Latest / The Real Report with Tony Yayo and Uncle Murda / Millyz on Jadakiss co-sign, Eminem inspiration, & almost being ABDUCTED in Haiti for $6,000

Transcript

Millyz on Jadakiss co-sign, Eminem inspiration, & almost being ABDUCTED in Haiti for $6,000 · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: You had the good budd so the food was hitting.
• 0:03
  Speaker 1: They have smoked duck for breakfast dead Paris look, Paris looks.
• 0:08
  Speaker 1: I'm gonna tell you I don't want fail. I'll tell
• 0:11
  Speaker 1: you all the time, murder what I'll tell you, I
• 0:13
  Speaker 1: don't want to.
• 0:13
  Speaker 2: Feel like fifty.
• 0:15
  Speaker 3: Yo, how many like smoked duck they got you unanimous
• 0:19
  Speaker 3: with that on it and how many times like that's
• 0:21
  Speaker 3: just like a repeat man like McDonald's time.
• 0:24
  Speaker 2: It's just not it's not that in Morocco.
• 0:28
  Speaker 3: He's a one person famous for smoked duck. Like that's revenue.
• 0:33
  Speaker 2: Biggs, Tyme.
• 0:40
  Speaker 1: Frock, Yes, the motherfucking real rapport with turbulance.
• 0:53
  Speaker 2: Tony's the boy live Jet Lenny.
• 0:57
  Speaker 3: You are Boston King right now, Man, Cambridge's finest man.
• 1:02
  Speaker 3: See him be Blanco Man, Mellie.
• 1:04
  Speaker 1: You know the vibe man, Man, yeh, you know, I
• 1:11
  Speaker 1: appreciate you man coming through.
• 1:12
  Speaker 3: Man, I appreciate you.
• 1:15
  Speaker 1: You got the biggest coach sne from one of the
• 1:17
  Speaker 1: best rappers on the planet.
• 1:19
  Speaker 2: Yeah, Jada kiss and that like gave you the ultimate
• 1:22
  Speaker 2: respect you could spit. Also, you one of.
• 1:23
  Speaker 4: The best s brothers.
• 1:25
  Speaker 1: You know, when you get a coach sine from a
• 1:27
  Speaker 1: like Kiss, I felt like the whole streets loved you
• 1:30
  Speaker 1: after that, like from Boston and New York, Connecticut, talk
• 1:34
  Speaker 1: about that.
• 1:34
  Speaker 2: How did you meet Kiss? And how did all that happen?
• 1:37
  Speaker 4: Man?
• 1:37
  Speaker 3: I met Kiss? Uh Soul. My manager at the time
• 1:42
  Speaker 3: was a guy named Seth Free. He started and one
• 1:44
  Speaker 3: mixtapes and ship like that, and he saw a vision
• 1:47
  Speaker 3: in me. And he had family like his wife's Kate Ridy,
• 1:50
  Speaker 3: and so he knew about the area and mass in
• 1:52
  Speaker 3: Boston like that, and he brought me out to New
• 1:55
  Speaker 3: York and I was trying to get a feature for
• 1:58
  Speaker 3: a song. I had a song called The Plug at
• 2:00
  Speaker 3: the time, and he was going through his rollerdextra rappers.
• 2:03
  Speaker 3: He went from Ray Kwan to a few different rappers
• 2:06
  Speaker 3: and then he's like, you know what I know, I
• 2:07
  Speaker 3: know Jada Kiss. I'm like, yeah, no, no, fuck it, Jada.
• 2:11
  Speaker 3: So we in the Bronx at the time, and he's like,
• 2:15
  Speaker 3: let me call him, let me just see how it go.
• 2:17
  Speaker 3: He's just calling through his phone and connects. He called Kiss,
• 2:21
  Speaker 3: pick up, Yo, Free what's up. He's like, uh, Freeze
• 2:26
  Speaker 3: like Yo, I'm in the Bronx right now. And Kiss
• 2:28
  Speaker 3: like Yo, I'm in the Bronx. I just picked up
• 2:31
  Speaker 3: my man, Kate Rosewood, and I got to drop him
• 2:33
  Speaker 3: to the halfway house. This is the day kiss right
• 2:35
  Speaker 3: hand man got out, so he had he had to
• 2:39
  Speaker 3: take him to the halfway house in the Bronx. So
• 2:42
  Speaker 3: it just happened like through God that when Kiss is
• 2:45
  Speaker 3: calling him, were in the same neighborhood in the Bronx.
• 2:48
  Speaker 3: So they pulled up ten minutes later, met me, heard
• 2:50
  Speaker 3: my ship, and it was kind of on from there.
• 2:52
  Speaker 3: And then you know, I was just rocking with him,
• 2:55
  Speaker 3: like a regular relationship with Ice. Picked Jay who passed on.
• 3:00
  Speaker 3: I picked j found out like I could sing and
• 3:02
  Speaker 3: do a little more and rap. And then he really
• 3:04
  Speaker 3: brought it to the table like nah, Kiss, you need
• 3:06
  Speaker 3: to take him, take him serious and ship and you know,
• 3:08
  Speaker 3: I just grinded after that with that stamp. That's all
• 3:11
  Speaker 3: I needed was the stamp just to move around.
• 3:13
  Speaker 5: So I'd be wondering you as you signed the kiss
• 3:15
  Speaker 5: or It's just like it was more of a stamp
• 3:17
  Speaker 5: a homie throwing.
• 3:18
  Speaker 4: Was it actual business done? Yeah?
• 3:20
  Speaker 3: No, it was an actual business. Okay, sure, actual actual
• 3:23
  Speaker 3: We broke Brad multiple times.
• 3:25
  Speaker 4: Sure, that's dope, that's stupid.
• 3:29
  Speaker 2: It's all coming out of Boston.
• 3:30
  Speaker 1: Because we was talking earlier about was it made men
• 3:32
  Speaker 1: and Benzino back in the days. That was more like
• 3:35
  Speaker 1: the biggest thing we knew from Boston at that time.
• 3:37
  Speaker 1: And it's like right now, you you just like, yeah.
• 3:40
  Speaker 3: Well I came in and on some Massachusetts shit. So
• 3:42
  Speaker 3: I'm boring in Boston, but I'm raising Cambridge is right
• 3:44
  Speaker 3: across the bridge, you.
• 3:46
  Speaker 4: Know what I mean.
• 3:46
  Speaker 3: And so when I came in, that was kind of
• 3:50
  Speaker 3: my philosophy, like, Yo, we gotta utilize the whole Massachusetts
• 3:53
  Speaker 3: as a whole. We gotta use Lauren when I'm pulling up,
• 3:56
  Speaker 3: I'm pulling up with it. The Minigans from Lawrence, we
• 3:59
  Speaker 3: come over, motherfuckers from you know, Matti pen were coming
• 4:03
  Speaker 3: with people from Brocking just utilizing the whole mass type shit.
• 4:08
  Speaker 3: So I feel like that's one of the things that
• 4:10
  Speaker 3: propelled me out there too, you know what I mean.
• 4:14
  Speaker 2: Talk about this new EP you got out right now.
• 4:16
  Speaker 3: Man, man, Rhythm and pain, R and P. You know,
• 4:19
  Speaker 3: I'd be singing and shit, So I just wanted to
• 4:22
  Speaker 3: be on my time P shit.
• 4:24
  Speaker 4: So you're singing on this whole project, right here.
• 4:26
  Speaker 3: Yeah, alto all melodic, man, because I've been having records
• 4:29
  Speaker 3: where it's like I rap and then I sing, and
• 4:32
  Speaker 3: I got singing records that was doing millions. But I
• 4:34
  Speaker 3: think because my freestyles that went so viral, people just
• 4:37
  Speaker 3: kept putting me in that box like you just a rapper.
• 4:40
  Speaker 3: But I'm like, no, I'm all around artists. And my
• 4:43
  Speaker 3: streaming shit is doing just as good as it would
• 4:46
  Speaker 3: have been if I dropped the rap album. Right now,
• 4:48
  Speaker 3: off the melodics is so very ecstatic, and you know,
• 4:51
  Speaker 3: I feel amazing about that.
• 4:53
  Speaker 1: Shit definitely because people know you for the bars of course,
• 4:56
  Speaker 1: and then like I said, you get.
• 4:57
  Speaker 3: Yeah the bars with staying to like coming through New
• 5:01
  Speaker 3: York and having the even having that coach sign from kids,
• 5:04
  Speaker 3: I felt extra pressure like I got to show nice
• 5:07
  Speaker 3: like but now.
• 5:09
  Speaker 4: I got you on the project and we got a video.
• 5:13
  Speaker 3: That was amazing to man, and I don't know how
• 5:15
  Speaker 3: none of my music gets into mass state prisons, but
• 5:18
  Speaker 3: that was one of the murdered Ship hit the tablet fast,
• 5:21
  Speaker 3: and that's one of the joints he got, the real
• 5:24
  Speaker 3: plug he.
• 5:26
  Speaker 2: Got, I got GHUYSI.
• 5:30
  Speaker 3: I'm on Empire Publishing to need Ship in the joint
• 5:34
  Speaker 3: like you have for murders, because it was like in
• 5:36
  Speaker 3: a week, man, that's what the ones to.
• 5:40
  Speaker 2: Man, you get a lot of bags.
• 5:42
  Speaker 3: Well I'm I'm on I'm on the publishing side, but yeah,
• 5:45
  Speaker 3: fu with Ghzi. That's my man. Yeah, Gouts, he's sturdy.
• 5:50
  Speaker 4: That's the fact man.
• 5:51
  Speaker 3: That was let to be on your project though, Bro,
• 5:54
  Speaker 3: I definitely came up watching both of y'all.
• 5:56
  Speaker 4: I appreciate it.
• 5:56
  Speaker 3: Yeah, you you wanted the ones that like you got
• 5:59
  Speaker 3: the shock fact to all your shit, even you with
• 6:01
  Speaker 3: the punchlines with the G Unit mixtapes, you was always
• 6:05
  Speaker 3: looking for you always have not punchlines, but like haymakers
• 6:07
  Speaker 3: and ship you know what I mean. You come up
• 6:09
  Speaker 3: with them ships and that kind of inffluence my rap
• 6:13
  Speaker 3: style in the sense of like, all right, I'm gonna
• 6:15
  Speaker 3: say a couple of ships and then I'm gonna give
• 6:16
  Speaker 3: you a haymaker something that's shocking. You can't just be
• 6:19
  Speaker 3: giving them, you know. You got haymakers in.
• 6:21
  Speaker 2: The mixtape days.
• 6:23
  Speaker 1: Like I tell every New York artist, you got New York,
• 6:25
  Speaker 1: you got some spots of steak, you got C. T.
• 6:28
  Speaker 1: Shouter CT always pushed G Unit and then you got Boston.
• 6:31
  Speaker 1: I always love Boston. You got the beautiful Kate Verdion
• 6:34
  Speaker 1: women out there shouting them.
• 6:35
  Speaker 2: Know what you know about that, but shelter my Africans
• 6:39
  Speaker 2: out there. It's just Boston.
• 6:40
  Speaker 1: Just feel like I don't know when we came there,
• 6:43
  Speaker 1: it was just always love. Remember we had to it
• 6:46
  Speaker 1: was one mixtape. I think we had the celt we
• 6:47
  Speaker 1: used to do the show we came out.
• 6:49
  Speaker 2: With Shipped on.
• 6:50
  Speaker 4: It was just great.
• 6:51
  Speaker 2: Find that picture, classic, classic, you got.
• 6:55
  Speaker 3: Somebody find that picture, man, that picture.
• 6:57
  Speaker 1: Because up there's no different than New York. It's a
• 7:01
  Speaker 1: big city. You know, y'all love youall.
• 7:02
  Speaker 3: Teams, you know, Yeah, no, it's different though it's different
• 7:06
  Speaker 3: in the sense like we probably like sports come first
• 7:10
  Speaker 3: in Massachusetts in general, like when you're a kid, they're
• 7:13
  Speaker 3: gonna they're gonna be telling you in fourth grade and
• 7:15
  Speaker 3: ship like, you know, the restaurants.
• 7:18
  Speaker 2: Like it's really big sports.
• 7:21
  Speaker 3: We really come from sports culture. Like if you're in
• 7:24
  Speaker 3: mass like, you have to be you kind of weird
• 7:26
  Speaker 3: if you're not into sports culture and mass like that's all.
• 7:30
  Speaker 3: That's what our ship is based on. Where I feel
• 7:32
  Speaker 3: like New York is kind of based on sports but
• 7:34
  Speaker 3: I feel entertainment override sports a little bit. I know,
• 7:37
  Speaker 3: the Knicks is the biggest ship in the world, and
• 7:39
  Speaker 3: the Yankees and ship, but y'all got so much bigger
• 7:42
  Speaker 3: artists that came from here, you know what I mean,
• 7:44
  Speaker 3: all the way from Hoh the fifty to Frank Sinatra right.
• 7:47
  Speaker 2: He from here, right Frank Sinatra DMX.
• 7:51
  Speaker 3: Now of course you know the lineage is crazy.
• 7:53
  Speaker 5: Yeah, they don't stop the Listen how you be feeling
• 7:57
  Speaker 5: when your freestyles go viable like the act? You feel
• 8:00
  Speaker 5: like I'm getting my respect, man, because you know, it
• 8:03
  Speaker 5: be hard everybody to be feeling like, oh, he can't
• 8:06
  Speaker 5: talk that shit or you know the complexity. They'd be
• 8:07
  Speaker 5: like he why he ain't talking that shit like that.
• 8:09
  Speaker 5: But then when you see the streets doing brace you
• 8:12
  Speaker 5: that shit be feeling, man.
• 8:13
  Speaker 3: Man, that that shit felt good, like you know, I
• 8:16
  Speaker 3: really I think New York is one of the last
• 8:18
  Speaker 3: places where you still got to lead with scale. People
• 8:21
  Speaker 3: still respect bars from the from the from the ogs
• 8:24
  Speaker 3: to even the young drill rappers. You'd be surprised that
• 8:27
  Speaker 3: k flocks generation like they still give it up like
• 8:30
  Speaker 3: bars like I still meet little young drill rappers and dudes,
• 8:34
  Speaker 3: kids that's really in the street and they're in tune
• 8:36
  Speaker 3: with bars. I still meet an eighteen year old to
• 8:38
  Speaker 3: break down ball and it's probably one of the only
• 8:41
  Speaker 3: places that's really like that. So I love New York
• 8:43
  Speaker 3: for that, just the mecca of this shit. So it
• 8:45
  Speaker 3: felt real good to get the validation here because I
• 8:47
  Speaker 3: remember being there for five years and nobody knew me,
• 8:50
  Speaker 3: and then one day that shit just started changing and
• 8:52
  Speaker 3: I was like, oh, they recognized me in New York.
• 8:55
  Speaker 3: New York love is different.
• 8:56
  Speaker 2: To think about this though. When you get that coach
• 8:59
  Speaker 2: sign from kids, it's almost like a slim dunk.
• 9:03
  Speaker 1: Because it's like, you gotta you gotta say you spit
• 9:06
  Speaker 1: some ship to make they still got to go out
• 9:08
  Speaker 1: and earn it. No, no, I'm not saying no, I'm
• 9:11
  Speaker 1: not saying that. I'm saying, when he spits, if he
• 9:13
  Speaker 1: could impress Jada kiss niggas know he's fit for for
• 9:17
  Speaker 1: what he's doing, got you you know what I'm saying?
• 9:19
  Speaker 3: Yeah, hell yeah, but you still it's still big big
• 9:23
  Speaker 3: feet to how you say, big shoes to step in
• 9:25
  Speaker 3: and ship like that. So yeah, you know, you gotta
• 9:28
  Speaker 3: put that ship all on the line. But it worked
• 9:30
  Speaker 3: out with the bars and ship and that's what guy.
• 9:32
  Speaker 3: I didn't because I didn't get any industry real colsons
• 9:36
  Speaker 3: besides kiss. It was just kiss and then just putting
• 9:39
  Speaker 3: it out like labels were like, I don't see it.
• 9:42
  Speaker 3: All the labels that I don't see it none of that.
• 9:44
  Speaker 3: By the time they saw it was because my data
• 9:46
  Speaker 3: line was going up, you know what I mean, like
• 9:48
  Speaker 3: my streaming like undeniable numbers realistically and statistically, like because.
• 9:53
  Speaker 2: You don't have Fly by Night fins. That's one thing
• 9:55
  Speaker 2: I got. Yeah, you got people that you have a
• 9:58
  Speaker 2: core fan base. What's the kid Russell? Like, what's the
• 10:01
  Speaker 2: kid Rustled with the long hill? I think his name
• 10:03
  Speaker 2: russ shut Us Like, I don't know.
• 10:07
  Speaker 1: Sometimes I think it's better for artist to have like
• 10:10
  Speaker 1: like g Unit, we had a core fan base.
• 10:12
  Speaker 2: Like people, yeah, the whole twenty But you know what
• 10:17
  Speaker 2: I'm saying.
• 10:18
  Speaker 1: When I look at your career because it's early, Like
• 10:20
  Speaker 1: you know, I look at your career, I'm like, he
• 10:22
  Speaker 1: got a core fan base of people that really love
• 10:25
  Speaker 1: balls and love what he do. That's why I know you.
• 10:28
  Speaker 1: What's your favorite part of Europe? I know you hit Europe.
• 10:31
  Speaker 1: I know they love you out there because they love balls.
• 10:34
  Speaker 3: I'm gonna say London because I get a lot of
• 10:36
  Speaker 3: love in London, Like yeah, London is like one of
• 10:38
  Speaker 3: my main markets. Like when I look at the streaming
• 10:40
  Speaker 3: data and ship like that, like heavy in London.
• 10:43
  Speaker 5: So you ain't worried about being that you so respected
• 10:46
  Speaker 5: for balls right now, right, you ain't worried aboudy on
• 10:49
  Speaker 5: this new project going with the.
• 10:50
  Speaker 4: Whole singing shit.
• 10:52
  Speaker 5: You don't think people going like you're gonna throw some
• 10:54
  Speaker 5: of your fans off a little bit.
• 10:55
  Speaker 3: I was bro but I just had to do what
• 10:57
  Speaker 3: was in my heart, you know what I mean. I
• 10:58
  Speaker 3: had to I had to go with my passion like
• 11:00
  Speaker 3: I'm gonna go with I gotta go with my move
• 11:03
  Speaker 3: and what I feel is God's move because I feel
• 11:05
  Speaker 3: like music is spiritual. Like you ever put a beat
• 11:08
  Speaker 3: on in the words just come to your mind.
• 11:10
  Speaker 2: It's just you and that beat about that in fact,
• 11:13
  Speaker 2: but it's the beat.
• 11:14
  Speaker 3: But God's just giving you the instrumental and He's given you, yo,
• 11:17
  Speaker 3: my son, this is your talent right here. Go get crazy.
