Latest / Stuff Mom Never Told You / SMNTY Interviews: WhatsHerName
Transcript
- 0:05Speaker 1: Hey, this is Annie and Samantha and walking Stuff. I
- 0:07Speaker 1: never told you production of iHeartRadio, and.
- 0:18Speaker 2: Y'all, we are so excited for this episode. We're bringing
- 0:22Speaker 2: back a friend of the show, fellow podcasters who do
- 0:26Speaker 2: the work of preserving women in history. Yes, it is
- 0:29Speaker 2: What's Her Name podcast hosts and creators Olivia and Katie. Hello, Hi, Hello,
- 0:35Speaker 2: great to be here. Can you introduce yourself to our
- 0:38Speaker 2: listeners or reintroduce Hi.
- 0:41Speaker 3: I'm Olivia Michael and with my history professor's sister co host, Katie,
- 0:48Speaker 3: we're the hosts of What's Her Name? Podcast? What's What's
- 0:52Speaker 3: Your Name?
- 0:53Speaker 4: Podcast?
- 0:53Speaker 3: Katie?
- 0:54Speaker 5: Yeah, So I'm Katie and Olivia and I are sister
- 1:00Speaker 5: in real life, and I guess that's how we ended
- 1:01Speaker 5: up doing the podcast. Olivia is a professor of women's
- 1:05Speaker 5: and gender studies, so I guess a women's history project
- 1:09Speaker 5: was inevitable at some point.
- 1:11Speaker 3: And for I think it's eight years we've been.
- 1:15Speaker 5: Telling years, which is stories, yeah, women from world history,
- 1:19Speaker 5: putting women back in world history.
- 1:22Speaker 2: Yes, and I love that now. It feels like it's
- 1:25Speaker 2: been forever ago. And I realized when I was looking
- 1:27Speaker 2: back on our episode with you, Olivia, because I know, Katie,
- 1:30Speaker 2: you couldn't join us at that time. It was April
- 1:33Speaker 2: twenty twenty. Things were happening, and things were happening. It
- 1:39Speaker 2: was the beginning of our home recording journey for all
- 1:44Speaker 2: of us. I believe I remember being in the kitchen
- 1:46Speaker 2: because I didn't nowhere else to go. And now we've
- 1:48Speaker 2: kind of upgraded to closets or addics for candy, and
- 1:52Speaker 2: I was just like, wow, this feels like forever ago,
- 1:55Speaker 2: because it was almost five years and you came to
- 1:59Speaker 2: us talking about Harriet Jacobs and nor Johan and we
- 2:03Speaker 2: had connected because we were all lists together, and we're like, yeah,
- 2:06Speaker 2: obviously we need to be interacting and having each other
- 2:10Speaker 2: on the podcast. Duh. But it's been been a minute,
- 2:13Speaker 2: So let me ask you the dreaded question, how have
- 2:17Speaker 2: y'all been?
- 2:21Speaker 3: I think the short answer is good question. I think
- 2:30Speaker 3: I think we're doing well well.
- 2:33Speaker 5: One of the awesome things is to see how in
- 2:37Speaker 5: the past five years, eight years, I suppose, it's been
- 2:41Speaker 5: a great surprise to see how eager the world is
- 2:45Speaker 5: to hear the stories of women in history. And when
- 2:48Speaker 5: we started the podcast, we had no idea that we
- 2:51Speaker 5: can tell you the origin story. But you know, the
- 2:53Speaker 5: short version is I wanted to do a podcast about
- 2:55Speaker 5: the forgotten women of history, and Olivia was like, nobody's going.
- 3:00Speaker 3: To listen to it?
- 3:01Speaker 5: Deeply cynical, yes, And I guess rightly. So she was like,
- 3:05Speaker 5: it's hard enough to convince people to listen to stories
- 3:09Speaker 5: about the already famous women. It's hard enough to get
- 3:12Speaker 5: them to care about that. And I wanted to do
- 3:14Speaker 5: women nobody had ever heard of, and who's going to
- 3:16Speaker 5: listen to that? But so the great takeaway for us
- 3:19Speaker 5: is people want to hear about it. You know, millions
- 3:22Speaker 5: of downloads later, people are ready and eager and excited,
- 3:27Speaker 5: and there are listeners all over the world who are
- 3:30Speaker 5: just eating this stuff up. So in that way, it's
- 3:33Speaker 5: just been really wonderful. Yeah, I've never been so happy
- 3:36Speaker 5: to be wrong.
- 3:38Speaker 2: We love that. And with all of that, the origin
- 3:41Speaker 2: stories and where we are today, can you give us
- 3:43Speaker 2: an update on what has been going on in the
- 3:45Speaker 2: world of What's her name?
- 3:47Speaker 3: Gosh, we have been busy. We wrote the four books, finished,
- 3:53Speaker 3: just finished the fourth. It's the book I've wanted to
- 3:56Speaker 3: write since I was seven, so I'm very excited about
- 3:59Speaker 3: it and it comes out this fall, but we are
- 4:03Speaker 3: three other ones. We can talk about a couple books.
- 4:06Speaker 5: For middle grade books, we've written the Book of Sisters,
- 4:09Speaker 5: which is a history of the world through the stories
- 4:11Speaker 5: of sisters, illustrated by thirty eight different female illustrators from
- 4:16Speaker 5: all over the world. That was just such an amazing
- 4:18Speaker 5: progating And then probably the work I'll be proudest of
- 4:22Speaker 5: till the day I die, A Stinky History of Toilets,
- 4:25Speaker 5: which is a richly illustrated really discussing the history of poop.
- 4:32Speaker 3: Around the world. Yeah, which every time the illustrations came back,
- 4:37Speaker 3: or every time I knew layout came back, my husband
- 4:40Speaker 3: would just kind of look at it and go, I
- 4:41Speaker 3: can't believe letting you get away with so much food.
- 4:46Speaker 5: But then we finally wrote something for grown ups, and
- 4:49Speaker 5: it is a history of the world in eighty lost women,
- 4:52Speaker 5: and it's just a complete, as complete as you can
- 4:55Speaker 5: be history of the world from the beginning of time
- 4:58Speaker 5: to the modern era, told through the stories of eighty
- 5:01Speaker 5: women that nobody's ever heard.
- 5:03Speaker 3: Of, because like, what if women were there the whole time? Surprise.
- 5:09Speaker 3: It's a bold proposition, but I think.
- 5:13Speaker 2: Controvers proved it controversial For sure, yeah, And as I
- 5:17Speaker 2: was like, we were researching through your work and I
- 5:20Speaker 2: popped up done to the two children's book, I was like,
- 5:22Speaker 2: this is amazing foremost both of them, because it was
- 5:26Speaker 2: the poop one, the toilet one, the stinky history of
- 5:29Speaker 2: toilets was a surprise. I didn't realize look at that,
- 5:34Speaker 2: look like this. But of course I love the Book
- 5:37Speaker 2: of Sisters, the two of you being sisters and writing
- 5:39Speaker 2: this together and loving this journey. Seeing Korean sisters legends
- 5:45Speaker 2: being mentioned in the I was like, oh, look at that.
- 5:48Speaker 4: That's sad.
- 5:51Speaker 3: I was like, oh, I'm trying to tell that story
- 5:55Speaker 3: for children, because I don't know if you're familiar with
- 5:57Speaker 3: the whole story, but it is. It is. It's not
- 6:02Speaker 3: it's not a PG story. They made My writing challenge, ever,
- 6:07Speaker 3: was how am I gonna tell this story right in
- 6:11Speaker 3: a way that doesn't traumatize everyone and get us fired.
- 6:15Speaker 2: Did y'all watch the horror movie based on that?
- 6:17Speaker 3: Just have you seen?
- 6:19Speaker 5: Oh?
- 6:19Speaker 3: No, I just I just recently. Yeah, I get Movies Award.
- 6:25Speaker 3: It's because so like But we'll talk about that later.
- 6:28Speaker 3: That's besides the point. My kids watch it and they
- 6:31Speaker 3: can tell me all about perfect. We have our other
- 6:33Speaker 3: sister is obsessed with horror film. She's okay everyone, and
- 6:37Speaker 3: I'm sure she's seen it. She has will ask her
- 6:41Speaker 3: for okay, okay version.
- 6:43Speaker 2: I think you did a good job with the PG version,
- 6:45Speaker 2: like you kind of melted it down.
- 6:47Speaker 3: Like okay. Very impressed with myself.
