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IT CAME FROM SCREAMBOX: House on Haunted Hill · WASD and Beyond

• 0:23
  Yo you guys ready for another episode of It Came from
• 0:26
  Screambox? I sure AM.
• 0:29
  Then let's hop right into it. Welcome back, everybody.
• 0:31
  We are your hosts Nick, Noah and Alex coming at you with another
• 0:35
  episode of the pretty cool show that we do that we do called it
• 0:40
  came from Screambox. Before we get into it, we are
• 0:44
  sponsored by screen box themselves.
• 0:46
  Go check the mountain links down below.
• 0:47
  We are also sponsored by final boss check them out links down
• 0:51
  below. Go ahead and join the spawn camp
• 0:54
  discord. It's a good time.
• 0:56
  You can watch some movies with us to watch TV, play video
• 0:59
  games, do whatever you want come have a good time.
• 1:01
  A bunch of shit going on in there.
• 1:03
  Check out the WASD and beyond every Friday screen box follows
• 1:06
  it every Saturday. Check out Wolf for deception
• 1:08
  whenever Brody gets AD and D session going recorded and
• 1:12
  posted. You got any suggestions for us
• 1:15
  movies you guys want to see see hear us talk about any video
• 1:19
  games you want to hear WASD talk about anything you want to hear
• 1:22
  us talk about on these shows, go ahead and e-mail us at
• 1:25
  wasdbeyond@gmail.com. Again, that is WASDBEY
• 1:31
  ond@gmail.com. Hit us up there and boys, let's
• 1:41
  start talking about the movie. Alex is weak, and it was a
• 1:44
  pretty fucking awesome pic. Was not expecting that at all.
• 1:48
  It is a classic. Alex.
• 1:49
  Why don't you go ahead and take over?
• 1:53
  Well, this week I chose the original house on Haunted Hill
• 1:59
  featuring the one and only Vincent Price.
• 2:02
  Yes. The man, The myth legend really
• 2:07
  know what much to say because it's movie's been out since
• 2:09
  what? What is it 56?
• 2:11
  59. 59 it's about say a millionaire you, you don't
• 2:21
  really disclose how much he's worth, but he brings in,
• 2:26
  especially in the 50s, dude, he brings in a bunch of random
• 2:29
  people. I mean, was it?
• 2:31
  Was it 5 or 6? I think it was 6. 6 people and
• 2:38
  they had to survive living in this house overnight and if you
• 2:42
  make it through the night they get $10,000.
• 2:45
  Which in today money that's a $91,000 today God's so.
• 2:49
  Fucking. Crazy, you know, imagine a a
• 2:51
  millionaire type A Bill Gates says, hey, why don't you come to
• 2:56
  my definitely haunted house and stay for a night and if you
• 2:59
  survive, I'll give you 10 grand each.
• 3:03
  Would you do it? Yes.
• 3:06
  I mean, immediately listen. Yeah, I mean, I don't know.
• 3:12
  I guess we'll. Have to, I guess we'll have to
• 3:14
  learn from what happens to our cast.
• 3:16
  I think I could do it. I think I could do it.
• 3:18
  I would just try to find a room and just fuck off somewhere.
• 3:24
  OK, how about for the night? How?
• 3:25
  About this, how about this? Because they, they, there's the
• 3:29
  rumor about the guy, there's the rumor about the guy that he is
• 3:35
  on his like fourth wife and he killed the other 3.
• 3:40
  Does that change your perspective?
• 3:43
  If those rumors are true, which they pretty much say outright,
• 3:47
  it is. Well.
• 3:51
  Because in my mind, I'm like, he's not.
• 3:52
  Going after me, he's going after.
• 3:55
  Yeah, but in my mind, this is a person who is conditioned for
• 3:58
  murder. This guy knows how to kill
• 4:00
  people. There's no ghosts.
• 4:01
  He's just going to kill me. I mean, I think I try.
• 4:08
  I try. Yeah, just try it.
• 4:10
  You can scope. It out.
