Latest / Murder Files Unsealed / Murder of Kathleen Jo Henry
Transcript
- 0:00Speaker 1: I want you to close your eyes for a second. Well,
- 0:01not if you're driving obviously.
- 0:02Speaker 2: Right, definitely keep your eyes on the road if you will.
- 0:04Speaker 1: Yeah, please do. But if you're somewhere safe, I want
- 0:07you to picture Anchorage, Alaska. And I don't mean, you know,
- 0:11the postcard version with the northern lights dancing over some
- 0:14pristine snow capped mountain.
- 0:16Speaker 2: No, not the tourist brochure exactly.
- 0:18Speaker 1: I want you to picture the pavement. Because it's September thirty,
- 0:22twenty nineteen. The air has that specific bite to it,
- 0:25you know, that wet, heavy cold that sinks right into
- 0:28your bones.
- 0:29Speaker 2: It really tells you winter isn't just coming, It's already
- 0:32got his foot in the door.
- 0:33Speaker 1: It does. It's a very visceral setting.
- 0:35Speaker 2: Anchorage at that time of year is really transitioning into
- 0:39the long dark. I mean the tourists have largely packed
- 0:43up and gone home, and the leads are rotting on
- 0:44the ground, and the city kind of it just contracts,
- 0:48It settles into its own gritty reality.
- 0:52Speaker 1: It reveals the city underneath the city. Right, and on
- 0:55this particular street corner we find the people who usually
- 0:58get edited out of those travel brochures we're talking about
- 1:01the unhoused, the people battling addiction, the folks living minute
- 1:05to minute just to survive. Yeah, and right there in
- 1:08the middle of all that struggle is a woman named
- 1:11Valerie Castler.
- 1:12Speaker 2: Valerie is so crucial to this story. She has a
- 1:15woman experiencing homelessness, dealing with severe addiction issues, and to
- 1:19the average passerby, she is invisible, or you know, worse,
- 1:25She's seen as a nuisance, just someone to step around, exactly.
- 1:28But on this day she becomes the most important person
- 1:32in the entire state of Alaska.
- 1:33Speaker 1: Because she makes a choice. And look, let's be honest
- 1:36about this. It wasn't a noble choice initially, Oh not
- 1:39at all. It was a survival choice. She's out there
- 1:41and she sees a black Ford Ranger truck park near
- 1:44a gas station. The drivers inside, he's distracted, and sitting
- 1:47right there on the front seat is a cell phone.
- 1:49Speaker 2: It's your classic crime of opportunity. Ah. I mean, in criminology,
- 1:53we talked about the routine activity theory. You need a
- 1:55motivated defender, a suitable target, and the absence of a
- 1:59capable guardian. And here the driver left the guardian himself
- 2:04basically inside the store. The target was the phone. Valerie
- 2:09took it.
- 2:10Speaker 1: She swipes it. She isn't thinking, uh, I'm gonna solve
- 2:13a major crime today, Definitely not. She's thinking, this phone
- 2:16can buy me food, it can buy me a night inside,
- 2:19it can buy me a fix. So she takes it
- 2:20back to her tent. And this is where the universe
- 2:22plays one of those terrifying sick jokes, because she opens
- 2:25that phone, probably looking to wipe it or you know,
- 2:28find a setting to factory reset it, and she finds
- 2:31a folder.
- 2:31Speaker 2: And this isn't just a folder of you know, family
- 2:34barbecues or pictures of a dog.
- 2:36Speaker 1: It's an archive of absolute hell. She finds photos and videos,
- 2:40specifically a video labeled in a way that eventually leads
- 2:43her to label an SD card homicide at Midtown Marriott. Yeah,
- 2:46she watches a woman being strangled. She hears a voice,
- 2:49this man's voice, taunting the victim, and just like that,
- 2:53a petty street theft turns into the unraveling of a
- 2:55serial killer.
- 2:56Speaker 2: It is a profound aha moment that's such a dark one,
- 3:00really challenges our entire perception of justice. And we spend
- 3:03millions on forensics, on profiling on these massive task forces.
- 3:08Speaker 1: Oh totally.
- 3:09Speaker 2: But in this case, the breakthrough came from the absolute
- 3:12chaos of the street.
- 3:13Speaker 1: So here is our roadmap for today's deep dive. We
- 3:16are looking closely at the Alaska SD card murders. We
- 3:19are going to talk about the man who owned that phone,
- 3:21Brian Stephen Smith, a guy who was living a double
- 3:25life that is frankly terrifying in its banality, it really is.
