Latest / The Bootleg Kev Podcast / #148 - Murda Beatz

Transcript

#148 - Murda Beatz · The Bootleg Kev Podcast

• 0:05
  Speaker 1: Murder Beats, Murder on the Beats and it's not nice. Hey,
• 0:11
  Speaker 1: we got a dope interview with Murder Beats, renowned producer,
• 0:14
  Speaker 1: legendary guy, Canadian, Caucasian, et cetera. Coming up, man, shout
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• 2:01
  Speaker 1: with Murder Beats you bit you all right, man? Look,
• 2:04
  Speaker 1: we got a special guest in here. Bulet keV Show,
• 2:06
  Speaker 1: Murder Beats. Welcome man, legendary producer. You know, I would
• 2:11
  Speaker 1: say most producers have like eras, right, Like growing up
• 2:15
  Speaker 1: we had like you know, there was like the Heat
• 2:18
  Speaker 1: Makers and the Dipset Shit or Timberland. And you've had
• 2:21
  Speaker 1: like a nice eight nine year run now. Uh, I'll
• 2:25
  Speaker 1: say about like five six years. Like I've been making
• 2:28
  Speaker 1: beats for ten years so well, because like what the
• 2:30
  Speaker 1: first Migo shit that you were a part of it
• 2:32
  Speaker 1: was twenty four. I mean that was like eight years ago. Goddamn. Yeah,
• 2:36
  Speaker 1: I mean we're kind of in the Murder Beats decade
• 2:38
  Speaker 1: here kind of. Yeah, man, it's kind of crazy. Well,
• 2:41
  Speaker 1: welcome man. Yeah, I feel like it's long overdue. Shout
• 2:46
  Speaker 1: out to the new record with Wale and Blast. Kind
• 2:52
  Speaker 1: of like a different type of vibe for you as
• 2:54
  Speaker 1: far as like just what we're used to hearing, like
• 2:56
  Speaker 1: a Murder Beats tag on what was your inspiration? Obously
• 3:00
  Speaker 1: you're out here in La so I'm sure I mean
• 3:01
  Speaker 1: you hear Blast every Yeah I do. I'm a fan
• 3:03
  Speaker 1: of Blast, you know what I'm saying. So I was
• 3:06
  Speaker 1: actually six months ago, I was in Miami working with
• 3:08
  Speaker 1: Rick Ross. We were at Circle House. You know what
• 3:10
  Speaker 1: I'm saying. I love Circle House. Yeah. So I was
• 3:12
  Speaker 1: cooking up some shit kind of the beat. The record
• 3:15
  Speaker 1: kind of sounds like a Miami tropic hood does kind
• 3:17
  Speaker 1: of sound like a feel good record. So someone was like, Yo,
• 3:20
  Speaker 1: you want to meet Blast. I was like, yeah, bring
• 3:21
  Speaker 1: him in the studio. He came in the studio and
• 3:24
  Speaker 1: I met him. I like pulled up that beat. He
• 3:26
  Speaker 1: banged it out quick. I was like, this shit fire
• 3:28
  Speaker 1: and then Walle was in the other room. I went
• 3:30
  Speaker 1: and grab all A. He wrote his verse, did it quick.
• 3:32
  Speaker 1: And then I was like, man, I'm taking this one. Wow.
• 3:34
  Speaker 1: All in Miami, Yeah, wow, crazy, Like one day shout
• 3:37
  Speaker 1: out to Circle House for people who don't know, it's
• 3:39
  Speaker 1: like a house in a neighborhood in Miami. Circle House
• 3:42
  Speaker 1: that's like a renowned studio that you would never even
• 3:45
  Speaker 1: know was there if you never know normal ass Like
• 3:49
  Speaker 1: it's just a it's like a really nice house with
• 3:51
  Speaker 1: studios in it. Yeah, it's literally just like a normal
• 3:53
  Speaker 1: crib and like a normal neighborhood. And you know, how
• 3:56
  Speaker 1: did you Okay? So like you kind of obviously got
• 3:59
  Speaker 1: introduced in the game, at least from my understanding. When
• 4:02
  Speaker 1: I first started hearing you was through the Migos. What
• 4:05
  Speaker 1: was your initial introduction with them? Being a kid from
• 4:08
  Speaker 1: Canada being it at that time the Migos were active
• 4:12
  Speaker 1: out here because I lived in Tampa when the Migos
• 4:15
  Speaker 1: started to pop and them, dudes, was they was really
• 4:18
  Speaker 1: out here. They were really out here, do mad shows,
• 4:20
  Speaker 1: had their mcm bags on, fucking shootouts and ship all
• 4:23
  Speaker 1: kinds of crazy shit was popping off. But how did this?
• 4:26
  Speaker 1: How did those two worlds connect? So I just connected
• 4:29
  Speaker 1: with them on Twitter like that. I was hitting up
• 4:30
  Speaker 1: everyone on Twitter, Facebook, YouTube, I was just hitting people up.
• 4:34
  Speaker 1: So I just like hit up one of their boys.
• 4:35
  Speaker 1: I was like, yo, play play some of the play
• 4:38
  Speaker 1: some of my beats for them, and I'm going to
• 4:40
  Speaker 1: give you some beats to rap on. At the time,
• 4:41
  Speaker 1: this guy wasn't even rapping. He was like, I'm actually
• 4:43
  Speaker 1: engineering them, So send the pack. I sent the pack
• 4:46
  Speaker 1: and then from there, you know what I'm saying, that easy. Yeah,
• 4:48
  Speaker 1: it's crazy because nowadays way harder to do that. Think
• 4:52
  Speaker 1: about like dming someone like, no one's gonna check your DM.
• 4:55
  Speaker 1: It's crazy. That's where like people always ask me for
• 4:58
  Speaker 1: advice and stuff. I'm like, I don't even know what
• 4:59
  Speaker 1: kind of advice give somebody, because what worked for me,
• 5:01
  Speaker 1: it's going to be hard to work for someone else.
• 5:03
  Speaker 1: Back in the day, like there wasn't a lot of
• 5:05
  Speaker 1: people trying to be a producer. It wasn't cool to
• 5:07
  Speaker 1: be in music. It was very like unrealistic, so everyone
• 5:10
  Speaker 1: kind of like stayed away from it. So like, but
• 5:13
  Speaker 1: like with the Internet and how the Internet was working
• 5:14
  Speaker 1: and stuff, I used that to my advantage because like
• 5:17
  Speaker 1: I was just a kid from Canada. I'm from a
• 5:18
  Speaker 1: town of thirty thousand people, like what part of Canada, Like,
• 5:21
  Speaker 1: I'm from like Niagara region, So it's like, yeah, just
• 5:23
  Speaker 1: outside of Niagara Fall. While you're a Buffalo fan, you
• 5:26
  Speaker 1: know what I'm saying. There we go. So like I
• 5:28
  Speaker 1: was like, I grew up on the border of Buffalo
• 5:30
  Speaker 1: and a small town thirty thousand people. So I've been
• 5:33
  Speaker 1: to Buffalo. It's a pretty fucking wild place. It is
• 5:36
  Speaker 1: pretty wild. I'm not gonna lie. It's very like when
• 5:38
  Speaker 1: I went there and like hung out with Conway and
• 5:40
  Speaker 1: uh and Westside Gun and I was like I get
• 5:42
  Speaker 1: it now, I get why you guys are real shit
• 5:44
  Speaker 1: rap about the shit you wrap about, because that shit
• 5:46
  Speaker 1: looked like it's like the it's the poorest part of America.
• 5:48
  Speaker 1: I was gonna say, when I think of Cleveland in
• 5:51
  Speaker 1: my head, and then I went to Buffalo. I've never
• 5:54
  Speaker 1: been to Cleveland, but I was like, this is what
• 5:55
  Speaker 1: I'm when I think of Cleveland, I think of this,
• 5:57
  Speaker 1: but it's Buffalo. So when I first started going to Chicago,
• 6:00
  Speaker 1: I was like, and we were in the wild one hundreds,
• 6:03
  Speaker 1: the South sidn all like these crazy plays you be
• 6:05
  Speaker 1: hearing about. I'm like, this shit looks just like Buffalo. Yeah,
• 6:07
  Speaker 1: Buffalo's crazy. So I went back to Buffalo like damn,
• 6:09
  Speaker 1: like you know, but funny story about Conway and them,
• 6:12
  Speaker 1: I was like, I used to go to Buffalo first,
• 6:13
  Speaker 1: trying to like go to America, get my get my producer,
• 6:16
  Speaker 1: sit up, you know what I'm saying. I used to
• 6:18
  Speaker 1: go pull up on them, and I pulled up on
• 6:20
  Speaker 1: Conway in the studio one day and his boy tried
• 6:21
  Speaker 1: to buy my drums on me for like fifty bucks.
• 6:23
  Speaker 1: I remember, just just like like your file of drum
• 6:27
  Speaker 1: like I was just playing. Be's like your drums are hard, man, Yeah,
• 6:30
  Speaker 1: It's like, can I buy him like, I'm like, shit,
• 6:32
  Speaker 1: I'm watching like fifty bucks. I'm like no, not even
• 6:34
  Speaker 1: like two fifties, like one's seventy five or some shot
• 6:37
  Speaker 1: like was it Darrenger? Nah? I think it was DJ
• 6:41
  Speaker 1: sha rip Oh shout out to DJ Shay rest in peace. Man,
• 6:43
  Speaker 1: Shae's a legend for sure. It's crazy, Yo, that's wild.
• 6:46
  Speaker 1: Did you ever end up having any records with Conway
• 6:50
  Speaker 1: or Ben or any of those guys? Yeah? I did.
