Latest / The Bald Brothers Podcast / 83: Top 10 Classic Black Villains (in Movies & TV) | #TheBaldBrothersPodcast
Transcript
- 0:00Speaker 1: Like biopics, so I feel like we have TV weekend
- 0:02Speaker 1: including all Right, what up? Y'all? Welcome to the Bob
- 0:06Speaker 1: Brothers Podcast with Kevin Stage Tony Baker. Tony Baker is
- 0:10Speaker 1: good friend of mine. This podcast is another excuse for
- 0:13Speaker 1: grown men to hang out. We just enjoy each other's company,
- 0:16Speaker 1: and we're monetizing that so that we can buy biscuits
- 0:21Speaker 1: and Smoothie biscuits as well. Biscuits Bill skits, I'm.
- 0:26Speaker 2: Overdue for some biscuits.
- 0:27Speaker 1: You can always drop episode ideas in the comments of
- 0:30Speaker 1: this show. Tony and I come up with a lot
- 0:32Speaker 1: of them. Patreon comes up with a lot of them,
- 0:33Speaker 1: but you can also come up with a lot of them.
- 0:35Speaker 1: Today's episode first topic classic Black Villains, TV or movie.
- 0:42Speaker 1: We don't know if we'll get to ten, so we'll
- 0:44Speaker 1: just go until we can't think of anymore. You want
- 0:46Speaker 1: to go first?
- 0:47Speaker 2: Yeah, I got somebody on the dock.
- 0:49Speaker 1: Get somebody on the dock.
- 0:52Speaker 2: Sam Jackson and Jangle unshamed. That's good money black. I
- 0:59Speaker 2: forget his name, oh Man, Sam Jackson and Jane hill
- 1:06Speaker 2: On Jane Man, I hated him, he was I lok.
- 1:11Speaker 1: He forgot about that good and he has the so
- 1:15Speaker 1: much makeup.
- 1:16Speaker 2: He was a fantastic villain.
- 1:18Speaker 1: He was Uncle Rutckets.
- 1:19Speaker 2: Because I was passionately hating this man, Stephen.
- 1:23Speaker 3: Stephen actually hated him more than.
- 1:28Speaker 2: Of course, because I expect the bullshit from them.
- 1:31Speaker 3: Yeah, he's as him.
- 1:33Speaker 2: I was like, oh he was, Yes, that's amazing. He
- 1:37Speaker 2: was telling me, was like, hey, you better not trust him.
- 1:39Speaker 1: I'm like, oh, man, he was terrible.
- 1:42Speaker 2: He was. He was horrible, but he was fantastic villain.
- 1:45Speaker 2: Villains that make me that emotional, A great villain.
- 1:48Speaker 1: No, that's a good one. I had forgotten about him.
- 1:51Speaker 2: Where I'll just be passionately hating this person.
- 1:54Speaker 3: Did he get blown up?
- 1:55Speaker 1: He got.
- 1:57Speaker 2: Yeah, Oh yeah, I'm sure I forget. I need to
- 2:01Speaker 2: watch it again, but I forget how he went out.
- 2:04Speaker 1: No, he was We don't talk about him enough in villains.
- 2:09Speaker 2: He was absolutely the villain.
- 2:10Speaker 3: No, he was for me thousand.
- 2:12Speaker 2: Percent Leonardo di Leonardo mood this one right here, this
- 2:19Speaker 2: one he one of us.
- 2:21Speaker 1: No, he was one of us, and he was upholding
- 2:23Speaker 1: the white supremacy.
- 2:26Speaker 3: Proud.
- 2:26Speaker 2: He was all in, proud in the house, looking out
- 2:30Speaker 2: the window, peeping over all up in the mix.
- 2:34Speaker 1: I hated him.
- 2:35Speaker 2: Side who you got.
- 2:36Speaker 1: I got Danny Glover as mister you know.
- 2:39Speaker 2: What I thought about him, But he redeemed himself a
- 2:42Speaker 2: then not enough. Yeah, I feel that redemption had me
- 2:47Speaker 2: feedback he was.
- 2:48Speaker 1: And also because the redemption was selfish, right, he only
- 2:53Speaker 1: redeemed himself because everything done to you was everything done
- 2:57Speaker 1: to me gonna be done to you. So the crops
- 2:59Speaker 1: was falling house all apart. So it ain't like he.
- 3:02Speaker 3: Was Okay, my bad. He took him some time.
- 3:05Speaker 1: She was older. That actually did a better job to me,
- 3:10Speaker 1: a better visual job to me in the newest color purple.
- 3:13Speaker 2: Yeah, I understood the story better in the new color.
- 3:16Speaker 1: Purple too, But I didn't. I didn't hate Coleen Domingo
- 3:19Speaker 1: nearly as much as I hate Mission neither. I just yeah,
- 3:23Speaker 1: Danny Glover was Danny Glove. He was you know, he
- 3:25Speaker 1: was like I want to say, it was young thirty something. Yeah,
- 3:28Speaker 1: he was young thirty eight when he did.
- 3:30Speaker 2: These actors back in the day was young as hell.
- 3:32Speaker 2: Fred Fred Sanford was in his forties and his Fred
- 3:37Speaker 2: Grady was in his forties. Missus Garrett in the fact
- 3:40Speaker 2: that life was thirty.
- 3:42Speaker 1: Nine, Sherman Helmsley in the first season that Jefferson's was
- 3:46Speaker 1: like thirty nine full coldy.
- 3:49Speaker 2: Oh the couldest sack. That's gonna aide you twenty decades,
- 3:54Speaker 2: just on the coldest sack.
- 3:56Speaker 1: Because like Jordan and Claude Dregson, they was boughting in
- 3:58Speaker 1: like twenty eighth.
- 4:00Speaker 2: But once they shaved it all off, they.
- 4:01Speaker 1: Were a yeah, you come back, you're rocking the cally.
- 4:04Speaker 2: The cold should get the colder sag. We added twenty
- 4:07Speaker 2: years to your age. You could be ten. Let somebody
- 4:12Speaker 2: cut in the cold the SAgs. This little thirty old
- 4:16Speaker 2: kids sitting it in the second grade. No, no, I
- 4:19Speaker 2: ain't I get you old that side of get to
- 4:21Speaker 2: the community, Come with these kids.
- 4:25Speaker 1: Nah.
- 4:25Speaker 3: He was terrible.
- 4:27Speaker 1: Many people have not forgiven Danny Glover for mister.
- 4:30Speaker 2: I forgave him. As soon as I saw Leath the Weapon.
- 4:35Speaker 2: I forgot all about the color purple. Man, Sergeant Murray
- 4:39Speaker 2: Tall is Danny Glover. I forgot about the color purple.
- 4:42Speaker 1: He's sick of it. His whole character and Leath the
- 4:45Speaker 1: Weapon is e.
- 4:47Speaker 2: I'm too old for this year. Read that saxophone.
- 4:52Speaker 1: It was it was I'm forty one. He was like
- 4:55Speaker 1: forty then absolutely, but he looked like a fifty six
- 4:58Speaker 1: year old police captain wh who has the alcohol thing?
- 5:03Speaker 1: You take the swigs out of it. Yeah, it's also
- 5:07Speaker 1: the clothes to the clothing, clothing.
- 5:10Speaker 2: With the elbow patches. Come on, let's gonna give you
- 5:12Speaker 2: twenty years for show.
- 5:14Speaker 1: Gonna give you. But yeah, mister uh uh. Danny Glower
- 5:20Speaker 1: as mister is world renowned or because also I think
- 5:24Speaker 1: what makes him so bad? Celi was so innocent?
