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Indie Darlings (with Andrew Dismukes) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on artists on Artists on artists.
• 0:07
  Speaker 1: This week, we're not talking to directors of Marvel movies.
• 0:11
  Speaker 1: In fact, we're talking to people who made a movie
• 0:15
  Speaker 1: quite different than that. They're indie darlings.
• 0:19
  Speaker 2: This movie is a buzz with acclaim and excitement because
• 0:25
  Speaker 2: it is an indie film. It wasn't made by a
• 0:27
  Speaker 2: major studio. It's made by a bunch of people who
• 0:30
  Speaker 2: care about movies. We sat down with them to talk
• 0:33
  Speaker 2: to them about what it is to make.
• 0:35
  Speaker 1: An indie film, how they.
• 0:38
  Speaker 2: Got the shot without resources, and what it's like to
• 0:41
  Speaker 2: be the talk of the town.
• 0:43
  Speaker 3: Let's listen in.
• 0:48
  Speaker 4: Wow, oh my god, this is wonderful that we all
• 0:52
  Speaker 4: get to sit down and talk about it. Gang together,
• 0:55
  Speaker 4: goshin all back together.
• 0:57
  Speaker 1: The gang is back together. I mean, this picture is
• 1:00
  Speaker 1: just it's kind of everything to me. It's been our
• 1:03
  Speaker 1: whole lives. Yeah, we did it.
• 1:08
  Speaker 3: I look at every morning, I see we did it.
• 1:10
  Speaker 1: We did it. This crazy group of kids made the
• 1:12
  Speaker 1: movie Feeble Mother's Feeble Children Children.
• 1:17
  Speaker 5: I mean, come on, Feeble Mother's Feeble Children's.
• 1:20
  Speaker 3: Yes, that's pretty much everything.
• 1:23
  Speaker 5: It's so funny doing pressed for this movie.
• 1:25
  Speaker 6: It's ridiculous because I peele children's funny to.
• 1:30
  Speaker 1: You know, our publicist wants would want us to say this,
• 1:33
  Speaker 1: tag yourself or you a feeble mother or a child.
• 1:36
  Speaker 3: Yeah, so let's just get it out of Let's get
• 1:37
  Speaker 3: all this stuff there.
• 1:38
  Speaker 2: Publicist sold us to say, tag yourself or your feeble
• 1:41
  Speaker 2: mother or feeble child, feeble mother, gang rise up.
• 1:45
  Speaker 6: Yes, if you're doing feeble mother peoble child with Utopia,
• 1:48
  Speaker 6: two weekend.
• 1:51
  Speaker 1: Cheers to you, us and your feeble Toby a picture.
• 2:01
  Speaker 6: We don't have to do that, ship you guys, because
• 2:03
  Speaker 6: this is an indie movie and we don't have to
• 2:05
  Speaker 6: be a part of any big r PR people. They
• 2:09
  Speaker 6: look at us like we're doing something like Zutopia, and
• 2:11
  Speaker 6: I go, no, this is We're doing this for a
• 2:13
  Speaker 6: small group.
• 2:14
  Speaker 4: I guess if you're using the Fortnite skin, feeble child.
• 2:20
  Speaker 5: The dance is good dance.
• 2:23
  Speaker 3: If your feeble child is doing the flossy And we
• 2:28
  Speaker 3: hate that we have.
• 2:28
  Speaker 4: To do we have to do. But it's crazy because
• 2:32
  Speaker 4: this movie was nothing, nothing, just a couple of months ago,
• 2:37
  Speaker 4: and all of a sudden it's caught this buzz and
• 2:40
  Speaker 4: it's beautiful to watch it blow up in front of
• 2:43
  Speaker 4: our eyes. I never thought this would happen.
• 2:45
  Speaker 1: Do you remember when.
• 2:45
  Speaker 6: We got beers during the bidding war that night, all
• 2:48
  Speaker 6: those all those studios are bidding over feeble bones.
• 2:55
  Speaker 4: We like to call it the bidding war, the feeble bones,
• 2:57
  Speaker 4: the feeble bones.
• 2:58
  Speaker 1: My god.
• 2:58
  Speaker 5: We didn't know what to do with this time.
• 3:00
  Speaker 3: It was just the bones of the the project.
• 3:04
  Speaker 1: It was just feeble bouts. Not enough calcium, we need more.
• 3:08
  Speaker 2: And and you know we say bidding war, but we were.
• 3:10
  Speaker 2: You know, we're talking about this.
• 3:12
  Speaker 7: One guy wanted to give us fifty thousand dollars and
• 3:14
  Speaker 7: this other guy wanted to give us fifty thousand dollars.
• 3:17
  Speaker 3: So that's that's the bid.
• 3:19
  Speaker 1: And they both baked a beautiful lasagna to try and
• 3:22
  Speaker 1: sway us one way or the other.
• 3:26
  Speaker 4: Big shout out to Derek, and sorry we went with Tim. Derek,
• 3:29
  Speaker 4: you'll get us next time.
• 3:31
  Speaker 8: Maybe make a.
• 3:31
  Speaker 4: Little more ball.
• 3:35
  Speaker 1: I was saying a little too spicy. I don't go
• 3:37
  Speaker 1: to a lasagna for spice.
• 3:38
  Speaker 2: And I'll still say we had room for both. I
• 3:40
  Speaker 2: think one hundred thousand would have been great. No, I
• 3:43
  Speaker 2: don't know why choose. That's on you, Derek so well.
• 3:47
  Speaker 4: Let's go around, Like, let me we tell tell the
• 3:50
  Speaker 4: listener and the viewer what we worked on on this project,
• 3:54
  Speaker 4: what our positions were. So I'll go first. I guess
• 4:00
  Speaker 4: my name is Jonah Taylor and yeah, I was one. Yeah,
• 4:06
  Speaker 4: I was one of the actors in the in the project.
• 4:09
  Speaker 4: I like to say though, since it's so Indie like,
• 4:12
  Speaker 4: as an actor, you're also part of the creative team,
• 4:15
  Speaker 4: you know, It's like it's interesting. Yeah. I like to
• 4:17
  Speaker 4: say that.
• 4:18
  Speaker 5: A lot, especially when you're improvising a lot of the seats.
• 4:21
  Speaker 4: Yeah. I mean it was so real, it was so raw,
• 4:23
  Speaker 4: so like a lot of the direction was coming in
• 4:26
  Speaker 4: going like just just go with what you're feeling.
• 4:29
  Speaker 7: You were, you know, you had so many questions on set,
• 4:31
  Speaker 7: and we had such tight days.
• 4:34
  Speaker 4: And for me, it's the role I need to feel collaboration.
• 4:39
  Speaker 4: And for me, collaboration is I'm going to ask you
• 4:41
  Speaker 4: a million questions and disagree with your answers until I
• 4:44
  Speaker 4: shoot the scene the way I want to shoot it.
• 4:46
  Speaker 7: I remember you walking around just with a little bull
• 4:47
  Speaker 7: of checks mix, asking every department why are you doing that?
• 4:51
  Speaker 4: I was so curious to just go so, what is
• 4:54
  Speaker 4: this department over here?
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  Speaker 7: And I'm saying, hey, we have the Natural History Museum
• 4:57
  Speaker 7: for four hours.
• 4:58
  Speaker 3: Is a huge favor.
• 5:00
  Speaker 4: And but did you know there's a character on a
• 5:03
  Speaker 4: set called a best boy. That's so fun. That's a
• 5:06
  Speaker 4: job character character to live in.
• 5:10
  Speaker 6: Yeah, I mean it was wild to see you with
• 5:14
  Speaker 6: that bull checks mix go up to the prop department
• 5:16
  Speaker 6: and ask where the snacks were.
• 5:18
  Speaker 4: Well, I thought they knew snacks. I just thought, you know,
• 5:21
  Speaker 4: I'm the actor, so I'm guessing kind of everybody on
• 5:24
  Speaker 4: a set is lightly half of a pa for me
• 5:34
  Speaker 4: and half.
• 5:36
  Speaker 3: To get me snacks, but tell me where they are exactly.
• 5:39
  Speaker 7: Of course, and resources were rough, but we did have
• 5:42
  Speaker 7: to kind of have a second second follow you around
• 5:45
  Speaker 7: with a feather duster and wipes because you were getting
• 5:47
  Speaker 7: checks mixedpit everywhere, so we had to kind.
• 5:50
  Speaker 3: Of clean your path.
• 5:51
  Speaker 1: But it was your process, to be fair. You delivered
• 5:55
  Speaker 1: some really really outstanding work as the son of the
• 6:00
  Speaker 1: Feeble Mother, and you you really you really brought it out.
• 6:05
  Speaker 1: And that one day that you didn't have checks mixed
• 6:08
  Speaker 1: you you struggled a little bit.
• 6:10
  Speaker 4: Yeah, we couldn't use that footage.
• 6:12
  Speaker 3: Kept saying my mouth is so drop and.
• 6:15
  Speaker 1: You know, check is a dry snack.
• 6:17
  Speaker 4: I think it is. The checks makes my mouth moist.
• 6:21
  Speaker 4: Would it's not cereal?
• 6:27
  Speaker 3: I'm so confused.
• 6:29
  Speaker 4: It looks like cereal.
• 6:30
  Speaker 3: There's some cereal in there's some cereal, but it is salty.
• 6:34
  Speaker 5: I never thought that there is some cereal check mask.
• 6:37
  Speaker 1: Well check, I believe Holy falk. Yeah, well it's so
• 6:41
  Speaker 1: it's so crazy the context. Once you take it out
• 6:44
  Speaker 1: of the context, it's no longer cereal. It's a smacks.
• 6:47
  Speaker 4: Keep going around like, introduce yourselves.
• 6:49
  Speaker 7: Okay, I'm My name's Davis Chard. I was the director
• 6:54
  Speaker 7: of photography.
• 6:56
  Speaker 4: The dp DP.
• 6:59
  Speaker 1: Wiss char DP.
• 7:02
  Speaker 7: Because decided to be neutral on every exactly.
• 7:06
  Speaker 3: I kept saying. I was like, hey, whatever you want,
• 7:08
  Speaker 3: I'll do.
• 7:11
  Speaker 4: Exactly.
• 7:12
  Speaker 7: How do you want to shoot this? I said, how
• 7:14
  Speaker 7: do you want to shoot this? And that was to
• 7:16
  Speaker 7: anybody who asked.
• 7:17
  Speaker 4: But you made us look so amazing. I mean, you've
• 7:20
  Speaker 4: got a gift for lighting, and you've got a gift
• 7:23
  Speaker 4: for angles.
• 7:24
  Speaker 7: Well, say, that's one thing about swis charge that you
• 7:26
  Speaker 7: get one beer in him, he tells you how he.
