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Chief Of Hearts (S21E18) · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Well, at least we got to be friends again. You
• 0:02
  Speaker 1: know before we got whacked.
• 0:05
  Speaker 2: We're not gonna get whacked because your chief Clancy Wigham,
• 0:09
  Speaker 2: and you're gonna figure a way out of this. You
• 0:11
  Speaker 2: have that much faith in me, No faith there is
• 0:14
  Speaker 2: what you have in things that don't exist.
• 0:16
  Speaker 1: Your awesomeness is real.
• 0:18
  Speaker 3: Four finger discount Ude.
• 0:35
  Speaker 4: Welcome too, four figure thiscamp with this week we're gonna
• 0:37
  Speaker 4: be reviewing Chief of Hearts.
• 0:39
  Speaker 2: I'm Dando and I am guy. Yes, welcome to the
• 0:41
  Speaker 2: podcast that makes Pokemon looked like Digimon.
• 0:43
  Speaker 4: The battle balls, battle balls, got a balls.
• 0:46
  Speaker 2: Something called battle balls, something along those lines, I believe. So. Yeah, look,
• 0:49
  Speaker 2: the B plot in this one was kind of forgettable.
• 0:51
  Speaker 4: Be plot didn't need to be there. How often have
• 0:53
  Speaker 4: we said in season twenty one, take the B plot
• 0:55
  Speaker 4: out and there's an A plot here that's actually be
• 0:57
  Speaker 4: really good.
• 0:57
  Speaker 2: Correct. Yeah, but why they call it the bet plo
• 1:00
  Speaker 2: because it doesn't have to be there.
• 1:02
  Speaker 4: Yes, that's I've actually hate that before.
• 1:04
  Speaker 2: That's a good theory, is not bad.
• 1:06
  Speaker 4: I'm gonna run with it. I actually didn't mind this episode.
• 1:09
  Speaker 4: I thought that the idea of this episode is one
• 1:11
  Speaker 4: that I'm surprised has already been done. Just Chief Wigan
• 1:15
  Speaker 4: is a character we've seen so much. He's such a
• 1:16
  Speaker 4: pivotal part of this show. We've never really doved into
• 1:20
  Speaker 4: his psyche.
• 1:21
  Speaker 2: Not really, No, And I mean they do elucidate some
• 1:24
  Speaker 2: interesting thoughts about why. Look, you could talk about the
• 1:27
  Speaker 2: male loneliness epidemic. This is currently a hot button topic
• 1:30
  Speaker 2: in twenty twenty six. You know you okay, dudes don't
• 1:32
  Speaker 2: have friends, but yes, specifically for the cops and the
• 1:35
  Speaker 2: way that Clancy says, you know, ordinary people are scared
• 1:38
  Speaker 2: of your, criminals don't like you, and other cops won't
• 1:40
  Speaker 2: you just reminds you of stuff you're trying to forget.
• 1:42
  Speaker 2: So yeah, you can see why he would be a
• 1:45
  Speaker 2: lonely guy or at least longing for a friend. Even
• 1:47
  Speaker 2: though sort of been the lead up to this, Clars
• 1:50
  Speaker 2: always struck me as fairly sort of well adjusted and
• 1:53
  Speaker 2: happy in his relationship as well. I mean, Clancy and
• 1:56
  Speaker 2: Sarah always seem to have a nice sort of vibe.
• 1:57
  Speaker 2: That's true.
• 1:58
  Speaker 4: I wouldn't say he seemed to me, but the relationship
• 2:01
  Speaker 4: they did feel like they were simpatico.
• 2:04
  Speaker 2: Yeah, see, thank you for that. That's really nice. But
• 2:08
  Speaker 2: you and I both know we are simps for the
• 2:11
  Speaker 2: women in our lives. Lovely Louis's companies pretty much all
• 2:14
  Speaker 2: I need. She will always say, go get other friends,
• 2:16
  Speaker 2: stop hanging around me. Yes, but it's good for dudes
• 2:18
  Speaker 2: to have dude friends as well. But you know, later
• 2:21
  Speaker 2: in life it can be difficult to find that. I mean,
• 2:23
  Speaker 2: have you found that you have made new friends? You know,
• 2:26
  Speaker 2: at this stage of your life. I haven't made any
• 2:28
  Speaker 2: new friends. I say that, pety people that listen, going,
• 2:30
  Speaker 2: I thought I was your friend. I've made a lot
• 2:32
  Speaker 2: of acquaintances, but I was a few months ago. I just,
• 2:35
  Speaker 2: I said, I just feel really lonely. I just feel
• 2:37
  Speaker 2: like I don't have any friends. I just I just
• 2:39
  Speaker 2: felt like I don't know. I mean, it was last year.
• 2:43
  Speaker 4: When my birthday came around and no one text me
• 2:45
  Speaker 4: on my birthday. You and my mum and Darren were
• 2:48
  Speaker 4: the only ones that like text me on my birth
• 2:49
  Speaker 4: and I was like, gosh, my friends forgot is my birthday,
• 2:53
  Speaker 4: which is easily done, or they just didn't give a shit.
• 2:55
  Speaker 2: We all say, all of us who are in our
• 2:58
  Speaker 2: sort of various friend groups and quaintan scripts and all
• 3:00
  Speaker 2: that kind of things, like, oh, we're so busy these days.
• 3:03
  Speaker 2: I had a get together with some of my longest
• 3:06
  Speaker 2: standing friends a couple of weeks ago. You know, six
• 3:08
  Speaker 2: of us went out for dinner. We went up to Holmle.
• 3:10
  Speaker 2: We drank too much beer, too much red wine. Told
• 3:13
  Speaker 2: the same old bullshit stories that we always tell. But
• 3:15
  Speaker 2: there was something really lovely about that. And that friendship
• 3:19
  Speaker 2: is just getting stronger and stronger over time, you know,
• 3:21
  Speaker 2: because we're evolving.
• 3:23
  Speaker 4: We're all.
• 3:26
  Speaker 2: Middle class, middle aged white dudes, but there's a real
• 3:30
  Speaker 2: sense of camaraderie and affection and wanting the best for
• 3:35
  Speaker 2: one another, and we're becoming more and more sort of
• 3:39
  Speaker 2: vocal in saying that we're men of a certain era
• 3:41
  Speaker 2: and we tend to be sort of hippie mate. But yeah,
• 3:44
  Speaker 2: we'll tell each other we love each other and we
• 3:45
  Speaker 2: mean it. So yeah, it's valuable, and you can see
• 3:49
  Speaker 2: why someone like Lancy would want something like that in
• 3:52
  Speaker 2: his life.
• 3:53
  Speaker 4: I think for me, because I've befriended a lot of
• 3:55
  Speaker 4: the dads of the players on Ali's footy team, so
• 3:58
  Speaker 4: I talked to him when I'm there at training and whatnot,
• 4:00
  Speaker 4: and sometimes I sort of thought I wond if I
• 4:01
  Speaker 4: message and said that one like hang out with that
• 4:03
  Speaker 4: now don't want to hang out with me. I just
• 4:05
  Speaker 4: I have no self esteeming it. I don't feel like
• 4:07
  Speaker 4: anyone would want to hang out with it.
• 4:08
  Speaker 2: That's just silly. First of all, well I don't know. No,
• 4:12
  Speaker 2: I'm not just saying that first of all. But also
• 4:14
  Speaker 2: it's silly, but it's not silly. I get where you're
• 4:16
  Speaker 2: coming from and Tyler, because oh yeah, I feel exactly
• 4:18
  Speaker 2: the same way. There's a difference I think between if
• 4:22
  Speaker 2: you say you can say, oh, someone's my friend, or
• 4:24
  Speaker 2: you can say I'm friendly with them. I know I
• 4:27
  Speaker 2: know him, yeah yeah, and it's like sorry, Now. I
• 4:30
  Speaker 2: do another podcast occasionally with Charlie Lawson, and for the
• 4:34
  Speaker 2: longest time I would say, oh, yeah, I'm friendly with Charlie. No,
• 4:38
  Speaker 2: I would say I was friends with Charlie, even though
• 4:40
  Speaker 2: when of not calling each other all the time or
• 4:42
  Speaker 2: anything like that, or even just checking to see how
• 4:44
  Speaker 2: you're doing. But I think we've evolved beyond acquaintances to
• 4:46
  Speaker 2: friendly to friends even if we're not best friends. So
• 4:51
  Speaker 2: it's it's really interesting, isn't it, Because it's almost like
• 4:55
  Speaker 2: being in love in a lot of ways you don't
• 4:56
  Speaker 2: want to be. Sometimes you do want to be the
• 4:59
  Speaker 2: personal says at first. But yeah, imagine saying that someone
• 5:02
  Speaker 2: we're friends, right, and no, really, dude, we're friendly.
• 5:08
  Speaker 4: I'm watching this episode here and it's like, oh, I
• 5:10
  Speaker 4: don't want to be Wigham. You know, we're Wigham was like, oh,
• 5:11
  Speaker 4: a new friend, and I don't want them to see
• 5:13
  Speaker 4: me the way that we Homo seas we like, Oh,
• 5:16
  Speaker 4: you just you're so needy. I just wanted this time
• 5:18
  Speaker 4: to talk.
• 5:18
  Speaker 2: To Yeah, give me call anytime.
• 5:23
  Speaker 4: But I was surprised and wasn't surprised. I got to
• 5:26
  Speaker 4: the end of it when I watched it the first
• 5:27
  Speaker 4: time and took my notes, and I was like, I
• 5:29
  Speaker 4: like that one. Oh it's Carolyn Amine's. She's quickly become
• 5:33
  Speaker 4: my favorite Simpsons writer post Golden era. I think any
• 5:36
  Speaker 4: episode that she does I either really enjoy. I'm like,
• 5:39
  Speaker 4: there was a lot here that you know, I liked. Yeah,
• 5:41
  Speaker 4: a few more tweeks that we've been even better. I
• 5:44
  Speaker 4: think for the most part, I liked this one. I
• 5:45
  Speaker 4: think they focused enough of the episode on the main
• 5:49
  Speaker 4: plot that didn't leave me going, oh, you should have
• 5:51
  Speaker 4: added this because we were doing the one where you
• 5:54
  Speaker 4: had the Mister Burns American History Excellent, where you had
• 5:57
  Speaker 4: mister Burns in prison, and then you had this smit's
• 5:59
  Speaker 4: taking over the two stories. It could have been their
• 6:01
  Speaker 4: own episode, and they didn't flesh them out either of
• 6:04
  Speaker 4: them enough because they tried to cram them both into
• 6:05
  Speaker 4: the same one. Correct this one here, I felt like
• 6:07
  Speaker 4: enough of the episode was dedicated to the Wigham one
• 6:10
  Speaker 4: where only really felt like they're going to the B
• 6:12
  Speaker 4: plot when they wanted some time to transpire.
• 6:14
  Speaker 2: I think so. Yeah, And look, sometimes that's what you
• 6:16
  Speaker 2: need in your B plot. It doesn't necessarily have to
• 6:18
  Speaker 2: be its own story. It can just.
• 6:20
  Speaker 4: Act as something's happening a.
• 6:22
  Speaker 2: Little bit of a distraction. It's like, and with all
• 6:26
  Speaker 2: fairness to the B plot in this, which is but
• 6:29
  Speaker 2: getting involved in the battlebles thing and must margin everyone
• 6:34
  Speaker 2: mistaking it for being like drugs or being a drug
• 6:36
  Speaker 2: deal or something like that. It's kind of one note.
• 6:39
  Speaker 2: It's pretty much one joke, but.
• 6:40
  Speaker 4: It's like a scene from the Nanny King identity.
• 6:45
  Speaker 2: Yeah you could, Yeah, you could just play this as
• 6:46
  Speaker 2: one joke in one scene and it would work fine
• 6:49
  Speaker 2: if you're stretching it out into maybe three or four
• 6:51
  Speaker 2: separate scenes, So the impact or the appeal is diluted.
