Latest / Ghost Cult Magazine Podcast / Eivør Discusses Her album "ENN" - Creativity, and Touring

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Eivør Discusses Her album "ENN" - Creativity, and Touring · Ghost Cult Magazine Podcast

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I always want to kind of dive deeper into certain things from
0:04
the last album I create maybe, you know, so there's maybe some
0:08
element on that album that kind of leads me onwards to the next
0:13
chapter. And then I want to dive deeper
0:15
into that particular feeling or, or element.
0:20
So it's, it's like, you know, once one album leads to the next
0:26
one and they're never, they're never the same world entirely.
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What's up everybodyitskefi@ghostcultman.com
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I am super stoked to be joined by the international acclaimed
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recording artist and performer Avor.
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I hope I said that correctly, yes.
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That was. Good.
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Oh, I practice so much and the Internet is divided about the
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correct pronunciation, so I did a lot of like.
0:56
I tried really hard, so I'm glad.
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That was really good. I suffer with like a pro.
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Oh really? Oh that's really nice.
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I appreciate you go on my bucket list of things to do.
1:06
Learn some Scandinavian languages.
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I would love to learn Icelandic. It's a beautiful language.
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Huge fan of Souls to Fear and these these songs make me want
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to cry and I only sort of know what they're about.
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With like 3 songs in English in 1520 years.
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So any who lovely to meet you. Lovely to meet you.
1:25
Too Yeah, of course, congratulations on just all your
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successes and in particular, you know that since the release of
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end last year and you signing, you've been a DIY independent
1:35
artist for so long and then you come into kind of, you know, the
1:38
metal adjacent world. Let metal metalheads seem to
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love Norse folk music for some reason.
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It it's something probably the primalness of it and and just
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the you know, coming back to earth I think is a very
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spiritual and strong thing for metalheads.
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So we love you know, here it goes cold.
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Also, we love Lagruna and we love high Lung and we love
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Midland and all these different artists from across the world
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that do this kind of music and pay homage to the, these, you
2:04
know, these the stories. I, I think lore is the correct
2:08
word. I know different people bristle
2:12
mythology is not accurate. So it's like, you know this,
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that, you know, it's the same thing when I speak to my, my
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dear friends from Finland, you know, the, you know, some of
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these things are, it's their, it's their whole culture is
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built from this. And so it's not just stories to
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them. It's really important.
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So I, I want to give that reverence in that respect.
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And and you recently just toured America with another favorite of
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our Sylvain, but we interviewed last year.
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And I just have to extend a tremendous word of thanks to the
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label and to you to letting us come out and cover that show in
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Brooklyn. Our own Jamie Sherwood wrote him
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a marvellous write up and I know she's still kind of buzzing from
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the show because we and the photos were divine and
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phenomenal. And it's really great to capture
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you live because I think that's, you know, I feel like it's two
2:57
separate Adams composer these albums.
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And then the live performance I think is really special and
3:02
unique. Thank you.
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There's a big build up there to no question particularly.
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Well, let's yeah, this is our first time meeting, so let's
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let's roll it back just a little bit.
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I know you've basically been making music most of your life,
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but if you had a, you know, the the story of your life was being
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written, how would it start? And when did music come to you?
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And then when did you want to make music?
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Those are the questions I wanted to start with.
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Oh. That's, that's a good start.
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Well, I always, as a kid, I always really, really loved
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singing and it was such a big part of my upbringing.
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Like in my family, there's always been a lot of singing and
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storytelling. And it's a big part of fairy's
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culture as well to, you know, in social events you sing together
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and you do the chain dances and, and all those things.
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And so it, it was always like a part of my life and felt natural
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for me to, to be singing. And when I then and as a girl, I
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would sing and you know, I loved it and I would sing to every
4:08
event in my family, birthday parties and stuff like that.
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And then I think I started writing music when I was about
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like 12 years old or so. That's when I like South the
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need to write my own music slowly.
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And, and then just from there on, I started playing, you know,
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in some local garage bands in, in my village.
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And it was just, I was just so drawn to music as far as I can
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remember. And, and it just never left me
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somehow. It was just kind of an obsession
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to me to be making music and to be creating music, and I just
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felt very drawn to it and very curious to kind of dive deeper
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and deeper and deeper into it. And so I went on a journey many,
5:00
many years ago and I'm still trying to figure it out.
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So yeah. Well said.