• 7:28
  Speaker 3: Would have shot it.
• 7:33
  Speaker 8: I love that.
• 7:33
  Speaker 1: One day we all sat around Crawfords and we were
• 7:37
  Speaker 1: eating fried chicken and beer, and we would give you
• 7:40
  Speaker 1: a movie and you'd say how you shot it, say
• 7:43
  Speaker 1: the Godfather, and you'd be like, upside down.
• 7:46
  Speaker 4: The fact that you want to shoot Godfather upside down?
• 7:52
  Speaker 6: Would you have shot twelve Agreement sideways?
• 7:59
  Speaker 1: Now this is DP.
• 8:00
  Speaker 7: I think that puts you in the head of those characters.
• 8:05
  Speaker 7: Cameras like we see like you know, you can't see
• 8:07
  Speaker 7: you right now, but basically these cameras they are right
• 8:10
  Speaker 7: side up, and you could go upside down, like I think.
• 8:12
  Speaker 3: Godfather can ask you bird Man.
• 8:16
  Speaker 7: Sideways, but the other sideways right sideway.
• 8:22
  Speaker 3: You're gonna need the other one for comparison for this
• 8:25
  Speaker 3: to appreciate.
• 8:26
  Speaker 1: Okay, what about what about Monsters Inc.
• 8:29
  Speaker 7: Monsters Inc. You know, I think what would have been
• 8:33
  Speaker 7: really interesting for Monsters Inc. Is uh shot everything from
• 8:37
  Speaker 7: like under the monsters make bigger, Yeah, because then the
• 8:46
  Speaker 7: monsters would really feel monstrous, because that's I watched Monsters Inc.
• 8:50
  Speaker 3: And I go, I'm not scared of these monsters.
• 8:52
  Speaker 1: They're at my height, they're at my high level, they're
• 8:54
  Speaker 1: right here. Make them make it looking down.
• 8:57
  Speaker 3: Then I'd be scared.
• 8:59
  Speaker 4: It's like it's like or tour stuff with you man,
• 9:03
  Speaker 4: it's like our tour ship.
• 9:04
  Speaker 3: But again on our movie, I couldn't I couldn't have.
• 9:06
  Speaker 7: I couldn't want have made a choice, couldn't be bother,
• 9:09
  Speaker 7: couldn't be.
• 9:11
  Speaker 4: One big moment when you said, this is why they
• 9:14
  Speaker 4: called me Swiss. Yeah, and you put a filter on
• 9:17
  Speaker 4: the camera that made circles that you could only see
• 9:19
  Speaker 4: out of circles, exactly like a Swiss cheese effect.
• 9:22
  Speaker 3: That's why they called me Swiss.
• 9:23
  Speaker 1: I loved that Swiss cheese shot. That's that sheen. That
• 9:27
  Speaker 1: scene shot through the POV of Swiss cheese was absolutely devastating.
• 9:31
  Speaker 1: It's amazing.
• 9:31
  Speaker 6: You watch the whole movie, it's in film, we did
• 9:34
  Speaker 6: on film, and then halfway through you see a shot
• 9:36
  Speaker 6: that looks like a Snapchat filter and you go, that's it.
• 9:40
  Speaker 2: I mean, it was revolutionary. You know, when she's losing
• 9:42
  Speaker 2: her house but you can only see her face and
• 9:45
  Speaker 2: a window, and you know there's other people in the shot,
• 9:48
  Speaker 2: but you can't see him. Get it was really interesting,
• 9:51
  Speaker 2: you understand.
• 9:51
  Speaker 4: Yeah, so subtle that metaphor.
• 9:54
  Speaker 3: I didn't even mean to do that. That's something we
• 9:56
  Speaker 3: found on the day.
• 9:57
  Speaker 1: Yeah, if you found it a lunch, I found it
• 10:00
  Speaker 1: at lunch.
• 10:01
  Speaker 3: I found the cheese.
• 10:02
  Speaker 7: Also, the filter was actually just with cheese. Well this
• 10:05
  Speaker 7: filter I dropped some cheese dropped it.
• 10:09
  Speaker 6: My god, what's going on? My name is Vet Burns.
• 10:18
  Speaker 6: I play the old man in the film. I've been
• 10:22
  Speaker 6: in this industry a long time.
• 10:25
  Speaker 7: I mean, you can say the character named the strong
• 10:26
  Speaker 7: father of a feeble mother.
• 10:28
  Speaker 5: Strong father of mother hunter gatherer.
• 10:30
  Speaker 1: Ye, strong father mother hunter gatherer.
• 10:37
  Speaker 5: What can I say? You work in this industry for
• 10:40
  Speaker 5: years and then you meet some.
• 10:43
  Speaker 6: Young bucks like these kids, like these fucking kids.
• 10:49
  Speaker 5: So at first you're like, maybe I want to retire.
• 10:51
  Speaker 6: This kid's throwing a piece of cheese on the camera, right,
• 10:54
  Speaker 6: and you go, you know what, I think, I'm fucking done.
• 10:57
  Speaker 5: But Daniel's the footage comes out, and I go, holy ship.
• 11:00
  Speaker 6: I don't know if I've actually ever made cinema until
• 11:04
  Speaker 6: Feeble Mother, feeble Bones.
• 11:06
  Speaker 7: But children, No, don't say that you were.
• 11:09
  Speaker 2: I mean, come on, I mean, come on, fat you
• 11:11
  Speaker 2: played Rodney Dangersfield son in the last movie he ever met.
• 11:15
  Speaker 4: That was a great You got your goddamn.
• 11:22
  Speaker 1: Take a laugh, then take them up, enjoy it.
• 11:25
  Speaker 3: And I and I remember the movie Peanuts.
• 11:29
  Speaker 5: You know, want me for thinking peanut piss was it cinema?
• 11:34
  Speaker 8: Oh no, god.
• 11:37
  Speaker 3: Generation it's come around. Penupiss meant something.
• 11:40
  Speaker 4: It's amazing sound on criteria. That's how I saw it
• 11:42
  Speaker 4: first time.
• 11:42
  Speaker 1: Well, we talked, we.
• 11:43
  Speaker 5: Talked about women differently during those days.
• 11:46
  Speaker 4: Of course, course of course you're not holding that again.
• 11:54
  Speaker 1: Course at that time.
• 11:59
  Speaker 3: And it's context.
• 12:00
  Speaker 5: Thank you.
• 12:01
  Speaker 6: Think it's hard to give peanut Piss accolades when you
• 12:08
  Speaker 6: see what we're.
• 12:09
  Speaker 3: Doing, right, we talk about the plot of the Peanut Piss.
• 12:12
  Speaker 7: If you want you on me, okay, you and Runny
• 12:15
  Speaker 7: Dangerfield become gynecologists hit.
• 12:21
  Speaker 1: And it was a different time.
• 12:23
  Speaker 6: It was a different time, different times.
• 12:27
  Speaker 5: And you know what, I didn't like my dialogue.
• 12:30
  Speaker 1: You can I have liked it at the time. It's
• 12:32
  Speaker 1: fine if you did.
• 12:33
  Speaker 5: I I look back at scenes and I go, I
• 12:35
  Speaker 5: don't know if I'm in there.
• 12:36
  Speaker 3: You're in there.
• 12:37
  Speaker 4: When you walk out of the college's room and going
• 12:39
  Speaker 4: do not go in there?
• 12:45
  Speaker 1: Gets a bathroom exactly.
• 12:49
  Speaker 7: Like it's a a woman and I going in there.
• 12:54
  Speaker 1: You don't want to go in there.
• 12:56
  Speaker 4: I got to go see a man about a dog
• 12:58
  Speaker 4: and it's a woman's pussy.
• 12:59
  Speaker 5: See, No, I can't get off, give me out.
• 13:05
  Speaker 8: Those lines.
• 13:05
  Speaker 6: I wouldn't you wouldn't do those these days, especially with
• 13:07
  Speaker 6: the god damn, especially with a lady director.
• 13:16
  Speaker 1: Direct. Please thank you, thank you, thank you, thank you,
• 13:19
  Speaker 1: thank you so much. I am a lady director. My
• 13:24
  Speaker 1: name is Brenda mcclock and I am I think it's
• 13:35
  Speaker 1: if she thinks it's Clock mcclough. Listen, I and I've
• 13:41
  Speaker 1: i've of course, well we can't get into it. My
• 13:44
  Speaker 1: name is Brenda mcclough. I made Feeble Mother's Feeble Children,
• 13:49
  Speaker 1: and I'll tell you I was inspired by the story
• 13:53
  Speaker 1: of a feeble mother I saw in the grocery store
• 13:56
  Speaker 1: one day, my own mother.
• 14:00
  Speaker 8: Word.
• 14:00
  Speaker 3: I had no idea.
• 14:01
  Speaker 1: I was in a Ralph's looking at the bread. I'm
• 14:06
  Speaker 1: nine years old, no way, and then I I still
• 14:11
  Speaker 1: remember it. I I I grasped to show my mother
• 14:14
  Speaker 1: a bag at that was perfectly plump, and I reached
• 14:18
  Speaker 1: and it was air. There was nothing around. She was gone.
• 14:23
  Speaker 4: Was this a dream?
• 14:27
  Speaker 3: Because I wanting to into this story.
• 14:29
  Speaker 1: Is this happened to me? This happened to I grabbed, grabbed,
• 14:41
  Speaker 1: so I grabbed for my mother and she was gone,
• 14:43
  Speaker 1: thin air. And then I hear on the announcement, is
• 14:48
  Speaker 1: there a Brenda, a young Brenda. Your mother is here.
• 14:52
  Speaker 1: And in that moment, I was both lost and found.
• 14:55
  Speaker 1: I was here and gone. I was motherless and I
• 15:00
  Speaker 1: was an orphan and I also had a mother at
• 15:03
  Speaker 1: the same time.
• 15:04
  Speaker 4: It feels like a dream, the reality of the situation.
• 15:07
  Speaker 3: What was happening.
• 15:08
  Speaker 4: Another way, it disappeared this.
• 15:11
  Speaker 1: Happened to me, And in that moment, I didn't know
• 15:14
  Speaker 1: it yet, but that was the genesis of feeble Mother,
• 15:18
  Speaker 1: feeble Children. And I knew. I knew this was going
• 15:21
  Speaker 1: to be formative. And I just have to say that
• 15:24
  Speaker 1: that everyone brought this to life so well, and I
• 15:27
  Speaker 1: was just so honored to have the best team in
• 15:30
  Speaker 1: show business. And look at what our little movie has done.
• 15:33
  Speaker 1: And I am just thrilled and plump is peach to
• 15:38
  Speaker 1: be here.
