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Camille Contreras: NOVELISTS · The BlackSheep Podcast: Presented by HM Magazine

• 0:21
  Speaker 1: Hmm, Hey, we've got Neil from Novelists, super excited to
• 0:32
  Speaker 1: chat with you. Camil, You've kind of got an interesting
• 0:35
  Speaker 1: history both novelists and then your your kind of personal
• 0:38
  Speaker 1: history with novelists is really interesting.
• 0:41
  Speaker 2: But you guys got a new album coming out soon.
• 0:44
  Speaker 1: I'm sure you're just like jam packed with lots of
• 0:46
  Speaker 1: things going on with novelists. But uh, before we dive
• 0:49
  Speaker 1: into all the novelists stuff, how are you doing today?
• 0:52
  Speaker 3: Really good. I'm actually at my laboratory working and also
• 0:57
  Speaker 3: doing interviews and yeah, it's I'm doing It's very cool.
• 1:01
  Speaker 2: What Yeah, like, what do you what do you do there?
• 1:04
  Speaker 2: What's your what's your role?
• 1:05
  Speaker 3: So I'm a chemist engineer and I create my own
• 1:09
  Speaker 3: cosmetics laboratory, and to be honest, I'm like trying to
• 1:14
  Speaker 3: finish all my contracts with my clients because I cannot
• 1:17
  Speaker 3: handle a double life. Like I feel like I'm, you know,
• 1:21
  Speaker 3: Hannah Montana having a double life, and you know, I
• 1:24
  Speaker 3: have to quit a life.
• 1:28
  Speaker 2: I love that.
• 1:29
  Speaker 1: I can't imagine that there's too many chemistry engineers that
• 1:32
  Speaker 1: are in like the metal ste like that.
• 1:35
  Speaker 2: I mean, maybe if you've encountered more than I have.
• 1:37
  Speaker 2: But I can't imagine there's too many.
• 1:39
  Speaker 3: I don't know another chemist engineer, to be honest.
• 1:43
  Speaker 2: That's awesome. That's super cool that you do that work
• 1:45
  Speaker 2: as well. Well. Let's talk about your music side of
• 1:48
  Speaker 2: your life.
• 1:49
  Speaker 1: You know, obviously there's clearly a chemistry side of your life,
• 1:51
  Speaker 1: but love to talk about your music side.
• 1:53
  Speaker 2: Of your life.
• 1:54
  Speaker 1: So yeah, before we dive into like how you got
• 1:56
  Speaker 1: involved with novelists and just kind of your history with them, Yeah,
• 2:00
  Speaker 1: like how did you get into music?
• 2:01
  Speaker 2: Like what what inspired you to get into music? So?
• 2:05
  Speaker 3: I I come from a Spanish family and music is
• 2:08
  Speaker 3: really important for us, especially like Flamenco music and with
• 2:14
  Speaker 3: guitars and and pursuit and like you know, drums and
• 2:18
  Speaker 3: stuff like that. So since I'm a little girl, I
• 2:22
  Speaker 3: I danced and I play with with my brothers, cousins, dad, mom,
• 2:28
  Speaker 3: and I played piano and violoncello. After that I learned
• 2:33
  Speaker 3: a music theory also, and I always sing like since
• 2:38
  Speaker 3: I remember, and but I wasn't in a in a
• 2:42
  Speaker 3: metal scene before. And I went to UH to a
• 2:47
  Speaker 3: hardcore punk show and that was like you know, the
• 2:51
  Speaker 3: across and and then I decided to create a punk
• 2:55
  Speaker 3: hardcore and I started to listen to the like, you know,
• 2:59
  Speaker 3: heavy musics, and I discover after I don't know five
• 3:04
  Speaker 3: years of listening to punk hardcore, I discovered metal music.
• 3:09
  Speaker 3: And yeah, you know, I created like a punk hardcore
• 3:12
  Speaker 3: band before and after that ten years after I joined novelists.
• 3:19
  Speaker 2: That's amazing, Like what a career like already? Yeah? What
• 3:23
  Speaker 2: like what was it.
• 3:25
  Speaker 1: About punk and hardcore and metal music that just like
• 3:28
  Speaker 1: made you fall in love with it? Because obviously, like
• 3:29
  Speaker 1: that's way different music than like probably what you were
• 3:32
  Speaker 1: listening to when you're really young, So like, what was
• 3:35
  Speaker 1: it about punk and hardcore and metal that just was like,
• 3:39
  Speaker 1: this is what I want to be involved in.
• 3:41
  Speaker 3: I really I really loved the at first. I really
• 3:44
  Speaker 3: loved the ambience during the shows, like people going wild.
• 3:49
  Speaker 3: You cannot see that in the mainstream show or you know,
• 3:53
  Speaker 3: like pop music. You can see that now nowadays a
• 3:57
  Speaker 3: little bit more than before, but people are just you know,
• 4:00
  Speaker 3: watching and not moving at all, But in a PENK
• 4:02
  Speaker 3: heartcore show, they are really giving their lives to the show.
• 4:06
  Speaker 3: And also I really liked the strategy movement. So I
• 4:12
  Speaker 3: started to get more interested in PENK hardcore and I
• 4:17
  Speaker 3: was doing a lot of you know, classical music and
• 4:21
  Speaker 3: classical shows and also pop shows. And I was always
• 4:27
  Speaker 3: a little bit scared of going on stage because there
• 4:29
  Speaker 3: was too much pressure. And when I did my first
• 4:33
  Speaker 3: screaming show, like hardcore show, I was really stressed before.
• 4:37
  Speaker 3: And the first step I made on stage and the
• 4:40
  Speaker 3: first scream I did, all the stress was you know gone,
• 4:44
  Speaker 3: and uh, and I just enjoyed it and I was like, Okay,
• 4:47
  Speaker 3: now this is really what I want to do now.
• 4:50
  Speaker 3: And yeah, I think it's the energy, the vibe and
• 4:54
  Speaker 3: the freedom. Also a little bit cheesy to see that,
• 4:56
  Speaker 3: but yeah.
• 4:58
  Speaker 2: I love that. How did you learn how to scream?
• 5:01
  Speaker 1: Because, like you know, typically people just like don't learn
• 5:04
  Speaker 1: how to scream like naturally.
• 5:05
  Speaker 2: So how did you learn how to scream?