• 6:52
  Speaker 1: I did a record on Kanye on Conway's last album,
• 6:55
  Speaker 1: Oh you did, that's right, called Anzia Yeah. Yeah, yeah, yeah,
• 6:58
  Speaker 1: So and that was just because like I'm like, man,
• 7:00
  Speaker 1: we gotta do some shit. We still got to do
• 7:01
  Speaker 1: more shit, like just Finny all these guys just for
• 7:03
  Speaker 1: the region God to do some shit. It's so crazy too,
• 7:06
  Speaker 1: because being on the Canada side of that border, it's
• 7:11
  Speaker 1: a lot easier for you to go back and forth.
• 7:13
  Speaker 1: I got people who are like, you know, some of
• 7:15
  Speaker 1: some of the homies who are part of BSF for
• 7:17
  Speaker 1: or Garzlle, They're like, man, we've lived in Buffalo our
• 7:19
  Speaker 1: whole lives, and we can't even go to fucking Canada.
• 7:20
  Speaker 1: We've never even been into Canada. Yeah, that's probably because
• 7:23
  Speaker 1: they you know, they got felon the same thing with
• 7:25
  Speaker 1: me though. It's like if I got a duy, I
• 7:27
  Speaker 1: wouldn't be able to come to America. Really, if I
• 7:29
  Speaker 1: had a misdemeanor, I wouldn't be able to come to America.
• 7:32
  Speaker 1: Like did you go to like did you grow up
• 7:34
  Speaker 1: going to Buffalo a lot to go to games Man?
• 7:36
  Speaker 1: People people people from Canada go to Buffalo to get
• 7:39
  Speaker 1: fill up their tank of gas because gas is cheaper,
• 7:41
  Speaker 1: go to the store to get groceries because y'all got
• 7:44
  Speaker 1: way more fucking brands and everything. Like so like it's
• 7:47
  Speaker 1: like when you're living on a border town, people go
• 7:49
  Speaker 1: to Buffalo or America all the time. That's like here
• 7:51
  Speaker 1: like border towns, Like people will go to Mexico to
• 7:54
  Speaker 1: get medicine. Do you want or some shit, Because medicine
• 7:57
  Speaker 1: you don't need a prescription to get like a z
• 7:59
  Speaker 1: pac out here, you need a Christians You just go
• 8:00
  Speaker 1: over to Mexico and just get viagra for like twenty dollars.
• 8:04
  Speaker 1: You know. Yeah, there's people where everyone's fucking teeth. All
• 8:08
  Speaker 1: these rappers with their teeth, they're usually going to Mexico
• 8:10
  Speaker 1: to get them things. Done. Yeah, I've been. I've only
• 8:12
  Speaker 1: been to Mexico one time. I went. Uh. I DJed
• 8:15
  Speaker 1: a New Year's party in Cancun like last year during COVID.
• 8:19
  Speaker 1: Did you enjoy it? It was? It was pretty lit,
• 8:21
  Speaker 1: but it was like during like the crazy peak of COVID,
• 8:24
  Speaker 1: it was like, I don't know if we should go.
• 8:25
  Speaker 1: I don't know what we should be doing this. It
• 8:26
  Speaker 1: might be a bad look, you might get shamed. Yeah,
• 8:28
  Speaker 1: you know what I'm saying. But it was fun. Are
• 8:30
  Speaker 1: you you go back home a lot a little bit.
• 8:33
  Speaker 1: I haven't been in like two years since COVID. Rap
• 8:35
  Speaker 1: about to say it's probably a I mean because they
• 8:37
  Speaker 1: pretty much shut the ship down. It Yeah, it was
• 8:39
  Speaker 1: shutting down, opening up, shutting down. Raptors had to play
• 8:42
  Speaker 1: in Tampa last year. That was crazy, Like what the
• 8:44
  Speaker 1: fuck is going on? I wanted to go to some
• 8:46
  Speaker 1: games I never did. That's what I wish they would
• 8:48
  Speaker 1: have did limited edition like Tampa Bay Raptor jerseys. That'd
• 8:52
  Speaker 1: be hard. That would have been hard drop as an
• 8:53
  Speaker 1: NFT you know, yeah, that would have been crazy to
• 8:56
  Speaker 1: the Raptors. So let's talk about your tag, cause you
• 9:00
  Speaker 1: have one of the more iconic tags in hip hop.
• 9:02
  Speaker 1: Uh and I always say, you know, I had a
• 9:04
  Speaker 1: conversation with hit Boy and Hippoy was saying for the
• 9:06
  Speaker 1: longest time he didn't have a tag, and I kind
• 9:08
  Speaker 1: of heard him because you know, we think of like
• 9:09
  Speaker 1: hit Boy as like one of the more legendary producers
• 9:11
  Speaker 1: of all time, but some of his biggest hit boys
• 9:14
  Speaker 1: don't have his name on him as you know, So
• 9:16
  Speaker 1: he started using a tag. Your tag is very iconic
• 9:19
  Speaker 1: at this point, how did you find your tag? Like
• 9:22
  Speaker 1: like kind of break down the story of how you
• 9:24
  Speaker 1: got your tag. So the the murder on the Beato
• 9:26
  Speaker 1: is not nice tag? Me and Boka shout out Tobacca,
• 9:30
  Speaker 1: shout out to Bacca. We were we were like recording
• 9:32
  Speaker 1: in Toronto and then like he just said that on
• 9:34
  Speaker 1: the track and I was like, I should kind of
• 9:35
  Speaker 1: use that. Then one day Sunny Digital was in Toronto
• 9:38
  Speaker 1: and I was like, yo, like should I use this
• 9:40
  Speaker 1: to the tag? And I played the song He's like
• 9:41
  Speaker 1: you should, you should try it out, and then started
• 9:44
  Speaker 1: using it and then Drake told me to put it
• 9:45
  Speaker 1: on everything from there on them That's all it came about.
• 9:48
  Speaker 1: And now it but like my old mamma murder tag.
• 9:52
  Speaker 1: I got that ship, like I like bought it off
• 9:54
  Speaker 1: some guy on the internet for like twenty bucks. He
• 9:56
  Speaker 1: like made it for me, and I wanted that because
• 9:58
  Speaker 1: I was on mixtapes and shiit what I'm saying. So
• 10:01
  Speaker 1: when you're listening to a mixtape, no label, to some
• 10:04
  Speaker 1: old kind of mixtape, you listen, you hear my tag,
• 10:06
  Speaker 1: you'd see produced by Murder. That's what was driving like
• 10:09
  Speaker 1: beat sales. People will hit me up on Twitter whatever,
• 10:12
  Speaker 1: like yo' second advertising. You know what I'm saying. That
• 10:14
  Speaker 1: was how I was getting money. So I was trying
• 10:15
  Speaker 1: to like promote myself and build my brand. You know, No,
• 10:18
  Speaker 1: you've done a good job at that when you first
• 10:21
  Speaker 1: started to kind of like I always feel like with
• 10:23
  Speaker 1: producers now, there's so many different avenues for you to
• 10:26
  Speaker 1: be like support yourself as a producer because we always
• 10:30
  Speaker 1: think like the placement game is like such a tough
• 10:34
  Speaker 1: game if you're an up and coming producer, like chasing placements,
• 10:37
  Speaker 1: going to the studio, trying to get your beats in
• 10:39
  Speaker 1: the right people, especially now too mecaus. Now, it's like
• 10:42
  Speaker 1: when I was coming up, there was probably like five
• 10:45
  Speaker 1: hundred producers, thousand producers trying to do it on the internet.
• 10:47
  Speaker 1: Now there's like ten million, it's wild, fifty million literally,
• 10:51
  Speaker 1: like fifty million kids to do it. So it's like
• 10:54
  Speaker 1: if you're trying to chase a placement on an album
• 10:56
  Speaker 1: and you get that album cut on a big artist,
• 10:58
  Speaker 1: like how are you supposed to even be the brand
• 11:00
  Speaker 1: off that? Right? You know? Like I feel like the
• 11:02
  Speaker 1: biggest way for a producer to build nowadays is to
• 11:07
  Speaker 1: build come up with an artist and build a sound,
• 11:10
  Speaker 1: you know what I mean? Yeah, Like find an artist
• 11:12
  Speaker 1: that you fuck with, do the whole album. Then they
• 11:16
  Speaker 1: blow up and then you know what I'm saying that,
• 11:17
  Speaker 1: I feel like that's like the best way to build
• 11:19
  Speaker 1: a brand, yeah, because you build a sound, you know
• 11:21
  Speaker 1: what I mean. I think the uh, what's the one
• 11:23
  Speaker 1: kid's name, Uh, Logic's producer him, Like Logics producer did
• 11:27
  Speaker 1: like all of his shit, and like obviously that dude's
• 11:29
  Speaker 1: got Grammy and all that shit. But yeah, and then
• 11:31
  Speaker 1: and then you're like associated with an act and like
• 11:33
  Speaker 1: that shit goes a long way, you know what I'm saying. Yeah,
• 11:36
  Speaker 1: I mean you kind of like in a way kind
• 11:37
  Speaker 1: of did that with the Begos early on you know,
• 11:39
  Speaker 1: you were kind of synonymous with like what they were doing.
• 11:41
  Speaker 1: Because the thing is with them is like back then,
• 11:43
  Speaker 1: like they were only fucking with like three four producers
• 11:46
  Speaker 1: and I was one of them, or like three to five.