• 15:39
  Speaker 4: You guys made such a good creative team together.
• 15:43
  Speaker 3: And yeah, I mean I can introduce myself to I'm
• 15:45
  Speaker 3: Don mccock, her husband.
• 15:47
  Speaker 1: Yeah name, I didn't take name.
• 15:53
  Speaker 4: I added an L.
• 15:55
  Speaker 3: Now that was her name.
• 15:56
  Speaker 1: That was my name.
• 15:58
  Speaker 3: Sorry, I was mistake and I thought you were going.
• 15:59
  Speaker 1: To kind of well we met, we can tell the story.
• 16:03
  Speaker 1: We met at the BMB because they said license for
• 16:06
  Speaker 1: macawk and then we both.
• 16:07
  Speaker 3: Said here and I said it spelled correctly.
• 16:10
  Speaker 1: And I said that's wrong, and then we walked up.
• 16:14
  Speaker 3: Yeah. Yeah, yeah.
• 16:15
  Speaker 7: So I was the co writer on this and first
• 16:17
  Speaker 7: a d and had so much fun and because you
• 16:21
  Speaker 7: were filming this, but I I, you told me this
• 16:23
  Speaker 7: story on our first day, and I was so attached
• 16:26
  Speaker 7: to it. It was like, oh my gosh, I resonate
• 16:28
  Speaker 7: with that. And so we went back and forth, and
• 16:30
  Speaker 7: the writing was arduous, writing was the writing was certainly
• 16:35
  Speaker 7: having fun. Yeah, you were having a lot of fun.
• 16:37
  Speaker 1: I was having fun. I was pretty because you you have.
• 16:41
  Speaker 1: I would say, I I am morally opposed to final drafts,
• 16:44
  Speaker 1: and you're obsessed with this.
• 16:45
  Speaker 3: I love it. You love that I put my grocery
• 16:48
  Speaker 3: list in there.
• 16:49
  Speaker 1: He loves.
• 16:54
  Speaker 3: It's so funny.
• 16:55
  Speaker 2: But you know what's fun is, you know, you coming
• 16:58
  Speaker 2: in having so many wonderful ideas and saying, hey, these
• 17:01
  Speaker 2: can all be one font, you know, and and you saying, no, no,
• 17:04
  Speaker 2: let this.
• 17:06
  Speaker 3: This needs to be chiller. You know, this is a
• 17:07
  Speaker 3: scary moment. This needs to be chiller.
• 17:09
  Speaker 4: I love the part of the script where half the
• 17:11
  Speaker 4: dialogue is photos of screenshots of a notes app.
• 17:14
  Speaker 5: Yeah, it was crazy, or the hyperlink to a Pinterest board.
• 17:19
  Speaker 1: Yeah yeah, yeah, yeah, yeah.
• 17:21
  Speaker 7: It was really really fun and interesting and I was
• 17:24
  Speaker 7: just there to help. And then you know, when it
• 17:26
  Speaker 7: came to who's going to direct this, who's gonna be
• 17:27
  Speaker 7: in charge.
• 17:28
  Speaker 1: Of it, It's gonna be you. It's gonna be all course.
• 17:30
  Speaker 1: But I'll keep us on.
• 17:30
  Speaker 7: Time and I'll know what we're doing every day. And
• 17:33
  Speaker 7: it was really fun. It was a fun relationship.
• 17:36
  Speaker 1: It was really fun, and it's really fun to have
• 17:38
  Speaker 1: your husband be a first d D. It is fun, right,
• 17:40
  Speaker 1: It's really fun.
• 17:41
  Speaker 3: You had fun with that.
• 17:42
  Speaker 1: I had a lot of fun because I just felt
• 17:44
  Speaker 1: like this said was running itself and I was just
• 17:47
  Speaker 1: shown up and I.
• 17:48
  Speaker 3: Didn't feel like that because I was. I had a
• 17:50
  Speaker 3: lot of that's interesting.
• 17:53
  Speaker 4: A man of many hats, Yeah, man of many hats
• 17:56
  Speaker 4: to multi hyphens here writers, ad late slash.
• 18:00
  Speaker 1: Director lay direct. We're always saying that you're first.
• 18:07
  Speaker 7: Looking at this it's a boys club, right, but there
• 18:09
  Speaker 7: was You have to understand there's so many women we
• 18:11
  Speaker 7: did invite to be yes, I mean we.
• 18:14
  Speaker 1: Should talk about the elephants in the room. Our star
• 18:18
  Speaker 1: feeble mother is not present. She's not present.
• 18:21
  Speaker 4: She's actually filming off the hype of feeble mother. She
• 18:25
  Speaker 4: just booked the new d C Batman.
• 18:31
  Speaker 1: Ruthie Ruthie Garbo. We're so happy for her and her journey.
• 18:36
  Speaker 1: And why don't you come to the holiday party? You
• 18:39
  Speaker 1: know we needed we need your r s v P.
• 18:44
  Speaker 2: There getting there's a lot of buzz for I mean,
• 18:45
  Speaker 2: we should say what feeble mothers people children's about.
• 18:48
  Speaker 4: Yeah, let's talk about the well you do it.
• 18:55
  Speaker 1: Here's the thing. How about I describe it? Yeah, the
• 19:00
  Speaker 1: pank you.
• 19:00
  Speaker 4: I don't want to say what you so like for me?
• 19:03
  Speaker 4: What it is about. It's about a son dealing with
• 19:05
  Speaker 4: the generational traubma of his mother who didn't come from
• 19:09
  Speaker 4: a good home, but she's trying her best, and it's
• 19:12
  Speaker 4: how the sun takes on that world. So as much
• 19:16
  Speaker 4: as a movie about feeble mother, it's also about a
• 19:18
  Speaker 4: feeble son.
• 19:19
  Speaker 1: And I would say, just in terms of scream time,
• 19:21
  Speaker 1: it's proportionally more about a feeble mother who has a son.
• 19:25
  Speaker 4: And that's so true. But the screen time is not everything, right,
• 19:29
  Speaker 4: So I do have two minutes in the movie, a
• 19:32
  Speaker 4: two minute monologue when when I arrive at home and
• 19:35
  Speaker 4: I go, God, even thinking about it, I just want
• 19:37
  Speaker 4: to do it. Mom, what's going on? What's going on
• 19:43
  Speaker 4: with your life? Clean up yourself. You've got to clean
• 19:47
  Speaker 4: up yourself. We're done with this. I am grown, mom.
• 19:54
  Speaker 4: We're done with this.
• 19:55
  Speaker 1: He did this at lunch too, done with this.
• 19:57
  Speaker 4: And then you let me improvise, and I said, we're
• 19:58
  Speaker 4: done with this girl, but you did and I improvised
• 20:01
  Speaker 4: that line. So that's my claim of it.
• 20:03
  Speaker 3: Done with this girl.
• 20:03
  Speaker 4: We're done with this girl.
• 20:04
  Speaker 3: We're done with this girl.
• 20:06
  Speaker 7: Actually, yeah right, yeah, and then that was great because
• 20:08
  Speaker 7: after we shut that, you had two weeks off.
• 20:10
  Speaker 4: Yeah, I had two weeks off Barbados.
• 20:12
  Speaker 3: Yeah you really, you were you were kind of out
• 20:14
  Speaker 3: in the town.
• 20:15
  Speaker 8: Yeah.
• 20:15
  Speaker 3: Then we were in the rehab scene.
• 20:18
  Speaker 4: Yes, yeah, Oh Barbados was a blast. I wish you
• 20:21
  Speaker 4: guys could come. How was the rehab shoot?
• 20:24
  Speaker 1: Oh? Cold, arduous, Yeah.
• 20:28
  Speaker 7: The rehab center with a bunch of real people going
• 20:31
  Speaker 7: through rehabilitation.
• 20:33
  Speaker 4: Well, this is great. We actually have a clip of
• 20:35
  Speaker 4: that rehab center week. Yeah, that's awesome.
• 20:39
  Speaker 1: That's awesome.
• 20:40
  Speaker 4: That's awesome. Okay, I'll play it right now so we
• 20:42
  Speaker 4: can see what happens. Mom.
• 20:44
  Speaker 1: I'm I'm doing good here. I'm really finding myself. I
• 20:48
  Speaker 1: have a routine. I think this is going to be
• 20:51
  Speaker 1: good for me. You don't need to worry I'm doing good.
• 20:56
  Speaker 3: Someone's biting in here. We need someone someone's biting. We
• 20:59
  Speaker 3: need somebody's no one's second.
• 21:02
  Speaker 1: And as I was saying, i you don't need to
• 21:05
  Speaker 1: worry about me.
• 21:08
  Speaker 3: I'm.
• 21:12
  Speaker 1: I'm going to become the woman I'm supposed to be.
• 21:20
  Speaker 1: And you know I've I started learning guitar while I'm
• 21:23
  Speaker 1: in here. They have music. All right, all right, okay,
• 21:31
  Speaker 1: and I'm great.
• 21:35
  Speaker 5: Now why do we do that in one shot? Do
• 21:36
  Speaker 5: you have a reason for it?
• 21:37
  Speaker 3: I just you know, we needed to get out of there.
• 21:39
  Speaker 7: They were upset that we were in the building.
• 21:42
  Speaker 4: A lot of people biting and yelling in the rehab.
• 21:45
  Speaker 3: Well, you you worked on.
• 21:46
  Speaker 2: That movie where you illegally shot in Disneyland, and you said,
• 21:48
  Speaker 2: let's just do that in this rehab.
• 21:50
  Speaker 3: Let's just do what I did.
• 21:51
  Speaker 7: Let's just do I illegally shot in disney Let's just
• 21:53
  Speaker 7: do that in this rehab.
• 21:53
  Speaker 3: Yeah, that's what I said. I said.
• 21:55
  Speaker 7: It needed to feel real, and it needed to be
• 21:57
  Speaker 7: and it needed to be fast, and I think in
• 22:01
  Speaker 7: the future, I just want steal shots from a rehab center.
• 22:03
  Speaker 7: I think there was so much going on hospital's, rehab centers,
• 22:05
  Speaker 7: government prisons, stuff like that.
• 22:08
  Speaker 3: I'm not going to steal shots from.
• 22:09
  Speaker 8: Well.
• 22:09
  Speaker 4: How we had to get into the rehab center was
• 22:11
  Speaker 4: a lot. I mean, you guys had to fake, fake,
• 22:13
  Speaker 4: a fake, a drug problem in order to get back
• 22:16
  Speaker 4: into that.
• 22:17
  Speaker 1: Yeah, it was weeks of I mean we had rehearsals
• 22:20
  Speaker 1: for the faking of the drug problem in addition to
• 22:22
  Speaker 1: the movie that we were shooting. And so it was
• 22:26
  Speaker 1: you know, it was a lot, but you go the
• 22:27
  Speaker 1: extra mile. You know, our background is in theater, and so.