• 5:07
  Speaker 3: Well, I'm a self made screamer. I started in my
• 5:12
  Speaker 3: car in a highway, windows closed, and I tried to
• 5:16
  Speaker 3: just scream, you know little. I started to like imitate
• 5:20
  Speaker 3: the bands that I was listening to, and I tried
• 5:22
  Speaker 3: to scream and I and I was looking at no
• 5:25
  Speaker 3: one was looking at me because I didn't want to
• 5:28
  Speaker 3: be weird or scary to people, and uh, and I
• 5:32
  Speaker 3: tried to find the scream that didn't hurt my voice
• 5:35
  Speaker 3: because I wanted to still be able to sing in
• 5:38
  Speaker 3: clean vocals. So yeah, basically I just learned by myself.
• 5:44
  Speaker 3: And now that I joined Novelist, I watched like, you know,
• 5:49
  Speaker 3: YouTube tutorials and stuff too warm up the voice and
• 5:52
  Speaker 3: try to find difference and understand how the scream is working.
• 5:59
  Speaker 2: At what point did you realize you're like, I'm good
• 6:01
  Speaker 2: at this, Like you.
• 6:03
  Speaker 1: Know, when you first start out doing something right, like
• 6:05
  Speaker 1: you realize like, I've got a lot to learn and everything.
• 6:08
  Speaker 1: But at some point you must have learned, and maybe
• 6:10
  Speaker 1: it was pretty early on, but at some point you
• 6:12
  Speaker 1: must have gotten to a point where you're like, wait,
• 6:14
  Speaker 1: like I like, I could do this in front of
• 6:16
  Speaker 1: a lot of people and people would enjoy it. Like
• 6:18
  Speaker 1: you must have learned that at some point that you
• 6:20
  Speaker 1: were good enough for.
• 6:21
  Speaker 3: That right for the scream to be honest, I watched
• 6:24
  Speaker 3: I think the first show I did. It was in
• 6:27
  Speaker 3: a you know, reheusal local, like you know, the place
• 6:32
  Speaker 3: we were rehearsaling. And when I watched this video, I
• 6:36
  Speaker 3: feel so ashamed because it was really bad and I
• 6:39
  Speaker 3: was and I was confident that it was good, but
• 6:42
  Speaker 3: it was not so I think it's more like be
• 6:44
  Speaker 3: confident of what you do, even even if it's bad,
• 6:48
  Speaker 3: and people would think it's cool, and I think, I
• 6:51
  Speaker 3: don't know, it's just yeah, I improve a lot my
• 6:55
  Speaker 3: screaming level, even though when I joined novelists, my screams
• 7:00
  Speaker 3: we're not that good as they are now. So I
• 7:01
  Speaker 3: think everyone can improve more and more.
• 7:05
  Speaker 1: Yeah, I'm sure there's like so many things you can
• 7:08
  Speaker 1: do to just like practice and get better. And yeah,
• 7:11
  Speaker 1: I think a lot of people don't realize, like, along
• 7:14
  Speaker 1: with singing, right, like there's all sorts of singing coaches
• 7:16
  Speaker 1: and you learn how to sing well, the same thing
• 7:19
  Speaker 1: goes with screaming. There might be less of those people
• 7:21
  Speaker 1: that are like helping you kind of learn how to
• 7:23
  Speaker 1: scream well. But certainly there is like a practice to screaming. Well,
• 7:28
  Speaker 1: you know, not everybody is just born with being able
• 7:31
  Speaker 1: to scream amazingly.
• 7:33
  Speaker 2: Yeah.
• 7:33
  Speaker 3: Well I don't know if I scream amazingly, but but yeah,
• 7:38
  Speaker 3: I think, you know, sometimes when I'm in the in
• 7:41
  Speaker 3: the studio and I and I'm screaming like recording, and
• 7:46
  Speaker 3: I feel that this scream, this line that I just
• 7:49
  Speaker 3: did is really good because you know, you can feel.
• 7:52
  Speaker 3: It is like emotions. I think when you're screaming, you
• 7:56
  Speaker 3: can feel. This is what I really like in the
• 7:58
  Speaker 3: hardcore and post hardcore, like bands like Have Heart or
• 8:04
  Speaker 3: Led Dispute. Also it's another another style. I really like
• 8:09
  Speaker 3: the you can feel the emotions really hard, because if
• 8:13
  Speaker 3: you're just singing clean's vocal, even even if you are
• 8:16
  Speaker 3: singing sad sad things, but you're singing it with vibes
• 8:21
  Speaker 3: and stuff, you cannot feel the emotion. But when you're screaming,
• 8:25
  Speaker 3: you cannot lie Like it's really like you can feel
• 8:28
  Speaker 3: that the dude from Have Heart he's feeling paid. You
• 8:33
  Speaker 3: can feel it. So I think that's the most important
• 8:37
  Speaker 3: too to be a good screamer.
• 8:41
  Speaker 1: Yeah well yeah, I mean without a doubt, like I
• 8:43
  Speaker 1: think for me, like my favorites both singers and screamers.
• 8:48
  Speaker 1: My favorites have always been the ones where you can
• 8:50
  Speaker 1: just see like or you can just hear the emotion
• 8:54
  Speaker 1: in their scream or they're singing. And even if they're
• 8:56
  Speaker 1: that most like the most technically sound singers or scream
• 9:00
  Speaker 1: even if they're not the most technically sound, I like
• 9:03
  Speaker 1: it as long as it's like you can feel that
• 9:05
  Speaker 1: emotion in their voice.
• 9:07
  Speaker 2: That's all that matters to me.
• 9:08
  Speaker 3: Yeah, I totally agree with that.
• 9:12
  Speaker 2: Yeah.
• 9:12
  Speaker 1: Yeah, Like there's I mean there's people like like, did you,
• 9:15
  Speaker 1: I mean you mentioned law of dispute?
• 9:16
  Speaker 2: Did you ever get into me without you at all?
• 9:18
  Speaker 3: Sorry I didn't catch that.
• 9:21
  Speaker 1: So you you mentioned that you were really you're into
• 9:23
  Speaker 1: a law dispute. Did you ever listen to a band
• 9:25
  Speaker 1: another band called Me Without You?
• 9:27
  Speaker 3: Oh no, I don't know this band.
• 9:29
  Speaker 1: Okay, they're very similar to law Dispute. Okay, Like it's
• 9:33
  Speaker 1: that and that's kind of same, like voice where it's
• 9:35
  Speaker 1: like half singing, half yelling, half kind of spoken word
• 9:39
  Speaker 1: like without me without you all one word, one word.
