
- 50:49Speaker 12: If you can remember, members of the medical team and
- 50:52Speaker 12: the medical tent said that the male security guard had
- 50:55Speaker 12: come in and said that somebody had pricked his neck,
- 50:58Speaker 12: that we felt that it could have been and something
- 51:01Speaker 12: in jestin we did locate this security guard. His story
- 51:04Speaker 12: is not consistent with that. He says he was struck
- 51:07Speaker 12: in his head, he went unconscious, he woke up in
- 51:10Speaker 12: the security tent. He says that no one injected drugs
- 51:14Speaker 12: in him, So we want to clear that part up.
- 51:23Speaker 6: At the end of the day. Symbols have power, symbols
- 51:28Speaker 6: and sigils, they're all the same. Sometimes symbols are flashed
- 51:32Speaker 6: on screen, embedded in buildings, and in mass media, shown
- 51:36Speaker 6: to you on a daily basis, because they're meant to
- 51:38Speaker 6: implant some sort of message, memory, or train of thought
- 51:42Speaker 6: in your mind. There are symbols that we see every
- 51:44Speaker 6: single day, some that are non harmful and others that
- 51:48Speaker 6: are incredibly nefarious. But those who believe in these practices,
- 51:53Speaker 6: I'm not even necessarily saying that I believe in them,
- 51:56Speaker 6: But those who do believe that these symbols have a
- 52:01Speaker 6: spiritual power. Just look at people like Aleister Crowley and
- 52:05Speaker 6: his followers. They all believed in the power of the symbol,
- 52:09Speaker 6: of symbolism of ritual And it doesn't matter if I
- 52:13Speaker 6: don't believe in something. If somebody out there does, then
- 52:16Speaker 6: they might have done something to carry out their own will,
- 52:19Speaker 6: their own goals to achieve their supposed higher level of consciousness. Because,
- 52:25Speaker 6: just to reiterate one more time, do I believe that
- 52:28Speaker 6: this was a satanic human sacrifice?
- 52:31Speaker 13: No?
- 52:31Speaker 6: Not really. But do all of these symbols definitely have
- 52:35Speaker 6: occult meanings? And do these symbols, when analyzed together, tell
- 52:40Speaker 6: a dark, disturbing story of some sort of sacrifice, a
- 52:44Speaker 6: transmutation of energy, a harvesting of energy used to transcend
- 52:49Speaker 6: into a new physical, mental, and spiritual plane. Yes, they do.
- 52:54Speaker 6: The story even ends way out in Egypt, where the
- 52:57Speaker 6: person allegedly leading this ritual heads to the greatest place
- 53:01Speaker 6: of spiritual transformation on Earth, the ancient mysterious Pyramids of Giza,
- 53:06Speaker 6: to enter what he claims is utopia. So, even if
- 53:11Speaker 6: this is all make believe, even if I'm just a
- 53:14Speaker 6: crazy conspiracy theorist ranting about this stuff on the internet,
- 53:18Speaker 6: why include the symbolism? Why was it there? Was it
- 53:22Speaker 6: just meant to be edgy? Was it something that people
- 53:25Speaker 6: thought was cool? I am one, one hundred percent all
- 53:29Speaker 6: on board for people expressing themselves however, they want to
- 53:33Speaker 6: creatively and artistically. But it is interesting when you look
- 53:37Speaker 6: at a band like Slayer or Rob Zombie, you can
- 53:41Speaker 6: understand the pentagrams and the upside on crosses. That's their thing.
- 53:45Speaker 6: It's pretty much for shock value. None of them are
- 53:47Speaker 6: hardcore satanists that murder people, but it makes sense. But
- 53:51Speaker 6: when it comes to Travis Scott, I don't really think
- 53:54Speaker 6: that that's his image or the perception that he wants
- 53:57Speaker 6: people to have of him as some sort of Masonic mythological,
- 54:02Speaker 6: ritualistic worshiper of ancient deities. So I'll leave you with that.
- 54:07Speaker 6: If you enjoyed today's video, please be sure to like
- 54:10Speaker 6: the video, leave me a comment, subscribe to the channel,
- 54:14Speaker 6: and come back next week for the next episode of
- 54:16Speaker 6: The Conspiracy Files. Please be sure to leave me a
- 54:19Speaker 6: five star review. Rip to all of the victims and
- 54:22Speaker 6: the families who were affected by this horrific tragedy. I
- 54:25Speaker 6: hope that you get justice one day. Keep that tinfoil
- 54:28Speaker 6: hat on, always, stay suspicious, question everything, and I'll catch
- 54:33Speaker 6: you all next week.