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Escape Room Actors (with Artoun Nazareth) · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:07
  Speaker 1: This week on the show, we bring you escape room actors. Yes,
• 0:11
  Speaker 1: we got the employees of Get Me Out three sixty
• 0:13
  Speaker 1: five to all gather around and talk process.
• 0:16
  Speaker 2: Escape rooms are one of the number one activities for
• 0:19
  Speaker 2: groups of people who don't want to talk to each other.
• 0:22
  Speaker 2: We got people that put those escape rooms on and
• 0:26
  Speaker 2: a very special facility in Tampa that hosts three hundred
• 0:29
  Speaker 2: and sixty five different escape rooms three hundred and sixty
• 0:32
  Speaker 2: five days of the year.
• 0:34
  Speaker 3: So pick that lock decode this anagram, and let's listen in.
• 0:44
  Speaker 2: Before we begin, I'd like to challenge the audience. You
• 0:50
  Speaker 2: have sixty minutes to figure out which one of us
• 0:55
  Speaker 2: is not who they say they are.
• 0:58
  Speaker 4: If you figure it out, you will be getting a
• 1:00
  Speaker 4: key to something else.
• 1:02
  Speaker 5: We've agreed that one of us is gonna lie the
• 1:05
  Speaker 5: whole time.
• 1:07
  Speaker 6: That's right, that's and that's a classic escape move.
• 1:12
  Speaker 7: So please lock in your guesses.
• 1:14
  Speaker 4: If you have s.
• 1:19
  Speaker 6: Like, just tap the screen on who you think it is.
• 1:22
  Speaker 4: Press one.
• 1:22
  Speaker 5: Let's say our names and say what number you have
• 1:25
  Speaker 5: to press. Press one for.
• 1:30
  Speaker 3: Marcello, Press two for Montenegro.
• 1:36
  Speaker 6: Alistair press the pound key for ginger rogers.
• 1:46
  Speaker 4: Press the other key, the other the star key for.
• 1:53
  Speaker 8: Very more truce, and press six nine for a die yan.
• 2:00
  Speaker 4: Dd Hi everybody. It's good to be the cast and
• 2:06
  Speaker 4: crew of Get Me Out three sixty five, the beautiful,
• 2:12
  Speaker 4: amazing escape room area in Tampa Bay, Florida.
• 2:16
  Speaker 3: Three one hundred and sixty five unique escape rooms filled
• 2:20
  Speaker 3: with hundreds upon hundreds of possibilities, clues, red herrings, and answers.
• 2:28
  Speaker 5: We're the hosts, we are the actors in the games.
• 2:32
  Speaker 2: Some of the US have designed the games, and we
• 2:35
  Speaker 2: also tell you where to park.
• 2:37
  Speaker 1: Yes, Yahoo News did report us as kind of the
• 2:40
  Speaker 1: Disney World of escape rooms.
• 2:42
  Speaker 4: They went ham on that article.
• 2:44
  Speaker 6: Yeah, we have a couple of Yelp reviews as well,
• 2:48
  Speaker 6: where they say I proposed to my girlfriend in these
• 2:52
  Speaker 6: rooms and while she said no, we had.
• 2:54
  Speaker 4: A good time.
• 2:55
  Speaker 6: Yes, And that's happened a couple of times.
• 2:57
  Speaker 4: That having a couple of times. Well, the proposal are
• 3:00
  Speaker 4: always tricky because you're like, this is beautiful, but you
• 3:02
  Speaker 4: have to escape in thirty minutes.
• 3:04
  Speaker 7: Sometimes the women think it's part of it, you know,
• 3:08
  Speaker 7: part of the trick. Yes, well, there's the thing doing
• 3:10
  Speaker 7: it fusing.
• 3:11
  Speaker 8: Doing it in the Love is Blind Room doesn't help, right, Well, we.
• 3:14
  Speaker 2: Should get into our escape rooms. The Love is Blind
• 3:16
  Speaker 2: escape room is one of my favorite ones.
• 3:18
  Speaker 4: Me too, I love it. The design is amazing. It's unbelievable.
• 3:22
  Speaker 5: Figure out who you're in love with, or be murdered.
• 3:25
  Speaker 4: Or be blinded, and that's what.
• 3:27
  Speaker 1: And that's one of those ones where it's two people.
• 3:29
  Speaker 1: So each one of our rooms, it's different types of groups.
• 3:32
  Speaker 1: So a lot of date nights do Love is Blind
• 3:34
  Speaker 1: because it comes with the cupcake, a glass of cupcake,
• 3:36
  Speaker 1: wine in the goblet.
• 3:39
  Speaker 3: And silent disco headphones. Don't forget the silent disco headphones.
• 3:43
  Speaker 3: You have to enjoy on either side of the barrier
• 3:47
  Speaker 3: until one of you says your trauma in allowing one
• 3:51
  Speaker 3: of you to propose with an anagram.
• 3:54
  Speaker 6: And this all happens in the course of thirty minutes.
• 3:56
  Speaker 6: This is you have thirty minutes to solve this room.
• 3:58
  Speaker 6: And you're wondering, what do we do in this room?
• 4:01
  Speaker 4: Right? What is our role?
• 4:03
  Speaker 8: Well, Rogers, yeah.
• 4:05
  Speaker 4: I'm.
• 4:07
  Speaker 8: And Ginger. Your performance as Vanessa Lache takes me off.
• 4:12
  Speaker 4: Thank you, no, thank you.
• 4:13
  Speaker 6: It's it's a lot of actually character ability to get
• 4:16
  Speaker 6: into that role because people want to see someone they believe.
• 4:19
  Speaker 6: People want to see someone they know. They don't want
• 4:21
  Speaker 6: to see an actor. They want to see Vanessa.
• 4:23
  Speaker 3: Lache And Vanessa is driving the truck of the show.
• 4:27
  Speaker 3: You can see Nick is along for the ride. But
• 4:30
  Speaker 3: but Vanessa is the brains. And you do such a
• 4:32
  Speaker 3: great job of communicating just the sheer amount of emails
• 4:36
  Speaker 3: that you, as Vanessa, had to send before you got
• 4:39
  Speaker 3: to this point.
• 4:40
  Speaker 6: It's very it's very cind thank you, it's very kind.
• 4:43
  Speaker 4: Thank you, because you know.
• 4:44
  Speaker 6: It's right before I have to step outside. I do
• 4:46
  Speaker 6: all the rules right, and I can't be a character
• 4:49
  Speaker 6: for that, right. I gotta be like so remember you
• 4:52
  Speaker 6: have If something's not coming off the wall, it means
• 4:55
  Speaker 6: it's not supposed to come off. You didn't believe, you know.
• 4:58
  Speaker 8: My boyfriend said, I said that mysel sleep the other night.
• 5:01
  Speaker 4: He said, don't touch the wall. That's not part of it.
• 5:04
  Speaker 8: If the drawer doesn't open, it's not meant to be open.
• 5:06
  Speaker 5: Well, you know I remember because I was there in
• 5:08
  Speaker 5: the beginning.
• 5:09
  Speaker 2: I was there for the first day for getting me
• 5:11
  Speaker 2: on three six five, and I've been there ever since.
• 5:14
  Speaker 2: It was just get me out one, and it was
• 5:15
  Speaker 2: get me out one, and it was one room and
• 5:17
  Speaker 2: the room generic pirates, and we've gone so far from that.
• 5:21
  Speaker 7: Pirates very first thought.
• 5:23
  Speaker 2: Yeah, it's very first thought, you know. But what's so
• 5:26
  Speaker 2: interesting is you see the audience has change. I didn't
• 5:29
  Speaker 2: used to have to warn people, Hey, if you have
• 5:31
  Speaker 2: to stretch your legs into a split, we're probably not
• 5:33
  Speaker 2: presuming you're going to do that. You know, I don't
• 5:36
  Speaker 2: pick it up if it's heavy, if it's bolted down,
• 5:38
  Speaker 2: don't rip it off.
• 5:39
  Speaker 5: You know, people get so into it. Don't touch the bed.
• 5:42
  Speaker 2: Nothing that you need is on the bed, you know,
• 5:44
  Speaker 2: letting them know these things, people.
• 5:46
  Speaker 4: Kind of become like rabid dogs and freak out. They
• 5:49
  Speaker 4: just they start ripping and tearing and shredding the Our
• 5:53
  Speaker 4: construction guy is putting in overtime, bolting these things down
• 5:58
  Speaker 4: to the ground hard so they can't row them through
• 6:00
  Speaker 4: a glass window.
• 6:01
  Speaker 2: Guys, he stresses me out. So when you do this
• 6:04
  Speaker 2: to us and we have to bring him in, it's
• 6:05
  Speaker 2: a whole thing. It's hard to talk to us.
• 6:07
  Speaker 4: Donatello is in.
• 6:10
  Speaker 1: I don't think you're supposed to have a saw without
• 6:12
  Speaker 1: like a case on top of it.
• 6:13
  Speaker 8: It's just kind of a saw.
• 6:16
  Speaker 6: Yeah, it just feels like like a hammer that.
• 6:22
  Speaker 8: Yeah.
• 6:23
  Speaker 1: But I think which it's important to talk about, Like
• 6:25
  Speaker 1: how what I love about Get Me Out three six
• 6:27
  Speaker 1: five is that some of our oldest rooms are still there,
• 6:29
  Speaker 1: kind of like a Disneyland Hall of Residence like this ride,
• 6:32
  Speaker 1: Like it is funny to like have some of our
• 6:35
  Speaker 1: rides that are like like deep, Like we have like
• 6:38
  Speaker 1: five tablets in each room and it's so developed versus
• 6:41
  Speaker 1: random pirates.
• 6:42
  Speaker 8: Yeah, and then the second room, which random mermaids.
• 6:45
  Speaker 5: Random Mermaids.
• 6:47
  Speaker 6: I like, you know what, I actually I think random
• 6:49
  Speaker 6: Mermaids was slept on right. I think going from pirates
• 6:52
  Speaker 6: to Mermaids, you think it's a lateral move because it's
• 6:55
  Speaker 6: kind of in the same now, it's that's one to play.
• 6:58
  Speaker 7: Those mermaids Siren are funny.
• 7:01
  Speaker 3: They are screaming, they are wailing, and their job is
• 7:07
  Speaker 3: to lure you in.
• 7:08
  Speaker 7: It's awesome, it's so cool.
• 7:10
  Speaker 2: Let's break down also what it takes to be an
• 7:13
  Speaker 2: escape room actor. We have three hundred and sixty five rooms,
• 7:16
  Speaker 2: and there's rules for actors in all the rooms, and
• 7:18
  Speaker 2: then there's eight of us and there's eight tracks and so.
• 7:21
  Speaker 8: And eight lockers, all of our costumes.
• 7:23
  Speaker 4: Oh, we love the lockers. We love the lockers. It
• 7:26
  Speaker 4: is pandemonium. When we say go, we mean go because
• 7:30
  Speaker 4: we have eighteen different eighteen to three hundred different rooms
• 7:35
  Speaker 4: we are running around to at anytime.
• 7:37
  Speaker 2: So the Mermaid track is so fun, right because you
• 7:39
  Speaker 2: do random mermaids and then you jump into the outer
• 7:42
  Speaker 2: space alien witches because you.
• 7:45
  Speaker 8: Take that, you take the skirt and you put it
• 7:46
  Speaker 8: up your body.
• 7:47
  Speaker 2: Exactly and then you're an alien witch Boom. And then
• 7:49
  Speaker 2: you're Barbara Corcoran in the Shark Tank room. And then
• 7:51
  Speaker 2: you jump.
