Latest / Specialty Matcha Podcast / Authenticity Trap, Opinion
Transcript
- 0:00Hello and welcome to the Specialty Match Podcast.
- 0:03My name is Ryan. This is my Coho Zongjin.
- 0:05Hello. Hello.
- 0:07Who also goes by Sam and we're the Co founders of Sanko Matcha
- 0:10products. Yeah, we launched this podcast
- 0:12to discuss our learning journey, Matcha, share startup stories
- 0:15and interview experts. And today Ryan and I are going
- 0:20to have a conversation on the topic, The Trap of Authenticity.
- 0:25Yes, the authenticity trap, which we feel quite strongly
- 0:29about because authenticity is such a prevalent word.
- 0:32I mean, you know, it can come in various forms from traditional
- 0:35heritage. Authentic words like this get
- 0:39thrown around in tea marketing all the time and there are many
- 0:42different problems by classifying practices, tea
- 0:47brands, drinks, beverages, taste in this manner.
- 0:52And we wanted to break down some of the problem areas that we see
- 0:56with the use of such words. And we certainly don't want to
- 1:00be the police of which of your words you should use and not.
- 1:03But I think it is beyond semantics.
- 1:05I think the choice of words really can have a primary
- 1:10outcome that is really negative and has some really bad negative
- 1:14externalities or even secondary or tertiary.
- 1:17And we wanted to work through some of these.
- 1:19And this episode in a lot of ways is Part 2 of what we
- 1:22recorded. What is authentic matcha, an
- 1:24opinion piece. And so if you haven't listened
- 1:25to that, you can listen to that for more context.
- 1:27But one of the problems with the word authentic is it can mean
- 1:31entirely different things to different people in different
- 1:35contexts. You could have someone at very
- 1:38basic level be telling a friend like, hey, this cafe around the
- 1:41corner, they're using a Chasen and a real tea bowl.
- 1:45They're whisking matcha authentically.
- 1:47They have preparing it properly. It could be that this very basic
- 1:51definition. And on the other hand, you could
- 1:54have an ersenge practitioner correct another beginning
- 1:58student saying that the the direction that you turned your
- 2:02bowl before you were about to consume it was wrong.
- 2:06That's not the authentic way that we do it.
- 2:08In the Orasenke tradition. You know, we do a clockwise
- 2:11versus counterclockwise, or it's a traditional difference between
- 2:15Orasenke and a Motasenke, for example.
- 2:17So in that context, it means something incredibly specific.
- 2:21So when that word gets thrown around, it can have very
- 2:25different meanings or different contexts.
- 2:27And what is authentic is is so broad and can be misinterpreted
- 2:32so easily that it could be used to police other people.
- 2:35Yeah, it's, it's problematic because you know, the the word
- 2:42authenticity doesn't just exist in the word of T, it exist in
- 2:48very wide range of other contexts, which makes it super
- 2:52powerful because people didn't necessarily just learn it from
- 2:56T, they learned it from everywhere, like from culinary,
- 3:01from literature, from art, from all sorts of contexts.
- 3:06That's why this makes the word authenticity extremely powerful,
- 3:12and it makes the inertia of people arguing with the
- 3:17accusations of not being authentic so hard, so difficult.
- 3:21Yeah, it's quite shameful, someone saying that you're not
- 3:25doing something authentically. It carries.
- 3:30They're basically saying you're doing it wrong in whatsoever
- 3:33context that they think it's right.
- 3:36No, it's, it's terrible and it has the weight of everything
- 3:40behind it and all the cultural connotations.
- 3:44To do something inauthentic in the world of matcha, in the
- 3:47world of tea ceremony or tea preparation, is to defile Japan
- 3:52itself because tea is so linked to that culture.
- 3:56So it it, it's such a heavy use term and a commonly used term in
- 4:01a negative way that I think make some people feel like they have
- 4:06the license to critique others practice.
- 4:09It's easy to call something inauthentic.
- 4:12And it's very. Unfair standard.
- 4:14Yeah, essentially, right. Like you are not calling someone
- 4:17out because you think it's wrong.
- 4:20You are essentially calling someone out because you are.
- 4:24You think that the people or the culture they're representing,
- 4:28the very context that you are doing, think you are doing it
- 4:32wrong. That's the implication of you
- 4:34are not doing it authentically. You're speaking for other people
- 4:38or on behalf of something. That's.
- 4:42Something larger than yourself. Yeah, that's why the weight is
- 4:45so strong. And who gave you the authority
- 4:49to talk and police based on Japanese?
- 4:51And you frequently don't hear it from Japanese people going
- 4:56around accusing, you know, some Western cafe that really
- 5:00specializes in coffee of whisking matcha unauthentically.
- 5:05It's too easily used as this weapon of shame.
- 5:08I think, you know, for some percentage of people, it
- 5:11probably prevents them from doing certain things.
- 5:15And I'll use a really kind of ridiculous example.
- 5:18In the United States, there was a quote UN quote innovation that
- 5:22unmaki on sushi combining raw salmon with Philadelphia cream
- 5:27cheese. They call it a Philadelphia
- 5:29roll. And let's say that that's your
- 5:31favorite maki. It's your favorite role.
- 5:34You grew up in the States. You happened, this happened to
- 5:37be your first exposure to sushi. You grew up with it.