• 4:11
  You can't take on a ghost. I scope it out before, well he's
• 4:14
  got like fucking God damn home alone traps are on the House
• 4:18
  dude pissing me off. But like, I think I scope the
• 4:22
  house out because you have a period in which you can scope
• 4:25
  the crib out and if it's no good, you could just dip before
• 4:29
  the door closes. I think you know you're.
• 4:30
  Supposed to be able to dip. Yeah, but I mean, 90 grand,
• 4:38
  right? All I'm saying, all I'm saying
• 4:40
  true is that this guy is not to be trusted.
• 4:43
  You cannot like he really is a billionaire.
• 4:45
  You can, you never will know his his motivations.
• 4:49
  If he invites you, if he's willing to give, he's willing to
• 4:52
  give out at the most 50 grand because he says he's going to
• 4:56
  give it to every person who survives, not like the last one
• 5:00
  to survive. So anybody who's forking over
• 5:03
  that kind of money, he does, He's that's a bluff.
• 5:05
  He's not. This is a.
• 5:05
  Game for them too. Yeah, you are not meant to
• 5:08
  survive this. I don't know, let me think about
• 5:14
  it. I got.
• 5:14
  I'll have an answer at the end of.
• 5:15
  I'll ask again at the end of the episode.
• 5:17
  I'm saying no shot. I'm not going in the house.
• 5:20
  If somebody else does it, good for them, but I'm not doing it.
• 5:25
  For you, fuck it. Yeah, see you absolutely not.
• 5:28
  I'm not going in there. Fuck that.
• 5:29
  You can fucking kidding me, dude.
• 5:31
  No. This movie though?
• 5:35
  Where's? A classic like the what, what,
• 5:40
  what you got, Noah? I was going to ask how you guys
• 5:43
  encountered this the first time because you guys have both seen
• 5:45
  this already, right? Yes.
• 5:48
  That's one of my favorite questions I ask because a lot of
• 5:50
  the time you guys will have already seen a thing or at least
• 5:54
  have heard of it, but I'm coming in like completely blind, so I
• 5:56
  always want to know where you guys saw this the first time.
• 5:59
  Yeah, you, you want to go 1st, Alex?
• 6:01
  I really couldn't tell you the first time I've seen this one.
• 6:05
  I definitely seen the the 1999 remake first when I was a
• 6:10
  fucking kid and then I learned about this like in my early
• 6:14
  teenage years. Probably rented it more than
• 6:18
  likely because that's what you did back in the day.
• 6:20
  You just rented movies. I'm, I'm, I'm we had, I had
• 6:23
  Blockbuster when I was a kid. Who watch you, Nick?
• 6:30
  So for me, I know I watched the 90s film first.
• 6:33
  I, I absolutely know I did. I saw it on HBO probably or
• 6:36
  Cinemax or wherever it was being televised at that point.
• 6:41
  But I remember looking into the movie itself because I, that's
• 6:46
  what I would do a lot 'cause I didn't go to high school or
• 6:48
  anything like that. So I, you know, whatever.
• 6:53
  So I've watched movies. Movies were a huge part of my
• 6:56
  life growing up. Obviously that music, but like
• 6:59
  movies, video games, but like movies where like my escape
• 7:03
  throughout the day. So I would always bump into
• 7:05
  something new. So I know that I, I saw the the
• 7:08
  90s film 1st and then I remember going to Walmart with my mom
• 7:13
  around Halloween and there's this old box that you can buy.
• 7:17
  And I think I still have it where it's like this giant
• 7:19
  fucking box set that's pretty huge, 20 bucks, but it's pretty
• 7:24
  much all like, Oh my God, what's that?
• 7:27
  What's that called? When it's like there's no,
• 7:30
  there's no more copyright on the film.
• 7:33
  Public domain. It's basically all public domain
• 7:36
  films like the the cabinet cabinet of Doctor Caligari.