• 7:52
  Speaker 4: Over Doctor Jekyl and mister High track where you have
• 7:55
  Speaker 4: to be both Jack the Ripper, Jack the Ripper.
• 7:58
  Speaker 6: And then and then there's the bare room where you're
• 8:01
  Speaker 6: in a kitchen and you're actually serving food.
• 8:03
  Speaker 4: That's how we have our Tandem restaurant going on.
• 8:05
  Speaker 1: A lot of us have our food licensing food handling
• 8:08
  Speaker 1: permits because you need that, especially for the mold and
• 8:13
  Speaker 1: mashed Potatoes room.
• 8:17
  Speaker 4: Is the molded mashed Potatoes room is a challenging room
• 8:23
  Speaker 4: where you have to figure out which is mold and
• 8:25
  Speaker 4: which's mashed potatoes.
• 8:26
  Speaker 3: Was a great This was a vision of our I
• 8:30
  Speaker 3: would be remiss if I didn't give credit to our
• 8:32
  Speaker 3: founder and CEO, Jonathan get me Out, changed his last
• 8:39
  Speaker 3: name to fit the brand, and he really wanted the
• 8:43
  Speaker 3: mold to be real. He said, of course, there's a
• 8:45
  Speaker 3: way we could do it where the mold is is
• 8:48
  Speaker 3: fake gets painted on.
• 8:49
  Speaker 7: But he wanted there to be risk. He wanted it
• 8:52
  Speaker 7: to feel real.
• 8:53
  Speaker 4: He's always trying to push the boundary like that. How
• 8:56
  Speaker 4: far can we push an escape room before it becomes
• 8:59
  Speaker 4: torture four becomes illegal?
• 9:01
  Speaker 3: Yes, yes, well he you know his background is unfortunately
• 9:06
  Speaker 3: torture yes.
• 9:06
  Speaker 4: No, no, no, Yeah, he's an x CIA operative and
• 9:09
  Speaker 4: that's why he also changed his name so they couldn't
• 9:11
  Speaker 4: track him anything. Yes, well, they's kind of a two
• 9:14
  Speaker 4: for one deal.
• 9:15
  Speaker 6: Yeah, they say, you know, we've had people come and
• 9:18
  Speaker 6: train at our Guantanamo room because it's, from what I hear,
• 9:21
  Speaker 6: a perfect replica.
• 9:22
  Speaker 1: Yea perfect it's a perfect replica. And then when they leave,
• 9:26
  Speaker 1: they do mold a mashed potatoes for fun. Yeah, because
• 9:28
  Speaker 1: it's like it's important that half a lot of our
• 9:30
  Speaker 1: rooms are really intense, and then a lot of.
• 9:31
  Speaker 8: Them need to be fun.
• 9:32
  Speaker 1: Right, you need all ages Forget Me Out three sixty five.
• 9:35
  Speaker 1: You need all like bacherette parties. Some of them want
• 9:38
  Speaker 1: to be freaked out. Some of them want to dance.
• 9:40
  Speaker 4: Yesh, yes, some of them want to dance.
• 9:42
  Speaker 5: It's so beautiful.
• 9:43
  Speaker 2: And I also wanted to mention there's the Guantanamo room,
• 9:45
  Speaker 2: and then people are actually before you know, before they're
• 9:48
  Speaker 2: shipped off, they go and train there.
• 9:50
  Speaker 5: And then we have the back to Akron room, which
• 9:52
  Speaker 5: is acclimating.
• 9:53
  Speaker 4: Acclimating or back to real life, and that's a room
• 9:57
  Speaker 4: that's really the most beautiful room we have. I will
• 10:00
  Speaker 4: say that the traumas of your own mind.
• 10:04
  Speaker 5: Back to Akron.
• 10:06
  Speaker 6: Some would say the work we do in that room
• 10:09
  Speaker 6: you need to be licensed for, and we're not.
• 10:13
  Speaker 8: Sometimes I feel a little paper sometimes.
• 10:15
  Speaker 7: This is something that Jonathan Get Me Out was insistent upon.
• 10:18
  Speaker 6: Exactly we do our acting exercises. You know, we just
• 10:21
  Speaker 6: just like you know, they think, oh, an escape from actor. No,
• 10:23
  Speaker 6: we're just like anyone else.
• 10:25
  Speaker 4: Right.
• 10:25
  Speaker 6: We we sit on the ground, we close our eyes,
• 10:28
  Speaker 6: imagine what it would be like for you to rehabilitate people.
• 10:31
  Speaker 4: And then we open our eyes and then we go
• 10:33
  Speaker 4: to and we put on my mustache, and I paint
• 10:35
  Speaker 4: my face a little darker, and I go and don't forget.
• 10:38
  Speaker 5: We zips up. I also want to stop painting your
• 10:41
  Speaker 5: face so dark.
• 10:42
  Speaker 4: Beginning, I think it's grey's good.
• 10:48
  Speaker 8: We need to talk.
• 10:48
  Speaker 4: About face a little darker with gray. It's just getting
• 10:52
  Speaker 4: darker every time.
• 10:53
  Speaker 5: It's getting darker every time.
• 10:57
  Speaker 4: You're not telling you when you pick up a book,
• 10:59
  Speaker 4: pay to your little.
• 11:01
  Speaker 9: Spooky google in this week. Gogle room is fine. I
• 11:06
  Speaker 9: can't say, also be a spooky gool. No, you cannot
• 11:09
  Speaker 9: be a s that's the number one place you can.
• 11:14
  Speaker 3: It goes against the mission state phenomena.
• 11:17
  Speaker 4: Well back Deacker is amazing. I love the track where
• 11:20
  Speaker 4: you get to play the screaming child in a grocery
• 11:22
  Speaker 4: store to see how they react.
• 11:24
  Speaker 8: No, and I feel sometimes I feel inappropriate.
• 11:26
  Speaker 5: They can't if they.
• 11:28
  Speaker 4: Go up and say, ma'am, I need you to control
• 11:30
  Speaker 4: your health or leave the grocery store, they get a key. Yes,
• 11:34
  Speaker 4: the baby gives the baby gives them a key in
• 11:39
  Speaker 4: the grocery store.
• 11:40
  Speaker 1: I feel like when I put on the ceiling fan
• 11:42
  Speaker 1: outfit and I have to assimulate a helicopter above a
• 11:46
  Speaker 1: sleeping body, I feel a little inappropriate. Maybe that's just
• 11:49
  Speaker 1: because I'm a petitue girl.
• 11:50
  Speaker 7: I'm telling you the fireworks costume that's real.
• 11:55
  Speaker 4: Iok.
• 11:56
  Speaker 6: I I didn't want to.
• 11:58
  Speaker 4: I didn't want to bring that up, but I know,
• 12:00
  Speaker 4: I know.
• 12:00
  Speaker 6: It's it's fun to talk about the fireworks costume, but
• 12:03
  Speaker 6: we did have that accident last year, and it's hard.
• 12:07
  Speaker 4: Well, we had to switch the fireworks costume from real
• 12:09
  Speaker 4: fireworks on your body. You make the.
• 12:11
  Speaker 6: Noise, yeah, which is just less fun.
• 12:14
  Speaker 3: It's less fun. But we have to acknowledge that Emily
• 12:18
  Speaker 3: is hurting.
• 12:21
  Speaker 7: And she still has a long way to go.
• 12:28
  Speaker 5: I have been telling you my thing. You have to
• 12:30
  Speaker 5: believe she's been burned. You have to believe it.
• 12:32
  Speaker 7: I know you're saying, I think she's hamming it up.
• 12:36
  Speaker 7: I think she's gotten a few get well.
• 12:39
  Speaker 3: Soon cards that gave her the taste of the attention
• 12:42
  Speaker 3: she never got because she was always at a five.
• 12:45
  Speaker 3: I'm sorry, I'm sorry.
• 12:48
  Speaker 4: Emily was never giving it her all. She was more
• 12:50
  Speaker 4: in it for the attention. She liked the hosting, hated
• 12:52
  Speaker 4: the acting.
• 12:53
  Speaker 6: Did you see her in that ceiling fan costume? I
• 12:55
  Speaker 6: mean it was awful.
• 12:58
  Speaker 1: It was zero paticul I need to talk about this.
• 13:00
  Speaker 1: A lot of us we live and die forget Out
• 13:03
  Speaker 1: three sixty five. There are a lot of actors that
• 13:05
  Speaker 1: will come in these rooms for escape from acts are
• 13:07
  Speaker 1: that are that are like that are just trying to
• 13:10
  Speaker 1: book up elsewhere, and we have to talk about that.
• 13:13
  Speaker 1: It's it's really hard because we need you to focus.
• 13:15
  Speaker 5: I'll tell you what.
• 13:16
  Speaker 2: If I see one of them in Orlando at Disney
• 13:19
  Speaker 2: World and they're dancing in the parade and I know
• 13:21
  Speaker 2: they used to work get me off three six five,
• 13:22
  Speaker 2: I trip their ass.
• 13:23
  Speaker 5: I trip them in the middle of the parade.
• 13:24
  Speaker 4: I do.
• 13:25
  Speaker 5: I'm pissed that up good. I don't give a shit
• 13:27
  Speaker 5: about World of Color, whatever the fuck they're doing.
• 13:30
  Speaker 1: I put my leg out, I bring a broom and
• 13:32
  Speaker 1: they separate the crowd from the parade pretty far.
• 13:34
  Speaker 8: So you got to really get into well.
• 13:36
  Speaker 2: I use my Slenderman legs from the slender Man room.
• 13:42
  Speaker 2: I stretch them out.
• 13:44
  Speaker 4: Yes, the this isn't a lily pad.
• 13:47
  Speaker 10: This is.
• 13:50
  Speaker 4: And the kind of theatrics that we are doing with
• 13:52
  Speaker 4: the budget that we have, people would marvel ass. Every
• 13:57
  Speaker 4: night we were putting on three hundred and sixty five
• 13:59
  Speaker 4: different Broadway.
• 14:01
  Speaker 6: Oh yes, and you know it's it's especially there's you
• 14:05
  Speaker 6: know a few a few people who have come through
• 14:07
  Speaker 6: here and then they move on to go do television
• 14:10
  Speaker 6: or movies that you're acting one person for for what
• 14:14
  Speaker 6: thousands millions?
• 14:16
  Speaker 5: Yeah, I look look.
• 14:17
  Speaker 4: To what I'm proud of, Julian.
• 14:24
  Speaker 3: Okay, great, If that's your goal and you want that,
• 14:27
  Speaker 3: then congratulations, gratulations.
• 14:29
  Speaker 4: You played one drug addict on Ozark for five years.
• 14:32
  Speaker 2: I played twenty five of them yesterday.
• 14:35
  Speaker 8: And were you did a quick change into a ceiling fan.
• 14:40
  Speaker 4: I love.
• 14:42
  Speaker 8: Let's talk about it. Let's talk about it.
• 14:44
  Speaker 4: Well, there's a A and then there's l on room. Right, there's.
• 14:48
  Speaker 7: Where you have to jump start a truck.
• 14:51
  Speaker 8: Oh and those Jiffy Lupe guys have fangs.
• 14:53
  Speaker 6: Yes, yes, I do miss when we got to I
• 14:57
  Speaker 6: do miss when we got to bite. I do miss
• 14:59
  Speaker 6: when they do. You miss in the Triple A room
• 15:01
  Speaker 6: when they got a bite. When you passed the Triple
• 15:03
  Speaker 6: A room, and you good. You get to the Jiffy
• 15:05
  Speaker 6: Loup chamber. We used to be able to bite them
• 15:07
  Speaker 6: because we got things for that. It was Jiffy lou
• 15:10
  Speaker 6: Vampire Chamber. You will get bit.
