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Adonis with Roby Marx · The Occult Rejects

• 0:02
  Speaker 1: You see something's going to happen.
• 0:06
  Speaker 2: What? What's gonna happen?
• 0:15
  Speaker 3: What?
• 0:24
  Speaker 2: Welcome to the Occult Rejects. You already know what time
• 0:28
  Speaker 2: it is you hit that play button if you're listening
• 0:30
  Speaker 2: to the audio, or you already saw what the title
• 0:31
  Speaker 2: is on the video. So it's story time with Robbie
• 0:34
  Speaker 2: Marx and we'll be talking about Adonis in a little
• 0:37
  Speaker 2: bit of maybe after ninety two. But before we introduce Robbie,
• 0:40
  Speaker 2: you're gonna introduce the other rejects. I got my man
• 0:43
  Speaker 2: the Headless Giant with me again. What is going on, sir?
• 0:45
  Speaker 2: How are you?
• 0:47
  Speaker 1: How's it going? If you just came over from our stream?
• 0:50
  Speaker 1: You know I love Robbie Marx's story time, and so
• 0:53
  Speaker 1: I'm back again. I'm ready to hear about Adonnas And
• 0:56
  Speaker 1: you can uh email me. You're a cult slash esoteric
• 0:59
  Speaker 1: slash strange dream stories at the Headless Giant at podcast
• 1:04
  Speaker 1: at gmail dot com and we will get those right
• 1:08
  Speaker 1: out to the Oh. Also, if you include your address,
• 1:12
  Speaker 1: Nick will send you some stickers. So send me those emails,
• 1:16
  Speaker 1: tell me about your strange experiences and we'll get that
• 1:19
  Speaker 1: up to you every Thursday.
• 1:21
  Speaker 2: Oh yeah, yeah, throwing that address and I'll throw you
• 1:24
  Speaker 2: eight stickers. Keep it magical like the magician. All right, So,
• 1:29
  Speaker 2: my man Tyrone, what is going on, sir?
• 1:33
  Speaker 4: I'm doing all right. I'm glad to be here, like
• 1:35
  Speaker 4: as always, you know, I'm always here for the knowledge
• 1:38
  Speaker 4: and gaining the wisdom from other people. They always say
• 1:40
  Speaker 4: the gray hair is wisdom, and I see I'm seeing
• 1:43
  Speaker 4: a lot of gray hair there right now, so I'm
• 1:44
  Speaker 4: gonna seem like I'm gonna give me some a lot
• 1:46
  Speaker 4: of knowledge today. So I'm glad to be here. My
• 1:50
  Speaker 4: everything you can find on me is on my website,
• 1:53
  Speaker 4: rebirthadeword dot com. I also wrote a best selling book,
• 1:56
  Speaker 4: Journey through the Origins of Course of History, and it's
• 1:59
  Speaker 4: on Amazon right now.
• 2:00
  Speaker 5: I appreciate that.
• 2:02
  Speaker 2: Of course. Hell yeah, thank you for coming on, man.
• 2:04
  Speaker 2: I love that. And my man Robbie Marks, I know
• 2:06
  Speaker 2: it's it's been a minute since you've been on and
• 2:08
  Speaker 2: we have gotten some new followers since then. So please
• 2:12
  Speaker 2: let everybody know what's up with Robbie Marx and where
• 2:14
  Speaker 2: they can find all your amazing work and your art. Please.
• 2:18
  Speaker 3: Yeah, I'm an artist and I do a lot of research.
• 2:22
  Speaker 3: I do concert festival posters, mom and pop barbecue, just
• 2:27
  Speaker 3: any you know, any kind of anything. As far as
• 2:30
  Speaker 3: for art, I'm pretty much an artist for hire and
• 2:34
  Speaker 3: i just got back from the road, so you know,
• 2:37
  Speaker 3: I've been kind of going through this information and getting
• 2:40
  Speaker 3: it all together. But if you want to check out
• 2:42
  Speaker 3: my other stuff, you can go check out my link
• 2:45
  Speaker 3: tree which is link tree r M A r X
• 2:49
  Speaker 3: and that'll pull up everything for me as far as
• 2:52
  Speaker 3: my Patreon, my Instagram, my Twitter, my podcast, the Metamindcast,
• 2:58
  Speaker 3: if you want to check that out. We've got a
• 3:00
  Speaker 3: couple of years of backlog, you know, shows you can
• 3:03
  Speaker 3: check out on various subjects. And yeah, that's about it.
• 3:07
  Speaker 2: Well, so thank you so much Robbie for coming back on.
• 3:10
  Speaker 2: I know this is kind of like I think, well,
• 3:12
  Speaker 2: I think for you, it's been a continuation since you
• 3:15
  Speaker 2: did like Sybil and Atism, right. Yeah, so I guess
• 3:20
  Speaker 2: what was it that took you to want to cover Adona's.
• 3:23
  Speaker 3: And I guess we can get into it what took
• 3:26
  Speaker 3: me to what.
• 3:26
  Speaker 2: I actually start, you know, covering Adona's like this, so
• 3:29
  Speaker 2: looking into.
• 3:30
  Speaker 3: Yeah, so you know when you when you initially I
• 3:34
  Speaker 3: was I mean I just go through all these ancient texts,
• 3:37
  Speaker 3: and I found this thread of Nimrod that I found
• 3:40
  Speaker 3: really interesting as far as him becoming first skin walker,
• 3:44
  Speaker 3: and then that kind of goes because you know, Nimrod,
• 3:49
  Speaker 3: he was he basically was the first one to train
• 3:53
  Speaker 3: leopards and cheetahs to do hunting, and so he would
• 3:58
  Speaker 3: wear this this leopard skin, which you see continuing in
• 4:03
  Speaker 3: the Phrygian schools, in the schools of Adonis, moving into
• 4:08
  Speaker 3: Greece with Dionysus and transforming into Bacchus so and and
• 4:14
  Speaker 3: you know, even the skin in Greece is called I
• 4:18
  Speaker 3: think it's called naymar, which means to weep, which is
• 4:21
  Speaker 3: a reference to Nimrod in regard to the mourners and
• 4:26
  Speaker 3: the weepers within these various mystery school of cults when
• 4:30
  Speaker 3: the when the god man would die, you know, they
• 4:33
  Speaker 3: would weep and basically pound their chest, pull out their
• 4:37
  Speaker 3: hair until the god has risen. So this is like
• 4:41
  Speaker 3: this continuing mystery school system that's kind of moving through Egypt,
• 4:48
  Speaker 3: coming out of ancient Sumar with ishtar Anana, moving into
• 4:52
  Speaker 3: Mother Kibili, moving into at Adonis and Aphrodite as well.
• 5:00
  Speaker 2: Well.
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  Speaker 1: It's all centered around Thrace, right, So it's this upper
• 5:04
  Speaker 1: part of Turkey that's sort of giving you the Phrygians
• 5:08
  Speaker 1: giving you, you know, and that's sort of like the
• 5:11
  Speaker 1: bridge between worlds because Thrace is right between the continental
• 5:15
  Speaker 1: divide between the West, so this is all sort of
• 5:18
  Speaker 1: right in there, right.
• 5:19
  Speaker 3: And the Canonites they had kind of been assimilated by
• 5:23
  Speaker 3: this line of Hamites that came down and became the Phoenicians.
• 5:28
  Speaker 3: So basically you have these mystery schools because when you
• 5:31
  Speaker 3: trace hamdback the line of Ham going to Cushion Ham
• 5:34
  Speaker 3: and Nimrod, or Ham and Cushion Nimrod, this is basically
• 5:39
  Speaker 3: some of the beginnings of because it was it was
• 5:43
  Speaker 3: what was it Ham that actually brought the worship of
• 5:47
  Speaker 3: the gods from Ethiopia into Egypt and started setting and
• 5:51
  Speaker 3: you know, and you can kind of see these stretching back,
• 5:54
  Speaker 3: I mean far before the recorded history we have. We
• 5:58
  Speaker 3: have you know, statuary that kind of goes, you know,
• 6:01
  Speaker 3: way back twelve thousand, forty thousand years of some of
• 6:05
  Speaker 3: these goddess figurines, you know. So it's it's kind of
• 6:08
  Speaker 3: this continuing thing. And when you get into Isis and
• 6:12
  Speaker 3: several inscriptions she talks about, you know, she's the daughter
• 6:16
  Speaker 3: of Saturn, of Cyrus was the son of Saturn. So
• 6:20
  Speaker 3: this gets into this Saturnian mystery kind of school, that
• 6:24
  Speaker 3: is this depth and resurrection kind of cult. And after
• 6:28
  Speaker 3: the initial you know, fall of this god man and resurrection,
• 6:35
  Speaker 3: this this cult started to spread, you know, like we
• 6:38
  Speaker 3: were talking about, from Phrygia into Syria, into Cyprus, coming
• 6:44
  Speaker 3: into Greece, bringing these temple builders. These temple builders were
• 6:50
  Speaker 3: also a big part of that, and we're going to
• 6:52
  Speaker 3: get into some of that as well here too.
• 6:54
  Speaker 1: So absolutely, one of my favorite examples that really sort
• 6:59
  Speaker 1: of exemplifies this whole thing is there was a contest
• 7:03
  Speaker 1: between Egypt and Phrygia to see who was more ancient.
• 7:07
  Speaker 1: And so you had this Egyptian ruler decided that he
• 7:11
  Speaker 1: was going to isolate these children and the first language
• 7:15
  Speaker 1: that they spoke would indicate whether or not they were
• 7:20
  Speaker 1: you know, which was the first language. And so this
• 7:22
  Speaker 1: is where I get the connection to Kubaba, because kubaba
• 7:26
  Speaker 1: kind of sounds like baby talking, right, And so who
• 7:30
  Speaker 1: won It wasn't the Egyptians, it was the Frygia Pygians.
• 7:35
  Speaker 1: According to this ancient Egyptian sort of experiment that was
• 7:40
  Speaker 1: the Phrygian language that was.
• 7:42
  Speaker 3: Older, and that Kumbaba is where you eat into the
• 7:46
  Speaker 3: Kumbari cycle of the Kumbaba cycle of this it's one
• 7:50
  Speaker 3: of the first castrated god men. That is actually what
• 7:55
  Speaker 3: the Greek title Mancy was entirely based on, which came
• 7:59
  Speaker 3: out of this region of Turkey. So you know, basically
• 8:03
  Speaker 3: that whole story of the Titans, and you know, all
• 8:07
  Speaker 3: of that kind of is from this Kumba. And and
• 8:11
  Speaker 3: there's a huge argument when you get into a lot
• 8:14
  Speaker 3: of these ancient texts about what language was first, whether
• 8:18
  Speaker 3: it was Syriac or whether it was Hebrew. So you know,
• 8:22
  Speaker 3: it's interesting just the dialogue you get from a lot
• 8:26
  Speaker 3: of these old rhetorics, you know, rhetoric reditoricians. So yeah,
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  Speaker 3: so now find.
• 8:35
  Speaker 1: Well, and then we find the you know, the ancient
• 8:38
  Speaker 1: site in Turkey that's supposed to be the oldest in
• 8:40
  Speaker 1: the world. And it's like, hey, guys, there's a big
• 8:43
  Speaker 1: connection here, you know.
• 8:46
  Speaker 3: Yeah, yeah, and that was called they call it Inky's calendar,
• 8:50
  Speaker 3: which directly ties into you know, the the Yeah, well,
• 8:56
  Speaker 3: the Samarians.
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  Speaker 4: A lot of people don't know that about calendar and
• 9:02
  Speaker 4: what else did they call it? No, No, the Inky
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  Speaker 4: calendar in South Africa, the one that's it's called the
• 9:08
  Speaker 4: Adams calendar slash Inky's calendar.
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  Speaker 3: Yeah. Yeah, And well with Inky, there's a lot of
• 9:14
  Speaker 3: analogy that can be made with Cush tying in with
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  Speaker 3: Nimrod basically, you know, because the Bible talks about the
• 9:23
  Speaker 3: the line of Nimrod basically took over all of Shinar,
• 9:27
  Speaker 3: you know, so it was like and that Shinar in
• 9:35
  Speaker 3: the text, it says that, you know, the Shinar means
• 9:38
  Speaker 3: where they were shaken out, is what it means. And
• 9:41
  Speaker 3: it's basically where they say after the flood, all of
• 9:44
  Speaker 3: the bodies got washed in there. And so it's just
• 9:47
  Speaker 3: this giant bone field of decomposition. I mean, I imagine
• 9:51
  Speaker 3: it would be vervant and green, but that's where they built.
• 9:54
  Speaker 3: The Tower of Babel was on this giant decomposing bone field.
• 9:59
  Speaker 3: You know, they're in the in China. So but yeah,
• 10:03
  Speaker 3: so let's get back over into Syria and we'll start
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  Speaker 3: talking about Aphrodite and Adonis. Right. So now Theopompush circle
• 10:15
  Speaker 3: three hundred BC. He says, the Western people considering call
• 10:20
  Speaker 3: the winter to be Chronos, the summer to be Aphrodite,
• 10:25
  Speaker 3: in the spring to be Prosepine. And they believe that
• 10:28
  Speaker 3: all things come into being by Chronos and Aphrodite. So
• 10:33
  Speaker 3: here we have Saturn, Chronos, and then you have Aphrodite,
• 10:38
  Speaker 3: pleasure love, depending on how you want to look at it,
• 10:42
  Speaker 3: the heavenly goddess per se, as Plato would say, and
• 10:46
  Speaker 3: you know, all things, and this is where, you know,
• 10:48
  Speaker 3: you get Mother Riha coming in with the sickle, you know,
• 10:53
  Speaker 3: and the castration and and kind of the you know,
• 10:57
  Speaker 3: get the Titans getting called Titans because they were so
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  Speaker 3: you know, bold as to cut off the generative force
• 11:05
  Speaker 3: of the Godfather, you know. But nonetheless, you know, again,
• 11:11
  Speaker 3: Saturn has a big deal. Aphrodite has a big deal.
• 11:15
  Speaker 3: But this cult that we're talking about in Syria is
• 11:19
  Speaker 3: a clone of the Addis cult that was in Phrygia.
• 11:24
  Speaker 3: You know, the Addis cult. There's a goat involved in
• 11:27
  Speaker 3: the in the Syrian cult, there's a bore involved and
• 11:33
  Speaker 3: this Adonis you know, yeah, let's see. So now, when
• 11:38
  Speaker 3: you get into the Bible, as Ezekiel eight fourteen, it reads,
• 11:43
  Speaker 3: then he brought me to the door of the gate
• 11:46
  Speaker 3: of the Lord's house, which was towards the north, and
• 11:49
  Speaker 3: behold there sat women weeping for Tammuz, right, which is Samarian.
• 11:55
  Speaker 3: So this is all the way. But this is the
• 11:56
  Speaker 3: same character tied in with Addis and a honest But
• 12:01
  Speaker 3: if you take and you take the original like lexicon
• 12:06
  Speaker 3: of the text, right, the word that they used for
• 12:10
  Speaker 3: Tamuz is actually Adonium, which you know, therefore the text
• 12:16
  Speaker 3: should read and behold women were sitting there mourning for Adonis,
• 12:21
  Speaker 3: essentially right. But it was a Latin vulgate of the
• 12:26
  Speaker 3: fourth century. It was translated. It was a translation of
• 12:30
  Speaker 3: the Bible by Jerome, who who commissioned by Pope Damascius,
• 12:37
  Speaker 3: the first revisiting the Gospel used for the Roman Church
• 12:42
  Speaker 3: the name Adonis, which was derived from the Hebrew Aidon,
• 12:46
  Speaker 3: being lord or master. Aidon was given the title of
• 12:51
  Speaker 3: son the son in some schools, but mostly the Greeks
• 12:56
  Speaker 3: believed the cult to be of an Eastern org like
• 13:00
  Speaker 3: Southeast Asian origin, and Adonnas was also linked to the
• 13:05
  Speaker 3: ancient Cannonite word of lord as well, So you know,
• 13:10
  Speaker 3: you get this Moloch is the king. You get the
• 13:13
  Speaker 3: Adon or adonas or even a one point, they called
• 13:19
  Speaker 3: him Anon like you get the modern like qa nom.
• 13:23
  Speaker 2: Yeah.
• 13:23
  Speaker 3: So a lot of people don't know that, right, right,
• 13:27
  Speaker 3: So this is where the original Anon comes from, is
• 13:31
  Speaker 3: from the worship of Adonnas. Right, And let me ask
• 13:36
  Speaker 3: you a question.
• 13:36
  Speaker 5: But you know who Jeff Benner is?
• 13:38
  Speaker 1: No?
• 13:39
  Speaker 4: Okay, because he's a Hebrew scholar that translates ancient Hebrew.
• 13:43
  Speaker 4: I actually did a podcast nice Actually he after I
• 13:47
  Speaker 4: did a podcast with him. He actually has a school
• 13:50
  Speaker 4: for translating Hebrew too, simply like sixteen.
• 13:53
  Speaker 5: Of his books for free.
• 13:55
  Speaker 4: And his books are a complete breakdown of ancient he
• 14:00
  Speaker 4: ruin armaic, I mean, a complete break down.
• 14:03
  Speaker 5: Do you know who Robert Alter is?
• 14:05
  Speaker 3: No?
• 14:05
  Speaker 5: No, He's another.
• 14:06
  Speaker 4: Guy that that breaks it down a lot of what
• 14:10
  Speaker 4: you're saying about Adona's They would agree with you on that,
• 14:13
  Speaker 4: And I agree with you on it because I mean
• 14:15
  Speaker 4: I heard what they what they wrote in their books
• 14:17
  Speaker 4: and stuff, and it's very interesting about how you said
• 14:20
  Speaker 4: that an and how a lot of people don't don't
• 14:22
  Speaker 4: even know that.
• 14:23
  Speaker 5: When I first read I think I've read that.
• 14:24
  Speaker 4: I want to say, I either read that from Robert
• 14:26
  Speaker 4: Alter or Jeff Benner, but they was talking about that
• 14:30
  Speaker 4: in one of their books.
• 14:30
  Speaker 5: And I was like, wow, this is crazy because this
• 14:33
  Speaker 5: goes back. That means, this goes back thousands.
• 14:35
  Speaker 3: Of thousands of views, and you know, I mean technically,
• 14:38
  Speaker 3: you know, they talk about the line of Ham or
• 14:43
  Speaker 3: cush Ham to cush the memrod, that that was the
• 14:47
  Speaker 3: reason that drove Noah to drink the vineyard, the wine
• 14:51
  Speaker 3: of the vineyard that caused them pass out drunk. Because
• 14:54
  Speaker 3: these these Cannonites, they were basically practicing in these ancient
• 14:59
  Speaker 3: pre Louvian rituals that they'd brought, you know, from before
• 15:03
  Speaker 3: the flood, depending on how you look at that whole story.
• 15:08
  Speaker 3: But you know, this, this gets into the whole idea.
