Latest / Verbal Diorama / Ever After: A Cinderella Story

Transcript

Ever After: A Cinderella Story · Verbal Diorama

• 1:37
  Hi
• 1:38
  everyone,
• 1:38
  I'm
• 1:38
  Em,
• 1:38
  and
• 1:39
  welcome
• 1:39
  to
• 1:39
  Verbal
• 1:39
  Diorama,
• 1:40
  episode
• 1:40
  344
• 1:43
  Ever
• 1:43
  After.
• 1:44
  This
• 1:44
  is
• 1:44
  the
• 1:45
  podcast
• 1:45
  that's
• 1:45
  all
• 1:45
  about
• 1:45
  the
• 1:45
  history
• 1:46
  and
• 1:46
  legacy
• 1:46
  of
• 1:46
  movies
• 1:47
  you
• 1:47
  know,
• 1:47
  and
• 1:48
  movies
• 1:48
  you
• 1:48
  don't.
• 1:49
  That
• 1:49
  also
• 1:49
  doesn't
• 1:50
  need
• 1:50
  a
• 1:50
  prince
• 1:50
  to
• 1:51
  save
• 1:51
  her.
• 1:51
  But
• 1:51
  you
• 1:52
  know,
• 1:52
  it'd
• 1:52
  be
• 1:52
  nice
• 1:52
  if
• 1:52
  he
• 1:53
  popped
• 1:53
  in
• 1:53
  occasionally.
• 1:54
  Welcome
• 1:54
  to
• 1:55
  Verbal
• 1:55
  Diorama.
• 1:55
  Whether
• 1:56
  you're
• 1:56
  a
• 1:56
  brand
• 1:56
  new
• 1:56
  listener
• 1:56
  to
• 1:56
  the
• 1:57
  podcast,
• 1:57
  whether
• 1:57
  you're
• 1:57
  a
• 1:58
  regular
• 1:58
  returning
• 1:58
  listener,
• 1:59
  thank
• 1:59
  you
• 1:59
  so
• 2:00
  much
• 2:00
  for
• 2:00
  being
• 2:00
  here.
• 2:00
  Thank
• 2:00
  you
• 2:01
  so
• 2:01
  much
• 2:01
  for
• 2:01
  choosing
• 2:01
  to
• 2:01
  listen
• 2:02
  to
• 2:02
  this
• 2:02
  podcast.
• 2:03
  There
• 2:03
  are
• 2:03
  a
• 2:03
  lot
• 2:04
  of
• 2:04
  movie
• 2:04
  podcasts
• 2:04
  out
• 2:05
  there.
• 2:05
  I'm
• 2:05
  so
• 2:05
  happy
• 2:06
  that
• 2:06
  you
• 2:06
  decided
• 2:06
  to
• 2:07
  listen
• 2:07
  to
• 2:07
  this
• 2:07
  one.
• 2:08
  I'm
• 2:08
  so
• 2:08
  happy
• 2:09
  to
• 2:09
  have
• 2:09
  you
• 2:09
  here
• 2:09
  for
• 2:09
  the
• 2:09
  history
• 2:10
  and
• 2:10
  legacy
• 2:10
  of
• 2:11
  Ever
• 2:11
  After.
• 2:12
  And
• 2:13
  if
• 2:13
  you
• 2:13
  are
• 2:13
  a
• 2:13
  regular
• 2:14
  returning
• 2:14
  listener,
• 2:14
  thank
• 2:15
  you
• 2:15
  so
• 2:15
  much
• 2:15
  for
• 2:15
  continuing
• 2:16
  to
• 2:16
  return
• 2:17
  to
• 2:17
  this
• 2:17
  podcast.
• 2:18
  Listening
• 2:18
  and
• 2:19
  supporting
• 2:19
  this
• 2:19
  podcast
• 2:20
  over
• 2:21
  the
• 2:21
  last
• 2:21
  seven
• 2:21
  years
• 2:21
  and
• 2:22
  now
• 2:22
  344
• 2:23
  episodes.
• 2:24
  It
• 2:25
  really
• 2:25
  does
• 2:25
  mean
• 2:26
  so
• 2:26
  much
• 2:26
  for
• 2:27
  you
• 2:27
  to
• 2:27
  continue
• 2:27
  to
• 2:28
  come
• 2:28
  back
• 2:28
  and
• 2:28
  for
• 2:29
  your
• 2:29
  support.
• 2:30
  And
• 2:30
  if
• 2:30
  you
• 2:31
  are
• 2:31
  a
• 2:31
  brand
• 2:31
  new
• 2:31
  listener
• 2:32
  to
• 2:32
  this
• 2:32
  podcast,
• 2:33
  welcome.
• 2:34
  There
• 2:34
  are
• 2:34
  a
• 2:34
  lot
• 2:34
  of
• 2:34
  episodes
• 2:35
  of
• 2:35
  this
• 2:35
  podcast
• 2:35
  for
• 2:36
  you
• 2:36
  to
• 2:36
  catch
• 2:36
  up
• 2:36
  on
• 2:36
  and
• 2:37
  hopefully
• 2:37
  you
• 2:38
  will
• 2:38
  then
• 2:38
  become
• 2:39
  a
• 2:39
  regular
• 2:39
  returning
• 2:40
  listener.
• 2:40
  The
• 2:41
  last
• 2:41
  couple
• 2:41
  of
• 2:41
  episodes
• 2:42
  of
• 2:42
  this
• 2:42
  podcast
• 2:43
  were
• 2:43
  very
• 2:44
  different
• 2:45
  to
• 2:45
  what
• 2:45
  I've
• 2:45
  done
• 2:46
  before.
• 2:47
  They
• 2:47
  were
• 2:47
  double
• 2:47
  episodes
• 2:48
  and
• 2:48
  they
• 2:48
  were
• 2:49
  twin
• 2:49
  movies
• 2:50
  versus
• 2:50
  each
• 2:51
  other.
• 2:52
  Dante's
• 2:52
  Peak
• 2:53
  and
• 2:53
  Volcano
• 2:53
  and
• 2:54
  Deep
• 2:54
  Impact
• 2:54
  and
• 2:55
  Armageddon.
• 2:56
  There
• 2:56
  are
• 2:56
  not
• 2:57
  going
• 2:57
  to
• 2:57
  be
• 2:57
  any
• 2:57
  more
• 2:57
  episodes
• 2:58
  on
• 2:58
  twin
• 2:58
  movies.
• 2:58
  Not
• 2:59
  for
• 2:59
  a
• 2:59
  little
• 2:59
  bit
• 3:00
  anyway.
• 3:01
  And
• 3:01
  I
• 3:01
  really
• 3:01
  wanted
• 3:02
  to
• 3:02
  move
• 3:02
  into
• 3:02
  something
• 3:03
  completely
• 3:03
  different.
• 3:04
  I
• 3:05
  love
• 3:05
  a
• 3:05
  good
• 3:05
  period
• 3:06
  movie
• 3:07
  and
• 3:07
  I
• 3:07
  love
• 3:07
  a
• 3:07
  good
• 3:07
  rom
• 3:08
  com.
• 3:08
  I
• 3:09
  don't
• 3:09
  think
• 3:09
  there
• 3:09
  are
• 3:09
  many
• 3:10
  good
• 3:10
  rom
• 3:10
  coms
• 3:11
  out
• 3:11
  there.
• 3:11
  I
• 3:11
  think
• 3:11
  most
• 3:11
  of
• 3:12
  them
• 3:12
  aren't
• 3:12
  brilliant,
• 3:13
  but.
• 3:13
  But
• 3:13
  a
• 3:13
  good
• 3:14
  romcom
• 3:14
  I
• 3:15
  really,
• 3:15
  really
• 3:15
  love.
• 3:16
  I
• 3:16
  also
• 3:17
  love
• 3:17
  Cinderella
• 3:17
  stories.
• 3:18
  I
• 3:18
  guess
• 3:18
  I'm
• 3:18
  a
• 3:18
  bit
• 3:18
  of
• 3:19
  a
• 3:19
  sucker
• 3:19
  for
• 3:20
  the
• 3:20
  Prince
• 3:20
  Charming
• 3:21
  and
• 3:21
  the
• 3:21
  love
• 3:21
  story
• 3:22
  and
• 3:22
  the
• 3:22
  romance
• 3:22
  and
• 3:23
  all
• 3:23
  of
• 3:23
  that
• 3:23
  stuff.
• 3:24
  And
• 3:24
  I
• 3:24
  also
• 3:24
  love
• 3:25
  Drew
• 3:25
  Barrymore.
• 3:26
  And
• 3:26
  Drew
• 3:27
  is
• 3:27
  someone
• 3:28
  who's
• 3:28
  popped
• 3:28
  up
• 3:28
  on
• 3:28
  this
• 3:29
  podcast
• 3:29
  several
• 3:29
  times
• 3:30
  over
• 3:30
  the
• 3:30
  seven
• 3:31
  years
• 3:31
  that
• 3:31
  I've
• 3:31
  done
• 3:32
  this
• 3:32
  podcast.
• 3:33
  And
• 3:33
  pretty
• 3:34
  much
• 3:34
  every
• 3:34
  time
• 3:35
  she
• 3:35
  pops
• 3:35
  up,
• 3:36
  I
• 3:36
  gush
• 3:37
  about
• 3:37
  how
• 3:37
  much
• 3:38
  I
• 3:38
  love
• 3:38
  Drew
• 3:38
  Barrymore.
• 3:39
  And
• 3:39
  it's
• 3:39
  true.
• 3:40
  I
• 3:40
  really
• 3:40
  do
• 3:41
  love
• 3:41
  Drew
• 3:41
  Barrymore.
• 3:42
  This
• 3:43
  movie
• 3:43
  may
• 3:44
  very
• 3:44
  well
• 3:44
  have
• 3:45
  been
• 3:45
  made
• 3:45
  for
• 3:46
  me.
• 3:46
  I
• 3:47
  realized
• 3:47
  also
• 3:48
  that
• 3:48
  I've
• 3:48
  never
• 3:48
  actually
• 3:49
  done
• 3:49
  an
• 3:49
  episode
• 3:50
  on
• 3:50
  any
• 3:51
  cinematic
• 3:51
  version
• 3:52
  of
• 3:52
  Cinderella,
• 3:53
  not
• 3:54
  even
• 3:54
  Disney's
• 3:55
  1950
• 3:56
  animated
• 3:56
  movie,
• 3:57
  which
• 3:57
  I
• 3:58
  will
• 3:58
  get
• 3:58
  round
• 3:58
  to
• 3:59
  at
• 3:59
  some
• 3:59
  point.
• 4:00
  But
• 4:00
  to
• 4:01
  me,
• 4:01
  this
• 4:02
  is
• 4:02
  the
• 4:02
  best
• 4:02
  adaptation
• 4:03
  of
• 4:03
  Cinderella,
• 4:04
  mostly
• 4:05
  because
• 4:05
  of
• 4:06
  the
• 4:06
  incredible
• 4:06
  acting
• 4:07
  dynasties
• 4:07
  involved,
• 4:08
  but
• 4:08
  also
• 4:09
  because
• 4:09
  it
• 4:09
  has
• 4:09
  no
• 4:10
  magical
• 4:11
  elements
• 4:11
  whatsoever
• 4:13
  and
• 4:13
  yet
• 4:14
  it's
• 4:15
  still
• 4:15
  totally
• 4:16
  magical.
• 4:17
  Here's
• 4:17
  the
• 4:17
  trailer
• 4:18
  for
• 4:18
  Ever
• 4:19
  After.
• 6:28
  Danielle,
• 6:29
  the
• 6:29
  only
• 6:30
  daughter
• 6:30
  of
• 6:30
  a
• 6:30
  deceased
• 6:31
  French
• 6:31
  nobleman,
• 6:32
  is
• 6:32
  raised
• 6:33
  more
• 6:33
  as
• 6:33
  a
• 6:33
  servant
• 6:34
  than
• 6:34
  a
• 6:34
  stepdaughter
• 6:35
  by
• 6:35
  the
• 6:35
  cruel
• 6:36
  and
• 6:36
  snobbish
• 6:36
  Baroness
• 6:37
  Rodmilla
• 6:38
  de
• 6:38
  Ghent.
• 6:39
  Together
• 6:39
  with
• 6:39
  her
• 6:39
  own
• 6:40
  two
• 6:40
  daughters,
• 6:41
  Marguerite
• 6:41
  and
• 6:41
  Jacqueline,
• 6:42
  Danielle
• 6:43
  meets
• 6:44
  Prince
• 6:44
  Henry,
• 6:44
  the
• 6:45
  future
• 6:45
  king
• 6:45
  of
• 6:45
  France,
• 6:46
  after
• 6:46
  he
• 6:47
  attempts
• 6:47
  to
• 6:47
  steal
• 6:47
  her
• 6:48
  father's
• 6:48
  horse.
• 6:49
  Sometime
• 6:50
  later,
• 6:50
  Danielle
• 6:51
  pretends
• 6:51
  to
• 6:51
  be
• 6:51
  a
• 6:51
  lady
• 6:52
  to
• 6:52
  save
• 6:52
  one
• 6:52
  of
• 6:52
  her
• 6:53
  colleagues
• 6:53
  from
• 6:53
  slavery
• 6:54
  and
• 6:54
  meets
• 6:55
  the
• 6:55
  prince
• 6:55
  again.
• 6:56
  His
• 6:56
  interest
• 6:56
  in
• 6:57
  Danielle
• 6:57
  grows
• 6:58
  and
• 6:58
  he
• 6:58
  asks
• 6:59
  for
• 6:59
  her
• 6:59
  name.
• 7:00
  Danielle
• 7:01
  gives
• 7:01
  her
• 7:01
  mother's
• 7:02
  name,
• 7:02
  Nicole
• 7:02
  de
• 7:03
  Lancret.
• 7:04
  But
• 7:04
  the
• 7:04
  prince
• 7:04
  is
• 7:05
  being
• 7:05
  forced
• 7:05
  into
• 7:05
  an
• 7:06
  arranged
• 7:06
  marriage
• 7:06
  with
• 7:07
  the
• 7:07
  Princess
• 7:07
  of
• 7:07
  Spain,
• 7:08
  and
• 7:08
  unless
• 7:09
  he
• 7:09
  can
• 7:09
  choose
• 7:10
  his
• 7:10
  own
• 7:10
  bride,
• 7:11
  he
• 7:11
  will
• 7:11
  be
• 7:11
  forced
• 7:12
  down
• 7:12
  the
• 7:12
  aisle.
• 7:13
  Danielle's
• 7:14
  stepsister,
• 7:15
  Marguerite,
• 7:15
  positions
• 7:16
  herself
• 7:16
  in
• 7:17
  the
• 7:17
  prince's
• 7:17
  favour,
• 7:18
  but
• 7:18
  Henry
• 7:19
  is
• 7:19
  enamoured
• 7:20
  by
• 7:20
  Nicole
• 7:20
  de
• 7:21
  Lancre.
• 7:22
  Not
• 7:22
  knowing
• 7:22
  she's
• 7:23
  a
• 7:23
  servant
• 7:23
  girl,
• 7:24
  Danielle
• 7:25
  attends
• 7:25
  the
• 7:25
  prince's
• 7:26
  ball
• 7:26
  in
• 7:26
  a
• 7:26
  beautiful
• 7:27
  dress
• 7:27
  and
• 7:27
  glass
• 7:27
  slippers.
• 7:28
  But
• 7:28
  her
• 7:29
  identity
• 7:29
  is
• 7:29
  revealed
• 7:30
  by
• 7:30
  her
• 7:30
  wicked
• 7:31
  stepmother
• 7:31
  and
• 7:32
  and
• 7:32
  she
• 7:32
  flees
• 7:32
  in
• 7:33
  tears,
• 7:33
  leaving
• 7:34
  a
• 7:34
  slipper
• 7:35
  behind.
• 7:36
  Let's
• 7:36
  run
• 7:37
  through
• 7:37
  the
• 7:37
  cast.
• 7:37
  We
• 7:38
  have
• 7:38
  Drew
• 7:38
  Barrymore
• 7:39
  as
• 7:39
  Danielle
• 7:40
  de
• 7:40
  Barbarac,
• 7:41
  Anjelica
• 7:42
  Huston
• 7:42
  as
• 7:42
  Baroness
• 7:43
  Rodmilla
• 7:44
  de
• 7:44
  Ghent,
• 7:45
  Dougray
• 7:45
  Scott
• 7:46
  as
• 7:46
  Henry,
• 7:47
  Prince
• 7:47
  of
• 7:47
  France
• 7:48
  Patrick
• 7:49
  Godfrey
• 7:49
  as
• 7:49
  Leonardo
• 7:50
  da
• 7:50
  Vinci
• 7:52
  Melanie
• 7:52
  Lynskey
• 7:53
  as
• 7:53
  Jacqueline
• 7:54
  de
• 7:54
  Gent
• 7:55
  Megan
• 7:55
  Dodds
• 7:56
  as
• 7:56
  Marguerite
• 7:56
  de
• 7:57
  Ghent
• 7:58
  Timothy
• 7:58
  west
• 7:58
  as
• 7:59
  Francis,
• 8:00
  King
• 8:00
  of
• 8:00
  France
• 8:01
  Judy
• 8:01
  Parfit
• 8:02
  as
• 8:02
  Marie,
• 8:03
  Queen
• 8:03
  of
• 8:03
  France
• 8:04
  Walter
• 8:05
  Sparrow
• 8:05
  as
• 8:06
  Maurice
• 8:07
  Kate
• 8:07
  Lansbury
• 8:08
  as
• 8:08
  Paulette
• 8:09
  Matyelok
• 8:10
  Gibbs
• 8:10
  as
• 8:11
  Louise
• 8:11
  Lee
• 8:12
  Ingleby
• 8:13
  as
• 8:13
  Gustav
• 8:14
  Richard
• 8:14
  o'
• 8:15
  Brien
• 8:15
  as
• 8:15
  Monsieur
• 8:16
  Pierre
• 8:16
  Le
• 8:17
  Pew
• 8:17
  and
• 8:18
  Jeanne
• 8:18
  Moreau
• 8:19
  as
• 8:19
  the
• 8:19
  Grand
• 8:20
  Dame
• 8:21
  Ever
• 8:21
  after
• 8:22
  has
• 8:22
  a
• 8:22
  screenplay
• 8:23
  by
• 8:23
  Susannah
• 8:23
  Grant,
• 8:24
  Andy
• 8:25
  Tennant
• 8:25
  and
• 8:25
  Rick
• 8:25
  Parks
• 8:26
  and
• 8:27
  was
• 8:27
  directed
• 8:27
  by
• 8:28
  Andy
• 8:28
  Tennant.
