Latest / The Scene Projects / Unsigned Spotlight Live with Special Guests Hatten and Orliss

Transcript

Unsigned Spotlight Live with Special Guests Hatten and Orliss · The Scene Projects

• 0:01
  Yeah.
• 0:02
  To unsigned spotlight, the daily live show from the scene projects.
• 0:07
  We shine a light on the best unsigned musical talent from around the world, featuring songs
• 0:12
  from independent artists across all genres.
• 0:15
  This is where passionate music heads, emerging artists, and curious listeners come together to
• 0:20
  discover what's next.
• 4:35
  What?
• 4:43
  You made me jump.
• 4:45
  Why?
• 4:46
  I don't know.
• 4:47
  It's just don't know.
• 4:47
  Because I think we both come out at the same time.
• 4:49
  It's just like, ah.
• 4:51
  Have you dressed up especially?
• 4:52
  Because we've got guests.
• 4:54
  I'm wearing my I'm wearing my
• 5:00
  It's very Simon Cowell.
• 5:03
  Look at that.
• 5:04
  No.
• 5:04
  No.
• 5:04
  No.
• 5:04
  Drop it
• 5:05
  a bit.
• 5:05
  Come on.
• 5:05
  Look.
• 5:06
  You're famous now.
• 5:07
  Look.
• 5:07
  Drop it a bit.
• 5:08
  Like, show your hairy chest off.
• 5:10
  That's it.
• 5:11
  Show you the hair.
• 5:14
  I love it.
• 5:15
  I like the curly dress on.
• 5:16
  It's a very nice shirt.
• 5:19
  I like it.
• 5:20
  It's Godzilla.
• 5:21
  Godzilla, is it?
• 5:23
  Yeah.
• 5:24
  Well,
• 5:24
  don't do that because you scare the guests.
• 5:27
  No.
• 5:27
  Everybody loves Godzilla.
• 5:29
  Everybody loves
• 5:30
  doesn't love Godzilla.
• 5:32
  Hope they do.
• 5:33
  I think Rich is very confused because he's waiting for the hat and and all this show.
• 5:40
  So I suppose we better bring our special guest onto the show.
• 5:43
  Okay?
• 5:43
  So I just want to find out how Michael is.
• 5:46
  Are you okay, Michael?
• 5:48
  Yes.
• 5:49
  Good.
• 5:50
  He's all confused, everybody.
• 5:52
  He's like, what?
• 5:53
  I know.
• 5:54
  I
• 5:56
  literally flew my car to get here in time because There was flying car.
• 6:02
  Construction.
• 6:03
  So I'm like,
• 6:08
  Have you got have you got a flying car now?
• 6:11
  No.
• 6:11
  It just feels like it.
• 6:13
  I want one of those.
• 6:14
  I'd like a flying car.
• 6:15
  That'd be cool.
• 6:16
  Papa, can I have a flying car, please?
• 6:19
  No.
• 6:19
  I don't have a flying one, but it's it's a fun, speedy one.
• 6:24
  A fun, speedy one.
• 6:26
  I've never had a speeding ticket.
• 6:28
  I tell you I tell you what I have.
• 6:30
  I had a speeding ticket.
• 6:31
  Don't wanna be lying.
• 6:32
  The UK, the average speed going around the town center is 30 mile an hour.
• 6:37
  Okay?
• 6:37
  Sometimes 20 miles an hour.
• 6:38
  I get it when there's kids in the road.
• 6:40
  Okay?
• 6:40
  Kids shouldn't be in the road in the first place.
• 6:42
  Okay?
• 6:43
  My ticket was for 31.5 miles an hour.
• 6:48
  I had to go to a driving school basically for speeding because I went 31.5.
• 6:57
  Okay?
• 6:57
  The cop's sitting there with his, like, magic gun thing, and there's a bloke, like,
• 7:01
  literally, he's flying.
• 7:02
  He's straight past, like, eighty, ninety five mile an hour in a 30.
• 7:06
  I'm the one sitting there with a parking ticket at thirty one.
• 7:10
  I've yeah.
• 7:11
  I've never and I most of my cars have been night.
• 7:18
  Hello.
• 7:19
  Most of my cars are fun.
• 7:23
  I'm I buy the fun cars.
• 7:25
  I buy the the convertibles and this room.
• 7:30
  And Jason buys the practical cars.
• 7:35
  You know?
• 7:35
  Jason Jason's the woman, basically.
• 7:38
  He buys, like, the big, like, convertible to take you to to school and take you shopping,
• 7:43
  doesn't he?
• 7:43
  And you're the, like, the typical bloke who's, like, buying all the sports cars, aren't you?
• 7:48
  I this okay.
• 7:51
  So I've had three r x sevens, an r x eight, a three fifty z, a three seventy z, and now my
• 8:02
  car is a a Jaguar.
• 8:05
  Wow.
• 8:05
  You've had some cars.
• 8:07
  That's like a collection.
• 8:08
  That is a typical collection.
• 8:10
  I don't have them all.
• 8:11
  I have to sell them.
• 8:12
  I'm not rich, so I have to sell them.
• 8:14
  Oh, you lined them up all outside your apartment.
• 8:17
  That's how I got it in bed.
• 8:19
  No.
• 8:19
  I live in a house.
• 8:20
  You
• 8:21
  live in a house.
• 8:22
  But it's a bigger house than ours, though.
• 8:24
  Oh, could you imagine me leaving an apartment with all the singing that I do?
• 8:28
  Well, apparently, the the apartment that I actually live in in Florida, I don't play the
• 8:33
  piano, by the way, everybody.
• 8:34
  And the apartment in Florida actually isn't real.
• 8:36
  It's a backdrop.
• 8:37
  I will let after every last time over the last four months that we've been doing this, it
• 8:43
  isn't real, everybody.
• 8:44
  Okay?
• 8:44
  I'm sorry.
• 8:45
  I would love for it to be real, but it isn't real.
• 8:47
  Okay?
• 8:48
  So it would be nice.
• 8:49
  One day.
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  You never know.
• 8:50
  Well, my face isn't real.
• 8:53
  Ew.
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  He's gonna take it off, and it's gonna be Bubba's
• 8:56
  ass.
• 8:56
  Ew.
• 8:57
  Well, you know, when I Bubba,
• 9:00
  honestly honestly, I was just expecting him to rip it off, it's really been you all the time,
• 9:05
  brother.
• 9:06
  Well, you know, when I started unsigned spotlight
• 9:12
  When I started unsigned spotlight, I had envisioned that
• 9:14
  we would gonna be just about me.
• 9:18
  That I was gonna create these things, and then I was gonna birth them like the alien queen in
• 9:23
  aliens.
• 9:25
  What?
• 9:25
  You birthed guests.
• 9:26
  What?
• 9:27
  You just pop them out live on show?
• 9:29
  Yeah.
• 9:29
  The and then yeah.
• 9:30
  Especially the face huggers.
• 9:34
  I'll tell you what.
• 9:35
  Let's introduce our guests tonight and see if they're gonna pop out live on the show from
• 9:39
  from Michael.
• 9:40
  I don't know how that's math, but that's quite weird.
• 9:42
  Okay.
• 9:42
  But I'm gonna bring you the one, the only hat and an allist to the show, everybody.
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  Let's welcome
• 9:47
  them.
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  Hello.
• 9:54
  Hi.
• 9:54
  Yeah.
• 9:56
  Oh, my god.
• 9:56
  Michael, what am I Michael?
• 10:01
  You are wearing a Phoenix.
• 10:04
  Phoenix what?
• 10:07
  Phoenix ride.
• 10:09
  You have a shirt?
• 10:11
  I just bought it for the show.
• 10:13
  You a Phoenix red shirt.
• 10:17
  I'm the bloody CEO of the company.
• 10:19
  I don't even own one of them.
• 10:21
  I'm jealous.
• 10:23
  Okay.
• 10:23
  Prepared.
• 10:26
  I love it.
• 10:27
  I absolutely love it.
• 10:30
  Now he's gonna want it.
• 10:32
  Your Phoenix Rise t shirts will be available after the show for the nice price of $159.99,
• 10:38
  including tax.
• 10:39
  Don't want it that bad.
• 10:43
  Yes.
• 10:44
  Look.
• 10:45
  Danielle is on the show.
• 10:47
  Danielle Stotts, how are you doing?
• 10:49
  I don't know where.
• 10:50
  Well, I think Bubba's out on a baseball game today.
• 10:55
  Take me out on a ball game.
• 10:58
  Anyone like anyone like baseball?
• 11:00
  No.
• 11:01
  I think it's a terrible sport.
• 11:03
  Don't like it.
• 11:04
  It's boring.
• 11:05
  Because if your pitch if your pitcher is good, there's no game.
• 11:11
  If your pitcher is amazing, the game's done because it is ouch.
• 11:17
  Ow.
• 11:18
  I like
• 11:19
  it I like it when it hits someone in the audience.
• 11:21
  That's the best bit about baseball.
• 11:24
  Just take a bat and go in the audience then.
• 11:26
  Well, well, let's just hit them with a bat.
• 11:28
  I don't think it's gonna work like that.
• 11:30
  You know?
• 11:31
  I think that may but there may be some lawsuit against you, mate.
• 11:34
  You can take a bat to the
• 11:35
  audience and whack them over the head.
• 11:38
  We have the Seattle Mariners, obviously.
• 11:40
  We have the Seattle Mariners.
• 11:42
  And I so I've been to some of the games.
• 11:45
  I just I it's fun for, like, one eating, and then it's just boring.
• 11:50
  Like, it's just dull.
• 11:53
  It's kinda like cricket for me.
• 11:55
  I can't understand cricket.
• 11:56
  I've never known a sport that can literally last, like, the whole week and never know
• 12:01
  doesn't know what the score is still.
• 12:03
  And it's kinda like what?
• 12:04
  I have a question.
• 12:06
  You know when you watch golf?
• 12:08
  And I have occasionally.
• 12:09
  This is what happens for
• 12:10
  the first fifteen minutes.
• 12:11
  We just talk blurb.
• 12:13
  Yes.
• 12:14
  Why do the people why do all the commentators in golf whisper?
• 12:20
  It's not like the guy's there in the golfer's ears, and they're
• 12:24
  like, and now he's getting ready to putt.
• 12:28
  He's swinging the club.
• 12:30
  No doubt.
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  But why is he talking like that?
• 12:32
  Why did he just say, he's grabbed his club.
• 12:35
  He's swinging.
• 12:36
  Look.
• 12:37
  It's a boring game.
• 12:38
  But no.
• 12:40
  Look at him.
• 12:41
  He's thinking, how far is that putt?
• 12:44
  Imagine if someone in the background was doing that to us on the show.
• 12:48
  He'd like, and Michael is going to say hello to everybody.
• 12:52
  It does what they do.
• 12:54
  And then they have guests on called.
• 12:58
  What are those poor guests gonna have to deal with today?
• 13:02
  Why not?
• 13:04
  Tuned.
• 13:04
  He's grabbing his club.
• 13:06
  Well, I I tell you what, I don't know what's the worst, like, laughing, the the way you're
• 13:10
  laughing at each other, making jokes about golf, but what's not funny is well, it is
• 13:15
  funny.
• 13:15
  Danielle has basically locked the Bubba in the garage.
• 13:19
  She's I think that's Bubba?
• 13:21
  It's better it's better than getting shouted at.
• 13:23
  Oh, Danielle, you do not get shouted at by Bubba.
• 13:26
  Bless him.
• 13:26
  Is that why he gets locked in the garage?
• 13:28
  Have you have you seen his studio?
• 13:30
  He he literally is in the basement.
• 13:32
  Bless him.
• 13:33
  He gets kicked out there, locked doors by, and he's literally fed once a day.
• 13:38
  Danielle locked him down there.
• 13:40
  He's not allowed to come back until he's got some money.
• 13:43
  Well, I apologize for my my cohost, AJ, just rambling when we have two amazing guests to
• 13:50
  just So and she even went out and bought she didn't buy a Michael Cagle T shirt.
• 14:02
  She didn't
• 14:03
  buy a two bowl to blend T shirt.
• 14:05
  She got a Phoenix rise.
• 14:08
  Because I knew I had to outdo you today on this show because your shirts are tremendous.
• 14:14
  Oh, okay.
• 14:14
  So, like, I knew I had to come with it.
• 14:18
  And I
• 14:19
  I just like it.
• 14:20
  Basically, just to let you know, Beth, just to let you know, you're off of my list every day
• 14:25
  now.
• 14:25
  Okay?
• 14:25
  So when I get up in the morning, I won't be doing Michael's work.
• 14:28
  Okay?
• 14:28
  I'll be doing your work.
• 14:29
  Just give you more
• 14:30
  detail, especially.
• 14:31
  So, Michael Oh, Michael.
• 14:32
  To the back of
• 14:33
  the queue now.
• 14:34
  Get to the back.
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  Go on.
• 14:35
  Get to the back.