• 6:57
  Speaker 4: For me because I like the idea that the joke
• 6:59
  Speaker 4: thing I'll try in a minute. But I liked the
• 7:01
  Speaker 4: idea of that. Carolyn, she's clearly a mum, right, A
• 7:04
  Speaker 4: lot of her a lot of her stories are about
• 7:06
  Speaker 4: her being a parent, and you know your kids go
• 7:08
  Speaker 4: through fads and whatnot. So this one was like the
• 7:09
  Speaker 4: young Digimin or Yuio cards or whatever, and obviously I'm
• 7:13
  Speaker 4: assuming her in real life. Carolyn mean, I said, oh,
• 7:16
  Speaker 4: they're cool, and the kids were like, well, now they're
• 7:17
  Speaker 4: not cool because my mum likes them. So I like,
• 7:19
  Speaker 4: I feel like I relate to her stories on my
• 7:21
  Speaker 4: parent now. But the idea of I think sometimes the
• 7:24
  Speaker 4: show forgets that Bart and Lisa are eight and ten, right,
• 7:27
  Speaker 4: Why would they like Skinner and charmers? For first of all,
• 7:30
  Speaker 4: so that's what fourth grade? I think he's dealing drugs.
• 7:33
  Speaker 4: The idea of a ten year old dealing drugs is
• 7:35
  Speaker 4: so ridiculous when you think about it, you know, But
• 7:39
  Speaker 4: and Lisa, the way these characters are treated these days,
• 7:41
  Speaker 4: they don't treat them like children anymore. They're always like
• 7:43
  Speaker 4: young adults when they're not young adults.
• 7:45
  Speaker 2: They're children. Yeah, that's yeah, or even in the other
• 7:48
  Speaker 2: term of younger. Oh yeah, they're not even sort of
• 7:50
  Speaker 2: teenagers AliOS age alien.
• 7:52
  Speaker 4: They are literally children, but because they have not rud
• 7:56
  Speaker 4: of ideas, but they've got to get them to doing
• 7:57
  Speaker 4: other things. It's like we see them as young adults,
• 8:00
  Speaker 4: our teenagers, but like the idea of a ten year
• 8:02
  Speaker 4: old dealing drugs at primary school, it's ludicrous, really.
• 8:05
  Speaker 2: It is. It is having said that's probably happening.
• 8:11
  Speaker 4: Hit up out yet, I've got his number. I need
• 8:15
  Speaker 4: a new burner. But I think the idea of Wigham
• 8:19
  Speaker 4: and Homer just hanging out is a fun and original
• 8:21
  Speaker 4: concept that surprisingly hadn't been done before.
• 8:24
  Speaker 2: I think they just they work well together. Well, there's
• 8:26
  Speaker 2: similar sort of people. They seem to be driven by
• 8:28
  Speaker 2: their appetites in a lot of ways. They're not necessarily
• 8:30
  Speaker 2: as sharp as tools in the shed. They're sentimental, big
• 8:34
  Speaker 2: hearted guys. Yeah, they are kind of two peas in
• 8:37
  Speaker 2: a pod. It's amazing that they haven't drawn them together
• 8:39
  Speaker 2: in this way before. But yeah, we got it in
• 8:40
  Speaker 2: this episode. And of course there are things that are
• 8:42
  Speaker 2: gonna maybe drive them apart. Although, yeah, the neediness of
• 8:47
  Speaker 2: Wigham as displayed in this episode, I don't think it's
• 8:50
  Speaker 2: anything we've ever really seen before, have we Needness?
• 8:54
  Speaker 4: Probably not that, I mean I.
• 8:55
  Speaker 2: Think occasionally all sort of second guess.
• 8:58
  Speaker 4: Yeah, it's neid of of loser paying attention or something
• 9:01
  Speaker 4: like that.
• 9:01
  Speaker 2: But yeah, so yeah, maybe the seeds have been planted
• 9:04
  Speaker 2: in earlier episodes and Carolyn's all about the b sharps.
• 9:07
  Speaker 2: Oh yeah, that's right, And Carolyn saw that and sort
• 9:10
  Speaker 2: of ran with it, and we could expand this into
• 9:12
  Speaker 2: something else, But is it a right with it?
• 9:14
  Speaker 4: Yeah? I just think though, if I'm going to do
• 9:17
  Speaker 4: a nitpick, I think maybe there should have been more
• 9:20
  Speaker 4: of Homer and Wigham hanging out and getting along before
• 9:23
  Speaker 4: he gets attacked, because it just feels like not enough
• 9:27
  Speaker 4: of that bond had been formed from a viewers perspective,
• 9:29
  Speaker 4: correct to justify why would give up all this time
• 9:32
  Speaker 4: and spend time with him. I mean home has actually
• 9:33
  Speaker 4: been really nice. Sure, all the time in the hospital
• 9:35
  Speaker 4: and yadda YadA, But for Wigham to then go, oh,
• 9:38
  Speaker 4: he's spent time with them now, it's like he only
• 9:40
  Speaker 4: just became friends.
• 9:41
  Speaker 2: They're turning it into sort of like you know the
• 9:43
  Speaker 2: movie The Cable Guy, Right, Yeah, it's a bit that way.
• 9:47
  Speaker 2: In some way, it's true. Yeah, Clancy took an inch
• 9:51
  Speaker 2: and and no, he was given an inch and he
• 9:54
  Speaker 2: took a mile perhaps.
• 9:55
  Speaker 4: Yeah, but you're right though. I've got a couple of
• 9:57
  Speaker 4: friends who are officers, and the idea of you know,
• 9:59
  Speaker 4: I think, what does he say villians are scared of
• 10:01
  Speaker 4: us and other cops remind us of things we'd rather forget. Well,
• 10:03
  Speaker 4: that's a really great line, and it's so true because
• 10:05
  Speaker 4: my friends who were cops, they say, we do feel
• 10:07
  Speaker 4: lonely because we feel like, even when we're hanging out
• 10:09
  Speaker 4: with you guys, you guys are always trying to make
• 10:11
  Speaker 4: sure you're on your best behavior. You got your guard
• 10:13
  Speaker 4: up because just in case you say the wrong thing.
• 10:15
  Speaker 4: It's like we're not. But then I sometimes subconsciously think, well,
• 10:18
  Speaker 4: maybe I am. Maybe I am just careful with the
• 10:22
  Speaker 4: way I talk. And after they said that, I said
• 10:24
  Speaker 4: to I think, maybe I do. Maybe I do watch
• 10:27
  Speaker 4: what I say just in case, but not deliberately. Oh yeah, yeah, no,
• 10:31
  Speaker 4: I understand. And they see shit that no normal person
• 10:34
  Speaker 4: should see.
• 10:35
  Speaker 2: Absolutely, Yeah, like that.
• 10:36
  Speaker 4: You remind me of things I'd rather forget, which is
• 10:38
  Speaker 4: things like one of my friends is a police officer,
• 10:40
  Speaker 4: had to go to a fire where children passed away
• 10:43
  Speaker 4: and he had to literally remove the bodies from the fire.
• 10:46
  Speaker 4: And he's never been the same, Like you can. He's
• 10:48
  Speaker 4: just never been the same, of course, and that's why,
• 10:50
  Speaker 4: you know, being with other cops remind him of being
• 10:52
  Speaker 4: on the job. Yeah.
• 10:53
  Speaker 2: Yeah, But at the same time, you're trying and talk
• 10:55
  Speaker 2: about that to a civilian and it's like, well, I'm
• 10:57
  Speaker 2: either going to traumatize the civilian or yeah, they're not
• 11:01
  Speaker 2: going to bite me around for another barbecue. Whatever.
• 11:03
  Speaker 4: Advice if you do know a police officer out there,
• 11:06
  Speaker 4: my mate, he says one thing he hates is when
• 11:08
  Speaker 4: someone always says, what's the worst thing you've seen? Yeah,
• 11:10
  Speaker 4: I don't want to talk about that, but that's all
• 11:15
  Speaker 4: people want to hear about. What's the most Like, when
• 11:16
  Speaker 4: you're got a friend who's a paramedic, What's what's the
• 11:18
  Speaker 4: worst thing you've had to do? What's worst accent you've
• 11:20
  Speaker 4: had to be Too's like, what would I want to
• 11:21
  Speaker 4: relive that?
• 11:22
  Speaker 2: Yeah, why don't you tell me about your father's funeral
• 11:25
  Speaker 2: while we're at it?
• 11:28
  Speaker 4: But over All, compared to recent episodes, I thought this
• 11:31
  Speaker 4: one had more purpose, I had.
• 11:33
  Speaker 2: More stronger through line. I think, yeah, look, some of
• 11:36
  Speaker 2: the gags were a little bit flimsy, could have been sharper,
• 11:40
  Speaker 2: but there was, as I am prone to say, a bit,
• 11:43
  Speaker 2: a lot to enjoy in this episode.
• 11:44
  Speaker 4: When I watched Charlyn's episodes, though, I felt like I
• 11:46
  Speaker 4: watched him and go, oh, I see where the mental
• 11:49
  Speaker 4: go for this part, because she always says there's an episode,
• 11:52
  Speaker 4: you know where they go to the Leper Island or whatever.
• 11:54
  Speaker 4: At the end of it, she's like, that's not how
• 11:55
  Speaker 4: I ended this episode, but that's how they insisted it ends.
• 11:58
  Speaker 4: And she's like, I was the episode and go, why
• 12:01
  Speaker 4: did we have to do the Lepard hard? You watch
• 12:03
  Speaker 4: it in retrospect and it doesn't work, it's not funny.
• 12:06
  Speaker 4: And then I'll watch her episodes and I go, I reckon,
• 12:08
  Speaker 4: that's a salmon gag. By the way, fun fact about
• 12:14
  Speaker 4: this one, this is the first episode where Lison ever
• 12:16
  Speaker 4: says a word I.
• 12:18
  Speaker 2: Knew there was. That's a terrible gag to make and
• 12:23
  Speaker 2: not not indicative of my personally at all. But well,
• 12:26
  Speaker 2: that's interesting.
• 12:27
  Speaker 4: Yeah, yeah, that's true.
• 12:29
  Speaker 2: Didn't say anying, no Lisa at all. Eh, my favorite
• 12:33
  Speaker 2: favorite moments from the episode Lisa not being in it.
• 12:37
  Speaker 2: I thought that Clancy Wigghams technique for adding sugar was
• 12:42
  Speaker 2: very impressive. Yeah, Hope was not wrong. There was impressive.
• 12:45
  Speaker 4: I like that arriving with a thirty two piece bucket
• 12:48
  Speaker 4: of chicken, it was likely to forget about me that
• 12:49
  Speaker 4: I might want some.
• 12:53
  Speaker 2: Is a bullshit written in guys notes, thirty two pieces
• 12:57
  Speaker 2: bucket of chicken equals Dando's favorite moment. We didn't collaborate
• 13:02
  Speaker 2: on this at all. Came in blind. I just he
• 13:06
  Speaker 2: likes check it out. How can I tell you?
• 13:08
  Speaker 4: Especially it's Kentucky fry.
• 13:12
  Speaker 2: So they got the Parmi burger at the moment.
• 13:14
  Speaker 4: I did see that, and I was like, oh damn.
• 13:17
  Speaker 4: That was of the Parmi tower Berg and I was like, hot.
• 13:19
  Speaker 2: Damn some of that act. I thought this was a
• 13:24
  Speaker 2: very nice line. And I'm going to credit to Carolyn
• 13:25
  Speaker 2: Amine all the good stuff Karl. When they're in the
• 13:30
  Speaker 2: trunk together, by the way, there's the two this is
• 13:31
  Speaker 2: a two piece feed. By the way, They've got the
• 13:33
  Speaker 2: nice line. Yeah, but it's a very Carolin Amine moment.
• 13:37
  Speaker 2: But First of all, that scene in the trunk is
• 13:39
  Speaker 2: a direct tribute to one of my favorite movies of
• 13:42
  Speaker 2: all time. It's from out of Sight with George Clooney
• 13:45
  Speaker 2: and Jennifer Lopez. Ok. Yeah, there's a terrific scene where
• 13:49
  Speaker 2: Coloney is broken out of jail, takes j Lo hostage,
• 13:54
  Speaker 2: and they're in the trunk of this car and they sort.
• 13:56
  Speaker 4: Of have a bit of a meet cute. Why are
• 13:58
  Speaker 4: they're in the trunk? Have he's taken her hostage.
• 14:01
  Speaker 2: Because he's been broken out of jail by his a
• 14:05
  Speaker 2: partner in crime. So he's in there willingly. Yeah, he's
• 14:09
  Speaker 2: escaping willingly, and Jayala was like a federal marshal who trusted.
• 14:12
  Speaker 2: He tries to arrest them, except they disarmor and like,
• 14:15
  Speaker 2: let's get out of here, and then they start flirting
• 14:17
  Speaker 2: in the trunk and it's really great. Out of Sight
• 14:20
  Speaker 2: if you have not seen it, one of my favorite
• 14:21
  Speaker 2: movies of all time.
• 14:22
  Speaker 4: Yeah, out of Sight.