• 7:41
  I think that's how you say that. And the movies like that are all
• 7:45
  in this like some old Edgar Allan Poe shit fucking and House
• 7:51
  on Haunted Hill was in there as well.
• 7:53
  So I like all right fucking. I already bought it and I was
• 7:57
  like, oh, I guess I'll just watch it.
• 7:58
  I watch. I'm like, oh, OK, It's like a
• 8:00
  fun cheese ball movie because the 90s film was way more
• 8:03
  violent. The 90s film was actually like a
• 8:05
  violent movie that like you'll have to watch Noah because
• 8:09
  there's like some pretty good like oh shit, gross out kills
• 8:12
  and. They actually kind of sorry to
• 8:15
  interrupt, but yeah. You're kind of.
• 8:17
  Talk about, like, the house actually being haunted, Yeah.
• 8:21
  The house is like actually haunted.
• 8:23
  I mean, still the whole billionaire millionaire thing.
• 8:25
  The house is haunted in this though.
• 8:26
  And like, I mean, in the original it's technically
• 8:29
  haunted, but like it's not like haunted haunted like it is in
• 8:32
  the 90s because basically the game just goes wrong in the 90s.
• 8:36
  So I'm not mistaken. But yeah, that's how I first saw
• 8:39
  it. Definitely got on that giant box
• 8:41
  set. And I can remember that box set
• 8:43
  too because I'm not mistaken. It's LON.
• 8:46
  I think LON Chaney played Doctor Jekyll, Mr. Hyde.
• 8:50
  I believe that was LON Cheney. I'd have to look into that,
• 8:53
  though. Some movie buffs could be like,
• 8:56
  actually it was not LON Cheney, but I don't remember.
• 8:59
  I'm just going off the top of my head here.
• 9:01
  But yeah, yeah, that's my first time seeing this movie.
• 9:05
  Sweet. Yeah.
• 9:06
  You want to talk about the effects a little bit.
• 9:12
  Yeah, who was the 1st? I want to hear Noah.
• 9:16
  What was your favorite effect, Noah?
• 9:19
  Well, my favorite effect, it's got to be the skeleton.
• 9:22
  There's no, there's no questions there.
• 9:25
  There was some, I kind of spoiled it for myself because I
• 9:28
  was looking at the cast on the IMDb while we were watching it.
• 9:32
  And I remember, yeah, I know you're shaking your head.
• 9:35
  I shouldn't have done that. But I I looked and I was like,
• 9:39
  oh, there's somebody cast as skeleton.
• 9:42
  And I heard you, you were like, why would you look that up?
• 9:46
  But yeah, the the skeleton effect is probably my favorite
• 9:50
  effect just because it's done and it's not really a like a
• 9:54
  special effect. It's a puppet.
• 9:57
  And I think, I think it's a practical like a real puppet.
• 9:59
  I don't know if the contraption he had was controlling it, but
• 10:02
  it was very like, I loved it for how simple it was and how well
• 10:06
  executed it was. Like maybe this is a product of
• 10:12
  like, old film cameras can't capture all the quality.
• 10:15
  You couldn't see any wires. Like, it truly looked like it
• 10:17
  was just there because a lot of the time.
• 10:20
  No, I didn't see the wires. Did you?
• 10:21
  Oh. Yeah, you can see them.
• 10:23
  Oh man, maybe I was just so I was enthralled with the Magic
• 10:27
  cinema because it's 1959. Can you imagine if you saw that
• 10:31
  in the movie theater? Like we were saying, like I was
• 10:34
  saying while we were watching, it was like, oh, that affects
• 10:36
  like campy or cheesy or whatever, but it's 1959.
• 10:39
  That's the scariest thing you've ever seen?
• 10:42
  Well, I mean, shit, dude, like back then when War of the Worlds
• 10:46
  hit the fucking Airways, people thought they were actually being
• 10:48
  invaded by fucking aliens. Like, not good.
• 10:52
  Yeah, no, this is back then. I'm sure.
