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One Piece, 751-753 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:09
  Speaker 1: covering one piece episodes seven fifty one, seven fifty two,
• 0:15
  Speaker 1: and seven to fifty three curtain up on a new
• 0:18
  Speaker 1: adventure arriving at the Phantom Island Zoo, the new warlord,
• 0:23
  Speaker 1: the legendary white Beard Sun appears, and a deadly elephant
• 0:27
  Speaker 1: climb a great adventure on the back of the giant elephant.
• 0:34
  Speaker 1: In these episodes, this is a really weird start to things,
• 0:40
  Speaker 1: you guys. I feel like this might be the strangest
• 0:44
  Speaker 1: opening of a new arc. And I mean we've done
• 0:48
  Speaker 1: some weird shit. We have done weird stuff, man, but
• 0:53
  Speaker 1: overall the this is well, we'll see. Welcome to spoil Me,
• 1:21
  Speaker 1: Welcome to the show everyone. I am Natasha. Thank you
• 1:24
  Speaker 1: very much to Florian for commissioning this episode. You guys,
• 1:32
  Speaker 1: I am so weirded out by so many things in
• 1:38
  Speaker 1: these episodes, and like in a way that I'm enjoying.
• 1:42
  Speaker 2: I just want to make it clear.
• 1:44
  Speaker 1: It's not like, ill, what is this? I don't want
• 1:45
  Speaker 1: to watch this.
• 1:46
  Speaker 2: It's just like, oh my god, what is this?
• 1:49
  Speaker 1: I need to see what happens next. I was very
• 1:51
  Speaker 1: very sad when I finished my third episode, because I
• 1:54
  Speaker 1: was like, no, come on.
• 1:55
  Speaker 2: Come on, you can't just leave it there.
• 1:58
  Speaker 1: We've got a fucking free NAMMI. Maybe it seems like
• 2:02
  Speaker 1: perhaps really I think that this probably spawned a lot
• 2:09
  Speaker 1: of fan fiction, but you know, that's neither here nor
• 2:14
  Speaker 1: there for right now. So I'm gonna start talking about
• 2:19
  Speaker 1: seven fifty one. But Laurian did warn me ahead of
• 2:24
  Speaker 1: time that pretty much it's just like the second half
• 2:27
  Speaker 1: of seven fifty one, if that that is important, because
• 2:30
  Speaker 1: like it's almost all a retelling of the adventures of
• 2:36
  Speaker 1: the entire straw Hats and how they found each other
• 2:40
  Speaker 1: from like day one, which I won't say it was
• 2:45
  Speaker 1: like boring to watch because actually seeing it all very
• 2:48
  Speaker 1: summarized and concise, I was like, oh, yeah, you know,
• 2:51
  Speaker 1: I'm enjoying refreshing my memory on a lot of this stuff.
• 2:55
  Speaker 1: But it is sort of funny the this show is
• 3:00
  Speaker 1: just so long running that I think you kind of
• 3:03
  Speaker 1: have to do this sometimes right, just to catch everybody up.
• 3:08
  Speaker 1: But I am really like, you guys, they have to
• 3:15
  Speaker 1: say goodbye to Bart's l'omeo, and do you know how
• 3:17
  Speaker 1: sad I was about it. I just really don't want
• 3:21
  Speaker 1: him to fall out of the story. I want Bartolomeo
• 3:25
  Speaker 1: to be around all the time. He's just I just
• 3:29
  Speaker 1: I really would have expected that by now his bit
• 3:33
  Speaker 1: would be getting old and I'd be tired of him,
• 3:35
  Speaker 1: and it has not happened. If anything, I want more.
• 3:40
  Speaker 1: And I don't know, maybe other people don't feel that way,
• 3:43
  Speaker 1: but I could definitely take more. If he wants to
• 3:49
  Speaker 1: hang around outside this island and just sort of see
• 3:51
  Speaker 1: if the Straw has to meet him again, I wouldn't
• 3:53
  Speaker 1: be mad. I wouldn't be mad at it. Seraphim says.
• 3:57
  Speaker 1: The arc slash elephant is pnnounced either zoe with a
• 4:01
  Speaker 1: long oh or rhyming with chow zau thou or zo huh.
• 4:10
  Speaker 2: I wonder well.
• 4:11
  Speaker 1: I think I'm just gonna go with Zoe because that's
• 4:14
  Speaker 1: the way it looks to me.
• 4:16
  Speaker 2: But if either, if one of them.
• 4:18
  Speaker 1: Is like more correct than the other, I will adjust.
• 4:25
  Speaker 1: So we go to see Kizerou and he asks was
• 4:34
  Speaker 1: it him as he's clipping his nails nonchalantly, and there's
• 4:38
  Speaker 1: a marinum reporting to him who says, yes, Edward. Weevil,
• 4:45
  Speaker 1: which having the last name Weeville really does suck like
• 4:50
  Speaker 1: weevils are little creatures like I think they're insects that
• 4:54
  Speaker 1: get into food and ruin it.
• 4:58
  Speaker 2: So that's not great.
• 5:00
  Speaker 1: It's like the name cockroach or mealworm or something more.
• 5:05
  Speaker 1: Pirates who worked under white Beard. Huh, remind me how
• 5:09
  Speaker 1: many captains has he put down in all? Sixteen? Now, sir,
• 5:15
  Speaker 1: First they have some sort of disagreement, then he takes
• 5:18
  Speaker 1: them out along with whatever town they're in. As usual,
• 5:22
  Speaker 1: he leaves a big mess. In addition to the collateral damage.
• 5:26
  Speaker 1: The death tolls at about six hundred six hundred, and
• 5:36
  Speaker 1: Keiseru's like, well, uh, that's too many. Like, we can't
• 5:39
  Speaker 1: turn a blind eye. We are going to have to
• 5:41
  Speaker 1: figure out how to handle this, and he says oh. Also,
• 5:45
  Speaker 1: he claims to be the biological son of Edward Newgate,
• 5:50
  Speaker 1: though not too many people are buying it. Keiserus says, well,
• 5:56
  Speaker 1: that doesn't really matter either way. He does have one
• 6:00
  Speaker 1: valuable trait though, Edward Weeville is a tremendously powerful pirate.
• 6:08
  Speaker 1: In fact, he's just like white Beard was as a
• 6:12
  Speaker 1: young man in terms of his physical strength, though that's
• 6:16
  Speaker 1: all they have in common. We see this guy later. Well,
• 6:29
  Speaker 1: you know what, I'm gonna wait, We'll wait we'll wait,
• 6:32
  Speaker 1: we'll get there, Okay. So we go back to the
• 6:34
  Speaker 1: straw hats. Bartolomeo is very seasick, and it turns out
• 6:43
  Speaker 1: the whole pirate crew is all seasick. And there's gum
• 6:48
  Speaker 1: everywhere because he was told by his grandmother that that
• 6:53
  Speaker 1: helps soothe your stomach when you're nauseous. So they've just
• 6:57
  Speaker 1: been chewing it and spitting it all over the place.
• 7:01
  Speaker 1: This is bonkers to me, Like, look, if you've got
• 7:05
  Speaker 1: to spit your gum out, you're literally on a boat.
• 7:07
  Speaker 1: Just spit it over the side. Why would you leave
• 7:09
  Speaker 1: it on your boat? This There was a friend of
• 7:12
  Speaker 1: mine who had a guest, and their guest was somebody
• 7:16
  Speaker 1: that I knew that I'm friendly with you guys, while
• 7:23
  Speaker 1: this person was at their house, i'll call this person Dana.
• 7:29
  Speaker 1: Dana had a bag of those dumb, dumb lollipops and
• 7:35
  Speaker 1: Dana proceeded to tear her way through that whole bag
• 7:40
  Speaker 1: of lollipops and dropped the sticky ended sticks from the
• 7:48
  Speaker 1: lollipops all over the floor and on the bed, and
• 7:54
  Speaker 1: like just left them all over my friend's house, just
• 7:59
  Speaker 1: dropped them wherever she happened to be standing when she
• 8:02
  Speaker 1: finished it. When I tell you, I my mouth was
• 8:08
  Speaker 1: hanging open hearing this. What kind of person are like?
• 8:15
  Speaker 1: Who raised you? I mean, setting aside eating an entire
• 8:21
  Speaker 1: bag of dumb dumb lollipops, which is already that's a lot.