- 5:27Speaker 2: Yeah, like she was.
- 5:29Speaker 1: She didn't deserve none of that and the other thing
- 5:31Speaker 1: they did in The New Color Purple, I didn't connect
- 5:36Speaker 1: it as much. But her father, uh, the incest part.
- 5:41Speaker 1: I didn't connect that as much in the first one.
- 5:43Speaker 1: In the second movie, I was like.
- 5:45Speaker 2: Hey, hey, this was this is this is terrible. It
- 5:49Speaker 2: was outrageous.
- 5:50Speaker 1: You forget almost forget about her dad in the first one.
- 5:54Speaker 1: But Dion Cole as the as her dad.
- 5:57Speaker 2: I was like, I was like, what day this is?
- 6:00Speaker 2: That's what I never undert That's what I'm saying. Like
- 6:02Speaker 2: when I saw The Color Purple from eighty six eighty four,
- 6:06Speaker 2: whenever that movie came out, I didn't understand all of it.
- 6:10Speaker 2: But that New Color purple.
- 6:11Speaker 3: Was like, Oh that's what was Oh yeah, yeah, that's.
- 6:14Speaker 2: Got you know what I'm saying. So in a lot
- 6:17Speaker 2: of ways, I feel like the new color purple was
- 6:21Speaker 2: just told.
- 6:22Speaker 1: Better the the new one was told better. I feel
- 6:28Speaker 1: like it was more clear. And I also feel like
- 6:32Speaker 1: they gave Silly much more hope, absolutely and imagination. She
- 6:36Speaker 1: had more wins.
- 6:37Speaker 2: Yeah, new ones.
- 6:38Speaker 1: She got to the pants store was a bigger part.
- 6:40Speaker 2: Of it, so you're like she got the business.
- 6:43Speaker 3: But either way, she never deserved all the stuff that happened.
- 6:47Speaker 1: Absolutely, you know what I'm saying. And also Danielle Brooks
- 6:53Speaker 1: her version of Miss Sophia, who was better? Oh oh
- 7:00Speaker 1: I'm I'm I don't think either was better. I think
- 7:04Speaker 1: I enjoyed both interpretations because I feel like Oprah was
- 7:09Speaker 1: like she had Like, first of all, I really wish
- 7:13Speaker 1: Oprah would act more because.
- 7:15Speaker 2: She Oprah can. Really she was good and I've never
- 7:20Speaker 2: seen her something where I was just like, never.
- 7:24Speaker 1: Was loved. And the TV show Quinn Sugar, Yes she's
- 7:29Speaker 1: like a rich sister. Rich sister, but like she owns
- 7:32Speaker 1: a bar, like a bar slash restaurant, and you just
- 7:35Speaker 1: she's believability big on you. She's always believable in her thing,
- 7:40Speaker 1: but as her Miss Sofia, like when she was in
- 7:43Speaker 1: the dol drums, I was like, I felt that part more.
- 7:47Speaker 1: But and Sofia ain't taking nothing. I got brothers. I'm
- 7:51Speaker 1: beating Harpo up like the spunk of Miss Sofia. I
- 7:54Speaker 1: feel like Danielle did that more. And they both pulled
- 7:56Speaker 1: off for like the worst part. But when when Oprah
- 7:59Speaker 1: was like like that part.
- 8:01Speaker 2: Was yeah, I she snapped out of it. Yeah, one
- 8:03Speaker 2: little It was just like, so for you home now, yeah, yeah.
- 8:06Speaker 2: It was Oprah got an Oscar nomination.
- 8:09Speaker 1: I felt like she should have got it.
- 8:11Speaker 2: And I'm just like, man, but I guess when you
- 8:13Speaker 2: worth billions of dollars, man, the press is awful active. Man.
- 8:16Speaker 1: I just saw a clip of her talking to Ellen Man.
- 8:19Speaker 1: She said she had went into the bank for the
- 8:22Speaker 1: first time since like nineteen eighty eight, and Ellen was like,
- 8:26Speaker 1: what's your pin number?
- 8:27Speaker 3: And she was like, what, I don't know, but I
- 8:30Speaker 3: need our pin number four.
- 8:31Speaker 1: She said she had went into the bank to deposit
- 8:33Speaker 1: a million dollars cash just to see what it felt like,
- 8:36Speaker 1: and at the end of the clip she was like, oh,
- 8:38Speaker 1: you know what it was two. I was like, dang,
- 8:43Speaker 1: I go into the bank all the time. I had
- 8:46Speaker 1: never had no million dollar check. Two million dollar check
- 8:49Speaker 1: in my hand.
- 8:49Speaker 2: That's crazy.
- 8:50Speaker 1: You would have to carry me into the bank on
- 8:52Speaker 1: those how the kings are carried in stuff? Feed me graves.
- 8:56Speaker 1: If I'm carrying two million.
- 8:58Speaker 2: Dollars cash, that's crazy, bruh. It's just been like, man,
- 9:04Speaker 2: what's my pen number?
- 9:06Speaker 1: Your cash all the time.
- 9:07Speaker 2: But two million dollar deposit to her is like two
- 9:10Speaker 2: hundred dollars. I'm gonna just put two hundred dollars in.
- 9:14Speaker 2: That's just that's literally just two hundred dollars to literally
- 9:19Speaker 2: two million.
- 9:19Speaker 1: She was I want to take that little two million
- 9:22Speaker 1: behind all right?
- 9:23Speaker 2: What you got back?
- 9:24Speaker 1: All right?
- 9:24Speaker 2: So I got a Monique imprecious? Oh man, Monique Man.
- 9:30Speaker 2: I was like, Oh, this woman right here is a
- 9:35Speaker 2: real piece of work.
- 9:36Speaker 1: You know what? I love about that performance so much?
- 9:40Speaker 1: She is pure evil, like through and through until you
- 9:44Speaker 1: find out her reason and you're not like, oh it's
- 9:47Speaker 1: not like I get it.
- 9:48Speaker 2: But like that's why you're doing this bullshit?
- 9:52Speaker 1: Yeah, but she was almost one hundred percent evil, which
- 9:55Speaker 1: I don't like.
- 9:55Speaker 2: I don't know it was almost Tyler Perry almost, and
- 9:59Speaker 2: then we got oh, okay.
- 10:01Speaker 1: And that's what Like your villains should have a battery
- 10:04Speaker 1: in their back or a moment that turned them or whatever.
- 10:08Speaker 1: But like her smoking a cigarette when Precious and then again,
- 10:13Speaker 1: it's the best villain for those type of things. Is
- 10:16Speaker 1: really shaped by the innocence of the other person. Precious,
- 10:19Speaker 1: just like was Precious man literally happening to her.
- 10:24Speaker 2: She was running with the chicken, and she was running
- 10:29Speaker 2: with the chicken and fail man. In that moment, I
- 10:33Speaker 2: was like, I will have this woman's back. His force
- 10:38Speaker 2: was Precious is my baby his force. I will take
- 10:42Speaker 2: care of this child. I want her to live with me.
- 10:46Speaker 1: Give her to me to.
- 10:48Speaker 2: Die, Precious please. Once she fell, I was like, I
- 10:53Speaker 2: need to take care of this baby.
- 10:55Speaker 1: I was laughing when she was I didn't laugh when
- 10:57Speaker 1: she fell when she was running out.
- 10:59Speaker 3: I know this is not a bosa be funny. By the way,
- 11:01Speaker 3: I saw somebody trip today.
- 11:03Speaker 2: Oh.