• 8:30
  So
• 8:30
  the
• 8:30
  Cinderella
• 8:31
  story
• 8:31
  may
• 8:31
  be
• 8:32
  the
• 8:32
  most
• 8:32
  widely
• 8:33
  distributed
• 8:34
  folk
• 8:34
  tale
• 8:34
  in
• 8:35
  human
• 8:35
  history.
• 8:36
  Cinderella
• 8:37
  tales
• 8:37
  are
• 8:37
  found
• 8:38
  in
• 8:38
  most
• 8:38
  parts
• 8:39
  of
• 8:39
  the
• 8:39
  world,
• 8:40
  told
• 8:40
  in
• 8:40
  more
• 8:40
  languages
• 8:41
  and
• 8:41
  in
• 8:41
  more
• 8:41
  different
• 8:42
  ways
• 8:42
  than
• 8:42
  any
• 8:43
  other
• 8:43
  folk
• 8:43
  tale,
• 8:44
  with
• 8:44
  estimates
• 8:45
  ranging
• 8:45
  from
• 8:46
  350
• 8:46
  to
• 8:47
  over
• 8:47
  3,000
• 8:47
  variants.
• 8:49
  Some
• 8:49
  scholars
• 8:49
  trace
• 8:50
  elements
• 8:50
  as
• 8:50
  far
• 8:51
  back
• 8:51
  as
• 8:52
  2000
• 8:52
  B.C.
• 8:53
  In
• 8:53
  Sumerian
• 8:54
  texts,
• 8:55
  while
• 8:55
  classical
• 8:55
  Greek
• 8:56
  historians
• 8:56
  rick
• 8:57
  out
• 8:57
  legends
• 8:57
  carrying
• 8:58
  all
• 8:58
  the
• 8:58
  essential
• 8:59
  story
• 8:59
  elements.
• 9:00
  The
• 9:00
  oldest
• 9:01
  recorded
• 9:01
  version
• 9:02
  is
• 9:02
  the
• 9:02
  Greek
• 9:02
  tale
• 9:03
  of
• 9:03
  Rhodopis,
• 9:04
  first
• 9:05
  set
• 9:05
  down
• 9:05
  by
• 9:05
  the
• 9:05
  geographer
• 9:06
  Strabo
• 9:07
  in
• 9:07
  the
• 9:07
  first
• 9:07
  century
• 9:08
  bce.
• 9:09
  It
• 9:09
  tells
• 9:09
  of
• 9:10
  a
• 9:10
  Greek
• 9:10
  slave
• 9:11
  girl
• 9:11
  who
• 9:11
  eventually
• 9:12
  marries
• 9:12
  the
• 9:12
  king
• 9:12
  of
• 9:12
  Egypt
• 9:13
  after
• 9:13
  he
• 9:14
  falls
• 9:14
  in
• 9:14
  love
• 9:14
  with
• 9:15
  her
• 9:15
  lost
• 9:15
  sandal.
• 9:16
  From
• 9:17
  here
• 9:17
  the
• 9:17
  story
• 9:17
  travels
• 9:18
  east.
• 9:19
  The
• 9:19
  Chinese
• 9:19
  story
• 9:20
  of
• 9:20
  Yijian
• 9:21
  dates
• 9:22
  to
• 9:22
  around
• 9:22
  860
• 9:23
  CE
• 9:24
  and
• 9:24
  in
• 9:24
  that
• 9:25
  the
• 9:25
  protagonist's
• 9:26
  deceased
• 9:26
  mother
• 9:27
  appears
• 9:27
  to
• 9:27
  her
• 9:27
  as
• 9:28
  a
• 9:28
  magic
• 9:28
  fish,
• 9:29
  helps
• 9:29
  her
• 9:29
  dress
• 9:30
  for
• 9:30
  a
• 9:30
  festival,
• 9:31
  and
• 9:31
  a
• 9:31
  king
• 9:32
  later
• 9:32
  finds
• 9:32
  her
• 9:33
  lost
• 9:33
  golden
• 9:33
  shoe
• 9:34
  and
• 9:34
  uses
• 9:35
  it
• 9:35
  to
• 9:35
  search
• 9:35
  for
• 9:35
  her.
• 9:36
  Different
• 9:37
  variants
• 9:37
  exist
• 9:38
  across
• 9:38
  Korea,
• 9:39
  Vietnam,
• 9:40
  the
• 9:40
  Philippines,
• 9:41
  Iran
• 9:41
  and
• 9:42
  Malaysia.
• 9:43
  The
• 9:43
  Italian
• 9:44
  writer
• 9:44
  Giambattista
• 9:46
  Basili
• 9:46
  published
• 9:47
  a
• 9:47
  version
• 9:47
  called
• 9:48
  Le
• 9:48
  gatta
• 9:49
  Senerentola
• 9:50
  in
• 9:50
  his
• 9:50
  collection
• 9:51
  Il
• 9:51
  pentemeroni
• 9:53
  posthumously
• 9:53
  in
• 9:54
  1634,
• 9:55
  in
• 9:55
  which
• 9:55
  the
• 9:55
  heroine
• 9:56
  named
• 9:57
  Zezola
• 9:57
  is
• 9:58
  abused
• 9:58
  by
• 9:58
  her
• 9:59
  former
• 9:59
  governess
• 9:59
  and
• 10:00
  her
• 10:00
  children
• 10:00
  and
• 10:01
  works
• 10:01
  in
• 10:01
  their
• 10:01
  kitchen
• 10:02
  as
• 10:02
  a
• 10:02
  servant.
• 10:03
  Zezola
• 10:04
  is
• 10:04
  aided
• 10:04
  by
• 10:05
  a
• 10:05
  fairy
• 10:05
  living
• 10:06
  in
• 10:06
  a
• 10:06
  date
• 10:06
  tree
• 10:07
  and
• 10:07
  goes
• 10:07
  to
• 10:07
  the
• 10:07
  king's
• 10:08
  ball.
• 10:09
  Then
• 10:09
  came
• 10:09
  the
• 10:09
  version
• 10:10
  that
• 10:10
  defined
• 10:11
  everything
• 10:12
  Charles
• 10:12
  Perrault's
• 10:13
  cendrillion
• 10:14
  ou
• 10:14
  la
• 10:14
  petite
• 10:15
  pantoufle
• 10:15
  de
• 10:16
  vere
• 10:16
  in
• 10:16
  1697
• 10:18
  also
• 10:18
  has
• 10:19
  the
• 10:19
  stepmother
• 10:19
  and
• 10:20
  stepsisters
• 10:20
  and
• 10:21
  Cinderella
• 10:22
  working
• 10:22
  as
• 10:22
  a
• 10:22
  slave.
• 10:23
  The
• 10:23
  but
• 10:23
  it
• 10:23
  added
• 10:24
  the
• 10:24
  now
• 10:24
  iconic
• 10:25
  details
• 10:26
  the
• 10:26
  fairy
• 10:26
  godmother,
• 10:27
  the
• 10:27
  pumpkin
• 10:28
  turned
• 10:28
  carriage
• 10:28
  and
• 10:29
  the
• 10:29
  glass
• 10:29
  slipper.
• 10:30
  Perrault
• 10:31
  also
• 10:31
  added
• 10:32
  a
• 10:32
  moral
• 10:32
  dimension
• 10:33
  largely
• 10:34
  absent
• 10:34
  from
• 10:35
  earlier
• 10:35
  versions
• 10:36
  His
• 10:36
  Cinderella
• 10:37
  forgives
• 10:38
  her
• 10:38
  cruel
• 10:38
  sisters,
• 10:39
  making
• 10:39
  her
• 10:40
  the
• 10:40
  pinnacle
• 10:40
  of
• 10:41
  grace.
• 10:42
  The
• 10:42
  Brothers
• 10:43
  Grimm's
• 10:43
  version
• 10:43
  of
• 10:44
  1812,
• 10:44
  by
• 10:45
  contrast,
• 10:46
  is
• 10:46
  considerably,
• 10:47
  excuse
• 10:48
  the
• 10:48
  pun,
• 10:48
  Grimmer.
• 10:49
  The
• 10:50
  protagonist
• 10:50
  Ashenputtle,
• 10:51
  loses
• 10:52
  a
• 10:52
  golden
• 10:52
  rather
• 10:53
  than
• 10:53
  a
• 10:53
  glass
• 10:53
  slipper,
• 10:54
  and
• 10:54
  salvation
• 10:55
  comes
• 10:55
  not
• 10:56
  from
• 10:56
  a
• 10:56
  fairy
• 10:56
  godmother,
• 10:57
  but
• 10:57
  from
• 10:57
  doves
• 10:58
  in
• 10:58
  a
• 10:58
  tree.
• 10:59
  The
• 10:59
  Brothers
• 11:00
  Grimm
• 11:00
  actually
• 11:00
  updated
• 11:01
  their
• 11:01
  original
• 11:02
  version
• 11:02
  in
• 11:02
  1819
• 11:03
  with
• 11:03
  various
• 11:04
  changes,
• 11:04
  including
• 11:05
  a
• 11:05
  coda
• 11:06
  that
• 11:06
  punished
• 11:07
  the
• 11:07
  stepsisters
• 11:08
  with
• 11:08
  doves,
• 11:09
  pecking
• 11:09
  out
• 11:10
  their
• 11:10
  eyes
• 11:10
  and
• 11:10
  blinding
• 11:11
  them.
• 11:12
  Cinderella
• 11:13
  has
• 11:13
  been
• 11:13
  adapted
• 11:14
  for
• 11:14
  stage
• 11:14
  and
• 11:14
  screen
• 11:15
  countless
• 11:15
  times
• 11:16
  over
• 11:16
  the
• 11:16
  centuries,
• 11:17
  most
• 11:17
  famously
• 11:18
  in
• 11:18
  opera
• 11:18
  and
• 11:19
  in
• 11:19
  Rossini's
• 11:20
  La
• 11:20
  Senorentola,
• 11:21
  which
• 11:22
  premiered
• 11:22
  in
• 11:22
  Rome
• 11:23
  in
• 11:23
  1817
• 11:24
  and
• 11:24
  remains
• 11:24
  the
• 11:25
  most
• 11:25
  enduring
• 11:25
  operatic
• 11:26
  treatment
• 11:27
  of
• 11:27
  the
• 11:27
  story.
• 11:28
  Rossini
• 11:29
  strips
• 11:29
  out
• 11:29
  the
• 11:29
  supernatural
• 11:30
  almost
• 11:31
  entirely.
• 11:32
  There's
• 11:32
  no
• 11:32
  fairy
• 11:32
  godmother
• 11:33
  and
• 11:33
  no
• 11:33
  glass
• 11:34
  slipper.
• 11:34
  Instead,
• 11:35
  the
• 11:35
  heroine
• 11:35
  is
• 11:36
  identified
• 11:36
  by
• 11:36
  a
• 11:37
  bracelet
• 11:37
  and
• 11:38
  she
• 11:38
  wins
• 11:38
  the
• 11:38
  prince
• 11:39
  through
• 11:39
  moral
• 11:39
  virtue
• 11:40
  rather
• 11:40
  than
• 11:41
  magic.
• 11:42
  Jules
• 11:42
  Massenet
• 11:43
  later
• 11:43
  wrote
• 11:44
  his
• 11:44
  own
• 11:44
  French
• 11:45
  opera
• 11:45
  version,
• 11:46
  cendrion,
• 11:47
  in
• 11:47
  1899,
• 11:48
  which
• 11:48
  the
• 11:49
  Metropolitan
• 11:49
  Opera
• 11:50
  has
• 11:50
  continued
• 11:50
  to
• 11:51
  revive
• 11:51
  regularly
• 11:52
  in
• 11:52
  the
• 11:52
  modern
• 11:53
  era.
• 11:54
  The
• 11:54
  most
• 11:54
  famous
• 11:54
  adaptation,
• 11:55
  though,
• 11:55
  is
• 11:55
  probably
• 11:56
  the
• 11:56
  Disney
• 11:56
  animated
• 11:57
  Cinderella
• 11:58
  of
• 11:58
  1950,
• 11:59
  which
• 11:59
  was
• 12:00
  the
• 12:00
  studio's
• 12:00
  12th
• 12:01
  animated
• 12:01
  feature.
• 12:02
  Based
• 12:03
  on
• 12:03
  the
• 12:03
  Perot
• 12:03
  version,
• 12:04
  with
• 12:04
  songs
• 12:05
  including
• 12:05
  A
• 12:06
  dream
• 12:06
  is
• 12:06
  a
• 12:06
  wish
• 12:07
  your
• 12:07
  heart
• 12:07
  makes
• 12:07
  and
• 12:08
  Bibbidi
• 12:08
  bobidi
• 12:09
  Boo,
• 12:09
  it
• 12:10
  became
• 12:10
  the
• 12:10
  biggest
• 12:10
  critical
• 12:11
  and
• 12:11
  commercial
• 12:12
  hit
• 12:12
  for
• 12:12
  Disney
• 12:13
  since
• 12:13
  Snow
• 12:14
  White,
• 12:14
  reviving
• 12:15
  the
• 12:15
  studio
• 12:16
  following
• 12:16
  a
• 12:16
  slump
• 12:16
  during
• 12:17
  World
• 12:17
  War
• 12:17
  II.
• 12:18
  Its
• 12:19
  cultural
• 12:19
  dominance
• 12:20
  has
• 12:20
  been
• 12:20
  so
• 12:21
  complete
• 12:21
  that
• 12:22
  for
• 12:22
  many
• 12:22
  viewers,
• 12:22
  the
• 12:23
  Disneyfication
• 12:24
  of
• 12:24
  the
• 12:24
  Cinderella
• 12:25
  story
• 12:25
  has
• 12:26
  eclipsed
• 12:26
  the
• 12:27
  other
• 12:27
  global
• 12:28
  variations,
• 12:29
  leaving
• 12:29
  only
• 12:30
  a
• 12:30
  more
• 12:30
  simplified
• 12:31
  version
• 12:31
  of
• 12:32
  these
• 12:32
  more
• 12:33
  complex
• 12:34
  age
• 12:34
  old
• 12:34
  stories.
• 12:36
  In
• 12:36
  1955,
• 12:37
  NBC
• 12:38
  approached
• 12:38
  Rogers
• 12:39
  and
• 12:39
  Hammerstein
• 12:40
  to
• 12:40
  do
• 12:40
  something
• 12:40
  never
• 12:41
  previously
• 12:41
  attempted
• 12:42
  to
• 12:42
  to
• 12:43
  write
• 12:43
  an
• 12:43
  original
• 12:44
  musical
• 12:44
  expressly
• 12:45
  for
• 12:45
  television
• 12:46
  rather
• 12:46
  than
• 12:47
  adapting
• 12:47
  an
• 12:47
  existing
• 12:48
  one.
• 12:49
  The
• 12:49
  result
• 12:49
  was
• 12:49
  Rogers
• 12:50
  and
• 12:50
  Hammerstein's
• 12:51
  Cinderella,
• 12:51
  which
• 12:52
  was
• 12:52
  broadcast
• 12:52
  live
• 12:53
  On
• 12:53
  TV
• 12:54
  on
• 12:54
  31
• 12:55
  March
• 12:56
  1957.
• 12:56
  With
• 12:57
  Julie
• 12:57
  Andrews
• 12:58
  in
• 12:58
  the
• 12:58
  title
• 12:58
  role,
• 12:59
  it
• 12:59
  had
• 13:00
  the
• 13:00
  largest
• 13:00
  audience
• 13:00
  in
• 13:01
  television
• 13:01
  history
• 13:02
  at
• 13:02
  that
• 13:02
  point,
• 13:03
  over
• 13:03
  107
• 13:04
  million
• 13:04
  viewers,
• 13:05
  which
• 13:05
  was
• 13:06
  more
• 13:06
  than
• 13:06
  60%
• 13:07
  of
• 13:07
  American
• 13:07
  households.
• 13:09
  Andrews
• 13:09
  was
• 13:10
  nominated
• 13:10
  for
• 13:10
  an
• 13:10
  Emmy
• 13:11
  Award
• 13:11
  for
• 13:11
  her
• 13:11
  performance,
• 13:12
  as
• 13:13
  was
• 13:13
  Rogers
• 13:13
  for
• 13:14
  the
• 13:14
  score.
• 13:15
  After
• 13:15
  the
• 13:15
  Musical's
• 13:16
  success,
• 13:16
  a
• 13:17
  1965
• 13:18
  remake
• 13:19
  starring
• 13:19
  Lesley
• 13:19
  Ann
• 13:20
  Warren
• 13:20
  alongside
• 13:21
  Ginger
• 13:21
  Rogers
• 13:22
  as
• 13:22
  the
• 13:22
  queen
• 13:23
  was
• 13:23
  produced
• 13:23
  and
• 13:24
  filmed
• 13:24
  on
• 13:24
  videotape
• 13:25
  and
• 13:26
  aired
• 13:26
  on
• 13:26
  22
• 13:27
  February
• 13:28
  1965.
• 13:29
  The
• 13:30
  1997
• 13:31
  remake
• 13:32
  of
• 13:32
  Rodgers
• 13:33
  and
• 13:33
  Hammerstein's
• 13:33
  Cinderella
• 13:34
  and
• 13:34
  is
• 13:34
  arguably
• 13:35
  the
• 13:35
  most
• 13:35
  culturally
• 13:36
  significant
• 13:37
  of
• 13:37
  the
• 13:37
  three.