• 8:25
  Speaker 2: But then you don't even.
• 8:29
  Speaker 1: Anyway. I'm looking at you very sideways for this. Bartilomeo
• 8:33
  Speaker 1: and your entire crew get it together. So this is
• 8:38
  Speaker 1: when his guy who's omni in the crow's nest is saying,
• 8:42
  Speaker 1: I see something out there, and I can't tell if
• 8:46
  Speaker 1: it's an island or if it's a giant creature, but
• 8:49
  Speaker 1: it seems like it's moving. I love Bartolomeo being like,
• 8:54
  Speaker 1: do we need to get you a different job, because
• 8:56
  Speaker 1: like you can't tell if it's an animal or an island,
• 8:59
  Speaker 1: that feels like you should be able to tell which
• 9:01
  Speaker 1: one it is. And eventually it's just like, all right, well,
• 9:06
  Speaker 1: I don't know what to do with this information, Like
• 9:08
  Speaker 1: this is not very helpful. There's a moment where Zorro
• 9:14
  Speaker 1: calls uh usop god and oosup is in the midst
• 9:20
  Speaker 1: of like being fake human.
• 9:25
  Speaker 2: I keep wanting to.
• 9:25
  Speaker 1: Say humili fake, humble, that's the word and you see
• 9:30
  Speaker 1: Frankie like looming behind him because Frankie's jealous of his bounty,
• 9:34
  Speaker 1: and I did think.
• 9:35
  Speaker 2: That was very, very funny.
• 9:39
  Speaker 1: So they are watching the little piece of the beaver
• 9:45
  Speaker 1: card and it is pointing towards the thing that this
• 9:47
  Speaker 1: guy saw, so they are going to continue to follow it,
• 9:52
  Speaker 1: and eventually they reach this thing and it is a
• 9:57
  Speaker 1: giant elephant. This thing has an entire island on its back,
• 10:08
  Speaker 1: and it's a wandering island because this elephant just walks
• 10:17
  Speaker 1: around and it's coordinates change, which means he calls it
• 10:23
  Speaker 1: a phantom island. But this means that you can't use
• 10:27
  Speaker 1: a log pose to get to it. And they just
• 10:30
  Speaker 1: managed to find their way because of the weaver card.
• 10:36
  Speaker 1: So he says, I'm trying to find the spot where Sorry,
• 10:42
  Speaker 1: I'm looking at the controls on this Normally I can
• 10:43
  Speaker 1: just rewind ten seconds, but it's not letting me.
• 10:46
  Speaker 2: Let's see.
• 10:47
  Speaker 1: That means Blackfoot group might have gotten here long before
• 10:50
  Speaker 1: we did because it's walking away from them, so it's
• 10:55
  Speaker 1: been outpacing them. This island beyond the back of an
• 11:00
  Speaker 1: elephant is.
• 11:04
  Speaker 2: I just don't know how I.
• 11:08
  Speaker 1: Feel about this, Like you know, there's a whole thing
• 11:11
  Speaker 1: on the back of a turtle, so you could have
• 11:13
  Speaker 1: gone in that direction and been kind of obvious an
• 11:17
  Speaker 1: elephant not being a sea creature, but like walking around
• 11:22
  Speaker 1: the sea, I think it makes me uncomfortable because, like,
• 11:28
  Speaker 1: if it's a sea turtle, it's in its habitat, it's
• 11:30
  Speaker 1: doing what it does. It's a turtle, it swims, it's fine.
• 11:34
  Speaker 1: But an elephant's like supposed to eat leaves and stuff.
• 11:38
  Speaker 1: What's it eating. This doesn't feel like where it's supposed
• 11:41
  Speaker 1: to be. And at one point we get a look
• 11:44
  Speaker 1: at the front of it and it's just got these
• 11:46
  Speaker 1: hollows where its eyes should be, and it looks very sad,
• 11:51
  Speaker 1: and overall this combined with our weird dragon friend later,
• 11:56
  Speaker 1: there were just too many sad animals.
• 11:58
  Speaker 2: In these episodes for my taste, you know.
• 12:02
  Speaker 1: So anyway, we get again a moment of Traffy asking
• 12:07
  Speaker 1: for something for food from Barchilomeo and Bartilomeo telling him
• 12:11
  Speaker 1: to go screw until Travi says it's for the straw hats,
• 12:15
  Speaker 1: and then he's immediately like, oh, yeah, take anything you need.
• 12:20
  Speaker 1: So evidently the island of Zoo is inhabited by a
• 12:30
  Speaker 1: people called Minks m I n Ks, and they are
• 12:36
  Speaker 1: not human and human beings have been banned from coming
• 12:42
  Speaker 1: here this whole time, which I'm assuming that is the
• 12:49
  Speaker 1: humanoid animal creatures. You know, we shall see what they
• 12:54
  Speaker 1: are called, but I'm assuming those are the minks. The
• 12:58
  Speaker 1: episode ends with Louve realizing that this elephant he's looking
• 13:02
  Speaker 1: at is probably like a thousand years old, and then
• 13:06
  Speaker 1: we get to the point where the ship pulls up
• 13:10
  Speaker 1: next to the sunny and Bartolomeo loses his ever loving mind.
• 13:16
  Speaker 1: He it's like if Rashaan saw in person the in
• 13:26
  Speaker 1: Paula from Supernatural, you know, even more so, though, Saraphim says,
• 13:36
  Speaker 1: remember the odd gray, cobblestone like ground from the brief
• 13:40
  Speaker 1: look at Sanji's group elephant's skin, Oh yeah, all that water.
• 13:48
  Speaker 1: I wonder if it's the trunk coming back, I guess,
• 13:52
  Speaker 1: and it dumping its water on itself. The elephant's favorite
• 13:57
  Speaker 1: food is to reach up and grab apples from sky islands. Hmmm,
• 14:04
  Speaker 1: it just seems so lonely, like it just seems like,
• 14:08
  Speaker 1: you know, this isn't much of a life. I don't know,
• 14:14
  Speaker 1: but thank you for that. Sarah him so barts of
• 14:18
  Speaker 1: the Mayo. You know, we have we have to deal
• 14:20
  Speaker 1: with a lot of his fan boying. There's a point
• 14:23
  Speaker 1: where he's just like telling all of them how much
• 14:26
  Speaker 1: it's meant to him to help them, and can we
• 14:29
  Speaker 1: at some point get the rest of your uh your
• 14:35
  Speaker 1: autographs because we don't have the whole collection. And it
• 14:39
  Speaker 1: turns out that they're not listening to him at all.
• 14:42
  Speaker 1: And as they're leaving, Lufy just yells down. He calls
• 14:47
  Speaker 1: him Lo mio and says like, thanks for your help.
• 14:54
  Speaker 2: And I was just like, this is so inadequate.
• 14:57
  Speaker 1: I had been so pleased with Lufy gassing bar to
• 15:00
  Speaker 1: the Mao up when they were still Ondres Rosa and
• 15:02
  Speaker 1: being like you fucking killed it, dude, and I really
• 15:05
  Speaker 1: wanted him to do that here. And he just doesn't
• 15:08
  Speaker 1: give him the time of day the way that Bartolomeo deserves.
• 15:12
  Speaker 1: And look, Bartolomeo doesn't even seem upset, So I'm not
• 15:16
  Speaker 1: trying to say like he heard his feelings or anything,
• 15:19
  Speaker 1: but I wanted him to be better, that's all.
• 15:25
  Speaker 2: So the crew is.
• 15:25
  Speaker 1: Looking at this, uh at the sunny and just trying
• 15:29
  Speaker 1: to see if there's anything obvious about it. That is wrong,
• 15:32
  Speaker 1: that could point to the you know, reason that they
• 15:37
  Speaker 1: have stopped here. It's tethered to the side of this elephant,
• 15:44
  Speaker 1: so it's just being pulled along, I guess. So yeah,
• 15:49
  Speaker 1: Loufy climbs aboard, wanders around trying to find anybody, and
• 15:54
  Speaker 1: there is nobody there. Then we jump over to the
• 15:59
  Speaker 1: Revolutionary Armies General Headquarters. What's it called Belt Baltigo. Sorry,
• 16:09
  Speaker 1: the subtitles are covering up the actual title cards, so
• 16:15
  Speaker 1: it's very hard to read. But anyway, Dragon is here
• 16:22
  Speaker 1: and he is looking at the report of what's going
• 16:27
  Speaker 1: on with all of the different groups of pirates now
• 16:29
  Speaker 1: that Do Flamingo has been taken down, and is like, yeah,
• 16:33
  Speaker 1: this has had a significant impact on things. Tell the
• 16:37
  Speaker 1: men not to get too comfortable. The world government won't
• 16:40
  Speaker 1: have it, and Cipher Pole has been reinforced in recent years.