• 10:54
  Like they saw this. This was like taboo almost to
• 10:57
  watch, right? Like that was probably like, oh,
• 10:59
  you can't. That's the most violent thing
• 11:01
  you'll ever see. It's like.
• 11:03
  It was either that, yeah, it was either that effect or the the
• 11:09
  woman on the Roomba. Yeah, that's the best.
• 11:13
  That's the best, too. The housekeeper.
• 11:16
  Just zipping around. Oh.
• 11:21
  Yeah, I was, I was super down with it.
• 11:23
  I mean, like a movie that old you happen, you know, it's going
• 11:26
  to have some like kind of special effect.
• 11:28
  You wonder what it's going to be, and if you watch like a lot
• 11:31
  of Twilight Zone, you've pretty much seen every special effect
• 11:34
  that they could do back then, yeah.
• 11:36
  Yeah, I mean it. Yeah, Go on, Alex.
• 11:40
  Sorry buddy. It was no, you're fine.
• 11:42
  It's just like, like Noah said, like it's all about the time.
• 11:48
  And there's that one scene where, fuck, what's your name?
• 11:54
  Annabelle, the wife. Yeah.
• 11:56
  He's she gets found hanging and they fake and they fake her
• 12:02
  death. Like they even like talk about
• 12:06
  the the rig that they use in the movie because it's all set up
• 12:10
  clearly to like kill Vincent Price's character.
• 12:16
  But like from what I've been told that those things are so I
• 12:22
  mean, I haven't been told, but from what I've heard in like
• 12:24
  documentaries and interviews, those things are incredibly
• 12:26
  fucking. Uncomfortable.
• 12:28
  Oh, I'm sure. And like dangerous back in the.
• 12:31
  Day yeah, because you could actually like.
• 12:33
  Fuck up and hang or something. Yeah, You remember, you ever
• 12:36
  hear about what happened to Michael J Fox when they were
• 12:39
  filming Back to the Future? Yeah.
• 12:43
  How like in this scene in the Old West where they're like
• 12:45
  hanging him, he's on a rig, but like the rig malfunction and
• 12:48
  they actually almost hung him. Oh my fucking God.
• 12:52
  Dude, like some of that where he's struggling there when he's
• 12:54
  got his hand in it, that's real. Oh, nothing.
• 12:58
  And like, like, shit happens on movie sets.
• 13:00
  I mean, we know from The Crow and that, yeah.
• 13:04
  That one, Alec Baldwin. Recently.
• 13:06
  Yeah, that Alec Baldwin felt so it's.
• 13:08
  Alec Baldwin killed the. Person even more.
• 13:10
  Yeah, it's even more impressive when you see like an old effect,
• 13:13
  'cause you're like more of this effect is real back then, 'cause
• 13:17
  they just didn't have the technology to fake it.
• 13:19
  They didn't have the money to redo shit.
• 13:22
  Yeah. Like it was like a lot of a.
• 13:24
  Lot of 1 takes. It's also maybe a maybe a
• 13:27
  commentary on actors putting putting more into it back in the
• 13:31
  day. I don't know.
• 13:33
  I'm, I'm sure there is a lot of stunt double work back in the
• 13:36
  day too, but not what you have now, not what you have now.
• 13:39
  This was like, all right, we got to get a guy who pretty much
• 13:41
  fits the build and just like make him run through the door or
• 13:45
  some shit, right? Like, now it's just like, all
• 13:48
  right, So like, here's like Brad Pitt's twin and like, we're
• 13:53
  good. Well, I shouldn't say that
• 13:55
  because Tom Holland did just get like a massive concussion while
• 13:58
  yes, shooting for spider man. There's a ton of actors who will
• 14:02
  still, you know, still will crush it.
• 14:03
  There's a lot of it. You get what I'm saying?
• 14:05
  Yeah, yeah, yeah. But I like the effects of this
• 14:09
  movie, obviously, man, for the time period in which we we
• 14:11
  visited, right? Because watching this movie, you
• 14:14
  get to visit that time period and it's fun to see like exactly
• 14:18
  where cool shit comes from and what still will go back to those
• 14:23
  old movies and go, OK, so we'll pull from here.