• 15:11
  Speaker 3: I mean, what it really comes down to is they're
• 15:13
  Speaker 3: using substances and chanting and drumming, you know, and they
• 15:18
  Speaker 3: talk about what was it Jethrow when he made pipes
• 15:23
  Speaker 3: and stringed instruments and they started playing them. That the
• 15:27
  Speaker 3: the you know, demons from the inner Earth came into them,
• 15:32
  Speaker 3: bringing the nashesh you know, into the New world. But
• 15:36
  Speaker 3: it's it's this whole thing of connecting with these ancient
• 15:39
  Speaker 3: spirits that are basically you know, from the histories that
• 15:44
  Speaker 3: I can tell they're the vengeful spirits that fell and
• 15:48
  Speaker 3: and basically ended up being trapped in the matrix because
• 15:52
  Speaker 3: they entered into three dimensional reality without authority. So they're
• 15:56
  Speaker 3: basically trapped in the three dimensional matrix until the end
• 15:59
  Speaker 3: of time. You know what I mean?
• 16:02
  Speaker 1: Interesting?
• 16:03
  Speaker 6: Yeah, that is that is interesting because you know, a
• 16:07
  Speaker 6: lot of people used to associate what they still do,
• 16:10
  Speaker 6: actually that Neimrod is some idiot, stupid person individual that
• 16:13
  Speaker 6: was a hunter and so on and so forth.
• 16:15
  Speaker 4: But this was the dude that actually created the first
• 16:17
  Speaker 4: city in Mesopotamia. Supposedly, he's supposed to be the first
• 16:21
  Speaker 4: dude that created the great city.
• 16:24
  Speaker 5: Yeah, in Mesopotamia.
• 16:26
  Speaker 4: And now one of the oldest cities in Mesopotamia is
• 16:28
  Speaker 4: supposed to be Europe.
• 16:29
  Speaker 3: Yeah yeah, yeah.
• 16:30
  Speaker 4: So that's if I'm reading the Bible correctly, if I'm
• 16:34
  Speaker 4: reading the ancient text correctly, for what is telling me,
• 16:37
  Speaker 4: that means Nimrod is responsible for building the city Europe.
• 16:41
  Speaker 3: It's tied in to be the oldest one, right, And
• 16:44
  Speaker 3: it's also tied in with the Canaanites also ties in
• 16:46
  Speaker 3: with that same story because they were workers in metal
• 16:49
  Speaker 3: and they you know, in fire, and they were worshiping fire,
• 16:53
  Speaker 3: and I think there's a distinction between Ham and Cush
• 16:59
  Speaker 3: or Cush and Theron at one point, because you know
• 17:02
  Speaker 3: the links with with Kush to zorast you know, and
• 17:06
  Speaker 3: you read Zorastrianism, and it's all about purity and the truth.
• 17:10
  Speaker 3: And I think that the point between Nimrod the elder,
• 17:13
  Speaker 3: which is Cush, and Nimrod the younger, because they say
• 17:16
  Speaker 3: there was two Chronoses, there was two Nimrods. Th this
• 17:20
  Speaker 3: is turning into a show about Nimrod all of a sudden.
• 17:23
  Speaker 2: But you've done yeah much.
• 17:26
  Speaker 3: But I think that at some point that that that
• 17:29
  Speaker 3: pure worship of the fire and the you know, that
• 17:34
  Speaker 3: that represented the fire in the sky. I think it
• 17:36
  Speaker 3: was inverted and that's when they started to talk to
• 17:39
  Speaker 3: the to the underworld elements, you know. But yeah, so
• 17:44
  Speaker 3: now and and well, but that's the thing. This all
• 17:47
  Speaker 3: ties into astrology and the worship of the heavens, you know,
• 17:52
  Speaker 3: in combination with as above so below, and that ties
• 17:56
  Speaker 3: in with Ishtaranana, which brings us back to Afridi. Right,
• 18:01
  Speaker 3: So let's see. Most scholars see the story of Aphrodite
• 18:05
  Speaker 3: and Adonnas to be derived from eleventeen tale relating back
• 18:11
  Speaker 3: to early Mesopotamian myth and linked to anana ishtar and
• 18:15
  Speaker 3: the relationship with Da muzi Tamuz. This worship of Adonnas
• 18:20
  Speaker 3: was practiced by the Semitic tribes of Babylon in Syria
• 18:24
  Speaker 3: and was relayed in the Bible as the worship of
• 18:28
  Speaker 3: the Queen of Heaven. So you know this, and I
• 18:34
  Speaker 3: wish I had it right in front of me. But
• 18:36
  Speaker 3: Plato talks about there's two aphrodites. There's one that is
• 18:41
  Speaker 3: a motherless aphrodite that is pure love and pleasure in essence,
• 18:48
  Speaker 3: and then there's another aphrodite that's the offspring of Zeus
• 18:52
  Speaker 3: that is earthly kind of common pleasure that is more about,
• 18:58
  Speaker 3: you know, getting your rocks off in the plan, you know,
• 19:00
  Speaker 3: get like taking advantage of the pleasures that the world
• 19:05
  Speaker 3: has to offer rather than the divine heavenly essence of
• 19:10
  Speaker 3: pure love and pleasure. You know. So it's just interesting
• 19:14
  Speaker 3: when you start to look at these things in regard
• 19:17
  Speaker 3: to aspects of the physical world, that they then transfer
• 19:24
  Speaker 3: those characteristics onto actual humans on the earthly plane and
• 19:32
  Speaker 3: kind of you know, use those as the symbol, the
• 19:36
  Speaker 3: earthly symbol of the divine essence basically.
• 19:41
  Speaker 1: Which do you know what this place is, I don't know.
• 19:47
  Speaker 1: This is Aphrodite Beach in Cypress. This is where Aphrodite
• 19:52
  Speaker 1: supposedly washed up on the shore and came out of
• 19:55
  Speaker 1: the shell, as the pictures of Aphrodite mus well.
• 20:00
  Speaker 3: And that's that's so we're talking about those Titans a
• 20:03
  Speaker 3: second ago, right, and when the when the genitals were severed, right,
• 20:09
  Speaker 3: the testicles fell into the water and produced foam in
• 20:12
  Speaker 3: the sea that basically gave rise to these giants with
• 20:17
  Speaker 3: like one hundred arms and these abominations. But right, right,
• 20:24
  Speaker 3: but along with that, you have this beautiful essence that
• 20:27
  Speaker 3: was produced of Venus or Aphrodite that basically was blown
• 20:32
  Speaker 3: on the zephyr until she, you know, reached the shore.
• 20:35
  Speaker 1: So what's funny though, is look at that rock in
• 20:37
  Speaker 1: the middle of this beach, right, that is reminding me
• 20:43
  Speaker 1: of those pictures of you know, Venus coming out of
• 20:46
  Speaker 1: the water that that could And again it's that black
• 20:49
  Speaker 1: stone that's associated.
• 20:50
  Speaker 3: With and the whole ritual of cleansing the stone. They
• 20:55
  Speaker 3: would wash it yearly, it was part of the ritual.
• 20:59
  Speaker 3: But yeah, you.
• 21:00
  Speaker 1: See the sea foam around the bottom of.
• 21:02
  Speaker 3: The seafoam, Yeah, yeah, And when the sea foam is
• 21:07
  Speaker 3: coming in and you have those bubbles encapsulated air and
• 21:11
  Speaker 3: the sun's coming through it, and you have the earth
• 21:13
  Speaker 3: and the water, so you have the earth, wind, fire, water,
• 21:16
  Speaker 3: all the five elements in that foam essentially as it's
• 21:20
  Speaker 3: you know, creating the life that is the breath of
• 21:23
  Speaker 3: the you know.
• 21:25
  Speaker 1: Yeah, absolutely.
• 21:29
  Speaker 3: So now in let's see where are we're at here?
• 21:34
  Speaker 3: So King Sternus's daughter Mira was said to be secretly
• 21:40
  Speaker 3: madly in love with her father, and so basically she
• 21:45
  Speaker 3: tricked him into when he was drunk and he was
• 21:49
  Speaker 3: passed out and his wife wasn't around. This was let's see, Uh,
• 21:55
  Speaker 3: there was a festival going on. Yeah, there was a
• 21:58
  Speaker 3: corn festival to Demeter was going on, and the women
• 22:02
  Speaker 3: in the streets were in white robes offering corn wreaths
• 22:05
  Speaker 3: for the bounty of the first harvest, they would maintain
• 22:08
  Speaker 3: chastity for nine days. And basically she cornered her dad
• 22:13
  Speaker 3: and with the help of this nurse, basically you know,
• 22:17
  Speaker 3: walked away impregnated. And because of that, the king he
• 22:23
  Speaker 3: was like horrified and basically sought out to kill her
• 22:27
  Speaker 3: because he didn't want to face the embarrassment of what
• 22:30
  Speaker 3: that would bring as far as incestuous behavior in the family,
• 22:33
  Speaker 3: you know. So basically he has his sword out and
• 22:36
  Speaker 3: he's chasing her and she he drives his daughter, Mira
• 22:43
  Speaker 3: into Arabia and she's basically there for nine months. And
• 22:48
  Speaker 3: then she's praying to the gods to be invisible or
• 22:52
  Speaker 3: to change her form or something, because she's so embarrassed
• 22:57
  Speaker 3: by being impregnated by her father. Right that basically, the
• 23:01
  Speaker 3: gods they hear her prayers and they transform her into
• 23:04
  Speaker 3: a merchree, right, and from that merchrey, the balls of sap.
• 23:12
  Speaker 3: When you get the incense, if you get real mrh
• 23:15
  Speaker 3: it comes in like balls that kind of bleed out
• 23:17
  Speaker 3: of the tree. They call those the tears of Myra
• 23:22
  Speaker 3: as far as symbolically of her being. And you can
• 23:25
  Speaker 3: read this whole tale Ovid in his metamorphosis. He has
• 23:30
  Speaker 3: a bunch of different tales about the different transformations of
• 23:33
  Speaker 3: all these gods and goddess forms from you know, people
• 23:37
  Speaker 3: into rivers, people into trees, trees, and it's like, yeah,
• 23:41
  Speaker 3: everything now. Some said this metamorphosis was to save her,
• 23:47
  Speaker 3: while other others argued it was her punishment. And then
• 23:52
  Speaker 3: at this point the Merchree, it kind of splits open, right,
• 23:57
  Speaker 3: and from the merchree, Adonnas is basically birthed from the
• 24:04
  Speaker 3: tree itself, right, And basically at this point there's different stories,
• 24:13
  Speaker 3: but Adonnis is basically dragged into the underworld and fostered
• 24:19
  Speaker 3: by uh Prosepine in the underworld. Right. So now, during
• 24:26
  Speaker 3: this time when this king Sarenus was in in his kingship,
• 24:33
  Speaker 3: it was the royal lineage of the bloodline was traced
• 24:37
  Speaker 3: through the feminine side of the family. So as a result,
• 24:41
  Speaker 3: the king, in order to maintain his kingly status would
• 24:45
  Speaker 3: have to be married to the queen. So you have
• 24:49
  Speaker 3: this case where the king if he wants to maintain
• 24:53
  Speaker 3: So maybe it was actually that the king was taking
• 24:56
  Speaker 3: the daughter, but we don't know. This is we're just
• 24:59
  Speaker 3: reading the stories verse of the history. But nonetheless, the
• 25:02
  Speaker 3: lineage of the crown was maintained through the feminine much
• 25:07
  Speaker 3: like the Hebrew lines. Right. So let's see now, King Sereness,
• 25:13
  Speaker 3: he was said to merit. Now this is in the
• 25:16
  Speaker 3: kingly titles away from the Michigan. The King Sereness of Cyprus,
• 25:21
  Speaker 3: which is an island in the middle of the Mediterranean.
• 25:24
  Speaker 3: They call it the gateway to Greece, because you know,
• 25:27
  Speaker 3: it was basically Uh a launching point for a lot
• 25:30
  Speaker 3: of the trading going on around the Mediterranean, you know.
• 25:36
  Speaker 3: So he was King Cyrus was said to have married Aphrodite,
• 25:40
  Speaker 3: the Greek goddess of love, beauty, pleasure, passion, lust and
• 25:44
  Speaker 3: pro creation. This alphad Aphrodite, who Plato in his Phobias
• 25:50
  Speaker 3: simply refers to as the aspect of pleasure. And then
• 25:56
  Speaker 3: so you've heard the name Pygmalion randomly. There's this king
• 26:01
  Speaker 3: Pygmalion who was a Phoenician king of Cyprus as well,
• 26:05
  Speaker 3: and he was so in love with Aphrodity that he
• 26:08
  Speaker 3: would take an icon of the goddess to bed with
• 26:11
  Speaker 3: him when he went to bed at night. And within
• 26:15
  Speaker 3: this lineage of Pygmalion, he was the father in law
• 26:19
  Speaker 3: of King Siren Seranus, the first guy we were talking
• 26:22
  Speaker 3: about there, right, And then who was the grandfather of Adonnas.
• 26:29
  Speaker 3: So this is the lineage of Adonnas that we have
• 26:32
  Speaker 3: from the texts coming from Pygmalion to King Seranus to Adonnas, right,
• 26:40
  Speaker 3: And so that's three generations that are in intrigue with
• 26:46
  Speaker 3: this divine priestess and basically you know, uh, and and
• 26:56
  Speaker 3: when the king would basically be around king, they would
• 27:01
  Speaker 3: have a ceremony that was hiroscamos ceremony where the king
• 27:07
  Speaker 3: would actually marry the goddess. So you know, like how
• 27:11
  Speaker 3: within the Catholic Church, you know, he's supposed to be
• 27:13
  Speaker 3: the representative of God on earth, so they would actually
• 27:17
  Speaker 3: have to marry the God form in order to get
• 27:20
  Speaker 3: that that scepter of power in order to be able
• 27:23
  Speaker 3: to rule. So we got three generations here.
• 27:28
  Speaker 1: Well, in the Orphic hymn to Aphrodite, they call her
• 27:31
  Speaker 1: the great scepter Bearer, so this is almost like a
• 27:34
  Speaker 1: prerequisite for kingship with the with the goddess.
• 27:41
  Speaker 3: Goddess in order to get the power to be able
• 27:43
  Speaker 3: to rule.
• 27:47
  Speaker 2: Mh.
• 27:47
  Speaker 3: Well, even even you see with the Queen of England,
• 27:51
  Speaker 3: King of England setting up all of their various you know,
• 27:54
  Speaker 3: colonies around the world, like the Parliament in Canada or
• 27:58
  Speaker 3: you know, wherever you want to look. They are given
• 28:01
  Speaker 3: a sceptor of power that comes from the monarch, and
• 28:06
  Speaker 3: that is basically the monarch giving them the authority to rule.
• 28:12
  Speaker 3: And if the monarch ever disagrees, is what that parliament
• 28:15
  Speaker 3: is doing they'll take that sceptor away, scramble the parliament,
• 28:19
  Speaker 3: bring in all new people and give them a new scepter.
• 28:22
  Speaker 3: So it's you know, and this has happened, you know,
• 28:25
  Speaker 3: and within recent history in several countries, so you can
• 28:29
  Speaker 3: kind of see the continuing power that this monarch, this
• 28:33
  Speaker 3: monarchy really you know, pushes on the planet.
• 28:38
  Speaker 1: Is that the missing member of Osiris?
• 28:41
  Speaker 3: Theah? Yeah, yeah, yeah, you know symbolically, you know, I mean,
• 28:50
  Speaker 3: is that sceptor an obelisk? It's like a wand I
• 28:53
  Speaker 3: mean getting into these different you know, phallic shaped the
• 28:57
  Speaker 3: lotus pedal, you know, it's yeah, yeah, a lot of crossover.
• 29:02
  Speaker 3: And say what they say, every symbol has seven meanings,
• 29:06
  Speaker 3: and every one of those meetings has seven meanings. Very
• 29:08
  Speaker 3: fractaline in essence. So yeah, that's a that's a good analogy,
• 29:13
  Speaker 3: I think, you know, really really so uh Now, Adonnas
• 29:18
  Speaker 3: was said to be possessed of such surpassing beauty that
• 29:21
  Speaker 3: venus Aphrodite became enamored with his beauty and adopted him
• 29:26
  Speaker 3: as her favorite. Adonnas, also referred to as the Great Hunter,
• 29:31
  Speaker 3: very much like Nimrod was, ends his life by being
• 29:35
  Speaker 3: gored to death by a wild boar on Mountain Lebanon,
• 29:39
  Speaker 3: and on his death a Venus flew to be by
• 29:41
  Speaker 3: his side, but Adonnas was already dead. Adonnas's soul was
• 29:47
  Speaker 3: then submerged into the underworld. So here we're having a
• 29:51
  Speaker 3: couple of different stories that we can see where he's
• 29:53
  Speaker 3: birthd of the merchery versus he dies and then is
• 29:56
  Speaker 3: taken into the underworld. Right, And this is you know,
• 30:00
  Speaker 3: you get variations regionally, but you you get the essence
• 30:04
  Speaker 3: of the death and the rebirth of the god is
• 30:07
  Speaker 3: the essential function of the process of the stories, depending
• 30:11
  Speaker 3: on how they spread in a fractline manner and become
• 30:14
  Speaker 3: their own based on the individual community. Right. So now
• 30:20
  Speaker 3: Ovid he tells Us that Venus put him in a
• 30:24
  Speaker 3: coffer like Osiris and basically gave him to Prosepine to
• 30:30
  Speaker 3: keep in the underworld. So now Venus, she was basically
• 30:35
  Speaker 3: praying to the gods, praying to Zeus Jupiter, trying to
• 30:40
  Speaker 3: get some help in getting Adonis returned to the physical world.
• 30:46
  Speaker 3: But Prosepine had just fallen in love with him because
• 30:50
  Speaker 3: he was so beautiful, and she was wanting to keep
• 30:52
  Speaker 3: him in the underworld. And it goes by and basically, uh,
• 30:59
  Speaker 3: you know, a is made and Zeus comes in is
• 31:01
  Speaker 3: to mediate it, and it's determined that that he'll be
• 31:08
  Speaker 3: above ground six months and below ground six months basically
• 31:12
  Speaker 3: kind of the winter and the summer solstices. Go ahead.
• 31:17
  Speaker 2: Oh no, I was just saying, Jesus even yeah, just
• 31:19
  Speaker 2: go sorry.
• 31:21
  Speaker 3: Yeah, yeah. But I've also found some essences of the
• 31:25
  Speaker 3: story where it's broken into three parts of the year,
• 31:29
  Speaker 3: where he gets one above ground and one below ground,
• 31:32
  Speaker 3: and then one part of the year to himself, and
• 31:35
  Speaker 3: he can often be seen like lazing around, you know,
• 31:40
  Speaker 3: while his sister is in the underworld. And so there's
• 31:44
  Speaker 3: this idea of the leisure of the turning of the seasons.
• 31:49
  Speaker 3: How you know this? You know, the year goes fast,
• 31:51
  Speaker 3: but the days are long, you know. Let's see now.
• 31:55
  Speaker 3: After her reunion with the donnas, Afrodity was said to
• 32:00
  Speaker 3: have bathed just as Demeter after intercourse with Poseidon, linking
• 32:06
  Speaker 3: also to the ritual bathing of the blackstone of Mother Kibli,
• 32:11
  Speaker 3: that they would do yearly, right, just as Harah washed
• 32:15
  Speaker 3: in the springs of the river Burgh after being overtaken
• 32:19
  Speaker 3: by Zeus. Jupiter and then also Zeus's wife Harrah she
• 32:25
  Speaker 3: bathed in the springs of Cantonus and would regain her
• 32:30
  Speaker 3: virginity in a yearly cycle. And Harah was the stepmother
• 32:36
  Speaker 3: and cousin of Aphrodite, so within the line of the gods.