• 22:30
  Speaker 2: You did a great job kind of transforming your drug addiction.
• 22:34
  Speaker 2: At first was so broad the.
• 22:38
  Speaker 1: First round because I went, let's just put it on.
• 22:41
  Speaker 3: I think we have some rehearsal footage from that.
• 22:43
  Speaker 5: You have rehearsal footage of what we.
• 22:48
  Speaker 1: Oh, yeah, sure, let's let's play it.
• 22:50
  Speaker 8: We'll put and.
• 22:52
  Speaker 1: Okay, I got a problem, man, let me in here.
• 23:01
  Speaker 1: My two units. I mean, my friends, I remember this
• 23:08
  Speaker 1: day that I appreciate you rolling on that it was broad.
• 23:15
  Speaker 1: Yet I almost believe it so broad.
• 23:18
  Speaker 7: It's so different, different, broad, generally specific, specific specific.
• 23:27
  Speaker 1: At the same time.
• 23:28
  Speaker 5: Well, I mean we didn't have much time. We were
• 23:29
  Speaker 5: rehearsing the movie, Okay, I.
• 23:31
  Speaker 6: Mean, and that goes how how uh arduous the rehearsal
• 23:35
  Speaker 6: process was too, like just like sitting in the scripts
• 23:39
  Speaker 6: and really just of course repetition. I mean, come on,
• 23:42
  Speaker 6: I haven't worked with a lot of girl directors that
• 23:44
  Speaker 6: do repetition and descript analysis.
• 23:47
  Speaker 7: Could say directer to I mean, we're everything you can
• 23:51
  Speaker 7: speak to that, but we don't have to know.
• 23:53
  Speaker 1: I like it. I like it. I think it's nice.
• 23:58
  Speaker 1: I think you, I think and I always want to
• 24:00
  Speaker 1: know from an older man what what things lady directors
• 24:05
  Speaker 1: have done versus what the lady directors do usually do
• 24:09
  Speaker 1: because I want to know where I'm at in terms
• 24:10
  Speaker 1: of the pack you know what I mean, am I?
• 24:13
  Speaker 1: And and what's what's the girl industry doing? What is
• 24:17
  Speaker 1: the girl director industry standard in terms of these things?
• 24:20
  Speaker 5: And old guy, maybe I should I.
• 24:23
  Speaker 4: Not be gone girl.
• 24:24
  Speaker 3: I'm telling I mean, I've been telling you. She's giving
• 24:26
  Speaker 3: you the green line.
• 24:26
  Speaker 1: I think you didn't give me. I like men and
• 24:30
  Speaker 1: women are different.
• 24:31
  Speaker 2: I keep trying to get you to go to these
• 24:33
  Speaker 2: girls director lunches and you don't want.
• 24:36
  Speaker 1: No, they're always sweet. Great.
• 24:40
  Speaker 4: Now, well, you're always posting online too, kind of like
• 24:43
  Speaker 4: I roll emoji that ever director movie.
• 24:46
  Speaker 1: I know, I'm posting pictures of Lena Dunham and Greta
• 24:49
  Speaker 1: Gerway get lunch together going. But it looks believe they
• 24:55
  Speaker 1: got that?
• 24:57
  Speaker 8: Be the do these do?
• 25:00
  Speaker 3: He keeps It looks like.
• 25:02
  Speaker 8: Believe it.
• 25:03
  Speaker 1: You got that baricycle in front of the DGA. It
• 25:05
  Speaker 1: picks you up and drives you down to the sweet.
• 25:09
  Speaker 8: Sounds like.
• 25:12
  Speaker 3: From Nashville.
• 25:13
  Speaker 1: I know I would die to go to one of those. Really,
• 25:18
  Speaker 1: I know, the baricycle that stops at the d GA,
• 25:21
  Speaker 1: picks up all the women get everybody get it. Okay,
• 25:27
  Speaker 1: I'm jealousy jealous. It looks fun. I have to get
• 25:30
  Speaker 1: off my high horse. But come on, come on.
• 25:34
  Speaker 2: But you did such a great job with so few resources.
• 25:36
  Speaker 2: Let's talk about people don't talk about indie films. The
• 25:39
  Speaker 2: resources you have and what you put into something. And
• 25:42
  Speaker 2: we like to be transparent. I mean, let's talk about
• 25:44
  Speaker 2: the budget. We made this for one hundred and forty
• 25:47
  Speaker 2: thousand dollars.
• 25:48
  Speaker 4: It is nothing. It's pennies, which is not only understand
• 25:53
  Speaker 4: that's pennies, that's literal pennies.
• 25:55
  Speaker 1: You can make half a short film with that money,
• 25:57
  Speaker 1: and I really want to. I have to give it
• 26:00
  Speaker 1: up to our crew, I mean especially you and like
• 26:03
  Speaker 1: all of our all of our wonderful, wonderful people, because
• 26:07
  Speaker 1: a lot of times you were accepting payment in David
• 26:10
  Speaker 1: Buster's bucks. Yeah, because there were months where you know,
• 26:13
  Speaker 1: we had promises, we had io You's, we had payments
• 26:16
  Speaker 1: that hadn't gone through yet, and so we had to
• 26:18
  Speaker 1: make do with what we had. And so I just
• 26:20
  Speaker 1: really appreciate all of you taking being troopers about that.
• 26:24
  Speaker 5: And I told my reps at CIA, I went, it's crypto.
• 26:27
  Speaker 7: You just told them it's crypto, and they were fine
• 26:29
  Speaker 7: with okay.
• 26:33
  Speaker 8: Drilling someone's drilling out.
• 26:37
  Speaker 3: Yeah.
• 26:37
  Speaker 2: So so I work at David Busters and I was
• 26:40
  Speaker 2: doing day working all day on the film, and then
• 26:43
  Speaker 2: at night I would play games over and over to
• 26:46
  Speaker 2: earn enough points to get you.
• 26:47
  Speaker 3: Guys, your point.
• 26:48
  Speaker 1: And you wanted to earn it the right way, you
• 26:50
  Speaker 1: didn't you. This guy is so noble he doesn't use
• 26:54
  Speaker 1: his employee discount. Well, he wants to earn prizes because yeah,
• 26:59
  Speaker 1: so you are turn prizes, you redeem them for the
• 27:01
  Speaker 1: little like squishy toys, and then you sell those for money.
• 27:05
  Speaker 2: So that's what I was doing every night from ten
• 27:07
  Speaker 2: pm to ten am. I was just playing the hoops.
• 27:10
  Speaker 2: I was doing the wack them all thing. I was
• 27:12
  Speaker 2: doing Dan Dance, Dance Revolution, Dan Dan Revolution is another one.
• 27:16
  Speaker 8: I love.
• 27:20
  Speaker 3: You just play it as a guy named Dan. Yeah, yeah,
• 27:22
  Speaker 3: making noodles.
• 27:23
  Speaker 4: It's hungry l Can we talk about everybody's favorite scene
• 27:29
  Speaker 4: from the movie, Oh, my goodness, Yeah.
• 27:32
  Speaker 3: You know.
• 27:32
  Speaker 7: For me, I think it was probably, uh, the ocean
• 27:37
  Speaker 7: shoot when we were out on that barge cold. It's
• 27:42
  Speaker 7: so amazing, thank you, thank you, because we were on
• 27:44
  Speaker 7: that Marger's moving and I.
• 27:46
  Speaker 1: Want to commend you for being willing to go underwater
• 27:49
  Speaker 1: with the camera.
• 27:50
  Speaker 3: Yeah, I was happy to.
• 27:51
  Speaker 5: We'll talk about the rig. I mean that that whole thing,
• 27:54
  Speaker 5: My god.
• 27:55
  Speaker 3: Yeah, the rig.
• 27:55
  Speaker 7: It was we had a shoulder mount and uh, I
• 27:59
  Speaker 7: think we we we we we. We were shooting on
• 28:01
  Speaker 7: a an Alexa and I just hopped right in that
• 28:06
  Speaker 7: water with that camera and it broke easy. Really a
• 28:11
  Speaker 7: rag kept and then we would put another camera on
• 28:14
  Speaker 7: and I'd hop back in because we would give we
• 28:17
  Speaker 7: would get about one second of footage each time.
• 28:20
  Speaker 1: I'll take the fall for this because I was like,
• 28:22
  Speaker 1: I think it could work this time, and you're like,
• 28:25
  Speaker 1: it's not my movie, So you hopped in.
• 28:27
  Speaker 3: I'm doing I Live to Surf.
• 28:29
  Speaker 7: I played so much Buck Hunter to we use about
• 28:33
  Speaker 7: so crazy ninety of our one hundred and forty on
• 28:36
  Speaker 7: I'm just going mowing through cameras on that bar.
• 28:39
  Speaker 4: The footage was crazy because it because it came out
• 28:41
  Speaker 4: all pixelated and destroy Yeah, amazing.
• 28:45
  Speaker 2: If we shot on I was just hoping we shoot
• 28:47
  Speaker 2: on film because at least it looks weird. But when
• 28:49
  Speaker 2: you don't shoot on film, that's kind of what we're missing.
• 28:52
  Speaker 4: We shot the movie on beside this point. You shoot
• 28:54
  Speaker 4: on digital, it breaks fast.
• 28:56
  Speaker 7: Yeah, that's kind of what I Sometimes it's salvagible film
• 28:59
  Speaker 7: is the machines turns off.
• 29:01
  Speaker 1: You know it immediately.
• 29:02
  Speaker 6: It happens with you kids, when you're tired, you turn off.
• 29:05
  Speaker 6: Back in the day, we kept going.
• 29:06
  Speaker 3: Did you guys shoot popcorn piss on film? Had to?
• 29:11
  Speaker 3: You had to.
• 29:12
  Speaker 6: Popcorn piss was on film, Buck Hunter, butthole was on film.
• 29:20
  Speaker 4: And you just didn't think of that because he.
• 29:21
  Speaker 3: Just said, are you.
• 29:24
  Speaker 5: Oh, that's where we come from. That's where they came from.
• 29:29
  Speaker 5: Number three, that's where they Okay, I don't know, you
• 29:33
  Speaker 5: get old and you forget what movies you worked on.
• 29:35
  Speaker 1: No, of course, of course, but I I mean I
• 29:39
  Speaker 1: have to say in terms of we were talking about
• 29:40
  Speaker 1: our favorite our favorite scenes. I really loved. I'm sorry
• 29:49
  Speaker 1: you're thinking about stop it. I loved going into the
• 29:55
  Speaker 1: Libre of bread factory and shooting all that stuff a
• 30:00
  Speaker 1: gorilla style with real workers and permit to be.