• 9:46
  Speaker 1: If you like law dispute, you'll love me without You.
• 9:48
  Speaker 3: Yeah, either way because it's a French word and you
• 9:53
  Speaker 3: staying within the shackson.
• 9:56
  Speaker 2: It's like aggressively American, is how I say American? I
• 10:00
  Speaker 2: get that for sure. Yeah.
• 10:04
  Speaker 1: Well but it's like funny how like Yeah, like for
• 10:08
  Speaker 1: a band like a lot of Spuel or like Me
• 10:10
  Speaker 1: Without You, where their vocalist might not be the most
• 10:13
  Speaker 1: like technical in his vocal delivery, but again, it's just
• 10:16
  Speaker 1: all about the emotions of what he's singing about and
• 10:20
  Speaker 1: that's like what matters the most, and I think that's
• 10:23
  Speaker 1: what people gravitate towards.
• 10:25
  Speaker 2: And that's like why people really love that music.
• 10:27
  Speaker 1: Is you just hear the motion of it, even if
• 10:30
  Speaker 1: it's not super technical.
• 10:32
  Speaker 3: Yeah, and you know, I don't know the band mean
• 10:34
  Speaker 3: without you, but I know that dispute, that dispute. And
• 10:39
  Speaker 3: you think that he doesn't have a lot of technique,
• 10:42
  Speaker 3: but I think that he has a lot of technique
• 10:45
  Speaker 3: to be able to do that, because, to be honest,
• 10:47
  Speaker 3: when I started to learn screaming, I tried to imitate.
• 10:51
  Speaker 3: Also he's yelling like almost crying screams, and I was
• 10:57
  Speaker 3: not able to do that. Like it's really hard to
• 10:59
  Speaker 3: do to do this kind of scream and to control
• 11:03
  Speaker 3: it and not hurt your voice. So yeah, I hope
• 11:07
  Speaker 3: one day I can be able to to speak with
• 11:10
  Speaker 3: him and ask him, how do you do? What's your technique?
• 11:13
  Speaker 2: Yeah?
• 11:14
  Speaker 1: Yeah, there's like some people where yeah, their ability to
• 11:17
  Speaker 1: just like control that scream. There's also another like I
• 11:20
  Speaker 1: don't know, if you ever listen to a band from
• 11:22
  Speaker 1: Sweden called Blindside, is.
• 11:24
  Speaker 2: That a there? That's another band to write down there?
• 11:27
  Speaker 2: They're from Sweden.
• 11:29
  Speaker 1: But their screamer has this, Like I don't know if
• 11:33
  Speaker 1: I've really ever heard like another screamer quite be able
• 11:35
  Speaker 1: to do this, but like in the same note, when
• 11:38
  Speaker 1: he like maybe first starts to note screaming, you then
• 11:41
  Speaker 1: can go into singing or vice versa. Wo like his
• 11:45
  Speaker 1: ability with his voice to do that, Like I think
• 11:47
  Speaker 1: honestly the only other person I've heard maybe be able
• 11:49
  Speaker 1: to do that is Chester Bennington from Lincoln Park.
• 11:52
  Speaker 3: Yeah, that ability to bind.
• 11:56
  Speaker 1: Blind blindside is the name. It's all one where line side,
• 12:00
  Speaker 1: all one more. Okay, Yeah, they're from Sweden.
• 12:03
  Speaker 2: They're great.
• 12:04
  Speaker 3: Okay, we'll listen to it.
• 12:05
  Speaker 2: Also, yeah, they're they're wonderful.
• 12:07
  Speaker 1: So yeah, well, okay, we've talked a lot about the
• 12:10
  Speaker 1: singing part. I'd love to hear just the story of
• 12:13
  Speaker 1: how you got involved with Novelists, because what's interesting about
• 12:16
  Speaker 1: novelists is they've already had two singers in the band,
• 12:20
  Speaker 1: and so you're the third singer in the band, and
• 12:21
  Speaker 1: so yeah, what was the whole what's the whole backstory
• 12:24
  Speaker 1: to how you got involved with the band.
• 12:26
  Speaker 3: So the whole story is that you know Landmarks, of course,
• 12:33
  Speaker 3: So when I was eighteen, I was doing a summer
• 12:36
  Speaker 3: job in like a grocery store and a client asked
• 12:40
  Speaker 3: me to do an invoice and it was my first
• 12:42
  Speaker 3: day and I didn't know how to do so I just,
• 12:45
  Speaker 3: you know, asked the person behind me. I turn around
• 12:48
  Speaker 3: and it was the drummer Kevin, and we started to
• 12:52
  Speaker 3: hang out with friends. And he was studying in a
• 12:57
  Speaker 3: sound and visual school and they needed someone that was
• 13:03
  Speaker 3: playing violincello to do like a photo exercise. So he
• 13:08
  Speaker 3: told me, I do want to come to my school
• 13:09
  Speaker 3: and I will we take picture of you. And I
• 13:12
  Speaker 3: was like, okay, let's do this. So I went to
• 13:15
  Speaker 3: the school and the dude it's a long story, and
• 13:18
  Speaker 3: the dude who was doing the clap for me, he
• 13:21
  Speaker 3: was playing in a hardcore band in Marseille, south of France,
• 13:24
  Speaker 3: this is where I came from. And he told me, yay,
• 13:27
  Speaker 3: do you want to come to a show and see?
• 13:30
  Speaker 3: And that was the first show I went. The first
• 13:33
  Speaker 3: hardcore show. It was like in a basement in Marseille.
• 13:37
  Speaker 3: Maybe they were like twenty people at the show and
• 13:40
  Speaker 3: it was really cool. And after I started to hang
• 13:44
  Speaker 3: out with the scene. Like there was also Flow, the
• 13:46
  Speaker 3: singer of Landmarks and we all had bands, hardcore bands.
• 13:52
  Speaker 3: My name, My band was named Apache. His previous band
• 13:57
  Speaker 3: was Hating Front and we were like playing shows together.