• 13:38
  Produced
• 13:38
  by
• 13:39
  Whitney
• 13:39
  Houston
• 13:39
  for
• 13:40
  Walt
• 13:40
  Disney
• 13:40
  Television
• 13:41
  and
• 13:41
  directed
• 13:41
  by
• 13:42
  Robert
• 13:42
  Iscove
• 13:43
  with
• 13:43
  choreography
• 13:44
  by
• 13:44
  a
• 13:44
  then
• 13:45
  unknown
• 13:45
  Rob
• 13:46
  Marshall.
• 13:47
  It
• 13:47
  starred
• 13:47
  Brandy
• 13:48
  in
• 13:48
  the
• 13:48
  title
• 13:48
  role
• 13:49
  with
• 13:49
  Houston
• 13:50
  as
• 13:50
  the
• 13:50
  fairy
• 13:50
  godmother,
• 13:51
  Bernadette
• 13:52
  Peters
• 13:52
  as
• 13:52
  the
• 13:53
  stepmother,
• 13:53
  Paolo
• 13:54
  Montalban
• 13:55
  as
• 13:55
  the
• 13:55
  prince
• 13:55
  and
• 13:56
  Whoopi
• 13:56
  Goldberg
• 13:57
  as
• 13:57
  the
• 13:57
  queen.
• 13:58
  Brandy
• 13:59
  was
• 13:59
  the
• 13:59
  first
• 13:59
  African
• 14:00
  American
• 14:00
  actress
• 14:01
  to
• 14:01
  portray
• 14:02
  Cinderella
• 14:02
  on
• 14:03
  screen
• 14:03
  and
• 14:03
  the
• 14:04
  production's
• 14:04
  colourblind
• 14:05
  casting
• 14:05
  was
• 14:05
  groundbreaking.
• 14:06
  At
• 14:06
  the
• 14:07
  time,
• 14:07
  it
• 14:08
  proved
• 14:08
  that
• 14:08
  the
• 14:08
  idea
• 14:09
  of
• 14:09
  a
• 14:09
  black
• 14:09
  actress
• 14:10
  playing
• 14:10
  Cinderella
• 14:11
  was
• 14:12
  not
• 14:12
  unthinkable.
• 14:13
  It
• 14:14
  aired
• 14:14
  to
• 14:14
  60
• 14:14
  million
• 14:15
  viewers
• 14:15
  and
• 14:15
  became
• 14:16
  the
• 14:16
  most
• 14:16
  watched
• 14:16
  television
• 14:17
  musical
• 14:17
  in
• 14:18
  decades.
• 14:19
  The
• 14:19
  Disney
• 14:20
  Home
• 14:20
  Video
• 14:20
  version,
• 14:21
  also
• 14:21
  released
• 14:22
  in
• 14:22
  1997,
• 14:23
  became
• 14:24
  the
• 14:24
  best
• 14:24
  selling
• 14:24
  video
• 14:25
  of
• 14:25
  a
• 14:25
  TV
• 14:26
  movie
• 14:26
  ever
• 14:26
  released.
• 14:28
  While
• 14:28
  there
• 14:28
  have
• 14:29
  been
• 14:29
  more
• 14:29
  modern
• 14:30
  retellings
• 14:30
  of
• 14:30
  the
• 14:31
  story,
• 14:31
  including
• 14:32
  Kenneth
• 14:32
  Branagh's
• 14:33
  lavish
• 14:33
  Disney
• 14:34
  live
• 14:34
  action
• 14:34
  remake,
• 14:35
  often
• 14:36
  cited
• 14:36
  as
• 14:36
  one
• 14:37
  of
• 14:37
  Disney's
• 14:37
  best
• 14:38
  live
• 14:38
  action
• 14:39
  remakes,
• 14:40
  just
• 14:40
  after
• 14:40
  Brandy
• 14:41
  took
• 14:41
  on
• 14:41
  the
• 14:42
  famous
• 14:42
  role
• 14:42
  in
• 14:42
  1997,
• 14:44
  Drew
• 14:44
  Barrymore
• 14:45
  helmed
• 14:46
  Ever
• 14:46
  after
• 14:46
  in
• 14:47
  1998,
• 14:48
  a
• 14:49
  modern
• 14:49
  retelling
• 14:50
  set
• 14:50
  in
• 14:50
  Renaissance
• 14:51
  France,
• 14:52
  an
• 14:52
  adaptation
• 14:52
  that
• 14:53
  took
• 14:53
  real
• 14:53
  historical
• 14:54
  people
• 14:54
  and
• 14:55
  inserted
• 14:55
  them
• 14:56
  into
• 14:56
  the
• 14:56
  story
• 14:57
  in
• 14:57
  lieu
• 14:57
  of
• 14:57
  the
• 14:58
  fairy
• 14:58
  godmother
• 14:59
  and
• 14:59
  unnamed
• 14:59
  Prince
• 15:00
  Charming.
• 15:01
  Writer
• 15:02
  director
• 15:02
  Andy
• 15:02
  Tennant
• 15:03
  and
• 15:03
  his
• 15:03
  writing
• 15:03
  partner
• 15:04
  Rick
• 15:04
  Parks
• 15:05
  began
• 15:05
  working
• 15:06
  on
• 15:06
  the
• 15:06
  film
• 15:06
  shortly
• 15:07
  after
• 15:07
  they
• 15:07
  had
• 15:07
  both
• 15:08
  become
• 15:08
  fathers.
• 15:09
  Ever
• 15:10
  after
• 15:10
  was
• 15:11
  created
• 15:11
  out
• 15:11
  of
• 15:11
  the
• 15:12
  love
• 15:12
  for
• 15:12
  their
• 15:12
  daughters
• 15:13
  wanting
• 15:14
  to
• 15:14
  tell
• 15:14
  a
• 15:14
  story
• 15:14
  that
• 15:15
  they
• 15:15
  would
• 15:15
  want
• 15:15
  their
• 15:16
  daughters
• 15:16
  to
• 15:16
  see.
• 15:18
  Meanwhile,
• 15:18
  Susannah
• 15:19
  Grant
• 15:19
  had
• 15:19
  finished
• 15:20
  writing
• 15:20
  Disney's
• 15:21
  Pocahontas
• 15:21
  and
• 15:22
  got
• 15:22
  a
• 15:22
  call
• 15:22
  about
• 15:23
  writing
• 15:23
  a
• 15:23
  Merchant
• 15:24
  Ivory
• 15:25
  Cinderella.
• 15:26
  She
• 15:26
  wrote
• 15:26
  a
• 15:26
  script
• 15:27
  which
• 15:27
  everyone
• 15:27
  involved
• 15:28
  was
• 15:28
  happy
• 15:28
  with,
• 15:29
  and
• 15:29
  then
• 15:29
  Andy
• 15:30
  Tennant
• 15:30
  signed
• 15:31
  on
• 15:31
  to
• 15:31
  direct.
• 15:32
  Tennant
• 15:33
  and
• 15:33
  Parks
• 15:33
  basically
• 15:34
  rewrote
• 15:35
  Grant's
• 15:35
  script
• 15:36
  without
• 15:36
  her
• 15:36
  involvement.
• 15:38
  Grant
• 15:38
  still
• 15:38
  received
• 15:39
  a
• 15:39
  screenplay
• 15:40
  credit
• 15:40
  despite
• 15:40
  Parks
• 15:41
  writing
• 15:41
  to
• 15:41
  the
• 15:42
  LA
• 15:42
  Times
• 15:42
  in
• 15:42
  April
• 15:43
  2000
• 15:44
  suggesting
• 15:44
  she
• 15:45
  wasn't
• 15:45
  as
• 15:45
  involved
• 15:46
  as
• 15:46
  people
• 15:46
  think.
• 15:48
  I
• 15:49
  appreciate
• 15:49
  the
• 15:49
  fact
• 15:50
  that
• 15:50
  Susannah
• 15:50
  Grant
• 15:51
  has
• 15:51
  a
• 15:51
  very
• 15:51
  good
• 15:51
  agent
• 15:52
  and
• 15:52
  obviously
• 15:53
  an
• 15:53
  even
• 15:54
  better
• 15:54
  publicist,
• 15:55
  referencing
• 15:56
  her
• 15:56
  type
• 15:56
  is
• 15:56
  Strong,
• 15:57
  not
• 15:57
  silent
• 15:57
  by
• 15:58
  Charlotte
• 15:58
  Innes
• 15:58
  on
• 15:59
  April
• 15:59
  2,
• 16:00
  but
• 16:00
  I'd
• 16:00
  like
• 16:01
  to
• 16:01
  offer
• 16:01
  a
• 16:01
  free
• 16:02
  copy
• 16:02
  of
• 16:02
  her
• 16:02
  final
• 16:03
  draft
• 16:03
  to
• 16:04
  anyone
• 16:04
  who
• 16:04
  believes
• 16:05
  she
• 16:05
  wrote
• 16:05
  Ever
• 16:06
  after,
• 16:06
  unquote.
• 16:08
  Grant
• 16:08
  would
• 16:08
  go
• 16:09
  on
• 16:09
  to
• 16:09
  write
• 16:09
  Erin
• 16:10
  Brockovich,
• 16:10
  which
• 16:11
  is
• 16:11
  episode
• 16:11
  292
• 16:12
  of
• 16:13
  this
• 16:13
  podcast.
• 16:14
  The
• 16:15
  story
• 16:15
  of
• 16:15
  Ever
• 16:15
  after
• 16:16
  is
• 16:16
  rooted
• 16:17
  in
• 16:17
  some
• 16:17
  historical
• 16:18
  fact,
• 16:19
  so
• 16:19
  let's
• 16:20
  go
• 16:20
  into
• 16:21
  what
• 16:21
  is
• 16:21
  fact
• 16:21
  and
• 16:22
  what
• 16:22
  is
• 16:22
  fiction.
• 16:23
  Leonardo
• 16:24
  da
• 16:24
  Vinci
• 16:25
  did
• 16:25
  actually
• 16:25
  visit
• 16:26
  the
• 16:26
  French
• 16:26
  court
• 16:27
  of
• 16:27
  King
• 16:27
  Francis
• 16:28
  I,
• 16:28
  who
• 16:29
  was
• 16:29
  good
• 16:29
  friends
• 16:30
  with
• 16:30
  the
• 16:30
  Italian
• 16:31
  painter.
• 16:31
  Da
• 16:32
  Vinci
• 16:32
  lived
• 16:33
  in
• 16:33
  central
• 16:33
  France
• 16:33
  for
• 16:34
  the
• 16:34
  last
• 16:34
  three
• 16:34
  years
• 16:34
  of
• 16:35
  his
• 16:35
  life
• 16:35
  from
• 16:36
  1516
• 16:37
  to
• 16:37
  1519,
• 16:38
  and
• 16:38
  he
• 16:38
  really
• 16:39
  did
• 16:39
  bring
• 16:39
  the
• 16:40
  Mona
• 16:40
  Lisa
• 16:41
  with
• 16:41
  him
• 16:41
  to
• 16:42
  France.
• 16:43
  The
• 16:43
  painting
• 16:43
  of
• 16:43
  Daniel
• 16:44
  in
• 16:44
  the
• 16:44
  movie
• 16:44
  is
• 16:45
  based
• 16:45
  on
• 16:45
  the
• 16:45
  real
• 16:46
  Leonardo
• 16:46
  da
• 16:46
  Vinci
• 16:47
  unfinished
• 16:47
  painting
• 16:48
  Head
• 16:49
  of
• 16:49
  a
• 16:49
  Woman
• 16:49
  Le
• 16:50
  Scapigliata.
• 16:51
  King
• 16:51
  Francis
• 16:52
  I
• 16:52
  and
• 16:53
  his
• 16:53
  son
• 16:53
  Prince
• 16:53
  Henry
• 16:54
  ii
• 16:55
  were
• 16:55
  also
• 16:55
  real
• 16:56
  monarchs
• 16:56
  of
• 16:56
  France.
• 16:57
  The
• 16:58
  film's
• 16:58
  broader
• 16:59
  depiction
• 16:59
  of
• 16:59
  Renaissance
• 17:00
  court
• 17:00
  life,
• 17:00
  like
• 17:01
  arranged
• 17:01
  royal
• 17:02
  marriages,
• 17:03
  the
• 17:03
  tension
• 17:03
  between
• 17:03
  feudal
• 17:04
  obligation
• 17:05
  and
• 17:05
  personal
• 17:05
  freedom,
• 17:06
  shipping
• 17:07
  people
• 17:07
  to
• 17:07
  the
• 17:07
  colonies
• 17:08
  as
• 17:08
  punishment,
• 17:09
  reflects
• 17:10
  genuine
• 17:10
  16th
• 17:11
  century
• 17:11
  realities.
• 17:12
  Both
• 17:13
  Danielle
• 17:13
  de
• 17:14
  Barbarac
• 17:14
  and
• 17:15
  Baroness
• 17:15
  de
• 17:15
  Gendt
• 17:16
  live
• 17:16
  in
• 17:16
  a
• 17:17
  patrilineal
• 17:17
  system
• 17:18
  of
• 17:18
  inheritance,
• 17:19
  meaning
• 17:19
  that
• 17:19
  women
• 17:20
  don't
• 17:20
  inherit.
• 17:21
  The
• 17:21
  Baroness
• 17:22
  and
• 17:22
  her
• 17:22
  daughters
• 17:23
  likely
• 17:23
  inherited
• 17:24
  nothing
• 17:24
  from
• 17:25
  the
• 17:25
  Baron
• 17:25
  de
• 17:25
  Gendt
• 17:26
  when
• 17:26
  he
• 17:26
  passed,
• 17:27
  so
• 17:27
  she
• 17:28
  probably
• 17:28
  married
• 17:28
  Auguste
• 17:29
  de
• 17:29
  Barbarac
• 17:30
  for
• 17:30
  financial
• 17:30
  stability,
• 17:31
  only
• 17:32
  for
• 17:32
  him
• 17:32
  to
• 17:32
  die
• 17:33
  too.
• 17:34
  They
• 17:34
  weren't
• 17:34
  penniless,
• 17:35
  but
• 17:35
  they
• 17:35
  were
• 17:36
  deeply
• 17:36
  in
• 17:36
  debt
• 17:37
  by
• 17:37
  the
• 17:37
  time
• 17:37
  the
• 17:37
  movie
• 17:38
  begins.
• 17:38
  And
• 17:39
  Danielle
• 17:39
  then
• 17:40
  becomes
• 17:40
  an
• 17:41
  indentured
• 17:41
  servant.
• 17:42
  So
• 17:43
  while
• 17:43
  the
• 17:43
  characters
• 17:43
  are
• 17:44
  not
• 17:44
  real,
• 17:44
  the
• 17:44
  situation
• 17:46
  probably
• 17:46
  was
• 17:47
  very
• 17:47
  real
• 17:47
  for
• 17:48
  a
• 17:48
  lot
• 17:48
  of
• 17:48
  women
• 17:49
  during
• 17:49
  that
• 17:49
  time
• 17:50
  period.
• 17:51
  It's
• 17:51
  not
• 17:52
  all
• 17:52
  accuracy,
• 17:53
  though.
• 17:54
  The
• 17:54
  film
• 17:54
  is
• 17:54
  set
• 17:55
  in
• 17:55
  the
• 17:55
  year
• 17:55
  1512,
• 17:56
  at
• 17:56
  which
• 17:57
  time
• 17:57
  Francis
• 17:57
  I
• 17:58
  was
• 17:58
  only
• 17:58
  18
• 17:59
  years
• 17:59
  old
• 17:59
  and
• 18:00
  not
• 18:00
  yet
• 18:00
  King.
• 18:01
  King
• 18:01
  Francis
• 18:02
  I
• 18:02
  summoned
• 18:03
  Leonardo
• 18:03
  da
• 18:03
  Vinci
• 18:04
  to
• 18:04
  his
• 18:04
  court
• 18:05
  around
• 18:05
  1516,
• 18:07
  three
• 18:07
  years
• 18:08
  before
• 18:08
  King
• 18:08
  Henry
• 18:09
  II
• 18:09
  was
• 18:10
  born
• 18:10
  to
• 18:11
  his
• 18:11
  wife,
• 18:11
  Queen
• 18:12
  Claude,
• 18:12
  not
• 18:13
  Queen
• 18:13
  Marie.
• 18:14
  Henry
• 18:15
  also
• 18:15
  had
• 18:16
  an
• 18:16
  older
• 18:16
  brother.
• 18:17
  He
• 18:17
  wasn't
• 18:18
  an
• 18:18
  only
• 18:18
  child.
• 18:18
  He
• 18:19
  also
• 18:19
  had
• 18:19
  younger
• 18:19
  siblings
• 18:20
  as
• 18:20
  well.
• 18:21
  Leonardo
• 18:21
  da
• 18:21
  Vinci
• 18:22
  died
• 18:22
  in
• 18:22
  May
• 18:23
  1519,
• 18:24
  and
• 18:24
  Prince
• 18:24
  Henry
• 18:25
  II
• 18:25
  was
• 18:26
  born
• 18:26
  in
• 18:26
  March
• 18:27
  1519,
• 18:28
  which
• 18:28
  means
• 18:28
  they
• 18:29
  probably
• 18:29
  did
• 18:29
  know
• 18:30
  each
• 18:30
  other,
• 18:31
  but
• 18:31
  only
• 18:31
  by
• 18:31
  all
• 18:32
  of
• 18:32
  33
• 18:33
  days
• 18:33
  when
• 18:34
  Henry
• 18:34
  was
• 18:34
  an
• 18:35
  infant.
• 18:36
  Thomas
• 18:36
  More's
• 18:36
  Utopia
• 18:37
  was
• 18:37
  published
• 18:38
  in
• 18:38
  1515,
• 18:40
  three
• 18:40
  years
• 18:40
  after
• 18:41
  the
• 18:41
  movie
• 18:41
  is
• 18:41
  set.