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I do feel like like learning in general is a lifelong, you know,
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process. You never really know
5:12
everything. I know people who are subject
5:14
matter experts all over the world that I fancy myself as an
5:18
expert on music of different styles.
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And then I'm always learning and there's always something new to
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go and grow on. And then so, and I love that
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you, you know, you started early and you started writing your own
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music early. You know, there's a definite
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bridge point as a young adult, I think, where you go from like,
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Oh, I can do this professionally.
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I don't know if you attended like Conservatory or anything
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because you're, you know, your voice is amazing and you know
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your composition is Immaculate for all the projects you worked
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on. So I wonder if you were
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professionally, classically trained or just kind of grew on
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your own? Well, from my childhood up until
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I was 17, when I finished school, like 9th grade, I
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decided to go to Iceland to study classical singing.
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And that was a quite spontaneous decision because there were no
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like music schools or, or singing lessons to get in the
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Faroe Islands, where I'm from. So I met this incredible teacher
6:14
from Iceland who came to the Faroe Islands and she invited me
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to come check out their school in Reykjavik.
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And I did that and I stayed there for five years and I
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studied classical singing and made a a few albums while I was
6:29
there and gathered a band. And it was just a a beautiful
6:33
experience to kind of get into a new community of musicians and
6:38
to get singing lessons. I was, I was very hungry for
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that at that point. So, yeah, and, and classical
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music, it was quite random that it was classical music, but IIA
6:51
classical singing school that was not like something that I
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had been thinking about so much. It's just happened to be this,
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this wonderful singing teacher who kind of opened up that door
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and, and I was very curious about it.
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So and it, and it was a wonderful time to kind of, you
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know, get to know your voice a bit better and on maybe in a
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different way than you're used to, to you sing it because I was
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required to. I, I just learned to sing from
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my mom, who, who has a beautiful voice and, and loves to sing,
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you know, in the kitchen and in the shower and, and we would
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sing together a lot. But it was, it was nice to kind
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of get it get into like a a new perspective of singing at that
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point. Right on.
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I, I think it's, you know, very crucial to say that it's very
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important to have encouraging mentors.
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I know a lot of others we talked about like, you know, one person
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that was like very foundational. I'm glad you found your person
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to help you with that journey because I also have a similar
7:57
background and music school. Some teachers were really
8:00
wonderful and patient and encouraging and trying to push
8:03
you in the right way. And then other teachers are just
8:05
horrendous and very mean and weirdly centered on not helping
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his children. You know, I always say you have
8:13
to judge the talent of a child or a young person and even a
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young adult slowly because we're not formed yet.
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Our brains are not formed, Our bodies are not formed, Our
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instruments are not really there.
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And, and classical music and chamber music and opera and all
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these things that I also had a focus on really challenging for
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an adult who's already been working in the field a long
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time, let alone a teenager or a young.
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Person. Yeah, yeah, right.
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Who? Is also like an emotional
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tornado every day. So, you know, I'm really glad
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you had somebody really encouraging and and nurturing
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there for you. That sounds great.
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And probably how you got to that all makes sense to me now, like
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how you got to be where you are now.
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That's great. Oh, that's wonderful.
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Yeah. I mean, I was so curious about
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the voice and I wanted to do crazy things with my voice,
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Like, not like beautiful opera singing.
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I wanted to do like scuffle stuff and, you know, all kinds
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of, of sounds. And this opera teacher that I
9:12
had, she was so incredible. She would allow me to kind of
9:16
explore with these things, but with the technique of classical
9:21
singing, which was an incredible discovery for me that, oh shit,
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OK, I don't have to like be an opera singer to study classical
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music. I, I can, I'm just learning and
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exploring my voice. So that was and I still visit
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her when I go to Iceland. She's she's totally my my Mama
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still my singing Mama. Oh I love that so much.
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That's great. Out of curiosity.
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She's on front row for all my shows.
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Oh, that's great. And.
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Stuff she's. Like so glad I'm so give.
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Me. Good critique afterwards.
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Oh nice, I'm still. She's very strict.
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Some of them have to be out of. Yeah, Out of curiosity, you have
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a favorite opera or piece of classical music or chamber music
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that you that stayed with you all these years?
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Oh my goodness, not really. It was it was more like, it was
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more like just the the discipline and the the technique
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that I was so focused on. I didn't really dive so much
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into off bra itself. So so I was just, I mean, it was
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much more just about the the tools for me.