• 14:36
  Like mini me, get to the back.
• 14:38
  Okay.
• 14:38
  Hat and an all this.
• 14:39
  You can come sit sit next
• 14:41
  to that.
• 14:41
  Dressed up?
• 14:43
  Not.
• 14:45
  You didn't go get a Felix Rice t shirt when you were introduced to the company.
• 14:49
  No.
• 14:50
  That's an an allist.
• 14:51
  I'm waiting for my ambassador shirt.
• 14:54
  My best friends now.
• 14:54
  That's it next to me.
• 14:56
  Binib, move over.
• 14:58
  We have new bloody childhood.
• 15:00
  You know, listen.
• 15:01
  I'm waiting for my ambassador shirt.
• 15:04
  I will go and buy one hat and all this did say.
• 15:07
  They bought their own.
• 15:08
  They made themselves proud being part of the company.
• 15:10
  Don't you start on me.
• 15:16
  Anyway, she's what he is.
• 15:18
  It's just because she's kinda going with it, and he's going, what have I signed myself up
• 15:24
  for?
• 15:26
  And to the background, go, what the hell is going on here?
• 15:30
  So the people the people on the right side of the screen, we'll we'll do our own thing, and
• 15:36
  you two can do your own thing and see who falls asleep first.
• 15:40
  That sounds good to me.
• 15:42
  I think I've
• 15:42
  got a
• 15:42
  problem for that.
• 15:46
  Bloody buzzers in a room.
• 15:48
  Anyway So
• 15:48
  welcome to Unsigned Spotlight.
• 15:50
  I'm your host, Michael Cagle, and I've got my trainee right here.
• 15:56
  Oh, now he's now he's all sad.
• 15:58
  Well, welcome.
• 15:59
  Hey.
• 15:59
  It's so
• 16:00
  to have you.
• 16:01
  Would you like to introduce yourself to our vast audience of millions?
• 16:07
  This is Hatton, and this is Aurilus.
• 16:15
  And we are so happy to be on unsigned spotlight.
• 16:17
  This is my favorite show.
• 16:19
  I love the show.
• 16:20
  In fact, I come here just for the laughs.
• 16:23
  Oh, good.
• 16:24
  This is what I'm like.
• 16:25
  I get to control you all.
• 16:26
  So what I thought I'd do actually, that, Michael, that sounded quite good, the welcome.
• 16:30
  Okay?
• 16:30
  So what I'm gonna do is me and you are gonna take it in turns.
• 16:33
  Okay?
• 16:34
  We've got five songs to review today.
• 16:36
  Okay?
• 16:37
  We've got five songs which we have got to ask questions about Pan and Allis' amazing life in
• 16:44
  music connected to their songs.
• 16:47
  Okay?
• 16:48
  Because I'll tell you what, I was I was given questions and answers, and I looked at them by
• 16:52
  Beth, and I thought, you know what?
• 16:53
  I can't be bothered to ask for these.
• 16:55
  So we'll just make up as we go along, like we do for the whole show.
• 16:58
  So we'll look at them songs, and then we just make it up as we go along.
• 17:01
  Yeah?
• 17:01
  Can you imagine if somebody actually scripted our shows?
• 17:04
  No.
• 17:05
  I'd be so bored.
• 17:06
  I'd be like Can you imagine if
• 17:08
  you went to a studio one and they go they went, Michael, here's just what you've gotta say for
• 17:12
  an hour and a half.
• 17:13
  And then they say, AJ, there's no script ready for you because we ain't got a clue how to do
• 17:17
  it.
• 17:17
  Anyway, you are gonna go and and ask the first questions, okay, related to the first songs.
• 17:24
  Two songs.
• 17:25
  Okay?
• 17:26
  I'll sit in the background of the juice, and you can ask questions.
• 17:29
  Okay?
• 17:31
  Join in.
• 17:33
  Alright.
• 17:33
  Ask that join in.
• 17:34
  Alright.
• 17:34
  Ask that join in.
• 17:35
  Okay.
• 17:36
  But I I think it's a
• 17:37
  trying to be somebody that asked bad questions.
• 17:41
  I think it that you were doing really well at the beginning.
• 17:43
  I think the fact is that the audience do need to know who had an audience really.
• 17:47
  I was trying to do that, and then you butted in.
• 17:51
  Oh, yeah.
• 17:52
  I'll go away again.
• 17:55
  Hey, Michael.
• 17:56
  Hey.
• 17:57
  Hi, Wee.
• 18:01
  Yeah.
• 18:01
  You're my favorite person.
• 18:03
  My favorite Don't tell him that.
• 18:05
  He'll get all mad and interrupt.
• 18:07
  Hey.
• 18:08
  I'm here.
• 18:08
  You know?
• 18:09
  Don't talk about So
• 18:12
  why don't you introduce yourselves to the to our our listeners, and they're gonna they're
• 18:20
  gonna probably see you on TV.
• 18:22
  So this interview can go anywhere.
• 18:27
  On that if they're gonna see me on TV.
• 18:29
  Hold
• 18:30
  Team's two point a, by the way.
• 18:33
  Just to let everyone in the audience, like, hey.
• 18:35
  Michael's not done his own
• 18:37
  Oh my god.
• 18:38
  Alright.
• 18:38
  So why don't you introduce yourselves and let us know who you are, what you do, what you're
• 18:44
  about, and go from there.
• 18:48
  Okay.
• 18:49
  Go ahead, Adam.
• 18:49
  No.
• 18:50
  You go first.
• 18:50
  And how are you?
• 18:52
  Oh, okay.
• 18:52
  My name is Orlis.
• 18:54
  Oh my
• 18:54
  god.
• 18:55
  Oh my god.
• 18:55
  This is gonna be a long interview.
• 18:56
  Oh, okay.
• 18:57
  My name yeah.
• 18:58
  Oh, okay.
• 18:59
  My name is Orlis, and I write songs, and I play drums.
• 19:06
  And I've been doing that with Hatton for about thirty years now.
• 19:10
  So it's been a really it's been a long journey of just a lot of songs, a lot of songwriting.
• 19:17
  And we've been taking our songs and sticking them in a
• 19:19
  drawer Wow.
• 19:22
  For all these years.
• 19:23
  And then we're kinda like, you know, let's just get it out.
• 19:27
  Let's just get it out there.
• 19:29
  There's not you know, that's awesome.
• 19:32
  There's not a lot of female drummers.
• 19:37
  Yeah.
• 19:38
  That that I mean, the one that comes to mind, like, Karen Carpenter was a drummer, an amazing
• 19:44
  drummer.
• 19:46
  And
• 19:46
  Oh, amazed.
• 19:47
  She was yeah.
• 19:48
  But she's amazing, ridiculously amazing.
• 19:50
  But, yeah, but, I mean, I'm thinking, you know, you know, aside from, like, the girl groups,
• 19:56
  like, you know, the go gos and and, not a lot of not a lot of female drummers.
• 20:03
  How did you get into that?
• 20:04
  Why
• 20:05
  Yeah.
• 20:05
  That's, Yeah.
• 20:06
  It's a good question, Michael.
• 20:08
  It's a really good question.
• 20:09
  I started playing drums when I was about about 14, and I got a drum set I wanted to play.
• 20:17
  So as any kid, you know, like, they get this drum set.
• 20:20
  I set it up.
• 20:21
  I put it in my room.
• 20:22
  I hit the snare drum, and I freaked out.
• 20:26
  I freaked out.
• 20:27
  I went into an absolute rage and panic because my ears are so incredibly sensitive.
• 20:34
  So that sound of the snare bounced off all the walls.
• 20:38
  I heard all the reverb, and I knew I hated the sound.
• 20:44
  I couldn't stand the sound.
• 20:46
  I didn't understand it at the time, but I didn't like the sound.
• 20:50
  So I'd ended up that I have sensory issues to sound.
• 20:55
  I mean, massively.
• 20:56
  So I all so now I got a Roland drum, and it's just a lot easier for me to play.
• 21:08
  So our percussionist, Andy, he had gone over there, and he put on my headphones.
• 21:15
  And he's like, I can barely hear it.
• 21:19
  How do how do you even play?
• 21:21
  And I literally play with the volume on a little like that.
• 21:25
  Yeah.
• 21:25
  The
• 21:26
  yeah.
• 21:27
  Well, I guess my I'm gonna the obvious question.
• 21:32
  Yeah.
• 21:33
  If you the sound irritated you when you first played at 14, then why didn't why wouldn't you
• 21:40
  switch what was it about the drums that made you stay?
• 21:43
  Because you could have switched to another, you know, to another instrument that wouldn't have,
• 21:48
  you know, irritated you.
• 21:49
  Well, I tried the guitar, and it hurt my fingers.
• 21:55
  Piano?
• 21:58
  Yeah.
• 21:58
  A long story.
• 21:59
  I'm better going on that.
• 22:01
  Oh, man.
• 22:01
  Okay.
• 22:02
  So
• 22:03
  He he he's been trying to
• 22:04
  get me to play piano.
• 22:05
  Story.
• 22:06
  Can someone tell me that story?
• 22:07
  Because the I if if the thing is, like, being yeah.
• 22:10
  I would need to hear that story.
• 22:12
  So can you tell us a bit more, please?
• 22:14
  Okay.
• 22:14
  So I started playing drums about six years ago, really straight.
• 22:22
  And I started playing I started playing on records out of necessity because he needed a
• 22:29
  drummer.
• 22:31
  Okay.
• 22:32
  Okay.
• 22:33
  I I I find that so crazy.
• 22:37
  Like, not one that I I think that's amazing because I love the drums.
• 22:43
  That was gonna be my first choice of instrument.
• 22:47
  But I literally felt so restricted as far because yeah.
• 22:57
  And then my coordination, it didn't work.
• 23:01
  So I I learned the piano, which doesn't make any sense because you need two hands for that
• 23:05
  as well.
• 23:06
  But K.
• 23:08
  But that's really kinda cool.
• 23:11
  I mean, I yeah.
• 23:12
  I I have I have a real love for for drummers, because piano is amazing.
• 23:19
  You know, vocals, obviously, I love the human voice as an instrument.
• 23:23
  Love it.
• 23:24
  But the drummers are the heartbeat.
• 23:27
  They are they are the the blood of of a song.
• 23:30
  Like, they really they can make or break the feel of a song, you know, the arrangement of a
• 23:36
  song, the the performance of a drummer's off.
• 23:39
  It it you just feel it.
• 23:41
  So, that's really awesome.
• 23:43
  I I think that's cool.
• 23:45
  Alright.
• 23:45
  Your turn, sir.
• 23:48
  Okay.
• 23:49
  I'm not much
• 23:50
  Are you talking to Pat, or are you not talking to me?
• 23:54
  Oh god.
• 23:55
  Oh, we can speak to both.
• 23:56
  Oh, AJ.
• 23:57
  Jump in the group.
• 23:57
  It is two, sirs.
• 23:59
  Are you talking to Hatton, or are you talking to me?
• 24:02
  What?
• 24:03
  Who are you talking to?
• 24:05
  Him.
• 24:06
  Oh,
• 24:06
  him.
• 24:07
  Him, Hatton.
• 24:08
  Yes.
• 24:09
  Alright.
• 24:10
  Okay.
• 24:10
  I'll go away.
• 24:11
  No.
• 24:11
  You don't
• 24:12
  jeez.
• 24:13
  What is this show?
• 24:15
  I'm so sorry.
• 24:16
  Okay.
• 24:17
  Haddon, talk to me.
• 24:22
  Pretty simple.
• 24:23
  Since I was a little kid, all I wanted to do was write songs.
• 24:26
  I didn't even wanna, you know, I didn't even wanna play.
• 24:30
  I didn't wanna I never look I'm not looking for fame.
• 24:33
  I never were interested in any of that stuff.
• 24:35
  Okay.
• 24:37
  I just like writing.
• 24:38
  And, I don't know.
• 24:42
  When she came along, my writing was kinda stale because I was always sitting at the piano.
• 24:49
  You know?
• 24:50
  And then when she plays drums, it's like opens up the ideas come it's amazing.
• 24:56
  I just say, stop.
• 24:58
  She's go, what do you wanna play?
• 25:00
  I said, just play anything.
• 25:02
  And bam.
• 25:02
  My fingers just start going to these where they never went before.
• 25:07
  And I'm not
• 25:07
  a
• 25:07
  singer.
• 25:09
  I didn't start singing till, like, what, 2020?
• 25:12
  Yeah.
• 25:12
  And you and if you heard the early I'm so out of tune because I didn't have confidence in
• 25:18
  singing.
• 25:19
  I never thought I could sing.
• 25:20
  And then little by little, I got a little more confident.
• 25:24
  And then what I did was I bought this thing by, I think Roland made it.
• 25:29
  It's their version of AutoTune, like a hardware thing.
• 25:33
  Right.
• 25:34
  So downstairs, we would rehearse because I was always embarrassed because sometimes she would
• 25:40
  invite people to jam with us.