• 18:42
  So
• 18:42
  it's
• 18:42
  impossible
• 18:43
  that
• 18:43
  Danielle
• 18:44
  would
• 18:44
  have
• 18:44
  read
• 18:44
  it
• 18:45
  as
• 18:45
  a
• 18:45
  child
• 18:45
  10
• 18:46
  years
• 18:46
  prior.
• 18:47
  The
• 18:47
  movie
• 18:48
  also
• 18:48
  mentions
• 18:48
  England's
• 18:49
  fondness
• 18:49
  for
• 18:49
  divorce,
• 18:50
  a
• 18:50
  nod
• 18:50
  to
• 18:50
  Henry
• 18:51
  VIII.
• 18:52
  But
• 18:52
  his
• 18:52
  annulment
• 18:53
  to
• 18:53
  Catherine
• 18:53
  of
• 18:54
  Aragon
• 18:54
  wasn't
• 18:54
  until
• 18:55
  1533.
• 18:56
  So
• 18:57
  again,
• 18:57
  21
• 18:58
  years
• 18:58
  after
• 18:58
  the
• 18:59
  movie
• 18:59
  was
• 18:59
  set.
• 19:00
  The
• 19:00
  film
• 19:01
  opens
• 19:01
  and
• 19:01
  closes
• 19:02
  with
• 19:02
  the
• 19:02
  Brothers
• 19:02
  Grimm
• 19:03
  visiting
• 19:03
  a
• 19:03
  French
• 19:04
  noblewoman
• 19:05
  who
• 19:05
  possesses
• 19:05
  the
• 19:06
  real
• 19:06
  glass
• 19:06
  slipper
• 19:07
  and
• 19:07
  is
• 19:07
  the
• 19:08
  great
• 19:08
  great
• 19:08
  granddaughter
• 19:09
  of
• 19:09
  Henry
• 19:10
  and
• 19:10
  Danielle.
• 19:11
  The
• 19:11
  Grimm
• 19:12
  Brothers
• 19:12
  published
• 19:12
  their
• 19:13
  fairy
• 19:13
  tale
• 19:13
  collection
• 19:14
  in
• 19:14
  1812,
• 19:15
  framing
• 19:16
  them
• 19:16
  as
• 19:16
  the
• 19:16
  original
• 19:17
  tellers
• 19:17
  of
• 19:17
  the
• 19:18
  Cinderella
• 19:18
  story,
• 19:19
  rather
• 19:19
  than
• 19:20
  Charles
• 19:20
  Perrault,
• 19:21
  who
• 19:21
  published
• 19:21
  his
• 19:22
  version
• 19:22
  in
• 19:22
  1697.
• 19:24
  But
• 19:24
  if
• 19:25
  you
• 19:25
  think
• 19:25
  about
• 19:25
  your
• 19:26
  great
• 19:26
  great
• 19:26
  grandparents,
• 19:27
  they
• 19:27
  were
• 19:27
  probably
• 19:28
  born
• 19:28
  maybe
• 19:29
  100
• 19:29
  to
• 19:29
  140
• 19:30
  years
• 19:31
  before
• 19:31
  you,
• 19:32
  and
• 19:32
  the
• 19:32
  movie
• 19:32
  is
• 19:32
  set
• 19:33
  300
• 19:34
  years
• 19:34
  before
• 19:35
  the
• 19:35
  Grimm
• 19:35
  Brothers
• 19:36
  published
• 19:36
  their
• 19:37
  Cinderella
• 19:38
  story.
• 19:38
  So
• 19:39
  how
• 19:39
  could
• 19:39
  the
• 19:39
  Brothers
• 19:40
  Grimm
• 19:40
  be
• 19:41
  visiting
• 19:41
  the
• 19:42
  great
• 19:42
  great
• 19:42
  granddaughter
• 19:43
  of
• 19:43
  Henry
• 19:44
  Danielle,
• 19:45
  when
• 19:45
  the
• 19:45
  timelines
• 19:46
  don't
• 19:46
  really
• 19:47
  work?
• 19:47
  But
• 19:48
  maybe
• 19:48
  I'm
• 19:48
  being
• 19:48
  super
• 19:49
  picky.
• 19:49
  Because
• 19:50
  this
• 19:50
  is
• 19:50
  a
• 19:50
  movie
• 19:50
  that
• 19:51
  does
• 19:51
  get
• 19:51
  a
• 19:51
  lot
• 19:52
  right.
• 19:53
  And
• 19:53
  it
• 19:53
  starts
• 19:54
  with
• 19:54
  its
• 19:54
  cast,
• 19:55
  because
• 19:55
  it's
• 19:55
  led
• 19:56
  by
• 19:56
  the
• 19:56
  women
• 19:56
  of
• 19:57
  two
• 19:57
  of
• 19:57
  Hollywood's
• 19:58
  most
• 19:58
  formidable
• 19:59
  acting
• 19:59
  dynasties,
• 20:00
  the
• 20:01
  Barrymores
• 20:01
  and
• 20:02
  the
• 20:02
  Hustons.
• 20:03
  Drew
• 20:04
  Barrymore
• 20:04
  came
• 20:04
  into
• 20:05
  the
• 20:05
  world
• 20:05
  carrying
• 20:06
  the
• 20:06
  weight
• 20:06
  of
• 20:06
  one
• 20:07
  of
• 20:07
  Hollywood's
• 20:07
  most
• 20:08
  storied
• 20:08
  dynasties.
• 20:09
  Her
• 20:10
  great,
• 20:10
  great
• 20:10
  grandfather
• 20:11
  was
• 20:11
  John
• 20:12
  Drew
• 20:12
  senior,
• 20:13
  an
• 20:13
  Irish
• 20:13
  immigrant
• 20:14
  to
• 20:14
  the
• 20:14
  US
• 20:15
  A
• 20:15
  successful
• 20:16
  theatre
• 20:16
  actor
• 20:16
  and
• 20:17
  manager
• 20:17
  of
• 20:17
  the
• 20:17
  famous
• 20:18
  Arch
• 20:18
  Street
• 20:19
  Theatre
• 20:19
  in
• 20:19
  Philadelphia.
• 20:21
  Her
• 20:21
  grandfather,
• 20:22
  John
• 20:22
  Barrymore,
• 20:23
  was
• 20:23
  considered
• 20:24
  one
• 20:24
  of
• 20:24
  the
• 20:24
  finest
• 20:24
  actors
• 20:25
  of
• 20:25
  his
• 20:25
  generation.
• 20:26
  But
• 20:26
  the
• 20:27
  family
• 20:27
  legacy
• 20:28
  came
• 20:28
  with
• 20:29
  demons.
• 20:30
  Her
• 20:30
  father,
• 20:31
  John
• 20:31
  Drew
• 20:31
  Jr.
• 20:32
  Struggled
• 20:32
  with
• 20:33
  alcoholism.
• 20:34
  Her
• 20:34
  relationship
• 20:34
  with
• 20:35
  her
• 20:35
  mother,
• 20:35
  Jade,
• 20:36
  was
• 20:36
  complicated
• 20:37
  and
• 20:37
  often
• 20:37
  toxic.
• 20:39
  Drew
• 20:39
  became
• 20:39
  a
• 20:40
  child
• 20:40
  star
• 20:40
  aged
• 20:41
  five
• 20:41
  when
• 20:41
  her
• 20:42
  godfather,
• 20:42
  Steven
• 20:42
  Spielberg,
• 20:43
  cast
• 20:44
  her
• 20:44
  as
• 20:44
  Gertie
• 20:45
  in
• 20:45
  E.T.
• 20:45
  The
• 20:45
  Extraterrestrial.
• 20:47
  And
• 20:47
  by
• 20:47
  age
• 20:47
  nine,
• 20:48
  she
• 20:48
  was
• 20:48
  already
• 20:49
  being
• 20:49
  exposed
• 20:49
  to
• 20:50
  adult
• 20:50
  nightlife
• 20:51
  at
• 20:51
  places
• 20:52
  like
• 20:52
  Studio
• 20:52
  54.
• 20:54
  In
• 20:54
  her
• 20:54
  autobiography,
• 20:55
  Little
• 20:55
  Girl
• 20:56
  Lost,
• 20:56
  she
• 20:56
  opened
• 20:57
  up
• 20:57
  about
• 20:57
  starting
• 20:58
  drinking
• 20:58
  and
• 20:59
  smoking
• 20:59
  at
• 20:59
  9
• 21:00
  and
• 21:00
  first
• 21:00
  trying
• 21:01
  cocaine
• 21:01
  at
• 21:02
  13.
• 21:03
  By
• 21:03
  the
• 21:04
  time
• 21:04
  she
• 21:04
  was
• 21:04
  12
• 21:04
  years
• 21:05
  old,
• 21:05
  Drew
• 21:06
  found
• 21:06
  herself
• 21:06
  on
• 21:07
  an
• 21:07
  unofficial
• 21:07
  Hollywood
• 21:08
  blacklist.
• 21:09
  Producers
• 21:10
  who
• 21:10
  had
• 21:10
  once
• 21:11
  clamoured
• 21:11
  to
• 21:11
  work
• 21:12
  with
• 21:12
  her
• 21:12
  now
• 21:13
  saw
• 21:13
  her
• 21:13
  as
• 21:13
  a
• 21:13
  liability.
• 21:15
  At
• 21:15
  14,
• 21:16
  she
• 21:16
  made
• 21:16
  a
• 21:16
  decision
• 21:16
  that
• 21:17
  would
• 21:17
  change
• 21:17
  everything.
• 21:18
  She
• 21:19
  legally
• 21:19
  emancipated
• 21:20
  herself
• 21:20
  from
• 21:21
  her
• 21:21
  parents.
• 21:22
  Her
• 21:23
  career
• 21:23
  reinvention
• 21:24
  in
• 21:24
  the
• 21:24
  early
• 21:24
  to
• 21:24
  mid-90s
• 21:25
  was
• 21:25
  deliberately
• 21:26
  provocative.
• 21:27
  She
• 21:27
  turned
• 21:28
  the
• 21:28
  clean
• 21:28
  image
• 21:29
  of
• 21:29
  her
• 21:29
  child
• 21:29
  star
• 21:30
  years
• 21:30
  into
• 21:31
  a
• 21:31
  new
• 21:31
  identity
• 21:32
  as
• 21:32
  a
• 21:32
  sex
• 21:32
  symbol,
• 21:33
  staging
• 21:34
  a
• 21:34
  career
• 21:34
  comeback
• 21:35
  in
• 21:35
  1992's
• 21:36
  Poison
• 21:37
  Ivy
• 21:38
  as
• 21:38
  a
• 21:38
  teenage
• 21:38
  seductress.
• 21:40
  The
• 21:40
  edgier
• 21:41
  roles
• 21:41
  of
• 21:41
  this
• 21:42
  mid-90s
• 21:42
  period
• 21:43
  were
• 21:43
  a
• 21:43
  deliberate
• 21:44
  reclaiming
• 21:45
  of
• 21:45
  her
• 21:45
  narrative
• 21:46
  after
• 21:46
  years
• 21:47
  of
• 21:47
  being
• 21:47
  defined
• 21:47
  by
• 21:48
  her
• 21:48
  very
• 21:48
  public
• 21:49
  collapse.
• 21:50
  But
• 21:50
  her
• 21:50
  turnaround
• 21:51
  was
• 21:51
  really
• 21:51
  marked
• 21:52
  by
• 21:52
  scream
• 21:52
  in
• 21:53
  1996,
• 21:54
  the
• 21:55
  poster
• 21:55
  child,
• 21:55
  final
• 21:56
  girl
• 21:56
  in
• 21:56
  a
• 21:56
  horror
• 21:57
  movie
• 21:57
  who,
• 21:58
  spoiler
• 21:59
  alert,
• 21:59
  dies
• 22:00
  within
• 22:00
  the
• 22:00
  first
• 22:00
  20
• 22:01
  minutes.
• 22:02
  But
• 22:02
  by
• 22:02
  the
• 22:03
  time
• 22:03
  ever
• 22:03
  after
• 22:03
  arrived
• 22:04
  in
• 22:04
  July
• 22:05
  1998,
• 22:06
  Drew
• 22:06
  Barrymore
• 22:07
  was
• 22:07
  23
• 22:07
  and
• 22:08
  in
• 22:08
  the
• 22:08
  midst
• 22:08
  of
• 22:09
  what
• 22:09
  was
• 22:09
  arguably
• 22:10
  the
• 22:10
  most
• 22:10
  productive
• 22:11
  single
• 22:11
  year
• 22:12
  of
• 22:12
  her
• 22:12
  career
• 22:12
  to
• 22:12
  that
• 22:13
  point.
• 22:14
  That
• 22:14
  year,
• 22:14
  she
• 22:14
  proved
• 22:15
  her
• 22:15
  strength
• 22:15
  as
• 22:16
  a
• 22:16
  romantic
• 22:16
  leading
• 22:17
  lady,
• 22:18
  starring
• 22:18
  in
• 22:18
  the
• 22:18
  Wedding
• 22:18
  Singer
• 22:19
  opposite
• 22:19
  Adam
• 22:20
  Sandler,
• 22:20
  which
• 22:20
  is
• 22:21
  episode
• 22:21
  222
• 22:22
  of
• 22:22
  this
• 22:22
  podcast.
• 22:23
  And
• 22:24
  in
• 22:24
  Ever
• 22:24
  after,
• 22:26
  the
• 22:26
  family
• 22:26
  connection
• 22:27
  between
• 22:27
  the
• 22:27
  Hustons
• 22:28
  and
• 22:28
  the
• 22:28
  Barrymores
• 22:29
  runs
• 22:29
  deep.
• 22:30
  John
• 22:31
  Huston,
• 22:31
  Anjelica
• 22:32
  Huston's
• 22:33
  father,
• 22:33
  directed
• 22:34
  the
• 22:34
  1948
• 22:35
  film
• 22:35
  Key
• 22:35
  Largo,
• 22:36
  which
• 22:36
  starred
• 22:37
  Humphrey
• 22:37
  Bogart,
• 22:38
  Lauren
• 22:38
  Bacall
• 22:39
  and
• 22:39
  Drew's
• 22:40
  grand
• 22:40
  uncle,
• 22:40
  Lionel
• 22:41
  Barrymore.
• 22:42
  Anjelica's
• 22:43
  grandfather,
• 22:44
  Walter
• 22:44
  Huston,
• 22:45
  won
• 22:45
  an
• 22:45
  Oscar
• 22:46
  for
• 22:46
  the
• 22:46
  Treasure
• 22:46
  of
• 22:47
  the
• 22:47
  Sierra
• 22:47
  Madre,
• 22:48
  directed
• 22:49
  by
• 22:49
  John
• 22:49
  Huston,
• 22:50
  who
• 22:50
  took
• 22:50
  home
• 22:50
  an
• 22:51
  Oscar
• 22:51
  for
• 22:51
  the
• 22:51
  same
• 22:51
  film.
• 22:52
  John
• 22:53
  Houston
• 22:53
  was
• 22:53
  known
• 22:54
  for
• 22:54
  directing
• 22:54
  the
• 22:54
  Maltese
• 22:55
  Falcon,
• 22:56
  the
• 22:56
  African
• 22:56
  Queen
• 22:57
  and
• 22:57
  Prizi's
• 22:58
  Honour
• 22:58
  and
• 22:58
  was
• 22:59
  notorious
• 22:59
  in
• 22:59
  equal
• 23:00
  measure
• 23:00
  for
• 23:00
  his
• 23:00
  gambling,
• 23:01
  drinking
• 23:02
  and
• 23:02
  womanizing.
• 23:04
  In
• 23:04
  her
• 23:04
  breakthrough
• 23:05
  role
• 23:05
  in
• 23:05
  Prizi's
• 23:06
  honour
• 23:06
  in
• 23:07
  1985,
• 23:08
  Anjelica
• 23:08
  played
• 23:09
  the
• 23:09
  daughter
• 23:09
  of
• 23:09
  a
• 23:10
  Mafia
• 23:10
  don't
• 23:11
  and
• 23:11
  her
• 23:11
  then
• 23:11
  partner
• 23:12
  Jack
• 23:12
  Nicholson
• 23:13
  played
• 23:13
  the
• 23:13
  don's
• 23:14
  enforcer.
• 23:15
  It
• 23:16
  received
• 23:16
  eight
• 23:16
  Academy
• 23:17
  Award
• 23:17
  nominations,
• 23:18
  including
• 23:18
  the
• 23:18
  first
• 23:19
  for
• 23:19
  Anjelica
• 23:20
  Huston
• 23:20
  as
• 23:20
  Best
• 23:21
  Supporting
• 23:21
  Actress.
• 23:22
  She
• 23:22
  would
• 23:23
  win
• 23:23
  and
• 23:23
  become
• 23:23
  the
• 23:24
  third
• 23:24
  generation
• 23:25
  of
• 23:25
  her
• 23:25
  family
• 23:25
  to
• 23:26
  receive
• 23:26
  an
• 23:26
  Oscar,
• 23:27
  joining
• 23:27
  both
• 23:27
  her
• 23:28
  father
• 23:28
  and
• 23:28
  grandfather.
• 23:30
  Drew
• 23:30
  Barrymore
• 23:31
  and
• 23:31
  director
• 23:31
  Andy
• 23:32
  Tennant
• 23:33
  had
• 23:33
  already
• 23:33
  worked
• 23:34
  together
• 23:34
  on
• 23:34
  the
• 23:34
  TV
• 23:35
  movie
• 23:35
  the
• 23:35
  Amy
• 23:36
  Fisher
• 23:36
  Story,
• 23:37
  and
• 23:37
  she
• 23:37
  came
• 23:37
  across
• 23:38
  the
• 23:38
  Ever
• 23:38
  After
• 23:38
  Story
• 23:39
  and
• 23:40
  it
• 23:40
  spoke
• 23:40
  to
• 23:40
  where
• 23:41
  she
• 23:41
  wanted
• 23:41
  to
• 23:41
  take
• 23:41
  her
• 23:42
  career
• 23:43
  away
• 23:43
  from
• 23:43
  the
• 23:43
  sexy,
• 23:44
  seductious
• 23:44
  roles
• 23:45
  that
• 23:45
  she
• 23:45
  had
• 23:45
  taken
• 23:46
  to
• 23:46
  rebel
• 23:47
  and
• 23:47
  reinvent
• 23:47
  herself.