- 5:40You know, it's not authentic. And you're with your snobby
- 5:42friends and you might apologize and say like, you know, you go
- 5:47out for lunch and you say, I'm ordering the maki role.
- 5:49I know it's not authentic, but I like it anyway.
- 5:53This is these are flavors I grew up with.
- 5:55This is a product that I like and it's an indulgence for me.
- 5:58But they feel shame in that answer, and I think we can all
- 6:02relate to that, maybe not in that particular example, but in
- 6:06other facets of our matcha journey and the way we do things
- 6:09or the way we approach other things as well.
- 6:12And it's a fear of shame. So people using authenticity as
- 6:17this weapon, going around dictating to other people how
- 6:21another group of people that's larger than themselves would be
- 6:25judging whatever it is that they're doing, it's they're
- 6:27casting some sort of judgment, which is a horrible trap that is
- 6:31really just unproductive. Like, what's your goal in saying
- 6:36that? Frequently the judgment is
- 6:38illusional. You're not actually being
- 6:40judged, but it's the fear of being judged or the illusion of
- 6:44thinking someone judging you or assessing your behavior that's
- 6:49not complying with the norm. I think that's that's the
- 6:53difficulty we're facing here. And that's the silent harm,
- 6:57right? It's the harm of inaction.
- 7:00What are tea ceremony practitioners, matcha lovers,
- 7:03cafe owners out there not doing because of fear of shame or
- 7:09being called inauthentic? Yeah.
- 7:12But on the other hand, Ryan, people who are I guess
- 7:16vulnerable to be trapped in this authenticity trap are usually
- 7:22people that actually respect culture and has the intention to
- 7:27learn about another culture. And I think, you know, like for
- 7:30for people that doesn't really care, they probably really don't
- 7:34care, hence they won't be trapped.
- 7:36And I think this is particularly hard because the very reason
- 7:40that people are getting trapped in the 1st place is because a
- 7:45continuation of the culture for practice.
- 7:48People frequently tend to want to stay relevant, right?
- 7:52Innovation is not something that is done out of the blue and to
- 7:58really, you know, free yourself from the mindset of, you know,
- 8:02being trapped or being entangled or being hindered by a tradition
- 8:09or by something that's, you know, of some sort of
- 8:13authenticity practice. I think it's very hard.
- 8:16How do you balance that? How do you balance innovation
- 8:20versus, you know, creating something just basically
- 8:25entirely new, the names of something that have already
- 8:29exist? Yeah, I think in the world of
- 8:32matcha and Japanese tea, there is a horrible contradiction.
- 8:37And the contradiction is this is that it's actually very easy to
- 8:41stay on an authentic path and have deep understanding of it
- 8:45because it's an institutionalized tradition.
- 8:47The Japanese tea ceremony in the practice of preparing tea and a
- 8:51lot of the surrounding elements are controlled by schools, by
- 8:55institutions, or SNK, among many, many others.
- 8:58And they can literally define what is and is not authentic or
- 9:02traditional or representative of their practice.
- 9:05And changes are dictated from the top to top down tradition.
- 9:09Typically when we talk about innovation, that's grassroots.
- 9:13It's a bottom up approach, it's a folk tradition.
- 9:16It's not regulated. There is no official narrative.
- 9:19There's not necessarily a strictly codified right or wrong
- 9:23way of doing things like there is in Japanese tea ceremony and
- 9:27the specialty movement understanding much as a
- 9:30specialty product outside of a ceremonial context is exactly
- 9:34that. So it's brushing up against
- 9:37these very institutionalized traditions.
- 9:39So if you lay outside of those institutions, that's most vast
- 9:44majority of macho consumers don't even know that irasenke
- 9:47and amotosenke exist. They're vaguely aware that maybe
- 9:52Japanese tea ceremony is a thing, but other than that, they
- 9:55don't even have the context to understand where the right or
- 9:58wrong ways of doing things are coming from and who are who are
- 10:02those standard bearers. And the contradiction 2 is that
- 10:08it's so matcha is so ingrained in the mind of the rest of the
- 10:13world as so distinctly Japanese. And Japanese in this actually
- 10:18after the defeat of Japan in World War 2 under the American
- 10:22occupation, when the government declared Japan was going to be a
- 10:25country of culture. And that was what they wanted to
- 10:28solidify being known as. And you know, they look
- 10:32backwards at different traditions that they could
- 10:34promote as being distinctively Japanese.
- 10:36And tea ceremony was literally one of the best distillations of
- 10:40Japanese Ness. A number of related arts,
- 10:43architecture like flower arrangements, like calligraphy,
- 10:47like a lacquer making ceramics, It's a really deep history.
- 10:51And it's not just a spectator sport like sumo, which actually
- 10:54predates chanoyu in Japan, which is a spectator sport.
- 10:59It's a participatory sport. So it's very uniquely Japanese.
- 11:03And to have a grassroots foreign LED movement as matcha as a
- 11:09specialty product is kind of like a counter revolution to
- 11:14Japan and Japanese in this and this very top down.
- 11:18So it's a weird contradiction because to have matcha be a
- 11:22specialty product brushes directly against these tightly
- 11:27controlled narratives around what is and is not authentic.
- 11:30And to what degree one matters to the other.
- 11:34It's really hard to tell. Like, to what degree does a
- 11:37random matcha consumer that's buying Ouika matcha or Rockies
- 11:41matcha or Kettle matcha air that they should turn their bowl
- 11:45counterclockwise or clockwise based on that tradition, right?