- 3:30We're going to talk about the victims, Kathleen, Joe Henry
- 3:32and Veronica Abuchuk, and crucially the system that failed them
- 3:36way before they ever crossed paths with Smith.
- 3:38Speaker 2: And we have to talk about the why why was
- 3:40he able to operate like this? What is the psychology
- 3:43of a man who narrates his own murders like he's
- 3:45directing a film. And we really need to discuss the
- 3:48Mi MIP crisis, missing and murdered Indigenous people, because this
- 3:52isn't just about one bad apple, It's about the whole orchard.
- 3:56Speaker 1: It's a heavy one, for sure, but I want you
- 3:58to stick with us because at the center of all
- 4:01this darkness there are these weird glimmers of humanity and resilience.
- 4:06Let's go back to Valerie for a second. So she
- 4:08has the phone, but she doesn't go to the police immediately,
- 4:12does she. No.
- 4:13Speaker 2: And this is a really critical point that often gets
- 4:16misunderstood when people first hear this story. The theft happened
- 4:19around September nineteen. She didn't hand over that SD card
- 4:24until September thirty.
- 4:25Speaker 1: That's a ten day gap, ten whole days, ten days
- 4:28holding onto a phone that contains a literal murder. I mean,
- 4:31my first instinct, and probably your first instinct listening to this,
- 4:34is to scream, why didn't she run straight to the precinct. Sure,
- 4:37but we're looking at this from the comfort of our
- 4:39homes or studios.
- 4:40Speaker 2: Precisely, you really have to empathize with Valerie's position in
- 4:43the social hierarchy. She is an addict. She just committed
- 4:46a felony theft. She is living an attempt. In her experience,
- 4:50interactions with law enforcement rarely end well. If she walks
- 4:54into a police station and says, hey, I stole this
- 4:56phone and look what I found, she has a very,
- 5:00very justified fear that the conversation stops it I stole
- 5:05this phone.
- 5:05Speaker 1: That's such a depressing reality. She's terrified she becomes the
- 5:09criminal and the narrative rather than the witness.
- 5:12Speaker 2: It's the perfect victim problem in reverse. Yeah, she is
- 5:15the imperfect witness, and predators like Smith they rely on this.
- 5:21They operate in zones where people don't call the police.
- 5:23They target sex workers, the homeless, the addicted, because they
- 5:26know those populations are terrified of the justice system.
- 5:29Speaker 1: The silence of the marginalized is basically the killer's greatest weapon.
- 5:32Speaker 2: Exactly.
- 5:33Speaker 1: But she does eventually come forward, and the way she
- 5:35does it is fascinating. She transfers the files to an
- 5:38SD card. She labels it homicide at Midtown Marriott. That
- 5:41specificity gives me chills. Right, it's like she was filing
- 5:44a police report and the only way she.
- 5:45Speaker 2: Knew how that label is the smoking gun. It tells
- 5:49us she watched it, She analyzed it. She recognized the location,
- 5:53the carpet, the furniture as a Marriott. That shows a
- 5:56level of lucidity and observation that completely contrad the sceotype
- 6:01of a confused addict. She knew exactly what she was.
- 6:04Speaker 1: Holding, And think about the sheer irony of the situation.
- 6:07If she hadn't stolen that phone, if.
- 6:09Speaker 2: She hadn't stolen the phone, Brian Stephen Smith would likely
- 6:12still be driving that black Ford Ranger today. Wow, Kathleen
- 6:15Joe Henry's disappearance might have remained a mystery indefinitely. It
- 6:19really forces us to ask what constitutes a good citizen.
- 6:23In this specific case, a thief was the only moral
- 6:26actor on the stage.
- 6:27Speaker 1: Let's talk about the woman in that video, because for
- 6:30a long time, to the police and the public, she
- 6:32was just a face on a screen. But she had
- 6:34a name. Her name was Kathleen Joe Henry.
- 6:36Speaker 2: Kathleen was thirty years old. And to really understand Kathleen,
- 6:39we have to look away from Anchorage for a moment
- 6:41and look at where she came from. She was born
- 6:43in Bethel, but she was from Eke, Alaska.
- 6:45Speaker 1: Eek spelled e e k yes Eke.
- 6:49Speaker 2: It's a small, u big village. The population's only around
- 6:52three hundred people. And when we say village in Alaska,
- 6:55we aren't talking about a suburb or a quaint little
- 6:58town down a highway. T talking about a place with
- 7:00absolutely no roads connecting it to the rest of the world.
- 7:03Right either fly in or you take a boat.