• 23:48
  In
• 23:49
  Danielle,
• 23:49
  she
• 23:49
  saw
• 23:50
  a
• 23:50
  good
• 23:50
  role
• 23:50
  and
• 23:51
  a
• 23:51
  good
• 23:51
  role
• 23:51
  model.
• 23:52
  It
• 23:52
  was
• 23:53
  a
• 23:53
  story
• 23:53
  that
• 23:53
  was
• 23:54
  empowering,
• 23:55
  a
• 23:55
  period
• 23:55
  piece
• 23:56
  with
• 23:56
  a
• 23:56
  modern
• 23:56
  sensibility
• 23:57
  that
• 23:58
  would
• 23:58
  become
• 23:58
  a
• 23:58
  common
• 23:59
  theme
• 23:59
  throughout
• 23:59
  her
• 24:00
  career
• 24:00
  as
• 24:00
  it
• 24:01
  mirrored
• 24:01
  her
• 24:01
  own
• 24:02
  hard
• 24:02
  won
• 24:02
  evolution.
• 24:04
  Barrymore
• 24:04
  recognised
• 24:05
  herself
• 24:05
  in
• 24:06
  a
• 24:06
  Cinderella
• 24:07
  who
• 24:07
  didn't
• 24:07
  wait
• 24:07
  for
• 24:08
  a
• 24:08
  fairy
• 24:08
  godmother
• 24:09
  who
• 24:09
  read
• 24:09
  Thomas
• 24:10
  More,
• 24:10
  who
• 24:10
  rescued
• 24:11
  a
• 24:11
  man
• 24:11
  from
• 24:11
  slavers
• 24:12
  before
• 24:12
  being
• 24:13
  rescued
• 24:13
  herself.
• 24:15
  She
• 24:15
  turned
• 24:16
  down
• 24:16
  a
• 24:16
  part
• 24:16
  in
• 24:16
  boogie
• 24:17
  nights
• 24:17
  in
• 24:17
  1997
• 24:18
  to
• 24:19
  star
• 24:19
  in
• 24:19
  Ever
• 24:19
  after,
• 24:20
  which
• 24:21
  I
• 24:21
  think
• 24:21
  speaks
• 24:22
  to
• 24:22
  how
• 24:22
  strongly
• 24:22
  she
• 24:23
  felt
• 24:23
  about
• 24:23
  the
• 24:23
  movie
• 24:24
  and
• 24:24
  also
• 24:25
  the
• 24:25
  direction
• 24:25
  she
• 24:26
  wanted
• 24:26
  her
• 24:26
  career
• 24:27
  to
• 24:27
  take.
• 24:28
  And
• 24:28
  though
• 24:28
  she
• 24:29
  was
• 24:29
  never
• 24:29
  formally
• 24:29
  credited
• 24:30
  as
• 24:30
  a
• 24:30
  producer,
• 24:31
  she
• 24:32
  functioned
• 24:32
  as
• 24:32
  one
• 24:33
  on
• 24:33
  this
• 24:33
  movie
• 24:33
  in
• 24:34
  all
• 24:34
  but
• 24:34
  name.
• 24:35
  She's
• 24:36
  described
• 24:36
  Ever
• 24:36
  after
• 24:37
  as
• 24:37
  one
• 24:37
  of
• 24:37
  the
• 24:37
  first
• 24:38
  films
• 24:38
  she
• 24:38
  helped
• 24:39
  produce
• 24:39
  unofficially
• 24:40
  and
• 24:40
  credits
• 24:41
  it
• 24:41
  with
• 24:41
  opening
• 24:42
  her
• 24:42
  mind
• 24:42
  to
• 24:42
  starting
• 24:43
  Flower
• 24:43
  Films
• 24:44
  as
• 24:44
  a
• 24:44
  formal
• 24:45
  production
• 24:45
  company.
• 24:46
  So
• 24:47
  when
• 24:47
  she
• 24:47
  was
• 24:47
  thinking
• 24:48
  about
• 24:48
  who
• 24:48
  could
• 24:48
  play
• 24:49
  the
• 24:49
  infamous
• 24:49
  stepmother
• 24:50
  role,
• 24:51
  the
• 24:51
  only
• 24:51
  name
• 24:52
  she
• 24:52
  had
• 24:52
  in
• 24:52
  mind
• 24:53
  was
• 24:53
  Anjelica
• 24:54
  Huston.
• 24:55
  So
• 24:55
  Drew
• 24:55
  Barrymore
• 24:56
  tracked
• 24:56
  down
• 24:56
  her
• 24:57
  phone
• 24:57
  number
• 24:57
  and
• 24:58
  called
• 24:58
  Huston
• 24:59
  personally
• 25:00
  and
• 25:00
  appealed
• 25:00
  to
• 25:01
  their
• 25:01
  shared
• 25:01
  family
• 25:01
  history.
• 25:02
  The
• 25:03
  Barrymores
• 25:03
  and
• 25:03
  the
• 25:04
  Hustons
• 25:04
  had
• 25:04
  worked
• 25:05
  together
• 25:05
  before
• 25:06
  and
• 25:06
  they
• 25:06
  could
• 25:06
  work
• 25:07
  together
• 25:07
  again
• 25:08
  on
• 25:08
  this
• 25:08
  movie.
• 25:09
  The
• 25:09
  appeal
• 25:10
  worked
• 25:10
  and
• 25:10
  the
• 25:11
  production
• 25:11
  had
• 25:11
  sourced
• 25:12
  not
• 25:12
  only
• 25:12
  its
• 25:12
  Cinderella,
• 25:13
  but
• 25:14
  its
• 25:14
  wicked
• 25:14
  stepmother,
• 25:15
  and
• 25:15
  all
• 25:15
  they
• 25:16
  needed
• 25:16
  now
• 25:16
  was
• 25:17
  a
• 25:17
  prince.
• 25:18
  Dougray
• 25:19
  Scott
• 25:19
  had
• 25:19
  auditioned
• 25:20
  for
• 25:20
  the
• 25:20
  role
• 25:20
  but
• 25:21
  had
• 25:21
  been
• 25:21
  turned
• 25:21
  down.
• 25:22
  Barrymore
• 25:23
  advocated
• 25:23
  for
• 25:24
  Scott
• 25:24
  and
• 25:24
  he
• 25:24
  ended
• 25:25
  up
• 25:25
  getting
• 25:25
  the
• 25:25
  role
• 25:25
  of
• 25:26
  Prince
• 25:26
  Henry.
• 25:27
  The
• 25:28
  movie
• 25:28
  was
• 25:28
  shot
• 25:28
  entirely
• 25:29
  on
• 25:29
  location
• 25:30
  in
• 25:30
  France
• 25:31
  at
• 25:31
  no
• 25:31
  fewer
• 25:32
  than
• 25:32
  four
• 25:32
  chateaux,
• 25:33
  as
• 25:33
  well
• 25:33
  as
• 25:33
  wilderness
• 25:34
  areas.
• 25:35
  The
• 25:35
  castle
• 25:36
  shown
• 25:36
  in
• 25:36
  the
• 25:36
  film
• 25:36
  is
• 25:37
  the
• 25:37
  Chateau
• 25:37
  de
• 25:38
  Hautefort
• 25:38
  in
• 25:38
  the
• 25:38
  Dordogne
• 25:39
  region.
• 25:40
  Other
• 25:41
  chateaux
• 25:41
  included
• 25:42
  De
• 25:42
  Fenion
• 25:43
  Delos
• 25:43
  de
• 25:44
  Lanque
• 25:44
  de
• 25:44
  Baynac
• 25:45
  and
• 25:45
  the
• 25:46
  Chateau
• 25:46
  de
• 25:46
  la
• 25:46
  Russi
• 25:47
  which
• 25:47
  served
• 25:48
  as
• 25:48
  the
• 25:48
  house
• 25:48
  of
• 25:48
  the
• 25:49
  de
• 25:49
  Barbaracs
• 25:50
  as
• 25:50
  well
• 25:50
  as
• 25:51
  the
• 25:51
  city
• 25:51
  of
• 25:52
  Salat
• 25:52
  le
• 25:53
  Carneda.
• 25:53
  By
• 25:54
  the
• 25:54
  way,
• 25:54
  I.
• 25:54
  I
• 25:55
  am
• 25:55
  butchering
• 25:55
  pronunciations
• 25:56
  on
• 25:57
  this
• 25:57
  episode
• 25:57
  left,
• 25:57
  right
• 25:58
  and
• 25:58
  centre
• 25:58
  and
• 25:58
  I
• 25:59
  apologize
• 26:00
  profusely.
• 26:01
  I'm
• 26:01
  never
• 26:01
  very
• 26:02
  good.
• 26:02
  I
• 26:02
  do
• 26:02
  try
• 26:02
  my
• 26:03
  best.
• 26:03
  The
• 26:03
  Dordogne
• 26:04
  region
• 26:05
  in
• 26:05
  the
• 26:05
  mid-90s
• 26:06
  already
• 26:06
  had
• 26:06
  the
• 26:06
  look
• 26:07
  of
• 26:07
  16th
• 26:08
  century
• 26:08
  France
• 26:08
  which
• 26:09
  matched
• 26:09
  the
• 26:09
  story's
• 26:10
  setting.
• 26:10
  The
• 26:11
  medieval
• 26:11
  architecture
• 26:12
  and
• 26:12
  the
• 26:12
  natural
• 26:12
  landscape
• 26:13
  gave
• 26:13
  the
• 26:14
  film
• 26:14
  a
• 26:14
  grounded
• 26:15
  historical
• 26:15
  feel
• 26:16
  without
• 26:16
  the
• 26:17
  need
• 26:17
  for
• 26:17
  building
• 26:18
  heavy,
• 26:18
  complex
• 26:19
  sets.
• 26:21
  The
• 26:21
  French
• 26:21
  countryside
• 26:22
  setting
• 26:22
  did
• 26:23
  have
• 26:23
  its
• 26:23
  issues
• 26:24
  though.
• 26:24
  Costume
• 26:25
  designer
• 26:25
  Jenny
• 26:26
  Bevan,
• 26:26
  three
• 26:27
  time
• 26:27
  Oscar
• 26:27
  winner,
• 26:28
  needed
• 26:29
  numerous
• 26:29
  and
• 26:29
  varied
• 26:30
  lushly
• 26:31
  detailed
• 26:31
  costumes
• 26:32
  for
• 26:32
  the
• 26:32
  principal
• 26:33
  characters
• 26:34
  played
• 26:34
  by
• 26:34
  Barrymore,
• 26:35
  Houston
• 26:35
  and
• 26:36
  Scott.
• 26:37
  Bevan
• 26:37
  described
• 26:37
  Ever
• 26:38
  after
• 26:38
  as
• 26:38
  a
• 26:39
  tough
• 26:39
  film
• 26:39
  to
• 26:39
  make
• 26:40
  because
• 26:40
  it
• 26:40
  was
• 26:41
  filmed
• 26:41
  in
• 26:41
  the
• 26:41
  Dordogne
• 26:42
  with
• 26:42
  little
• 26:43
  access
• 26:43
  to
• 26:43
  fabric
• 26:44
  shops.
• 26:45
  Bevan
• 26:45
  worked
• 26:46
  with
• 26:46
  elements
• 26:46
  of
• 26:46
  both
• 26:47
  15th
• 26:47
  and
• 26:47
  early
• 26:48
  16th
• 26:48
  century
• 26:49
  costume
• 26:49
  design.
• 26:50
  Despite
• 26:50
  the
• 26:51
  French
• 26:51
  setting,
• 26:51
  most
• 26:52
  of
• 26:52
  the
• 26:52
  designs
• 26:53
  actually
• 26:53
  Italian,
• 26:54
  not
• 26:54
  French.
• 26:55
  Danielle's
• 26:56
  work
• 26:56
  dress
• 26:56
  consists
• 26:57
  of
• 26:57
  an
• 26:57
  underbodice
• 26:58
  that
• 26:58
  laces
• 26:59
  at
• 26:59
  the
• 26:59
  side
• 26:59
  back
• 27:00
  seams,
• 27:00
  an
• 27:01
  overgown
• 27:01
  with
• 27:01
  attached
• 27:02
  skirt
• 27:02
  that
• 27:02
  ties
• 27:03
  in
• 27:03
  the
• 27:03
  front
• 27:03
  and
• 27:04
  segmented
• 27:05
  sleeves
• 27:05
  tied
• 27:05
  at
• 27:06
  the
• 27:06
  shoulders
• 27:06
  and
• 27:06
  elbows,
• 27:07
  all
• 27:07
  worn
• 27:08
  over
• 27:08
  a
• 27:08
  white
• 27:09
  chemise.
• 27:10
  The
• 27:10
  garment
• 27:10
  shares
• 27:11
  strong
• 27:11
  similarities
• 27:12
  with
• 27:12
  a
• 27:12
  Raphael
• 27:13
  sketch
• 27:13
  of
• 27:13
  a
• 27:14
  young
• 27:14
  woman
• 27:14
  from
• 27:14
  1504
• 27:16
  which
• 27:16
  is
• 27:16
  distinctly
• 27:17
  Italian.
• 27:19
  The
• 27:19
  most
• 27:19
  celebrated
• 27:20
  costume
• 27:20
  in
• 27:20
  the
• 27:21
  film,
• 27:21
  the
• 27:21
  Breathe
• 27:22
  dress.
• 27:22
  The
• 27:23
  luminous
• 27:23
  silver
• 27:24
  ball
• 27:24
  gown
• 27:24
  that
• 27:24
  Danielle
• 27:25
  wears
• 27:25
  to
• 27:25
  the
• 27:25
  masquerade
• 27:26
  ball
• 27:26
  also
• 27:27
  has
• 27:27
  an
• 27:27
  extraordinary
• 27:28
  behind
• 27:29
  the
• 27:29
  scenes
• 27:29
  story.
• 27:30
  British
• 27:30
  costume
• 27:31
  maker
• 27:31
  Jane
• 27:32
  Law
• 27:32
  received
• 27:32
  a
• 27:33
  call
• 27:33
  from
• 27:33
  Jenny
• 27:34
  Bevan
• 27:34
  while
• 27:34
  she
• 27:34
  was
• 27:34
  on
• 27:35
  holiday
• 27:35
  in
• 27:35
  Florida
• 27:36
  and
• 27:36
  she
• 27:37
  asked
• 27:37
  for
• 27:37
  her
• 27:37
  help
• 27:38
  for
• 27:38
  a
• 27:38
  dress
• 27:38
  for
• 27:39
  Anjelica
• 27:39
  Huston.
• 27:41
  Huston
• 27:41
  was
• 27:41
  arriving
• 27:42
  in
• 27:42
  France
• 27:42
  two
• 27:43
  days
• 27:43
  before
• 27:43
  shooting
• 27:44
  started
• 27:45
  in
• 27:45
  two
• 27:45
  weeks
• 27:45
  time
• 27:46
  and
• 27:46
  Law
• 27:47
  needed
• 27:47
  to
• 27:47
  fly
• 27:48
  to
• 27:48
  LA
• 27:48
  to
• 27:48
  measure
• 27:49
  Houston
• 27:49
  mid
• 27:49
  holiday,
• 27:50
  then
• 27:51
  return
• 27:51
  to
• 27:51
  England
• 27:51
  to
• 27:52
  finish
• 27:52
  the
• 27:52
  costume
• 27:53
  in
• 27:53
  just
• 27:54
  eight
• 27:54
  days.
• 27:55
  Before
• 27:55
  traveling
• 27:55
  to
• 27:56
  France,
• 27:56
  Jane
• 27:57
  Law
• 27:57
  met
• 27:57
  Drew
• 27:58
  Barrymore
• 27:58
  on
• 27:59
  set
• 27:59
  and
• 27:59
  a
• 27:59
  special
• 28:00
  dress
• 28:00
  had
• 28:00
  already
• 28:01
  been
• 28:01
  made
• 28:01
  for
• 28:02
  the
• 28:02
  big
• 28:02
  Breathe
• 28:03
  scene,
• 28:04
  but
• 28:04
  Drew
• 28:04
  Barrymore
• 28:05
  felt
• 28:05
  that
• 28:05
  it
• 28:05
  wasn't
• 28:06
  special
• 28:06
  enough.
• 28:07
  The
• 28:07
  original
• 28:08
  Breathe
• 28:08
  dress
• 28:09
  does
• 28:09
  actually
• 28:09
  appear
• 28:10
  in
• 28:10
  the
• 28:10
  movie,
• 28:10
  but
• 28:11
  it's
• 28:11
  never
• 28:11
  been
• 28:11
  divulged
• 28:12
  which
• 28:13
  dress
• 28:13
  it
• 28:13
  is.
• 28:13
  Although
• 28:14
  many
• 28:14
  people
• 28:15
  think
• 28:15
  that
• 28:15
  it's
• 28:15
  the
• 28:16
  dress
• 28:16
  that
• 28:16
  Danielle
• 28:17
  wears
• 28:17
  on
• 28:17
  the
• 28:17
  trip
• 28:18
  to
• 28:18
  the
• 28:18
  library,
• 28:19
  Jane
• 28:19
  Law
• 28:20
  was
• 28:20
  tasked
• 28:20
  with
• 28:20
  making
• 28:21
  something
• 28:21
  spectacular
• 28:22
  for
• 28:22
  Drew
• 28:23
  Barrymore.
• 28:24
  She
• 28:24
  gathered
• 28:24
  materials
• 28:25
  from
• 28:25
  the
• 28:25
  wardrobe
• 28:25
  department
• 28:26
  and
• 28:26
  returned
• 28:27
  to
• 28:27
  England
• 28:27
  to
• 28:27
  build
• 28:28
  a
• 28:28
  new
• 28:28
  gown.
