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Hard II Love, Easy II Beef · The Breakfast Club

• 0:01
  Speaker 1: Jo Waldsmost Dangerous Morning Show, The Breakfast Club, Club Business.
• 0:08
  Speaker 1: Y'all together, y'all are like a manga for us. Y'all
• 0:10
  Speaker 1: just took over him with your past. Is Chris Brown.
• 0:14
  Speaker 1: I've officially joined the Breakfast Club. Say something, mother, I'm
• 0:17
  Speaker 1: with it, Walmo, Dangerous Morning Show, Brecklas Club Pies, Good
• 0:34
  Speaker 1: Morning Usa, yo yo yo yo yo yo yo yo
• 0:36
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:38
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:40
  Speaker 1: yo yo yo yo yo yo yo yo. Good morning ANGELA. Ye,
• 0:43
  Speaker 1: that's Cholamine the guy. He's to the plane. It is Monday, Yes,
• 0:49
  Speaker 1: it's Monday. A great start to the work week, simply
• 0:52
  Speaker 1: because my Dallas Cowboys are now one in one trap.
• 0:54
  Speaker 1: Want to clues moms from my Dallas Cowboys, damn it.
• 0:57
  Speaker 1: And of course my New York Giants are undefeated two
• 0:59
  Speaker 1: and oh yeah, I barely squeezed out one out. Hey,
• 1:02
  Speaker 1: a win is a win, win is the damn win
• 1:04
  Speaker 1: is a win. I'm not I'll take them how we
• 1:06
  Speaker 1: can get them. Hey, I'm with you. Damn everybody's in
• 1:09
  Speaker 1: a good movie. Undefeated Giants. A lot going on over
• 1:12
  Speaker 1: the weekend. I was out in a Canada shop. Everybody
• 1:14
  Speaker 1: that was in Toronto. In Ottawa, Canada's kind of like
• 1:17
  Speaker 1: my second home. I've been traveling there a lot recently,
• 1:20
  Speaker 1: have you now? Yeah? I like Canada. Passport is all clear,
• 1:23
  Speaker 1: no problems. No, I'm good, I'm good, get the kid
• 1:26
  Speaker 1: in and anytime I need to. Yeah. I was sitting
• 1:28
  Speaker 1: back watching all the hip hop. She again of the weekend,
• 1:30
  Speaker 1: feeling so good, feeling so good as I did things
• 1:33
  Speaker 1: like sitting on my dad, you know, laying my bed
• 1:36
  Speaker 1: with my nice linen sheets, you know what I mean,
• 1:39
  Speaker 1: play with my kids, and just thank god that I'm
• 1:42
  Speaker 1: not in the jungle. I like hip hop aboards were
• 1:45
  Speaker 1: over the weekend. I like being part of the Safari
• 1:48
  Speaker 1: took the game showing Kingston. Yeah. Like I like being
• 1:51
  Speaker 1: in the jeep riding through the jungle. We're looking at
• 1:53
  Speaker 1: the animals the windows up. Feels so good. Did not
• 1:55
  Speaker 1: have to be an animal anymore. But we have, of
• 1:59
  Speaker 1: course for you about all of that. I was traveling
• 2:01
  Speaker 1: this weekend as well. I was in Charlotte, North Carolina.
• 2:03
  Speaker 1: Shout to Charlotte, had a great time. I was at
• 2:05
  Speaker 1: that club one in Charlotte that Peter Thomas from real
• 2:08
  Speaker 1: high school. You was done there with the King of Charlotte.
• 2:12
  Speaker 1: Dave was in there though Peter Lucky hadn't get beat up. Buddy,
• 2:15
  Speaker 1: don't the Queen city don't like around they talking about you.
• 2:18
  Speaker 1: The King of Charlotte. Did he look like the King?
• 2:20
  Speaker 1: I mean he was in the club. You know, he
• 2:22
  Speaker 1: was chilling. I don't know about being the King, but
• 2:24
  Speaker 1: they ain't like chill. You better just be happy to
• 2:27
  Speaker 1: be there. When you ain't from someplace and you run
• 2:29
  Speaker 1: up in necessity talking about you the King of you
• 2:31
  Speaker 1: need to relax and just be happy to beat a
• 2:33
  Speaker 1: little bit. And then I left there and I went
• 2:35
  Speaker 1: to Boston. A lot of people were in Boston over
• 2:36
  Speaker 1: the weekend. They had this big hemp fest. Hemp, oh hemp.
• 2:40
  Speaker 1: So I think Dave East was coming the day and
• 2:42
  Speaker 1: I was leaving at metha Man and Red Man that
• 2:44
  Speaker 1: we need right, Yes, okay, they knew a weed fest
• 2:47
  Speaker 1: in Boston, Yeah they do. I was asking about that
• 2:49
  Speaker 1: because I was at Is we legal? And they said
• 2:51
  Speaker 1: it's not, but for that one day. They don't give
• 2:54
  Speaker 1: you a hard time about anything. So had a good
• 2:57
  Speaker 1: time there. They know you live in the city. That's
• 2:59
  Speaker 1: predominantly white fun weekend. Let think slide, Yeah, it's today,
• 3:02
  Speaker 1: We'll have a perch. Okay, just today, Now we got
• 3:04
  Speaker 1: to talk about Front page News. There's a lot of
• 3:07
  Speaker 1: things going on that I'm not sure explosions all over
• 3:09
  Speaker 1: the place right at that, Well, traveling is a little
• 3:11
  Speaker 1: bit rough fare in New York City and New Jersey
• 3:14
  Speaker 1: because there were some explosions that happened over the weekend.
• 3:17
  Speaker 1: And I'll give you as much information as we have
• 3:19
  Speaker 1: on that as of now. Is Mercury is still in retrograde.
• 3:22
  Speaker 1: That's where we need to all be keeping in my
• 3:23
  Speaker 1: own no. If if Mercury's still in a retrograde, that
• 3:26
  Speaker 1: is the reasons for all the crazy stuff we're seeing.
• 3:29
  Speaker 1: It said it was a pipe bomb. Then there was
• 3:31
  Speaker 1: a bomb on twenty third Street in Manhattan, and they
• 3:33
  Speaker 1: found a bomb on twenty seventh, and then there was
• 3:35
  Speaker 1: one Jersey. All right, Well, Usher will be joining us
• 3:38
  Speaker 1: this morning as well. I've heard of No No, I've
• 3:41
  Speaker 1: heard of a little bit of all Right to Love.
• 3:43
  Speaker 1: That album's out, all right, So we'll kicking with us
• 3:45
  Speaker 1: in a little bit. But let's get the show popping.
• 3:47
  Speaker 1: Front Page News next, just to breakfast Club. Good morning.
• 3:54
  Speaker 1: That was for free Jaleck Drake Morning. Everybody is DJ Envy,
• 4:00
  Speaker 1: Angelie Charlomagne the God. We are the Breakfast Club. Now
• 4:02
  Speaker 1: let's get in some front page news. Last night the
• 4:05
  Speaker 1: Giants too and O undefeated. They beat the Saints, Steelers
• 4:08
  Speaker 1: beat the Bengals, Titans beat the Lions, Ravens beat the Browns,
• 4:11
  Speaker 1: Cowboys beat the Redskins, Panthers beat the forty nine is,
• 4:14
  Speaker 1: the Patriots beat the Dolphins, Texans beat the Chiefs, the
• 4:17
  Speaker 1: Rams beat the Seahawks, the Cardinals beat the Bucks, the
• 4:20
  Speaker 1: Chargers beat the Jags, the Falcons beat the Raiders, the
• 4:22
  Speaker 1: Broncos beat the Coats, the Frikons beat the Pacers, or
• 4:25
  Speaker 1: the Packers paces the Packers. And in Monday night football
• 4:29
  Speaker 1: the Eagles played the Bear. I don't like how you
• 4:32
  Speaker 1: just slid over. The Cowboys, you know, beat the Redskins. Okay,
• 4:36
  Speaker 1: I need you to say that with more emphasis. I
• 4:38
  Speaker 1: said it enough. Okay, that emphasize that. My Dallas Cowboys
• 4:42
  Speaker 1: beat the Washington Redskins. Thank you, no, no, no no, I
• 4:44
  Speaker 1: said it right now. Let's talk about these three attacks
• 4:46
  Speaker 1: in the US. Man. This was crazy over the weekends.
• 4:49
  Speaker 1: They were three attacks in twelve hours in New York
• 4:53
  Speaker 1: and New Jersey streets, and there was also a stabbing
• 4:55
  Speaker 1: spree at a mall in Minnesota. The hell's going on now?
• 4:58
  Speaker 1: There were twenty nine people in injured because of a
• 5:00
  Speaker 1: bombing that happened in Manhattan on twenty third Street, and
• 5:03
  Speaker 1: they did find a device, a mysterious device that was
• 5:06
  Speaker 1: blocked away, so people are extra on guard. You know,
• 5:10
  Speaker 1: the UN is actually having their debate at the General Assembly,
• 5:14
  Speaker 1: so that's happening today. So if you're in the New
• 5:16
  Speaker 1: York City area, it's a little bit crazy even just
• 5:19
  Speaker 1: trying to get around what did what? Did? Demand say
• 5:22
  Speaker 1: that it was intentional but it wasn't an active terrorism
• 5:25
  Speaker 1: and what the hell was it? They haven't defined it yet.
• 5:27
  Speaker 1: I mean it wasn't Muslim. He wasn't Muslim. That's what
• 5:30
  Speaker 1: it means. I don't think they're shure yet, So I
• 5:31
  Speaker 1: may give you some more things. On nine thirty am
• 5:34
  Speaker 1: and Seaside Park, New Jersey, one of three pipe bomb
• 5:37
  Speaker 1: type devices were wired together. They detonated in a garbage can.
• 5:41
  Speaker 1: They tore apart the container, but nobody else was injured.
• 5:44
  Speaker 1: What have happened to the term domestic terrorism. If you
• 5:46
  Speaker 1: put a bomb and a garbage can and it blows
• 5:48
  Speaker 1: up and you hit your twenty nine people, that's an
• 5:50
  Speaker 1: active domestic terrorism. I'm sorry, let's just not show you
• 5:53
  Speaker 1: why when you say it's intentional. How can you if
• 5:55
  Speaker 1: you if you say it's intentional, then that's letting me
• 5:58
  Speaker 1: know kids at terrorists period. All right, Then, we told
• 6:01
  Speaker 1: you about the bomb that happened in Manhattan's Chelsea neighborhood.
• 6:04
  Speaker 1: It was an explosion on twenty third Street and sixth
• 6:06
  Speaker 1: Avenue with twenty nine people injured. They did find an
• 6:08
  Speaker 1: intact pressure cooker blocks away. Now, the Governor, Andrew Cuomo
• 6:13
  Speaker 1: said the pressure cooker and the exploded device in Chelsea
• 6:15
  Speaker 1: were similar. So they said both devices had cell phones
• 6:19
  Speaker 1: as timers. Then, at nine pm in Saint Cloud, Minnesota,
• 6:23
  Speaker 1: a man was wearing a security uniform. He entered Crossroads mall,
• 6:26
  Speaker 1: made a reference to a lot, and he stabbed nine
• 6:28
  Speaker 1: people before an off duty police officers shot him dead.
• 6:32
  Speaker 1: The police said that Sean Kingston told him Meek Mill
• 6:34
  Speaker 1: put the bombs in the trash cans all through the
• 6:36
  Speaker 1: all stop and then then did you get the one
• 6:37
  Speaker 1: on Elizabeth, New Jersey? This morning? Yeah, so that happened
• 6:39
  Speaker 1: Elizabeth in New Jersey this morning. That's actually why the
• 6:42
  Speaker 1: path trains are I mean, New Jersey Terranger trains aren't
• 6:45
  Speaker 1: really running. You have to do Amtrak and they're on
• 6:47
  Speaker 1: a limited schedule. What happened There was a bomb found
• 6:49
  Speaker 1: in a garbage can. A homeless man was going through
• 6:51
  Speaker 1: the garbage and found it cold nine on one and
• 6:54
  Speaker 1: they sent the little robot to detonate it and it exploded.
• 6:56
  Speaker 1: Made a mistake and it did explode, but nobody was
• 6:58
  Speaker 1: injured because it was a robot that went to Bob.
• 7:01
  Speaker 1: Are they saying, if you see something, say something. I
• 7:03
  Speaker 1: wouldn't even know what the bomb looked like. I need
• 7:05
  Speaker 1: to know what this homeless man can identify a ball.
• 7:07
  Speaker 1: I'm thinking about bombs from the movies. Remember the bomb
• 7:09
  Speaker 1: that I was tied up on Pookie and New Jackson.
• 7:10
  Speaker 1: That's kind of what it looked like. It looked like
• 7:12
  Speaker 1: a bunch of annually to a flip phone. You can
• 7:14
  Speaker 1: see a flip phone in the garbage can. You're gonna
• 7:15
  Speaker 1: be and who left the homeless manhold their phone to
• 7:18
  Speaker 1: be able to call in and say that you found
• 7:20
  Speaker 1: a bomb in the trash can something man right about this? Now,
• 7:23
  Speaker 1: I'm just smelling some no fuckiness in the water right now. Now,
• 7:26
  Speaker 1: that's where is the homeless man just randomly find a
• 7:29
  Speaker 1: phone to call in and say it was a bomb
• 7:31
  Speaker 1: in the trash the pay phone. They don't know. They
• 7:33
  Speaker 1: don't really have pay phones anymore, Yes they do. You
• 7:36
  Speaker 1: think that homes man' was gonna waste his a little
• 7:37
  Speaker 1: couple change on the payphone. Oh it is one those guys.
• 7:42
  Speaker 1: I don't know. I don't know latime. I see them
• 7:45
  Speaker 1: pay phone, I phone a long time. But that's not
• 7:47
  Speaker 1: the issue. Man, that's not the right next to one
• 7:49
  Speaker 1: in New Jersey? Did you yeah? But did it work? Yeah?
• 7:53
  Speaker 1: I didn't need to know what the bomb looked like
• 7:54
  Speaker 1: a buzz anymore. You see it was wire is connected
• 7:57
  Speaker 1: to a flip phone. You see a flip phone, you
• 7:58
  Speaker 1: think you know fire connected. But I think they already
• 8:01
  Speaker 1: detained the people that they feel like I had something
• 8:03
  Speaker 1: to do explosion in Chelsea, So they already have people
• 8:06
  Speaker 1: arrested in connection and they're questioning them. They arrested three
• 8:09
  Speaker 1: people on the bridge and those three people are from Elizabeth,
• 8:11
  Speaker 1: New Jersey. I don't bombs identified themselves a lot going on. Okay,
• 8:16
  Speaker 1: that's front page news. Now tell them why you're mad.
• 8:18
  Speaker 1: Eight hundred five eighty five one oh five one. If
• 8:20
  Speaker 1: you're upset, you need to vent callers right now, phone
• 8:23
  Speaker 1: line to wide open. Maybe you need to get some
• 8:24
  Speaker 1: things off your chest. Eight hundred five eight five one
• 8:27
  Speaker 1: oh five one. Tell them why you're mad. It's the
• 8:29
  Speaker 1: Breakfast Club. Good morning, the breakfast Club. Hey, yo, this
• 8:36
  Speaker 1: is a man wrapper cood morning y'all. Food. I'm gonna
• 8:37
  Speaker 1: tell you why man. I'm gonna tell you why man?