• 16:44
  Speaker 1: That's why we need to stay on our guard. And
• 16:48
  Speaker 1: as we see later, their little hangout has been discovered. Anyway,
• 16:51
  Speaker 1: so so Kowala comes to report and she says that
• 16:57
  Speaker 1: there is a weird metal inside the weapons that they stole,
• 17:02
  Speaker 1: called drunken iron ore and it's really really rare. So
• 17:09
  Speaker 1: there are only a few places that it can be mined,
• 17:12
  Speaker 1: and that means that it's possible they will be able
• 17:14
  Speaker 1: to trace back to where the weapons were made. And
• 17:21
  Speaker 1: he says, you brought our lost comrades back as well.
• 17:24
  Speaker 1: You've done some impressive work, and she's very quick to like, oh,
• 17:28
  Speaker 1: Sabo and Loufy helped me out a lot. Then he says,
• 17:32
  Speaker 1: any news about Robin. I heard she was in saba Aldi,
• 17:36
  Speaker 1: but that turned out to.
• 17:37
  Speaker 2: Not be true.
• 17:39
  Speaker 1: And I was sort of interested in the fact that
• 17:42
  Speaker 1: he asked about Robin specifically. I don't remember if there
• 17:47
  Speaker 1: is a link between them that I'm forgetting guys, but
• 17:50
  Speaker 1: I I felt like there was a there had to
• 17:55
  Speaker 1: be a reason that I should know about why he's
• 17:58
  Speaker 1: asking about our specifically, and I don't recall, So if
• 18:05
  Speaker 1: there's anything, let me know. So Koala says, well, hold on,
• 18:13
  Speaker 1: don't you want to know about Loofy? And he says, ugh,
• 18:20
  Speaker 1: I've already heard enough and she says, oh, Sabo gave
• 18:25
  Speaker 1: you the full report, then, huh, and he just says, anyway, Dragon,
• 18:40
  Speaker 1: what the fuck, dude, I'm genuinely asking what, why are
• 18:51
  Speaker 1: you behaving like this about him? Why don't like I
• 18:57
  Speaker 1: have been explaining away his lack of involvement in Lufy's
• 19:02
  Speaker 1: life by saying he's trying to protect him by not
• 19:08
  Speaker 1: signaling that they're even related to each other, or you know,
• 19:13
  Speaker 1: like all of this stuff. But then he just like
• 19:15
  Speaker 1: blurts out that Lufy's his son to a bunch of
• 19:19
  Speaker 1: people in one of the other episodes, and then this
• 19:22
  Speaker 1: episode just clearly doesn't want to hear a thing about Loufy,
• 19:26
  Speaker 1: And I don't understand where his head is at. Why
• 19:32
  Speaker 1: is he so uninterested in his child? It's making me
• 19:37
  Speaker 1: judge him. It's bothering me, Like the fact that she asked,
• 19:47
  Speaker 1: like she assumes that he got the report from Sabo
• 19:49
  Speaker 1: and he just says, anyway, I just expected. It's clear
• 20:00
  Speaker 1: he did not get the full report from Garb to me.
• 20:03
  Speaker 1: The way that he says anyway is evidence that like, no,
• 20:06
  Speaker 1: he didn't. And I don't understand the thinking here. I'm
• 20:13
  Speaker 1: really curious, what is I've heard enough? Like he thinks
• 20:18
  Speaker 1: that it's bad news or something, you know what I mean.
• 20:21
  Speaker 1: Like it sounds the way he said, it sounds like
• 20:24
  Speaker 1: I don't want to hear anymore because it's bumming me out.
• 20:30
  Speaker 1: Why for what reason? Saraphem says she spent the time
• 20:39
  Speaker 1: skip with them right, very cute. Sarahm. I was like,
• 20:44
  Speaker 1: I know there's a connection in there. I forgot about
• 20:47
  Speaker 1: that whole thing. I totally forgot about that. God, it's
• 20:52
  Speaker 1: wild how completely I forgot about that. That's like crashing
• 20:55
  Speaker 1: into my brain right now with a force of like
• 20:58
  Speaker 1: a brand new plowline. Bernadette guests who will not win
• 21:02
  Speaker 1: Father of the Year anytime soon. Sarah him says Garp
• 21:06
  Speaker 1: was the one that blurted out the family relations.
• 21:08
  Speaker 2: No no, no, like.
• 21:09
  Speaker 1: There's a previous in dress Row. So there's a scene
• 21:12
  Speaker 1: with Dragon where he just like says, in front of
• 21:15
  Speaker 1: a bunch of his people, oh yeah, that's my son.
• 21:18
  Speaker 1: By the way, wasn't it Like I could have sworn
• 21:21
  Speaker 1: he says it. And that was what like shocked me,
• 21:25
  Speaker 1: because I was thinking he was keeping it secret, and
• 21:29
  Speaker 1: then he doesn't bother at all and he says it.
• 21:31
  Speaker 2: To everybody like it's no big deal.
• 21:34
  Speaker 1: And it was a moment of like simultaneous I don't
• 21:39
  Speaker 1: I thought I knew why he wasn't telling and now
• 21:41
  Speaker 1: apparently I don't. And also it made me feel like,
• 21:45
  Speaker 1: oh yeah, that's definitely a dude related to Loofy, because
• 21:48
  Speaker 1: he's just acting like this huge bomb he dropped is
• 21:51
  Speaker 1: nothing the way that Lufy often does, because yeah, what
• 21:57
  Speaker 1: the scene I'm thinking of happened very recently and Garp
• 22:00
  Speaker 1: hasn't been around for a minute anyway.
• 22:05
  Speaker 2: So let's see.
• 22:06
  Speaker 1: He says, go summon leaders from the Revolutionary Army from
• 22:11
  Speaker 1: all around the world, and Koala says it's going to
• 22:15
  Speaker 1: get pretty intense having all of them together, though, but
• 22:20
  Speaker 1: he does not answer. And then we go over to
• 22:24
  Speaker 1: the Blackbeard Pirates. Now this this what do you call it? Emblem?
• 22:35
  Speaker 1: I really wish I had like a little cipher of
• 22:44
  Speaker 1: all of the different Jolly rogers around, But yeah, this
• 22:53
  Speaker 1: might be the one that was like being pointed out
• 22:56
  Speaker 1: before that I should have recognized several episodes ago, perhaps,
• 23:02
  Speaker 1: Sarahim says at this point, the relation was made public
• 23:04
  Speaker 1: during Marine Force, so that was just him confirming it
• 23:07
  Speaker 1: was true once it was known. No, like, look, Saraphim,
• 23:12
  Speaker 1: the scene, everybody acted shocked, so they definitely didn't know
• 23:18
  Speaker 1: in the scene, and that was like the point was
• 23:20
  Speaker 1: that he just says it like it's no big deal,
• 23:22
  Speaker 1: and everybody around.
• 23:23
  Speaker 2: Him is like holy fuck.
• 23:25
  Speaker 1: So it's definitely I get what you're saying and that
• 23:29
  Speaker 1: it maybe should be that way, but that's not how
• 23:31
  Speaker 1: it was played. So let me touch base with Lafitte,
• 23:38
  Speaker 1: who is getting a call from Burgess. Uh, and he
• 23:44
  Speaker 1: is what's the.
• 23:46
  Speaker 2: Word I want here?
• 23:48
  Speaker 1: He sounds agitated, and Lafitte's like, I went there supposed
• 23:53
  Speaker 1: to get you and you weren't there. And Burgess is like, yeah, sorry,
• 23:58
  Speaker 1: I got fucked up and I wasn't able to contact you.