- 6:49Speaker 2: Yeah, it was good and the art is gorgeous. And
- 6:52Speaker 2: for your newest or newer book, and that has been
- 6:55Speaker 2: released what's her name? A History of the World in
- 6:57Speaker 2: eighty Lost Women, it's really also amazing and I really
- 7:01Speaker 2: love the layout. It kind of it was nice to
- 7:04Speaker 2: see because we kind of had similar ideas in I
- 7:07Speaker 2: think all that same level, like let's make it interactive,
- 7:09Speaker 2: let's have them kind of be a part of this,
- 7:11Speaker 2: and you're asking questions and you're getting polls of people's opinions,
- 7:15Speaker 2: and I loved so much of that. So with that,
- 7:18Speaker 2: you kind of explained about this book. But can you
- 7:20Speaker 2: go into more depth about what this book is about.
- 7:24Speaker 5: We were approached to write a book based on the podcast,
- 7:27Speaker 5: and immediately I thought, what would make it fun for me?
- 7:32Speaker 3: What would make an interesting challenge?
- 7:35Speaker 5: And I've taught world history at university for you know,
- 7:38Speaker 5: eleven or fifteen years something, I don't know how long,
- 7:41Speaker 5: for a long time, and I just immediately thought, what
- 7:45Speaker 5: would be such an interesting challenge. Could I tell a
- 7:49Speaker 5: complete history of the world, you know, by like academic
- 7:52Speaker 5: standards of what you need to know after you come
- 7:54Speaker 5: out of a world history course.
- 7:55Speaker 3: Could I teach.
- 7:56Speaker 5: A history of the world using only the stories of
- 7:59Speaker 5: forgotten women? And immediately I was like, oh, now that
- 8:02Speaker 5: sounds fun, that sounds intriguing. And it turned out that
- 8:07Speaker 5: it was even easier than I thought it was going
- 8:09Speaker 5: to be.
- 8:09Speaker 3: That it was not.
- 8:10Speaker 5: Difficult to find women's stories that are that either are
- 8:17Speaker 5: emblematic of a moment in time or women who played
- 8:20Speaker 5: some hugely significant role in different moments in time from
- 8:24Speaker 5: the Stone Age all the way through the present day.
- 8:27Speaker 5: So I guess that was the beginning of it. And
- 8:30Speaker 5: then for a good year was it a full year?
- 8:33Speaker 3: Maybe longer? Olivia. Yeah, that's a theme with our work,
- 8:38Speaker 3: is that we get offered a project and then we say,
- 8:43Speaker 3: how about instead of that project, we do this other
- 8:46Speaker 3: much more complicated, much more difficult, much more time consuming.
- 8:49Speaker 3: We don't even know if it's possible project instead, sure, okay,
- 9:00Speaker 3: but yeah, this one just it turned out so great.
- 9:03Speaker 4: I'm so proud of it.
- 9:04Speaker 5: And I think it was because of a maybe because
- 9:06Speaker 5: of my experience in the classroom. I wanted to make
- 9:09Speaker 5: it interactive, like you said, because that's how you get
- 9:12Speaker 5: the class engaged. You don't just say, here are the facts,
- 9:14Speaker 5: memorize them, and spit them back at me on the exam.
- 9:18Speaker 5: You say, here's what we know, here's what we don't know.
- 9:22Speaker 5: Here are the different really sound theories that have a
- 9:25Speaker 5: lot of academics that agree with them.
- 9:27Speaker 3: Which one do you think?
- 9:28Speaker 5: So you get to pick as you go, and like
- 9:31Speaker 5: you said, there's a lot of like checklists, you choose,
- 9:33Speaker 5: you know what, how do we explain this phenomenon? And
- 9:37Speaker 5: every one of the possible options in the checklist, every
- 9:41Speaker 5: one of them is a sound academic theory that's supported
- 9:44Speaker 5: by hundreds or thousands of different you know, professors and academics.
- 9:48Speaker 3: But you get to choose.
- 9:49Speaker 5: So it's yeah, kind of like taking you for a
- 9:51Speaker 5: ride through history, but you get it's to choose your
- 9:53Speaker 5: own adventure of what you.
- 9:55Speaker 2: Did that you actually did to choose your own adventure
- 9:57Speaker 2: in part of this, and I was like, we wanted
- 9:59Speaker 2: to do this.
- 10:00Speaker 3: They did it.
- 10:00Speaker 2: It's amazing, envious, and very excited.
- 10:06Speaker 5: And that's how history should be. I think you know
- 10:08Speaker 5: that there's so many different stories. You get to choose
- 10:11Speaker 5: which ones resonate with you and which ones you want
- 10:15Speaker 5: to construct the storyline from.
- 10:18Speaker 3: That's what makes it so fun.
- 10:19Speaker 5: I'm not of the school of memorize these facts and
- 10:23Speaker 5: then spit them out on an exam.
- 10:25Speaker 3: That's the way you do history wrong. I think that's true.
- 10:29Speaker 3: I especially like that approach, just because I got very
- 10:34Speaker 3: politely kicked out of an anthropology degree for that very thing,
- 10:38Speaker 3: for refusing to pick a side, for refusing to choose
- 10:42Speaker 3: one option and insist that it was the right one,
- 10:45Speaker 3: and they were like, you can't you have to choose.
- 10:46Speaker 3: You can't say, well, we don't know. So I'm now
- 10:49Speaker 3: very pleased that I was right. And even anthropology is
- 10:53Speaker 3: coming around now too. We don't know. We've pretended we
- 10:57Speaker 3: knew for a long time, but it could be any
- 11:00Speaker 3: these options right for thinking answers are boring to me.
- 11:03Speaker 3: I always prefer questions. I will take better questions over
- 11:06Speaker 3: answers in any situation. So it's fun to force people
- 11:11Speaker 3: to adopt that theory of looking at history.
- 11:19Speaker 1: Yeah, I mean that is it can be frustrating sometimes
- 11:23Speaker 1: as a podcaster when I'm like, I want to find
- 11:27Speaker 1: the answer and I think it exists in history, and
- 11:30Speaker 1: it's like.
- 11:31Speaker 3: No, we don't know.
- 11:33Speaker 4: Yeah, no idea.
- 11:35Speaker 5: I love to fill in the gaps and invent my
- 11:37Speaker 5: own I mean, will I will construct the plotline in
- 11:41Speaker 5: my head and I'll say this is the way it
- 11:43Speaker 5: went in my head, So I will land somewhere, but
- 11:46Speaker 5: also allow other people to land in different places if
- 11:50Speaker 5: they want to construct, they want to fill in the
- 11:52Speaker 5: gaps in a different way.
- 11:54Speaker 3: Yeah, And my favorite thing about history is that you
- 11:57Speaker 3: can be one hundred percent sure you know what happened.
- 12:00Speaker 3: We know what happened here, and even though this happened
- 12:03Speaker 3: a thousand years ago, tomorrow we might find something that
- 12:08Speaker 3: means that everything we knew was wrong. And I love
- 12:11Speaker 3: that you can be still discovering completely new information about
- 12:16Speaker 3: things that happened thousands of years ago.
- 12:21Speaker 4: Yeah, that's amazing.
- 12:22Speaker 1: We have a segment on this show called female First,
- 12:25Speaker 1: and it's astounding to me how they'll be like, you know,
- 12:29Speaker 1: just a couple of years ago, we learned something about
- 12:31Speaker 1: that changed everything. Yes, So with all of that in mind,
- 12:46Speaker 1: it's daunting enough to write a book, then you've got
- 12:50Speaker 1: all this complicated history. Can you tell us about the
- 12:54Speaker 1: writing process that went into this. How did it the
- 12:57Speaker 1: writing and research? How did that play out?
- 13:01Speaker 5: Some Initially, I think because I'm the world historian, the
- 13:06Speaker 5: job was mine to at least lay out the big
- 13:10Speaker 5: picture outline. So what I did first was sit down
- 13:14Speaker 5: and say, okay, so what are the major episodes of
- 13:17Speaker 5: world history that I want to make sure we include
- 13:20Speaker 5: that are in the book. So I outlined all of
- 13:22Speaker 5: those from the Stone Age to the modern era. Okay,
- 13:25Speaker 5: we need to have this episode. You know, we're definitely
- 13:27Speaker 5: going to need something from nineteenth century China. I mean,
- 13:31Speaker 5: that was this whole show that we definitely need something
- 13:34Speaker 5: from there, you know, just those major episodes. Had that outlined,
- 13:38Speaker 5: and then we looked at all the episodes we had
- 13:40Speaker 5: already recorded and thought and sort of slotted some of
- 13:44Speaker 5: those in. Know, this tells this this is great Neolithic stories,
- 13:48Speaker 5: We'll slot.
- 13:48Speaker 3: Her in there.