• 28:29
  She
• 28:29
  used
• 28:30
  antique
• 28:30
  silver
• 28:31
  foil
• 28:31
  scalloped
• 28:32
  lace
• 28:32
  on
• 28:32
  the
• 28:33
  neckline
• 28:33
  and
• 28:34
  the
• 28:34
  sleeves
• 28:34
  came
• 28:35
  from
• 28:35
  a
• 28:35
  London
• 28:35
  dealer
• 28:36
  having
• 28:36
  previously
• 28:37
  been
• 28:37
  used
• 28:37
  For
• 28:38
  Gerard
• 28:38
  Depardieu's
• 28:39
  costume
• 28:39
  in
• 28:39
  the
• 28:39
  man
• 28:40
  in
• 28:40
  the
• 28:40
  the
• 28:40
  Iron
• 28:40
  Mask,
• 28:41
  there
• 28:42
  wasn't
• 28:42
  quite
• 28:42
  enough
• 28:43
  embroidered
• 28:43
  silver
• 28:44
  gauze
• 28:44
  for
• 28:44
  the
• 28:44
  full
• 28:45
  skirt,
• 28:45
  so
• 28:46
  a
• 28:46
  panel
• 28:46
  was
• 28:46
  added
• 28:47
  in
• 28:47
  the
• 28:47
  back.
• 28:48
  The
• 28:48
  satin
• 28:48
  backed
• 28:49
  crepe
• 28:49
  for
• 28:49
  the
• 28:50
  underskirt
• 28:50
  was
• 28:50
  dyed
• 28:51
  from
• 28:51
  white
• 28:51
  to
• 28:52
  a
• 28:52
  soft
• 28:52
  pearly
• 28:53
  grey
• 28:53
  cut
• 28:54
  on
• 28:54
  the
• 28:54
  cross
• 28:54
  to
• 28:54
  skim
• 28:55
  Barrymore's
• 28:55
  figure,
• 28:56
  and
• 28:56
  the
• 28:56
  hem
• 28:57
  was
• 28:57
  padded
• 28:57
  with
• 28:57
  weight
• 28:58
  to
• 28:58
  give
• 28:58
  it
• 28:58
  a
• 28:58
  medieval
• 28:59
  rather
• 28:59
  than
• 29:00
  1930s
• 29:01
  silhouette.
• 29:02
  The
• 29:02
  inner
• 29:02
  corset
• 29:03
  was
• 29:03
  light
• 29:03
  but
• 29:03
  rigid.
• 29:04
  Although
• 29:05
  the
• 29:05
  wings
• 29:05
  were
• 29:05
  as
• 29:06
  light
• 29:06
  as
• 29:06
  they
• 29:06
  could
• 29:06
  be,
• 29:07
  they
• 29:07
  were
• 29:07
  still
• 29:08
  heavy
• 29:08
  enough
• 29:08
  to
• 29:09
  be
• 29:09
  in
• 29:09
  danger
• 29:09
  of
• 29:10
  pulling
• 29:10
  the
• 29:10
  bodice
• 29:10
  away
• 29:11
  from
• 29:11
  her
• 29:11
  back,
• 29:12
  hence
• 29:12
  the
• 29:12
  rigidity.
• 29:13
  The
• 29:14
  wings
• 29:14
  were
• 29:14
  made
• 29:14
  with
• 29:15
  piano
• 29:15
  wire
• 29:16
  and
• 29:16
  organza.
• 29:17
  Jane
• 29:18
  Law
• 29:18
  arrived
• 29:18
  back
• 29:19
  in
• 29:19
  France
• 29:19
  the
• 29:19
  following
• 29:20
  week
• 29:20
  with
• 29:20
  the
• 29:20
  dress
• 29:21
  finished
• 29:21
  and
• 29:22
  it
• 29:22
  was
• 29:22
  perfect.
• 29:23
  It
• 29:23
  included
• 29:24
  glass
• 29:24
  slippers
• 29:25
  designed
• 29:25
  by
• 29:25
  luxury
• 29:26
  house
• 29:26
  Salvatore
• 29:27
  Ferragamo,
• 29:28
  made
• 29:28
  of
• 29:28
  satin
• 29:29
  covered
• 29:29
  with
• 29:30
  Indian
• 29:30
  muslin
• 29:31
  and
• 29:31
  woven
• 29:31
  with
• 29:32
  silver
• 29:32
  thread,
• 29:33
  embellished
• 29:33
  with
• 29:33
  rich
• 29:34
  embroidery.
• 29:35
  Its
• 29:35
  transparent
• 29:36
  heel
• 29:36
  was
• 29:36
  made
• 29:36
  of
• 29:37
  hand
• 29:37
  molded
• 29:37
  plexiglass
• 29:38
  with
• 29:39
  a
• 29:39
  crystal
• 29:39
  effect
• 29:40
  and
• 29:40
  decorated
• 29:40
  with
• 29:41
  refined
• 29:41
  silver
• 29:42
  beading.
• 29:43
  It
• 29:43
  took
• 29:43
  50
• 29:44
  hours
• 29:44
  of
• 29:44
  labour,
• 29:45
  200
• 29:45
  silver
• 29:46
  pearls,
• 29:46
  1000
• 29:47
  tiny
• 29:48
  glass
• 29:48
  beads
• 29:48
  and
• 29:48
  meters
• 29:49
  and
• 29:49
  meters
• 29:49
  of
• 29:50
  silver
• 29:50
  thread.
• 29:51
  In
• 29:51
  fact,
• 29:51
  two
• 29:52
  identical
• 29:52
  Breathe
• 29:53
  dresses
• 29:53
  were
• 29:54
  made,
• 29:54
  one
• 29:54
  to
• 29:55
  be
• 29:55
  destroyed
• 29:55
  during
• 29:56
  filming
• 29:56
  and
• 29:57
  the
• 29:57
  other
• 29:57
  to
• 29:57
  be
• 29:57
  kept.
• 29:59
  In
• 29:59
  March
• 29:59
  2024,
• 30:00
  the
• 30:00
  original
• 30:01
  Breathe
• 30:01
  gown
• 30:02
  was
• 30:02
  put
• 30:02
  up
• 30:03
  for
• 30:03
  auction
• 30:03
  by
• 30:03
  Kerry
• 30:04
  Taylor
• 30:04
  Auctions
• 30:05
  and
• 30:05
  sold
• 30:06
  for
• 30:06
  16,000
• 30:07
  pounds.
• 30:09
  Filming
• 30:10
  Forever
• 30:10
  after
• 30:10
  started
• 30:11
  in
• 30:11
  France
• 30:11
  in
• 30:12
  September
• 30:12
  1997
• 30:13
  and
• 30:14
  finished
• 30:14
  in
• 30:14
  November
• 30:15
  1997.
• 30:16
  The
• 30:17
  scene
• 30:17
  where
• 30:17
  Danielle
• 30:18
  and
• 30:18
  Henry
• 30:18
  are
• 30:18
  accosted
• 30:19
  by
• 30:19
  Gypsies
• 30:20
  is
• 30:20
  also
• 30:20
  partially
• 30:21
  based
• 30:21
  on
• 30:22
  truth,
• 30:23
  because
• 30:23
  it's
• 30:23
  Based
• 30:24
  on
• 30:24
  the
• 30:24
  1140
• 30:25
  siege
• 30:25
  of
• 30:25
  Winesburg,
• 30:26
  which
• 30:27
  was
• 30:27
  a
• 30:27
  battle
• 30:27
  between
• 30:28
  two
• 30:28
  dynasties,
• 30:29
  the
• 30:29
  Welfs
• 30:30
  and
• 30:30
  the
• 30:30
  Hohenstaufen.
• 30:31
  The
• 30:32
  Hohenstaufen
• 30:33
  King
• 30:33
  Conrad
• 30:34
  III
• 30:34
  defeated
• 30:35
  the
• 30:35
  Duke
• 30:36
  of
• 30:36
  Welf
• 30:36
  and
• 30:37
  when
• 30:37
  the
• 30:37
  Welf
• 30:37
  surrendered,
• 30:38
  he
• 30:38
  granted
• 30:39
  with
• 30:39
  royal
• 30:39
  magnanimity,
• 30:40
  permission
• 30:41
  to
• 30:41
  the
• 30:41
  Welf
• 30:41
  women
• 30:42
  that
• 30:42
  they
• 30:42
  can
• 30:43
  take
• 30:43
  with
• 30:43
  them
• 30:43
  whatever
• 30:44
  they
• 30:44
  could
• 30:44
  carry
• 30:45
  on
• 30:45
  their
• 30:45
  shoulders.
• 30:46
  The
• 30:47
  women
• 30:47
  left
• 30:47
  their
• 30:48
  household
• 30:48
  goods
• 30:49
  and
• 30:49
  possessions
• 30:49
  and
• 30:50
  each
• 30:50
  took
• 30:50
  her
• 30:51
  own
• 30:51
  husband
• 30:51
  on
• 30:52
  her
• 30:52
  shoulders
• 30:53
  and
• 30:53
  carried
• 30:53
  him
• 30:54
  out.
• 30:54
  When
• 30:55
  the
• 30:55
  Duke
• 30:55
  said
• 30:56
  that
• 30:56
  these
• 30:56
  things
• 30:56
  shouldn't
• 30:57
  happen,
• 30:57
  the
• 30:58
  King,
• 30:58
  showing
• 30:59
  favour
• 30:59
  to
• 30:59
  the
• 30:59
  women's
• 31:00
  ingenuity,
• 31:01
  said
• 31:01
  that
• 31:01
  it
• 31:01
  would
• 31:01
  not
• 31:02
  be
• 31:02
  fitting
• 31:02
  to
• 31:03
  change
• 31:03
  his
• 31:03
  royal
• 31:04
  word.
• 31:05
  It's
• 31:06
  time
• 31:06
  to
• 31:06
  segue
• 31:06
  into
• 31:06
  the
• 31:07
  obligatory
• 31:07
  Keanu
• 31:08
  reference
• 31:08
  of
• 31:08
  this
• 31:09
  episode.
• 31:09
  And
• 31:09
  if
• 31:09
  you
• 31:10
  don't
• 31:10
  know
• 31:10
  what
• 31:10
  that
• 31:10
  is,
• 31:11
  it's
• 31:11
  where
• 31:11
  I
• 31:11
  try
• 31:12
  and
• 31:12
  link
• 31:12
  every
• 31:12
  episode
• 31:13
  to
• 31:13
  feature
• 31:13
  Keanu
• 31:14
  Reeves
• 31:14
  in
• 31:15
  some
• 31:15
  way
• 31:15
  and
• 31:15
  see
• 31:16
  how
• 31:16
  can
• 31:16
  I
• 31:16
  link
• 31:17
  him
• 31:17
  to
• 31:17
  this
• 31:17
  movie
• 31:18
  for
• 31:18
  no
• 31:18
  reason.
• 31:19
  Other
• 31:19
  than
• 31:19
  he
• 31:20
  is
• 31:20
  the
• 31:20
  best
• 31:20
  of
• 31:20
  Men.
• 31:21
  And
• 31:21
  there
• 31:21
  is
• 31:21
  plenty
• 31:22
  to
• 31:22
  link
• 31:22
  Keanu
• 31:23
  to
• 31:23
  here
• 31:23
  because
• 31:24
  he
• 31:24
  starred
• 31:24
  with
• 31:24
  Drew
• 31:25
  Barrymore
• 31:25
  before
• 31:26
  he's
• 31:26
  been
• 31:26
  reimagined
• 31:27
  as
• 31:27
  Prince
• 31:28
  Charming
• 31:28
  online.
• 31:29
  But
• 31:30
  I
• 31:30
  know
• 31:30
  I've
• 31:30
  used
• 31:30
  both
• 31:31
  of
• 31:31
  those
• 31:31
  before,
• 31:31
  and
• 31:32
  I'm
• 31:32
  not
• 31:32
  sure
• 31:32
  I've
• 31:33
  used
• 31:33
  his
• 31:33
  links
• 31:34
  to
• 31:34
  Angelica
• 31:34
  Houston
• 31:35
  before
• 31:36
  she
• 31:36
  co
• 31:36
  starred
• 31:37
  with
• 31:37
  him
• 31:37
  in
• 31:37
  John
• 31:37
  Wick
• 31:37
  Chapter
• 31:38
  three
• 31:38
  and
• 31:38
  in
• 31:39
  the
• 31:39
  spin
• 31:39
  off
• 31:39
  Ballerina.
• 31:41
  Thinking
• 31:42
  of
• 31:42
  it,
• 31:42
  I
• 31:43
  may
• 31:43
  have
• 31:43
  used
• 31:43
  that
• 31:43
  one
• 31:43
  for
• 31:44
  one
• 31:44
  of
• 31:44
  the
• 31:44
  Addams
• 31:44
  Family
• 31:45
  movies,
• 31:45
  but
• 31:45
  oh
• 31:45
  well,
• 31:46
  those
• 31:47
  are
• 31:47
  great
• 31:47
  episodes
• 31:47
  and
• 31:48
  they
• 31:48
  were
• 31:48
  a
• 31:48
  while
• 31:48
  ago.
• 31:49
  And
• 31:49
  everyone
• 31:50
  loves
• 31:50
  Anjelica
• 31:51
  Huston
• 31:51
  in
• 31:51
  matriarch
• 31:52
  roles,
• 31:52
  so
• 31:53
  if
• 31:53
  I've
• 31:54
  used
• 31:54
  it,
• 31:54
  I'm
• 31:54
  reusing
• 31:55
  it.
• 31:55
  It's
• 31:55
  my
• 31:55
  podcast,
• 31:56
  my
• 31:56
  rules.
• 31:57
  The
• 31:58
  score
• 31:58
  for
• 31:58
  this
• 31:58
  movie
• 31:59
  was
• 31:59
  composed
• 31:59
  by
• 31:59
  George
• 32:00
  Fenton,
• 32:00
  a
• 32:01
  British
• 32:01
  composer
• 32:02
  known
• 32:02
  for
• 32:02
  period
• 32:02
  dramas
• 32:03
  and
• 32:03
  romantic
• 32:04
  narratives
• 32:05
  who
• 32:05
  also
• 32:05
  regularly
• 32:06
  works
• 32:06
  with
• 32:06
  Andy
• 32:07
  Tennant.
• 32:08
  The
• 32:08
  film's
• 32:08
  closing
• 32:09
  theme
• 32:09
  is
• 32:10
  Put
• 32:10
  your
• 32:11
  arms
• 32:11
  around
• 32:11
  me,
• 32:12
  which
• 32:12
  is
• 32:12
  a
• 32:12
  song
• 32:13
  by
• 32:13
  the
• 32:13
  Rock
• 32:13
  Bang
• 32:13
  Texas.
• 32:14
  I
• 32:15
  was
• 32:15
  a
• 32:15
  huge
• 32:15
  fan
• 32:15
  of
• 32:16
  Texas
• 32:16
  back
• 32:17
  in
• 32:17
  the
• 32:17
  late
• 32:17
  90s.
• 32:18
  I
• 32:18
  remember
• 32:19
  having
• 32:19
  one
• 32:19
  of
• 32:20
  their
• 32:20
  albums
• 32:20
  on
• 32:20
  CD,
• 32:21
  so
• 32:21
  it
• 32:21
  was
• 32:21
  a
• 32:21
  lovely
• 32:22
  thing
• 32:22
  to
• 32:22
  hear
• 32:23
  Charlene
• 32:23
  Spiteri's
• 32:24
  vocals
• 32:25
  on
• 32:25
  the
• 32:25
  end
• 32:25
  credits
• 32:26
  of
• 32:26
  this
• 32:26
  movie.
• 32:28
  Ever
• 32:28
  after
• 32:28
  was
• 32:28
  released
• 32:29
  on
• 32:29
  31
• 32:30
  July
• 32:31
  1998,
• 32:31
  debuting
• 32:32
  at
• 32:32
  number
• 32:33
  five
• 32:33
  at
• 32:33
  the
• 32:33
  domestic
• 32:34
  US
• 32:34
  box
• 32:34
  office.
• 32:35
  After
• 32:35
  Saving
• 32:35
  Private
• 32:36
  Ryan,
• 32:36
  the
• 32:37
  Parent
• 32:37
  Trap,
• 32:38
  There's
• 32:38
  Something
• 32:38
  About
• 32:38
  Mary
• 32:39
  and
• 32:39
  the
• 32:39
  Negotiator,
• 32:41
  it
• 32:41
  would
• 32:41
  stay
• 32:41
  firm
• 32:42
  in
• 32:42
  and
• 32:42
  around
• 32:42
  the
• 32:42
  middle
• 32:43
  of
• 32:43
  the
• 32:43
  top
• 32:43
  10
• 32:44
  for
• 32:44
  eight
• 32:44
  weeks
• 32:45
  on
• 32:46
  its
• 32:46
  $26
• 32:46
  million
• 32:47
  budget.
• 32:48
  Ever
• 32:48
  after
• 32:49
  grossed
• 32:49
  $65.7
• 32:51
  million
• 32:51
  domestically
• 32:52
  and
• 32:53
  $33.2
• 32:54
  million
• 32:54
  internationally
• 32:56
  for
• 32:56
  a
• 32:56
  total
• 32:56
  worldwide
• 32:57
  gross
• 32:57
  of
• 32:57
  $98
• 32:58
  million.
• 33:00
  On
• 33:00
  Rotten
• 33:00
  Tomatoes,
• 33:01
  it
• 33:01
  has
• 33:01
  a
• 33:02
  91%
• 33:03
  rating
• 33:04
  with
• 33:04
  a
• 33:04
  critical
• 33:04
  consensus
• 33:05
  of
• 33:06
  Ever
• 33:06
  after
• 33:07
  is
• 33:07
  a
• 33:07
  sweet,
• 33:07
  frothy
• 33:08
  twist
• 33:08
  on
• 33:08
  the
• 33:08
  ancient
• 33:09
  fable
• 33:10
  led
• 33:10
  by
• 33:10
  a
• 33:10
  solid
• 33:11
  turn
• 33:11
  from
• 33:11
  star
• 33:12
  Barrymore.