• 11:48
  Speaker 1: They had like a few, you know what I mean,
• 11:49
  Speaker 1: But like they were not fucking with anyone else's beats,
• 11:51
  Speaker 1: and like no one could get ahold of them, so
• 11:53
  Speaker 1: like you know what I mean, just being a part
• 11:55
  Speaker 1: of that was like very exclusive and like everybody wanted
• 11:58
  Speaker 1: my beats. What was it like being like a round
• 12:00
  Speaker 1: them in Atlanta in like the early years because it
• 12:03
  Speaker 1: was fun. It had to be crazy, right, Yeah. It
• 12:05
  Speaker 1: was fun though because they're running atl at the time,
• 12:08
  Speaker 1: They're running the streets. Yeah, they were doing shows, shutting
• 12:11
  Speaker 1: clubs down, going crazy. We used to have fun at
• 12:13
  Speaker 1: the crib. She was fun. What was the first kind
• 12:17
  Speaker 1: of hit that really popped in the club for you
• 12:19
  Speaker 1: that you did for them? Was it Pipe It Up?
• 12:20
  Speaker 1: Emms Smith? Emmitt Smith? That ship was crazy. I remember
• 12:24
  Speaker 1: going on the road with them and like seeing it
• 12:25
  Speaker 1: on like BT, like on the TV. It was about
• 12:28
  Speaker 1: the first time I ever heard my tag on the TV.
• 12:29
  Speaker 1: I was like, Damn, it's crazy. I had like no money.
• 12:32
  Speaker 1: Everyone back home thought I was like rich like everyonellions.
• 12:35
  Speaker 1: Of course. It was like this ship was crazy man,
• 12:38
  Speaker 1: But Emms Smith, you know what I'm saying. That was
• 12:39
  Speaker 1: like the first time I even seen people dabbing a
• 12:41
  Speaker 1: music video. That was like when the dab that, they
• 12:44
  Speaker 1: were like, oh that was yeah. And then Pipe it
• 12:48
  Speaker 1: Up really blew up. The day was crazy, crazy a moment.
• 12:52
  Speaker 1: That was my first hit though. Pipe It Up was
• 12:54
  Speaker 1: like a hit. I remember like playing that ship in
• 12:56
  Speaker 1: Florida and radio going crazy, Oh my god, pipe it
• 12:59
  Speaker 1: Up was one of them. One I got my first
• 13:00
  Speaker 1: like twenty thousand dollars check off that song. Wow, And
• 13:04
  Speaker 1: I was like we were like, we made it. That's
• 13:05
  Speaker 1: a nice chunk of change. Yeah, you know what I'm saying.
• 13:09
  Speaker 1: But we're talking about producers like kind of monetizing their shit. Now.
• 13:12
  Speaker 1: You know, there's people would still do beat leases, and
• 13:15
  Speaker 1: then there's like obviously like I feel like one of
• 13:18
  Speaker 1: the more like slept on ways that people find beats.
• 13:20
  Speaker 1: And I know this because we'll have artists come in
• 13:23
  Speaker 1: and they'll be like, yo, yo, here's the YouTube link.
• 13:25
  Speaker 1: It's like these type beats on YouTube. Hell yeah, A
• 13:28
  Speaker 1: lot of upcoming artists and a lot of like made
• 13:31
  Speaker 1: artists still be doing that going. They'll type in their
• 13:34
  Speaker 1: own name, type beat, make a bunch of songs. You know.
• 13:36
  Speaker 1: That shit happens a lot. We've had so many artists
• 13:39
  Speaker 1: come in be like, y'all want to do a freestyle
• 13:41
  Speaker 1: over this, but it's there's some beat on YouTube, and
• 13:43
  Speaker 1: then it'll be like their own name type beat, and
• 13:45
  Speaker 1: they'll be like, what the fuck do you even know
• 13:46
  Speaker 1: this guy? Like na na just fuck with the beat
• 13:48
  Speaker 1: on YouTube. I'm like, yeah, that's how I started. I
• 13:50
  Speaker 1: used to do type beats. Every producer's type beat on YouTube,
• 13:53
  Speaker 1: walk a flock of type beats, some dunkin type beats,
• 13:56
  Speaker 1: all these type beats, and I used to like drive traction,
• 13:58
  Speaker 1: like when Cheeky was hot, I do you keep type beat?
• 14:01
  Speaker 1: I had to beat. I remember I had to beat.
• 14:02
  Speaker 1: It was like two hundred and fifty thousand views and
• 14:04
  Speaker 1: shit like that's a lot on a vado. Oh yeah,
• 14:06
  Speaker 1: So you were kind of like already kind of doing
• 14:08
  Speaker 1: your thing a little bit in the producer space. Yeah,
• 14:10
  Speaker 1: Like I remember like there was like the Internet producers
• 14:12
  Speaker 1: and shit. Yeah, like we were doing our thing and
• 14:14
  Speaker 1: then I started like showing like what I looked like
• 14:17
  Speaker 1: and shit, and I was like, oh shit, like who's this?
• 14:19
  Speaker 1: Nobody ever would have thought you looked this way? Yeah,
• 14:21
  Speaker 1: And then like I feel like that was more like
• 14:22
  Speaker 1: a wow, like damn, what the fuck he's from Canada,
• 14:25
  Speaker 1: Like everyone else kind of just had like their graphic
• 14:27
  Speaker 1: up on their on their Twitter and shit. I was like, man,
• 14:30
  Speaker 1: I want to build my face, caud. I don't want
• 14:31
  Speaker 1: people to know what I look like. You know, who
• 14:33
  Speaker 1: was with all the people you've worked with, You've worked
• 14:36
  Speaker 1: with everyone, Drake, Travis, we can go on, Nikki, et cetera.
• 14:40
  Speaker 1: As far as like in studio experience whose creative process
• 14:44
  Speaker 1: is like the most meticulous where you're just like, yo,
• 14:47
  Speaker 1: this this is like different because I always hear like
• 14:49
  Speaker 1: guys like doctor Dre's creative process is insane, Like he's
• 14:52
  Speaker 1: so particular about like the smallest ship. And I've been
• 14:55
  Speaker 1: in sessions with artists that like care about ship that
• 14:58
  Speaker 1: you wouldn't even like think of, who's that artist that
• 15:00
  Speaker 1: you've been in with that's just very over the top
• 15:03
  Speaker 1: with just caring about the small details them. Hmmm. Probably
• 15:09
  Speaker 1: just like I don't know, I feel like a lot
• 15:11
  Speaker 1: of artists do, but definitely like the Atlanta artists like Quevo,
• 15:15
  Speaker 1: the Migos, the Future, I feel like guys that just
• 15:19
  Speaker 1: freestyle everything they do. But then like they're also like
• 15:21
  Speaker 1: so like aware of like how they're saying it, like
• 15:24
  Speaker 1: their tone and like their vocals and shit, Like that's
• 15:26
  Speaker 1: pretty crazy, you know what I'm saying. I have this
• 15:28
  Speaker 1: thing that I always say about producers, like I mean
• 15:31
  Speaker 1: artists and shit, like it's like if they get it
• 15:33
  Speaker 1: or they don't get it, and like it's like I
• 15:36
  Speaker 1: feel like how like Party could like go in this
• 15:39
  Speaker 1: freestyle whole song and it's like incredible, or like Juice
• 15:41
  Speaker 1: World could like freestyle whole beat and it would be
• 15:43
  Speaker 1: like an incredible song. Win W Melly the same. It's
• 15:46
  Speaker 1: like certain artists just got it, Like you know what
• 15:48
  Speaker 1: I'm saying, Like like you can just pull up a
• 15:50
  Speaker 1: beat for Juice RP or like Melly Party they were
• 15:53
  Speaker 1: just going just nigul liarly freestyle the whole beat and
• 15:55
  Speaker 1: it's like a finished song. That's crazy. That's incredible. Is
• 15:58
  Speaker 1: it a different like when you you're in with a
• 16:00
  Speaker 1: producer that does that, that does the punch in thing
• 16:02
  Speaker 1: or does the the off the top thing as opposed
• 16:05
  Speaker 1: to somebody who writes shit down. I don't even know
• 16:07
  Speaker 1: who writes shit down anymore because it feels like most
• 16:09
  Speaker 1: people just go in and they do they do the
• 16:12
  Speaker 1: melody or do they do the punching thing where they
• 16:14
  Speaker 1: punching line by line? Like is there like a big
• 16:17
  Speaker 1: difference for you, Like being in the studio actually writes
• 16:19
  Speaker 1: one hundred percent. So like it was like a gift
• 16:21
  Speaker 1: that occurs with amgos because I was like so young,
• 16:24
  Speaker 1: I was like nineteen twenty years old working with these
• 16:25
  Speaker 1: guys their freestyle and everything, punching in and stuff. And
• 16:28
  Speaker 1: then when I started working with other people and people
• 16:31
  Speaker 1: were writing, I like didn't have patients in the studio
• 16:33
  Speaker 1: for it because it's like it's a much more patience
• 16:36
  Speaker 1: like driven process. Yeah, like I could go I could
• 16:38
  Speaker 1: go in with Amigos. They could pull a beat half
• 16:40
  Speaker 1: of the song done in twenty minutes. I was cooking
• 16:42
  Speaker 1: up beats in like thirty minutes twenty minutes, so it
• 16:44
  Speaker 1: was like our workflow is so quick, but our chemistry
• 16:47
  Speaker 1: was crazy, you know what I'm saying. So it's like
• 16:49
  Speaker 1: then going in with someone who has to sit there
• 16:50
  Speaker 1: and write. Some people write for an hour. Some people
• 16:53
  Speaker 1: aren't as quick with it. You know what I'm saying.
• 16:54
  Speaker 1: It's not a bad thing. Everyone's creating. It's just a
• 16:57
  Speaker 1: different process. I'd just be like, man, what the fuck
• 16:59
  Speaker 1: are we doing? Move on to the next record, Like
• 17:01
  Speaker 1: I'm gonna go to Dave's Hot Chicken and come back.