• 15:12
  Speaker 2: You used to sign a bite waiver, but then everyone
• 15:14
  Speaker 2: just stopped signing No.
• 15:16
  Speaker 3: I actually don't want that one day, my coworkers, I
• 15:19
  Speaker 3: don't want to get big something in the air one day,
• 15:22
  Speaker 3: So all of a sudden, no one wants to get bit.
• 15:24
  Speaker 8: He used to be something on the internet. Must have happened.
• 15:28
  Speaker 8: Happened a light switch.
• 15:30
  Speaker 5: It was like got canceled.
• 15:32
  Speaker 1: Like what I love the alan On Room because it's well,
• 15:36
  Speaker 1: you're putting together a puzzle and what you slowly realize
• 15:40
  Speaker 1: is everybody's alcoholic is the same.
• 15:42
  Speaker 4: And that's what they're dealing with. Is what we're putting together,
• 15:47
  Speaker 4: this puzzle of who this person is. And once you
• 15:50
  Speaker 4: have the answer, you can go up and say how
• 15:51
  Speaker 4: they've affected you. You get a code. The code is
• 15:54
  Speaker 4: a password for a door, and the door leads to
• 15:58
  Speaker 4: a different room, which is all about staying away from them.
• 16:02
  Speaker 4: But my favorite alcoholic come out of the corner going
• 16:06
  Speaker 4: give me, Jimmy Bean, give me these alcohols, and you
• 16:09
  Speaker 4: have to avoid them.
• 16:10
  Speaker 1: But then you have to pick them up and you
• 16:13
  Speaker 1: have to go up a ladder and hold your friend yes.
• 16:16
  Speaker 1: And that part really gets the emotional every time, because
• 16:18
  Speaker 1: you see these brides drunk on their bachelorette and they're carrying.
• 16:22
  Speaker 8: Their friends and they're going like, this is the weight
• 16:24
  Speaker 8: of community.
• 16:25
  Speaker 2: Yes, I know, and I feel bad for the bachelorettes
• 16:27
  Speaker 2: to show up in the only room we have, the room.
• 16:30
  Speaker 5: You know they were ready for it.
• 16:31
  Speaker 4: You you want to book that one. You book let's
• 16:37
  Speaker 4: bachelorette room.
• 16:38
  Speaker 6: They want to swing in seventies party, right, Like, let's
• 16:41
  Speaker 6: let's make a quick p s A.
• 16:43
  Speaker 4: Because I we're tired of this.
• 16:44
  Speaker 6: If you want to come and go for a specific room,
• 16:47
  Speaker 6: you got to book an advance. Otherwise you're going to
• 16:50
  Speaker 6: get the alan On room.
• 16:56
  Speaker 3: Ladies, the Escape from the Chippendale's Lap Dance room that
• 17:00
  Speaker 3: books out eight months in advance.
• 17:03
  Speaker 8: And so go on Rezi.
• 17:05
  Speaker 1: When you open RESI, there's a tab that says save me,
• 17:08
  Speaker 1: and that's the Escape room tab for reservations for escape rooms.
• 17:11
  Speaker 5: In the future.
• 17:12
  Speaker 2: We open up the Chippendale's Room every other month on
• 17:15
  Speaker 2: the first Wednesday, and you have to be on at
• 17:17
  Speaker 2: eight am because that's when it goes.
• 17:19
  Speaker 1: Oh, you know the one they love to the second
• 17:21
  Speaker 1: one that they always love is the one with all
• 17:23
  Speaker 1: the Disney princesses.
• 17:24
  Speaker 8: If they were bitches.
• 17:25
  Speaker 4: Oh my god, everyone.
• 17:27
  Speaker 8: I love playing sleep and beauty. There's a bitch.
• 17:30
  Speaker 6: It's one of the few rooms we all get to
• 17:32
  Speaker 6: be in at the same time and were when they
• 17:35
  Speaker 6: cannot figure things out.
• 17:36
  Speaker 4: We are letting them have it.
• 17:38
  Speaker 5: And I love it. It's our check in during the day.
• 17:40
  Speaker 2: You're all doing different things than we converge at the
• 17:42
  Speaker 2: same exact time to be bitches for thirty minutes.
• 17:45
  Speaker 4: But we're always like snow white. They were like snow
• 17:47
  Speaker 4: not right, Yeah, play a little bit of it.
• 17:52
  Speaker 8: So this is the opening of the room.
• 17:54
  Speaker 1: When you walk into all the Disney Disney princesses, our
• 17:56
  Speaker 1: bitches room, you walk right in, and this is what
• 17:59
  Speaker 1: you expect your goal.
• 18:00
  Speaker 3: To find the key behind us.
• 18:04
  Speaker 5: Hi, I'm Merita, and you let grass.
• 18:08
  Speaker 4: You look Grass.
• 18:09
  Speaker 5: Good luck getting around in here.
• 18:11
  Speaker 3: Hi, it's me Cinderella. I'll tell you what shoe doesn't
• 18:15
  Speaker 3: fit all of them? You are hopeless.
• 18:20
  Speaker 6: Well, it's me Mulan and I could make a man
• 18:27
  Speaker 6: out of anyone, but you. I don't think you're gonna
• 18:30
  Speaker 6: even be man enough to get out of this room.
• 18:32
  Speaker 3: Whoa, it's basic beauty.
• 18:34
  Speaker 7: Wake me up, bitch, bitch, wake me up.
• 18:36
  Speaker 8: Quick turn around. Touch your toes. Turn around. I'm sick.
• 18:41
  Speaker 4: Hi, it's me Moana Hawaii. Are you even trying? You idiot?
• 18:46
  Speaker 7: You're stupid. You're stupid, and you're bad.
• 18:49
  Speaker 5: If you had the chance to change your fate, you
• 18:52
  Speaker 5: should take it.
• 18:53
  Speaker 8: Find the key. The key is Maroon.
• 18:57
  Speaker 7: Here's a hint. You're a bitch. I'm hot. You have
• 19:02
  Speaker 7: no idea what you're talking about.
• 19:05
  Speaker 6: I've taken down the entire empire, and what have you done?
• 19:09
  Speaker 6: I think just sit around and look sad.
• 19:12
  Speaker 5: I did either to hang out with my mom and
• 19:13
  Speaker 5: she's a bear.
• 19:15
  Speaker 4: What can I say? Besides you're FuG lead.
• 19:19
  Speaker 1: Here's a box of costumes. Put these in order of
• 19:23
  Speaker 1: prettiest to hottest. Then you will find the Maroon key.
• 19:27
  Speaker 4: So it's really fun because one of all of us
• 19:29
  Speaker 4: are roasting and that one of us is just giving
• 19:30
  Speaker 4: kind of NPC instructions.
• 19:34
  Speaker 1: It's awesome, right, And every once in a while, I'm like,
• 19:37
  Speaker 1: damn it, I got cassas the fucking instructions again.
• 19:39
  Speaker 5: Let's talk about hints. Yes, do you guys like giving
• 19:43
  Speaker 5: hints in escape rooms?
• 19:45
  Speaker 6: For me, it depends on the person.
• 19:48
  Speaker 4: So do you know what I mean?
• 19:51
  Speaker 6: If they're nice? And they earned it. Like, let's never
• 19:54
  Speaker 6: forget when Joe Josie.
• 19:55
  Speaker 4: Wa came in.
• 19:56
  Speaker 6: She needed a lot, she needed a lot of hints.
• 19:59
  Speaker 4: But she was so nice. She hits.
• 20:01
  Speaker 8: I don't like when they hit hint within first five minutes.
• 20:04
  Speaker 2: Yeah, yeah, something about that, because I actually think when
• 20:07
  Speaker 2: she came in for my room, because I was running
• 20:10
  Speaker 2: the Charles Manson room at that time.
• 20:14
  Speaker 4: And it's such a good room.
• 20:15
  Speaker 5: It's a great one.
• 20:16
  Speaker 8: Just visiting him in jail.
• 20:18
  Speaker 2: Just visiting Charles Manson in jail, you have thirty minutes
• 20:23
  Speaker 2: to walk out and not feel gross.
• 20:24
  Speaker 4: I can't believe you have to put on all the
• 20:26
  Speaker 4: tattoos he has.
• 20:27
  Speaker 5: You have to you become him. Is the weird thing.
• 20:30
  Speaker 8: I do want to say.
• 20:30
  Speaker 1: The best actors get cast in that room, So congrats,
• 20:33
  Speaker 1: you've been doing that room for a long time and
• 20:34
  Speaker 1: it's awesome.
• 20:35
  Speaker 2: But it was crazy just because Jojo was sitting in
• 20:37
  Speaker 2: there and it was just like a dog with a
• 20:39
  Speaker 2: dog button hand, ten tint.
• 20:40
  Speaker 5: She would even get in the room. Do you want
• 20:44
  Speaker 5: me to do all of this?
• 20:45
  Speaker 3: I would just not like to be alone with her thoughts,
• 20:47
  Speaker 3: And that's fine and go off, queen, But I know
• 20:53
  Speaker 3: that when I had her come into the uh the.
• 20:57
  Speaker 7: Sigmund Freud room.
• 20:59
  Speaker 4: Uh it is I was run away from the tiger.
• 21:04
  Speaker 4: I love that room. One of us dresses up like
• 21:06
  Speaker 4: a tiger and your Sigmund and you go run, run run.
• 21:11
  Speaker 4: They can escape the tiger for fifteen minutes. They get
• 21:13
  Speaker 4: a tiger's tail, which is a key with a tiger's
• 21:16
  Speaker 4: tail on it.
• 21:17
  Speaker 8: What I like about that room is it rains in there.
• 21:19
  Speaker 4: It rains. Also, that's not a part of the design.
• 21:23
  Speaker 5: Just to go back for a second, you use it correctly.
• 21:25
  Speaker 2: She told me earlier she wanted to use go off
• 21:27
  Speaker 2: queen today.
• 21:30
  Speaker 3: Thank you, because you know, I've always been sort of
• 21:33
  Speaker 3: a sensitive boy who's alone with my puzzles and tricks.
• 21:36
  Speaker 7: But I am I want to be better.
• 21:40
  Speaker 3: I want to be I know I'm not better than
• 21:44
  Speaker 3: the current slang.
• 21:45
  Speaker 7: So I want to learn and I want to grow.
• 21:47
  Speaker 7: So thank you for helving me.
• 21:48
  Speaker 8: Account you are growing, and I actually think we should
• 21:50
  Speaker 8: all go around. I would love to know like where
• 21:52
  Speaker 8: you like.
• 21:52
  Speaker 1: I know we're so busy all the time doing like
• 21:54
  Speaker 1: a thousand quick changes, but where you guys come from,
• 21:57
  Speaker 1: and like your upbringing and why you think that molded itself,
• 22:02
  Speaker 1: you escaperm acting.
• 22:05
  Speaker 6: I mean I can start, of course, go ahead, yeah,
• 22:08
  Speaker 6: well thank you. As you know, I was a street
• 22:11
  Speaker 6: urchin for a good fifteen years, yes.
• 22:14
  Speaker 4: And I really thought those didn't exist anymore, that term. No,
• 22:19
  Speaker 4: but you I am.
• 22:21
  Speaker 6: I am, yes, street urchin, and some people think street
• 22:24
  Speaker 6: urchins don't have that sort of lifespan for fifteen years.
• 22:28
  Speaker 6: You know, you kind of grow out of it, right
• 22:29
  Speaker 6: because urchins you think very small. But the lack of
• 22:32
  Speaker 6: milk kept me small for a very long time.