- 11:09Speaker 1: I want to take a quick break from the show
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- 12:40Speaker 2: He was like.
- 12:43Speaker 1: And looked at the ground. I was crying. He had
- 12:51Speaker 1: a little sun hat on. It just made it so
- 12:54Speaker 1: much because I know he saw me seeing him.
- 12:58Speaker 2: What's going on with this?
- 13:00Speaker 1: Where was this that in my neighborhood? He was just
- 13:05Speaker 1: he was like a city worker. I think he was
- 13:06Speaker 1: like checking gas and so he just his hands were
- 13:11Speaker 1: up in the air, which was such a funny visual
- 13:14Speaker 1: because I just looked up and he.
- 13:18Speaker 2: Ain't fall though.
- 13:18Speaker 1: He just stump, you know what else before he moved off.
- 13:21Speaker 1: A precious Mariah Carey was really good in that role.
- 13:24Speaker 1: She was I didn't even reckon. I was like, who
- 13:27Speaker 1: is I don't know? Why do I not know?
- 13:29Speaker 3: I know that person?
- 13:30Speaker 2: She was like Mariah, She was good man.
- 13:33Speaker 1: I think artists are usually good because especially singers, they
- 13:36Speaker 1: still have to good singers got to convey a story.
- 13:39Speaker 1: So acting is really just version of unliss. It's glitter
- 13:43Speaker 1: and we're not gonna talk about it, talk about all
- 13:45Speaker 1: right mind his Gus fring, He no, no, I didn't
- 13:53Speaker 1: forgive them. Well, I just I'm just going classic black.
- 13:56Speaker 1: Oh you just pick villain, just classic Oh no, no, no,
- 14:00Speaker 1: I took that off because it was too hot. Oh god,
- 14:02Speaker 1: just classic black villain. But Gus, I still remember the
- 14:07Speaker 1: first scene with him, when Walter White was ordering the
- 14:10Speaker 1: chicken and I was like, what's up with the chicken man?
- 14:14Speaker 1: And Gus was like, he never broke character. Even when
- 14:17Speaker 1: he got blown up, he fixed his with his face
- 14:23Speaker 1: half off.
- 14:24Speaker 2: Gone, he was still loving.
- 14:26Speaker 1: The only emotion he showed ever was when he realized
- 14:29Speaker 1: the bomb was gonna go out.
- 14:30Speaker 2: He was like, ah, yeah, that's it. And then he
- 14:33Speaker 2: was I'm dead. I am dead. That's like me dying
- 14:42Speaker 2: right now. Moving the mic first.
- 14:48Speaker 1: Oh man, it was so good, like he never nobody
- 14:53Speaker 1: ever got under his skin, Walt never got on her skin.
- 14:57Speaker 1: Everything worked for him. I mean until it didn't, you
- 15:00Speaker 1: knew it. Like also, when you like dealing with the cartel,
- 15:04Speaker 1: you can't be you can't be unsure, right, because they
- 15:08Speaker 1: gonna cut your head on real you gotta meet violence
- 15:11Speaker 1: with violence. And I was like, Gus is crazy.
- 15:14Speaker 2: You gotta be crazy in that in that realm you got.
- 15:18Speaker 1: I can't imagine. I never want to do that. You
- 15:23Speaker 1: can never really for I'm not you can. You can
- 15:26Speaker 1: get all that money, you can't spend it. You gotta
- 15:29Speaker 1: it's just too much. I'll be looking at that be
- 15:33Speaker 1: like there's nothing fun about this money you make. You
- 15:36Speaker 1: you don't even know. Like if I was a drug
- 15:38Speaker 1: king pian and you're my right hand man or you're
- 15:40Speaker 1: another king, I can never even relax around you because
- 15:43Speaker 1: you never know when the internal people are gonna be like,
- 15:46Speaker 1: like what.
- 15:47Speaker 2: It just makes more sense, Like it was just that exactly.
- 15:53Speaker 1: You can't be You can be on a private island
- 15:55Speaker 1: by yourself, and you will still never have full peace.
- 15:59Speaker 3: What's the point.
- 16:00Speaker 1: It's never worth it, No healthcare, no PTO in.
- 16:04Speaker 2: Real life or fiction is never worth it. Look at
- 16:06Speaker 2: Poplo Escobar.
- 16:08Speaker 1: Man, all that money, Let man throw it in the fireplace.
- 16:12Speaker 3: Literally, that's eating.
- 16:14Speaker 1: It on the rooftop, running.
- 16:19Speaker 2: All that money. It didn't even matter.
- 16:21Speaker 1: They were like.
- 16:23Speaker 2: He's running in regular new balance. They're getting popped.
- 16:28Speaker 1: I'm like, man, no, that's terrible. No, I don't ever
- 16:32Speaker 1: want to have to run on a roof for any
- 16:34Speaker 1: reason to loly, especially put my life on the line.
- 16:37Speaker 1: I'm sliding off a shingles.
- 16:39Speaker 2: You know how hard it is to run on the roof.
- 16:43Speaker 2: You got that that slam, That slam, gonna take my
- 16:46Speaker 2: ass out of here. Man, I'm done on the side. Alright,
- 16:49Speaker 2: I'm gonna go. Nino Brown Great New jack City nineteen
- 16:55Speaker 2: ninety one. He is one of the best villains in film.
- 16:59Speaker 2: Man Wesley Snipes was perfect in the road, absolutely perfect man,
- 17:04Speaker 2: iconic if you will, iconic. Yeah, he he just made
- 17:09Speaker 2: that villain roll so dope. And it was like, and
- 17:12Speaker 2: I say this all the time, you got a strong
- 17:14Speaker 2: villain that just makes the movie that much money.
- 17:19Speaker 1: And also when he was on the stand's like telling
- 17:22Speaker 1: you like, I ain't got no planes like the government,
- 17:25Speaker 1: I'm throwing flying.
- 17:26Speaker 2: That ship in here. No, no of his owns a
- 17:29Speaker 2: poppy fie. And then he blamed it on Christopher Williams.
- 17:33Speaker 2: He is the head of the c him be walked
- 17:36Speaker 2: out of there. Man, if it wasn't for that old man,
- 17:39Speaker 2: he'd be free to this day. Tell this day, he'd
- 17:42Speaker 2: be free right now and dead pulling wooverine walking in
- 17:45Speaker 2: it'snee no brown to this day. But that old man
- 17:49Speaker 2: was like, ah, you got a day, hey. Pap shot
- 17:58Speaker 2: it with the old school revolver he had that it
- 18:02Speaker 2: is dressing since nineteen forty six d dollar time. That's
- 18:11Speaker 2: the only bullet he had. He had one bully he
- 18:14Speaker 2: couldn't afford too, So he had to make that ship
- 18:17Speaker 2: count pole recipe Bill Coyles man man, because you forgot
- 18:24Speaker 2: about that old man when he shuffled him upout it there,
- 18:27Speaker 2: he was talking that ship. He tried to give him
- 18:29Speaker 2: earlier with that pistol. He tried to pull it out there.
- 18:32Speaker 2: Look at his old ass about of here. Oh my god,
- 18:36Speaker 2: he came back, boy, Oh my god.
- 18:39Speaker 1: The Princess and the frog villain, I didn't even think
- 18:42Speaker 1: about animated.
- 18:43Speaker 2: I never even seen that movie either, y'all. I've never
- 18:46Speaker 2: seen them.
- 18:46Speaker 1: So I like the song.
- 18:48Speaker 2: I don't even know the songs. I got nothing, that's
- 18:52Speaker 2: all I got, man. The actress is very nice. She's
- 18:54Speaker 2: a sweet woman with a great cheekball Rose. Yeah, she's great.