• 25:42
  Right?
• 25:43
  And I'd be singing, and I was so embarrassed that I'm singing out of tune.
• 25:47
  So I hooked up the AutoTune, and I can hear it, like, where it should go and where I'm at.
• 25:54
  And I actually it trained me to sing it better in tune.
• 25:58
  Okay.
• 25:58
  And now I don't need and now I don't need it at all anymore.
• 26:01
  Sure.
• 26:02
  Here and there, I'm a little off.
• 26:04
  I know that.
• 26:04
  But it's like night and day, and now I'm feeling more confident.
• 26:08
  And I'm using my voice now to write the songs where before, I was always using the piano.
• 26:15
  Right.
• 26:15
  And as you know, and I know you know this, writing a melody on the piano doesn't translate
• 26:22
  to what the vocal can do.
• 26:23
  You know?
• 26:24
  And so that opened up and that opened up all these doors.
• 26:28
  I write a lot of my songs into my phone because I I know that when I start playing the piano,
• 26:37
  I'm limited on, you know, what I know theory wise because I've taken four years of theory.
• 26:44
  And so I kinda know where everything's supposed to go.
• 26:47
  But, musically, I'm not hearing that always the same way.
• 26:51
  And so I find it a lot easier to just, like, sing into my phone the melody, the song that
• 26:58
  I'm hearing, and everything.
• 26:59
  And then I try to put the music to that and and create the arrangement around that.
• 27:04
  But sitting at a piano, I I don't know how some people do that.
• 27:08
  You know, they just are able to flow, and all of sudden things come.
• 27:12
  It comes to me, which is why my songs are as weird as they are.
• 27:16
  Now being a songwriter, I'm really intrigued.
• 27:19
  Did you start off, like, doing poetry or and and then that led into songs?
• 27:26
  Or I mean,
• 27:28
  No.
• 27:29
  I I never even I used to always, like, try to ask lyricists if they wanted to collaborate.
• 27:35
  Okay.
• 27:36
  And I never could find anybody was that was really that good.
• 27:40
  There was one per here and there, but mostly, I I was always afraid to write words.
• 27:46
  Okay.
• 27:47
  And then the the big moment came with her and me was, like, four four years ago.
• 27:54
  Yeah.
• 27:55
  The we were we started we started trying we started trying to find lyricists.
• 28:00
  It just wasn't working out.
• 28:03
  Yeah.
• 28:03
  So then we she suggested because I met I, I had the melody with I made up gibberish.
• 28:10
  You know?
• 28:11
  I just made up words that didn't make any sense.
• 28:13
  And that's how that's how I wrote the melody.
• 28:15
  I I needed I needed words to be like the railroad tracks for the locomotive.
• 28:21
  So so we're just making up words, and she goes, use your sounds.
• 28:26
  So we wrote down all this phonetics on paper, and then we tried to go, oh, that and then she
• 28:31
  would say, well, that word is hurry up or something.
• 28:35
  She would say, like, that sounds like the word hurry up.
• 28:37
  Right?
• 28:38
  Hurry up.
• 28:38
  Then we have, like, verse, chorus, verse, chorus, and we have, like, almost like a
• 28:43
  scrabble.
• 28:44
  You got, like, some words gibberish, some words gibberish.
• 28:47
  Right?
• 28:48
  And then we filled in the blanks, and then eventually it was the very first word.
• 28:54
  What's the name?
• 28:55
  Two second shifts.
• 28:57
  Oh,
• 28:57
  yeah.
• 28:57
  That was the first song we actually wrote the words together, as a as a
• 29:05
  Yeah.
• 29:05
  Both Hatton and Warholists.
• 29:07
  Yes.
• 29:07
  Hatton and Warholists.
• 29:08
  So you're you're both you're both songwriters.
• 29:12
  Yes.
• 29:12
  Oh, yes.
• 29:13
  She I would say she was more of a songwriter than me because when I first met her, she had
• 29:19
  these great words all the time.
• 29:21
  I mean and and the melodies were really cool.
• 29:23
  Thanks.
• 29:24
  Like that one song nice.
• 29:26
  Time moves on.
• 29:26
  Oh, you're so He's so nice to me.
• 29:30
  Go on.
• 29:30
  Keep flattering me.
• 29:33
  I wish Adrian treated me like that.
• 29:38
  I know
• 29:38
  what you mean.
• 29:39
  I treat you very, very well.
• 29:40
  Thank you
• 29:40
  very well.
• 29:41
  Oh god.
• 29:43
  I love this.
• 29:45
  So This is funny.
• 29:47
  When when did okay.
• 29:50
  Because you said you said, you said you started writing songs super young.
• 29:56
  How how old were you both when you both started really getting into the songwriting?
• 30:03
  Like, it it you knew it it was something that was gonna be a passion of yours.
• 30:08
  Well, I was five years old when I knew I wanted to do this because I was listening WABC Radio
• 30:13
  seven seventy, And I would get on my I would get on my
• 30:21
  bicycle stations.
• 30:22
  Okay?
• 30:22
  Just to let you know, we're on YouTube, Facebook, and, you know, so radio stations, if
• 30:27
  you are plugged during this interview, okay, we expect a check-in the post for £300.
• 30:32
  Okay?
• 30:33
  Oh, I thought I did something wrong there for a second.
• 30:35
  I got nerve I got really nervous right there.
• 30:40
  I got that.
• 30:41
  I thought I did a bad bad.
• 30:42
  You know?
• 30:43
  No.
• 30:43
  It's quite funny, to
• 30:44
  be honest.
• 30:44
  I'm sitting in the back here.
• 30:45
  Hilarious.
• 30:47
  You're such a jerk.
• 30:51
  Okay.
• 30:51
  So I was five years old.
• 30:53
  I would get on my bicycle, and, I would ride.
• 30:58
  And then I I would ride further and further every day because my goal was to write 40 songs
• 31:04
  because I would you know, the top 40
• 31:07
  At age five.
• 31:08
  Age five
• 31:09
  Now I don't know.
• 31:10
  They they probably were the worst things in the world, but to me, they were the greatest things
• 31:14
  in the world at the time.
• 31:15
  And I'd be singing them, so I didn't play an instrument.
• 31:18
  So I did kinda start out just singing, but who knows what the heck who knows what they sounded
• 31:23
  like.
• 31:24
  But to me, I had 40 songs that would last my bike ride to the destination and back home
• 31:29
  again, and that was what I did.
• 31:32
  Wow.
• 31:33
  And you?
• 31:35
  Me?
• 31:35
  I well, I wasn't paying attention in school, so no surprise there.
• 31:40
  So I was writing, on my, tests or whatever on my papers I'd write.
• 31:46
  And I started out, as poetry.
• 31:53
  And then they started to come a melody started to come with words.
• 32:00
  And that's when I connected with him, and I got with him, and I'd sing this is so so like,
• 32:07
  sinking ships.
• 32:07
  It's like, so two sinking ships.
• 32:11
  We were going down.
• 32:14
  No one could save us.
• 32:16
  We were going down.
• 32:19
  Okay.
• 32:20
  Tried like that.
• 32:20
  Right?
• 32:21
  Okay.
• 32:21
  So that's how it went.
• 32:22
  Right?
• 32:22
  So that's that's pretty much so.
• 32:25
  Like, I had the melody, and I had a few words.
• 32:28
  And then I came along with him, and I stood at the piano, and and it just happened.
• 32:35
  It was magical.
• 32:37
  Incredible.
• 32:38
  Seriously.
• 32:39
  And how did you two meet?
• 32:42
  Internet.
• 32:43
  Question.
• 32:43
  Don't ask me that question.
• 32:45
  It's me.
• 32:48
  AOL.
• 32:49
  The AOL Internet 1995.
• 32:53
  1996.
• 32:54
  96.
• 32:55
  Yeah.
• 32:56
  You got me.
• 32:57
  Tinder wasn't invented by then.
• 33:00
  You got me.
• 33:01
  Oh, wait.
• 33:02
  All this is in inbox.
• 33:05
  You know what AOL AOL started around '96.
• 33:08
  Yeah.
• 33:08
  And then I'm Because,
• 33:10
  you know, as everybody knows that I was, like, dumped in the dumpster.
• 33:13
  So I'm I'm I'm interested in some dating tips, so I'm coming back for this one.
• 33:18
  So AOL dating.
• 33:20
  Okay?
• 33:21
  Literally, how does this, like, work?
• 33:23
  So was there a message that come through?
• 33:25
  I'm confused.
• 33:26
  Email.
• 33:27
  That's it was
• 33:27
  email.
• 33:28
  Wait.
• 33:29
  You got mail.
• 33:30
  I think it was a pop up on, I think it was a pop up on the left hand corner.
• 33:35
  No.
• 33:35
  But it was emailed.
• 33:36
  There was no texting or anything like that.
• 33:38
  So you you contacted me because you saw my profile that I was into that I was into
• 33:45
  powerlifting and music.
• 33:46
  Oh, I'm so glad I did.
• 33:49
  Were we were That's
• 33:51
  how that's how we got the she was a powerlifter Hat and music.
• 33:55
  And I was in powerlifting and other music.
• 33:57
  Fuck.
• 33:58
  Cat and hat and hand.
• 33:58
  I'm stuck.
• 33:59
  I'm sorry.
• 33:59
  Oh.
• 34:00
  We're in 1990.
• 34:02
  Okay?
• 34:02
  And there's an email cover.
• 34:04
  When I I remember friends reunited or something like that that was first before Facebook.
• 34:09
  Okay?
• 34:10
  There was there must have been some, like, profile service that you put up a picture of
• 34:15
  yourself.
• 34:16
  Was you a bodybuilder?
• 34:17
  Would you
• 34:18
  It was part of it was part of AOL.
• 34:20
  AOL had a some sort of a I don't it's so long ago.
• 34:23
  I don't remember.
• 34:24
  Aero Built it was built into AOL.
• 34:27
  That's all I remember.
• 34:28
  Did you have to be was it like modern dating?
• 34:30
  Did you have to put a
• 34:31
  picture of yourself up?
• 34:32
  Was you quite No.
• 34:32
  They didn't you there were no pictures back then.
• 34:35
  No photos at all.
• 34:36
  Yourself.
• 34:38
  Tablets?
• 34:40
  Tablets?
• 34:41
  Almost.
• 34:42
  Almost.
• 34:43
  So pictures.
• 34:46
  Back it was very brand new.
• 34:48
  So, basically, you had to describe yourself.
• 34:50
  So hang on a minute.
• 34:51
  So let's imagine this is Tinder dating or or, you know, or, I don't know, or other dating,
• 34:56
  Facebook dating.
• 34:57
  I say so if you bring it modern, okay, Hatton, okay, did you describe yourself to all this as
• 35:04
  a bloke?
• 35:05
  Did you basically say, I'm a mustly six foot tall, six pack bodybuilder
• 35:13
  No.
• 35:13
  With a million pounds?
• 35:14
  She contacted me.
• 35:16
  I didn't contact her.
• 35:17
  Oh, okay.
• 35:18
  Ollie.
• 35:19
  What was your profile then?
• 35:21
  I I need to know to nitty gritty.
• 35:23
  Ollie, what was your profile?
• 35:24
  How did you sell yourself to Hatton?
• 35:26
  My god.
• 35:27
  You know, I really didn't care what he looked like.
• 35:32
  It was more the fact that he was a nice person, and he was interesting, and I wanted to meet
• 35:38
  him.
• 35:39
  So yeah.
• 35:40
  Michael Cagle.
• 35:41
  You could have met Michael Cagle.
• 35:42
  You could have met anybody.
• 35:43
  It's unsafe.
• 35:44
  You know, safety roles and all that.
• 35:46
  You know?
• 35:47
  He didn't
• 35:48
  You guys said 1995?
• 35:51
  Yeah.
• 35:52
  How old were you?
• 35:53
  That's the same year Yeah.
• 35:56
  Keith.
• 35:58
  Was that the same year what?
• 35:59
  You met JP.
• 36:00
  Where I met Jason.
• 36:02
  Oh.
• 36:02
  Oh,
• 36:03
  wow.
• 36:03
  We met we met in college in in '95.
• 36:07
  Yeah.
• 36:08
  But these two these two met over AOL dating.
• 36:11
  I'm I'm sorry they trump you two.
• 36:13
  Okay?
• 36:13
  You're just one of those love stories.
• 36:15
  You know?
• 36:15
  You know?
• 36:16
  Oh, hello, mate.
• 36:17
  Have JP JP.
• 36:18
  I I've seen you in college, and I think you're so buff.
• 36:21
  These two were AOL buddies.
• 36:24
  Okay?
• 36:24
  This is really cool.
• 36:26
  This is definitely cool.
• 36:27
  This is, like, top, you know, a a highlight reel coming out of the show.
• 36:31
  Have you not seen the movie You've Got Mail?
• 36:35
  Yes.
• 36:36
  I have.
• 36:36
  Yeah.