• 11:21
  Speaker 3: So if God's given me, when I'm in when I'm
• 11:25
  Speaker 3: doing them, singing songs. I'm doing them sitting like in
• 11:29
  Speaker 3: a minute, two minutes, just it's like unconscious, like a
• 11:33
  Speaker 3: stream of consciousness. So I know, like this is what
• 11:36
  Speaker 3: I'm supposed to be doing through God like, and that's
• 11:38
  Speaker 3: how I feel. I can't go against that to try
• 11:41
  Speaker 3: to push the ship. That might sell a little more,
• 11:43
  Speaker 3: you know, but I'm gonna still come back with hits
• 11:45
  Speaker 3: and rappit hits and ship like that. But yeah, I'm
• 11:48
  Speaker 3: in this eraror right now trying to show people them
• 11:51
  Speaker 3: all around artists.
• 11:52
  Speaker 4: You know.
• 11:53
  Speaker 2: So what gives you the drive though?
• 11:54
  Speaker 1: Like for you, you got the balls and ship like
• 11:57
  Speaker 1: when you started, Like what motivated I know you're g
• 12:00
  Speaker 1: in it back in the days because you're still young.
• 12:01
  Speaker 1: I know, Like what motivated you when you started getting
• 12:04
  Speaker 1: in the booth.
• 12:05
  Speaker 3: Like young I started, I started really battle rapping and shit,
• 12:09
  Speaker 3: like just around the neighborhood. I'd be like the kid.
• 12:11
  Speaker 3: It was like, you know, I was a kid you
• 12:14
  Speaker 3: could take to a different neighborhood and just be like, Yo,
• 12:16
  Speaker 3: this little white boy can rap, go ahead, rap right.
• 12:19
  Speaker 3: Motherfuckers did that to me nine million times to like
• 12:22
  Speaker 3: to now when that should probably happened, like five years ago,
• 12:25
  Speaker 3: somebody just told me, oh you rap rapper, and nah,
• 12:27
  Speaker 3: it ain't that no more? Like yeah, that was when
• 12:30
  Speaker 3: I was thirteen, fourteen, fifteen, all the way probably up
• 12:33
  Speaker 3: to like eighteen type shit. But I just always had
• 12:36
  Speaker 3: to drive bro. I felt like this was my purpose.
• 12:39
  Speaker 3: Before I made any money from this shit, I was like,
• 12:41
  Speaker 3: this is my purpose, what I'm here for, Like this
• 12:43
  Speaker 3: is my gift. Even though I got lost and doing
• 12:45
  Speaker 3: other shit for a while, I always knew like rap
• 12:48
  Speaker 3: was my shit. I practiced rapping in the elevator, like
• 12:52
  Speaker 3: to elevator music.
• 12:54
  Speaker 4: You know what I mean.
• 12:54
  Speaker 3: You ever hear a boring ass beat like you get
• 12:56
  Speaker 3: in the elevator? They playing with me, I'll see how
• 12:58
  Speaker 3: I could catch the elevator beat, like I see any
• 13:01
  Speaker 3: beat that come on TV.
• 13:02
  Speaker 4: The phone.
• 13:03
  Speaker 3: You ever called the Giant, It's like they give you
• 13:05
  Speaker 3: the phone music while you're on hold and ship. I'm
• 13:07
  Speaker 3: rapping to this ship like I'm trying to catch any
• 13:10
  Speaker 3: type of beat that's out there. So sometime I think
• 13:12
  Speaker 3: in raps man, like sometime like a.
• 13:13
  Speaker 1: Bank, you go to the studio and do ten records
• 13:16
  Speaker 1: like I might do two, You're gonna do ten?
• 13:19
  Speaker 2: You like that. I know you like yeah, but I don't.
• 13:21
  Speaker 3: I won't record for like a while though, Like I
• 13:24
  Speaker 3: might record every you know, two three weeks and then
• 13:27
  Speaker 3: lock in like I'm not in the studio every night
• 13:29
  Speaker 3: because I gotta live a little. I gotta you know,
• 13:31
  Speaker 3: I gotta live like the podcast.
• 13:35
  Speaker 2: I thought she was in the studio every day.
• 13:36
  Speaker 3: No, I just went I lock and I lock it tough,
• 13:39
  Speaker 3: I lock and I lock that tough Man.
• 13:42
  Speaker 2: Sixteen talk about that.
• 13:45
  Speaker 3: That was that was crazy because that was all you
• 13:48
  Speaker 3: went crazy on that one. Yeah, I knew, I knew
• 13:50
  Speaker 3: I had the plug to get in there, and I
• 13:51
  Speaker 3: would just wait every day for wait every day and
• 13:55
  Speaker 3: hope that they'd have a slot for me because I
• 13:56
  Speaker 3: couldn't get know everybody in there at the major label.
• 14:01
  Speaker 3: Uh pr agent me. I'm just in that ship and
• 14:05
  Speaker 3: they're just telling me, yo, if somebody don't show up,
• 14:08
  Speaker 3: you could be a replacement.
• 14:09
  Speaker 4: Man.
• 14:10
  Speaker 3: I was there for it, and I took the opportunity,
• 14:13
  Speaker 3: and I took the opportunity. The guy who helped me
• 14:15
  Speaker 3: was named Yomi. He's at Apple Music right now. And
• 14:17
  Speaker 3: that just been one of my solid connects. That's been
• 14:20
  Speaker 3: one of my real solid connects, and I never had
• 14:22
  Speaker 3: a lot of connects in the industry. But I didn't
• 14:24
  Speaker 3: need a lot, you know. I just needed the people
• 14:26
  Speaker 3: that I needed for real but not That was some validation,
• 14:29
  Speaker 3: but it still took four years after that to really
• 14:32
  Speaker 3: start getting my ship cranking. The pandemic was when everything
• 14:36
  Speaker 3: started to be like, all right, I can make money
• 14:37
  Speaker 3: off this ship.
• 14:38
  Speaker 5: I noticed you're with the ladies a lot. I know
• 14:40
  Speaker 5: you with the twins. Make sure you get a picture
• 14:43
  Speaker 5: to him with the twins, the twins. That was the twins, tins,
• 14:46
  Speaker 5: which ones, That's how many twins it was you was
• 14:48
  Speaker 5: with It was the twins.
• 14:50
  Speaker 2: Double those twins.
• 14:52
  Speaker 3: I've been with the Double Dose.
• 14:54
  Speaker 2: He always have the girls in the video.
• 14:55
  Speaker 5: I always got the girls in the video out of
• 14:57
  Speaker 5: the Double Dose after them A lot of women. You
• 15:00
  Speaker 5: hang out with the women a lot. Was that like
• 15:02
  Speaker 5: a strategy of yours?
• 15:03
  Speaker 3: Like the I just think, you know, bro, I came
• 15:06
  Speaker 3: from standing on a on the same street for fucking
• 15:09
  Speaker 3: ten years just surrounding our dudes man forever, like, so
• 15:12
  Speaker 3: we gotta switch up the energy. I'm in this shit.
• 15:15
  Speaker 3: If they want to be around, we gotta balance it out,
• 15:17
  Speaker 3: Like we could go out rather us go out right
• 15:19
  Speaker 3: now and it be twenty girls and shit, and we
• 15:22
  Speaker 3: just gotta add one person that can destroy anyone. Shit
• 15:25
  Speaker 3: like that. Like, but man, we gotta balance out the energy,
• 15:30
  Speaker 3: keep that feminine energy around. Like, if it's all dudes
• 15:33
  Speaker 3: in the club, the club's gonna get shot up. It's
• 15:36
  Speaker 3: it's gonna go on like you had the females there.
• 15:39
  Speaker 3: Shit is cool, you know. So yeah, I'll just be
• 15:41
  Speaker 3: trying to enjoy life, man.
• 15:43
  Speaker 5: And I take it that's the motivation for the new project.
• 15:46
  Speaker 5: You just see you singing to the ladies like fuck
• 15:48
  Speaker 5: that I'm talking to y'all.
• 15:49
  Speaker 3: Yeah, yeah, yeah, Because I feel like sometimes even when
• 15:53
  Speaker 3: you're rapping, I'm gonna rap about your mind goes to
• 15:57
  Speaker 3: the most extreme shit you've been through. Now, Actually, whatever
• 16:00
  Speaker 3: is the extreme shit? I feel like that's what you're
• 16:03
  Speaker 3: not going to just rap about going to the corner
• 16:04
  Speaker 3: store and getting a sandwich, Like you're gonna rap about
• 16:07
  Speaker 3: the time when you was banging out with police or
• 16:10
  Speaker 3: whatever the fuck was going on. Whatever was the extreme
• 16:13
  Speaker 3: city in life, that's what's gonna hit your mind first.
• 16:16
  Speaker 3: But I'm like, I'm gonna just go through some extreme
• 16:18
  Speaker 3: love and heartbreak with some vibes and that's gonna be
• 16:21
  Speaker 3: the extreme ship instead of rapping about street shit, I'm
• 16:24
  Speaker 3: gonna swap it out and I'm gonna start, you know,
• 16:27
  Speaker 3: falling in love with some vibes and getting my heart
• 16:29
  Speaker 3: broke a little bit, and that's gonna give me music.
• 16:31
  Speaker 3: And it did you know allegedly.
• 16:34
  Speaker 5: Allegedly he said you ain't break my heart. I'm just like,
• 16:38
  Speaker 5: don't think you broke my heart.
• 16:40
  Speaker 3: Never think that, but ever think that I used you
• 16:43
  Speaker 3: for the material?
• 16:45
  Speaker 2: Definitely.
• 16:46
  Speaker 1: I mean you're getting out your shell. You know, everybody
• 16:49
  Speaker 1: know you for balls, so now you're doing them a lot.
• 16:51
  Speaker 2: Shit.
• 16:51
  Speaker 3: Yeah, for sure. I feel like that's just staying the
• 16:54
  Speaker 3: touch of time too. You know, rap beats changed already
• 16:56
  Speaker 3: like six months and ship like, what's what's the new
• 16:59
  Speaker 3: ship it? That's that singing ship man. You could go
• 17:02
  Speaker 3: straight over a guitar and get busy.
• 17:04
  Speaker 1: I know you're getting a big bag shelter and probably,
• 17:07
  Speaker 1: you know, partly probably send me a bag too. But
• 17:13
  Speaker 1: independent versus major label, like what made you go to
• 17:18
  Speaker 1: independent route?
• 17:19
  Speaker 2: Like what made you want to?
• 17:20
  Speaker 3: I didn't want to. I would have signed to death
• 17:22
  Speaker 3: Cham for twenty thousand dollars and they could have had
• 17:25
  Speaker 3: my contract and perpetuity. Yeah, like you know, they just
• 17:31
  Speaker 3: they just didn't see it because at the time, Bro, I.
• 17:33
  Speaker 1: Always laugh at murder and I have to cut you
• 17:35
  Speaker 1: off about this ten thousand dollars.
• 17:36
  Speaker 2: Deal, see my man, But he said, you know real.
• 17:41
  Speaker 5: Look exactly, and I tell him when I signed for
• 17:43
  Speaker 5: ten thousand dollars on top of that, Mills, I was
• 17:45
  Speaker 5: on the run for shooting somebody. Shout out to my
• 17:47
  Speaker 5: god D from rough Riders and he saw me at
• 17:50
  Speaker 5: the time. He respected my situation. He was like, where'd
• 17:53
  Speaker 5: you on the run for shooting somebody?
• 17:54
  Speaker 4: And he still gave.
• 17:55
  Speaker 5: Me the deal in the bag of bag of hims,
• 17:58
  Speaker 5: right and the bag of guns on top after D.
• 18:02
  Speaker 4: That's my brother, Millman.
• 18:04
  Speaker 2: A lot of twenty death jam.
• 18:06
  Speaker 3: For PEG for twenty man at a certain point, because
• 18:11
  Speaker 3: I had been out in New York. This is out
• 18:13
  Speaker 3: of the sight for I'm trying to I just want
• 18:15
  Speaker 3: to say I did something with my life, bro, and
• 18:17
  Speaker 3: nobody's showing interest. I'm just like, man, whatever, just to
• 18:21
  Speaker 3: say I have a deal. I just wanted to go
• 18:23
  Speaker 3: back home and pop it, like yeah, I'm fucking sign
• 18:25
  Speaker 3: the death jam like out of a gangst out of
• 18:28
  Speaker 3: did it for twenty thousand dollars maybe ten bro, they
• 18:31
  Speaker 3: could have walked me down, like.
• 18:34
  Speaker 1: You know, you're hip hop because for every rapper at
• 18:36
  Speaker 1: a time, it was a time where everybody wanted to
• 18:38
  Speaker 1: be on death jam record.
• 18:39
  Speaker 3: So so I say that to say like, I went
• 18:41
  Speaker 3: independent by default, and I ended up getting obviously way
• 18:46
  Speaker 3: bigger numbers than that and still owning the music. And
• 18:49
  Speaker 3: by the time I dropped the tape, I started catching motion.
• 18:51
  Speaker 3: In twenty twenty one, I dropped the tape and then
• 18:54
  Speaker 3: I got a check after the tape. They had gave
• 18:56
  Speaker 3: me twenty five mands for the tape, which was a
• 18:58
  Speaker 3: lot at the time. That was my biggest deal. Then
• 19:00
  Speaker 3: I got like a forty fifty thousand dollars check after
• 19:03
  Speaker 3: I was like, what's this for another album? And they're like, no,
• 19:05
  Speaker 3: this is like your ship recoup the twenty and now
• 19:08
  Speaker 3: you have made fifty bands or whatever it was he
• 19:11
  Speaker 3: was like, and I was like, Oh, that's independence.
• 19:13
  Speaker 2: I get it all right, and they're like, what's this
• 19:16
  Speaker 2: for I made this?
• 19:18
  Speaker 3: Oh yeah, And then I started just you know, dropping
• 19:21
  Speaker 3: like that. So I never had the machine to like
• 19:23
  Speaker 3: make me super famous and ship. But I had the
• 19:26
  Speaker 3: will power in the Internet to make myself get a
• 19:29
  Speaker 3: little niche fan base to the point where I could.
• 19:33
  Speaker 3: I could eat off this ship, but I still want to,
• 19:35
  Speaker 3: you know, I still want to swing for the fences
• 19:37
  Speaker 3: and ship I would take. I would take the right
• 19:39
  Speaker 3: major deal if it was right. But the independence ship
• 19:42
  Speaker 3: is what God wanted me to do for sure.
• 19:45
  Speaker 2: More money.
• 19:46
  Speaker 5: You know what record I felt like really put like
• 19:48
  Speaker 5: people like in your world for real. I feel like
• 19:51
  Speaker 5: the record you did with LBL and Free Leaf War.
• 19:54
  Speaker 5: I feel like once that record came out, I feel
• 19:56
  Speaker 5: like it was.
• 19:56
  Speaker 3: Like Ristakers, I'm not gonna I'm not gonna lie. I'
• 19:59
  Speaker 3: gonna keep it. I'm gonna keep it. I'm gonna keep
• 20:02
  Speaker 3: it a buck like Risk Takers is the hardest record
• 20:05
  Speaker 3: to come out the East Coast and last ten something years,
• 20:08
  Speaker 3: Like just as a posse cut, there's no hook on it.
• 20:12
  Speaker 3: It's four and a half minutes and the ship is
• 20:14
  Speaker 3: twenty million streams away from gold when no money put
• 20:18
  Speaker 3: into that, just we dig the ship, shot the ship
• 20:21
  Speaker 3: in treacherous ass areas and uploaded the video, and that
• 20:25
  Speaker 3: motherfucker's going and it's streaming and it's that and Leaf
• 20:28
  Speaker 3: ain't never been here to push it with us. He
• 20:30
  Speaker 3: took the whole time, free Leaf war, free Leaf wood Man.
• 20:34
  Speaker 3: He's the best rapper in the world under thirty.
• 20:36
  Speaker 1: Let me tell you if you from the streets and
• 20:41
  Speaker 1: you got that whole body, karate bars, Uncle Murder, gonna
• 20:44
  Speaker 1: put you on first. He put me on about albi Ale. Look,
• 20:48
  Speaker 1: he put me on about Alby Ale when he was
• 20:51
  Speaker 1: like still locked up type shit like niggas in jail,
• 20:54
  Speaker 1: No niggas in jail about his ship.
• 20:55
  Speaker 2: He goes, he's gone jails. He was out of your tell.
• 21:00
  Speaker 1: He's definitely one of my favorite new rappers out of Jersey.
• 21:04
  Speaker 2: Feel I feel like he's we New York.
• 21:06
  Speaker 1: We want him to is fact, you know what I mean,
• 21:08
  Speaker 1: straight gangster everybody know he yeah, yeah, yeah.
• 21:11
  Speaker 3: I got tape coming with Alby. We've been tape coming
• 21:14
  Speaker 3: with him and hopefully some of hopefully Leaf get home
• 21:17
  Speaker 3: and time to give us a versus because.
• 21:20
  Speaker 2: That's what we want. And Leaf put me on. Gotta
• 21:24
  Speaker 2: get Leaf to Leaf forward.
• 21:26
  Speaker 1: Now I know Philly rappers because niggas from mass and
• 21:29
  Speaker 1: Boston spit.
• 21:30
  Speaker 2: Niggas from Philly cand spit New York.
• 21:32
  Speaker 1: You just know he put me on the leaf Forward bro,
• 21:35
  Speaker 1: and you know we be in Miami bumping that ship.
• 21:38
  Speaker 3: We'd be overseas leaf Ward saying we don't talk to twelve.
• 21:41
  Speaker 3: We don't even speak at many nights, and he's saying,
• 21:45
  Speaker 3: so calm.
• 21:46
  Speaker 1: My ship is mistakers, mab music, mall music. Know that's
• 21:50
  Speaker 1: my sh Like. I feel like if Meek Mills would
• 21:53
  Speaker 1: have signed certain niggas, our dream chases would have been
• 21:56
  Speaker 1: out of here for me.
• 21:58
  Speaker 3: When you think about it, it's so much talent and
• 22:00
  Speaker 3: Philly and Philly. The talent is out the roof. I'm
• 22:03
  Speaker 3: not gonna lie like.
• 22:04
  Speaker 4: I feel like I came together with you, him and LB.
• 22:07
  Speaker 3: You know I originally had that ship. I named that
• 22:09
  Speaker 3: ship my realist Friend because at the end, I said
• 22:12
  Speaker 3: my mother about yeah, man, That's what's what I told
• 22:16
  Speaker 3: my mother every time she found that gun, I said,
• 22:18
  Speaker 3: I don't see my homie eyes rolling back right in
• 22:19
  Speaker 3: front of me. It's what I told my mother every
• 22:21
  Speaker 3: time she found that gun on me to told her
• 22:23
  Speaker 3: this my realist friend when everybody go to run on me.
