Latest / The Bootleg Kev Podcast / #223 - Smino

Transcript

#223 - Smino · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Bulet Camp Show Special guests in here Smino with a
• 0:04
  Speaker 1: dude Kire Welcome, man, Welcome. First of all, you just
• 0:07
  Speaker 1: showed me congratulations. Ninety proof is like the number three
• 0:12
  Speaker 1: biggest debut song on Spotify for the week. Yeah, not
• 0:15
  Speaker 1: just rap, just a song all genres, just just yeah,
• 0:19
  Speaker 1: that's all. That's huge man, and the US appreciate it. Bro,
• 0:22
  Speaker 1: how's how's that feel? It's cool and made me want
• 0:25
  Speaker 1: to do some moto. You know what I'm saying. I'm
• 0:26
  Speaker 1: just trying to see what else I can get up,
• 0:28
  Speaker 1: you know what I'm saying, get accomplished. How did you
• 0:30
  Speaker 1: because like obviously you know, going back to those Dreamville
• 0:34
  Speaker 1: session ship like that, would you say that that was
• 0:36
  Speaker 1: kind of like the origins of you, like locking in
• 0:38
  Speaker 1: with Cole and building that rapport with him. Yeah, that's
• 0:41
  Speaker 1: how I really got to tap in with him. But Loki,
• 0:44
  Speaker 1: I think my relationship with you like was my relationship
• 0:48
  Speaker 1: with Dreamville and Jim that's my boy. So yeah, bro,
• 0:52
  Speaker 1: like Cole put up on gis like he was having
• 0:56
  Speaker 1: a lock in just in La and just tap me
• 1:00
  Speaker 1: and around and just called our folks. I'm like, nigga
• 1:02
  Speaker 1: fucksot that's crazy and that's how it got cool. Bro.
• 1:05
  Speaker 1: But of course the sessions down that made everybody way
• 1:09
  Speaker 1: more cool. He made a whole lot of niggas like brothers. Yeah,
• 1:13
  Speaker 1: so it feels like I feel like everybody's It's like
• 1:15
  Speaker 1: it was like a fraternity of whoever was able to
• 1:17
  Speaker 1: like be lucky enough to be a part of those.
• 1:19
  Speaker 1: Yeah nah for Shore Luck Fairhouse. Bro. Yeah real, I
• 1:22
  Speaker 1: heard like Yannis was there. Man, I'm in there. I'm
• 1:26
  Speaker 1: talking about Chris Bosh behind Chris. I heard Chris Bosh
• 1:28
  Speaker 1: was making beats. Yeah, making beats and backwoods all kind
• 1:31
  Speaker 1: of shit, going crazy brouda. Chris was just standing behind
• 1:34
  Speaker 1: me one because you would just be so in your
• 1:36
  Speaker 1: bag you don't realize who running around that motherfucker. But yeah,
• 1:39
  Speaker 1: Yannis Alden was in there. They was like nineteen at
• 1:41
  Speaker 1: the time. What was Chris Bosh Like he was in
• 1:44
  Speaker 1: the mud, chilling and he was making beats. He was
• 1:47
  Speaker 1: telling everybody my name Chris playing we know buddy, Yeah nah,
• 1:51
  Speaker 1: but like yeah one of my homies did. We was
• 1:54
  Speaker 1: on some funny shit. We on some Chris Bosh looking
• 1:55
  Speaker 1: at us, nigga like you know what I'm saying were
• 1:57
  Speaker 1: looking at him, but one of my ONMI didn't think
• 1:59
  Speaker 1: he was really Chris Bosh, so he was just like,
• 2:01
  Speaker 1: oh you you guys were like, yo, look at this
• 2:03
  Speaker 1: Chris boshall come like Chris, but we fried like this
• 2:06
  Speaker 1: ain't Chris Bosh. Niggas, you don't rap, but I guess
• 2:09
  Speaker 1: he do well. He raps. I think he produced, he tapped.
• 2:12
  Speaker 1: How are the beats? I ain't heard no Chris Boss beats.
• 2:15
  Speaker 1: I want to hear some Chris. But you know who
• 2:17
  Speaker 1: has an NBA producer who had some of the worst
• 2:20
  Speaker 1: beats I've ever heard that made it on the major
• 2:22
  Speaker 1: labels or major albums. Chris Webber. He had a beat.
• 2:27
  Speaker 1: He had a beat on NASA's Hip Hop Is Dead
• 2:30
  Speaker 1: album that was so atrocious. Did you ever have supremes
• 2:35
  Speaker 1: the shoot? You know what's funny is I'm from the
• 2:38
  Speaker 1: West Coast, so god, I was a little more popping
• 2:39
  Speaker 1: on the West Coast, but then never I never could
• 2:41
  Speaker 1: do it. DND spin that was the latroal spree wheel, spreewheel.
• 2:47
  Speaker 1: That was an era Supreme. I ain't had no doubt.
• 2:51
  Speaker 1: You didn't have any you know, I mean you know
• 2:56
  Speaker 1: that you know who's dope. Javial McGee's a dope producer.
• 2:58
  Speaker 1: Javille McGee, cool peeple. It was bro and he's got
• 3:01
  Speaker 1: the beats. Yeah down in Phoenix right now right not anymore.
• 3:04
  Speaker 1: He's with the Mavericks now, my son. Yeah, he got
• 3:07
  Speaker 1: signed in the off season unfortunately this this year. Yeah,
• 3:10
  Speaker 1: this off season. Yeah, that's cool. But I ain't know
• 3:13
  Speaker 1: that Nigga might be but it makes sense. He had
• 3:16
  Speaker 1: hit me up before, just on something like what's good.
• 3:18
  Speaker 1: But I feel like everybody in the league that hit
• 3:20
  Speaker 1: me up, they probably might museic now that I think
• 3:22
  Speaker 1: about it. That's hard. So what is your team in
• 3:25
  Speaker 1: Saint Louis the Celtics. That's interesting. Signed Louis Celtics. Yeah,
• 3:30
  Speaker 1: you know how we coming? Man? I was at the
• 3:32
  Speaker 1: finals guy last year? Man, my boy j T. You
• 3:35
  Speaker 1: know what I'm saying, Wayne, Wayne bringing home. But we're
• 3:37
  Speaker 1: gonna bring a home next time. You know what I'm saying. So,
• 3:38
  Speaker 1: I mean, listen, man, the coach is out there bringing
• 3:41
  Speaker 1: it home for sure. Well you wildace hell a man,
• 3:46
  Speaker 1: I don't know what the cy bro he may. I
• 3:48
  Speaker 1: don't know what he may is outside, Bro, I think
• 3:50
  Speaker 1: he's gonna be outside of the couch. But you know,
• 3:52
  Speaker 1: God blessed, No damn couch. That boy got money. He good. Yeah,
• 3:56
  Speaker 1: you're right, it's a nice couch. That couch A Bellini
• 3:59
  Speaker 1: for sure. A Leani coach. I only had one experience
• 4:03
  Speaker 1: in Saint Louis. I went out there in like twenty eleven,
• 4:07
  Speaker 1: maybe maybe twenty it was twenty eleven. I went out there.
• 4:11
  Speaker 1: There's a radio station out there that tried to hire me.
• 4:14
  Speaker 1: A guy named Boogie D was out there. I turned
• 4:16
  Speaker 1: the job down, but that night I ended up Freddie
• 4:20
  Speaker 1: Gibbs Ninth Wonder and Rhapsody had to show that LRG sponsored,
• 4:26
  Speaker 1: and it was not a popping show. It was kind
• 4:28
  Speaker 1: of it was kind of whatever. But after that, me
• 4:30
  Speaker 1: and Fred went to East Saint Louis and we went
• 4:33
  Speaker 1: to a place called the Pink Slip. You was at
• 4:35
  Speaker 1: the slip? Yes, a man, he was in the slip.
• 4:39
  Speaker 1: They had you in the Pink Slip. Yeah, what's up?