• 32:42
  Speaker 3: But it's just interesting how we have these elements of
• 32:46
  Speaker 3: water relating to the divine feminine getting into the foam
• 32:50
  Speaker 3: of the sea, kind of the emergence of life out
• 32:53
  Speaker 3: of the waters of the deep. You know, it just symbolically,
• 32:58
  Speaker 3: you know, when you start looking at how all these
• 33:01
  Speaker 3: things kind of come together.
• 33:03
  Speaker 2: Right now.
• 33:07
  Speaker 3: The Hellenistic Greek poet Lycoprom adds that for Aphrodite, hastening
• 33:16
  Speaker 3: to her wounded lover, she trod on a bush of
• 33:19
  Speaker 3: white roses. The cruel thorns tore her tender flesh, and
• 33:26
  Speaker 3: her sacred blood dyed the white roses forever red, basically
• 33:31
  Speaker 3: painting the roses red, which we see in the modern
• 33:34
  Speaker 3: mythology of Alice in Wonderland. Yes, sir, yeah, yeah. So
• 33:40
  Speaker 3: now in Goodwin's Moses and Aaron he relates that concerning Adonis,
• 33:46
  Speaker 3: who sometimes the ancient authors called Osyrus. There are two
• 33:51
  Speaker 3: things remarkable nismos, after nismos being the death or loss
• 34:00
  Speaker 3: of Adonis and Herosis, which is the finding of him again,
• 34:07
  Speaker 3: and those are basically represented by the different seasons which
• 34:13
  Speaker 3: he is said to go and and within this region,
• 34:18
  Speaker 3: you know, he a lot of this is related to
• 34:22
  Speaker 3: the crops and much like Osiris, you know, being the
• 34:26
  Speaker 3: god of the underworld, pushing the shoots up. And there's
• 34:29
  Speaker 3: this essential thing where when he comes back, you know,
• 34:34
  Speaker 3: it basically brings the foliage and the crops and is
• 34:39
  Speaker 3: the power that's you know, from coming to basically push
• 34:44
  Speaker 3: the crops to grow the food for the people to
• 34:46
  Speaker 3: eat so that they can have these metropolises, you know,
• 34:50
  Speaker 3: these early metropolises. So let's see.
• 34:59
  Speaker 5: Now how you do that?
• 35:00
  Speaker 4: Man? Like, I like how you reading from the actual text.
• 35:03
  Speaker 4: That's amazing to me because a lot of people don't
• 35:06
  Speaker 4: do that. A lot of people like to tell you
• 35:09
  Speaker 4: to go do your own research. And you're saying, hey, well,
• 35:12
  Speaker 4: I know you probably won't do your own research, so
• 35:14
  Speaker 4: I'm going to read it right here from it.
• 35:16
  Speaker 3: But that's the thing. I'm also doing it for myself,
• 35:19
  Speaker 3: just so I can have these things as artifacts. You know,
• 35:25
  Speaker 3: what did Plato say that you know, basically all is
• 35:27
  Speaker 3: forgetting and that Basically, when you study, you take these
• 35:31
  Speaker 3: ideas and you put them back in your head so
• 35:34
  Speaker 3: that you can remember.
• 35:36
  Speaker 4: So that's why that's why I created my series what
• 35:40
  Speaker 4: I've learned from reading this book, because I like to
• 35:42
  Speaker 4: go back to the tabs that I have and just
• 35:44
  Speaker 4: read what I have in the tab because it's a refresher.
• 35:48
  Speaker 4: I say it every every time I do an episode,
• 35:50
  Speaker 4: I say this is for me. They sit here and
• 35:52
  Speaker 4: basically just refresh my memory on what it is that
• 35:55
  Speaker 4: I know. So that way is not for anybody in particular,
• 35:58
  Speaker 4: It's just for me. But because I want to share
• 36:00
  Speaker 4: with the world, I have social media, I have the YouTube,
• 36:03
  Speaker 4: the rumble counts and all that other stuff. So if
• 36:05
  Speaker 4: you care to want to learn, you'll follow me. If not,
• 36:08
  Speaker 4: that's okay, it's gonna sweat off my back.
• 36:10
  Speaker 5: I did that.
• 36:10
  Speaker 4: I came into this game knowing that I thought I
• 36:13
  Speaker 4: be honest with you. I didn't think it one person
• 36:15
  Speaker 4: would listen to what I said. Now i'm you know,
• 36:18
  Speaker 4: I'm being asked to come to the.
• 36:19
  Speaker 5: Conventions and stuff.
• 36:20
  Speaker 4: So it's actually pretty interesting and and fun to know
• 36:24
  Speaker 4: that the stuff that I know and what I'm sharing
• 36:28
  Speaker 4: is backed up because I haven't had not one person
• 36:30
  Speaker 4: come to me and say you're wrong. I mean, I've
• 36:32
  Speaker 4: had people say I'm wrong about stuff, but I never
• 36:34
  Speaker 4: had anybody say, hey, you're wrong because of this, that
• 36:36
  Speaker 4: and the third. They're just saying that I'm wrong because
• 36:38
  Speaker 4: of their feelings are heard or whatever the case may be.
• 36:40
  Speaker 3: Yeah, yeah, well, and also, you know, just as humans,
• 36:44
  Speaker 3: we're fallible. You know, we're gonna have you know, our
• 36:47
  Speaker 3: brain can only store so much information, so you know,
• 36:50
  Speaker 3: it's kind of good to have the availability of some
• 36:53
  Speaker 3: of these things just and then you know, I can
• 36:56
  Speaker 3: point people in the exact direction. Right. So, now, after
• 37:00
  Speaker 3: the Ordeal, there became tales where King Sarahenus is ended
• 37:05
  Speaker 3: his own life after the events from the Shame. The
• 37:08
  Speaker 3: Greek narratives convey that the king was defeated in a
• 37:12
  Speaker 3: musical contest with Apollo, and as part of his loss,
• 37:16
  Speaker 3: the god put him to death. But according to and Syrion,
• 37:21
  Speaker 3: a Greek lyric poet who was known for his drinking
• 37:25
  Speaker 3: songs and erotic poetry, tells us that King Siranus lived
• 37:29
  Speaker 3: to be to the ripe old age of one hundred
• 37:32
  Speaker 3: and sixty. So these rites of Adonnas were centralized in
• 37:39
  Speaker 3: two places in Western Asia, both in Biblos and on
• 37:43
  Speaker 3: the coast of Syria and Paphos in Cyrus. These were
• 37:50
  Speaker 3: great seats of the center of the worship of Adonnas.
• 37:57
  Speaker 3: Now Aphrodite was worshiped just as the Semitic Astarte. And
• 38:02
  Speaker 3: it was King Sernus who ruled over the city of Biblos,
• 38:08
  Speaker 3: which was one of the most ancient cities in Phoenicia.
• 38:11
  Speaker 3: This city was said to have been founded by Lord
• 38:15
  Speaker 3: l With whom the Greeks identified with Chronos, going back
• 38:19
  Speaker 3: to Saturn who had founded it in the ancient days
• 38:23
  Speaker 3: of the Earth. So Biblos was the same city that
• 38:31
  Speaker 3: Osiris when he had died, he when set nailed him
• 38:36
  Speaker 3: in the box within the Egyptian mysteries, and they floated
• 38:40
  Speaker 3: him down the Nile. It was in this city of
• 38:43
  Speaker 3: Biblos that were talking about where Adonis was centralized. So
• 38:51
  Speaker 3: and and this city of Biblos was like an ancient
• 38:55
  Speaker 3: mecca to the Phoenicians where they would make pilgrim images
• 39:00
  Speaker 3: basically to come worship this dead and risen god form
• 39:05
  Speaker 3: that matched because Osiris. When Osiris came down into Biblos,
• 39:12
  Speaker 3: tamarsk Tree grew around that that casket or that box
• 39:17
  Speaker 3: that said it made and King Melkwort, who's a god,
• 39:21
  Speaker 3: he finds Osiris, who's another god, and basically takes this
• 39:25
  Speaker 3: tree that appeared overnight and cuts it down and puts
• 39:29
  Speaker 3: it in his palace. Right, and Isis when Isis goes
• 39:33
  Speaker 3: out to search for for for you know, Osiris, when
• 39:41
  Speaker 3: he's been sent away, she comes to Biblos and she
• 39:46
  Speaker 3: basically comes in in disguise and like she's like helping
• 39:52
  Speaker 3: the court of the king basically do these different things.
• 39:57
  Speaker 3: And she's like braiding the women's hair in ways they
• 40:01
  Speaker 3: hadn't seen, and she's like breathing her beautiful breath on
• 40:05
  Speaker 3: them so that they had this beautiful essence of smell.
• 40:08
  Speaker 3: And you know, so they bring her into the center
• 40:11
  Speaker 3: court with the king and they entrust the offspring of
• 40:17
  Speaker 3: the king to her, and she's feeding the king with
• 40:21
  Speaker 3: her fingers, basically with her blood versus the milk. Right,
• 40:26
  Speaker 3: And at night, when nobody's around, she's burning. She's putting
• 40:29
  Speaker 3: the baby in the fire to burn off all the
• 40:32
  Speaker 3: mortal parts and turn this little guy into an immortal being. Right,
• 40:36
  Speaker 3: But they catch her and basically they get all upset
• 40:39
  Speaker 3: and they're threatening the driver out and she says, Okay,
• 40:43
  Speaker 3: here's the real deal. I'm Queen Isis and my husband's
• 40:47
  Speaker 3: in the tree. And basically they cut it down and
• 40:50
  Speaker 3: they open it up, and you know, Cyrus is inside
• 40:53
  Speaker 3: of this tree. In the Book of the Dead or
• 40:58
  Speaker 3: the Book of Coming Forward, you know, the Egyptian text,
• 41:01
  Speaker 3: it says that this was a sycamore tree, but in
• 41:05
  Speaker 3: the other text it says it was. Yeah, it says
• 41:08
  Speaker 3: it was a tamarisk tree. But nonetheless, within these religions
• 41:12
  Speaker 3: of we talked about Addis and Mother Kibbili, right, and
• 41:18
  Speaker 3: now we're talking about Adonis and Aphrodite. In all of
• 41:22
  Speaker 3: these these three cultures, you have this story where they,
• 41:28
  Speaker 3: you know, where they would basically take a tree as
• 41:31
  Speaker 3: part of the ritual and they would have these zimmermen
• 41:35
  Speaker 3: that were like these sacred woodsmen. I'm calling them Zimmerman.
• 41:38
  Speaker 3: That's a German name, but they I'm comparing them to
• 41:42
  Speaker 3: the Zimmerman. But they had these sacred woodmen that would
• 41:45
  Speaker 3: cut down a tree and then they would hollow it
• 41:48
  Speaker 3: out and take that center part of the tree and
• 41:50
  Speaker 3: carb an idol out of it. Of the dead and
• 41:53
  Speaker 3: risen God, and then they would put it back in
• 41:55
  Speaker 3: the tree and carry and this would happen on three
• 41:59
  Speaker 3: two two as far as the date. And this ties
• 42:03
  Speaker 3: in with Demosthenes and this cult of the dead, where
• 42:08
  Speaker 3: we get, you know, the three two two of the
• 42:10
  Speaker 3: skull and bones, the order of the skull and bones basically,
• 42:14
  Speaker 3: but basically they would they would then, you know, and
• 42:17
  Speaker 3: in scull and bones they'd lay in the coffin much
• 42:20
  Speaker 3: like this idol is in the tree, and they would
• 42:24
  Speaker 3: bring this, this tree with the idol into the temple
• 42:27
  Speaker 3: and set it up for the year. And that was
• 42:29
  Speaker 3: a representation of the god, almost like the Egyptians had
• 42:33
  Speaker 3: the form of Linus, which was the God in a
• 42:36
  Speaker 3: state of limbo that became the Serapian bull, right, This
• 42:41
  Speaker 3: is a state of the God in stasis before he's read.
• 42:46
  Speaker 3: And then you know, they would basically bring this this
• 42:49
  Speaker 3: statue from this tree kind of casket coffin out for
• 42:53
  Speaker 3: the spring festival and they would anoint it with holy
• 42:56
  Speaker 3: oil and be burning incense. They would dress it in
• 43:00
  Speaker 3: fabulous garments, and you know, and then on the third
• 43:03
  Speaker 3: day of the festival, you know, the God would rise
• 43:06
  Speaker 3: and they would all yell he has risen, and everybody
• 43:08
  Speaker 3: would celebrate. Right, So this is what's familiar. Yeah, really familiar,
• 43:13
  Speaker 3: really familiar. So this is what when we talked about
• 43:16
  Speaker 3: the women weeping and they had changed the word to
• 43:20
  Speaker 3: Tamuz from Adonis. This is the description of that time
• 43:24
  Speaker 3: when they were weeping over the dead god before he
• 43:27
  Speaker 3: was resurrected. Right, So, if anybody wants to add anything,
• 43:31
  Speaker 3: go ahead.
• 43:32
  Speaker 1: Yeah, so I pulled out the Golden ass again. In
• 43:36
  Speaker 1: this book they have so many references to isis.
• 43:42
  Speaker 3: You're at the end of the book, aren't you. Yes, yeah,
• 43:44
  Speaker 3: I know you are.
• 43:47
  Speaker 1: So I got this little part here. It says, feeling
• 43:50
  Speaker 1: that fate was now satiated with my endless miseries and
• 43:54
  Speaker 1: at last licensed the hope of salvation, I determined to
• 43:58
  Speaker 1: implore the august image of the rising Goddess. So, shaking
• 44:03
  Speaker 1: off my tiredness, I scrambled to my feet and walked
• 44:06
  Speaker 1: straight into the sea in order to purify myself again,
• 44:10
  Speaker 1: back to that Kibali worship. Right, immersed my head seven times,
• 44:16
  Speaker 1: because according to the divine Pythagoras, that number is specially
• 44:21
  Speaker 1: suited for all ritual acts. And then, speaking with lively joy,
• 44:25
  Speaker 1: I lifted my tear wet face in supplication to the
• 44:30
  Speaker 1: irresistible Goddess, Queen of Heaven. Whether you are Fostering Sidus,
• 44:37
  Speaker 1: the motherly nurse of all growth, who gladdened at the
• 44:41
  Speaker 1: discovery of your lost daughter, abolished the brutish nutriment of
• 44:46
  Speaker 1: the primitive acorn, and pointed the way to gentler recovery
• 44:52
  Speaker 1: for your lost daughter, abolished in the brutish nutriment of
• 44:56
  Speaker 1: the primitive acorn, and pointed the way to gentler food,
• 45:00
  Speaker 1: food as is yet shown in the telling of the
• 45:03
  Speaker 1: Fields of Elysses. Or whether you are celestial Venus, who,
• 45:07
  Speaker 1: in the first moment of creation mingled with the opposing
• 45:11
  Speaker 1: sexes in the generation of mutual desires, and who, after
• 45:16
  Speaker 1: sowing in human humanity the seeds of indestructible, continuing life,
• 45:22
  Speaker 1: are now worshiped in the wave wash shrine of Paphos,
• 45:26
  Speaker 1: Or whether you are the sister of Phoebus, who, by
• 45:29
  Speaker 1: reliving the pangs of childbirth, travail with soothing remedies, who
• 45:34
  Speaker 1: have brought safe into the world lives innumerable, and who
• 45:39
  Speaker 1: are now venerated in These are all the epithets of
• 45:44
  Speaker 1: the Goddess that he's using over and over again to
• 45:46
  Speaker 1: call to her the thromed sanctuary of Ephesus or whether
• 45:51
  Speaker 1: you are are Prosephone terrible with the howls of Midnight,
• 45:56
  Speaker 1: whose triple face has power to ward off all the
• 45:59
  Speaker 1: assaults of gods and to close the cracks in the earth.
• 46:04
  Speaker 1: Who does that sound like? That sounds a little bit
• 46:07
  Speaker 1: like the the not Phrygian, it's lower than that.
• 46:11
  Speaker 2: But this is.
• 46:14
  Speaker 1: What's her name?
• 46:15
  Speaker 3: The cracks in the earth. I'm trying to think the
• 46:18
  Speaker 3: underworld underworld goddess with three faces, Oh, with three faces?
• 46:25
  Speaker 1: There you go. Yeah, right, So he's just he's just
• 46:28
  Speaker 1: listing all of these different goddesses as a way to
• 46:31
  Speaker 1: implore or cry out to Isis, who he thinks is
• 46:34
  Speaker 1: the most agent, so that she could turn him back
• 46:36
  Speaker 1: into a man from a darken.
• 46:38
  Speaker 3: And ass Yeah, yeah right, And they what does it say?
• 46:41
  Speaker 3: You know, but the oldest in the most schooled in
• 46:44
  Speaker 3: the myths call me by my true name, you know,
• 46:48
  Speaker 3: Queen isis essentially yeah, exactly so.
• 46:52
  Speaker 2: But you know it's interesting.
• 46:54
  Speaker 3: Does pre date isis Hathor?
• 46:57
  Speaker 2: Yeah?
• 46:58
  Speaker 5: Does?
• 46:58
  Speaker 1: Pretty?
• 46:59
  Speaker 3: And and I actually absorbed a lot of Hathor's qualities
• 47:03
  Speaker 3: at one point.
• 47:07
  Speaker 2: It also depends on what kind of part of the
• 47:09
  Speaker 2: story I think you're looking for.
• 47:11
  Speaker 3: Yeah, yeah.
• 47:11
  Speaker 1: And also this is second century a d. So there's
• 47:15
  Speaker 1: probably a lot lost between ancient Hathor worship. And this
• 47:19
  Speaker 1: is also not in Egypt at all, So this this
• 47:22
  Speaker 1: isis cult changes from different parts of the world that
• 47:26
  Speaker 1: it goes into.
• 47:27
  Speaker 3: Well, but that's the whole thing. These stories, you know,
• 47:30
  Speaker 3: moved from South East Asia and the Mesopotamia into Cyprus
• 47:35
  Speaker 3: and Greece, you know, and became the title Nancy, became
• 47:39
  Speaker 3: the stories of the you know, and and you can
• 47:42
  Speaker 3: just interrelate these figures, you know, easily.
• 47:48
  Speaker 2: I think the spelling of Isis and the artistic depiction
• 47:51
  Speaker 2: and stuff like that is actually more fitting probably Hathor
• 47:55
  Speaker 2: for certain things, so I could understand that.
• 47:58
  Speaker 3: Yeah.
• 47:59
  Speaker 7: Yeah, So well how to a syncretism and Greece is Io, right,
• 48:07
  Speaker 7: So there's that whole myth of Io and Zeus.
• 48:10
  Speaker 3: Zeus, Yeah yeah, And what was it Riea? You know,
• 48:14
  Speaker 3: she was in Babylon and she got her head chopped off,
• 48:18
  Speaker 3: and they talk about she was reborn Israea. And then
• 48:21
  Speaker 3: you have Virgil talking about Rihea riding into Spain and
• 48:26
  Speaker 3: finding Zeus or Saturn or Chronos there and basically saying
• 48:30
  Speaker 3: you can't stay here and sends him to Italy. You know.