• 14:23
  Speaker 2: Yeah, it's great. Well Year nineteen ninety eight, directed by
• 14:27
  Speaker 2: the great Steven So.
• 14:27
  Speaker 4: That's that's right my wheelhouse. Yeah, man, Because you watch
• 14:31
  Speaker 4: those films and it's just before social media, just before
• 14:34
  Speaker 4: technology really boom, the Internet and It's like I love
• 14:37
  Speaker 4: the crime thrills where they had to be cops to
• 14:40
  Speaker 4: solve crimes, not just reliant technology.
• 14:42
  Speaker 2: The afore mentioned Charlie Lawson and I we're gonna do
• 14:45
  Speaker 2: a podcast series about comfort movies and with sort of
• 14:48
  Speaker 2: sections and that one of them is like first date
• 14:51
  Speaker 2: movies or I've been seeing this person for a little while,
• 14:53
  Speaker 2: it's time from movie night. Hopefully you will like this
• 14:56
  Speaker 2: movie because I really like this movie and from mine,
• 14:58
  Speaker 2: it's out of sight. Yeah. But then after that, claims
• 15:02
  Speaker 2: is like, ah, how are we gonna get out of this?
• 15:04
  Speaker 2: And Homer says the following, faith is what you have
• 15:07
  Speaker 2: in things that don't exist. Your awesomeness is real word's wisdom.
• 15:12
  Speaker 2: I like it. Yeah, that was great. So those were
• 15:15
  Speaker 2: my favorite moments from this episode. There'll be more as
• 15:17
  Speaker 2: we go through, but that's what I like.
• 15:19
  Speaker 4: I like the itchy powder because least much she's found
• 15:22
  Speaker 4: drugs it itchi powder, but would have that. But yeah,
• 15:27
  Speaker 4: I also liked the reference to our Edward g Robinson.
• 15:30
  Speaker 4: Everything reminds me of Wigham. Ah, you can't get me share.
• 15:35
  Speaker 2: Next question?
• 15:36
  Speaker 4: You there eating the paste trivia time?
• 15:39
  Speaker 2: Hit me with your first question. I thought this was
• 15:41
  Speaker 2: going to be a one off, but then that it
• 15:42
  Speaker 2: happens again. But so you'll probably get this quite immediately.
• 15:45
  Speaker 2: But what does Ukraine cold chief Wigham?
• 15:48
  Speaker 4: Ukraine call Chief Wigham. Ah, it's like doctor big Pants
• 15:51
  Speaker 4: or something. It's Daddy round, Daddy round.
• 15:55
  Speaker 2: The big pants? Is my name? Yes?
• 15:57
  Speaker 4: Next one for me or first one for me is
• 15:59
  Speaker 4: what does Kemp Brockman have to get out of the
• 16:01
  Speaker 4: thorn bush? Oh?
• 16:03
  Speaker 2: God damn, yeah, I was gonna take notes about what
• 16:05
  Speaker 2: because because Krusty has to sort out the hoboes by
• 16:09
  Speaker 2: the war they were in. Is it used condoms?
• 16:11
  Speaker 4: Condoms?
• 16:11
  Speaker 2: It is?
• 16:13
  Speaker 4: By the way, one of the hoboes was Spotspider.
• 16:15
  Speaker 2: Oh for it nice. What computer command do you have
• 16:21
  Speaker 2: to use to start an amber alert?
• 16:24
  Speaker 4: Or is it control F thirteen?
• 16:27
  Speaker 2: It's control F three.
• 16:28
  Speaker 4: Oh, it's close, so close. My next one is what
• 16:31
  Speaker 4: does the tag one of Cora's Diner say Coras Diner?
• 16:35
  Speaker 2: Oh? Man, No, that's the one where they hid the
• 16:39
  Speaker 2: X cons right, is it that's where the X kinds
• 16:42
  Speaker 2: are cooking.
• 16:43
  Speaker 4: Yeah, that's it just says not retro, just old.
• 16:48
  Speaker 2: They still have that kind of thing where they got
• 16:50
  Speaker 2: the like the retro cafes like the fifties cafes.
• 16:53
  Speaker 4: Well, Johnny Rockets was like a big thing for it's
• 16:54
  Speaker 4: so funny, the four Finger Discount United, what is it?
• 16:57
  Speaker 2: The unified theory of which?
• 16:59
  Speaker 4: And I just did a Patreon We did the Take
• 17:02
  Speaker 4: my Wife's Sleeves the Biker Gang one and then kicks
• 17:04
  Speaker 4: off with Homer at the greases Jo's Diner during the
• 17:07
  Speaker 4: dance contest. It's just like we're discussing last night, would
• 17:10
  Speaker 4: one of those work now and on like the surf Coast,
• 17:12
  Speaker 4: just like a fifty style diner. So we tried Johnny
• 17:14
  Speaker 4: Rockett that it failed, Yeah, it was there for a while.
• 17:17
  Speaker 4: I think it would work on the corner of malap
• 17:19
  Speaker 4: and morble. I think if done, if done properly, if
• 17:22
  Speaker 4: if you do it properly and you go for it
• 17:25
  Speaker 4: and you actually have everything themed true.
• 17:27
  Speaker 2: But here's the thing. Yeah, that was nostalgia in the
• 17:30
  Speaker 2: nineties for the fifties, and now it would be nostalgia
• 17:33
  Speaker 2: for the eighties, in the twenties, in the twenty twenty.
• 17:36
  Speaker 4: We just we literally brought that up, methought. But what's
• 17:38
  Speaker 4: like an eighties diner? Though it's a nineties done what's.
• 17:40
  Speaker 2: True that it would probably be like Johnny Rock, Yeah,
• 17:43
  Speaker 2: it would be fifties nostalgia filtered through eighties nostalgia for now. Yeah,
• 17:49
  Speaker 2: I mean it would be like, what's what's an eighties?
• 17:51
  Speaker 4: What was describing eighties?
• 17:53
  Speaker 2: What? Dina? Actually, No, it's this is what's happening because
• 17:56
  Speaker 2: so many people like, remember pizza. Remember pizza? Yeah, pizza.
• 18:00
  Speaker 2: You've got people saying, yeah, we're gonna we're gonna buy
• 18:02
  Speaker 2: a pizza and we're gonna bring it back the way
• 18:03
  Speaker 2: we used to it. Say okay, you're going to fix
• 18:06
  Speaker 2: the pizzas there be there's maybe three people on Twitter
• 18:08
  Speaker 2: who were like that's great, I mean, and two people
• 18:10
  Speaker 2: on podcasts. But I went to the OI Can Eat
• 18:13
  Speaker 2: One and balow at Pizza Hut expecting to readlive my
• 18:16
  Speaker 2: childhood and take the kids out right, and well was
• 18:18
  Speaker 2: I was so was so punped. I was like, this
• 18:20
  Speaker 2: is gonna be great. Kids are going to see what
• 18:21
  Speaker 2: it was like to have an oil and eat pizzah
• 18:22
  Speaker 2: blah blah blah. And we get there and it was
• 18:24
  Speaker 2: a bunch of like fifteen year olds working there who
• 18:25
  Speaker 2: didn't give a ship. It was dirty, hadn't been cleaned,
• 18:28
  Speaker 2: the pizza was cold, and I was like the way
• 18:30
  Speaker 2: I remember it, or maybe it was maybe it was
• 18:34
  Speaker 2: there was no The Way to Balert is no dessert bar.
• 18:36
  Speaker 2: Oh for real, it used to be soft serve ice cream. Yeah,
• 18:39
  Speaker 2: if you're going to have that kind of nostalgic diner,
• 18:41
  Speaker 2: it would probably be like the way a Macas used
• 18:43
  Speaker 2: to be or the Hungry Jack's used to be. Maybe
• 18:45
  Speaker 2: Hungry Jack still is like that. But you know how
• 18:47
  Speaker 2: they're all maccas used to be an event. Yeah, they
• 18:49
  Speaker 2: look then they look like Ikeas.
• 18:51
  Speaker 4: I say this, it's all it's all Ikea stores. But
• 18:53
  Speaker 4: used to have the seats were shipped like Hamburgers. Of
• 18:55
  Speaker 4: course you had the bottom of Donald's statute used to
• 18:57
  Speaker 4: get a photo with.
• 18:58
  Speaker 2: They had all a man of crazy crap on the wall. Yeah,
• 19:00
  Speaker 2: and now they don't. Now they're basically like they're like
• 19:04
  Speaker 2: that factory at the end of terminator. I mean, you
• 19:06
  Speaker 2: go in. I've said this many times, how can you
• 19:09
  Speaker 2: work here? I would go out of my fucking mind. Yeah.
• 19:14
  Speaker 2: Why were we talking about that? Because they went to
• 19:17
  Speaker 2: they went to the retro thing. I have one final
• 19:20
  Speaker 2: question for you. Who was the producer of the TV
• 19:23
  Speaker 2: cop show.
• 19:23
  Speaker 4: That is a bit like Starskin Damn Nah, that was it?
• 19:26
  Speaker 2: Or the answer? The answer is in the question Stephen J.
• 19:29
  Speaker 2: Cobb Show, which is a play on Stephen J. Canell.
• 19:33
  Speaker 2: You were Stephen J. Canell. He's the maker, like the
• 19:36
  Speaker 2: A team Dick Wolf. Everyone knows Dick, but if you
• 19:40
  Speaker 2: watch I'd say forty to fifty percent of the cop
• 19:44
  Speaker 2: shows on American TV in the eighties and perhaps early
• 19:47
  Speaker 2: nineties had the name Stephen We've talked about in the
• 19:49
  Speaker 2: past because his close out thing is ripping the thing
• 19:52
  Speaker 2: and it goes yeah, yeah right, it turns into a seat.
• 19:55
  Speaker 2: Stephen J. Cannell, What a guy.
• 19:59
  Speaker 4: My final qu for you is what does Wigham? What
• 20:02
  Speaker 4: does the badge say that he gives Homer in mosh.
• 20:07
  Speaker 2: Will Will's Worst Friends?
• 20:09
  Speaker 4: Yes, yeah, you planned it on me, man.
• 20:12
  Speaker 2: I almost said that was one of my favorite mos Hey, man,
• 20:14
  Speaker 2: you planned dead. Almost any hippie or Miss Green or
• 20:21
  Speaker 2: whatever who had something planned I'm sure a man you
• 20:24
  Speaker 2: planned dead.
• 20:25
  Speaker 4: Why is it that whenever we do hippie voices, it
• 20:28
  Speaker 4: has to be cheating Chong.
• 20:29
  Speaker 2: Man, the power of cheach and Chong and they sort
• 20:35
  Speaker 2: of cult the paper on drug took and Hippies.
• 20:38
  Speaker 4: We recently, for some reason, discussed Norman Gunston and I
• 20:43
  Speaker 4: watched his interview with Cheech and Chong, and it's amazing
• 20:46
  Speaker 4: because in the first minute they're kind of confused, like
• 20:50
  Speaker 4: what's happening here, and after like that that sort of realized, Oh,
• 20:52
  Speaker 4: I see what's going on, and they play into it
• 20:54
  Speaker 4: and they're all just having the time and they're like
• 20:56
  Speaker 4: they're just they're they're clearly high and they're just loving life.
• 21:01
  Speaker 4: This fucking guy is he gets it.
• 21:02
  Speaker 2: But the thing of it is, it's so easy to
• 21:06
  Speaker 2: not write them off as just stoney guys. Really terrific
• 21:10
  Speaker 2: improvisational comics who have created these characters and are able
• 21:15
  Speaker 2: to work just about any situation within that character, within
• 21:20
  Speaker 2: the framework of those characters. It's pretty good.
• 21:22
  Speaker 4: Gene and Shoel, Yeah, they looking at each other's laughing
• 21:25
  Speaker 4: their asses off the whole time, Like this guy's hilarious
• 21:27
  Speaker 4: and he's just you know what Norman guns is like
• 21:29
  Speaker 4: just being awkward and making mistakes, and they're just they're
• 21:31
  Speaker 4: just eating it up. All right, it is Stonecutter's time now.
• 21:44
  Speaker 4: Of course, we're going to start with Kat g the
• 21:45
  Speaker 4: incredible KTG. Right, you tell me because she gives one
• 21:50
  Speaker 4: hundred bucks each Month's is absolutely superstar shot out Katy G.