- 13:49Speaker 5: And then where there were gaps where we hadn't had
- 13:52Speaker 5: episodes of particular moments in time, you know, that's when
- 13:56Speaker 5: the research began to go. Research in more depth, for example,
- 14:01Speaker 5: like ninth century Africa in order to see what women's
- 14:06Speaker 5: stories were going on there.
- 14:08Speaker 3: So there was some.
- 14:09Speaker 5: New and in depth research in some areas, and then
- 14:12Speaker 5: in other areas it was like, oh, we already have
- 14:14Speaker 5: like twelve episodes about this episode, so this moment in history,
- 14:18Speaker 5: so we'll have to narrow it down and choose just
- 14:21Speaker 5: one or two of the women to tell this story.
- 14:24Speaker 5: So that was kind of the big picture process, and
- 14:27Speaker 5: then we just went through chronologically. We wrote it chronologically
- 14:33Speaker 5: over the course of a year and would give ourselves
- 14:35Speaker 5: deadlines at the end of every month we have to have.
- 14:37Speaker 5: It was a chapter a month basically. And then because
- 14:41Speaker 5: we literally co wrote it using the same document, it
- 14:45Speaker 5: was on Google docs that we both had access to,
- 14:47Speaker 5: and we were just in there sort of typing and
- 14:50Speaker 5: having a conversation with each other in the Google doc
- 14:53Speaker 5: as we went.
- 14:56Speaker 3: And she's very politely not saying that we had deadline,
- 15:00Speaker 3: but I narrowly gave her a nervous breakdown because she
- 15:03Speaker 3: did I was having a rough here and I am.
- 15:09Speaker 3: I am not great on deadlines at the best of times,
- 15:11Speaker 3: and it was it was bad, and bless her for
- 15:16Speaker 3: putting up with me.
- 15:19Speaker 5: The farther you get into the book, because we wrote
- 15:21Speaker 5: it chronologically. The farther you get into the book, the
- 15:23Speaker 5: more of it I wrote, the more of Katie.
- 15:26Speaker 4: I guess.
- 15:26Speaker 3: Yeah. But we finished it. We did it. And here's
- 15:31Speaker 3: my psa to the world. Don't write two books at
- 15:35Speaker 3: the same time. Don't ever agree to write two books
- 15:38Speaker 3: at the same time. Oh you can't.
- 15:43Speaker 5: It's excuse how but it's part of things.
- 15:49Speaker 4: Well, congrats finishing it.
- 15:52Speaker 1: Yeah, And you know, Samantha and I can relate so
- 15:57Speaker 1: much to all of this if we ever get to
- 15:59Speaker 1: hang out and person, we could if we.
- 16:01Speaker 2: Did give like tales like yes, of the book.
- 16:05Speaker 1: Writing process and deadlines and all of that. But one
- 16:09Speaker 1: thing that I think that we could probably really relate
- 16:13Speaker 1: to is the difficulty of choosing whom you're going to
- 16:19Speaker 1: feature and what you're going to do. So for for us,
- 16:21Speaker 1: it was a little different because ours was I think
- 16:25Speaker 1: more condensed in terms of like who we were featuring,
- 16:30Speaker 1: but it did feel like by featuring someone, you're leaving
- 16:32Speaker 1: someone else out, and like, what are you saying by
- 16:35Speaker 1: choosing this person and not this person? Yes, So, how
- 16:40Speaker 1: how was that for you? And how did you choose
- 16:42Speaker 1: the people you were going to feature.
- 16:44Speaker 5: That's a great question that only somebody who has been
- 16:46Speaker 5: through it would know to ask our way to make
- 16:52Speaker 5: a big paint of that in the intro of like,
- 16:55Speaker 5: this is ah history.
- 16:58Speaker 3: It is a history, it is not the history. And
- 17:01Speaker 3: we could write this book with eighty different women and
- 17:04Speaker 3: it would be everybit as accurate and true to history
- 17:06Speaker 3: and be a completely different story. You know, the idea
- 17:09Speaker 3: that there's only certain people in history that matter that
- 17:13Speaker 3: should be included is ridiculous, and that you can tell
- 17:17Speaker 3: it so many different ways, and so the yeah, I
- 17:22Speaker 3: get lots of people. I'm sure you get the same
- 17:24Speaker 3: that assume that our main problem in writing and podcasting
- 17:28Speaker 3: everything is finding enough women, like aren't you going to
- 17:32Speaker 3: run out of women soon? Which is still mind blowing
- 17:36Speaker 3: to me.
- 17:37Speaker 5: No.
- 17:37Speaker 3: In fact, there have been more than many one hundred
- 17:41Speaker 3: and fifty one women in the whole history of the
- 17:44Speaker 3: world who did something problem. But the problem is always
- 17:48Speaker 3: the opposite of you know, we started with three hundred
- 17:51Speaker 3: and twenty women and had to keep cutting it down.
- 17:55Speaker 3: You know, our publishers like, you cannot you cannot go
- 17:57Speaker 3: over one hundred. You must keep it under one hundred.
- 18:01Speaker 5: And I think, so I made sure to sort of
- 18:04Speaker 5: address that in the introduction and then at the conclusion again,
- 18:07Speaker 5: as you said, Olivia, like, what I find wonderful about
- 18:12Speaker 5: history is that there is no set cast of main characters,
- 18:16Speaker 5: and that history is like this treasure trove of human
- 18:22Speaker 5: stories and truths that you can just dive into again
- 18:26Speaker 5: and again. It's almost endless, all the stories that have
- 18:29Speaker 5: been lived before and all the things people have learned
- 18:32Speaker 5: and done in the past. And so what's so beautiful
- 18:35Speaker 5: about history is that every time you find a new person,
- 18:38Speaker 5: you find a new truth that they lived or that
- 18:41Speaker 5: they learned. And so the beauty is keep on diving in,
- 18:45Speaker 5: keep on finding new characters, Get write another story with
- 18:49Speaker 5: a different cast, and see how that story plays out.
- 18:52Speaker 5: So I think, I mean, you couldn't blame people for
- 18:54Speaker 5: believing there is a fixed cast of main characters, because
- 18:57Speaker 5: that's what we were taught in school, and that's how
- 18:58Speaker 5: the textbooks make it. You know, like there was this
- 19:01Speaker 5: important person and if you left that person out, you
- 19:04Speaker 5: wouldn't have the complete history or you know, things like that.
- 19:07Speaker 5: But it's just the more I teach world history, the
- 19:10Speaker 5: more I know that's just not true. And that the
- 19:12Speaker 5: bigger stories always involved millions of people, and you could
- 19:17Speaker 5: tell that episode through any one of those people who
- 19:21Speaker 5: lived it. It's sort of like switching cameras in a movie.
- 19:24Speaker 5: You know, you can tell the same story, but from
- 19:27Speaker 5: this perspective, now switch to this perspective or this perspective,
- 19:30Speaker 5: And every time you add more characters, it makes a
- 19:33Speaker 5: story so much more interesting. It comes alive in completely
- 19:36Speaker 5: new ways. So it can be painful to choose the characters.
- 19:42Speaker 5: But as long as in doing that you show people like, wow,
- 19:48Speaker 5: this story is totally fascinating and different in new ways. Now,
- 19:51Speaker 5: then maybe we can all realize that we could choose
- 19:55Speaker 5: all kinds of different people from history and it doesn't
- 19:57Speaker 5: mean that we're ignoring or erasing the other. It just
- 20:00Speaker 5: means we're switching cameras to look at it in new ways.
- 20:05Speaker 5: I think that's the way we're headed. I even think
- 20:07Speaker 5: that's the way textbooks are headed, the way that things
- 20:10Speaker 5: have been involving in the last ten years in academia.
- 20:13Speaker 2: Yeah, I love everything that was said because we again
- 20:15Speaker 2: Annie was talking about the fact that we were like, oh,
- 20:17Speaker 2: we don't want to exclude anybody. We want to bring
- 20:19Speaker 2: everybody in, and then our editors are like no, no, no, no, no,
- 20:21Speaker 2: we have to cut this, we have to cut this
- 20:23Speaker 2: and this, And I'm like, but why, But there's so
- 20:26Speaker 2: much to that in knowing that if there was a
- 20:30Speaker 2: very small choice in finding women is not because they're
- 20:32Speaker 2: not there. It's because either A they haven't been discovered
- 20:35Speaker 2: or B they've been hidden or the history has trying
- 20:38Speaker 2: to erase them. But I love that as more and
- 20:40Speaker 2: more content creators, more and more professors like yourself, and
- 20:44Speaker 2: more and more people coming out discovering or retelling these stories,
- 20:48Speaker 2: and that's exactly why books like this are so important.