- 18:59Speaker 2: She's fantastic, But so not lathen. What is she so not.
- 19:01Speaker 2: Lathan was in events Princess and Fro what is she was?
- 19:06Speaker 2: She a villain and at the time it ain't enough. Man,
- 19:09Speaker 2: stop looking at the chat man, they're gonna get your answers.
- 19:13Speaker 1: I didn't.
- 19:13Speaker 3: I was just looking.
- 19:15Speaker 2: They're gonna get your answers. Man.
- 19:18Speaker 3: Keith David, what is he feeling there?
- 19:20Speaker 2: He was a villain in Uh, Princess and the Frog.
- 19:23Speaker 1: Right, Oh yeah, he got a great voice. His voice,
- 19:25Speaker 1: she's so good. And something about Mary. Yeahs, I need
- 19:33Speaker 1: to watch that again.
- 19:34Speaker 2: That's my favorite, one of my favorite comedies of all.
- 19:37Speaker 4: That movie was just funny through and immediately, and it
- 19:44Speaker 4: has one of the if we if we ever do
- 19:46Speaker 4: episode we do the top ten UH comedy endings of
- 19:50Speaker 4: all time.
- 19:51Speaker 2: There's something about Mary's in there. If you know comedies
- 19:54Speaker 2: run out of steing big time, it's something about Mary's
- 19:56Speaker 2: ending was fine with the twist in there. Twist everything
- 20:00Speaker 2: was getting revealed in the end when we found out
- 20:03Speaker 2: that Chris Elliott's character was Woogie the whole time. Yeah, okay,
- 20:07Speaker 2: walking in there. It was just like it was like
- 20:11Speaker 2: twist after twisting.
- 20:12Speaker 1: Just like, oh, y'all.
- 20:15Speaker 2: So it was just that I feel like, that's one
- 20:17Speaker 2: of the best comedy endings, because you know comedies, they
- 20:21Speaker 2: be running out of stage. We just gotta wrap this.
- 20:23Speaker 1: Up that third act, that resolution they be.
- 20:25Speaker 2: Like, there's something about Mary had a fantastic and.
- 20:28Speaker 1: Yeah, that's that's the There's very few comedies that have
- 20:34Speaker 1: good Hangover had a.
- 20:35Speaker 2: Really good ending, Friday had a good one.
- 20:37Speaker 1: Friday had a good one. Uh, Dumb and Dumber. It
- 20:40Speaker 1: wasn't a great ending, but it was. It was the
- 20:43Speaker 1: story ended. I shouldn't really like, I know, you only
- 20:46Speaker 1: see that like one time.
- 20:47Speaker 2: I just saw it recently watched it all the way
- 20:49Speaker 2: through for the first time. It was cool. It's definitely
- 20:53Speaker 2: it's definitely not even hanging with this something about Mary,
- 20:56Speaker 2: though they can't compete.
- 20:59Speaker 3: I I'm not saying it's that it was cool, man,
- 21:02Speaker 3: was it was cool?
- 21:03Speaker 1: It's not top.
- 21:03Speaker 2: Ten top ten ever.
- 21:05Speaker 1: Yeah, dumb and dumber comedies absolutely not right now for me.
- 21:09Speaker 1: You got nine movies better than Dumber, Dumber, pure funny. Yeah, okay,
- 21:13Speaker 1: give them to me right now, because I want to
- 21:16Speaker 1: know dum number in my top ten.
- 21:17Speaker 2: That's in your top ten comedy, pure comedy, absolutely more
- 21:22Speaker 2: is funnier than me. I don't think this is about
- 21:26Speaker 2: Mary Friday coming to America. Black Dynamite.
- 21:31Speaker 3: I saw that late, but that is good.
- 21:32Speaker 2: You saw it late in the game, pure pure funny.
- 21:37Speaker 2: I gotta think about the funniest movies.
- 21:38Speaker 1: Four You need four more that are funny of the
- 21:40Speaker 1: Dumb and Dumber for me. Now, while you're thinking, I'll
- 21:43Speaker 1: tell you why. That's harder for me because I saw
- 21:45Speaker 1: it when I was a kid, and I got nostalgia
- 21:46Speaker 1: mixed in there.
- 21:47Speaker 2: Yeah, I'm young. I saw when pressure. I was just like.
- 21:52Speaker 2: The funniest part to me was a life is funnier,
- 21:56Speaker 2: was Harlem Nice is funnier?
- 22:00Speaker 1: You probably you probably gonna be able to do it now.
- 22:04Speaker 2: Saturday Night to me is funny. Anchorman is funnier.
- 22:08Speaker 1: So you need one more to make it still more,
- 22:11Speaker 1: need more, I guess to make it out of top ten,
- 22:13Speaker 1: you need ten.
- 22:13Speaker 2: God damn, you know what I'm saying.
- 22:15Speaker 3: Uptown Saturday Night funny, the Dumb and.
- 22:17Speaker 2: Dump Uptown Saturday Night is funny to me.
- 22:19Speaker 1: It's a good movie, but it ain't. It ain't funny
- 22:22Speaker 1: as often as Dumb and Dumber.
- 22:24Speaker 2: For me, Dumb and Dumbo was not.
- 22:25Speaker 1: Oh you don't like silly. You don't like silly. That's
- 22:29Speaker 1: what it is. I love silly.
- 22:32Speaker 2: When the character is unstoppably silly or dumb, I run
- 22:38Speaker 2: out of steam.
- 22:38Speaker 1: But they're dumb and dumber, But you don't like silly.
- 22:43Speaker 2: Blazing saddles is also funnier. Airplane is also funnier. The
- 22:47Speaker 2: Naked Gun is also.
- 22:48Speaker 3: Fun We don't give Leslie Nilson.
- 22:49Speaker 1: Enough to me. Guns is funny, all right, all right, man,
- 22:53Speaker 1: you get it. Naked Gun thirty thirty thirty three and
- 22:55Speaker 1: a third. When he was in the shadow and he
- 22:57Speaker 1: took that meet out and it was bit over, I
- 23:00Speaker 1: thought I might have died right then. I thought, there's
- 23:04Speaker 1: nothing gonna be funnier than that.
- 23:07Speaker 2: I said, the show the naked gun and rapid fire jokes.
- 23:15Speaker 2: And the reason it is so funny to me is
- 23:17Speaker 2: because but he plays it so strange. I feel like
- 23:22Speaker 2: he's not trying to make me laugh. He's so serious.
- 23:24Speaker 2: He'd be like at that time he was he was
- 23:26Speaker 2: coming out of the airplane at the airport. He was like, yeah,
- 23:29Speaker 2: you know, she ran out on me. And I'm sure
- 23:32Speaker 2: that's why y'all here right now. You just want the
- 23:34Speaker 2: hot story because it was all kind of pressing people
- 23:37Speaker 2: waiting outside, and he was like, no, no, Frank, here
- 23:40Speaker 2: for weird Al Yankovic. The weird a got on the plane. Yeah,
- 23:45Speaker 2: and he's like, but the way the way he just
- 23:48Speaker 2: wanted to, Oh yeah, right now you want the hot story.
- 23:53Speaker 2: He walked up to the mic. He was like, and
- 23:56Speaker 2: the people was just like.
- 23:57Speaker 1: I watched all those movies all over again.
- 24:00Speaker 2: I love. He was perfect in that because he was
- 24:04Speaker 2: playing it straight straight up that time. He was paying
- 24:07Speaker 2: the d money to get the information that the whole
- 24:11Speaker 2: extreme guys, Hey, what should I tell you? What about this?