- 11:49Like, does it matter that that's how they're not?
- 11:52Whether or not they're drinking it authentically, that move
- 11:54makes no difference on the taste of the tea.
- 11:56Yeah, that's true. It's, it's an interesting
- 12:01situation because in this case, I think we frequently make the
- 12:04mistake to blur the line between Channel U and matcha.
- 12:08And we're talking about Channel U, we're talking about
- 12:11traditions, we're talking about matcha, but they're really
- 12:15different things. Matcha is really just a
- 12:18component in Channel U, and it's frequently not even the
- 12:22spotlight, not even the center of the gathering.
- 12:26Sometimes the theme is really focusing on the calligraphy or
- 12:30focusing on the special piece, like a ceramic piece being used
- 12:35in the tea gathering, but not the tea itself.
- 12:38And right now outside of the ceremonial context, we lift Mata
- 12:42out from it and applying onto other usage contacts.
- 12:47And in this case, in those cases, matcha is the spotlight,
- 12:52is the center of the room. You are paying attention to, you
- 12:57know, the flavor and the effect of matcha on you and the taste
- 13:02and if you like it or not like it, that that's really all you
- 13:05care about when you use matcha in those contexts.
- 13:08And accusing the usage of matcha in those contexts in the names,
- 13:14in the names of channel U or violating Channel U tradition, I
- 13:17think it's ridiculous. It doesn't necessarily really
- 13:21relate to the usage of, you know, using your, your, your
- 13:27matcha with sparkling water or a cold brewing your matcha or
- 13:31different, you know, mixture with matcha so that you want to
- 13:36make it tastier. Like these are completely
- 13:39irrelevant. And I think that's the
- 13:42interesting thing right here. Yeah, Zhongjun, can you think of
- 13:45a case where it's ever productive to call someone out
- 13:49for being inauthentic or doing something not authentically in
- 13:53the world of Matcha I? Think so like after writing this
- 13:56piece and also, you know, having to discuss with you in the
- 14:01podcast, I think people should really drop the usage of
- 14:05authenticity authentic. It really does not necessarily
- 14:09have a positive implication in any ways in any kind of usage.
- 14:14You are putting yourself in a top down position judging other
- 14:18people's behavior, whether or not it's a positive or negative.
- 14:21I don't think it's not a word that should be used.
- 14:24I mean it will be hard to not use those words in your daily
- 14:27life, but I think at least for me, I tend to really reduce the
- 14:32tendency of use this word. I can think of 1 area where it
- 14:36might be useful. And if that someone is blatantly
- 14:40ripping off the traditions of tea ceremony for money to
- 14:45benefit off of someone else's culture.
- 14:48Someone who's charging $1000 for tea ceremony demonstration that
- 14:53took five lessons and is completely butchering it, right.
- 14:57That is a disgrace then and should be called out.
- 15:01Is really not doing things authentically, nor are they
- 15:05probably even allowed to represent Oresenke.
- 15:08There's a lot of rules in Japanese tea ceremony at the
- 15:11point and the circumstances in which any of the practitioners
- 15:15are allowed to represent the institution, Yeah.
- 15:19Then this person is. It's just wrong.
- 15:22It's cultural appropriation. It's cultural appropriation,
- 15:25it's cultural capitalization. It's this person is a thief.
- 15:30But yeah, I, I agree, but, you know, but in other contexts, I,
- 15:35I don't think you should really use the word authenticity or
- 15:40authentic or even have the mindset or mentality of
- 15:46assessing yourself. If I'm doing this authentically,
- 15:49I think it's really a mental cage.
- 15:52It's not only a weapon that you can use to accuse or attack
- 15:57other people, but it itself is also a cage, the forbidden one
- 16:02to make any innovation or make any changes or make any
- 16:06improvements that goes against a traditional practice or
- 16:11traditionally in a sense that you know, this is how people
- 16:13have been doing things in the past.
- 16:16It's not even a very long tradition in this case, right?
- 16:19Like Channel Yu and the modern days value and practices of
- 16:23Channel Yu or much of traditions.
- 16:26It's actually fairly young compared to the long history of
- 16:29tea. And you know, ever since tea got
- 16:32introduced into Japan by the monk SI during Song dynasty that
- 16:38already violate the tradition of Mocha in China to begin with.
- 16:42You know, for for anyone that has the past to call someone
- 16:46out, you know, not authentic. I think the Song dynasty Chinese
- 16:50will have the ultimate path. But you know, that's already a
- 16:56violation. But So what?
- 16:59Tea is tasty. Tea has a phenomenal effect on
- 17:03health and people's mind. And that's why, you know, the
- 17:06Japanese people love it. Back in the days, then tea was
- 17:11grown in Japan, but not in the manner of how we drink matcha
- 17:16today. Like back in the days, you don't
- 17:18have shade grown, you do not have all sorts of cultivars that
- 17:22people have developed today. And it was really until the
- 17:27Industrial revolution and the introduction of modern biology
- 17:30that people start to be able to breed different cultivars, start
- 17:34to be able to understand, you know, different farming practice
- 17:37to the taste of matcha. And it really wasn't until the
- 17:42modern days that you know, with, you know, like all these farming
- 17:45equipments and all of these advancement in technology that
- 17:49regular people like you and I can enjoy matcha on daily basis.