• 14:02
  Speaker 3: And after ten years they started Landmarks. I did a duo,
• 14:07
  Speaker 3: a duet with Nico, the guitarist from Landmarks. We were
• 14:10
  Speaker 3: like The band was called Bliss Side and it was
• 14:14
  Speaker 3: like only clean singing, like ballads in you know, pop
• 14:20
  Speaker 3: English ballads. And in twenty nineteen Novelists they were friends
• 14:26
  Speaker 3: with Landmarks already and they were looking for a girl
• 14:29
  Speaker 3: to do the harmonies of their album Celavi. So they
• 14:32
  Speaker 3: asked len Marks, hey, do you know a girl that
• 14:34
  Speaker 3: can sing the harmonies and they were like, yeah, we
• 14:36
  Speaker 3: know Cami. So I went to Paris to record all
• 14:40
  Speaker 3: the harmonies of their album and at the end of
• 14:42
  Speaker 3: the session, they were like, hey, do you want to
• 14:45
  Speaker 3: do a feature on the on the song Selavi? And
• 14:48
  Speaker 3: I was like yeah, why not? And so I did
• 14:51
  Speaker 3: the feature. Then I went back to Marseille and so
• 14:56
  Speaker 3: I did. Three years after the they just they were
• 15:01
  Speaker 3: in Marseille and they asked me, hey, do you want
• 15:03
  Speaker 3: to be the new singer of Novelist And I was
• 15:05
  Speaker 3: like what, I don't even knew that they will not
• 15:10
  Speaker 3: have a singer anymore. So I was like, yeah, of course, yeah,
• 15:13
  Speaker 3: why not. So we did some recording audition, you know,
• 15:18
  Speaker 3: to see if it can work, see if our creativity
• 15:21
  Speaker 3: will match, and it was really cool. So we decided
• 15:24
  Speaker 3: to go to the new into the new chapter of novelists.
• 15:28
  Speaker 3: And here I am. That's a long story.
• 15:32
  Speaker 1: That's like it's kind of amazing, how like it's one
• 15:36
  Speaker 1: of those things where it's just like the people you know,
• 15:38
  Speaker 1: and like that's how opportunities happen in life. It's not
• 15:41
  Speaker 1: about I mean obviously to some degree, right, Like you're
• 15:44
  Speaker 1: extremely talented and that plays a huge part of this,
• 15:47
  Speaker 1: but like some of these really cool opportunities that we
• 15:50
  Speaker 1: get in life are maybe a little less about like
• 15:52
  Speaker 1: your talent and just about like who you know in life.
• 15:55
  Speaker 1: And yeah, and this is like a classic story about
• 15:57
  Speaker 1: it seems.
• 15:57
  Speaker 3: Like do you do you call it also in English
• 16:00
  Speaker 3: a betterfly effect.
• 16:03
  Speaker 2: Yeah, something along those lines.
• 16:04
  Speaker 3: Yeah, like there is a small thing that happens twenty right, yeah.
• 16:10
  Speaker 1: Yeah, like a small thing that like, yeah, totally changes
• 16:13
  Speaker 1: the like outcome of a bigger thing exactly.
• 16:16
  Speaker 3: Yeah, I really feel it, you know when I when
• 16:19
  Speaker 3: I when I'm telling this story, I'm like, wow, if
• 16:23
  Speaker 3: this client didn't ask me for an invoice and I
• 16:26
  Speaker 3: didn't know how to do it and I asked Kevin
• 16:28
  Speaker 3: from Landmarks and then you know, like it's a it's
• 16:31
  Speaker 3: a lot of events that happened and to be here
• 16:34
  Speaker 3: now that's that's amazing and there is a lot of
• 16:37
  Speaker 3: opportunities of course, right.
• 16:40
  Speaker 2: That's so cool.
• 16:41
  Speaker 1: Yeah, what what has like that creativity process been like
• 16:44
  Speaker 1: for you guys? Like you know that obviously this isn't
• 16:47
  Speaker 1: the first time that they're exploring a new.
• 16:50
  Speaker 2: Sound and writing with a new vocalist, but yeah, what
• 16:54
  Speaker 2: like what what what.
• 16:55
  Speaker 1: Do you what do you like about the writing process
• 16:58
  Speaker 1: and the creativity process with For.
• 17:01
  Speaker 3: Me, it's like being in a laboratory, you know, like
• 17:03
  Speaker 3: we are experiencing a lot of different things, even though
• 17:07
  Speaker 3: sometimes it's a little bit weird, but we are open
• 17:10
  Speaker 3: to like putting a lot of ideas even though they
• 17:13
  Speaker 3: are not good, so we can we can find one
• 17:16
  Speaker 3: that it's really good. And we are really trying to
• 17:19
  Speaker 3: be different even though everyone is trying to be different,
• 17:22
  Speaker 3: but we try to shop people. We try to do
• 17:25
  Speaker 3: something different that we did before, and if it sounds
• 17:28
  Speaker 3: or looks like something we already did before, we just
• 17:31
  Speaker 3: put it in the trash and we tried something new.
• 17:34
  Speaker 3: And since Pierre joined the band, he's also really creative
• 17:38
  Speaker 3: and he creates a lot of instrumental parts. And then
• 17:44
  Speaker 3: I go to the studio and I'm trying and I'm
• 17:47
  Speaker 3: improvising in the in the studio to uh, to try
• 17:51
  Speaker 3: and find some lights like singing or screaming lights. And
• 17:55
  Speaker 3: sometimes it's really like, you know, my brains is gonna
• 17:58
  Speaker 3: be in fire, you know, And I'm just trying really
• 18:02
  Speaker 3: like different notes even though they are not linked to
• 18:06
  Speaker 3: each other, to find a good melody. And or we
• 18:10
  Speaker 3: try ideas we put biloncello in one hour song Morning
• 18:13
  Speaker 3: the Don't. So Yeah, we try a lot of stuff,
• 18:17
  Speaker 3: and for this album, we are really proud of it,
• 18:19
  Speaker 3: but we are already thinking of the next one, and
• 18:22
  Speaker 3: we want to be more creative than we did on
• 18:24
  Speaker 3: this one.
• 18:27
  Speaker 1: What has it been like for you to like be
• 18:31
  Speaker 1: involved in the creative process with songwriting, especially because I
• 18:35
  Speaker 1: would imagine like it can maybe feel a little overwhelming
• 18:39
  Speaker 1: to like be the brand new person in the band
• 18:41
  Speaker 1: and feel like you are then able to like have
• 18:44
  Speaker 1: any input, But like, have they been very open to
• 18:46
  Speaker 1: like you bringing your own ideas, Like have you felt
• 18:49
  Speaker 1: like very much involved in the songwriting and creativity process
• 18:53
  Speaker 1: or is it something where you're kind of like still
• 18:55
  Speaker 1: maybe getting into that groove of like trying to add
• 18:57
  Speaker 1: your input or your ideas.