• 30:08
  Speaker 6: I mean, we can't go and get trying to get
• 30:10
  Speaker 6: a permit with David Buster's bucks.
• 30:13
  Speaker 4: It's tough.
• 30:14
  Speaker 1: They don't take it, but you know it's it's uh.
• 30:17
  Speaker 1: We had our feeble mother, you know, finally wrapping up
• 30:21
  Speaker 1: everything and making peace with her son in the in
• 30:25
  Speaker 1: the Librea bread factory and saying, this is what we
• 30:28
  Speaker 1: missed out on, this is what we were supposed to have.
• 30:31
  Speaker 4: We stole shots that whole day, that whole day. Let's
• 30:34
  Speaker 4: play it. Let's play that clip. I would love to
• 30:36
  Speaker 4: see the Libre bread factory. Okay, here we go, play
• 30:41
  Speaker 4: what gives mom? What gives?
• 30:45
  Speaker 7: Look?
• 30:46
  Speaker 1: I want to be the mother I couldn't be before
• 30:54
  Speaker 1: I find our relationship. Well, I wanted to be something
• 31:00
  Speaker 1: I wanted to be. Oh, I wanted to say, Louisa,
• 31:10
  Speaker 1: break bread with me, Son.
• 31:12
  Speaker 5: I'm looking for a cafe ol A. I'm Miranda.
• 31:16
  Speaker 1: By break bread with me Son?
• 31:19
  Speaker 4: The one last time?
• 31:20
  Speaker 1: Feed our feed me?
• 31:22
  Speaker 3: Did you person?
• 31:26
  Speaker 1: You have your own life?
• 31:27
  Speaker 5: You have a girl and you have a bread has
• 31:30
  Speaker 5: an app?
• 31:32
  Speaker 3: Do you want.
• 31:34
  Speaker 8: Holy Ship?
• 31:35
  Speaker 1: What's the app called? You've made a life for yourself?
• 31:40
  Speaker 5: What's the app store? I'm looking at that name of
• 31:45
  Speaker 5: the app?
• 31:46
  Speaker 1: Please, I need you have son? Do you say Louisa? Yes, Son,
• 31:55
  Speaker 1: You're all I have left break bread with me corner. Wow,
• 32:02
  Speaker 1: that was a beautiful scene.
• 32:04
  Speaker 6: You know I heard said that woman bring have Bad
• 32:08
  Speaker 6: actually has a huscar buzz for this.
• 32:12
  Speaker 1: She was hard to track down. She did say enough
• 32:17
  Speaker 1: lines to qualify for Best Actress Supporting he did.
• 32:20
  Speaker 2: It was crazy to find her and tell her that
• 32:22
  Speaker 2: not only is she in a movie, but she's.
• 32:27
  Speaker 3: She was shocked.
• 32:28
  Speaker 4: Well, who thought it wasn't called Louisa was up? She
• 32:33
  Speaker 4: said for a spirit war.
• 32:36
  Speaker 6: It's so it's like she's not given anything such a
• 32:39
  Speaker 6: different type of.
• 32:40
  Speaker 7: Her name was Danielle, So I don't even understand why
• 32:43
  Speaker 7: she thought he was calling her. But that was so interesting,
• 32:47
  Speaker 7: and we know you thought that was interesting because you
• 32:49
  Speaker 7: kept panning, kept knowing. You would you would be in
• 32:51
  Speaker 7: my ear. You would be like, get back one and
• 32:54
  Speaker 7: there's something happening here.
• 32:55
  Speaker 4: There's something.
• 32:56
  Speaker 3: There's something something here, there's something.
• 32:59
  Speaker 4: You're shooting stuff. Sometimes you'll drift off. You can see
• 33:02
  Speaker 4: the brain. Yeah, just drift.
• 33:07
  Speaker 1: Oh hey, nice to see you there.
• 33:09
  Speaker 5: Sorry, we were just like in the middle of an episode.
• 33:11
  Speaker 4: We love the episode is so funny checking on you.
• 33:13
  Speaker 4: You're good, girly, You good girly.
• 33:14
  Speaker 5: Listen. We have some exclusive stuff to plug.
• 33:17
  Speaker 4: And we would love to plug it right now. Join
• 33:20
  Speaker 4: our Patreon. It's a blast. We hang out every week
• 33:24
  Speaker 4: all the week. We do live shows on that Patreon
• 33:27
  Speaker 4: and we just got to hang out as ourselves and
• 33:29
  Speaker 4: get to know you guys a little bit better. It
• 33:30
  Speaker 4: helps us if you join it, and we love doing it,
• 33:33
  Speaker 4: so sign up today.
• 33:35
  Speaker 6: Once a week, one of the Patreon members becomes King. Yes,
• 33:39
  Speaker 6: you can know what that means. Just click the link
• 33:40
  Speaker 6: in the bile Boga Booga. Back to the app.
• 33:46
  Speaker 3: What's you talk about? We're nominated for I think was
• 33:49
  Speaker 3: it eighteen Academy.
• 33:51
  Speaker 6: Literally eighteen Academy Awards, thirty five Indie Spirit Awards, two
• 33:56
  Speaker 6: Kids Choice Awards.
• 33:56
  Speaker 4: Best Actor, Best Director, Best Writer, Best Original Screenplay.
• 34:01
  Speaker 5: Best Costume, soundtracked him and Paula.
• 34:05
  Speaker 1: Yeah, the Kid's Choice Awards. It was I think best
• 34:11
  Speaker 1: Kiss and most Crushable Couple.
• 34:15
  Speaker 7: For the Feeble Mother and them of imagination of Gene
• 34:19
  Speaker 7: Kelly in her brain the kids.
• 34:21
  Speaker 3: The kids love that. The kids love that, Okay, love
• 34:25
  Speaker 3: dark twisted dark singing in the rain rebrute.
• 34:28
  Speaker 8: Yeah.
• 34:28
  Speaker 1: They call him Evil Grandpa.
• 34:29
  Speaker 7: Yeah, oh my gosh, are you guys seeing the Evil
• 34:32
  Speaker 7: Grandpa challenge?
• 34:33
  Speaker 2: All these kids are going in and throwing their popcorn
• 34:35
  Speaker 2: Evil Grandpa.
• 34:37
  Speaker 3: It's crazy.
• 34:38
  Speaker 1: Everything the challenge we've gone viral. I'm just glad the
• 34:42
  Speaker 1: kids are in the movie theater.
• 34:44
  Speaker 3: I'm sorry.
• 34:44
  Speaker 7: Shout out all the AMC workers and all the movie
• 34:46
  Speaker 7: theater workers that have to deal with all this popcorn.
• 34:48
  Speaker 3: His evil Grandpa.
• 34:49
  Speaker 4: Yeah, we didn't know. We didn't know.
• 34:51
  Speaker 3: We don't know.
• 34:51
  Speaker 4: We don't know what we added. Throw your popcorn now,
• 34:54
  Speaker 4: but we didn't know.
• 34:55
  Speaker 7: If that's what we added, we added it, but not
• 34:58
  Speaker 7: in post.
• 34:59
  Speaker 3: I held up a little piece and we didn't throw
• 35:04
  Speaker 3: your popcorn. You guys at the time, I remember you
• 35:06
  Speaker 3: guys were like, what are you doing?
• 35:07
  Speaker 8: What is that?
• 35:07
  Speaker 3: Is that?
• 35:08
  Speaker 7: But I knew and I remembering because you told me
• 35:10
  Speaker 7: you didn't know how to focus pull, and that was
• 35:12
  Speaker 7: such a clear focus, right, Yeah, well I was just
• 35:15
  Speaker 7: I was on auto the whole The whole movies are
• 35:17
  Speaker 7: on auto focus the whole time. When you watch the movie,
• 35:20
  Speaker 7: it's going it's like as people walk, if somebody walks
• 35:23
  Speaker 7: in the foreground, and that simply was I didn't know.
• 35:27
  Speaker 3: I didn't know.
• 35:28
  Speaker 4: Also, the White Ballads was adust.
• 35:32
  Speaker 3: Everything is coming in and out of That's why you.
• 35:35
  Speaker 6: Have people like the libreo bread Lady and predominantly featured
• 35:39
  Speaker 6: in the film but not in the script because you're
• 35:41
  Speaker 6: on auto focus.
• 35:43
  Speaker 4: White balance too, somebody was walking with a white apron everything.
• 35:45
  Speaker 7: Everything and people. At the time, I remember Martin Scorsese
• 35:50
  Speaker 7: tweeting at me saying he loved that choice.
• 35:52
  Speaker 1: It was like choice, Oh yeah, because a lot of
• 35:55
  Speaker 1: we can.
• 35:56
  Speaker 7: Choose the camera, the camera choosers. I pushed record your
• 36:01
  Speaker 7: pish recording that I'm on my phone kind of the
• 36:03
  Speaker 7: only opinion of a DP I've ever heard.
• 36:05
  Speaker 1: It's like that.
• 36:06
  Speaker 6: I loved the days you brought your air pods because
• 36:08
  Speaker 6: your videos weren't too loud.
• 36:10
  Speaker 1: You did so kind of just loud, and you are
• 36:14
  Speaker 1: crazy fy p, I must it's crazy crazy.
• 36:18
  Speaker 7: There are these guys who are just building a whole
• 36:20
  Speaker 7: town in the forest and they go and they make
• 36:23
  Speaker 7: these video where they're kind of moving really fast as
• 36:25
  Speaker 7: they build, as they build this little town. You know,
• 36:28
  Speaker 7: you know you caught that on the camera. And they're
• 36:30
  Speaker 7: also nominated for a Yes, I held my phone out
• 36:33
  Speaker 7: in the front camera and I said, go follow forest
• 36:37
  Speaker 7: boys Forest.
• 36:38
  Speaker 2: I mean that was but really, I mean the award claim.
• 36:40
  Speaker 2: It's been so cool to see you. You're getting your flowers.
• 36:43
  Speaker 1: Finally, I feel like I'm at the florist. Okay, this
• 36:50
  Speaker 1: is like.
• 36:53
  Speaker 3: Wow, Wow, it's.
• 36:55
  Speaker 1: Like an embarrassed and.
• 36:58
  Speaker 6: You had a flower crown and I'm get on the
• 37:01
  Speaker 6: bicycles cards.
• 37:10
  Speaker 1: It is overwhelmed, giant. I don't know how to get
• 37:14
  Speaker 1: it relax because I want to come back.
• 37:16
  Speaker 8: I know, I have to say.
• 37:18
  Speaker 1: I have to say.
• 37:18
  Speaker 7: I know.