• 33:13
  Roger
• 33:14
  Ebert
• 33:14
  gave
• 33:15
  it
• 33:15
  three
• 33:15
  out
• 33:15
  of
• 33:15
  four
• 33:16
  stars
• 33:16
  and
• 33:16
  said,
• 33:17
  I
• 33:17
  went
• 33:17
  to
• 33:17
  the
• 33:18
  screening
• 33:18
  expecting
• 33:19
  some
• 33:19
  sort
• 33:19
  of
• 33:19
  soppy
• 33:20
  children's
• 33:20
  picture
• 33:21
  and
• 33:21
  found
• 33:21
  myself
• 33:22
  in
• 33:22
  a
• 33:22
  costume
• 33:23
  romance
• 33:23
  with
• 33:24
  some
• 33:24
  of
• 33:24
  the
• 33:24
  same
• 33:24
  energy
• 33:25
  and
• 33:25
  zest
• 33:26
  as
• 33:26
  the
• 33:26
  Mask
• 33:26
  of
• 33:27
  Zorro.
• 33:28
  Ever
• 33:29
  after
• 33:29
  would
• 33:29
  be
• 33:29
  nominated
• 33:30
  for
• 33:30
  four
• 33:30
  Saturn
• 33:31
  Awards
• 33:31
  for
• 33:31
  Best
• 33:32
  Actress
• 33:32
  for
• 33:32
  Drew
• 33:32
  Barrymore,
• 33:34
  Best
• 33:34
  Supporting
• 33:34
  Actress
• 33:35
  for
• 33:35
  Anjelica
• 33:35
  Huston,
• 33:36
  Best
• 33:37
  Costumes
• 33:37
  and
• 33:38
  Best
• 33:38
  music.
• 33:39
  It
• 33:39
  would
• 33:39
  win
• 33:39
  for
• 33:40
  Best
• 33:40
  Actress
• 33:40
  and
• 33:41
  Best
• 33:41
  costumes
• 33:43
  Ever
• 33:43
  After.
• 33:43
  The
• 33:44
  musical
• 33:44
  premiered
• 33:45
  at
• 33:45
  the
• 33:45
  Papermill
• 33:45
  Playhouse
• 33:46
  in
• 33:46
  New
• 33:46
  Jersey
• 33:47
  in
• 33:47
  May
• 33:47
  2015
• 33:48
  with
• 33:49
  book
• 33:49
  and
• 33:49
  lyrics
• 33:50
  by
• 33:50
  Marcy
• 33:50
  Heisler
• 33:51
  and
• 33:51
  music
• 33:51
  by
• 33:52
  Zena
• 33:52
  Goldrich.
• 33:53
  It
• 33:53
  also
• 33:54
  ran
• 33:54
  in
• 33:54
  2019
• 33:55
  at
• 33:55
  the
• 33:55
  Alliance
• 33:56
  Theatre
• 33:56
  in
• 33:56
  Atlanta,
• 33:57
  the
• 33:57
  Ordway
• 33:58
  concert
• 33:58
  hall
• 33:59
  in
• 33:59
  St.
• 33:59
  Paul
• 33:59
  in
• 34:00
  2023
• 34:01
  and
• 34:01
  in
• 34:01
  2026
• 34:02
  at
• 34:02
  the
• 34:02
  Phoenix
• 34:03
  Theatre
• 34:03
  Company
• 34:04
  in
• 34:04
  Phoenix.
• 34:05
  It
• 34:05
  is
• 34:05
  currently
• 34:06
  running
• 34:06
  as
• 34:06
  of
• 34:06
  the
• 34:07
  release
• 34:07
  of
• 34:07
  this
• 34:07
  episode.
• 34:08
  So
• 34:08
  if
• 34:08
  you
• 34:08
  are
• 34:09
  in
• 34:09
  the
• 34:09
  Phoenix
• 34:09
  area,
• 34:10
  why
• 34:10
  not
• 34:11
  go
• 34:11
  to
• 34:11
  the
• 34:11
  Phoenix
• 34:12
  Theatre
• 34:12
  Company
• 34:13
  and
• 34:13
  have
• 34:13
  a
• 34:13
  watch?
• 34:14
  It's
• 34:14
  due
• 34:15
  to
• 34:15
  close
• 34:15
  on
• 34:15
  14
• 34:16
  June
• 34:17
  2026.
• 34:19
  Sometimes
• 34:20
  a
• 34:20
  movie
• 34:20
  is
• 34:21
  just
• 34:21
  so
• 34:21
  magical
• 34:22
  it
• 34:22
  becomes
• 34:23
  the
• 34:23
  definitive
• 34:23
  version
• 34:24
  of
• 34:24
  that
• 34:24
  story
• 34:26
  for
• 34:26
  me.
• 34:26
  I
• 34:26
  love
• 34:27
  a
• 34:27
  good
• 34:27
  Cinderella
• 34:28
  story,
• 34:28
  but
• 34:28
  Ever
• 34:29
  after
• 34:29
  was
• 34:29
  always
• 34:30
  the
• 34:30
  one
• 34:30
  I
• 34:30
  remembered
• 34:31
  most
• 34:31
  vividly.
• 34:32
  Knowing
• 34:33
  that
• 34:33
  the
• 34:33
  cast
• 34:33
  and
• 34:34
  crew
• 34:34
  love
• 34:35
  it
• 34:35
  just
• 34:35
  as
• 34:35
  much
• 34:36
  and
• 34:36
  still
• 34:36
  do
• 34:37
  just
• 34:37
  affirms
• 34:37
  to
• 34:37
  me
• 34:37
  that
• 34:38
  this
• 34:38
  is
• 34:38
  the
• 34:38
  most
• 34:39
  perfect
• 34:39
  Cinderella
• 34:40
  story
• 34:40
  and
• 34:41
  it
• 34:41
  manages
• 34:41
  to
• 34:41
  be
• 34:42
  magical
• 34:42
  without
• 34:43
  the
• 34:43
  magical
• 34:44
  elements
• 34:44
  too.
• 34:45
  Framing
• 34:46
  it
• 34:46
  as
• 34:46
  a
• 34:46
  period
• 34:47
  story
• 34:47
  works.
• 34:48
  The
• 34:48
  lack
• 34:48
  of
• 34:48
  fairy
• 34:48
  tale
• 34:49
  elements
• 34:49
  works.
• 34:50
  It
• 34:50
  grounds
• 34:50
  the
• 34:51
  story
• 34:51
  and
• 34:51
  makes
• 34:51
  it
• 34:51
  relatable.
• 34:53
  Plus,
• 34:53
  Danielle
• 34:54
  is
• 34:54
  a
• 34:54
  great
• 34:54
  character
• 34:55
  to
• 34:55
  root
• 34:55
  for.
• 34:56
  She's
• 34:56
  kind,
• 34:56
  but
• 34:57
  she's
• 34:57
  not
• 34:57
  a
• 34:58
  walkover.
• 34:58
  She
• 34:59
  knows
• 34:59
  what
• 34:59
  she
• 34:59
  needs
• 35:00
  to
• 35:00
  do
• 35:00
  to
• 35:00
  get
• 35:00
  by,
• 35:01
  but
• 35:01
  she's
• 35:01
  also
• 35:01
  brave
• 35:02
  enough
• 35:02
  to
• 35:02
  stand
• 35:03
  up
• 35:03
  for
• 35:03
  what
• 35:03
  she
• 35:03
  believes
• 35:04
  in.
• 35:05
  Drew
• 35:05
  Barrymore
• 35:06
  hosted
• 35:07
  a
• 35:07
  25th
• 35:07
  anniversary
• 35:08
  celebration
• 35:09
  of
• 35:09
  this
• 35:09
  movie
• 35:10
  on
• 35:10
  the
• 35:10
  Drew
• 35:11
  Barrymore
• 35:11
  show
• 35:12
  in
• 35:12
  March
• 35:12
  2023.
• 35:13
  The
• 35:14
  episode
• 35:14
  featured
• 35:15
  Danielle's
• 35:16
  stepsisters,
• 35:16
  Melanie
• 35:17
  Lynskey
• 35:17
  and
• 35:17
  Megan
• 35:18
  Dodds,
• 35:18
  with
• 35:19
  Dougray
• 35:19
  Scott
• 35:20
  appearing
• 35:20
  via
• 35:21
  satellite.
• 35:22
  In
• 35:22
  addition,
• 35:22
  all
• 35:23
  four
• 35:23
  wore
• 35:23
  costumes
• 35:24
  that
• 35:24
  resembled
• 35:25
  their
• 35:25
  appearance
• 35:25
  in
• 35:25
  the
• 35:26
  film,
• 35:26
  including
• 35:27
  Barrymore
• 35:27
  in
• 35:28
  a
• 35:28
  replica
• 35:28
  Breathe
• 35:29
  dress
• 35:29
  with
• 35:29
  wings.
• 35:30
  The
• 35:30
  interview
• 35:31
  is
• 35:31
  a
• 35:31
  treasure
• 35:32
  trove
• 35:32
  of
• 35:32
  stories,
• 35:33
  including
• 35:33
  of
• 35:33
  how
• 35:34
  kind
• 35:34
  Angelica
• 35:35
  Huston
• 35:35
  was
• 35:35
  to
• 35:35
  the
• 35:36
  rest
• 35:36
  of
• 35:36
  the
• 35:36
  cast,
• 35:37
  throwing
• 35:37
  dinner
• 35:37
  parties
• 35:38
  during
• 35:38
  the
• 35:38
  French
• 35:39
  shoot
• 35:39
  with
• 35:39
  her
• 35:40
  chef,
• 35:40
  cooking
• 35:40
  elaborate
• 35:41
  meals.
• 35:42
  Both
• 35:42
  Lynskey
• 35:43
  and
• 35:43
  Dodds
• 35:44
  spoke
• 35:44
  warmly
• 35:44
  about
• 35:45
  Houston's
• 35:45
  generosity
• 35:46
  on
• 35:46
  set.
• 35:47
  Lynskey
• 35:47
  described
• 35:48
  her
• 35:48
  as
• 35:48
  so
• 35:48
  giving
• 35:49
  and
• 35:49
  gracious.
• 35:50
  Dodds
• 35:50
  and
• 35:50
  Lynskey
• 35:51
  lived
• 35:51
  together
• 35:52
  during
• 35:52
  the
• 35:52
  production
• 35:52
  in
• 35:53
  France
• 35:53
  and
• 35:53
  while
• 35:54
  doing
• 35:54
  so
• 35:54
  took
• 35:54
  nude
• 35:55
  photographs
• 35:55
  in
• 35:56
  a
• 35:56
  cornfield
• 35:56
  near
• 35:57
  the
• 35:57
  location
• 35:58
  as
• 35:58
  you
• 35:58
  do.
• 35:59
  Lynskey
• 36:00
  also
• 36:00
  brought
• 36:00
  up
• 36:00
  a
• 36:01
  gift
• 36:01
  that
• 36:01
  Barrymore
• 36:02
  had
• 36:02
  given
• 36:02
  each
• 36:02
  cast
• 36:03
  member
• 36:03
  at
• 36:03
  the
• 36:03
  start
• 36:03
  of
• 36:04
  production,
• 36:05
  a
• 36:05
  unique
• 36:05
  musical
• 36:06
  instrument
• 36:06
  for
• 36:06
  each
• 36:07
  person
• 36:07
  with
• 36:08
  the
• 36:08
  message
• 36:08
  they
• 36:08
  were
• 36:08
  all
• 36:09
  a
• 36:09
  band
• 36:09
  making
• 36:10
  music
• 36:10
  together.
• 36:11
  Lynskey
• 36:12
  called
• 36:12
  the
• 36:12
  experience
• 36:12
  of
• 36:13
  making
• 36:13
  the
• 36:13
  film
• 36:14
  a
• 36:14
  benchmark
• 36:15
  for
• 36:15
  joy
• 36:15
  in
• 36:15
  her
• 36:16
  creative
• 36:16
  career.
• 36:17
  Drew
• 36:17
  Barrymore
• 36:18
  has
• 36:18
  said
• 36:18
  that
• 36:18
  playing
• 36:19
  Danielle
• 36:19
  changed
• 36:20
  the
• 36:20
  way
• 36:20
  she
• 36:20
  saw
• 36:21
  the
• 36:21
  world,
• 36:21
  that
• 36:22
  it
• 36:22
  changed
• 36:22
  the
• 36:22
  trajectory
• 36:23
  of
• 36:23
  her
• 36:24
  life
• 36:24
  and
• 36:24
  that
• 36:25
  it's
• 36:25
  the
• 36:25
  favorite
• 36:26
  of
• 36:26
  all
• 36:26
  of
• 36:26
  her
• 36:26
  films.
• 36:27
  It's
• 36:28
  got
• 36:28
  to
• 36:28
  be
• 36:28
  some
• 36:28
  movie
• 36:29
  to
• 36:29
  do
• 36:29
  that,
• 36:29
  and
• 36:30
  this
• 36:30
  really
• 36:31
  is.
• 36:31
  I
• 36:31
  think
• 36:31
  this
• 36:32
  movie
• 36:32
  is
• 36:32
  wonderful.
• 36:33
  It's
• 36:34
  not
• 36:34
  quite
• 36:34
  my
• 36:34
  favourite
• 36:35
  Drew
• 36:35
  Barrymore
• 36:36
  movie
• 36:36
  because
• 36:36
  that
• 36:37
  will
• 36:37
  always
• 36:37
  be
• 36:37
  the
• 36:37
  other
• 36:38
  movie
• 36:38
  she
• 36:38
  did
• 36:39
  in
• 36:39
  1998
• 36:40
  the
• 36:40
  Wedding
• 36:40
  Singer,
• 36:41
  but
• 36:41
  I
• 36:41
  just
• 36:42
  adore
• 36:42
  this
• 36:42
  movie.
• 36:43
  It's
• 36:43
  hands
• 36:43
  down
• 36:44
  the
• 36:44
  best
• 36:45
  Cinderella
• 36:45
  adaptation.
• 36:46
  I
• 36:47
  love
• 36:47
  that
• 36:47
  her
• 36:47
  stepmother
• 36:48
  isn't
• 36:48
  just
• 36:48
  cruel
• 36:49
  for
• 36:49
  the
• 36:49
  sake
• 36:49
  of
• 36:49
  cruelty,
• 36:50
  but
• 36:50
  is
• 36:51
  complex
• 36:51
  and
• 36:51
  has
• 36:52
  layers
• 36:52
  and
• 36:52
  that's
• 36:53
  all
• 36:53
  down
• 36:53
  to
• 36:53
  Anjelica
• 36:54
  Huston
• 36:54
  and
• 36:55
  the
• 36:55
  way
• 36:55
  she
• 36:55
  plays
• 36:56
  Rod
• 36:56
  Miller.
• 36:57
  She's
• 36:57
  icy,
• 36:58
  authoritarian,
• 36:59
  glamorous
• 37:00
  and
• 37:00
  beautiful
• 37:01
  and
• 37:01
  this
• 37:01
  feels
• 37:02
  like
• 37:02
  a
• 37:02
  role
• 37:02
  Houston
• 37:03
  could
• 37:03
  do
• 37:03
  with
• 37:03
  her
• 37:03
  eyes
• 37:04
  closed,
• 37:04
  but
• 37:05
  it's
• 37:05
  just
• 37:05
  such
• 37:05
  a
• 37:05
  fun
• 37:06
  take
• 37:06
  on
• 37:06
  the
• 37:06
  wicked
• 37:07
  style
• 37:07
  stepmother.
• 37:08
  I
• 37:08
  also
• 37:09
  love
• 37:09
  Melanie
• 37:09
  Lynskey
• 37:10
  as
• 37:10
  Joclean
• 37:11
  and
• 37:11
  that
• 37:11
  she's
• 37:11
  nice
• 37:12
  to
• 37:12
  Danielle.
• 37:13
  I
• 37:13
  love
• 37:13
  Melanie
• 37:14
  Lynskey.
• 37:14
  If
• 37:14
  you've
• 37:15
  not
• 37:15
  seen
• 37:15
  Yellow
• 37:16
  Jackets,
• 37:16
  you
• 37:17
  are
• 37:17
  missing
• 37:17
  out.
• 37:18
  Ever
• 37:19
  after
• 37:19
  is
• 37:19
  elevated
• 37:20
  so
• 37:20
  much
• 37:20
  by
• 37:20
  the
• 37:21
  presence
• 37:21
  of
• 37:21
  both
• 37:21
  Drew
• 37:22
  Barrymore
• 37:22
  and
• 37:23
  Angelica
• 37:23
  Houston
• 37:24
  that
• 37:24
  it
• 37:24
  feels
• 37:25
  like
• 37:25
  this
• 37:25
  could
• 37:25
  never
• 37:26
  have
• 37:26
  been
• 37:26
  made
• 37:26
  without
• 37:27
  either
• 37:27
  of
• 37:27
  them.
• 37:28
  It
• 37:28
  also
• 37:28
  feels
• 37:29
  perfectly
• 37:29
  positioned
• 37:30
  in
• 37:30
  the
• 37:30
  Girl
• 37:30
  Power
• 37:31
  late
• 37:31
  90s
• 37:32
  era
• 37:33
  when
• 37:33
  the
• 37:33
  Spice
• 37:33
  Girls
• 37:33
  were
• 37:34
  reigning
• 37:34
  supreme.
• 37:35
  As
• 37:35
  a
• 37:35
  fresh
• 37:36
  new
• 37:36
  take
• 37:36
  on
• 37:36
  the
• 37:37
  Cinderella
• 37:37
  tale
• 37:38
  where
• 37:38
  she
• 37:38
  could
• 37:38
  be
• 37:39
  bold,
• 37:39
  empowered
• 37:40
  and
• 37:40
  intelligent.