• 22:34
  Speaker 4: To be honest, I don't know what I would think
• 22:36
  Speaker 4: of street urchin. I would never think small, you would
• 22:39
  Speaker 4: think big. I don't know what I would think.
• 22:41
  Speaker 5: I mean, I don't think I'm thinking of size.
• 22:43
  Speaker 4: I think.
• 22:45
  Speaker 1: I'm thinking what is it?
• 22:48
  Speaker 4: It's Aladdin?
• 22:49
  Speaker 6: Yes, exactly exactly, And you could see I have trouble
• 22:54
  Speaker 6: in the Aladdin room because it feels very personal to me.
• 22:57
  Speaker 6: Yeah right, But I came to uh, you know, get
• 23:00
  Speaker 6: get out, get me three six five because I wanted
• 23:04
  Speaker 6: to work through my own upbringing. I wanted to, you know,
• 23:08
  Speaker 6: I've been trying to in some ways get out of
• 23:11
  Speaker 6: the street virigin lifetyle. My whole life, and now I
• 23:14
  Speaker 6: can help everyone else out and it is tough in
• 23:18
  Speaker 6: the Aladdin room for me. Yeah, as well as eighteen
• 23:21
  Speaker 6: hundreds on them.
• 23:24
  Speaker 1: Well, I say, you're really good with dialects. You're kind
• 23:26
  Speaker 1: of like our main dialogue.
• 23:32
  Speaker 6: That watch it, ma'am Is that a purse?
• 23:36
  Speaker 4: O the rful Dodger?
• 23:37
  Speaker 5: That's good, don't cry?
• 23:42
  Speaker 4: Watch ma'am? Is that a purse? The classic lines watch.
• 23:48
  Speaker 8: A person four different rooms?
• 23:50
  Speaker 3: Yes, and you're the only one who can do the
• 23:52
  Speaker 3: Iceland Room, the Escape Break, avic Room, Escape Break.
• 23:56
  Speaker 4: Yeah. Yeah, it's good to get old. So it's just like, oh,
• 24:02
  Speaker 4: it's very Transylvanian.
• 24:05
  Speaker 1: Oh you do the sim room simless.
• 24:08
  Speaker 6: Yes, yes, it's I think it was like it's gotta.
• 24:15
  Speaker 4: Key.
• 24:18
  Speaker 7: The Minions room.
• 24:19
  Speaker 4: Also, it's sightly, but it's it's.
• 24:26
  Speaker 11: Oh nucky and that's and that's really fun because you
• 24:34
  Speaker 11: give them a banana and they go, what is this?
• 24:36
  Speaker 6: They peel it. This is a bit of a spoiler.
• 24:39
  Speaker 6: They peel it and then inside the banana and you.
• 24:42
  Speaker 2: Know what's crazy is you actually also played Donnie in
• 24:44
  Speaker 2: the Wild Thornberry's.
• 24:44
  Speaker 4: Room, Yes, which is a little different too. Yes, and
• 24:50
  Speaker 4: he's the little boy the Little Wild Boy.
• 24:52
  Speaker 9: The millennials will remember that minim remember this.
• 24:57
  Speaker 6: I think it's been a long time.
• 25:00
  Speaker 5: What you're a little did it yesterday?
• 25:02
  Speaker 4: Okay? Great?
• 25:04
  Speaker 6: I think I think it's like he's like key.
• 25:13
  Speaker 8: And you do a really good vacuum sound.
• 25:19
  Speaker 3: They do the adults, from the Charlie Brown Christmas Special
• 25:23
  Speaker 3: from the Adults and from the Charlie CRD some special rooms.
• 25:26
  Speaker 4: Okay, great, I think that one.
• 25:28
  Speaker 6: It's like, oh.
• 25:35
  Speaker 4: Hi, I'm.
• 25:39
  Speaker 6: Stops a lot of work. It's a lot of work,
• 25:42
  Speaker 6: but I I really I appreciate the highlight.
• 25:45
  Speaker 4: You know.
• 25:45
  Speaker 2: It's why won't anyone tell me where is in one
• 25:49
  Speaker 2: of these rooms?
• 25:50
  Speaker 4: I don't know.
• 25:51
  Speaker 5: She's just a voice.
• 25:52
  Speaker 4: You just gotta find her her. I work here.
• 25:54
  Speaker 5: I don't even know what room she's.
• 25:56
  Speaker 3: She's like the room of requirement that comes to a
• 25:58
  Speaker 3: different person depending on your personality. Like for me, it
• 26:03
  Speaker 3: came in the Haunted Ghouls room. That's what it's in
• 26:10
  Speaker 3: the waiver. It's permission to bite? Do you want?
• 26:15
  Speaker 5: You want?
• 26:16
  Speaker 4: It's actually a phrase, do you believe it will stop?
• 26:21
  Speaker 4: It's the requirement if you believe it?
• 26:24
  Speaker 2: And then a little check do you believe you?
• 26:32
  Speaker 3: And if you take a picture of her, she goes
• 26:34
  Speaker 3: away and disappears from your memory.
• 26:36
  Speaker 7: It's like you never saw her.
• 26:37
  Speaker 4: It's like yeah, like men in Black style. Speaking of
• 26:42
  Speaker 4: one of my favorite Roomsmen in Black room the best
• 26:46
  Speaker 4: room I think I've ever been in. I love the
• 26:48
  Speaker 4: idea of you've got to save the planet in this
• 26:52
  Speaker 4: specific room, and dressing up everybody that comes into a
• 26:56
  Speaker 4: room in a beautiful black suit is so fun.
• 26:59
  Speaker 12: Well, let's talk about background. You come from a wardrobe background.
• 27:02
  Speaker 12: I come from a wardrobe background. I am wardrobe pilled, honey.
• 27:08
  Speaker 12: I love wardrobe. The idea of wardrobe just gets me going.
• 27:15
  Speaker 13: The idea your favorite thing about wardrobe, the drobe hours
• 27:23
  Speaker 13: about wardrobe, the idea of suits and pants and belts
• 27:27
  Speaker 13: and hats and things.
• 27:29
  Speaker 3: You tell us more about.
• 27:32
  Speaker 7: You get into it.
• 27:37
  Speaker 4: I couldn't. The suits and hats are just I want
• 27:40
  Speaker 4: to keep it lamen. The suits and hats are so
• 27:43
  Speaker 4: fun in wardrobe. My favorite trim, my favorite got of
• 27:46
  Speaker 4: drum is a short one and a frill. I love
• 27:50
  Speaker 4: a silly trim.
• 27:50
  Speaker 7: Do you prefer a French seam or a whipstick?
• 27:53
  Speaker 4: Oh, that's such a good question, because it's gotta be
• 27:55
  Speaker 4: going because it's wardrobe was wardrobe, it's wardrobe coated. Honey,
• 28:04
  Speaker 4: anything about in around wardrobe. I am obsessed.
• 28:08
  Speaker 1: Well that you have to own it, like because sometimes
• 28:10
  Speaker 1: you make the stuff, like in The Handmaid's Tale a room,
• 28:13
  Speaker 1: you made those those red d.
• 28:16
  Speaker 3: You're taking old nineteen sixties patterns from McCalls and.
• 28:21
  Speaker 4: You are thank you for my honey. Yes, I take
• 28:26
  Speaker 4: old patterns from the calls and I stick them together.
• 28:28
  Speaker 4: I find a red fabric anywhere I can your spot.
• 28:32
  Speaker 4: Go ahead.
• 28:33
  Speaker 5: You have this song that you built.
• 28:36
  Speaker 4: Yes, I built the song. You wrote a.
• 28:38
  Speaker 2: Song based on all of the things you need measured
• 28:40
  Speaker 2: on somebody y.
• 28:42
  Speaker 5: Yes, yes, please please.
• 28:43
  Speaker 8: When you come in for a fitting, we go. Here's
• 28:46
  Speaker 8: the song they built.
• 28:47
  Speaker 7: It's basically everything you know about wardrobe in a song.
• 28:50
  Speaker 14: Yes, it goes boom boom boom, head to the neck,
• 28:55
  Speaker 14: in scene to the out seam, arms, arms, suit, belly,
• 28:59
  Speaker 14: belly waste, belly, waist, belly waste, oh, belly, belly, bellyways,
• 29:06
  Speaker 14: belly ways, bellyways. Let's get your hips to the ground,
• 29:09
  Speaker 14: Let's get your belly to the ground. Let's get your
• 29:11
  Speaker 14: knee to the ground. Let's get your shint to the ground.
• 29:14
  Speaker 14: Let's get that foot, Let's get that fo let's get
• 29:18
  Speaker 14: that fun, let's get that out out.
• 29:22
  Speaker 10: No, we're doing all chest. We're doing just just chest.
• 29:26
  Speaker 10: We're doing all chest. We're doing chest. We're doing hand
• 29:31
  Speaker 10: to hand. We're doing hand hand. We're doing We're doing
• 29:36
  Speaker 10: it to the back, to the lower back, all the
• 29:39
  Speaker 10: way to the back.
• 29:40
  Speaker 4: To the back, to the lower back, a way to
• 29:43
  Speaker 4: the back. Now let's do one final one which is
• 29:46
  Speaker 4: the head to the toe. One final and now, honey,
• 29:53
  Speaker 4: you're ready to go. You built that song, so I
• 29:58
  Speaker 4: built that song.
• 29:58
  Speaker 12: Over years, we'll get uncomfortable how long you spend on
• 30:01
  Speaker 12: the belly.
• 30:02
  Speaker 4: But I think it's nice with the costumes that we have.
• 30:06
  Speaker 4: I mean, with the work.
• 30:07
  Speaker 3: You need a belly measurement that is separate from the
• 30:10
  Speaker 3: waist measurements, separate from the hips measurement.
• 30:12
  Speaker 4: I'm doing. I'm doing. The thing is that they think
• 30:14
  Speaker 4: it's just one measurement. I'm doing all belly to belly circumference. Yes,
• 30:21
  Speaker 4: right around the belly.
• 30:23
  Speaker 8: It's really good.
• 30:23
  Speaker 4: It's really thank you guys. And if you wanted to
• 30:26
  Speaker 4: keep talking about wardrobe, I could go on for hours.
• 30:30
  Speaker 1: I mean, listen, we got wardrobe. We have accents, and
• 30:32
  Speaker 1: don't get me star. She's the girl who loves.
• 30:38
  Speaker 4: Engine, the puzzles, who loves engine.
• 30:42
  Speaker 6: Yes, if there's anything that is moving with an engine,
• 30:46
  Speaker 6: any sort of mechanical situation, she is operating it.
• 30:50
  Speaker 4: She's built it. She ins and loves an engine room.
• 30:55
  Speaker 7: Well. Yes, so as a young as a young child.
• 30:58
  Speaker 3: I was addicted to puzzles, jigsaw puzzles, sort of mind teasers.
• 31:05
  Speaker 3: But then I got too good at them. So my
• 31:08
  Speaker 3: parents put me in front of their old jeep Wrangler
• 31:12
  Speaker 3: and I popped open the hood.
• 31:15
  Speaker 7: And what is underneath the hood but a puzzle? What
• 31:20
  Speaker 7: do all of these things do? What do all of
• 31:24
  Speaker 7: these wires do?
• 31:25
  Speaker 3: They tell us about combustion engine?
• 31:31
  Speaker 4: Please?
• 31:33
  Speaker 7: The combustion engine works like this, two, three, four.
• 31:42
  Speaker 1: I think she was just counting yourself in.
• 31:49
  Speaker 3: The oil thing goes in and you read it and
• 31:52
  Speaker 3: it tells you how much oil there is.
• 31:55
  Speaker 7: That's one.