- 17:54It's still expensive, but not as expensive as before.
- 17:58So you know, like when, when you are accusing someone not doing
- 18:04matcha or making matcha or drinking matcha authentically,
- 18:07like what exactly are you standing?
- 18:11Four, Are you standing? Are you envision yourself as the
- 18:16word words back in the days that have, you know, 200 servants
- 18:22serving him to drink matcha? Or are you envisioning yourself
- 18:26being, you know, the Senor Liqiu himself, you know, doing matcha
- 18:32in the most ceremonial way? Or are you envisioning yourself
- 18:37being the monk aside, you know, just spreading the gospel of
- 18:42this beautiful green leaves? Like, who are you exactly
- 18:45representing to accuse someone for not doing things
- 18:48authentically? I think why?
- 18:50And for who? Yeah.
- 18:52Yeah, why and for who and for what good.
- 18:54It's frequently it's really just a showed off, a demonstration
- 18:59of, you know, I have more knowledge or I have more
- 19:02experience than you and it doesn't really bring anything
- 19:05positive to the. Conversation, I mean, even
- 19:07around the idea of what isn't, isn't authentic matcha from a
- 19:11milling perspective is really difficult to define.
- 19:15You know, something that we talked about in the last one,
- 19:17what is authentic matcha? And how the idea of being
- 19:20authentic is to be true to yourself.
- 19:22But the subject of self can change, right?
- 19:26As I said, you know, authenticity can mean different
- 19:29things to different people in different contexts.
- 19:32So talking about just matcha milling, you know, if you talk
- 19:35to people 150 years ago, what is authentically milk matcha, it
- 19:40was people at home with servants with their own little ishiyusu
- 19:46milling it and they were buying tensha as a product that was
- 19:50authentically milled matcha. You didn't buy matcha, you
- 19:52bought tensha and then one of your servants milled it for you
- 19:56and put it very carefully in your natsume for you to prepare
- 19:59for you and your friends. Where today, you know, people
- 20:02are using industrial ishiusu, much larger format, much larger
- 20:07than they were ever using in the past.
- 20:10That's an innovation. And now you have people saying
- 20:12that it's not even authentic matcha and this it comes from an
- 20:15industrial Ishiusu. Which, you know, would your
- 20:18answer would have been very different 150 years ago.
- 20:21And now you even have things like ball mills or beef mills,
- 20:25which can do much higher volume product.
- 20:28You know that a lot of that product actually tastes
- 20:30perfectly fine. And it's the only reason why
- 20:34most people can afford matcha. It's the only reason why it can
- 20:38be in every Starbucks in the world for new consumers to try
- 20:42it for the first time. And to call that inauthentic is
- 20:46a little a little bit disingenuous.
- 20:48It's not serving anybody because everything is authentic
- 20:51depending on the lens that you're looking through or if you
- 20:54flip the context or the time period.
- 20:58Yeah, it's it's very relative and for people.
- 21:01And the relative, it's never communicated the perspective.
- 21:05The relative perspective is very rarely communicated.
- 21:09And it's almost always used to say what I'm doing is better
- 21:12than what you have or what this other person doing.
- 21:16Yeah, that's that's really the implication of.
- 21:20It's used as a weapon. Yeah, using the word
- 21:22authenticity. Like even if I'm telling you
- 21:26that oh, you are doing this very authentically as a compliment,
- 21:34it doesn't really contribute any good either either.
- 21:37You are vastly ignorant or you are, you know, acknowledging
- 21:44someone based off of your own experience.
- 21:47You know, so that you to demonstrate that you qualify to
- 21:50access other people's practice. You know, it never dawned on me
- 21:55of the arrogance of using authenticity as a compliment
- 22:00because it automatic. The implicit indicator is I have
- 22:04more knowledge or context than you to call you authentic.
- 22:08Yeah, to make that judgment on behalf of whatever reference
- 22:12point I'm referring to, whether or not it's the ceremony or some
- 22:17ancient cultivation practice. Yeah, yeah.
- 22:19I think to revert back to your previous question, like in what
- 22:23context does authenticity or authentic, the word authentic
- 22:27appropriate? I think it's it needs to be very
- 22:30very context specific. Like you are doing authentic or
- 22:35Mota Senke tea ceremony practice, you are doing
- 22:39authentic uji proper tea farming.
- 22:43Although even that is probably a little bit vague because farming
- 22:46practice in Japan also change all the time.
- 22:50Or you really broaden the aperture but you're defining the
- 22:53point. Like if you're using a Chasen to
- 22:57whisk matcha, it is a reasonably accurate statement to say that's
- 23:01how they whisk matcha authentically in Japan.
- 23:03Almost everyone in Japan is using a Chasen.
- 23:06Like that is 1/2 decent statement if you define it what
- 23:10the relative the subject of authenticity.
- 23:13It's not saying much, but you know, it's less harmful.
- 23:17Yeah. Or if the practice is very, very
- 23:21much regulated by a authority or a institution, like a certain
- 23:28school of Channelview, I think then you can use the word
- 23:31authenticity. Yeah.
- 23:33Because it's predefined, it's very well regulated and
- 23:36codified. Yeah, yeah, yeah.
- 23:39But even for, you know, for, for, for chess and for for tea.