• 4:41
  Speaker 1: You had fun? I had a great time. Is that
• 4:44
  Speaker 1: is that? Have you been to the Pink Slip? Yeah?
• 4:46
  Speaker 1: I don't even think the slip open, no mode is
• 4:48
  Speaker 1: it close? Yeah? I had been to the slip in
• 4:50
  Speaker 1: a line man that's some old school shit. I ain't
• 4:52
  Speaker 1: did that in a minute, But I ain't lived in
• 4:53
  Speaker 1: Saint Louis in a waild too. But nigga, that's so
• 4:55
  Speaker 1: you you was in he was also Sat Luis ship.
• 4:57
  Speaker 1: But East Saint Louis different state Illinois. Lewis correct for
• 5:01
  Speaker 1: people who don't know. East Saint Louis is in Illinois. Yeah,
• 5:04
  Speaker 1: that's Illinois straight up. In the Saint Louis and Saint
• 5:07
  Speaker 1: Louis is Saint Louis US. We don't claim Missouri Saint
• 5:11
  Speaker 1: Louis US site and it's East Saint Louis, Illinois. You
• 5:14
  Speaker 1: don't claim Missouri. Yeah, that's a rare state. Were blue city,
• 5:18
  Speaker 1: I guess or something like that. But we don't really
• 5:20
  Speaker 1: be fucking with the whole Missouri. Well that shit real
• 5:23
  Speaker 1: Rice isn't fucked up out there, bro, straight up, I've
• 5:26
  Speaker 1: heard Missouri terrible. I mean, it's it's like a swing state.
• 5:29
  Speaker 1: So there's like all all sides of the coin there, right,
• 5:33
  Speaker 1: Like you said, like the Saint Louis is probably a
• 5:34
  Speaker 1: blue city. It's definitely a swing states for a reason. Yeah,
• 5:37
  Speaker 1: Saint Louis black Kansas City too, Like a lot of
• 5:40
  Speaker 1: you know what I'm saying, Saint Louis, Kansas City, but
• 5:42
  Speaker 1: shit even more south. Saint Louis shot my case niggas
• 5:45
  Speaker 1: though how far ist Casey from St. Louis a couple
• 5:48
  Speaker 1: of hours. It's a little dry like when you're growing up, right,
• 5:51
  Speaker 1: Obviously Saint Louis has had a successful rap scene. Shout
• 5:55
  Speaker 1: out to now he shot at the Saint luiacas Chingy
• 5:57
  Speaker 1: j Quan been going on the yeah, and then like
• 6:01
  Speaker 1: obviously Kansas City has like Tech nine and the strange
• 6:03
  Speaker 1: music shit going on. How influenced were you by just
• 6:06
  Speaker 1: all that ship in general? I was influenced by the
• 6:10
  Speaker 1: Lunatics and Nelly on some how to rip Saint Louis,
• 6:13
  Speaker 1: you know what I'm saying, And uh, I think I
• 6:17
  Speaker 1: was influenced by my city in the same way Nelly was.
• 6:19
  Speaker 1: Like where I'm from, it was like some soulful ship
• 6:22
  Speaker 1: like our parents listened to, like a whole bunch of
• 6:24
  Speaker 1: like old soulful ship. Like we all grow up in church.
• 6:27
  Speaker 1: If you're from the hood, you you was going to church,
• 6:29
  Speaker 1: or you was by church, or it was some people
• 6:31
  Speaker 1: from church people around you. So you feel me, all
• 6:34
  Speaker 1: that shit kind of just inspire all that singy ship.
• 6:36
  Speaker 1: You know what I'm saying, that bluesy ship. You know. Yeah,
• 6:39
  Speaker 1: I think Nelly uh successfully probably did like real melody
• 6:43
  Speaker 1: and hip hop before most people before everyone doing this
• 6:47
  Speaker 1: shit pick up the drugs down. It's like one of
• 6:51
  Speaker 1: the hardest Nelly songs ever. Bro Loving Me Bro and
• 6:55
  Speaker 1: Free City was an underrated album. Yeah, Free City hard
• 6:58
  Speaker 1: too to Murphy Lee Man, shout to the whole? Who
• 7:01
  Speaker 1: else was from? Shot out to murder Dirty Man, real nigga.
• 7:03
  Speaker 1: He's vegan too, he's vegan. Are you vegan? No? Yeah?
• 7:08
  Speaker 1: Good for you? Nah, I couldn't do it, man, Yeah,
• 7:11
  Speaker 1: I think he's vegan. Shit, he looks vegan nowadays. Have
• 7:13
  Speaker 1: you thought about going vegan? I eat some vegan meals.
• 7:18
  Speaker 1: I'm just not gonna go all the way vegan. I
• 7:20
  Speaker 1: feel like it's like a clean sting, like I just eat,
• 7:23
  Speaker 1: you know what I'm saying, Like I be like a week. Yeah,
• 7:26
  Speaker 1: when I've been bullshitting with the tequila too hard, you
• 7:29
  Speaker 1: feel me? I think tequila's vegan. It's a guy for
• 7:31
  Speaker 1: shure for show. Damn they're vegan, but all lick a
• 7:35
  Speaker 1: vegan bro, I would hope. So yeah, like all lick
• 7:40
  Speaker 1: vegan bro, Like is this somebody because you said it?
• 7:42
  Speaker 1: Like you know if I can drinking tequila too, But
• 7:44
  Speaker 1: is honey hendershy is just grapes, you know what I'm saying.
• 7:47
  Speaker 1: So it's like all this ship is fruit. You're a
• 7:49
  Speaker 1: tequila man nowadays. Yeah. I used to be a cognyak nigga.
• 7:53
  Speaker 1: I'm a tequila nigga. It's a different drunk, isn't it.
• 7:56
  Speaker 1: I just I feel like conyac for when you are alone,
• 8:00
  Speaker 1: because the white koyak make me tired and ready to
• 8:02
  Speaker 1: be gone and out. That's I feel. That's why people
• 8:04
  Speaker 1: fight when they off here and ship, because they be
• 8:06
  Speaker 1: down to tired. It's a violent drunk. It was a
• 8:09
  Speaker 1: little more fun happy drunk, happy drunk. Oh god, yeah,
• 8:13
  Speaker 1: I do all drunk. I think something about the pandemic
• 8:16
  Speaker 1: put tequila on in a new way with like you know,
• 8:19
  Speaker 1: the Colossa and the Costa migos and took off on
• 8:23
  Speaker 1: the shout out to George Coody colony, George Cody, that's
• 8:27
  Speaker 1: that's his We was drinking forty two in the panty
• 8:29
  Speaker 1: dold clone. Yeah. I don't know where where they came from.
• 8:32
  Speaker 1: With that cost. But we was drinking forty two heavy
• 8:35
  Speaker 1: right before that ship. Everybody little price, Yeah, forty little overrated.
• 8:39
  Speaker 1: They came with that price. Overrated. It's about the bottle.
• 8:44
  Speaker 1: It's good, No, it's good. It is smooth and drunk
• 8:46
  Speaker 1: a whole bottle of that ship at my birthday party.
• 8:48
  Speaker 1: Damn yeah crazy. It must have been a rough night,
• 8:51
  Speaker 1: huh man, I wasn't at all. I was drinking water
• 8:55
  Speaker 1: in between. Bro, that's smart. Drank Jason. You know you're
• 8:58
  Speaker 1: a professional when you take your shot and then you
• 9:00
  Speaker 1: take a big, big gop of water and then you
• 9:03
  Speaker 1: just do that the whole night. You should be all right.