• 31:56
  Speaker 3: The engine spins around and the pistons make the corbot
• 32:00
  Speaker 3: go broom.
• 32:00
  Speaker 7: That's two.
• 32:01
  Speaker 3: The oil reader is a different part of it, and
• 32:05
  Speaker 3: that's where you put the oil in.
• 32:07
  Speaker 7: That's three.
• 32:11
  Speaker 3: Coils that to control the air conditioning.
• 32:14
  Speaker 7: That's four. There's some coils that control the windel vipers.
• 32:18
  Speaker 7: That's fine.
• 32:21
  Speaker 3: There's a fire spring engine that makes the thing go.
• 32:25
  Speaker 4: That's six.
• 32:26
  Speaker 7: And what more should I keep going? I should not
• 32:29
  Speaker 7: bore you.
• 32:30
  Speaker 4: What more shall I keep going?
• 32:32
  Speaker 6: I really want to know if that was the song.
• 32:37
  Speaker 6: There's a bit of it's it's your normal patter of voice.
• 32:39
  Speaker 6: Whenever you try to get through a list is usually
• 32:41
  Speaker 6: you go through that nice little patter of one, two, three, four.
• 32:44
  Speaker 8: But you built so many things that you run so.
• 32:48
  Speaker 4: Many beautiful thing about engine. Sometimes you're designing the engine
• 32:51
  Speaker 4: for the room. And sometimes an engine can be a
• 32:53
  Speaker 4: man running around without highs.
• 32:56
  Speaker 7: Sometimes that can be an engine. And there is a
• 32:59
  Speaker 7: man who's sort of you know, I've.
• 33:02
  Speaker 3: Built him out of like those sort of I've reverse
• 33:04
  Speaker 3: engineered my own Boston robotics out of cogs and gears.
• 33:09
  Speaker 7: Sort of old school.
• 33:11
  Speaker 3: Uh, mechanical, it's all analog. I don't like this digital machine.
• 33:16
  Speaker 3: I don't like a computer. I want it to be mechanical.
• 33:19
  Speaker 2: Whenever you need you know, I will say I love
• 33:22
  Speaker 2: what you built. Those robot dogs cannot be deactivated, and
• 33:28
  Speaker 2: they have taken over a couple of the taken over
• 33:31
  Speaker 2: the lock nest room.
• 33:32
  Speaker 5: And that's kind of tough.
• 33:33
  Speaker 7: They run forever like a buck.
• 33:35
  Speaker 4: Yeah.
• 33:35
  Speaker 2: Yeah, and it's scary, like when we send people in,
• 33:37
  Speaker 2: we're not sure and we have to warn them. Hey,
• 33:39
  Speaker 2: these robot dogs, they might look like part of it,
• 33:41
  Speaker 2: they're actually.
• 33:42
  Speaker 5: Not part of it.
• 33:42
  Speaker 4: They ignore. This is not a meta game. These ignore
• 33:47
  Speaker 4: the robot dogs that seemingly are developing more and more.
• 33:50
  Speaker 6: It's one of the few times we actually promote violence
• 33:53
  Speaker 6: in our rooms because we say, if you could take
• 33:57
  Speaker 6: them down, please do.
• 33:58
  Speaker 5: At this point, the robot dogs are our lantern fly.
• 34:01
  Speaker 7: It's also really wish you wouldn't. I really wish you
• 34:04
  Speaker 7: wouldn't kick the.
• 34:06
  Speaker 8: Robot Sorry, but we have to.
• 34:08
  Speaker 7: I mean, I know they've gone rogue. But I can
• 34:10
  Speaker 7: fix them. I can fix them. I just need a
• 34:12
  Speaker 7: couple more days in the lab and.
• 34:14
  Speaker 4: I'll fix them ever time you can fix me.
• 34:18
  Speaker 8: I'm too full and you always did a lot of
• 34:20
  Speaker 8: the lab.
• 34:21
  Speaker 7: Oh you always ask me after lunch and I can't.
• 34:25
  Speaker 7: It's heavy. It's heavy food. It's heavy food.
• 34:27
  Speaker 4: We get it.
• 34:28
  Speaker 1: Stop going to Pikino Moss every year, Izio Moss.
• 34:34
  Speaker 7: I love it. I'm addicted to it.
• 34:37
  Speaker 3: I'm addicted to it, and I know it sits in
• 34:39
  Speaker 3: your stomach, but I need it.
• 34:44
  Speaker 5: Stop. There's a Patreon you need to get into. It's
• 34:47
  Speaker 5: the artist That, Artists That, Artists and artist Patreon.
• 34:50
  Speaker 7: Drop whatever you're holding, run to your computer.
• 34:53
  Speaker 3: The Patreon is full of bonus post show activities we've done.
• 34:58
  Speaker 3: We've done the Oscar draft after where we pick our
• 35:01
  Speaker 3: picks for best picture and we go up against each
• 35:03
  Speaker 3: other and we fight like a war. So drop the
• 35:06
  Speaker 3: thing in your hands, Halt.
• 35:08
  Speaker 5: Do not proceed.
• 35:09
  Speaker 3: Proceed immediately to your laptop and sign up for the
• 35:13
  Speaker 3: Artists on Artists on Artists Patron on Patreon on Patron.
• 35:19
  Speaker 7: I just need a couple more days in the lab, please.
• 35:22
  Speaker 4: Well, last time you took a couple of days in
• 35:23
  Speaker 4: the lab, you gave him ears and arms. Yes, you're just.
• 35:26
  Speaker 6: Making them, and does not forget we had an incident.
• 35:29
  Speaker 6: Was it Julia who one of the Boston Dogs attacked?
• 35:32
  Speaker 4: Yes, yeah, Julia Garner.
• 35:34
  Speaker 5: Julia Garner on her big debut back. She came back
• 35:38
  Speaker 5: to do a very special one night.
• 35:40
  Speaker 6: It was nice, kind of like a Neil Patrick Harris
• 35:42
  Speaker 6: kind of.
• 35:44
  Speaker 4: Room. One of my least favorite rooms.
• 35:48
  Speaker 8: What am I gonna sign that room.
• 35:49
  Speaker 4: I go.
• 35:50
  Speaker 8: I feel like I have COVID, you sniff it, I
• 35:55
  Speaker 8: have cold.
• 35:56
  Speaker 5: My kid is just really unbearable. You're right.
• 35:59
  Speaker 2: I mean it's the only eleven year old we hire,
• 36:01
  Speaker 2: and it's like we have to teach him.
• 36:02
  Speaker 8: To and he's got to go to school, have today.
• 36:04
  Speaker 4: Yes, and he is just such a beaver, stupid, such.
• 36:08
  Speaker 3: A But I'd love for you both to talk about
• 36:11
  Speaker 3: your background, so I know, I don't want anyone to
• 36:13
  Speaker 3: be shy, but someone knows a lot about the human circulatory.
• 36:18
  Speaker 2: Yeah, yes, well that's going to go ahead and be
• 36:24
  Speaker 2: both of us.
• 36:26
  Speaker 5: We're a best friend doctor duo.
• 36:32
  Speaker 1: And you can't throw a penny in it, not land.
• 36:34
  Speaker 1: We want my best friend doctor.
• 36:37
  Speaker 2: We went to medical school together and we realized we
• 36:39
  Speaker 2: love medical school.
• 36:40
  Speaker 5: We love each other. Un let's just continue to progress together.
• 36:44
  Speaker 8: And then I think it was what was it?
• 36:45
  Speaker 1: It was when we were in med school they hire
• 36:47
  Speaker 1: actors to interact with so you could learn how to
• 36:50
  Speaker 1: talk to patients, and we got addicted. We got we
• 36:54
  Speaker 1: were like, it's play, it's it's fun. And that's when
• 36:59
  Speaker 1: we started looking into acting things, and that's when we
• 37:01
  Speaker 1: fell into escape rooms.
• 37:03
  Speaker 5: Your version of the plague was so good when you
• 37:06
  Speaker 5: did the plague.
• 37:07
  Speaker 8: Oh, the plague. Yeah, do it tell someone they have
• 37:10
  Speaker 8: the plague you.
• 37:12
  Speaker 4: Had when someone had to diagnose you with the plague.
• 37:14
  Speaker 5: Yeah, yeah, yeah, yeah, you know the plague. That's literally
• 37:22
  Speaker 5: the I didn't know it changed your voice like that.
• 37:24
  Speaker 1: Well yeah, and that's how we like fell in because
• 37:26
  Speaker 1: it was like, no, we don't like scripts. We like
• 37:28
  Speaker 1: sounds and weird cops and like we like that, we
• 37:30
  Speaker 1: like ton of jumps.
• 37:32
  Speaker 4: Enough of your past. Tell us about the human circulatory system.
• 37:36
  Speaker 3: Stop being humble and tell us about the human circular Don't.
• 37:40
  Speaker 6: Think we didn't see that. You guys were the top
• 37:42
  Speaker 6: of your class. We saw your certificates in your lockers.
• 37:44
  Speaker 3: O grass Tyson went to your best friend houses and said,
• 37:49
  Speaker 3: I don't know as much as you guys.
• 37:51
  Speaker 7: Can you please tell me about more of this overt
• 37:54
  Speaker 7: a duet?
• 37:54
  Speaker 5: Shall do it?
• 37:55
  Speaker 4: Let's do it?
• 37:56
  Speaker 5: So? So what does it begin? The heart?
• 38:00
  Speaker 4: Where does it begin the heart?
• 38:02
  Speaker 8: Where does it begin?
• 38:03
  Speaker 4: The bottom?
• 38:04
  Speaker 8: Where does it begin the bottom?
• 38:06
  Speaker 2: The top, the bottom, the top, the bottom, the top,
• 38:10
  Speaker 2: the bottom.
• 38:11
  Speaker 5: Here comes the blood. Let it stream, Let's.
• 38:14
  Speaker 1: Stream, let's stream, let its stream.
• 38:20
  Speaker 8: He is the large intestines. Baby, let the stuff.
• 38:24
  Speaker 4: Let dream.
• 38:29
  Speaker 2: I'm in the fingers, I'm in the toes, I'm in
• 38:33
  Speaker 2: the brain.
• 38:35
  Speaker 4: Here I goes, I'm in running around.
• 38:38
  Speaker 8: Staking them system. You're the top.
• 38:43
  Speaker 4: You're the top.
• 38:52
  Speaker 5: And watch we get to this part. We really got
• 38:55
  Speaker 5: this part. You're the top.
• 38:59
  Speaker 4: You're the eye cabruaries.
• 39:01
  Speaker 7: You're the top.
• 39:02
  Speaker 2: You are my mom's Menacey, You're the fingernails and the
• 39:07
  Speaker 2: toenails and the hairs.
• 39:09
  Speaker 4: You're the blood moving down. You're the simpilar town.
• 39:12
  Speaker 8: Your fred as there, your Freda stairs.
• 39:18
  Speaker 4: Interesting. That was amazing. Thank you so much.
• 39:21
  Speaker 7: Your sons have a lot in common talking about the
• 39:24
  Speaker 7: bottom and the top.
• 39:25
  Speaker 4: Who knew that wardrobe and the circulatory system had so
• 39:29
  Speaker 4: much in common. It's so interesting.
• 39:30
  Speaker 6: And that's what's so beautiful, you know, beautiful that like
• 39:34
  Speaker 6: every we have three hundred and sixty five different rooms.
• 39:37
  Speaker 6: You think together, you think they're so different, right, what
• 39:40
  Speaker 6: is no.