- 7:05Speaker 1: So it's incredibly isolated.
- 7:07Speaker 2: Geographic isolation, yes, but also cultural richness. It's a true
- 7:12subsistence lifestyle. People hunt seal, they fish for salmon, they
- 7:16pick berries. The community bond is incredibly tight because you
- 7:20literally rely on your neighbors to survive the winter. Everyone
- 7:23knows everyone.
- 7:24Speaker 1: So imagine that transition. Kathleen leaves that environment where her
- 7:28role is clearly defined, her community is right there, and
- 7:30she moves to Anchorage. Why make that jump?
- 7:34Speaker 2: The why is the same story we see across the globe, really,
- 7:38but it's so intensified in the Arctic. It's the urban
- 7:41rural divide. People move for opportunity, jobs, education, better healthcare.
- 7:46Makes sense, But the skills that make you a successful,
- 7:48respected woman in Eeke, knowing how to process the seal,
- 7:52knowing the ice patterns, knowing the deep lineage of the families,
- 7:56those skills don't translate to currency in downtown Anchorage.
- 8:00Speaker 1: That's a heartbreaking way to put it. Her expertise just
- 8:02became invisible exactly.
- 8:04Speaker 2: She arrives in the massive city and suddenly she faces
- 8:07this profound cultural dislocation. She faces racism, She faces an
- 8:12economic system she might not be prepared for. And without
- 8:15that tight safety net of the village. If you slip,
- 8:18if you lose a job or struggle with trauma, you
- 8:21fall really, really hard.
- 8:22Speaker 1: And the sources tell us she did fall. She struggled
- 8:25with the law, she struggled with substance abuse. But she
- 8:28was also and I love this detail, she was a poet.
- 8:30Speaker 2: She was, and that detail is so incredibly important to remember.
- 8:34She wrote poetry about her about pain, about her family.
- 8:38Her social media was filled with pictures of her smiling
- 8:40with these warm, kind eyes. She wasn't just a victim.
- 8:44She was the woman who is actively trying to process
- 8:47her worl through art.
- 8:48Speaker 1: It kills me that the media often flattens people like
- 8:51Kathleen into just homeless woman found dead. But she had
- 8:54this rich in her life, and she met Smith just
- 8:57days before her death. The implication from the deep dive
- 9:01into the sources is that she was looking for a ride,
- 9:04or warmth, or maybe money.
- 9:06Speaker 2: It was a survival transaction. It was September, it was
- 9:08getting cold. Smith offered a resources truck a hotel room
- 9:12when you were living in a tent. The offer of
- 9:14a warm room isn't.
- 9:15Speaker 1: A luxury, right, it's a lifeline.
- 9:17Speaker 2: It's a life saving necessity. Smith weaponized his comfort against
- 9:21her desperation.
- 9:22Speaker 1: Let's pivot to him, Brian Stephen Smith, because looking at
- 9:26his background, he doesn't fit the stereotypical mold of the
- 9:29creepy loaner living in a basement that people usually picture.
- 9:32Speaker 2: No, not at all, and that's exactly why he's so dangerous.
- 9:34He's what we call a camouflage killer. He was forty
- 9:37eight years old, he was married. He had a steady
- 9:39job as a maintenance worker at the Townplace Suites by Marriott.
- 9:43He drove a reliable truck. He'd landed right into the
- 9:45multicultural oil economy workforce of Alaska. To his neighbors, to
- 9:49his coworkers, he was just Brian.
- 9:51Speaker 1: But his history, he's not from Alaska. He's from South Africa.
- 9:55Speaker 2: Born in Queenstown, South Africa, in March of nineteen seventy one.
- 9:58Speaker 1: Which puts his childhood smack in them middle of the
- 10:00apartheid era.
- 10:01Speaker 2: It does, and we have to be careful here. Obviously,
- 10:04the sources don't say that apartheid made him a serial killer.
- 10:07That's far too simplistic. But he did grow up in
- 10:10a society where state sanctioned violence against his specific racial
- 10:14group was the actual law right.
- 10:16Speaker 1: It was baked into everyday life.
- 10:18Speaker 2: He grew up in a system that explicitly dehumanized the other,
- 10:22that kind of conditioning the idea that some people matter
- 10:25and some people just biological matter that can linger.
- 10:27Speaker 1: And it seems like it didn't just linger, it festered.
- 10:30He moves to the US in twenty fourteen. He marries
- 10:33an older woman, Stephanie Bisslin, who was seventy three at
- 10:36the time.