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But and I always loved more like much older, like classical
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stuff, you know, Renaissance sounding stuff.
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And that was what I was very into at that point.
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But yeah, I enjoy the classical music every now and then.
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And. I mean, Maria Carlos and you
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know, my favorite singer is is called Umassuma and from Peru.
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And she was kind of classically trained as well, but blends it
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with other techniques. So yeah.
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Nice. I was going to say.
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And then as obviously you got into creating your own style of
11:07
music, so you pull from all these different things.
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You have this training, you have this music from, you know, this,
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you know, your childhood and your homeland and you know, the
11:15
surrounding region that obviously has a pull on you, but
11:19
also you are totally a risk taker.
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I love that you will experiment with different styles of songs
11:25
and incorporate different things.
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I think it's really made you very unique and your music
11:29
stands out from everybody else that's related.
11:32
You know, you always see like a you know, for fans of or you
11:35
know, whatever music service is trying to like suggested for
11:38
you, but no one really sounds like you and you don't really
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sound like anyone else, which is really, in this day and age, a
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gift for real. Thank you.
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That's a beautiful compliment. Thank you so much.
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Well, I mean, I think it it matters to you.
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You can tell when you listen to your records like and with
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immediately like, Oh, this is phenomenal and it doesn't sound
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like your other records and it doesn't know single, not too
12:00
many. It sounds like you, but none of
12:02
the tracks are really sound repetitive or oh, that sounds
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like that. Not really.
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A little bit here and there, but not really.
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I think, you know, it's clear that you care about song craft
12:13
and it matters to you how the listener, you know, enjoys a
12:16
record and the whole journey of record makes sometimes not just
12:19
a bunch of songs for you. I know that I can tell.
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No, I think for every album, it's in my head like like a
12:26
world or, or something. And, and for every new album I
12:30
make, it's, it's always a new journey or a new chapter
12:34
somehow, something that I want to dive deeper into.
12:37
And I think as I've, I've matured in, in the creation of,
12:44
you know, in the creativity of, of music, I, I always want to
12:48
kind of dive deeper into certain things from the last album I
12:53
create. Maybe, you know, so there's
12:55
maybe some element on that album that kind of leads me onwards to
12:59
the next chapter. And then I want to dive deeper
13:03
into that particular feeling or, or element.
13:07
So it's, it's like, you know, once one album leads to the next
13:13
one and they're never, they're never the same world entirely.
13:17
Yeah, of course. And then I was going to say also
13:19
we alluded to this earlier about when you perform these songs
13:22
live or in general live performance for you and and your
13:26
connection to the audience. I, I think it's very interesting
13:30
that, you know, we, we're kind of in a place where recorded
13:33
music is so prevalent. It's everywhere and it's, which
13:36
is wonderful. The availability of music is
13:38
wonderful, but I think like the live is still an important
13:41
thing. I urge people to go to shows.
13:43
I'm like, just get out to a show once in a while if it's not for
13:47
you, even if it's not for you, because I think there's a
13:49
special connection and I think it's interesting.
13:51
Like maybe a record is finished when it's out, but the
13:53
performance element of it is never really finished.
13:56
As a famous person, I like to quote all the time says the
13:59
music's not really done because then it comes on to stage and
14:02
it's interpreted every. Completely.
14:05
Differently so I figured that might be, you know, sort of a
14:08
thing for you to also, you know, build on.
14:11
Totally. I I so I'm so feeling you on
14:14
that because it's a, you know, you make an album and it's like
14:18
you create like the, the songs and the, and the sounds.
14:21
But then you go live, you play it live in front of the audience
14:26
and something completely new happens because you have the
14:29
listener who is just as important for that live moment.
14:34
And it kind of adds a different dimension, I think to the music,
14:38
which if you're open and if you keep it open and playful, can
14:43
kind of sometimes really change the songs because it puts just a
14:47
new energy into the songs. And, and I like to to be very
14:54
aware of that and open to kind of taking songs that I've
14:58
recorded to take them in a new direction live because it feels
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right, you know? So I really enjoy playing live
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and sharing music with people in the moment.
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That's like probably my favorite thing in the whole world.
15:13
Amazing a lot of people are you know, prolific artists and
15:17
you've you've been putting out music at a clip for a very long
15:19
time. But also I think, like I said,
15:21
live, I think another element is, is why it's such a wonderful
15:25
pairing with you and Sylvain, because I'm attracted to I.