• 9:05
  Speaker 1: I've done it, got OCD. Bro. I can't be remotely thirsty,
• 9:07
  Speaker 1: So I just drink water a lot. Yeah you are
• 9:10
  Speaker 1: you o CD with all aspects of life or just hell,
• 9:14
  Speaker 1: just water, Like like if I'm thirsty. When I'm thirsty,
• 9:16
  Speaker 1: I can't even go to bed without seeing a bottle
• 9:19
  Speaker 1: of water first, Like I gotta see it, not go
• 9:21
  Speaker 1: to sleep. But I can't eat unless like I'll run
• 9:26
  Speaker 1: out of a drink at a restaurant. I've stopped eating
• 9:28
  Speaker 1: until the refill. I have to have a drink with
• 9:31
  Speaker 1: my food at all times. Why you be scared you're
• 9:34
  Speaker 1: gonna need the home liquor? Nah, just it's just I
• 9:36
  Speaker 1: don't know, bro, It's just I just like to eat
• 9:38
  Speaker 1: with with drinks. I feel it. I mean I feel
• 9:41
  Speaker 1: it for people who don't know Saint Louis because when
• 9:45
  Speaker 1: I went there, it was green, it felt like real historic,
• 9:49
  Speaker 1: like it felt like, uh, it's just I never seen that,
• 9:52
  Speaker 1: like Saint Louis. It's pretty, bro, it's a real pretty shitty.
• 9:55
  Speaker 1: But but it's also I was gonna say, it's also
• 9:57
  Speaker 1: like tops the list all the time of like some
• 9:59
  Speaker 1: of the deadliest city he's in America. Yeah, it's definitely
• 10:02
  Speaker 1: a place that, like I think probably gets overlooked naturally
• 10:05
  Speaker 1: in terms of like just the scene and just kind
• 10:08
  Speaker 1: of what's going on there, Like what would you for
• 10:11
  Speaker 1: you like being like on the forefront of the new
• 10:14
  Speaker 1: Saint Louis. I guess who's some of the artists some
• 10:17
  Speaker 1: of the groups whoever that you you you know, are
• 10:21
  Speaker 1: taking up to that are from out there, man from
• 10:23
  Speaker 1: Saint Louis. Oh shit, I personally work with a few people. Well,
• 10:27
  Speaker 1: one of my homies, my boy j Baby the Grady
• 10:30
  Speaker 1: had my boy Bari. Of course, I always his niga
• 10:34
  Speaker 1: named Jordan Ward. He's super tight. He from Saint Louis.
• 10:37
  Speaker 1: He's singing a little different shit. I'm real tapped in with, like, uh,
• 10:42
  Speaker 1: like the side of Saint Louis that you probably wouldn't
• 10:45
  Speaker 1: expect to be there. You feel me? Which about me?
• 10:48
  Speaker 1: You know what I'm saying about. But I don't know, bro,
• 10:52
  Speaker 1: it's a whole. It's just so much shit going on
• 10:54
  Speaker 1: in the low right now, bro, Like literally it's I went.
• 10:57
  Speaker 1: I was just down in Saint Louis for a week.
• 10:58
  Speaker 1: You feel me for the first time in a minute,
• 11:00
  Speaker 1: Like I ain't been able to go home for a minute.
• 11:02
  Speaker 1: You feel me. But I was just down there for
• 11:03
  Speaker 1: a week for a while, and I booked the studio
• 11:06
  Speaker 1: and shit, and I was just like, damn, bro, you
• 11:08
  Speaker 1: feel me. Like all my partners I went to school with,
• 11:12
  Speaker 1: theyre the ones that got the studios now, like they
• 11:14
  Speaker 1: the ones they got the speaks for you know what
• 11:16
  Speaker 1: I'm saying. So yeah, it's cool to see that shit
• 11:18
  Speaker 1: niggas producing niggas doing all kind of cool shit. So
• 11:21
  Speaker 1: hopefully it'll be my niggas come out the cub. You
• 11:23
  Speaker 1: feel me and the year to Come. I ain't say yours.
• 11:26
  Speaker 1: I said the year to Come too. Oh God, what
• 11:29
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• 11:30
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• 11:34
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• 11:41
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• 12:00
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• 12:03
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• 12:05
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• 12:09
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• 12:11
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• 12:13
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• 12:20
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• 12:35
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• 12:39
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• 12:41
  Speaker 1: I'm saying. Get them packwards too. They give me a
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  Speaker 1: packword the other day. Geez, I'm still recovering from that shit.
• 12:46
  Speaker 1: Blew my whole fucking face off in the best way. Hardan,
• 12:49
  Speaker 1: Las Vegas. All right, shout out to them. Let's get
• 12:50
  Speaker 1: back to the interview. Talk about the title to this
• 12:53
  Speaker 1: album that's coming man, Love for Rent. Yeah, yeah, love
• 12:56
  Speaker 1: for Rent. I called that shit love for Rent, cause yeah,
• 13:00
  Speaker 1: I don't know what. We try and shot out you
• 13:01
  Speaker 1: feel me? That's where I said right now, we just
• 13:03
  Speaker 1: try and shot out love for real, like basically like
• 13:07
  Speaker 1: it's it's really supposed to be. Like the whole concept
• 13:10
  Speaker 1: is what I told what I what I I already
• 13:12
  Speaker 1: said this shit, but i'm'a say it again. The whole
• 13:14
  Speaker 1: concept is like, way is it you feel me? I
• 13:16
  Speaker 1: give love out to the point where I have enough
• 13:21
  Speaker 1: to get that shit back to myself, you feel me?
• 13:23
  Speaker 1: Mm And uh, I kind of wrote it from that perspective,
• 13:27
  Speaker 1: but like I wasn't tryna be so like what you
• 13:32
  Speaker 1: call it, uh introspective about love more so just honest
• 13:37
  Speaker 1: about like my my real actions and what I was
• 13:40
  Speaker 1: doing in the time while I was affected by that feeling.
• 13:43
  Speaker 1: If that makes sense, that makes sense. Yeah, so you
• 13:46
  Speaker 1: gotta have that water. Yeah, yeah, always gotta stay hydrated, man.
• 13:54
  Speaker 1: But yeah, that's what love for rent about. That shit
• 13:56
  Speaker 1: fired me though. It's real far. It's a great name. Yeah, yeah,
• 14:00
  Speaker 1: it's real far outside of j Cole any other features.
• 14:03
  Speaker 1: First of we got a whole lot of features. Uh
• 14:06
  Speaker 1: actually a lot of cool motherfuckers on the album. Give
• 14:12
  Speaker 1: it's one, we get one one? Uh? Who who? Who?
• 14:18
  Speaker 1: I think? Give me a rapping ass motherfucker that's on
• 14:20
  Speaker 1: your album? A rap feature? That just a rap someone
• 14:23
  Speaker 1: who could wrap their ass off. I know somebody's wrapping
• 14:25
  Speaker 1: their ass off on that album. Oh shit me. And
• 14:31
  Speaker 1: then uh, I say a little uzzy oozzi okayz rapkay
• 14:36
  Speaker 1: UZZI rapping on my ship. I think USI's rapping up.
• 14:39
  Speaker 1: I think Oozzi be getting like not enough credit in
• 14:41
  Speaker 1: terms of like how good are you rap? Because he
• 14:43
  Speaker 1: could sing, he singing and ship he got like other ideas.
• 14:46
  Speaker 1: So I feel like, you know when you ain't no
• 14:48
  Speaker 1: rapping ass, this is what I do. I rap, and
• 14:50
  Speaker 1: I want to rap better than you ass. Nigga. People
• 14:52
  Speaker 1: gonna try to play that's me ship. Most fucker were
• 14:54
  Speaker 1: trying to play me. Bro, I promise you everything I love.
• 14:56
  Speaker 1: I probably gonna say it cold as ship the most niggas.