• 24:04
  Speaker 1: And Lafite it's like, okay, so where are you? Where
• 24:08
  Speaker 1: should we go? And he says it's an island where
• 24:11
  Speaker 1: everything is bright white. I'm stowed away. I snuck down
• 24:16
  Speaker 1: into the bottom of a ship. The tell teach something
• 24:21
  Speaker 1: for me. If we invade this place, we'll be up
• 24:24
  Speaker 1: to our eyeballs in free weapons, and make sure to
• 24:30
  Speaker 1: send doc Q. I'm at death's doorstep over here, and
• 24:36
  Speaker 1: Lafite is like, can you just fucking tell me where
• 24:39
  Speaker 1: you are? And he says, I don't know like the
• 24:43
  Speaker 1: directions to it, but follow my viaver card and Dragon
• 24:48
  Speaker 1: is here. So, Sabbo, this is the headquarters of the
• 24:56
  Speaker 1: Revolutionary Army. I am very, very annoyed that Burgess is
• 25:03
  Speaker 1: here causing trouble. I don't like him, I don't ah,
• 25:12
  Speaker 1: just here's the thing, and this is sometimes the case.
• 25:15
  Speaker 1: So this is not me like calling out the writing,
• 25:18
  Speaker 1: but it is me lamenting a thing that can happen.
• 25:23
  Speaker 1: It always makes me really sad when a person who
• 25:28
  Speaker 1: really truly sucks manages to do something that brings down
• 25:33
  Speaker 1: a carefully coordinated and organized operation. You know, a person
• 25:39
  Speaker 1: who is like a fool and incompetent and just overall
• 25:45
  Speaker 1: a real loser, and they are able to throw a
• 25:48
  Speaker 1: wrench in the works of people who are better than
• 25:52
  Speaker 1: them in literally every way. And unfortunately that happens like
• 25:58
  Speaker 1: fairly easily, because in truth, when you are an intelligent
• 26:03
  Speaker 1: person and you try and account for all the ways
• 26:05
  Speaker 1: that a thing can go wrong, you don't often account
• 26:09
  Speaker 1: for just idiots because you kind of forget how stupid
• 26:14
  Speaker 1: people can actually be, and you underestimate that because you're
• 26:20
  Speaker 1: just sort of you know, the fact that he was
• 26:23
  Speaker 1: able to just literally like stow away. I mean, I'm
• 26:30
  Speaker 1: just I hate this for them, and I just wish
• 26:34
  Speaker 1: that he would die, I really just drop dead. But
• 26:37
  Speaker 1: he's so pleased with himself. He really feels like he
• 26:40
  Speaker 1: did something. So we then go over to Edward Weavil
• 26:52
  Speaker 1: and the way that he has described is self proclaimed
• 26:58
  Speaker 1: only son of white Beard, and then we meet his
• 27:06
  Speaker 1: wife and not wife, his lover, sorry they weren't married.
• 27:13
  Speaker 1: Miss Buckin is her name, self proclaimed Whitebeard's lover. Let's
• 27:23
  Speaker 1: take a second and talk about miss Buckin'.
• 27:32
  Speaker 2: I don't know where to start.
• 27:33
  Speaker 1: First of all, she has like this very pinched face.
• 27:39
  Speaker 1: She's got the look around her lips from all those
• 27:42
  Speaker 1: lines that people get when they smoke very heavily, because
• 27:46
  Speaker 1: they're always sort of pinching and puckering their mouths around
• 27:49
  Speaker 1: the end of the cigarette and it can lead to
• 27:51
  Speaker 1: this very particular kind of wrinkle pattern. And I think
• 27:56
  Speaker 1: for her it's just meant to be, like she purses
• 27:58
  Speaker 1: her lips a lot because she is like uptight. And
• 28:02
  Speaker 1: she's got these teeny tiny little black glasses with these
• 28:08
  Speaker 1: eyebrows that really only go like halfway over where the
• 28:12
  Speaker 1: eye her eyebrows should be. She has hair that is
• 28:19
  Speaker 1: very much giving Helmepo to me. It's like almost the
• 28:24
  Speaker 1: exact same haircut, but it's topped with this tiny little
• 28:32
  Speaker 1: leprechawn hat. She's wearing a purple dress that's got white
• 28:40
  Speaker 1: Beard's like a white Beard style sort of Jolly Roger
• 28:45
  Speaker 1: on it, but it's not his. It's just like a
• 28:48
  Speaker 1: sort of you know, there's it's got his mustache on
• 28:51
  Speaker 1: it and whatnot, with yellow pearls around her neck and
• 28:57
  Speaker 1: a leopard coat overall that's got green fur trim and
• 29:07
  Speaker 1: a huge green furry collar, which is also kind of
• 29:13
  Speaker 1: giving like she looks like a very trashy leprechaun. She
• 29:17
  Speaker 1: really does. She's got a walking stick, and when her
• 29:21
  Speaker 1: hand rests on it, you can see that every single
• 29:23
  Speaker 1: one of her fingers has a ring on it, and
• 29:27
  Speaker 1: it's clear that her whole vibe is meant.
• 29:31
  Speaker 2: To be very grasping.
• 29:34
  Speaker 1: What she was reminding me of was in the Adam's
• 29:38
  Speaker 1: Family movie. You know Gordon, who is supposedly fake Fester
• 29:46
  Speaker 1: but he is the real Fester, and the woman who
• 29:50
  Speaker 1: is pretending to be his mother Gordon, I love you,
• 29:56
  Speaker 1: Gordon the Vault. So she is is telling him that
• 30:02
  Speaker 1: you are inheriting your father's legacy. You look just like him.
• 30:08
  Speaker 1: I have this photo to prove that you are definitely
• 30:11
  Speaker 1: his relation. And this dude is Hugh Mungous and he's got.
• 30:21
  Speaker 1: I'm trying to think of exactly how to describe his
• 30:24
  Speaker 1: outfit too, because it's really something he's got like a
• 30:28
  Speaker 1: a pair of overalls kind of that has the same
• 30:33
  Speaker 1: sigil on the front, but with the two gold braids,
• 30:37
  Speaker 1: which he's got, shoes very very akin to like Pilgrim's
• 30:43
  Speaker 1: shoes with a buckle, and his hair which is almost
• 30:50
  Speaker 1: to the ground in the back and very fluffy in
• 30:54
  Speaker 1: the style of like do Flamingo's jacket, and a little
• 30:59
  Speaker 1: bean on the.
• 31:00
  Speaker 2: Top of his head.
• 31:02
  Speaker 1: And when I mentioned earlier that he has on overalls,
• 31:07
  Speaker 1: the straps of the overalls are chain they are not
• 31:11
  Speaker 1: regular fabric straps. So yeah, he is also being very
• 31:20
  Speaker 1: much bullied by his mother. It's very clear that like
• 31:24
  Speaker 1: he isn't wanting the things that she wants from him.
• 31:30
  Speaker 1: He isn't ambitious, and he isn't grasping, and he doesn't
• 31:34
  Speaker 1: really feel like he has owed anything because he is
• 31:37
  Speaker 1: Whitebeard's son. Even if he believes that he is his son,
• 31:40
  Speaker 1: it seems like for him it's kind of irrelevant, and
• 31:45
  Speaker 1: she is just using him to get what she thinks
• 31:50
  Speaker 1: he deserves and thus what she deserves. And this is
• 31:54
  Speaker 1: one of those tropes that's like, it's I have absolutely
• 32:00
  Speaker 1: zero doubt that this is something that has gone down
• 32:03
  Speaker 1: this way, but it's it's a trope that's always like
• 32:07
  Speaker 1: hit me as a sort of problematic because it's and
• 32:13
  Speaker 1: I'm not saying that here necessarily, I'm just gonna express
• 32:17
  Speaker 1: my feelings on it as a trope in general. A
• 32:21
  Speaker 1: couple things. One, Historically women have had so little power
• 32:27
  Speaker 1: that a woman having a son of a powerful man
• 32:31
  Speaker 1: and then leveraging her son to use against him, it
• 32:36
  Speaker 1: only makes sense. It's the sort of thing where it's like, yeah,
• 32:38
  Speaker 1: this is the one power point that she has to
• 32:43
  Speaker 1: press on, and it's hard for me to get mad
• 32:45
  Speaker 1: about it sometimes because I'm just like, what else is
• 32:47
  Speaker 1: she supposed to do? And then there's also like the
• 32:55
  Speaker 1: fantasy that a lot of men have in their head
• 32:58
  Speaker 1: about how women pregnant to try and trap a guy. Now, again,
• 33:04
  Speaker 1: that definitely happens, but so many dudes behave as if
• 33:08
  Speaker 1: it's something that's about to happen to them, when nobody
• 33:11
  Speaker 1: would ever try to trap you because you are poor,
• 33:15
  Speaker 1: you are not a movie star, you are not a
• 33:19
  Speaker 1: NFL player, you work a circle. Okay, nobody's trying to
• 33:24
  Speaker 1: trap you guy, like it's just overvaluing yourself so much,
• 33:29
  Speaker 1: you know so, And you know, obviously I don't know
• 33:34
  Speaker 1: what she was doing when white Beard was still alive,
• 33:37
  Speaker 1: if she was like on this kick already, But there's
• 33:40
  Speaker 1: a vibe for me that she's doing this now because
• 33:43
  Speaker 1: he's dead and he can't contradict her. I have a
• 33:46
  Speaker 1: very hard time believing that Whitebeard fucked her, but you know,
• 33:50
  Speaker 1: people change, and maybe she was really something at one point.