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Love her so. Much.
15:29
She's so great. It's and she's so nice.
15:31
We had such a long time. Most wonderful person.
15:34
She's really fantastic. And again, because we were, you
15:37
know, as I mentioned offline, we are originally founded in the
15:40
Netherlands and we covered a lot of, you know, Scandinavian
15:44
artists for a long time and a lot of Norse folk and Pagan
15:46
artists for so long. It's really part of our DNA And
15:50
you know, we so we followed you for a very long time.
15:52
We followed, I know it's journey with Ortruna and soundtrack
15:56
work, which you'd also very familiar with, of course.
15:58
And Sylvain also, we identified her really early on, like, oh,
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we have to pay a lot of attention to to her.
16:06
She's wonderful and but you're a storyteller as is she, which is
16:10
why I think that pairing is so fantastic.
16:12
And I think you're a natural storyteller, not just in your
16:15
music, but live again. And I think it's important, you
16:18
know, I, I feel a sense of importance that comes from you
16:22
trying to get the audience to get on your wavelength and
16:24
understand these songs at a deeper level than just like, I'm
16:28
here to make music, which, you know, so it's OK if some people
16:30
are, you know, a punk rock band is just there to be punk rock
16:33
and make music, but like, think there's some other types of
16:36
music that really, you know, you have to speak to people a little
16:39
more directly. Yes, yes, yeah.
16:41
I, I enjoy that like to just, I mean to, to kind of because I'm
16:46
singing in, in a language that not many people understand.
16:49
Sometimes I enjoy to kind of like to give people just an idea
16:54
of what I'm singing about. It doesn't have to be too
16:57
literal, but it's important for me to leave space for people to
17:00
dream, you know, in my songs and to create their own, you know,
17:05
world out of them. But I like to give them some
17:08
clues sometimes. I like now we're going, you
17:11
know, to the wild sea. Let's go.
17:16
And then people can, you know, create their own like, version
17:19
of what that means. So yeah, it's about
17:22
storytelling. But but managing to to kind of
17:25
keep also like an open door for people to to dream away in, I
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think. Lovely.
17:32
I couldn't say that any better. That was amazing.
17:35
Just a few more questions for you.
17:37
I'll get back to the live stuff in a second because I do want to
17:40
focus on your upcoming tours now that you're back from the
17:43
States, and we love having you. And please come back again
17:46
sometime. I know.
17:47
It's Oh my God, I loved it it. Was really that's great.
17:50
I know it's a tough time right now in the world for traveling
17:53
things like that in the music industry is, you know, very
17:55
pricey for an artist, especially, you know, an an
17:59
underground artist or an independent artist, even though
18:01
you played major venues. So I'm glad you had a great
18:03
experience. That makes me really happy to
18:06
hear because we're always trying.
18:07
To. Touring and concerts and
18:09
festivals. That's wonderful.
18:10
Yeah. I really enjoy, enjoyed meeting,
18:13
you know, my audience in America.
18:14
I was beautiful. Moments that I will cherish for
18:18
a long time. And I can't wait to go back and
18:22
play there. Hopefully you know in not too
18:24
long. I imagine so.
18:25
And you have a huge tour coming up.
18:27
You just have a little break at back at home for a little while
18:30
and then you're on tour right now.
18:32
I'm on tour right now. Right now I'm in Copenhagen and
18:36
tomorrow we're going to Germany. So we're like, yeah, I'm
18:39
traveling with Highland right now, so.
18:41
And we are playing a show almost every night and.
18:45
They are some of the best people also, we are.
18:47
They're wonderful. We are very fortunate to say
18:50
that they're actually friends of ours, not just artists we would
18:52
admire and respect. We spent a lot of time with them
18:55
personally and professionally and you know, I can only say the
18:59
highest and kindest things about them as people.
19:01
Yeah, they are wonderful people, good travel companions to have.
19:06
Oh, super interesting and smart too.
19:08
So of course, like, you know, you want to have a conversation
19:11
to go to the museum or just relax and chill and just, you
19:14
know, have a cool vibes. I bet they're a lot of fun.
19:17
Yeah, I'm always fascinated how they managed to, you know, keep
19:22
such a big travel company, you know, in such good balance.