• 17:03
  Speaker 1: Let me know when you're ready. Hey, we know, we
• 17:06
  Speaker 1: gotta stop the podcast real quick. Shout out to my bookie. Man, listen,
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• 18:53
  Speaker 1: A lot of people get to your position, right Like
• 18:56
  Speaker 1: obviously you came up making beats. Then there's I know,
• 18:59
  Speaker 1: a lot of who end up getting to a certain
• 19:02
  Speaker 1: point where they start kind of surrounding themselves with other
• 19:06
  Speaker 1: producers to kind of just help with the creative process,
• 19:08
  Speaker 1: whether it's loops, whether it's you know, whatever, it is,
• 19:11
  Speaker 1: a lot more co production starts to happen. Is that
• 19:13
  Speaker 1: a space you're in or you still very much hands
• 19:15
  Speaker 1: on with everything you're doing. I definitely started like doing
• 19:19
  Speaker 1: a lot of collaborating probably twenty sixteen, you know what
• 19:21
  Speaker 1: I'm saying. I feel like music is a collaborative sport,
• 19:25
  Speaker 1: you know what I mean. So it's just like when
• 19:27
  Speaker 1: you have a band and we're making the songs. You
• 19:29
  Speaker 1: play guitar, I played drums, you play bass, he sings.
• 19:32
  Speaker 1: Then like sometimes the drummer would help write the lyrics.
• 19:34
  Speaker 1: It's like it's like collaborative effort, you know what I'm saying.
• 19:37
  Speaker 1: So I feel like collaborating and music is very important
• 19:39
  Speaker 1: because we all just trying to make the best shit.
• 19:40
  Speaker 1: You know what I'm saying. It don't matter if I
• 19:42
  Speaker 1: make it by myself, and then you know what I'm saying,
• 19:44
  Speaker 1: if that results will matter, It's like, and you make
• 19:48
  Speaker 1: the better work, you're the smarter guy. We gotta work smart,
• 19:50
  Speaker 1: not hard, you know what I'm saying. But yeah, man,
• 19:53
  Speaker 1: I don't know. Still though, It's like I definitely surround
• 19:56
  Speaker 1: myself sometimes a lot of producers, but I still just
• 19:58
  Speaker 1: like I like workflow, just like being by myself, pulling
• 20:01
  Speaker 1: sit up, maybe like talking to people on FaceTime this
• 20:03
  Speaker 1: that like I like to get in with people, you know,
• 20:05
  Speaker 1: but then I just get distracted. I feel like, what
• 20:07
  Speaker 1: are your well, like, your creative process with beats? Is
• 20:09
  Speaker 1: it fruity loops? Is it pro tools? Is it logic?
• 20:12
  Speaker 1: What do you what do you fl eleven? Forty loops? Eleven?
• 20:14
  Speaker 1: So you'll still be just cooking up on the laptop
• 20:16
  Speaker 1: and your headphones, cooking up speakers on the kitchen table,
• 20:20
  Speaker 1: cooking up like just having fun with it. You know
• 20:22
  Speaker 1: that's amazing, Just trying to like stay inspired and stuff,
• 20:25
  Speaker 1: you know what I'm saying, Because I feel like where
• 20:27
  Speaker 1: I'm out of my career is not all about just
• 20:29
  Speaker 1: like making thirty beats a day like I used to.
• 20:31
  Speaker 1: You know, I got a lot more like DJing, brand
• 20:34
  Speaker 1: and stuff, trying to drop my own singles. It's like
• 20:36
  Speaker 1: a lot more to it than just like making beats
• 20:38
  Speaker 1: every day. You know, you and Shorty Shorty did a
• 20:41
  Speaker 1: very slept on collapse project. Shout out to Shorty Shorty
• 20:44
  Speaker 1: shut Shorty, my boy? What what like? You know, when
• 20:47
  Speaker 1: it comes to someone like Shorty Shorty, who obviously to
• 20:51
  Speaker 1: me is like one of the more slept on guys
• 20:52
  Speaker 1: in the game, I feel like maybe it's because he's
• 20:55
  Speaker 1: from Baltimore. I don't know what it is, but he
• 20:57
  Speaker 1: got bangers. But what inspires you want to do like
• 21:01
  Speaker 1: a project with someone like him, just because like I
• 21:03
  Speaker 1: feel like he was slept on and he's so talented,
• 21:05
  Speaker 1: you know what I'm saying. I've been a fan of
• 21:07
  Speaker 1: him for years, so I just like finally hit him
• 21:09
  Speaker 1: up side. He was in La. We locked in. I
• 21:10
  Speaker 1: think the first studio session we made good evening. I
• 21:13
  Speaker 1: just thought that was such like a cool different record
• 21:15
  Speaker 1: where I was like, man, let's shoot this video in
• 21:16
  Speaker 1: Malibu in two days. I'm like, let's just bang on
• 21:19
  Speaker 1: the album. We bangedo the album like probably like two weeks.
• 21:21
  Speaker 1: That's so crazy. Is there anybody else who would want
• 21:24
  Speaker 1: to do a collab project with at this point? Definitely
• 21:28
  Speaker 1: some people, like so maybe someone who's kind of in
• 21:30
  Speaker 1: that same space where you feel like they might be
• 21:31
  Speaker 1: a little slept on, Like yeah, no, you might be
• 21:33
  Speaker 1: able to shine some light on what they're doing if
• 21:34
  Speaker 1: you collab. Probably like no Cap. I think no no Caps.
• 21:39
  Speaker 1: I think he just got a plaque too for vaccine
• 21:41
  Speaker 1: shout yeah, shout out, no Cat. I think he's super talented,
• 21:44
  Speaker 1: got the craziest bars. No, he's crazy, and I hear
• 21:47
  Speaker 1: his freestyles everything too too. Yeah. It's just crazy though,
• 21:50
  Speaker 1: because all like listen to his music and then like
• 21:51
  Speaker 1: every time I listened to his shit, I'm like listening
• 21:53
  Speaker 1: dissecting a new bar, like, damn, that shit is crazy.
• 21:56
  Speaker 1: The way he flipped that. You know, No, he's crazy
• 21:58
  Speaker 1: for sure. You obviously working with NICKI has gotta be
• 22:01
  Speaker 1: I mean, she's one of the greatest of all time. Yeah,
• 22:04
  Speaker 1: she's super talented. Yeah, shout out to Nikki. How weird
• 22:08
  Speaker 1: was it being like, uh, you know with all the
• 22:11
  Speaker 1: six nine should happened? Obviously you're a white kid from
• 22:15
  Speaker 1: fucking the Niagara region, So like whether or not the
• 22:18
  Speaker 1: dudes the snitch or not probably doesn't matter to you.
• 22:20
  Speaker 1: But did that kind of like uh, because I feel
• 22:23
  Speaker 1: like that was his biggest record? At least that to
• 22:25
  Speaker 1: me was the Thief. He's one of my biggest records.
• 22:28
  Speaker 1: Diamond Well Fiefe's like the only record I feel like
• 22:30
  Speaker 1: he ever dropped. That Like was like I really had
• 22:32
  Speaker 1: real crossover like potent. I was like, Yo, this ship
• 22:35
  Speaker 1: is like undeniable at that point. But like, what was that?
• 22:37
  Speaker 1: I think it was just perfect timing, great timing on
• 22:40
  Speaker 1: his behalve coming off nights for what he was super
• 22:43
  Speaker 1: hot NICKI obviously you know what I'm saying. That's just
• 22:46
  Speaker 1: a knockout. What was like the story behind how that
• 22:48
  Speaker 1: came together was did the Nicky have a lot to
• 22:50
  Speaker 1: do with it? Or was this six nine thing? First?
• 22:52
  Speaker 1: Like I pulled up on him, we made the record
• 22:55
  Speaker 1: in New York, and then we were like just like
• 22:58
  Speaker 1: brainstorming who we should get on it. He really want
• 23:00
  Speaker 1: to get Nikky on, and you got Nicki on and
• 23:01
  Speaker 1: then yeah, it was over because it was this prior
• 23:03
  Speaker 1: after you did No Frauds. I did know Frauds, like
• 23:06
  Speaker 1: twenty seventeen, twenty seventeen. This was like we did the
• 23:11
  Speaker 1: Fife record probably like eighteen twenty eighteen. Yeah, No Frods
• 23:17
  Speaker 1: a banger too. No Frauds was so hard. That was
• 23:19
  Speaker 1: a banger. I remember, like Drake called me, He's like, yo,
• 23:23
  Speaker 1: he sent me the record, and I was like, damn,
• 23:25
  Speaker 1: this ship wants to be crazy. I got one when
• 23:26
  Speaker 1: Nicki Drake and one Way and it was like a
• 23:29
  Speaker 1: statement record for I was like yeah, it was like
• 23:32
  Speaker 1: look because that was what she was going through, the
• 23:33
  Speaker 1: rimy mas shit. I was like, I remember I remember
• 23:35
  Speaker 1: playing that like and like my parents, I was like upstairs.
• 23:38
  Speaker 1: I was like, damn, this shit crazy. That's fucking wild
• 23:41
  Speaker 1: now that you're doing like live gigs right, Like, it's
• 23:44
  Speaker 1: a whole different game. It is a whole different game.