• 22:25
  Speaker 3: So the song was my realist friend, and I had
• 22:28
  Speaker 3: down Q and Alby. Those were the people I wanted, Yeah,
• 22:33
  Speaker 3: because Alby had just came home. Then I put somehow
• 22:37
  Speaker 3: I got in touch with leaf Ward.
• 22:39
  Speaker 2: It just worked.
• 22:39
  Speaker 3: I'm like, all I need my homie. Nip Too was
• 22:42
  Speaker 3: telling me like, yo, leif got the streets and that.
• 22:44
  Speaker 2: Chogo, we can't wait till he gets home.
• 22:47
  Speaker 3: It was harder to track him down, like you know,
• 22:49
  Speaker 3: for the video and ship, but he knew he's seen
• 22:51
  Speaker 3: the play and the visually I pulled up in Philly.
• 22:53
  Speaker 3: He really didn't know I was coming there. I'm like,
• 22:54
  Speaker 3: I'm coming there tomorrow. We're just gonna shoot the video.
• 22:56
  Speaker 2: Bro.
• 22:56
  Speaker 3: Come on, Bro, I got Alby's part done. Let's do it.
• 22:59
  Speaker 4: Bro.
• 22:59
  Speaker 3: The song gonna do twenty million. That was our goal
• 23:01
  Speaker 3: at the time. He's like, all right, I get out
• 23:04
  Speaker 3: to Philly. It's like, damn, you're really here. Bro.
• 23:07
  Speaker 4: Look at that.
• 23:07
  Speaker 3: It's like, all right, let me let me throw some
• 23:09
  Speaker 3: ship on and we went to some we was we
• 23:12
  Speaker 3: was in some sort of war zone our Philian Yeah that.
• 23:16
  Speaker 2: It came out Star Wars shooting.
• 23:19
  Speaker 3: Yeah, pull up.
• 23:20
  Speaker 5: He pulled that man Brooklyn pulled shot the video.
• 23:23
  Speaker 3: Hey, Haiti, bro, Haiti, Bro, you went to I went
• 23:27
  Speaker 3: to Haiti. Bro this nigga. I ain't never even been
• 23:31
  Speaker 3: to Haiti. I was treacherous, treacherous I was. I was
• 23:36
  Speaker 3: in Haiti, and I was in Haiti in twenty eighteen,
• 23:39
  Speaker 3: twenty nineteen, and that's when they snatching bodies. But I'm
• 23:43
  Speaker 3: not knowing because I'm so locked in with the those
• 23:45
  Speaker 3: I grew up with all those. And my Man's like, yo,
• 23:47
  Speaker 3: come to Haiti. And I made the decision. Within twenty
• 23:52
  Speaker 3: four hours. I bought the ticket. By the time I'm
• 23:54
  Speaker 3: telling people like my moms and different people, They're like,
• 23:57
  Speaker 3: you sure, but I'm so fried.
• 23:59
  Speaker 2: I already booked.
• 24:01
  Speaker 3: And for me, I'm in the I'm in the I'm
• 24:03
  Speaker 3: in the airport, I'm at the gate. Now I see
• 24:06
  Speaker 3: now it's it's people walking around. Now there's no more
• 24:09
  Speaker 3: white people. It's over for that. I get on the plane,
• 24:12
  Speaker 3: it's definitely over fall, no more white people. I'm like,
• 24:16
  Speaker 3: all right, we're going to Haiti for real. And I
• 24:18
  Speaker 3: should have knew something because the camera man who was
• 24:20
  Speaker 3: coming out there is my man's cameraman. But he was
• 24:22
  Speaker 3: on my flight and before we bought at the plane,
• 24:25
  Speaker 3: he was like, yo, I don't know about this bro,
• 24:27
  Speaker 3: and I'm like, wi me, I'm not I haven't read
• 24:30
  Speaker 3: the news lately, so yo I told him, I'm like,
• 24:33
  Speaker 3: what you mean, what you mean you don't know about
• 24:36
  Speaker 3: this bro? Like we're sturdy and he goes. My aunt
• 24:38
  Speaker 3: is telling me like really, don't go there, like and
• 24:41
  Speaker 3: I'm like, bro, you straight, bro, come on, bro, we
• 24:44
  Speaker 3: get out there, we land and put a prince man.
• 24:47
  Speaker 3: That's the most aggressive airport. I'm gonna tell you good
• 24:50
  Speaker 3: ship about Haiti too, Like I ain't just gonna say,
• 24:52
  Speaker 3: you know what I mean, but you get your beautiful
• 24:55
  Speaker 3: incredible ship. We get out there and the airport is
• 24:59
  Speaker 3: just superggressive, like if you got suitcases.
• 25:02
  Speaker 4: Motherfuckers like this out of the way, like you know
• 25:05
  Speaker 4: what I mean.
• 25:05
  Speaker 3: It's just you gotta be sturdy, you know in New York,
• 25:07
  Speaker 3: how you gotta walk fast and ship like Haiti's really
• 25:10
  Speaker 3: like that. And then when we got out, Man, when
• 25:13
  Speaker 3: you get out, it's the motherfuckers. The motherfucker's on the
• 25:16
  Speaker 3: chain link fence looking at you like food type shit.
• 25:22
  Speaker 3: We got oh we wasn't no, no, we had we
• 25:24
  Speaker 3: had the army, like we got all the the parties
• 25:26
  Speaker 3: from our city. And then we got real zolds with us.
• 25:29
  Speaker 3: We got sticks, but it's still like they don't really
• 25:32
  Speaker 3: care that much. So we get in ship, were driving
• 25:35
  Speaker 3: and it's just every man for themselves. It's like this
• 25:38
  Speaker 3: big ass street but there's no real lanes to it,
• 25:41
  Speaker 3: but everybody's just doing their thing. Again through six people
• 25:44
  Speaker 3: on the mopad shit going on. But then we got
• 25:46
  Speaker 3: to the we got to the we got to the
• 25:50
  Speaker 3: we got to the hotel. Though, we get to the
• 25:52
  Speaker 3: hotel Kawbe and once you passed the doors to Kawebe,
• 25:57
  Speaker 3: they got the sticks out there. But once you're in there,
• 26:00
  Speaker 3: that shit is paradise. And then I started seeing wild
• 26:02
  Speaker 3: white people in there too, from like other countries and
• 26:04
  Speaker 3: ship and I was like, oh no, Haiti's like it's
• 26:07
  Speaker 3: not like how they said it is. Yeah, you got
• 26:11
  Speaker 3: to make it to that spot. And we went to
• 26:12
  Speaker 3: the club and some of the relationship of my life
• 26:14
  Speaker 3: happened to me at the club. But yeah, like we started,
• 26:18
  Speaker 3: we had it. But it's serious though. Haiti's one of
• 26:22
  Speaker 3: them places.
• 26:23
  Speaker 1: We were supposed to go to Haiti Me fifty holds
• 26:26
  Speaker 1: you in the banks. Everybody was supposed to go to Haiti.
• 26:28
  Speaker 1: And this is when I think the earthquake happened and
• 26:32
  Speaker 1: we were supposed to go with the White Cliff shout
• 26:34
  Speaker 1: the why cliff, you know what I mean? And Wycliffe
• 26:36
  Speaker 1: got shot in the hand. Trip kept canceled after that.
• 26:40
  Speaker 3: Nigga, yeah, you know what.
• 26:44
  Speaker 2: I'm trying to explain it because he's like, I've never
• 26:46
  Speaker 2: I want to go to Haiti.
• 26:47
  Speaker 4: My mom's just take a trip breaking on your own.
• 26:49
  Speaker 2: Nigga's not like that.
• 26:50
  Speaker 4: Bro.
• 26:51
  Speaker 3: You could get your body snatched though, But I ain't
• 26:53
  Speaker 3: gonna lie. But they don't listen.
• 26:54
  Speaker 2: I'm down with fifty.
• 26:57
  Speaker 1: Yeah, fifty gonna pay that random might think about that
• 27:03
  Speaker 1: she ain't worth that two million. I don't have time
• 27:05
  Speaker 1: to negotiate with my with me kidding this guy, I
• 27:09
  Speaker 1: know you ain't putting up no big coins out.
• 27:13
  Speaker 3: You ain't got nothing.
• 27:14
  Speaker 4: I have a big coin for you.
• 27:15
  Speaker 2: But I put him a big squall a barbecue.
• 27:18
  Speaker 3: Ain't got nothing up, yeah, barbecue dollar. You know what's
• 27:21
  Speaker 3: so crazy? I fuck with this rap out there named
• 27:24
  Speaker 3: kater G. I bumped into him. He shot out the
• 27:26
  Speaker 3: kter G man doing your ship out there? And I
• 27:30
  Speaker 3: locked in with him. They real serious people, but my men,
• 27:33
  Speaker 3: you know, my manager Haitian. He on the phone with
• 27:35
  Speaker 3: kter G and Ship and he's saying something to him
• 27:39
  Speaker 3: like when you come into Haiti, my man is just like, yeah,
• 27:42
  Speaker 3: you know, it's kind of crazy with barbecue. Kate G's like, no,
• 27:45
  Speaker 3: that's my gang. You're straight, bro, you know what I'm saying.
• 27:47
  Speaker 3: So barbecue fuck.
• 27:48
  Speaker 4: With the people too.
• 27:49
  Speaker 2: It's like with the people, shout out the barbecue.
• 27:52
  Speaker 4: Man, you got to go to Haiti.
• 27:54
  Speaker 2: Yeah, you know, it's not like we ain't smoked duck
• 27:56
  Speaker 2: out there.
• 27:57
  Speaker 3: No no, no, no, no no, but they got they
• 27:59
  Speaker 3: got the best food. I ain't gonna lie. You just
• 28:01
  Speaker 3: gotta make it to that motherfucking resort. You make it
• 28:03
  Speaker 3: to the resort. It's amazing. And I'm sure there's a
• 28:05
  Speaker 3: lot of beaches and people are super nice and it
• 28:09
  Speaker 3: was amazing. But yeah, we went through some real ship
• 28:11
  Speaker 3: just going to the club and Haiti. Like we went
• 28:13
  Speaker 3: to the club and there's dudes who hang out outside
• 28:16
  Speaker 3: of the club. They're like young, probably like eighteen, maybe
• 28:20
  Speaker 3: like fourteen to twenty four, like, but they pressed us
• 28:24
  Speaker 3: but with like love outside of the club. But it
• 28:28
  Speaker 3: was but it was love. Check it out though, no,
• 28:30
  Speaker 3: check it out. Check it out. Listen, I'm gonna tell
• 28:31
  Speaker 3: you some real shit. So we get we get to
• 28:34
  Speaker 3: the club. I walk in and give me that I
• 28:37
  Speaker 3: got real love Fahaitians like more than probably any other
• 28:40
  Speaker 3: nationality because I grew up with them.
• 28:43
  Speaker 2: Blown. It is fucking real with me, right and so
• 28:47
  Speaker 2: and so, I don't want to say. I don't want
• 28:57
  Speaker 2: to side.
• 28:58
  Speaker 3: Man, you know what's going on. So we walk into
• 29:02
  Speaker 3: the club. As we walking in, there was meet me
• 29:04
  Speaker 3: your millies. They had to drop on me. They're like
• 29:06
  Speaker 3: your millies?
• 29:06
  Speaker 2: What's up?
• 29:07
  Speaker 4: Bro?
• 29:07
  Speaker 2: Like I fuck with you?
• 29:07
  Speaker 3: I'm like, yeah, fuck with you too.
• 29:10
  Speaker 2: I go in to the club.
• 29:11
  Speaker 3: Man, they blowing fire in the club like bad bitches. No,
• 29:14
  Speaker 3: no bad bitches though, like bad bitch is dancing, blowing
• 29:17
  Speaker 3: fire in the club, all type of crazy shit. The
• 29:20
  Speaker 3: club is lit. Some DJ named Tony Mix, Tony Max,
• 29:23
  Speaker 3: Tony Mix, one of them. He was like DJ Drama
• 29:26
  Speaker 3: out there some shit like he was out this world.
• 29:29
  Speaker 3: The club's so crazy.
• 29:30
  Speaker 2: We walk out.
• 29:31
  Speaker 3: The same kids who met us out there. Now he
• 29:36
  Speaker 3: come and dap me again and he's talking. But how
• 29:38
  Speaker 3: they talk, it's just real serious and aggressive. Anyways, So
• 29:41
  Speaker 3: one of my men who I'm with he's like one
• 29:45
  Speaker 3: because we had a lot of people deported from our
• 29:47
  Speaker 3: city to there. So one of my men's grab him
• 29:50
  Speaker 3: on his wrists. Once that happened, he looked at the
• 29:55
  Speaker 3: dude grabbing his wrists and shit just started going sideways.
• 29:58
  Speaker 3: So they're like, come on, males. They start rushing me,
• 30:00
  Speaker 3: like into the car type ship shaking.
• 30:03
  Speaker 2: See this is how I talk about the trip to Haiti.
• 30:06
  Speaker 3: Kind of right, kind of mind. Let me set the stage.
• 30:09
  Speaker 3: Let me set the stage. Let me set the stage.
• 30:12
  Speaker 4: Though.
• 30:13
  Speaker 3: We're out there. When we pulled up to the club,
• 30:15
  Speaker 3: we was in twenty s u vs. Sticks. Every car
• 30:20
  Speaker 3: got a stick in it. I'm feeling real sturdy. We
• 30:24
  Speaker 3: parked in a in a little gravel parking area space
• 30:29
  Speaker 3: at the time, there's no gate in front of it.
• 30:31
  Speaker 3: So when we come out and we walk out and
• 30:34
  Speaker 3: now they meet us for the second time, I'm showing
• 30:37
  Speaker 3: him love. I'm telling people, no, I'm chopping with all
• 30:39
  Speaker 3: of them.
• 30:39
  Speaker 1: Right now.
• 30:41
  Speaker 3: My man grabs him, shit goes left. Everyone's like, come on,
• 30:44
  Speaker 3: come on. We start pushing to the parking lot. So
• 30:46
  Speaker 3: we go into the parking lot. But now the parking
• 30:49
  Speaker 3: lot I was in with no gate Now this shit
• 30:50
  Speaker 3: got a whole steel gate. So now we're just in
• 30:54
  Speaker 3: there and there was like this back door to get
• 30:56
  Speaker 3: into the.
• 30:57
  Speaker 2: Sticks.
• 30:58
  Speaker 3: So we got sticks. We got stick in the car.
• 31:01
  Speaker 3: But the problem is we only got we had we
• 31:04
  Speaker 3: had we had twenty cars though, but each one went
• 31:07
  Speaker 3: to a different place, so we only got we only
• 31:09
  Speaker 3: got three cars. Now right now, all of the kids
• 31:14
  Speaker 3: listen different now listen, now listen all of it, all,
• 31:18
  Speaker 3: all of the kids. That was kind of pressing us out.
• 31:22
  Speaker 3: I don't want to say pressing because I feel like
• 31:24
  Speaker 3: they were showing love.
• 31:26
  Speaker 2: I don't know, it's not my you know, it's crazy.
• 31:28
  Speaker 2: They just even go to Haiti like just but it's love.
• 31:32
  Speaker 4: Though.
• 31:32
  Speaker 3: I move with gods, so it's good. Like but we
• 31:35
  Speaker 3: walk into the getting in the parking lot, we get
• 31:37
  Speaker 3: in the truck. I'm not I'm still not thinking nothing
• 31:39
  Speaker 3: because I have seen so many people yelling at each
• 31:41
  Speaker 3: other and creole and ship. I'm just like, this is
• 31:44
  Speaker 3: some regular ship. I'm really looking at Instagram. Now I
• 31:47
  Speaker 3: kind of look up. Man, it's people surrounding our truck
• 31:52
  Speaker 3: like for real, and now they banging on the windows
• 31:55
  Speaker 3: and ship like this. So I'm still I'm still thinking
• 31:58
  Speaker 3: it's regular. I mean worse than I mean way worse
• 32:01
  Speaker 3: than belly though you don't knocking on the car those
• 32:04
  Speaker 3: little kids. Yeah, like this, I said, So I asked
• 32:08
  Speaker 3: my man, my man is real, calm, shout out to Blaze,
• 32:11
  Speaker 3: shout out to Blade. No, hey, hey, will Robs Hey,
• 32:15
  Speaker 3: he's gone got some ship coming. But my man Blazes
• 32:19
  Speaker 3: in the car is a very calm individual. And when
• 32:22
  Speaker 3: he looked up and he said, what's going on, man,
• 32:25
  Speaker 3: I said, oh ship, that's when everything just shot it
• 32:28
  Speaker 3: For me. I'm like, oh, we're in a bad predicament.
• 32:30
  Speaker 2: Right now for real.
• 32:32
  Speaker 3: And now our driver, our driver. He's the one I
• 32:34
  Speaker 3: thought was square. He's my Man's older brother. My Man
• 32:37
  Speaker 3: Mango swerves older brother. I thought he was square the
• 32:40
  Speaker 3: whole trip they had me and Haiti. Yeah, lie, if
• 32:47
  Speaker 3: it was man, if I can't have people in Haiti,
• 32:50
  Speaker 3: they can't have me though. But so my Man Mango
• 32:54
  Speaker 3: Swerves brother, I always thought he was real, just squad
• 32:56
  Speaker 3: hasting guy. But he's showing teeth like a like the
• 33:00
  Speaker 3: wolves is dead and he's barking back at him like
• 33:03
  Speaker 3: I'm telling you all, bro, but they're not scared of
• 33:05
  Speaker 3: the guns. Bro, and and they and they relate it
• 33:09
  Speaker 3: and them, and I tell him, I'm like, Yo, what
• 33:13
  Speaker 3: are they saying to us?
• 33:14
  Speaker 4: Bro?
• 33:14
  Speaker 3: Just give me the basics of what they're saying.
• 33:16
  Speaker 4: Bro.
• 33:16
  Speaker 3: And he's like, Yo, they want six thousand dollars American
• 33:19
  Speaker 3: for us to leave this parking lot. So I'm like,
• 33:24
  Speaker 3: I'm like, damn, this kind of crazy. But I still
• 33:27
  Speaker 3: I'll be having so much favor in God. Like I'm like,
• 33:31
  Speaker 3: you see why I'm starting. But my yo, my my
• 33:33
  Speaker 3: driver is still showing like aggression, Like Jude is still
• 33:36
  Speaker 3: showing aggression to them. It's just a lot of aggression types.
• 33:38
  Speaker 4: They wanted to six thousand because the way your man
• 33:40
  Speaker 4: grabbed no Bro, it was.
• 33:42
  Speaker 3: Just an extortion all kind of fucker O ship. This
• 33:46
  Speaker 3: is our watch belly, y'all, y'all rappers from America.
• 33:50
  Speaker 2: Kick up this, kick up this breech six thousand American.
• 33:54
  Speaker 2: Like a nigga kidnapped.