• 21:53
  Speaker 4: But there's another man I need to mention. His name
• 21:54
  Speaker 4: is David Stewart, right, and he said in the Eurythmics,
• 21:57
  Speaker 4: I hope so that would be cool. He sent me
• 21:59
  Speaker 4: in email did it? And He's like, I don't really
• 22:01
  Speaker 4: care that. You know, I've been a tweeny dollar subscriber
• 22:03
  Speaker 4: for a couple months and you haven't said my name yet.
• 22:05
  Speaker 4: I was just wondering if you could, if it's gonna happen.
• 22:07
  Speaker 4: I was like, I just want to support you guys.
• 22:08
  Speaker 4: I don't really bother that. I'm like, I'm sorry, sir, Weave.
• 22:11
  Speaker 4: Sure we read your name out first and foremost after KG.
• 22:14
  Speaker 2: Of course, David Stuart, David Stuart.
• 22:19
  Speaker 4: I don't do so again, Bud, but thank you for
• 22:23
  Speaker 4: your support David Stewart by being a top tier stoke
• 22:25
  Speaker 4: gout to support here add four finger discount as well
• 22:27
  Speaker 4: as the following people, Glenn Gomez, Justin Parker, Zach Prutt,
• 22:30
  Speaker 4: Shanny Macker, Elliott j O'Neil, Isabella Murphy, Rach Beasley, Stephen Roberts,
• 22:34
  Speaker 4: Shawn DV, Pete Anderson, Timothy Burlson, Andrew Davis, Kevin Dental
• 22:38
  Speaker 4: planned flood ball of Windebank, Jack McFadden, Heath Appleby Adrim
• 22:42
  Speaker 4: McLeod March, Trelevan Ginger and Pickle Preston, Murray, Talia and Riguez,
• 22:46
  Speaker 4: Declan Phoenix.
• 22:47
  Speaker 2: You read the last year guy, where'd we? Where are we?
• 22:50
  Speaker 5: Up to?
• 22:50
  Speaker 2: Brian McCoy, Logan b James Shephard, Joe riddenseg Dave Pretzels McNally,
• 22:57
  Speaker 2: Gavin Lang, Damian Miller, Charlie Joe, Abigail B. Sharp Cutter
• 23:02
  Speaker 2: and Craig Craig lt Smash Costa, Sorry my glasses, then
• 23:09
  Speaker 2: cleaning and the screen lit later Sill Brett.
• 23:14
  Speaker 4: Thank you guys for supporting us here at four feing
• 23:16
  Speaker 4: a discount. You are literally the reason that we are
• 23:19
  Speaker 4: able to keep going.
• 23:19
  Speaker 2: You are absolute legends. My apologies to the final few
• 23:23
  Speaker 2: people whose names I read out you'll probably like wish
• 23:26
  Speaker 2: Dandar had done that, but thank you very much for
• 23:29
  Speaker 2: your support. It is incredibly appreciated. Now.
• 23:32
  Speaker 4: The original air date of this episode, mister Davis, was
• 23:34
  Speaker 4: April eighteenth, twenty ten. What do you think were the
• 23:37
  Speaker 4: top three films at the US box office when this
• 23:39
  Speaker 4: episode aired.
• 23:40
  Speaker 2: I'm gonna say Avatar, Avatar and Avatar ten. It was
• 23:43
  Speaker 2: two thousand and nine. I don't know, man, let's find out,
• 23:46
  Speaker 2: let's do it, Let's go to the internet.
• 23:47
  Speaker 4: Number three was Date Nights, number two had to Train
• 23:50
  Speaker 4: Your Dragon, and number one was kick Ass. Kick Ass
• 23:54
  Speaker 4: debut at number one had There was two films kick Ass, wasn't.
• 23:56
  Speaker 2: It there was? I think kick Ass two was not
• 23:58
  Speaker 2: that great. Wonder how well kick Ass has aged. I
• 24:03
  Speaker 2: feels like it feels like a very twenty tens kind
• 24:05
  Speaker 2: of movie.
• 24:06
  Speaker 4: I was kind of late to kick Ass. I never
• 24:07
  Speaker 4: saw it when it first came out, and I was like,
• 24:08
  Speaker 4: you go see kick Ass. I was saying with Scott Pilgrim.
• 24:10
  Speaker 4: I was like, you coulda watch Scott Pilgrim. And I
• 24:12
  Speaker 4: watched it like later on and I was like, hey,
• 24:14
  Speaker 4: you want see Scup Pilgrim. I'm like, yeah, Like ten
• 24:15
  Speaker 4: years ago, I.
• 24:17
  Speaker 2: Had a training Dragon is in there. I met some
• 24:20
  Speaker 2: guy the other day. It was being a counter jocket,
• 24:24
  Speaker 2: a retail atlet selling pop culture merchandise. One might say,
• 24:29
  Speaker 2: I remember a young man who was incredibly fluent in
• 24:31
  Speaker 2: how to Train your Dragon Law. Okay, he knew about it.
• 24:36
  Speaker 2: Did you make a mistake on something he credited you?
• 24:38
  Speaker 2: It was a bit scenting laid No. No, I think
• 24:40
  Speaker 2: I was just hey, I like that movie. You like it? Well,
• 24:45
  Speaker 2: why you're biking it wrong? No, he was a good guy.
• 24:47
  Speaker 4: I remember when I worked at CONN for your pop
• 24:50
  Speaker 4: Culture and I was in the board game section, and
• 24:52
  Speaker 4: I remember there was a Bill and Ted board game.
• 24:55
  Speaker 4: I remember this guy was like looking at the board games.
• 24:57
  Speaker 4: I was like, anything you like? I said, this one's
• 24:59
  Speaker 4: good Bill and ten And he's like, how many movies
• 25:02
  Speaker 4: are there? And I was like, well, I was like
• 25:04
  Speaker 4: there's two. He's like, yeah, which one's the best one?
• 25:06
  Speaker 4: I was like, well, I like billing Ted's Bogus Journey.
• 25:08
  Speaker 4: He's like, oh, so you do know him. I'm like,
• 25:11
  Speaker 4: why were you so offended? He was like, so, how
• 25:14
  Speaker 4: many films are there? I was like, because it was
• 25:15
  Speaker 4: billing Ted's Excellent Adventure. And I was like two and
• 25:17
  Speaker 4: second he gets alright, then word do the wise. Don't
• 25:20
  Speaker 4: be that person.
• 25:22
  Speaker 2: That person who.
• 25:25
  Speaker 4: Being a little more for me. I think it was
• 25:27
  Speaker 4: he was more annoyed. He's like, this guy actually doesn't
• 25:29
  Speaker 4: know about by Journey. He knows it's extent sequel. Yeah
• 25:33
  Speaker 4: he does, indeed, right, so yes. April eighteen, twenty ten,
• 25:37
  Speaker 4: Written by Carolyn Amine and William Wright So all the
• 25:40
  Speaker 4: Bad Stuff William Right, and readed by Chris Clements. It
• 25:45
  Speaker 4: stars Jane I was miss pronounce her last names Americ
• 25:47
  Speaker 4: because Mary, Yeah, the mum from in the middle. Yeah,
• 25:51
  Speaker 4: she plays the judge.
• 25:52
  Speaker 2: Did you watch that life still Unfair? No, I've never
• 25:54
  Speaker 2: I didn't watch the original series. Yeah, I was never
• 25:55
  Speaker 2: really into it.
• 25:56
  Speaker 4: Yeah, my friends loved it. I just never really bothered
• 25:59
  Speaker 4: with it. Yeah, I'm sure great. But Marisa marsh appears.
• 26:02
  Speaker 4: I'm not sure who as who, but he's in this
• 26:03
  Speaker 4: and Joe Montagna as Fat Tony. Now, what was the
• 26:06
  Speaker 4: Billboard gag?
• 26:07
  Speaker 2: Billboard gag was death and Texas, two things they avoid.
• 26:12
  Speaker 2: Mister Burnan's just yeah, it's not really selling anything. It's just,
• 26:14
  Speaker 2: you know, just a joke with mister man. You also
• 26:18
  Speaker 2: had Keny Curtis Curtis in their Flying Saucer.
• 26:22
  Speaker 4: Yes, now, the chop Board gag discounts as Jim and
• 26:26
  Speaker 4: Art class and the Couch gag the same four course
• 26:28
  Speaker 4: in their gag as in Wedding for Disaster, which is
• 26:30
  Speaker 4: the comic book. Guy calls them Bill Terrible after tossing
• 26:32
  Speaker 4: down his napkin. So, but the Simpsons were food. I
• 26:35
  Speaker 4: think they were, but it was like a steak. Yes,
• 26:37
  Speaker 4: that's right. See episode kicks off with the family besides Homer,
• 26:42
  Speaker 4: Marge and the kids on their way to a birthday
• 26:43
  Speaker 4: party for Dylan. They were to tottle toss together.
• 26:46
  Speaker 2: This is the thing.
• 26:47
  Speaker 4: So Nicholas still friends with some of the girls from
• 26:50
  Speaker 4: her mother's group from Elliott's age, and the kids are
• 26:53
  Speaker 4: still friends, but they only really catch up because mum,
• 26:56
  Speaker 4: like the mums are catching up. Yeah, but I cant
• 26:59
  Speaker 4: understand why. But it's like whatever the whole we don't
• 27:02
  Speaker 4: know it's a boy or girl. I'm like, that's a
• 27:03
  Speaker 4: bit silly because Marge would remember that. Yeah, yeah, and
• 27:06
  Speaker 4: I've never had a girl called Dylan. Oh yeah, there
• 27:09
  Speaker 4: were plenty of girls called Yeah, I never have I've
• 27:10
  Speaker 4: never met mine. Well, not plenty, but there are certainly some. Yeah, okay,
• 27:13
  Speaker 4: but they she can't work out whether it's a boy
• 27:16
  Speaker 4: or girl because it's fish themed. They arrive as princesses
• 27:18
  Speaker 4: and superheroes. His best friend is a dog, then, but
• 27:22
  Speaker 4: it's a carrot cake. I thought you would have liked
• 27:23
  Speaker 4: the kid that likes the carrokeke.
• 27:24
  Speaker 2: Do we actually find out if Dylan? No, we never do.
• 27:29
  Speaker 2: Did I like it?
• 27:30
  Speaker 4: No?
• 27:30
  Speaker 2: I thought it was weird on different levels, that whole gag.
• 27:32
  Speaker 4: Yeah.
• 27:32
  Speaker 2: I thought there's all was gross. It was not Martin.
• 27:36
  Speaker 2: It should have been Muttin, right, you would think so
• 27:38
  Speaker 2: if it was a very Martin codd, isn't it but
• 27:42
  Speaker 2: so nice? It's like, what's up with that? But it's
• 27:47
  Speaker 2: all carrot cakes actually can be quite nice. Yeah, yeah,
• 27:50
  Speaker 2: And but but just taking his mouthful and smushing it
• 27:54
  Speaker 2: back into the cupcake and then putting it back, and
• 27:56
  Speaker 2: then they keep eating it and so moist. It's like,
• 27:58
  Speaker 2: it's kind of gross.
• 27:59
  Speaker 4: I see Carricter get a birthday party, though as the
• 28:01
  Speaker 4: same way you'd see you. I know, these new shorts
• 28:04
  Speaker 4: and shoes are practical, but I don't want it for Christmas?
• 28:07
  Speaker 2: Right yeah? Well, heye. We just finished talking about toy story,
• 28:12
  Speaker 2: the iconic toy story, one might say for the movie
• 28:16
  Speaker 2: Guard with Moulton Davis watching it, it was hilarious. They're
• 28:20
  Speaker 2: having the birthday party and he's got he's got bad sheets.
• 28:26
  Speaker 4: Who invited that decad.
• 28:29
  Speaker 2: Don Rickles alleged, I find myself just laughing.
• 28:31
  Speaker 4: Mister Potato had the entire time. Mister Potato, it's just
• 28:34
  Speaker 4: a prick. Absolutely he wants to kill Woody.
• 28:44
  Speaker 2: If you know nothing about Don Rickles, by the way,
• 28:47
  Speaker 2: just look into him. The guy was just's He was
• 28:50
  Speaker 2: one of one of my favorite showbiz stories of all time.