• 14:25
  We'll take from this, we'll do from that.
• 14:27
  OK, cool. So you can see shit transfer in
• 14:31
  today's times, but just with an updated lens and like updated
• 14:35
  knowledge of we can get away with this.
• 14:38
  We can do that. So let's do that practically.
• 14:43
  Obviously the skeleton. I love it.
• 14:45
  Fucking always loved that. Even from the first time I saw
• 14:47
  it, I was like, oh, that's that's that's funny.
• 14:49
  It's cool. The Roomba lady funny, cool.
• 14:53
  But like the acid bath shit, the chandeliers, like all of the
• 14:57
  actual destruction of the house and like the destruction of
• 14:59
  these people almost. It's like, damn, OK, this is
• 15:02
  really thought out. It's like some mousetrap shit
• 15:04
  constantly going wrong, right? And that is the excitement of
• 15:08
  watching this, watching this movie.
• 15:10
  Now you watch it and it's like, oh, no one's really, really
• 15:13
  getting hurt. Like, yeah, people are getting
• 15:16
  hurt. But like, you look at the 90s
• 15:18
  film where that felt more pointed.
• 15:24
  It felt more in your face for the violence.
• 15:27
  It felt more angry. Whereas this film was just like
• 15:29
  a fun movie, right? And it's the the effects are fun
• 15:33
  and everything is fun. I'm sure back then it wasn't
• 15:36
  looked at like that. But you can't help but not watch
• 15:38
  it now and go, oh, OK, it's just like this 50s movie that, you
• 15:43
  know, I'm sure it has a lot to say, but it's easier to get the
• 15:48
  point across nowadays in my opinion, because we're growing
• 15:50
  up now, right? Like we are growing up in this
• 15:51
  time period. So I can understand what a movie
• 15:53
  is trying to tell me something now back then.
• 15:56
  I didn't grow up back then. So I'm looking at it through
• 15:58
  their lens, going, OK, well, what was pissing you off back
• 16:01
  then for this movie to exist? Also, this is not like, you
• 16:05
  know, it's not like the first movie ever made, but like, no,
• 16:08
  you got to think like nowadays you have almost 100 years of
• 16:11
  like movies you can look back on.
• 16:14
  They did not have that. So like, all these ideas were
• 16:18
  probably like pretty new at the time.
• 16:20
  Or they were borrowed from other sets that was working on right
• 16:23
  then and there, whatever sound stage they were working on, you
• 16:27
  know, it it it's definitely cool to see a movie like this still
• 16:31
  be loved as much as it is. You know, it's it's a very loved
• 16:37
  film and I would like to almost see what that looks like
• 16:40
  nowadays. House on Hunted Hill.
• 16:42
  I want to know what that looks like in our day and age.
• 16:45
  Other than like the 90s film, obviously, but like to see it
• 16:48
  now. I wonder, like, do we take it
• 16:51
  back almost to like a fun slapsticky type thing, or do we
• 16:56
  take it serious again and go, OK, no, let's let's let's kind
• 16:59
  of dunk on some billionaires really quick and show like how
• 17:02
  evil their game is? Because if you look at the movie
• 17:07
  not Free from Hell, Oh my God, what is it?
• 17:10
  The other Rob Zombie flick. 1000 Corps No.
• 17:15
  No, no, no, no, no, no, no, no. It's the one where that people
• 17:20
  are captured, put into a a warehouse.
• 17:24
  I just watched it with Perry. Rob Zombie movie.
• 17:27
  I think you said I think it was 3 from hell because you just
• 17:30
  told me not too long ago you went back and watched 3 from.
• 17:32
  Hell 3 from Hell is the next Devil's.
• 17:36
  That's the last Devil's Rejects movie.
• 17:38
  It's a Rob Zombie flick. Oh my God, time.
• 17:42
  Out. Yeah, we got we got to forget
• 17:43
  this. Out.