• 37:41
  She
• 37:42
  fights
• 37:42
  back
• 37:42
  against
• 37:43
  her
• 37:43
  mistreatment,
• 37:44
  she
• 37:44
  pelts
• 37:45
  the
• 37:45
  prince
• 37:45
  with
• 37:45
  apples,
• 37:46
  she
• 37:46
  punches
• 37:46
  her
• 37:46
  stepsister
• 37:47
  in
• 37:47
  the
• 37:47
  face,
• 37:48
  and
• 37:48
  despite
• 37:49
  everything,
• 37:49
  she
• 37:49
  never
• 37:50
  sacrifices
• 37:50
  her
• 37:51
  kindness
• 37:51
  or
• 37:51
  grace.
• 37:52
  This
• 37:53
  is
• 37:53
  a
• 37:53
  movie
• 37:53
  where
• 37:53
  women
• 37:54
  are
• 37:54
  in
• 37:54
  the
• 37:54
  forefront
• 37:55
  and
• 37:55
  each
• 37:56
  get
• 37:56
  their
• 37:56
  moment
• 37:56
  to
• 37:57
  shine.
• 37:57
  Danielle
• 37:58
  doesn't
• 37:59
  need
• 37:59
  a
• 37:59
  prince
• 37:59
  to
• 37:59
  save
• 38:00
  her,
• 38:00
  despite
• 38:01
  him
• 38:01
  trying
• 38:02
  the
• 38:03
  French
• 38:03
  locations,
• 38:04
  the
• 38:04
  costume
• 38:04
  design
• 38:05
  it's
• 38:05
  all
• 38:05
  magical
• 38:06
  Ever
• 38:07
  after
• 38:07
  is
• 38:07
  grounded
• 38:08
  in
• 38:08
  the
• 38:08
  mundane.
• 38:09
  It
• 38:09
  shows
• 38:09
  Danielle's
• 38:10
  life
• 38:10
  is
• 38:10
  not
• 38:11
  easy
• 38:11
  and
• 38:11
  actually
• 38:12
  quite
• 38:12
  dirty,
• 38:13
  but
• 38:13
  it
• 38:13
  juxtaposes
• 38:14
  that
• 38:14
  against
• 38:15
  her
• 38:15
  magical,
• 38:16
  ethereal
• 38:16
  entrance
• 38:17
  at
• 38:17
  the
• 38:17
  ball,
• 38:18
  complete
• 38:18
  with
• 38:18
  glass
• 38:19
  slippers,
• 38:19
  glitter
• 38:20
  and
• 38:20
  fairy
• 38:21
  wings.
• 38:21
  And
• 38:22
  in
• 38:22
  the
• 38:22
  end,
• 38:22
  true
• 38:23
  love
• 38:23
  wins,
• 38:24
  the
• 38:24
  wicked
• 38:24
  are
• 38:24
  punished,
• 38:25
  and
• 38:25
  Danielle
• 38:26
  and
• 38:26
  Henry
• 38:27
  lived
• 38:27
  so
• 38:27
  happily
• 38:28
  ever
• 38:28
  after
• 38:28
  that
• 38:29
  people
• 38:29
  are
• 38:29
  writing
• 38:29
  stories
• 38:30
  about
• 38:30
  their
• 38:30
  love
• 38:31
  for
• 38:31
  centuries
• 38:31
  afterwards.
• 38:33
  It
• 38:33
  has
• 38:33
  no
• 38:33
  pumpkin
• 38:34
  carriage,
• 38:35
  no
• 38:35
  mouse
• 38:35
  horses,
• 38:36
  no
• 38:36
  sprinkling
• 38:37
  of
• 38:37
  pixie
• 38:38
  dust.
• 38:38
  And
• 38:38
  yet.
• 38:39
  Maybe
• 38:40
  it's
• 38:40
  just
• 38:40
  trying
• 38:40
  to
• 38:40
  tell
• 38:41
  us
• 38:41
  that
• 38:41
  magic
• 38:42
  is
• 38:42
  always
• 38:42
  there
• 38:43
  in
• 38:43
  the
• 38:43
  little
• 38:44
  things
• 38:44
  we
• 38:44
  do,
• 38:45
  in
• 38:45
  kind
• 38:45
  gestures
• 38:46
  in
• 38:46
  our
• 38:47
  friendships
• 38:47
  and
• 38:47
  families,
• 38:48
  and
• 38:48
  standing
• 38:49
  up
• 38:49
  for
• 38:49
  what's
• 38:50
  right.
• 38:51
  And
• 38:51
  the
• 38:51
  Grand
• 38:51
  Dame
• 38:52
  perfectly
• 38:52
  sums
• 38:53
  up
• 38:53
  that
• 38:53
  sentiment
• 38:53
  at
• 38:54
  the
• 38:54
  end
• 38:54
  of
• 38:54
  the
• 38:54
  film
• 38:55
  because
• 38:55
  she
• 38:55
  says
• 38:56
  and
• 38:56
  while
• 38:57
  Cinderella
• 38:57
  and
• 38:58
  her
• 38:58
  prince
• 38:58
  did
• 38:59
  live
• 38:59
  happily
• 39:00
  ever
• 39:00
  after,
• 39:01
  the
• 39:01
  point,
• 39:01
  gentlemen,
• 39:03
  is
• 39:03
  that
• 39:03
  they
• 39:03
  lived
• 39:04
  and
• 39:05
  they
• 39:05
  did
• 39:05
  live.
• 39:06
  And
• 39:06
  they
• 39:06
  loved.
• 39:07
  And
• 39:07
  love
• 39:08
  is
• 39:08
  magic.
• 39:09
  Thank
• 39:10
  you
• 39:10
  for
• 39:10
  listening.
• 39:10
  As
• 39:11
  always,
• 39:11
  I
• 39:11
  would
• 39:11
  love
• 39:11
  to
• 39:11
  hear
• 39:12
  your
• 39:12
  thoughts
• 39:12
  on
• 39:12
  Ever
• 39:12
  after
• 39:13
  and
• 39:14
  thank
• 39:14
  you
• 39:14
  for
• 39:14
  your
• 39:14
  continued
• 39:15
  support
• 39:15
  of
• 39:16
  this
• 39:16
  podcast.
• 39:17
  If
• 39:18
  you
• 39:18
  have
• 39:18
  enjoyed
• 39:18
  this
• 39:18
  episode
• 39:19
  on
• 39:19
  Ever
• 39:19
  After,
• 39:20
  I
• 39:20
  haven't
• 39:20
  done
• 39:20
  any
• 39:21
  other
• 39:21
  Cinderella
• 39:22
  themed
• 39:22
  episodes,
• 39:22
  but
• 39:23
  I
• 39:23
  I
• 39:23
  would
• 39:23
  recommend
• 39:24
  if
• 39:24
  you
• 39:24
  are
• 39:24
  interested
• 39:25
  in
• 39:25
  Drew
• 39:25
  Barrymore
• 39:26
  and
• 39:26
  her
• 39:26
  career,
• 39:27
  specifically
• 39:28
  in
• 39:28
  1998.
• 39:29
  I
• 39:29
  also
• 39:30
  do
• 39:30
  have
• 39:30
  an
• 39:30
  episode
• 39:31
  on
• 39:31
  the
• 39:31
  Wedding
• 39:32
  Singer.
• 39:32
  It
• 39:32
  is
• 39:32
  episode
• 39:33
  222
• 39:34
  of
• 39:34
  this
• 39:34
  podcast.
• 39:35
  It
• 39:35
  is
• 39:35
  my
• 39:36
  favorite
• 39:36
  Drew
• 39:37
  Barrymore
• 39:37
  movie,
• 39:38
  it's
• 39:38
  by
• 39:38
  far
• 39:39
  my
• 39:39
  favorite
• 39:39
  Adam
• 39:40
  Sandler
• 39:40
  movie,
• 39:41
  and
• 39:42
  it
• 39:42
  is
• 39:42
  also
• 39:43
  my
• 39:43
  favourite
• 39:44
  romantic
• 39:44
  comedy
• 39:44
  of
• 39:45
  all
• 39:45
  time.
• 39:46
  So
• 39:46
  there
• 39:46
  are
• 39:46
  so
• 39:47
  many
• 39:47
  favorites
• 39:47
  in
• 39:48
  the
• 39:48
  Wedding
• 39:48
  Singer
• 39:49
  and
• 39:49
  I
• 39:49
  would
• 39:49
  highly
• 39:49
  recommend
• 39:50
  listening
• 39:50
  to
• 39:50
  that
• 39:50
  episode
• 39:51
  if
• 39:51
  you
• 39:51
  are
• 39:52
  a
• 39:52
  fan
• 39:52
  of
• 39:52
  that
• 39:52
  movie.
• 39:53
  As
• 39:53
  always,
• 39:54
  give
• 39:54
  me
• 39:54
  feedback.
• 39:54
  Let
• 39:55
  me
• 39:55
  know
• 39:55
  what
• 39:55
  you
• 39:55
  think
• 39:55
  of
• 39:56
  my
• 39:56
  recommendations.
• 39:58
  The
• 39:58
  Next
• 39:58
  Episode
• 39:59
  was
• 40:00
  the
• 40:00
  biggest
• 40:00
  box
• 40:00
  office
• 40:01
  hit
• 40:01
  of
• 40:01
  1987
• 40:02
  in
• 40:02
  the
• 40:03
  US
• 40:03
  based
• 40:04
  on
• 40:04
  a
• 40:04
  French
• 40:05
  film.
• 40:06
  Three
• 40:06
  bachelors,
• 40:07
  Magnum
• 40:08
  PI
• 40:08
  Sam
• 40:09
  from
• 40:09
  Cheers
• 40:09
  and
• 40:10
  Mahoney
• 40:10
  from
• 40:10
  Police
• 40:11
  Academy
• 40:12
  Newton
• 40:12
  Crosby
• 40:13
  from
• 40:13
  Short
• 40:13
  Circuit,
• 40:14
  living
• 40:14
  their
• 40:15
  best
• 40:15
  life
• 40:15
  lives
• 40:15
  in
• 40:16
  a
• 40:16
  fancy
• 40:16
  apartment
• 40:17
  in
• 40:17
  New
• 40:17
  York
• 40:18
  and
• 40:18
  then
• 40:18
  a
• 40:19
  baby
• 40:19
  is
• 40:20
  left
• 40:20
  on
• 40:20
  their
• 40:21
  doorstep.
• 40:22
  Join
• 40:22
  me
• 40:23
  next
• 40:23
  episode
• 40:23
  for
• 40:24
  the
• 40:24
  history
• 40:24
  and
• 40:24
  legacy
• 40:25
  of
• 40:26
  Three
• 40:26
  Men
• 40:26
  and
• 40:27
  a
• 40:27
  Baby,
• 40:27
  directed
• 40:28
  by
• 40:28
  Mr.
• 40:29
  Spock.
• 40:30
  Thank
• 40:30
  you
• 40:30
  for
• 40:30
  listening
• 40:31
  to
• 40:31
  Verbal
• 40:31
  Diorama,
• 40:32
  a
• 40:32
  totally
• 40:33
  free
• 40:33
  and
• 40:33
  independent
• 40:34
  podcast
• 40:34
  that
• 40:35
  relies
• 40:35
  on
• 40:35
  listener
• 40:36
  support.
• 40:37
  If
• 40:37
  you
• 40:37
  want
• 40:37
  to
• 40:38
  show
• 40:38
  your
• 40:38
  support
• 40:38
  in
• 40:39
  multiple
• 40:39
  different
• 40:39
  ways,
• 40:40
  you
• 40:40
  could
• 40:41
  leave
• 40:41
  a
• 40:41
  rating
• 40:41
  or
• 40:41
  review
• 40:42
  wherever
• 40:42
  you
• 40:42
  found
• 40:43
  this
• 40:43
  podcast.
• 40:44
  You
• 40:44
  could
• 40:44
  tell
• 40:44
  your
• 40:44
  friends
• 40:45
  and
• 40:45
  family
• 40:45
  about
• 40:46
  this
• 40:46
  podcast
• 40:47
  or
• 40:47
  you
• 40:47
  could
• 40:48
  find
• 40:48
  me
• 40:48
  and
• 40:48
  follow
• 40:49
  me
• 40:49
  on
• 40:49
  social
• 40:49
  media
• 40:50
  and
• 40:50
  you
• 40:50
  can
• 40:50
  share
• 40:51
  the
• 40:51
  podcast
• 40:52
  that
• 40:52
  way.
• 40:53
  I
• 40:53
  am
• 40:53
  erbaldiorama
• 40:55
  across
• 40:55
  social
• 40:56
  media
• 40:56
  where
• 40:57
  you
• 40:57
  can
• 40:57
  share
• 40:57
  posts
• 40:58
  like
• 40:58
  posts,
• 40:59
  comment
• 40:59
  on
• 41:00
  posts.
• 41:00
  It
• 41:00
  all
• 41:01
  helps
• 41:01
  really
• 41:01
  to
• 41:02
  get
• 41:02
  the
• 41:02
  word
• 41:02
  out
• 41:02
  there
• 41:03
  to
• 41:03
  hopefully
• 41:04
  get
• 41:04
  other
• 41:04
  people
• 41:04
  to
• 41:04
  know
• 41:05
  this
• 41:05
  podcast
• 41:06
  and
• 41:06
  know
• 41:06
  the
• 41:06
  recent
• 41:07
  episodes
• 41:07
  that
• 41:07
  I've
• 41:08
  put
• 41:08
  out.
• 41:09
  I
• 41:09
  genuinely
• 41:09
  love
• 41:10
  doing
• 41:10
  this
• 41:10
  podcast
• 41:11
  and
• 41:11
  anything
• 41:11
  you
• 41:12
  could
• 41:12
  do
• 41:12
  to
• 41:12
  help
• 41:13
  would
• 41:13
  be
• 41:13
  so
• 41:13
  appreciated.
• 41:15
  A
• 41:15
  huge
• 41:15
  thank
• 41:16
  you
• 41:16
  to
• 41:16
  the
• 41:16
  incredibly
• 41:17
  generous
• 41:17
  patrons
• 41:18
  of
• 41:18
  this
• 41:18
  podcast.
• 41:18
  I
• 41:19
  could
• 41:19
  not
• 41:19
  do
• 41:19
  what
• 41:20
  I
• 41:20
  do
• 41:20
  without
• 41:20
  their
• 41:21
  support.
• 41:22
  To
• 41:22
  Simon,
• 41:23
  Laurel,
• 41:23
  Derek,
• 41:24
  Cat,
• 41:25
  Andy,
• 41:26
  Mike,
• 41:26
  Luke,
• 41:27
  Michael,
• 41:28
  Scott,
• 41:28
  Brendan,
• 41:29
  Ian,
• 41:30
  Lisa,
• 41:30
  Sam,
• 41:31
  Jack,
• 41:32
  Dave,
• 41:33
  Stuart,
• 41:33
  Nicholas,
• 41:34
  Zoe,
• 41:35
  Kev,
• 41:35
  Danny,
• 41:36
  Stu,
• 41:37
  Brett,
• 41:38
  Xenos,
• 41:39
  Sha,
• 41:39
  Ryno,
• 41:40
  Philip,
• 41:41
  Adam,
• 41:41
  Elaine,
• 41:42
  Aaron
• 41:42
  and
• 41:43
  Steve.
• 41:45
  Please
• 41:45
  consider
• 41:45
  joining
• 41:46
  them
• 41:46
  and
• 41:46
  supporting
• 41:47
  this
• 41:47
  podcast
• 41:48
  on
• 41:48
  Patreon
• 41:49
  if
• 41:49
  you
• 41:49
  have
• 41:50
  the
• 41:50
  means
• 41:50
  to.
• 41:51
  If
• 41:51
  you
• 41:51
  want
• 41:52
  to
• 41:52
  get
• 41:52
  in
• 41:52
  touch,
• 41:52
  you
• 41:53
  can
• 41:53
  email
• 41:53
  verbal
• 41:54
  dioramail.com
• 41:56
  you
• 41:56
  can
• 41:56
  also
• 41:56
  go
• 41:56
  to
• 41:57
  verbal
• 41:57
  diorama.com
• 41:58
  and
• 41:58
  you
• 41:58
  can
• 41:58
  fill
• 41:59
  out
• 41:59
  the
• 41:59
  contact
• 41:59
  form.
• 42:00
  You
• 42:00
  could
• 42:01
  say
• 42:01
  hello,
• 42:01
  you
• 42:01
  can
• 42:01
  give
• 42:02
  feedback
• 42:02
  or
• 42:02
  or
• 42:03
  you
• 42:03
  can
• 42:03
  give
• 42:03
  suggestions
• 42:04
  as
• 42:04
  well.
• 42:05
  I
• 42:05
  would
• 42:05
  genuinely
• 42:06
  love
• 42:06
  to
• 42:07
  hear
• 42:07
  from
• 42:07
  you.
• 42:07
  You
• 42:08
  can
• 42:08
  also
• 42:08
  DM
• 42:08
  me
• 42:09
  on
• 42:09
  social
• 42:09
  media
• 42:09
  as
• 42:10
  well
• 42:10
  if
• 42:10
  that's
• 42:10
  an
• 42:11
  option
• 42:11
  available
• 42:11
  to
• 42:11
  you.
• 42:12
  I
• 42:12
  love
• 42:13
  to
• 42:13
  hear
• 42:13
  from
• 42:13
  people
• 42:13
  and
• 42:14
  I
• 42:14
  always
• 42:14
  try
• 42:14
  to
• 42:15
  respond
• 42:15
  as
• 42:15
  quickly
• 42:16
  as
• 42:16
  possible.
• 42:17
  Thanks
• 42:17
  again
• 42:17
  for
• 42:18
  listening
• 42:18
  and
• 42:18
  thanks
• 42:19
  for
• 42:19
  supporting
• 42:20
  independent
• 42:20
  podcasting.
• 42:21
  It
• 42:21
  means
• 42:22
  more
• 42:22
  to
• 42:22
  us
• 42:23
  than
• 42:23
  you
• 42:23
  know.
• 42:24
  And
• 42:24
  finally
• 43:53
  Bye.