• 28:54
  Speaker 2: I don't know if ever Patima's on the recounted this
• 28:57
  Speaker 2: on the on the shows, but he was tired with
• 28:59
  Speaker 2: the like the RAPBA guys like Frank Sinatra and all. Yeah,
• 29:03
  Speaker 2: And one night Rickles is having a restaurant having dinner
• 29:08
  Speaker 2: with this woman and Frank Sinach comes in, and you know,
• 29:10
  Speaker 2: you Knowatra was a pretty sort of high powered guy,
• 29:13
  Speaker 2: kind of fearsome, connected, connected with the mob, but all
• 29:16
  Speaker 2: that kind of stuff. And Rickles sort of goes to
• 29:20
  Speaker 2: him and says, I'm here with this girl. I'm trying
• 29:22
  Speaker 2: to impress her. If you could just come over and
• 29:23
  Speaker 2: sort of show that you know me, you do really,
• 29:27
  Speaker 2: I'll do really well here. Yeah, Don no worries at all.
• 29:30
  Speaker 2: And he comes over. Don Frank, I'm busy right now, Like, yeah,
• 29:40
  Speaker 2: I love that.
• 29:40
  Speaker 4: Frank would have appreciate it that Frank would appreciate that,
• 29:43
  Speaker 4: all right, but yeah, so moist that that that gag
• 29:46
  Speaker 4: is weird. The kids are now playing card Battleballs as
• 29:50
  Speaker 4: we're discussing at the start, the Japanese card game based
• 29:52
  Speaker 4: on a cartoon based on Agent Religion, based on candy bars. Yes,
• 29:56
  Speaker 4: just makes digitmm looks like Pokemon. I always it's if
• 30:00
  Speaker 4: you grew up in the nineties, mid to late nineties,
• 30:02
  Speaker 4: you're a Pokemon kid. I never wasn't really any but
• 30:04
  Speaker 4: your Pokemon kid. If you grew up, like if you
• 30:06
  Speaker 4: were late nineties to mid two thousands, you were a
• 30:08
  Speaker 4: digitmon kid.
• 30:09
  Speaker 2: Okay, yeah, could you explain the difference to me and
• 30:12
  Speaker 2: like very briefly in a way that's kind of interesting.
• 30:15
  Speaker 4: I remember you were blown away when you realize that
• 30:16
  Speaker 4: digitmond stands for digital monsters.
• 30:19
  Speaker 2: Yeah, that was wild.
• 30:22
  Speaker 4: Pokemon stands for like pocket monsters. Right, Yes, oh cool,
• 30:25
  Speaker 4: there you go. That is a different That's all there is.
• 30:28
  Speaker 4: One is digital. One goes in your pocket. My digits
• 30:31
  Speaker 4: going up all the time.
• 30:33
  Speaker 2: Um, as I mentioned, been doing a little retail work,
• 30:35
  Speaker 2: and I'm amazed at how you've got kids coming, Like, hey,
• 30:38
  Speaker 2: get some Pogermonk cards and then you've got big dudes
• 30:40
  Speaker 2: coming it gets the Pokemont cards.
• 30:42
  Speaker 4: Yeah, it's a big deal to gain Pokemon.
• 30:43
  Speaker 2: Car demands high only six at a time, all six, maybe.
• 30:49
  Speaker 4: Said, because what happens is in the States they have
• 30:52
  Speaker 4: them been like vending machines, and the scalpers just go
• 30:55
  Speaker 4: there and just raid the entire machine.
• 30:56
  Speaker 2: Yeah, that's not right.
• 30:58
  Speaker 4: No, it's not right. We'll not stand for it. Butt
• 31:00
  Speaker 4: likes the idea of this game. Homer is now arriving
• 31:03
  Speaker 4: at a bank with a candy apple. Why is going
• 31:05
  Speaker 4: to the bank.
• 31:05
  Speaker 2: I don't know.
• 31:06
  Speaker 4: We just needed him be arrested, that's all correct, And
• 31:10
  Speaker 4: I don't know. Se puts the candy text, the bite,
• 31:12
  Speaker 4: puts the candy apple on his pocket, walks in all
• 31:14
  Speaker 4: of a sudden, he can't speak because it's all chewy
• 31:15
  Speaker 4: and whatnot. And then they think he's trying to rob
• 31:19
  Speaker 4: the bank.
• 31:20
  Speaker 2: Did they visualize it enough that it looks like, I mean,
• 31:23
  Speaker 2: the stick of the candy apple, this sort of looks
• 31:25
  Speaker 2: like a gun. Just look like he's got his hand
• 31:27
  Speaker 2: in his pocket.
• 31:27
  Speaker 4: It's just like, but he's going to kill every hostage
• 31:29
  Speaker 4: every Yeah, let's gets what he wants it wants a
• 31:31
  Speaker 4: million a month. Bills just kept going and going.
• 31:34
  Speaker 2: It went on a little bit.
• 31:35
  Speaker 4: Yeah, so they tase him, take his candy apple, and
• 31:38
  Speaker 4: he's saying he wants to be tased again.
• 31:40
  Speaker 2: Get him deep in the meat.
• 31:41
  Speaker 4: It cuts him in the cutting him in court, he
• 31:43
  Speaker 4: gets sentenced to one hundred hours of community service. He'd
• 31:45
  Speaker 4: rather go to prison than serve the community. And then
• 31:48
  Speaker 4: we cut to them at community service. Wighams on the
• 31:51
  Speaker 4: phone to Sarah and just planting the seeds here that
• 31:53
  Speaker 4: Wighams is lonely.
• 31:55
  Speaker 1: So sweety, This community service details should end around five.
• 31:58
  Speaker 1: You want to go to that seafood place. Ah, yeah,
• 32:01
  Speaker 1: you got your buck club again. That thing sure meets
• 32:04
  Speaker 1: a lot. You know, I've read that book. Maybe I
• 32:07
  Speaker 1: could comment, Ah, right, right, right, not enough chairs.
• 32:11
  Speaker 2: Yeah, it got me wonderful a moment here is Sarah
• 32:14
  Speaker 2: doing the dirty.
• 32:15
  Speaker 4: Or is it actually just I reckon? She just doesn't
• 32:17
  Speaker 4: want wigging around because it's like a turd time. Sure, Okay.
• 32:21
  Speaker 4: The thing is, when you're a parent, you have very
• 32:24
  Speaker 4: limited me time. Right, So when Nikola wants to go
• 32:27
  Speaker 4: out with the girls, it's like you just go out
• 32:29
  Speaker 4: with the girls I'm not going to invade that space.
• 32:31
  Speaker 4: It's much like if I'm going to you know, movies
• 32:33
  Speaker 4: have were made or whatever, and oh can I come
• 32:35
  Speaker 4: to I'll be like, it's the only time where I
• 32:37
  Speaker 4: get to like talk shit about you other than this podcast.
• 32:43
  Speaker 4: But yeah, I can't see Sarah as someone that would
• 32:45
  Speaker 4: do the dirty on Wigan.
• 32:46
  Speaker 2: No, I just felt badroom and you can't go how
• 32:50
  Speaker 2: about that seabook place because there's someone who was very
• 32:52
  Speaker 2: much like I've got to go to restaurants, was like
• 32:55
  Speaker 2: we should go out, and I'm like going, how about
• 32:57
  Speaker 2: Diggers or this other.
• 32:58
  Speaker 4: Place you still got to go?
• 32:59
  Speaker 2: Diggaz is great man.
• 33:01
  Speaker 4: Yeah, really, Steak every time I'm aware do a good steak.
• 33:09
  Speaker 2: This is what makes me he's such a great boyfriend.
• 33:11
  Speaker 2: I can imagine you said, I think we should only
• 33:16
  Speaker 2: see other people, but they do it crazy, but Steak,
• 33:24
  Speaker 2: we can stick to my room date. But the way
• 33:28
  Speaker 2: he's so like we could check out that sheep who
• 33:29
  Speaker 2: played like, oh he's putting in the effort. Yeah yeah,
• 33:32
  Speaker 2: I was, Yeah, poor Clancy.
• 33:34
  Speaker 4: Yeah, they do a good job of making you feel
• 33:36
  Speaker 4: sympathetic for him here for sure. Then Homer's got lots
• 33:38
  Speaker 4: of palms. Now, what's so a palmi or palm? What's palm?
• 33:42
  Speaker 2: I'm guessing they're just crumbing everything. Is that what it is?
• 33:45
  Speaker 4: Sounds delicious? Palm anything?
• 33:47
  Speaker 2: Oh? Yeah, because yeah, when we think of like, yeah,
• 33:51
  Speaker 2: chicken parmesana, it's usually just breaded right, I guess he's yeah,
• 33:56
  Speaker 2: I guess.
• 33:57
  Speaker 4: They call they call chicken sticks or breaded chicken in England, okay,
• 34:00
  Speaker 4: And it's not a it's not a normal meal. It's
• 34:02
  Speaker 4: like you go to a public covered chicken slits of like,
• 34:04
  Speaker 4: oh you don't want hickory chicken, and no hickory chicken
• 34:07
  Speaker 4: is no crumbs, just skinless chicken breasts with barbecue sauce
• 34:10
  Speaker 4: on it. I'd rather have a chicken parme if that's.
• 34:16
  Speaker 2: You mean breaded chicken.
• 34:18
  Speaker 4: And it explains why Nikola when she gets a PARMEI,
• 34:20
  Speaker 4: she has to have barbecue parmies because that's the hickory
• 34:24
  Speaker 4: chicken I think.
• 34:25
  Speaker 2: I said, like when we lived in England back in
• 34:28
  Speaker 2: seventy nine and the one of the first times we
• 34:30
  Speaker 2: had fish and chips there, it was like this before
• 34:32
  Speaker 2: after you saw Alec Guinness. No, this is before.
• 34:36
  Speaker 4: These are the two main events of my my year
• 34:38
  Speaker 4: in England. Look up hickory chicken. It doesn't look like
• 34:40
  Speaker 4: the chicken I got at.
• 34:41
  Speaker 2: The Is that an Americans version of hickory chicken? Because
• 34:44
  Speaker 2: that's probably something from downs Oud Hickory sto uk.
• 34:47
  Speaker 4: No, it doesn't remember, no, because what I got was
• 34:51
  Speaker 4: was it a place called Weatherspoons. That's like a supermarket, right,
• 34:55
  Speaker 4: Oh that's a that's their version of like sporting Globe,
• 34:57
  Speaker 4: that's right, yeah yeah. And it was icy your chicken. Yeah, no,
• 35:01
  Speaker 4: that doesn't Is that there is that chicken barbecue saucing? Yeah,
• 35:04
  Speaker 4: see it's got no skin on it, a skinless with
• 35:06
  Speaker 4: just sauce. I don't know.
• 35:07
  Speaker 2: I love it. The logo a very sad looking barbecue chicken.
• 35:12
  Speaker 2: It is very sad looking. But yeah, it's like, oh,
• 35:15
  Speaker 2: this will be a little taste of home fish and chips.
• 35:17
  Speaker 2: And I was like to deal with this fish and
• 35:19
  Speaker 2: I was like, it's cod.
• 35:20
  Speaker 4: Now, what is happening here?
• 35:21
  Speaker 2: Yeah, there's like I guess I'm having chips.
• 35:24
  Speaker 4: Yes, it's soggy, correct, yes, But and then.
• 35:29
  Speaker 2: You know I was in at Havy Nichols and saw
• 35:31
  Speaker 2: Aleganess and didn't say a word to him.
• 35:34
  Speaker 4: Do you regret that he wouldn't want to be bother
• 35:37
  Speaker 4: Woody one if he go away child. I think he
• 35:41
  Speaker 4: would have said that.
• 35:42
  Speaker 2: I don't think he would, but yeah, he also looked
• 35:44
  Speaker 2: just looked like a guy who was just doing his
• 35:45
  Speaker 2: arf and and shopping.
• 35:46
  Speaker 4: But imagine you just looked up a him. He just
• 35:48
  Speaker 4: sort of like this like without it just like broken
• 35:50
  Speaker 4: down on the mind. He did like the force thing.
• 35:54
  Speaker 2: This guy knows having that kind of powers. I would
• 35:58
  Speaker 2: have gone, are you picking up some power? And then
• 36:03
  Speaker 2: he would have said, get this young man out of
• 36:05
  Speaker 2: the store.
• 36:05
  Speaker 4: Yes, yeah, exactly, but yees so home has been arrested.
• 36:07
  Speaker 4: He's in community service, and he's got these palms on
• 36:10
  Speaker 4: community service.
• 36:10
  Speaker 2: Multiple palms.
• 36:11
  Speaker 4: Yes, And he says it, Sarah only does the palms
• 36:14
  Speaker 4: on my birthday. When I do it, the puppy look
• 36:15
  Speaker 4: and like this is me. And I'm like, okay, I
• 36:17
  Speaker 4: really want Nicholas rosotto and I'll just drop the hint
• 36:19
  Speaker 4: like you said you're cooking rosuta for dinner, right and
• 36:21
  Speaker 4: Nicholas like I wasn't planning to. I'm like okay. She's like,
• 36:23
  Speaker 4: do you want me to? I'm like, no, you want to?