• 17:44
  We're all looking at it though. Oh my God, not El super beasto
• 17:50
  The fuck? It's not even like listed here.
• 17:53
  Go to Salem. Now where is this fucking movie?
• 18:02
  I'm not. The way you find that, do you
• 18:03
  want to hear a little bit about the house?
• 18:06
  Yes. So the house, I did a little
• 18:09
  research the house all the interior shots are just like
• 18:13
  sets some of the location but the outside of the house is a
• 18:17
  famous building in LA called the Ennis House.
• 18:21
  And 31 is the movie, by the way. 31.
• 18:24
  Oh motherfucker. Yeah, I what really quick.
• 18:28
  I'm wondering if, like, that's the route they'd go for in like
• 18:31
  our day and age of that movie. Yeah, yeah, like 31 ask thing.
• 18:35
  Anyways, go on and on. Like would it be more serious or
• 18:38
  more like? Just more brutal, more serious,
• 18:40
  more that's pointed at something.
• 18:43
  It's it's barbed, basically like it's a giant fuck you, but also
• 18:47
  like, you know, showing the destruction of a human and like
• 18:51
  it's just, it's just really insane.
• 18:53
  Yeah, yeah. Yeah.
• 18:54
  But OK, so it's it's called the Ennis House and it's it's in LA.
• 19:01
  So you can go, you can go see it.
• 19:04
  And you? Yeah, it's still there there.
• 19:07
  So here are some of the things that Diana's house has appeared
• 19:11
  in Blade Runner, Original Blade Runner, The Karate Kid, Three
• 19:16
  Day of the Locust Rush Hour, Grand Canyon, Predator 2.
• 19:21
  It's a replica in that The Rocketeer.
• 19:23
  It's also replica in that Mulholland, Dr. Buffy the
• 19:27
  Vampire Slayer, Twin Peaks and various other commercials and
• 19:31
  music videos. What?
• 19:33
  So this thing is has been everywhere.
• 19:36
  It was made by this damn famous architect Frank Lloyd Wright,
• 19:42
  who's built like buildings all over the world.
• 19:45
  Very famous. What so?
• 19:50
  In this house, it's only the exterior, but it's like, you
• 19:53
  know, it's like the that observatory observatory.
• 19:57
  And also in California, it's like a famous place has been in
• 20:00
  a lot of movies. The planetarium.
• 20:03
  Yeah, the planetarium. So this house is just a movie
• 20:08
  house then? Pretty much.
• 20:11
  I want to build just a movie house, but yeah, you can film on
• 20:14
  my on my lawn, I guess. Well, I think, I mean, I feel
• 20:18
  like that just kind of happens, you know, like he just built.
• 20:20
  It dope ass fucking house. People were like, hey.
• 20:24
  This is all it takes is like all it takes is for them to like
• 20:27
  shoot The Avengers there and then everybody wants to use the
• 20:30
  house. Yeah, it's fucking that's that.
• 20:34
  That's some cool. So the the inside was the sound
• 20:36
  stage then? Yeah, the inside is sets in
• 20:39
  other locations. Any any reason why they did that
• 20:42
  or is that not talked about? I think, I think just the inside
• 20:46
  of the house is not does not match the outside because it
• 20:50
  looks it's all like square and blocky on the outside, but then
• 20:54
  on the inside it looks like a castle.
• 20:58
  Fuck, you know. I mean, David, it was all like
• 21:00
  fancy on the inside. Oh, OK.
• 21:03
  Well, I'm sure they there's no way they would have been like,
• 21:06
  yeah, you can go ahead and just build a like a quote, UN quote
• 21:09
  acid pit right there and break the chandelier twice.
• 21:13
  I also don't think Vienna's house was necessarily built like
• 21:22
  as a set, you know, it was built, yeah, as a different type
• 21:26
  of building. So it probably just didn't lend
• 21:27
  itself to the shooting or it was like a time constraint thing.