• 37:18
  Speaker 1: I just wish I could bottle this feeling. Bottle this
• 37:22
  Speaker 1: feeling because I know it's not gonna be forever. But
• 37:25
  Speaker 1: I gotta say like things are happening, things are moving fast.
• 37:30
  Speaker 1: I am being called upon to I guess I'll announce
• 37:33
  Speaker 1: it here direct the City Bank movie, My City. It's
• 37:42
  Speaker 1: the origin story of every hostpaper.
• 37:46
  Speaker 8: So you didn't know, I don't, I swear to you.
• 37:57
  Speaker 1: Oh my gosh, I'm so sorry you.
• 37:58
  Speaker 8: What's my mind? You look trapped.
• 38:04
  Speaker 1: I'm so excited to start the writing process.
• 38:06
  Speaker 8: I have a.
• 38:08
  Speaker 1: Notepad hidden in a drawer that I can't wait for
• 38:11
  Speaker 1: you to find in our house.
• 38:12
  Speaker 3: Okay, that's Am I going to be involved in writing?
• 38:15
  Speaker 1: Well, of course you're gonna do all you're gonna This
• 38:20
  Speaker 1: guy loves to put it in final draft, so you're
• 38:21
  Speaker 1: gonna be putting it in final graphs.
• 38:23
  Speaker 8: He looks like.
• 38:25
  Speaker 1: In guitar taps guitar, the ones correspond to all the
• 38:40
  Speaker 1: vowels in the alphabet genius. The two's are the elemental piece,
• 38:46
  Speaker 1: that whole section, you know, and in four and five
• 38:49
  Speaker 1: they're the rest.
• 38:50
  Speaker 7: It's it's it's literally like working with you know, someone
• 38:54
  Speaker 7: who like a ham radio, you know, like a Morse code.
• 38:58
  Speaker 3: It's funny, it's.
• 38:59
  Speaker 1: But it's I can't we just work.
• 39:01
  Speaker 4: We just work together. So delightful and.
• 39:04
  Speaker 3: I can't wait to see what city banks about.
• 39:06
  Speaker 2: Once I did code it, it's like, as awesome, this
• 39:11
  Speaker 2: is awesome.
• 39:13
  Speaker 1: It's going to be amazing. Honey, are you un happy?
• 39:18
  Speaker 4: I'm so happy happy.
• 39:20
  Speaker 1: I just you know, it sounds like you need an
• 39:22
  Speaker 1: hour in the flotation tank.
• 39:24
  Speaker 3: Well I'll take it. I mean, I'll never say, like
• 39:28
  Speaker 3: eleven in Stranger.
• 39:29
  Speaker 5: Things, I think she wants attention, he wants at stranger.
• 39:33
  Speaker 1: What are you working on? What are you working on?
• 39:38
  Speaker 4: Love strangers? So I'm working on.
• 39:44
  Speaker 5: Sometimes you have to feed the beast, give.
• 39:47
  Speaker 3: The conversation.
• 39:48
  Speaker 4: You have a cookie.
• 39:49
  Speaker 7: Remember, we would be in the middle of we'd be
• 39:54
  Speaker 7: in the middle of shooting and I would just hear
• 39:56
  Speaker 7: in the back.
• 39:56
  Speaker 1: Of me me, me, me, now, me now, me now,
• 40:00
  Speaker 1: how do you feel?
• 40:02
  Speaker 2: Honestly, one of the rare occasions you wouldn't pandasit, I
• 40:04
  Speaker 2: wouldn't respect that.
• 40:05
  Speaker 3: I would say so yes.
• 40:07
  Speaker 4: Unfortunately, I was the only one of us not nominated
• 40:09
  Speaker 4: for anything. People have been talking up and reading the
• 40:13
  Speaker 4: letter box and we're keep on getting four and a
• 40:14
  Speaker 4: half stars with one note they hated Jonah. So I
• 40:19
  Speaker 4: am working on a rap album. Actually, naturally, big move.
• 40:23
  Speaker 2: Okay, And what's also I just want to say, I
• 40:26
  Speaker 2: mean you were nominated for a Southeast San Gabriel Valley
• 40:29
  Speaker 2: Rising Star Award.
• 40:31
  Speaker 1: Yeah, that's not that's not nothing. You got the Valley
• 40:35
  Speaker 1: Sun Most Important Person of the Week Award.
• 40:39
  Speaker 4: It was so excited. Well, I'm from the valley, so
• 40:42
  Speaker 4: that's awesome.
• 40:43
  Speaker 5: That means it's an even bigger Noma.
• 40:46
  Speaker 2: You got magazine's number one cheese eater, so that was
• 40:52
  Speaker 2: a special thing I was doing on this side.
• 40:54
  Speaker 4: You just saw my Instagram how much I love.
• 40:56
  Speaker 5: Cheese, and you got that award with BuzzFeed. One of
• 40:59
  Speaker 5: the guys this year that we went we didn't need him, Yes,
• 41:02
  Speaker 5: one of the guys this year.
• 41:03
  Speaker 4: We didn't need.
• 41:04
  Speaker 3: Top ten guys.
• 41:05
  Speaker 4: One number one on.
• 41:08
  Speaker 1: Guys we didn't need.
• 41:10
  Speaker 4: Love.
• 41:10
  Speaker 7: When they got all the guys we didn't need together
• 41:12
  Speaker 7: in Canadian Treats, they released two articles they do guys
• 41:15
  Speaker 7: we didn't know we needed.
• 41:17
  Speaker 1: Yeah, yeah, and guys we just guys we didn't need,
• 41:21
  Speaker 1: We did not need.
• 41:22
  Speaker 3: I did not know I needed these guys, and I
• 41:25
  Speaker 3: know I don't need to and you were on that.
• 41:28
  Speaker 3: But it's just fun to be in an articles.
• 41:30
  Speaker 4: Fun, it's fun to get the Google alert.
• 41:33
  Speaker 3: Yeah, it's fun to Google search your name and something
• 41:36
  Speaker 3: pops up.
• 41:36
  Speaker 4: Yes, it's a positive.
• 41:38
  Speaker 1: That's amazing. But I'm so excited for your rap album.
• 41:41
  Speaker 1: I mean you you wrapped so quietly and so frequently
• 41:44
  Speaker 1: in your trailer.
• 41:45
  Speaker 4: Try to wrap just lightly enough so people can hear
• 41:47
  Speaker 4: me going, and.
• 41:49
  Speaker 1: Just loud enough for us to go.
• 41:51
  Speaker 8: Was that wrap?
• 41:51
  Speaker 3: Yeah?
• 41:51
  Speaker 4: Yeah, yeah, that's exactly what.
• 41:54
  Speaker 3: Who are your biggest rap inspirations?
• 41:56
  Speaker 4: Oh? Easily modest Yahoo's I.
• 42:00
  Speaker 3: Was gonna I could have guessed that.
• 42:01
  Speaker 7: Yeah, yeah, based on who is a huge one and
• 42:05
  Speaker 7: what is sort of the album about? What are you
• 42:07
  Speaker 7: addressing anything in particular?
• 42:09
  Speaker 3: Are you wow? Thank you?
• 42:12
  Speaker 4: I'm taking on the idea of war. It doesn't just
• 42:17
  Speaker 4: affect the soldiers. I don't know if people know this.
• 42:22
  Speaker 4: The war affects a lot more than just the people fight.
• 42:23
  Speaker 3: I think the war.
• 42:25
  Speaker 2: Yeah, so war is kind of one of the biggest
• 42:27
  Speaker 2: things kind of that everyone knows effects kind of.
• 42:30
  Speaker 4: I don't know. So I just really take on more
• 42:32
  Speaker 4: with my wraps and it's like we might fly, we
• 42:39
  Speaker 4: might soar, but not in a war. Not in a war.
• 42:43
  Speaker 4: Because you think boom boom is the one affected. But
• 42:46
  Speaker 4: guess what, all of our brains are infected when a
• 42:50
  Speaker 4: bomb is dropped.
• 42:54
  Speaker 5: Bomb is said this.
• 42:56
  Speaker 4: I think he's got a crush on him.
• 42:58
  Speaker 5: They want obsessed with him in touching.
• 43:01
  Speaker 1: When a bomb flies high.
• 43:03
  Speaker 4: You look to the sky and you think boom boom,
• 43:06
  Speaker 4: goes the soldier man. But he doesn't have a plan
• 43:09
  Speaker 4: because when he gets back, he's not only affecting the
• 43:13
  Speaker 4: war plan, He's affecting other man, from man to man
• 43:18
  Speaker 4: to man to man war w A are you ready?
• 43:24
  Speaker 1: I think you've actually invented a new artcor because I've
• 43:28
  Speaker 1: never seen someone wrap to one person.
• 43:33
  Speaker 4: My album is kind of like I brought you into
• 43:35
  Speaker 4: the studio a lot to hurt me out.
• 43:38
  Speaker 3: I was there, but again, I was on my phone
• 43:43
  Speaker 3: one time the video, but it's not stopping him.
• 43:51
  Speaker 4: It's it's it's beautiful. So that's just one of the
• 43:54
  Speaker 4: many songs I have on my AUM.
• 43:56
  Speaker 5: Congratulations, amazing, Thank you guys, thank you.
• 44:00
  Speaker 4: And just bring up one of my favorite film scenes
• 44:02
  Speaker 4: in the movie. I loved when the mother switches brains
• 44:05
  Speaker 4: with the daughter and they have that whole montage of
• 44:08
  Speaker 4: understanding each other a little bit.
• 44:10
  Speaker 1: I was really inspired by old movies like Freaky Friday,
• 44:17
  Speaker 1: sort of like class classic, the classics.
• 44:20
  Speaker 6: You know, I want to pay homage to We did
• 44:22
  Speaker 6: this guerrilla style at six Flags, right, yeah, we stole
• 44:26
  Speaker 6: or is that just my day?
• 44:28
  Speaker 1: No? No, no, no, we did do this gorilla style.
• 44:30
  Speaker 3: I was actually crazy.
• 44:31
  Speaker 4: We were shooting.
• 44:32
  Speaker 3: You were under day.
• 44:35
  Speaker 1: We ended up having to pay you for the day
• 44:40
  Speaker 1: because you were shots.
• 44:43
  Speaker 5: Single rider.
• 44:46
  Speaker 4: Work coming home with me you were on Yeah.
• 44:49
  Speaker 3: Yeah.
• 44:53
  Speaker 4: Just seeing an old dad next two by himself. Nothing sad.
• 44:59
  Speaker 5: It makes me feel alive.
• 45:01
  Speaker 3: That was crazy drugs.
• 45:02
  Speaker 5: That's what I tell my mother.
• 45:03
  Speaker 7: You know.