- 23:43Whisk you slowly will see people even inside of Japan, you know,
- 23:49using other mechanisms to whisk tea or you know, they attach the
- 23:54Chasen onto some sort of a vibrator to increase the
- 23:57efficiency in modern Cafe. You know this doesn't
- 24:00necessarily doing any harm to the tea you drink.
- 24:04I don't think so, right? If froth the tea very perfectly
- 24:08and it produce a very delicious bowl of matcha or matcha latte.
- 24:11If the gold is to create a good tasting bold of matcha for you,
- 24:17for the consumers, I think any practice should be welcomed and
- 24:22you should be encouraged and it should not be accused of
- 24:26violating a tradition. Yeah.
- 24:29I totally agree. Yeah, I mean this mindset of
- 24:34innovation even exist within Channel U.
- 24:37Like every generation of Yamoto or the head of the house are
- 24:41allowed to make one change, you know, based on their
- 24:45understanding. So it you know like Channel U is
- 24:48not anti change either. It changed very slowly, but it's
- 24:52changing too. So I think, you know, like being
- 24:56or calling someone or using the word authenticity.
- 25:00Really it's treating a culture or practice as a static.
- 25:04It's taking a snapshot of a culture and wanted to remain the
- 25:10same way forever. It's really a demonstration of
- 25:14someone not want to learn more or not want to progress further
- 25:19and want to use a certain reservoir of knowledge or
- 25:23experience as the ultimate truth.
- 25:26And I think that's very harmful, yeah.
- 25:29Oh, I agree. It it, it completely reduces the
- 25:32idea that these things change over the time and that the most
- 25:36authentic version of Orasanke or Motosanke or of any of these
- 25:40institutions is literally the most up to date version.
- 25:43Important point. You know, Sam, I, I just thought
- 25:45of a, a different point. So, so far we've discussed that
- 25:49authenticity can be used as a license to police others.
- 25:53It can be used as a weapon, but I also think it can be used as a
- 25:57shield where it is incredibly easy.
- 26:01Source of credibility for a new matcha brand.
- 26:04Imagine you're a new matcha brand introducing, you know,
- 26:07premium matcha, specialty matcha, whatever you want to
- 26:10call it to your country for the first time.
- 26:13Or you're a very early player and you say I've sourced the
- 26:16most authentic matcha from Japan.
- 26:18It's like the easiest pillar for brand building and credibility.
- 26:23That also really, what exactly does that mean to someone who
- 26:28has very little context? To me it just sounds like more
- 26:32top down positioning. I am telling you what is good
- 26:35and I'm doing it by saying I have judged all of these matches
- 26:39in the world. I have selected this one for my
- 26:42brand because it's the most authentic and probably the
- 26:46reference point is for the country of Japan.
- 26:49So to not like this product is to not like this deep rooted
- 26:53tradition in Japan that all of these Japanese people like and
- 26:57appreciate. It's deflecting blame if you
- 27:02don't like the product. Yeah, it's in either context,
- 27:07you are trying to bring in a larger group of people behind
- 27:11you to endorse your practice. So I think it's, it's
- 27:16understandable to to certain extent to see people do so.
- 27:19But on the other hand, you know, it's, it really doesn't help the
- 27:24consumer to educate themselves or have any opinions on the very
- 27:29product that they are buying and they are consuming.
- 27:31The interesting point here is that the practice is trying to
- 27:35inflicting consumer guilt. It's almost a weight of
- 27:39gaslighting. I don't like your product.
- 27:42It's not because of the product is bad.
- 27:44It's because I don't understand enough.
- 27:46I think that's. Yeah, yeah, yeah, yeah.
- 27:47It's playing in people's ignorance, Yeah.
- 27:50It's trying to incept this mentality that you know you are
- 27:54offloading the responsibility towards consumers, not you know.
- 27:59I mean, it's a way of protecting yourself just like any Shield
- 28:02does. I mean, let's give a very
- 28:04tangible example of this. Say you're a new matcha brand.
- 28:07Say you ordered, you're brand new.
- 28:08You don't exactly know how much people are going to order yet.
- 28:11Let's say you order 20 kilos of matcha, which is a pretty small
- 28:15order from Japan, and it gets stuck in customs and it sits in
- 28:19a hot warehouse for months. Product finally arrives to you
- 28:23and you need to sell it. You have no choice.
- 28:25You have no other money. This is the product you need to
- 28:27move it and you're claiming that it's authentic matcha from multi
- 28:31generational farmers in Japan. And if someone doesn't like it,
- 28:35authenticity is a fantastic shield to put in front of that
- 28:39product. No one would know and no one is
- 28:43blaming you, the vendor for keeping old inventory that's
- 28:47degraded, right? It has this big golden stamp of
- 28:51approval for most people that, oh, it's authentic matcha.
- 28:55So people in Japan drink. It's made by really by people
- 28:58who really know what they're doing.
- 28:59And in that case, it's a shield with spikes in the back.
- 29:02And they're not harming the brand necessarily, but might be
- 29:05harming the reputation of the whole industry where either
- 29:08people are or consumers are blaming themselves.
- 29:12I don't understand this enough. I don't have the context or
- 29:15ability to appreciate this. I'm the problem, not the fact
- 29:19that that product sat and degraded for months.
- 29:22It's a very effective one because especially for consumers
- 29:26who have experienced the other specialty products on you know,
- 29:31for example like poor tea or peated eyelid Scotch, they are
- 29:35usually a acquired taste like for beginners.