• 21:32
  Yeah, I'm assuming so, you know. If it's not like for filming,
• 21:35
  you probably can't film there for very long.
• 21:39
  Yeah, no, that makes sense. That's that's that's fucking
• 21:41
  cool, though. That's some cool history on that
• 21:42
  house. Yeah.
• 21:44
  That's definitely some cool history there.
• 21:47
  You got any other like tidbits on this?
• 21:51
  Wait, what else? I found the budget.
• 21:54
  OK. What was it?
• 21:57
  200,000 Damn. What's that in today's money?
• 22:03
  Hold on. It's got to be some big time
• 22:07
  bucks today. And it grossed over 2.5 mil.
• 22:14
  Jesus Christ. Yeah, that's.
• 22:16
  What did we say in 1959? Yeah, yeah.
• 22:20
  So $200,000 in 1959 is $2.2 million today and you said it
• 22:27
  made how much? 2.5 mil.
• 22:30
  Two OK. 2. That's, well, that's a lot.
• 22:38
  That's a lot of 20. $7.9 million.
• 22:43
  Yeah, that, yeah, I'm surprised. I was surprised this movie
• 22:47
  didn't get like 1000 sequels. You know, every year from that,
• 22:51
  from that on that's, that is crazy shit.
• 22:55
  That's a lot of money, dude. No, dude, that's a good movie,
• 22:59
  dude. It's a cool movie.
• 23:00
  It's a cool concept. It's it's a good time to watch,
• 23:03
  you know, especially like if you're like on a date or
• 23:05
  something, like hey, let's watch an old scary movie that's from
• 23:08
  the 50s. It's just a cool, it's just a
• 23:11
  cool bit of history, definite cool bit of movie history as
• 23:15
  well. The deeper you get to dive into
• 23:17
  it and then see like what comes after it.
• 23:20
  You know, it's kind of crazy. Yeah, what up?
• 23:23
  Wait. What?
• 23:25
  What did you find? Well, when we did the inflation
• 23:29
  of the budget, the budget is very close to how much it
• 23:34
  earned. Yeah, yeah.
• 23:37
  Interesting. Adjusted for that inflation.
• 23:42
  These these old movies are fucking strange, man.
• 23:44
  There's always some weird similarities and fucking
• 23:47
  synchronicities going on. So yeah.
• 23:51
  Definitely a cool one, definitely check it out if you
• 23:52
  really like if you like a true like vintage movie.
• 23:57
  Yeah, dude, I would definitely recommend this film to anybody
• 23:59
  who wants to watch something a bit older, a bit not as scary,
• 24:03
  but and not as serious. I mean, it's a serious film in
• 24:07
  the sense that back then it was serious, but now you can just
• 24:11
  kind of pop it on, get some popcorn, get a get a beer or
• 24:15
  some whatever and just enjoy the film for what it is.
• 24:17
  Have fun. It's it's fun.
• 24:19
  It's a fun movie. Yeah, 4.5 because it's classic.
• 24:26
  4.5. Yeah.
• 24:28
  I'm, I'm going to give it a, I'm going to give it a 3.5 because
• 24:38
  you know, it was, it kind of went on, you know, it was fine.
• 24:41
  It's fun. I would still definitely
• 24:42
  recommend watching it. But yeah, I would go over 3 1/2
• 24:48
  mostly for the skeleton. It's getting a 4.5 from me
• 24:52
  because it is a Vincent Price film and that dude is like the
• 24:55
  dad of horror nowadays, right? Like he's definitely the dad of
• 24:59
  that. This movie spawned off so much
• 25:02
  after it and inspired a lot of what we have today, especially
• 25:06
  anything relating to scary houses or the concept of being,
• 25:11
  you know, almost like abducted or lured into like a game, a
• 25:14
  sick game, psychological shit. The effects for the time were
• 25:19
  great, that's why it's 4.5 and it's a classic dude.
• 25:22
  This is just something you can put on enjoy so that's why.
• 25:28
  I'm be biased and give it a 55 and.