• 36:37
  Yeah.
• 36:38
  It's the same thing.
• 36:39
  You got the the a couple met and then they're not bleeding.
• 36:43
  Yeah.
• 36:44
  Yeah.
• 36:44
  Yeah.
• 36:45
  So how and when you saw Otis' profile come put, obviously, there was no photo.
• 36:50
  There was just an email.
• 36:50
  There
• 36:52
  had to have been a photo.
• 36:53
  It wasn't even a profile.
• 36:55
  She sent me a message.
• 36:59
  Because all we had I think I had my name.
• 37:01
  Oh, interest in common.
• 37:03
  That's how you
• 37:04
  could search.
• 37:04
  It was
• 37:05
  interest in
• 37:06
  common.
• 37:06
  Yeah.
• 37:07
  And so all I had was power lifting, recording studio, and music.
• 37:15
  And she saw that.
• 37:18
  She contacted me, and I saw she had pow she was national champion world world powerlifting
• 37:24
  champion Best of music.
• 37:29
  I'm not coming coming over to America because I'm not gonna be powerless over your shoulder.
• 37:33
  Okay?
• 37:35
  I'm scared now, Michael.
• 37:36
  She would literally do that.
• 37:39
  Michael, literally, if you go and visit them, just do not go near them.
• 37:42
  Okay?
• 37:42
  Because they're gonna lift you over the shoulder.
• 37:45
  I I would welcome it.
• 37:47
  I'm so I'm
• 37:49
  so new.
• 37:50
  Yeah.
• 37:50
  Oh, please lift me.
• 37:52
  Please lift me.
• 37:53
  Show me.
• 37:54
  You'd love it.
• 37:57
  Bench press me, baby.
• 37:59
  Bench press me, baby.
• 38:02
  So okay.
• 38:03
  So let's let's move it on.
• 38:04
  Okay.
• 38:04
  So you've read each other's emails.
• 38:06
  Bloody, bloody, bloody, Willow.
• 38:07
  What was the first date like?
• 38:10
  Oh, I what was it?
• 38:12
  Oh.
• 38:12
  Oh, I remember You're Let him tell it.
• 38:14
  Before we even twenty four hour before we
• 38:18
  sorry?
• 38:18
  Did you guys go into twenty four Hour Fitness or Gold's Gym on your first date?
• 38:23
  Oh, no.
• 38:23
  No.
• 38:24
  No.
• 38:24
  What happened was I I sent her I sent her a song I wrote and asked her to memorize the
• 38:35
  word, learn the melody.
• 38:37
  She came into the studio.
• 38:39
  I laid down the track, and she sang the melody perfectly.
• 38:44
  The first time I ever had anybody come in that sang something I wrote correct, I didn't have
• 38:49
  to, like I didn't even have to punch in.
• 38:51
  Went from head from the intro to the out chorus perfectly.
• 38:56
  And that and I said, like, that's amazing.
• 38:58
  The song was the song was horror the song was horrible.
• 39:02
  Was it did you not have any people come into your studio that time?
• 39:06
  Was just, like, Beth come in and that was it, or was it love at first sight?
• 39:11
  It was love at first sight.
• 39:12
  Oh, that was it?
• 39:15
  Boy, I feel we've got a love well, it's so nice.
• 39:18
  I love this.
• 39:18
  Look.
• 39:20
  It's so cute.
• 39:21
  You know, love at first sight in a studio.
• 39:24
  So okay.
• 39:26
  So right.
• 39:27
  Okay.
• 39:27
  So we've got onto our first date and things like that.
• 39:29
  So in terms of Hatton and Allis, where did the idea come from?
• 39:34
  And, you know, did you just say, I'll I'll tell you what.
• 39:37
  We need a band name.
• 39:38
  We need a studio name.
• 39:39
  No.
• 39:39
  Don't know.
• 39:40
  It
• 39:40
  was all her idea.
• 39:42
  It was all her.
• 39:44
  Well, he wanted it to just do
• 39:49
  I just wanted the right.
• 39:50
  Orlist is what he wanted.
• 39:51
  Yeah.
• 39:52
  That's all he wanted.
• 39:53
  As far as the name, I wanted it to be orlist.
• 39:55
  Because look.
• 39:55
  She's, like, outgoing.
• 39:57
  I'm not.
• 39:58
  I'm like I always like being in the background, but she insisted having an orlist.
• 40:03
  Know?
• 40:04
  Yeah.
• 40:04
  It had to be.
• 40:06
  Had to be because I because I wasn't doing it alone.
• 40:10
  You know?
• 40:10
  Yeah.
• 40:12
  Yeah.
• 40:12
  I needed his name in there.
• 40:13
  I needed him.
• 40:15
  You needed him too.
• 40:16
  Bring on.
• 40:17
  Need you.
• 40:20
  Just don't lead him into anything that basically comes into a song title
• 40:25
  or he's gonna sing.
• 40:26
  Okay?
• 40:27
  My mistake.
• 40:28
  Every single
• 40:28
  time I get onto a show, I just have to use something that is related to a song, and he
• 40:33
  starts singing.
• 40:35
  He loves it.
• 40:36
  Look at that cute face.
• 40:39
  Look at it.
• 40:39
  But I wouldn't mouth in his mouth, would it?
• 40:41
  Why?
• 40:43
  Why?
• 40:45
  Okay.
• 40:45
  So I would very much like to hear a song of yours if we May.
• 40:51
  I know that you sent us five, and we are looking forward to those five.
• 40:56
  I'm hoping that the producer has got his act together today.
• 41:01
  Oh, oops.
• 41:02
  I'm sorry.
• 41:04
  No.
• 41:04
  I'll tell you what.
• 41:05
  I ain't got any of these, like, all plugged in.
• 41:07
  I'm sorry.
• 41:07
  You're gonna have to carry on talking.
• 41:09
  Alright?
• 41:10
  Of course, I got it sorted.
• 41:14
  Okay?
• 41:14
  So we I'm gonna actually put them on one by one, and then Hatton and all this are gonna
• 41:19
  explain to the audience, okay, what the songs were and why they wrote them and give us some
• 41:24
  context.
• 41:24
  Okay?
• 41:25
  And I can also ask them to give us some context on the actual album art as well because we've
• 41:30
  got some incredible album art coming up here.
• 41:32
  It's almost as though they've been into the local high school, and they've said to kids, we
• 41:36
  need some album art.
• 41:37
  Can you please put the pencils down and please write them for us?
• 41:40
  Or Oris is an absolutely great graphic designer.
• 41:43
  Okay?
• 41:44
  So, basically, the first one.
• 41:46
  Oh, oh, oh.
• 41:47
  Who are you?
• 41:49
  Before we delve into the first song, how would you guys describe
• 41:54
  Have you got a problem with your speech, Michael?
• 41:58
  Have you got a problem with your speech?
• 42:00
  You need to go to Chewy.
• 42:02
  How do you how do you guys describe your music?
• 42:05
  What would people classify your genre or your sound as?
• 42:13
  You want me to say something, or do you wanna
• 42:15
  say Yeah.
• 42:15
  Because I'm so confused about our sound, because it's it it's just so different from
• 42:20
  anything really out.
• 42:22
  I I I don't think it's really different, but it's, for me personally, I don't wanna put
• 42:28
  words in her mouth.
• 42:30
  It's, I love the music of the sixties, seventies, and mid early to mid eighties.
• 42:40
  Okay.
• 42:40
  I know our music doesn't sound like that, but some of it does, I think, come through in me
• 42:47
  like that.
• 42:48
  And I and not bore I don't have a voice like like Michael has a incredible vocal.
• 42:56
  I have I'm more like a and I don't even claim to be this, but I'm more like Mick Jagger or or
• 43:04
  or Rod no.
• 43:06
  Rod Stewart.
• 43:06
  I'm not I wish I was as good as Rod Stewart.
• 43:09
  But so I u I make the most of what I got.
• 43:12
  Okay.
• 43:13
  Okay?
• 43:14
  And I believe and she I I don't wanna
• 43:19
  I believe I could fly.
• 43:21
  I'm not gonna
• 43:22
  I believe I can touch the sky.
• 43:25
  Don't do it.
• 43:26
  Okay?
• 43:26
  Just don't do it.
• 43:27
  Okay?
• 43:28
  If you
• 43:28
  about it every night and day.
• 43:31
  Hagel, shush.
• 43:33
  We're trying to do an interview, and, also, we're trying to get through the songs.
• 43:36
  We're forty three minutes in, and we ain't even done any plumbing songs yet.
• 43:40
  Yeah.
• 43:42
  Yeah.
• 43:42
  So I just think the songs reflect who we are.
• 43:45
  It's like raw I really think they're raw in a way in a big way, actually.
• 43:50
  I'm not in we're not at I'm not I'm not into producing at all.
• 43:54
  I hate producing.
• 43:55
  I I wish I wish we I wish we could I
• 43:58
  thought that would be I hate producing.
• 43:59
  I wish we had a producer like Gus Studgeon or, you know, or Quincy Jones.
• 44:04
  That would be a but they would never want us anyway.
• 44:07
  But, you know, but I just it's what this is us.
• 44:12
  Okay.
• 44:13
  For better or for worse, this is us.
• 44:15
  Yeah.
• 44:15
  And Adrian.
• 44:17
  Adrian.
• 44:18
  It does lead into the song who are you.
• 44:20
  You know?
• 44:21
  Adrian.
• 44:21
  Are you?
• 44:22
  Yes.
• 44:23
  I think now you should stop talking so we can play their music.
• 44:27
  I ain't said anything.
• 44:28
  Yes.
• 44:29
  I'm sitting here in the background.
• 44:30
  I thought he was talking to me.
• 44:32
  I was I I
• 44:33
  plan who are you.
• 44:34
  Okay.
• 44:35
  Enjoy it, and we'll find out a bit more about this after we solve.
• 44:37
  Okay?
• 44:37
  I
• 44:38
  love you.
• 48:02
  Fantastic song.
• 48:03
  I really enjoyed that.
• 48:04
  Just to let everybody know that we have got a time limit of two and a half minutes to talk
• 48:09
  about each track because we gotta get on Booms TV because it's gonna be an absolutely amazing
• 48:14
  episode on Booms TV two point o, by the way, on Fire Stick and also on Amazon.
• 48:19
  Same thing, Adrian.
• 48:22
  Fire Stick and also on Apple and Woku.
• 48:26
  Okay?
• 48:26
  So two point five minutes.
• 48:28
  Go, Michael.
• 48:30
  I thought it was really good.
• 48:32
  It's it's a good sound.
• 48:33
  I don't see where you think you don't sound good or that you don't have a a good voice.
• 48:39
  It it it actually lends itself to the music really well.
• 48:43
  I mean, it it I think, you know, a different kind of voice would sound funny with that song.
• 48:51
  I think it it's actually really a good fit.
• 48:53
  And I think that's the number one thing a songwriter has to do when they're writing for
• 48:57
  themselves is to really understand what their instrument does and what it doesn't do.
• 49:03
  And you just constantly wanna put what you do best, you know, in in the light and back away
• 49:12
  from what you can, which is what I do a bunch.
• 49:15
  I thought I just thought it was a really, really good song.
• 49:17
  I I don't I didn't you know, I didn't hear, you know, anything that was, like, sounded amateur
• 49:26
  or wasn't well produced.
• 49:29
  So I I, yeah, I liked it.
• 49:32
  I I really did.
• 49:33
  It was just your vocals, though.
• 49:35
  Right?
• 49:36
  It's on the background.
• 49:37
  Okay.
• 49:38
  So you were the Yeah.
• 49:41
  Okay.
• 49:42
  So, yeah, I thought it was a good pairing.
• 49:45
  I would like I I wouldn't I definitely wouldn't turn my radio off if it came on unless, you
• 49:54
  know, Selena Michael.
• 49:57
  Oh, Michael.
• 49:58
  You're my favorite.
• 50:04
  Sorry.
• 50:07
  Hi, everybody.
• 50:08
  There was I there's something in the fight.
• 50:12
  It's called pro.
• 50:13
  It's called pro.
• 50:14
  It's called pro.
• 50:15
  It's called something.
• 50:17
  I tell you what, what I love about your music, it's very you as the couple.
• 50:23
  Okay?
• 50:24
  And I know we've had lots of couples who have produced together or sung together.
• 50:29
  Okay?
• 50:30
  And they've given almost a very we've had it before.
• 50:36
  It's been done before.
• 50:37
  It's it's been copied.
• 50:39
  You know?
• 50:40
  But I love and one of the things what really you know, you asked me this question when we
• 50:44
  had an interview together about Phoenix Wright.
• 50:47
  You were saying, why us?
• 50:48
  Nothing one thing I know about you two is is it's your sound.
• 50:53
  It's no one's gonna have any sound like this because you have produced it.
• 50:57
  You have put this together.
• 50:59
  You have got a sound which doesn't sound like anyone else.