• 48:33
  Speaker 3: So you see these migration, you know, of these different
• 48:38
  Speaker 3: gods at different points in the histories of these nations,
• 48:43
  Speaker 3: and it's just interesting, say it's all true. Who knows,
• 48:49
  Speaker 3: but this is uh, you know what all the ancient
• 48:52
  Speaker 3: philosophers and poets and you know have kind of pieced
• 48:57
  Speaker 3: together for us. If you take all these puzzle pieces
• 49:01
  Speaker 3: and kind of put them together.
• 49:02
  Speaker 1: You know, it's the cult of the mysteries that sort
• 49:05
  Speaker 1: of tie them all together in all these different places.
• 49:07
  Speaker 3: Right right. And it was they all, go ahead, go ahead.
• 49:12
  Speaker 4: I was just going to say, if we all take
• 49:14
  Speaker 4: the pieces of our pieces of the puzzle and put
• 49:16
  Speaker 4: them together, ain't no telling them what we might see?
• 49:18
  Speaker 3: Oh I know. And so there's in one Philip K. Dickbook, right,
• 49:24
  Speaker 3: they talk about you couldn't have a three dimensional hologram
• 49:29
  Speaker 3: of the Bible on this certain minding moon, right because
• 49:32
  Speaker 3: you could take that story and basically depending on the
• 49:36
  Speaker 3: different angles you looked at it from, you would see
• 49:40
  Speaker 3: different things within the story that nobody else could see.
• 49:43
  Speaker 3: So they outlawed these things because they didn't want people
• 49:46
  Speaker 3: making these kind of connections, you know, it's just from
• 49:50
  Speaker 3: a sci fi standpoint, you know, making a statement on
• 49:53
  Speaker 3: the state of things that be.
• 49:56
  Speaker 1: You know, well, they didn't want they didn't want the
• 49:58
  Speaker 1: Christian mysteries the mistake to be decoded, because then it
• 50:02
  Speaker 1: goes back to something older and they don't want to
• 50:04
  Speaker 1: talk about that, right.
• 50:05
  Speaker 3: Right, especially when you get into who is the founder
• 50:08
  Speaker 3: of the Catholic Church, Peter Simon or you know, yeah, yeah, yeah.
• 50:13
  Speaker 3: So now the city stood on a height beside a
• 50:17
  Speaker 3: sea and contained a great sanctuary of a starte, where
• 50:22
  Speaker 3: in the midst of a spacious open court, surrounded by clisters,
• 50:26
  Speaker 3: and approached from below by a staircase, rose a tall
• 50:30
  Speaker 3: cone or an obelisk as the holy image of the Goddess.
• 50:34
  Speaker 3: In this sanctuary, the rites of Adonnas were celebrated. Indeed,
• 50:38
  Speaker 3: the whole city was seen as sacred to Adonis, and
• 50:41
  Speaker 3: the river Nihar Ibrahim, which falls into the sea a
• 50:48
  Speaker 3: little south of Bidlos, bore in antiquity the name of Apollo.
• 50:53
  Speaker 3: This was the kingdom of Serness. That's from James G.
• 50:56
  Speaker 3: Frasier So and I just have stuff about King Sarnhus
• 51:02
  Speaker 3: built a temple to Aphrodite on Mount Lebanon. Carvings of
• 51:09
  Speaker 3: Aphrodite depict them in recessions. Recesses oftentimes show Adonnas with
• 51:16
  Speaker 3: a spear as the great hunter and Aphrodite mourning the
• 51:20
  Speaker 3: loss of her beloved Uh. It is believed that the
• 51:24
  Speaker 3: tomb of Adonnas lies in Varkra Var deb Bah in Lebanon.
• 51:33
  Speaker 3: His worships his worshipers following the idea that this gored
• 51:38
  Speaker 3: man God who was wounded and died in the mountain
• 51:43
  Speaker 3: home of his adorned companion, whose blood ran down like
• 51:47
  Speaker 3: that of Prometheus, this blood would die the river red.
• 51:54
  Speaker 3: So basically, in the time of the heavy rains in
• 51:58
  Speaker 3: this region you would have these the mountain deposits were
• 52:04
  Speaker 3: filled with this heavy iron sediment, so as the rain
• 52:08
  Speaker 3: would come down, all the runoff would be this red
• 52:12
  Speaker 3: blood color that would just fill the rivers and the
• 52:16
  Speaker 3: river would turn blood red. And you know, within the
• 52:20
  Speaker 3: procession of Mother Kibili, same thing with with Adonis and Aphrodite,
• 52:27
  Speaker 3: they would have a procession to the sea to wash
• 52:30
  Speaker 3: the statue where this blood red river ran into the
• 52:35
  Speaker 3: crystalline blue Mediterranean waters. So if you can imagine you know, this,
• 52:42
  Speaker 3: this just red rush flowing into what's normally, you know,
• 52:46
  Speaker 3: a crystalline blue sea. It had to be quite a sight,
• 52:50
  Speaker 3: you know, But that was one of the symbols that
• 52:54
  Speaker 3: that they saw is the time to begin the festival
• 52:58
  Speaker 3: of the dead and risen God.
• 53:00
  Speaker 1: So absolutely, And if you think about the plagues in Egypt,
• 53:06
  Speaker 1: you know when the Nile ran red, there's a lot
• 53:09
  Speaker 1: of that indicating factor in there as well.
• 53:12
  Speaker 3: Oh yeah, yeah, yeah, yeah. So in Lebanon where this
• 53:18
  Speaker 3: river is dedicated to Adonis. Once I already went over that.
• 53:21
  Speaker 3: Let's see. So Adonis was said to be the son
• 53:27
  Speaker 3: of Agerius, the father of Essum, identified with the Greek Asclepius,
• 53:34
  Speaker 3: also connecting with yogamesh, Kush and Nimrod in his search
• 53:39
  Speaker 3: for mortality. Adonnas also appears in Now this is where
• 53:44
  Speaker 3: it gets interesting, right, So Adonis also appears in the
• 53:48
  Speaker 3: earliest Masonic constitutions. Doctor Albert G. Mackie in the Encyclopedia
• 53:54
  Speaker 3: Freemasonry I have a hard copy from eighteen eighty six,
• 53:58
  Speaker 3: he says that the old manuscripts from Dwland in fifteen
• 54:03
  Speaker 3: fifty to the allen Wick of seventeen oh one that
• 54:07
  Speaker 3: Aimon Amon ajon a noon or a jan. He says, now,
• 54:15
  Speaker 3: what word would this be? A corruption of the cook
• 54:19
  Speaker 3: manuscript does not give any name, but says that this
• 54:23
  Speaker 3: is the king's son of Taiir and was Solomon's master mason,
• 54:29
  Speaker 3: right though all other seceding manuscripts without exception admit this relationship. Thus,
• 54:37
  Speaker 3: the Dollan manuscript, which it is followed by all others,
• 54:42
  Speaker 3: says that King Hiram had a son that was called Anon,
• 54:47
  Speaker 3: and he was a master of geometry, and he was
• 54:50
  Speaker 3: the chief master of all Solomon's masons. The idea was
• 54:55
  Speaker 3: thus established that the man was of royal dignity, he
• 55:00
  Speaker 3: the son king, and that he was also the ruler
• 55:03
  Speaker 3: of the craft. So it's now when we get into Adonnas,
• 55:10
  Speaker 3: what we have to look at is this is in
• 55:12
  Speaker 3: the city of Biblos, right, and this is the city
• 55:17
  Speaker 3: that Osiris came down and washed up in. Right. This
• 55:22
  Speaker 3: is the city where all these statues that we're talking
• 55:24
  Speaker 3: about within the trees are going on. And then we
• 55:27
  Speaker 3: have the king's son is the one that is summoned
• 55:32
  Speaker 3: up to.
• 55:33
  Speaker 1: Go to.
• 55:36
  Speaker 3: Israel basically to build the first Solomon's temple. And this
• 55:40
  Speaker 3: is a Noon or Adonnas essentially right. So let's see
• 55:47
  Speaker 3: a Christian deacon of Persia in three point fifty a
• 55:50
  Speaker 3: d Saint Abdysseus tells us that Solomon not only translated
• 55:58
  Speaker 3: into Syriac the greater part of the Old Testament, the
• 56:01
  Speaker 3: pentitout Joshua, Judges, Ruth, Samuel, David, Proverbs, Proverbs, Ecclesiastes, Song
• 56:08
  Speaker 3: of Songs, and job at Hiram's special request, but he
• 56:12
  Speaker 3: also invented the characters, according to Jessdad, who says that
• 56:18
  Speaker 3: where Moses invented the Hebrew letters, Solomon invented all other
• 56:23
  Speaker 3: which he gave to the people by which he was honored.
• 56:27
  Speaker 3: But he first of all invented the Syriac letters, which
• 56:31
  Speaker 3: he gave to Hiram, the king of Taier. So and
• 56:36
  Speaker 3: this kind of ties in with the Kabari, It kind
• 56:40
  Speaker 3: of ties in with the bringing of the language into
• 56:43
  Speaker 3: Greece that they talk about by who wasn't there. I'll
• 56:49
  Speaker 3: remember the name in a minute. So now, while it
• 56:53
  Speaker 3: was supposed this lord of Taier, being Anon or Adon,
• 56:58
  Speaker 3: was skilled in many trades of the time, from wood
• 57:02
  Speaker 3: carving the sculpture as well as working with delicate textiles
• 57:06
  Speaker 3: and fabric, as well as the fiery skill of casting
• 57:10
  Speaker 3: bronze of a gigantic nature like the foot bath, the sea,
• 57:16
  Speaker 3: the molten sea that was within the temple that was
• 57:19
  Speaker 3: said to have six thousand foot baths within it. Right,
• 57:24
  Speaker 3: Let's see also, like I said, linking in with the
• 57:26
  Speaker 3: Kabari who were the first to discover the art of
• 57:29
  Speaker 3: metal working, being the line of cane or the Canaanites,
• 57:34
  Speaker 3: also tying in with the rock Shastas of India, also
• 57:37
  Speaker 3: tying in with Nimrod and the fire worship, and they're
• 57:40
  Speaker 3: making of weapons as well. As you get into tubal cane,
• 57:44
  Speaker 3: you get into all these various you know, even what
• 57:47
  Speaker 3: was it Vulcan, you know, coming up and basically being
• 57:51
  Speaker 3: the forgern metals, making the weapons for the gods. Right,
• 57:55
  Speaker 3: But the Kabari, they discovered the art of metal working
• 57:59
  Speaker 3: and were the first build ships. So right in the
• 58:02
  Speaker 3: same region where we have these Hamtes coming in and
• 58:06
  Speaker 3: taking over and becoming the Phoenicians, this first ship building
• 58:09
  Speaker 3: culture that's creating all this trade, spreading all these mystery
• 58:13
  Speaker 3: schools through the land. These Kabari were seen as gods
• 58:18
  Speaker 3: of navigation, and we're represented as small dwarfs who are
• 58:23
  Speaker 3: misshaping creatures who are said to be the first to
• 58:27
  Speaker 3: have sailed by using the pole star for reference.
• 58:35
  Speaker 4: So, you know, it's so funny because I get to
• 58:40
  Speaker 4: see how I look when I'm reading from the book.
• 58:43
  Speaker 4: So this is like, this is awesome to me because
• 58:46
  Speaker 4: I'm sitting here, I'm really into this, Like I'm taking
• 58:49
  Speaker 4: notes at the same time that you're doing this because
• 58:51
  Speaker 4: it's interesting. It's a lot of people don't do that,
• 58:54
  Speaker 4: and I commend you a lot on that because you're.
• 58:57
  Speaker 5: Taking what you've actually read.
• 58:59
  Speaker 4: You're not saying this is my opinion, this is my
• 59:01
  Speaker 4: facts or anything like that.
• 59:03
  Speaker 3: You're just saying, I'm just drawing from the histories. I'm
• 59:05
  Speaker 3: showing you exactly what the history say, and I will
• 59:09
  Speaker 3: also oftentimes show you how there's contradicting histories. You know.
• 59:13
  Speaker 3: So and like I said that history is like a
• 59:16
  Speaker 3: fractal everywhere you go there, you know, you got this
• 59:19
  Speaker 3: side of the story in that side of the story,
• 59:21
  Speaker 3: you know, And and with the with addis right, there's
• 59:25
  Speaker 3: some stories that say he was born kind of like feminine,
• 59:31
  Speaker 3: maybe androgynists, and that it was obvious he would never
• 59:34
  Speaker 3: produce kids. So they sent him to Syria and he
• 59:38
  Speaker 3: set up the worship of the goddess, which is where
• 59:41
  Speaker 3: the Adonnas Aphrodite worship is, you know, directly tying Adonnas
• 59:46
  Speaker 3: with and Phoenicia with Syria and Aphrodite, you know. So
• 59:51
  Speaker 3: it's and then very much like with with Adonnas, you
• 59:56
  Speaker 3: have numerous Greek stories within the Dayani see in texts
• 1:00:01
  Speaker 3: that talk about they carried away Adonnas, that that Dionysus
• 1:00:05
  Speaker 3: carried away Adonnas. But it's you know, if you look
• 1:00:11
  Speaker 3: into the Masonic Encyclopedia by Mackie that I've got, it
• 1:00:17
  Speaker 3: talks about Osiris, that he went out and civilized the world,
• 1:00:22
  Speaker 3: and he had a train of satyrs and different you know,
• 1:00:26
  Speaker 3: little goat men and like all these different amorphous creatures
• 1:00:31
  Speaker 3: that went with him. And they basically, you know, kind
• 1:00:35
  Speaker 3: of brought everyone into their good graces by playing music
• 1:00:40
  Speaker 3: everywhere they went. And then after they got in with
• 1:00:42
  Speaker 3: the communities, they would teach them about how to plant grain,
• 1:00:47
  Speaker 3: you know, and he it says they ended a lot
• 1:00:50
  Speaker 3: of you know, cannibalistic you know, diets and and brought
• 1:00:55
  Speaker 3: this grain into the world that that came with it,
• 1:01:00
  Speaker 3: this story of the mystery schools and these dead and
• 1:01:03
  Speaker 3: risen gods, which when you get into James G. Fraser
• 1:01:06
  Speaker 3: over and over, the only thing he can associate it
• 1:01:09
  Speaker 3: with is you take the seed the plant, you know,
• 1:01:12
  Speaker 3: like the wheat, and then you thresh the wheat and
• 1:01:15
  Speaker 3: separate the wheat from the chaff, and then you store
• 1:01:17
  Speaker 3: the wheat in you know, a dark place. You put
• 1:01:20
  Speaker 3: it in the hole, and then it's resurrected and rises up.
• 1:01:24
  Speaker 3: So in a lot of essence symbolically, yes, but at
• 1:01:28
  Speaker 3: the same time, as you follow this mystery school later
• 1:01:32
  Speaker 3: and later you have physical people that become these entities
• 1:01:38
  Speaker 3: for the sake of rulership, becoming like the King of
• 1:01:42
  Speaker 3: England or like, you know, whatever monarch you want to
• 1:01:44
  Speaker 3: look at, becoming the god man on earth or the
• 1:01:47
  Speaker 3: representative of God on earth for the sake of gaining power,
• 1:01:52
  Speaker 3: you know, and it becomes vastly manipulated. And then you
• 1:01:56
  Speaker 3: have the rise of you know, the Calvian oracles getting
• 1:02:02
  Speaker 3: in and starting to like the Benjesa witches, you know,
• 1:02:06
  Speaker 3: behind the scenes, kind of controlling all the bloodlines, and
• 1:02:10
  Speaker 3: you know what wars are fought and it's it's yeah,
• 1:02:13
  Speaker 3: it's it's better than anything you can watch on TV.
• 1:02:16
  Speaker 3: Getting into a lot of these texts, you know.
• 1:02:20
  Speaker 1: Cadmus was the name you were looking for, the bringer
• 1:02:22
  Speaker 1: of the alphabet de Greek.
• 1:02:24
  Speaker 3: Yes, yes, that's right, that's right, Yeah, totally, totally. So
• 1:02:30
  Speaker 3: let's see now in the Hebrew, the word Adon is
• 1:02:35
  Speaker 3: given as a title of dignity, and these rites and
• 1:02:38
  Speaker 3: mysteries of Adonis, which were focused in the city of Biblos,
• 1:02:43
  Speaker 3: this once small fishing trading village, after sprouting up some
• 1:02:47
  Speaker 3: five thousand years ago, this is one of the oldest
• 1:02:50
  Speaker 3: cities on the planet, right, and it just grew up
• 1:02:54
  Speaker 3: into a metropolis, the city of Biblos. It was called
• 1:02:59
  Speaker 3: by the Greeks. It was called gibel right, and they
• 1:03:04
  Speaker 3: said that the inhabitants, inhabitants of this city were called
• 1:03:09
  Speaker 3: the Giblomites, right. And within the Masonic initiations, in order
• 1:03:14
  Speaker 3: to become a master Mason, the secret password is a
• 1:03:19
  Speaker 3: gibbem or gibellum. And basically, so you know, and when
• 1:03:24
  Speaker 3: you get into the Masonic writings they taught Mackie talks
• 1:03:30
  Speaker 3: about the fact that this word gibbellum, it means a
• 1:03:34
  Speaker 3: master mason, right, it means a stone square basically one
• 1:03:39
  Speaker 3: that was, you know, squaring the stones to bring to
• 1:03:44
  Speaker 3: put in Solomon's temple. Right, this was this was said.
• 1:03:48
  Speaker 3: I was just reading another Macki book, the History of Freemasonry,
• 1:03:52
  Speaker 3: and he was talking about this was when masonry became organized.
• 1:03:56
  Speaker 3: Was that the Solomon was at Solomon's temple basically, right.
• 1:04:00
  Speaker 3: But if you look at Kings five eighteen, it said
• 1:04:04
  Speaker 3: and Solomon's builders and Hiram's builders did hew them and
• 1:04:10
  Speaker 3: the stone squares, so they prepared the timber and the
• 1:04:14
  Speaker 3: stones to build the House of David, or you know,
• 1:04:18
  Speaker 3: the Solomon's temple. And in Ezekiel twenty seventy nine they
• 1:04:24
  Speaker 3: talk about the ancients of Gibbel and the wise men
• 1:04:28
  Speaker 3: thereof were in thy Calker. All the ships of the
• 1:04:32
  Speaker 3: sea with their mariners were in thee to occupy that
• 1:04:36
  Speaker 3: merchant's So these these Giblomites, they also were the ones
• 1:04:42
  Speaker 3: that went in and caught the ships of the Phoenicians
• 1:04:46
  Speaker 3: to basically seal them so that they would stay afloat. So,
• 1:04:51
  Speaker 3: you know, these Giblomites, they have all these skills, and
• 1:04:54
  Speaker 3: these Giblamites are what ended up becoming this secret like
• 1:05:00
  Speaker 3: builder guild within the mystery schools that we see coming
• 1:05:05
  Speaker 3: into Greece that eventually builds the Grecian architecture and the
• 1:05:09
  Speaker 3: temples we have remaining from that time. Basically, Right, so
• 1:05:16
  Speaker 3: let's see.