• 33:55
  Speaker 4: Yo.
• 33:55
  Speaker 2: Imagine we go out.
• 33:56
  Speaker 1: There, you got your jewelry or your jewelry, give us
• 34:01
  Speaker 1: a million, two million dollars. Niggas are stuck like Chuck Boyce.
• 34:06
  Speaker 4: So that what happened. So so we in there.
• 34:11
  Speaker 3: Shit just keep going on. And then somebody with like
• 34:15
  Speaker 3: a fake sort of swat vest, like you don't know
• 34:18
  Speaker 3: if the police is the police or they cook it,
• 34:20
  Speaker 3: whatever it is. Somebody with some sort of swat vest
• 34:22
  Speaker 3: come in and he's like, hey, everybody, get out the
• 34:24
  Speaker 3: this shit now. In that time, one of the people
• 34:28
  Speaker 3: we was with in the car behind us run popped
• 34:30
  Speaker 3: the gate, opened the gate. As soon as we open
• 34:33
  Speaker 3: the gate, my driver just floored that shit. We almost
• 34:36
  Speaker 3: hit some kids getting out of there, and he did
• 34:39
  Speaker 3: about seven. He did about seventy and these is backstreets.
• 34:43
  Speaker 3: He's doing like seven. You know, that's fast on like
• 34:46
  Speaker 3: little backstreets that ain't lit. He did seventy. Back to
• 34:49
  Speaker 3: the hotel, call Web. Once I passed that gun line
• 34:51
  Speaker 3: with the security, I sat there. I'm like, oh, I
• 34:54
  Speaker 3: ain't safe here, Like this is crazy.
• 34:59
  Speaker 4: Yeah.
• 35:00
  Speaker 2: The next day nobody.
• 35:03
  Speaker 3: Now the next day. Now, the next day they tell me, yeah,
• 35:06
  Speaker 3: people's getting their body snatched out here, like so people,
• 35:10
  Speaker 3: And I'm like, what you mean, like they're getting their
• 35:12
  Speaker 3: body snatched like people? Is uh, they're getting kidnapped out here,
• 35:15
  Speaker 3: And I'm like kidnapped. This is some ship, Like I'm thinking,
• 35:18
  Speaker 3: like just treacherous shit. But I'm not thinking kidnapped. So
• 35:21
  Speaker 3: the next day, like I kind of play close to
• 35:23
  Speaker 3: the hotel. Still we still we still had to go
• 35:27
  Speaker 3: out though. But now I'm just sturdy, like I'm standing
• 35:30
  Speaker 3: against cars and make because event could drop by and
• 35:32
  Speaker 3: they could just take your body. I'm like one sixty
• 35:35
  Speaker 3: five or some ship, you know what I mean. Like man,
• 35:37
  Speaker 3: but uh, long story show up. By the time I
• 35:39
  Speaker 3: got to the airport, I felt real blessed. But I'm
• 35:43
  Speaker 3: glad I went out there, and I say that that's
• 35:45
  Speaker 3: that's a yeah, that's a that's a dramatic story. To
• 35:48
  Speaker 3: go nigga, that's a dramatic story. But there was a
• 35:51
  Speaker 3: lot of love out there. Amazing food, was a lot
• 35:54
  Speaker 3: of love. It's just you gotta move super sturdy and
• 35:57
  Speaker 3: when they do fix it up because you know, American
• 35:59
  Speaker 3: all them been robbing these motherfuckers for everything they've been
• 36:03
  Speaker 3: keeping Haiti down because Haiti independently freed itself in eighteen
• 36:07
  Speaker 3: o four. And then like why is there no eighteen
• 36:09
  Speaker 3: o four movie though? With Tucson Preach, Saint Lauren and
• 36:14
  Speaker 3: all of that. Tucson man, like you, yeah, this should
• 36:18
  Speaker 3: be an eighteen o four just like this the ship
• 36:20
  Speaker 3: with Russell Crowe Gladiator. Why why we can't see them
• 36:23
  Speaker 3: killing nineteen million French people? That's too crazy. But that's
• 36:28
  Speaker 3: why they try to hold Haiti down. But once, once
• 36:31
  Speaker 3: the fucker he gets over with, Haiti's gonna rise back
• 36:34
  Speaker 3: because there's no more beautiful beaches, beautiful women, beautiful amazing food.
• 36:40
  Speaker 2: It's all set up for the wind. It's all set
• 36:42
  Speaker 2: up for the wind.
• 36:43
  Speaker 5: It's the matter you telling me something. You've never been
• 36:45
  Speaker 5: there yet. Brother, I'm not let my man tell me
• 36:47
  Speaker 5: that been there. You know what I'm saying.
• 36:49
  Speaker 2: Tell what he got out of there is beautiful. He
• 36:52
  Speaker 2: got out of the six If we went do fifty,
• 37:01
  Speaker 2: what you think is gonna happen with us?
• 37:03
  Speaker 4: When fifty we're.
• 37:03
  Speaker 2: Gonna have fucking thousands.
• 37:07
  Speaker 1: We went fifty fifty good me and you go there, dude,
• 37:13
  Speaker 1: that's fifty in the kidnapped them. Now we went barbecue,
• 37:18
  Speaker 1: getting barbecue.
• 37:20
  Speaker 4: Yeah, I can't fuck with this day.
• 37:22
  Speaker 3: Barbecue you meaning barbecue, love you, We love you.
• 37:28
  Speaker 2: Mann. Niggas are crazy.
• 37:31
  Speaker 1: They're not trying to Hey, I ain't gonna lie you
• 37:33
  Speaker 1: tell that niggas six thousand the parkas.
• 37:35
  Speaker 3: Bro I'm gonna keep it a buck. I call that
• 37:37
  Speaker 3: Haitian power, bro. I really believe like Haitian's got a
• 37:39
  Speaker 3: different type of power. You gotta understand. They overthrew the
• 37:43
  Speaker 3: French army with like extracting poison from blower fishes and
• 37:48
  Speaker 3: thinking and just having more heart and will power. Like
• 37:53
  Speaker 3: I'm trying to tell you, bro something, and that's why.
• 37:55
  Speaker 3: And when I pushed into the game that they.
• 37:57
  Speaker 2: Was used to the army US.
• 38:00
  Speaker 1: When they hit him, they hit him at like a
• 38:02
  Speaker 1: certain kind of season where they knew they was gonna
• 38:04
  Speaker 1: be fucked up in Haiti. Like Haitians both my parents
• 38:08
  Speaker 1: made I never met like every Haitian I met. Its
• 38:10
  Speaker 1: crazy like our parents is like we was trained like
• 38:14
  Speaker 1: military as little don't go in the figuretta, you go
• 38:16
  Speaker 1: to somebody else. Take h's off, you know what I mean. Curfew, curfew,
• 38:23
  Speaker 1: my mom.
• 38:23
  Speaker 3: Yeah, I pushed into the when I came into the game.
• 38:29
  Speaker 4: We grew up.
• 38:30
  Speaker 3: That's who the fuck I pushed in with because I
• 38:33
  Speaker 3: grew up with all of th olds. So I'm pushing
• 38:35
  Speaker 3: in with Dominicans and Haitians for real, Like, and that's
• 38:38
  Speaker 3: what made my sh different. You know, It's never been
• 38:40
  Speaker 3: a white boy in the history a rap to move around.
• 38:45
  Speaker 3: I got Haitian power.
• 38:46
  Speaker 1: To ship back in the days when niggas were getting
• 38:48
  Speaker 1: like gum bees and like parts and all that ship.
• 38:51
  Speaker 1: No no, no, like you know, like you can get
• 38:54
  Speaker 1: a hook though half loon, you can get this ship.
• 38:57
  Speaker 2: We couldn't have no fun friends over no friends. Don't say.
• 39:04
  Speaker 1: Everything was strict because Haitians they'll give you tough love.
• 39:08
  Speaker 2: So my mom's way of love was not I love you.
• 39:12
  Speaker 2: I'm going to what that's it. Nigga used to joke
• 39:16
  Speaker 2: on me. Beans and rice every day, chicken yo, beans
• 39:19
  Speaker 2: and rice every day.
• 39:20
  Speaker 1: You know what I'm saying. But nigga, we had a
• 39:23
  Speaker 1: strict lifestyle. We got in trouble. It was all hell
• 39:26
  Speaker 1: break loose.
• 39:26
  Speaker 2: It's a drug deal. Every Haitian parent wants you to
• 39:30
  Speaker 2: be a doctor, nigga, doctor lawyer. Niggas was drunk, y'all.
• 39:34
  Speaker 4: Niggas is street nigga, y'all. Niggas ain't no doctors, man, y'all.
• 39:38
  Speaker 2: Niggas don't look like no parents.
• 39:39
  Speaker 3: You know, I ain't gonna lie my man. We don't
• 39:41
  Speaker 3: look like we're from the We're from the same street.
• 39:44
  Speaker 3: And I love I love his mom's to death. She
• 39:46
  Speaker 3: was so strict when I was, I was scared of her.
• 39:48
  Speaker 3: I'm like, man, I want no problems God.
• 39:52
  Speaker 2: And everybody crib got raided. It's sat out. My mama
• 39:55
  Speaker 2: love sat because I couldn't have company, niggas. Everyone crib
• 40:03
  Speaker 2: got raided. My man around the corner. Crib got raided.
• 40:06
  Speaker 2: You know his crib never get nigga. My mom's no company,
• 40:09
  Speaker 2: no comany of my punch. They know what I'm saying.
• 40:16
  Speaker 2: The word.
• 40:18
  Speaker 3: I learned all the curse if I if I was smart,
• 40:21
  Speaker 3: I would have learned like the real I learned all
• 40:22
  Speaker 3: the curse words and ship, so I know. I tell
• 40:25
  Speaker 3: the motherfucker like, man, you know what I mean? Jeu
• 40:28
  Speaker 3: my cock, motherfucking suit said lamb. Where I know all?
• 40:32
  Speaker 3: I know all the worst ship to say.
• 40:34
  Speaker 4: Yeah, he no more fail than you.
• 40:35
  Speaker 2: Somebody he might do he do?
• 40:37
  Speaker 4: Yeah he do he do. I wouldn't hear you say
• 40:39
  Speaker 4: something right now?
• 40:40
  Speaker 2: Cock ship cock ship you piece of ship? What he
• 40:45
  Speaker 2: just said, call your pieces?
• 40:46
  Speaker 4: And he called me.
• 40:48
  Speaker 3: I know the curses because my mom just to curse
• 40:50
  Speaker 3: me out the curse.
• 40:55
  Speaker 1: Before rang with the Zoe's. I told you our parents
• 40:59
  Speaker 1: never told us, I love you. They go to work
• 41:01
  Speaker 1: and that ship. Niggas not parents, Haitian parents are gonna
• 41:05
  Speaker 1: tell you they love. It's just like Jamaicans like that
• 41:08
  Speaker 1: Haitians and we from queens. So that's all I came
• 41:12
  Speaker 1: up with is around Jamaicans Haitians Guyannese. Well that was
• 41:17
  Speaker 1: my like every I knew niggas that tough Guyanese niggas,
• 41:20
  Speaker 1: tough trining niggas, don't Haitian niggas. You know what I'm saying.
• 41:23
  Speaker 1: Tough Jamaican niggas. Niggas pull out them old school knobs
• 41:26
  Speaker 1: that flip around.
• 41:27
  Speaker 2: And ship like back in the day, butterfly like some
• 41:29
  Speaker 2: ship that with a little hend on it. Niggas all
• 41:32
  Speaker 2: drop wild.
• 41:36
  Speaker 4: Man.
• 41:36
  Speaker 2: You know that Jamaicans had the weed spots, don't luck.
• 41:41
  Speaker 4: But want some more drinks.
• 41:42
  Speaker 5: So this so this, so this project you got dropping
• 41:45
  Speaker 5: who you got on it with some of the feet all.
• 41:46
  Speaker 5: Do you got any features on this project?
• 41:48
  Speaker 4: Yeah?
• 41:48
  Speaker 3: I got my mayor, Richie Rose. I got him on
• 41:53
  Speaker 3: a big song on and and then I got a Honcho,
• 41:56
  Speaker 3: you know Honcho super stamps.
• 41:58
  Speaker 2: With the girls.
• 41:59
  Speaker 3: That's helping my record go up with the with the
• 42:02
  Speaker 3: you know bad bench community.
• 42:04
  Speaker 4: Okay, okay, we need you to show Yeah, we need
• 42:11
  Speaker 4: you to pull up over here. Man is lit.
• 42:14
  Speaker 2: Man, if we're working, consistency is the key. And you
• 42:17
  Speaker 2: know we got people like you on the show. Man.
• 42:20
  Speaker 3: Yeah, I gotta go to Morocco with you though, man,
• 42:23
  Speaker 3: smoke duck.
• 42:23
  Speaker 2: Yeah, what's your favorite spot overseas?
• 42:27
  Speaker 3: I see the ship you be saying is real extravagant.
• 42:30
  Speaker 3: I don't think I reached that level. Like I'm trying.
• 42:33
  Speaker 3: I'm trying to think like London, Paris is cool, Paris
• 42:37
  Speaker 3: a little boogie.
• 42:38
  Speaker 2: And ship and see the Mona Lisa, you know ship
• 42:43
  Speaker 2: like that?
• 42:43
  Speaker 3: No, I would, but I don't know who I got.
• 42:46
  Speaker 3: I gotta get the plug for thats the loop.
• 42:48
  Speaker 2: No, you can just go to the loop security.
• 42:52
  Speaker 3: I'm gonna go to loot one day. But I like
• 42:55
  Speaker 3: like self. I like like d R and SHIP. I
• 42:58
  Speaker 3: like to go to d R and go to Lakapi.
• 43:00
  Speaker 4: THI, man, we know what's going on in d but
• 43:03
  Speaker 4: I go there.
• 43:03
  Speaker 3: I'm going to DR a different way. Man, I'm tapping
• 43:06
  Speaker 3: in like you know, we got many d R and mass.
• 43:09
  Speaker 3: You ever heard of Lawrence?
• 43:10
  Speaker 4: No?
• 43:11
  Speaker 2: You heard a Lawrence in DR?
• 43:14
  Speaker 4: No?
• 43:15
  Speaker 3: It's many dr in Massachusetts, but it's the town. It's
• 43:18
  Speaker 3: all Dominicans type ship like it's a city in mass
• 43:22
  Speaker 3: all Dominicans.
• 43:23
  Speaker 4: Though.
• 43:23
  Speaker 3: So, how y'all got the Washington Heights Okay, dykeman and
• 43:26
  Speaker 3: ship like that? We got that in a major, major, major, major,
• 43:30
  Speaker 3: major way. So when I go to La Copi chald
• 43:34
  Speaker 3: they already know me because you know, we just tapped
• 43:37
  Speaker 3: in from so many people coming back and forth from
• 43:40
  Speaker 3: Boston and.
• 43:40
  Speaker 2: Shit, so so you be knowing the Spanish music too, niggas.
• 43:44
  Speaker 3: I love a little bit. I got to spend the
• 43:47
  Speaker 3: song with TV guns and ship, but yeah, you know,
• 43:50
  Speaker 3: I fucked with some of the dimbo and ship like that.
• 43:53
  Speaker 2: How the Cape Verdians get to Boston always wanted.
• 43:55
  Speaker 3: That, I don't know. I don't know. I think like
• 43:58
  Speaker 3: nine percent of them. They got black sand beaches.
• 44:01
  Speaker 2: I heard Kate Verdie.
• 44:03
  Speaker 3: Yeah, black sand beaches. They got Katrooper. You know what
• 44:07
  Speaker 3: Katrooper is? What's that's that's like their famous dish and ship.
• 44:11
  Speaker 3: I don't want to get it wrong.
• 44:13
  Speaker 2: He got cap Verdian girlfriends, you know about all that?
• 44:16
  Speaker 3: Definitely, I definitely had Kate Verdie and girlfriends for sure.
• 44:19
  Speaker 1: Because y'all know, y'all used to the Kate Verdian women
• 44:21
  Speaker 1: out there. That's one thing y'all got.
• 44:23
  Speaker 4: It's just a.
• 44:24
  Speaker 2: Mixture, you know a lot.
• 44:25
  Speaker 3: They're like a national treasure. When I move around with
• 44:27
  Speaker 3: everybody telling me rappers, basketball player, y'all got Kate Verdi
• 44:30
  Speaker 3: and women.
• 44:31
  Speaker 1: No, because Kate Verdi. I always knew Boston for that,
• 44:33
  Speaker 1: Like you you, they have beautiful women. We used to
• 44:36
  Speaker 1: go on the Mix state tours and they'd be like,
• 44:38
  Speaker 1: oh see, we're from kate Verdier and I'm like, I'm like,
• 44:40
  Speaker 1: with's Cape Verdier And they be like Africa, so you
• 44:43
  Speaker 1: know seev right, So you'd be like, damn, chicks is bad.
• 44:46
  Speaker 1: So I always wondered, like why everybody in Boston is
• 44:50
  Speaker 1: Kate Verdian because we don't have We don't have too
• 44:52
  Speaker 1: much Kate Verdians in New York.
• 44:53
  Speaker 3: I think we got nations. We got we got ninety
• 44:56
  Speaker 3: ninety percent of the population. If I'm not, if I'm not,
• 44:59
  Speaker 3: you know one of them, shiit eighty ninety. It came
• 45:01
  Speaker 3: to Massachusetts and Rhode Island, like Providence and all that.
• 45:05
  Speaker 2: Like I never met a girl from New York from
• 45:08
  Speaker 2: from Cape Verdie me neither.
• 45:11
  Speaker 5: So you said you got a project with a yeah
• 45:13
  Speaker 5: when you when you're gonna when y'all dropping. I know
• 45:14
  Speaker 5: the street's gonna be looking forward to that summertime we
• 45:17
  Speaker 5: don't put.
• 45:17
  Speaker 3: That yeah, yeah, yeah, we're gonna try to get it.
• 45:19
  Speaker 3: He got he got me boring off, he got me
• 45:21
  Speaker 3: boring off. So okay, I'm gonna do that and I'm
• 45:24
  Speaker 3: gonna drop again. Continue to drop, man, that's the name
• 45:26
  Speaker 3: of the game with this ship for me, like this volume, man,
• 45:29
  Speaker 3: I gotta just drop, drop, drop, And one of the
• 45:32
  Speaker 3: ships that it hurts you as an artist is feeling like, damn,
• 45:34
  Speaker 3: this is a song that should blow up. You're gonna
• 45:36
  Speaker 3: drop about ten of them and be like, then what happened?
• 45:38
  Speaker 3: Nothing happened with it? That was my baby, you know
• 45:40
  Speaker 3: what I mean. But you gotta just keep going. And
• 45:43
  Speaker 3: I look at my mind like a factory in Columbia,
• 45:46
  Speaker 3: peruvial where they make the cocaine and ship like I
• 45:49
  Speaker 3: got an unlimited amount of this ship in my mind.