• 51:03
  Your vocal is the way you put them across and portray them across doesn't sound like anyone
• 51:08
  else.
• 51:08
  And I think that's what the music industry needs.
• 51:12
  It needs fresh blood.
• 51:14
  It needs new ideas.
• 51:15
  And I think bands who get to work with you or singers who get to work with you are in a
• 51:21
  really lucky place because actually they're gonna be coming to a producer who can actually
• 51:26
  produce something fresh.
• 51:28
  It's not gonna be copied.
• 51:29
  It's not gonna be mimicked.
• 51:30
  It's not gonna be done before.
• 51:32
  It's gonna be something completely different.
• 51:34
  And if you're selling that to record labels, actually, you know, you look at Bohemian
• 51:38
  Rhapsody and the producers, like, bases when they used to go in and play something was
• 51:44
  completely different.
• 51:45
  They hadn't heard it before.
• 51:47
  And the producers were you know, the record labels were like, oh, yeah.
• 51:49
  This is rubbish.
• 51:50
  Just, you know, please just play this.
• 51:52
  And, like, Freddie was so insistent on basically saying, I want you to play my music.
• 51:58
  I want you to play something which you have not heard before, and they become hits.
• 52:03
  They become worldwide hits that we all listen to and love now.
• 52:07
  And I think that's something what really interested me.
• 52:10
  When I first heard your music, was just thinking, oh, we've got something brand new
• 52:13
  here, something to really hold on to.
• 52:15
  If we can blend the right people with you, actually, this could be a hit in the music
• 52:21
  industry because everybody will be so, like, we haven't seen and heard this before.
• 52:26
  People will take more interest.
• 52:27
  So I love your songs.
• 52:29
  Absolutely love your songs, and they are blended really well.
• 52:31
  You produce them really well.
• 52:33
  And vocals.
• 52:34
  Right?
• 52:36
  I'm sorry, Michael.
• 52:39
  It that's AJ.
• 52:41
  Oh, AJ.
• 52:43
  Five minutes.
• 52:44
  Let's go.
• 52:45
  Let's see
• 52:46
  who gets the scores.
• 52:47
  I'll put that one down as well, AJ.
• 52:49
  Just just gonna tobble it up by the end of the interview.
• 52:52
  Okay, Michael?
• 52:53
  And I'll tell you who the winner is at the end.
• 52:54
  Alright?
• 52:56
  I don't
• 52:56
  We've got one comment coming.
• 52:59
  Very nice song.
• 53:03
  Very good melody, miss Randy.
• 53:05
  Thank you, Randy, for putting up
• 53:06
  in there.
• 53:07
  And you can join in in the audience.
• 53:08
  It's not your show.
• 53:09
  You know?
• 53:09
  It is your show as well in the audience.
• 53:11
  I know.
• 53:12
  Okay?
• 53:12
  So if you've got a question, especially if it's an embarrassing one, okay, Pat and Analis would
• 53:18
  like to take your answers and questions.
• 53:19
  Okay?
• 53:20
  So if you got anything really embarrassing to ask, please join in.
• 53:22
  Okay?
• 53:23
  And I'll put it on for you.
• 53:25
  Okay?
• 53:25
  But please join in initially.
• 53:27
  Okay.
• 53:27
  Let's get on another song.
• 53:28
  I've got a dog in the background.
• 53:29
  I don't know where that's coming from.
• 53:31
  Oh, it's outside.
• 53:32
  Sorry about that, everybody.
• 53:33
  I haven't got a dog, honestly.
• 53:35
  No one in the house has a dog.
• 53:36
  We're not allowed.
• 53:37
  Okay.
• 53:37
  So let's put on this one.
• 53:39
  We've had this one on the show before, and I love this one.
• 53:42
  This is gonna lead into the embarrassing questions because this is from what I remember
• 53:46
  about how to keep the wife very quiet and go, shh.
• 53:50
  Okay?
• 53:50
  So tell us a little bit more, and we'll set it
• 53:53
  up.
• 53:55
  You go.
• 53:55
  Well, Ooyaya is about a person who insistently talks.
• 54:04
  And he can't find a police to hide.
• 54:08
  And Yes.
• 54:10
  It's me.
• 54:11
  Like like, It is.
• 54:15
  It is me.
• 54:16
  I think so.
• 54:16
  That's what
• 54:17
  yeah.
• 54:18
  Yeah.
• 54:18
  It's The guy in the red shirt.
• 54:21
  I don't know what you're saying.
• 54:22
  I don't look
• 54:23
  like that stickman anyway.
• 54:24
  That's not me.
• 54:25
  I haven't got big ears like that.
• 54:26
  That's you.
• 54:30
  I don't
• 54:30
  have big ears.
• 54:32
  He looks like you.
• 54:33
  I'm not
• 54:34
  that thin.
• 54:34
  If I was that thin, I'd be bloody well happy.
• 54:36
  We'd have to go at Weight Watchers next week.
• 54:39
  Okay.
• 54:40
  So keep going.
• 54:41
  I'm so sorry.
• 54:43
  It's just about a man that just can't get away from this woman that just keeps yapping his ear
• 54:49
  off.
• 54:50
  And and he hears nothing.
• 54:53
  It's like this.
• 54:54
  I hear nothing.
• 54:57
  So hence, the pictures of all the people doing this because it really is a song about this.
• 55:03
  Yeah.
• 55:04
  I get it.
• 55:05
  Trust me.
• 55:06
  I get it.
• 55:07
  From 10:00 to eleven.
• 55:11
  Right.
• 55:12
  Let's play it then.
• 55:12
  We have heard this before where it is absolutely already on the Sling Project Radio
• 55:17
  if you wanna listen to it.
• 55:18
  But if you're here now, come and listen to it.
• 59:22
  Don't they just love technology when it literally kicks you out of the stage literally
• 59:26
  by itself?
• 59:27
  It's just how I've got Bob in the background going, I've had enough of this rubbish.
• 59:30
  Get it off.
• 59:31
  Okay?
• 59:31
  And it literally kicked me out in the studio, and I was like, what's going on?
• 59:38
  And, also, the microphones aren't on as well.
• 59:39
  Look.
• 59:42
  That's actually a really, really, really great song.
• 59:46
  Hey, Michael.
• 59:47
  Really great song.
• 59:48
  I I apologize.
• 59:49
  I don't know if you heard me or anything.
• 59:50
  I was just basically saying that I felt as though Bubba kicked me out of the stage because
• 59:54
  I literally lost power.
• 59:56
  I apologies about that.
• 59:58
  I am back now.
• 59:59
  Hello.
• 1:00:00
  I did I hear that, and I hope the audience also heard it as well while I was being kicked out.
• 1:00:05
  It was great.
• 1:00:06
  I love the song.
• 1:00:08
  Absolutely love the song.
• 1:00:09
  And and, you know, it's I hope I hope you don't take this the wrong way.
• 1:00:19
  Because you cut
• 1:00:19
  I mean, before he
• 1:00:22
  No.
• 1:00:23
  I'm about to get out of here too.
• 1:00:24
  Okay, Greg.
• 1:00:24
  You're on your own.
• 1:00:26
  Do come you do come across very shy.
• 1:00:30
  You know?
• 1:00:30
  Like, you're not you definitely don't look like the extroverted one.
• 1:00:35
  You know, you seem a lot but your sound and your your guys' music is very, very
• 1:00:47
  contemporary.
• 1:00:48
  Like and it seems very grounded in there's a retro feel, but it's done very modern.
• 1:01:00
  You know?
• 1:01:00
  And that's kind of a really hard thing to do.
• 1:01:04
  You know?
• 1:01:04
  You're either you either go completely retro or you do something that's completely modern.
• 1:01:10
  But to take a retro sound and make it modern is really quite an achievement.
• 1:01:17
  And, yeah, you sound you sound like you're in your twenties.
• 1:01:28
  Like, you really do.
• 1:01:29
  Like, this song I would I would not stick picture your guys' face as the group that sang
• 1:01:36
  that song.
• 1:01:37
  I tell you what, if you're talking about, like, twenties, look at these compliments from Mandy.
• 1:01:41
  Reminds me of.
• 1:01:44
  It's Or
• 1:01:45
  it reminds me of talking heads.
• 1:01:47
  There you go, you two.
• 1:01:48
  What a compliment, being compared to REM and talking heads.
• 1:01:52
  Yeah.
• 1:01:52
  I just you guys are really good.
• 1:01:55
  But I do agree with you, Michael.
• 1:01:57
  And I've told him this, He agrees.
• 1:02:02
  Who wants to watch two old people?
• 1:02:05
  God's like, no one.
• 1:02:06
  No one wants to watch two old people.
• 1:02:08
  Alright.
• 1:02:09
  Hang on a minute.
• 1:02:09
  Let's get an argument sorted out.
• 1:02:11
  Okay?
• 1:02:11
  This is really, really impressive.
• 1:02:13
  Okay?
• 1:02:13
  And I can answer this question for you right now.
• 1:02:15
  But he brought that.
• 1:02:17
  Got a bit I got bit.
• 1:02:18
  This is an embarrassing thing to me to have to admit.
• 1:02:21
  Okay?
• 1:02:21
  My goal.
• 1:02:22
  I take
• 1:02:22
  it, bro.
• 1:02:23
  I can do
• 1:02:23
  it as a compliment.
• 1:02:24
  I think it's a compliment.
• 1:02:25
  Okay.
• 1:02:25
  I went on TikTok the other day, and my numbers are at one point one thousand one hundred.
• 1:02:34
  My auntie who is 76, and if I get this wrong, I'm sorry, auntie Carol, I'm impressed.
• 1:02:41
  Who is 76 and done a Nana's chat show is at 1,600.
• 1:02:48
  I'm being beaten by my auntie.
• 1:02:50
  I'm 49 years old.
• 1:02:51
  She's, like, 76, and she's got 1,600 followers.
• 1:02:55
  And, like, when she goes on the camera, there's, like, a 100 or 200 people watching at
• 1:03:00
  the same time.
• 1:03:01
  So I'm sorry.
• 1:03:01
  Age does not come into this and that my auntie Carol says so.
• 1:03:05
  She obviously does something right.
• 1:03:06
  You know what I mean?
• 1:03:08
  The bot you know, the bottom line is that, yes, I you do not look like the kind of artist that
• 1:03:21
  it would put up put this out.
• 1:03:24
  Now Orlys looks a little bit more contemporary kind of.
• 1:03:30
  Like, I could see her getting away with kind of Melissa Etheridge, you know, Bonnie Raitt,
• 1:03:40
  although you're younger than Bonnie, but, you know, that kind of vibe.
• 1:03:44
  He looks like just a super nice guy that was your science professor in in junior high.
• 1:03:54
  You know?
• 1:03:55
  And he
• 1:03:55
  On a good day.
• 1:03:56
  Oh, yeah.
• 1:03:57
  To hear hear these songs, you know, they're they're they're really quite good.
• 1:04:03
  Would people come see you?
• 1:04:05
  Yes.
• 1:04:05
  I think they would because good music is just good music.
• 1:04:09
  And, you know, if you if you strike the chord and find the right audience, they're not gonna
• 1:04:14
  give a shit if you're, you know, three years away from Metamucil or not if they don't care.
• 1:04:20
  You know?
• 1:04:21
  They they they're not gonna care, which is why you have people like
• 1:04:25
  And he says he says the same thing about himself.
• 1:04:27
  He's trying to tell AJ and Michael that AJ really isn't, like, a a problem.
• 1:04:31
  You look at Randy and those belters of a voice that he comes out with, and it's like, OMG.
• 1:04:36
  When he tries to tell us his age, we still think he's 25.
• 1:04:39
  Yeah.
• 1:04:40
  I I I was you know what?
• 1:04:41
  I was just gonna bring that up.
• 1:04:43
  You know, this guy is he said he's 76.
• 1:04:48
  There's no way he's 76.
• 1:04:51
  There's no way.
• 1:04:52
  There's absolutely no way.
• 1:04:53
  Because he sounds like he He was, you know, putting together a, you know, a a punk not a
• 1:05:05
  punk band, but an alternative rock band in the February.
• 1:05:08
  His voice is crisp and raw and strong, and there's no way.
• 1:05:12
  He you know, there's no way he's that age.
• 1:05:15
  There's no way.
• 1:05:16
  It's it's for him, it's American.
• 1:05:19
  There's no way.
• 1:05:20
  You know, you guys are the same way.
• 1:05:22
  I you know, your music is really cool.
• 1:05:25
  It's and it is very hard to define.
• 1:05:28
  You know?
• 1:05:29
  And I think I like that.
• 1:05:30
  It's got you know, I would definitely say you have an alternative sound, and I think that's
• 1:05:39
  what brings a lot of youth into it is because alternative can bend a little bit.
• 1:05:46
  They can go outside the box.
• 1:05:48
  They can steal and snag elements from other things and put it together.
• 1:05:54
  It's kind of like a gumbo.