- 20:52Speaker 2: But you know, at the very top, when you were
- 20:53Speaker 2: talking about the book, you did say something about you
- 20:56Speaker 2: knew you had to include this these specific people. So
- 21:01Speaker 2: with that, who are some of these people? You're like, Yeah,
- 21:05Speaker 2: before we even write this book, I know these are
- 21:07Speaker 2: the people I want to include. Who were they? And
- 21:09Speaker 2: why ah?
- 21:11Speaker 3: And why yes?
- 21:14Speaker 5: Just to speak generally, some of them are like, we
- 21:16Speaker 5: personally love them so much that they have to go
- 21:20Speaker 5: in because like this is my personal hero or something
- 21:22Speaker 5: like that. And then other times I think I felt
- 21:25Speaker 5: really strongly about choosing this or that woman because to
- 21:29Speaker 5: use the same metaphor, this shift of cameras totally changes
- 21:34Speaker 5: the way that we perceive the event. And the one
- 21:36Speaker 5: that springs to mind for me is including in talking
- 21:39Speaker 5: about the story of the cult of Liberty and the
- 21:42Speaker 5: American Revolution and you know that whole entire episode in
- 21:46Speaker 5: History where the camera is usually on Thomas Jefferson and
- 21:48Speaker 5: George Washington and you know those characters. If you shift
- 21:52Speaker 5: the camera to the enslaved woman who is in the
- 21:57Speaker 5: room while they're all sitting around the dining room table
- 22:00Speaker 5: talking about liberty and how are we going to.
- 22:02Speaker 3: Pull this off?
- 22:03Speaker 5: While a slave is serving them, you know, at their
- 22:06Speaker 5: dining room table, shift to her, how does she see
- 22:09Speaker 5: the event and how does it all play out for her? Well,
- 22:11Speaker 5: that completely, I mean, that just blows wide open the
- 22:14Speaker 5: whole story of the American Revolution in the most enlightening
- 22:17Speaker 5: and amazing way. So it was those kind of camera
- 22:19Speaker 5: shifts too that were like, we have to do this
- 22:21Speaker 5: because it's just.
- 22:23Speaker 3: So brilliant when you shift cameras like that in these episodes. Yeah,
- 22:27Speaker 3: I mean an obvious one for me that I know,
- 22:30Speaker 3: for you know, for when we did episodes on them,
- 22:34Speaker 3: we just kept going How did we not know any
- 22:36Speaker 3: of this? How are we not talking about this? Was
- 22:39Speaker 3: the fact that I will insert the academic Arguably but definitely,
- 22:46Speaker 3: the two most important figures in the Spanish colonization of
- 22:51Speaker 3: what is now Mexico are women who no one outside
- 22:56Speaker 3: of Mexico has ever heard of. They're more important than Cortez.
- 23:00Speaker 3: They're more important. I mean, they are the key to
- 23:04Speaker 3: that entire era of history, to what happens, to how
- 23:08Speaker 3: it happens to, you know, the fundamental shift in how
- 23:13Speaker 3: the world behaves toward the New World, and nobody even
- 23:17Speaker 3: talks about them, which is ridiculous, It's absurd. And whenever
- 23:22Speaker 3: I tell people, you know, I just sort of casually mention, oh,
- 23:25Speaker 3: by the way, did you know that? And their minds
- 23:27Speaker 3: are blown and they're angry. They're angry that this was
- 23:32Speaker 3: never told, even though everyone at the time knew, they
- 23:34Speaker 3: were talking about it at the time. It's not like
- 23:37Speaker 3: nobody knew she was there. You know, Molentcine is central
- 23:40Speaker 3: in every picture of Cortes interacting with anybody, and yet
- 23:46Speaker 3: we just pretend she, oh, some woman. I don't know,
- 23:49Speaker 3: we don't know why there's a woman there. That's the
- 23:51Speaker 3: biggest person in the entire picture, and Cortes is standing
- 23:54Speaker 3: behind her as a little shrimpy you know nothing.
- 23:58Speaker 2: I love that you come in with like a party
- 23:59Speaker 2: conversation with this. Did you know.
- 24:02Speaker 3: I'm very annoying to be around. I'm sure I'm never
- 24:06Speaker 3: not on my soapbox. I like, I tried bally hard.
- 24:10Speaker 5: Yeah, I crowded best just standing next to someone and
- 24:14Speaker 5: be like, so, what do you know about the conquest
- 24:16Speaker 5: of Mexico?
- 24:19Speaker 2: This is the information I would want to know.
- 24:22Speaker 3: My eighteen year old pointed out to me a couple
- 24:27Speaker 3: of months ago just how ridiculous I am. In a
- 24:30Speaker 3: good way. He was laughing with love. But this was
- 24:35Speaker 3: an entirely normal interaction to me. But we were just
- 24:37Speaker 3: driving along somewhere in the car and we're just silent,
- 24:40Speaker 3: and all of a sudden, I said, so do you
- 24:43Speaker 3: want to hear my most controversial archaeological opinion? And he
- 24:48Speaker 3: just burst out laughing. And I didn't even I couldn't
- 24:51Speaker 3: even for a minute. I was like, why is he leven?
- 24:52Speaker 3: And then I went, oh, that is probably a weird,
- 24:56Speaker 3: weird conversation starter for a mother and her teen age
- 25:00Speaker 3: child in a car. And he just started off, He's like,
- 25:03Speaker 3: you're so weird. I love it. But then we talked,
- 25:07Speaker 3: you know, for an hour about our most controversial archaeological opinions,
- 25:10Speaker 3: and so yeah, we're nerds to the core, and that's
- 25:13Speaker 3: where I think all of this comes out of true
- 25:17Speaker 3: nerdy passion, right, all of this. We're so excited about
- 25:21Speaker 3: it that you can't help, I hope, but also be
- 25:25Speaker 3: excited about it when you are leading or hearing us enthus.
- 25:30Speaker 2: Teaching the next generation to have that conversation as well.
- 25:33Speaker 2: I mean, come on, yeah, that's what a good parent does.
- 25:35Speaker 4: So great job.
- 25:36Speaker 3: Yeah he did apparently go to school and tell everyone
- 25:39Speaker 3: about my most controversial archaeologicalis.
- 25:42Speaker 6: I love it sharing it. This is how we read history.
- 25:56Speaker 2: Well, let's look behind the cards a little bit in
- 25:57Speaker 2: this writing process because we talked about the people you did. So,
- 26:01Speaker 2: was there something you planned at the beginning in this
- 26:03Speaker 2: writing or for the book but changed as you were
- 26:07Speaker 2: in the process of writing it?
- 26:10Speaker 3: Yeah, quite a bit.
- 26:13Speaker 5: The list of women who were included changed as we
- 26:18Speaker 5: went pretty regularly. And it was funny because we had
- 26:21Speaker 5: already given the list to our editor because he'd sent
- 26:25Speaker 5: it on to their promo team.
- 26:27Speaker 3: You know, and they were using it to.
- 26:30Speaker 5: Send the book out to different countries, you know, all
- 26:32Speaker 5: those kinds of things, and then we'd be like, oh,
- 26:35Speaker 5: well the list has actually changed now, so now it's
- 26:37Speaker 5: these people, you know. And then a month later, okay,
- 26:40Speaker 5: and we've had to take her out because we realized
- 26:42Speaker 5: we really need to tell this story instead, so now
- 26:44Speaker 5: this woman is included in.
- 26:46Speaker 3: So it was it was constantly tweaking of like era
- 26:51Speaker 3: and region and theme and story, you know, just like
- 26:55Speaker 3: every possible cross cross reference.
- 27:00Speaker 5: We really wanted to make sure that we were choosing
- 27:05Speaker 5: as diverse a group as we possibly could in all ways,
- 27:10Speaker 5: including geographical and time period and what kind of a
- 27:14Speaker 5: story are they telling? Is this an athlete, is this
- 27:17Speaker 5: a politician, is this an artist? You know, all of
- 27:20Speaker 5: those things that we were working really hard to make
- 27:23Speaker 5: sure that we had representation from all those different categories.
- 27:28Speaker 5: So it was it was a endless juggling, endless juggling,
- 27:33Speaker 5: I think, And that's why I think at the end
- 27:35Speaker 5: we said, if we chose in a different eighty Women,
- 27:37Speaker 5: the story would be enlightening in a new way.
- 27:40Speaker 3: It would be a very different story.
- 27:42Speaker 5: I think it would be really fun, even like a
- 27:44Speaker 5: game which they would be the world's nerdiest board game.
- 27:50Speaker 5: Once again, randomly select, randomly select these women, and then
- 27:56Speaker 5: construct a story that to them all together across time
- 28:01Speaker 5: and across the world.