- 10:37Speaker 2: A marriage of convenience perhaps or cover. He moves into
- 10:40her house, he gets his green card, and get this,
- 10:42he becomes a naturalized US citizen in September twenty nineteen.
- 10:45Speaker 1: The very same month he kills Kathleen.
- 10:48Speaker 2: The compartmentalization is just absolute. He is standing in a
- 10:51room raising his right hand, swearing allegiance to the Constitution,
- 10:55promising to be a good citizen. Yea, And at the
- 10:57exact same time he has a dead woman's video on
- 11:00his phone and maybe even a body in his truck.
- 11:03It shows a complete lack of moral integration. He can
- 11:07switch roles like changing a channel on a TV.
- 11:09Speaker 1: We see that switching in his online behavior too. The
- 11:12sources detailed his core posts, and wow, they are intense.
- 11:16Speaker 2: They are completely vitriolic. He posted these long racist rants,
- 11:20citing totally fake statistics. He claimed things like black people
- 11:24are far more likely to commit crimes, throwing around fake
- 11:27numbers like six hundred percent more likely.
- 11:29Speaker 1: Well, im just completely fabricated, And of course we are
- 11:32reporting what he wrote here to understand his mindset exactly.
- 11:36Speaker 2: Now, his victims in Alaska were Indigenous, not black, but
- 11:39the underlying pathology is identical. It's the other ring. He
- 11:42viewed anyone not like him as dangerous, inferior, and ultimately disposable.
- 11:48Speaker 1: He also had this bizarre persona He called himself a director.
- 11:51In the video Valerie Found, he literally says, in my movies,
- 11:54everybody dies.
- 11:55Speaker 2: That line in my movies, everybody dies. Yeah, it chills
- 12:00me to the bone. It tells us everything about his motive.
- 12:02This wasn't a crime of passion. It wasn't a drug
- 12:04deal gone wrong or an argument. It was a production.
- 12:07Speaker 1: He was putting on a show.
- 12:08Speaker 2: He was the director of the writer in the star.
- 12:11The victim was just a prop for his narrative.
- 12:14Speaker 1: Well, why narrate it? Why talk to the camera like that?
- 12:17Speaker 2: Narcissism, Pure narcissism and a desperate need for validation. He
- 12:22talks to his followers. He says, what are my followers
- 12:24going to think of you? To the victim.
- 12:26Speaker 1: Did he even have followers?
- 12:28Speaker 2: He didn't have a live stream, he didn't have a
- 12:29cult following or anything like that. But in his head,
- 12:32he was performing for an audience. He wanted to be
- 12:34seen as powerful and terrifying. The camera basically became the
- 12:38witness he created for himself.
- 12:40Speaker 1: Let's get into the timeline of the murder itself, and
- 12:43I have to give a warning to you listening. We
- 12:45are going to discuss the mechanics of what he did
- 12:47because it's central to the trial and the sentencing. It
- 12:49gets very graphic. It's necessary context. Unfortunately, the brutality wasn't
- 12:54a byproduct. It was the entire point. Smith used his
- 12:58employee discount to rent room three to twenty at the
- 13:00Town Place Suites. He checked in on September two, and
- 13:04Kathleen was killed on September four.
- 13:06Speaker 2: He brings her to the room, and the video documents
- 13:10what happens next. He stomps on her, he strangles her.
- 13:14But it's the dialogue that is just so profoundly disturbing.
- 13:17He says, just take it you live, you die, You live,
- 13:21you die.
- 13:22Speaker 1: He is playing god. That's really the only way to
- 13:25describe the psychology there. He is deriving pleasure not just
- 13:28from the death, but from his absolute control over the
- 13:30dying process. He's turning her life switch on and off.
- 13:34That is the legal and moral definition of torture.
- 13:36Speaker 2: And then the practical side of him kicks in right
- 13:38in the middle of it. He says, I guess I
- 13:40need to stop this because the blood is getting to
- 13:42the floor.
- 13:43Speaker 1: And that is the maintenance worker speaking exactly.
- 13:45Speaker 2: It's not oh God, what have I done. It's oh man,
- 13:48this is going to stain the carpet, and I might
- 13:49lose my deposit or get fired for my job. It
- 13:52is the ultimate terrifying detachment. He worries about the physical
- 13:57carpet more than the human being in front of him.
- 14:00If she is dead, he treats her like luggage. He
- 14:02wraps her in a blanket, He puts her on a
- 14:04hotel luggage cart, again using his job's tools, and literally
- 14:08wheels her out to his truck.
- 14:10Speaker 1: Then he drives. He drives south on the Seward Highway. Now,
- 14:14for those who haven't driven it, the Seward Highway is stunning.