• 45:51
  Speaker 3: So I usually, like, you know, in that manner.
• 45:55
  Speaker 5: You feel like that, I know, you feel like a
• 45:58
  Speaker 5: record posted dude like Bigger, like he's supposed to do
• 46:02
  Speaker 5: more numbers.
• 46:03
  Speaker 3: Yeah, I sick a fuck you up. That's a fucking
• 46:06
  Speaker 3: confidence up for real. But I feel like it's just
• 46:08
  Speaker 3: the key to just keep dropping and look at it
• 46:10
  Speaker 3: like I can make a million of these, like that's
• 46:12
  Speaker 3: not my best, So you can never look at it
• 46:13
  Speaker 3: like fall in love with the record. Yeah, you don't
• 46:15
  Speaker 3: fall in love with the record like that.
• 46:16
  Speaker 4: I think.
• 46:17
  Speaker 2: I think artists don't know what the hit is.
• 46:20
  Speaker 3: You don't.
• 46:20
  Speaker 2: You just it's just gonna come to you naturally.
• 46:22
  Speaker 3: It just comes, and the people going to tell you
• 46:24
  Speaker 3: what's to hit too.
• 46:25
  Speaker 2: To you never know what the h is in your mind.
• 46:27
  Speaker 2: It could be your favorite exactly.
• 46:30
  Speaker 3: I had to try to learn to separate myself from
• 46:32
  Speaker 3: that because one of my distro deals was a way
• 46:36
  Speaker 3: bigger deal and we blew like seventy five thousand on
• 46:39
  Speaker 3: this record that I like, in my mind, I was like,
• 46:42
  Speaker 3: this shit record and that record is not even in
• 46:44
  Speaker 3: my top one hundred stream songs and I blew seventy
• 46:49
  Speaker 3: five thousand on it, So that was your face. Yeah,
• 46:52
  Speaker 3: Then the record that I put nothing on a million
• 46:56
  Speaker 3: times better than that, So it's like, yeah, you can't
• 46:58
  Speaker 3: really fall in love with the records an artist with.
• 47:00
  Speaker 5: That tort you though right there, Like, damn, I put
• 47:02
  Speaker 5: all this money behind this record. It ain't do too
• 47:04
  Speaker 5: much but record that I just ain't really even have
• 47:07
  Speaker 5: to put that much.
• 47:09
  Speaker 3: Yeah, that's that's why I'm looking now for like the
• 47:12
  Speaker 3: organic reactions, like what goes like organically, That's the only
• 47:15
  Speaker 3: way I'm gonna spend money. I gotta put this ship
• 47:17
  Speaker 3: out now, see what what's people fucking with? And then
• 47:20
  Speaker 3: put put it back on.
• 47:21
  Speaker 4: I mean, this went okay, this one is grabbing the
• 47:23
  Speaker 4: people attention.
• 47:24
  Speaker 3: Yeah, like even re SACas we put it out. But
• 47:26
  Speaker 3: at the same time I was putting out man other ship,
• 47:29
  Speaker 3: that was the one that went. If I knew, like
• 47:30
  Speaker 3: I knew, now how to you know what I mean,
• 47:32
  Speaker 3: really try to put a bag on it? Because it
• 47:34
  Speaker 3: just went natural.
• 47:34
  Speaker 2: I think you never know what's gonna be the record though,
• 47:37
  Speaker 2: you don't. You just don't know.
• 47:40
  Speaker 4: This guy helped fifty pick many man. Fifty ain't even
• 47:43
  Speaker 4: like he hated that record.
• 47:44
  Speaker 2: Impossible tool Now you're serious to.
• 47:49
  Speaker 4: Slow damn Well, I'm like it was too slow.
• 47:53
  Speaker 1: I mean the record was done already, so but he
• 47:55
  Speaker 1: just didn't like the record like that, and I'm like,
• 47:57
  Speaker 1: you're fucking and that that record?
• 47:59
  Speaker 3: Is it? Yeah, that's one of these means.
• 48:01
  Speaker 1: You know, that's why a lot of people sleep on fifty.
• 48:04
  Speaker 1: But I'm like, if we go back Ge and the mixtape,
• 48:07
  Speaker 1: we'll kill everybody.
• 48:09
  Speaker 3: You know, man to talk all that shit, like nah,
• 48:11
  Speaker 3: one hundred percent, one hundred percent.
• 48:14
  Speaker 2: Shot of getting shot talking that ship.
• 48:16
  Speaker 3: Now that tvds in the CDs, I used to be
• 48:19
  Speaker 3: so inspired.
• 48:20
  Speaker 1: Always nobody's ever holding you down if you got the
• 48:23
  Speaker 1: pistol too, Like, if we all three got the pistol,
• 48:27
  Speaker 1: who's holding who down?
• 48:29
  Speaker 2: If I ain't got the pistol? Yeah, you holding me
• 48:31
  Speaker 2: down because I ain't got it?
• 48:33
  Speaker 3: Give it you just around you are?
• 48:34
  Speaker 1: Actually everybody got the pistol. Ain't nobody holding fifty down?
• 48:39
  Speaker 1: So niggas like I was holding him down? How are
• 48:42
  Speaker 1: you holding somebody down that got the pistol too.
• 48:43
  Speaker 3: I'm gonna keep it a buck, that's the thing. And
• 48:45
  Speaker 3: rap though. I feel like dudes get around and then
• 48:47
  Speaker 3: they be feeling like they might hang around you for
• 48:49
  Speaker 3: three or whatever it is, three months, three years and
• 48:52
  Speaker 3: feel in their mind like I was protecting you, bro,
• 48:55
  Speaker 3: if you never did nothing actively to protect me though,
• 49:00
  Speaker 3: like you like, nothing happened. What the fuck was you
• 49:02
  Speaker 3: optical security? You don't like you know what I mean?
• 49:06
  Speaker 3: You you stood there and looked tough, Bro, I could
• 49:09
  Speaker 3: contract not the average guy outside is looking tough right now,
• 49:13
  Speaker 3: and I could have brought him with me for that,
• 49:14
  Speaker 3: Like you ain't protect me or push the line for
• 49:17
  Speaker 3: this ship. And that's why I had to Really, That's
• 49:19
  Speaker 3: why I be with all girls too now man, because
• 49:21
  Speaker 3: they're not going to be like Millis. I was protecting
• 49:23
  Speaker 3: you know what I mean? It was me feeling and
• 49:27
  Speaker 3: titled because they came around and yeah, I was in
• 49:29
  Speaker 3: them spots and we m up. But I go out
• 49:31
  Speaker 3: every night and day and risk my life. So what
• 49:34
  Speaker 3: happened all the other times I made it through was
• 49:37
  Speaker 3: you protecting me in spirit?
• 49:38
  Speaker 2: Then you hate me on the whim. I know you
• 49:41
  Speaker 2: go everywhere you do.
• 49:43
  Speaker 4: So how so dealing with there we in social media? Ever? Now?
• 49:48
  Speaker 5: How you deal with the hate that the negative comments?
• 49:51
  Speaker 5: Like we were just talking earlier niggas.
• 49:53
  Speaker 2: Nigga Billion Red he told on his brother, how.
• 49:56
  Speaker 4: You deal with that? Ship?
• 49:57
  Speaker 5: Man?
• 49:58
  Speaker 3: That was the first time I have seen some proper again,
• 50:00
  Speaker 3: I said, Oh, I got proper ganda pages about me.
• 50:02
  Speaker 4: I'm doing good.
• 50:03
  Speaker 3: I'm successful, you know what I mean. But I think
• 50:06
  Speaker 3: now when I when I make a post, if I
• 50:08
  Speaker 3: don't see no hate under the post, I'm like, oh,
• 50:10
  Speaker 3: this post ain't about to do nothing. If it's just
• 50:12
  Speaker 3: if it's just all fire emojis, I'm like, chalk this
• 50:15
  Speaker 3: one up. It's not gonna do nothing. You need that
• 50:17
  Speaker 3: hate because the hate drives the algorithm type shit. So
• 50:21
  Speaker 3: you want to keep a balance, though you don't just
• 50:22
  Speaker 3: want to just do some of motherfuckers just jump out
• 50:24
  Speaker 3: there to look at it like.
• 50:26
  Speaker 1: This, guys, right, instead of the hater is the people
• 50:29
  Speaker 1: will hate on me and you, and instead of them
• 50:32
  Speaker 1: being the street taking lives or selling drugs, they can
• 50:35
  Speaker 1: hate on us and make ten fifteen grand in a month.
• 50:38
  Speaker 2: We not mad at you, Yeah, everybody. That's how you
• 50:41
  Speaker 2: got to look at it.
• 50:42
  Speaker 1: A person is making money off your likeness because once
• 50:45
  Speaker 1: you sign that line, you are public property.
• 50:50
  Speaker 2: Yeah, sign that deal, Yo'm uncle.
• 50:52
  Speaker 3: Murder as soon as soon as you put out a song.
• 50:55
  Speaker 2: Property And Nigga could say what he want to say
• 50:57
  Speaker 2: or make up any story.
• 50:58
  Speaker 3: But that's why I say that, That's why certain people
• 51:00
  Speaker 3: be scared of success and they won't pop out because
• 51:02
  Speaker 3: they scared to deal with you know, shit like that.
• 51:05
  Speaker 3: But you can't have one without the other. This is life. Yeah. Yeah,
• 51:09
  Speaker 3: people terrify to post a picture sometimes, you know what
• 51:12
  Speaker 3: I mean. So it's like, shit, man, I'm putting myself
• 51:16
  Speaker 3: out there, like, of course, everybody's not supposed to like
• 51:19
  Speaker 3: this shit. I wouldn't expect you to like this shit
• 51:21
  Speaker 3: if you haven't lived my life or walked in my
• 51:23
  Speaker 3: shoes or been through none of my experiences. Like what
• 51:27
  Speaker 3: have you been through that qualifies you to like me? Anyway?
• 51:31
  Speaker 3: That's how I feel, you know, as far as when
• 51:32
  Speaker 3: it comes to the music, like you're not supposed to
• 51:35
  Speaker 3: get it, it's not for you. For the people who
• 51:37
  Speaker 3: don't get it, you know, That's why it's different type
• 51:40
  Speaker 3: of motherfuckers in the world.
• 51:42
  Speaker 1: I think balls are always going to be relevant with
• 51:44
  Speaker 1: guys like you J Cole, you know what I'm saying.
• 51:46
  Speaker 2: The list goes on and on. Thinks like, I think.
• 51:49
  Speaker 1: Balls is gonna always be relevant because niggas want to
• 51:52
  Speaker 1: hit balls niggas. Sometimes it's like microwave music. Sometimes niggas
• 51:57
  Speaker 1: is out of it because you gotta think all the
• 51:59
  Speaker 1: classic music. It's really old head niggas right now. Niggas
• 52:03
  Speaker 1: that's touring fifty could do Live Nation one hundred and
• 52:06
  Speaker 1: three dates. J could do Yankee Stadium, he could do
• 52:10
  Speaker 1: dates on all the old niggas could still tour. Eminem
• 52:14
  Speaker 1: could pop out right now and get ten millions.
• 52:17
  Speaker 3: Just to chill, yo, what's up with the free Ao shirts?
• 52:20
  Speaker 2: I get him back popping mess.
• 52:24
  Speaker 3: You know why that's so hard to because that that
• 52:26
  Speaker 3: that wasn't that was like Eminem such a rabbit. I said,
• 52:28
  Speaker 3: damn there a double entantra because it was free Ao.
• 52:32
  Speaker 3: But then the also just be taking his life.
• 52:35
  Speaker 4: Believe Yeah, you know what I'm saying.
• 52:37
  Speaker 3: Free Ao in free Yo, and we got free Yo.
• 52:40
  Speaker 3: Because we're pumping this ship out right now.
• 52:42
  Speaker 4: Nobody listen.
• 52:43
  Speaker 1: And that's why nobody could ever say something bad about Eminem,
• 52:47
  Speaker 1: not only because of that, because I feel like he's
• 52:49
  Speaker 1: one of the best in seeds of all time.
• 52:51
  Speaker 3: Of course that's my goal, and I feel like genuine and.
• 52:54
  Speaker 2: Signing with Eminem and Doctor Dre was the best.
• 52:57
  Speaker 3: Bro. Y'all, don't under you don't understand how that shit fell.
• 52:59
  Speaker 3: As a kid watching that ship and M's like and
• 53:02
  Speaker 3: was the only relatable, like super relatable rapper to me
• 53:05
  Speaker 3: because I'm like, he says shit like you can't miss me,
• 53:08
  Speaker 3: I'm blind, blue, I'm blind, I'm blind here and blue
• 53:12
  Speaker 3: eyes on my noses pointy. He was saying, I'm like, oh,
• 53:14
  Speaker 3: that's me right there, like you know what I'm saying,
• 53:16
  Speaker 3: like like, and he was talking that ship for and
• 53:20
  Speaker 3: he was showing the crazy side of white people and
• 53:22
  Speaker 3: I was jacking it, and you know, he was such
• 53:24
  Speaker 3: a lyricist. And then I'm listening to fifty. I'm so
• 53:27
  Speaker 3: in tune with the mixtapte, but I'm in tune power
• 53:29
  Speaker 3: of a dollar. I'm in tune with all that shit.
• 53:31
  Speaker 3: So when them shit's merged. You know, this was before
• 53:34
  Speaker 3: social media. You could do a post like how Yo
• 53:37
  Speaker 3: got he signed his artist with wild money on the thing.
• 53:40
  Speaker 3: There wasn't nothing to really confirm it. It was a
• 53:42
  Speaker 3: real rumor. And then I heard that I don't think
• 53:45
  Speaker 3: I won't hit you because I'm popular, I gotta do
• 53:48
  Speaker 3: And I said, oh, he's really It sounds like it's stamped.
• 53:51
  Speaker 3: And then it was like levels to know and that
• 53:53
  Speaker 3: shit was really stamped. And once it was stamped, I
• 53:55
  Speaker 3: was like, damn, this is like my favorite rapper and
• 53:58
  Speaker 3: my favorite rapper going crazy easy. And I never seen
• 54:01
  Speaker 3: no ship like that in hip hop except maybe y'all
• 54:04
  Speaker 3: Knowthern're gonna lie because em is a juggernaut bro Am
• 54:09
  Speaker 3: like am like the Celtics with Bill Russell when they
• 54:11
  Speaker 3: won eleven in a row.
• 54:13
  Speaker 1: Let me tell you ill, it's experienced in life. The
• 54:20
  Speaker 1: tours I've been on, like because I'm the book will
• 54:23
  Speaker 1: come soon, y'all, It's gonna be amazing.
• 54:25
  Speaker 2: Look my life like being on Anger.
• 54:28
  Speaker 1: Management Tour with m and his proms crazy fifty in
• 54:32
  Speaker 1: his proms crazy not arena stadiums, crazy Lions Stadium, this
• 54:37
  Speaker 1: stadium like Detroit Stadium. Like that was a movie twenty tour. Bunches.
• 54:42
  Speaker 3: Wait, so when y'all did that? Get rid of that?
• 54:44
  Speaker 2: Tryan was out, get rich.
• 54:46
  Speaker 3: This ship was full.
• 54:47
  Speaker 2: This ship was full.
• 54:48
  Speaker 3: Flight that mom, I've been patiently waiting for it. That
• 54:51
  Speaker 3: was out at the time.
• 54:52
  Speaker 2: Everything was that it was a movie.
• 54:54
  Speaker 1: Inger Management Tour was crazy with eminem bro Man tour.
• 54:58
  Speaker 1: Buses went in everywhere. It was no it was stadiums sick.
• 55:04
  Speaker 1: I remember fucking was it? Did half fall through it?
• 55:07
  Speaker 2: I remember you know, because you know the state this
• 55:09
  Speaker 2: was stadiums Arenas is crazy.
• 55:11
  Speaker 1: The stage was so big. I think, I think Havoc.
• 55:14
  Speaker 1: They was performing in Detroit Stadium, and I say it
• 55:17
  Speaker 1: was crazy. You know how I got the drop box?
• 55:19
  Speaker 1: That nigga, motherfucking Havoc just fell through that. See my
• 55:21
  Speaker 1: life flying through the paper box. Nigga fell through that, Yo,
• 55:25
  Speaker 1: Where that nigga go?
• 55:26
  Speaker 2: Where the nigga go?
• 55:27
  Speaker 1: He fell in the ship, the box, the drop box.
• 55:30
  Speaker 1: You know they be telling you to watch that. That
• 55:32
  Speaker 1: tour right there was the illess tour in my life.
• 55:35
  Speaker 3: To be on tour my lifetime.
• 55:37
  Speaker 4: Where did nigga go?
• 55:39
  Speaker 1: You know, Eminem's like eminem moved like the president, like nigga,
• 55:42
  Speaker 1: eminem wan tacos.
• 55:43
  Speaker 2: That shit going to ten different niggas, Eminem wan tacos.
• 55:46
  Speaker 2: And then one time you was there. He was there
• 55:49
  Speaker 2: when he laid that nigga moved like the president.
• 55:51
  Speaker 3: You was there when he laid all the shady records,
• 55:54
  Speaker 3: was eighty seconds away from the time.
• 55:55
  Speaker 1: Yeah, you gotta understand my experiences. That's why people like, Yo,
• 56:01
  Speaker 1: why do you talk about these niggas because this ship
• 56:03
  Speaker 1: for me? Fuck money, Fuck Jerry fuck them. Experience is
• 56:07
  Speaker 1: being in a studio with Doctor Dre for the first time,
• 56:10
  Speaker 1: being in the studio with Eminem for the first time,
• 56:13
  Speaker 1: niggas signing the deal, fifty on the phone. That's when
• 56:17
  Speaker 1: Christal was popping ristablish popping million dollars. I'm like, shait something, Eminem.
• 56:22
  Speaker 2: Shit is crazy, Eminem, and then niggas.
• 56:25
  Speaker 1: We just had a lot of hate because why m
• 56:27
  Speaker 1: was white, so motherfuckers was hating on him like this
• 56:29
  Speaker 1: was Mike motherfucker winning.
• 56:31
  Speaker 2: He had balls. See Eminem got.
• 56:32
  Speaker 3: My feet Like at the time, I ain't even here
• 56:34
  Speaker 3: that hate though, Like it was so it was so
• 56:36
  Speaker 3: much motion.
• 56:38
  Speaker 2: It was it was hate coming from certain areas.
• 56:40
  Speaker 3: But you think about social media wasn't around like that either,
• 56:43
  Speaker 3: So I felt like he was just having that.