- 28:02Speaker 3: I think that'll be so fun next Fourth of July barbecue. Right,
- 28:08Speaker 3: That is genuinely the kind of thing we do at
- 28:11Speaker 3: family gatherings with our family, Like, you know, let's let's
- 28:15Speaker 3: construct this timeliner. Let's go through the slide show of
- 28:18Speaker 3: the history of the Ottoman Empire at the fourth of July.
- 28:20Speaker 4: We're weird. That's great.
- 28:24Speaker 3: Yeah, there was there was one woman who we decided
- 28:28Speaker 3: to sub out for someone else and then found out
- 28:31Speaker 3: that they had put her on the cover, so we
- 28:34Speaker 3: had to put her back in, which I was happy.
- 28:36Speaker 3: We love her, but it was like, yow, she's on
- 28:39Speaker 3: the cover now, I guess get back in.
- 28:44Speaker 2: Relatable we've had these are like, oh, I think we
- 28:46Speaker 2: mentioned them, but we never mentioned them again. Yeah, yeah,
- 28:50Speaker 2: so we've been there.
- 28:53Speaker 4: Yes, there's a lot of moving parts when we're writing
- 28:56Speaker 4: a book.
- 29:00Speaker 1: Yeah, the cover we've learned is very important.
- 29:03Speaker 5: Yeah, And like initially the illustrations they because the venus
- 29:07Speaker 5: of Willendorff is in the book and the illustration of
- 29:10Speaker 5: the venus, which I personally loved. The illustrator of the
- 29:13Speaker 5: cover is Ellen Winata in Singapore and her illustration the
- 29:18Speaker 5: Venus of Willendorf is just gold.
- 29:20Speaker 3: I loved it.
- 29:21Speaker 5: And that was on the cover originally, and then somebody
- 29:24Speaker 5: took the venus off the cover and then you know,
- 29:27Speaker 5: for me, that was like, no, she was going to
- 29:29Speaker 5: be if she was on the binding, she was going
- 29:32Speaker 5: to be the icon of the book.
- 29:33Speaker 3: And then she wasn't. Maybe somebody was like, it was boobs.
- 29:37Speaker 3: Maybe they'll let us buy her and put her on
- 29:39Speaker 3: a T shirt. Yeah, maybe, yeah, March. You know, so
- 29:43Speaker 3: we can write books full of poop for children, but
- 29:47Speaker 3: no ancient boobs, but books stone age. The rules of
- 29:51Speaker 3: publishing are strange.
- 29:54Speaker 5: Yeah, I am speaking of merch though, now that you
- 29:57Speaker 5: mention it.
- 29:58Speaker 3: Look, I'm wearing a shirt.
- 29:59Speaker 5: This is one of the the new shirts that we
- 30:01Speaker 5: made from the It's just got a line from the book,
- 30:04Speaker 5: Less Patriarchy, more Elephant. That's one of the options when
- 30:09Speaker 5: you take the Ancient Empire's test, which empire would you
- 30:12Speaker 5: have lived in?
- 30:12Speaker 3: That's one of the options.
- 30:13Speaker 5: If your personality is less patriarchy, more elephant, then it
- 30:17Speaker 5: turns out you lived in ancient Vietnam. So yeah, Olivia
- 30:21Speaker 5: really wanted that line on a T shirt.
- 30:23Speaker 3: It has to be on a T shirt with no context, right,
- 30:26Speaker 3: just yes, yes, the people who know will know your bond.
- 30:35Speaker 6: It.
- 30:36Speaker 4: We have one I still want to do.
- 30:39Speaker 1: Unfortunately, I think there will be balls.
- 30:55Speaker 3: Remember that distinctly.
- 30:57Speaker 1: Well, all of this research, did you run across anything
- 31:03Speaker 1: that really surprised you or something that you discovered that
- 31:07Speaker 1: you hadn't heard before even doing all this research?
- 31:10Speaker 5: Constantly, constantly, Yeah, And that's the whole story of the
- 31:14Speaker 5: podcast too. For eight years, we're just constantly encountering stuff
- 31:17Speaker 5: we had never heard of, you know, almost every episode
- 31:21Speaker 5: these women we've never heard of also, And I guess
- 31:25Speaker 5: that's what so makes the podcast so fun for us.
- 31:29Speaker 5: It's going to school, you know, we're still in school
- 31:32Speaker 5: eight years later. And our general strategy is, well, people
- 31:36Speaker 5: who've written biographies will approach us to be on the podcast,
- 31:39Speaker 5: and then we learn about the woman that way. But
- 31:42Speaker 5: we also like to just approach experts in all fields
- 31:47Speaker 5: all over the world and just say to them, is
- 31:49Speaker 5: there a woman in your field that you think deserves
- 31:51Speaker 5: more attention than she gets? And they always say yes, always,
- 31:57Speaker 5: and it's almost always a woman we've never heard of either.
- 32:00Speaker 5: So yeah, every episode we make is so fun for
- 32:04Speaker 5: us because we get to deep dive into this story
- 32:07Speaker 5: that we'd never heard of either. So I mean, as
- 32:10Speaker 5: people who have taught the subject for a decade, that
- 32:14Speaker 5: is so thrilling and so encouraging. I think there's just
- 32:18Speaker 5: so much out there. The work is being done. It
- 32:20Speaker 5: is absolutely being done. Up to eleven, there is so
- 32:24Speaker 5: so much out there, and like I said, the world
- 32:28Speaker 5: is ready for it. I think all these books are
- 32:30Speaker 5: being published, all these people are working on these projects.
- 32:33Speaker 5: So we're like right on the cusp of it entering
- 32:37Speaker 5: the mainstream historical narrative. And I think for the next
- 32:40Speaker 5: generation the story is going to be radically different.
- 32:43Speaker 3: It's going to be awesome because I think that is right.
- 32:47Speaker 3: That's the power that is sometimes recognized, not usually not
- 32:52Speaker 3: recognized about teaching, is that you're setting the normal right
- 32:58Speaker 3: that we all came up through. When I was a
- 33:02Speaker 3: women's studies undergrad the narrative was women didn't do stuff.
- 33:08Speaker 3: It wasn't their fault, they weren't allowed to, but mostly
- 33:11Speaker 3: they didn't do stuff, and there was this kind of
- 33:15Speaker 3: feeling that you were sort of shoehorning women into the story. Well,
- 33:20Speaker 3: you're just trying to go find a woman so that
- 33:22Speaker 3: you can she wasn't as good or she didn't do things,
- 33:25Speaker 3: and that was that was the women's studies people narrative, right,
- 33:28Speaker 3: It wasn't their fault, but they just didn't And so
- 33:31Speaker 3: watching it shift as everyone went, oh, no, In fact,
- 33:35Speaker 3: women were always doing stuff. All you have to do
- 33:39Speaker 3: is kind of poke a tiny bit and they just
- 33:42Speaker 3: come pouring out. It's not like you're having to go,
- 33:46Speaker 3: you know, dig through layers of stuff to find the
- 33:49Speaker 3: one woman you could possibly maybe justify. It's there's so many,
- 33:54Speaker 3: there's so many stories constantly just you know, falling out
- 33:59Speaker 3: of every every pocket of the universe whenever you start
- 34:03Speaker 3: looking for them. And I love that the problem is
- 34:07Speaker 3: we're having to say no, right, We're having to just
- 34:09Speaker 3: like say no to whole categories. We've just we can't
- 34:12Speaker 3: do any more of this, and we can't we have
- 34:15Speaker 3: too many white Americans and we can't do another white
- 34:18Speaker 3: American for a year. Or you know that we're having
- 34:23Speaker 3: to you know, turn down things instead of go searching
- 34:29Speaker 3: for things. Is a wonderful problem.
- 34:32Speaker 2: Yeah, I love that there's so much And speaking of
- 34:37Speaker 2: searching for things, Uh, you talk about legendary goddesses and
- 34:40Speaker 2: mythical women in your both of your books, the Sister
- 34:43Speaker 2: Book and in the Newest Book, and here we talk
- 34:46Speaker 2: about a lot of goddesses and legends, but we also
- 34:49Speaker 2: talk about the undertones that is often either as based
- 34:52Speaker 2: on some awful stereotype or sometimes it's like really banking
- 34:58Speaker 2: on the fact that they did so much. So do
- 35:00Speaker 2: you have this like almost two opposites when it comes
- 35:02Speaker 2: to legendary goddesses and or.
- 35:06Speaker 3: All of these people.
- 35:07Speaker 2: Can you talk about what you found as you're researching
- 35:11Speaker 2: for your podcast and as you're researching for your book
- 35:14Speaker 2: that kind of talks about and how it implies how
- 35:17Speaker 2: they saw women in those like goddess peoples.