• 14:59
  Speaker 1: But I sang that shit, so it come across like
• 15:02
  Speaker 1: you feel me how it come across? But how did
• 15:05
  Speaker 1: you and Newsy link up? He liked my song I
• 15:08
  Speaker 1: deserved he had posted the balloons for the video and
• 15:11
  Speaker 1: shit and uh shit, I just randomly was smoking outside
• 15:16
  Speaker 1: the studio. I was in the studio with a sober
• 15:18
  Speaker 1: and no id. I was outside smoking this shit. This
• 15:21
  Speaker 1: nigga black truck just pulled up. I'm damn but like
• 15:26
  Speaker 1: stop next to me. Then nigga jumped out. This was
• 15:29
  Speaker 1: just nigga oozy and shit and he was in the
• 15:30
  Speaker 1: room next to me. So he walked in the room
• 15:33
  Speaker 1: and shit, I went in with him. I was like, Bro,
• 15:35
  Speaker 1: I got this song, and I said, John, I am
• 15:37
  Speaker 1: in a hook DILND player for y'all, played it for
• 15:38
  Speaker 1: him and Nigga did this shit and he hopped on it.
• 15:41
  Speaker 1: I was leaving to go go to a little dinner
• 15:44
  Speaker 1: and shit, before I got out the uber for dinner,
• 15:47
  Speaker 1: he sent me the song. Jesus that Nigga did that
• 15:50
  Speaker 1: like ten minutes. Shit. Wow hard though. I love how
• 15:53
  Speaker 1: you just passed over like you were in with no
• 15:54
  Speaker 1: Ida and you know, no Ideas one of my favorite
• 15:56
  Speaker 1: producers of all time. So shout out to no Id,
• 15:59
  Speaker 1: no Idea and Sabor working on eight thime. There you
• 16:02
  Speaker 1: were just there. I would wrapping my ass up in
• 16:04
  Speaker 1: there to it, though, shout out to shout out to
• 16:06
  Speaker 1: no I, d who else. The coldest thing about no
• 16:08
  Speaker 1: Idea is that the nigga named Dion And it took
• 16:12
  Speaker 1: me so long to know that. That's so hard. It
• 16:14
  Speaker 1: is hard. That's ship genius. It is genius. Chicago, Nigga.
• 16:18
  Speaker 1: Shout out to Chicago. Shout out to who's who's handling
• 16:22
  Speaker 1: production on this album. Any any producers that you can
• 16:24
  Speaker 1: shout out, I mean, yeah, Monty Booker, my boy Groovy,
• 16:27
  Speaker 1: he did the groove, did this nighty proof that just
• 16:31
  Speaker 1: came out. Yeah, my boy Felix, Kyle Banks shout as
• 16:34
  Speaker 1: Merger and myself, them the producers. It's all internal ship.
• 16:39
  Speaker 1: Am I missing somebody? That's that's I think it's I
• 16:43
  Speaker 1: think that's when you like can handle some of your
• 16:46
  Speaker 1: own production, is it? Like you know, we think of
• 16:48
  Speaker 1: some artists who kind of came in the game as producers,
• 16:52
  Speaker 1: and then there's guys like Jay Cole or krit who
• 16:55
  Speaker 1: like we have been doing both kind of the whole time,
• 16:57
  Speaker 1: but like they're more known as an artist. Would you
• 16:59
  Speaker 1: ever produce for other artists or like even like hell yeah,
• 17:04
  Speaker 1: go down that avenue where you like make it a
• 17:06
  Speaker 1: thing where you're like pitching beats to like artists, and shit,
• 17:08
  Speaker 1: I wouldn't pitch beats. I mean, everybody's ever been in
• 17:11
  Speaker 1: the studio with me, understand Uh hot what I do
• 17:15
  Speaker 1: in the studio, you know what I'm saying? So right,
• 17:17
  Speaker 1: I think it'll be more of a thing where I'm
• 17:19
  Speaker 1: just like, let's just lock in see what you're trying
• 17:21
  Speaker 1: to do. Let me let me try to help help
• 17:23
  Speaker 1: steer the ship on some creatively with you. Yeah, let's
• 17:25
  Speaker 1: just figure it out. That's what I'd be like, I
• 17:27
  Speaker 1: love working with people in collapse. I think I did
• 17:29
  Speaker 1: like thirty fucking collapse last year. I'm on a lot
• 17:31
  Speaker 1: of albums. I've been out of town. It's crazy. I
• 17:33
  Speaker 1: kept going to uh we was in Atlanta and New
• 17:36
  Speaker 1: York wherever. But everybody on tour right now. So shit,
• 17:39
  Speaker 1: I've been just performing a bunch with the homies and shit.
• 17:41
  Speaker 1: So that shit got me thirsty for tour. That got
• 17:43
  Speaker 1: me back there. You got a tour coming up? Heah yeah, yeah,
• 17:47
  Speaker 1: announcing soon, Loki uh any damn day now. Yeah, we'
• 17:52
  Speaker 1: finna announce it with the album and all that. Are
• 17:54
  Speaker 1: you had learning? Yeah, but I'm doing like a it's
• 17:57
  Speaker 1: like a like a cod head Line vibe. You feel
• 17:59
  Speaker 1: me with hmm on the guy when with this to
• 18:02
  Speaker 1: announcement happened, because by the by by the time this
• 18:04
  Speaker 1: interview comes out, it might already be out. Do you
• 18:06
  Speaker 1: guys have a date? Yeah? Yeah, yeah, we're gonna announce
• 18:08
  Speaker 1: that shit real song. I don't give for do what
• 18:11
  Speaker 1: I want to do. You know what I'm saying, You
• 18:13
  Speaker 1: folks gonna come through. You know what I'm saying, y'all.
• 18:16
  Speaker 1: Hear here first, y'all hear their first year don't matter. Bro,
• 18:18
  Speaker 1: we're gonna go crazy what We're gonna be back on you?
• 18:23
  Speaker 1: I say it, I tell you what you and j
• 18:27
  Speaker 1: I d you know who? No, No, I don't know.
• 18:29
  Speaker 1: I'm just throwing names out there. I don't know. I'm
• 18:31
  Speaker 1: just I'm just I'm just fishing, you know what I'm saying. Anyway, Uh,
• 18:36
  Speaker 1: that'll be hard though. Hey, what up? Is Bootleg keV
• 18:39
  Speaker 1: stopping the interview real quick to tell you about our
• 18:41
  Speaker 1: partners at my bookie. That's right, man. If you're trying
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  Speaker 1: to get in on some of this NFL action, now
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  Speaker 1: is the time. All right. I can't believe we're already
• 18:50
  Speaker 1: like this far into the season. It's flown by. I've
• 18:52
  Speaker 1: lost a lot of money last week. I want a
• 18:54
  Speaker 1: lot of money though, and I want it on my bookie.
• 18:56
  Speaker 1: You could do the same thing I'm talking about teasers,
• 19:00
  Speaker 1: you could do the parlay Builder, you could do whatever
• 19:02
  Speaker 1: you want. You could bet on your favorite team to win, lose,
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• 19:07
  Speaker 1: my bookie sign up using the promo code Bootleg. That's
• 19:11
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• 19:14
  Speaker 1: All right, sign up? Using that code and they will
• 19:16
  Speaker 1: match your first deposit. That's free money to gamble with.
• 19:19
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  Speaker 1: you deposited a thousand dollars, or maybe you only want
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  Speaker 1: a deposit two hundred dollars. They're gonna give you another
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• 19:28
  Speaker 1: first time Fuck my bad, dude, my brain is broken. Yo,
• 19:35
  Speaker 1: it's boutlet keV here to tell you about our partners
• 19:37
  Speaker 1: at my bookie. Damnit football season. We're in the thick
• 19:40
  Speaker 1: of it right now. I hit big last week too. Man.
• 19:43
  Speaker 1: I want to give a shout out to my guy
• 19:46
  Speaker 1: who gave me the pick shot. I got sports book killer.
• 19:48
  Speaker 1: But listen, what you gotta do is go to my
• 19:49
  Speaker 1: bookie right now. Get in on this NFL action. You know,
• 19:52
  Speaker 1: NBA's coming up to You could bet on anything you want.
• 19:55
  Speaker 1: They got the player props, you could do the parlay builder.
• 19:58
  Speaker 1: You could bet on your favorite team in the Super Bowl.