• 1:05:17
  Speaker 1: Well, is it funny that these are the bringers of
• 1:05:20
  Speaker 1: all of this knowledge to the ancient world? Right? And
• 1:05:24
  Speaker 1: then during the Punic Wars, right, this is when the
• 1:05:28
  Speaker 1: Romans basically fully declare war on the Canaanite Phoenicians.
• 1:05:34
  Speaker 3: Well, and that's the whole thing with Carthage. That's why
• 1:05:37
  Speaker 3: they're fighting Carthage is because it is a Phoenician city,
• 1:05:42
  Speaker 3: and this whole thing was for a struggle for the
• 1:05:45
  Speaker 3: trade in the Mediterranean.
• 1:05:47
  Speaker 1: Well, and Jerusalem, Jerusalemite city, these are the places where
• 1:05:53
  Speaker 1: they completely wreck everything and salt the earth afterwards. Is
• 1:05:57
  Speaker 1: because this influence was too too corrosive for them to handle.
• 1:06:03
  Speaker 3: Right. But interestingly, as you see, when Hannibal is in
• 1:06:10
  Speaker 3: Italy and he won't leave, they talk to the Sibilian oracles,
• 1:06:17
  Speaker 3: and the Sibilian oracle tells them to bring Mother Kabelli
• 1:06:23
  Speaker 3: or Kybell from ancient Phoenicia. Because Virgil, through his propaganda
• 1:06:29
  Speaker 3: He's already linked the foundations of Rome back to ancient Phrygia.
• 1:06:33
  Speaker 3: So they're going to bring this ancient Phrygian goddess, and
• 1:06:37
  Speaker 3: they transport her into Rome, and they put her on
• 1:06:39
  Speaker 3: Palatine Hill and give her a supreme place, and she
• 1:06:43
  Speaker 3: becomes the mother of all the gods of Rome, and
• 1:06:47
  Speaker 3: all the gods of Rome start to participate in her ceremonies.
• 1:06:50
  Speaker 3: And then through the back door they bring in Addis.
• 1:06:55
  Speaker 3: As far as the castrations and the blood soaked, you know,
• 1:07:00
  Speaker 3: raids and so and and that was appalling to Rome,
• 1:07:05
  Speaker 3: you know, very much like when Dionysus came into Greek
• 1:07:08
  Speaker 3: the things that he was offering were appalling to the Greeks.
• 1:07:12
  Speaker 3: If you get into John J. Robison's work that he
• 1:07:16
  Speaker 3: does on the Illuminati, he speculates that these Dionysians coming
• 1:07:21
  Speaker 3: from the school of Addis and the school of Adonis,
• 1:07:25
  Speaker 3: basically coming into Greece where they were wearing the Phrygian
• 1:07:29
  Speaker 3: hat from ancient Phrygia, which was became the symbol of
• 1:07:33
  Speaker 3: the freed slave in Rome, which became the hat of
• 1:07:35
  Speaker 3: the French Revolution for lite fraternity equality. And so they're
• 1:07:40
  Speaker 3: they're coming in and they're spreading these revolutionary ideas that
• 1:07:45
  Speaker 3: that man is above you know, king, that this whole
• 1:07:50
  Speaker 3: idea that you know, we are sovereign kings on earth
• 1:07:53
  Speaker 3: and kind of bringing these this fire, you know. And
• 1:07:57
  Speaker 3: in Greece, you know, you end up one of the
• 1:07:59
  Speaker 3: king as he ends up getting his head cut off,
• 1:08:02
  Speaker 3: and it's uh, you know. And you got the Dionysian
• 1:08:06
  Speaker 3: Maine ads that they're sending out their you know, high
• 1:08:10
  Speaker 3: on these hallucinogenic bruise and they're like beating drums and
• 1:08:14
  Speaker 3: going and they if they found a cow in a field, man,
• 1:08:17
  Speaker 3: they would just jump on the cow, rip it apart
• 1:08:19
  Speaker 3: and eat it. And you know, and and that was
• 1:08:23
  Speaker 3: the same thing with the fawns of Bacchus wearing the
• 1:08:27
  Speaker 3: fawn skin going back to Nimrod and the leopard skin,
• 1:08:32
  Speaker 3: you know, and they would basically pull a fawn apart
• 1:08:35
  Speaker 3: and eat that as part of the mysteries you know right.
• 1:08:38
  Speaker 1: Well also, uh, you know, you've got Orpheus, right who
• 1:08:42
  Speaker 1: was pulled apart by the main ads as well. So
• 1:08:44
  Speaker 1: there's this constant sort of shake up of the hierarchy
• 1:08:50
  Speaker 1: and cannibalism, right, So these things are always going hand
• 1:08:53
  Speaker 1: in hand. And then you see the communists today, they're
• 1:08:56
  Speaker 1: all wearing the fridging cap of the French Revolution and
• 1:08:59
  Speaker 1: all these other you know, revolutionary stuff going back thousands
• 1:09:03
  Speaker 1: and thousands of years.
• 1:09:04
  Speaker 3: I would even say that the red hat that that
• 1:09:07
  Speaker 3: you know that uh, as far as the Trump hats
• 1:09:10
  Speaker 3: would be very symbolic of a red Phrygian hat, you know,
• 1:09:14
  Speaker 3: of revolution getting into Shay Gavara looking at the red
• 1:09:18
  Speaker 3: French beret tying that in with the Phrygian hat. You
• 1:09:21
  Speaker 3: can see these red hats through history that symbolically represent
• 1:09:26
  Speaker 3: the idea of overturning the system.
• 1:09:28
  Speaker 2: Well, even look at it. He's a dead and rising
• 1:09:30
  Speaker 2: I mean Trump with the whole his whole part of
• 1:09:35
  Speaker 2: the running that second time, third time, back.
• 1:09:38
  Speaker 3: Back to the dead and risen. You know, God the.
• 1:09:44
  Speaker 1: Almost head blowed off.
• 1:09:45
  Speaker 2: Yeah, I'm just like everything was constantly, you know, everything
• 1:09:49
  Speaker 2: thrown at him, and he's still prevailed.
• 1:09:51
  Speaker 3: It's I mean, you just have to wonder, uh, divine
• 1:09:55
  Speaker 3: you know, interference or human interference, or you just have
• 1:10:00
  Speaker 3: to wonder what this political theater in the fog of
• 1:10:04
  Speaker 3: war actually is.
• 1:10:06
  Speaker 1: You know who's pulling the strings.
• 1:10:08
  Speaker 7: I know who's pulling the strings all these puppets, and
• 1:10:11
  Speaker 7: then you go back.
• 1:10:12
  Speaker 1: To Addis and Adadas and you're like, hey, it's still here.
• 1:10:15
  Speaker 3: What's I know? Exactly exactly, So now, George Ralston, he
• 1:10:23
  Speaker 3: talks about there were two trading fleets of the Phoenicians
• 1:10:27
  Speaker 3: that contributed ships and men, which are mentioned in One
• 1:10:31
  Speaker 3: Kings twenty seven ten through twenty two. One from is
• 1:10:38
  Speaker 3: A Naugabar, trading with oh Fear on the south coast
• 1:10:43
  Speaker 3: of Arabia and perhaps even more east to India and
• 1:10:47
  Speaker 3: Malabar and Salon, and the other probably from Taiir, navigated
• 1:10:52
  Speaker 3: to the Mediterranean, entering the Ocean and trading with Tartarus
• 1:10:59
  Speaker 3: and Gate, perhaps with West African and Cornwall. And then
• 1:11:05
  Speaker 3: the eastern navy of o Fear would always bring back
• 1:11:09
  Speaker 3: vast quantities of gold together with almond, trees, sandal with trees,
• 1:11:15
  Speaker 3: precious stones, spices. The western only made the voyage once
• 1:11:20
  Speaker 3: a year and it would bring back silver, a gold,
• 1:11:23
  Speaker 3: along with ivory, ebony, apes and peacocks. And they were
• 1:11:27
  Speaker 3: also trading in slaves as well. But you can see
• 1:11:31
  Speaker 3: how they, you know, and they the Phoenicians, they had
• 1:11:35
  Speaker 3: these undisclosed secret locations that they would go to to
• 1:11:40
  Speaker 3: bring back Frankinson's and mrrhr or you know, just and
• 1:11:44
  Speaker 3: nobody knew where to get these things, so they would
• 1:11:47
  Speaker 3: go into these countries. And if you read the Book
• 1:11:48
  Speaker 3: of Invasions, they talk about the fact that the Phoenicians
• 1:11:52
  Speaker 3: would set up a small port city and basically buy
• 1:11:56
  Speaker 3: all the goods from the local people at this as
• 1:11:59
  Speaker 3: at cheap as they could get them. They'd throw them
• 1:12:01
  Speaker 3: on ships and they'd move them to another country and
• 1:12:05
  Speaker 3: sell them for outrageously high amounts and bring back minerals
• 1:12:09
  Speaker 3: and gold and silver, and so this is the beginning
• 1:12:12
  Speaker 3: of the first you know, big trading network that basically
• 1:12:16
  Speaker 3: are these hamtes, these line of ham to Cush to
• 1:12:21
  Speaker 3: Nimrod that are inflecting these mystery schools coming down and
• 1:12:26
  Speaker 3: assimilating Phoenicia. And they talk about the fact that once
• 1:12:30
  Speaker 3: the Israelites came out of Egypt and began merging in
• 1:12:35
  Speaker 3: to this area because this was the Promised land essentially
• 1:12:39
  Speaker 3: right that that's you know, there's records of them writing
• 1:12:45
  Speaker 3: they just signing the complete government of the Canonites over
• 1:12:50
  Speaker 3: to the Phoenicians. And this is basically where Cannonite history
• 1:12:54
  Speaker 3: ends and the beginning of Phoenicia starts so.
• 1:13:01
  Speaker 1: Well, right, that big shakeup where the the Neo Assyrians
• 1:13:04
  Speaker 1: moved in and took over everything. And then once they
• 1:13:08
  Speaker 1: moved away from that, then there was sort of like
• 1:13:11
  Speaker 1: this power vacuum, and that's when the rise of the Phoenicians,
• 1:13:14
  Speaker 1: rise of the Hebrews really started to take.
• 1:13:16
  Speaker 3: Off right right. And and so James G. Frasier, even
• 1:13:22
  Speaker 3: though he constantly comments on the idea that it's this
• 1:13:25
  Speaker 3: grain god that's being risen, and he says that naturally
• 1:13:30
  Speaker 3: the Semitic colonists brought their god with them from the Motherland,
• 1:13:34
  Speaker 3: the worship of Ball from Lebanon, who may have been
• 1:13:37
  Speaker 3: a Donnas, And I would say he was on the
• 1:13:40
  Speaker 3: right path because from my researches, I would agree one
• 1:13:44
  Speaker 3: hundred percent that this Moloch Ball of the Canonites basically
• 1:13:50
  Speaker 3: ties directly in with Adonnas and Addis. And you know,
• 1:13:54
  Speaker 3: these these spreading mystery schools again, you know, so.
• 1:14:00
  Speaker 1: They would get have you ever gotten real close to
• 1:14:03
  Speaker 1: a pine tree and seen how there's these white particles
• 1:14:08
  Speaker 1: on the end of the leaves, Well, that is actually yeast,
• 1:14:13
  Speaker 1: and this dying and rising god associated with grain mixed
• 1:14:17
  Speaker 1: with the yeast from the pine tree or triadis creates
• 1:14:21
  Speaker 1: a rising god, which would be the.
• 1:14:23
  Speaker 3: Beer yep and the Egyptians called it the poffer. It
• 1:14:28
  Speaker 3: was the divine, the breath of the divine feminine that
• 1:14:32
  Speaker 3: would come in and energize or encourage the god to rise,
• 1:14:37
  Speaker 3: you know. And within Egypt there was one of the
• 1:14:40
  Speaker 3: temples there's a place where there's images of Osiris and
• 1:14:45
  Speaker 3: the high priest is watering him with a pitcher and
• 1:14:49
  Speaker 3: cornstalks are growing out of his back and it says
• 1:14:53
  Speaker 3: this is the form of the god that cannot be named.
• 1:14:58
  Speaker 3: So this is the most secret form of Osiris, you know,
• 1:15:02
  Speaker 3: the fact that he could, he had the energy to
• 1:15:06
  Speaker 3: push these shoots up out of the earth. And this
• 1:15:09
  Speaker 3: ties over into all the These are all rising agricultural communities.
• 1:15:13
  Speaker 3: So you know, this is all part of this, uh,
• 1:15:17
  Speaker 3: this essential function of the state tied in with the agriculture,
• 1:15:23
  Speaker 3: tied in with the priesthood and basically you know, yeah,
• 1:15:29
  Speaker 3: bringing forth culture the cities, you know, the cities, these
• 1:15:34
  Speaker 3: walled cities that Mother Kibli, you know, she wore the
• 1:15:37
  Speaker 3: turreted crown of the of the walls or the shells
• 1:15:41
  Speaker 3: basically because she was the builder of walls. She was
• 1:15:45
  Speaker 3: the mother of the state technically, you know, yeah, yeah.
• 1:15:53
  Speaker 3: In the Irish Book of Invasions it also and this
• 1:15:56
  Speaker 3: is from the sixth seventh century. They it's says that
• 1:16:00
  Speaker 3: Ashtaroth or Estada was the guardian of the Phoenician ships,
• 1:16:07
  Speaker 3: and so Astraoth tying in with you know, uh uh
• 1:16:13
  Speaker 3: what is it? Mother Kibbili tying in with Aphrodite is
• 1:16:19
  Speaker 3: basically the protection of the Phoenicians when they would go
• 1:16:24
  Speaker 3: on the ships, they would basically say prayers to mother
• 1:16:27
  Speaker 3: Astrooth or Aphrodite to basically protect them while they were
• 1:16:32
  Speaker 3: out at sea, right. And it also had to do
• 1:16:35
  Speaker 3: with the morning Star. And and there was this bird
• 1:16:40
  Speaker 3: that they related to the morning Star that built its
• 1:16:43
  Speaker 3: nest on the water and it would basically float on
• 1:16:47
  Speaker 3: the water. And whenever the Phoenician sailors saw those birds,
• 1:16:51
  Speaker 3: they said, it was a good son of the you know,
• 1:16:55
  Speaker 3: to sail the season. Good own it. I'd have to
• 1:17:00
  Speaker 3: look at I'll look it up if I If I
• 1:17:02
  Speaker 3: find it, I'll send it to you. I can't remember
• 1:17:04
  Speaker 3: the yeah, but the fact that it floated on the water,
• 1:17:10
  Speaker 3: it was representative of the god form right at the
• 1:17:14
  Speaker 3: horizon between the transition between life and death, you know, yeah,
• 1:17:21
  Speaker 3: and the egg and time and all the things. Yeah, Well, there's.
• 1:17:28
  Speaker 4: There's a couple of there's a couple of birds that
• 1:17:30
  Speaker 4: do that. One of them is the Gribis. They do
• 1:17:33
  Speaker 4: a floating nest, the puffins, the gunnets, the horned Gibbs.
• 1:17:39
  Speaker 3: It was the Gibbs. And that gets into Gebbis Gibbon,
• 1:17:45
  Speaker 3: you know. So let's see, now, mackie, he relates that Gibbon,
• 1:17:51
  Speaker 3: or the builders of Gibbaal who acted an important part
• 1:17:55
  Speaker 3: in the construction of the Temple of Solomon, is equivalent
• 1:18:00
  Speaker 3: to the Masonic effithat of the Grand architect of the universe.
• 1:18:04
  Speaker 3: The inquiring freemason will readily see anthology in symbolism that
• 1:18:10
  Speaker 3: exists between Adonis in the mysteries of the Giblomites at
• 1:18:14
  Speaker 3: Biblos and Hirem as the builder of his own institution. Right.
• 1:18:20
  Speaker 3: So now this this Gibb them or these Giblomites as
• 1:18:26
  Speaker 3: the inhabitants of the city of gibble also called Biblos, right,
• 1:18:31
  Speaker 3: which Biblos is where we get They basically took the
• 1:18:35
  Speaker 3: pyrus and made the paper and started making the first books,
• 1:18:39
  Speaker 3: right and there are. There's plenty of of references where
• 1:18:45
  Speaker 3: they're moving texts around as well. In these books before printing.
• 1:18:51
  Speaker 3: You know, they're probably copied by scribes. I would I
• 1:18:55
  Speaker 3: would most imagine.
• 1:18:58
  Speaker 1: That's where we're got to.
• 1:19:00
  Speaker 3: That's where we get the term Bible is from this
• 1:19:02
  Speaker 3: city of Biblos, where this resurrected God in the form
• 1:19:06
  Speaker 3: of the mystery schools that it all ties in. You know.
• 1:19:12
  Speaker 3: So now, Mackie, he says that the Gibbel or the
• 1:19:17
  Speaker 3: Giblomite is not a mason, not a mason generally, but
• 1:19:22
  Speaker 3: especially a class of mason who Drummond says, put the
• 1:19:27
  Speaker 3: finishing touches on King Solomon's temple. Right. But so now
• 1:19:33
  Speaker 3: if we trace this word gibb them back into ancient
• 1:19:37
  Speaker 3: cana right, and this is from the story of Kaldia
• 1:19:43
  Speaker 3: by Ragazon from eighteen ninety Right, he says, but while
• 1:19:48
  Speaker 3: the sun accompanies its nightly underground journey men would be
• 1:19:54
  Speaker 3: left a prey to the mortal terrors in the upper world,
• 1:19:57
  Speaker 3: deprived of light, their chief defense against evil, brute, against
• 1:20:02
  Speaker 3: the evil brood of darkness, were it not for its
• 1:20:06
  Speaker 3: substitute fire, who is by nature also a being of light,
• 1:20:11
  Speaker 3: and as such a friend to man from whom past dwelling,
• 1:20:16
  Speaker 3: he scares not only wild beasts and foes armed with
• 1:20:21
  Speaker 3: open violence, but the far more dangerous hosts of unseen enemies,
• 1:20:26
  Speaker 3: both demons and spells cast by wicked sorcerers. In this
• 1:20:31
  Speaker 3: capacity of protection, that god of gibble or fire is
• 1:20:36
  Speaker 3: chiefly invoked in one very complete hymn, and he is
• 1:20:42
  Speaker 3: addressed as thus Thou who drivest away the evil mask,
• 1:20:48
  Speaker 3: him who furtherists the well being of life, who strikes
• 1:20:53
  Speaker 3: the breasts of the wicked with terror, Gibbel, the destroyer
• 1:20:57
  Speaker 3: of foes, dread weapon which drive us away pestilence, And
• 1:21:02
  Speaker 3: that comes from about four thousand BC, that inscription, right,
• 1:21:07
  Speaker 3: So tying these ancient ancient Masonic orders back to this
• 1:21:14
  Speaker 3: Adonis of the Mystery School, who is living in the
• 1:21:18
  Speaker 3: city that the you know, the Masons say is named
• 1:21:22
  Speaker 3: after a Mason. So symbolically is that telling us that
• 1:21:27
  Speaker 3: the Masons are really represented by fire or lightning from
• 1:21:32
  Speaker 3: the heavens is what it really comes down to, you.