- 14:17It hugs the Turnagan Arm. You've got massive mountains on
- 14:20one side, the ocean on the other.
- 14:22Speaker 2: It's breathtaking, but it's desolate at night. There are these
- 14:25long stretches with absolutely no lights, just the black water
- 14:29and the cliffs. He drove down to mile post one oweight,
- 14:32that's a pretty good distance from Anchorage, and he dumped
- 14:35her body off the side of the road.
- 14:36Speaker 1: He thought he was free and clear. He thought the
- 14:38snow and the animals would just take care of the
- 14:40evidence for him.
- 14:41Speaker 2: And honestly, the almost did. Her body wasn't found until
- 14:44October two. By that time, decomposition and wildlife had done
- 14:48significant damage. If not for that as d card, even
- 14:51if hikers found the body, they might never have linked
- 14:54it back to Smith. They might have ruled it exposure
- 14:57or an overdose, or it would just be another unsolved
- 15:00case in the wilderness.
- 15:01Speaker 1: But the sd CARD changed everything. Police see the video,
- 15:05they see the carpet pattern and recognize it, and they
- 15:08recognize the accent.
- 15:09Speaker 2: Yes, the Anchorage Police Department, and you really have to
- 15:12give credit to them here, had looked into Smith before.
- 15:15There was a prior assault investigation that didn't lead to charges.
- 15:19But his name, his face, and that very distinct South
- 15:22African accent were already in their system, so.
- 15:24Speaker 1: They connected the dots quickly.
- 15:26Speaker 2: They did, and the truck in the surveillance footage matched
- 15:30his vehicle registration perfectly.
- 15:32Speaker 1: So the net closes. October eight, twenty nineteen. He's at
- 15:34the airport Ted.
- 15:35Speaker 2: Stevens International Airport. He's returning from a trip to Washington, DC,
- 15:39which is just.
- 15:39Speaker 1: Wild to me. He tortures and kills a woman, dumps
- 15:42her body off a highway, and then just hops on
- 15:44a plane to go toward the nation's capital.
- 15:47Speaker 2: It's that exact compartmentalization we talked about earlier. He felt
- 15:50entirely safe. He probably thought he completely got away with it.
- 15:54He lands, he's walking through the terminal, probably just thinking
- 15:57about grabbing his luggage, and suddenly he's completely surrounded by
- 16:01law enforcement.
- 16:02Speaker 1: Take us into that interrogation room, because this is where
- 16:05the director persona kind of cracks, but then weirdly reassembles
- 16:09itself in a new way.
- 16:10Speaker 2: It's an eight hour session long grueling. At first, Smith
- 16:14plays the confused, innocent guy. I don't know what you're
- 16:18talking about. You have the wrong guy. Then, when they
- 16:21actually confront him with the evidence. He pivots. He goes
- 16:24to I found her body in my truck. I panicked
- 16:26and dumped it.
- 16:27Speaker 1: The classic it wasn't me, I just cleaned up the
- 16:29mess defense.
- 16:30Speaker 2: Right, which never works when the police have a literal
- 16:34video of you narrating the killing.
- 16:36Speaker 1: Yeah, pretty hard to talk your way out of that.
- 16:38Speaker 2: But the really pivotal moment comes during a break he
- 16:41asks to use the bathroom. He's standing there with the tripper,
- 16:44very casually, and he says, and this is a direct
- 16:47quote from the sources, I'm going to make you guys famous.
- 16:49Speaker 1: I'm gonna make you guys famous. Let's unpack that. He
- 16:53is in handcuffs, he's facing life in prison, and his
- 16:56main concern is fame.
- 16:57Speaker 2: It's his ego. Frantically scrambling a foothold, he realizes he
- 17:02can't be Brian the successful, normal immigrant anymore. That mask
- 17:06is completely shattered, so he decides to become Brian the monster.
- 17:09Speaker 1: He leans into it.
- 17:10Speaker 2: Exactly if he has to go down, he wants to
- 17:13go down as a legend. He wants to control the
- 17:15narrative of his own destruction.
- 17:16Speaker 1: And to buy that fame, he offers up a token.
- 17:19He casually confesses to a second murder.
- 17:22Speaker 2: Veronica Obuchuk.
- 17:23Speaker 1: This was a totally cold case.
- 17:25Speaker 2: Freezing coal. Veronic had been missing since August twenty eighteen.
- 17:29That was a full year before Kathleen was killed.
- 17:31Speaker 1: Tell us about Veronica.