19:26
You know, they're like 30 people and there's always just good
19:30
vibes in in the group and that's really cool.
19:33
Well, I'm very fond of saying it's the music business and not
19:36
the music friendship, but I've seen their whole crew and
19:39
basically everyone is exempt. Like really lovely.
19:42
So, you know, I don't, I don't think they have a bad apple
19:45
among them from the bit of time I've spent around them.
19:48
Because sometimes you get people or you come to America and you
19:51
have an American tour manager or some, you know, American crew
19:54
and there's some vibes. Maybe they're on, maybe they're
19:56
off. You never know.
19:57
But when we were around them, both here and in Europe, they
20:00
were. Amazing, great people.
20:02
Yeah, very sweet. And I don't know if you're open
20:05
to if anything is announced for the rest of the year, but I
20:08
imagine you're very busy once the tour is over also.
20:11
Yeah. I mean, we're finishing this
20:13
tour now. We're like, we have a month to
20:16
go, we have a little break soon and then we will continue this,
20:21
this tour with Highland in, in April and and then in, in the
20:26
fall. I have a big tour coming off in
20:28
Europe, a headline tour in Europe.
20:31
So, so it does, I mean, these past two years have been mainly
20:35
about touring for me and I've really like enjoyed coming to
20:39
all these beautiful places and sharing live moments with
20:43
people. I'm yeah, I'm very grateful to
20:45
be able to do that. So that's where the music
20:48
belongs. You know, it kind of when you
20:51
play live, you feel that. Oh shit.
20:53
Yeah, I remember why I do it. Phenomenal.
20:55
Yeah. I, I totally relate as a fan and
20:58
A and a Music Maker also. I I definitely relate to that.
21:01
Out of curiosity, I imagine at some point in the future, you
21:05
know, you maybe maybe you write all the time, maybe you collect
21:08
ideas, all, you know, all the while.
21:10
But I wonder, is it separate for you to compose for yourself
21:13
versus another project? Is it, does it all start the
21:17
same for you with voice and instrumentation or do you have a
21:20
different process for, let's say, soundtracks and things like
21:23
that versus your own music? Yeah, I think.
21:25
I think the process is very different for me because for a
21:29
project, for example, like the work I did with The Last
21:33
Kingdom, it's very specific and it's, you know, write music for
21:37
this scene, and this scene has to, you know, reflect this
21:42
emotion and all that. So it's very specific and you
21:45
sit down and you work with that particular scene.
21:48
When I work on my my own music, it's it's much more of AI don't
21:52
want to say struggle, but it can be you.
21:54
You have to kind of rip your heart out and see what put it
21:58
back together and see what's there, you know, see what's
22:01
missing. And it's, it's kind of a
22:03
different process, I think with my, my own music.
22:06
And it's, and that's something I, I, which is in my head all
22:11
the time, no matter if I'm, I'm touring or whether I'm home or
22:15
whether I'm going for a walk, it's always in my head.
22:18
Like we're always looking for a song.
22:21
And once I find that song or find the idea, I, there's always
22:25
a long way to go from there to kind of shape it into what it's
22:29
supposed to be or something. So that's more of a like a
22:33
forever project, while the side projects are are more Yeah,
22:38
yeah, a different process for sure.
22:40
But but I enjoy both so much. And for me, working on on film
22:44
music was such a relief. Not a relief, but it was such a,
22:50
I found so much freedom in it because at the same time as it
22:53
is very specific what you're doing, you also have a lot of
22:57
freedom within that frame to kind of float around and, and
23:02
cinema music is, is all about the emotion.
23:05
It's not so much about a literal story or because the story is
23:09
already told on the screen. You just have to add the
23:12
feeling, the feeling and the emotions to it.
23:15
And I've really enjoyed that. Fantastic.
23:17
And of course it's again a different a different side of
23:20
you. And then you go back to your own
23:21
music and you can express different points.
23:23
I draw. I draw inspiration a lot from
23:26
these side projects that I've done from both to the video game
23:29
music and film music. And I, I can, I can sense a lot
23:34
of elements from that in the mute right for my albums also.
23:39
So it's it kind of overlaps as well.
23:41
Amazing. I hope you get to do more of it.
23:43
I hope I'm looking forward to more of it in the future.
23:45
I can't imagine based on the success of some of these
23:48
projects that you won't be invited to do more.