• 33:54
  Speaker 2: What do I know.
• 33:56
  Speaker 1: I'm just like, also, the size differential, it's very difficult
• 34:00
  Speaker 1: for me to like in this universe. Understand, white Beard
• 34:04
  Speaker 1: was like fourteen feet tall and this woman looks like
• 34:08
  Speaker 1: she's about three and a half. I feel like his
• 34:11
  Speaker 1: dick would be bigger than her in like entire body.
• 34:16
  Speaker 1: So I don't really want to know, to be honest,
• 34:20
  Speaker 1: I have these questions a lot. You guys know, it's
• 34:23
  Speaker 1: just not gonna ever really make sense. And that's fine,
• 34:29
  Speaker 1: Sarahim says trailer park Leprechaun Karen, which, yeah, I feel
• 34:34
  Speaker 1: like that works. The Karen Park, I feel like sort
• 34:39
  Speaker 1: of remains to be seen. I can see it with her,
• 34:42
  Speaker 1: but there is something about her aggression that, like Karen
• 34:45
  Speaker 1: is so much more of like a suburban mom vibe
• 34:49
  Speaker 1: for me, and this lady is very much giving, like
• 34:56
  Speaker 1: what she's making me think of. Like East Haven, when
• 35:01
  Speaker 1: I lived in Connecticut, had a very very high Italian population,
• 35:06
  Speaker 1: and the way that boy children were treated in comparison
• 35:12
  Speaker 1: to their sisters by both their mothers and fathers was
• 35:16
  Speaker 1: so god awful to witness. And the moms had the
• 35:22
  Speaker 1: same intense jewelry and clothing style as well. So she's
• 35:28
  Speaker 1: got like the Leprechaun thing going for her in her
• 35:31
  Speaker 1: size and color choices. But she's got like kind of
• 35:35
  Speaker 1: mob wife energy as well. But yeah, so it's it's
• 35:43
  Speaker 1: just she's a lot and I this dude is out here,
• 35:49
  Speaker 1: like the death toll is up to six hundred, and
• 35:53
  Speaker 1: he doesn't really seem to want to do this really,
• 35:56
  Speaker 1: you know, he's clearly like not very smart. And he
• 36:00
  Speaker 1: says something at one point like I'm so sorry for
• 36:02
  Speaker 1: being stupid, and she's just like, yeah, I know. It
• 36:05
  Speaker 1: doesn't say, oh, honey, you're not stupid, never say that.
• 36:08
  Speaker 1: She's like, yeah, you're very dumb. Just listen to me
• 36:11
  Speaker 1: and don't think to yourself about anything. But she is
• 36:17
  Speaker 1: assuming that his dad died a rich man and figures
• 36:24
  Speaker 1: whatever he's got belongs to you ultimately. So as they're
• 36:31
  Speaker 1: walking along, we have one of those weird little Pelican
• 36:34
  Speaker 1: guys who delivers newspapers that she hails down and gets
• 36:41
  Speaker 1: a newspaper for, and he's saying to her, money is okay,
• 36:49
  Speaker 1: but what I really want is revenge. Blackbeard's gonna pay
• 36:53
  Speaker 1: for killing my daddy. I'll never forgive that big bully.
• 36:58
  Speaker 2: I'm gonna beat him up.
• 36:59
  Speaker 1: Till he's good and dead and he starts crying. And
• 37:07
  Speaker 1: this I can get behind. I can understand. She says,
• 37:12
  Speaker 1: foolish boy, where's the sense in getting even? You can't
• 37:16
  Speaker 1: pay the bills with revenge? You know which, honestly, you
• 37:21
  Speaker 1: can't pay the bills with revenge? Does kind of eat
• 37:24
  Speaker 1: as a line. I kind of love it, Like for
• 37:29
  Speaker 1: a moment I was like, Yeah, this guy's got the
• 37:31
  Speaker 1: right idea, And then when she said that, I was
• 37:33
  Speaker 1: sort of like, ooh, she makes a very good point.
• 37:36
  Speaker 1: You know, these days kids, money talks. Man, Like, I
• 37:41
  Speaker 1: know that we all want to be free from the
• 37:44
  Speaker 1: tyranny of the almighty dollar or whatever your currency is
• 37:47
  Speaker 1: where you live, but like the fact is we gotta
• 37:51
  Speaker 1: pay to live. And I think about the kinds of
• 37:55
  Speaker 1: things that people do for money, and I don't mean
• 37:57
  Speaker 1: like it's so funny, because when you that the kinds
• 38:00
  Speaker 1: of things people do for money, it brings up all
• 38:03
  Speaker 1: these lurid ideas of like drug dealing or sex work
• 38:07
  Speaker 1: or you know, like that's not even what I was thinking.
• 38:09
  Speaker 1: I was thinking about, Like big celebrities doing really undignified
• 38:14
  Speaker 1: commercials was what I was thinking, you know, like when
• 38:17
  Speaker 1: they just suddenly they're in a Capital one commercial and
• 38:20
  Speaker 1: you're just like, what, why George Clooney really? And it
• 38:27
  Speaker 1: just makes me think sometimes about like there are so
• 38:29
  Speaker 1: many things over the years that I could have decided
• 38:32
  Speaker 1: to do if I really wanted money over everything, and
• 38:38
  Speaker 1: I didn't do it.
• 38:40
  Speaker 2: And sometimes I look back and I'm like, should I have?
• 38:42
  Speaker 1: Though? You know, even with the podcast, like I took
• 38:45
  Speaker 1: down Harry Potter because I felt really uncomfortable with this
• 38:49
  Speaker 1: recording of me and Rashaan for literal years talking about
• 38:54
  Speaker 1: how great JK. Rolling is and that being out there
• 38:56
  Speaker 1: in the world with no context.
• 38:57
  Speaker 2: So I took it down.
• 38:59
  Speaker 1: And I made it patrons only, but I was making
• 39:03
  Speaker 1: fucking solid money off of the ads from that show,
• 39:07
  Speaker 1: and took a hit when I took it down, Like
• 39:10
  Speaker 1: I really took a hit. And I think about all
• 39:13
  Speaker 1: the time, like I could have just left it up.
• 39:14
  Speaker 1: I don't think anybody would have like yelled at me
• 39:16
  Speaker 1: for it. Nobody had really mentioned it bothering them or anything.
• 39:23
  Speaker 1: But I couldn't live with it. I couldn't do it
• 39:26
  Speaker 1: for me for my own morality. I was just like,
• 39:28
  Speaker 1: this makes me uncomfortable, and like I wish I could
• 39:32
  Speaker 1: just not be uncomfortable with stuff and just let me,
• 39:36
  Speaker 1: let me let money roll in and just fucking let it,
• 39:38
  Speaker 1: you know. But so anyway, this uh go and claim
• 39:48
  Speaker 1: what belongs to you, and he just says, okay, mom,
• 39:53
  Speaker 1: I will uh. And then he asks her what does
• 39:59
  Speaker 1: the newspaper say, and she's like, well, don't Flamingo just
• 40:03
  Speaker 1: got taken out And she says it like really casually.
• 40:09
  Speaker 1: It's like.
• 40:11
  Speaker 2: It's pretty big news.