- 24:16Speaker 2: He can't get me? Why are you asking me? I
- 24:20Speaker 2: don't know if I can tell you how about this?
- 24:21Speaker 2: And oh.
- 24:26Speaker 1: Yeah, yeah see those movies are also like very well
- 24:31Speaker 1: written for sure, Like they're very smart, you know what
- 24:36Speaker 1: I'm saying, Like they don't rely on high jinks. They
- 24:38Speaker 1: are funny. He's funny. They're funny written and him playing
- 24:42Speaker 1: this silly things straight yeah, also funny comedy. What are
- 24:47Speaker 1: we on? How many?
- 24:49Speaker 2: So? I guess Sam Jackson, Monique Nino Brown and you gotta.
- 24:54Speaker 1: I got Gus Fring So you're selling you for the
- 24:58Speaker 1: six I don't know. I we're gonna get to ten.
- 25:01Speaker 2: I got a few more in the chamber.
- 25:03Speaker 3: I got.
- 25:06Speaker 1: Lawrence fishburn This is different biological film, but Laurence Fishburg
- 25:11Speaker 1: has an.
- 25:11Speaker 2: I was like, this guy is terror.
- 25:17Speaker 1: And I saw that young low key, if I could
- 25:20Speaker 1: be honest, that was intro to him.
- 25:22Speaker 3: That was my intro to Tina.
- 25:23Speaker 1: Turner and Lawrence Fishburner, because I was when didn't that
- 25:26Speaker 1: come out ninety three? Okay, so I was ten, Like.
- 25:29Speaker 2: Did you see Boys in the Hood before that? Yeah? Okay,
- 25:32Speaker 2: so you got a glimpse of Okay, yeah, for sure.
- 25:34Speaker 1: I was furioce. I don't know why my aunt was
- 25:36Speaker 1: let me watch this stuff.
- 25:37Speaker 2: I mean, you don't feel like kids should watch this stuff.
- 25:40Speaker 2: We do too.
- 25:41Speaker 1: I think it's part of your coming up age. Need
- 25:43Speaker 1: to watch rated our movies when you're like ten, eleven, twelve.
- 25:46Speaker 2: I was watching rated all movies.
- 25:48Speaker 3: And I was watching Boys in the Hood when I
- 25:51Speaker 3: was like nine.
- 25:52Speaker 2: Yeah, I was.
- 25:53Speaker 1: I remember I thought Ricky died for rig Oh my god.
- 25:57Speaker 1: And I saw him on the Tonight Show or sitting
- 25:59Speaker 1: on I'm was like, what, like I was freaked out,
- 26:04Speaker 1: Like he was dead, you know what I'm saying, Like
- 26:08Speaker 1: he was dead and he came out.
- 26:10Speaker 2: He's like, hey, ya, what he made?
- 26:15Speaker 1: He pulled through Google?
- 26:18Speaker 2: No, he pulled through Ricky, He's alive, bown. She's like
- 26:26Speaker 2: what what?
- 26:28Speaker 1: God not him as And then when I saw a
- 26:32Speaker 1: clip of Ike Turner, Turner, he was really that Laurence
- 26:37Speaker 1: Fishburn didn't go far enough. Turner was evil. Man.
- 26:43Speaker 2: You can see it.
- 26:44Speaker 1: Oh my god, I'll.
- 26:45Speaker 2: Be looking at old videos and stuff in him. I'd
- 26:47Speaker 2: be like this nigga really was.
- 26:49Speaker 1: No, he was terrible. Down what I'm saying. He was
- 26:54Speaker 1: on TV talking about he hit Tina Turner because she
- 26:58Speaker 1: didn't like her attitude on Like you know how crazy
- 27:01Speaker 1: that is?
- 27:02Speaker 2: Man?
- 27:02Speaker 1: He ain't give it to He said he used to
- 27:05Speaker 1: hit women, say that he was just like James Bond
- 27:10Speaker 1: women smacker.
- 27:12Speaker 3: I was like, dang, what's wrong with you?
- 27:14Speaker 1: But my Turner was on like Primetime TV, like yeah, yeah,
- 27:18Speaker 1: I did it. He said. I smacked my mom if
- 27:20Speaker 1: she was acting wrong.
- 27:21Speaker 2: I was like, and yours. And you can read the energy,
- 27:24Speaker 2: like when they would be standing next to each other,
- 27:26Speaker 2: sitting next to each other, you.
- 27:27Speaker 1: Could feel that, Oh yeah for sure. Damn no, No,
- 27:29Speaker 1: I was terrible. I think that on my first time
- 27:32Speaker 1: seeing Angela Bastard, I'm pretty sure.
- 27:34Speaker 2: And then with people with people, when you saw boys
- 27:37Speaker 2: in the Hood, she was in that too, but she
- 27:39Speaker 2: might not have registered.
- 27:40Speaker 1: I don't think she. I for sure she was Tray's mom. Yeah, oh,
- 27:44Speaker 1: there was a couple of both didn't register that that
- 27:48Speaker 1: was her. Like, my first memory of her is Tina Turner,
- 27:52Speaker 1: and then Catherine Jackson.
- 27:54Speaker 2: When was your what's your first memory of Tina Turner
- 27:57Speaker 2: the real when you take her in?
- 28:01Speaker 1: There was something on TV. Yeah, it's just to have
- 28:05Speaker 1: like just specials. There was something on TV and she
- 28:08Speaker 1: did the Rolling on the River live and I thought
- 28:12Speaker 1: it was so such a cool way to introduce a song,
- 28:16Speaker 1: but to take it nice and so I was. And
- 28:19Speaker 1: then the legs I was like, oh, I was like, dang,
- 28:26Speaker 1: young calv Like, I don't know much about nothing, but
- 28:29Speaker 1: I liked that. I see them legs. Was like, and
- 28:38Speaker 1: she was doing legs stuff, good legs, yeah, because when
- 28:41Speaker 1: you do rolling on the river, the legs is yeah.
- 28:44Speaker 2: And then she was and yeah, I'm sure she probably
- 28:47Speaker 2: had on the glittery flowy string. I was.
- 28:51Speaker 1: I was enjoying it. I was enjoying it. I had
- 28:54Speaker 1: a good time that night. But that was for sure
- 28:56Speaker 1: one of those TV specials. I just I just feel like, man,
- 29:00Speaker 1: I just feel like those things used to come on.
- 29:02Speaker 2: Was like a TV it's it's a special, no title
- 29:08Speaker 2: or nothing.
- 29:09Speaker 3: Like Motown twenty five just came on.
- 29:11Speaker 2: Team it Is the regularly were celebrating mold Town. What's
- 29:13Speaker 2: it called actions cut its boom.
- 29:19Speaker 1: That's how big TV. Like that moment right now, outside
- 29:23Speaker 1: of athletics, that moment will not happen on No.
- 29:25Speaker 2: Man, it's too much going. It's too much out here.
- 29:27Speaker 1: It's too much.
- 29:28Speaker 2: I want everything to shut off. We gotta go to
- 29:30Speaker 2: the movies. That's it. The only way you can see.
- 29:33Speaker 2: So you go to the movie.
- 29:34Speaker 1: Like Kendrick Lamar concert, that would have been on TV.
- 29:38Speaker 2: Yeah, but it was Yeah the TV.
- 29:41Speaker 1: I mean, obviously it can't be because all the custom
- 29:43Speaker 1: but like that's what it used to be on ABC
- 29:46Speaker 1: seven PM Prime time. Ken your Lamy not like that.