• 1:21:35
  Speaker 1: Know, right. And then that goes into the mysteries of
• 1:21:38
  Speaker 1: the the Iranians too, because yeah, the fire worship there too.
• 1:21:45
  Speaker 3: And Zorastra, you know, basically calling down lightning, not dying.
• 1:21:52
  Speaker 3: And basically much like Enoch.
• 1:21:54
  Speaker 2: Is writing the lightness, what's that writing the lightning?
• 1:21:58
  Speaker 3: Riding the lightning? Bro Enoch, you know, he calls down
• 1:22:02
  Speaker 3: lightning and he basically through a lightning strike, is absorbed.
• 1:22:07
  Speaker 3: And you know, as the Hebrews say, he was translated
• 1:22:11
  Speaker 3: into the heavens and became the little Yahweh with his
• 1:22:15
  Speaker 3: own throne right next to God. And basically God would
• 1:22:19
  Speaker 3: send him out to go do the things he didn't
• 1:22:21
  Speaker 3: want to do, and he would ride around the universe
• 1:22:24
  Speaker 3: in his self manifested Markaba, which is that upward facing
• 1:22:28
  Speaker 3: pyramid the downward facing pyramid put together. He would ride
• 1:22:32
  Speaker 3: around in one of those like a spaceship, right, And
• 1:22:35
  Speaker 3: basically he was he was there when Moses part of
• 1:22:38
  Speaker 3: the sea. He's he's you know, credited with all these
• 1:22:41
  Speaker 3: various things.
• 1:22:43
  Speaker 1: The Solomon was that the seal of Solomon is the
• 1:22:47
  Speaker 1: two triangles together for sure?
• 1:22:51
  Speaker 3: Yeah, right, well, and and when you get into that,
• 1:22:54
  Speaker 3: there is a debate as to whether or not it
• 1:22:57
  Speaker 3: was the five pointed or the six pointed star that's
• 1:23:00
  Speaker 3: on Solomon's ring. But if you read the Masonic texts,
• 1:23:05
  Speaker 3: they tell you it was a six point star. So yeah, yeah,
• 1:23:11
  Speaker 3: So let's see, fire is not only a great power
• 1:23:14
  Speaker 3: on earth, it is also, in the shape of lightning,
• 1:23:17
  Speaker 3: one of the dreadout and most mysterious powers of the sky,
• 1:23:21
  Speaker 3: and as such sometimes called as the Sun of Ana,
• 1:23:26
  Speaker 3: and Ana is the ancient term for heaven in Sumar, or,
• 1:23:30
  Speaker 3: in a more roundabout way, the hero Sun of the ocean,
• 1:23:34
  Speaker 3: meaning the celestial ocean, the great reservoir of rains from
• 1:23:39
  Speaker 3: which the lightning seems to spring as it flashes through
• 1:23:43
  Speaker 3: the heavy showers of a southern thunderstorm. In whatever shape
• 1:23:48
  Speaker 3: he appeared and whatever his function, Gibbal is hailed as
• 1:23:53
  Speaker 3: an invariable beneficiary and friendly being to these ancient canon
• 1:24:01
  Speaker 3: So and in this this gibbel or this gibbellum is
• 1:24:05
  Speaker 3: also uh the word we see that becomes corrupted into
• 1:24:10
  Speaker 3: jubellium and the jubilees, right, and the jubilee. You know,
• 1:24:17
  Speaker 3: they need to give a jubilee.
• 1:24:20
  Speaker 1: We're dying from one. It's been seventy years. Come out,
• 1:24:23
  Speaker 1: let's get a jubilee going on.
• 1:24:24
  Speaker 3: I know, I know. So now the these Gibilim, as
• 1:24:29
  Speaker 3: the stone cutters of Solomon's Temple were especially known for
• 1:24:33
  Speaker 3: their technique of what is called eight tone carving and uh.
• 1:24:38
  Speaker 3: These stonecutters would work the square stones to perfection and
• 1:24:43
  Speaker 3: were considered to be more qualified in the higher ranks
• 1:24:46
  Speaker 3: of the workers and builders of such sacred spaces. These
• 1:24:51
  Speaker 3: Gibbilium maintained a mystery school based around the worship of
• 1:24:55
  Speaker 3: Odonnas and who were the occulted order who may maintained
• 1:25:00
  Speaker 3: the monopoly on the creation of the temple structures and
• 1:25:04
  Speaker 3: sacred spaces as we see moving into Greece.
• 1:25:09
  Speaker 1: So absolutely, and there's so much between biblos and the
• 1:25:16
  Speaker 1: Bible and the seventy books, right, the septuagent, which was
• 1:25:21
  Speaker 1: called the big G. Right, and then you go right
• 1:25:24
  Speaker 1: back into masonry again. Yes, but it all sort of
• 1:25:26
  Speaker 1: ties back into itself.
• 1:25:28
  Speaker 3: The gibbel the GiB them, the gibellum, the big G.
• 1:25:32
  Speaker 3: You know, this is this is I think one of
• 1:25:34
  Speaker 3: the secrets of of that what that g if you
• 1:25:38
  Speaker 3: look at the seven possible you know, because even sometimes
• 1:25:41
  Speaker 3: you see the G in a small G basically representing
• 1:25:45
  Speaker 3: the serpent, you know, which is the wa the you know,
• 1:25:50
  Speaker 3: shadows in the waters of the depth because when you
• 1:25:53
  Speaker 3: merge those two triangles together, which you have the Masonic
• 1:25:58
  Speaker 3: compass which draws the circles, and then you have the
• 1:26:02
  Speaker 3: sonic square which makes the angles. So you have the
• 1:26:05
  Speaker 3: angles and the circles in between. That when you merge
• 1:26:10
  Speaker 3: those two together, like the Star of Refresh, which is
• 1:26:14
  Speaker 3: basically an Egyptian star that goes to Saturn that the
• 1:26:18
  Speaker 3: modern Zionists have picked up, you basically have steam. And
• 1:26:23
  Speaker 3: it's in that steam that basically the amorphous space that
• 1:26:28
  Speaker 3: anything can be created with the direction of will. Essentially,
• 1:26:33
  Speaker 3: you know.
• 1:26:34
  Speaker 1: Right, And when you look through the Canaanite Phoenician art,
• 1:26:38
  Speaker 1: you'll start to see these themes pick up over and
• 1:26:41
  Speaker 1: over and over again. It's very deceptively simple, look simple
• 1:26:45
  Speaker 1: on the surface, but it has so much deep meaning
• 1:26:48
  Speaker 1: that people who aren't aren't a breast of this stuff
• 1:26:50
  Speaker 1: have no idea what those.
• 1:26:52
  Speaker 3: Those that's the whole terminology of those with eyes to see,
• 1:26:55
  Speaker 3: and those are the ears to hear, you know, as
• 1:26:58
  Speaker 3: you and that's with the mysteries schools again. You when
• 1:27:01
  Speaker 3: you're initiated, you learn these symbols. They present these symbols
• 1:27:06
  Speaker 3: to you and they give you an exoteric meaning and
• 1:27:09
  Speaker 3: then as you're initiated through to the degrees. They explain
• 1:27:14
  Speaker 3: the higher essences of these symbols and how they relate
• 1:27:18
  Speaker 3: to you, the interconnection and the higher levels of reality
• 1:27:22
  Speaker 3: of this rebirth of you know, the essence of the self.
• 1:27:26
  Speaker 7: You know.
• 1:27:28
  Speaker 3: So now underneath of the gibb them, they had another
• 1:27:33
  Speaker 3: association of these Masonic orders that were called the bone
• 1:27:40
  Speaker 3: Ai b o Nai. And the bon Ai were the
• 1:27:44
  Speaker 3: laborers who put the strength into raising the structures with
• 1:27:49
  Speaker 3: these prepared blocks by the give them for the construction.
• 1:27:53
  Speaker 3: And at Solomon's temple there were some eighty thousand Boneie,
• 1:27:59
  Speaker 3: all of who the Masons in their text they call
• 1:28:02
  Speaker 3: them the brighton fellow crafts. And when you get into
• 1:28:06
  Speaker 3: these boneye down the road, they're the ones that become
• 1:28:10
  Speaker 3: the Samaritans.
• 1:28:12
  Speaker 1: And and there the Ai yeah Ai, Yeah, they're trying
• 1:28:18
  Speaker 1: to build a god using Ai.
• 1:28:21
  Speaker 3: And they kept going in and trying to, you know,
• 1:28:23
  Speaker 3: help build the temple. And what was it. One of
• 1:28:26
  Speaker 3: the Caesars went and examined the Hebrew texts and examined
• 1:28:30
  Speaker 3: the Samaritan text and said they they were similar, but
• 1:28:34
  Speaker 3: they had, you know, differences. Again, the fractal spins you know,
• 1:28:38
  Speaker 3: their own worshiping, their own version of what this thing is,
• 1:28:42
  Speaker 3: going back to the ancient you know, Saturnian forces, the
• 1:28:46
  Speaker 3: black cube. However you want to, you know, look at
• 1:28:49
  Speaker 3: look at this thing right. So now these give them
• 1:28:54
  Speaker 3: in their worship celebrated the rites of Adonis as adon
• 1:28:58
  Speaker 3: their lord. This practice, in all cases, was said to
• 1:29:02
  Speaker 3: first have been established in the ancient Battylon under the
• 1:29:06
  Speaker 3: queen of Starte or Samaramas, the given giving us a
• 1:29:10
  Speaker 3: tie to the earlier lands of Nimrod, and had next
• 1:29:15
  Speaker 3: been transplanted to Syria, with the high places of worship
• 1:29:20
  Speaker 3: in Greek Biblos and Phoenician gibal worshiping in the high
• 1:29:24
  Speaker 3: places and maintaining this mysterious tragic death and subsequent reformation
• 1:29:30
  Speaker 3: of life being ritually celebrated in vast temples built by
• 1:29:35
  Speaker 3: a guild of brothers as a tool to present immensely
• 1:29:40
  Speaker 3: and beautiful, terrible powers of the divine and their suffering.
• 1:29:45
  Speaker 3: So and it was on the coast of ancient Phrygia
• 1:29:51
  Speaker 3: at Athamas, on the island of Cyprus, where this ancient
• 1:29:56
  Speaker 3: royal city in which the institutions of the of Adonnis
• 1:30:01
  Speaker 3: in celebration of Aphrodite were established moving into Greece, and
• 1:30:08
  Speaker 3: here we have again these rites represented the Egyptian worship
• 1:30:13
  Speaker 3: of Osiris so closely that some even identified Adonnas of
• 1:30:18
  Speaker 3: Athemus with Osiris. So yeah, and I have here Frasier.
• 1:30:26
  Speaker 3: He documents this is in the Golden bough. He says,
• 1:30:29
  Speaker 3: a pine tree, having been cut down, the center would
• 1:30:32
  Speaker 3: be hollowed out, and with the wood thus excavated, an
• 1:30:36
  Speaker 3: image of Osiris was made, which would be buried like
• 1:30:40
  Speaker 3: a corpse in the hollow of the tree. The image
• 1:30:43
  Speaker 3: of Osiris was thus kept for a year and then burned,
• 1:30:48
  Speaker 3: exactly as was done with the image of Attis, which
• 1:30:52
  Speaker 3: was attached to the pine tree as well, and Osiris
• 1:30:56
  Speaker 3: was go ahead.
• 1:30:57
  Speaker 1: Well, that goes into the mysteries of the Masons as well,
• 1:31:01
  Speaker 1: the first three degrees, because at the end Uh when
• 1:31:05
  Speaker 1: Hiram is buried, the top of his grave the pine tree.
• 1:31:09
  Speaker 3: Right and well, so now also Hiram a biff, which
• 1:31:14
  Speaker 3: means Hiram, the eliminated Hiram. He is basically this artisan,
• 1:31:21
  Speaker 3: this that is coming from Biblos, the city that we've
• 1:31:24
  Speaker 3: been talking about, and within the Masonic orders. In order
• 1:31:29
  Speaker 3: to get into the third degree of the master Masons.
• 1:31:32
  Speaker 3: They they have a passion play that's basically the death
• 1:31:36
  Speaker 3: of Osiris, and they're looking for his body, and basically
• 1:31:41
  Speaker 3: King Solomon sends, you know, some of these master Masons out, uh, well,
• 1:31:46
  Speaker 3: just Masons out, and the first one that entered a prentice.
• 1:31:50
  Speaker 3: When they find they find an acasha branch and they
• 1:31:53
  Speaker 3: lift it and find the decomposing body of this Hiram
• 1:31:56
  Speaker 3: a byth and yeah, the master or the intert apprentice,
• 1:32:01
  Speaker 3: he tries to, you know, with the interer apprentice handshake,
• 1:32:05
  Speaker 3: which is the thumb. He tries to basically lift the
• 1:32:08
  Speaker 3: corpse of Hiram Abiff, but the skin begins to come off.
• 1:32:12
  Speaker 3: So then the second degree he tries his handshake and
• 1:32:16
  Speaker 3: he can't get him up. So finally the it's Solomon himself,
• 1:32:19
  Speaker 3: I think that ends up coming in and using the
• 1:32:22
  Speaker 3: lion's paw grip, you know, and basically pulls him up
• 1:32:27
  Speaker 3: in such a way that his right foot is by
• 1:32:31
  Speaker 3: his right foot his left hand, their left hands are
• 1:32:33
  Speaker 3: on each other's back, and their mouths are right next
• 1:32:37
  Speaker 3: to each other's ears. And that's when King Solomon whispers
• 1:32:41
  Speaker 3: in this risen Mason's ear he whispers, Maha bone, which
• 1:32:46
  Speaker 3: is this new word that is basically the secret word
• 1:32:51
  Speaker 3: to replace the word which was lost when Hiram was killed.
• 1:32:57
  Speaker 3: So yeah, same story again in another form that's being
• 1:33:02
  Speaker 3: used in modern day Masonic ritual function to enter into
• 1:33:07
  Speaker 3: the highest degree, to the third degree of the Blue
• 1:33:10
  Speaker 3: Lodge of Masonry.
• 1:33:12
  Speaker 1: So right, and if all of those you know, Masons
• 1:33:17
  Speaker 1: don't know that their mysteries come through Canaanite Phoenicia, right,
• 1:33:22
  Speaker 1: were missing out on everything, you know, I mean.
• 1:33:25
  Speaker 3: These are all the secrets, right, you know? Yeah. Yeah.
• 1:33:31
  Speaker 3: So now Lucien in his Dead de Syria, he says
• 1:33:37
  Speaker 3: that so closely did the rights of Osiris resemble those
• 1:33:40
  Speaker 3: of Adonis at Biblos, that some of the people at
• 1:33:43
  Speaker 3: Biblos themselves maintained that it was Osiris and not Adonis's
• 1:33:48
  Speaker 3: death who they were mourning. And Herodotus he also says
• 1:33:55
  Speaker 3: that Adonis, Addis, Dionysus, and demet are religions of the
• 1:34:01
  Speaker 3: same type. And uh, let's see. We see also the
• 1:34:07
  Speaker 3: Tyrian melkarth being worshiped side by side with Adonnas, and
• 1:34:13
  Speaker 3: there are inscriptions showing that he was revered in Larnax
• 1:34:18
  Speaker 3: Lepidus and a donna Adonnas was identified in Larnax Lepidus
• 1:34:24
  Speaker 3: with the deity that the Greeks associated with Poseidon, you know,
• 1:34:29
  Speaker 3: of the underworld, of the you know, he's posides Us
• 1:34:32
  Speaker 3: of the underworld. You know, Osiris is of the underworld.
• 1:34:36
  Speaker 3: And initially what's funny is Osirius was initially the god
• 1:34:39
  Speaker 3: of life, and you know everybody went to him for
• 1:34:43
  Speaker 3: their rebirth in the afterworld, right. And when uh, when
• 1:34:50
  Speaker 3: Alexander the Great came in and brought what was the
• 1:34:54
  Speaker 3: line there that he left to be the pharaohs that
• 1:34:59
  Speaker 3: were or uh, I'll think of it in a minute,
• 1:35:02
  Speaker 3: but these were Greeks basically, or Roman Greeks, and they, uh,
• 1:35:09
  Speaker 3: what was that?
• 1:35:09
  Speaker 4: Good?
• 1:35:09
  Speaker 3: Where was I going with that? Oh? They changed the
• 1:35:12
  Speaker 3: whole the religion of Osiris. And they because he had died,
• 1:35:17
  Speaker 3: they started relating it because he was the king of
• 1:35:19
  Speaker 3: the underworld and in bringing people back to life. They
• 1:35:23
  Speaker 3: started to relate Osiris with Pluto. And so Osiris shifted
• 1:35:30
  Speaker 3: from being the god of life and resurrection to once
• 1:35:34
  Speaker 3: the Greeks came in, uh, and the Romans, he got
• 1:35:37
  Speaker 3: shifted to become the god of the underworld, associated with
• 1:35:41
  Speaker 3: Pluto and then Isis became more associated with life, and
• 1:35:45
  Speaker 3: that was the decline of the Ossyrian cult in Egypt.
• 1:35:49
  Speaker 3: So yeah, so let's see, uh, in the highest religious
• 1:35:59
  Speaker 3: seat of Cyprus, Adonis and Aphrodite were worship in worshiped
• 1:36:03
  Speaker 3: in Pathos on the southeast southwestern side of the island,
• 1:36:08
  Speaker 3: which Herodatus says was settled by Phoenician colonists from ancient
• 1:36:14
  Speaker 3: ascalon from in a time of great antiquity. These seafaring
• 1:36:20
  Speaker 3: folks overlaying Aphrodite anana ishtar over the top of the
• 1:36:27
  Speaker 3: fertility goddess that was there. And then after that was done,
• 1:36:30
  Speaker 3: then they bring in the demasculated God. You know, so
• 1:36:34
  Speaker 3: this was always so it's almost like they they it's
• 1:36:39
  Speaker 3: weaponized anthropology where they bring in this this beautiful loving
• 1:36:44
  Speaker 3: thing and set up temples to love and pleasure, and
• 1:36:51
  Speaker 3: then they slide in this demasculated God wearing this Phrygian hat.
• 1:36:57
  Speaker 3: Tied in with all these revolutions, well, you know, coming
• 1:37:01
  Speaker 3: into Greece, coming into Rome, coming into the French Revolution,
• 1:37:05
  Speaker 3: coming and basically cause havoc and overthrow these systems, very
• 1:37:10
  Speaker 3: much like we saw the Vatican doing, you know.
• 1:37:13
  Speaker 1: Speaking of which what was the first commandment of the
• 1:37:17
  Speaker 1: Council of nicea go ahead, you go, I was the
• 1:37:22
  Speaker 1: Roman men are no longer allowed to castrate themselves, because
• 1:37:28
  Speaker 1: that was a big problem once Christianity took over, as
• 1:37:30
  Speaker 1: a lot of these people said, if your eye causes
• 1:37:33
  Speaker 1: you to sin, cut it off, right, and your wiener
• 1:37:37
  Speaker 1: causes you to sin osiris that shit. So yeah, they
• 1:37:43
  Speaker 1: had to say we're stopping this because they were having
• 1:37:47
  Speaker 1: a major population problem. And origin one of the church fathers,
• 1:37:52
  Speaker 1: pure Nombo, he cut his his own junk off because
• 1:37:55
  Speaker 1: it caused him to sin. Again, it's the divine madness
• 1:37:58
  Speaker 1: being translated into different form in this rising religion.