• 40:13
  Speaker 1: But she's just like, ah, this fucking clown, which I
• 40:16
  Speaker 1: did find entertaining because everybody's just given to Flamingo so
• 40:20
  Speaker 1: much respect, you know, and her just being like ugh,
• 40:23
  Speaker 1: I thought that was very funny. Saraphim says, but Blackbeard
• 40:29
  Speaker 1: is also an emperor. You could beat him up and
• 40:31
  Speaker 1: steal all his treasure. That's true, that's true. Florian says, yeah,
• 40:36
  Speaker 1: but there are easier ways to get money than to
• 40:38
  Speaker 1: go up against Blackbeard, I would think, And Sarahim says, yep,
• 40:41
  Speaker 1: she just wants an easy score, and yeah, that's the
• 40:44
  Speaker 1: thing is like she doesn't want to She wants to
• 40:47
  Speaker 1: be able to sail in and say this already belongs
• 40:51
  Speaker 1: to us, you know.
• 40:53
  Speaker 2: Which I do get the appeal like she.
• 40:56
  Speaker 1: I can't decide. I don't know yet, and maybe we'll
• 40:59
  Speaker 1: find out, or maybe we won't, and we'll just have
• 41:01
  Speaker 1: to sort of base our thoughts on this on context clues.
• 41:12
  Speaker 1: I can't tell if she actually believes that this is
• 41:17
  Speaker 1: his son, or if she just knows this dude looks
• 41:21
  Speaker 1: exactly like him and it's a really solid scam, you know.
• 41:26
  Speaker 1: I feel like she seems to believe it. I feel
• 41:32
  Speaker 1: like she really, you know. But sometimes there's a type
• 41:37
  Speaker 1: of person that can get very into their scam to
• 41:41
  Speaker 1: the point that they do start to believe their own bullshit.
• 41:44
  Speaker 1: So who can say. But I guess we'll find or
• 41:49
  Speaker 1: like I said, or maybe we won't. I don't know.
• 41:52
  Speaker 1: So then we go to see Buggy. You guys, I
• 42:01
  Speaker 1: am so excited for Buggy to be back. Y'all know
• 42:05
  Speaker 1: what a soft spot I have for this dude. I
• 42:08
  Speaker 1: really have missed him.
• 42:12
  Speaker 2: He looks.
• 42:14
  Speaker 1: Bananas right now, like he's got It's like he's just
• 42:23
  Speaker 1: wearing a big snuggie. That's what it kind of looks like.
• 42:29
  Speaker 1: It's like a red snuggie. It's all one piece and
• 42:32
  Speaker 1: it's sort of like get it, and it's like a
• 42:36
  Speaker 1: pillowcase with holes at the wrist and ankles. His hair
• 42:42
  Speaker 1: has grown down to his chest and is very floppy,
• 42:48
  Speaker 1: and then there are huge I'm assuming like feathers that
• 42:54
  Speaker 1: are growing off the sides of You know what, guys,
• 42:56
  Speaker 1: remind me because I feel like I remember thinking that
• 43:01
  Speaker 1: it was feathers that were coming off of his hat,
• 43:03
  Speaker 1: and then at some point I realized that it's his
• 43:07
  Speaker 1: hair also coming through the sides of the hat. So
• 43:10
  Speaker 1: is that it is like the thing hanging down that
• 43:14
  Speaker 1: looks like hair part of the hat, and the thing
• 43:16
  Speaker 1: that looks like feathers actually is hair. I feel like
• 43:20
  Speaker 1: there's something here about the hair that I remember getting
• 43:23
  Speaker 1: wrong in the first place. And I feel like I
• 43:25
  Speaker 1: must be getting it wrong again. So he gets a
• 43:32
  Speaker 1: whole like he yells at everybody as soon as you're
• 43:36
  Speaker 1: finished eating, I want you out there and pillage sheer
• 43:39
  Speaker 1: hearts content and they all start to hoo hoo hoo.
• 43:45
  Speaker 1: Buggy the genius Jesture, a warlord slash pirate, the director
• 43:51
  Speaker 1: of Buggy's delivery. So I'll tell you what, kids. I
• 44:00
  Speaker 1: had a moment here of being like.
• 44:04
  Speaker 2: Is this actually Buggy?
• 44:07
  Speaker 1: Like what how? But yeah, this is a dude that
• 44:11
  Speaker 1: just failed up every time he tried to tell everybody no,
• 44:18
  Speaker 1: I didn't do this or no, like his fandom was
• 44:22
  Speaker 1: so heartily behind him that it was simply unthinkable that
• 44:29
  Speaker 1: he would fuck up, couldn't consider it. So everything he
• 44:34
  Speaker 1: did he wound up getting applauded and given a raise.
• 44:38
  Speaker 1: And as much as I normally hate this shit, Buggy
• 44:43
  Speaker 1: is just so entertaining. It's just I don't want him
• 44:47
  Speaker 1: taken out of the equation. I love him. He's just
• 44:50
  Speaker 1: so much fun. And I feel this way about the
• 44:53
  Speaker 1: live action actor as well, like he's just he was
• 44:58
  Speaker 1: such good casting. I do not want him to be
• 45:04
  Speaker 1: taken out of the show. I don't want there to
• 45:07
  Speaker 1: be a point where he's dead and we don't see
• 45:09
  Speaker 1: him anymore. It's just he's fun.
• 45:11
  Speaker 2: He's really fun.
• 45:15
  Speaker 1: Seraphim says, it's his hair of its blue. If I
• 45:22
  Speaker 1: think it's it's his hair. If it's blue, both things
• 45:25
  Speaker 1: are blue. So that's what's confusing to me, is like,
• 45:28
  Speaker 1: is the hair in front and the hair coming out
• 45:31
  Speaker 1: of the hat? Is does he just have his hair
• 45:33
  Speaker 1: coming out of two different places or is one just
• 45:37
  Speaker 1: meant to like mimic the color of his hair for decoration,
• 45:41
  Speaker 1: because the hair in front has a very distinct zigzag
• 45:47
  Speaker 1: edge to it, while the hair that's coming out of
• 45:51
  Speaker 1: the hat is very flowy and looks much more like
• 45:55
  Speaker 1: you know, anime long hair. But in this show people
• 45:59
  Speaker 1: can have very weird, distinct edges to their hair that
• 46:02
  Speaker 1: doesn't happen in life. So I don't know if he's
• 46:05
  Speaker 1: just got two different sections of hair that he has
• 46:07
  Speaker 1: styled totally differently, or if one of them isn't hair
• 46:10
  Speaker 1: at all.
• 46:11
  Speaker 2: I don't know.
• 46:13
  Speaker 1: Bernadette says, I really do not understand Buggy's new look.
• 46:17
  Speaker 2: What happened.
• 46:18
  Speaker 1: It feels like all he did was try and take
• 46:22
  Speaker 1: everything that he already had going on to eleven and
• 46:26
  Speaker 1: the big red suit thing. I don't even know. I
• 46:31
  Speaker 1: don't know what to call this, the snuggie. It's like
• 46:38
  Speaker 1: I could see that what I'm guessing is happening here,
• 46:44
  Speaker 1: this is my I actually kind of love this idea,
• 46:50
  Speaker 1: but I don't know if it's anything We'll see. There
• 46:56
  Speaker 1: are many people in this world who are much much
• 47:00
  Speaker 1: bigger and larger than other people, and.
• 47:05
  Speaker 2: There's not a whole lot of.
• 47:07
  Speaker 1: Explanation as to how this happens. Like giants exist, but
• 47:10
  Speaker 1: there's too many people with like differentials for it to
• 47:14
  Speaker 1: just be giants interer bred like. It just feels like
• 47:17
  Speaker 1: in this world, the more powerful and strong you are,
• 47:20
  Speaker 1: the physically bigger you literally get, which is weird because
• 47:24
  Speaker 1: then you've got like the straw hats and Moofy's the
• 47:26
  Speaker 1: same size he always was, so that's not clearly always true.
• 47:30
  Speaker 1: But what I think is going on is that Buggy
• 47:35
  Speaker 1: is like a normal sized guy, but he's a warlord
• 47:39
  Speaker 1: now and he needs to keep up appearances and be intimidating.