- 29:53Speaker 1: That's the name of the special.
- 29:56Speaker 2: Who you Got? Oh so I got? Now? This is
- 30:00Speaker 2: this is this is gonna be controversial with an ass. Okay,
- 30:04Speaker 2: but Scar from the Lion King, Man, I know it's
- 30:09Speaker 2: not a black dude voicing him, but he African?
- 30:16Speaker 1: Who Jeremy Iron.
- 30:17Speaker 2: Yeah he big African, though.
- 30:19Speaker 1: Jeremy Iron saying too, didn't he?
- 30:21Speaker 2: Yeah he really did. To be prepared, let.
- 30:23Speaker 1: Me say what I want to say real quick, and
- 30:25Speaker 1: I ain't never said this publicly. Be Prepared the best
- 30:27Speaker 1: song on the Lion King soundtrack. It is my favorite
- 30:31Speaker 1: song on the Lion King sound better than I Just
- 30:36Speaker 1: Can't Wait to Be Kidding. You love them all. Learn
- 30:39Speaker 1: both of those in music class as a kid. But
- 30:42Speaker 1: be prepared, turn cool, but be prepared story wise really
- 30:51Speaker 1: pushes the story along. I Just can't Wait to Be
- 30:53Speaker 1: King is also properly, but be prepared. I never thought
- 30:58Speaker 1: like Disney. I don't remember. I didn't connect a lot
- 31:01Speaker 1: of villain songs to Disney. It's always the hero's journey, right,
- 31:07Speaker 1: I'm eating bugs.
- 31:08Speaker 2: But Scar was like, I'm gonna tell this thing apart.
- 31:11Speaker 2: Poor Unfortunate Souls didn't do that for.
- 31:14Speaker 3: You, Ursula, that's a good one.
- 31:17Speaker 1: I love that one. I love Poor Unfortune Soul.
- 31:19Speaker 2: That's on fire.
- 31:21Speaker 5: But but but under the Sea is my jam under
- 31:23Speaker 5: the Sea under the bloom Mermaid might be my favorite
- 31:30Speaker 5: Disney cartoon soundtrack top.
- 31:33Speaker 2: To bottom, because all them songs to me was hitting
- 31:37Speaker 2: O my god, man. Kiss the girl was fire love,
- 31:40Speaker 2: Kiss the girl man. Even the little melodies they were singing,
- 31:44Speaker 2: like that little song she was singing and just when
- 31:46Speaker 2: when when she was when Ursler made the deal, she
- 31:52Speaker 2: stole the voice and walking on the shore just humming
- 31:55Speaker 2: that thing. And then the Prince was like, oh that
- 31:57Speaker 2: even that was fine. I agree, yeah, Scott, But scar
- 32:02Speaker 2: can can Scart be included in this even though it's
- 32:05Speaker 2: Jeremy irons, but these are African.
- 32:10Speaker 1: Hotel.
- 32:11Speaker 3: He's actually a good feelain in Four Brothers.
- 32:13Speaker 2: He's a great villain classic, he's a good time but.
- 32:16Speaker 1: I love him Africa Alive though Black is distinctly American.
- 32:23Speaker 2: Are we doing African American?
- 32:25Speaker 1: Yeah? I just feel like Black, But I like Scarf,
- 32:29Speaker 1: Bishop and Juice. What I say about musicians Bishop and Juice,
- 32:37Speaker 1: Bishop and Juice is good.
- 32:39Speaker 2: He he was villain McGee man. He ruined the whole vibe.
- 32:45Speaker 2: They had a great friendship going. They had a great
- 32:48Speaker 2: friendship going. I like these four guys. And then Bishop Losses, God,
- 32:53Speaker 2: damn mine. You know what they killed Raheem. Once he
- 32:56Speaker 2: shot Rhem was like, oh you're dead to me, Bishop.
- 33:02Speaker 1: I like, right, he man man, he was good.
- 33:05Speaker 2: I thought he was the star. And then he died
- 33:07Speaker 2: and I was like, wait, he can't be dead because
- 33:10Speaker 2: at that time I didn't know any of those actors.
- 33:12Speaker 2: I remember steal from Lean On Me, but it was
- 33:15Speaker 2: like nobody was nobody was above anybody as far as
- 33:19Speaker 2: the cab.
- 33:20Speaker 3: Dies that come out before Higher Learning.
- 33:22Speaker 2: Yes, oh yeah, sure that was ninety one. Juice was
- 33:26Speaker 2: ninety two, like January ninety two. Higher Learning was like
- 33:29Speaker 2: ninety five.
- 33:31Speaker 1: What's it that late?
- 33:33Speaker 2: Yeah, because it was it was it was after Boys
- 33:35Speaker 2: in the Hood. It was after uh, it was after
- 33:40Speaker 2: what was John Singleton's follow up? Oh, it was after
- 33:44Speaker 2: Poetic Justice. Poetic Justice was ninety three. Then it was
- 33:47Speaker 2: Higher Learning. Okay, yeah, but uh but Bishop and Juice
- 33:51Speaker 2: man because he turned into a straight villain and I
- 33:53Speaker 2: wanted him buy you know, he was a huge, fantastic villain.
- 33:56Speaker 1: But it was just like, damn man, that lockers killing.
- 34:00Speaker 2: It's a lock of scene with elevator, elevator. He was
- 34:02Speaker 2: just a He was a fantastic villain. Nah, he was great,
- 34:06Speaker 2: but I was like, damn man, but I wanted he
- 34:09Speaker 2: was a villain that I wanted to get got.
- 34:11Speaker 1: Yes, I'm gonna go. I'm gonna go.
- 34:15Speaker 3: Denzel in Training Day, Oh yeah.
- 34:18Speaker 1: I let me tell you what I love about Training
- 34:21Speaker 1: Day so much. I you know, I watched movies. I
- 34:26Speaker 1: don't catch on baby till until it's been obvious. I
- 34:29Speaker 1: did not put together what Denzel was doing when he
- 34:34Speaker 1: was doing it. When he visited Roger, I mean, Macy Gray,
- 34:38Speaker 1: I was like, this is this is weird.
- 34:40Speaker 2: I want to see that.
- 34:41Speaker 1: God damn war.
- 34:43Speaker 2: I want to see that warr hell the way I
- 34:47Speaker 2: want to see that. God damn Warring. You a random paperwork.
- 34:52Speaker 2: This ain't no hey, y'all get damn God damn. She
- 35:00Speaker 2: was good.
- 35:00Speaker 1: It was not when he met with the so on
- 35:03Speaker 1: the rewatch. When he met with the three three wise man,
- 35:08Speaker 1: I was like, oh that y'all was talking about the
- 35:11Speaker 1: Russians through.
- 35:12Speaker 2: The whole movie.
- 35:13Speaker 1: I didn't realize he was setting Jacob, I was setting
- 35:16Speaker 1: Jake up from the jump with the PC. I was like,
- 35:19Speaker 1: oh man, this this department is hard, Like Jake gotta
- 35:23Speaker 1: be prepared for a lot of I was not putting
- 35:25Speaker 1: it together. And then he also went out like a villain. Good.
- 35:30Speaker 1: You know what I'm saying.
- 35:33Speaker 2: The best go out that was his, That was his
- 35:37Speaker 2: New Jack City court room scene successful, and it was
- 35:41Speaker 2: like a twinkle of fear and all those emotions in
- 35:45Speaker 2: the man he was.