• 23:46
  Speaker 1: People don't realize that. Shit. I love DJing now, man, Like,
• 23:50
  Speaker 1: were you ever djaying in the past? No, So I
• 23:53
  Speaker 1: wasn't djaying and like people were telling me to start
• 23:55
  Speaker 1: DJing because people want to start seeing me. So we
• 23:57
  Speaker 1: were getting booking officer and shit, I was like, man,
• 23:58
  Speaker 1: I don't really want to DJ, right, And then we
• 24:01
  Speaker 1: finally we took on like five years ago. It was
• 24:02
  Speaker 1: like a New Year's gig in Hawaii. I was like
• 24:06
  Speaker 1: teaching myself how to DJ in like the fucking hotel
• 24:08
  Speaker 1: room before sound check, and wow, I was like learning
• 24:10
  Speaker 1: in soundcheck. I like brought somewone with me and like yeah,
• 24:13
  Speaker 1: like from then, even like I didn't really fuck with DJ.
• 24:16
  Speaker 1: But then like when I started going on tours and ship,
• 24:18
  Speaker 1: like I started to having a good time. And then
• 24:20
  Speaker 1: like Coachella, like I brought out like d MX and
• 24:23
  Speaker 1: for Where's the Kid Tie and like that, shit was
• 24:26
  Speaker 1: just like so incredible. I just started like to like
• 24:29
  Speaker 1: the feeling you know what I'm saying, and like controlling
• 24:31
  Speaker 1: the energy and like, you know what I'm saying, you
• 24:33
  Speaker 1: could play certain records get the crowd going, and you're
• 24:35
  Speaker 1: like you could play just a lot of your own
• 24:38
  Speaker 1: ship like that. Yeah, that's like like when I when
• 24:40
  Speaker 1: I when I play in like so like my Birthday's Friday,
• 24:44
  Speaker 1: I'm performing at Hakasant on my birthday. I was about
• 24:47
  Speaker 1: to be well, might as well dj already on my birthday,
• 24:50
  Speaker 1: you know what I'm saying, Because I'm going to party
• 24:52
  Speaker 1: out of the way. So it's like when I'm DJing
• 24:54
  Speaker 1: in Vegas, I played for like two hours. You know
• 24:55
  Speaker 1: what I'm saying. It's a long time. So I'll play
• 24:57
  Speaker 1: some of my records and stuff. But I just really
• 24:59
  Speaker 1: wanted to just like play what I think everyone's gonna
• 25:01
  Speaker 1: go crazy too, you know, Like I'm just trying to
• 25:03
  Speaker 1: curate like a crazy party for sure. Yeah, like you
• 25:07
  Speaker 1: want to play your own ship, but like you also
• 25:08
  Speaker 1: want to make sure like you don't want to be
• 25:10
  Speaker 1: the guy that only plays your ship. Like you know
• 25:12
  Speaker 1: what I'm saying, Like I just like you want everyone, Yeah,
• 25:14
  Speaker 1: you want everyone to have for you. You know. I
• 25:16
  Speaker 1: love the party, man, Like I love to turn up
• 25:19
  Speaker 1: and have fun. So like I just feel like when
• 25:20
  Speaker 1: I'm DJing, I'm like I'm on the ox court. You
• 25:23
  Speaker 1: know what I'm saying. You gotta rewind a little bit.
• 25:25
  Speaker 1: When you did Coachella, I didn't know you brought DMX
• 25:27
  Speaker 1: out crazy. Well, how did that happen? That's a wild
• 25:31
  Speaker 1: generational difference there. We were trying to figure out who
• 25:34
  Speaker 1: to bring out, and I think it was my manager ID.
• 25:36
  Speaker 1: He was like, man, we should bring out d MX.
• 25:38
  Speaker 1: I heard he's like in the Bay. So we ended
• 25:40
  Speaker 1: up like booking him a sprinter from like the Bay
• 25:44
  Speaker 1: to Coachella. Oh wow, And like he made it like
• 25:46
  Speaker 1: just on time, like like he made it like just
• 25:49
  Speaker 1: like like we didn't even know if he was gonna
• 25:50
  Speaker 1: make it so like that whole time at Coachell, like
• 25:53
  Speaker 1: I didn't know if I didn't know if certain people
• 25:55
  Speaker 1: were even gonna pull out, kept looking back like X here, Yeah,
• 25:58
  Speaker 1: but he came out on staying is you know what
• 26:00
  Speaker 1: I'm saying. He did his thing too. That was crazy.
• 26:03
  Speaker 1: That was like I feel like that was like the
• 26:04
  Speaker 1: first like big performance back that he had because and
• 26:08
  Speaker 1: I know after that he did some rolling unds and
• 26:10
  Speaker 1: you know what I'm saying, But that was like that
• 26:11
  Speaker 1: was a big one man. All Right, It's crazy you
• 26:14
  Speaker 1: mentioned your birthday because I used to work with a
• 26:17
  Speaker 1: weed company in Arizona called Vapin and they sponsored your
• 26:20
  Speaker 1: birthday party. Yeah. So my guy Tie owns a company,
• 26:25
  Speaker 1: Yeah twenty eighteen, so I was there, and were you
• 26:28
  Speaker 1: in Arizona? No, I mean yeah, I mean I'm from Arizona,
• 26:31
  Speaker 1: but they threw a crazy party in Arizona. The house
• 26:33
  Speaker 1: party that was Liz. I canceled my YG was three
• 26:40
  Speaker 1: hours late to our interview out here in La, so
• 26:43
  Speaker 1: I was either going to stay in La and interview
• 26:46
  Speaker 1: YG and missed my flight to go DJ that fucking party,
• 26:50
  Speaker 1: and I ended up doing the YG interview and then
• 26:52
  Speaker 1: Dre Sinatra covered for me and DJ. That ship I
• 26:54
  Speaker 1: was on tour with g Eazy tye Y Buzy Uzzy Yeah,
• 27:00
  Speaker 1: and that ship so they sponsored. Yeah, yeah, that ship
• 27:03
  Speaker 1: was mad fun. Man. They took us to the the
• 27:07
  Speaker 1: Weed warehouse and ship saw like so much fucking weed.
• 27:10
  Speaker 1: But they sponsored your birthday out here. I think by
• 27:13
  Speaker 1: that time I was working with them and like, yeah,
• 27:15
  Speaker 1: that was a lip party. There was a while. That
• 27:17
  Speaker 1: was when I first met the Milk Boys. They had
• 27:19
  Speaker 1: just moved from Canada to here. Melly was there, Kodak
• 27:24
  Speaker 1: was there, They were lit. That was That was actually
• 27:26
  Speaker 1: crazy that Melly and Kodak were both there at the
• 27:29
  Speaker 1: same time. Yeah, that ship was, man. That was right
• 27:31
  Speaker 1: before I want to say that was right before Melle
• 27:34
  Speaker 1: got locked up. Because we were the last interview. Did
• 27:37
  Speaker 1: he did? And I think we interviewed him like the
• 27:39
  Speaker 1: day or two before that, and then I feel like
• 27:41
  Speaker 1: he got locked up like a week after that or something. Yeah, no,
• 27:45
  Speaker 1: he definitely he wanted to come turn up real quick,
• 27:47
  Speaker 1: you know. Yeah, Yeah, that was a pretty epic. Yeah,
• 27:49
  Speaker 1: you know how to party for sure, Free my boy, Melly. Man,
• 27:52
  Speaker 1: you know what I'm saying. I don't know what's going
• 27:54
  Speaker 1: on with that. I just know every every two weeks
• 27:56
  Speaker 1: there's like an update, and some of them sometimes they're contradicting,
• 27:58
  Speaker 1: and I'm like, I don't know what's gonna you. You
• 28:00
  Speaker 1: and you and Mellie, like we'll talk about that relationship.
• 28:03
  Speaker 1: Like he's obviously a very uh I wouldn't say misunderstood,
• 28:06
  Speaker 1: but very man. He's a talented He's like a super
• 28:10
  Speaker 1: talented artist. Man. Like I just like started listening to
• 28:12
  Speaker 1: his music. I'm like, man, this kid's fire. Ended up
• 28:15
  Speaker 1: finding some time when he was in LA, pulled up
• 28:17
  Speaker 1: on him. We did like five records, I'd say four
• 28:20
  Speaker 1: or five records, and like he was kind of like
• 28:24
  Speaker 1: the same thing, like freestyling everything going crazy. I was like, man,
• 28:27
  Speaker 1: this Gid's talented ship like super talented, you know what
• 28:29
  Speaker 1: I mean? And then he ended up getting locked up
• 28:32
  Speaker 1: and ship, So uh, I released one record I had
• 28:35
  Speaker 1: been in a split record I had that I put
• 28:37
  Speaker 1: Dirk on and dropped that like during COVID, and then
• 28:40
  Speaker 1: he dropped a couple of records. And I think there's
• 28:42
  Speaker 1: like one or two more records we got in the
• 28:44
  Speaker 1: vault that are that are probably coming out soon, So
• 28:46
  Speaker 1: stay tuned. Do you still like tap in with up
• 28:49
  Speaker 1: and coming producers for like loops or ship like that?
• 28:51
  Speaker 1: Like someone has like a fire loop pack, Like, were
• 28:54
  Speaker 1: you still like tap in with one hundred percent? Man? Man,
• 28:57
  Speaker 1: my email is fucking crazy. I feel I swear these
• 29:00
  Speaker 1: kids are selling my email. Swear they selling my email
• 29:03
  Speaker 1: or something. Because there's always just something about coming kids
• 29:06
  Speaker 1: producers sending me shit, and I always just fuck with
• 29:08
  Speaker 1: them like I'm like, man, might as well you know
• 29:10
  Speaker 1: what I'm saying. Like just like when I was a
• 29:11
  Speaker 1: young kid, It's like, boy, wonder you know what I'm saying.