• 8:39
  Speaker 1: For real? Man, Hey yo, my girl keep coming home
• 8:41
  Speaker 1: swelling like paul o'calog so like like that ain't for
• 8:43
  Speaker 1: girls like I love. Something's going on for real, like
• 8:46
  Speaker 1: like like I'm heated about that. And now I need
• 8:48
  Speaker 1: you try to tell me why you are man? Why
• 8:50
  Speaker 1: are you man on the breakfast club? For real? John
• 8:52
  Speaker 1: Josh three? In the building? Work go down a lot familiar, y'all.
• 8:55
  Speaker 1: Don't nobody want to hear from you? And this explosions
• 8:57
  Speaker 1: going off all over the country. Sir, oh man, I
• 9:00
  Speaker 1: thought we was bronze. No oh man, that breaks my heart. Ajul, Yeah,
• 9:06
  Speaker 1: I miss you said you didn't call me yet. I
• 9:10
  Speaker 1: gave you my business card. Oh shoot, you still got
• 9:13
  Speaker 1: business cars in its twenty sixteen? Yeah, business cards in
• 9:16
  Speaker 1: CD Sarah. I'm like, okay, all right, old school, young og.
• 9:19
  Speaker 1: I'm living on what I'm preaching. I see people act
• 9:21
  Speaker 1: one way to change their image on the weekend. I
• 9:23
  Speaker 1: don't do that. I get on air and spitch true facts.
• 9:25
  Speaker 1: We live it. But Houston is my city, like New
• 9:27
  Speaker 1: Jack City, other purple. But I'm swerving in the cool black.
• 9:30
  Speaker 1: Bring your rams to the wrong hood and get your
• 9:32
  Speaker 1: twenty two jack. That's the same reason that I say
• 9:34
  Speaker 1: where the stew at flow, so seek me where the
• 9:37
  Speaker 1: chicken soup at. I'm fighting in a piece of paper
• 9:39
  Speaker 1: bearing my name. I'm the type to say the stuff
• 9:41
  Speaker 1: that they're too scary to save breakfast club on my back.
• 9:43
  Speaker 1: I got to carry the way with young black men.
• 9:45
  Speaker 1: But they want us to remember we slaves, no money,
• 9:48
  Speaker 1: all struggle. I remember them days now. I'm signing so hard.
• 9:51
  Speaker 1: I ain't getting no shade. I got the salts, I
• 9:53
  Speaker 1: got the flavor, most flavored and flavor. I make the
• 9:55
  Speaker 1: tests look easy because I studied my waist. I've been
• 9:57
  Speaker 1: down okay manye, hello, hello, who's this Yo, this is
• 10:07
  Speaker 1: d from Jersey. Tell them why you're mad? Man, Listen,
• 10:09
  Speaker 1: I got I got some little kids coming around my house. Man.
• 10:12
  Speaker 1: They keep trying to get into my car. Wow, are
• 10:15
  Speaker 1: you kidding me? That's crazy. I got a camera, you know,
• 10:19
  Speaker 1: I just moved to this new community and I got
• 10:20
  Speaker 1: a camera. I put it up. I got, I got
• 10:22
  Speaker 1: the little kid on video. Tend to tend it to
• 10:24
  Speaker 1: the cops, and the cops aren't doing anything. Man, I
• 10:26
  Speaker 1: don't know what to do. Well, don't do nothing stupid.
• 10:28
  Speaker 1: I've been watching a lot of criminalize. These people set
• 10:30
  Speaker 1: kids up and then they do something bad to them,
• 10:32
  Speaker 1: and then they get in trouble for pre planning. So
• 10:34
  Speaker 1: try to follow the kid home and talk to the
• 10:36
  Speaker 1: kid's parents if the kid is young. But don't do
• 10:37
  Speaker 1: nothing stupid. Shot the kid, don't stab the kid. Don't
• 10:40
  Speaker 1: do nothing crazy. Don't get you a pitbull or rout
• 10:41
  Speaker 1: waller and say I post that video for this right
• 10:44
  Speaker 1: on social media? I did. I put it on Facebook.
• 10:47
  Speaker 1: I tended to the cops. You know, I don't know
• 10:49
  Speaker 1: how old. First of all, you'll never finding them kids
• 10:51
  Speaker 1: on Facebook. Game, no kids on Facebook? No, how old
• 10:54
  Speaker 1: is the kid? I don't know. The kid looks like
• 10:55
  Speaker 1: a teenager. Get a pit bull, man, get you a
• 11:00
  Speaker 1: pit bull, and only feed him gunpowder. You know, if
• 11:03
  Speaker 1: this guy goes out there with a gun and does
• 11:05
  Speaker 1: something to the kid, he's in trouble because he pre
• 11:07
  Speaker 1: planned it. You know that I've been watching m line
• 11:09
  Speaker 1: did just well if he called the police already, he
• 11:10
  Speaker 1: told the police, and they're not doing nothing. You still
• 11:12
  Speaker 1: got to protection. He still can't do nothing unless he's
• 11:16
  Speaker 1: please do something about it. You just can't. Hello, who's
• 11:18
  Speaker 1: this yo? First, I want to say what's up to y'all?
• 11:20
  Speaker 1: Peace and blessing, say everybody. I appreciate your every morning.
• 11:24
  Speaker 1: But yeah, I'm I'm a little mad because it suck
• 11:27
  Speaker 1: at work talking all this jump and I'm about ready
• 11:30
  Speaker 1: to pop off phony. You ain't gonna dude nothing, what's happening?
• 11:36
  Speaker 1: He came at me wrong. I had to put him
• 11:38
  Speaker 1: in this place. And you know, now he being an
• 11:40
  Speaker 1: ass because you know, maybe because I ow him a
• 11:43
  Speaker 1: couple of dollars. But that's decide. Now you owe him money,
• 11:46
  Speaker 1: but you're mad at him because you owe him money.
• 11:48
  Speaker 1: Come on now, bottom blind. The bottom line is you
• 11:50
  Speaker 1: own from buying money money. You owe him some money,
• 11:53
  Speaker 1: paying his money. I hate people like you. I learned
• 11:56
  Speaker 1: you some money and then you get mad when I did.
• 11:58
  Speaker 1: Now you're trying to come in. He wasn't asking for
• 12:01
  Speaker 1: the money back. This has something to do with work.
• 12:04
  Speaker 1: I think he was just feeling some type of way
• 12:06
  Speaker 1: because I owed him to the last few little dollars. So,
• 12:08
  Speaker 1: like I said, it didn't have nothing to do with
• 12:10
  Speaker 1: the money. Can you admit that you're wrong because you
• 12:12
  Speaker 1: owe this man some money. You should go to work
• 12:17
  Speaker 1: and say, look, I know you're feeling some type of
• 12:18
  Speaker 1: way because I owe you some money. That's my bad.
• 12:21
  Speaker 1: I don't want to be beefing about this. Let me
• 12:22
  Speaker 1: take care of it. I'm gonna give your money on
• 12:24
  Speaker 1: this day, word word gotcha. And I hate people like
• 12:28
  Speaker 1: you that be like, whatever I owe you, I owe
• 12:31
  Speaker 1: him a few little funking dollars. No, give me my money,
• 12:33
  Speaker 1: give me my few little funky dollars, because a few
• 12:35
  Speaker 1: little funking dollars. You sure needed that a couple of
• 12:37
  Speaker 1: weeks going down and broke. Tell him why you're man
• 12:40
  Speaker 1: eight hundred five eight five one oh five one. If
• 12:42
  Speaker 1: you're upset, you need to VNK call us Now it's
• 12:44
  Speaker 1: the Breakfast Club. Go morning, the Breakfast Club. That was
• 12:51
  Speaker 1: Drake one Dance Morning. Everybody's DJ mvy Angela Yee, Charlomagne
• 12:56
  Speaker 1: the guy. We are the Breakfast Club. Listen. I'm glad
• 12:58
  Speaker 1: mac mill responded with balls finally this morning, right, well
• 13:01
  Speaker 1: last time, I'm sure in the rumors and also in
• 13:03
  Speaker 1: the mix this morning they teased me with the Beanie
• 13:05
  Speaker 1: Seagull part. Though I thought Beanie was actually gonna spit
• 13:07
  Speaker 1: a verse or something. All he literally says is what
• 13:10
  Speaker 1: was on that take me out of retirement? Yes, but
• 13:14
  Speaker 1: that's it's the record though. I like the fact that
• 13:16
  Speaker 1: they're respond to the ball, right, but all that violence
• 13:18
  Speaker 1: is knock it off? And I know Andrews gonna talk
• 13:20
  Speaker 1: about it in the rumors, but I need to know
• 13:21
  Speaker 1: why Sean Kingston is out here. I can like Oxford
• 13:24
  Speaker 1: Belly anybody know, And I know Sean, you won't even
• 13:29
  Speaker 1: put yourself in that leave it alone. Well, he is
• 13:31
  Speaker 1: in it, whether or not he wants to be at all.
• 13:33
  Speaker 1: He don't have to be in it in that capacity.
• 13:35
  Speaker 1: Now he's in it, might catch a fade. Yeah, we
• 13:38
  Speaker 1: don't think, we don't look at Sean Kingston as that
• 13:40
  Speaker 1: type of person. But he got into a bad situation
• 13:41
  Speaker 1: while he has security and his people around him, like
• 13:43
  Speaker 1: don't you don't want to put yourself in another situation,
• 13:45
  Speaker 1: just leave it alone. And I feel bad about the
• 13:48
  Speaker 1: fact that Meek actually his cousin just got killed and
• 13:51
  Speaker 1: he was coming from his funeral. This all just happened
• 13:53
  Speaker 1: last week too. And then that's well, we'll get on.
• 13:56
  Speaker 1: I'm sure we'll get all into that in the rumors.
• 13:58
  Speaker 1: And also, don't forget usher, we'll be joining us in
• 14:00
  Speaker 1: a role, so don't go anywhere. It's the Breakfast Club.
• 14:02
  Speaker 1: Good morning, the Breakfast Club. This is the rumor Report
• 14:11
  Speaker 1: with angela Ye Breakfast Club. Listen. Well, right when we
• 14:19
  Speaker 1: were leaving work on Friday, we got some updates on
• 14:22
  Speaker 1: this game versus Meek Mill issues. It all started off
• 14:26
  Speaker 1: with game in the club and he went in at
• 14:28
  Speaker 1: Meek Mill this in him and everything, and we were like,
• 14:30
  Speaker 1: what happened, what's going on? Then we found out he
• 14:32
  Speaker 1: had to this song and but you knew about this
• 14:34
  Speaker 1: this song for a while. It's called ninety two bars.
• 14:36
  Speaker 1: Then they told me about it a couple of months,
• 14:37
  Speaker 1: about a month ago, they talked about it, all right. Well,
• 14:39
  Speaker 1: here's a little snippet from the ninety two bars. She
• 14:42
  Speaker 1: got a couple more and she don't even know me
• 14:45
  Speaker 1: and never since that nick show me, we just don't speak.
• 14:49
  Speaker 1: Will breaks like the flow week blood to be cook
• 14:52
  Speaker 1: him like Naya poke, Nicky want it no freak, I'm
• 14:55
  Speaker 1: coming to it book deep to leave the dead body.
• 14:58
  Speaker 1: You want to cook steak. I think it happened, low Key,
• 15:01
  Speaker 1: you better have walk call me or you're gonna be
• 15:04
  Speaker 1: our level with a whoop up around and be a
• 15:07
  Speaker 1: news clip with the loose slips. Money begins Rizzy and
• 15:10
  Speaker 1: packed you out when you ain't douched. It's it's the
• 15:12
  Speaker 1: Golden State, and my shooters ain't gonna know who's it's Eve.
• 15:15
  Speaker 1: If you know that I snapped you like a toothpick
• 15:17
  Speaker 1: and snitching on Higgins ain't never been no coosh. It's
• 15:20
  Speaker 1: And I've been wanting to give Nikki this pool stick
• 15:23
  Speaker 1: to tell your little vibrant thing come up a Q tip.
• 15:26
  Speaker 1: We know where you live. You better move quick and
• 15:28
  Speaker 1: start thinking twice about who you hopping the coop with it?
• 15:32
  Speaker 1: All right, Well, there you have it. That was the
• 15:34
  Speaker 1: ninety two bars snippet, and after that he also posted
• 15:39
  Speaker 1: a picture of the game, posted a picture with Nicki Minaj.
• 15:41
  Speaker 1: He tagged her in it, and he tagged himself real
• 15:44
  Speaker 1: and word and he said the last time Nikki held
• 15:46
  Speaker 1: a real and word seventh grade body. Having asked n word, everybody,
• 15:49
  Speaker 1: you know you the wife? If she take her father
• 15:52
  Speaker 1: with back, you're gonna be back at one hundred thousand.
• 15:54
  Speaker 1: Miek Mill responded, putting up a picture with him and
• 15:56
  Speaker 1: Nikki where she's kissing him and he has his middle
• 15:58
  Speaker 1: fingers up and he said, you want to fight next morning?
• 16:01
  Speaker 1: It disraps. Then the pre order links. The jig is up,
• 16:03
  Speaker 1: y'all guys, real rappers, make sure y'all go support them,
• 16:06
  Speaker 1: industry cats, niggers, Mercy's in retrograde. Miek Mill said, you're
• 16:09
  Speaker 1: gonna learn about speaking my name with the word rat.
• 16:12
  Speaker 1: Then he tagged game. He says, somebody must have scept
• 16:14
  Speaker 1: you with Mickey You tipping all right? Then Meek Mail
• 16:17
  Speaker 1: posted a picture of game from when he was on
• 16:19
  Speaker 1: Change of Heart. He said, how do you get on
• 16:21
  Speaker 1: change your heart? You are fake gangster, ain't no real
• 16:23
  Speaker 1: la and word standing behind this efforty? Where was you
• 16:26
  Speaker 1: at in life when you decided to go on change
• 16:28
  Speaker 1: of heart and the hole had to change your heart
• 16:30
  Speaker 1: on you because you lame all right, Well, the game
• 16:33
  Speaker 1: posted a picture, a throwback picture of Meek Mill. He said,
• 16:36
  Speaker 1: shout out to all my boss bitches, wife and n
• 16:38
  Speaker 1: words and put up an old picture. Then that's when
• 16:41
  Speaker 1: the memes started, and the photoshot pictures and all that
• 16:44
  Speaker 1: social media and meme stuff is corny. I'm gonna be
• 16:46
  Speaker 1: honest with y'all, like boss right, of course we do.
• 16:48
  Speaker 1: Like nothing looks crazy than screet beef online. It just
• 16:51
  Speaker 1: looks ridiculous. And some more bars did come after all
• 16:55
  Speaker 1: of that, but I will get into Seaun Kingston's part.
• 16:58
  Speaker 1: I guess the real issue here is that the game fails.
• 17:01
  Speaker 1: Like Meek went and said told Seaun Kingston that he
• 17:04
  Speaker 1: got him robbed at a club in La. Now Meek Mail, also,
• 17:08
  Speaker 1: I guess, was trying to call the game. Game posted
• 17:10
  Speaker 1: pictures of miss cars to MK Meil to show that
• 17:12
  Speaker 1: he wasn't picking up his cars. Then Sean Kingston also
• 17:14
  Speaker 1: jumped in and it started off a little peaceful. Here's
• 17:17
  Speaker 1: how Sean Kingston started, I'm just cooling man, trying to
• 17:21
  Speaker 1: stay positive, work on my new album, come back with
• 17:23
  Speaker 1: good music for my fans. Man ain't trying to be
• 17:25
  Speaker 1: no more media, no more drama, no nothing. That's my dog.