• 19:00
  Speaker 3: So at the they were always really open to my
• 19:03
  Speaker 3: opinions and they wanted me to to tell too, yeah,
• 19:10
  Speaker 3: to say on my opinions. And at the very beginning
• 19:14
  Speaker 3: when I joined the band, the first song we did
• 19:16
  Speaker 3: was turn it Up, and it was already written, so
• 19:19
  Speaker 3: I just went on the studio and we did we
• 19:22
  Speaker 3: record the chorus, and I proposed a new line and
• 19:26
  Speaker 3: in fact, it's it's now the real line of the
• 19:28
  Speaker 3: chorus and the previous one is the harmony. We put
• 19:31
  Speaker 3: it in a harmony. So they were listening to my opinions,
• 19:35
  Speaker 3: but they were they were like, I was trying to
• 19:38
  Speaker 3: be you know, low key. I didn't want to impose
• 19:41
  Speaker 3: my opinions because I was just you know, the new member.
• 19:44
  Speaker 3: And for this album, I feel that now I have
• 19:47
  Speaker 3: more power, you know, to propose because we started from
• 19:50
  Speaker 3: scratch to this album. So there was like it's a
• 19:53
  Speaker 3: new page. And so did you did you listen to
• 19:57
  Speaker 3: the album or not yet.
• 20:00
  Speaker 1: I've been able to listen to the whole thing, but
• 20:01
  Speaker 1: I've been able to listen to some of those songs
• 20:04
  Speaker 1: that have been released.
• 20:05
  Speaker 3: Okay, so there is a song called Marl It's a
• 20:08
  Speaker 3: song in Spanish, and this one when I propose it,
• 20:13
  Speaker 3: I know that the boys were not really like into it.
• 20:17
  Speaker 3: They were like, Okay, that's a little bit strange. And
• 20:19
  Speaker 3: I think like one or two days after, they're like, Okay,
• 20:22
  Speaker 3: we're going to do this because this is really cool.
• 20:24
  Speaker 3: It's really different from what we did before, and really
• 20:28
  Speaker 3: want to go into this way. So I think I
• 20:32
  Speaker 3: felt at this moment that there was the switch where
• 20:35
  Speaker 3: I can be really free to propose whatever I want,
• 20:39
  Speaker 3: while before I was still a little bit shy to
• 20:41
  Speaker 3: propose my ideas.
• 20:45
  Speaker 2: I love that, like, and hopefully, you know, as like.
• 20:48
  Speaker 1: You continue to be in the band, you'll be able
• 20:52
  Speaker 1: to include more and more of those ideas. I mean,
• 20:54
  Speaker 1: you already mentioned like y'all are writing like a new
• 20:56
  Speaker 1: album already, so I would imagine like you're feeling more
• 20:58
  Speaker 1: and more comfortable with some of the new ideas and
• 21:01
  Speaker 1: input you have for even like whatever the next record
• 21:04
  Speaker 1: would be.
• 21:05
  Speaker 3: Yeah, totally. I feel that. I'm really excited for the
• 21:09
  Speaker 3: next one. This summer, We're gonna do a lot of festivals,
• 21:12
  Speaker 3: and there is like one festival weekend and the next
• 21:16
  Speaker 3: weekend there is another one, and we have a week
• 21:18
  Speaker 3: but the two festival are you really close? So we
• 21:22
  Speaker 3: decided to book a house near the festival so we
• 21:25
  Speaker 3: can start to create new songs. So, yeah, the the
• 21:31
  Speaker 3: process of creation for the next album has already started.
• 21:35
  Speaker 3: Even though the album is not out yet, we were
• 21:38
  Speaker 3: still we still want to create a new song.
• 21:42
  Speaker 2: It's going all out. It's like a full sprint right now.
• 21:44
  Speaker 3: Yeah, exactly.
• 21:47
  Speaker 2: I love that. I love that. What is it like
• 21:50
  Speaker 2: for you?
• 21:51
  Speaker 1: I've always I'm always curious about this with bands that
• 21:54
  Speaker 1: were like English isn't their first language? Maybe, or like
• 21:57
  Speaker 1: maybe they like at least it wasn't their first language,
• 21:59
  Speaker 1: growing not, What is it like for you to write
• 22:03
  Speaker 1: lyrics in English?
• 22:04
  Speaker 2: Well, like, what does that process look like? Is it?
• 22:06
  Speaker 1: Is it a lot of like looking up in the
• 22:08
  Speaker 1: dictionary or a thesaurus or something and and like making
• 22:12
  Speaker 1: sure like your grammars write. Like I'm just always curious,
• 22:14
  Speaker 1: like when if English isn't your first language, what is
• 22:17
  Speaker 1: it like to then write basically poetry. I mean that's
• 22:20
  Speaker 1: what lyrics are. What is it like then to write
• 22:23
  Speaker 1: poetry in English?
• 22:24
  Speaker 3: It feels like it's homeworks, you know, it's really it's
• 22:29
  Speaker 3: really hard. Luckily we have a Nico the basics. He's
• 22:32
  Speaker 3: fluent in English, so he's always checking that the grammar
• 22:37
  Speaker 3: is correct and that everything is understandable or pretty and poetic.
• 22:44
  Speaker 3: It was it was hard for me to write in
• 22:46
  Speaker 3: English because you know, novelists, the touch of novelists is
• 22:50
  Speaker 3: to have a really how to say, like smart lyrics,
• 22:56
  Speaker 3: Like you cannot just write random lyrics or cheesy lyrics,
• 23:00
  Speaker 3: like they really want to go deeper in the in
• 23:03
  Speaker 3: the meaning and in the poetry. So it was hard
• 23:07
  Speaker 3: for me. It was a hard exercise. So that's why
• 23:11
  Speaker 3: I cheated a little bit and I wrote some verses
• 23:14
  Speaker 3: in French and some and a song in Spanish because
• 23:17
  Speaker 3: because I speak friendly French and Spanish. And yeah, it
• 23:22
  Speaker 3: was hard work. But as as writing line vocal lines
• 23:26
  Speaker 3: and screaming lines, so it works.
• 23:29
  Speaker 2: Does it? Is it?