• 45:04
  Speaker 3: Fun fact about that scene.
• 45:05
  Speaker 7: By the way, she literally used scissors and cut out
• 45:09
  Speaker 7: that scene from Freaky Friday from the script in the
• 45:14
  Speaker 7: l a library and just taped it into the script.
• 45:17
  Speaker 5: Yes, amazing, you're kidding. I would have never known that
• 45:20
  Speaker 5: was cut and taped on the page.
• 45:23
  Speaker 8: Well, you know how.
• 45:26
  Speaker 3: I would.
• 45:30
  Speaker 7: But now it is weird because it is such a
• 45:32
  Speaker 7: it's a movie about generational trauma, and then suddenly there
• 45:35
  Speaker 7: is this scene where they go.
• 45:38
  Speaker 1: Yeah yeah.
• 45:43
  Speaker 6: When I read stage directions like Jamie Lee Curtis false,
• 45:50
  Speaker 6: I just thought that was chicken scratch.
• 45:52
  Speaker 4: Well, it's so fun that in the original Freaky Friday movie.
• 45:54
  Speaker 4: They got the actor.
• 45:58
  Speaker 1: Attached.
• 45:59
  Speaker 4: That's what you're doing.
• 45:59
  Speaker 1: It's crazy what you find when you go to the
• 46:06
  Speaker 1: w g A Library. They just have straight up people's
• 46:08
  Speaker 1: names in there. No, it uh, it was a It
• 46:11
  Speaker 1: was a mixing of genre that I felt we needed.
• 46:14
  Speaker 1: We needed to pivot to hard comedy for a moment
• 46:18
  Speaker 1: so that you know how much they're actually hurting. If
• 46:20
  Speaker 1: you feel uncomfortable watching this, it's because you have generational
• 46:23
  Speaker 1: trauma as well. And that's what we say directly to
• 46:25
  Speaker 1: the camera at the end of.
• 46:26
  Speaker 3: The scene becomes an ad and it goes, do you
• 46:29
  Speaker 3: have generation?
• 46:31
  Speaker 4: Do you well?
• 46:33
  Speaker 1: Do you?
• 46:33
  Speaker 3: We stole a personal injury attorney's office for.
• 46:36
  Speaker 5: That nothing better than stealing an office.
• 46:42
  Speaker 3: Any advice for any filmmakers, Just get the permits.
• 46:46
  Speaker 8: Can we play the.
• 46:46
  Speaker 1: Clip from the personal injury attorney scene? That's that's one
• 46:50
  Speaker 1: of my favorite shots in all of films.
• 46:55
  Speaker 5: Hey you there, do you have generational drama?
• 46:58
  Speaker 4: Mom? I don't know why you're bringing this accident to
• 47:02
  Speaker 4: an attorney?
• 47:03
  Speaker 5: Do you need to get Did this movie touch you
• 47:06
  Speaker 5: in a certain way?
• 47:07
  Speaker 1: He can help us. I don't know where else to turn.
• 47:11
  Speaker 5: In here listen to my favorite personal injury attorney, Bob Son.
• 47:17
  Speaker 1: I've been hurt, We've been hurt. We've been hurt as
• 47:25
  Speaker 1: a family.
• 47:28
  Speaker 4: I know we've been hurt. About time to move on. Mom,
• 47:32
  Speaker 4: just buried and move on. No, just like I did.
• 47:36
  Speaker 1: Your father would still be here if it weren't for
• 47:38
  Speaker 1: that motorcycle.
• 47:39
  Speaker 7: How that's that the hospital he was personally call the hospital,
• 47:45
  Speaker 7: carl the hospital arts and call us back later.
• 47:47
  Speaker 8: Are you thinking of he was.
• 47:53
  Speaker 1: Chicken rap?
• 47:54
  Speaker 5: What my Santa by chicken ram?
• 47:57
  Speaker 7: I don't like that right now? Wow?
• 48:03
  Speaker 4: Wow, crazy to steal it on the day that they
• 48:09
  Speaker 4: were shooting that.
• 48:09
  Speaker 7: Commercial next to the woman, Well she got another oscar
• 48:13
  Speaker 7: now she got to She got nominated twice for the
• 48:16
  Speaker 7: same woman, which is crazy because it's I mean, it's uncanny.
• 48:21
  Speaker 7: It's crazy woman who was.
• 48:28
  Speaker 4: In the person deligiury attorney's office.
• 48:30
  Speaker 1: I love that we get to see the inner workings
• 48:33
  Speaker 1: of relationships between co workers.
• 48:36
  Speaker 4: But this is the thing about this movie. I mean,
• 48:37
  Speaker 4: it was so avant garde. Parts the ride ups have
• 48:41
  Speaker 4: been delicious Indie wire Rope, Delicious Collider Collider Vulture Collider gushed.
• 48:51
  Speaker 3: The article gushed, but honestly, I sent them. I sent
• 48:55
  Speaker 3: them a towel in the mail.
• 48:58
  Speaker 5: We did that with peanuts.
• 48:59
  Speaker 1: Good job, because you were gushing.
• 49:06
  Speaker 3: Thanks for the gush.
• 49:08
  Speaker 5: Here's a towel for your seat. Thanks for the gush.
• 49:11
  Speaker 4: Like all these articles are writing like what they think
• 49:14
  Speaker 4: the film means, and I was just going to actually ask,
• 49:17
  Speaker 4: like personally, like do you guys think any of them
• 49:19
  Speaker 4: are right? Do you guys think any of them are wrong?
• 49:22
  Speaker 1: This film is kind of.
• 49:24
  Speaker 4: Go ahead.
• 49:26
  Speaker 3: No, you don't have to give it away. This is
• 49:27
  Speaker 3: your film, you wrote it.
• 49:28
  Speaker 8: No, this is part of.
• 49:32
  Speaker 1: Being a lady director is stopping talking sometimes. I will, however,
• 49:42
  Speaker 1: say this movie was about for me, it was about
• 49:48
  Speaker 1: you doesn't know.
• 49:50
  Speaker 4: Economy, the economy, economy?
• 49:53
  Speaker 1: Okay, okay, it was about.
• 49:59
  Speaker 3: You never said that an interview before. You've said it many.
• 50:03
  Speaker 8: Have I not said that?
• 50:04
  Speaker 1: How about it wasn't a big part of the writing process.
• 50:06
  Speaker 3: We're talking about the woman. Remember what.
• 50:13
  Speaker 5: This is about the econ because she wrote it in
• 50:15
  Speaker 5: a calculat.
• 50:20
  Speaker 1: Well, okay, I guess, I guess I could have sworn
• 50:23
  Speaker 1: I told you that whole story it was about grocery
• 50:26
  Speaker 1: store inflation. Don't change the Are you sure this is
• 50:30
  Speaker 1: what I've been saying in interviews these grocery stores. One
• 50:34
  Speaker 1: thing I'd like to buy instead of paper or plastic
• 50:36
  Speaker 1: is a better meal. I'm trying. I'm trying to make
• 50:43
  Speaker 1: this my my my, m M flip okay, trying to
• 50:49
  Speaker 1: have a viral moment. I've been talking to Michelley. We've
• 50:52
  Speaker 1: been we've been trying to workshop something for me. Okay,
• 50:54
  Speaker 1: just want you just like fire them ount do a
• 50:58
  Speaker 1: couple of Okay, just a couple of there without one
• 51:00
  Speaker 1: hundred people in a room, something that everyone has been saying,
• 51:06
  Speaker 1: we need them.
• 51:06
  Speaker 5: So let's just do a book fire.
• 51:08
  Speaker 1: Where's the lady in the bathroom.
• 51:11
  Speaker 9: I'll take one, please, writer, She's gonna go through about
• 51:22
  Speaker 9: five or six, just a jumble of work, just through
• 51:27
  Speaker 9: the where.
• 51:30
  Speaker 1: Take out the typewriter. Clickety clank. That's a movie closed
• 51:34
  Speaker 1: around my eyes see Oppenheimer. Okay, another.
• 51:44
  Speaker 3: Another the other movies Summer Summer Flowers and summer branches.
• 51:48
  Speaker 4: Right here we go.
• 51:51
  Speaker 3: That's profound you to be good with words in a way.
• 51:54
  Speaker 1: That it all licketty splick lickety splick, lickety splat. That's
• 52:01
  Speaker 1: a movie time for me, splic I can't wait.
• 52:07
  Speaker 8: I can't wait.
• 52:12
  Speaker 1: For viral. I like, okay, chopsticks on the piano and
• 52:18
  Speaker 1: I'm talking.
• 52:19
  Speaker 7: Now, almost charged for that one, and then sort of
• 52:27
  Speaker 7: like reclaiming my time.
• 52:31
  Speaker 3: Self empowerment at the end.
• 52:33
  Speaker 8: Okay, we have to burn through the moment.
• 52:34
  Speaker 1: We have to burn the ball to get.
• 52:37
  Speaker 3: This one. And we've pro the one.
• 52:40
  Speaker 1: I can promise this is the viral moment. You're gonna
• 52:43
  Speaker 1: chop it up. You're gonna put it all in there.
• 52:46
  Speaker 1: This one lights camera action spaghetti Mama movie.
• 52:55
  Speaker 3: So it didn't land, she didn't get there.
• 52:59
  Speaker 4: It's speaking more legs.
• 53:05
  Speaker 5: You're so special, you're so specially Actually, you're such.
• 53:09
  Speaker 3: A tell you and i'm speaking now.
• 53:18
  Speaker 5: And I'm speaking.
• 53:20
  Speaker 8: Yea was not just.
• 53:27
  Speaker 4: She was red yet, right, Chop that up.
• 53:31
  Speaker 1: They're gonna put it back to back. They're gonna make compilations,
• 53:33
  Speaker 1: they're gonna make dances on it, mark my words.
• 53:36
  Speaker 6: Okay, formally, before we leave, everyone just fire out some
• 53:39
  Speaker 6: viral stuff.
• 53:40
  Speaker 3: Okay, wait before we I do want to know what
• 53:42
  Speaker 3: that what you're doing next?
• 53:45
  Speaker 5: We're doing the cast of Peanut Piss is going on
• 53:48
  Speaker 5: a Royal Caribbean cruise.
• 53:52
  Speaker 3: That's just what you're doing after this. You guys gonna
• 53:56
  Speaker 3: miss Rodney every day.
• 53:58
  Speaker 5: We're gonna miss him.
• 54:00
  Speaker 1: Now, can fans come on this cruise?
• 54:02
  Speaker 8: Yes?
• 54:02
  Speaker 1: Okay?
• 54:03
  Speaker 3: Is it a peanut steam cruiser? Just a regular cruise.