• 20:00
  Speaker 1: Get them odds up. Whatever it is the most important thing.
• 20:04
  Speaker 1: Get that first time deposit bonus. That means, when you
• 20:09
  Speaker 1: sign up for your account, use the promo code Bootleg
• 20:12
  Speaker 1: boot l E G. And you will get a deposit match.
• 20:17
  Speaker 1: So if you put in two hundred dollars, they're gonna
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  Speaker 1: give you two hundred dollars on top of that to
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  Speaker 1: gamble with for free. If you put in one thousand dollars,
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  Speaker 1: they're gonna match that deposit with a three thousand dollars
• 20:28
  Speaker 1: for you to gamble with right now. So what the
• 20:30
  Speaker 1: fuck are you waiting for. Let's get this money, Let's
• 20:33
  Speaker 1: watch some fucking football, and let's get paid with my bookie.
• 20:36
  Speaker 1: Who's your favorite It's been a pretty dope year for
• 20:38
  Speaker 1: music outside of your album that has not come out yet.
• 20:42
  Speaker 1: What's your favorite album of the year or your favorite
• 20:44
  Speaker 1: albums of the year? Steve Lacy, Steve Lacy's incredible. Damn
• 20:57
  Speaker 1: let me look at my phone, bro, I gotta see
• 20:59
  Speaker 1: what canna listen to, But it'd be so much shit
• 21:01
  Speaker 1: going on in my head cause I've really been fucking with.
• 21:05
  Speaker 1: There's been some great ones. I think Forever Stories up there.
• 21:08
  Speaker 1: Kendrick's album I like, Yeah, I like I like Jed
• 21:10
  Speaker 1: album a lot too, and New Freddy Gibb's album is crazy.
• 21:13
  Speaker 1: I ain't heard him the New Freddy yet. That shit
• 21:15
  Speaker 1: just dropped right triple last year. That it's hard Steve
• 21:19
  Speaker 1: like She and when that one album come out from
• 21:22
  Speaker 1: them Bulls, Can I call you Ruse? That that was
• 21:25
  Speaker 1: that this year? I think that dropped this year. Man.
• 21:32
  Speaker 1: Something in the indications. Man, what's stay nine? Bro? There's
• 21:35
  Speaker 1: been some salt. It's some Cycle Sauce. Oh yeah, the
• 21:40
  Speaker 1: Cycle Sauce. My bad, my bad. Hold on, I gotta
• 21:45
  Speaker 1: see if it's yeah, these niggas drop. If this drop
• 21:47
  Speaker 1: this year, this might be my Yeah, yup, the Psycle Sauce. Bro.
• 21:51
  Speaker 1: I don't even understand why this ship this fire but
• 21:53
  Speaker 1: this ship fi but they got five shit. Uh. But
• 21:56
  Speaker 1: Steve like She probably had the most interesting shit to
• 21:58
  Speaker 1: me this year, cause yeah, he's a very unique artists.
• 22:00
  Speaker 1: I feel like he's got a dope that just it
• 22:03
  Speaker 1: doesn't remind me of many people, you know what I mean.
• 22:05
  Speaker 1: That's very It's kind of like you. I feel like
• 22:06
  Speaker 1: you guys are very one and the same in terms
• 22:09
  Speaker 1: of just like when I hear you, I know it's you. Yeah,
• 22:13
  Speaker 1: And there's not a lot of people that can sound
• 22:14
  Speaker 1: that sound like you before or after. You know. That's
• 22:17
  Speaker 1: the type of yeah I feel with Steve Site stage,
• 22:20
  Speaker 1: probably not have my favorite shit. Yeah. Shout out to him, man,
• 22:23
  Speaker 1: shout out to him. Uh, do you feel like with
• 22:28
  Speaker 1: like now that we've kind of gotten over the pandemic,
• 22:31
  Speaker 1: was there anything that you were missing as an artist
• 22:35
  Speaker 1: during that time that is kind of like kind of
• 22:37
  Speaker 1: adjusted the way you're looking at the music business because
• 22:39
  Speaker 1: you know a lot of artists they they depended on
• 22:42
  Speaker 1: going and getting bags at the club or the live shows,
• 22:46
  Speaker 1: or you know, we heard of a lot of artists
• 22:48
  Speaker 1: like who were kind of hurting during the pandemic. Was
• 22:49
  Speaker 1: there anything that like you kind of took from the
• 22:51
  Speaker 1: pandemic that you're able to kind of apply to your
• 22:54
  Speaker 1: your business model as an artist now moving forward, or
• 22:57
  Speaker 1: anything you learned. I feel like, bruh, I was pushing
• 23:07
  Speaker 1: through the pandemic super smooth. Like I don't know, I
• 23:10
  Speaker 1: probably just got more. If anything, I got just more detailed,
• 23:15
  Speaker 1: Like I know more about my actual business, like my
• 23:18
  Speaker 1: everything that goes on it's important. Yeah, I know more
• 23:21
  Speaker 1: about my shit like than anything, Like I know about
• 23:23
  Speaker 1: every part. But I say that's it because through the
• 23:27
  Speaker 1: pandemic we was good. I actually I was decent in
• 23:30
  Speaker 1: the pandemic. Bro, Like I'm because you know what I'm saying, Like,
• 23:34
  Speaker 1: I built a brand outside of just being a rapper,
• 23:37
  Speaker 1: so through that shit, I can like it's like another
• 23:41
  Speaker 1: just whole thing. Bro Like that's like a whole different
• 23:43
  Speaker 1: life for me. Like I sell hoodies, I sell clothes
• 23:46
  Speaker 1: and shit like that. So that shit brings a whole
• 23:48
  Speaker 1: different type of thing to my revenue in my whole
• 23:52
  Speaker 1: other revenue stream. Yeah, so that's pandemic proof. I mean,
• 23:55
  Speaker 1: I think music is pandemic proof. Is pandemic proof. But
• 23:58
  Speaker 1: however boring though, touring is not. Yeah, and it was
• 24:01
  Speaker 1: like touring my favorite part of this shit, touring in
• 24:04
  Speaker 1: the studio, all the shit in between that turns into business.
• 24:07
  Speaker 1: I hate that shit. I hate music business. I hate
• 24:09
  Speaker 1: the business. I love the fact that, you know what
• 24:11
  Speaker 1: I'm saying, I'm able to exist in this shit. And
• 24:13
  Speaker 1: I've been on for about five six years now, like
• 24:16
  Speaker 1: sign you know what I'm saying, I was within the
• 24:18
  Speaker 1: scope now with more time. Shout out to them, But
• 24:20
  Speaker 1: like you know what I'm saying, I think the business
• 24:23
  Speaker 1: is kind of it just affixed the talent at all times,
• 24:26
  Speaker 1: Like for a lot of people I did a lot
• 24:28
  Speaker 1: of I guess that a better way to answer your
• 24:30
  Speaker 1: question is I did a lot of like uh like
• 24:35
  Speaker 1: purifying myself for the bullshit from the business and cleansing
• 24:39
  Speaker 1: my motherfucker mind from that shit. And like, I think
• 24:42
  Speaker 1: my album turned in a better direction because I feel
• 24:46
  Speaker 1: like the album I was finna drop like while I
• 24:48
  Speaker 1: was still in the role like before the pandemic, and
• 24:52
  Speaker 1: shit was just like it's been a few years since
• 24:54
  Speaker 1: we had an album, man, yeah, like four years. It's crazy.
• 24:58
  Speaker 1: That motherfucker just was more so like, oh yeah, nigga,
• 25:00
  Speaker 1: I'm feel to be the biggest Like I felt it
• 25:02
  Speaker 1: like I felt like I felt my momentum. I'm like
• 25:04
  Speaker 1: this shit gonna go crazy. I'm like my next shit
• 25:06
  Speaker 1: going crazy. So I think I made songs that was
• 25:08
  Speaker 1: gonna like sound good, like to the world, apposed to
• 25:12
  Speaker 1: just like going inward, like let me like trying to
• 25:15
  Speaker 1: make my ba. So this is like the album We're
• 25:16
  Speaker 1: Gonna Get is kind of like the second iteration of
• 25:19
  Speaker 1: an album third the third version of Man, this album.