- 17:32Speaker 2: She was fifty two years old. Like Kathleen, she was
- 17:35a last canative. She was a nupiek from the village
- 17:38to Saint Michael. She was a mother of four children.
- 17:41Her family described her as having a huge heart, someone
- 17:43who loved deeply and was loved.
- 17:45Speaker 1: But she fell into that same gap.
- 17:47Speaker 2: Yes, she fell into the homelessness and addiction cycle that
- 17:50traps so many people transitioning from village life to the city.
- 17:53Speaker 1: And Smith picked her up too.
- 17:54Speaker 2: He did. He brought her to his home. His life
- 17:57was out of town at the time. Yeah, this was
- 17:58clearly his pattern. When the wife is away, the predator
- 18:01comes out to play.
- 18:02Speaker 1: And the reason he killed her is I read this
- 18:04in the source material and I literally had to read
- 18:06it twice because it's just so incredibly petty.
- 18:09Speaker 2: She refused to take a shower, That was it. He
- 18:12demanded she shower, likely because he viewsed these marginalized women
- 18:16as dirty or contaminated, which is a whole other dark
- 18:19psychological layer.
- 18:20Speaker 1: And she said no, she asserted a boundary.
- 18:22Speaker 2: She asserted a boundary. And for a malignant narcissist like Smith,
- 18:25a boundary as an insult.
- 18:27Speaker 1: It's an existential threat to his control.
- 18:29Speaker 2: Exactly, he has to be the one in control. So
- 18:31he retrieved a point two two caliber pistol and shot
- 18:34her in the head.
- 18:35Speaker 1: Just like that, over a shower, just like that.
- 18:37Speaker 2: No struggle, no fight, just an execution. And then, and
- 18:42this is where it gets even darker, if you can
- 18:44believe it, He treated her body as a toy. He
- 18:47took photos, he fondled the remains.
- 18:49Speaker 1: The necrophilia aspect of the crimes.
- 18:52Speaker 2: Yes, it suggests that for Smith, the actual living, breathing
- 18:55human being was an obstacle to his fantasy. He preferred
- 18:58them dead because they can't sit no, right when they're dead,
- 19:02they don't say no, they don't refuse showers, they don't
- 19:04assert boundaries. There's just objects he can pose and manipulate.
- 19:08He even shared images of her dead body with a friend,
- 19:11as if showing off a hunting trophy.
- 19:13Speaker 1: Her skull was found by mushroom pickers right yes.
- 19:16Speaker 2: Out on the old Glen Highway that was back in
- 19:19April twenty nineteen. But because it was just a skull
- 19:23and there were absolutely no leads, she remained a Jane
- 19:26Doe for.
- 19:26Speaker 1: A long time until the bathroom break.
- 19:29Speaker 2: Right. Smith's confession allowed the authorities to go back and
- 19:32match her dental records. Without his ego driven confession that
- 19:36I'll make you famous line, Baronica might never have been identified.
- 19:41Her family would just never know.
- 19:42Speaker 1: So now we have two confessed murders. The trial finally
- 19:45happens in February twenty twenty four. Why the massive delay,
- 19:48that's almost five years after the arrest, Well, the wheels.
- 19:51Speaker 2: Of justice always grind slow, but especially with a global
- 19:54pandemic in the middle of it. COVID shut down the
- 19:57courts for a long long time. But also the defense
- 20:00fought tooth and nail. They tried to get the confession
- 20:02thrown out on what grounds They argued it was coerced.
- 20:05They literally called it psychological warfare by the state troopers.
- 20:09Speaker 1: Did the jury buy that at all?
- 20:11Speaker 2: Not for a single second. I mean, when the prosecution,
- 20:14led by Brittany Dunlop and Heather Nobrega, plays a video
- 20:17of the defendant narrating a murder and then plays a
- 20:19confection that directly leads to a mything woman's skull. There
- 20:23is no reasonable doubt left in the room.
- 20:25Speaker 1: No, The jury deliberated for what less than two hours,
- 20:30very briefly. They found him guilty on all fourteen counts.
- 20:33Speaker 2: Murder, sexual assault, tampering with physical evidence, misconduct with the corpse,
- 20:38the full list.
- 20:39Speaker 1: Let's talk about the sentencing, which happened on July twelfth,
- 20:41twenty twenty four. Judge Kevin Saxby hands down two hundred
- 20:45and twenty six years. Now, in some states you just
- 20:48get life. Why the specific massive number here.