- 29:39It's very natural or comment to not like the product in the
- 29:43first place. And the, you know, the
- 29:46preference is cultivated and it's slow.
- 29:49It happens later with, you know, multiple times of exposure.
- 29:53So this is a very effective shield because, you know, people
- 29:57with formative experience like that would naturally think that
- 30:01maybe I'm just not understanding it enough.
- 30:04And let me try one more time and one more time and with some
- 30:09other contacts, maybe eventually I will understand.
- 30:11It's a it's, it's probably true in some context, like if if you
- 30:15know this person or this vendor is indeed trusting, you know,
- 30:20high quality matcha from a multi generation house, but it's just
- 30:26because you know, they, they are really into this, you know,
- 30:29ultra intensity umaminess in their teeth, you know, like
- 30:35beginners. They might not like, you know,
- 30:37that very, you know, maritime flavor in the tea, but you know,
- 30:41later on they might like it. So it's, it can be true in some
- 30:45certain context, but it can also be true that just as you
- 30:48described, Ryan, like this tea has sitting in the warehouse for
- 30:52literally 2 months and it's stelled and the color is turning
- 30:56yellow, turning grayish and it's just not good tea anymore.
- 31:00But for a beginner who just got into the word of like, and
- 31:05especially when they have a very respectful, humble mindset,
- 31:10wanted to, you know, learn more like, this will be very
- 31:13discouraging and very harmful. Yeah, very harmful and a
- 31:20terrible trap that, you know, most tea companies, including
- 31:24ourselves, I mean, we've used the word authentic that, you
- 31:28know, we all fall into. So it's, it's important to be
- 31:31mindful of that. And there's this whole counter
- 31:34movement around not using the word authentic, especially
- 31:37within the context of Asian food products in the US, because this
- 31:43idea of authenticity means so many things to so many different
- 31:46people in so many different contexts.
- 31:49A lot of the more modern brands have gone away with this term.
- 31:53And there's a really interesting study that's referenced by a lot
- 31:56of people who've dropped this term.
- 31:58Brands like fly by Jings, brands like Amsam, brands like Wen
- 32:02Coffee Company, for example, who are trying to like establish a
- 32:06better Vietnamese coffee as a category.
- 32:09And that Robusta can actually be good is apparently someone did a
- 32:14study of like Yelp reviews of ethnic restaurants in New York
- 32:18City. And whenever the word
- 32:20authenticity was used within the context of like a Western
- 32:27restaurant, like a French or Italian restaurant, it almost
- 32:31always was overwhelmingly positive.
- 32:34And whenever it was used for an Asian restaurant, like a Chinese
- 32:38restaurant or a Thai restaurant, it was overwhelmingly negative
- 32:45of these people casting judgment on the authenticity of that
- 32:48cuisine and how a lot of Western cuisines like Italian food or
- 32:56French fruit food have way much more cultural cachet and liberty
- 33:02and flexibility to innovate. You know, someone, some French
- 33:06chef doing an innovative technique that might not be
- 33:09exactly what they were doing 50 years ago gets applauded.
- 33:13Whereas the same chef that just happens to be from a different
- 33:16country and has different colored skin is doing the same
- 33:19thing, gets criticized for being not authentic.
- 33:23And so there's also almost a racist component to some of this
- 33:27as well by certain people calling other people out for
- 33:31being inauthentic and this double standard, especially when
- 33:34the within the context of Asian food.
- 33:37Yeah, it's very interesting because I guess it's a natural
- 33:41difficulty of doing anythings outside of the country of origin
- 33:46or the place of origin of a a culture or a practice.
- 33:50Because, you know, the one of the implications of authenticity
- 33:54is that there is a geographic, usually a geographic location of
- 34:00where the practice begins. And by doing the practice
- 34:05outside of the geographic location naturally will let
- 34:09people to think or to judge if you are doing it authentic or
- 34:13not authentic. So I think that's a very, I
- 34:16would say to some extent inevitable difficulty that
- 34:19people will encounter of doing anything or practicing anything
- 34:25that does have a geographic origin.
- 34:27Yeah, and. You know, within the context of
- 34:31matcha, it's overwhelmingly negative.
- 34:34This implications of where it's where something is inauthentic,
- 34:40where is like in any western context, seeing innovation is
- 34:44interesting and it's very unfair, especially in matcha
- 34:47that it's almost always a negative thing.
- 34:49Which actually brings me to my 4th analogy around the around
- 34:55the authenticity trap. And that authenticity can be
- 34:58used as a muzzle. So where people will purposely
- 35:03try not to innovate or do anything interesting out of
- 35:07fears of being called not authentic.
- 35:11It's some self-imposed restriction of agency where it's
- 35:15much more simple to say, look, I'm sourcing these authentic
- 35:18things from these authentic people.
- 35:21Like it or hate it, if you cast judgement on it, you're casting
- 35:24judgement not just on this product or my brand, but on all
- 35:27of Japan or all of the implications of what
- 35:30authenticity means to you. And it prevents probably a lot
- 35:34of innovation from happening where people are saying, who am
- 35:38I to make any changes? I'm not the expert.
- 35:41Why would I blend matcha for my customers even though I could
- 35:45probably reach a profile that they would like more?