• 1:38:04
  Speaker 5: Right.
• 1:38:05
  Speaker 3: And once within the Roman culture, once this happened, where
• 1:38:09
  Speaker 3: you would emasculate yourself, you were considered neither a man
• 1:38:13
  Speaker 3: nor a woman. Some of the senator senators went so
• 1:38:16
  Speaker 3: far as to say they were both men and women
• 1:38:19
  Speaker 3: and they needed to take up the responsibility of both.
• 1:38:22
  Speaker 3: But because of the fact that they were neither man
• 1:38:25
  Speaker 3: nor women, they they basically found themselves laying outside of
• 1:38:30
  Speaker 3: the law, and Roman law didn't basically affect them because
• 1:38:35
  Speaker 3: they were not a man or a woman, you know,
• 1:38:38
  Speaker 3: which also kept them from being a citizen. But the
• 1:38:41
  Speaker 3: reason they were allowed to stay in Rome was because
• 1:38:44
  Speaker 3: Mother Kibili was on Palatine Hill and basically was running
• 1:38:48
  Speaker 3: all of the other gods. You know, so it by
• 1:38:52
  Speaker 3: that time, it was too late. They had already you know,
• 1:38:54
  Speaker 3: this this uh, this Benjesuit kind of witch of these
• 1:38:59
  Speaker 3: oracles that were flowing behind the scenes with these goddesses
• 1:39:03
  Speaker 3: had already come in and subverted culture and brought in
• 1:39:06
  Speaker 3: this this you know.
• 1:39:08
  Speaker 1: What's going on today? What's going on today? I mean, look,
• 1:39:14
  Speaker 1: we've got Unix all over the place. We just call
• 1:39:16
  Speaker 1: them something different. They're no longer Unix there transsexuals.
• 1:39:21
  Speaker 3: Yeah, But I think when you look back into the
• 1:39:23
  Speaker 3: Attis cult, you know that basically they were doing it
• 1:39:28
  Speaker 3: as a heroscamos, basically marrying themselves to the divine, you know,
• 1:39:33
  Speaker 3: ridding themselves of that for the sake of, like you're saying,
• 1:39:38
  Speaker 3: ending their sin within the and and it. You know,
• 1:39:41
  Speaker 3: like the Quakers and the Shakers in New England. You know,
• 1:39:44
  Speaker 3: the Shakers specifically believed in not producing more children because
• 1:39:49
  Speaker 3: you were incarnating more souls into the corruption of the world,
• 1:39:53
  Speaker 3: which is a constant theme we see going all the
• 1:39:56
  Speaker 3: way back to the fallen angels that they you know,
• 1:39:59
  Speaker 3: even some of the angels said they were falling into
• 1:40:02
  Speaker 3: matter to stop the souls from being corrupted into the
• 1:40:08
  Speaker 3: you know, the the world of sin basically, you know.
• 1:40:12
  Speaker 1: Right, But you know, from the material perspective, you have
• 1:40:16
  Speaker 1: families referring to these people who were attracted to people
• 1:40:19
  Speaker 1: of the same sex with the F double G word
• 1:40:22
  Speaker 1: that we can't say on YouTube because a bundle of
• 1:40:26
  Speaker 1: sticks has to be carried, right, and the F double
• 1:40:30
  Speaker 1: G word is a bundle of.
• 1:40:34
  Speaker 2: Oh so so he got cut off.
• 1:40:40
  Speaker 3: Yeah. So. Dinogenous, a Greek grammarian who flourished during the
• 1:40:49
  Speaker 3: reign of Hadrian ads, that Adonis had been honored by
• 1:40:53
  Speaker 3: Aphrodite the Cyprian after his death. They cast doves on
• 1:40:58
  Speaker 3: a pyre to him, and at the birds, flying away
• 1:41:02
  Speaker 3: from the flames, fell into another pyre and were consumed.
• 1:41:07
  Speaker 3: Such a mode of honoring him would be very remarkable,
• 1:41:11
  Speaker 3: since the doves were commonly sacred to his mistress, the
• 1:41:16
  Speaker 3: divine Aphrodite or Astarte. Let's see, we're getting pretty close
• 1:41:23
  Speaker 3: to the end of my notes. So Theocritus, a Greek
• 1:41:28
  Speaker 3: poet from Sicily in three hundred BC. He says at Alexandria,
• 1:41:34
  Speaker 3: images of Aphrodite and Adonis were displayed on two couches.
• 1:41:38
  Speaker 3: Beside them were set ripe fruits, fruits of all kinds, cakes,
• 1:41:42
  Speaker 3: plants growing in flower pots, and green bowers twinned with Annis.
• 1:41:48
  Speaker 3: The marriage of the lovers was celebrated one day, and
• 1:41:51
  Speaker 3: on the morrow, women attired as mourners with streaming hair
• 1:41:55
  Speaker 3: and bared breasts, bore an image of the dead Adonnas
• 1:41:59
  Speaker 3: to the seashore and committed it to the waves. Yet
• 1:42:02
  Speaker 3: they sorrowed not without hope, for they saying that the
• 1:42:05
  Speaker 3: lost one would come back again. Filo of Alexandria in
• 1:42:12
  Speaker 3: thirty three a d. He says for spring and summer,
• 1:42:15
  Speaker 3: not autumn or the season of barley and wheat harvest
• 1:42:19
  Speaker 3: in the lands of Adonnas. Let's see. Saint Jerome confirms
• 1:42:25
  Speaker 3: that Adonnas was slain in the month of June and
• 1:42:28
  Speaker 3: relates that the Syrians gave this month the name Tammuz
• 1:42:33
  Speaker 3: and elements of the grave bethe Aha. This beth Ahar
• 1:42:41
  Speaker 3: being possibly the daughter of the pharaoh who pulled Moses
• 1:42:45
  Speaker 3: out of the nile. Her grave was in this cave
• 1:42:50
  Speaker 3: where the Christ child was born that now he was
• 1:42:53
  Speaker 3: upset because the women were there mourning for the loss
• 1:42:59
  Speaker 3: of the bewailed amus, you know. So it's just interesting
• 1:43:04
  Speaker 3: how all of these, you know. And and again when
• 1:43:08
  Speaker 3: you go to the Catholic church and you sit down
• 1:43:11
  Speaker 3: in the pews, the very first thing that the priest
• 1:43:14
  Speaker 3: says when he comes out is he says, these are
• 1:43:17
  Speaker 3: the mysteries of our Lord Jesus Christ. So this is
• 1:43:21
  Speaker 3: you know, we're seeing. This is very much in the
• 1:43:24
  Speaker 3: school of these ancient mysteries, you know. So, but a
• 1:43:27
  Speaker 3: lot of these practices that Jesus said, we're said, We're
• 1:43:30
  Speaker 3: said to take the place of these blood rituals, and
• 1:43:34
  Speaker 3: these you know kind of ending, you know, like how
• 1:43:38
  Speaker 3: Abraham ended, you know, human sacrifice. Jesus was said to
• 1:43:43
  Speaker 3: have ended animal sacrifice or any blood sacrifice essentially, you know,
• 1:43:48
  Speaker 3: as far as the developing of the human species moving
• 1:43:52
  Speaker 3: into I don't know, being more civilized, I guess, you know, evolution. So, uh,
• 1:44:02
  Speaker 3: let's see from southern Phrygia and moving into Syria, the
• 1:44:06
  Speaker 3: populace of Antioch being the capital of Seleucia, where they
• 1:44:11
  Speaker 3: saw the morning evening star in the east as the
• 1:44:14
  Speaker 3: signal for the festival of Marriage, Death and Resurrection to begin.
• 1:44:20
  Speaker 2: Adonis, go ahead, Okay, I'm sorry.
• 1:44:25
  Speaker 3: Yeah, so yeah, they played a lot of this off
• 1:44:28
  Speaker 3: the morning Star, and the Morning Star ties a lot
• 1:44:32
  Speaker 3: into this as well. And you see Jesus in the
• 1:44:35
  Speaker 3: Bible even relating himself to the to the morning Star.
• 1:44:39
  Speaker 3: A lot of people say, this is where you get
• 1:44:41
  Speaker 3: that whole theory that Jesus and Lucifer brothers that you
• 1:44:44
  Speaker 3: hear some people talk about, you know, so right, and
• 1:44:52
  Speaker 3: Thomas Jesus is twin, you know, Thomas means twin. And
• 1:44:56
  Speaker 3: it gets into the cult of the twin associated with
• 1:45:00
  Speaker 3: Gemini and the struggle, you know. And and when you
• 1:45:04
  Speaker 3: get into the zodiac, what was it. The soul was
• 1:45:07
  Speaker 3: said to emerge into this reality through Virgo, and it
• 1:45:11
  Speaker 3: was said to ascend out of this reality through Gemini.
• 1:45:14
  Speaker 3: So these are the gateways of the Zodiac that some
• 1:45:18
  Speaker 3: of the ancients used to believe the soul would enter
• 1:45:20
  Speaker 3: into this realm and leave from this realm, you know.
• 1:45:25
  Speaker 3: And Adonnas, who like the transient state of Linus in Egypt,
• 1:45:31
  Speaker 3: was a symbol of the death and resurrection, like Osyrus
• 1:45:34
  Speaker 3: existing in a state of Limbo becoming the reborn Horus
• 1:45:41
  Speaker 3: and in the process of lamenting for the dead God.
• 1:45:45
  Speaker 3: The playing of flutes is mentioned by both Athenaeus and
• 1:45:48
  Speaker 3: polys who instruct Us that the flute and adonnas were
• 1:45:53
  Speaker 3: both referred to as gingris. Oh and this so you
• 1:45:58
  Speaker 3: remember the Egyptian story where set is trying to get
• 1:46:03
  Speaker 3: horse to eat the lettuce, right right right? So now, Mackie,
• 1:46:18
  Speaker 3: but but you think the.
• 1:46:20
  Speaker 5: Ship bro I was, I was like, what the fun did?
• 1:46:23
  Speaker 5: I just read?
• 1:46:26
  Speaker 3: Let who the So now if you look at the
• 1:46:36
  Speaker 3: fact that these uh, these high priests slash priest says
• 1:46:41
  Speaker 3: of Addis, and they were said to castrate themselves and
• 1:46:45
  Speaker 3: then they became sacred prostitutes. So there has been some
• 1:46:49
  Speaker 3: speculation that there was it was a harvesting function, that
• 1:46:55
  Speaker 3: they were collecting this stuff for magical purposes, you know. So,
• 1:47:00
  Speaker 3: oh no, But Mackie, as far as the Encyclopedia Freemasonry,
• 1:47:06
  Speaker 3: he says that it was lettud lettuce that replaced the
• 1:47:11
  Speaker 3: acacia in the mysteries of Adonnas when translated from Attis.
• 1:47:16
  Speaker 3: So you know, within the mysteries of a Donnas, this
• 1:47:22
  Speaker 3: this lettuce was, you know, a symbol of an evergreen thing,
• 1:47:29
  Speaker 3: you know, like a green, green thing shooting up from
• 1:47:32
  Speaker 3: the earth. So it was let's see, uh, but okay,
• 1:47:41
  Speaker 3: let's see. Plutarch seventy seven a d. Expresses that the
• 1:47:46
  Speaker 3: images of Adnonnas were mourned over, were dressed to resemble corpses,
• 1:47:52
  Speaker 3: and were carried out to a donnas's burial, and then
• 1:47:58
  Speaker 3: they were thrown in the sea or into springs. And
• 1:48:02
  Speaker 3: what would you do, you know, you take the seeds
• 1:48:05
  Speaker 3: and you soak them in water, they get them the sprout, yes,
• 1:48:09
  Speaker 3: before you plant them. So this idea of you know, again,
• 1:48:12
  Speaker 3: throwing him into the sea bathing the black rock. And
• 1:48:18
  Speaker 3: then Adonis ascends up to heaven in the presence of
• 1:48:22
  Speaker 3: his worshippers. The disconsolate believers left behind on earth shave
• 1:48:28
  Speaker 3: their heads, just as the Egyptians did on the death
• 1:48:31
  Speaker 3: of the divine APIs Bull of Osiris. Women who could
• 1:48:35
  Speaker 3: not bring themselves to sacrifice their beautiful tresses or their
• 1:48:39
  Speaker 3: hair had to give themselves up to a stranger on
• 1:48:43
  Speaker 3: a certain day of the festival and dedicate to his
• 1:48:46
  Speaker 3: starte the wages of their shame. And this is getting
• 1:48:50
  Speaker 3: into the you know, horror. Babylon and that unspoken shame
• 1:48:55
  Speaker 3: that has kind of reveled in. That is the debauchrous practic.
• 1:49:00
  Speaker 3: This is of the orgies and the various things that
• 1:49:04
  Speaker 3: were going on within certain parts of these mystery schools.
• 1:49:07
  Speaker 3: Right Church historian Eusebius three hundred AD recoils with horror
• 1:49:16
  Speaker 3: in his writing of how the castrated priests of Adonist
• 1:49:20
  Speaker 3: engaged in sexual congress, most likely being a form of
• 1:49:25
  Speaker 3: sacred prostitution for a sort of strange donation. So let's see.
• 1:49:33
  Speaker 3: Ultimately with this the resurrection of the god man, hope
• 1:49:37
  Speaker 3: would be given to all the worshippers that, upon their
• 1:49:40
  Speaker 3: return and the time of dying, would follow the same
• 1:49:44
  Speaker 3: path ascending to the heavens into a more pure form
• 1:49:48
  Speaker 3: of existence than the physical material world had to offer,
• 1:49:52
  Speaker 3: subsumed in the pure and divine love of the Goddess
• 1:49:55
  Speaker 3: herself as the Magnamator, the great Mother. That's Adonis and Aphrodite.
• 1:50:05
  Speaker 2: A storytelling.
• 1:50:06
  Speaker 4: Watch knowledge right there, that's that knowledge. Man, Almost win
• 1:50:11
  Speaker 4: and grab some popcorn, man, right now.
• 1:50:14
  Speaker 3: It's an epic it's an epic tale. You know.
• 1:50:17
  Speaker 2: Drink actually, but.
• 1:50:20
  Speaker 3: You figure, I mean that's you know, piecing together and
• 1:50:24
  Speaker 3: that and you know that's how much. Oh dude, the
• 1:50:29
  Speaker 3: amount of stuff I'll leave out is a lot because
• 1:50:31
  Speaker 3: I'm trying to just talk about the key elements.
• 1:50:34
  Speaker 2: You know, this is the ship that you're like, I
• 1:50:36
  Speaker 2: know that's interesting, but nobody else is probably carry that.
• 1:50:38
  Speaker 3: I know, even a couple of things I've left in there.
• 1:50:41
  Speaker 3: I was like, it's still interesting to me, but it
• 1:50:45
  Speaker 3: gives you a more complete sense of the story that
• 1:50:48
  Speaker 3: we're talking about that you know, like we talked about
• 1:50:51
  Speaker 3: Addis last time, and this time, you know, Adonnis. We
• 1:50:55
  Speaker 3: talked about Nimrod and relation to Egyptians, you know, symbolic
• 1:51:00
  Speaker 3: g on one of the first shows we did together
• 1:51:02
  Speaker 3: way back. So yeah, yeah, but yeah, this was great
• 1:51:08
  Speaker 3: fun stuff.
• 1:51:10
  Speaker 2: That was awesome. Too bad about hell Less probably, but Robbie,
• 1:51:16
  Speaker 2: that was awesome. Thank you very much. Uh, I mean,
• 1:51:20
  Speaker 2: is there anything else you wanted ahead or I guess
• 1:51:23
  Speaker 2: we're pretty good that.
• 1:51:24
  Speaker 3: I mean, I could go on about this stuff, you know. Yeah,
• 1:51:29
  Speaker 3: however long, it's just all very intriguing and you know,
• 1:51:34
  Speaker 3: mind blowing. It's like so much like I mean just
• 1:51:37
  Speaker 3: I mean constantly when I'm going through these books, you know,
• 1:51:40
  Speaker 3: you're just having your mind changed and moved and blown,
• 1:51:44
  Speaker 3: and like your understandings increase, and especially when you can
• 1:51:48
  Speaker 3: start to take these different elements and bring them together
• 1:51:52
  Speaker 3: to kind of show a bigger picture of what's because
• 1:51:56
  Speaker 3: you know that all this stuff of the sacred mysteries
• 1:51:59
  Speaker 3: and is something that nobody really talks about in full.
• 1:52:04
  Speaker 3: You only get pieces and snibbets of it from all
• 1:52:07
  Speaker 3: these different books. So taking them all and kind of
• 1:52:10
  Speaker 3: bringing them, you know, and making sense out of them.
• 1:52:13
  Speaker 3: And as you're going through it, once you have enough
• 1:52:15
  Speaker 3: of these notes, you're really like, Wow, there's there's a full,
• 1:52:20
  Speaker 3: you know, story here that that is just not discussed.
• 1:52:24
  Speaker 3: You know.
• 1:52:25
  Speaker 2: You know what I find interesting is that, I mean,
• 1:52:28
  Speaker 2: I know people have been saying this for a while,
• 1:52:30
  Speaker 2: Like you know. Also, if you start looking at it
• 1:52:33
  Speaker 2: like what you were doing, you'll show how this story
• 1:52:36
  Speaker 2: repeats in different cultures and stuff too. Oh yeah, you know,
• 1:52:39
  Speaker 2: if you look at I mean that that I'm pushing
• 1:52:41
  Speaker 2: the guy's stuff for any reason. Besides, I just think
• 1:52:45
  Speaker 2: it's actually a good way to look at it. Even
• 1:52:47
  Speaker 2: if you take Crowley seven seven seven and you look
• 1:52:51
  Speaker 2: at the way he was showing you in that book,
• 1:52:52
  Speaker 2: He's showing you that these things all aline. Oh yeah,
• 1:52:56
  Speaker 2: that's what all those graphs are in there, is showing
• 1:52:58
  Speaker 2: you everything matching up with each other.
• 1:53:01
  Speaker 3: Yep. And he talks also within the Typhonian Mysteries, you know,
• 1:53:04
  Speaker 3: Kenneth Grant, but Crowley specifically, I think it was in
• 1:53:08
  Speaker 3: the Book of the Law. He talks about set as
• 1:53:11
  Speaker 3: being the number eight as the hidden one in the
• 1:53:14
  Speaker 3: Dog Star. And the dog star is seven pointed, you know,
• 1:53:18
  Speaker 3: as far as isis. It is the seven pointed star
• 1:53:21
  Speaker 3: of the goddess. And if you add the center point,
• 1:53:25
  Speaker 3: which was the sun behind the sun when the dog
• 1:53:28
  Speaker 3: days of summer, when serious was behind the sun, right
• 1:53:34
  Speaker 3: that seventh point or that eighth point inside the seven
• 1:53:37
  Speaker 3: pointed star is set. He is, you know, the black Sun.