- 35:46Speaker 1: He was shook because at that time when when when
- 35:49Speaker 1: Jake don't give him the gun, I mean the bag again,
- 35:52Speaker 1: you could see him being like, I really need that,
- 35:56Speaker 1: Like character wise, I gotta be like I gotta be
- 35:58Speaker 1: strong plus all in them.
- 36:01Speaker 3: And they not with him either.
- 36:03Speaker 1: I was like, oh, like they all hated him, right,
- 36:06Speaker 1: but when the police is the police, what you're finish do.
- 36:11Speaker 1: So I'm not one of those people that's mad that
- 36:15Speaker 1: Denzel got an Oscar.
- 36:16Speaker 2: I loved that he got an Oscar.
- 36:18Speaker 1: I love that. I do understand that, like black people
- 36:24Speaker 1: gotta be evil or trauma to win Oscar. But he
- 36:27Speaker 1: played against type so much.
- 36:29Speaker 2: That's that's because I feel like when people made that complaint,
- 36:32Speaker 2: they diminished the work he did. And I feel like
- 36:36Speaker 2: that character was fired because a lot of us, a
- 36:39Speaker 2: lot of people include Training Day and they top five
- 36:42Speaker 2: Denzel movies. Yes, and that's you know what I'm saying,
- 36:45Speaker 2: So you can't diminish the role that he played. All
- 36:47Speaker 2: black people ain't good y'all. Y'all want to sit up
- 36:51Speaker 2: here and be like, nah, it's some piece of ship
- 36:54Speaker 2: blacks out here. And so I feel like, you know,
- 36:57Speaker 2: white people be winning for being villains too.
- 37:01Speaker 1: He should have won other one hundred what makes it?
- 37:05Speaker 1: Because I don't I still don't know how he didn't win.
- 37:07Speaker 2: For Malcolm Man, that dad, he lost the Alpacino A
- 37:11Speaker 2: cent of a Woman that because I refuse to watch that.
- 37:13Speaker 1: Movie woman when I saw that, because I saw that late.
- 37:17Speaker 1: I saw Malcolm X. I was watching Spike Lee movies
- 37:19Speaker 1: when they was coming out. When I saw Sin a Woman.
- 37:21Speaker 2: I was like, that was a that was a legacy award.
- 37:26Speaker 1: See that's what.
- 37:27Speaker 2: That's what. I hate that Oscar.
- 37:30Speaker 1: For that movie. Oh yeah everything. I wanted Angela Bassett
- 37:34Speaker 1: to win.
- 37:35Speaker 2: But the other girl could have got it too.
- 37:37Speaker 1: The other girl should have got it, Stephanie Sue, I
- 37:40Speaker 1: believe it's her name. She should have won. I love Angela,
- 37:47Speaker 1: but for supporting dog.
- 37:49Speaker 2: That was her, so she would have won. I wouldn't
- 37:51Speaker 2: even flinished. But Jamie Lee Curtis with the hot dog fingers.
- 37:55Speaker 1: She wasn't even the fifth best. Everybody else in that
- 37:59Speaker 1: she wasn't even in that movie like that, No, no, Stephanie,
- 38:03Speaker 1: it should have been Michelle Yo. Stephen definitely should have won. Yes,
- 38:08Speaker 1: Best Actor in that movie, How is You winn? Oscar?
- 38:11Speaker 2: And that, like, well, you can still win the four
- 38:14Speaker 2: because they got the four awards seven because the other
- 38:16Speaker 2: the other two.
- 38:17Speaker 1: One, Yes, the did win and then win.
- 38:21Speaker 3: Yes, she did win for support I mean for lead.
- 38:25Speaker 2: Yeah. Yeah, they both got the Oscars for that, And
- 38:32Speaker 2: so I.
- 38:32Speaker 1: Said that's too much Asians. We gave y'all two, man,
- 38:35Speaker 1: we're not giving y'all three.
- 38:37Speaker 2: When Jamie Lee Curtis, I never walked away from that, like, man,
- 38:40Speaker 2: Jamie really killed it.
- 38:41Speaker 1: She was cool, but like Oscar worthy. The only Oscar
- 38:45Speaker 1: worthy performance that I've seen that the person was in
- 38:47Speaker 1: the movie for less than fifteen minutes was Violet Davids
- 38:49Speaker 1: in Doubt.
- 38:50Speaker 2: They're they're, they're they're like, uh, there are rolls out
- 38:54Speaker 2: there where people come in real quick and they killed
- 38:56Speaker 2: it and you'd be like, yeah, I could see all
- 38:59Speaker 2: the day. It was definitely definitely one of those there's
- 39:02Speaker 2: more too. I just gotta think because I just watched
- 39:05Speaker 2: the watch Mojo list about that where it's just like
- 39:07Speaker 2: one scene, the best one scene you know, of all
- 39:12Speaker 2: time and stuff like that. So but but Jamie Lee Curtis. No,
- 39:17Speaker 2: but I feel like since he didn't win for Malcolm X,
- 39:20Speaker 2: I can't even stomach watching No Sinible Woman. That's what
- 39:23Speaker 2: they should have gave Albacino one earlier. Yes, and the
- 39:26Speaker 2: fact that he had never won is ridiculous.
- 39:28Speaker 1: That's not a role. That's Leo, Leo DiCaprio's revenue. Oscar
- 39:35Speaker 1: was that to me as well, that he was, but
- 39:39Speaker 1: it wasn't Oscar worthy.
- 39:43Speaker 2: Who did he lose to? I mean, who did he beat? Leo?
- 39:46Speaker 2: You gotta look at the competition.
- 39:47Speaker 1: I think might have been Will that year?
- 39:51Speaker 2: No will for what?
- 39:52Speaker 1: Hold on revenue?
- 39:53Speaker 2: What year was that? I can't remember when the revenue
- 39:56Speaker 2: came out?
- 39:56Speaker 1: Stupid Bard movie?
- 40:00Speaker 2: Who do he goes?
- 40:00Speaker 1: He get? Was he that was lead?
- 40:02Speaker 2: Right?
- 40:03Speaker 1: Yeah?
- 40:03Speaker 2: Fifteen Oscar best at Best Acting nominations?
- 40:09Speaker 1: Because because no, that's it must be twenty sixteen.
- 40:13Speaker 2: Yeah, if it came in twenty fifteen, is for the
- 40:15Speaker 2: twenty sixteen Oscars. Nope?
- 40:17Speaker 1: Mark Rylands won for twenty sixteen?
- 40:19Speaker 2: Are we your that's supporting?
- 40:22Speaker 1: Oh? Okay, hold on, let me go to this.
- 40:24Speaker 2: I think let me.
- 40:26Speaker 1: See man, just google man. Ever since y'all had the AI,
- 40:30Speaker 1: he'd beat.
- 40:31Speaker 2: He'd beat Matt Damon in the Martian hold on, well.
- 40:34Speaker 1: He can beat him?
- 40:37Speaker 2: Who did Leo? Who is he up against?
- 40:39Speaker 1: Herry Go and Troumbo, the Martian, Michael Fastbender, Addie Redman,
- 40:45Speaker 1: the Danish.
- 40:45Speaker 2: Girl, Michael Fastbender and what Steve Jobs. I mean, it's
- 40:51Speaker 2: not crazy that Leo won that year, given the competition.
- 40:55Speaker 1: Maybe given a competition.
- 40:56Speaker 2: That's what it's all about. Because where people say Leonardo
- 40:59Speaker 2: should have had an Oscar, I look at who he
- 41:01Speaker 2: lost to previously, and it makes sense why he's never
- 41:04Speaker 2: won one.