• 25:22
  Speaker 1: So it's funny because this album I'm talking about is
• 25:24
  Speaker 1: all the way mixed and mastered by that nigga Ali
• 25:27
  Speaker 1: you know, yeah, I know, ya know, Ali, Bro it's
• 25:31
  Speaker 1: it's mixed and massive and Ship, like we mixed and
• 25:34
  Speaker 1: mastered another album, which is the album that's coming after
• 25:36
  Speaker 1: this love album and Ship, So you already have albums
• 25:40
  Speaker 1: in the can just ready to go. Here. You think
• 25:41
  Speaker 1: I've been doing bro like it's been four years, Like
• 25:44
  Speaker 1: I've been in the studio. Niggas be like you need
• 25:46
  Speaker 1: to run to the studio drop the album. I'm like, man,
• 25:48
  Speaker 1: bit shut up. I've been in the studio every day,
• 25:50
  Speaker 1: Like you feel me, I don't for us. I'm a
• 25:52
  Speaker 1: go So this album comes out how much longer before
• 25:54
  Speaker 1: you drop the other one? I ain't ain't so that
• 25:57
  Speaker 1: that was not on purpose though, like the whole thing,
• 25:59
  Speaker 1: like I said, I switched labels. You feel me and
• 26:01
  Speaker 1: a lot of people like going through label ship. Hell no,
• 26:04
  Speaker 1: we haven our way really Like it's more so just
• 26:07
  Speaker 1: like I was just trying to be smart and like
• 26:10
  Speaker 1: build a rapport with the people that I'm gonna be
• 26:11
  Speaker 1: working with next. And I ain't trying to just be
• 26:13
  Speaker 1: stepping because I've seen how I wasn't really like able
• 26:17
  Speaker 1: to move how I wanted to in the last Ship.
• 26:19
  Speaker 1: Because you feel me. If everybody ain't on the same page,
• 26:21
  Speaker 1: it don't work. And like I said, like I learned
• 26:23
  Speaker 1: a lot about the business and what to what to
• 26:26
  Speaker 1: use and what to not use. You know what I'm saying. Yeah,
• 26:29
  Speaker 1: I think sometimes like when you're an artist and you're
• 26:32
  Speaker 1: on a major label, you have a team, like, and
• 26:35
  Speaker 1: all you're doing is worrying about the creative part. Sometimes
• 26:39
  Speaker 1: shit gets kind of like like faster the cracks, whether
• 26:41
  Speaker 1: it's like features, whether it's like you know, certain communication
• 26:45
  Speaker 1: with other people's camps. Because I always hear that shit.
• 26:46
  Speaker 1: We'll be like, y'all, I was at the studio with
• 26:48
  Speaker 1: so and so and now now his now his label
• 26:51
  Speaker 1: ain't clearing the record, and it's like yo, sometimes like
• 26:54
  Speaker 1: that really ain't got shit to do with the artists business.
• 26:58
  Speaker 1: Be weird, bro, Were's so many songs that ain't gonna
• 27:01
  Speaker 1: come out to job. Motherfuckers never going here because niggas
• 27:03
  Speaker 1: just one clear shit And would you just be down
• 27:05
  Speaker 1: to leak that ship? I'll be obviously not you, but
• 27:08
  Speaker 1: like an anonymous DJ man, I don't I don't know
• 27:11
  Speaker 1: that's sounding in criminating, bro. I don't know, but I
• 27:15
  Speaker 1: missed the days where we used to just get random
• 27:17
  Speaker 1: like songs leaked with like hello, fucking random like websites
• 27:20
  Speaker 1: drops all over them. Man, that shit scared me, bro,
• 27:23
  Speaker 1: copy like fuck, they didn't got my ship, bro? What
• 27:25
  Speaker 1: else they got? Like fu burn the Oye cloud. Have
• 27:29
  Speaker 1: you ever had anyone to leak any of your ship? Yeah? Bro,
• 27:32
  Speaker 1: they leaked, uh some ship. One of the songs that's
• 27:35
  Speaker 1: on the song got leaked. But it's cool. Ship, It's fine.
• 27:39
  Speaker 1: I'm like that shit so far. So how does how
• 27:40
  Speaker 1: do you think that happens? Because nowadays people text songs
• 27:43
  Speaker 1: so often. I'm not gonna say how I think it happened.
• 27:46
  Speaker 1: I tell you to the side because if I tell
• 27:48
  Speaker 1: you how I think it happened, a nigga might not
• 27:50
  Speaker 1: have thought like that and be like, oh okay, I
• 27:52
  Speaker 1: think like it happens a lot because people will recorded
• 27:55
  Speaker 1: studios and then when they leave, they just leave the
• 27:59
  Speaker 1: session and they're on a car. That's what I was
• 28:01
  Speaker 1: gonna say, White, Why you getting them game? Bro? Nah?
• 28:04
  Speaker 1: What was gonna say? Look, I have a recording studio.
• 28:07
  Speaker 1: We're sitting in my studio. Now you know how many
• 28:08
  Speaker 1: artists have recorded Like I mean, I've had like major
• 28:12
  Speaker 1: artists record here. Yeah, and then nine months later their
• 28:16
  Speaker 1: team reaches out and be like, hey, could we get
• 28:19
  Speaker 1: our sessions from last year? And I'm like, y'all didn't
• 28:23
  Speaker 1: take them nine months ago, but obviously I give it
• 28:25
  Speaker 1: to it. But it's like the fact that, like I
• 28:28
  Speaker 1: like this dude's half of this dude's album has been
• 28:30
  Speaker 1: sitting on my fucking computer. Thank got it to me
• 28:33
  Speaker 1: who had it, But like, you know, some of these
• 28:34
  Speaker 1: studios people be working in are fucking weird engineers period interns.
• 28:39
  Speaker 1: Whoever we could have got deleted? That don't even worse.
• 28:41
  Speaker 1: That's worse because what if the fucking what if? What
• 28:44
  Speaker 1: if you're you're depending on my computer not to crash
• 28:46
  Speaker 1: and me to have it back up. Just get your files, bro,
• 28:49
  Speaker 1: If you just get your files, just get up out
• 28:51
  Speaker 1: of here with the files. Bro. That's the main way
• 28:53
  Speaker 1: that shit happened. Bro. One hundred niggas be tweaking at
• 28:55
  Speaker 1: the studio. Fuck get a new intern, be sweeping till
• 28:59
  Speaker 1: one in the morning. Used to get there, I'm sweeping
• 29:01
  Speaker 1: his scigence spot to Hey, what up, y'all's bootleg keV
• 29:05
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• 29:08
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• 29:11
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• 29:13
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• 31:02
  Speaker 1: see you have a black panther shirt on. I'm curious,
• 31:06
  Speaker 1: what are your thoughts on Kanye's T shirt that said
• 31:08
  Speaker 1: white Lives Matter today that he that he went viral
• 31:11
  Speaker 1: for wearing at his fashion show. Did you see it?
• 31:16
  Speaker 1: Of course I've seen it. I mean white Lives Matter
• 31:20
  Speaker 1: t shirt. Yeah, look bro, look bro, like I just
• 31:28
  Speaker 1: I'm gonna just say black lives matter. Bro. Obviously I'm
• 31:31
  Speaker 1: gonna just say it. Bro, That's what I'm gonna say.
• 31:33
  Speaker 1: Black lives matter. Guy. I'm just interested in, like whatever
• 31:36
  Speaker 1: his explanation is. Because I saw a picture it's gonna
• 31:38
  Speaker 1: be some. Well the picture, it's gonna be some like
• 31:41
  Speaker 1: you know what I'm saying, Living Buddha, living christ Vise.
