Latest / 70 80 / SETTANTAxOTTANTA: 1975. Simone e Matteo fanno il verso a Bud Spencer e Terence Hill. Al cinema il pubblico s’infuria

Transcript

SETTANTAxOTTANTA: 1975. Simone e Matteo fanno il verso a Bud Spencer e Terence Hill. Al cinema il pubblico s’infuria · 70 80

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  local store today and get your print on. Welcome
• 1:10
  to 70x80, the section of 7080 .it that deepens
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  the topics discussed on the portal. I'm with
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  the journalist Enzo Mauri, who introduces today's
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  topic. for the members of none other than Bud
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  Spencer and Terence Hill. In 1974, Manolo Bolognini's
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  Etos Film production house, brother of the director
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  Mauro, invented a ridiculous but ingenious commercial
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  initiative, exploiting the success of Bud Spencer
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  and Terence Hill in a moment of inactivity of
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  the couple. What are you crying for? Look, I
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  was kidding. Here, take the gun. I know you were
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  kidding. Give me the money! Between 1974, the
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  year of Porgy the other cheek, and 1977, that
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  of the almost flat super feet, Spencer and Hale
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  decided to dedicate themselves separately to
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  other film projects. Right in this period, Paul
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  Smith and Michael Coby, also known as Simone
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  and Matteo, were involved in the activity, names
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  that were adopted in two of the five films that
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  were shot at that time, inserting themselves
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  into the big and the beautiful. . . . After the
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  1974 Western Carambola, it was the time of Carambola,
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  Filotto, Tutti in Buca , Simone and Matteo, A
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  Game of Boys , Noi Non Siamo Angeli , Il Vangelo
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  Secondo Simone e Matteo . The stories, as well
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  as the particular ones, including Locandine,
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  imitated those of the films of Bud Spencer and
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  Tennyson Hill, with the beautiful in the role
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  of the smart and the big in that of the stoned
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  hitman. Stabilito contatto. Tornate alla base.
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  Da questo momento li prendo in consegna io. www
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  .lexmcl .it 94. Only for the films of Simone
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  and Matteo even Guido and Maurizio De Angelis
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  and the Oliver Onions, authors of the music in
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  the films of Bud Spencer and Terence Hill, but
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  who for the clones signed with the pseudonym
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  of Uniper. In the remaining three films, instead
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  of Simon and Matthew, the two adopted the names
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  of Len Rodovan, Paul Smith, and Kobe, Michael
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  Kobe. While in We Are Not Angels, set in the
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  early 1900s, Michael Kobe became Angel and Paul
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  Smith played the role of Raphael McDonald. In
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  Germany, where the two were renamed Toby and
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  Michael, Batch, the idea of ​​the twinning with
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  the films of Bud Spencer and Terence Hill, very
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  much loved by the German public, at the beginning
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  did not please much. On the occasion of the first
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  of Simone and Matteo, a children's game designed
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  for the new film of Trinity, the people in the
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  room, furious, came to detach the seats to throw
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  them against the screen. The French distribution,
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  no less sly than the Italian one, came up with
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  the idea of ​​increasing the costs, the scam
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  of combining the name of Trinity, the great success
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  of Spencer and Hill, with three films of the
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  Smith -Coby couple, even if the Thanks to Enzo
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  Mauri for today's theme. See you in the next
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