• 17:28
  Speaker 1: We never had no conversation about nothing. All right, Well
• 17:32
  Speaker 1: that's hounds started things that I don't know what happened.
• 17:36
  Speaker 1: I know what happened behind the scenes whatever. But then
• 17:38
  Speaker 1: Sean Kingston came with this video youngster in the world.
• 17:42
  Speaker 1: No y'all a bumble clock, youngster, y'all fraud take care
• 17:45
  Speaker 1: of nigga's Then you're straight like that whole ass man
• 17:48
  Speaker 1: quote you little dirt pulled up on your ass, ready
• 17:51
  Speaker 1: to drop your ass. You called peace. Pet Rally, Oh man,
• 17:54
  Speaker 1: I ain't no, no no, no whole as thug was about
• 17:57
  Speaker 1: ready to drop your ass. You called peace. We've seen
• 18:00
  Speaker 1: this movie before. Get this clown out of here. This
• 18:03
  Speaker 1: is meg Miller Games fault. I'm gonna tell you why.
• 18:05
  Speaker 1: Sean saw all those posts and memes game and Meek
• 18:08
  Speaker 1: Mill was posting, and saw all those lights and shade
• 18:10
  Speaker 1: the room and ball alert and academic retweets they was
• 18:13
  Speaker 1: getting and he said, I want and dammit, I want it.
• 18:16
  Speaker 1: We asked the more from John Kingston, but First, here's
• 18:18
  Speaker 1: what the game had to say. This is very message.
• 18:21
  Speaker 1: Robbed in the club, ran for all your fucking jury.
• 18:24
  Speaker 1: You ain't do. Call my phone, said game, big bro,
• 18:28
  Speaker 1: somebody robbed me. Can you help me get my change back?
• 18:30
  Speaker 1: Called me back ten minutes later, talking about Meek called
• 18:33
  Speaker 1: you and told you that I had you set up
• 18:35
  Speaker 1: and robbed in the club. Called detectives with Meek on
• 18:37
  Speaker 1: the phone, incriminate me and my fucker entourage, saying that
• 18:40
  Speaker 1: we robbed you. Your lion, asked and Meek, you know
• 18:44
  Speaker 1: you can't fucking put your hands on Nobody out front
• 18:46
  Speaker 1: for his Instagram follows, I you up on site. Yeah.
• 18:49
  Speaker 1: I haven't even taken my vitamins yet this morning. I
• 18:51
  Speaker 1: just thought sipping my green. Oh this more. Well, here's
• 18:54
  Speaker 1: Sean Kingston. Now, yeah, I'm a fact the world, normal fact.
• 18:57
  Speaker 1: I went pla being a fact. Facts still feel beat?
• 19:01
  Speaker 1: Oh my god, you bought that? Still would thats going
• 19:04
  Speaker 1: to winning Kennon every day for then, for the figness.
• 19:08
  Speaker 1: Don't take another steward pill you ask you just want
• 19:11
  Speaker 1: to thune. You can't talk to me. I ain't a rapper.
• 19:13
  Speaker 1: I gotta be a stream the world know what you
• 19:16
  Speaker 1: is you ain't even good of your own sitting in
• 19:19
  Speaker 1: the whole world. Nope. In scene Sean Kingston a teleprompt.
• 19:23
  Speaker 1: I don't want you to know that somebody was holding
• 19:25
  Speaker 1: up a telepromt. Is there more you well, Beanie Seagull
• 19:27
  Speaker 1: now has come out of retirement. Oh my goodness. So
• 19:30
  Speaker 1: Meek Mail posted video and he said, please don't bring
• 19:32
  Speaker 1: me out of retirement. I'm putting them fatigues back on
• 19:35
  Speaker 1: from my city. Straighten up or get straightened out one hundred.
• 19:38
  Speaker 1: So I guess now, Beanie Seagull, it's rapping for Philly.
• 19:40
  Speaker 1: You know, I didn't mind that though. I didn't mind
• 19:42
  Speaker 1: that because that was actually on a track. It was
• 19:44
  Speaker 1: over the remix. It was bars. I don't mind rap.
• 19:48
  Speaker 1: We have that next. Now this is Mieke Mail put
• 19:51
  Speaker 1: out a song. Oh and check it out, don't check
• 19:54
  Speaker 1: you fifth drop Stripp. Look when we come to Lady
• 20:03
  Speaker 1: Another like Mad at the Bars, I'm gonna play the
• 20:10
  Speaker 1: full version in the mix. Not Mad at the Bars
• 20:13
  Speaker 1: wanted some bars. He also told them he sufted in
• 20:16
  Speaker 1: Drake as well. No, Mellie said that. Actually he said,
• 20:21
  Speaker 1: you soft, didn't Drake. But yeah, there's a lot more
• 20:23
  Speaker 1: that we had to skip over, but basically a lot
• 20:25
  Speaker 1: of back and forth. There were a lot of pictures.
• 20:27
  Speaker 1: Mickmeil posted a lot of throwback pictures of game at
• 20:31
  Speaker 1: back pictures. They actually also posted a video that Envy
• 20:34
  Speaker 1: did with the game where the game said that he
• 20:36
  Speaker 1: was just tired of hip hop. Oh from uh sucker Free, no,
• 20:41
  Speaker 1: sucker free? This was I can't remember the video show. Yeah,
• 20:46
  Speaker 1: that was the show called sucker Free before sucker Free music?
• 20:52
  Speaker 1: Whose music choice? It was music? That's when he was crying.
• 20:56
  Speaker 1: It was crying a little bit, right, Yeah, Yeah, all
• 20:58
  Speaker 1: I know is Mercury's and retrograde niggers or nagging and yeah,
• 21:03
  Speaker 1: it's gonna be good. And I want to tell you
• 21:05
  Speaker 1: this though. I saw Nipsey Hustle also put up some tweets.
• 21:08
  Speaker 1: I don't know if you guys had a chance to
• 21:10
  Speaker 1: see what Nipsey said. Hold on me. There was so
• 21:12
  Speaker 1: much going on. I gotta pull all this up. But
• 21:15
  Speaker 1: I actually like what Nipsy had to say. He went
• 21:16
  Speaker 1: on Twitter and he added the game and meek mail.
• 21:19
  Speaker 1: He said, for emmerons to do this on social media,
• 21:21
  Speaker 1: this Internet is a dividing conquer You got a a
• 21:23
  Speaker 1: lot of young black men on your payroll. Same with Meek.
• 21:26
  Speaker 1: This is bad leadership. If someone's in the wrong, then
• 21:28
  Speaker 1: it should be handled and then everyone get back to
• 21:30
  Speaker 1: the money and gonna be no East Coast, West coast.
• 21:32
  Speaker 1: Were ain't gonna be no black man killing black men
• 21:35
  Speaker 1: and come to an understanding. Hip hop needs to stop
• 21:37
  Speaker 1: gassing this beef between Game and Meek Mail and was
• 21:39
  Speaker 1: gonna sit down like men and express their differences. That
• 21:42
  Speaker 1: I agree with because I feel like the situation was
• 21:44
  Speaker 1: like a screet situation, right, so he shouldn't be handled
• 21:47
  Speaker 1: with like phone calls and handled in the street. Right.
• 21:50
  Speaker 1: I don't see how it turned until a rat beef,
• 21:53
  Speaker 1: but we appreciate the balls. I think I happened when
• 21:54
  Speaker 1: he when he was on stage in Miami and he
• 21:57
  Speaker 1: said something and then people videotaped it, and then it
• 21:59
  Speaker 1: just became an in the internet, and then his album's
• 22:02
  Speaker 1: about to come out and the song is on his
• 22:03
  Speaker 1: album right, right, so it was about to come out anyway,
• 22:06
  Speaker 1: And you can't be upset when people look at this
• 22:08
  Speaker 1: and say, well, you know what, Game might be pulling
• 22:10
  Speaker 1: a publicity then, because it's just been going on for
• 22:12
  Speaker 1: the past few months. All right, let it seems like
• 22:14
  Speaker 1: something that should have been handled. Well, that is your
• 22:15
  Speaker 1: rumor report. We're gonna, of course, have more for you
• 22:17
  Speaker 1: throughout the morning. The game coming in this week, game
• 22:20
  Speaker 1: is coming this week. Okay, right, all right, well, um,
• 22:23
  Speaker 1: get it all out of your head. Whosa, whosa, I'm
• 22:25
  Speaker 1: drinking my green juice, but drinking green juice, drinking coffee?
• 22:28
  Speaker 1: Is it all out? Get it all out. If somebody
• 22:30
  Speaker 1: tells you you're in the club with someone and they
• 22:31
  Speaker 1: about to get robbed, but you tell them that's a
• 22:34
  Speaker 1: good it depends. It depends who it is. It depends
• 22:37
  Speaker 1: who it is, because guess what, if you're telling me
• 22:39
  Speaker 1: that you're about to rob somebody, that person is not
• 22:41
  Speaker 1: my man, and you know that's not my man. You're
• 22:43
  Speaker 1: not gonna come to me and tell me you about
• 22:44
  Speaker 1: to rob my man. Let's talk about it later. That's
• 22:46
  Speaker 1: a good question. Let's change the topic because it bring
• 22:49
  Speaker 1: in some R and B usha when we come back. Yeah,
• 22:53
  Speaker 1: you know, people fighting the club and then you're fighting
• 22:54
  Speaker 1: the club. You gotta play R and B song. There's
• 22:59
  Speaker 1: no limit, all right, when we come back, ears, I'm
• 23:01
  Speaker 1: gonna do a Usher Mini Mix two because he's in
• 23:02
  Speaker 1: the building. It's a breakfast club morning. That was Drake
• 23:05
  Speaker 1: Popcorn Controller Morning. Everybody's DJ M v Angela. Ye, the
• 23:10
  Speaker 1: guy the breakfast club. We got a special guest in
• 23:13
  Speaker 1: the building time. He really is a special guest man.
• 23:18
  Speaker 1: Congratulations on the new album. Yes, really enjoyed it. I
• 23:21
  Speaker 1: know you put it out early on title. I don't
• 23:23
  Speaker 1: have titles, so I had to listen to it. I
• 23:25
  Speaker 1: don't have title because it's I'm gonna tell you, I
• 23:29
  Speaker 1: already have Apple. I already had Pandora. If you had Pandora,
• 23:33
  Speaker 1: you have apples? You have because I have too many already.
• 23:36
  Speaker 1: You just say it, that's not I mean, I had
• 23:39
  Speaker 1: to back people. Just say it fine that we was
• 23:44
  Speaker 1: having a conversation earlier. Is Usher appreciated like he needed
• 23:47
  Speaker 1: to be? Like all you've done in music? Been around
• 23:50
  Speaker 1: since ninety four? Yeah, are you appreciated? That's a question
• 23:55
  Speaker 1: I can't answer. You know what I'm saying that I
• 23:56
  Speaker 1: mean it. It obviously UM says a lot that I've
• 24:00
  Speaker 1: been around as long as I have. But I mean,
• 24:03
  Speaker 1: I'm you know, I don't know if I do it
• 24:05
  Speaker 1: for that reason. I do it to celebrate music. I
• 24:07
  Speaker 1: do it to kind of celebrate, um, the cultures that
• 24:10
  Speaker 1: I come from. I mean, and and I've been a
• 24:12
  Speaker 1: lot of places and picking up that culture. I started
• 24:14
  Speaker 1: here in New York, you know what I'm saying. From
• 24:16
  Speaker 1: from that, I made my reconnection with the South in Atlanta,
• 24:19
  Speaker 1: and you know, as it relates to R and B
• 24:21
  Speaker 1: music and rhythmic music in a way that I do.
• 24:23
  Speaker 1: You know, I try to bring everybody back together, even
• 24:27
  Speaker 1: when I kind of went off the beaten path and
• 24:28
  Speaker 1: just start, you know, trying to other other genres of
• 24:31
  Speaker 1: music and other space. Yeah, I mean, yeah, I mean
• 24:35
  Speaker 1: but that everybody does, you know. And the one cool
• 24:38
  Speaker 1: thing about it is that I was fairless in doing it,
• 24:40
  Speaker 1: but then that became, you know, a relevant thing for
• 24:42
  Speaker 1: artists to do. It's a departure, but this album about that.
• 24:46
  Speaker 1: This album is kind of bringing it back to the center.
• 24:48
  Speaker 1: You know what I'm saying. I made a conscious decision
• 24:51
  Speaker 1: to go towards my own culture. I mean, if I
• 24:53
  Speaker 1: listen to radio right now, everybody sounds like Atlanta, you
• 24:56
  Speaker 1: know what I'm saying, Even if you're from New Jersey, Brooklyn,
• 24:59
  Speaker 1: wherever you're from. I was like Atlanta as a fact,
• 25:01
  Speaker 1: now I talk about No Limit to single. Yeah, you
• 25:03
  Speaker 1: released that? Did it catch you on immediately? Yeah? You know,
• 25:06
  Speaker 1: it took a minute. Did everybody wanted Master on the record?
• 25:09
  Speaker 1: Somebody from No Limit? Did somebody? Still? Yeah, we took
• 25:13
  Speaker 1: it up with Pa. It was cool. I mean it
• 25:15
  Speaker 1: was It was cool to be a part of what
• 25:17
  Speaker 1: P's working on because now he's kind of doing a
• 25:19
  Speaker 1: documentary around No Limit Records and just kind of what
• 25:23
  Speaker 1: it is to be an entrepreneur in the South. And
• 25:26
  Speaker 1: you know, I just felt like I just kind of, man,
• 25:28
  Speaker 1: this is this kind of like a tribute to to
• 25:30
  Speaker 1: you too in a in an our way. The record
• 25:32
  Speaker 1: wasn't about Master P. It just happened to use him
• 25:35
  Speaker 1: as a metaphor. But why not put P on it?
• 25:37
  Speaker 1: You know, friends like Ghetto D. So it all worked out.
• 25:41
  Speaker 1: Like what she said, she like Ghetto D. She like
• 25:43
  Speaker 1: she like you like Ghetto Yeah. We're gonna tell no,
• 25:45
  Speaker 1: we don't all like the ladies. We all like that.
• 25:49
  Speaker 1: Some of the boyfriends she had. You'd be like, yeah,
• 25:51
  Speaker 1: she liked that. Getting Now, why No Limit? Because you
• 25:54
  Speaker 1: are from Atlanta, so you have some historic labels there.
• 25:57
  Speaker 1: It was more South than it was Atlanta. You know
• 25:59
  Speaker 1: what I'm saying, But no limit to me felt like
• 26:03
  Speaker 1: where we are at. You know what I'm saying, Like
• 26:04
  Speaker 1: this is, this is It's all about getting reconnected with
• 26:08
  Speaker 1: the people, the energy, you know what I'm saying. And
• 26:11
  Speaker 1: then I brought the dance to the table because the
• 26:14
  Speaker 1: record was what it was. And then to be able
• 26:16
  Speaker 1: to just start moving again and dancing and celebrating the movement,
• 26:20
  Speaker 1: you know what I'm saying. That's that's what it was
• 26:22
  Speaker 1: more for me than anything. You think it's too early
• 26:23
  Speaker 1: in your career for people to be like us. She
• 26:25
  Speaker 1: still got it. You watched the video and you're watching
• 26:27
  Speaker 1: you dance. You're like, oh, let's just do it. Got it?