- 35:48Who am I to whisk matcha with sparkling water?
- 35:51That's not how they do it in Japan.
- 35:52That's not what I want to promote.
- 35:54And you lead into these, you kind of lean back a bit and you
- 35:58remove agency to do some very so it could be interesting and
- 36:02innovative changes. Like you don't have people in
- 36:04specialty coffee thinking about that.
- 36:07They're not changing what they're doing based on whether
- 36:09or not someone's judging them for being authentic.
- 36:12We don't think that way in chocolate making.
- 36:14We don't even think that way in wine, right?
- 36:16There's people doing all sorts of interesting things around
- 36:19natural fermentations and carbonic maceration.
- 36:23Like there's all these interesting components that
- 36:26people can do because they're not chained and muzzled by this
- 36:31restriction in this cage of authenticity.
- 36:35Yeah. It's very interesting because
- 36:38when you see all the other product categories that you just
- 36:42talking about, you don't necessarily see a existence of
- 36:47something like Channel U in those product category,
- 36:50something so powerful and so intertwined with a nation or a
- 36:56culture or group of people race. I think that's that's
- 37:01interesting observation from my end.
- 37:04So that's why Matcha is particularly special in this
- 37:07case. If we want the specialty matcha
- 37:09movement to become successful, we need to stop utilizing or
- 37:13falling into this authenticity trap.
- 37:15It is something incredibly different than tea ceremony and
- 37:19tradition and what a lot of people in a lot of contexts
- 37:23would consider quote UN quote authentic matcha.
- 37:26But it's actually harmful to these tea ceremony institutions
- 37:30and the legacy that is matcha matcha and Chana Yu is a dying.
- 37:35Practitioners are dying year after year after year, and fewer
- 37:38people want to become practitioners.
- 37:41If you look at like the statistics of who's consuming
- 37:43tea in Japan, I think it's something like 15% of young
- 37:47people consume tea regularly, and it's something like 70% of
- 37:51like 70 and 80 year olds. You have this huge demographic
- 37:55problem where there's this deficit of consumers who are
- 37:59young who are going to take it over.
- 38:01So for matcha to survive as an art, not only does it need to
- 38:04internationalize, but you need to have a new group of
- 38:07practitioners interested in it. And it's much easier to attract
- 38:12new consumers to to a ceremonial practice if they were already
- 38:16interested in matcha in the 1st place.
- 38:19So if we stop going around and using authenticity as a license
- 38:23to police, as a weapon, as a shield and as a muzzle, perhaps
- 38:27matcha as a specialty product can become more successful, get
- 38:31more people consuming it in a specialty context in a cafe or
- 38:35at home. And then naturally a subgroup of
- 38:38those people might become interested in going down the
- 38:42rabbit hole that is the traditional ceremonial art of
- 38:46tea ceremony and quote, UN quote authentic practices like having
- 38:51it being in every specialty matcha shop where it's being
- 38:54represented in an interesting way, in a way that consumers are
- 38:59primed to appreciate. Like talking about cultivar,
- 39:02talking about the farmer, talking about cultivation
- 39:04methods, explaining the difference between handpicked
- 39:07and machine picked or different shading styles.
- 39:10All of these rich and interesting specialty components
- 39:13can be in service to what we all think of as authentic matcha
- 39:18culture. That's totally true.
- 39:20I mean, this is really good for everybody, like spreading the
- 39:24awareness of matcha. And that will inevitably be a
- 39:27gateway for people to want to learn more about matcha and to,
- 39:32you know, and they can take their own path.
- 39:34Following the tradition. Ceremonial practice of matcha is
- 39:38certainly one way at preventing people.
- 39:41But encouraging more people to learn more about Japan, learn
- 39:45more about matcha, I think it's it's helpful for everybody.
- 39:49Yeah. Only brings more awareness.
- 39:51It's the opposite of inclusive. These people going around saying
- 39:55you're not authentic, that's saying you're not one of us.
- 39:58You don't deserve to be here. There's so many implicit
- 40:02messages. In that attack that it's, it's
- 40:06doing way more harm than good. They're not, especially for
- 40:09people who are doing this entirely outside of the
- 40:13ceremonial context. It's, it's horrible.
- 40:16It's really upsetting to see and it's really a hindrance on
- 40:19growth. And I think it's a huge trap
- 40:21that we are all guilty of falling into and we need to
- 40:24rethink this framework, I think. Totally agree.
- 40:27Totally agree. I think we should really embrace
- 40:31ourselves into the specialty movement and trying to not think
- 40:35about matcha in the lens of it being a product from Japan or a
- 40:41product from a ceremony. It needs to be really set free.
- 40:46It needs to be on its own. And if we want to even want to
- 40:52even discuss anything that's related to the practice or the
- 40:58tradition of matcha itself, it really should be the farming
- 41:01practice or the processing or the manufacturer practices.
- 41:05It should not be practices related to how matcha has been
- 41:10consumed. I think that's one aspect of
- 41:15Matcha that has been so flexible and so dynamic and so non static
- 41:24even within Japan that you know, any discussion of it being
- 41:30consumed in the right way. So it's, it's really, it's
- 41:36really ridiculous to me. I think looking to the farmers
- 41:39and production practices is it's more interesting because you
- 41:42know get concentrating interest in those things.