• 39:42
  Speaker 4: Have a core? Well, let's get out. Let's talk about
• 39:45
  Speaker 4: a couple of the different You know, you're painting the room,
• 39:49
  Speaker 4: but at the bones of the room is a you know,
• 39:52
  Speaker 4: a system that we've worked at. We usually have five
• 39:54
  Speaker 4: or six different systems. It's a man that can't see you,
• 39:58
  Speaker 4: but is scary. Yeah, yes, running a around. One of
• 40:01
  Speaker 4: your friends is tied up and you have to free them.
• 40:04
  Speaker 8: Find the key. It's there, find the key.
• 40:07
  Speaker 2: It's not that we have scary thing you don't want
• 40:10
  Speaker 2: to get released and they don't want to get And
• 40:12
  Speaker 2: then you do have a scary thing that you're kind
• 40:14
  Speaker 2: of excited if it is really you want to.
• 40:16
  Speaker 7: Really gentlemen with a dire warning.
• 40:20
  Speaker 2: Yes, yes, And then you know honorable mentioned naughty best
• 40:23
  Speaker 2: friend who's going to get you into trouble.
• 40:25
  Speaker 1: And then we have the other ones that I think
• 40:27
  Speaker 1: came out of the pandemic, which we're just like this
• 40:29
  Speaker 1: room has an extra door with another room, and sometimes
• 40:33
  Speaker 1: I feel like those are just like kind of rooms.
• 40:35
  Speaker 8: Right, This room has an extra door with another room, And.
• 40:38
  Speaker 6: That's good because you know, sometimes people see a door
• 40:40
  Speaker 6: and they think this is something, and I think it's
• 40:42
  Speaker 6: important to teach people a lesson, right that not every
• 40:45
  Speaker 6: door is an opportunity.
• 40:46
  Speaker 10: Wow.
• 40:47
  Speaker 7: Yes, and this is interesting.
• 40:49
  Speaker 3: Should we talk about the different kinds of people who
• 40:53
  Speaker 3: come into an escape because there are different styles of
• 40:58
  Speaker 3: of of attacking an escape room problem. You know, sometimes
• 41:02
  Speaker 3: people don't know each other well very well. Sometimes it's
• 41:05
  Speaker 3: a coworkers happy hours.
• 41:06
  Speaker 10: I deal.
• 41:06
  Speaker 7: Sometimes it's a birthday party. Some people are more into
• 41:09
  Speaker 7: it than others.
• 41:10
  Speaker 8: Raise your hand if you've seen a break up. What
• 41:13
  Speaker 8: room was it in?
• 41:14
  Speaker 4: Break Scape rooms? Awful? Break scape rooms? That is brutal
• 41:19
  Speaker 4: escape rooms.
• 41:20
  Speaker 6: I sat in the Tony Hawk room. Absolutely brutal.
• 41:24
  Speaker 7: It's just and you do the Tony Hawk dialect, right.
• 41:28
  Speaker 6: Yeah, yeah, I do the Tony Hawk dial here and
• 41:35
  Speaker 6: I have that room, and it's.
• 41:36
  Speaker 4: Led to so many breakups because one of the partners
• 41:39
  Speaker 4: has to all the over the other partner to pass it.
• 41:41
  Speaker 6: And then you know, you can get a serious facial
• 41:44
  Speaker 6: injury if the ALI isn't successful. And it's tough because
• 41:47
  Speaker 6: I'm there heckling them, Famous Tony, He's not how Tony
• 41:51
  Speaker 6: has always.
• 41:54
  Speaker 1: One of the room is about pushing each other. Yeah,
• 41:56
  Speaker 1: and I don't think that lends itself for a bonding.
• 41:59
  Speaker 1: It's always somebody pushing their partner and you're like, oh,
• 42:01
  Speaker 1: they're going to get into a fight.
• 42:03
  Speaker 5: Yeah. I saw a breakup in the Sperm Bank room
• 42:06
  Speaker 5: and that was that was tough.
• 42:09
  Speaker 8: Was that just like real and ground?
• 42:11
  Speaker 5: So it was kind of heartbreaking, and well, so the
• 42:18
  Speaker 5: the husband said, what are we doing?
• 42:21
  Speaker 2: And my wife said, we're trying to we're trying to
• 42:26
  Speaker 2: get this the right sperm to make the right baby.
• 42:29
  Speaker 2: And he said, why did you make me do this?
• 42:31
  Speaker 2: And she said, don't you see what I've been trying
• 42:33
  Speaker 2: to do. And then it became this whole thing where yeah,
• 42:37
  Speaker 2: the whole booking was a stunt for her, and it
• 42:40
  Speaker 2: was this whole n he was trying to prove that, like,
• 42:42
  Speaker 2: if we can do this, we can do that. It
• 42:44
  Speaker 2: was heartbreaking and I'm standing there in a giant sperm outfit.
• 42:48
  Speaker 2: I'm ready to be released.
• 42:49
  Speaker 5: Out of a big bar.
• 42:51
  Speaker 8: Gorgeous.
• 42:52
  Speaker 4: It's amazing. Thank you so much. The way the tail
• 42:56
  Speaker 4: moves on a tone, I know that's your work, talking
• 42:57
  Speaker 4: about wardrobe across.
• 43:01
  Speaker 6: We I think we spent we spent some time practicing
• 43:04
  Speaker 6: this make make the sperm noises that I.
• 43:08
  Speaker 5: You forced me to do.
• 43:17
  Speaker 4: Really, it's awful. It's awful, but it is accurate, accurate.
• 43:21
  Speaker 3: It's almost like, well, I mean, I'm sure you know,
• 43:24
  Speaker 3: based on your knowledge of the circulatory system what a
• 43:26
  Speaker 3: sperm like moves and sounds like, but it also sounds
• 43:28
  Speaker 3: vaguely like the Jaws, the which.
• 43:31
  Speaker 4: I appreciate because it's swimming at you.
• 43:34
  Speaker 8: I saw a breakup, sorry for I saw a breakup
• 43:37
  Speaker 8: in the Pepsi.
• 43:38
  Speaker 5: Room machine which is machine, it's actually outside of.
• 43:47
  Speaker 7: That's in our break John and Emily, I think.
• 43:52
  Speaker 1: And it came out of something beautiful where we lost power, right,
• 43:56
  Speaker 1: and we had this bachelor head group come, bachelorette party come,
• 43:59
  Speaker 1: and they were drunk as skunks, and we were like,
• 44:02
  Speaker 1: what do we do with them?
• 44:02
  Speaker 5: What do we do with them?
• 44:03
  Speaker 8: What do we do with them? Powers off?
• 44:04
  Speaker 1: And we can only we're only in the breakroom. We
• 44:06
  Speaker 1: shoved them in the break and so is the Pepsi room.
• 44:09
  Speaker 5: And it was you have an hour to try to
• 44:11
  Speaker 5: get Pepsi out of this. The power the power is it?
• 44:16
  Speaker 9: Yeah?
• 44:16
  Speaker 4: And there is a key, There is a key.
• 44:21
  Speaker 8: And then since then we've added some creative touches.
• 44:24
  Speaker 5: Breakup in the breakroom.
• 44:24
  Speaker 1: Yeah, I saw breakup in the pe right coworkers right, Yeah,
• 44:28
  Speaker 1: they were back there. He said he was emotionally cheating
• 44:35
  Speaker 1: somebody on on Instagram.
• 44:39
  Speaker 5: That's what that place is all about.
• 44:40
  Speaker 8: Yeah, And what by that?
• 44:44
  Speaker 5: Emotionally cheating Instagram is all about emotional cheating.
• 44:47
  Speaker 7: Are you emotionally cheating on Instagram?
• 44:49
  Speaker 3: No?
• 44:49
  Speaker 2: I just feel like people are trying to come to
• 44:51
  Speaker 2: me to emotionally cheat on their partners with me on
• 44:52
  Speaker 2: Instagram messages.
• 44:54
  Speaker 8: Sometimes I see a dump with more than ten photos
• 44:56
  Speaker 8: and I go emotionally changing.
• 44:57
  Speaker 5: Your emotionally cheating? Was your three thousand followers?
• 44:59
  Speaker 8: Literally, this seems like a photo album.
• 45:02
  Speaker 4: You're getting intimacy from this? Oh another story, Yeah, let's
• 45:05
  Speaker 4: hear it. Emotionally cheating. You tell this story to your
• 45:08
  Speaker 4: husband exactly your.
• 45:10
  Speaker 3: You're inviting me to subscribe to your channel, your broadcast channel.
• 45:14
  Speaker 7: Emotionally cheating notifications.
• 45:17
  Speaker 6: Yeah, it's crazy. I'm like, that's that's bedtime talk, that's
• 45:19
  Speaker 6: pillow talk. That's not subscribed.
• 45:21
  Speaker 4: This is crazy.
• 45:22
  Speaker 5: Save that for your husband exactly that four year or.
• 45:26
  Speaker 8: When you when you comment publicly, but it goes straight
• 45:28
  Speaker 8: to a d M.
• 45:29
  Speaker 4: Yeah, it's emotional. Literally, what can I say besides you're
• 45:34
  Speaker 4: fugly doing that you love wardrobe in her wardrobe, you
• 45:42
  Speaker 4: cannot get out of it. Let me tell you.
• 45:45
  Speaker 8: I saw people.
• 45:46
  Speaker 3: I saw a breakup, but I saw a mother and
• 45:50
  Speaker 3: daughter and goo no contact with each other in the
• 45:54
  Speaker 3: I love Lucy Candy Factory.
• 45:57
  Speaker 4: That's too much candy, you too, And it's.
• 46:01
  Speaker 3: A great place for you know, an incredible female comedian.
• 46:05
  Speaker 3: You would think that mothers and daughters they want to
• 46:08
  Speaker 3: go there because they want to experience it. But it's
• 46:10
  Speaker 3: a bad place. It's too much candy. The mother blames
• 46:13
  Speaker 3: the daughter, the daughter blames the mother. You want you're
• 46:16
  Speaker 3: nothing like me, you're everything like me.
• 46:18
  Speaker 7: It's all coming out of the escape room.
• 46:21
  Speaker 5: I mean for a mother and a daughter to go
• 46:23
  Speaker 5: into an eating room and to.
• 46:32
  Speaker 7: Mothers and daughters should meet together.
• 46:34
  Speaker 4: They should.
• 46:36
  Speaker 1: Take Instagram is emotional cheating and mothers and daughters should
• 46:40
  Speaker 1: eat together.
• 46:42
  Speaker 8: You learn so much from escape rooms.
• 46:43
  Speaker 1: We see humans, We see humans and the highest stakes
• 46:47
  Speaker 1: when it's also the steaks don't mean anything.
• 46:49
  Speaker 2: Let's talk about holidays too, where they're three or sixty
• 46:51
  Speaker 2: five days of the year, right. I go home for Christmas.
• 46:53
  Speaker 2: I don't go home for any other holidays. I'm their
• 46:55
  Speaker 2: Christmas and their New Year's. I'm their Thanksgiving. Yes, and
• 46:58
  Speaker 2: we don't want to no, I don't.
• 46:59
  Speaker 5: Want we go to the Christmas room. We have our
• 47:02
  Speaker 5: own little Christmas celes.
• 47:04
  Speaker 3: But what's sad about the Christmas room is once you
• 47:06
  Speaker 3: figure it out, you're out of the Christmas room, and
• 47:08
  Speaker 3: then you can't hang out with everybody.
• 47:09
  Speaker 2: Yeah, yeah, you finished the puzzle, so se people kind
• 47:13
  Speaker 2: of slowly opening their presence because they know they around.
• 47:18
  Speaker 4: The code. The locked boxes is in a present.