• 26:29
  Speaker 1: I mean, hey, you know you know Guy rested Dad.
• 26:32
  Speaker 1: They went to the same thing with Michael. They went
• 26:34
  Speaker 1: to the same thing with Prince. You know what I'm saying.
• 26:35
  Speaker 1: And I don't know. I mean, I feel like I'm
• 26:38
  Speaker 1: twenty eight, you know what I'm saying, Like it never
• 26:40
  Speaker 1: hurts a little bit, a little poplock, a little what
• 26:44
  Speaker 1: is that? That's like a seizure. And you do have
• 26:53
  Speaker 1: some songs on here that are very nostalgic too, which
• 26:56
  Speaker 1: I see is really popular now with some of the
• 26:58
  Speaker 1: newer artists kind of throwing it back, and I'm way
• 27:00
  Speaker 1: I think that all of late eighties and nineties, you know,
• 27:03
  Speaker 1: kind of gave me a little inspiration. But I had
• 27:06
  Speaker 1: a departure, you know, just just from music. I was
• 27:08
  Speaker 1: just trying different space, just kind of working on different
• 27:11
  Speaker 1: things and allowing myself to just be, you know, just
• 27:13
  Speaker 1: explore as much as I possibly can. And then you know,
• 27:17
  Speaker 1: I start looking at some of the things that I
• 27:18
  Speaker 1: was going through, and then I start using some of
• 27:20
  Speaker 1: that as well. You know, that transition in life, you know,
• 27:23
  Speaker 1: where you kind of look at yourself in the mirror
• 27:25
  Speaker 1: and you're like, man, I'm anna bit hard to Love.
• 27:28
  Speaker 1: I ain't been. I ain't been the best that your
• 27:30
  Speaker 1: ex wife put. The new album hard to Love is out.
• 27:32
  Speaker 1: That title is perfect. I literally just saw you. Guys
• 27:41
  Speaker 1: are in a good space now. So yeah, no, we're
• 27:43
  Speaker 1: good man, Right, you really think you're heart to love? Though?
• 27:47
  Speaker 1: I e if you have ever loved me, and you
• 27:49
  Speaker 1: you have, you know, I mean no, I mean not
• 27:52
  Speaker 1: to everybody, you know what I mean, but like, we
• 27:54
  Speaker 1: love your music, but if somebody's close to you, you
• 27:56
  Speaker 1: know what I'm saying, it seems like you're very transparent
• 27:58
  Speaker 1: in your music, but I guess guarded in real life
• 28:02
  Speaker 1: not really, you know, for the most part, I just
• 28:04
  Speaker 1: you know, I kind of live with my book open,
• 28:08
  Speaker 1: you know what I'm saying. It's like I'm near it
• 28:10
  Speaker 1: is what it is. Congratulations by the way on your
• 28:13
  Speaker 1: star on the Walk of Things. That was big because
• 28:16
  Speaker 1: I was surprised. It seemed like it came out of
• 28:18
  Speaker 1: nowhere because one day we seen a pick one. I
• 28:20
  Speaker 1: think they give you advance. Now I wouldn't. It wasn't
• 28:22
  Speaker 1: a surprised like Jay. They have to petition, you know
• 28:23
  Speaker 1: what I'm saying, So the fans have to begin to,
• 28:25
  Speaker 1: you know, start to go through the process of raising
• 28:27
  Speaker 1: the funding. My fans are the reason that that happened,
• 28:30
  Speaker 1: and it could have happened, you know, years before. Um,
• 28:33
  Speaker 1: but I think that this was a perfect time. And
• 28:35
  Speaker 1: you know what I'm saying, It's been really an amazing year, man,
• 28:38
  Speaker 1: Like starting with going out to Golden Stayed and win
• 28:41
  Speaker 1: in with the Calves after an eleven year investment with them.
• 28:44
  Speaker 1: It's a nice little sneaky investment you got, Yeah, yeah,
• 28:48
  Speaker 1: eleven years of sneaking, right, I never thought that was
• 28:51
  Speaker 1: gonna happen. Did you even in the finals, did you
• 28:53
  Speaker 1: think the Calves are gonna win? I think people only
• 28:55
  Speaker 1: remember the success, right, So we kind of have now
• 28:58
  Speaker 1: kind of abandoned the idea of what happened before because
• 29:03
  Speaker 1: Cleveland has now, you know, kind of made the full
• 29:06
  Speaker 1: circuit that they all were hopeful for, you know. And
• 29:08
  Speaker 1: when Lebron decided to leave and go to Miami, I
• 29:12
  Speaker 1: was still there in Cleveland. Did you burn this Jersey? Na?
• 29:16
  Speaker 1: Of course not, you know, at once again that perspective
• 29:18
  Speaker 1: of being hard to love, you know what I'm saying.
• 29:20
  Speaker 1: But you know, hey, listen, now, eleven years later, we
• 29:24
  Speaker 1: got an incredible team, got a ring to go with it,
• 29:27
  Speaker 1: and uh looking forward to an incredible Yeah. Did you
• 29:32
  Speaker 1: ever think about selling your staking the team when Lebron left? Nah?
• 29:36
  Speaker 1: Not at all, because it's important to be a black owner.
• 29:39
  Speaker 1: I mean as it relates to being a part of
• 29:43
  Speaker 1: an incredible group. Um, you know, don't jump ship, you
• 29:47
  Speaker 1: know what I mean. And then when Kyrie came, I
• 29:49
  Speaker 1: actually built a great report with him. But it served
• 29:52
  Speaker 1: to be a good business, you know what I mean.
• 29:53
  Speaker 1: It wasn't that wasn't a decline in that way, you
• 29:56
  Speaker 1: know what I'm saying. He was still just as popular
• 29:58
  Speaker 1: and just as uh success and the efforts of the
• 30:01
  Speaker 1: team were to you know, rebuild, and then when Lebron
• 30:05
  Speaker 1: came back, it just became a continual conversation about what
• 30:09
  Speaker 1: we're gonna do to continue to build the team. Hey,
• 30:12
  Speaker 1: thank you, thank you for having that hopeful. Now you
• 30:15
  Speaker 1: playing Sugary Lind, how'd you prepare for that? You know,
• 30:18
  Speaker 1: just being a boxer, you know what I'm saying. So
• 30:21
  Speaker 1: instead of looking at it like an acting role, I
• 30:24
  Speaker 1: just decided that I was gonna put the gloves on
• 30:27
  Speaker 1: and and train like an actual boxer. I spent about
• 30:30
  Speaker 1: a year. Eventually, um Sugary Lyndon came and put the
• 30:33
  Speaker 1: finishing touches on, making sure that I understood exactly what
• 30:36
  Speaker 1: happened in the two fights between he and Roberto Duran.
• 30:40
  Speaker 1: Now did you sall yeah and everything? You know, you
• 30:42
  Speaker 1: can play basketball and play football, play baseball, you can't
• 30:45
  Speaker 1: play boxing. No, you know what I'm saying. It's what
• 30:47
  Speaker 1: you put in the ring and you put them gloves on,
• 30:49
  Speaker 1: you put the pads on, and you go for it.
• 30:52
  Speaker 1: And I wanted to I wanted to make sure I
• 30:54
  Speaker 1: can handle myself, so I boxed with amateurs. I didn't
• 30:56
  Speaker 1: just because they doct you on your ask a couple
• 30:58
  Speaker 1: of times they had to a couple of times. Yeah,
• 31:00
  Speaker 1: you've always worked out and been in good shape. Though.
• 31:01
  Speaker 1: I remember when August was up here, he was saying,
• 31:03
  Speaker 1: how when he was on tour with you, how you
• 31:06
  Speaker 1: kind of had to tell him listen, you got to
• 31:07
  Speaker 1: work out, getting the gym be healthy. Yeah. I mean
• 31:10
  Speaker 1: I ended up being like a mentor all you know,
• 31:13
  Speaker 1: my little brothers. You know what I'm saying. Then, yeah
• 31:16
  Speaker 1: it is. I mean, if you're going to travel on
• 31:17
  Speaker 1: that road, you know. And I did tell him. I
• 31:19
  Speaker 1: showed him too, like just did we do in order to,
• 31:22
  Speaker 1: you know, keep it up, keep the red, keep the
• 31:24
  Speaker 1: regiment going. All right? We got more with us when
• 31:26
  Speaker 1: we come back. Keeping locked us to breakfast club Good Morning,
• 31:29
  Speaker 1: the breakfast club that was Kent Jones, who don't mind Morning?
• 31:36
  Speaker 1: Everybody's DJ M vy Angela Yee Shlomne. The guy we
• 31:39
  Speaker 1: all to breakfast Club Ussia is in the building. Why
• 31:42
  Speaker 1: we never seeing she'd go crazy? Because you've been around
• 31:44
  Speaker 1: since he was fourteen? Why are you never going crazy
• 31:50
  Speaker 1: because it wasn't the social media earl. I think that
• 31:52
  Speaker 1: we all go crazy, and I mind, it's no matter
• 31:54
  Speaker 1: what you choose to show social media, all of them
• 31:57
  Speaker 1: kind of gay an opportunity to while out a little bit. Yeah,
• 32:00
  Speaker 1: y'all see me in the in the steam shower. We
• 32:01
  Speaker 1: see your penis? Why a penis? You were looking at
• 32:05
  Speaker 1: my penis? I just was showing them the picture too.
• 32:08
  Speaker 1: She was, I'm not pressure you keep it in you
• 32:10
  Speaker 1: in your phone, and I was like, listen, I'm glad
• 32:12
  Speaker 1: that emoji couldn't hide it. Man. You know, if you
• 32:15
  Speaker 1: have an emoji over your penis and you can't see
• 32:17
  Speaker 1: the penis, then you know, it was like a shadow.
• 32:19
  Speaker 1: I think I feel like I saw like pieces you
• 32:22
  Speaker 1: a hard damn you couldn't really see it, right, It's
• 32:25
  Speaker 1: a piece of sir coming out the side of the emoji.
• 32:28
  Speaker 1: How did that happen to you? Was having a young
• 32:30
  Speaker 1: old g moment, you know. Sometimes he was doing a
• 32:34
  Speaker 1: tour of the house and then he stripped down in
• 32:36
  Speaker 1: the steam shower and the sauna he was keeping the
• 32:39
  Speaker 1: rim was blow off steam. Man. You know, I just said,
• 32:42
  Speaker 1: if I get a link Usher's penis is exposed. I'm
• 32:45
  Speaker 1: gonna look at it. Why wouldn't this, gracious ye, why
• 32:48
  Speaker 1: wouldn't I look? Na? You know this, this, this right
• 32:51
  Speaker 1: here proves that you know cough syrup. And you know
• 32:54
  Speaker 1: what I'm saying, steam showers don't work. That ain't a
• 32:59
  Speaker 1: good place. That's gonna be the headline. I just said
• 33:02
  Speaker 1: he was high. When you leave? What you did you
• 33:07
  Speaker 1: think it was funny? Or were you like, oh my god?
• 33:09
  Speaker 1: I just say, you know what, I just some Sometimes
• 33:11
  Speaker 1: I use Snapchat or you or one of them to
• 33:13
  Speaker 1: kind of like allow you to, you know, look at
• 33:15
  Speaker 1: my life, my day. You said, at my day? Damn man,
• 33:20
  Speaker 1: She's like, did we started with yet? O? D regret?
• 33:28
  Speaker 1: I think I read in New York Times all the
• 33:29
  Speaker 1: coolinges said regret? Is there any regret what they have? Yeah?
• 33:32
  Speaker 1: Like I said, you talking about being regretful a lot.
• 33:35
  Speaker 1: Now I feel like he's more like I'd be messing up,
• 33:37
  Speaker 1: but you're gonna be with me anyway? Nah, not really.
• 33:40
  Speaker 1: I mean it's been a process. Like the albumin about
• 33:43
  Speaker 1: just where we are? You know what I'm saying, Where
• 33:46
  Speaker 1: men are? I mean, if you listen to music and
• 33:47
  Speaker 1: you hear the contrast to you the other side here
• 33:49
  Speaker 1: women talking about some of the things that men are
• 33:51
  Speaker 1: doing right. So men have to kind of go through
• 33:54
  Speaker 1: this transformation where they finally get it, you know. And
• 33:57
  Speaker 1: if you look at my life and you know a
• 33:59
  Speaker 1: lot of this that I've been through and things I've done,
• 34:02
  Speaker 1: it ain't been the greatest. So you know, I kind
• 34:04
  Speaker 1: of owned up to it. I don't want no more rivals.
• 34:06
  Speaker 1: I just want to kind of straighten it out, you
• 34:08
  Speaker 1: know what I mean. And a man's favorite phrases, I'm
• 34:10
  Speaker 1: a working progress man always say when they messed up,
• 34:14
  Speaker 1: they'd be like, listen, I'm just a working progress man.
• 34:16
  Speaker 1: But don't you love a dude who would just say
• 34:18
  Speaker 1: that as opposed to lying and just like, nah, you're
• 34:21
  Speaker 1: reading it wrong. You ain't that with me? You see it? No,
• 34:24
  Speaker 1: you got on it. And what I'm saying, And I
• 34:26
  Speaker 1: think that that was part of the gear back, you
• 34:28
  Speaker 1: know what I'm saying, to make sure that men have
• 34:30
  Speaker 1: that kind of record to make it a little bit
• 34:32
  Speaker 1: easier to get over that hump of just having the conversation. Man.
• 34:35
  Speaker 1: But you've always had a thing for older women, Yep?
• 34:38
  Speaker 1: Why is that? There's no reason? There's there's no logic
• 34:42
  Speaker 1: behind you know who. I've chosen to spend my time
• 34:44
  Speaker 1: like a younger woman too, you know what I'm saying.
• 34:46
  Speaker 1: Like I had a variety, you know, but when it
• 34:50
  Speaker 1: comes to age, there's no limit. There is a limit, no,
• 34:55
  Speaker 1: not there. I don't go too I don't go too low.
• 34:58
  Speaker 1: I don't go too low one of it because you
• 35:00
  Speaker 1: had it in the game early, so a lot of
• 35:01
  Speaker 1: people your age probably couldn't relate to what you were
• 35:04
  Speaker 1: going through. Maybe. I mean my first single was can
• 35:06
  Speaker 1: you get with it? You know what I'm saying that
• 35:08
  Speaker 1: fourteen years old? What the hell that I know about
• 35:11
  Speaker 1: any of it? You know what? But now that ain't it?
• 35:13
  Speaker 1: I just you know, I just choose, you know, based
• 35:16
  Speaker 1: off for who I know I resonate with and I
• 35:18
  Speaker 1: connect with it. And it ain't got nothing new with
• 35:20
  Speaker 1: age or anything specific. It's like if you connect with
• 35:23
  Speaker 1: somebody then you then you jail with him that. I
• 35:25
  Speaker 1: love older women too. Patty Labella is my woman. Crushed
• 35:28
  Speaker 1: like pies. You want him, pist God, he go hard
• 35:32
  Speaker 1: for them. Patty to play with Patty's son and had
• 35:36
  Speaker 1: to check him a couple of times. Patty something checked me.