• 29:14
  Speaker 1: I hit wand up and then one is like, yeah,
• 29:15
  Speaker 1: pull up on me, I go pull up this grip
• 29:17
  Speaker 1: cook up. It's like the same thing, you know what
• 29:18
  Speaker 1: I'm saying. The youth man, music's a young sport, it is, man.
• 29:22
  Speaker 1: So it's like, you know what I'm saying, these kids
• 29:23
  Speaker 1: are amazing at making beats. Now, Like I'm like, damn,
• 29:26
  Speaker 1: they're making up my shit sound kind of you know
• 29:28
  Speaker 1: what I'm saying, Like I got to figure out how
• 29:29
  Speaker 1: to make my shit more special because these kids are
• 29:32
  Speaker 1: thirteen years old making the hardest shit. What is like
• 29:35
  Speaker 1: the secret to your run being as long as it's
• 29:38
  Speaker 1: been and continuing because there are is Like I said,
• 29:40
  Speaker 1: there are people who have errors, but there are a
• 29:42
  Speaker 1: lot of producers that will have like a two year
• 29:44
  Speaker 1: spike and then they just go away. That's happened a lot.
• 29:47
  Speaker 1: Like what do you think has kind of been a
• 29:49
  Speaker 1: secret to yourself for longevity? Just being grateful god, you
• 29:54
  Speaker 1: know what I mean, and just like building a sustainable
• 29:56
  Speaker 1: brand that's like here to last, you know what I'm saying.
• 30:00
  Speaker 1: Like it's not like I like I just think I
• 30:02
  Speaker 1: had I had my little run, but like I'm still
• 30:04
  Speaker 1: like pumping shit out, you know what I'm saying. So
• 30:06
  Speaker 1: just gotta stay grateful, stay down, keep working, stay focused.
• 30:10
  Speaker 1: You know. But and I think a lot of it's
• 30:12
  Speaker 1: just timing, you know, like coming out of like I
• 30:14
  Speaker 1: started to like get build my brand during the end
• 30:17
  Speaker 1: of the mixtape era and that and then I had
• 30:19
  Speaker 1: my running like the very beginning of streaming. Streaming, yeah
• 30:22
  Speaker 1: for sure, you know what I mean. Yeah, two different
• 30:23
  Speaker 1: eras for sure, Like the dat pif era all the
• 30:25
  Speaker 1: way to the stream I was always mixtapes, that pip SoundCloud,
• 30:29
  Speaker 1: all that shit SoundCloud, you know what I mean. I
• 30:31
  Speaker 1: still use the dat pitf app for certain shit I
• 30:33
  Speaker 1: can't get on the DSPs. It's like the only place
• 30:35
  Speaker 1: I listened to it. And like I even caught like
• 30:38
  Speaker 1: the SoundCloud era, like when it was like at his
• 30:40
  Speaker 1: peak to like even Butterfly Effect, Like I remember when
• 30:43
  Speaker 1: that was straight to soundclouds. Travis dropped a three pack.
• 30:46
  Speaker 1: I remember he dropped off three I'm like, damn, I
• 30:48
  Speaker 1: don't know. These other songs are fire to the next day,
• 30:50
  Speaker 1: Butterfly Effect had like fourteen million plays on SoundCloud and
• 30:55
  Speaker 1: one day and they were like yo, this single, push
• 30:57
  Speaker 1: it like they were just like from there, pushed it,
• 31:00
  Speaker 1: unmixed straight to radio everything. Remember when that record was
• 31:04
  Speaker 1: like crazy, I've never seen some shit like I think
• 31:07
  Speaker 1: out of my whole career, like that record, like the
• 31:10
  Speaker 1: first day was like the craziest shit, like yeah, and
• 31:13
  Speaker 1: it's still researches really well because we still play the
• 31:15
  Speaker 1: funk out of it in LA on the radio like yeah,
• 31:18
  Speaker 1: and the thing is too with that record, I feel
• 31:21
  Speaker 1: like it didn't do as good on radio or like
• 31:25
  Speaker 1: the chart wise as it should because it was such
• 31:28
  Speaker 1: like a cultural song for like shows and like live performance,
• 31:32
  Speaker 1: you know what I mean. Hey, we gotta stuff the
• 31:34
  Speaker 1: podcast man, real quick. Appreciate y'all for watching, really mean
• 31:38
  Speaker 1: mean it. Subscribe, like leave a comment, even if you're
• 31:41
  Speaker 1: one of those dickheads who leaves the comment. You're always
• 31:43
  Speaker 1: interrupting the guests because it's my fucking podcast, and I
• 31:46
  Speaker 1: don't know I like to talk to anyway. Hey, shout
• 31:52
  Speaker 1: out to odd Socks man, They've been our sponsor from
• 31:54
  Speaker 1: day one. We go hard for odd Socks always, man.
• 31:57
  Speaker 1: Literally go hard for my wife and I go hard
• 31:59
  Speaker 1: for odd Socks in different and same kinds of ways.
• 32:04
  Speaker 1: You know what I'm saying, because sometimes I go hard
• 32:05
  Speaker 1: in odd socks. They do make boxers, you feel me? Anyway? Listen,
• 32:14
  Speaker 1: they got the ill licenses, they got the breaking bad,
• 32:16
  Speaker 1: they got the WWE, they got mountain dew. They got
• 32:19
  Speaker 1: fucking Swedish fish, fucking kool aid. Uh pez. You know,
• 32:26
  Speaker 1: Cheech and Chong. What are you into the odd socks?
• 32:29
  Speaker 1: Basics are the boys though? That's my favorite. You know,
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  Speaker 1: socksoficial dot com. Go show us some love and let's
• 32:52
  Speaker 1: get back to the interview. You know, I I think
• 32:55
  Speaker 1: of like certain producers beats like a when we think
• 32:58
  Speaker 1: of like just blaze like exhibit A. See is like
• 33:01
  Speaker 1: his like magnum opus, like like what you are, in
• 33:04
  Speaker 1: your opinion, your favorite or your best beat that you've
• 33:07
  Speaker 1: ever made, that like not the biggest, but just the
• 33:10
  Speaker 1: one beat that you're like, this shit is so crazy.
• 33:13
  Speaker 1: If you take the rappers off, this shit is just
• 33:16
  Speaker 1: a banger buzzing by party next door in Lil YACHTI
• 33:21
  Speaker 1: I feel like that beat is just crazy, the bounce
• 33:24
  Speaker 1: and everything about that beat is so different and it's
• 33:26
  Speaker 1: just so hard. But if we're talking like big beats too,
• 33:29
  Speaker 1: like I think Motorsport, man, that beat just smax. Like,
• 33:33
  Speaker 1: I don't know what I did. I think I had
• 33:34
  Speaker 1: to kick way too loud and then then when they
• 33:36
  Speaker 1: mixed it, but that shit knocks in the club. Yeah,
• 33:39
  Speaker 1: Motorsport was a crazy moment. The only time we've heard
• 33:42
  Speaker 1: Nicky and Cardi on a record together. Crazy when you
• 33:44
  Speaker 1: when you did that record, did the Migos late, Like,
• 33:47
  Speaker 1: did you have any idea that that was going to
• 33:48
  Speaker 1: be the plan to like put them to on the
• 33:50
  Speaker 1: on the song or even uh nah? So I made
• 33:54
  Speaker 1: the beat in Toronto, I mean that shit on like
• 33:56
  Speaker 1: a little last speaker man, like this big and my
• 33:57
  Speaker 1: boy's conda. I sent it to a couple of urt
• 34:00
  Speaker 1: Then I ended up pulling up on the Migos in
• 34:03
  Speaker 1: New York at Quad and I pulled up that beat
• 34:05
  Speaker 1: and me and Quevo made Motorsport right there. And then
• 34:08
  Speaker 1: I think, like a couple months later, he told me
• 34:10
  Speaker 1: like he's like, yeah, I got Cardi and Nicky. You're like, man,
• 34:13
  Speaker 1: you're crazy, man, you know what I'm saying. But out
• 34:16
  Speaker 1: of anybody that could have did that. He did it,
• 34:18
  Speaker 1: you know what I'm saying. So he did do it.
• 34:20
  Speaker 1: He did that shit that probably never is gonna happen again.
• 34:22
  Speaker 1: That shit was crazy. That was a That was a moment. Yeah,
• 34:26
  Speaker 1: real shit, that was a fucking moment for sure. What
• 34:29
  Speaker 1: is like now that you obviously are working on your
• 34:31
  Speaker 1: new album, are you going to be uh? Are we
• 34:36
  Speaker 1: just doing singles? Are we doing a project? I'm definitely
• 34:39
  Speaker 1: trying to gear up for a project, but I definitely
• 34:41
  Speaker 1: want to keep just dropping singles and I definitely want
• 34:44
  Speaker 1: to like showcase like new talent too, you know what
• 34:46
  Speaker 1: I'm saying. Because I dropped one project ever. It was
• 34:50
  Speaker 1: twenty sixteen. I dropped Keep God first. It was a mixtape,
• 34:53
  Speaker 1: and like I had like a lot of people on
• 34:54
  Speaker 1: there before they were really big, Like like I had
• 34:56
  Speaker 1: like solo offset songs on there before Bad and Booze.
• 34:59
  Speaker 1: I had like played with Cardi on there before he
• 35:02
  Speaker 1: really popped off. Like everyone was kind of like, you
• 35:04
  Speaker 1: know what I'm saying, had some people from Kids from
• 35:06
  Speaker 1: Toronto on there before they popped off. So I feel
• 35:08
  Speaker 1: like it's important as a producer to drop a project
• 35:12
  Speaker 1: and like put people on like give them. You you're
• 35:15
  Speaker 1: using your platform, you know what I'm saying. So with this,
• 35:18
  Speaker 1: with the new music, you want to make sure you're awesome.