- 35:21Speaker 3: It's still my favorite part in the whole book. Yeah,
- 35:24Speaker 3: And I think that I think that's a really important
- 35:26Speaker 3: point that mythology matters, these core stories that we carry
- 35:34Speaker 3: in our culture and form everything the way we think
- 35:37Speaker 3: about everything. But also we often tend to act the
- 35:40Speaker 3: same way about like that, well, these these myths are old,
- 35:44Speaker 3: and therefore this is just this is the myth, This
- 35:47Speaker 3: is the story, and you'll get accused of trying to
- 35:51Speaker 3: you know, change it, or why are you being you know, oh,
- 35:54Speaker 3: you're trying to pc up this myth. When myths are
- 35:59Speaker 3: ass malleable as anything else. The myths that you choose,
- 36:03Speaker 3: the way you tell them, the things that you highlight
- 36:06Speaker 3: in those stories, are as flexible and as movable as
- 36:11Speaker 3: any other story. And that if you look at the way,
- 36:14Speaker 3: even like the standard Greek mythology that every American kid
- 36:17Speaker 3: learns in junior high, if you look at the way
- 36:20Speaker 3: that was taught in my parents' generation versus my generation
- 36:23Speaker 3: versus what my kids were learning in high school, it's
- 36:26Speaker 3: so radically different, and it's all the same content, but
- 36:32Speaker 3: just the framing of it is so different. And so
- 36:34Speaker 3: I think, you know, we have these narratives around, Like
- 36:37Speaker 3: one that I really liked taking on in there was
- 36:40Speaker 3: the myth of the mother, that the good mother, and
- 36:43Speaker 3: the you know, we have this nurturing mother myth, which
- 36:49Speaker 3: you know, in the nineties and then again right now
- 36:50Speaker 3: I think a lot of people are pulling back to
- 36:52Speaker 3: and we have this kind of earth mother nurturing thing,
- 36:55Speaker 3: which is true and great and wonderful and also there's
- 36:59Speaker 3: the exact opposite, and every shade of gray in between
- 37:02Speaker 3: is available in mythology and often in the same stories,
- 37:07Speaker 3: and just how we decide to tell it. Is the
- 37:09Speaker 3: story about a nurturing, loving earth mother or is this
- 37:12Speaker 3: story about a terrifying goddess of death? Yes, at the
- 37:19Speaker 3: same time. And so when you realize how how much
- 37:26Speaker 3: you can shift those framings around and how you can
- 37:30Speaker 3: make those stories do work in the present, you recognize
- 37:34Speaker 3: the way those mythologies are being either weaponizing or even
- 37:37Speaker 3: just you know, utilizing these stories.
- 37:40Speaker 5: Like I said, the camera shift, Yeah, they're just looking
- 37:43Speaker 5: at it with certain filters.
- 37:45Speaker 3: Yeah, yeah, And that you can and should and we
- 37:48Speaker 3: always haven't always will do that shift the way you're
- 37:52Speaker 3: looking at these core stories, and that they can mean
- 37:56Speaker 3: whatever people now decide they want them to mean, and
- 38:01Speaker 3: that can be you know, good or bad or value neutral.
- 38:04Speaker 3: But you need to be aware that these aren't just
- 38:07Speaker 3: you know, core mythologies that you can't mess with. But no,
- 38:11Speaker 3: of course you mess with them. That's what mythologies are
- 38:14Speaker 3: for everybody has always messed with them.
- 38:19Speaker 2: Well with that, since you love this, I did see
- 38:23Speaker 2: like a few like crossovers but who would be your
- 38:26Speaker 2: favorite mythological goddess that you love to talk about?
- 38:29Speaker 3: Or oh geez, the question favorites?
- 38:34Speaker 2: I know, I gotta ask.
- 38:36Speaker 3: Because I get like, you know, you've I'm sure you
- 38:39Speaker 3: do it too. People are like, what's your favorite? And
- 38:41Speaker 3: you think of one, and then later you're like, oh,
- 38:43Speaker 3: I forgot, like super I would have, yeah, because we
- 38:46Speaker 3: were saying we can't even remember what we wrote. I know.
- 38:49Speaker 5: I love the Mesopotamian Inana and that story. Yes, what
- 38:55Speaker 5: happened she turned her sister into a chunk of meat
- 38:58Speaker 5: and hung her on the.
- 38:59Speaker 3: Wall rotten and let her rot on the wall.
- 39:01Speaker 5: I just as sisters, you know. But I love those
- 39:09Speaker 5: kind of plot twists in the ancient myths. It's like weird, weird.
- 39:14Speaker 5: I don't think anybody today they would think of that
- 39:17Speaker 5: kind of plot element.
- 39:19Speaker 3: Yeah, I love that, which tells us that we're definitely
- 39:21Speaker 3: not understanding it, right, there's something happening there that we're
- 39:26Speaker 3: not understanding.
- 39:29Speaker 5: The cultural truth about meat hanging on the wall or
- 39:33Speaker 5: something like that. Yeah, I love the Moregan. She's gonna
- 39:37Speaker 5: she's gonna be my favorite, of course, something that's going
- 39:40Speaker 5: to be my Halloween costume.
- 39:42Speaker 3: Oh ay, did you choose. Yeah, I think for me,
- 39:48Speaker 3: she's they're in actually two of our books because they're
- 39:51Speaker 3: so I think brilliant, and they're they're so interesting in
- 39:54Speaker 3: that they the story itself is doing that work that
- 39:58Speaker 3: I was just talking about, of of change, the framing
- 40:00Speaker 3: and pointing out that you can see something from so
- 40:03Speaker 3: many perspectives. It's this mythological story of these twin sisters
- 40:08Speaker 3: who are conjoined at the back, they're conjoined at their spine,
- 40:12Speaker 3: and they are demigods, goddesses, it's not those categories aren't
- 40:19Speaker 3: as cut and dry in Polynesian mythology. And they are
- 40:24Speaker 3: tasked with taking the knowledge of tattoo from Fiji to
- 40:29Speaker 3: Samoa and so but they are told very strictly, there's
- 40:34Speaker 3: very important here's the technology, here's how you do it.
- 40:36Speaker 3: And there's one very important rule. You only tattoo women,
- 40:40Speaker 3: never men. Men are not allowed to get tattoos. And
- 40:44Speaker 3: then they start swimming to Samoa from Fiji, and along
- 40:48Speaker 3: the way there's all these adventures. They meet a giant clam.
- 40:51Speaker 3: They try to dive down to the giant clam and
- 40:54Speaker 3: a huge tidal wave whether or not the giant clam
- 40:56Speaker 3: is evil or if it's just a coincidence. There's different versions,
- 40:59Speaker 3: and a huge wave breaks them apart, and so for
- 41:04Speaker 3: the first time they're seeing each other's faces. They've been
- 41:06Speaker 3: back to back their whole life. They're seeing each other's faces.
- 41:09Speaker 3: They continue to swim and they arrive in Samoa, but
- 41:12Speaker 3: the whole you know, seeing each other and almost drowning
- 41:15Speaker 3: and giant clam incident has mixed up this song in
- 41:20Speaker 3: their head. They were singing a song to remind themselves
- 41:23Speaker 3: only tattoo women, never men. And when they arrive, they
- 41:27Speaker 3: tell them here's the most important rule. You only tattoo men,
- 41:30Speaker 3: not women. And they teach everyone in Samoa tattoo and
- 41:34Speaker 3: for many generations tattoo and Samoa is only for men,
- 41:39Speaker 3: not for women. Now, this story blows my mind because
- 41:43Speaker 3: it's a story about how that is wrong. Right, Yeah,
- 41:49Speaker 3: it's a story about we screwed up and you weren't
- 41:53Speaker 3: supposed to be doing this. But that's why men get
- 41:56Speaker 3: tattoos and women don't. This is if this is the
- 42:00Speaker 3: origin story and you know what's wrong, why are you
- 42:03Speaker 3: still doing it that way?
- 42:05Speaker 6: Right?
- 42:05Speaker 3: It's so fascinating. So is it actually a story? It's
- 42:09Speaker 3: the origin story of tattoo? But is actually is it
- 42:11Speaker 3: actually an origin story of patriarchy? Is it actually an
- 42:14Speaker 3: origin story of Uh? They were living in a world
- 42:19Speaker 3: upside down? Yeah, we're living in and or that. Once
- 42:22Speaker 3: you get stuck in yeah, and once you get stuck
- 42:24Speaker 3: in the wrong loop, you just you can't get out
- 42:27Speaker 3: of it. What's the message of the story? What a
- 42:30Speaker 3: what a weird story. Yeah, to enshrine at the center
- 42:34Speaker 3: of your society, it's so fascinating mm hmm. And they
- 42:39Speaker 3: now do tattoo women too, right, but it was a
- 42:42Speaker 3: long time that they did not How long did it
- 42:44Speaker 3: take a long time? Hundreds of years?