• 1:53:42
  Speaker 3: He is the sun behind the sun, you know, so
• 1:53:45
  Speaker 3: it but he's also number eight. So you know, Crowley
• 1:53:48
  Speaker 3: gets into this stuff extensively. You know, if you if
• 1:53:52
  Speaker 3: you can understand the keywords and the references, you.
• 1:53:55
  Speaker 2: Know, you actually have to probably read the introduction of
• 1:53:59
  Speaker 2: the whole beginning of it and then look at the
• 1:54:01
  Speaker 2: graph to even understand what he's doing with the grass. Yeah,
• 1:54:05
  Speaker 2: but well, what I'm getting at is that like if
• 1:54:07
  Speaker 2: you could actually look at somebody looked at that book
• 1:54:09
  Speaker 2: and understood the grass, It's like that is even showing
• 1:54:11
  Speaker 2: you right there. Back then they had people saying all
• 1:54:14
  Speaker 2: this shit all lines up and it's all fucking repeated
• 1:54:17
  Speaker 2: and equals the same shit, right.
• 1:54:20
  Speaker 3: Well, and that book seven seven seven, when you get
• 1:54:23
  Speaker 3: into all those charts and you know you're matching mineral
• 1:54:26
  Speaker 3: for herb for metal for all these things are basically well, yeah,
• 1:54:33
  Speaker 3: but the way you draw together the elements to do
• 1:54:35
  Speaker 3: a magical working in regard to sympathetic magic, to summon
• 1:54:39
  Speaker 3: whatever the spirit that those are related to, so that
• 1:54:42
  Speaker 3: you can have all the elements associated with it to
• 1:54:45
  Speaker 3: give it the familiar vibration to enter into for sure.
• 1:54:49
  Speaker 2: Oh yeah yeah, it goes into way, way in depth. Yeah,
• 1:54:53
  Speaker 2: that's like, uh, you know if people were doing rituals.
• 1:54:56
  Speaker 2: That's like a bible full of ritual construction.
• 1:54:59
  Speaker 3: Yeah know, well I even go through it and look
• 1:55:03
  Speaker 3: at the color patterns and and.
• 1:55:06
  Speaker 2: That makes sense for you. Yeah, even if you think
• 1:55:09
  Speaker 2: about it, the way talismans are expected to be designed
• 1:55:12
  Speaker 2: with the flashing colors, that all makes sense for an
• 1:55:15
  Speaker 2: artist to use because that's the colors pop and stand the.
• 1:55:18
  Speaker 3: Right right well, And it's also playing with the cones
• 1:55:20
  Speaker 3: and the rods in your eyes and working them against
• 1:55:23
  Speaker 3: each other. And that's why psychedelic art works the way
• 1:55:26
  Speaker 3: it does because the red, the red waveform is very violent.
• 1:55:31
  Speaker 3: It's fast, so it pushes towards you more, whereas the
• 1:55:34
  Speaker 3: blue waveform is slower, so it sets back. So when
• 1:55:38
  Speaker 3: you look at the contrast of red and blue next
• 1:55:40
  Speaker 3: to each other, the red is coming out and the
• 1:55:42
  Speaker 3: blue is pushed away, and it creates an optical effect.
• 1:55:45
  Speaker 3: And these are ways to play the rods and yeah.
• 1:55:49
  Speaker 2: Yeah, yeah, and I think there's actually more rods. There's
• 1:55:52
  Speaker 2: more red than there is blue blue.
• 1:55:55
  Speaker 3: Yeah. Well, and the light is supposed to be very
• 1:55:58
  Speaker 3: healing for the mitochondria as far as you know. And
• 1:56:01
  Speaker 3: when you shut your eyes.
• 1:56:03
  Speaker 5: Say that again, say that again?
• 1:56:04
  Speaker 3: Which color red? The red lights is so funny.
• 1:56:09
  Speaker 4: It's so funny you say that, because I have red
• 1:56:11
  Speaker 4: led lights and I feel different when I turn those.
• 1:56:13
  Speaker 3: Off versus the blue ones, Like I really.
• 1:56:15
  Speaker 4: Do feel different, yeah, really do. Like it's crazy how
• 1:56:18
  Speaker 4: that you say that, because it's I use it mostly
• 1:56:22
  Speaker 4: when I'm trying to calm down. I don't know if
• 1:56:23
  Speaker 4: that's the it's supposed to do, but I it helps
• 1:56:26
  Speaker 4: me calm down in the sense. And as you can see,
• 1:56:28
  Speaker 4: I have my PC here. You can see that little
• 1:56:30
  Speaker 4: light right here, I have blue, So I switched from
• 1:56:32
  Speaker 4: blue red to green. Because each one of them has
• 1:56:35
  Speaker 4: their own their own things.
• 1:56:38
  Speaker 5: Yeah, yeah, yeah, I.
• 1:56:39
  Speaker 4: Turn off all the lights and I'll, you know, start
• 1:56:41
  Speaker 4: reading my book and I'll have my led lights and
• 1:56:43
  Speaker 4: these lights right here, and sometimes you'll notice. And it's
• 1:56:47
  Speaker 4: so funny you brought that up because somebody said, hey, rebirth.
• 1:56:49
  Speaker 5: Is sleeping on my keyboard right here. I have the
• 1:56:52
  Speaker 5: same thing.
• 1:56:53
  Speaker 4: It's color coded, and I sometimes when I'm really in
• 1:56:56
  Speaker 4: the deep thought, I can change the colors on here and.
• 1:57:00
  Speaker 3: Enhance the mental state.
• 1:57:02
  Speaker 5: Yes, exactly, see, I'm glad you said.
• 1:57:05
  Speaker 4: That, because on my on my keyboard, that's exactly what
• 1:57:07
  Speaker 4: I do.
• 1:57:07
  Speaker 5: I can change it to green, to blue, to yellow.
• 1:57:11
  Speaker 4: I like yellow because I'm a I'm a I'm a
• 1:57:13
  Speaker 4: Simpsons fan, and I learned that yellow.
• 1:57:15
  Speaker 5: They used the color to attract people to their show.
• 1:57:18
  Speaker 4: So when they're flipping through their channels real fast, they
• 1:57:20
  Speaker 4: see the yellow, they automatically know. Yeah, man, I'm so Man,
• 1:57:24
  Speaker 4: I'm telling you, man, Man, you got some knowledge on you.
• 1:57:27
  Speaker 2: Bro.
• 1:57:27
  Speaker 5: I'm happy. I'm happy to get you on my show
• 1:57:29
  Speaker 5: and talk to you.
• 1:57:29
  Speaker 2: Man.
• 1:57:30
  Speaker 5: You on it, Man, I.
• 1:57:32
  Speaker 4: Said it from the beginning, Bro, I see a lot
• 1:57:34
  Speaker 4: of grays right there isn't over there.
• 1:57:39
  Speaker 2: That's funny, nice, But uh, what was I gonna say about?
• 1:57:44
  Speaker 2: Uh oh yeah, we're talking about the cones and stuff
• 1:57:47
  Speaker 2: in the yards. There's a strength. I think it's a
• 1:57:50
  Speaker 2: strength golden doorned tarot card. M that the first off,
• 1:57:54
  Speaker 2: if you ever if maybe Robert you've looked at it,
• 1:57:57
  Speaker 2: if you look at what these things look like like
• 1:57:58
  Speaker 2: under a microscope, they don't almost looked like blades of
• 1:58:00
  Speaker 2: grass or like blades of fucking rugs, like a shag
• 1:58:04
  Speaker 2: carpet or something.
• 1:58:05
  Speaker 1: Yeah, and uh.
• 1:58:08
  Speaker 2: Yeah, And there was I think on the strength card
• 1:58:11
  Speaker 2: there was like three different lions or something, and like
• 1:58:18
  Speaker 2: as the whichever one had more cones. I think it
• 1:58:21
  Speaker 2: Like again, I think there was more red than blue.
• 1:58:23
  Speaker 2: It was like red, green and blue. The lions went
• 1:58:25
  Speaker 2: in the I mean it could be just coincident, but
• 1:58:27
  Speaker 2: the bigger lion was red the medium line, and then
• 1:58:31
  Speaker 2: the blue lion was the smallest one, and I was like,
• 1:58:33
  Speaker 2: you know, you know how I look at some tarot cards.
• 1:58:35
  Speaker 2: I wonder if the eyeballshit in there. When I came
• 1:58:37
  Speaker 2: across that, I was like, yo, that's exactly the the
• 1:58:40
  Speaker 2: same amount. It's just weird to me.
• 1:58:45
  Speaker 3: Yeah. The temple of the body, it's uh, you know
• 1:58:49
  Speaker 3: how much as above so below extracting from in in?
• 1:58:53
  Speaker 3: You know they what do they say? The entire cosmos
• 1:58:55
  Speaker 3: is inside of you? You know? Yeah?
• 1:59:00
  Speaker 2: Yeah, but you know what I no, no, go ahead,
• 1:59:04
  Speaker 2: I was actually gonna ask.
• 1:59:05
  Speaker 4: So I was just looking up the color red because
• 1:59:07
  Speaker 4: I never really paid attention until you guys were actually
• 1:59:10
  Speaker 4: talking about it, and I looked up the color red.
• 1:59:12
  Speaker 4: And my passion is history, learning and gaining research and
• 1:59:16
  Speaker 4: or learning and doing research and sharing what I've learned,
• 1:59:18
  Speaker 4: and all that red is associated with passion and love.
• 1:59:22
  Speaker 4: I knew about the love part, but it's associated with passion.
• 1:59:24
  Speaker 4: And that's probably why I feel so calm when I'm
• 1:59:27
  Speaker 4: around people who are knowledgeable on the subject and I'm
• 1:59:31
  Speaker 4: with the red color red because it helps me like
• 1:59:34
  Speaker 4: kind of calm down and relax. It helps me like
• 1:59:37
  Speaker 4: focus on So I really do appreciate you giving me
• 1:59:41
  Speaker 4: that information because I didn't know that before. I always
• 1:59:43
  Speaker 4: just thought it was just like, man, maybe it's just
• 1:59:45
  Speaker 4: a phase or something I didn't know. Like I knew
• 1:59:48
  Speaker 4: about green, I knew about yellow, I know about blue,
• 1:59:52
  Speaker 4: but I never really looked into red. Really, it's not
• 1:59:55
  Speaker 4: even a color that I really like that im merse
• 1:59:58
  Speaker 4: or anything.
• 1:59:58
  Speaker 3: From what I've seen. Red, there's a certain spectrum of
• 2:00:02
  Speaker 3: red light that basically encourages the mitochondria to heal itself.
• 2:00:08
  Speaker 3: And and you know, when you get into sun gazing
• 2:00:11
  Speaker 3: and looking at you know, the various then you have
• 2:00:14
  Speaker 3: the full spectrum, you know, the golden rays, the all
• 2:00:17
  Speaker 3: the and as the sun shifts through the various tones,
• 2:00:21
  Speaker 3: as you know, Lord Ray anders into the underworld, you
• 2:00:25
  Speaker 3: it's basically all these healing waveforms, and then you have
• 2:00:29
  Speaker 3: your circadian rhythm. But even when you get into these
• 2:00:32
  Speaker 3: these beams of light and using light for healing, you know,
• 2:00:36
  Speaker 3: the Vatican has a painting of Jesus and he's he's
• 2:00:40
  Speaker 3: literally holding crystals doing like reiki work, you know. And
• 2:00:47
  Speaker 3: and when you get these minerals and you shine the
• 2:00:50
  Speaker 3: sun through them in a certain way, you're getting the
• 2:00:52
  Speaker 3: energizing power of the sun. Putting it into a certain
• 2:00:56
  Speaker 3: spectrum and then focusing that that color spec from on
• 2:01:00
  Speaker 3: the area.
• 2:01:01
  Speaker 1: You know.
• 2:01:02
  Speaker 3: So there, I mean, there's some truths in these ancient
• 2:01:06
  Speaker 3: you know, Hyperborean kind of technologies that have been lost
• 2:01:11
  Speaker 3: to modern man. You know, light waveform, frequency sound kind
• 2:01:15
  Speaker 3: of you know, these telluric energies of the earth. And yeah, yeah,
• 2:01:20
  Speaker 3: he gets steep, man, she do.
• 2:01:27
  Speaker 2: All right? I think we'll rap.
• 2:01:29
  Speaker 5: I ain't getting out this ship.
• 2:01:34
  Speaker 2: Uh yeah, tyrone real quick. Let everybody know where they
• 2:01:38
  Speaker 2: can find all your all your stuff, please.
• 2:01:41
  Speaker 4: I appreciate this, Nick Man, Like I said, Man, I've allays.
• 2:01:44
  Speaker 4: I tell Nick this every time. I am so glad
• 2:01:47
  Speaker 4: that I'm part of the team because I'm surrounded by
• 2:01:49
  Speaker 4: people that have knowledge, and I'm glad that I'm receiving
• 2:01:53
  Speaker 4: it the way I am.
• 2:01:54
  Speaker 3: So.
• 2:01:54
  Speaker 4: It took a long time to get there, but I
• 2:01:56
  Speaker 4: did it. When I first started off. Everything you can
• 2:01:59
  Speaker 4: find on me as on my website Rebirth oftheword dot com.
• 2:02:01
  Speaker 4: I started off with the website and became a bestseller.
• 2:02:04
  Speaker 4: You can find my book Journey through the Orgin of
• 2:02:06
  Speaker 4: the History right on Amazon. Thanks again, I appreciate it.
• 2:02:09
  Speaker 2: Oh of course, I don't always appreciate you jumping on
• 2:02:11
  Speaker 2: my man for real, and uh, you know, real quick,
• 2:02:14
  Speaker 2: I'll plug Headless he's not here Headless Giant Podcast at
• 2:02:18
  Speaker 2: gmail dot com. You can send him stories, any weird
• 2:02:22
  Speaker 2: dreams or any like I guess, you know, paranormal or
• 2:02:24
  Speaker 2: real stories in life. And if you send that over
• 2:02:28
  Speaker 2: you want to throw them your address or just you know,
• 2:02:30
  Speaker 2: I just send me the address and him the email.
• 2:02:32
  Speaker 2: But that's stupid. Just send it all one or whatever
• 2:02:34
  Speaker 2: and he'll get me the address and I'll send you
• 2:02:36
  Speaker 2: out some free stickers. Uh so yeah, Headless Giant check
• 2:02:40
  Speaker 2: him out. He's also got every Sunday, he's got the
• 2:02:43
  Speaker 2: trialog check that out of here. He's got that going
• 2:02:45
  Speaker 2: on this Sunday. And finally, Robbie Marx, thank you so
• 2:02:48
  Speaker 2: much man for coming on. Always love having you on.
• 2:02:50
  Speaker 2: It's always a storytime with Robbie Marks and you did
• 2:02:53
  Speaker 2: it once again. So please let everybody know where they
• 2:02:56
  Speaker 2: can find all your other stuff and your amazing art
• 2:02:59
  Speaker 2: for sure.
• 2:03:01
  Speaker 3: Yeah, if you want to check out all my other stuff,
• 2:03:03
  Speaker 3: you can go to my link tree which is link
• 2:03:05
  Speaker 3: tree r M A r X and that'll pull up
• 2:03:08
  Speaker 3: my various art that I do. It'll pull up the podcast,
• 2:03:12
  Speaker 3: the Metal Mind Cast if you want to go check
• 2:03:14
  Speaker 3: that out outside my Patreon on there if you want
• 2:03:16
  Speaker 3: to get back. But I always encourage you to go
• 2:03:20
  Speaker 3: check either out my website or my Etsy and if
• 2:03:23
  Speaker 3: you like anything there, that's a great way to support
• 2:03:27
  Speaker 3: me as well.
• 2:03:27
  Speaker 1: You know.
• 2:03:28
  Speaker 2: Oh yeah, go check your stuff out and real quick,
• 2:03:31
  Speaker 2: I'll take to take a few I made. It is
• 2:03:33
  Speaker 2: too maybe just to plug these places that we're going to.
• 2:03:37
  Speaker 2: I keep forgetting. I gotta remember st bringing this up
• 2:03:39
  Speaker 2: with we're getting to the show, because at this point
• 2:03:41
  Speaker 2: everybody shook the shut off, especially on the audio. Yeah,
• 2:03:46
  Speaker 2: there are events that are gonna be going to and
• 2:03:48
  Speaker 2: Tyrone will be there as well for probably almost all
• 2:03:51
  Speaker 2: of them, except for one. October fourth, we've got Bigfoot
• 2:03:55
  Speaker 2: thing going on and that's at the Factory in Franklin,
• 2:03:58
  Speaker 2: North Carolina. And then Ictober eighteenth we got Charlie's Beyond
• 2:04:01
  Speaker 2: Belief and that is again in Fort Myers, Florida at
• 2:04:04
  Speaker 2: a Masonic lodge. And I always got to tell everybody
• 2:04:06
  Speaker 2: we got booth thirty three, What the fuck is up? Yeah?
• 2:04:11
  Speaker 2: We got Arkansas. I think that's the one time Rome
• 2:04:14
  Speaker 2: won't be making it too. I'll be out there that
• 2:04:16
  Speaker 2: is October twenty fifth to twenty six. That's a paranormal expo.
• 2:04:21
  Speaker 2: It's supposed to be like the biggest annual thing in
• 2:04:24
  Speaker 2: Arkansas for paranormal stuff. So they offered me the booth
• 2:04:28
  Speaker 2: for free if I was to promote it. So I said,
• 2:04:29
  Speaker 2: fuck yo, go down there and meet some people, you know,
• 2:04:32
  Speaker 2: say some weird shit. Yeah, November twenty second. Then will
• 2:04:36
  Speaker 2: also be at Morrisville, North Carolina. That's a UFO thing.
• 2:04:41
  Speaker 2: And yeah, that's some places that are finalized for now
• 2:04:43
  Speaker 2: that I feel good enough talking about. And again for
• 2:04:47
  Speaker 2: Charlie's beyond belief, I forgot to mention Brook from Dark Florida,
• 2:04:50
  Speaker 2: who's part of the col Rejax, will be one of
• 2:04:52
  Speaker 2: the speakers there. So if you're in the area, definitely
• 2:04:54
  Speaker 2: come down, come down and check it out. It should
• 2:04:57
  Speaker 2: be really cool. She's also got a booth. We've got
• 2:05:00
  Speaker 2: friends there that has got a booth. So the little
• 2:05:02
  Speaker 2: area wherein should be on and popping, So come and
• 2:05:05
  Speaker 2: check it out. And that's enough out of me. And again,
• 2:05:08
  Speaker 2: thank you everybody who came on the show. Tyrone, thank
• 2:05:11
  Speaker 2: you Headless Robbie, that's what's up. Everybody in the chat,
• 2:05:14
  Speaker 2: that is what's up. I appreciate it, even the people
• 2:05:16
  Speaker 2: on the other platforms. I see you on Twitter, and
• 2:05:18
  Speaker 2: I see the other people on the other YouTube platforms.
• 2:05:21
  Speaker 2: I appreciate the comments, and that is why we go
• 2:05:24
  Speaker 2: live and until the next one, everybody be well later