- 41:46Default brings more people into the specialty matcha movement
- 41:50because all the traditional players who focus on quote UN
- 41:54quote authentically crafted matcha are don't have
- 41:57transparent labels and don't talk about any of the things
- 42:01that lead to flavor variation within the product, which is
- 42:04what the vast majority of consumers care about.
- 42:08If you have 3 cans of matcha where you cannot see what's
- 42:12inside, and one's $20, one's $40, and one's $60.00, you care
- 42:17a whole lot that the $60.00 one tastes better than the $20 one.
- 42:21That's part of what you're paying for, and if it doesn't,
- 42:25you're probably not going to buy that $60.00 one again.
- 42:28And understanding how and why that's the case are the
- 42:34conditions that we need for a thriving specialty market so
- 42:37that people can make those predictions.
- 42:39And these concepts of authenticity are really a
- 42:41distraction and a never ending look backwards.
- 42:46That's not static and the reference point is ambiguous.
- 42:49And it can be used as a license to police others, as a weapon,
- 42:53as a shield and as a muzzle. It's a very distracting
- 42:56conversation for 99.9% of practitioners.
- 43:01Maybe it's a productive conversation if you're an
- 43:04anthropologist, if you are in the leadership of one of these
- 43:08institutions, or a teacher of tea ceremony, or a historian.
- 43:13But outside of those contexts, who cares?
- 43:16Yep. So I guess I'll advocate our
- 43:19advocation here today is stop using the word authenticity or
- 43:23authentic instead is what is this matcha will or ask
- 43:28yourself, do I like this matcha? And you know that really should
- 43:32be it. And you know one grants you
- 43:34knowledge more knowledge about the tea itself.
- 43:38The others grants you self-assessment of your own
- 43:40preference. And that way you can make more
- 43:44or better decision for yourself in your journey of drinking more
- 43:47matcha in the future. Yeah.
- 43:49And actually, I think I have a great summer re reinterpretation
- 43:52of what you just said and tell me how right I am.
- 43:55It's about looking in, not out. If you're worried about
- 43:59authenticity, you're constantly worried about what other people
- 44:02think of you or how other people think of the product that you
- 44:05just bought or the way that you're preparing it or whatever,
- 44:09versus asking yourself, what do I like?
- 44:12How do I get the knowledge and context to get more of what I
- 44:16like? Why do my preferences change
- 44:18over time? Am I doing this the right way
- 44:21for me versus in the context of what other people think, no
- 44:25matter what that is? Totally agree.
- 44:28And I think that's true for the matcha consumer, and I think
- 44:31that's true for the matcha business.
- 44:33Whether or not you own a cafe, or you own a matcha brand, or
- 44:36you're somehow associated with the supply chain, we need to
- 44:39start looking more in and less out.
- 44:41Especially if the out is this ambiguous thing, which is
- 44:45authenticity, which is where far too many people get trapped.
- 44:48Yeah, clarity, Ryan, clarity like this is really a 2 ends of
- 44:52a spectrum. One is totally objective, the
- 44:55other is totally subjective. Yes.
- 44:58It is. Yeah, for authenticity.
- 45:00You're creating a vague illusion of the ultimate truth.
- 45:04But there there are ultimate truth in matcha, right?
- 45:07Like what cultivar is this matcha?
- 45:09How it was processed, how long has it been shaded, how it was
- 45:14milt and these are solid ground truth and they are something
- 45:19that's totally objective. And on the other end, do I like
- 45:23it? Will I will I be liking, you
- 45:26know, this in, you know, some other context and why do I like
- 45:31it? What aspect do I like about this
- 45:33particular matcha? These are totally subjective
- 45:35opinion that's benefiting your own consumption, your own
- 45:39enjoyment of this matcha. Yeah.
- 45:43I. Couldn't, couldn't agree more.
- 45:45It needs to be more focused on on enjoyment and fulfillment,
- 45:50whatever that means to you. Yep.
- 45:53So. So I guess you know like looping
- 45:55it all back to our argument, like stay true to yourself, stay
- 45:59true to matcha. I think that is the most
- 46:01authentic matcha experience you can get.
- 46:04Yes, yes. And I think these are the two
- 46:07points on the spectrum that you can state the most true, right,
- 46:11Like you have your own true feeling of a product and you
- 46:16have the very true facts about this product.
- 46:20And I think these are the two ways that you can stay true to
- 46:24Matcha. I think that's a perfect note to
- 46:25end on any final words. Sam No.
- 46:28Drink more matcha and stop calling matcha authentic or not.
- 46:33And by the way, this is an opinion piece too.
- 46:35So this is our strong opinion, which is loosely held.
- 46:39If anyone has any major disagreements or any points that
- 46:42we're blind to or not noticing or we'd love to hear from you,
- 46:46we'd love to turn this into a discussion.
- 46:48We do think it's worth having discussions about the negative
- 46:52effects of what largely people would consider to be a positive
- 46:57thing, like an authentic practice.
- 47:00But really, the most authentic practice is not what other
- 47:02people think. It's what what whatever the best
- 47:07thing is for you. And you stay true to yourself
- 47:11without fear of others casting judgement on you.
- 47:17And in turn, you should not cast judgement on others.
- 47:20So that's our take. If you enjoyed this podcast,
- 47:23please consider sharing with friend or giving us five stars
- 47:26on whatever platform you're listening to and we'll see you
- 47:28on the next one. See you in the next episode.