23:50
And, you know, I know it's not the only focus of your career,
23:55
but it's, it's it's surely welcomed.
23:58
Out of curiosity, this is something I, I've been meaning
24:00
to ask you. We've had a lot of, you know,
24:02
been fortunate to interview a lot of artists all over the
24:04
world. I feel like the Faroe Islands
24:07
are very misunderstood in the rest of the world.
24:09
You know, we've had some interviews and some great
24:11
interactions with, you know, tier and bands like that.
24:15
But I feel like the outside world, we don't really
24:18
understand the country or the culture too well, other than
24:22
it's related to their neighbors. And I don't know if you're, I
24:27
hope you're out, you know, I feel like maybe you're helping
24:30
to, you know, put a good foot forward and just demystify the
24:34
the country and the culture for some people.
24:36
But I just have always felt that like, you know, when people
24:38
speak about it, I'm not sure if they know what they're talking
24:40
about if they're not from there. Yeah, yeah.
24:43
Well, you never know, you know, before you've experienced
24:49
something, you have to like experience things to, to fully
24:52
understand them or, or know them.
24:54
But I guess that, you know, the, the Feral Islands is where I
24:58
grew up and I've always been very like fairways, for example.
25:04
Fairways, folk music and stuff like that is such a big part of,
25:08
of my inner soundscape. And it's something that I
25:11
unconsciously, you know, draw inspiration from.
25:14
And also the, the landscape and the people and everything.
25:17
So it's, it's just a part of you.
25:19
And yeah, it's a part of what you create, whether you do it
25:24
consciously or not. But I don't see myself as
25:28
someone who's trying to promote a country or anything.
25:31
I'm just an artist who likes to create music.
25:34
But obviously you, the place you come from, is some kind of root
25:39
of your tree, so. So it's an important source of
25:42
inspiration for me for sure. Awesome.
25:45
I love to end these interviews with a wild card question, and I
25:48
try to pick one out specifically for everyone.
25:50
So I racked my brain and went through a list of things that I
25:54
always ask. And I wanted to ask you, do you
25:56
have a favorite book of your life that you can return to and
26:00
read over and over? And you have a favorite or
26:02
something on the shelf? When you read it, it has a
26:04
memory to you that can't. You can't erase something like
26:07
that. I recently read such a great
26:13
book. I read it so quickly, but what
26:16
was it called? That's what sucks about me.
26:19
I forget things. I read something and I'm like,
26:21
oh, I love this. And then I move on.
26:24
And then, you know, but yeah, I don't know.
26:27
I, I really enjoy reading poetry.
26:29
I read more poetry than I read like actual books.
26:33
I wish I read more books. And it's always on my list.
26:36
Like next year I'm going to read more books.
26:39
But I enjoy poetry. And recently, oh, recently, I
26:44
bought like a Patti Smith biography, which I'm really
26:48
excited to read because I heard so much good stuff about that
26:51
one. And I enjoy reading Nick Cave's
26:56
poetry books, Elena Cohen's poetry books, and many more and
27:01
I'm trying to remember that. Fuck, why was it called?
27:04
You have to edit this out. Whatever you need, we make
27:09
everybody look good here at Ghost Cold.
27:10
I'm taking too long right now. It's OK, it's OK.
27:13
I've got you on the spot. I've done it before.
27:16
Believe me. There's harder ones that you
27:17
would be mad at that I didn't. OK, don't.
27:20
Do it. Like often easy one at the same
27:22
time. That's the magic of not giving
27:25
the questions in advance. Most of the time I'm able to do
27:29
that. So you're fantastic.
27:30
I appreciate you. And don't you know if it comes
27:32
to you, you can always have Will I'll.
27:34
Call you. You can call me.
27:35
Remember the book now? Call us anytime we'll we our DMS
27:39
are open especially for you. You're fantastic.
27:42
This is really great. I'm so thankful to you're so
27:45
kind. No, really, I'm really thankful
27:48
to talk. It's a real pleasure talking to
27:50
you. Yeah.
27:50
Thank you so much. The new recent album N is out
27:54
now on Season of Mist Avor. Thank you so much for spending
27:56
some time with us and best of luck and safety and and Wellness
28:00
and happiness on the road. And we'll hopefully see you
28:02
again out here in the States and everywhere else in the world.
28:05
Thank you my dear and it was a pleasure and I'll see you soon
28:08
hopefully and enjoy the rest of your day or night.