• 47:21
  Speaker 1: But no, for holidays, we all are always together and
• 47:24
  Speaker 1: I and I love our breakroom has become just kind
• 47:26
  Speaker 1: of like a living room in a space where we gather.
• 47:29
  Speaker 8: I really do adore you guys.
• 47:30
  Speaker 5: Shoes off in the breakroom.
• 47:37
  Speaker 1: They broke shoes off in the breakroom because we're just
• 47:40
  Speaker 1: running around in our socks all over the place.
• 47:43
  Speaker 8: And I love it.
• 47:47
  Speaker 5: But we get some weird clientele on Christmas too.
• 47:49
  Speaker 4: We do.
• 47:49
  Speaker 6: We get general yes, I mean any day, any day
• 47:53
  Speaker 6: of the year, we're getting weird clientele, but Christmas especially,
• 47:57
  Speaker 6: we get a lot.
• 47:58
  Speaker 7: Of new step family on Christmas where it's like, let's.
• 48:02
  Speaker 4: Get to know how angry Stepdaddy will be. Actually yeah.
• 48:07
  Speaker 8: Or we do get some celebrity sightings because we're the
• 48:10
  Speaker 8: biggest of the escape.
• 48:11
  Speaker 6: Well and it's it's they know they're not necessarily going
• 48:14
  Speaker 6: to run into as many people.
• 48:16
  Speaker 8: I mean Michelle Obama, Oh she did the Charlie Manson
• 48:21
  Speaker 8: and she could not do it.
• 48:25
  Speaker 3: But that was that was and it was heartbreaking because
• 48:28
  Speaker 3: the Secret Service guys you could tell had figured it
• 48:31
  Speaker 3: out and they put her hands without actually did you see.
• 48:36
  Speaker 5: That once you can service guy that was like behind
• 48:38
  Speaker 5: her pulling in her dress.
• 48:41
  Speaker 3: She was and he's like, I fell for him because
• 48:45
  Speaker 3: I'm like, bro has an idea and.
• 48:48
  Speaker 8: There's nothing.
• 48:51
  Speaker 4: Very much.
• 48:52
  Speaker 1: Your dress is a sperm with your only your socks
• 48:55
  Speaker 1: on and you're looking at a guy and he's like,
• 48:56
  Speaker 1: you're so stupid.
• 48:57
  Speaker 8: I figured this out the second I saw.
• 48:59
  Speaker 4: So it's hard to literally escape rooms. Those FBI, they.
• 49:03
  Speaker 5: Literally are don't take stupit service to take.
• 49:08
  Speaker 4: Escape room, especially if they're not going to help.
• 49:09
  Speaker 8: You, and they always ask for.
• 49:15
  Speaker 4: You don't get it.
• 49:16
  Speaker 2: They literally go I saw this on TikTok. I'm entitled to.
• 49:20
  Speaker 2: Because there's that one person that goes like, tell Caroline
• 49:23
  Speaker 2: sent you. Yes, take Caroline sent you.
• 49:26
  Speaker 5: You're allowed to. There's some TikTok you are entitled to.
• 49:29
  Speaker 4: As I'm getting.
• 49:33
  Speaker 6: Like I've gotten lawsuits, I'm getting I'm getting like you
• 49:36
  Speaker 6: know when you're you're getting so angry when you I'm
• 49:38
  Speaker 6: getting getting bit I'm just like back when we used
• 49:44
  Speaker 6: to bite. I just feel that again.
• 49:46
  Speaker 7: Oh my god, it's like I remember. You're giving the
• 49:50
  Speaker 7: vibe of when you were in that Hannibal elector room.
• 49:52
  Speaker 4: Oh yes, the Hannibal one always lies. I love that room.
• 50:03
  Speaker 4: We would do that together.
• 50:05
  Speaker 6: We would do that together. Yeah, Yeah, let's let's just
• 50:09
  Speaker 6: do a quick.
• 50:12
  Speaker 4: Yeah, the key is behind my mask. I don't know, man,
• 50:23
  Speaker 4: maybe the key's not there. And that's the kind of
• 50:26
  Speaker 4: stuff we would be doing. Which one.
• 50:32
  Speaker 8: I'm breaking up with my partner in that room.
• 50:35
  Speaker 10: Wait?
• 50:36
  Speaker 5: Can we talk about super fans a little bit?
• 50:39
  Speaker 2: The people that come and it's like they you find
• 50:41
  Speaker 2: out that they've done this room twenty five times where
• 50:43
  Speaker 2: they want to see you dresses a carying.
• 50:46
  Speaker 8: They want to beat their time.
• 50:47
  Speaker 4: Yes, there's just online forum that has all the time
• 50:51
  Speaker 4: intervals and we have a little board for who does
• 50:53
  Speaker 4: it the fastest. And now they're trying to speed run
• 50:56
  Speaker 4: three sixty five.
• 50:57
  Speaker 3: Yes, and we have an industry for them, a shorthand
• 51:01
  Speaker 3: to give each other heads up if one of them
• 51:03
  Speaker 3: is coming in the room, we call a locksmiths.
• 51:05
  Speaker 4: You got a pack of locksmith's coming in, you're gonna
• 51:07
  Speaker 4: want to, and they just find these hacks. They find
• 51:11
  Speaker 4: these glitches and they hack. Sometimes one of them I
• 51:13
  Speaker 4: saw went through a door without opening the black Flip
• 51:21
  Speaker 4: and went through the door without opening, was.
• 51:23
  Speaker 5: Stuck for five days in the cross space.
• 51:25
  Speaker 6: Because she liked it, I think she And and let's
• 51:29
  Speaker 6: not forget you know, we know we know that the
• 51:32
  Speaker 6: Mermaid Room and the Locked Nest Room have an underwater tunnel,
• 51:36
  Speaker 6: but that's just for us.
• 51:38
  Speaker 5: For the divers.
• 51:38
  Speaker 6: And then when you're when you're running the three sixty
• 51:42
  Speaker 6: five challenge, which is you try to complete all three
• 51:44
  Speaker 6: hundred and sixty five rooms in one day. You know
• 51:48
  Speaker 6: we have that numbered right, you have to go one
• 51:51
  Speaker 6: through three sixty five. Yes, But of course you know
• 51:54
  Speaker 6: there's that one guy. He's always he's in those reddit forums.
• 51:58
  Speaker 6: He not only did he figure out out that we
• 52:00
  Speaker 6: have that tunnel, he's not posted about it. People are
• 52:03
  Speaker 6: getting in the Mermaid tank all day and so.
• 52:06
  Speaker 4: Because it also leads to our escape room, save those
• 52:09
  Speaker 4: tys that's Ty soccer team from the cave. Yeah, the cave,
• 52:13
  Speaker 4: and so they're now cave diving crazy to save those
• 52:17
  Speaker 4: tie boys. They go into those rooms. They're knocking us
• 52:19
  Speaker 4: out we're playing the tiboys.
• 52:21
  Speaker 5: Well that's actually the miners.
• 52:23
  Speaker 4: We got really into caves and we were like, what's
• 52:26
  Speaker 4: bigger than that? Escape?
• 52:28
  Speaker 8: Really and do that with an allen On room in
• 52:30
  Speaker 8: the middle, and that's a game.
• 52:33
  Speaker 4: You can hear them underneath you while you're in the
• 52:35
  Speaker 4: alan On the yelling stay with me.
• 52:37
  Speaker 1: Yeah, And you're in the room carrying your friend up
• 52:40
  Speaker 1: a ladder. It's like it's a it's an emotional day.
• 52:43
  Speaker 1: And that's why you need fun rooms, right, you need
• 52:45
  Speaker 1: the Margaret Thatcher Funhouse room.
• 52:49
  Speaker 4: The thing is more fun than Margaret Thatcher's fun house.
• 52:55
  Speaker 3: Can we do a greeting from the Margaret Thatcher Funhouse
• 52:58
  Speaker 3: room where we all play Margaret Thatcher.
• 53:00
  Speaker 8: Yes, let's a balot cleanser.
• 53:02
  Speaker 5: If you will, welcome to my fun house.
• 53:07
  Speaker 3: Oh. I believe I shouldn't feed the poor, but maybe
• 53:14
  Speaker 3: I'll feed you an idea.
• 53:16
  Speaker 7: Get lost.
• 53:19
  Speaker 6: Go ahead, and on your way out of this wonderful
• 53:23
  Speaker 6: fun fun room, make sure to wipe your feet on
• 53:27
  Speaker 6: the mat.
• 53:30
  Speaker 4: Unions. Who needs a union when you've got all the
• 53:34
  Speaker 4: money in the world hidden somewhere in my pockets before you?
• 53:39
  Speaker 1: One is a policy, another a prime minister, and the
• 53:42
  Speaker 1: third a key pick one to open the door.
• 53:46
  Speaker 4: Gosh, can we talk about this? How the Scottish and
• 53:48
  Speaker 4: Irish hate that. Well, let's really quick talk about violence.
• 53:56
  Speaker 7: Let's thank you talk about violence.
• 53:59
  Speaker 4: You guys just do not touch the actors in the
• 54:03
  Speaker 4: escape room. We are not meant to be punched, hit, fought, kissed, sucked,
• 54:09
  Speaker 4: fucked anything.
• 54:10
  Speaker 8: I get grabbed, as Margaret Thatcher once a week.
• 54:13
  Speaker 6: Oh look, I will say some of the rooms do
• 54:17
  Speaker 6: have mixed messaging. But you just play to the top
• 54:20
  Speaker 6: of your intelligence. Obviously, in the John Wilks assassination booth room,
• 54:25
  Speaker 6: you have to you have to do. You have to
• 54:29
  Speaker 6: shoot Abramco. The guns obviously not loaded. Yes, don't bring
• 54:33
  Speaker 6: your own gun.
• 54:33
  Speaker 4: Don't bring your own gun.
• 54:35
  Speaker 7: Play to the top of your top.
• 54:38
  Speaker 5: Guys.
• 54:38
  Speaker 2: Listen, I understand the Katy Perry Tens dream room. It
• 54:42
  Speaker 2: feels like you're about to lose your virginity.
• 54:43
  Speaker 5: Yes, I know that.
• 54:45
  Speaker 4: That's because that's part of the riddle. That's part of
• 54:47
  Speaker 4: the riddle.
• 54:47
  Speaker 2: Do that you can't escape unless you lose your virginity.
• 54:50
  Speaker 2: We understand that, but we just play in the top
• 54:53
  Speaker 2: of your intelligence. I am forty one years old, I'm
• 54:57
  Speaker 2: dressed as a teenage girl. I'm not going to be
• 54:59
  Speaker 2: having sex with you. Think about it.
• 55:03
  Speaker 7: Go into the Alice in Wonderland room.
• 55:05
  Speaker 3: Don't take the pills that are LSD that Lewis Carroll
• 55:10
  Speaker 3: was on when he wrote them. We're not going to
• 55:12
  Speaker 3: give you LSD. They're placebos. Don't pretending like you said.
• 55:17
  Speaker 4: If you're going into the Alice in Wonderland room expecting LSD,
• 55:21
  Speaker 4: already get out.
• 55:22
  Speaker 7: Of here cheaper than an escape room. Go find it.
• 55:28
  Speaker 8: Puzzle room. Don't put the hair dryer in the bathtub.
• 55:31
  Speaker 4: Don'tom is hard.
• 55:35
  Speaker 5: I understand.
• 55:37
  Speaker 4: Seems like we've set up the room that the only
• 55:40
  Speaker 4: answer is to put the hair dryer in the Bathtom can.
• 55:44
  Speaker 2: Be clear as day when you get in there. It's
• 55:46
  Speaker 2: gonna sound like nonsense right now. It sounds like the
• 55:48
  Speaker 2: zombie man apozzle rooms. Don't put the hair dryer in
• 55:51
  Speaker 2: the bathroom.