• 36:26
  Speaker 4: She's like.
• 36:30
  Speaker 2: I thought they were alluding to sex, like I only
• 36:34
  Speaker 2: get a certain thing on my birthday and that's a
• 36:36
  Speaker 2: bit pitiful.
• 36:37
  Speaker 4: Yeah, Or it's pitiful that he's like he's not even
• 36:39
  Speaker 4: getting sex, he's just he would rather food.
• 36:41
  Speaker 2: Maybe maybe I could say Carolinamina, you know, she's just
• 36:44
  Speaker 2: working on multiple levels. She is, indeed.
• 36:46
  Speaker 4: Yeah, but Homer gives him is not sorry, Homer gives
• 36:52
  Speaker 4: him one of his palms so it gives everyone else
• 36:54
  Speaker 4: a shitty task to do, and says Homer can come
• 36:55
  Speaker 4: sit with him and eat ye. By the way, here,
• 37:00
  Speaker 4: it's pretty grim the gag here, the amount of ex
• 37:02
  Speaker 4: soldiers who just end up homeless, pretty tragic. Oh yeah, yeah, no, great,
• 37:07
  Speaker 4: not good at all. Go to warm, come back and
• 37:09
  Speaker 4: be like, we don't need you anymore.
• 37:09
  Speaker 2: I'm sorry, Yeah, we should thank you for your service. Yes.
• 37:12
  Speaker 4: Homan then sits out the picnic table and he's having
• 37:14
  Speaker 4: to bite with with Wigham and Krusty calls him the
• 37:17
  Speaker 4: teacher's pet, and I think he said somebody's cocaine. I
• 37:20
  Speaker 4: think he says, there's cocaine in there, got your nose
• 37:23
  Speaker 4: his nose off, that's right, there's cocaine in there. How
• 37:26
  Speaker 4: howl was am?
• 37:26
  Speaker 2: I meant to do this work.
• 37:27
  Speaker 4: Wighim and Homer bond over being fat. He gets his
• 37:30
  Speaker 4: underwear especially made in Ukraine. Daddy round round?
• 37:32
  Speaker 2: What it is? Daddy roundround?
• 37:33
  Speaker 4: Yeah, he asked to hang out for a beer afterwards,
• 37:35
  Speaker 4: and he's always hasn't He's like, oh, oh, do you
• 37:38
  Speaker 4: want to hang out for a beer? And then you
• 37:39
  Speaker 4: can't believe that Homer agrees. We're now at Cora's Diner
• 37:43
  Speaker 4: and all the cocks the.
• 37:44
  Speaker 2: Cox well, actually funny, funny you mentioned that because but
• 37:48
  Speaker 2: prior to that, Yeah, they've got the whole thing where
• 37:50
  Speaker 2: home is on the bus and that's all this very much?
• 37:52
  Speaker 2: Is he looking? Oh look back? And this is again
• 37:55
  Speaker 2: It made me right down. Wait what's this now? Uppers
• 37:59
  Speaker 2: are up, offers areway way up. Now, his spirits are up.
• 38:02
  Speaker 2: It could be something else, Carol and me, multiple levels,
• 38:06
  Speaker 2: but anyway, you're ruined my script, mister Davis, your innuendos. Yeah,
• 38:11
  Speaker 2: so you're the one coming up with a dirty double
• 38:13
  Speaker 2: on dundrous.
• 38:14
  Speaker 4: Baby butt Corra's Diner and all the cooks there are
• 38:17
  Speaker 4: x cons and they're getting the second chance, spitting in
• 38:19
  Speaker 4: the food and whatnot. Yeah, this is where Homie gets
• 38:21
  Speaker 4: invited because he gets a phone or something's happening, says home,
• 38:23
  Speaker 4: he can come along with me. Said, this is what
• 38:25
  Speaker 4: it must be like to be a pregnant lady, because
• 38:26
  Speaker 4: i'man cops most rushed women to the hospital, I guess,
• 38:28
  Speaker 4: or yeah.
• 38:29
  Speaker 2: Or you're in the back of an ambulance or something.
• 38:30
  Speaker 2: You get to run red lights and sort of break
• 38:33
  Speaker 2: the speed limit.
• 38:34
  Speaker 4: I remember when Nicola her water broke and I was like,
• 38:36
  Speaker 4: this is the one time in my life I can
• 38:37
  Speaker 4: do like one hundred on the highway and the cop
• 38:40
  Speaker 4: I can dry.
• 38:41
  Speaker 2: You realize you can do one hundred on highway just
• 38:42
  Speaker 2: about any time.
• 38:42
  Speaker 4: I mean just here seventy yeah, yeah, yeah, not the highway,
• 38:45
  Speaker 4: the Geelong Yes Highway. And I remember I was always
• 38:49
  Speaker 4: wanting a cop to see me, but no cops saw me.
• 38:51
  Speaker 4: I was just like, I'm like, no one's gonna stut me.
• 38:58
  Speaker 2: There's some young punk cop to pull you over.
• 39:00
  Speaker 4: You're like, my why back practice, I was thinking in
• 39:03
  Speaker 4: my head, if you're driving your pregnant wife to the
• 39:06
  Speaker 4: hospital and cops up putting the lights on, do you
• 39:08
  Speaker 4: just drive to the hospital knowing that well, I'm going
• 39:10
  Speaker 4: to get off anyway. She needs to get to the hospital.
• 39:12
  Speaker 4: Just have them chase you to the hospital or door
• 39:14
  Speaker 4: do you pull over? I think I would have just
• 39:17
  Speaker 4: kept driving to the hospital.
• 39:19
  Speaker 2: Maybe, yeah, except want if you get something over zealous
• 39:22
  Speaker 2: cop is kind of like we got to do nineteen
• 39:25
  Speaker 2: and the next thing.
• 39:30
  Speaker 4: Sending in RoboCop.
• 39:32
  Speaker 2: Come quietly or there will be trouble. That's a great line.
• 39:36
  Speaker 4: Come quietly or there will be trouble.
• 39:37
  Speaker 2: You're a move Greep went out of school.
• 39:40
  Speaker 4: And Nelson says that Ralph has the platinum Lava Genie,
• 39:43
  Speaker 4: which I'm assumming is just like the equivalent of like
• 39:45
  Speaker 4: a holographic charizard. I rememb there's like a charge card.
• 39:48
  Speaker 4: It's a holographic or something like a shiny one. And
• 39:50
  Speaker 4: if you had that, it's like you ran the school yard.
• 39:52
  Speaker 3: Yes, eximption, I think you got all the best battleball cards.
• 39:58
  Speaker 3: We'll stink again, smell wine. Rulph William's got a platinum
• 40:02
  Speaker 3: love a Genie. How to pull up like you get
• 40:06
  Speaker 3: a great card like that?
• 40:07
  Speaker 2: My not dead grandma sent it from Tokyo. Ralph. I
• 40:11
  Speaker 2: will play you for that card.
• 40:12
  Speaker 5: Okay, but if I win, you have to teach me
• 40:15
  Speaker 5: how to play this game deal, sir, I think something's
• 40:20
  Speaker 5: going down, something big.
• 40:23
  Speaker 4: Could that be some sort of narcotics transaction?
• 40:26
  Speaker 2: What are you asking me for? I see you're impressed.
• 40:31
  Speaker 4: By my costume for the school's annual drug awareness assembly.
• 40:36
  Speaker 2: So am I getting raised?
• 40:37
  Speaker 5: Not?
• 40:38
  Speaker 4: No, we're gonna put sugar in his coffee. As you're saying,
• 40:41
  Speaker 4: you like that, it's probably shut the window. Then humbad
• 40:44
  Speaker 4: does check on himself in the car. I must have
• 40:47
  Speaker 4: been I would be curious about this. Ye, yes, I
• 40:51
  Speaker 4: mean I've got a few misdemeanors you know, in the
• 40:55
  Speaker 4: in the file probably and they all old news.
• 40:57
  Speaker 2: But broad what else?
• 41:00
  Speaker 1: Oh?
• 41:00
  Speaker 2: You know, impersonating little case of murder, little murder. No,
• 41:07
  Speaker 2: it was manslaughter.
• 41:08
  Speaker 4: One go down to man.
• 41:11
  Speaker 2: That's right, Man's a load of one. Gay Davis a joke.
• 41:17
  Speaker 2: I don't know what I was. It's to make sense.
• 41:22
  Speaker 2: It's all in the delivery, it exactly. But yeah, I
• 41:25
  Speaker 2: mean who among us would not if you had the
• 41:28
  Speaker 2: opportunity to look at your permanent record, as they say,
• 41:31
  Speaker 2: and wipe it clean.
• 41:32
  Speaker 4: Yeah.
• 41:33
  Speaker 2: I told you about the time I was at boarding
• 41:36
  Speaker 2: school and you know, a friend and I were sort
• 41:38
  Speaker 2: of acting up in class or something. And we got
• 41:40
  Speaker 2: pulled aside by this mass teacher was a real preck
• 41:44
  Speaker 2: and he said to my the other guys, you're on
• 41:48
  Speaker 2: the verge of getting a reputation. And then he pointed
• 41:50
  Speaker 2: me and said, you've already got a reputation. So I'm like,
• 41:52
  Speaker 2: wait a minute, me, guy Davis, But it wouldn't melt
• 41:57
  Speaker 2: in my mouth what you're talking about. Then I realized
• 42:00
  Speaker 2: actually saying these things then was probably why you've already
• 42:03
  Speaker 2: got one?
• 42:04
  Speaker 1: What?
• 42:06
  Speaker 2: What?
• 42:07
  Speaker 4: Why did he did it at lunchtime?
• 42:12
  Speaker 2: But it's always really brazy because I mean, I think
• 42:14
  Speaker 2: everyone thinks themselves as essentially a decent person, not someone
• 42:18
  Speaker 2: who breaks the rules.
• 42:19
  Speaker 4: You don't one reputation?
• 42:20
  Speaker 2: Yeah, and what that they've got stuff written about you?
• 42:23
  Speaker 2: Will they talk about you in the star room while
• 42:24
  Speaker 2: they have enough cig in in the starf rooms, Like what.
• 42:27
  Speaker 4: That Davis kid, he's so high and min he goes
• 42:30
  Speaker 4: a Bobby.
• 42:33
  Speaker 2: God damn anyway, but yes, we would all check out
• 42:37
  Speaker 2: permanent record.
• 42:38
  Speaker 4: Yes, But then he sets the umbrella out in himself
• 42:40
  Speaker 4: by accident, so he changes it to Mo who's unfortunately
• 42:43
  Speaker 4: carrying a cake.
• 42:44
  Speaker 2: He's about to be a victim of mob justice. Yeah,
• 42:46
  Speaker 2: then Homer takes. He takes Amber.
• 42:48
  Speaker 4: Alert is it's pretty much where it's like, drop everything,
• 42:51
  Speaker 4: you have to get this guy right. Oh yeah, but
• 42:53
  Speaker 4: it signifies the kidnapping of a child. Oh I didn't
• 42:55
  Speaker 4: realize that. Okay, yep. So then he takes homing to
• 42:58
  Speaker 4: his favorites. The name my favorite porn stuff. It's not true,
• 43:02
  Speaker 4: but Google's Amber Alert.
• 43:05
  Speaker 2: There was a porn Sunday Miranda Rights, which I thought
• 43:07
  Speaker 2: was great.
• 43:07
  Speaker 4: That's a great name.
• 43:08
  Speaker 2: It is good. If there is one called Amber Alert,
• 43:11
  Speaker 2: I think that'd be great.
• 43:12
  Speaker 4: So he takes home to his favorite place in the
• 43:14
  Speaker 4: whole world. It is where he explains this civilians are
• 43:17
  Speaker 4: scared of us and other cops remind us I thinks
• 43:18
  Speaker 4: would rather forget.
• 43:19
  Speaker 2: But he's really sort of opening up about other things
• 43:22
  Speaker 2: as well. Did me say something about do you worry
• 43:25
  Speaker 2: that the shun dishappears at Nate or something like that
• 43:28
  Speaker 2: or yeah? I was like no, yeah, but everyone, I mean,
• 43:33
  Speaker 2: that's a ludicrous example of something. But yeah, it can
• 43:36
  Speaker 2: be childish things, yeah, but it could be very bracing
• 43:39
  Speaker 2: to sort of open up about your deepest thoughts, fears, feelings,
• 43:42
  Speaker 2: et cetera. And hopefully you know it's like, hopefully this
• 43:46
  Speaker 2: person will understand even if they don't necessarily. Oh, I
• 43:49
  Speaker 2: don't feel that way, but I have something similar. Yeah,
• 43:54
  Speaker 2: I don't know.