• 1:05:55
  Alternative, you know, alternative rock, alternative blues, alternative jazz.
• 1:06:00
  You know, it's kind of like gumbo.
• 1:06:03
  And so I think
• 1:06:04
  his name right.
• 1:06:06
  He's, like, number one on his age.
• 1:06:07
  Okay?
• 1:06:08
  He's not 76.
• 1:06:10
  Okay?
• 1:06:10
  He is, drum roll, everybody, 69.
• 1:06:14
  Oh, well, what a great year.
• 1:06:16
  So, anyway You
• 1:06:18
  you just aged him seven years.
• 1:06:22
  Okay.
• 1:06:23
  Put your denture cream away.
• 1:06:24
  Okay.
• 1:06:24
  So so no.
• 1:06:29
  Six but still 69.
• 1:06:31
  What?
• 1:06:33
  So I like your stuff, and I really sincerely mean that.
• 1:06:39
  Really, really like no songs.
• 1:06:42
  Do would you guys like to tour?
• 1:06:47
  I would if I thought I could handle it yeah.
• 1:06:50
  Yeah.
• 1:06:51
  Me too.
• 1:06:51
  Oh, I think it would
• 1:06:52
  be so fun.
• 1:06:53
  Oh, look
• 1:06:53
  at her.
• 1:06:54
  She's like, yeah.
• 1:06:55
  Yeah.
• 1:06:56
  It would be so fun.
• 1:06:58
  Oh, I'd love it.
• 1:06:58
  Oh, okay.
• 1:06:59
  We're gonna go on tour.
• 1:07:02
  Oh, did you say did
• 1:07:03
  you hear that as an offer?
• 1:07:05
  Hang on.
• 1:07:05
  I'm just gonna make sure that this is recorded in your contract, Michael.
• 1:07:08
  Okay?
• 1:07:09
  So just make it a couple of additions.
• 1:07:11
  Michael No.
• 1:07:12
  I mean he
• 1:07:13
  will take that and it's on tour together.
• 1:07:16
  No.
• 1:07:16
  I'm I'm over 50.
• 1:07:19
  Oh.
• 1:07:20
  Oh, no.
• 1:07:21
  Oh, god.
• 1:07:22
  And so I know have more energy over 50.
• 1:07:31
  I actually am singing better today than I was twenty years ago.
• 1:07:39
  I really am.
• 1:07:40
  Like, I'm I'm I'm I'm not saying I'm amazing, so that's not what I'm getting.
• 1:07:46
  And everybody's, oh, god.
• 1:07:47
  You think you're so great.
• 1:07:48
  No.
• 1:07:48
  I don't think that.
• 1:07:49
  I'm just saying that I sound better now than I did twenty years ago.
• 1:07:52
  I like this.
• 1:07:54
  Mandy's like, Michael, shush.
• 1:07:56
  I need to have a go at you for calling me out at the wrong age.
• 1:07:59
  Mandy's like, stop making me feel older.
• 1:08:03
  I love you, Mandy.
• 1:08:04
  I think it's really
• 1:08:05
  old.
• 1:08:05
  Side.
• 1:08:06
  Okay.
• 1:08:08
  Randy Okay.
• 1:08:10
  Listen.
• 1:08:10
  I think we should get to the next song because you've upset about him.
• 1:08:12
  Sounds like he's about 32.
• 1:08:14
  No.
• 1:08:14
  You've upset him now.
• 1:08:15
  We need
• 1:08:16
  to get to the next But I'm gonna say the same thing.
• 1:08:18
  To the next song, okay, because you've upset one of our audience members.
• 1:08:21
  So let's do the next song, Les.
• 1:08:23
  I'll see if I can calm him down.
• 1:08:25
  Okay?
• 1:08:25
  I'll see if I can calm him down.
• 1:08:27
  Let's play another song.
• 1:08:28
  You're the one that told me he was 76.
• 1:08:31
  Right.
• 1:08:31
  You've upset him now.
• 1:08:32
  Okay.
• 1:08:32
  Let's let's get on to this next song here.
• 1:08:34
  Okay?
• 1:08:34
  So our next song on our list, okay, is stop your crying.
• 1:08:39
  Is this the actual because I got kicked out.
• 1:08:42
  Is this the right graphic for stop your crying?
• 1:08:45
  Yeah.
• 1:08:46
  It is the right graphic.
• 1:08:47
  That's the one.
• 1:08:48
  That's the one.
• 1:08:49
  Okay.
• 1:08:49
  So do you wanna explain a bit about stop your crying, and then I will put it on for you.
• 1:08:53
  Is that you two in the cab of the truck?
• 1:08:56
  No.
• 1:08:56
  It's not.
• 1:08:57
  It's not.
• 1:08:58
  It's not.
• 1:08:59
  I wrote this about a friend of mine.
• 1:09:01
  His was a little bit more personal on my side.
• 1:09:04
  Okay.
• 1:09:05
  So I got to sing it, actually.
• 1:09:07
  This is
• 1:09:07
  the first
• 1:09:07
  time this is the first time that I got lead vocal.
• 1:09:14
  So, it's exciting there.
• 1:09:17
  But this was about a person who didn't wanna, like, be my friend, and and I couldn't
• 1:09:24
  understand why the person does not wanna be my friend.
• 1:09:32
  So be your friend, Orlys.
• 1:09:34
  You're beautiful.
• 1:09:35
  Just a loving person.
• 1:09:37
  We're your friends, aren't we, Michael?
• 1:09:39
  Thank you.
• 1:09:39
  So, like, it sorta made me sad, and so I wrote this song.
• 1:09:43
  And, and this is for a person who did not wanna become my friend.
• 1:09:49
  I'm quite upset now.
• 1:09:51
  I've got I've got you.
• 1:09:53
  It's their
• 1:09:55
  It's their loss.
• 1:09:55
  Yeah.
• 1:09:56
  Definitely.
• 1:09:56
  We've got you in our family now.
• 1:10:00
  I'm glad to be here.
• 1:10:02
  Thank you.
• 1:10:02
  So to all those haters out there, these They're going out on tour.
• 1:10:11
  Fantastic.
• 1:10:12
  Stop crying is next.
• 1:10:14
  Okay?
• 1:10:15
  Enjoy everyone.
• 1:10:16
  Let's say stop crying.
• 1:10:17
  Okay?
• 1:10:18
  Michael, stop crying.
• 1:10:41
  Go out and build some memories.
• 1:10:49
  Don't let him steal your childhood dreams.
• 1:14:22
  Alright.
• 1:14:23
  So so
• 1:14:25
  I'm going to say this, and I mean this sincerely.
• 1:14:33
  I like your voice.
• 1:14:36
  I like hearing you take lead.
• 1:14:40
  I think your voice is exactly what I expect from the way you look, and I mean that in a
• 1:14:48
  good compliment.
• 1:14:48
  I love that, Michael.
• 1:14:50
  It is it is there's a throwback to it of a very classic semi lady rock.
• 1:15:03
  You know?
• 1:15:05
  There's to me, it feels like it feels like the kind of voice you used to hear before a lot of
• 1:15:17
  auto tune and pop effects came in and a lot of over delay and all that, where the voice was
• 1:15:26
  just very, very raw and present and had to have character and had to have, you know, a a grit
• 1:15:34
  to it and had to be able to, you know, tell a story and and set a mood.
• 1:15:41
  And I I like that.
• 1:15:43
  I I think that one of your guys' strengths as as artists, honestly, is that it's not an
• 1:15:53
  overly processed produced sound.
• 1:15:57
  It's it does feel like it's it's at a time when we didn't have technology to fix and repair
• 1:16:08
  things, that you either had to have the goods and and sound good or you just sucked.
• 1:16:15
  You know?
• 1:16:16
  It was there was no way of decorating the turd to look like a cake.
• 1:16:22
  You know?
• 1:16:22
  And I think that's really cool.
• 1:16:24
  I think you're
• 1:16:25
  You come out with these things.
• 1:16:28
  And you're like, decorating a turd dressed up as a cake.
• 1:16:34
  So what you're do, you know, it's still gonna be a cakes.
• 1:16:37
  You know, I don't care what kind of frosting.
• 1:16:39
  It's gonna still be a shit sandwich.
• 1:16:41
  So it's like So I I really like you too.
• 1:16:47
  I really do.
• 1:16:47
  And I I think I like you because it is authentic.
• 1:16:52
  It's real, but it's good.
• 1:16:55
  Like, your voice is good.
• 1:16:57
  You know, you have a you have a very solid voice, and it works.
• 1:17:03
  You know, the advantage is you get to arrange and and put the songs right where you want them
• 1:17:12
  to be.
• 1:17:13
  And I think that's incredibly smart.
• 1:17:15
  I don't think either one of you tries to do something that you're not capable of doing, and
• 1:17:21
  then it's like it's kind of a leap and and you cross your fingers.
• 1:17:25
  I feel like you just make solid music that actually complements you guys.
• 1:17:32
  I really do.
• 1:17:32
  It's it that was really an that was a really pleasant surprise.
• 1:17:37
  I tell you what.
• 1:17:38
  They're still going on about the age thing in the audience.
• 1:17:42
  They're having a, like, like, number of it, literally.
• 1:17:45
  Mitch has now come in and said to the, Mandy, age is only a number.
• 1:17:50
  And 59 is also just a number.
• 1:17:56
  Oh god.
• 1:17:56
  Bitch, thank you for looking after our audience for us.
• 1:17:59
  That's really lovely of you while we're having our show just to calm Mandy down.
• 1:18:02
  Okay?
• 1:18:03
  I'm sure he's absolutely fine.
• 1:18:04
  But, thank you for being the caring one.
• 1:18:06
  Okay?
• 1:18:06
  In the future.
• 1:18:07
  Gonna say something.
• 1:18:08
  I saw Tony Bennett when he was 89.
• 1:18:16
  Okay?
• 1:18:17
  What?
• 1:18:18
  89.
• 1:18:20
  And that man not only sounded amazing, he was in a a big showroom that probably sat 1,500,
• 1:18:34
  And he took his microphone and set it on the thing and sang an acapella song and filled that
• 1:18:45
  auditorium with just his voice.
• 1:18:49
  Like, it was beautiful, strong, full of passion, full of depth, such musicality.
• 1:18:59
  Age is just a number.
• 1:19:01
  If you get out there and you take care of your instrument and, you know, you're you're working
• 1:19:07
  at your craft, there's a reason why Cher turned 80.
• 1:19:12
  80.
• 1:19:14
  Oh, come on.
• 1:19:15
  Seriously, we
• 1:19:16
  don't have Cher's money, okay, and Botox treatment.
• 1:19:19
  I tell you, I'd love to have her.
• 1:19:21
  She yes.
• 1:19:22
  She's had some, obviously, some work done, but it doesn't really look there are some people
• 1:19:26
  that yeah.
• 1:19:27
  I got you
• 1:19:28
  the cow.
• 1:19:28
  Come on.
• 1:19:29
  I'm gonna I'm gonna be an
• 1:19:32
  artist manager.
• 1:19:33
  Okay?
• 1:19:34
  I'm charging you all for money so I can look like Simon Cowell.
• 1:19:38
  Okay?
• 1:19:38
  So I want his Botox treatment.
• 1:19:40
  So when I'm his age, I wanna and think.
• 1:19:44
  Smile.
• 1:19:44
  Oh,
• 1:19:46
  yes.
• 1:19:46
  I think you're wonderful.
• 1:19:48
  I don't feel like I I want his I want his treatment.
• 1:19:51
  I wanna keep going.
• 1:19:52
  Yeah.
• 1:19:53
  Look at Tony.
• 1:19:53
  Look Nobody's eyebrows are up here.
• 1:19:57
  Well, I I
• 1:19:57
  put it your downtime.
• 1:19:59
  What I have actually put down
• 1:20:01
  is Alan Cowell.
• 1:20:03
  In your contract, I have put Botox treatment.
• 1:20:05
  Okay?
• 1:20:06
  Wow.
• 1:20:06
  If if we need to put Botox in any artist's, like, contract, then we will look at those as
• 1:20:11
  an option for you.
• 1:20:12
  Okay?
• 1:20:13
  So when you go and tour with Michael, okay, you feel as though you're 25 again.
• 1:20:17
  Okay?
• 1:20:17
  Okay.
• 1:20:18
  We will look for that.
• 1:20:19
  Okay?
• 1:20:19
  I am so scared of the end of the year things.
• 1:20:22
  Oh, what a big start, I've got it.
• 1:20:25
  Our end of the year things, oh, they'll be like,
• 1:20:29
  Let's go to the next track because we're starting to get sleepy.
• 1:20:32
  Okay?
• 1:20:33
  And we've got people in bed now.
• 1:20:35
  You're just rambling.
• 1:20:37
  I know.
• 1:20:37
  Look at that.
• 1:20:38
  There's someone in bed.
• 1:20:39
  What's all this about?
• 1:20:40
  Oh, good.
• 1:20:42
  I'm glad that you asked, AJ.