• 23:30
  Speaker 1: Sometimes where you're when you're like writing those lyrics are
• 23:32
  Speaker 1: like you maybe originally writing them in Spanish or in
• 23:35
  Speaker 1: French and then maybe translating them.
• 23:37
  Speaker 3: I try not to do that because because it's it's
• 23:40
  Speaker 3: totally it's a totally different way of speaking English and French.
• 23:46
  Speaker 3: French and Spanish are closer than than English and French.
• 23:50
  Speaker 3: If I I, of course did that mistake to write
• 23:53
  Speaker 3: lyrics in French and then translate, it's so hard you
• 23:56
  Speaker 3: have to you have to change criuse you know, there
• 23:58
  Speaker 3: is not only the meaning of the lyrics, but so
• 24:00
  Speaker 3: the shape of the words and their rhyme. So yeah,
• 24:06
  Speaker 3: it's and the rhythm. So it's it's it's different, and
• 24:10
  Speaker 3: I don't know, I don't know how I'm gonna do
• 24:12
  Speaker 3: for the next album, but uh yeah, I'm improving every
• 24:16
  Speaker 3: every time, I'm improving more than the time before. So
• 24:20
  Speaker 3: I see, well, I love them.
• 24:23
  Speaker 1: I think, like again, it's one of those things where
• 24:25
  Speaker 1: like as you're listening to these new songs, you're like,
• 24:29
  Speaker 1: it's not not The first thing would have come to
• 24:31
  Speaker 1: my mind is like that English isn't your first language,
• 24:34
  Speaker 1: Like it it's like very impressive, Like what you're like
• 24:38
  Speaker 1: your your lyrics in English are I mean, it's just
• 24:40
  Speaker 1: I was very very impressed, and so yeah, it was
• 24:43
  Speaker 1: not obvious to me at all that like English wouldn't
• 24:45
  Speaker 1: be your first language or or even like a language
• 24:48
  Speaker 1: that you might not feel exactly the most like comfortable or.
• 24:51
  Speaker 2: Fluent in cool.
• 24:52
  Speaker 3: Thank you, I appreciate that.
• 24:55
  Speaker 2: You're doing great. You're doing great.
• 24:57
  Speaker 1: Another thing that I'm curious about again this this is
• 25:00
  Speaker 1: kind of what makes novelists I think unique in terms
• 25:02
  Speaker 1: of its history is like we mentioned before, like the
• 25:04
  Speaker 1: band started out with two different vocalists, you know, so
• 25:09
  Speaker 1: there I'm forgetting the names right now of the.
• 25:12
  Speaker 2: Former vocalist Charles.
• 25:14
  Speaker 1: Yes, yeah, Charles Henry was like the first I think
• 25:18
  Speaker 1: vocalist or sorry not was the first vocalist. Yeah, So
• 25:24
  Speaker 1: like you have Mattio, who obviously is a man, and
• 25:27
  Speaker 1: then like Tobias it was a man. And like I've
• 25:30
  Speaker 1: definitely like interviewed lots of bands and have gotten to
• 25:33
  Speaker 1: know and love lots of bands that have like a
• 25:35
  Speaker 1: vocalist change, but rarely is the vocalist change like a
• 25:38
  Speaker 1: change in gender. And so I'm really curious, like is
• 25:41
  Speaker 1: that something that you've thought through, like like if you
• 25:44
  Speaker 1: have like what has that like how does that feel?
• 25:48
  Speaker 2: Like?
• 25:48
  Speaker 1: I'm just really curious because yeah, like a lot of times,
• 25:51
  Speaker 1: like if you see a band changing its vocalist, they
• 25:53
  Speaker 1: try to like get a vocalist that might have like
• 25:55
  Speaker 1: the same exact kind of voice as their previous vocalist
• 25:58
  Speaker 1: or something, or maybe.
• 26:00
  Speaker 2: Has a similar, like kind of style as a previous vocalist.
• 26:03
  Speaker 1: But obviously to some degree, like that's just not going
• 26:05
  Speaker 1: to be exactly the case with with you know, just
• 26:08
  Speaker 1: like your voice and stuff versus like matios or some
• 26:11
  Speaker 1: of the other guys.
• 26:12
  Speaker 2: So I'm just curious, like, is that something that you've
• 26:14
  Speaker 2: thought through like that. I don't know.
• 26:15
  Speaker 1: I just find that really interesting and I think that's
• 26:17
  Speaker 1: really cool, like a cool part of novelists.
• 26:19
  Speaker 3: Yeah, totally. So when I joined the band, I was
• 26:23
  Speaker 3: in a like, I think a pre on May twenty three,
• 26:27
  Speaker 3: and so I was not official in the band. And
• 26:29
  Speaker 3: during the whole summer where we were while we were
• 26:32
  Speaker 3: writing them Turn It Up, the first song, the boys
• 26:36
  Speaker 3: were like preparing me to the haters. They were like, Okay,
• 26:40
  Speaker 3: you're gonna have a haters because we already did one
• 26:44
  Speaker 3: singer change and the previous one had haters. And you
• 26:49
  Speaker 3: know what, I totally agree with that, Like, when you
• 26:52
  Speaker 3: love a band, you love the singer and they're on switching.
• 26:54
  Speaker 3: I totally agree that you feel disappointed or sad or
• 26:59
  Speaker 3: or angry maybe, but in the end, you know, for me,
• 27:03
  Speaker 3: it was like the best opportunity. So I'm not gonna
• 27:05
  Speaker 3: I'm not gonna say sorry, you know. And when when
• 27:09
  Speaker 3: we released it.
• 27:09
  Speaker 1: It's like a cool way to see, like how the
• 27:11
  Speaker 1: band changes and grows, right, like when you add like
• 27:13
  Speaker 1: a new vocalist, right, like the novelists will be different
• 27:16
  Speaker 1: because you're in the band and you have a different
• 27:19
  Speaker 1: style than the previous singers. And I think that's like
• 27:21
  Speaker 1: a really cool opportunity for the band and for the listeners,
• 27:24
  Speaker 1: you know, the fans of the band.