- 20:52Speaker 2: Alaska is unique in its sentencing. We don't have the
- 20:55death penalty, but we have very specific sentencing guidelines. He
- 20:58got ninety nine years for Kathleen, and that was mandatory.
- 21:01Why I'm mandatory because the jury found a specific aggravator,
- 21:04substantial physical torture.
- 21:06Speaker 1: So the law recognizes that what he did to Kathleen
- 21:09before she died deserves its own extreme punishment.
- 21:13Speaker 2: Exactly, it wasn't just a killing, It was an agonizing
- 21:17torture session that ended in death. Then he got another
- 21:20thirty to ninety nine years for Veronica and the judge
- 21:24random consecutively, not concurrently.
- 21:27Speaker 1: Meaning one sentence starts only after the other one ends.
- 21:29He's never getting out never.
- 21:31Speaker 2: Judge Saxby had a quote during the sentencing that really
- 21:34stuck with me. He said, there is no hope, There
- 21:36is no restoration. There is only preventing mister Smith from
- 21:39killing again.
- 21:40Speaker 1: It's a bleak statement, but it's incredibly honest. Sometimes rehabilitation
- 21:44just isn't on the table. The judge recognized that Smith
- 21:47is essentially a broken machine that cannot be fixed. The
- 21:50only function of the court at that point is absolute containment.
- 21:54Speaker 2: Right, and Veronica's daughter spoke at the sentencing too. She
- 21:58wished him a life without hope. I think that's incredibly powerful.
- 22:01She didn't wish him death. She wished him the exact
- 22:04emptiness he caused their family.
- 22:05Speaker 1: It's a profound curse. And now he sits in a cell,
- 22:08no audience, no movies, just concrete conquer But and this
- 22:12is really the so what part of our deep dive today?
- 22:15We can't just clap her hands and say, Okay, bad
- 22:17guy is gone. Problem solved because Smith didn't operate in
- 22:20a vacuum.
- 22:21Speaker 2: No he didn't. He operated in a very specific ecosystem
- 22:24that allowed him to hunt for years. We have to
- 22:27talk about the systemic shadows here. We have to talk
- 22:30about the m MIP crisis missing.
- 22:32Speaker 1: And murdered Indigenous people. The stats are just horrifying.
- 22:36Speaker 2: They are Indigenous people are a significant part of Alaska's population,
- 22:41but they are vastly, vastly overrepresented in homicide and missing
- 22:46person statistics, and specifically Indigenous women. The sources quote an
- 22:51advocate named Natasha Gamash who said Native Alaska women are
- 22:55considered invisible, but we're.
- 22:56Speaker 1: Not that perceived invisibility is exactly what Smith counted on.
- 23:00He knew that if he picked up a woman who
- 23:02was considered high risk, homeless, addicted, Indigenous, a visible the
- 23:05police response might be a little slower, the media outcrime
- 23:08might be a little quieter.
- 23:09Speaker 2: We call it the less dead.
- 23:11Speaker 1: That's awful.
- 23:12Speaker 2: It's a terrible, terrible term from criminology. It refers to
- 23:16victims who, in the eyes of society or the media
- 23:19or sometimes law enforcement, supposedly matter less sex workers run
- 23:23away as the homeless. Smith was a sadistic predator, yes,
- 23:27but he was also a calculating opportunist. He knew our
- 23:30system had giant cracks, and he intentionally hunted in those cracks.
- 23:34Speaker 1: There may be jurisdictional issues in Alaska too, right, that
- 23:37contributes to the cracks massive ones.
- 23:39Speaker 2: In Alaska, you have this incredibly complex patchwork of state troopers,
- 23:44local municipal police, and village public safety officers or vpsos.
- 23:49Sometimes crimes happen on tribal land or involve tribal members,
- 23:53and it falls into this legal gray area where the
- 23:55state says, well, that's not our jurisdiction, and the FED
- 23:58say we're too busy for this. Yea. It's these tragic
- 24:00zones of impunity where predators can hide.
- 24:03Speaker 1: And even with Smith behind bars, there are so many
- 24:05loose ends. I mean, the sd cart it didn't just
- 24:07have Kathleen and Veronica on it.
- 24:09Speaker 2: No, And this is the part that genuinely keeps me
- 24:11up at night. There were photos of other women on
- 24:14that drive. Some looked unconscious, some looked visibly beaten.
- 24:17Speaker 1: There was one specific woman mentioned in the sources, the
- 24:19woman with the butterfly tattoo.
- 24:21Speaker 2: Yes, a woman with a distinctive butterfly tattoo on her chest.