• 31:45
  Speaker 1: The picture front of the shirt was like a bunch
• 31:48
  Speaker 1: of Klan members. So I was just very con I
• 31:52
  Speaker 1: don't know, I do not know what the hell I
• 31:54
  Speaker 1: don't know, Bro. Only plan that matter is whole time.
• 31:58
  Speaker 1: We'll take you by the way. Wu Tang Clan and
• 32:01
  Speaker 1: Nads are performing in La. Is that tonight? Straight up?
• 32:05
  Speaker 1: That's tonight. That's Hollywood ball. Damn Wu Tang nas. Should
• 32:09
  Speaker 1: we go and bust the rhymes? We should go bust
• 32:12
  Speaker 1: the rhymes is opening, that's actually hard. The only thing
• 32:16
  Speaker 1: that sucks about the Wu Tang aspect is method Man's
• 32:21
  Speaker 1: not going to be there while he' shooting powerwear right now,
• 32:24
  Speaker 1: he just said he sat it out, you know, the
• 32:26
  Speaker 1: Wu tang businesses. I mean, listen, when there's nine guys, Yeah,
• 32:29
  Speaker 1: somebody ain't gonna be happy. I just saen n E
• 32:32
  Speaker 1: t h O D man H. Maybe he casing fist boy,
• 32:36
  Speaker 1: he went crazy. That man ain't missed a beat. Dexterity
• 32:38
  Speaker 1: is impressure. I saw metha Man and Red Man when
• 32:40
  Speaker 1: I was twelve on the Hard Knock Life tour. Ye,
• 32:44
  Speaker 1: I ain't never seen Red Man. Their floating through the
• 32:46
  Speaker 1: air on fucking wires and ship and then DMX came
• 32:49
  Speaker 1: on and then it was Jay. That's how you know
• 32:51
  Speaker 1: they've been smoking weed? Yeah? Yeah, they were smoking weed
• 32:55
  Speaker 1: when it was like the weed that we think is
• 32:56
  Speaker 1: like booth now is like they're like, where you from?
• 32:58
  Speaker 1: I'm from Phoenix, I will well, you grew up on
• 33:02
  Speaker 1: the West coast? Yeah? Was it always cushed with y'all?
• 33:05
  Speaker 1: Or was y'all smoking Reggie? Reggie? For sure? Because I'm
• 33:09
  Speaker 1: just like the way I'm like the gas out here
• 33:11
  Speaker 1: is just crazy. I'm like I'm imagining us growing up
• 33:14
  Speaker 1: just getting our hands on this shit smoking like you
• 33:16
  Speaker 1: know what I'm saying like niggas had to go through
• 33:19
  Speaker 1: the Reggie days to get to their cush daves. They
• 33:20
  Speaker 1: had to feel what I'm saying like, I'm like, damn,
• 33:23
  Speaker 1: these niggas just grow up just straight up on crack,
• 33:25
  Speaker 1: like straight up pushed out. No those Reggie days, Verre.
• 33:29
  Speaker 1: I think about something, how some of the weed used
• 33:30
  Speaker 1: to look back in the day. It used to it
• 33:35
  Speaker 1: used to look that weed used to look crazy. I've
• 33:38
  Speaker 1: seen some real reggie in North Carolina the other day.
• 33:40
  Speaker 1: I bet you did real ass reggie, bro. I wish
• 33:43
  Speaker 1: I took a picture that shit. Saint Louis is also
• 33:45
  Speaker 1: another one of those like middle of the country markets
• 33:48
  Speaker 1: that you know got the gas, right, they either have
• 33:52
  Speaker 1: the gas or they have the some fruit. Nigga from
• 33:55
  Speaker 1: Saint Louis, Tay he got that fruit go the other way.
• 33:57
  Speaker 1: May or may not know from experience, but let's just
• 33:59
  Speaker 1: say certain guys from certain cities might come to l
• 34:02
  Speaker 1: A and be like, I just need something that will
• 34:04
  Speaker 1: pass as an indoor in my city because I'm because
• 34:08
  Speaker 1: they don't know better out there. I'll be smoking gas
• 34:11
  Speaker 1: some high end you know, like some high end light
• 34:13
  Speaker 1: depth shit. Midwest bro, ain't nothing mean about the mid West, bro.
• 34:17
  Speaker 1: I'll just like that some niggas be having Reggie and
• 34:21
  Speaker 1: you know what I'm saying, It happens. But when I
• 34:23
  Speaker 1: was in Detroit, we were out there maybe two months ago.
• 34:28
  Speaker 1: I went to the liquor store and in the back
• 34:30
  Speaker 1: of the liquor store. Uh, there was a guy who
• 34:32
  Speaker 1: was selling a fake eighth bags from like all the
• 34:37
  Speaker 1: big like caliweed companies. So they'd be like an eight.
• 34:40
  Speaker 1: Like you could buy an eighth bag of like Runts
• 34:43
  Speaker 1: or cookies or Gary Payton or whatever and put whatever
• 34:45
  Speaker 1: weed you wanted in it. And they guy there was
• 34:48
  Speaker 1: like a line. It was like a dollar a bag,
• 34:50
  Speaker 1: so you could just buy whatever weed you get. Stuff
• 34:52
  Speaker 1: that I got that new cookie shit and it could
• 34:54
  Speaker 1: be anything in there. But it's sealed. So how much
• 34:57
  Speaker 1: are you sell it for a dollar a bag? For
• 34:59
  Speaker 1: ANMPTY bag, an empty branded bag, not a bad hustle.
• 35:05
  Speaker 1: You know, it was ready though. No, no, no, they
• 35:07
  Speaker 1: were selling empty bags to people who sold drugs. Oh
• 35:11
  Speaker 1: I missed the whole time you were saying, but this
• 35:15
  Speaker 1: is a bag that says cookies on it and you
• 35:18
  Speaker 1: could buy I think they did a deal. If you
• 35:21
  Speaker 1: buy like a pounds worth of bags, so you could
• 35:23
  Speaker 1: just stuff whatever weed you buy and there's stuff it
• 35:25
  Speaker 1: in there and then you know that's all. Yeah, pens
• 35:29
  Speaker 1: the guy super finas super Finess. Okay, so album officially
• 35:34
  Speaker 1: out win. I'm about to announce that too, but it's
• 35:39
  Speaker 1: coming out to announce everything October October. We're in October, man,
• 35:43
  Speaker 1: late October, Bro, October Man, it's coming so with the
• 35:48
  Speaker 1: last Friday of October. It's one of these days. I
• 35:51
  Speaker 1: don't drop on Fridays either, Bro, do you drop You
• 35:55
  Speaker 1: just dropped the song on a Friday albums. I never
• 35:58
  Speaker 1: dropped the album on what are you doing money Day?
• 36:00
  Speaker 1: Tuesday Wednesdays. I just like going off cycle with my
• 36:02
  Speaker 1: just kind of just what you do what day of
• 36:05
  Speaker 1: the week. I can't tell you your keV. You're going
• 36:08
  Speaker 1: to old school on Tuesday. Like back in the day
• 36:10
  Speaker 1: we used to buite see these, man, I like, how
• 36:12
  Speaker 1: you don't? You don't? You just keep asking because it's
• 36:14
  Speaker 1: you know what I'm saying. So it's coming out on
• 36:15
  Speaker 1: a Tuesday. Nice taking a vintage old school Yeah yeah, yeah,
• 36:22
  Speaker 1: what he said. But Tuesday, November thirty third, you know
• 36:27
  Speaker 1: what I'm saying, not a real day, Not a real day.
• 36:32
  Speaker 1: November thirty third, Tuesday, two thousand and two thousand. I
• 36:37
  Speaker 1: love your grills, man, are those like obviously they're not
• 36:40
  Speaker 1: perms like you can you know, I'm saying your teeth,
• 36:44
  Speaker 1: your teeth like they're not permanent. You got on your head.