• 27:25
  Speaker 3: Yeah, totally. And and of course when we released the
• 27:28
  Speaker 3: first song, there was a lot of haters, but I
• 27:32
  Speaker 3: was prepared, so I was like, okay, I don't take
• 27:34
  Speaker 3: it personally, It's like it's okay. And they were like
• 27:38
  Speaker 3: the boys told me, like I think a month ago
• 27:41
  Speaker 3: that I didn't have more haters than the previous singer,
• 27:45
  Speaker 3: Like it was the same amount, Like the fact that
• 27:47
  Speaker 3: I'm a girl didn't add more haters. The only thing
• 27:51
  Speaker 3: is that the comments were different because they were more like, oh,
• 27:54
  Speaker 3: it's a female. We don't like females screaming in metal
• 27:57
  Speaker 3: stuff like that, you know, And of course the previous
• 28:01
  Speaker 3: singer didn't have that kind of comments, but he had
• 28:04
  Speaker 3: a lot of haters. And when we released the first
• 28:07
  Speaker 3: song Coda of the new album, I think it was
• 28:11
  Speaker 3: almost no haters, you know, like maybe maybe one percent.
• 28:15
  Speaker 3: And I think it took four songs for people to
• 28:19
  Speaker 3: understand and a lot of shows because we toured the
• 28:21
  Speaker 3: world last year. We went to the US, to Australia, Asia, Europe,
• 28:26
  Speaker 3: and I think people went to two shows and they
• 28:30
  Speaker 3: saw us live and they were happy with the fact
• 28:34
  Speaker 3: that I'm the new singer. They liked the energy, and
• 28:37
  Speaker 3: there was a lot of people that came at the
• 28:39
  Speaker 3: end of the show at the Merged stand while I
• 28:42
  Speaker 3: was there, and they were telling me, like, I'm so
• 28:45
  Speaker 3: happy that you there. There was some boys that told
• 28:48
  Speaker 3: me I was a septic when you joined the band,
• 28:51
  Speaker 3: like I was not happy, but I went to see
• 28:53
  Speaker 3: you live and Okay, now I'm convinced, and I will
• 28:56
  Speaker 3: come back and I will listen to your new songs.
• 29:00
  Speaker 3: So it was it was not that hard for me,
• 29:03
  Speaker 3: you know, like there was a lot of haters, but
• 29:05
  Speaker 3: I just didn't take it personally.
• 29:10
  Speaker 2: Yeah, I get that. Well.
• 29:11
  Speaker 1: I think it's great like attitude to have with all
• 29:14
  Speaker 1: of that, like knowing that, yeah, there's gonna be dedicated
• 29:16
  Speaker 1: fans that are gonna be disappointed, like they you know,
• 29:18
  Speaker 1: they've grown accustomed to a certain sound or whatever, and
• 29:21
  Speaker 1: obviously your voice is gonna be a little different. But
• 29:23
  Speaker 1: I love the direction that you all are going, Like,
• 29:25
  Speaker 1: I just think like you're an amazing addition to the band,
• 29:28
  Speaker 1: and I just really I'm just like really impressed by
• 29:31
  Speaker 1: the direction you all are You're you're going, so yeah,
• 29:34
  Speaker 1: I'm really stoked. So well, last couple questions here. Let's
• 29:38
  Speaker 1: let's go into your top five most influential albums. So
• 29:41
  Speaker 1: let's let's talk about some of those albums that.
• 29:43
  Speaker 2: Have maybe shaped you as a musician or as a person.
• 29:47
  Speaker 3: Okay, so for the screaming parts, I will say songs
• 29:50
  Speaker 3: to scream at the sound from.
• 29:52
  Speaker 2: Have Heart Such a good Wait.
• 29:56
  Speaker 3: I think I know every word, every drum, It's on
• 30:00
  Speaker 3: the whole album. Of course, I will say Misery Business
• 30:04
  Speaker 3: from Paramore, of.
• 30:05
  Speaker 2: Course, If Got You, If Got You? Yeah, her voice
• 30:09
  Speaker 2: still like just stands apart.
• 30:11
  Speaker 1: She you don't really like I don't think I really
• 30:13
  Speaker 1: appreciated how great her voice is when, like, you know,
• 30:16
  Speaker 1: the band first started. But now I'm realizing how unbelievable
• 30:20
  Speaker 1: Harley's voices.
• 30:21
  Speaker 3: She's so talented, and even even in live like she
• 30:24
  Speaker 3: she sings so well. I think she's the best performer
• 30:27
  Speaker 3: for me ever, so good.
• 30:29
  Speaker 2: So that's a great pick. Great pick. That's two.
• 30:33
  Speaker 3: The third one I think it's it's a really recent
• 30:37
  Speaker 3: one and it hits me for the creativity and the weirdness.
• 30:41
  Speaker 3: It's motto Mummy from Larusalia. She's a Spanish singer and
• 30:47
  Speaker 3: if you hear the if you listen to the album
• 30:51
  Speaker 3: the first listen, I was like, what's was that? Like,
• 30:54
  Speaker 3: she's using sound of a motto in a song and
• 30:59
  Speaker 3: it's not even in rhythm, and it's really disturbing that
• 31:02
  Speaker 3: that's that's the word. It's disturbing. And it's been I
• 31:06
  Speaker 3: think thirty times that I listened to the album, and
• 31:09
  Speaker 3: now I'm like, yeah, that this is sounds like you're
• 31:12
  Speaker 3: used to it and and that's really cool. And I'm
• 31:15
  Speaker 3: really I'm trying to to be as disturbing as she is.
• 31:20
  Speaker 2: I love that. That's cool. When when did that album
• 31:22
  Speaker 2: get released.
• 31:23
  Speaker 3: I think it was three three years ago.
• 31:27
  Speaker 2: Okay, so it's pretty new.
• 31:28
  Speaker 3: Yeah, it's pretty new, so pretty four. I would say
• 31:33
  Speaker 3: again Hard Times Power More. Also, I really a this. Yeah,
• 31:40
  Speaker 3: it's it's a good inspiration and was the fifth one.
• 31:45
  Speaker 2: By the way, have you met Haley before?
• 31:47
  Speaker 3: Never?
• 31:49
  Speaker 2: You need to make that happen.
• 31:51
  Speaker 3: That's that's one of my you know, bucket lists of
• 31:54
  Speaker 3: my life. Yes, yeah, exactly, and the last one I'm
• 31:58
  Speaker 3: really bad at. There so many albums it's too hard
• 32:01
  Speaker 3: to choose. Now. There is the hit me Hard and
• 32:04
  Speaker 3: Soft of Billie Eilish and this one is also. I
• 32:11
  Speaker 3: listen to it so many times. I think it's when
• 32:14
  Speaker 3: I when I will have my Spotify wrap, is gonna
• 32:16
  Speaker 3: be on my top for sure.