• 56:46
  Speaker 1: I never thought fifty would say, Yo somen with Eminem
• 56:49
  Speaker 1: and Doctor Dre bro best thing ever, best time of
• 56:52
  Speaker 1: my life. I'm talking about being on buildings eating lunch
• 56:55
  Speaker 1: with Jimmy, I being to being in the studio Hennessy
• 56:58
  Speaker 1: Matt Bud with doctor I'm like it's n w A.
• 57:01
  Speaker 1: I'm like, oh, she's con Doctor Dre like niggas and
• 57:04
  Speaker 1: he's playing in the club he's playing p I M P.
• 57:08
  Speaker 1: Youre going to fucking Eminem studios, Separate studios because Eminem
• 57:14
  Speaker 1: sometimes he'll be in his own zone, like he being
• 57:16
  Speaker 1: his ship. We in another shit and he'd be like, Yo,
• 57:19
  Speaker 1: top fifty, somebody interclm in sometimes come here or go
• 57:23
  Speaker 1: over there, you know what I mean. He'll be in
• 57:24
  Speaker 1: his own zone. Eminem type of nigga twenty instruments. He's
• 57:28
  Speaker 1: a professionist to the key. People don't understand. They just
• 57:31
  Speaker 1: think rapping. He's a producer too, right. Niggas said, these
• 57:36
  Speaker 1: are the steps from Poltageist and Mini men. I'm like you,
• 57:39
  Speaker 1: those are the steps and poltargeyst and some shit like
• 57:41
  Speaker 1: how you know what movie the sounds and the steps is.
• 57:43
  Speaker 2: It gets deepen in when you get a studio with them. Niggas,
• 57:46
  Speaker 2: they like mad scientists. It ain't no yo put the
• 57:49
  Speaker 2: beat on.
• 57:50
  Speaker 1: Nah, it's mad thought going into the shit like every
• 57:54
  Speaker 1: album is like a movie. That's what Dre and m
• 57:57
  Speaker 1: may get rich. Start trying a super fucking class. See,
• 58:00
  Speaker 1: I don't know why t J self itself. You're an idiot,
• 58:04
  Speaker 1: you know, I don't know. I don't know you too
• 58:06
  Speaker 1: but you're an idiot. DJ Selff don't know what we're
• 58:12
  Speaker 1: gonna get him on show, said two two things?
• 58:17
  Speaker 2: What two things? Self said.
• 58:22
  Speaker 1: Ice CB was better than the Os Never is he bugging?
• 58:28
  Speaker 1: I told you he's from that's a different Then he said, look,
• 58:32
  Speaker 1: then he said ice Cube was better than Biggie. He's
• 58:37
  Speaker 1: from New York and Brooklyn.
• 58:39
  Speaker 3: So I'm tripping, like, well, Biggie's Biggie's the greatest rapper
• 58:42
  Speaker 3: of all time rapper. I'm not saying rap artists. To me,
• 58:45
  Speaker 3: Tupac the best rap artist, but Biggie is the greatest rapper.
• 58:48
  Speaker 3: You gotta think most of Biggie's ellis bars. He was
• 58:51
  Speaker 3: saying words that didn't exist, like but it's just flying
• 58:54
  Speaker 3: over your head because it's Chris must missed us. Chris
• 58:57
  Speaker 3: must not a word frown. I'm at the opera. Franklin's
• 59:00
  Speaker 3: on top of the what his opera, but he just
• 59:03
  Speaker 3: he's taking shit. He's so surgical with his ship. He's
• 59:06
  Speaker 3: just getting big, just getting in his voice like instrument.
• 59:10
  Speaker 3: BIG's the best ever bro.
• 59:12
  Speaker 2: Big set a couple of poles, lines and niggas.
• 59:14
  Speaker 1: Yeah yeah, yeah.
• 59:16
  Speaker 2: Try to use that against him, just for that.
• 59:20
  Speaker 1: But what I'm saying is when you when you here
• 59:22
  Speaker 1: today's agenda, got the suitcase up in the central go
• 59:25
  Speaker 1: to room one twelve. That is one of the hip
• 59:28
  Speaker 1: hop sang best stories ever told with Nigga.
• 59:31
  Speaker 3: Gotta understand even in that story, he went into giving
• 59:35
  Speaker 3: you character development like a novel. Wood on Arizona, wrong
• 59:39
  Speaker 3: from Tucson, and he pushed the black Yukon and he
• 59:42
  Speaker 3: had he done, told you he from Arizona. He pushed
• 59:45
  Speaker 3: the black u go on. He played his slow grooves,
• 59:49
  Speaker 3: he caught a body throat, then he got back with
• 59:52
  Speaker 3: the toast beat. It took at the child beat it
• 59:55
  Speaker 3: now you feel the undefeated. He means it nothing to lose,
• 59:58
  Speaker 3: tattooed around his gun wound, everything to gain embedded in
• 1:00:01
  Speaker 3: his brain. And me, I feel the same for this
• 1:00:04
  Speaker 3: paper of dying, even if, especially if my daughter crying.
• 1:00:06
  Speaker 3: I know the sign you can't physically rap better than
• 1:00:10
  Speaker 3: Big in life is that he is the bar and
• 1:00:13
  Speaker 3: there's no bar over it.
• 1:00:14
  Speaker 1: To me, you remember when he had that freestyle. Remember
• 1:00:18
  Speaker 1: when he had the freestyle and the beach was changing.
• 1:00:21
  Speaker 1: I can't find it nowhere, but that's one of you
• 1:00:23
  Speaker 1: know what I'm talking about when he just when he
• 1:00:24
  Speaker 1: talking about him in the hospital, I think he had
• 1:00:27
  Speaker 1: won of snoops beach on you.
• 1:00:28
  Speaker 5: I know he's talking about man the West Coast, So
• 1:00:31
  Speaker 5: come on, brod on the West Coast.
• 1:00:34
  Speaker 2: Come on bro.
• 1:00:35
  Speaker 1: That's when going to Hot ninety seven was like going
• 1:00:37
  Speaker 1: to Hot ninety seven. That's like when May said bounce
• 1:00:41
  Speaker 1: tou la blowing red pla like them them.
• 1:00:44
  Speaker 3: They gonna lie. Mace was dumb nice.
• 1:00:45
  Speaker 4: Time was very.
• 1:00:47
  Speaker 3: Slept on Mace.
• 1:00:50
  Speaker 2: He come on, niggas know what Mace do. Mace.
• 1:00:53
  Speaker 3: Mace was dumb nice.
• 1:00:55
  Speaker 2: That was my favorite freestyle. Stu La La. That was
• 1:00:59
  Speaker 2: I think it was a Hot seven classic moments, nigga.
• 1:01:03
  Speaker 4: That's a fact.
• 1:01:04
  Speaker 2: That's what every rapper wanted to do.
• 1:01:05
  Speaker 1: Like for me, that was like going to flex, because
• 1:01:10
  Speaker 1: how you feel when you get your first time up
• 1:01:11
  Speaker 1: to flex and shit like that.
• 1:01:13
  Speaker 3: Like that was now I was. I was like, I
• 1:01:15
  Speaker 3: went to flex the first time. That's when I learned
• 1:01:18
  Speaker 3: about you know, how they could, uh how they call
• 1:01:22
  Speaker 3: it freeze the shooter like in a basketball game, like
• 1:01:25
  Speaker 3: if you got two five shots and they'll call the
• 1:01:27
  Speaker 3: time out during the same one. So I got up
• 1:01:29
  Speaker 3: there and I sat in the lobby for like five hours.
• 1:01:32
  Speaker 3: It's when I really kicked it with Crack and was
• 1:01:34
  Speaker 3: able to talk with Cracking. He's telling me mad stories. Listen,
• 1:01:38
  Speaker 3: I stopped I started forgetting about the ship him out
• 1:01:40
  Speaker 3: to rap like you know, I stopped focusing because I'm like, man,
• 1:01:44
  Speaker 3: this hip hop history right here. Then I walked to
• 1:01:46
  Speaker 3: the door. I see Corey Guns in there, just black
• 1:01:49
  Speaker 3: and going crazy. And now I'm like, I've been drinking
• 1:01:51
  Speaker 3: motherfucking Duce Savor four hours and a lot. So now
• 1:01:55
  Speaker 3: I get in there. You know, Flex ain't too like
• 1:01:58
  Speaker 3: personable sometime when you talk to him and ship like,
• 1:02:00
  Speaker 3: he's cool, but he's like, you know a little to
• 1:02:02
  Speaker 3: prove yourself. Yeah, you got to prove yourself. So now
• 1:02:05
  Speaker 3: I'm like, damn, I'm trying to remember what the fun.
• 1:02:07
  Speaker 3: That was one of the harder joints to get through,
• 1:02:09
  Speaker 3: but you know, I caught it and that ship they're
• 1:02:11
  Speaker 3: real good for me. So but yeah, I like that ship,
• 1:02:15
  Speaker 3: though I missed the adrenaline and rap like where it's like, yo,
• 1:02:18
  Speaker 3: go and prove your fucking nice on the spot, you
• 1:02:20
  Speaker 3: know what I mean. I cut that recently with like
• 1:02:23
  Speaker 3: the cons and not ship only because it's a live
• 1:02:25
  Speaker 3: stream like that ship live in front of the world.
• 1:02:27
  Speaker 3: If you stumble, it's not no do over, No, this
• 1:02:31
  Speaker 3: is right here and they're looking at.
• 1:02:32
  Speaker 2: You like Flex was live. Flex was live, but we
• 1:02:35
  Speaker 2: think about that.
• 1:02:37
  Speaker 4: You had to show him prove right there on the spot.
• 1:02:40
  Speaker 4: No editing, none of that.
• 1:02:43
  Speaker 2: Listen my funk free styff. You don't know about it.
• 1:02:46
  Speaker 2: Check that.
• 1:02:47
  Speaker 3: We gotta pull that up, you know, but that was
• 1:02:52
  Speaker 3: the man that.
• 1:02:54
  Speaker 2: One right there.
• 1:02:55
  Speaker 1: Even Flex knew what time it was, like I don't know,
• 1:02:57
  Speaker 1: like I know now they got on the radar, but
• 1:03:00
  Speaker 1: it seems like on the radars more laid back and
• 1:03:01
  Speaker 1: people are playing like that, like frush.
• 1:03:04
  Speaker 3: Shake the steaks is high.
• 1:03:05
  Speaker 2: Flex, I know, it's like Flex, I don't know.
• 1:03:08
  Speaker 1: You know, it's like the night before Nigga, you gotta
• 1:03:11
  Speaker 1: do Flex Nigga. Nigga was thinking about all his balls,
• 1:03:14
  Speaker 1: like yeah, you gotta lock in.
• 1:03:16
  Speaker 2: I'm do Yeah, I'm up there with Banks fifty. The
• 1:03:19
  Speaker 2: niggas got balls.
• 1:03:20
  Speaker 3: But that's that's missing from the game.
• 1:03:22
  Speaker 2: Now I got it ready, Like that ship is a
• 1:03:25
  Speaker 2: different kind of adrenaline rush for me. That's how you
• 1:03:28
  Speaker 2: don't know if on the radar.
• 1:03:29
  Speaker 1: They feel like same adrenaline rush because it's like niggas
• 1:03:32
  Speaker 1: is like singing. Some niggas are just chilling and some
• 1:03:34
  Speaker 1: niggas ain't saying ship on it just up.
• 1:03:37
  Speaker 3: Yeah, I said, it's a dif adrenaline rust. I know
• 1:03:42
  Speaker 3: exactly what you know what I mean that energy, that
• 1:03:44
  Speaker 3: adrenaline rush A should come with like cosmic cav l
• 1:03:47
  Speaker 3: A League or all of those. That's what I wanted
• 1:03:50
  Speaker 3: to do. When I first got in this ship, I
• 1:03:52
  Speaker 3: was like, Yo, let me check all the bases so
• 1:03:55
  Speaker 3: just in case anybody got me fucked up. Let me
• 1:03:57
  Speaker 3: go to Sway multiple times. Let me go to fleg
• 1:04:01
  Speaker 3: Sway too.
• 1:04:01
  Speaker 4: If you if you.
• 1:04:04
  Speaker 3: Sweat, I ain't gonna lie. Sway as one of the
• 1:04:06
  Speaker 3: realist people ever. We all we came in there and
• 1:04:08
  Speaker 3: we was double booked with the Jonas Brothers. Was booked
• 1:04:11
  Speaker 3: for Jonas Brothers. Right, they're the biggest group in the world.
• 1:04:16
  Speaker 3: They and then they got the entourage, like forty person entourage.
• 1:04:20
  Speaker 3: They doing some ship with like GQ or some ship
• 1:04:22
  Speaker 3: and and Sway was like, Yo, I'm about to walk
• 1:04:26
  Speaker 3: to the bathroom, Yo, don't move. We in the hallway
• 1:04:28
  Speaker 3: waiting to get into the room. He's like, yo, don't move.
• 1:04:30
  Speaker 3: Don't let none of them move y'all from this spot.
• 1:04:33
  Speaker 3: So as soon as Sway spin off, some people from
• 1:04:36
  Speaker 3: Jonas Brothers, record label or whatever, they're like, can y'all
• 1:04:39
  Speaker 3: watch out because Vogue is about to come through here
• 1:04:42
  Speaker 3: and do them. So I don't want to cause no
• 1:04:44
  Speaker 3: problem in the building. We walked back and ship Sway
• 1:04:48
  Speaker 3: came back. He saw us, he said, y'all moved. We're like, yeah, well,
• 1:04:53
  Speaker 3: you know the people, yo, He's spased on all of them, bro,
• 1:04:57
  Speaker 3: He spased on all of them. He said, YO, don't
• 1:05:00
  Speaker 3: ever ever ever treat one of your guests more special
• 1:05:03
  Speaker 3: than my guests in life. Matter of fact, you don't
• 1:05:05
  Speaker 3: even be in this building like your swayed black on him.
• 1:05:07
  Speaker 3: And then we just did an interview and he was like,
• 1:05:09
  Speaker 3: see the Jonas Brothers watched this, saluted the Jonas Brothers.
• 1:05:12
  Speaker 3: He was like, see they love me. All these people
• 1:05:14
  Speaker 3: around these people, there's nobody, bro, don't never disrespect hip hop.
• 1:05:17
  Speaker 3: Swayed blitzed on the whole Sway just Sway blitzed on
• 1:05:21
  Speaker 3: the Jonas Brothers staff, faculty, and record label as a
• 1:05:24
  Speaker 3: motherfucking crew sway blitzed on it.
• 1:05:28
  Speaker 2: You know he don't play.
• 1:05:33
  Speaker 5: Actually let me, but I ain't gonna let me host
• 1:05:35
  Speaker 5: his show. A couple of times when he don't be there,
• 1:05:37
  Speaker 5: he let me host his show for look the.
• 1:05:40
  Speaker 1: Thing, man, This is the thing I was gonna say
• 1:05:42
  Speaker 1: about Hogh ninety seven because like you had jay Z
• 1:05:46
  Speaker 1: free style on there, oh Nahs, Biggie like Mace, like
• 1:05:53
  Speaker 1: everybody freestyle on there. So flex was like, I remember
• 1:05:57
  Speaker 1: we went up there something that should just be a
• 1:05:59
  Speaker 1: whole I know what you're saying. All them ships comes
• 1:06:01
  Speaker 1: with Kevin all that dropping niggas from love like he said,
• 1:06:08
  Speaker 1: it's love.
• 1:06:09
  Speaker 3: It ain't no y'all get hardh criticism in New York,
• 1:06:12
  Speaker 3: like New York, New York place, like if you your
• 1:06:16
  Speaker 3: block is going to be outside the next day like
• 1:06:19
  Speaker 3: trash crash man.
• 1:06:20
  Speaker 4: You know what I mean?
• 1:06:21
  Speaker 1: Remember because because people you know, they're New York, New
• 1:06:24
  Speaker 1: York been super grimmy for a long time, like come
• 1:06:27
  Speaker 1: on Shot nine seven, that ship from Hot nine seven
• 1:06:30
  Speaker 1: and Shot nine.
• 1:06:30
  Speaker 2: Seven man shot mm hmm. He was always wrong team
• 1:06:36
  Speaker 2: bumping to each other back then shootout.
• 1:06:40
  Speaker 3: That's crazy for me now thinking about how like Manhattan
• 1:06:43
  Speaker 3: is now.
• 1:06:43
  Speaker 2: And Ship Niggas, it's a lot of cameras now.
• 1:06:47
  Speaker 3: After nine eleven and all that, it's a lot of cameras.
• 1:06:52
  Speaker 2: Numerous shootouts in front of how they moved the building.
• 1:06:55
  Speaker 1: But to be at nine seven, like Summer Gym and
• 1:06:58
  Speaker 1: all that, even Summer Man like that ship, it's still
• 1:07:02
  Speaker 1: what it is.
• 1:07:04
  Speaker 2: I love what they're doing. But like I came up
• 1:07:07
  Speaker 2: to me, I came up in the hip hop game
• 1:07:08
  Speaker 2: and nostalgic times. That's how I feel was stylish, you
• 1:07:14
  Speaker 2: know what I mean?
• 1:07:15
  Speaker 1: Like Fifth had high to rob like like it was
• 1:07:18
  Speaker 1: just a whole bunch of ship nostalgic times. Going into
• 1:07:21
  Speaker 1: the nineties to the early two thousands, that ship was nostalgic.
• 1:07:24
  Speaker 2: You had big pun like remember when Big Punk this.
• 1:07:27
  Speaker 1: Fifty, That ship was fire like, like damn a big
• 1:07:30
  Speaker 1: punk this you from shit crazy.
• 1:07:34
  Speaker 2: Jane. This ship Niggas was just hype because me Niggas
• 1:07:38
  Speaker 2: was something work. So they work. We're like, damn this
• 1:07:41
  Speaker 2: ship fight work. It's Fifth for marketing genius. Yeah, no,
• 1:07:45
  Speaker 2: it's letting you know what I mean.
• 1:07:47
  Speaker 3: I'm just gonna start with every ship was Liker. Ship
• 1:07:50
  Speaker 3: was going crazy on them DVDs that was the first ship,
• 1:07:52
  Speaker 3: right it ain't still yeah talking crazy wash with him
• 1:07:57
  Speaker 3: in France that you heard me your Yeah, I'm a friend.
• 1:08:01
  Speaker 5: He was talking about like I need to make this,
• 1:08:04
  Speaker 5: I need I need this video, man, shut out the
• 1:08:07
  Speaker 5: first DVD ever was crazy back then. Man, I ain't
• 1:08:10
  Speaker 5: gonna lie.
• 1:08:10
  Speaker 2: Listen Brooklyn, Chris, Chris Lighty. You gotta understand that's about
• 1:08:15
  Speaker 2: Brooklyn niggas.
• 1:08:16
  Speaker 1: Brooklyn niggas gonna make a way Chris Lighty from Brooklyn, noll.
• 1:08:21
  Speaker 2: I think the Bronx just from the Bronx b X.