• 47:45
  Speaker 1: So if he uses this thing to cover up his body,
• 47:50
  Speaker 1: but just projects his hands and his feet out because
• 47:54
  Speaker 1: he can separate them, it gives the illusion that he
• 47:58
  Speaker 1: looks huge, huge, and we know that under all of that,
• 48:03
  Speaker 1: he's got this little body down there and his hands
• 48:05
  Speaker 1: are like twenty feet upove his neck. But when he's
• 48:12
  Speaker 1: got this whole onesion, it makes it look like he's
• 48:16
  Speaker 1: all one body, and so it just makes him feel
• 48:22
  Speaker 1: like he's more intimidating. And I can understand it, Like
• 48:28
  Speaker 1: I said, in this universe where people are huge, sometimes
• 48:32
  Speaker 1: this tactic actually makes sense. I could see why you
• 48:37
  Speaker 1: do it, Like I think that it's the sort of
• 48:41
  Speaker 1: thing that really only works here in this context, though
• 48:44
  Speaker 1: in a fight it doesn't make a lot of sense.
• 48:47
  Speaker 1: So he can't keep this up forever because he's got to.
• 48:52
  Speaker 2: Be free to move.
• 48:54
  Speaker 1: The advantage of the way that he can split himself
• 48:58
  Speaker 1: into pieces is that mobility, and obviously this onesie is
• 49:02
  Speaker 1: not going to alab at. So I'm really wondering, like,
• 49:05
  Speaker 1: do his men know he's actually a normal sized.
• 49:08
  Speaker 2: Dude or do they know and they just approve.
• 49:14
  Speaker 1: Of his posturing like this because they understand that it's
• 49:17
  Speaker 1: really sort of symbolic because like, even though he's not
• 49:21
  Speaker 1: actually large, he still has a fucking superpower where he
• 49:25
  Speaker 1: can cut his hands off. It's that's not not impressive,
• 49:29
  Speaker 1: you know, like that's not nothing. So maybe they're fine
• 49:34
  Speaker 1: with that, and he's not really hiding anything. It's just
• 49:37
  Speaker 1: a sort of mental trick, you know. I don't know,
• 49:40
  Speaker 1: but I like the idea of it. Florian says, I
• 49:45
  Speaker 1: think Buggy is a pufferfish. Now he uses his power
• 49:48
  Speaker 1: to seem bigger, exactly like a pufferfish. Oh my god, Florian,
• 49:52
  Speaker 1: that is so funny. But yeah, Seraphim says, it's buggy.
• 49:56
  Speaker 1: If he ends up having to actually fight, he's already screwed.
• 50:00
  Speaker 1: That's a point I also could see. You know, I'm
• 50:03
  Speaker 1: saying that the mobility is the advantage here, but if
• 50:07
  Speaker 1: you've got that onesie, you could use it to like
• 50:09
  Speaker 1: wrap people up like in a net basically, and he
• 50:16
  Speaker 1: would be able to have them totally enclosed in fabric,
• 50:18
  Speaker 1: but his actual body parts that they can damage, like
• 50:21
  Speaker 1: way out of the way where they couldn't reach any
• 50:24
  Speaker 1: of them. So maybe there is an advantage to doing
• 50:29
  Speaker 1: it this way. I don't know, but yeah. So this
• 50:34
  Speaker 1: is when he gets news that all of the giants
• 50:39
  Speaker 1: that he's got working for them are all quitting, and
• 50:44
  Speaker 1: he's like, wait, but they make us the most money
• 50:46
  Speaker 1: and we're just starting to get busy. Why would they
• 50:49
  Speaker 1: quit now? And Mo She's like, oh, you're not gonna
• 50:53
  Speaker 1: leg the answer, and he says, spit it out, and
• 50:56
  Speaker 1: like you know, we know that it's gonna be they
• 50:59
  Speaker 1: decided to go and join up with Loofy, which is
• 51:02
  Speaker 1: going to fucking kill him. So I'm so sorry, guys,
• 51:08
  Speaker 1: I just realized how long I've taken to talk about
• 51:10
  Speaker 1: all this stuff. The end of this second episode is
• 51:14
  Speaker 1: when oh my god, what is his name? The dude
• 51:21
  Speaker 1: who draws? He draws that little dragon guy, And I
• 51:28
  Speaker 1: knew this was gonna be bad, but it was like
• 51:32
  Speaker 1: even worse than I was expecting, because this little dragon
• 51:35
  Speaker 1: creature is just like trying to talk at first, and
• 51:39
  Speaker 1: I'm positive that I made this joke before, but it
• 51:43
  Speaker 1: just very much is giving, like killy killy, Like this
• 51:47
  Speaker 1: dragon is supposed to help them climb up the side
• 51:52
  Speaker 1: of the elephant, and honestly, it was like a little
• 51:59
  Speaker 1: bit puzzling to me that all our guys couldn't find
• 52:03
  Speaker 1: a way up without doing it this way. But okay,
• 52:07
  Speaker 1: so they're going up the side of the elephant and
• 52:12
  Speaker 1: this creature is having so much trouble hanging on. Eventually,
• 52:18
  Speaker 1: a monkey falls from above and knocks them off. A
• 52:24
  Speaker 1: Condurero like conjure, says Sarahim. I really wish you had
• 52:28
  Speaker 1: mentioned the conjure thing way longer ago, because that's helpful.
• 52:32
  Speaker 1: That will help me. But yeah, they Kinemon and Condreau
• 52:41
  Speaker 1: fall off along with a monkey, and it's such a
• 52:47
  Speaker 1: weird thing because they were explaining just before this that
• 52:50
  Speaker 1: they are looking for their friend who is a ninja,
• 52:53
  Speaker 1: and everybody gets super excited about a ninja in a
• 52:58
  Speaker 1: way that's sort of like, you live in a world
• 53:00
  Speaker 1: with devil fruit powers. Why is the ninja thing so
• 53:03
  Speaker 1: exciting to you? But anyway, this uh dragon that they
• 53:11
  Speaker 1: are riding the back of is really really fucking struggling
• 53:16
  Speaker 1: to get up the side of the elephant. At one point,
• 53:19
  Speaker 1: Lufi does fall off and he has to use his
• 53:23
  Speaker 1: rubber ability to maintain his place and hold on to
• 53:27
  Speaker 1: the dragon. Uh Rianosuke, Rianosuke. I feel like I should
• 53:36
  Speaker 1: remember how it's pronounced because I just watched this, but
• 53:38
  Speaker 1: I have forgotten.
• 53:39
  Speaker 2: I'm sorry.
• 53:43
  Speaker 1: I will say that Lufy holding on to the dragon
• 53:47
  Speaker 1: while falling. I was watching Condro and Quenumn fall going
• 53:53
  Speaker 1: because Lufi's yelling like what do we do? And I'm like,
• 53:56
  Speaker 1: use your superpower where your arms stretch out to seventy
• 54:00
  Speaker 1: five feet long and grab them. Dude, Like, what do
• 54:02
  Speaker 1: you mean?
• 54:02
  Speaker 2: What do we do?
• 54:04
  Speaker 1: It's really weird this show sometimes how we act like
• 54:07
  Speaker 1: Lufy can't do that. There's been multiple times where he
• 54:10
  Speaker 1: could have just reached out and handled something and we
• 54:13
  Speaker 1: all act like that's not possible. And it can be
• 54:16
  Speaker 1: annoying to me the way that it's just like, oh no,
• 54:21
  Speaker 1: and then it just never comes up. But we have
• 54:25
  Speaker 1: a guy who has the power that would.
• 54:27
  Speaker 2: Really be perfect right now.
• 54:28
  Speaker 1: Actually, it's just that moment in the very very beginning
• 54:35
  Speaker 1: that all like it was the first time that it
• 54:37
  Speaker 1: happened that I really noticed, and it stuck with me
• 54:40
  Speaker 1: in my head when his hat that Shanks gave him
• 54:44
  Speaker 1: blows away and it's this big dramatic moment of him
• 54:47
  Speaker 1: chasing after the hat, and it's like, obviously the point
• 54:51
  Speaker 1: is dramatically speaking to emphasize to us how important the
• 54:54
  Speaker 1: hat is, but he could literally have just reached out
• 54:57
  Speaker 1: and grabbed it, and we just don't do that, and
• 55:00
  Speaker 1: it feels very silly. So anyway, everybody is like trying
• 55:08
  Speaker 1: to cheer on this dragon because he has almost lost
• 55:10
  Speaker 1: his footing due to Loofy pulling him backward. And then
• 55:14
  Speaker 1: finally they all begin to cheer him on and try
• 55:18
  Speaker 1: and be as encouraging as they can because he's doing his.