• 35:38
  Speaker 1: One just like, please stop talking about my mom and
• 35:40
  Speaker 1: this man. I'm like, Bro, it's not my fault. Your
• 35:42
  Speaker 1: mom was hot. Bro, I'm not like, I'm being disrespectful,
• 35:46
  Speaker 1: so you hurt? How personal would you say this album
• 35:48
  Speaker 1: is hard to love? I mean the process was personal,
• 35:52
  Speaker 1: you know what I'm saying, and kind of that transformation
• 35:54
  Speaker 1: and me being open about being hard to love and
• 35:58
  Speaker 1: hard to trust. Yep, So if you tell all that
• 36:00
  Speaker 1: you cheat, it's kind of on her. No, no, no,
• 36:03
  Speaker 1: it's hard to love. Ain't just necessarily cheating. It's just
• 36:06
  Speaker 1: kind of getting through the layers of put all these
• 36:08
  Speaker 1: blocks up when you go through, you know, life's changes.
• 36:12
  Speaker 1: I went through with divorce. It ain't like I kind
• 36:15
  Speaker 1: of have made had you know, one hundred percent like
• 36:17
  Speaker 1: great relationships all the way across the board. So with
• 36:20
  Speaker 1: all of that, I made it very difficult for a
• 36:23
  Speaker 1: lot of women. I was hard on it. You kind
• 36:24
  Speaker 1: of take the blame for yeah, I'm taking I took
• 36:27
  Speaker 1: the blame for a lot of the things that I
• 36:29
  Speaker 1: kind of went through. I don't take all of it,
• 36:31
  Speaker 1: but I can tell I can own my part. But
• 36:33
  Speaker 1: how do they, like, how do women trust you now?
• 36:34
  Speaker 1: Because you're still usher you talked about your life on
• 36:37
  Speaker 1: these records, and you're seeing you're hard to trust on
• 36:39
  Speaker 1: this side. But you're still touring, You're still in the
• 36:42
  Speaker 1: strip clubs. You still so how do you? How do
• 36:44
  Speaker 1: they still trust? Usher? He giving himself a window, He
• 36:46
  Speaker 1: got a little door open. So if I messed up,
• 36:48
  Speaker 1: I told you what I'm about. No, I mean, I'm
• 36:52
  Speaker 1: just I'm just being honest for all men, not just myself.
• 36:56
  Speaker 1: You know what I said. I think that I'm faithful,
• 37:02
  Speaker 1: but you are definitely hard to love. Yes, do you
• 37:08
  Speaker 1: think women don't take responsibility enough for our part? I think,
• 37:10
  Speaker 1: y'all do. I think that you probably do more than
• 37:13
  Speaker 1: you need to. And I think that maybe um men
• 37:17
  Speaker 1: don't necessarily understand how to say it. I think that
• 37:19
  Speaker 1: we both speak different languages. You know what I'm saying.
• 37:21
  Speaker 1: We could be saying it very clearly, and you don't
• 37:23
  Speaker 1: get it. So like when you break it down to
• 37:25
  Speaker 1: the like the simplest common denominator, it makes it easy.
• 37:28
  Speaker 1: It makes the conversation easy to kind of move through.
• 37:31
  Speaker 1: What conversation do you have with your sons? You have
• 37:33
  Speaker 1: a couple of black boys impressed. I got a couple
• 37:39
  Speaker 1: of black boys too young black men. You have a
• 37:41
  Speaker 1: couple of How about this, You have two sons and
• 37:47
  Speaker 1: that's from the South. You have that boy thing, right, boys?
• 37:52
  Speaker 1: Do you have two young black sons? Right? Yeah? What
• 37:56
  Speaker 1: conversations do you have with them about everything that's going on?
• 37:59
  Speaker 1: Because everything is social Coach he wrote this book and
• 38:03
  Speaker 1: he wrote a book to his son, and it then
• 38:05
  Speaker 1: made me you know what I'm talking about, right, so,
• 38:08
  Speaker 1: so a great book. After reading that book, I then
• 38:10
  Speaker 1: begin to understand the reality of how important fathers are
• 38:14
  Speaker 1: for kids. Right there. We have to be able to
• 38:16
  Speaker 1: communicate with our sons and make them aware and prepare
• 38:20
  Speaker 1: them for the world that is judging them. They're living
• 38:24
  Speaker 1: in a different space and time, and while the reality
• 38:27
  Speaker 1: that there is somebody out there who has the right
• 38:30
  Speaker 1: to take your life. You should be aware that a
• 38:34
  Speaker 1: situation can escalate, you know, and you should be responsible
• 38:38
  Speaker 1: in that moment and stay alive. That's the whole point.
• 38:41
  Speaker 1: Stay alive in that process. Now, don't get me wrong,
• 38:44
  Speaker 1: there's a lot of anger if you look at what's
• 38:45
  Speaker 1: going on in the fact that nobody's able to stay
• 38:48
  Speaker 1: the course. There's major conversations about what happens. We'll look
• 38:51
  Speaker 1: on the We'll look on the news, We'll see what's
• 38:52
  Speaker 1: going on with Trayvon Martin, We'll see what's going on
• 38:54
  Speaker 1: with these court cases, and then it kind of doing
• 38:56
  Speaker 1: those babe back to the next news, you know what
• 38:59
  Speaker 1: I'm saying. So it's really up to us as men,
• 39:02
  Speaker 1: as fathers of our children to have that conversation, had
• 39:05
  Speaker 1: those difficult conversations with them, to let them know, this
• 39:08
  Speaker 1: is what has happened here, this is the reality of
• 39:10
  Speaker 1: where you live. This is how certain people feel, you know.
• 39:14
  Speaker 1: And my kids, man, they have many cultures of people
• 39:18
  Speaker 1: that they not only hang out with, they know, they've
• 39:20
  Speaker 1: been around the world, They've seen people, They've heard other
• 39:22
  Speaker 1: people speak out of dialects. So they really they respect
• 39:26
  Speaker 1: They're respectful of themselves and respectful about this. I was
• 39:28
  Speaker 1: gonna say that because I mean me growing up in
• 39:30
  Speaker 1: Quis I'm sure you growing up in the South, we
• 39:32
  Speaker 1: had it. It It was nothing but black kids in our class.
• 39:34
  Speaker 1: But my kids is a little different. Yeah, So telling
• 39:36
  Speaker 1: them about racism and they're looking at it kind of
• 39:38
  Speaker 1: different like nah class, Yeah, like Mikey's is my friends,
• 39:44
  Speaker 1: it's a little different to relate. Even if they go
• 39:47
  Speaker 1: to your shows. Your shows are so diverse. So talking
• 39:49
  Speaker 1: to them, do they really get it? I mean, they're
• 39:54
  Speaker 1: young boys and they're growing to be conscious young men.
• 39:58
  Speaker 1: You know what I'm saying. I'm certain you know. And
• 40:02
  Speaker 1: what I can say is, while I have them in
• 40:04
  Speaker 1: my care, I'm preparing them to be mindful men of
• 40:08
  Speaker 1: the world that they live in and the reality of
• 40:11
  Speaker 1: what their life looks like. To make sure that they
• 40:13
  Speaker 1: understand their history, make sure that they understand what's not
• 40:16
  Speaker 1: written in textbooks, make sure they understand who they are,
• 40:20
  Speaker 1: where they come from, what responsibility comes with what they have.
• 40:24
  Speaker 1: And it may not necessarily be theirs. They may be judged,
• 40:26
  Speaker 1: it may hurt, but off somebody may say something that
• 40:28
  Speaker 1: might call them a nick and they white, They're like,
• 40:31
  Speaker 1: where did that come from? What do you say? My nick?
• 40:33
  Speaker 1: What's something? Yeah? But that's where we headed is We're
• 40:36
  Speaker 1: in a really, really odd balance right now. You know
• 40:38
  Speaker 1: what I mean. I love them while I got them,
• 40:40
  Speaker 1: as long as I have them, protect them as much
• 40:42
  Speaker 1: as I can. Absolutely, I always want to ask you
• 40:44
  Speaker 1: when you did the same girl with all Kelly, are
• 40:47
  Speaker 1: you concerned that people know itwhere quick we're getting too?
• 41:00
  Speaker 1: Were you concerned that people may think that same girl
• 41:02
  Speaker 1: was thirteen. Oh man, good question? Is it? Get out
• 41:10
  Speaker 1: of there? All right? Well, let's get into an Usher
• 41:14
  Speaker 1: mini mix. Let me know your favorite Usher joint right
• 41:16
  Speaker 1: now at dj Envy, it's the breakfast club. Come boy.
• 41:21
  Speaker 1: That was an Usher mini mix Morning. Everybody is dj Envy.
• 41:24
  Speaker 1: Angela yee, Charlemagne, the guy we are the breakfast club.
• 41:28
  Speaker 1: Usher is in the building, Charlemagne. Now can we talk
• 41:31
  Speaker 1: about how you ruined Chili? Ruined? Because remember when she
• 41:34
  Speaker 1: did the TV show Ruined a grown ass person and
• 41:38
  Speaker 1: she had that long checklist. I said, this is us
• 41:40
  Speaker 1: your fault. I said, this is all Usher fault that
• 41:44
  Speaker 1: she got this long checklist. She happy now though, Yeah,
• 41:50
  Speaker 1: I don't know that. Nick Cannon said in the freestyle
• 41:53
  Speaker 1: that he first tried to hollow when Usher was witch Chili.
• 41:59
  Speaker 1: That was then you think I ruined Chili for real?
• 42:03
  Speaker 1: Did you see her checklist on what Chili wants? Yet?
• 42:06
  Speaker 1: Chili checklist was But they did it a long time ago.
• 42:10
  Speaker 1: I'm sure there's been other things. Definitely that's happened since.
• 42:13
  Speaker 1: So it didn't have to be Usher. I won the
• 42:15
  Speaker 1: last time you interviewed her that ruined her did you
• 42:21
  Speaker 1: ask her about it? Yeah, she said you ruined her.
• 42:23
  Speaker 1: She said, I thought she just said something like you
• 42:28
  Speaker 1: have some growing up to do or something like that.
• 42:30
  Speaker 1: That's part of the reason that I wrote the song Rivals.
• 42:33
  Speaker 1: You know what I'm saying, I did have some growing
• 42:35
  Speaker 1: up to do. You know, you know that that relationship
• 42:39
  Speaker 1: served you know you kind of you kind of had
• 42:40
  Speaker 1: these categories. You know what I'm saying. You got to
• 42:42
  Speaker 1: read the season or a lifetime. That one didn't food
• 42:44
  Speaker 1: to be a lifetime. You got an album out of it, though,
• 42:47
  Speaker 1: ten million records. So Mary JH. Your advice to men,
• 42:57
  Speaker 1: when you make your mistakes, own up to them, take
• 43:00
  Speaker 1: responsibility and learn from them. Yes, so how about just
• 43:04
  Speaker 1: not get caught? How about just don't do it? Charlemagne
• 43:07
  Speaker 1: said it just don't get great. But if you want
• 43:08
  Speaker 1: to deal with fantasy coup, But it took him time
• 43:10
  Speaker 1: to get to that point. I'm sure, be honest that
• 43:13
  Speaker 1: all men have their own timing, you know what I mean,
• 43:16
  Speaker 1: and and have their own things that we have to
• 43:19
  Speaker 1: deal with, and women will never understand it. You know,
• 43:22
  Speaker 1: you don't have a penis, so you don't understand it.
• 43:24
  Speaker 1: We just that we don't know that about you and
• 43:26
  Speaker 1: you guys don't when we might not necessarily understand everything.
• 43:31
  Speaker 1: So we're trying to figure out this connection between between
• 43:36
  Speaker 1: man and woman. You got a snapchat naked from the
• 43:38
  Speaker 1: team and make sure you don't got no. You can
• 43:43
  Speaker 1: always touch it, you talk it. But I mean, it's
• 43:48
  Speaker 1: something about that insecurity that men have that at times
• 43:53
  Speaker 1: makes it a bit begin to balance it that if
• 43:56
  Speaker 1: you cheat and you don't get caught, that you shouldn't
• 43:59
  Speaker 1: tell you damn right. But some people feel like, man,
• 44:03
  Speaker 1: I feel so guilty about this. I feel like I
• 44:05
  Speaker 1: need to go to my significant other and be like,
• 44:07
  Speaker 1: I made a huge mistake. This is what happened. So
• 44:10
  Speaker 1: what's your advice on if you cheat and don't get caught.
• 44:12
  Speaker 1: Should you confess or should you just you're speaking to
• 44:16
  Speaker 1: the guy who puts it in this music, right, I'm
• 44:18
  Speaker 1: like a tattle tale. I tell on myself involved in something. Yeah,
• 44:23
  Speaker 1: but I mean you can't really get around that. Eventually
• 44:28
  Speaker 1: she's gonna see the baby, you know what I'm saying.
• 44:30
  Speaker 1: But people have said it's very selfish if you don't
• 44:35
  Speaker 1: get caught to tell because it relieves your guilt. But
• 44:37
  Speaker 1: then it makes the other person feel terrible. I disagree.
• 44:40
  Speaker 1: I think that if you're trying to move forward in
• 44:43
  Speaker 1: a relationship, let it come from your mouth to the
• 44:46
  Speaker 1: person that you want to figure this out because there's
• 44:49
  Speaker 1: a reason why you, why you went through that, that's
• 44:51
  Speaker 1: a reason why you had that moment. Why she or
• 44:54
  Speaker 1: you ain't just guys either. By the way, women on
• 44:56
  Speaker 1: that on that too, say that more now than ever
• 45:00
  Speaker 1: what I'm saying, but that was going to come up.
• 45:01
  Speaker 1: Could you be with the woman who cheated on you?
• 45:03
  Speaker 1: If I made a huge mistake, it was just one
• 45:06
  Speaker 1: time contrition. When I get there, I don't put that
• 45:11
  Speaker 1: out there like us. You got money to hide the baby,
• 45:15
  Speaker 1: You've got money to hide the whole family. I don't
• 45:17
  Speaker 1: want you. Don't sit here and hand me that. What's
• 45:19
  Speaker 1: the biggest adjustment you've had to make in your twenty
• 45:21
  Speaker 1: plus year career as an artist than man, if that
• 45:24
  Speaker 1: comes with the territory, You're always making an adjustment, You're
• 45:27
  Speaker 1: always listening to a music kid, you're always kind of collaborating.
• 45:31
  Speaker 1: I think that that's probably one of the hardest places
• 45:36
  Speaker 1: for writers producers to get when they you know, because
• 45:39
  Speaker 1: something about having a hit record makes you feel like
• 45:42
  Speaker 1: you don't need anybody. But collaboration is what gives you perspective.