• 1:08:24
  Speaker 1: What I'm saying is like murder murders a nigga, Like
• 1:08:27
  Speaker 1: I couldn't believe that he was managed by Chris Lighty,
• 1:08:30
  Speaker 1: rest in peace, Like I don't know how he made
• 1:08:32
  Speaker 1: that move happen because Chris Lighty.
• 1:08:33
  Speaker 2: Had you know, he had fucking Diddy. Yeah he's hot. Yeah,
• 1:08:37
  Speaker 2: murder Murder Street Niggas.
• 1:08:40
  Speaker 1: Fifty But like me, we was there because the fifth
• 1:08:43
  Speaker 1: you Connor was there like like making moves.
• 1:08:46
  Speaker 5: How you know it's crazy because shut out the Mike Lighty,
• 1:08:50
  Speaker 5: his brother Mike like that actually shut out the cut
• 1:08:54
  Speaker 5: mans to see to rest in peace master, see you
• 1:08:58
  Speaker 5: no yo, man mister to see you alive.
• 1:09:05
  Speaker 4: I keep here.
• 1:09:06
  Speaker 2: So he was.
• 1:09:07
  Speaker 4: He was cool with Mike Lighty at the time.
• 1:09:09
  Speaker 2: You didn't say cut master see.
• 1:09:11
  Speaker 4: I said cut Master see and you said no.
• 1:09:14
  Speaker 1: But mister mister But I think mister C mister but
• 1:09:19
  Speaker 1: I think mister C was called cut master see too.
• 1:09:21
  Speaker 4: But I don't think miss never called cut master.
• 1:09:24
  Speaker 2: I think the big Daddy came.
• 1:09:25
  Speaker 4: We have to look look, have to look at you.
• 1:09:27
  Speaker 2: I know my hip hop. I don't know how far
• 1:09:29
  Speaker 2: you go back. You call the young the eighties, I
• 1:09:31
  Speaker 2: don't know.
• 1:09:32
  Speaker 3: I know mister C though.
• 1:09:35
  Speaker 2: Cut master the Queen.
• 1:09:37
  Speaker 5: But cut Master Sea used to be working with Mike
• 1:09:39
  Speaker 5: Lighty and that was Chris Lighty's younger brother, and he
• 1:09:42
  Speaker 5: used to be always filling my music. So one time
• 1:09:45
  Speaker 5: he worked at Ballator. So he just had me up
• 1:09:48
  Speaker 5: at Ballater and I'm just up in there. This is
• 1:09:50
  Speaker 5: a little while after the office that got shut up
• 1:09:54
  Speaker 5: vallet of the office that.
• 1:09:55
  Speaker 4: Got shut up here.
• 1:09:56
  Speaker 5: So I'm just walking round in there, and I got
• 1:09:58
  Speaker 5: my hammer, my gun, and I'm just walking around to
• 1:10:00
  Speaker 5: everybody's office. I'm popping my head and everybody office in there.
• 1:10:03
  Speaker 5: Combs up there with Chris Lightdy and I got my
• 1:10:05
  Speaker 5: music comes up in there, pop my head.
• 1:10:06
  Speaker 4: What you do? What you do? What you do? And
• 1:10:09
  Speaker 4: you think I'm playing Chris Lighty, God blessed. He just
• 1:10:11
  Speaker 4: and he's standing up in his office.
• 1:10:13
  Speaker 5: He's just standing up in the hallway and he watching
• 1:10:15
  Speaker 5: me pop in and out of everybody office.
• 1:10:17
  Speaker 4: Right. So when I get the almost by where he was,
• 1:10:20
  Speaker 4: he was like, yo, man, who you? Oh yeah, my
• 1:10:24
  Speaker 4: name is Murdy Man. Who you? He said, I'm Chris
• 1:10:27
  Speaker 4: Lighty Man, this is my office. Man, What are you doing?
• 1:10:30
  Speaker 5: I saw I got some music man, you know, and
• 1:10:33
  Speaker 5: I'm just trying to get my money to up. I'm
• 1:10:35
  Speaker 5: sitting here with Mike Lightdy man. I trust I got
• 1:10:37
  Speaker 5: that sick Chris. You know what I'm saying, Like, oh
• 1:10:39
  Speaker 5: you Chris Lighty or I got that sick Chris.
• 1:10:41
  Speaker 4: You hear me?
• 1:10:41
  Speaker 5: Yo, I'm just letting everybody here know I'm that nigga
• 1:10:43
  Speaker 5: man worried. I know your office got shut up and
• 1:10:45
  Speaker 5: all that shit. Yo, I'm a shooter too, you know
• 1:10:47
  Speaker 5: what I'm saying. I sold him my gun. I'm like, Yo,
• 1:10:49
  Speaker 5: I'm like, you know, I'm official Chris World worried up.
• 1:10:51
  Speaker 5: He was like I'm gonna tell you you got the music.
• 1:10:53
  Speaker 5: He said, yeah, look the way you talking. He said,
• 1:10:56
  Speaker 5: let me tell you something right now, man, I'm gonna
• 1:10:59
  Speaker 5: listen to your CD mm hmm. If I give you
• 1:11:01
  Speaker 5: a call tomorrow, that means I like your music. If
• 1:11:05
  Speaker 5: I don't, I don't want to see you at my
• 1:11:07
  Speaker 5: office no more. I was like, I said, well, you're
• 1:11:11
  Speaker 5: gonna call me, nigga. You know what I'm saying. The
• 1:11:13
  Speaker 5: music get real talk. He called the next day, and
• 1:11:16
  Speaker 5: then from there I was just I was violated, And
• 1:11:18
  Speaker 5: that's how I got the Mike.
• 1:11:20
  Speaker 2: Like they have the Dream Team, you had Chris Lighty,
• 1:11:22
  Speaker 2: af Mike Lady, you had.
• 1:11:26
  Speaker 3: Ho ted you up fast.
• 1:11:30
  Speaker 4: You know what it was, Chris.
• 1:11:31
  Speaker 5: But with Chris Lighty, it was so easy to the
• 1:11:35
  Speaker 5: labels and get the meetings. And I already had like
• 1:11:37
  Speaker 5: a street buzz at this time. So with Chris Lighty
• 1:11:40
  Speaker 5: it was just easy. It was it was easy to
• 1:11:42
  Speaker 5: set up the meetings. And we're going to see epic
• 1:11:44
  Speaker 5: this day. We're going to see this one. We're going
• 1:11:46
  Speaker 5: to see this one. The crazy thing about it is,
• 1:11:48
  Speaker 5: at the time, I think Sylvia wrong was pop. I
• 1:11:50
  Speaker 5: forgot who she was with but she offered us the
• 1:11:52
  Speaker 5: most money at the time, but we just wanted so
• 1:11:55
  Speaker 5: many options that we wound up doing the deal with
• 1:11:57
  Speaker 5: jay Z.
• 1:11:58
  Speaker 4: With Chris Lighty, but yeah, he just made it easier.
• 1:12:01
  Speaker 4: But Chris Lighty everything was easier.
• 1:12:02
  Speaker 1: And then you gotta think when you look at Violator, right,
• 1:12:05
  Speaker 1: you got the dream team. You got Chris Lighty, Mike Lighty,
• 1:12:11
  Speaker 1: you got claud Dean, you got Mona Scott that started
• 1:12:15
  Speaker 1: loving hip hop.
• 1:12:16
  Speaker 2: You got James Cruise, and.
• 1:12:20
  Speaker 5: Then you had a relationship with Leo Cohen too, Like
• 1:12:22
  Speaker 5: it was like Leo Cohen was like his his plug
• 1:12:24
  Speaker 5: to him and Leo.
• 1:12:25
  Speaker 2: James Crue look and James Cruise and me and DC's wife.
• 1:12:29
  Speaker 2: She was the Yean dy Yandy was there, had the
• 1:12:34
  Speaker 2: crazy roster. I forgot what's the short black dude, my
• 1:12:37
  Speaker 2: man bugger ry man. I don't want to my man.
• 1:12:40
  Speaker 2: He was there. They just had a dream team over there.
• 1:12:43
  Speaker 2: So they had over there.
• 1:12:44
  Speaker 1: They had Kate Slady, they had fifty, they had Diddy
• 1:12:47
  Speaker 1: like they was like three hundred before three hundred, you
• 1:12:51
  Speaker 1: know what I'm saying.
• 1:12:51
  Speaker 2: Rest of the Peace.
• 1:12:52
  Speaker 1: Chris Lighty and then Mike Lightdy was on the road
• 1:12:54
  Speaker 1: with us, like that ship was dope going over there.
• 1:12:57
  Speaker 1: They had freeway and all them signed to them.
• 1:12:59
  Speaker 2: Yeah, yo, he had Yo, he had everybody, remember.
• 1:13:06
  Speaker 4: Busting everybody.
• 1:13:07
  Speaker 2: Everybody shipped over there. So it used to be crazy
• 1:13:11
  Speaker 2: just going to the office.
• 1:13:12
  Speaker 3: Y'all used to like in them days. I still well,
• 1:13:15
  Speaker 3: I'll still go with the outfit two three days, especially
• 1:13:18
  Speaker 3: if finding getting my burn out of it. But was
• 1:13:21
  Speaker 3: y'all able to y'all didn't have to change up clothes
• 1:13:23
  Speaker 3: as much back in the day because it wasn't.
• 1:13:25
  Speaker 4: A picture every day that social media nowadays.
• 1:13:29
  Speaker 3: Now, if you had a good day outside, your ship
• 1:13:32
  Speaker 3: is finished after that. I was wondering about that, Like
• 1:13:35
  Speaker 3: if y'all could save on clothes back in the day
• 1:13:37
  Speaker 3: a little bit, Like you get the same throwback Jersey
• 1:13:41
  Speaker 3: go off at three four five shows, you.
• 1:13:43
  Speaker 5: Can remix a little bit more back in the days.
• 1:13:44
  Speaker 5: Now the days everything on social media like Nigga win
• 1:13:47
  Speaker 5: that shit again.
• 1:13:48
  Speaker 3: That's like you get a Louis Jackie. You wear one show,
• 1:13:52
  Speaker 3: you can't pop out the next.
• 1:13:53
  Speaker 4: One, like can't afford another one or he can't do this.
• 1:13:56
  Speaker 4: It is liked on that microscope man.
• 1:14:00
  Speaker 2: Chrome hawks and wear the ships for two weeks.
• 1:14:02
  Speaker 3: No, I'll do that though. Listen to Chrome ten bands,
• 1:14:05
  Speaker 3: I'm wearing them for ten years. For two weeks, Bro
• 1:14:10
  Speaker 3: ten bands for the Chrome, I'm wearing them for ten years.
• 1:14:12
  Speaker 5: Hello.
• 1:14:13
  Speaker 1: Ship clothes is crazy because you'll read you'll meet your
• 1:14:16
  Speaker 1: real rich friends and they got sketches in the Apple
• 1:14:18
  Speaker 1: watch on.
• 1:14:19
  Speaker 2: Let's be serious, man, you got a million dollar kitchen.
• 1:14:22
  Speaker 2: I met people in there.
• 1:14:23
  Speaker 3: But sometimes I'll be seeing that ship online and people
• 1:14:26
  Speaker 3: be like, yo, real rich people dressed like this, that
• 1:14:28
  Speaker 3: and the third, and I'll be like, yeah, but real
• 1:14:29
  Speaker 3: rich people don't got no sauce neither.
• 1:14:32
  Speaker 1: So we met too, And that nigga had an Apple
• 1:14:34
  Speaker 1: Watch on. That man has Astro Astro rockets, rockets, the
• 1:14:40
  Speaker 1: Astros nine hundred restaurants.
• 1:14:42
  Speaker 2: That man had an Apple Watch on in a suit.
• 1:14:45
  Speaker 3: He got a suit though.
• 1:14:47
  Speaker 2: That's cool, But you got sketches.
• 1:14:50
  Speaker 3: Oh yeah, sketches with a suit.
• 1:14:51
  Speaker 2: You got the hookah sneakers going, I know, you really
• 1:14:56
  Speaker 2: go to the hand.
• 1:14:56
  Speaker 1: This motherfucker got the hookah sneakers. People just don't care
• 1:15:00
  Speaker 1: about material things. So hanging in the suburbs you be looking.
• 1:15:04
  Speaker 3: At they care about houses and all that.
• 1:15:06
  Speaker 4: Oh yeah, like that.
• 1:15:11
  Speaker 1: You know they have house money, that's a kitchen or
• 1:15:13
  Speaker 1: motherfucker say, I'm doing my backyard, al must spend.
• 1:15:16
  Speaker 2: Three hundred four hundred Like they don't.
• 1:15:18
  Speaker 1: Really, They'll have, you know, nice suits and ship, but
• 1:15:21
  Speaker 1: nigga would have the hookah sneakers on with the Apple Watch.
• 1:15:25
  Speaker 3: Yeah that's a fact, aps and the Cuban links and
• 1:15:29
  Speaker 3: they ain't doing.
• 1:15:29
  Speaker 4: No.
• 1:15:30
  Speaker 2: Watch is good investment. Watches to me chame good investment.
• 1:15:34
  Speaker 3: But investment right now a good investment if you're rapping.
• 1:15:39
  Speaker 1: This is how Look I'm gonna tell you why, but
• 1:15:41
  Speaker 1: this is what. But this is for me, This is
• 1:15:43
  Speaker 1: why I say for me, it's back and forth chain
• 1:15:45
  Speaker 1: a good investment. Sometimes Watch I think a little better
• 1:15:49
  Speaker 1: because like when you really buy jewelry, think about it's
• 1:15:52
  Speaker 1: an investment that niggas want to kill you for.
• 1:15:55
  Speaker 3: Yeah, but if you are rapping, sometimes that ship that
• 1:15:57
  Speaker 3: should get you a lot of business as a rapper.
• 1:15:59
  Speaker 3: Like you walk into a spot and you got that
• 1:16:00
  Speaker 3: ship on your neck. Sometimes people a media.
• 1:16:05
  Speaker 2: Airport murder especially, No, I don't know.
• 1:16:10
  Speaker 1: For me, I don't know.
• 1:16:11
  Speaker 2: I love I love Drewry.
• 1:16:13
  Speaker 4: I know what you mean.
• 1:16:13
  Speaker 2: It's investments, But I don't know. I'm more of like
• 1:16:16
  Speaker 2: I like the watches now, like I think.
• 1:16:18
  Speaker 3: To watch you on your grown businessman ship, I.
• 1:16:21
  Speaker 2: Watch the watch doesn't lose any value though.
• 1:16:23
  Speaker 3: Yeah, but what I'm saying is I could get a
• 1:16:25
  Speaker 3: chain that might lose fifty thousand. Let's say I get
• 1:16:28
  Speaker 3: a change for one hundred thousand and lose fifty thousand
• 1:16:30
  Speaker 3: in value, but then I have made connections that earned
• 1:16:33
  Speaker 3: me five hundred thousand. So she really made me stand out.
• 1:16:36
  Speaker 3: Now I'm talking to these people who's just fascinated.
• 1:16:39
  Speaker 4: Oh you're a rapper.
• 1:16:40
  Speaker 3: Oh for real, man, I fuck around, bust down to
• 1:16:43
  Speaker 3: deal with them later for whatever it be. So I
• 1:16:45
  Speaker 3: didn't specifically get the you know, the my chain there
• 1:16:50
  Speaker 3: and the center whatever amount of money that the watch
• 1:16:52
  Speaker 3: might have, but I was compensated for my ship. What
• 1:16:57
  Speaker 3: I'm saying, I do believe for rappers, we still fifty shit.
• 1:17:00
  Speaker 2: We had Eminem doctor Drake, so like my face was the.
• 1:17:03
  Speaker 3: Jew yeah face God, but that's the same, no, you
• 1:17:06
  Speaker 3: know how it is like we we came up kind of.
• 1:17:09
  Speaker 3: I told my man, like one of the best hits
• 1:17:10
  Speaker 3: about being a rapper too, and I ain't have like
• 1:17:13
  Speaker 3: the you around the Juggernauts. You know what I'm saying,
• 1:17:15
  Speaker 3: But it's like one of the one of the best
• 1:17:17
  Speaker 3: experiences about being the rabbers getting free shit. Bro, I
• 1:17:20
  Speaker 3: love free shit. I love free fool I don't give
• 1:17:22
  Speaker 3: a fuck. I like when I go to a restaurant
• 1:17:24
  Speaker 3: they like, don't worry about it. Even if this ship
• 1:17:26
  Speaker 3: was seventeen dollars to me, I'd be boosting my ship
• 1:17:30
  Speaker 3: like I like. I like free clothes, like free food.
• 1:17:34
  Speaker 3: I like getting in the club, free, like everything.
• 1:17:37
  Speaker 1: Free twenty two to everything in life, ladies and gentlemen,
• 1:17:40
  Speaker 1: because you like that. I love free ship. We get
• 1:17:42
  Speaker 1: cut the line, Mona, Lisa. But when the niggas trying
• 1:17:45
  Speaker 1: to talk to you while you're taking the piss in
• 1:17:47
  Speaker 1: the bathroom of the airport, that shit is ridiculous to
• 1:17:50
  Speaker 1: catch two now, I'm just saying it.
• 1:17:54
  Speaker 3: But you gotta be in them. You gotta go to
• 1:17:56
  Speaker 3: the you into all them sits with the guest lounges,
• 1:17:59
  Speaker 3: and you could just go to the.
• 1:18:02
  Speaker 2: We always first class. We might walk to the gate.
• 1:18:04
  Speaker 2: We not. We don't get bougie all the time.
• 1:18:07
  Speaker 3: Like you know, I see, I'll be taking you. I'll
• 1:18:09
  Speaker 3: be taking you as boogie. Now, yeah, I'll be taking you.
• 1:18:12
  Speaker 3: It's like when I think you gay, like you see
• 1:18:14
  Speaker 3: he like, now fuck the jewelry of No.
• 1:18:16
  Speaker 2: People take that as me being like bougie.
• 1:18:19
  Speaker 4: It's not.
• 1:18:19
  Speaker 1: It's just what I'm saying is to me, the best
• 1:18:22
  Speaker 1: experiences is flying the world like he is in guess
• 1:18:25
  Speaker 1: me out of four Seasons.
• 1:18:26
  Speaker 2: It was just built for the Olympics. She was experienced
• 1:18:29
  Speaker 2: a vibe.
• 1:18:30
  Speaker 1: We got my man, he called them Morocci mafia. You
• 1:18:33
  Speaker 1: had the good budd so the food was hitting. They
• 1:18:36
  Speaker 1: have smoked duck for breakfast there Paris, look, Paris looks.
• 1:18:41
  Speaker 5: Look.
• 1:18:41
  Speaker 1: I'm gonna tell you I don't want fling. I'll tell
• 1:18:44
  Speaker 1: you all the time, Murder, what I tell you, I
• 1:18:46
  Speaker 1: don't want.