• 35:19
  Speaker 1: I mean you did that with Shorty Shorty. I feel
• 35:21
  Speaker 1: because I feel like Shorty Shorty. I mean obviously I
• 35:22
  Speaker 1: bet you it was a golden platinum record. Yeah, he
• 35:24
  Speaker 1: was already doing his thing. I still feel like he
• 35:26
  Speaker 1: kind of you know, it was it was. It was
• 35:29
  Speaker 1: dope to see him collaborate with you because I knew
• 35:31
  Speaker 1: it would bring new eyes to what he does. Yeah,
• 35:33
  Speaker 1: and I feel like it worked out perfect. So you know,
• 35:35
  Speaker 1: who are some of the new artists that you're like,
• 35:37
  Speaker 1: really you know, because you've got a great year that
• 35:40
  Speaker 1: you're really fucking with that, Like you know, you kind
• 35:42
  Speaker 1: of feel like you're in a similar space that you
• 35:44
  Speaker 1: were in twenty sixteen to kind of put them on
• 35:47
  Speaker 1: or help at least. There's this kid Doov in Toronto,
• 35:49
  Speaker 1: super Far. He's like, he's probably next up in Canada.
• 35:52
  Speaker 1: Shout out to Doov. He's dope, definitely like no cap,
• 35:57
  Speaker 1: you know what I'm saying, I fuck with him. There's
• 35:59
  Speaker 1: there's so many people, you know what I'm saying. So
• 36:01
  Speaker 1: we've got to see who who I work with. What
• 36:03
  Speaker 1: I appreciate about you is that, at least not to
• 36:05
  Speaker 1: my knowledge, you haven't done the low hanging fruit DM
• 36:08
  Speaker 1: shit yet Or is that just edm like like a
• 36:12
  Speaker 1: murder beats, like fucking fist pump vegas anthem that like
• 36:17
  Speaker 1: like I feel like you know, you know what I mean, right, Like,
• 36:20
  Speaker 1: because now that you're DJ, and I'm sure it's like
• 36:22
  Speaker 1: you you might get the itch to be like, man,
• 36:24
  Speaker 1: I need one of these because you know, all the
• 36:26
  Speaker 1: MD because all the DJs are stealing from hip hop shit,
• 36:30
  Speaker 1: all the DM guys are making rap records. I fuck
• 36:32
  Speaker 1: with a lot of the DJs though, you know what
• 36:33
  Speaker 1: I'm saying, shout out to all the DJs. Know they're
• 36:35
  Speaker 1: all cool, but they're still they're still all making rap records.
• 36:38
  Speaker 1: It's just hard for me because like I'm like a
• 36:40
  Speaker 1: hip hop DJ, so it's like I'm not even playing
• 36:43
  Speaker 1: like DM and ship at my shows. Do you feel
• 36:46
  Speaker 1: some type of way when you see some of these
• 36:47
  Speaker 1: DM guys like making rap records You're like, well, it's
• 36:49
  Speaker 1: kind of like this is not what you do, Like no, really,
• 36:52
  Speaker 1: I don't know it is what it is. Music is
• 36:54
  Speaker 1: music at the end of the day. That's fair. It
• 36:56
  Speaker 1: only matters who does it better, right, that is true.
• 36:59
  Speaker 1: That is true, whoever does it better? Pretty much? And hey,
• 37:02
  Speaker 1: I would give I'll give. I gotta give props to Skrillics.
• 37:04
  Speaker 1: Scrillic is a fucking beast of a producer. He is
• 37:06
  Speaker 1: a beast of a producer. I've been in the studio
• 37:07
  Speaker 1: with him a couple of times. He's a monster. Yeah,
• 37:09
  Speaker 1: he'll be playing guitar a bunch of shit. He could
• 37:11
  Speaker 1: do all kinds of ship. What about like a placement wise, like,
• 37:14
  Speaker 1: do you got any big records coming? I got some
• 37:17
  Speaker 1: shit going, some ship coming. I'm not gonna lie my
• 37:19
  Speaker 1: next single I'm really excited about. I'm going to drop
• 37:22
  Speaker 1: some ship. When is that coming? Some ship? Uh? Probably soon?
• 37:26
  Speaker 1: How many artists around there with you? Uh? Three? Can
• 37:32
  Speaker 1: I try to guess? Uh? If I guess correctly, what
• 37:41
  Speaker 1: you confirm? I don't. I don't know. You can guess
• 37:44
  Speaker 1: that I don't know. Give me one city from one
• 37:46
  Speaker 1: of the artists Earth Earth, come on, man, I don't know.
• 37:54
  Speaker 1: Is obviously Atlanta? Maybe? Yeah? It could be, man, this
• 37:58
  Speaker 1: guy said, could be. I will let you break it though.
• 38:03
  Speaker 1: Have you be crazy? Have you ever worked with Kanye Uh,
• 38:07
  Speaker 1: we worked on I work with Kanye on some of
• 38:10
  Speaker 1: the six nine ship, like oh when he was doing
• 38:12
  Speaker 1: this and what uh the six nine records he put out?
• 38:17
  Speaker 1: Never really I'm trying to remember this something. Yeah, the songs,
• 38:20
  Speaker 1: I did both of them, the Kango one Kango Yeah, yeah,
• 38:24
  Speaker 1: the Mama one or some ship. Would you work with
• 38:27
  Speaker 1: six Night again? I don't know. I don't know. Probably not.
• 38:31
  Speaker 1: It's gonna make sense, right, yeah, I don't know. It's
• 38:33
  Speaker 1: got it, you know what I'm saying. I mean him
• 38:35
  Speaker 1: and NBA Young Boy apparently got a fucking five records together,
• 38:37
  Speaker 1: which that's probably pretty crazy. I don't know. You know
• 38:39
  Speaker 1: what I'm saying. What about Young Boy? Would you work
• 38:42
  Speaker 1: with Young Boy? I already do work with Young Boy? Like,
• 38:43
  Speaker 1: what's what's his his thing? Man? Because I feel like
• 38:46
  Speaker 1: he's I feel like he's a super talented. He's super talented,
• 38:49
  Speaker 1: but I just feel like he might be a little misunderstood.
• 38:52
  Speaker 1: He's very like, uh, he's just kind of on an
• 38:55
  Speaker 1: island in hip hop. He's dope though, he's a dope artist.
• 38:59
  Speaker 1: You know what I'm saying. No one can take that
• 39:01
  Speaker 1: from oh, one hundred percent No, he's incredible. I just
• 39:03
  Speaker 1: feel like, you know, he's just like I've never seen
• 39:05
  Speaker 1: someone just on an island and they just don't give
• 39:07
  Speaker 1: a fuck about anything else, just in his own world,
• 39:09
  Speaker 1: kind of doing his own thing. It's pretty wild. But
• 39:11
  Speaker 1: it's working for him too. It is working. It is working.
• 39:15
  Speaker 1: Any new Migo shit coming that you're a part of,
• 39:18
  Speaker 1: it's coming, it's coming. Migos are always working, you know.
• 39:20
  Speaker 1: I love the last Migos album was super crazy. Yeah,
• 39:24
  Speaker 1: I'm happy they got somehow slept on as well. I
• 39:26
  Speaker 1: don't think the new Migo's album that came out last
• 39:28
  Speaker 1: year got as much love as shit, because it was
• 39:30
  Speaker 1: fucking amazing. I feel like it just took a long
• 39:32
  Speaker 1: time to get it out, but finally it came out,
• 39:36
  Speaker 1: and like I feel like it did what it did,
• 39:38
  Speaker 1: you know what I'm saying. They had their shit on there.
• 39:40
  Speaker 1: I feel like everyone who listened to it was like
• 39:41
  Speaker 1: it was a solid album, you know, And that's at
• 39:43
  Speaker 1: the end of the day. Well, the song is going
• 39:45
  Speaker 1: crazy one shot with shout out to Wallet, shouts to Blast.
• 39:50
  Speaker 1: Are you gonna tapping with any other la guys? One
• 39:53
  Speaker 1: hundred percent? Because Blast is the is obviously the hottest, right,
• 39:56
  Speaker 1: But there's so much talent in LA. There's a lot
• 39:58
  Speaker 1: of talent in La. I feel like La is kind
• 40:01
  Speaker 1: of like Toronto and Away where there's like a lot
• 40:02
  Speaker 1: of underground, so much artists, you know what I'm saying,
• 40:05
  Speaker 1: and they just got to figure out how to Like
• 40:07
  Speaker 1: any LA guys who you kind of got your eye
• 40:09
  Speaker 1: on that you're just fucking with. Their music is like
• 40:10
  Speaker 1: an awesome fan Shit, there's a couple I don't I
• 40:15
  Speaker 1: don't know, I don't know. Yeah, this song there's some Okay,
• 40:21
  Speaker 1: well there it is, man, Well listen, the song is crazy.
• 40:24
  Speaker 1: Looking forward to more singles this year. The next singles
• 40:28
  Speaker 1: coming soon with three artists from Earth. Yeah, on the
• 40:33
  Speaker 1: lookout for those. Are you, I mean, are you dabbling
• 40:37
  Speaker 1: into the NFT shit at all? Hell? Yeah? Man, you
• 40:39
  Speaker 1: know what I'm saying. The wallet is looking crazy. What
• 40:42
  Speaker 1: Like I'm fully tapped in with like cryptocurrency and I
• 40:47
  Speaker 1: have my own crypto shit going is good man, the
• 40:49
  Speaker 1: NFT world I still haven't touched because I'm afraid, Like,
• 40:52
  Speaker 1: I just feel like there's so much bullshit going on. No,
• 40:55
  Speaker 1: for sure, Like a lot of his rug pulls. It
• 40:58
  Speaker 1: is like will last. So like make sure when you
• 41:00
  Speaker 1: say rugpool, what does that mean. It's just like a
• 41:02
  Speaker 1: lot of it just people are just trying to make money,
• 41:04
  Speaker 1: you know with nuts. Yeah yeah, rug pool. Yeah, Now
• 41:08
  Speaker 1: I got your money the fuck out of here. Yeah.