• 45:46
  Speaker 1: So when you begin to work with other people, then
• 45:48
  Speaker 1: you get you go further. You know what I'm saying,
• 45:50
  Speaker 1: and that that probably is the hardest thing, just when
• 45:52
  Speaker 1: you when you finally get that, Wait a minute, it's
• 45:54
  Speaker 1: not just all me. It is collaboration. It is the
• 45:56
  Speaker 1: people that are helping me understand and see things that
• 45:59
  Speaker 1: maybe I didn't catch. You put in the work, understand
• 46:01
  Speaker 1: if you If you don't, you ain't gonna have a longevity,
• 46:03
  Speaker 1: and I might have Angevity is your live show because
• 46:06
  Speaker 1: there's people you can go see perform live and you're like,
• 46:08
  Speaker 1: I've listened to the album at home, But then there's
• 46:11
  Speaker 1: people you see perform live and it's like, wow, that
• 46:13
  Speaker 1: was a great experience. Yeah. I mean, especially if you're
• 46:15
  Speaker 1: gonna spend that forty dollars or fifty nine dollars whatever
• 46:18
  Speaker 1: it costs to go see your favorite celebrity, you wan't
• 46:20
  Speaker 1: you want them to show up for you? What do
• 46:22
  Speaker 1: you think about people live show? Now? Because seeing you
• 46:25
  Speaker 1: perform sometimes I'm like, don't work, don't don't work as
• 46:28
  Speaker 1: hard as I'm like, man, you perform, always practiced. First
• 46:32
  Speaker 1: time I've ever seen us it was about two years
• 46:33
  Speaker 1: ago at the Ieheart Festival and he walked in the
• 46:35
  Speaker 1: room and it's like a path clard. He danced all
• 46:38
  Speaker 1: the way to the podium and danced to go do
• 46:43
  Speaker 1: your interview. I was like, well, stay ready, you ain't
• 46:45
  Speaker 1: gotta get ready. Nah, But I'm a bit disappointed with
• 46:49
  Speaker 1: live shows that I'm very disappointed with live shows. I'm
• 46:52
  Speaker 1: not as disappointed for the creative directors because they getting
• 46:55
  Speaker 1: paid a lot of money to put the lights in it.
• 46:58
  Speaker 1: Now you discovered Justin people. Is it hard for you
• 47:00
  Speaker 1: to like pick another artist now because of a success?
• 47:03
  Speaker 1: Bad success has a million fathers. There's a ton of
• 47:07
  Speaker 1: people who were part of Justin Bieber's discovery. Schooter brought
• 47:10
  Speaker 1: it to me, a ton of people. That's not necessarily
• 47:13
  Speaker 1: the business that I have been in. You know, I've
• 47:16
  Speaker 1: been more focused on continuing to keep music. And if
• 47:19
  Speaker 1: I do hear anything uh an artist, I'll pull them
• 47:22
  Speaker 1: to the front. I might collaborate with him, i might
• 47:24
  Speaker 1: help help them and mentor them. I'm mentor the more
• 47:26
  Speaker 1: people than you would ever know any R and B artist,
• 47:29
  Speaker 1: if you name them, right now. I probably know him,
• 47:32
  Speaker 1: mentor him, talk to him. I'm the youngest og that
• 47:35
  Speaker 1: they got, you know what I'm saying. Well, no songs,
• 47:45
  Speaker 1: definitely Miguel, because did he I mean, did he did
• 47:47
  Speaker 1: that for you? Yeah? Yeah, I mean it's it's it's
• 47:49
  Speaker 1: about you know, the gift of the trade. You know,
• 47:51
  Speaker 1: if you if you have some perspective by not off it.
• 47:54
  Speaker 1: You know what I'm saying, Chris, all of them, you
• 47:55
  Speaker 1: know what I mean. Alright, make sure you'll follow us,
• 47:58
  Speaker 1: you and snap, something else might slip out, you never know. Well,
• 48:00
  Speaker 1: he's performing at Powerhouse, so make sure you get your
• 48:02
  Speaker 1: tickets for Powerhouse. Are you with us? Yeah? With y'all. Well,
• 48:08
  Speaker 1: we appreciate you joining us. The album, the eighth studio
• 48:11
  Speaker 1: album Hard to Love out right now. We appreciate you, yeah, man,
• 48:15
  Speaker 1: thank you all man. It's the Breakfast Club is Ersham
• 48:18
  Speaker 1: the Breakfast Club. It's about Angela Yee on the Breakfast Club. Well,
• 48:35
  Speaker 1: the Game went in on Meek Mill on ninety two bars. Now,
• 48:38
  Speaker 1: just to fill you in on what's going on, the
• 48:40
  Speaker 1: Game thinks that Meek Mill told Sean Kingston that he
• 48:44
  Speaker 1: had him set up and robbed in a club in La.
• 48:47
  Speaker 1: Now the Game is saying that he was interviewed by
• 48:49
  Speaker 1: police and cleared of all charges, but he does feel
• 48:52
  Speaker 1: like Meek Mill is a rat for that situation. Mick
• 48:54
  Speaker 1: Miller saying he never did that. Sean Kingston is saying
• 48:56
  Speaker 1: that Meek never told him anything, so it seems like
• 48:59
  Speaker 1: a misunderstanding on who told what. Okay, Well, at first,
• 49:04
  Speaker 1: the Game put out this this song that's gonna be
• 49:06
  Speaker 1: on his new album. It's called ninety two bars, and
• 49:08
  Speaker 1: he's taking aim at me. She got a couple more,
• 49:11
  Speaker 1: but she don't even know me. And never since that again,
• 49:14
  Speaker 1: slips show me we just don't speak. See that you
• 49:17
  Speaker 1: y'all will break. It's like a flow roof blood to
• 49:19
  Speaker 1: be clipping like Naya, you fuck poking me. Nikki won't
• 49:22
  Speaker 1: get no street. I'm coming through it. Floy have flow
• 49:25
  Speaker 1: deep to leave the dead body on a coach seat.
• 49:28
  Speaker 1: They can have the low keep. You better have roll
• 49:30
  Speaker 1: called me or you're gonna be our level with a
• 49:33
  Speaker 1: roach speak first of all around to be a news
• 49:37
  Speaker 1: clip with the loose slips money begins ridge and packed
• 49:40
  Speaker 1: you out when you ain't douche. It's this the Golden
• 49:43
  Speaker 1: State and my shooters, ain't gonna know who's it's? And
• 49:45
  Speaker 1: then do you know that I snap you like a
• 49:47
  Speaker 1: toothpick and snitching on themes ain't never been no coos
• 49:50
  Speaker 1: it's And I've been wanting to give Nikki this pool
• 49:53
  Speaker 1: stick to tell your low vibrant thing come up a
• 49:55
  Speaker 1: Q tip. We know when you live again, you better
• 49:58
  Speaker 1: move quick and start thinking twice about who you hopped into.
• 50:01
  Speaker 1: Cool with it. Let's applaud the Breakfast Club for not
• 50:03
  Speaker 1: giving a damn about quality because the actual quality version
• 50:07
  Speaker 1: is out there, but we don't care. Why why I
• 50:10
  Speaker 1: played the quality version? Why who can't we played the
• 50:12
  Speaker 1: one that we receive. That's where we got all right,
• 50:15
  Speaker 1: all right, yeah we did get that exclusively on Friday
• 50:18
  Speaker 1: after everything went down. Well, Mick mil has responded on Wax.
• 50:22
  Speaker 1: He actually uh, he actually did his song Oh over
• 50:26
  Speaker 1: the Young m a song. Check it out, don't check
• 50:28
  Speaker 1: you fifth drop out strippers, turn rappers, Look where we
• 50:35
  Speaker 1: come to? Raga for my lady? Enough for me, drop
• 50:39
  Speaker 1: on a clue bomb from Mik mil damn hit some
• 50:41
  Speaker 1: more from me again? What's the forty and you get
• 50:44
  Speaker 1: some never with forty seconds promo y'all and we got
• 50:46
  Speaker 1: you making enough stories and stripping the rapper rapper, the
• 50:49
  Speaker 1: stripping you corny, then we'll suck us. That's what you
• 50:52
  Speaker 1: do to sell your album. You're only gonna sell it
• 50:55
  Speaker 1: like fifteen thousand. The first week, Meek and Game both
• 50:57
  Speaker 1: from rapping as negirls Now they both both spitball and
• 51:03
  Speaker 1: posted a picture of a rat and put meeky mouse
• 51:06
  Speaker 1: after I whip his rat ass. And how much crack
• 51:08
  Speaker 1: you had to give that smoker weeny seagull to escape
• 51:11
  Speaker 1: from rehab the bad homie stack posting pictures of that
• 51:15
  Speaker 1: sick d word. He need a bath, some warm food, Yes,
• 51:20
  Speaker 1: yes he did, he said, Or what he needs bath,
• 51:23
  Speaker 1: some warm food and a hug, he said, Give me
• 51:26
  Speaker 1: the fat seagle back and take that saggy titty, sucked
• 51:29
  Speaker 1: up shirmhead back to Self Help Movement Center of Philadelphia.
• 51:34
  Speaker 1: Well be he's in Jesus Christ, right. So there's a
• 51:37
  Speaker 1: much longer post if you want to longer than that. Yeah,
• 51:41
  Speaker 1: Oh my goodness. So I'm just giving you guys an update.
• 51:43
  Speaker 1: I know Charlottaigne has his Donkey of the Day, but
• 51:45
  Speaker 1: I'm just telling you what's going on. There's a lot
• 51:47
  Speaker 1: with this Meek mill end game situation. And I'm gonna
• 51:49
  Speaker 1: play the full version during the mix too, so if
• 51:51
  Speaker 1: you want to be that quality of oh, this is
• 51:53
  Speaker 1: crystal clear quality. All right, Well, that is your rumor report.
• 51:57
  Speaker 1: I'm Angela. And by the way, I just want to
• 51:59
  Speaker 1: make sure we give a shout out to Max B.
• 52:01
  Speaker 1: Apparently he is going to be coming home. Originally he
• 52:04
  Speaker 1: was sentenced to a seventy five year prison sentence, but
• 52:06
  Speaker 1: there's some recent changes. He has a new legal team,
• 52:09
  Speaker 1: new management. They now have a different agreement and it
• 52:12
  Speaker 1: looks like he'll be home in two years. Bomb from
• 52:15
  Speaker 1: Max B. Damn it, that's my guy. So he did
• 52:18
  Speaker 1: put out a message to everybody he thinked us too,
• 52:21
  Speaker 1: and Da in the French Montana and all his fans
• 52:23
  Speaker 1: that have been holding him down. Slu to his mom,
• 52:26
  Speaker 1: slew to Frank's manager, that's my guy right there. Lu
• 52:28
  Speaker 1: to Max B. Man, all right, well that is your
• 52:30
  Speaker 1: rumor report. I'm Angela. Year all right, we got don'ty
• 52:33
  Speaker 1: today coming up? Yes, man, don't you today? We need
• 52:35
  Speaker 1: Sean Kingston to come to the front of the congregation. Okay,
• 52:38
  Speaker 1: because when you're looking at these maybe potential volatile situations.
• 52:42
  Speaker 1: There's certain people that should not be involved, and Sean
• 52:45
  Speaker 1: Kingston is one of them, so we need to have
• 52:47
  Speaker 1: him come to the front of the congregation. This is
• 52:48
  Speaker 1: a teachable moment, all right. We'll get into that when
• 52:50
  Speaker 1: we come back. Keep a lot this to Breakfast Club.
• 52:52
  Speaker 1: Good morning, Donkey of the Day, being Dunky of the day,
• 53:03
  Speaker 1: a little bit of a mic like a dog the
• 53:07
  Speaker 1: other day. Now, I've been called a lot of my
• 53:13
  Speaker 1: twenty three years, but Donkey of the Day is a
• 53:15
  Speaker 1: new wife. Yes, donkey today for Monday, September nineteenth, goes
• 53:20
  Speaker 1: to Sean Kingston. Now, if you haven't heard, mercury is
• 53:23
  Speaker 1: in retrograde and Nigress is nigging more than usual. As
• 53:26
  Speaker 1: we reported last week, Game took some shots to Meek
• 53:29
  Speaker 1: Mill and a disrecord called ninety two bars. Game said
• 53:31
  Speaker 1: he wants to fight Meek Mill one on one, all
• 53:33
  Speaker 1: because Sean Kingston got robbed, and Game claims that Meek
• 53:37
  Speaker 1: gave Sean the idea. It was someone from games Camp
• 53:40
  Speaker 1: that robbed him. Look, I don't know what's really going on.
• 53:43
  Speaker 1: I'm just watching from the sidelines like the rest of y'all.
• 53:45
  Speaker 1: All I know is Game ninety two Bars is very
• 53:48
  Speaker 1: violent but fire, and Meek Mills who Remix is violent
• 53:52
  Speaker 1: but fire. So minus all the threats of violence, it
• 53:55
  Speaker 1: was a pretty good weekend in hip hop ronif applause
• 53:57
  Speaker 1: for those guys in their Boss. Okay, Now, I used
• 54:01
  Speaker 1: to like when my gangster rappers actually did gangster things,
• 54:05
  Speaker 1: actually lived alive they rapped about. But I'm grown now
• 54:09
  Speaker 1: so I don't anymore. I just want y'all to rap
• 54:12
  Speaker 1: about it and not actually harm each other, because hey,
• 54:14
  Speaker 1: rap lives matter. But when two screed rappers Meek millon
• 54:17
  Speaker 1: game with throwing shots at each other, sadly, it's gonna
• 54:21
  Speaker 1: be some violence. Maybe it's expected Meek Mill from the
• 54:24
  Speaker 1: Mean Screech the Philly and Games from the jungle known
• 54:27
  Speaker 1: as Compton. So yes, they're gonna talk tough to each other.
• 54:29
  Speaker 1: It is what it is. Now. Who we aren't expecting
• 54:32
  Speaker 1: to hear tough talk from It's Sean Kingston. Let's play
• 54:36
  Speaker 1: the original because this is what Sean originally had to
• 54:38
  Speaker 1: say concerning the whole situation. Played the calm one. Yeah,
• 54:41
  Speaker 1: I'm just cooler man, trying to stay positive, work on
• 54:43
  Speaker 1: my new album commeec with good losing for my fans.
• 54:46
  Speaker 1: Man ain't trying to be no more media, no more drama,
• 54:48
  Speaker 1: no nothing. That's my dog. We never had no conversation
• 54:51
  Speaker 1: about nothing. That's the right approach. Round applause to Sean
• 54:53
  Speaker 1: Kingston for initially taking the right approach. Okay, now I'm
• 54:57
  Speaker 1: blaming what you're about to hear on Meek Millan game. Okay,
• 55:01
  Speaker 1: Sean saw all those posts and memes game and Meikle posting.
• 55:05
  Speaker 1: He saw all those lights. Thing was getting all those shade,
• 55:07
  Speaker 1: room ball alert and academic post and Sean wanted in.
• 55:12
  Speaker 1: So Sean watched the episode, he watched, he watched the movie,
• 55:15
  Speaker 1: shot us, he smoked some ganja, He wrote up a scrip,
• 55:19
  Speaker 1: put it in that little teleprompter app on the iPhone,
• 55:22
  Speaker 1: and went to work. Let's hear it, a youngster of
• 55:24
  Speaker 1: the world, No y'ad a bum back clock. Youngster, y'all
• 55:26
  Speaker 1: froud take care of Nigga's Then you straight like that
• 55:29
  Speaker 1: whole ass man wrote you little dirt pulled up on
• 55:33
  Speaker 1: your ass, ready to drop your ass. You called peace.
• 55:35
  Speaker 1: Pet Rally, Oh man, I ain't no whole ass thug
• 55:39
  Speaker 1: was about ready to drop your ass. You called peace.