- 24:25Her family identified her from the description as Cassandra Boskovsky
- 24:30and she is legally dead, but Smith hasn't been charged
- 24:33with her murder.
- 24:34Speaker 1: Why not if she's on his drive and she's dead.
- 24:37Speaker 2: It likely comes down to a lack of concrete physical evidence.
- 24:41A photo of a woman looking unconscious isn't definitive proof
- 24:44of a homicide in the court of law, especially if
- 24:47they don't have a body linked to him with forensic evidence. Right,
- 24:51But the implication is screaming at us there were others.
- 24:54Speaker 1: And the DNA in his truck.
- 24:56Speaker 2: Unknown female DNA was found in the Ford Ranger. It
- 24:59wasn't Kathleen, it wasn't veronicas, which means another woman was
- 25:02in that trek in a context that left genetic material behind.
- 25:06Speaker 1: Is she a survivor who somehow got away or is
- 25:09she just another victim lying out in the snow somewhat.
- 25:11Speaker 2: We don't know? And think about his timeline. He started
- 25:14this at age forty eight.
- 25:15Speaker 1: That seems late, Yeah, highly unlikely. Serial sexual homicide usually
- 25:20manifests much much earlier in a person's life.
- 25:22Speaker 2: The FBI is actively looking into his past. In South Africa,
- 25:27you don't just wake up at forty eight years old
- 25:29and decide to become a director. Of snuff films. There
- 25:32is almost certainly a dark history there that we just
- 25:35haven't uncovered yet.
- 25:36Speaker 1: That is terrifying. He could have a literal trail of
- 25:38victims across two continents.
- 25:40Speaker 2: It's a very distinct possibility.
- 25:42Speaker 1: As we wrap this up, I want to circle back
- 25:44to the title of the article we used as a
- 25:45source for this deep dive, Shadows in the Snow. It's poetic,
- 25:50but man, it carries so much weight.
- 25:52Speaker 2: It really captures the duality of Alaska. You have the
- 25:55breathtaking beauty of the snow, but also the terrifying ability
- 25:58of that snow to hide things is cover up the
- 26:01darkness and freeze it in place.
- 26:03Speaker 1: The trial brought some of those shadows into the light. Finally,
- 26:06it honored Kathleen and Veronica. It forced the city and
- 26:10the state to look at them not as statistics but
- 26:12as mothers and poets and human beings.
- 26:15Speaker 2: That is the one real redemption here. Their stories were told,
- 26:20they were seen by the world.
- 26:21Speaker 1: But the structural problems remain. The housing crisis and anchorage
- 26:25is still there. The lack of resources for people moving
- 26:28from remote villages like Eke is still a problem. The
- 26:32systemic racism hasn't vanished, and.
- 26:34Speaker 2: As long as those vulnerabilities exist, there will be another
- 26:37Brian Stephen Smith. The environment creates the hunting ground. We
- 26:41caught the wolf, yes, but we haven't fixed the fence.
- 26:44Speaker 1: That's the heavy truth. Okay. I want to leave you
- 26:47the listener with one final thought, and this is the
- 26:49one thing that really really messes with my head. The
- 26:52more I look at this case, K four, think about
- 26:55the massive resources of the state, the detectives, the patrol cars,
- 26:59the judges, the prosecutors, millions and millions of dollars, decades
- 27:03of specialized training. None of that stopped Brian Stephen Smith.
- 27:07Speaker 2: No, it didn't.
- 27:08Speaker 1: A woman stealing a cell phone to buy a sandwich did.
- 27:11It was a complete chaotic accident. If Valerie Castler decides
- 27:15to rob a different truck that day, Smith is still
- 27:18out there. If she decides to sell the phone without
- 27:20opening the photo gallery, Smith is still out there.
- 27:23Speaker 2: It creates a real crisis of faith in the system, doesn't.
- 27:25Speaker 1: It It does. It makes you realize just how fragile
- 27:28our safety really is. So my question to you listening
- 27:31to this is how many other predators are out there
- 27:35right now, operating in the shadows, relying on our collective
- 27:38indifference to keep their secrets. And are we really okay
- 27:42with a world where a stolen cell phone does more
- 27:44for public safety than the massive systems we built to
- 27:47protect us.
- 27:48Speaker 2: That is a question that demands an answer from all
- 27:50of us.
- 27:50Speaker 1: Thank you for going on this deep dive with us.
- 27:52It wasn't an easy one, I know, but it really matters.
- 27:55Speaker 2: Keep asking questions, and please see the people around you,
- 27:59really see them.
- 28:00Speaker 1: We'll see next time. Stay safe out there,