• 55:20
  Speaker 2: Best and.
• 55:26
  Speaker 1: Ray Re Youno Sky, that's how they're saying it in
• 55:29
  Speaker 1: the dub Re Youno ska Re you know sk. The
• 55:36
  Speaker 1: The part of this that I really enjoyed was everybody
• 55:40
  Speaker 1: who was being mean to him at first turning around
• 55:43
  Speaker 1: and being like, he's doing his best, be encouraging. I however,
• 55:50
  Speaker 1: had a really hard time Rhyuno Sky is doing his best,
• 55:54
  Speaker 1: but he should. He didn't have to be here, and
• 55:56
  Speaker 1: this whole thing that that is being demanded of him
• 55:59
  Speaker 1: is super un and he's like crying.
• 56:02
  Speaker 2: A lot of the time.
• 56:03
  Speaker 1: And I just really was so so like having a
• 56:07
  Speaker 1: hard time with this. And then eventually they get to
• 56:10
  Speaker 1: the top, everybody is cheering rianoske is and I love
• 56:15
  Speaker 1: the fact that, like Robin, every time the camera turns
• 56:18
  Speaker 1: to her, she just goes so cute over and over again.
• 56:23
  Speaker 2: That was a fun bit.
• 56:24
  Speaker 1: I actually really liked that. But then when they get
• 56:27
  Speaker 1: to the top and everybody's cheering him on, and he's
• 56:29
  Speaker 1: like got a happy smile on his face. She says, oh, no,
• 56:33
  Speaker 1: you're changing back, and everybody else who had been cheering
• 56:37
  Speaker 1: him turns around and they start to see him begin
• 56:40
  Speaker 1: to vanish as the drawing of him reappears on the ground,
• 56:46
  Speaker 1: and they all get very choked up. And I would
• 56:50
  Speaker 1: be a liar if I didn't say I got so
• 56:53
  Speaker 1: choked up at this point, guys, it was so sad Rianoske.
• 57:00
  Speaker 1: Justice for Rinoske. He didn't ask to be here. All
• 57:03
  Speaker 1: he was used for was the super hard job, and
• 57:07
  Speaker 1: then he has to go back to being a drawing. Unfair. Unfair.
• 57:11
  Speaker 1: I don't care for it. He deserves a life of
• 57:14
  Speaker 1: ease and pleasure. Renoske should be brought back, just so
• 57:18
  Speaker 1: that he can frolic in the streams and enjoy himself
• 57:22
  Speaker 1: and not have to work another day in his life.
• 57:25
  Speaker 2: All that work.
• 57:26
  Speaker 1: That should be the end of the work that is
• 57:28
  Speaker 1: demanded of him. And there is a wonderful moment where
• 57:33
  Speaker 1: we see the sun and the clouds streak before and
• 57:36
  Speaker 1: everybody's standing there crying, and then all of a sudden,
• 57:40
  Speaker 1: the camera cuts away to law and Zorro going, this
• 57:45
  Speaker 1: is dumb. It's just a crappy drawing. I was so
• 57:50
  Speaker 1: teared up. And then it cuts to them and I laughed,
• 57:53
  Speaker 1: I really did. It was just so unexpected. I didn't
• 57:56
  Speaker 1: even think to ask, like where's Ooro and Trafalgar, like,
• 58:00
  Speaker 1: didn't even think, And of course they'd react this way.
• 58:03
  Speaker 1: They would not care. It was very well done. Show
• 58:10
  Speaker 1: some respect, you jerk. You can at least thank him
• 58:12
  Speaker 1: for bringing us all this way. Zoro replies with, like, well,
• 58:19
  Speaker 1: we need to stay alert because we don't know where
• 58:21
  Speaker 1: we fucking are, and Usup is like, well, you have
• 58:24
  Speaker 1: a point, but still so eventually everybody like starts to
• 58:29
  Speaker 1: move forward and be very involved in their new setting,
• 58:34
  Speaker 1: and us Up shares a little bit of frustration at
• 58:36
  Speaker 1: the fact that they were able to forget their fallen friend,
• 58:39
  Speaker 1: their fallen comrade so easily.
• 58:42
  Speaker 2: Uh, I do like that.
• 58:44
  Speaker 1: I thought this is all a good bit. So it's
• 58:47
  Speaker 1: such a weird place because there's tons of buildings and
• 58:55
  Speaker 1: there's you know, it's there's a lot of ruins are
• 59:00
  Speaker 1: being like grown over with moss, but like there's some
• 59:04
  Speaker 1: wooden structures that still seem like they're pretty much. They're
• 59:08
  Speaker 1: not rotting or falling away. The moss doesn't seem so
• 59:13
  Speaker 1: much a product of neglect so much as like this
• 59:16
  Speaker 1: is a humid environment, you know. And they're going through
• 59:21
  Speaker 1: all of the buildings and they're looking like through all
• 59:25
  Speaker 1: of the woods, and they can't find any people. And
• 59:31
  Speaker 1: they reach this gate and the gate has been knocked
• 59:37
  Speaker 1: down somehow by force. It's clear the hinges are still
• 59:41
  Speaker 1: on the sides, but the gates are down that something
• 59:44
  Speaker 1: just shoved them, and the trail itself is all warped
• 59:51
  Speaker 1: ahead of them. No normal animal could have made a
• 59:55
  Speaker 1: path this wide. And they start to hear something they're
• 1:00:02
  Speaker 1: talking about, like Sanjy's group, and whether or not they're okay.
• 1:00:08
  Speaker 1: We cut to Robin for a second, who's just looking
• 1:00:11
  Speaker 1: around and noticing that there are flowers growing in weird
• 1:00:15
  Speaker 1: places here, which I feel like must be something that
• 1:00:17
  Speaker 1: we're gonna hear more about. It didn't I didn't notice it,
• 1:00:21
  Speaker 1: you know, but I feel like this is what do
• 1:00:25
  Speaker 1: they call that Chekhov's So let's see. Then we have
• 1:00:30
  Speaker 1: the girl who's watching through the binoculars, and this is
• 1:00:33
  Speaker 1: the little half animal girl that we saw when we
• 1:00:35
  Speaker 1: were with the straw hats earlier, and she says, the lesser.
• 1:00:39
  Speaker 2: Minx waltz right through the.
• 1:00:41
  Speaker 1: Gate, which I guess is what they call humans, and
• 1:00:44
  Speaker 1: she says maybe they beat him. And her name is Carrot,
• 1:00:51
  Speaker 1: as we find out, which is fantastic. Eventually, we get
• 1:01:00
  Speaker 1: by this huge alligator who is being uh steered by
• 1:01:09
  Speaker 1: a fox like creature on his back, and Carrot, who
• 1:01:16
  Speaker 1: has just about to uh was just about to attack
• 1:01:19
  Speaker 1: the group, gets yelled at and told like desist basically
• 1:01:24
  Speaker 1: and oosup looks up. Of course, we get a zoom
• 1:01:27
  Speaker 1: in on her tits and he says, I know those clothes,
• 1:01:32
  Speaker 1: and there's NAMMY's bikini top and he's like, wait a second,
• 1:01:38
  Speaker 1: but that's not not me. And now we've got the
• 1:01:43
  Speaker 1: question of like, but is it though, because I feel
• 1:01:45
  Speaker 1: like it is not me. Maybe she got turned into
• 1:01:51
  Speaker 1: an animal by this girl. Maybe that's our power. I
• 1:01:53
  Speaker 1: don't know, but we'll see. I have to wrap this
• 1:01:57
  Speaker 1: one up, guys, because I'm over time, so I really
• 1:02:00
  Speaker 1: got to hurry it along. But yeah, wild opening real weird.
• 1:02:05
  Speaker 1: So I guess we will have to see appreciate all
• 1:02:09
  Speaker 1: of you so much, and I will be seeing you
• 1:02:12
  Speaker 1: tomorrow at two thirty with a new episode until then
• 1:02:17
  Speaker 1: to the lou Motherfuckers, that was an unspoiled network podcast.