• 36:47
  Speaker 1: I said, your teeth permanent? Teeth, your grill, your teeth?
• 36:51
  Speaker 1: Are they permanent? That would right, That's what it looks like.
• 36:54
  Speaker 1: That would right on that goal ship. But you could
• 36:57
  Speaker 1: pop those out and in and out when you want. Probably, yeah,
• 37:01
  Speaker 1: do you take um? I mean obviously, don't say probably.
• 37:03
  Speaker 1: Can you take them out? I should be able to
• 37:06
  Speaker 1: do you go to sleep with those in your mouth whenever?
• 37:10
  Speaker 1: I like, like, like your debtist is not happy with
• 37:16
  Speaker 1: you right now? If you if those aren't permanent, you
• 37:18
  Speaker 1: should take them things out. I don't go to the donnists.
• 37:20
  Speaker 1: I go to the tooth fairy. Mm. I see what
• 37:23
  Speaker 1: you did there. So what you're saying is you're losing
• 37:25
  Speaker 1: a lot of teeth as a grown man. Nah No,
• 37:28
  Speaker 1: as a young man, I'm ganging teeth. It's like a
• 37:32
  Speaker 1: baby or some ship me new teeth for to day
• 37:37
  Speaker 1: because when I lived in Florida, Like I had a grill, Yeah,
• 37:40
  Speaker 1: and that ship like you had to like take it out,
• 37:43
  Speaker 1: clean it otherwise your mouth smell like funking that you think. Yeah,
• 37:47
  Speaker 1: I clean my grill, man, that is nasty. Yeah, I
• 37:50
  Speaker 1: clean my grill. I'll try not to smoke any unless
• 37:52
  Speaker 1: I'm too drunk, and I'm I'm just beliegerable. What about
• 37:55
  Speaker 1: eating in it? You got to take it out? Yeah,
• 37:58
  Speaker 1: that's trifling, bro. Yeah, I feel bad for the guys
• 38:00
  Speaker 1: that you like the funk. I was talking to two Suh,
• 38:03
  Speaker 1: he's he's got permanent teeth. That's different though. No, but
• 38:05
  Speaker 1: he's he's he's he is removing him and going back
• 38:08
  Speaker 1: to normal teeth because he said it's just too much maintenance.
• 38:11
  Speaker 1: It's got to be a lot of maintenance though, because
• 38:12
  Speaker 1: it'll be diamonds too, and it feel like your mouth
• 38:16
  Speaker 1: feels your teeth field. It's not as smooth, you know
• 38:18
  Speaker 1: what I'm saying. But Nah, that ship way if they
• 38:21
  Speaker 1: perms just like you got it. You guys, you don't
• 38:23
  Speaker 1: not eat. Yeah, I like the wood Green that's that's original. Yeah, man,
• 38:28
  Speaker 1: wood Green Man eat it up. Yeah, you know they
• 38:33
  Speaker 1: you know, the more they beat my last grill, my
• 38:36
  Speaker 1: open grill. Kim Kardashian stole that ship, Lynn Isaacs? Who
• 38:39
  Speaker 1: else had this ship? Uh? A lot of people. It
• 38:43
  Speaker 1: was an open grill with the buzz down, open grill.
• 38:46
  Speaker 1: They know that. You know what I mean, ain't it's
• 38:49
  Speaker 1: a little though little Yeah. He pulled up on me
• 38:53
  Speaker 1: and said like, yeah, man, I got there. You know
• 38:54
  Speaker 1: what I'm saying, Like I've seen him. It's cool. That'sh
• 38:56
  Speaker 1: it hard be Kim Kardashian. She ain't showed me no love.
• 38:58
  Speaker 1: So that's that's like, I just want Kim Catt just
• 39:01
  Speaker 1: you know what I'm saying, just so love. She's all
• 39:04
  Speaker 1: her grills for Oh god, I've never seen her wearing
• 39:07
  Speaker 1: a grill. She put that ship on. Bro. It's an
• 39:09
  Speaker 1: October baby thing, you know, OPU like our birthston. I
• 39:12
  Speaker 1: think she will leave. Do you think Kim Kardashian wearing
• 39:16
  Speaker 1: a grill is cultural appropriation at this point? Nah? Nah?
• 39:22
  Speaker 1: Like at this point now when you say at this point,
• 39:24
  Speaker 1: what do you mean? It's just at this point now,
• 39:27
  Speaker 1: like what at this point now, it ain't like Kim
• 39:30
  Speaker 1: kardashi You're wearing a grill? Is not shout out to
• 39:32
  Speaker 1: Kim too, because I feel like she's done a lot
• 39:34
  Speaker 1: of good on the legal, legal side, try to get
• 39:36
  Speaker 1: people out of jail. Oh yeah, free my uncle Kim
• 39:38
  Speaker 1: on game. Where are you at, Klein? Make it happen
• 39:41
  Speaker 1: my uncle and free Shorty bloods. Please'll be good. We
• 39:45
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  Speaker 1: back to the interview. All right, man, we'll listen to
• 41:12
  Speaker 1: the new album coming out on a Tuesday in October,
• 41:15
  Speaker 1: late October. Brouh funny at kid you funny well you
• 41:19
  Speaker 1: keiv On. I don't know what that means, man, He's
• 41:22
  Speaker 1: funny here album come also real Droptober A little overrated
• 41:27
  Speaker 1: as a comedian Kevin Hart. Kevin Hart a little overrated.
• 41:30
  Speaker 1: I'm a Bernie Mack type nigga. Like, of course, uh,
• 41:33
  Speaker 1: Bernie Mack one of the goats DC on Flies probably
• 41:36
  Speaker 1: like one of the funniest niggas. Uh like just naturally
• 41:39
  Speaker 1: like right now and then like that whole I liked.
• 41:42
  Speaker 1: I like their whole camp Carlos, Yeah eighty five. I
• 41:46
  Speaker 1: love them. They're hilarious. Yeah, I love them, Bro, they funny.
• 41:48
  Speaker 1: Have you gone on their show yet? Nah? Make it
• 41:51
  Speaker 1: happen this time I went. I met I met a
• 41:54
  Speaker 1: bunch of them niggas when I went on Wild or Not.
• 41:56
  Speaker 1: You watch a lot of podcasts, Yeah, I like. I
• 41:58
  Speaker 1: like podcast I feel like that, just like the Row
• 42:01
  Speaker 1: and Ship right now. To me, it's like cool podcasts.
• 42:03
  Speaker 1: Which podcast you watch the most? Drink Champs. Drink Champs
• 42:07
  Speaker 1: is the best? Yeah, I watch Drink the most. The
• 42:10
  Speaker 1: Turk Interview, Yeah, the Turk Interview was just turned up
• 42:14
  Speaker 1: right away. That mother, that motherfucker Turk. He had a
• 42:17
  Speaker 1: lot to say, he had a lot to say. That
• 42:19
  Speaker 1: shit was crazy. Yeah, that's crazy. Shout out to the
• 42:22
  Speaker 1: hot boys, man, legendary man. You know what I'm saying.
• 42:25
  Speaker 1: Hot boy autumn. That ship was legendary. Man. I was like,
• 42:27
  Speaker 1: motherfucker three four years old, but that shit was legendary.
• 42:30
  Speaker 1: My big sister jumping around to this ship. Listen, man,
• 42:33
  Speaker 1: appreciate you pulling up Samino. The new record is out,
• 42:36
  Speaker 1: ninety Proof just debut top three on Spotify. Love for
• 42:40
  Speaker 1: Rent coming out shortly song before November. Yeah hmm, but
• 42:49
  Speaker 1: not November. Every thirty second listen Love for Rent on
• 42:56
  Speaker 1: the way y'all tapped in shout outre lose. He's on
• 42:59
  Speaker 1: the album, so it's little not X. I'll be man, no,
• 43:08
  Speaker 1: I know telling. I was pulled up to the studio. Man,
• 43:10
  Speaker 1: we are there. It is