• 25:32
  Alex is the most lenient guy we got on the show.
• 25:34
  He's like, you know what? No, it's, it's classic.
• 25:36
  It's one of my it's one of my favorites for sure.
• 25:39
  I can definitely see, I can definitely see why we would be a
• 25:42
  classic and and like unique in its time.
• 25:47
  Yeah, yeah. It's a feel good movie.
• 25:50
  It's one of those, as goofy as it is, it's a feel good movie.
• 25:54
  Yeah, I can see it. Too.
• 25:55
  And I felt really good when I saw that skeleton walking
• 25:58
  around. Dude, let me tell you, you guys,
• 26:00
  Yeah, I was so excited. You were pumped.
• 26:03
  I felt really good when the little lady was like, we're just
• 26:05
  riding all over the place. Like God damn dude.
• 26:07
  I know they had Segways back then dude.
• 26:10
  Dude, it was so funny. God damn.
• 26:14
  All right, all fucking right, we are back at it on.
• 26:19
  I think we should do definite definitely more shorts too.
• 26:22
  I liked that short film, though yeah, that was good dude, Alex,
• 26:26
  you're gonna have to you're gonna have to next not next
• 26:28
  week. I'm picking next week,
• 26:29
  obviously, so we'll see what fucking ass beat Irma film I
• 26:32
  pick. I don't know.
• 26:33
  I've been, I think I've been too nice on the show and I I think I
• 26:36
  need to get to Alex's level and above just.
• 26:40
  Really, this feels like I don't. Know I I don't think I could
• 26:43
  beat what Alex has done so far though in terms of.
• 26:46
  What have I done the? Fuck dead girl.
• 26:49
  Dead girl, yeah. I just don't think I can get to
• 26:53
  that level of really put people through the ickies, you know
• 26:56
  what I mean? I got to find it or it's
• 26:59
  horrible. I may listen.
• 27:00
  I maintain I've said this before on the show that I think the
• 27:02
  Dead girl episode is one of the best ones that we've done.
• 27:05
  It is the deep, the the dive that we took into that film
• 27:10
  first and foremost. If for you to, you know, study
• 27:13
  the film like we did at that point, the more you get into
• 27:16
  subject matter, the more like. My opinion on it changed like 5
• 27:20
  times. Yeah, yeah, it's.
• 27:23
  So fucked. It's so fucked.
• 27:26
  Yeah, but it's anyways it's good it.
• 27:28
  Was great. It was good.
• 27:30
  Listen to it it. Was for good content.
• 27:32
  Yes. Go listen to Dead Girl.
• 27:34
  Go listen to all our old episodes.
• 27:35
  Check them out, share them around with your friends.
• 27:37
  If you know anybody who has worked on any of the movies
• 27:39
  we've talked about or if you are the ones creating the films that
• 27:43
  we were talking about, especially the short films that
• 27:44
  we're going to be talking about, hit us up wasdbeyond@gmail.com.
• 27:50
  Again, that is wasd beyond@gmail.com.
• 27:54
  Shoot us an e-mail. We'd love to get to know you.
• 27:56
  We actually have a movie that we have to watch and do a review
• 28:03
  and interview on. So.
• 28:07
  We keep teasing it, but the shit's been hectic for all of us
• 28:10
  and we're we're we're picking up the pieces 1 by 1 and we're,
• 28:15
  we're we're morale boosting each other.
• 28:16
  We got this. So again, check check out the
• 28:18
  old episodes. Recommend this to your friends.
• 28:21
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• 28:24
  all over the place. Subscribe, follow, like do
• 28:27
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• 28:29
  I don't care just just show us around that we love what we do.
• 28:32
  We'd love to continue this and because of your support, we get
• 28:35
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• 28:44
  Discord is down below. Come hop in, talk to us, get to
• 28:47
  know us. We'd love to meet you and until
• 28:49
  next week guys, take it easy and be safe.
• 28:52
  Thank you, Scream Box. Thanks Scream box doses.