• 32:19
  Speaker 2: Yeah. Yeah, that's that's awesome. That's cool. That's a great list.
• 32:22
  Speaker 1: I love the like just like, yeah, you get Billie
• 32:25
  Speaker 1: Eilish in there, a couple of paramoores and then even
• 32:27
  Speaker 1: have Heart, like you got to throw a have the
• 32:29
  Speaker 1: Heart in there, so that that's a that's a great list. Yeah,
• 32:33
  Speaker 1: I'm a big thing since you all well I know
• 32:36
  Speaker 1: you're not originally from from France, but you know the
• 32:39
  Speaker 1: rest of the band I think is mostly from France.
• 32:41
  Speaker 2: Are you, like, are you guys familiar at all with
• 32:43
  Speaker 2: Birds in Row?
• 32:45
  Speaker 3: I don't know them. Well, I know the band, of course,
• 32:48
  Speaker 3: but I don't know them personally. But I'm from friends,
• 32:50
  Speaker 3: you know, I'm half but I'm totally French. I was
• 32:55
  Speaker 3: born in France.
• 32:56
  Speaker 2: Oh you are okay? Okay?
• 32:59
  Speaker 1: Well, I like Birds and Rows like one of my
• 33:01
  Speaker 1: favorite bands. They very rarely tour in the US. They're
• 33:05
  Speaker 1: almost always touring in Europe. But I know, but I
• 33:08
  Speaker 1: know they're from from France. I don't know if they're from.
• 33:09
  Speaker 2: Paris or not.
• 33:10
  Speaker 1: But but yeah, I think Birds in Rows like seriously,
• 33:13
  Speaker 1: they're like probably a top ten favorite band of all
• 33:15
  Speaker 1: time for me.
• 33:16
  Speaker 3: Yeah, yeah, I totally agree with that.
• 33:18
  Speaker 2: Incredible. Yeah, they're they're great.
• 33:20
  Speaker 1: Yeah, they're like yeah, since you're like kind of a
• 33:22
  Speaker 1: have part fan, they've got like, you know, those hardcore vibes,
• 33:25
  Speaker 1: but they've kind of got this cool, like indie sound.
• 33:27
  Speaker 2: They're unbelievable. That's awesome. Cool.
• 33:30
  Speaker 1: Well, uh, Camille, what do you what do you want
• 33:32
  Speaker 1: to plug? Obviously, the new album I think is coming
• 33:34
  Speaker 1: out in like twenty days now.
• 33:36
  Speaker 3: I don't know exactly, but yeah, this sixteen of May.
• 33:38
  Speaker 3: I don't know how many days.
• 33:39
  Speaker 1: Yeah, so yeah, it's coming up at least from the
• 33:41
  Speaker 1: time of the recording. It's coming out in like twenty days. Yeah,
• 33:44
  Speaker 1: So what what do you want to plug?
• 33:46
  Speaker 3: So the plug the thing we said before, right, because
• 33:50
  Speaker 3: I'm not sure I didn't.
• 33:52
  Speaker 1: Do like a real one first. So yeah, like the
• 33:54
  Speaker 1: album or like if you shows or whatever, like a
• 33:57
  Speaker 1: real one first.
• 33:57
  Speaker 3: We're gonna We're gonna tour again the US, the Europe,
• 34:01
  Speaker 3: and Asia started from September to promote the album and
• 34:07
  Speaker 3: too to Yeah, to show the world this album. And
• 34:11
  Speaker 3: I hope that you guys be there to to watch
• 34:14
  Speaker 3: it and to.
• 34:15
  Speaker 1: Listen to I can't Wait, can't wait, love it. Well,
• 34:19
  Speaker 1: I'm excited for anything else you'd like to plug.
• 34:22
  Speaker 3: As you know, I'm a chemist engineer and I'm doing
• 34:25
  Speaker 3: a cosmetics projects and I create a seerrup that can
• 34:30
  Speaker 3: make everyone's cream really well. So I'm gonna sell uh
• 34:35
  Speaker 3: these syrups really soon on my Instagram account. So stay tuned,
• 34:39
  Speaker 3: and I and I really hope you're gonna.
• 34:41
  Speaker 2: Buy some what what are you gonna call it?
• 34:44
  Speaker 3: I'm gonna call it.
• 34:46
  Speaker 2: You haven't you haven't come up with the name yet.
• 34:48
  Speaker 3: No, not yet. Oh, but there is there is another thing.
• 34:51
  Speaker 3: I'm gonna do a lip and lipstick, you know, and
• 34:54
  Speaker 3: we're gonna call it nove Lips. That's the joke. Remate.
• 34:59
  Speaker 1: Yah, that's gonna like that's you're selling that on the tour,
• 35:02
  Speaker 1: right like that that has to be sold soon.
• 35:04
  Speaker 3: Yeah, we're gonna We're gonna try it. We're gonna try
• 35:06
  Speaker 3: to make it.
• 35:08
  Speaker 1: I mean, I've I don't know if I've ever worn lipstick,
• 35:10
  Speaker 1: but I would wear novel Lips lipstick without a doubt.
• 35:14
  Speaker 3: Thank you, thank you.
• 35:15
  Speaker 2: I I'm all about that. I love that. I love that.
• 35:18
  Speaker 2: That's a that's a you know.
• 35:19
  Speaker 1: I wish more bands were more creative with like their
• 35:22
  Speaker 1: names and then like the merch that they create, Like
• 35:25
  Speaker 1: we just need more of that kind of fun creativity.
• 35:27
  Speaker 3: Yeah, I don't know, we'll see.
• 35:31
  Speaker 2: I love it. I love it well, Kimil.
• 35:33
  Speaker 1: Thank you so much for chatting more about the new
• 35:35
  Speaker 1: album and just Novelists and your history with the band.
• 35:38
  Speaker 2: Again.
• 35:39
  Speaker 1: I'm super stoked with this new album. This is just
• 35:41
  Speaker 1: gonna be really like, this might be an album that
• 35:44
  Speaker 1: I've got in my top albums at the end of
• 35:46
  Speaker 1: the year. I'm just really excited, thank you, thanks so
• 35:48
  Speaker 1: much for chatting more about it.
• 35:50
  Speaker 3: Thank you so much. And I really hope you like
• 35:51
  Speaker 3: it and and yeah, that's it. We put our hearts
• 35:54
  Speaker 3: in this album, so I hope guys you like it.