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The PERFORMANCE of Love That Becomes a Cage | Gone Girl
Have you ever felt like you were playing a character someone else wrote for you, and realized the role had been going on so long you'd forgotten who you were underneath it? Gone Girl, the two thousand fourteen film, looks at marriage not as a love story but as a theater of performed selves, and the psychological question it refuses to let go of is this: when someone finally sees through the role you play for them, do you take the mask off or put it back on tighter? What makes the film unsettling is not the crime at its center but how familiar the smaller betrayals feel.
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