• 55:51
  Speaker 7: You're gonna want to. There's gonna be the only way out.
• 56:00
  Speaker 4: What else am I going to do in this puzzle room?
• 56:07
  Speaker 4: Hair dry.
• 56:09
  Speaker 7: It's gonna see this is the only out.
• 56:15
  Speaker 14: It's not.
• 56:17
  Speaker 1: Okay, let's let's really quickly. I think we have I
• 56:19
  Speaker 1: think we've done maybe one hundred rooms. Let's say the
• 56:21
  Speaker 1: others really fast.
• 56:22
  Speaker 4: Let's go. Let's Robin's our favorite favorite and least favorite rooms. Okay, okay,
• 56:27
  Speaker 4: these are all our escape rooms at let Me Out
• 56:30
  Speaker 4: three sixty five.
• 56:32
  Speaker 7: Red Robin Back of House Escape.
• 56:34
  Speaker 5: Room, Robin Hood's Revenge Escape Room.
• 56:39
  Speaker 1: Ah uh oh, I'm pregnant with triplets Escape room.
• 56:44
  Speaker 4: Popeye ate too much spinach and it's too strong escape room.
• 56:48
  Speaker 6: The Yosemite National Forest Room that is.
• 56:52
  Speaker 4: Beautiful and expansive and people get lost there all the time.
• 56:56
  Speaker 3: Extensive orthodontia escape room. Judge do you need and which
• 57:00
  Speaker 3: could you probably figure out?
• 57:02
  Speaker 7: After puberty?
• 57:03
  Speaker 5: Wall of Sound The phil Spector Motown escape.
• 57:06
  Speaker 4: Room that would scary. What's beautiful? You're making the Beatles
• 57:14
  Speaker 4: songs while also try to escape an original soundtrack by
• 57:18
  Speaker 4: the Rawnettes.
• 57:19
  Speaker 7: Such a beautiful guy, We got the rel.
• 57:24
  Speaker 8: The Aritzia Dressing Room room.
• 57:27
  Speaker 1: The meanest girl you've ever talked to wants to find
• 57:30
  Speaker 1: a pair of trousers for you.
• 57:31
  Speaker 4: The key is your wallet, d m v oh, your
• 57:36
  Speaker 4: car got towed? Escape room.
• 57:39
  Speaker 6: The Malaysia Flight three three fives Elijah Flight three five
• 57:43
  Speaker 6: seven room that's not the flight that got lost.
• 57:51
  Speaker 5: Get this average flight.
• 57:53
  Speaker 3: You get through this, you are Sharer's social media team
• 57:57
  Speaker 3: escape room. She has promised something to a fan who lives.
• 58:01
  Speaker 7: Very far away. You don't know their email, and she
• 58:05
  Speaker 7: doesn't know yours.
• 58:09
  Speaker 8: My favorite my birthday every year.
• 58:11
  Speaker 5: That's your cousin wants to talk to you about anime
• 58:15
  Speaker 5: escape room.
• 58:18
  Speaker 8: A self tape escape room.
• 58:27
  Speaker 4: Yeah, and that's one of the worst ones ever and
• 58:29
  Speaker 4: none of us. Oh my gosh, this is Jesus Christ
• 58:33
  Speaker 4: and the Last Supper Escape room? Can you escape without
• 58:37
  Speaker 4: getting arrested?
• 58:38
  Speaker 3: Going to a going to the mobile version of any
• 58:43
  Speaker 3: local news website and reading the article without being attacked
• 58:48
  Speaker 3: by ads escape.
• 58:49
  Speaker 6: Ros It's a good one.
• 58:52
  Speaker 11: Uh.
• 58:52
  Speaker 4: There is the there's the tax filing room.
• 58:58
  Speaker 2: That's yeah, yeah, yeah, that's really nice.
• 59:03
  Speaker 4: Oh, who could forget the Hobbits cousin escape Room. You
• 59:10
  Speaker 4: have to live in Hobbinson while your cousin is on
• 59:12
  Speaker 4: an advance. You have to you have to chill out
• 59:15
  Speaker 4: for an hour while you watch Bilbo pack to get ready.
• 59:17
  Speaker 3: It's really an exercise in fomo and how well you
• 59:20
  Speaker 3: can handle it.
• 59:21
  Speaker 1: You're going to a smith's concert escape room, but you
• 59:24
  Speaker 1: have to act like you know all the words.
• 59:26
  Speaker 8: Or else you don't get out.
• 59:27
  Speaker 4: Wow, this is my favorite, one of my absolute favorite
• 59:33
  Speaker 4: escape rooms. The feeling of anui, so you're trying to
• 59:38
  Speaker 4: get past that feeling. It's pretty fun. That's a nice one.
• 59:42
  Speaker 6: I like this is gonna sound like it's boring, old fashioned,
• 59:45
  Speaker 6: but I like the hell raiser room classics.
• 59:48
  Speaker 4: I miss the classics.
• 59:50
  Speaker 10: You know.
• 59:50
  Speaker 1: Sometimes I'm in the clear your iPhone storage room, and
• 59:54
  Speaker 1: I go, I just miss like vampires, and I miss
• 59:58
  Speaker 1: miss vampires.
• 1:00:00
  Speaker 4: We just like, your twin is replaced him. Why don't
• 1:00:02
  Speaker 4: we just make it your twin is replaced and has
• 1:00:04
  Speaker 4: become a vampire.
• 1:00:05
  Speaker 14: I like that.
• 1:00:05
  Speaker 4: I just think a little more so.
• 1:00:06
  Speaker 5: Yeah, you have an out. You've been bit by a werewolf,
• 1:00:08
  Speaker 5: Like I like those.
• 1:00:10
  Speaker 4: I miss those. We should bring biting back. I've been
• 1:00:12
  Speaker 4: saying this, so you just hit him. I had to
• 1:00:18
  Speaker 4: kill it.
• 1:00:19
  Speaker 5: Well.
• 1:00:20
  Speaker 3: As we said in the beginning of this, one of
• 1:00:23
  Speaker 3: us has been lying the entire time.
• 1:00:27
  Speaker 4: Now lock in your answer or double check what answer
• 1:00:31
  Speaker 4: you guessed, because it will be revealed.
• 1:00:34
  Speaker 5: You also have a chance to change your answer right.
• 1:00:36
  Speaker 1: Now now, this entire time, one of us, even though
• 1:00:41
  Speaker 1: they were on the round table talking, they are not
• 1:00:44
  Speaker 1: a person, but a key.
• 1:00:46
  Speaker 4: Which one is it?
• 1:00:48
  Speaker 8: Who is the key?
• 1:00:50
  Speaker 4: Five four three.
• 1:00:55
  Speaker 9: Two?
• 1:00:56
  Speaker 8: There's a knock at the door. Hello, m hi, I
• 1:01:04
  Speaker 8: have a delivery.
• 1:01:06
  Speaker 4: For the bride. That's me. I get totally forgot I'm
• 1:01:14
  Speaker 4: getting married. Wow, it's a veil. Mm hmmm. I hate wardrobe.
• 1:01:28
  Speaker 8: I don't know anything about wardrobe.
• 1:01:31
  Speaker 4: Anything about wardrobe. I was gonna say something. I almost
• 1:01:35
  Speaker 4: almost spoiled it.
• 1:01:36
  Speaker 10: Did we do good?
• 1:01:38
  Speaker 7: Do we do good?
• 1:01:38
  Speaker 4: Pretending like my name is actually Richard? I don't work
• 1:01:42
  Speaker 4: at escape rooms. They hired me to do this panel.
• 1:01:44
  Speaker 4: I have no fucking idea. What's going on? Made a
• 1:01:48
  Speaker 4: buffalo wild wings tonight, all the chickens. That's funny.
• 1:01:54
  Speaker 1: You said that because we don't know anything about the
• 1:01:57
  Speaker 1: human body.
• 1:02:03
  Speaker 3: Yeah.
• 1:02:04
  Speaker 6: Well this is a little awkward because I.
• 1:02:17
  Speaker 4: I'm very rich. I was never look at my teeth,
• 1:02:24
  Speaker 4: look at myth I've never spent a day on the streets. Wow.
• 1:02:32
  Speaker 7: And I've been telling the truth the entire time. Go
• 1:02:37
  Speaker 7: into your car, go open the hood.
• 1:02:40
  Speaker 6: You'll see what I mean.
• 1:02:44
  Speaker 4: Escape room, escape room, escape room, escape room. So yes,
• 1:02:49
  Speaker 4: four of us were actually long, and the.
• 1:02:52
  Speaker 8: Trick was to find who was telling the truth true
• 1:02:54
  Speaker 8: If you guessed it.
• 1:02:56
  Speaker 5: Talk to the employers and get me out three sixty
• 1:02:58
  Speaker 5: They'll give you a free.
• 1:02:59
  Speaker 8: Room, a free room of one of the five.
• 1:03:03
  Speaker 7: Yeah, and change your answer now if you wish, because
• 1:03:07
  Speaker 7: knowing what you.
• 1:03:08
  Speaker 4: Know, yes, you can change your answer because us I
• 1:03:14
  Speaker 4: was actually telling the truth. I love Wardrobe and Z
• 1:03:20
  Speaker 4: and I'm still a streetish now I'm Alia.
• 1:03:27
  Speaker 7: The end eight Dads.
• 1:03:30
  Speaker 15: I don't know anything about cars. What I really know
• 1:03:33
  Speaker 15: about is chairs and pizza, chairs and pizza. The hardest
• 1:03:40
  Speaker 15: room at get out.
• 1:03:40
  Speaker 1: Through you you do not.
• 1:03:46
  Speaker 4: It's it's our only eight hour room. Check out, guys,
• 1:03:53
  Speaker 4: check out the Chase and Pizza room and get me
• 1:03:54
  Speaker 4: out three sixty five our room.
• 1:04:00
  Speaker 3: This artist artists answering the question now, that's why they
• 1:04:03
  Speaker 3: college shows give it up for our guests.
• 1:04:07
  Speaker 8: Where can they find you?
• 1:04:09
  Speaker 6: You can find me online and you can check out
• 1:04:12
  Speaker 6: The Promised Land on YouTube, a series coming out October first.
• 1:04:17
  Speaker 1: And find our tunes on one of our tune. Our
• 1:04:20
  Speaker 1: tune is one of our oldest guests. Go watch that episode.
• 1:04:24
  Speaker 7: Is really Yes Live from the Beautiful Dynasty.
• 1:04:28
  Speaker 8: Time Love you guys, See you on Patreon. Bye bye.
• 1:04:33
  Speaker 2: Artists on Artists on Artists on Artists is an improvised
• 1:04:35
  Speaker 2: Hollywood roundtable podcast created, performed, and produced by Kylie Braakman,
• 1:04:39
  Speaker 2: Jeremy Colhayanne, Angela Giaratana, and Patrick McDonald's music is by
• 1:04:43
  Speaker 2: Gabrielle Ponton. The opinions expressed on this podcast do not
• 1:04:47
  Speaker 2: reflect the opinions of anyone who works on it, not
• 1:04:49
  Speaker 2: even the performers, because this is an improvised podcast and
• 1:04:52
  Speaker 2: we're stupid.
• 1:04:54
  Speaker 3: Well.
• 1:04:54
  Speaker 2: Video versions of AOA O A O A are available
• 1:04:56
  Speaker 2: on YouTube, so please like and subscribe and leave us
• 1:04:59
  Speaker 2: a five star review wherever you get your podcasts.
• 1:05:02
  Speaker 5: Good Night, Hollywood, MHM