• 43:55
  Speaker 4: It's kind of sweet. But Snake is in the back.
• 43:58
  Speaker 4: He's been it for ten hours and he's now being
• 44:00
  Speaker 4: charged with burglary and spoiling the moment. Then Skinner and
• 44:04
  Speaker 4: Charma's core margin. They tell her they think Bart is
• 44:06
  Speaker 4: dealing drugs, which I like her theory, but he doesn't
• 44:09
  Speaker 4: have the math skills. I didn't think it was funny.
• 44:12
  Speaker 4: And then they hear she hears the boys in Bart's room.
• 44:14
  Speaker 4: You don't really know how to roll on Bart because
• 44:15
  Speaker 4: they're playing the battle balls, of course, and let me
• 44:18
  Speaker 4: listen out of context, and he refers to the balls
• 44:21
  Speaker 4: as products and whatnot, and they're reported and Maggie is
• 44:25
  Speaker 4: randomly just throws the block into her throat. She chokes
• 44:28
  Speaker 4: on a block like Maggie like, he throws a block
• 44:29
  Speaker 4: at Margin that goes in her throat and she chokes.
• 44:31
  Speaker 4: It's weird ends the scenes lately.
• 44:34
  Speaker 2: Yeah, I'm gonna choke that up to William right, he's
• 44:38
  Speaker 2: just from the metal in the script. He just he
• 44:40
  Speaker 2: fuck with.
• 44:42
  Speaker 4: Maybe because he doesn't have his own wiki. Patier, maybe
• 44:43
  Speaker 4: he doesn't exist. But like now when they question her,
• 44:46
  Speaker 4: like that was Williant was he's got.
• 44:48
  Speaker 2: A real Carolyn. Men, now you've done it again.
• 44:52
  Speaker 4: Yes, William and Homer are now watching the sunset. This
• 44:55
  Speaker 4: is where this is what Sorry, I've jumped ahead a bit,
• 44:59
  Speaker 4: doesn't come back up, so it goes down or he
• 45:00
  Speaker 4: did worry it's never going to come back after it
• 45:02
  Speaker 4: goes down, and he discusses Ralph and then he's like
• 45:05
  Speaker 4: one of the bed but's him what a superman kills everybody.
• 45:08
  Speaker 4: There's the kind of question that Ralph asks him. Then
• 45:10
  Speaker 4: Luke calls because there's an he doesn't say what it is,
• 45:12
  Speaker 4: but it's an armed robbery. Eventually it's an ard robbery,
• 45:15
  Speaker 4: that's what it is.
• 45:16
  Speaker 2: I like this line though from do you need back
• 45:20
  Speaker 2: up or do you want back that's great? That does
• 45:25
  Speaker 2: spoil the moment.
• 45:26
  Speaker 4: They arrest the mob.
• 45:27
  Speaker 2: They call them mob.
• 45:30
  Speaker 4: Mobsters, yeah, robbers robbers, and there's Jimmy tight lips. He
• 45:33
  Speaker 4: shoots Wigham though, but luckily he was wearing a bulletproof vest,
• 45:35
  Speaker 4: or so he thought. Looks in the car and it's
• 45:37
  Speaker 4: hanging in the car window. And then we come up
• 45:40
  Speaker 4: a commercial. Were now in the hospital and it's touch
• 45:42
  Speaker 4: and go there the left lung field with Shamrock Shake
• 45:44
  Speaker 4: and McDonald's din't even seldom this year. Then Home of
• 45:46
  Speaker 4: Comforts Sarah. He says, nowhere else stay with him until
• 45:50
  Speaker 4: he recovers, and he just does.
• 45:52
  Speaker 2: Literally. Maybe Sarah should be there.
• 45:54
  Speaker 4: Yes, let's just look after Ralph, I guess, but we
• 45:57
  Speaker 4: never see her there? Do we don't worry. Don't worry, Sarah,
• 45:59
  Speaker 4: I'll look after your husband. But he reads him the
• 46:03
  Speaker 4: what does he read menus? Yes, and he's playing cards
• 46:06
  Speaker 4: and your cheats and whatnot. And then he gets a
• 46:08
  Speaker 4: get well card from the Ukraine people that make his underwear.
• 46:11
  Speaker 4: They're watching Krusty. Then Homer Police for him to wake up,
• 46:13
  Speaker 4: and just as he does, he's homes the first person
• 46:16
  Speaker 4: he sees lou then a rise with flowers because he
• 46:18
  Speaker 4: missed a wake up, that's what he counts. He yells
• 46:20
  Speaker 4: at him, who's been sleeping on the couch all that time? Yeah,
• 46:23
  Speaker 4: and then asked to go see his families. That can
• 46:25
  Speaker 4: I do it? And Wigham lays on the guilt. Up
• 46:27
  Speaker 4: Here's like, oh, I guess you can live your life
• 46:29
  Speaker 4: and and that that I saved. Oh man, that's the thing.
• 46:33
  Speaker 4: If someone saves your life, it's like I kind of
• 46:35
  Speaker 4: owe you everything. Yeah yeah, But how how much do
• 46:38
  Speaker 4: you allow that person to have that over you? I
• 46:41
  Speaker 4: mean probably forever, because you wouldn't be without them. But
• 46:44
  Speaker 4: I think like if you in a situation where a
• 46:46
  Speaker 4: cop saved you, you were just it's this, you'd have
• 46:49
  Speaker 4: this love for them.
• 46:50
  Speaker 2: I think.
• 46:52
  Speaker 4: It's probably something they do. It's like they say, it's
• 46:54
  Speaker 4: a big deals, like I do this every day, but
• 46:55
  Speaker 4: it's like, no, I'm here because you saved me.
• 46:58
  Speaker 2: Sure absolutely. I was working on a story that no, no,
• 47:02
  Speaker 2: I should probably get back to because I thought the
• 47:03
  Speaker 2: central idea was all right about a guy who had
• 47:06
  Speaker 2: a friend who had this friend had saved our main
• 47:09
  Speaker 2: guy's live but always held it over him in petty
• 47:12
  Speaker 2: little ways, and the guy eventually decided to kill his
• 47:15
  Speaker 2: friend because it's like, I can't live like this anymore.
• 47:18
  Speaker 4: Us something from the Twilight Zone. Oh the irony, but
• 47:25
  Speaker 4: he gets having to stick around, like final stick around.
• 47:27
  Speaker 4: He asked him to read a story that he has
• 47:29
  Speaker 4: written with an imaginary meeting between Babe Bruce and Hitler,
• 47:31
  Speaker 4: but no, mention of baseball or Germany.
• 47:35
  Speaker 2: That's pretty funny.
• 47:36
  Speaker 4: Marge's then looking for drugs in Bart's room. She looks
• 47:38
  Speaker 4: into babushka dolls that she has the itchy powder and
• 47:41
  Speaker 4: she cuts over and all the stuff toys. Then Bart
• 47:43
  Speaker 4: finds her, Oh finally, maybe my room cool. There was
• 47:46
  Speaker 4: a real animal, yes, and he says she said that
• 47:48
  Speaker 4: you were a drug o and he says, no, I'm
• 47:50
  Speaker 4: not a drug o, not until at least raised my allowance.
• 47:53
  Speaker 4: And in the basement I was getting higher scores unbattaball.
• 47:57
  Speaker 4: Then Marge gets hooked on it because she thinks they're cute,
• 48:00
  Speaker 4: and Bart flushes them down the toilet.
• 48:01
  Speaker 2: Not even hooked on him. She just says, oh, these
• 48:03
  Speaker 2: are nice.
• 48:03
  Speaker 4: He's a nice yet, oh, forget this one toilet you
• 48:05
  Speaker 4: can handle Daddy can handle this. And how he complains
• 48:08
  Speaker 4: to the guys that Moris about how needy Wigham's being.
• 48:10
  Speaker 4: Wigham arrives all jealous.
• 48:12
  Speaker 1: Well, well, well so this is the Saint almost fiery
• 48:17
  Speaker 1: union that Andrew McCarthy himself was gone to attend.
• 48:20
  Speaker 2: Okay, maybe I like, but you've been so needy, I'm hungry,
• 48:24
  Speaker 2: I'm itchy. That's not my blood type. Yeah yeah, yeah,
• 48:28
  Speaker 2: oh oh, what have we here?
• 48:31
  Speaker 1: Huh world's worst friend? Hey man, you planted that it's
• 48:36
  Speaker 1: your word against the chief of police. Take him away, buys.
• 48:40
  Speaker 2: Chief being a bad friend isn't against the law. Well,
• 48:43
  Speaker 2: if it was, he'd be getting the chair. You you
• 48:46
  Speaker 2: all would. Bad friend, bad friend, bad friend.
• 48:54
  Speaker 4: I'm now watching Stosky and Hotch. Everything's reminding him of Wigham,
• 48:57
  Speaker 4: Gee Robinson, the Pig's eight and whatnot. But lou and
• 48:59
  Speaker 4: Eddie haven't seen him for quite a while. They come
• 49:01
  Speaker 4: to see Homer, like, have you seen him? I know?
• 49:03
  Speaker 4: So Hammer has no idea, but he must go alone,
• 49:05
  Speaker 4: and it's the.
• 49:07
  Speaker 2: Coast full of printed breads, still from work.
• 49:09
  Speaker 4: Then he arrives with a thirty two piece bucket of chicken.
• 49:14
  Speaker 4: I can't remember the last time I bought a bucket
• 49:16
  Speaker 4: of chicken from KFC. I'm a burger guy or a tenders.
• 49:19
  Speaker 4: The actual chicken is too greasy for.
• 49:21
  Speaker 2: Me a little bit. Yeah, and sometimes there's not enough
• 49:23
  Speaker 2: meat on the.
• 49:24
  Speaker 4: Booth, and I just I can't now stomach the idea
• 49:27
  Speaker 4: of eating skin. I know, like it's the best I know,
• 49:30
  Speaker 4: it's the best bit I know when I get you
• 49:31
  Speaker 4: know kcs again, I'm like, eat the skin because like
• 49:34
  Speaker 4: now the idea of I'm eating skin makes my skin
• 49:37
  Speaker 4: crawl skin. It's skin.
• 49:40
  Speaker 2: This is skin, not a skin. I don't know, I
• 49:43
  Speaker 2: just I don't.
• 49:43
  Speaker 4: I love the tenders and whatever, not not the skin,
• 49:46
  Speaker 4: the skin. But then he sees the mob and they're
• 49:49
  Speaker 4: making canterfit clothes. What is the brand? It's cost Little Crocodile.
• 49:54
  Speaker 4: We discussed this before we recorded. It's like, because they're
• 49:56
  Speaker 4: planning on taking this to the more before the the
• 49:58
  Speaker 4: summer sail starts. It's like, do stores do this because
• 50:01
  Speaker 4: most of those ships made in China anyway, I wouldn't
• 50:04
  Speaker 4: have big summer sales. Do they just make really poor
• 50:07
  Speaker 4: quality ship and disguise it as the high quality stuff?
• 50:09
  Speaker 2: Maybe? I mean one of the things when I watched
• 50:13
  Speaker 2: that movie House of Gucci a few years ago, something
• 50:16
  Speaker 2: that I found really interesting was about it that, you know,
• 50:18
  Speaker 2: high end brands like Gucci will actually produce their own
• 50:20
  Speaker 2: knockoffs because the knockoff market is so big. It's like, yeah,
• 50:25
  Speaker 2: we won't put as much effort in this, but you
• 50:26
  Speaker 2: know we'll still get our cut from it. It's like
• 50:28
  Speaker 2: that's pretty wild.
• 50:29
  Speaker 4: Whatever happened to those videos, you know, when Trump first
• 50:32
  Speaker 4: did the tariffs and China's like, hey, boys, do you
• 50:34
  Speaker 4: know we actually make this shit over in China for
• 50:36
  Speaker 4: like a tenth of the price you can buy direct
• 50:38
  Speaker 4: from US.
• 50:40
  Speaker 2: I just remember my my favorite guy who was doing
• 50:43
  Speaker 2: the loom. I've tried to find the China Jana Jane Jana.