- 41:05Speaker 1: That's the same thing with Will Smith, the role. He
- 41:08Speaker 1: should have won the time he had his best shot. Yeah,
- 41:10Speaker 1: he just I think you guys, look at the competition.
- 41:12Speaker 1: It was like really came out at a rough time, right,
- 41:16Speaker 1: you know what I'm saying.
- 41:17Speaker 2: You gotta look at the competition. So Leonardo lost to
- 41:20Speaker 2: some great role, yes, yeah, so that's why I'd be like,
- 41:23Speaker 2: you know, maybe he should have won for what's he
- 41:25Speaker 2: can give with great, but those other ones in the
- 41:27Speaker 2: in between, I'd be like, I can see why he
- 41:29Speaker 2: lost because he was up against some fire Uh.
- 41:33Speaker 3: You have any more.
- 41:34Speaker 2: We got black villains, black villain we got, I have
- 41:37Speaker 2: Marlow Stanfield. Oh, I wanted him. Got I can't believe
- 41:46Speaker 2: I didn't think because that's a fantastic villain. We could
- 41:48Speaker 2: throw a string of bailing there too. But Marlow Marlow
- 41:52Speaker 2: Stanfield was a fantastic villain. How did I not think
- 41:58Speaker 2: of that ultimate villain? He is just Omar is not
- 42:02Speaker 2: a villain to me, No, I'm not.
- 42:04Speaker 1: Part of it's a He's a piece of them. I mean,
- 42:05Speaker 1: they're all That's what I love about the wire. They're
- 42:08Speaker 1: all pieces on the chessboard, you know.
- 42:11Speaker 3: But Marlowe was like he ain't have no clue about.
- 42:14Speaker 2: It, had no soul dog and they was like, damn, this.
- 42:18Speaker 1: Dude is just the way he got boded. His most
- 42:22Speaker 1: villainous moment to me, which also lets his favorite line
- 42:27Speaker 1: is the security guard.
- 42:28Speaker 2: I knew it. Oh.
- 42:30Speaker 1: The dude was like, come on, man, I'm trying to
- 42:32Speaker 1: be He's like he wanted one way. Man, I ain't
- 42:35Speaker 1: trying to step to you. No, you want it one way,
- 42:38Speaker 1: but it's the other way. That guy gotta die.
- 42:41Speaker 2: Now. That's when I was like, this dude, he's.
- 42:44Speaker 1: Not even in the drug game, Civilian Avon Stringer, Omar,
- 42:51Speaker 1: the police.
- 42:52Speaker 3: They all are in the game.
- 42:54Speaker 1: They all have an understanding that the civilians are separate.
- 42:58Speaker 3: What's in the game is the game.
- 43:00Speaker 1: I was like, no, man, I'm still in this. I
- 43:02Speaker 1: don't have to I'm a millionaire, but I'm still in
- 43:05Speaker 1: this because I can't.
- 43:06Speaker 2: What you feel to do about it? He approached him respectfully.
- 43:11Speaker 1: Is still go because you want it one way, but
- 43:13Speaker 1: it's the other way. That is such a great line
- 43:16Speaker 1: about life too, because you want.
- 43:19Speaker 2: To beat then yeah, it's the other ways. They all right.
- 43:27Speaker 3: Somebody Patron said this.
- 43:28Speaker 1: I don't know. He think he's a villain, but he
- 43:30Speaker 1: is fun. Uh. Simon Phoenix, Oh he was a great
- 43:35Speaker 1: time demolition man Eddie, I mean Eddie Wesley Snipes in
- 43:40Speaker 1: the nineties. He could do no wrong.
- 43:44Speaker 2: Now he could be good evil whatever you he was.
- 43:48Speaker 3: I demolition man.
- 43:49Speaker 1: I would not argue it is a great movie, but
- 43:51Speaker 1: it is a great time.
- 43:53Speaker 2: Oh man Entertainment City, Oh my god, time watching them they.
- 43:57Speaker 1: Went down into the sewer land man.
- 44:00Speaker 2: Yeah they what Dennis Leary and new and the little
- 44:03Speaker 2: one liners. John's fun. But you doing it? Man, I've
- 44:07Speaker 2: been dreaming about killing you for forty years. Oh yeah,
- 44:10Speaker 2: keep dreaming the little shootouts.
- 44:14Speaker 1: Taco Bell.
- 44:14Speaker 3: I remember as a kid in that movie they have
- 44:18Speaker 3: the like fast food water.
- 44:19Speaker 2: Yeah.
- 44:20Speaker 1: I remember Taco Bell won and I was like Bell.
- 44:23Speaker 2: Every place was a Taco Bell.
- 44:25Speaker 1: But then I realized as I got older, like Taco
- 44:27Speaker 1: Bell paid to win, and I was like, oh, this
- 44:30Speaker 1: is don't wait, Taco Bell wins that I watching the
- 44:33Speaker 1: movie like, ain't knows.
- 44:37Speaker 3: That's not gonna cut it.
- 44:38Speaker 2: Taco Bell Man, Taco Bell. I used to go in
- 44:41Speaker 2: on Taco Bell.
- 44:42Speaker 1: All right, who else you got?
- 44:45Speaker 2: Right? That's all I wrote down.
- 44:47Speaker 3: Oh Deebo who debo?
- 44:49Speaker 2: Deebo is a great villain.
- 44:51Speaker 1: Was a great villain. Really, she would have came back
- 44:53Speaker 1: for the other Fridays.
- 44:54Speaker 2: He came back for the second one. Yeah, but it
- 44:57Speaker 2: was too forced. I didn't like Next Friday. Yea, what
- 45:03Speaker 2: do you mean?
- 45:03Speaker 1: What do you mean?
- 45:04Speaker 2: Overall, it's got moments like Pinky at the record store,
- 45:10Speaker 2: the Michael Blackson rolling up in there. I didn't like
- 45:14Speaker 2: Next Friday. I felt like I did like dayDay Day.
- 45:16Speaker 2: They was funny too, but as a movie as a whole,
- 45:20Speaker 2: I felt like they was trying too hard. To recapture
- 45:23Speaker 2: the magic, and I felt like they was trying to
- 45:25Speaker 2: make me laugh every step of the way.
- 45:27Speaker 1: But Tony don't like silly, and he don't like when
- 45:29Speaker 1: you feel like it was make you laugh. God, God
- 45:34Speaker 1: forbid a comedy trying to make you laugh.
- 45:36Speaker 2: They was too desperate that the Mexican plastic Warrior, I'm
- 45:40Speaker 2: an ass take warrior, kept saying it like I'm gonna
- 45:43Speaker 2: make this ship quotable. I'm an ass take warrior. That's
- 45:46Speaker 2: gonna be quotable, like I can feel the force. Man. No, no, no,
- 45:56Speaker 2: but I did like day they when he was pissed
- 45:57Speaker 2: off of him. He was getting dressed. Why y'all sit there,
- 46:00Speaker 2: let him do the ship. That was funny. But next
- 46:03Speaker 2: Friday is no dang man.
- 46:07Speaker 1: Tony didn't see Uh. Tony didn't see sisterract too until late.
- 46:12Speaker 2: He didn't like it.
- 46:13Speaker 1: Candy Man is good, Patreon said candy Man. They said
- 46:17Speaker 1: mister Glass, Curtis and dream Girls. I don't think class.
- 46:24Speaker 1: Jimmy Foxx, I don't even remember him. Yeah, I wouldn't
- 46:26Speaker 1: take casses. Are we just named people?
- 46:28Speaker 2: Now?
- 46:28Speaker 1: All right, man, that's another episode. We'll see all next time.
- 46:31Speaker 1: Let me hear them,