• 54:05
  Speaker 5: We're just going on the cruise. And if you come
• 54:08
  Speaker 5: for us, we get like a voucher.
• 54:10
  Speaker 1: Okay, you get.
• 54:14
  Speaker 3: Is this a business or just a business model? Our
• 54:18
  Speaker 3: cruise is not all inclusive charging you anything.
• 54:22
  Speaker 1: It's a cash only cruise.
• 54:25
  Speaker 8: You a lot of cash on that cruise.
• 54:27
  Speaker 3: The ticket gets you on the boat, but then you're
• 54:30
  Speaker 3: on your own.
• 54:31
  Speaker 8: Your way.
• 54:32
  Speaker 6: And then if you come for Peanut Piss and the cast,
• 54:34
  Speaker 6: we get a drink ticket voucher thing.
• 54:36
  Speaker 1: Wow, are you looking forward to it?
• 54:38
  Speaker 4: Go on that cruise?
• 54:40
  Speaker 3: Get veta drink ticket that I'm.
• 54:43
  Speaker 5: Working on some stupid shop with Chloe's.
• 54:45
  Speaker 6: Outupid, But I'm excited about the cruise.
• 54:49
  Speaker 5: What about you, mister Swiss?
• 54:51
  Speaker 8: Uh?
• 54:52
  Speaker 7: You know at this point, I'm in between. If any
• 54:54
  Speaker 7: of these projects need a DP city bank, oh my
• 54:59
  Speaker 7: rap album, I'd like to move away from this project. Personally,
• 55:05
  Speaker 7: I've been wrapped up.
• 55:07
  Speaker 3: I've been wrapped quite a quite a bit.
• 55:10
  Speaker 4: When you drop a bomb over Vietnam, it's not just
• 55:13
  Speaker 4: the Viet Cong. It's everybody pretty good though.
• 55:19
  Speaker 3: That's good.
• 55:20
  Speaker 7: It's everybody a few a few decades late and in
• 55:25
  Speaker 7: a and in an art form that at the time
• 55:27
  Speaker 7: I think maybe.
• 55:27
  Speaker 4: People would.
• 55:31
  Speaker 8: Korea.
• 55:32
  Speaker 4: We gotta get to the bottom of this indecision. It's
• 55:36
  Speaker 4: interesting he's picking such old wars. It's picking old wars.
• 55:39
  Speaker 3: Yeah. Well but yeah, so if any if any of
• 55:42
  Speaker 3: you guys need a DPU.
• 55:44
  Speaker 4: Well, well don't be so. I say, you're doing those
• 55:47
  Speaker 4: really cool TikTok videos.
• 55:49
  Speaker 7: I am doing some cool TikTok videos right now with
• 55:52
  Speaker 7: that pimple popper, With that pimple popper, I'm filming and
• 55:55
  Speaker 7: we're doing We're doing some pretty cool.
• 55:57
  Speaker 3: Some pretty cool stuff.
• 55:58
  Speaker 2: We did the flip a switch trent from five years
• 56:03
  Speaker 2: ago somebody, and then they didn't have we didn't.
• 56:09
  Speaker 3: Show the popping. What we're doing now with the pimple
• 56:14
  Speaker 3: popper TikTok is we're not showing the popping because it's yucky.
• 56:17
  Speaker 8: Yea.
• 56:18
  Speaker 7: And I came in and I said, why that you're
• 56:20
  Speaker 7: showing nasty stuff, Good for you, let's just show before And.
• 56:24
  Speaker 1: As I respect this so much, why are we showing it?
• 56:27
  Speaker 7: It's gross? It's yucky, it's nasty. People don't want to
• 56:30
  Speaker 7: see that. People just want to see that a pimple
• 56:32
  Speaker 7: is no longer there.
• 56:33
  Speaker 4: Yeah, that's where absolutely, And I'm rapping and I'm really
• 56:41
  Speaker 4: excited about that rap album coming out soon. Whenever I
• 56:46
  Speaker 4: get beats, I will be adding that.
• 56:50
  Speaker 1: You're looking for beat, you have it.
• 56:51
  Speaker 3: You don't have a single beat, not a beat.
• 56:53
  Speaker 4: It's all a cappella bits.
• 56:54
  Speaker 3: You're doing all this a cappella straight to his face,
• 56:56
  Speaker 3: straight to my straight face.
• 56:58
  Speaker 4: You drop a nuke on me. Well, it's not just
• 57:02
  Speaker 4: gonna be me because pop pop, pop pop goes the
• 57:06
  Speaker 4: shooter man. But guess who's affected?
• 57:09
  Speaker 1: Every man changing, are gonna change.
• 57:13
  Speaker 3: It's gonna be a difference, Gonna add some structure.
• 57:16
  Speaker 4: Why war? Why fight? Why battle?
• 57:21
  Speaker 1: Get off?
• 57:21
  Speaker 4: Why strive? Get off and put every down your gun,
• 57:25
  Speaker 4: soldier man, get off.
• 57:27
  Speaker 3: And soldier man and get.
• 57:28
  Speaker 4: To the plan. Soldier man, soldier man, soldier.
• 57:35
  Speaker 1: Sold They come alive. When there's eye contact, I am
• 57:39
  Speaker 1: kind of sold And then every time you look away,
• 57:41
  Speaker 1: I'm like, oh, it's not really a song. Oh it's
• 57:43
  Speaker 1: not really a song. And then it's a song, and
• 57:45
  Speaker 1: then it's not.
• 57:47
  Speaker 3: Well we should do some viral.
• 57:49
  Speaker 5: Let's close it because because those aren't gonna get us anything.
• 57:52
  Speaker 3: So you know, keyboard.
• 57:59
  Speaker 5: And I talking now talking now come on multif and.
• 58:04
  Speaker 3: Some don't be feeble go see it in Theodore's.
• 58:13
  Speaker 8: Get pretty good.
• 58:17
  Speaker 1: This is good.
• 58:18
  Speaker 3: Thank you guys. Sorry, I'm more of a rewriter. So
• 58:21
  Speaker 3: if somebody has something that's good.
• 58:24
  Speaker 4: To guy ship what happened with your arm?
• 58:29
  Speaker 3: I know you kind of when you get put on
• 58:31
  Speaker 3: the spot, you sort of slip back into a three
• 58:32
  Speaker 3: year old trying to rhyme it a little bit, you know,
• 58:37
  Speaker 3: feeble and very you guys do a viral thing.
• 58:47
  Speaker 1: Feeble mom, got me acting like, actually, that's good work.
• 58:54
  Speaker 5: And you could do like the hair shift or something
• 58:56
  Speaker 5: before they're good.
• 58:58
  Speaker 7: Got me like, yeah, maybe something like feeble mom, feeble child,
• 59:09
  Speaker 7: that was really good. Your more feeble child, you flip
• 59:13
  Speaker 7: if your more people, mom, you flip it. You're not
• 59:15
  Speaker 7: feeble yeah mom?
• 59:17
  Speaker 4: Oh yeah, oh like like okay, this I'm doing a test.
• 59:21
  Speaker 4: Whatever video landed on your page, you have to respond to, right,
• 59:25
  Speaker 4: this is the video for feeble mom.
• 59:28
  Speaker 1: Oh this is group seven.
• 59:30
  Speaker 3: If this is coming across your your feeble mom, you
• 59:33
  Speaker 3: use your Feeble We used him in Parlam. Maybe we
• 59:36
  Speaker 3: can use the viral sound.
• 59:37
  Speaker 1: Yes, it comes.
• 59:40
  Speaker 3: It's just your famous line for the movie.
• 59:47
  Speaker 1: Hm, I'm shy.
• 59:51
  Speaker 7: That's I'm shot delivery turning the camera the longer version
• 59:59
  Speaker 7: of the sound.
• 1:00:01
  Speaker 8: I love.
• 1:00:02
  Speaker 1: That line meant so much to me and when I well,
• 1:00:06
  Speaker 1: I was just going to say, when I wrote it
• 1:00:08
  Speaker 1: in in guitar tabs as one one for one one,
• 1:00:12
  Speaker 1: you really brought it to life. And then you brought
• 1:00:14
  Speaker 1: it to life and I really appreciate that. Thank you
• 1:00:17
  Speaker 1: so much, so thank you for doing that. Guys, watch
• 1:00:21
  Speaker 1: the Oscars, Watch the.
• 1:00:22
  Speaker 7: Oscars, Guys, Woman Feeble Child on Scoogie plus, Scoogy plus plus.
• 1:00:32
  Speaker 4: It's been out technically for two and a half years now,
• 1:00:34
  Speaker 4: and our run has just been that long. Yeah, Tribeca
• 1:00:37
  Speaker 4: twenty twenty three run was amazing.
• 1:00:40
  Speaker 5: It was amazing. It's like slam Dance, but sun Dance
• 1:00:42
  Speaker 5: rebeca yesh.
• 1:00:44
  Speaker 4: Tribeca and to VOD and then we got picked up
• 1:00:48
  Speaker 4: by Paramount and then they finally released us two theaters
• 1:00:52
  Speaker 4: and then now we're finally getting the roses, those goddamn flowers.
• 1:00:57
  Speaker 1: Well, here's what I could say, Welcome to the flower shop.
• 1:01:07
  Speaker 3: Flowers. This has been Artists on Artists on Artists and
• 1:01:10
  Speaker 3: artist answer the question. Now, that's why they call it
• 1:01:11
  Speaker 3: show business. Give it up for our guest, Andrews Mute
• 1:01:15
  Speaker 3: Follow you Instagram, Andrew Mute.
• 1:01:18
  Speaker 8: Yeah.
• 1:01:21
  Speaker 4: From The Beautiful Dynasty type.
• 1:01:24
  Speaker 1: Writer John Patreon will talk about this more.
• 1:01:26
  Speaker 8: Okay, bye bye.
• 1:01:28
  Speaker 1: Artists on Artists on Artists on Artists is an improvised
• 1:01:31
  Speaker 1: Hollywood round table podcast created, performed, and produced by Kylie Raikman,
• 1:01:35
  Speaker 1: Jeremy Colhayne, Angela Girtana, and Patrick McDonald. Music is by
• 1:01:39
  Speaker 1: Gabriel Pontan. The opinions expressed on this podcast do not
• 1:01:43
  Speaker 1: reflect the opinions of anyone who works on it, not
• 1:01:46
  Speaker 1: even the performers, because this is an improvised podcast and
• 1:01:49
  Speaker 1: we're stupid. Both video versions of AOA O AOA are
• 1:01:53
  Speaker 1: available on YouTube, so please like and subscribe and leave
• 1:01:55
  Speaker 1: us a five star review wherever you get your podcasts.
• 1:01:58
  Speaker 1: That's all for now, a night, Hollywood. H