• 55:42
  Speaker 1: Can we've seen this movie before get this clown out
• 55:44
  Speaker 1: of here, Sean Kingston. Why I don't know why nobody
• 55:51
  Speaker 1: looks at you in that way? Nobody thinks of you
• 55:54
  Speaker 1: in that manner. In fact, when you get robbed and stuff,
• 55:56
  Speaker 1: we say things like, now, why would somebody rob Sean Kingston?
• 56:00
  Speaker 1: Why would somebody hit him alone? Leaves Sean alone? Why
• 56:02
  Speaker 1: would somebody hit Sean Kingston in the head with a bottle?
• 56:04
  Speaker 1: He's a nice guy. But now, after hearing you impersonate
• 56:07
  Speaker 1: Ox from Belly, if God forbid you find yourself in
• 56:10
  Speaker 1: another situation like that, people are gonna say, well, that's
• 56:13
  Speaker 1: what he gets. Serious question, does social media make you
• 56:16
  Speaker 1: feel like you have to be be tough? Thum thumb thugging,
• 56:20
  Speaker 1: cyber cripping, broadband blooding? Why all you did, Sean Kingston
• 56:25
  Speaker 1: was opened the door for negativity in your life. And
• 56:27
  Speaker 1: I really don't know you, but I don't believe you
• 56:29
  Speaker 1: built for it when your chain got snatched in the club.
• 56:31
  Speaker 1: Correct me if I'm wrong here, your mother, Sean Kingston's
• 56:36
  Speaker 1: mama got on Twitter and ask for the jewelry back right. Yes,
• 56:40
  Speaker 1: I'm not making this up at that's that's the first
• 56:43
  Speaker 1: we heard of it. Too, knowing that he got robbed
• 56:45
  Speaker 1: because his mom actually took the social media. We saw
• 56:47
  Speaker 1: the tweet from Mama Kingston one at in game asking
• 56:51
  Speaker 1: for your jewelry back. So sorry, Sean. If we don't
• 56:54
  Speaker 1: believe y'all gangster could just play the play to playto
• 56:57
  Speaker 1: second clip one time. Yeah, I'm a fact, no normal fact.
• 57:01
  Speaker 1: I would platinum being a fact. Fact that still your
• 57:04
  Speaker 1: bitch anywell, you both that still would as going to
• 57:08
  Speaker 1: winny ten and every day for the inns, for the
• 57:11
  Speaker 1: in the fitness Gonna take another steroid pill? You ask
• 57:14
  Speaker 1: you just one? Don't you can't talk to me. I
• 57:16
  Speaker 1: ain't a rapper. I gotta be no treat. The world
• 57:19
  Speaker 1: know what you is. You ain't even good at your
• 57:20
  Speaker 1: own city. You're a hope and the whole world. No.
• 57:24
  Speaker 1: So if you're not a screet niggro, why you're acting
• 57:27
  Speaker 1: like one, Sean. The moral of the story is, if
• 57:30
  Speaker 1: you're not a savage in the screech, don't be a
• 57:32
  Speaker 1: savage in the tweets. If you're not an og, don't
• 57:35
  Speaker 1: front like your one on. I g okay, Sean, I'll
• 57:38
  Speaker 1: leave you with this. Be careful who you pretend to be.
• 57:41
  Speaker 1: You might forget who you are. Now, Sean Kingston, get
• 57:45
  Speaker 1: the biggest, he hardest, sweet sounds of the Hamletones sounds. Okay,
• 57:48
  Speaker 1: give him some sweet sounds in the Hamletones. You the donkey,
• 57:56
  Speaker 1: the d you the donkey. He too beautiful for this.
• 58:13
  Speaker 1: My mom want it. Did the same thing, boy, Shut
• 58:15
  Speaker 1: but you bage, though we expect that from you. Shut up.
• 58:17
  Speaker 1: I just don't understand all the thumb thugging, the cyber cripping,
• 58:20
  Speaker 1: the broad being blunting. What's the point. Why why be
• 58:23
  Speaker 1: a social media savage? Why if you're seeing you're not
• 58:26
  Speaker 1: a street dude, don't act like one. Like Wait, that
• 58:30
  Speaker 1: sounds like somebody who wants some action to me. Sounded
• 58:33
  Speaker 1: like he was a little action. It sounds like you
• 58:34
  Speaker 1: want some action. Okay, that sound like you want action. Okay,
• 58:39
  Speaker 1: all right, well, thank you for that. Donkey up the day. Now,
• 58:43
  Speaker 1: let's ask this question that he asked earlier eight hundred
• 58:46
  Speaker 1: five eight five one oh five one. I just was
• 58:48
  Speaker 1: asking for you, guys, because when we go out sometimes
• 58:51
  Speaker 1: things happen and we hear some inside information. If you
• 58:54
  Speaker 1: found out that somebody you know, that you was, you know,
• 58:57
  Speaker 1: kind of cool with maybe not your bestie or nothing
• 58:59
  Speaker 1: like that, was about to get robbed or set up
• 59:02
  Speaker 1: in the club. Do you say something or do you
• 59:04
  Speaker 1: mind your business? Eight hundred five eighty five one oh
• 59:06
  Speaker 1: five one. You in the club, somebody comes up to
• 59:08
  Speaker 1: you and says, hey, we're about to rob so and so.
• 59:10
  Speaker 1: You know him, you know him. You might not be
• 59:12
  Speaker 1: the coolest in the world'all y'all, y'all know each other.
• 59:15
  Speaker 1: Would you say something or would you mind your business?
• 59:17
  Speaker 1: That's why you got to carry a fake badge around
• 59:19
  Speaker 1: with you. Some when people walk up to you and
• 59:21
  Speaker 1: say stuff like that, you just flash your badge on them.
• 59:24
  Speaker 1: You can't flip. Are you talking about? Eight hundred eighty
• 59:27
  Speaker 1: five one oh five one? That is the question. Call
• 59:30
  Speaker 1: us up right now, we'll talk about it. It's the
• 59:32
  Speaker 1: Breakfast Club, The Morning The Breakfast Club. That was Drake
• 59:39
  Speaker 1: and reread with two Good Morning. Everybody's DJ Envy Angela Yee, Charlomagne,
• 59:43
  Speaker 1: the Godriall the Breakfast Club. Now, if you just join us,
• 59:46
  Speaker 1: we're asking eight hundred five eighty five one oh five one.
• 59:48
  Speaker 1: This is out of the game. Sean Kingston meek Mill story.
• 59:52
  Speaker 1: If you're in the club and somebody comes up to
• 59:54
  Speaker 1: you and says they're gonna rob somebody else that you know,
• 59:57
  Speaker 1: Would you say something? That is the question? Start with you?
• 1:00:00
  Speaker 1: YEA man, that's a hard one. How well do I
• 1:00:03
  Speaker 1: know them? Is the question? I probably, this is how
• 1:00:06
  Speaker 1: I look at it. I would probably try to talk
• 1:00:08
  Speaker 1: them out of robbing the person. That's the most I
• 1:00:11
  Speaker 1: could do. And if you don't say anything to the person,
• 1:00:14
  Speaker 1: you can't never say anything to anybody. So if you
• 1:00:16
  Speaker 1: choose to mind your business, you can't tell anyone ever
• 1:00:19
  Speaker 1: that you even had any information about it. You gotta
• 1:00:21
  Speaker 1: just say, hey, I'm not in it. So if it's
• 1:00:24
  Speaker 1: a really good friend of mine, of course I would
• 1:00:25
  Speaker 1: have to tell them, and I would also have to
• 1:00:26
  Speaker 1: tell the person who was about to do it, like
• 1:00:28
  Speaker 1: you know, that's my homie, So I can't just let
• 1:00:30
  Speaker 1: this go down. Well, if they were a really good
• 1:00:31
  Speaker 1: friend of mine, I'm sure that everybody would know that
• 1:00:34
  Speaker 1: as a friend of mine, and they wouldn't ask. Sometimes
• 1:00:36
  Speaker 1: people don't know your relationships. YEA. True. If they're asking
• 1:00:39
  Speaker 1: and they're not really a good friend of mine, and
• 1:00:40
  Speaker 1: I just know them know a mind of my business,
• 1:00:42
  Speaker 1: and when you see me exit that means something's about
• 1:00:45
  Speaker 1: to happen. I'm out of there. I am not saying
• 1:00:46
  Speaker 1: nothing to mine in my business has nothing to do
• 1:00:48
  Speaker 1: with me. I don't want to be involved with this.
• 1:00:50
  Speaker 1: I am a regular citizen. I have a family. I
• 1:00:54
  Speaker 1: want to go home. That's how I look at it.
• 1:00:56
  Speaker 1: Charlomagne tough one man. I mean, first of all, if
• 1:00:59
  Speaker 1: you come to me and tell me you're gonna rob someone,
• 1:01:01
  Speaker 1: I number one want to know why you're promoting and
• 1:01:03
  Speaker 1: marketing your crime. Second, it's clearly not someone I'm close to,
• 1:01:07
  Speaker 1: because you wouldn't be telling me if it was. That's
• 1:01:09
  Speaker 1: what I said, yea. And three, natural humanity is going
• 1:01:12
  Speaker 1: to kick in and you're not gonna want to see
• 1:01:15
  Speaker 1: someone get it hurt or get robbed. So I really
• 1:01:19
  Speaker 1: don't know. But if you say something that puts you involved,
• 1:01:22
  Speaker 1: now now you're involved. Now. Yeah. You can't just say
• 1:01:24
  Speaker 1: you don't know that you're here. You're in this situation.
• 1:01:26
  Speaker 1: What do you do? Quick story? Remember one time I
• 1:01:29
  Speaker 1: old this dude some money because I was selling dope
• 1:01:32
  Speaker 1: for him. That dope gave me was horrible. I couldn't
• 1:01:33
  Speaker 1: sell it, so I ended up on him some money. Right,
• 1:01:35
  Speaker 1: So he wanted me to do a home invasion with him.
• 1:01:37
  Speaker 1: There's no way I was doing a home invasion. I
• 1:01:39
  Speaker 1: knew that from the jump, right, But I said, okay,
• 1:01:42
  Speaker 1: I'll go along with the home invasion. So we're get
• 1:01:45
  Speaker 1: in the car and we're riding around smoking weed, and
• 1:01:47
  Speaker 1: I already knew he's one of those guys that smokes
• 1:01:49
  Speaker 1: and get paranoid. So I just started telling them all
• 1:01:51
  Speaker 1: kind of stuff. Old, I think I just saw a
• 1:01:53
  Speaker 1: police car behind us, so old, the lights are still
• 1:01:56
  Speaker 1: on in the house. I don't think we should do it. Whatever, whatever.
• 1:01:59
  Speaker 1: So I'm saying everything I can to make this guy
• 1:02:03
  Speaker 1: not want to do this home invasion, and it worked.
• 1:02:05
  Speaker 1: So I would think that after what I would do
• 1:02:07
  Speaker 1: in this situation. If a guy can't even say I'm
• 1:02:08
  Speaker 1: about to rob somebody, I'm like, yo, I don't think
• 1:02:10
  Speaker 1: I would do that. It's mad police outside. I heard
• 1:02:13
  Speaker 1: this dude got twenty guns with him on him right now.
• 1:02:15
  Speaker 1: I don't think you're gonna be able to get up
• 1:02:16
  Speaker 1: out here. I would say something to try to keep
• 1:02:19
  Speaker 1: this situation from happening, because that's just my natural humanity talking.
• 1:02:22
  Speaker 1: I've been in an incident where that has actually happened.
• 1:02:24
  Speaker 1: I was in the club and somebody was like, you'll eat.
• 1:02:26
  Speaker 1: If I was you, I'll get out the club right now.
• 1:02:28
  Speaker 1: And I was like wow, he said, because it's about
• 1:02:29
  Speaker 1: to get ugly. And then when I got out the club,
• 1:02:31
  Speaker 1: it really got ugly. Now that's different, that's that's that's
• 1:02:34
  Speaker 1: just a general statement. You know what I'm saying, right so, Jesa,
• 1:02:37
  Speaker 1: But but saying I'm about to rob this person right
• 1:02:40
  Speaker 1: now is a little different. After humanity kicks in telling
• 1:02:43
  Speaker 1: me to get out. The clubs about to get ugly.
• 1:02:44
  Speaker 1: Thank you for the one. I'm out. I don't even know.
• 1:02:47
  Speaker 1: It's not anybody target in particular. Somebody target in particular.
• 1:02:51
  Speaker 1: I think you really do have a responsibility to try
• 1:02:54
  Speaker 1: to talk him out of it. You do. If you
• 1:02:55
  Speaker 1: know the person, see you're gonna do it. You did
• 1:02:58
  Speaker 1: what you could see in these streets, especially Brooklyn Queen's Bronx.
• 1:03:02
  Speaker 1: It happens all the time. We don't tell me, why
• 1:03:06
  Speaker 1: are you telling me? Glad you told me? Chuck you out?
• 1:03:07
  Speaker 1: Then I want to go. I want to get out
• 1:03:09
  Speaker 1: of here. I don't want to I'm gonna go when
• 1:03:10
  Speaker 1: you try to rob me. He pulls out of a a gun,
• 1:03:11
  Speaker 1: they start shooting. Now I'm in the crossfire. I want
• 1:03:13
  Speaker 1: to go home. Hello, who's this Brothers club? What's up? Man?
• 1:03:16
  Speaker 1: It's Tony, Tony. What would you do in that situation? Tony?
• 1:03:19
  Speaker 1: All right, be honest. If we kick it and then
• 1:03:22
  Speaker 1: we're cool, I'm gonna let him know. Well, I ain't
• 1:03:24
  Speaker 1: gonna let him know. I'm gonna talking about homies like yo, cool,
• 1:03:27
  Speaker 1: he cool, chill out. And if they straight up savages, well,
• 1:03:31
  Speaker 1: let God be with them. You're like, yeah, I can't
• 1:03:34
  Speaker 1: do nothing for you. Hello, but it puts you in
• 1:03:36
  Speaker 1: the middle of it. It does. Hello, how are you brother?
• 1:03:39
  Speaker 1: What's going on? Brother? Yeah? Yeah. My answer would be
• 1:03:45
  Speaker 1: I would if someon came try to run somebody up
• 1:03:47
  Speaker 1: that I know, I would ask how to respect for them?
• 1:03:49
  Speaker 1: Nothing to do it, and then when I get a chance,
• 1:03:51
  Speaker 1: like get over to that person, let him know they're
• 1:03:53
  Speaker 1: getting licked up and they need to go now. So
• 1:03:55
  Speaker 1: you would do what they're saying me did pretty much? Okay, Yeah,
• 1:04:00
  Speaker 1: I mean, truthfully speaking, that's really just being a good
• 1:04:04
  Speaker 1: human being. Mean, I understand that different rules applied in
• 1:04:07
  Speaker 1: the street. That's why. If you know what game is
• 1:04:10
  Speaker 1: saying is true. It is wrong with Meek did because
• 1:04:13
  Speaker 1: both of them are street dudes. But for us, regular
• 1:04:15
  Speaker 1: human beings who don't live by those rules, don't tell
• 1:04:18
  Speaker 1: me things like that, Okay, because I'm I got humanity,
• 1:04:22
  Speaker 1: I'm gonna tell somebody probably Yeah, maybe I doubt it.