- 42:48Speaker 2: Wow? Yes, I love that. I love that story so much.
- 42:52Speaker 2: I was like, oh, this is amazing because I don't
- 42:54Speaker 2: think I knew much about uh, these goddesses. I was like, wow,
- 42:58Speaker 2: this is an interesting idea. And as well as a
- 43:01Speaker 2: change of history, you're.
- 43:02Speaker 3: Like, well, woops.
- 43:04Speaker 5: That myth served as a useful shorthand for the rest
- 43:07Speaker 5: of the book too, because then we could just say
- 43:09Speaker 5: this is a tattoo the men's society, and then you
- 43:12Speaker 5: know all that that implies, Like, okay, so this is
- 43:15Speaker 5: a patriarchy. That's sort of maybe on accident or upside
- 43:19Speaker 5: down world.
- 43:20Speaker 2: Yeah, this is a whoopsie, but we're still in it.
- 43:23Speaker 3: We're still in You might even know it's doing it wrong,
- 43:26Speaker 3: but it keeps doing it right.
- 43:29Speaker 2: This is the lesson that we have yet to learn.
- 43:30Speaker 2: But one day maybe maybe. Oh gosh, I love this
- 43:35Speaker 2: so much. I love these conversations. And you've already kind
- 43:37Speaker 2: of hinted at it, and you already said you told
- 43:39Speaker 2: a sacret. So I won't push too much. Put to
- 43:42Speaker 2: put it on on on Mike on record. But are
- 43:45Speaker 2: there any other projects or even extensions to this book
- 43:48Speaker 2: that you have planned for the future.
- 43:52Speaker 5: We have another book coming out in October me Hearty's
- 43:56Speaker 5: Oh oh, I can say, well.
- 44:00Speaker 3: A certain kind of life for me.
- 44:02Speaker 2: Yes, yes, that you've been wanting to do this childhood,
- 44:06Speaker 2: which I excited about.
- 44:08Speaker 3: Our family is fully obsessed with pirate. I don't think
- 44:11Speaker 3: there's ever been a Halloween when one member of the
- 44:13Speaker 3: extended family has not been a pirate for help.
- 44:16Speaker 2: I love this.
- 44:18Speaker 3: Okay, okay, okay, already my costa book, oh, book signings.
- 44:25Speaker 1: You know, even before you said Halloween, I was like,
- 44:27Speaker 1: it's coming out in October, opportunity.
- 44:32Speaker 3: Yes, my husband teaches me that that, like the majority
- 44:36Speaker 3: of what I do is just excuses to buy new costumes. Yeah,
- 44:41Speaker 3: the picture is He's not wrong.
- 44:43Speaker 5: Uh you should have seen her at the Toilets book signings.
- 44:47Speaker 2: Where that was a whole different Okay, oh yeah, she
- 44:50Speaker 2: finish giant.
- 44:51Speaker 3: I have emoji hat. It's humongous, it's amazing. I just
- 44:57Speaker 3: like to set the tone from the beginning, like let
- 45:00Speaker 3: people know what is happening, you know, walk in looking
- 45:04Speaker 3: regular and then dramatically pull the poop hat out from
- 45:07Speaker 3: the podium and put it on and go, this is
- 45:10Speaker 3: we're talking about poop today. And you know, if parents
- 45:13Speaker 3: are going to get upset, I want them to leave early.
- 45:16Speaker 5: So they wouldn't have been Yeah.
- 45:19Speaker 3: I don't think they would have. But the kids always
- 45:22Speaker 3: absolutely freak out and love it, like the poop emoji dress.
- 45:27Speaker 3: But that felt like, I don't know, that felt like pushing.
- 45:33Speaker 4: It.
- 45:34Speaker 3: You should do it dress. It's not too late.
- 45:37Speaker 5: Yeah, you don't want regrets, especially dress regrets.
- 45:42Speaker 4: I definitely definitely.
- 45:56Speaker 1: Well Okay, Pivoting from the book, what about the podcast,
- 46:00Speaker 1: is there anything any plans you have for the future
- 46:03Speaker 1: of it, anything you're excited about.
- 46:06Speaker 5: One of the things that has emerged from the podcast
- 46:08Speaker 5: over the years, which has been a surprise, but is
- 46:11Speaker 5: something that I'm really loving is that we're doing a
- 46:13Speaker 5: lot of podcast based women's history tours and just listeners
- 46:19Speaker 5: will sign up to come with us on you know,
- 46:21Speaker 5: one or two week adventures all over just visiting the
- 46:26Speaker 5: locations where we've recorded previous episodes, meet the guests that
- 46:30Speaker 5: have been on previous episodes, and I think we're just
- 46:33Speaker 5: gonna We're going to keep doing those because it's so
- 46:36Speaker 5: much fun and it's so the self selecting group, the
- 46:41Speaker 5: kind of people who sign up for a very nerdy
- 46:45Speaker 5: tours very yeah, like if we say, hey, would you
- 46:49Speaker 5: like to go to a place nobody's ever heard of?
- 46:52Speaker 5: To visit locations associated with historical women.
- 46:56Speaker 3: That nobody knows about.
- 46:58Speaker 5: Yeah, I mean this is zero bagging rights. This is
- 47:01Speaker 5: not your difficult tour.
- 47:03Speaker 3: And for the kind of.
- 47:04Speaker 5: People who say yes, sign me, yeah for that please,
- 47:07Speaker 5: it's been wonderful.
- 47:08Speaker 3: It's been so great. So they're doing the best in
- 47:10Speaker 3: the world. Yeah, Oh, it's so and just.
- 47:12Speaker 5: Sort of turns into instant travel families. It's and most
- 47:16Speaker 5: people sign up solo also, so it's I appreciate the
- 47:20Speaker 5: courageous leap that they take. You're like, I'm signing up
- 47:22Speaker 5: for this. This might be the worst thing ever. But
- 47:25Speaker 5: so far, I don't know how many we've done so far,
- 47:27Speaker 5: like ten, I haven't counted, maybe more. And every time
- 47:32Speaker 5: it's magic, every single time. And it's just strangers from
- 47:35Speaker 5: across the world who just come together for this grand
- 47:38Speaker 5: adventure in women's history.
- 47:40Speaker 3: And then stay friends. I mean that, like the WhatsApp
- 47:42Speaker 3: group from tours from three years ago are still going.
- 47:46Speaker 3: Like people are visiting each other independently, and and I'm
- 47:50Speaker 3: in the best history travel it's just bonding. Yeah, And
- 47:54Speaker 3: I think the best the reason, the best proof that
- 47:58Speaker 3: again people there's an appetite for this and that we're
- 48:01Speaker 3: doing something right on them is that people keep coming back.
- 48:04Speaker 3: We have people who've come over and over. I think
- 48:08Speaker 3: one like six tours, yeah you got yeah, like three
- 48:14Speaker 3: quarters We open a tour now and like three quarters
- 48:17Speaker 3: of it fills up with just people who've already been
- 48:20Speaker 3: on a tour. Here's here's the regulars, and then there's
- 48:23Speaker 3: three slots left for new people.
- 48:25Speaker 2: So that a good travel partner like that, that says
- 48:30Speaker 2: a lot you can with someone and enjoy it enough
- 48:33Speaker 2: to go again.
- 48:36Speaker 3: So that's a test of a relationship.
- 48:38Speaker 2: So y'all are but head to Greece, right.
- 48:40Speaker 5: Yes, we're in April Savannah, in September, Boston and October.
- 48:47Speaker 3: I think next year we'll do Italy.
- 48:49Speaker 2: Are you're coming down to Savannah?
- 48:51Speaker 3: Yeah?
- 48:51Speaker 2: Yeah, we need to meet up with y'all.
- 48:53Speaker 3: Are you in Savannah?
- 48:54Speaker 4: In Atlanta?
- 48:56Speaker 3: Okay? You should? We definitely need. My husband's in Atlanta
- 49:01Speaker 3: all the time. I need to just come and hang
- 49:03Speaker 3: out with you. Wait, you are? My husband is there
- 49:06Speaker 3: all the time, and I keep saying I gotta go along.
- 49:10Speaker 3: You need to go. But okay, so we're.
- 49:12Speaker 2: Gonna put that down in our calendar Savannah all right? Yeah,
- 49:15Speaker 2: I said imaginary. Yes, I love that.