• 50:48
  Speaker 2: Can I try and tell Nickel it this China, China,
• 50:50
  Speaker 2: China guy and no, Whally show me the video. I
• 50:51
  Speaker 2: can't find it anywhere.
• 50:52
  Speaker 1: Damn.
• 50:53
  Speaker 4: Whenever I hear someone say China, like ginu, it's the hands.
• 50:58
  Speaker 4: I don't realize he actually has Trump so he actually
• 51:00
  Speaker 4: does this all the time. Like I've been watching some
• 51:03
  Speaker 4: things with him. It's just like he always does the
• 51:05
  Speaker 4: hang oh yeah, and the dance like going on. This
• 51:10
  Speaker 4: is such a strange time, a UFC on the White
• 51:14
  Speaker 4: House lawn. We're in indiocracy.
• 51:16
  Speaker 2: It's so strange. It is so strange.
• 51:19
  Speaker 4: And someone said our tweet saying, remember when everyone went
• 51:22
  Speaker 4: ape ship because Obama wore a tan suit in the
• 51:25
  Speaker 4: White House and you will see whatever on the White
• 51:29
  Speaker 4: House on the front of the White House lawn.
• 51:32
  Speaker 2: Yeah.
• 51:33
  Speaker 4: Anyway, I just have to get machines out the self
• 51:42
  Speaker 4: the weapon, he thinks is drawn to the mob. He's
• 51:45
  Speaker 4: got a piece of chicken. When they say the weapon
• 51:47
  Speaker 4: is loaded with twelve original herbs and spices, it's eleven, right,
• 51:51
  Speaker 4: eleven herbs and spices, the real real CAFC Oh, yeah
• 51:55
  Speaker 4: at eleven right?
• 51:56
  Speaker 2: That sounds about right. Let's double check that though, because
• 51:58
  Speaker 2: they say twelve do that? How have they never figured
• 52:01
  Speaker 2: this out?
• 52:02
  Speaker 1: Like?
• 52:02
  Speaker 4: It puzzles me to no end. Surely they've figured it
• 52:05
  Speaker 4: out in KFC, have just paid like NDA's right to
• 52:08
  Speaker 4: not release it.
• 52:09
  Speaker 2: Well, you see so many YouTube videos or things I'd say,
• 52:14
  Speaker 2: here are the eleven herbs and spot.
• 52:16
  Speaker 4: It must be the way they cook it, or maybe
• 52:18
  Speaker 4: it's what they cook it in.
• 52:19
  Speaker 2: I don't know.
• 52:21
  Speaker 4: But no matter what it is, it never it never
• 52:22
  Speaker 4: comes out the same as KFC.
• 52:24
  Speaker 2: No, it never does. But then, well the first thing
• 52:27
  Speaker 2: comes up when you type eleven herbs, it's eleven herbs
• 52:29
  Speaker 2: and spices. Yeah.
• 52:31
  Speaker 4: But the home and we're going out in the trunk
• 52:33
  Speaker 4: and they make up here, Hamer says, you know you'll
• 52:35
  Speaker 4: think of a way out.
• 52:36
  Speaker 2: I have faith.
• 52:36
  Speaker 4: Faith is what doesn't exist. Your awesomeness is realized you're saying,
• 52:40
  Speaker 4: which is a great line. He changes the CD in
• 52:41
  Speaker 4: the boot. This took me back. Remember the old CD
• 52:43
  Speaker 4: change in the boot? I wrote Darren patron Saint. He
• 52:47
  Speaker 4: had a car had like a you know, eight CD
• 52:49
  Speaker 4: stacker in the boot. It was like we could take
• 52:50
  Speaker 4: eight albums on this character.
• 52:52
  Speaker 2: I was like, holy shit, and yeah, I just have
• 52:55
  Speaker 2: to push a button. I don't have to take a
• 52:56
  Speaker 2: tape out of the deck or anything like that.
• 52:58
  Speaker 4: What cy want number three?
• 52:59
  Speaker 2: Okay? Darren?
• 53:02
  Speaker 4: Lord fat Tony then asked for ominous music, but he
• 53:05
  Speaker 4: gets which song.
• 53:06
  Speaker 2: It's at seventeen by Janze Maudland song and kind of
• 53:13
  Speaker 2: bullshit as well. I mean it feels like it's someone
• 53:16
  Speaker 2: that I don't know how old gen Zine was when
• 53:18
  Speaker 2: she wrote it, but it feels like a kind of
• 53:20
  Speaker 2: song you would write. At seventeen was like my boyfriend
• 53:22
  Speaker 2: broke up with me. Yeah, well love is not really
• 53:25
  Speaker 2: so hard, Yeah, love is not real love.
• 53:29
  Speaker 4: Louie then opens up the boot because you're gonna tear
• 53:31
  Speaker 4: the city. Just take her a new one, and they
• 53:33
  Speaker 4: spray with fix a flap which would hurt, and Homer
• 53:36
  Speaker 4: uses a Tirerine actually didn't mind this another ego. This
• 53:40
  Speaker 4: sort of slidifies your theory double long tondre.
• 53:42
  Speaker 2: Yes, because you do the or. It was a reaction
• 53:47
  Speaker 2: that the town mournate anything to do with the directions.
• 53:57
  Speaker 4: Lou then calls in their friendship into the next Now
• 54:00
  Speaker 4: the flame is not as bright, but it will last longer.
• 54:03
  Speaker 2: That was nicely poetic.
• 54:04
  Speaker 4: Yes, and he advised to chop it to a noise
• 54:06
  Speaker 4: some people with a spotlight, and you know who they're
• 54:08
  Speaker 4: going to go to. It's Flanders, Yes, and they prepare
• 54:10
  Speaker 4: to be raptured and make him shovel with his mustache
• 54:13
  Speaker 4: and drinking a glass of cold coco or something nice
• 54:15
  Speaker 4: cold coco, and montage of photos over the credits, and yeah,
• 54:18
  Speaker 4: that's the end for the most part.
• 54:20
  Speaker 2: I stuck the landing. I don't think so.
• 54:22
  Speaker 4: It's an original story that I was surprised hadn't been
• 54:24
  Speaker 4: done yet, and it was a fun.
• 54:26
  Speaker 2: Ride I can't recall too. I mean, of course they've
• 54:29
  Speaker 2: done sort of male friendship episodes with Homer and Flanders,
• 54:33
  Speaker 2: but yeah, I thought this was a nice, nice spin.
• 54:35
  Speaker 4: On it because they would have a lot in common.
• 54:37
  Speaker 4: You would think, I'm remembered absolutely. Yeah, Yeah, and I
• 54:39
  Speaker 4: liked it that they didn't try to go back to
• 54:40
  Speaker 4: the status quo where it's like, well I'm the cup
• 54:42
  Speaker 4: now and you're the civilian. It's like, no, they're going
• 54:44
  Speaker 4: to be friends. Sure, yea.
• 54:46
  Speaker 2: What do we learn bomb? All right?
• 54:47
  Speaker 4: What did you learn from the episode, mister Davis?
• 54:49
  Speaker 2: Oh my gosh that if you want to avoid a
• 54:52
  Speaker 2: fatal gunshot wound, just load up on shamrock shake. Yeah.
• 54:57
  Speaker 4: Well his left lung was filled with it. What is
• 54:59
  Speaker 4: a shamrock shake?
• 55:00
  Speaker 2: That's maccus does it? I think they do it around
• 55:02
  Speaker 2: Saint Patrick's daytime. And it's just a green shake. It's
• 55:05
  Speaker 2: just green food dye in it. Pretty much. It'sila.
• 55:08
  Speaker 4: It's the same sheep, but put a clock in it.
• 55:12
  Speaker 2: With green food died. I'm pretty sure that's all it is.
• 55:14
  Speaker 2: I don't think it's got any special flavor or anything
• 55:16
  Speaker 2: like that. But gamrockshake. Yep, Yes, I learned.
• 55:19
  Speaker 4: I learned to always have a spare seat at a
• 55:21
  Speaker 4: book club.
• 55:23
  Speaker 2: Nice for the dude. From forward, your names will be.
• 55:28
  Speaker 4: It is now time for the Guy Davis New Name Championship.
• 55:31
  Speaker 4: The current leader board stands at this in first position.
• 55:35
  Speaker 4: We have Philip J. Hawkins on twenty four points, in
• 55:37
  Speaker 4: second position Clever Kyle on fifteen points, Kyl Muldoon and
• 55:40
  Speaker 4: in third position Nathan Briggs on thirteen points. Take it away,
• 55:43
  Speaker 4: is this contest over? We don't know calling it, we're
• 55:46
  Speaker 4: calling it rough. That doesn't stop you from bringing a
• 55:50
  Speaker 4: new name the result. It's it's more about the journey
• 55:53
  Speaker 4: than the destination show except the Phillip J.
• 55:55
  Speaker 2: Hawkins who was just like, I'm here already, bitches. But
• 55:59
  Speaker 2: one point goes to crush Hour.
• 56:02
  Speaker 4: That would be Heath Applebee, what on Heath?
• 56:04
  Speaker 2: Other?
• 56:04
  Speaker 4: One point that puts down three for this season.
• 56:06
  Speaker 2: Indeed, crush Hour a play on rush Hour.
• 56:10
  Speaker 4: Haven't seen any of them?
• 56:12
  Speaker 2: First one not that great, second one pretty good? Okay, Yeah,
• 56:15
  Speaker 2: apparently they're making rush Hour four because you want more. Yeah,
• 56:18
  Speaker 2: you know you know who the guy who likes the
• 56:21
  Speaker 2: UFC on the on the front the front lawn is
• 56:22
  Speaker 2: like making another rush Hour movie. There's good movies, agreed,
• 56:26
  Speaker 2: starring seventy year old Jackie cham Boy. Two points goes
• 56:30
  Speaker 2: to Bros Before Dope Nuts Brigsy Nathan Briggs on two points.
• 56:35
  Speaker 2: He now puts him to equal second on fifteen with
• 56:38
  Speaker 2: Clever Khail much much like you Carolyn Amine and her
• 56:42
  Speaker 2: multi level scripts. That's a gag. That's actually you know,
• 56:45
  Speaker 2: it's like Bros before and then it's you know, but
• 56:48
  Speaker 2: it's also like a doughnuts, which is the cop thing
• 56:50
  Speaker 2: because you know, with the best jokes and ones, you
• 56:52
  Speaker 2: have to explain it doing a really good job. But
• 56:54
  Speaker 2: then he also put in the doll. I'm surprised this
• 56:56
  Speaker 2: didn't get three points, but it only got two points. Sorry, Brigsy.
• 56:59
  Speaker 4: By the way, this one here, I've called it before. Right,
• 57:03
  Speaker 4: they can Breeze and clever Carle they both get they
• 57:06
  Speaker 4: get four straight three pointers. They can still win this
• 57:09
  Speaker 4: a little bit, all right.
• 57:10
  Speaker 2: You gotta be like Wemby see the three point ago.
• 57:14
  Speaker 4: Okay, cool, he's one that like, he's like the man
• 57:17
  Speaker 4: for the Spurs. He's the premiantis he's the one I
• 57:20
  Speaker 4: know now these days.
• 57:21
  Speaker 2: Yeah, and because a lot of fun go pops of
• 57:24
  Speaker 2: Wemby about there, one point goes to cops and sobs
• 57:29
  Speaker 2: three points. Was it three points? Yeah?
• 57:31
  Speaker 4: I think it's at one point three points. It goes
• 57:32
  Speaker 4: to Mike Salter on Mike, he's now in twelve points.
• 57:36
  Speaker 4: He's coming out as well. Nice Work's alday it's insultant
• 57:39
  Speaker 4: as well. Yes, thank you guys for all of your
• 57:41
  Speaker 4: support here. If you want to be part of the
• 57:42
  Speaker 4: Guy Davis Newnan Championship, just got to be a supporter
• 57:44
  Speaker 4: like these guys by supporting us on Patreon. Don't forget
• 57:47
  Speaker 4: to keep sending your questions through for the next mail bag.
• 57:50
  Speaker 4: It is mail bag at four fr discount dot com,
• 57:52
  Speaker 4: dot a. You would love to hear from each and
• 57:54
  Speaker 4: every single one of you. He keeps sending your reviews
• 57:56
  Speaker 4: through on Apple and Spotify check us five stars. It
• 57:59
  Speaker 4: is much appreciated. But for now, mister Davis, any final
• 58:01
  Speaker 4: words for those incredible listeners out there
• 58:03
  Speaker 2: Well listeners and Dando, your awsomeness is real.