• 41:10
  Speaker 1: But you've been pretty heavy into crypto for a while.
• 41:12
  Speaker 1: I've been I've been heavy in the crypto for like
• 41:13
  Speaker 1: the last couple of years. So when bitcoin was at
• 41:16
  Speaker 1: like nine thousand, well shit, even though it took a ship,
• 41:19
  Speaker 1: now it's it's gonna go right back up. Did you buy?
• 41:22
  Speaker 1: Do you buy more when the dip happens? Yes, I
• 41:24
  Speaker 1: buy the dip, not every dip, because it's like this
• 41:26
  Speaker 1: is a pretty big fucking dip. It just happened like
• 41:29
  Speaker 1: it was funny, so like it was dipping and like
• 41:30
  Speaker 1: I bought some and then it kept going I'm like,
• 41:33
  Speaker 1: what do I buy more now? But now it's going
• 41:35
  Speaker 1: back up. So yeah, it's always like when the dip happens,
• 41:37
  Speaker 1: you always don't know when the floor is hick. The
• 41:40
  Speaker 1: thing is is like once you start to pay attention
• 41:42
  Speaker 1: to the crypto and you you kind of like you
• 41:44
  Speaker 1: can kind of like understand like what's happening in the market.
• 41:48
  Speaker 1: You know what I'm saying, Like you can kind of
• 41:49
  Speaker 1: be like all right cool, Like once you hit a dip,
• 41:51
  Speaker 1: everyone's like freaking out. Sound you buy do coin. I
• 41:53
  Speaker 1: did buy Dose. I lost some money on Dose ground.
• 41:57
  Speaker 1: Fuck those man, what's been like your best alt coin
• 42:01
  Speaker 1: that you've invested in that you made some money on? Uh?
• 42:04
  Speaker 1: Fuck the alt coins, man. I don't know. I'm just
• 42:07
  Speaker 1: like heavy in the crypt Bitcoin. Ethereum is the one.
• 42:11
  Speaker 1: Etherereum is the one because everyone's using ethereum, and I
• 42:15
  Speaker 1: feel like ethereum at least like practicability, like like like
• 42:20
  Speaker 1: people actually use it in the meta universe, Like it
• 42:23
  Speaker 1: feels like the lac people buy stuff with. Yeah, no
• 42:26
  Speaker 1: for sure. And you know what I'm saying. I know
• 42:28
  Speaker 1: that like in the future, like yeah, people are gonna
• 42:31
  Speaker 1: be using like you're gonna be using bitcoin to buy
• 42:34
  Speaker 1: things in stores and should I saw like Microsoft's gonna
• 42:36
  Speaker 1: be using Ethereum in a couple of years. It's like
• 42:38
  Speaker 1: when you're online, it's like it's just gonna get crazy, man.
• 42:41
  Speaker 1: I just want people to get hip and like educate,
• 42:44
  Speaker 1: like you know, people like to hate on what they
• 42:45
  Speaker 1: don't understand, and that I feel that's a problem in
• 42:48
  Speaker 1: the world and in society. People just have to educate. Learn.
• 42:51
  Speaker 1: You go on YouTube, watch a two minute video on
• 42:53
  Speaker 1: crypto and learn a little bit. And I feel like
• 42:55
  Speaker 1: if once you buy someone and you just start to
• 42:57
  Speaker 1: understand it, it's like addicting. It's like fun. You no cryptos,
• 43:01
  Speaker 1: It's cool, it's like a fun I mean, like, look,
• 43:02
  Speaker 1: and plus there's I made some great money off of
• 43:05
  Speaker 1: Ripple shout out to Ripple that x y P. And
• 43:07
  Speaker 1: then it's like it's a whole different community you can
• 43:09
  Speaker 1: get involved in. And then there's parties for this community.
• 43:13
  Speaker 1: The parties are crazy. Have you even booked at any
• 43:14
  Speaker 1: of those parties to flip their lip? Man? That's money.
• 43:17
  Speaker 1: Fun people. Everybody just wants to make money with you
• 43:19
  Speaker 1: or make you some money, and they're trying to get
• 43:21
  Speaker 1: you to start your own murder beats coin, trying to
• 43:23
  Speaker 1: make it start everything metaverse everything. Yeah, Like like have
• 43:27
  Speaker 1: you rolled out your own cause you know I seen Uh.
• 43:30
  Speaker 1: I'm trying to think of the producer ill Mind be
• 43:32
  Speaker 1: doing NFT ship shut out man, he'd be doing his thing.
• 43:36
  Speaker 1: I Mind, he's like Usler he getting money. Think about
• 43:38
  Speaker 1: ill Mine is like he's at the forefront of like
• 43:41
  Speaker 1: doing ship like he's coin. Yeah, he's got some I
• 43:45
  Speaker 1: think it's a beat coin or something that I don't know.
• 43:47
  Speaker 1: He's killing it for sure. Being in Canada, like, uh,
• 43:51
  Speaker 1: a lot of cool things going on in Canada. Shrooms
• 43:53
  Speaker 1: are legal. Uh. I just saw that. They actually just
• 43:57
  Speaker 1: like said something yesterday about they like made it legal
• 44:01
  Speaker 1: and like more legal or something out here in Canada.
• 44:05
  Speaker 1: Oh I heard that. You could just trooms are just
• 44:07
  Speaker 1: legal out there. Maybe I'm wrong, psilocybin is Maybe it's
• 44:10
  Speaker 1: open opened up out there. I'm American now, man, you
• 44:13
  Speaker 1: know you're American now? Is it kind of weird? Like, uh,
• 44:17
  Speaker 1: being being from Canada and like seeing like just how
• 44:21
  Speaker 1: divisive and crazy America has been since you've been here.
• 44:25
  Speaker 1: America is pretty crazy. It's just Canada's crazy too though. Well. Yeah,
• 44:28
  Speaker 1: they got like the truck shit going on. They got
• 44:31
  Speaker 1: so much shit going on over there too. It's like, man,
• 44:33
  Speaker 1: Canada is fucking crazy too in its own way. Yeah,
• 44:36
  Speaker 1: just fucking At least you guys get free healthcare. Yeah,
• 44:39
  Speaker 1: I don't get it no more because so if you
• 44:41
  Speaker 1: break your leg, you don't go back home and just no,
• 44:44
  Speaker 1: no you just gotta spend too much time over here.
• 44:46
  Speaker 1: So so they're like, fuck you you're American now, Like wow,
• 44:49
  Speaker 1: that's some bullshit. They you should just be Canadian for
• 44:51
  Speaker 1: life and fucking bullshit, man, shout out to Canada. It's
• 44:54
  Speaker 1: crazy though, So like when I first started coming to
• 44:56
  Speaker 1: America and I tell people like we're from Canada, like
• 44:58
  Speaker 1: blah blah, people didn't get a fuck. But then when
• 45:01
  Speaker 1: Drake started calling it the Six and all that movement
• 45:04
  Speaker 1: started happening, people are way y'all from the six. It
• 45:07
  Speaker 1: was like different than people are, Like fucking was extra
• 45:09
  Speaker 1: heavy just because we're Canadian, you know what I mean? Now,
• 45:12
  Speaker 1: Canada is something in the water in Canada in the
• 45:14
  Speaker 1: last ten years, it's just y'all ran music. It's like
• 45:17
  Speaker 1: Justin Bieber's artists, dre goosers, songwriters. No, it's crazy. And
• 45:22
  Speaker 1: then you know what's another cool thing about Canada is
• 45:24
  Speaker 1: it's almost like a bunch of black countries within one country.
• 45:28
  Speaker 1: Because there's like parts of Canada where everyone speaks French,
• 45:31
  Speaker 1: like Montreal and all that shit. There's parts that are
• 45:33
  Speaker 1: like always snow and like no one can live on
• 45:35
  Speaker 1: They're like there's igloos and shit, and then there's like
• 45:38
  Speaker 1: Vancouver and just Nard Wars there interview and everybody and yeah,
• 45:42
  Speaker 1: Wars have you done the Nard War interview? Need my interview? Yo,
• 45:46
  Speaker 1: Nard War sweetest guy ever, the ripest human being I've
• 45:50
  Speaker 1: ever met. I've met him four times, and every time
• 45:53
  Speaker 1: I've been around Nardwire he's been extremely ripe. That's crazy. Yeah,
• 45:57
  Speaker 1: Like I'm like, you know what he smells like? How
• 46:00
  Speaker 1: I thought he would smell. That would be fair, That's yeah.
• 46:03
  Speaker 1: He did not disappoint. You know when you meet like
• 46:05
  Speaker 1: a famous person and they disappoint your not disappointed. That
• 46:09
  Speaker 1: happens a lot. It does. It does, man. It's because
• 46:11
  Speaker 1: you listen to people's music and you think you know
• 46:13
  Speaker 1: that you know there it is man, We'll listen. Appreciate
• 46:16
  Speaker 1: you pulling up. Appreciate one shot, go run it up.
• 46:18
  Speaker 1: The videos out. Yes, new music coming soon, Yes, sir,
• 46:22
  Speaker 1: come on man, go tap in man. Murder beats boom