• 1:20:43
  Glad you asked.
• 1:20:44
  Okay, Greg.
• 1:20:45
  Go ahead.
• 1:20:47
  That curtain only has one Volance.
• 1:20:50
  Mean, let's say this song is a the the song that influenced this song the most would be,
• 1:20:57
  Eric Burden, Spill the Wine.
• 1:21:01
  What was the name of the Spill the Wine?
• 1:21:03
  Take the or something?
• 1:21:05
  I forget the title.
• 1:21:06
  Yeah.
• 1:21:06
  I don't know if you guys know that record.
• 1:21:09
  It came out in the summer of nineteen seventy.
• 1:21:12
  I was like Eric's Burden from the Animals.
• 1:21:15
  He did that record.
• 1:21:16
  But, anyway, he fell asleep in grass, and then he had a dream.
• 1:21:22
  Well, this is basically a guy that's, he's got his alarm set.
• 1:21:27
  He's gotta get up to get to work, but he's got this fantasy dream going on.
• 1:21:32
  He doesn't wanna get up, and his alarm keeps going off.
• 1:21:35
  And that's that's what the song's about.
• 1:21:37
  Okay.
• 1:21:38
  I'll say it.
• 1:21:38
  He's got a hot chick between his legs.
• 1:21:41
  What?
• 1:21:42
  He doesn't wanna wake up.
• 1:21:46
  Hey.
• 1:21:46
  I wasn't even going down
• 1:21:48
  that route.
• 1:21:49
  But, Beth, you've you've scored points on my thing, especially with the t shirt as well
• 1:21:53
  tonight.
• 1:21:54
  That's the best comment, and that is definitely going to a real brilliant.
• 1:21:57
  Okay.
• 1:21:58
  Look at that, and I don't know what to look at now.
• 1:26:49
  Can I get the first burning point before Michael comes back on stage?
• 1:26:52
  I actually love that song.
• 1:26:54
  It's going on my playlist.
• 1:26:56
  Such a good song.
• 1:26:58
  It's really, really, really I love songs with, like, I'm one of these people.
• 1:27:03
  I don't know what it is about me, but as soon as I hear a really good guitar riff, I
• 1:27:07
  absolutely love it.
• 1:27:09
  It's there's something about songs where when that sort of thing comes in, it was brilliant.
• 1:27:14
  And voice wise, wow.
• 1:27:16
  Again, an absolutely amazing track.
• 1:27:18
  We're amazing boys.
• 1:27:21
  I've upset Michael now.
• 1:27:22
  Sorry.
• 1:27:22
  I wanted to jump in first because I just loved it.
• 1:27:25
  It was I was really, really, like, walking here, I'll tell you.
• 1:27:28
  Sorry, Michael.
• 1:27:29
  Come on.
• 1:27:30
  You out you come, Michael.
• 1:27:32
  Okay.
• 1:27:32
  You can come back now.
• 1:27:33
  I'm only trying to win the competition at the end.
• 1:27:35
  It gets most scores, you know.
• 1:27:37
  Michael, back.
• 1:27:42
  There you go.
• 1:27:45
  You guys, I have to say, their their their mics are off.
• 1:27:51
  Are they?
• 1:27:52
  I'm sorry.
• 1:27:52
  They probably didn't answer any of my questions.
• 1:27:57
  There you go.
• 1:27:57
  Sorry about that.
• 1:27:58
  Okay.
• 1:27:59
  So
• 1:27:59
  down that I've got higher points than Michael.
• 1:28:02
  So I know you.
• 1:28:09
  Guys are really good.
• 1:28:10
  I I and I really sincerely mean that.
• 1:28:13
  That's there's no bullshit here.
• 1:28:16
  You're you guys are making music that, first of all, defies your look.
• 1:28:25
  And I think expectation it really does.
• 1:28:28
  There's just no way around that.
• 1:28:31
  Yeah.
• 1:28:32
  You're gonna be
• 1:28:32
  their fashion designer when you take them on tour?
• 1:28:35
  No.
• 1:28:35
  I I, you know, I think that the fact that they can be who they are and comfortable with who
• 1:28:44
  they are and still create and generate music that is that was that was just a good solid
• 1:28:53
  track.
• 1:28:55
  I would and I I I I know this sounds terrible, and I'm not judging a book by its cover, but
• 1:29:02
  never would I have pictured you two doing that.
• 1:29:04
  This I just I just wouldn't.
• 1:29:06
  You both she looks like a rocker girl.
• 1:29:09
  You know, like I said, she kinda gives me the
• 1:29:12
  Mel has of a rock chick look.
• 1:29:14
  I reckon she was a rock chick in her thirties.
• 1:29:16
  I reckon, like, there's some dark secrets we have with
• 1:29:19
  she's not in her thirties now.
• 1:29:22
  Oh, well, yes.
• 1:29:23
  She probably is 25 at least.
• 1:29:25
  See?
• 1:29:26
  Yeah.
• 1:29:29
  You know
• 1:29:29
  Woman never tells her age.
• 1:29:31
  Right.
• 1:29:31
  You know, you give you know, you give a really and it's not a dirty rocker chick.
• 1:29:39
  It's like a glamorous rocker chick.
• 1:29:42
  Like, you know what I'm saying?
• 1:29:44
  Because some rock rocker chicks, like, they look like they need a bath.
• 1:29:48
  Like, you look at them, and they're like, oh, that's a rocker chick, but Sorry
• 1:29:51
  to order rocker chicks out there.
• 1:29:52
  I've never known a rocker chick to need a bath.
• 1:29:54
  Okay?
• 1:29:55
  What?
• 1:29:56
  Then you've obviously don't have a nose.
• 1:30:00
  I need to go to LA.
• 1:30:01
  I need to come over to The US.
• 1:30:03
  I'm gonna meet some of these market chicks who need a bath.
• 1:30:06
  Well, you know what I mean.
• 1:30:07
  They just look grungy and dirty, and it's like, you know, you kinda come across, like, the
• 1:30:15
  classic era of rock.
• 1:30:17
  So, anyway but the music itself is so timely.
• 1:30:24
  Like, honestly, it would play on contemporary radio.
• 1:30:30
  And then they would invite you for an interview, and they'd be like Are you are you
• 1:30:39
  their parents?
• 1:30:41
  You're their
• 1:30:42
  parents.
• 1:30:43
  Take it up.
• 1:30:44
  Seriously.
• 1:30:46
  Because you guys have tapped into a sound that is uniquely yours but works on so many levels.
• 1:30:58
  Just really, really, really smart, good music.
• 1:31:03
  Like, seriously, you guys are really sincerely good.
• 1:31:07
  I I joke a lot, you know, but I don't throw compliments out unless they're earned.
• 1:31:14
  If you watch, I'm very select at what I say so that it doesn't come back and bite me in the
• 1:31:19
  ass and people go, dude.
• 1:31:21
  Know your we all
• 1:31:22
  know your trick now, Michael.
• 1:31:23
  If you don't like something, you go, yeah.
• 1:31:25
  That was good.
• 1:31:26
  So what next are we playing?
• 1:31:28
  Right.
• 1:31:28
  Yeah.
• 1:31:29
  So we
• 1:31:29
  know where Michael doesn't like something.
• 1:31:31
  Well, it's
• 1:31:32
  gonna be like, I I you know, nobody wants to hear that their song was shit.
• 1:31:37
  You know?
• 1:31:37
  So Yeah.
• 1:31:38
  They don't.
• 1:31:39
  That that's just the way it is.
• 1:31:41
  But I love the vocals.
• 1:31:43
  I love the arrangements.
• 1:31:45
  I love I love your guys' sound.
• 1:31:48
  And, again, it's the more is less kind of thing works for what you guys are doing.
• 1:31:57
  You know?
• 1:31:58
  There's not a big gigantic production, and the horns aren't you know?
• 1:32:03
  And it's just music.
• 1:32:05
  It's like it's a catchy riff.
• 1:32:08
  You know?
• 1:32:08
  It's it's good it's good words.
• 1:32:10
  It's a catchy melody.
• 1:32:13
  You know, vocals that suit the song, you know, that feel like you can tell it's hard to find a
• 1:32:22
  songwriter to write for a a singer unless they've worked together for a long time.
• 1:32:27
  Then you get, you know, Elton John and Tupin and and Meatloaf, you know, and his writer.
• 1:32:33
  They they got to know each other.
• 1:32:36
  There's something about songwriters writing for themselves and just saying, this is what I do,
• 1:32:43
  and I'm gonna do it.
• 1:32:44
  And you guys have really nailed that.
• 1:32:47
  I really, really do like that song.
• 1:32:50
  Okay.
• 1:32:50
  You've got one more song in the evening?
• 1:32:52
  Unless
• 1:32:54
  you two wanna answer that because I think you do.
• 1:32:57
  Jump in there.
• 1:32:58
  What do you wanna say?
• 1:33:00
  What?
• 1:33:00
  Island Girl?
• 1:33:01
  Yeah.
• 1:33:02
  It reminds this is this a little bit in in my history going to Jones Beach, Long Island in
• 1:33:09
  New York.
• 1:33:10
  I've been
• 1:33:10
  on Long Island.
• 1:33:12
  Yeah.
• 1:33:13
  So you know Ocean Parkway, and you know, yeah.
• 1:33:16
  Well, that it it gets some reference to that the feeling of that.
• 1:33:20
  That's about as much reference to it that there is, though.
• 1:33:24
  Not too much.
• 1:33:25
  True.
• 1:33:26
  Long Island.
• 1:33:28
  No.
• 1:33:29
  No.
• 1:33:29
  No.
• 1:33:29
  I'm not coming
• 1:33:30
  in the corner.
• 1:33:31
  It's going in the corner over there.
• 1:33:35
  This song is an actual play on an island girl.
• 1:33:40
  So if a person really island girl in Hawaii, they're thinking an island.
• 1:33:47
  So but yes.
• 1:33:50
  So an island girl on on this sense is not a person from Hawaii.
• 1:33:56
  It's a person from Long Island.
• 1:33:59
  Or Long Island.
• 1:34:02
  Two different places.
• 1:34:03
  Long Island.
• 1:34:04
  Which island you're on?
• 1:34:06
  Just enjoy it because I think it looks a beautiful island.
• 1:34:08
  Okay?
• 1:34:09
  So Island Gal is our last song of the night, everyone.
• 1:34:12
  Enjoy this last song, and we're gonna wrap up for the night, okay, with Hannon and all this.
• 1:34:17
  Any last questions that people would like to ask before we go, please get them in now
• 1:34:22
  because it's your last opportunity after this song.
• 1:34:25
  This is Ireland Go, everyone.
• 1:37:36
  No.
• 1:37:38
  Yeah.
• 1:37:39
  I I hate to repeat myself because it just sounds like I don't know what else to say.
• 1:37:47
  Your music is just good.
• 1:37:48
  There's just no way around it.
• 1:37:51
  You definitely you definitely will find an audience.
• 1:37:59
  There's there's absolutely no doubt in my mind.
• 1:38:02
  Seriously.
• 1:38:02
  It's just really kind of you know, I'm kind of a I one of the things that Jason and I do for
• 1:38:11
  fun, we have a yacht rock vocal group that we that we have that's called Retro Regatta.
• 1:38:22
  And so we do all the yacht rock stop stuff from the lates, you know, late seventies and early
• 1:38:28
  eighties and and do all that kind of music.
• 1:38:31
  And we love it.
• 1:38:33
  And there is definitely a flavor of that in your music, and there is definite people that
• 1:38:41
  love that kind of style, that kind of feel, that kind of just and you guys have captured
• 1:38:48
  that.
• 1:38:49
  Like, I really had no idea how really good you guys were.
• 1:38:55
  You know?
• 1:38:56
  Because everybody can well, not everybody, but, you know, some people can sneak a good song in
• 1:39:03
  there.
• 1:39:03
  It doesn't mean that they have, you know, the skill set to actually put an album together or
• 1:39:10
  do a show or, you know, create a fan base.
• 1:39:14
  I really honestly think you do.
• 1:39:16
  I I think your music is definitely has an audience.
• 1:39:20
  I really do.
• 1:39:21
  I really honestly believe that.
• 1:39:23
  I think that, you know, with the right push, you know, in the right direction and having
• 1:39:32
  someone find, you know, the the audience that is out there for you, you guys could be as busy
• 1:39:38
  as you wanted to be.
• 1:39:40
  I really you know, whether you just gigged, you know, a few times a month or if you guys wanted
• 1:39:48
  to set up, like, kind of a mini tour or whatever.
• 1:39:53
  I I just see you guys exploding from, you know, spring all the way until fall.
• 1:40:00
  You know, I just really feel like you guys really have a great sound.
• 1:40:06
  And don't let you know, god, don't let your age stop you because, good music is good music.
• 1:40:15
  And and I think people understand that, you know, because there are so many people, you
• 1:40:21
  know, from the eighties, you know, that are touring still, you know, and making music, and
• 1:40:27
  they're filling places up.