- 49:19Speaker 3: And these are like super boutique curated there's no travel
- 49:24Speaker 3: agents involved. This is Katie and her husband Mark, who
- 49:28Speaker 3: has been dubbed the Smoothness Operator, whose job is to
- 49:32Speaker 3: just keep everything running perfectly, smoothly, solve all the problems.
- 49:36Speaker 3: And these are trip servants. Super Yeah, these are super,
- 49:42Speaker 3: super individualized, unique, precisely organized. Yeah, this is not just
- 49:49Speaker 3: you know, oh yeah, we'll tag along on a pre
- 49:51Speaker 3: organized tour nope, what's her name? Tours?
- 49:55Speaker 2: I love it.
- 49:56Speaker 3: Yeah, you might find us on your next door because.
- 50:01Speaker 2: Of that, yeah, man earlier.
- 50:06Speaker 5: But honestly, just the people, Yeah, the people who. It's
- 50:10Speaker 5: really about the people, and it's about the places we
- 50:12Speaker 5: go and that you get to meet the guests from
- 50:13Speaker 5: the episode and that's always so cool. We do a
- 50:15Speaker 5: lot of like book signing with the guests, and like
- 50:18Speaker 5: we'll do a lot of like we have this historic
- 50:20Speaker 5: house to ourselves as we just got Caroline Herschel's house
- 50:24Speaker 5: and just you know, freak out and touch everything, and
- 50:28Speaker 5: because the people.
- 50:29Speaker 3: Who run those places are so excited that someone's excited, right,
- 50:33Speaker 3: And we walk in and they're like, how do you
- 50:35Speaker 3: You know, they'll show some artifacts. So many times they're
- 50:37Speaker 3: like and here's the blah blah blah blah blah, and
- 50:39Speaker 3: you can see they're just running their spiel and the
- 50:42Speaker 3: whole group will go who you see them kind of
- 50:45Speaker 3: recalibrate for a second.
- 50:47Speaker 5: Ago, oh, oh you actually, oh these people care care.
- 50:51Speaker 3: And then it's and suddenly it's a completely different tour
- 50:54Speaker 3: and they're you know, we get every exciting detail and
- 50:56Speaker 3: they're like, oh look at this, and no, let me
- 50:58Speaker 3: pull this out of storage and it's.
- 50:59Speaker 5: So Yeah, it's so fun. Yeah, they're so great, So
- 51:02Speaker 5: I think we'll keep doing that. Yeah, yeah, yes, that
- 51:07Speaker 5: sounds so lovely.
- 51:09Speaker 1: Also, just just thank you so much for we talk
- 51:12Speaker 1: about here on here all the time when people bring
- 51:15Speaker 1: up these stories that we didn't know about, and how
- 51:19Speaker 1: important it is, and how it's amazing that people are
- 51:22Speaker 1: still doing this work and sometimes they're kind of ignored
- 51:25Speaker 1: for a long time. But so thanks to you and
- 51:28Speaker 1: to all the researchers and academics who have come to
- 51:31Speaker 1: you and been like, no, actually I know a lot
- 51:33Speaker 1: about this and we should be talking about this person.
- 51:35Speaker 4: That's amazing exactly.
- 51:38Speaker 5: That's it. And at the opening of the book, we said,
- 51:40Speaker 5: a book like ours is only possible because literally hundreds,
- 51:44Speaker 5: if not thousands, of people are out there excavating these
- 51:48Speaker 5: stories all over the world. You know, everybody is working collectively,
- 51:54Speaker 5: and now after a decade of that, the fruits of
- 51:57Speaker 5: everyone's labor is so inspiring. It's just incredible how much
- 52:03Speaker 5: has been done just in the last ten years.
- 52:06Speaker 3: So amen, thank.
- 52:08Speaker 5: You everybody who has been uncovering these stories all these years.
- 52:13Speaker 5: It's amazing what we found, even though we knew we
- 52:16Speaker 5: were going to find amazing stuff. It's yeah, surprising every
- 52:20Speaker 5: time everything that gets unearthed.
- 52:23Speaker 3: Absolutely, and one story that keeps coming up that it's
- 52:26Speaker 3: now getting to the point where I just I have
- 52:28Speaker 3: to believe it is how many people have some version
- 52:32Speaker 3: of I was working on this other project and then
- 52:37Speaker 3: this dead woman tackled me in the library. This book
- 52:42Speaker 3: one was literally the book fell out of the shelf
- 52:45Speaker 3: as she was walking past, like this story just like
- 52:49Speaker 3: came out of nowhere, grabbed me, wouldn't let me go.
- 52:52Speaker 3: She insisted that I tell her story, you know, And
- 52:55Speaker 3: I think it feels like these women are going it
- 52:58Speaker 3: is now my turn and the time has come, we're
- 53:02Speaker 3: coming back, and they've you know, found found enough trained
- 53:08Speaker 3: and willing people to tell those stories now, because it's
- 53:13Speaker 3: it's just it's so wild how often that exact story
- 53:17Speaker 3: comes up of I was working on this and then
- 53:20Speaker 3: completely derailed into this thing instead.
- 53:24Speaker 4: Yes, yes, just.
- 53:25Speaker 3: Go pick up random books in the library, folks, and
- 53:28Speaker 3: start looking. Because feel the vibe as you walk down
- 53:33Speaker 3: the aisle. Is there someone here who wants to talk
- 53:36Speaker 3: to me?
- 53:38Speaker 5: Oh?
- 53:38Speaker 3: I love that it's seance seance based Yeah, oh I
- 53:45Speaker 3: like that. I want that on a T shirt, say
- 53:47Speaker 3: on second em.
- 53:51Speaker 1: Well, thank you both so much for being here. This
- 53:53Speaker 1: has been a delight. Hopefully we can do this again,
- 53:56Speaker 1: maybe I.
- 53:58Speaker 3: R out.
- 54:00Speaker 1: Yep in September, yes, yeah, yes, Well until then, where
- 54:07Speaker 1: can the good listeners find you?
- 54:10Speaker 3: Uh? What's your name? Everywhere dot com?
- 54:12Speaker 5: Yeah, we're on every podcast platform, and the books you
- 54:16Speaker 5: can get everywhere.
- 54:19Speaker 3: We have links on our website.
- 54:21Speaker 5: Also, if you want to support indie bookshops on bookshop
- 54:24Speaker 5: dot org local indie bookshops, We've got all the books
- 54:29Speaker 5: on there.
- 54:30Speaker 3: We will also very soon have signed copies available on
- 54:34Speaker 3: our website if people want to buy signed copies directly
- 54:36Speaker 3: from us of the the Eighty Lost Women book, so
- 54:41Speaker 3: they can find those there too, And we'll even personalize
- 54:43Speaker 3: it for you if you tell us what you want.
- 54:46Speaker 3: And it's in a whole bunch of countries and a
- 54:48Speaker 3: whole bunch of languages. Our books have been published and
- 54:51Speaker 3: I think it's nine languages now, which is mind blowing.
- 54:55Speaker 5: Stinky history toilets is the most translated. Yeah, yes, Slovak, Vietnamese,
- 55:01Speaker 5: Pole delightful and poop is universal. That's the one truth.
- 55:06Speaker 3: Everybody poops we know, but the idea that a small
- 55:09Speaker 3: child in Slovakia is going to be reading my book
- 55:16Speaker 3: about poop blows my mind.
- 55:19Speaker 2: Beautiful.
- 55:19Speaker 3: It's a beautiful world.
- 55:21Speaker 4: It is well. Thank you both so much for being
- 55:25Speaker 4: here and for such a delightful conversation.
- 55:28Speaker 1: Thank you, Thank you listeners. If you would like to
- 55:31Speaker 1: contact us, you can. You can email us at Hello
- 55:34Speaker 1: at stuff Onenever Told You dot com. You can find
- 55:36Speaker 1: us on Blue Sky at mom Stuff podcast, or on
- 55:39Speaker 1: Instagram and TikTok at stuff I Never Told You or
- 55:41Speaker 1: ls on YouTube. You have a tea public store, and
- 55:43Speaker 1: we have a book you can get where you get
- 55:44Speaker 1: your books. Thanks as always to a super producer for
- 55:46Speaker 1: senior executive producer, my indercontributor Joey. Thank you and thanks
- 55:49Speaker 1: to you for listening Stuff I Never Told You distrection
- 55:51Speaker 1: of my Heart Radio more podcast from my Heart Radio.
- 55:53Speaker 1: You can check out the i Heeart Radio app, Apple podcast,
- 55:55Speaker 1: or wherever you listen to your favorite shows.