• 1:18:46
  Speaker 2: To feel like.
• 1:18:48
  Speaker 3: Yo, how many like smoked duck they got you unanimous
• 1:18:52
  Speaker 3: with that on it and how many times like that's
• 1:18:54
  Speaker 3: just like a repeat man like McDonald's.
• 1:18:56
  Speaker 2: Now, it's just no, it's not that he murder was
• 1:19:00
  Speaker 2: in Morocco.
• 1:19:01
  Speaker 3: He's a one persons for smoking. Me and.
• 1:19:06
  Speaker 2: Me, me and Murder was.
• 1:19:07
  Speaker 1: We was at the four Seasons, brand new ship Morocco.
• 1:19:11
  Speaker 1: His man's from the but they had that ship for breakfast.
• 1:19:14
  Speaker 1: I'm like, that's where the smoke duck shit come from.
• 1:19:16
  Speaker 1: But what I'm saying is like see fifty eminem thing.
• 1:19:19
  Speaker 1: They can't really go outside.
• 1:19:21
  Speaker 2: They gonna get they can't do nothing.
• 1:19:26
  Speaker 1: I like my fame because we get to go out,
• 1:19:28
  Speaker 1: go see the Mona Lisa. Yeah, Yo, Murder, We're gonna
• 1:19:31
  Speaker 1: get a.
• 1:19:31
  Speaker 2: Couple of those.
• 1:19:32
  Speaker 4: We good.
• 1:19:34
  Speaker 2: Smoking. You know you know what I mean.
• 1:19:37
  Speaker 1: I'm good with my fame because I want to steal.
• 1:19:39
  Speaker 1: I don't want to be in the hotel all day.
• 1:19:41
  Speaker 1: You gonna want to go to the Louis Store shopping.
• 1:19:44
  Speaker 1: You gonna want to hear go to go see the
• 1:19:46
  Speaker 1: Mona Lisa. Security New Niggas. One time we went in
• 1:19:50
  Speaker 1: the hotel. We was in Norway, as someone motherfucker came
• 1:19:54
  Speaker 1: playing Rod Diggs and uncle Murder. I couldn't believe it.
• 1:19:57
  Speaker 1: Nigga said, where was we at Belgium? Dear Nigga came
• 1:20:01
  Speaker 1: through white boy Rod Diggs Murder. I'm like, you know
• 1:20:05
  Speaker 1: that that's me and Roight Diggs just us coming outside
• 1:20:09
  Speaker 1: to hear the joint on the humble. You be touching
• 1:20:11
  Speaker 1: the fis niggas love us overseas, Yo.
• 1:20:13
  Speaker 2: That's the best.
• 1:20:14
  Speaker 3: That's the best blessing in this raph like traveling like.
• 1:20:19
  Speaker 4: The world.
• 1:20:19
  Speaker 1: They that shit be different and they and it'd be Look,
• 1:20:22
  Speaker 1: it'd be a nigga that like what I like about
• 1:20:25
  Speaker 1: overseass They don't let hip hop die like America, Yo, were.
• 1:20:28
  Speaker 4: Done with you.
• 1:20:30
  Speaker 1: When you go out there, you catch it's still you
• 1:20:32
  Speaker 1: catch jay rue of damage. You you'll catch new addition,
• 1:20:35
  Speaker 1: you'll catch fucking k resch one niggas.
• 1:20:37
  Speaker 2: Oh we know that.
• 1:20:39
  Speaker 1: Like, they don't let hip hop die like they don't
• 1:20:41
  Speaker 1: give a eighties nineties they so it would be different
• 1:20:44
  Speaker 1: out there, like motherfuckers.
• 1:20:46
  Speaker 2: The niggas that got five on it, them niggas get prayed.
• 1:20:50
  Speaker 2: I got five on it.
• 1:20:52
  Speaker 3: That's my dogs, five on it. Them niggas tall forever forever.
• 1:20:58
  Speaker 1: That's a big week ship different them niggas being the
• 1:21:01
  Speaker 1: Swiss Alps doing shows and all that, Like I got
• 1:21:04
  Speaker 1: five on it. That shit is still getting show money.
• 1:21:07
  Speaker 1: Facts niggas will shit on them and be like, YO,
• 1:21:10
  Speaker 1: don't know what that is in America. Let them niggas
• 1:21:13
  Speaker 1: go to Germany and all that shit feeling niggas be
• 1:21:15
  Speaker 1: trying getting it back. That's what I like about overseas
• 1:21:18
  Speaker 1: and being out there because they love hip hop and
• 1:21:22
  Speaker 1: j rud to damage your nigga. Youn't want up back?
• 1:21:25
  Speaker 1: What remember that shit? Niggas be we're running into them niggas.
• 1:21:30
  Speaker 1: Hey ar res one, you're running into them niggas.
• 1:21:32
  Speaker 4: That's crazy.
• 1:21:33
  Speaker 3: That's let them because it's.
• 1:21:35
  Speaker 2: Not mic awave music. See, that's the whole thing.
• 1:21:39
  Speaker 1: It's twenty years later, fifty still doing shows, twenty twenty
• 1:21:42
  Speaker 1: three live Nation hundred and three shows.
• 1:21:46
  Speaker 4: Should I got rich off? Get Richard trying? Twenty years later?
• 1:21:49
  Speaker 2: Niggas be like, where's his money now? Niggas be like,
• 1:21:51
  Speaker 2: niggas be like, where's his music now? His music now?
• 1:21:54
  Speaker 1: Nigga just did a one hundred you know a live
• 1:21:56
  Speaker 1: Nation paid him. There's only a handful of niggas that
• 1:21:59
  Speaker 1: can do a lot of Nation tour. It's not you
• 1:22:02
  Speaker 1: know what I'm saying, it's a handful of niggas. Niggas
• 1:22:04
  Speaker 1: ain't getting that kind of bag like that, bro, not
• 1:22:07
  Speaker 1: even me. I ain't getting that bag at Nation. That
• 1:22:09
  Speaker 1: ship is a handful of people. Cardi b right now, Nation.
• 1:22:13
  Speaker 4: Cardi Beat Tour on fire Shut after Cardi Beat.
• 1:22:17
  Speaker 2: Try to get to that level to get a lot
• 1:22:19
  Speaker 2: of nation tour. It's not just an easy thing. Love nation.
• 1:22:23
  Speaker 3: Even getting known overseas, you'd be surprised who who they
• 1:22:27
  Speaker 3: know and don't know when you get to like Colombian
• 1:22:30
  Speaker 3: uh dr and ship like that because a lot of
• 1:22:34
  Speaker 3: people a lot, there's a lot of rappers. I'll be
• 1:22:36
  Speaker 3: like so and so They'll be like no no Snoop Dogg.
• 1:22:39
  Speaker 3: Yeah Snoop.
• 1:22:40
  Speaker 1: They gonna know m ANDELM and M.
• 1:22:46
  Speaker 2: That's what I'll be trying that Eminem.
• 1:22:49
  Speaker 3: Shit went so far from me that I'll be in
• 1:22:50
  Speaker 3: a random place like that and a waiter or something
• 1:22:53
  Speaker 3: like Eminem like you know what I mean.
• 1:23:00
  Speaker 2: Yeah, Yeah, that's the ship.
• 1:23:03
  Speaker 1: That's that's That's what bucked my head out is just
• 1:23:05
  Speaker 1: to come home out of jail and feel blessed. Man
• 1:23:08
  Speaker 1: lifting battery, Paul, come out of my building. See statue
• 1:23:11
  Speaker 1: of liberty. We come from nothing, nigga. So for me,
• 1:23:14
  Speaker 1: I always was humble. And then nigga, picture you being
• 1:23:16
  Speaker 1: in the party with Jim Carrey. Nigga, this nigga, you know,
• 1:23:19
  Speaker 1: this nigga from the movies, and ship he dancing behind you,
• 1:23:21
  Speaker 1: you laughing. Wesley Snipes the Kardashians like I done met everybody. Yeah,
• 1:23:28
  Speaker 1: except for Michael Jackson, who kids shout to who met
• 1:23:31
  Speaker 1: and Tony Brother met Michael Jackson. Michael, I never met
• 1:23:35
  Speaker 1: Michael Johns Man. I never met Mandela. I know fifty
• 1:23:38
  Speaker 1: and I met Mandela. Too many niggas were fitted going
• 1:23:41
  Speaker 1: to Mandela crib, you know, violators, like too many niggas
• 1:23:46
  Speaker 1: snouts Mandela. When I got to go to selling all
• 1:23:51
  Speaker 1: that niggas everybody was feeding. That was a man niggas
• 1:23:55
  Speaker 1: hype word fifty in them got a chance to meet him,
• 1:23:59
  Speaker 1: but I didn't get a chance.
• 1:24:00
  Speaker 2: It was like now, too many niggas, But.
• 1:24:02
  Speaker 4: You got to go to a sale, so that was cool.
• 1:24:03
  Speaker 2: You got your sell and all that.
• 1:24:05
  Speaker 1: See, those experiences you can never take from me. I
• 1:24:07
  Speaker 1: lived three lifetimes already. Now you well live three lives already.
• 1:24:11
  Speaker 4: Bro.
• 1:24:11
  Speaker 3: That's how I feel like the raps it is too
• 1:24:13
  Speaker 3: because when my shits started even kicking off in like
• 1:24:16
  Speaker 3: twenty twenty one. From twenty twenty one to twenty twenty five,
• 1:24:19
  Speaker 3: I feel like each year was like seven years, like
• 1:24:21
  Speaker 3: dog years kind of like but in a good way,
• 1:24:23
  Speaker 3: you know what I mean, Like because I'm I can't
• 1:24:26
  Speaker 3: it gets to the point you can't remember what you
• 1:24:27
  Speaker 3: did like five days ago. I'll be telling bro, I'll
• 1:24:29
  Speaker 3: be like, anything after seventy two hours, I don't remember
• 1:24:32
  Speaker 3: that shit, because this should be a blur sometimes, you
• 1:24:34
  Speaker 3: know how it'd be like moving and groover, Yeah, moving
• 1:24:37
  Speaker 3: and groove and you can't even remember shit. But then
• 1:24:39
  Speaker 3: at the end of that three sixty five I'd be
• 1:24:41
  Speaker 3: having to go through my camera role and.
• 1:24:43
  Speaker 2: I'd be like, damn, I did wow shit.
• 1:24:46
  Speaker 3: Like and That've been for like three four five years.
• 1:24:49
  Speaker 3: It's been the best years of my life ever.
• 1:24:51
  Speaker 4: Like real shit, oh god, real shit.
• 1:24:53
  Speaker 2: Bless you, and I reached the level that I want to.
• 1:24:56
  Speaker 3: But I'm I'm happy, Like, yeah, guys, we.
• 1:25:04
  Speaker 1: Definitely want to hear this albl project. Hopefully you get
• 1:25:06
  Speaker 1: a Leaf war versus out.
• 1:25:08
  Speaker 2: He comes home. Listen, I believe lot y'all three, y'all
• 1:25:12
  Speaker 2: three on the project man.
• 1:25:14
  Speaker 3: That like, I believe so much, and I'm stamping like
• 1:25:18
  Speaker 3: Leaf Warard is the best lyricists in America under thirty
• 1:25:21
  Speaker 3: years old by far, and I pull whatever on I support,
• 1:25:25
  Speaker 3: I pull whatever on anybody under thirty. He will smoke
• 1:25:29
  Speaker 3: your fucking boots and he really don't try. He just
• 1:25:32
  Speaker 3: go to the studio, drop ship casual and it goes
• 1:25:37
  Speaker 3: because it's that pure.
• 1:25:38
  Speaker 4: If you don't know about leaf Ward tuning in to
• 1:25:41
  Speaker 4: my boy leave, he's gonna be home.
• 1:25:43
  Speaker 2: So put me on the leaf Ward. He put me
• 1:25:46
  Speaker 2: on the albl before he came home.
• 1:25:48
  Speaker 3: But that's I ain't gonna lie. That's fire that y'all
• 1:25:50
  Speaker 3: like tapped in with music. A lot of like a
• 1:25:54
  Speaker 3: lot of the older generations, sometimes they tap out of music.
• 1:25:56
  Speaker 3: I never wanted to do that because they say, after
• 1:25:58
  Speaker 3: thirty is the scientific study that ninety percent of people
• 1:26:01
  Speaker 3: stopped listening to music and just go with what they know.
• 1:26:04
  Speaker 3: I'm telling you that's because y'all. You know what I mean,
• 1:26:07
  Speaker 3: y'all really into the music. A lot of people would
• 1:26:09
  Speaker 3: just say, all these thirty years, I'm gonna just go
• 1:26:11
  Speaker 3: with whatever songs I acquired over now, and they kind
• 1:26:14
  Speaker 3: of block off new music. But there's still people out
• 1:26:17
  Speaker 3: there rapping their ass off to this day making amazing music.
• 1:26:21
  Speaker 4: On your ship.
• 1:26:21
  Speaker 5: That's why, Yeah, I know who's talking that ship out.
• 1:26:26
  Speaker 5: I said, I know who's talking that ship.
• 1:26:30
  Speaker 3: Breakless.
• 1:26:31
  Speaker 1: We do some things when we say who are artist
• 1:26:34
  Speaker 1: of the week. Is my artist of the week, New
• 1:26:37
  Speaker 1: York City. I gotta give it up to Cardi B
• 1:26:39
  Speaker 1: because she's on tour loud nature. Who's your artist of
• 1:26:43
  Speaker 1: the week.
• 1:26:45
  Speaker 3: My artist of the week. Besides if what I mean, like,
• 1:26:49
  Speaker 3: what's the category?
• 1:26:51
  Speaker 4: What just riding around bumping? If you ain't listening to
• 1:26:55
  Speaker 4: your own ship right there?
• 1:26:57
  Speaker 2: Who you funk with right now?
• 1:26:58
  Speaker 3: I ain't gonna lie. I was just in the tour tape,
• 1:27:02
  Speaker 3: No tour he's from Philly.
• 1:27:04
  Speaker 2: T o U are e you put me on?
• 1:27:06
  Speaker 3: Yeah?
• 1:27:06
  Speaker 4: I never heard it.
• 1:27:07
  Speaker 3: He talks crazy. He started as ship. He said, dudes,
• 1:27:10
  Speaker 3: want to know why everybody can't go same reason. It's
• 1:27:13
  Speaker 3: two seats in a lambo. That was his first two bars.
• 1:27:16
  Speaker 3: I said, all right, yeah, I mean, let me tap
• 1:27:18
  Speaker 3: him with that.
• 1:27:18
  Speaker 2: So tour.
• 1:27:19
  Speaker 3: He from Philly, the best, the best rappers, pound for pound.
• 1:27:22
  Speaker 3: I feel like, come out of Philly like as a whole.
• 1:27:24
  Speaker 3: Like New York might got ten of the greatest, amazing people,
• 1:27:28
  Speaker 3: but Philly got two hundred super amazing, solid rappers.
• 1:27:33
  Speaker 4: But yeah, in Philly.
• 1:27:37
  Speaker 3: Little Bucks another one I've been listening to. And then
• 1:27:41
  Speaker 3: I listened to No Cap all day. That's somebody No
• 1:27:43
  Speaker 3: Captain Rolo Rodriguez I would really tell East Coast people
• 1:27:46
  Speaker 3: to to bend your mind to go listen to that
• 1:27:49
  Speaker 3: ship because they got a lot of double triple entendres.
• 1:27:52
  Speaker 3: They just harmonizing it. So it might throw you off.
• 1:27:55
  Speaker 3: The auto tune might throw you for the East Coast,
• 1:27:57
  Speaker 3: but when you listen to it, you're gonna be saying,
• 1:27:59
  Speaker 3: hold on. He just said that, like and the incredible artist.
• 1:28:02
  Speaker 3: So my artist of the week, I'm gonna say yeah,
• 1:28:05
  Speaker 3: I'll say no, cap.
• 1:28:07
  Speaker 2: You said a couple of people.
• 1:28:08
  Speaker 3: I said, for right, Yeah, I'm thinking of who I
• 1:28:12
  Speaker 3: was listening.
• 1:28:13
  Speaker 5: That's that's that's what you thought to the week minds.
• 1:28:16
  Speaker 5: Right now, I'm not gonna even hold you.
• 1:28:17
  Speaker 4: Just pool sisty, shasty.
• 1:28:19
  Speaker 3: Poo sisty mar.
• 1:28:21
  Speaker 4: You switched it up that he switched.
• 1:28:24
  Speaker 2: I'm not gonna die.
• 1:28:25
  Speaker 3: I'm pre boo sisty, free.
• 1:28:27
  Speaker 5: Pool sisty, I'm free poise I got the first I
• 1:28:31
  Speaker 5: gonna hold you. I've been working after I got a
• 1:28:33
  Speaker 5: gym in my house. I've just been working out the
• 1:28:36
  Speaker 5: pool sisey, lady man, I'm not gonna hold it.
• 1:28:38
  Speaker 4: Free fdo free pool sisty fd.
• 1:28:42
  Speaker 3: O baby on my on my LBR tape. I gotta
• 1:28:46
  Speaker 3: We just recorded like two nights ago to night that
• 1:28:48
  Speaker 3: should happened. I said something something my young and wave
• 1:28:51
  Speaker 3: the thirty uh free pool shisty these record labels thirty
• 1:28:55
  Speaker 3: you know, I mean I got where nobody?
• 1:28:58
  Speaker 4: Yeah, first.
• 1:29:03
  Speaker 2: Firch live.
• 1:29:04
  Speaker 4: I remember that. I remember that.
• 1:29:06
  Speaker 3: I remember that. It's just to show love to the
• 1:29:08
  Speaker 3: artists in live time. That's what it is. Capitalizes is
• 1:29:12
  Speaker 3: how my mom.
• 1:29:14
  Speaker 4: That's right, that's right.
• 1:29:16
  Speaker 5: But you already know we have my boy in the building,
• 1:29:18
  Speaker 5: new project out now bos.
• 1:29:23
  Speaker 2: The fives.
• 1:29:24
  Speaker 3: Yes, sir, good luck surviving the off season football fans.
• 1:29:34
  Speaker 2: At first, that was afraid. I was petrified footballs over.
• 1:29:39
  Speaker 2: It's like a part of me just died inside two.
• 1:29:42
  Speaker 5: Hundreds bowls back.
• 1:29:44
  Speaker 2: But tonight I won't just cry because I've got a
• 1:29:47
  Speaker 2: ways to play, and that's the placement, hard rock bed.
• 1:29:50
  Speaker 2: We survived by them.
• 1:29:53
  Speaker 5: I'll try before that must be twenty one plus and physically,
• 1:29:55
  Speaker 5: President Florida, the wage your terms of conditional clock.
• 1:29:57
  Speaker 3: If you were someone you know as a family problem,
• 1:29:58
  Speaker 3: please call one eight three three playwise