• 1:40:30
  You know?
• 1:40:31
  And it's just a matter of, you know, making sure your PR and your socials and, you know,
• 1:40:39
  you're getting out there and getting the exposure.
• 1:40:41
  But, honestly, I really like you guys.
• 1:40:44
  I really, seriously, genuinely, really like, and I love what you do.
• 1:40:50
  I would go see your show.
• 1:40:52
  I I would without a doubt, I would if if I knew you were playing somewhere, I would totally go
• 1:40:57
  see you guys.
• 1:40:58
  So that's that's my critique in a in a in a in a
• 1:41:05
  That's beautiful.
• 1:41:06
  And I think that, you know, that sort of that sort of wrap up because I think what we've got
• 1:41:11
  to and where we've got to at Phoenix Rise is basically looking for an image for you.
• 1:41:15
  You know, we went literally at your first journey, Beth, and we were thinking about, you
• 1:41:20
  know, how is this all gonna pan out.
• 1:41:21
  By the way, it looks as if you're going out to him whether you like it or not.
• 1:41:26
  You're literally going out.
• 1:41:28
  We are gonna be literally presenting the Hampton and Allis as a a Giro who are going out
• 1:41:33
  touring.
• 1:41:35
  Great ideas.
• 1:41:36
  Fantastic ideas.
• 1:41:37
  I'm so glad that you have got the feedback that you have got back.
• 1:41:41
  I don't know if Michael's taken a call or he basically is off because I'm talking, but,
• 1:41:47
  hopefully, he'll come back to us before the end of the show, everyone.
• 1:41:50
  But just to let you two know, you know, great potential tonight, amazing music tonight, and,
• 1:41:58
  basically, you know, let's just ride with it.
• 1:42:01
  We've got several months to work together.
• 1:42:03
  Let's work on some of these projects.
• 1:42:05
  Let's work on some of these ideas.
• 1:42:07
  You've already welcomed yourself to Phoenix Rise with that amazing t shirt of yours.
• 1:42:11
  I tell you what, I need a graphic designer in my shop.
• 1:42:14
  When I open my shop, say, Beth, I know who I'm gonna be coming to to, like, sort out my
• 1:42:18
  clothes, in my, merchandise store because that looks amazing, and I think I'm gonna nick that
• 1:42:23
  idea.
• 1:42:23
  But, you know, I'm I'm just I'm really excited by where this is going for you two.
• 1:42:30
  I tonight, please, as an audience, you know, look up Hannon and Ollis.
• 1:42:36
  Okay?
• 1:42:36
  Look up their social media.
• 1:42:39
  Make sure that you download their songs.
• 1:42:42
  And if you want to work with them, they are open to working with you, you know, but they
• 1:42:47
  may not have much time because they may be on the next plane over to The UK as the tour is
• 1:42:52
  coming up.
• 1:42:53
  Okay?
• 1:42:53
  So Where
• 1:42:54
  do you guys live?
• 1:42:55
  If you wanna get hold of them, then please do.
• 1:42:57
  Where do you live?
• 1:42:59
  Prescott, New Jersey.
• 1:43:01
  New Jersey?
• 1:43:02
  Yeah.
• 1:43:04
  Yeah.
• 1:43:05
  I love East Coast people.
• 1:43:07
  Yay.
• 1:43:08
  Okay.
• 1:43:09
  What?
• 1:43:11
  Love East Coast people.
• 1:43:13
  Oh, cool.
• 1:43:13
  So you're going over there tomorrow then.
• 1:43:15
  Right.
• 1:43:15
  Okay.
• 1:43:15
  So before the end of the show, I will give him Michael their address.
• 1:43:19
  He's gonna fly over there.
• 1:43:20
  Okay?
• 1:43:21
  Be honest.
• 1:43:24
  What is your guys' plan?
• 1:43:26
  So you have this you you actually you have you honestly have some really good music,
• 1:43:33
  obviously.
• 1:43:34
  And so what is your plan?
• 1:43:37
  Where where were you what are you doing next?
• 1:43:40
  Our plan is to release more songs.
• 1:43:45
  Gotta finish this mix there.
• 1:43:47
  That's for sure.
• 1:43:47
  Yeah.
• 1:43:48
  We're working on a song right now.
• 1:43:49
  It's up on the, on the board right now.
• 1:43:53
  We can't we can't we can't keep up with we I mean, I know writing a lot doesn't mean
• 1:44:00
  anything, but we write so many songs now.
• 1:44:03
  I can't keep up recording them.
• 1:44:05
  Do you do you have enough for an album?
• 1:44:08
  We have enough for probably, like, two albums at least right now.
• 1:44:12
  Do yourself a favor.
• 1:44:14
  Okay?
• 1:44:17
  Because you don't wanna sit with just an onslaught of music, and then you're going, what
• 1:44:21
  the hell do I do?
• 1:44:24
  Pick pick your top 12 or 14 and try assembling your first album or you know?
• 1:44:34
  And think about your brand.
• 1:44:38
  Think about what it is you want to say about not only your music, but about you.
• 1:44:45
  Okay?
• 1:44:46
  So you have a plethora of music.
• 1:44:47
  You have a catalog now.
• 1:44:49
  You can pick the very best that will define you.
• 1:44:53
  Then when you do that, you need to jump in and start working with people that will promote
• 1:45:03
  you, you know, manage you, get have some contacts for you.
• 1:45:09
  I really honestly truly believe this.
• 1:45:12
  I really think there's an audience for you guys.
• 1:45:14
  I don't think you're just making music so that you can put it out.
• 1:45:18
  I think you guys have something that people are gonna really not only like, they're gonna wanna
• 1:45:25
  experience live.
• 1:45:27
  You know, they're gonna wanna see what you guys do.
• 1:45:30
  So I what?
• 1:45:34
  What?
• 1:45:35
  Well, as far as far as an album, maybe I'm thinking the old fashioned way.
• 1:45:41
  Our songs don't have anything to do they're like singles.
• 1:45:44
  You know?
• 1:45:44
  Doesn't it can an album not be like Steely Dan album, like a concept thing?
• 1:45:49
  Oh, no.
• 1:45:49
  No.
• 1:45:50
  Steely yeah.
• 1:45:50
  God.
• 1:45:51
  I lost.
• 1:45:52
  We were Even though Fagan even though Fagan is just a complete asshole.
• 1:45:57
  I agree.
• 1:45:57
  I'm being reminded by Showtimes.
• 1:45:59
  Okay?
• 1:46:00
  Well, Richard, bless him.
• 1:46:01
  At the end of the show, we are literally switching off soon.
• 1:46:04
  Okay?
• 1:46:05
  He has mowed the lawn.
• 1:46:06
  He has shaved the sheep.
• 1:46:08
  I mean and sorry.
• 1:46:09
  He had shaved the sheep.
• 1:46:10
  There's no sheep there.
• 1:46:11
  How long have we been on?
• 1:46:12
  He has
• 1:46:13
  shaved and
• 1:46:13
  slept How long have we been on?
• 1:46:15
  Do you know how
• 1:46:16
  long we've been on Michael Cagle?
• 1:46:18
  One hour and forty six minutes.
• 1:46:21
  In The UK, we are now at ten to eight in the evening.
• 1:46:24
  So okay.
• 1:46:24
  So here's I wanna answer this question.
• 1:46:27
  No.
• 1:46:27
  You don't have to have a concept album, but you do want to define what your brand is, what your
• 1:46:34
  sound is.
• 1:46:35
  If you can keep you know, if you can have a theme kind of or, you know, an underlining
• 1:46:41
  current, like, my album was Confessions of a Broken Child.
• 1:46:46
  A lot of my songs talk about healing or being, you know, not broken anymore and that kind of
• 1:46:53
  thing.
• 1:46:55
  You don't need to have a theme.
• 1:46:56
  It doesn't have to be like mister Roboto where it's a, you know, a concept album.
• 1:47:01
  But you do wanna establish your brand.
• 1:47:05
  Find your best songs that say who you are.
• 1:47:08
  You know?
• 1:47:08
  And it can be your brand can be the theme.
• 1:47:13
  We are this.
• 1:47:14
  This is the kind of stuff that we do.
• 1:47:16
  But find your top 12 or 14 and then put together that album.
• 1:47:22
  And I really mean that.
• 1:47:24
  I really, really mean that.
• 1:47:25
  You guys have something really special.
• 1:47:28
  Yes.
• 1:47:28
  Do you know what?
• 1:47:29
  I'm actually gonna let Yes.
• 1:47:30
  Thank you.
• 1:47:31
  I hope our music man manager is
• 1:47:34
  Well, I hope he's watching.
• 1:47:35
  I hope he's listening to this under the table.
• 1:47:37
  Okay?
• 1:47:38
  Just say, hang on a minute.
• 1:47:39
  Are you listening, AJ?
• 1:47:41
  Yeah.
• 1:47:42
  Yeah.
• 1:47:42
  He's listening.
• 1:47:43
  Okay.
• 1:47:43
  He's he's got he's calling.
• 1:47:45
  Okay?
• 1:47:45
  He he calling us in.
• 1:47:46
  Okay?
• 1:47:47
  I give AJ a lot of shit, but AJ knows his stuff.
• 1:47:52
  And and one thing about him, he's incredibly he's fiercely loyal and will really work for
• 1:47:59
  somebody.
• 1:48:00
  And but give him as much as you can give him, it makes his job that much easier.
• 1:48:07
  And just you don't wanna be a group with just singles.
• 1:48:10
  So you wanna put an album together.
• 1:48:13
  You definitely want to say, oh, wow.
• 1:48:16
  Here's our 14 songs.
• 1:48:18
  This really establishes kind of what we're about.
• 1:48:23
  And then hit that release on that.
• 1:48:25
  Because once you go from singles to album, it's a lot easier to promote you.
• 1:48:31
  You know, these guys are having an album out now.
• 1:48:33
  It's not just because a lot of people are putting singles out.
• 1:48:38
  Take that next step.
• 1:48:39
  And that's the only thing that I think and then that gives AJ a lot of ammunition to go out
• 1:48:45
  there and do that.
• 1:48:46
  But then be prepared because I think your sound and what you guys do is gonna be very catchy.
• 1:48:53
  I I really, really, really, really do.
• 1:48:55
  I really think you guys is
• 1:48:58
  gonna come from the audience.
• 1:48:59
  You have got a fan club, YouTube.
• 1:49:01
  Yep.
• 1:49:02
  And this is with your image.
• 1:49:04
  You have already got your fan club.
• 1:49:06
  Okay?
• 1:49:06
  Richard says, h and o forever.
• 1:49:09
  Okay?
• 1:49:10
  Randy says, good luck with your career.
• 1:49:12
  We are basically there for you.
• 1:49:14
  Oh my god.
• 1:49:15
  We're gonna have fans, okay, all over the world by the time we finish you with you here at
• 1:49:20
  Phoenix, guys.
• 1:49:20
  Yeah.
• 1:49:21
  I'm gonna wrap
• 1:49:21
  up the show there for everybody.
• 1:49:23
  I'm gonna say goodnight.
• 1:49:24
  It is the weekend, everybody.
• 1:49:26
  Go and enjoy your weekend, whatever you do.
• 1:49:28
  Enjoy your weekend.
• 1:49:30
  Happy Memorial weekend.
• 1:49:32
  Everybody in The States
• 1:49:34
  stop getting me off.
• 1:49:36
  I didn't.
• 1:49:38
  Happy Memorial weekend, all Us stateside people.
• 1:49:43
  Say the Michael Cagle show.
• 1:49:45
  But okay.
• 1:49:46
  An absolute pleasure, Michael, because I just love this show, and I just laugh the whole time
• 1:49:53
  through.
• 1:49:53
  And this is my favorite show.
• 1:49:55
  I can't even miss it.
• 1:49:56
  I'd set my alarm to it.
• 1:49:57
  It's so for me to be on.
• 1:49:59
  Oh, Michael Cagle.
• 1:50:02
  I'm sorry, AJ.
• 1:50:03
  But Michael just is just the best.
• 1:50:07
  That
• 1:50:11
  was good.
• 1:50:14
  This show has been interrupted because AJ is now having a meltdown.
• 1:50:19
  I hope you enjoyed it.
• 1:50:20
  I hope you enjoyed the sounds.
• 1:50:23
  I'm carrying it on.
• 1:50:25
  No.
• 1:50:25
  I
• 1:50:26
  hope you've enjoyed the sounds.
• 1:50:28
  I've had an I'm fan of you guys.
• 1:50:29
  Have a
• 1:50:30
  really good weekend.
• 1:50:30
  Okay?
• 1:50:31
  Goodbye, everybody.
• 1:50:33
  AJ is now going to cry.
• 1:50:35
  Bye bye.
• 1:50:36
  Like this.
• 1:50:36
  Say goodbye, Michael.
• 1:50:38
  Bye.
• 1:50:41
  Bye.