• 1:04:27
  Speaker 1: I'm not. I said too many people in the clubs.
• 1:04:30
  Speaker 1: I know too many people. I know the grimy, I
• 1:04:32
  Speaker 1: know the goons, I know the regular people. I know everybody.
• 1:04:35
  Speaker 1: So it keeps me out of everything, you know what
• 1:04:37
  Speaker 1: I mean? I want to know. I want to know everybody. Yeah.
• 1:04:39
  Speaker 1: Eight hundred five eight five one o five one. You're
• 1:04:42
  Speaker 1: in a club, somebody comes up to you and says
• 1:04:43
  Speaker 1: they're gonna rob somebody that you know. You don't necessarily
• 1:04:46
  Speaker 1: have to be cool with them, y'all don't have to
• 1:04:47
  Speaker 1: be type, but you know them. Would you say something?
• 1:04:50
  Speaker 1: Eight hundred five eight five one o five one. It
• 1:04:52
  Speaker 1: is to Breakfast Club, Go Morning. That was more money,
• 1:04:56
  Speaker 1: more problems Morning. Everybody is DJ M v Angela Ye
• 1:05:00
  Speaker 1: Sharlamagne the guy. We are the Breakfast Club. Eight hundred
• 1:05:03
  Speaker 1: five eight five one oh five one. Now we're asking
• 1:05:05
  Speaker 1: out of what's going on allegedly with Meek Mills, Sean
• 1:05:08
  Speaker 1: Kingston and the Game. You're in the club chilling, somebody
• 1:05:11
  Speaker 1: comes up to you and says they want to line
• 1:05:12
  Speaker 1: or rob somebody that you know, you don't necessarily have
• 1:05:15
  Speaker 1: to be cool with him. What would you say? Would
• 1:05:17
  Speaker 1: you tell him or would you mind your business? Me?
• 1:05:19
  Speaker 1: I'm minding my business. If I'm tight with them, then hey,
• 1:05:22
  Speaker 1: we gotta do what we gotta do. If I'm not
• 1:05:24
  Speaker 1: tight with him and I don't know him, I know
• 1:05:26
  Speaker 1: him kind of like it, what's up? How would you
• 1:05:28
  Speaker 1: feel if you know you minded your business and then
• 1:05:30
  Speaker 1: this person goes to rob this individual but ends up
• 1:05:34
  Speaker 1: accidentally killing them or something like that, and you had
• 1:05:38
  Speaker 1: a chance to prevent this. I keep that. I think
• 1:05:41
  Speaker 1: about Spider Man bro when Peter Parker got got by
• 1:05:45
  Speaker 1: that wrestling promoter and then that somebody came in there
• 1:05:48
  Speaker 1: to rob the wrestling promoter and Peter Parker had a
• 1:05:51
  Speaker 1: chance to stop the robber, and that robber went out
• 1:05:55
  Speaker 1: and killed his uncle right after that. Right, It's like, yo,
• 1:05:59
  Speaker 1: I think about things like but you know what too,
• 1:06:01
  Speaker 1: and this and this is a true story. It's a
• 1:06:03
  Speaker 1: real story. When somebody lined me up and they lined
• 1:06:06
  Speaker 1: me up and they and they tried to rob me,
• 1:06:08
  Speaker 1: and they were shooting at me when I tried to
• 1:06:10
  Speaker 1: figure out who it was. Everybody that I thought was
• 1:06:12
  Speaker 1: cool with me. Everybody minded their business, that's right. And
• 1:06:15
  Speaker 1: then you said you would mind your business, and everybody
• 1:06:17
  Speaker 1: minded that business. So that makes me look at people differently.
• 1:06:19
  Speaker 1: Now I know that you guys in these clubs you're
• 1:06:21
  Speaker 1: not really my friends, but you said you mind your business.
• 1:06:23
  Speaker 1: Now I wouldn't mind my business because of what people
• 1:06:25
  Speaker 1: were done to me because I thought we were cool
• 1:06:27
  Speaker 1: and somebody tried to line me up and shoot at me.
• 1:06:30
  Speaker 1: And now the people that I think, but then you,
• 1:06:32
  Speaker 1: but you also you also know that's a difficult situation
• 1:06:35
  Speaker 1: to be in, this difficul situation. Now you see what
• 1:06:38
  Speaker 1: happened to me. Now, everybody but you don't need to
• 1:06:40
  Speaker 1: be minding their business. The criminals don't tell people what
• 1:06:43
  Speaker 1: you're about to do. Just go do it. Why are
• 1:06:45
  Speaker 1: you giving me warning? He probably does. He was looking
• 1:06:47
  Speaker 1: out for me, like get out of here. Were you
• 1:06:48
  Speaker 1: about to do this? I mean, we don't even know
• 1:06:51
  Speaker 1: what happened for real, but I'm just speculating. I get it.
• 1:06:54
  Speaker 1: I can see it from both sides. It's like, you
• 1:06:56
  Speaker 1: mind my business? Hello, who's this from? Hey? What's up mama?
• 1:07:01
  Speaker 1: What would you do in that situation? Um? No, there
• 1:07:03
  Speaker 1: is no dry stitches. You do not snitch, So you're
• 1:07:06
  Speaker 1: not saying nothing. No, you do not say nothing. And
• 1:07:09
  Speaker 1: how you know that they're not telling you that considering
• 1:07:11
  Speaker 1: your relationship with your man's like, no, no job, you
• 1:07:15
  Speaker 1: on you on you on your way to your nice
• 1:07:17
  Speaker 1: corporate job. And you're talking about no snakes from Brooklyn.
• 1:07:20
  Speaker 1: The hell is around you. That's enough blood. Where do
• 1:07:23
  Speaker 1: you work at the medal? The medical reception is in
• 1:07:28
  Speaker 1: these creeks talk about stopping the bus. Come on, man,
• 1:07:34
  Speaker 1: thank you, mama, thank you? Hello? Who's this June for
• 1:07:38
  Speaker 1: far Rock to sixth Brow. You already know what it does?
• 1:07:41
  Speaker 1: Far rockaway Queens. June's going on? Yeah, I'm calling about
• 1:07:44
  Speaker 1: the topic. Man, listen, if I'm cool with both parties, right,
• 1:07:47
  Speaker 1: you feel like you feel like that type of information
• 1:07:50
  Speaker 1: should be shared with me. I can't let you go
• 1:07:52
  Speaker 1: ahead and do that, bro, I can't let you go
• 1:07:54
  Speaker 1: wrong my other man's man. We have to find another
• 1:07:56
  Speaker 1: way to get that chicken, to get that bread and
• 1:07:58
  Speaker 1: go get digital chains or whatever. You're trying good, but
• 1:08:01
  Speaker 1: I can't. I can't let that happen. I feel liable.
• 1:08:03
  Speaker 1: You told me that information that already put me in
• 1:08:05
  Speaker 1: the spot. Yes, what you said, it is very true.
• 1:08:08
  Speaker 1: Once you tell me, then I become liable. I become
• 1:08:11
  Speaker 1: an accessory to your bs. Don't tell me how about that.
• 1:08:16
  Speaker 1: Don't tell me nothing. But allegedly he told them I'd
• 1:08:18
  Speaker 1: rather not cop off. You are in probation. I just
• 1:08:21
  Speaker 1: want you out of here so you you don't get
• 1:08:23
  Speaker 1: in trouble, and you you know, you stay over. He
• 1:08:25
  Speaker 1: didn't do nothing again before? Hey, you never know. What's
• 1:08:28
  Speaker 1: the moral of the story, guys, don't anyone? Yeah, the story.
• 1:08:32
  Speaker 1: The moral of the story is, don't rob nobody. Okay,
• 1:08:34
  Speaker 1: but no, actually, man, if my actions don't concern you,
• 1:08:38
  Speaker 1: don't concern yourself for my actions, and don't concern me
• 1:08:42
  Speaker 1: with your actions. Okay, leave me alone. Why are you
• 1:08:46
  Speaker 1: telling me about who you're about to rob? Hey, tell
• 1:08:49
  Speaker 1: me so I'll get out of dodge. I tell me,
• 1:08:52
  Speaker 1: because if not, they go to rob somebody, they're shooting
• 1:08:54
  Speaker 1: in the club. You get shot. You could have been home. Lord,
• 1:08:56
  Speaker 1: have mercy? All right, Well, we got roomors coming up you. Yes,
• 1:08:58
  Speaker 1: we'll talk about some more songs that are coming out.
• 1:09:01
  Speaker 1: I will tell you who is going at Drake Okay
• 1:09:04
  Speaker 1: and Kanye on a new song. Also find out about
• 1:09:07
  Speaker 1: an NBA player who once made sixty six million dollars
• 1:09:11
  Speaker 1: and now has filed for bankruptcy. Okay, ore keep it
• 1:09:14
  Speaker 1: Lockedice to Breakfast Club, Good morning, listen, it's just Ohler Gos' reports.
• 1:09:25
  Speaker 1: It's a rule report. But chocolate dropping is coming for everybody.
• 1:09:30
  Speaker 1: We've got a new song out. It's called Baller Alert,
• 1:09:34
  Speaker 1: all right. And and you're gonna play that in the
• 1:09:36
  Speaker 1: mix this morning, right, Yeah, yeah, I heard he's got
• 1:09:38
  Speaker 1: this songs about Kanye Drake, Nobody's safe, no boy, so
• 1:09:42
  Speaker 1: it should be pretty interesting. But shout out to our
• 1:09:44
  Speaker 1: people over at baller Alert as well. That has to
• 1:09:46
  Speaker 1: be exciting. His first single is called baller Alert all right.
• 1:09:50
  Speaker 1: And speaking of which, Kanye joined Instagram. I don't know
• 1:09:54
  Speaker 1: if you guys saw that over the weekend. I did
• 1:09:55
  Speaker 1: see that, but he did. He's been contemplating joining Instagram
• 1:09:58
  Speaker 1: for some time and he finally did. All So over
• 1:10:00
  Speaker 1: the weekend was the b ET Hip Hop Awards in Atlanta.
• 1:10:04
  Speaker 1: Now two Chains opened his restaurant. It's called Escobar Lounge.
• 1:10:08
  Speaker 1: He opened that in Atlanta, so I know he had
• 1:10:09
  Speaker 1: a big event, a late night brunch that was hosted
• 1:10:11
  Speaker 1: by def Jam. So that was going down. So there's
• 1:10:14
  Speaker 1: a lot of brunches, a lot of dinners. Looked pretty nice.
• 1:10:17
  Speaker 1: I saw Khalid was honored at a dinner. What's so funny,
• 1:10:21
  Speaker 1: Charlotta Magne? Nothing out loud love suitable man spank, I
• 1:10:26
  Speaker 1: wasn't paying attention comedians bank He's an idiot. Okay, Now,
• 1:10:29
  Speaker 1: Little Wayne, what is going on with this situation with Birdman? Now,
• 1:10:35
  Speaker 1: what they are saying is that there was a one
• 1:10:37
  Speaker 1: hundred million dollars advance that Birdman had gotten for a
• 1:10:39
  Speaker 1: distribution deal for Universal Music Group. It was supposed to
• 1:10:42
  Speaker 1: be split between him and Little Wayne, but unfortunately Birdman
• 1:10:47
  Speaker 1: blew through seventy million dollars of the advance, and now
• 1:10:50
  Speaker 1: Wayne wants to see those receipts. Now, they have handed
• 1:10:53
  Speaker 1: over some documents, twenty two thousand pages of documents to
• 1:10:57
  Speaker 1: Little Wayn's lawyers. That's a lot to go through, but
• 1:10:59
  Speaker 1: they said none of those pages include details on how
• 1:11:02
  Speaker 1: the seventy million dollars was spent. So that's what they're
• 1:11:04
  Speaker 1: trying to figure out now, So basically thousand pages. We
• 1:11:08
  Speaker 1: basically burn Man told somebody in the club he was
• 1:11:10
  Speaker 1: about to rob Wayne, and nobody told Wayne. See pretty much.
• 1:11:13
  Speaker 1: Why you gotta say something? Oh my goodness. All right,
• 1:11:16
  Speaker 1: And speaking of the BT Awards, Chief Keief, I guess
• 1:11:20
  Speaker 1: has been banned. He's upset that he's not invited by
• 1:11:23
  Speaker 1: WAU even went on Instagram and said that he tried
• 1:11:26
  Speaker 1: to get BT to lift the band on Chief Keief,
• 1:11:28
  Speaker 1: but to no avail. Well, Chief Keef, have no fair.
• 1:11:31
  Speaker 1: He don't want to go anywhere, he said, f the
• 1:11:33
  Speaker 1: BT Awards. Check it out, Man b Award. We go
• 1:11:37
  Speaker 1: to the BT Awards, chains getting took, this, getting big,
• 1:11:41
  Speaker 1: Mom's getting still pregnant, all exactly why you shouldn't be that?
• 1:11:44
  Speaker 1: Why why anybody listen? I'm not sure he's banned from
• 1:11:49
  Speaker 1: a lot of places. It feels like remember he had
• 1:11:51
  Speaker 1: to do the Hologram show and then they shut that down.
• 1:11:54
  Speaker 1: I don't know what happened with him in BT, but
• 1:11:56
  Speaker 1: apparently there's an issue there, all right. Lady Gaga is
• 1:11:59
  Speaker 1: said to be headlining Super Bowl twenty seventeen. She's going
• 1:12:02
  Speaker 1: to be the halftime headliner. The NFL has not confirmed
• 1:12:05
  Speaker 1: this news yet. They said, we have had conversations with
• 1:12:08
  Speaker 1: several fantastic artists about the Pepsi super Bowl halftime show. However,
• 1:12:11
  Speaker 1: at this point, we do not have a final decision.
• 1:12:13
  Speaker 1: We're happy there is so much excitement about the show.
• 1:12:16
  Speaker 1: But Lady Gaga has stated already that she's going to
• 1:12:18
  Speaker 1: be doing that. She's also putting out a new music
• 1:12:20
  Speaker 1: video for her latest single, Perfect Illusion, and that's going
• 1:12:23
  Speaker 1: to go out tomorrow during the premiere of Scream Queens
• 1:12:27
  Speaker 1: on five. Why haven't Rihanna done the super Bowl halftime
• 1:12:29
  Speaker 1: show yet? Are you even justin Bieber? They haven't? I
• 1:12:33
  Speaker 1: don't think so that I remember why Lady Gaga I
• 1:12:37
  Speaker 1: don't know. I mean, Lady Gaga is a big star. Now,
• 1:12:40
  Speaker 1: you can't deny that, all right now. Darius Miles, NBA player,
• 1:12:45
  Speaker 1: has filed for bankruptcy. He made sixty six million dollars
• 1:12:48
  Speaker 1: in the NBA. You guys know him, yep, yeah, all right,
• 1:12:51
  Speaker 1: Well what happened to Darius Mouse? He was a first
• 1:12:54
  Speaker 1: round draft pick with the Clippers and he signed a
• 1:12:57
  Speaker 1: contact with nine million dollars. He also started a movie
• 1:13:00
  Speaker 1: with Scarlett Johansson and Ryan Reynolds. He had a Jordan
• 1:13:03
  Speaker 1: and Athletic brand endorsement deal. He's thirty four years old now,
• 1:13:07
  Speaker 1: and he's had injuries, legal problems, and bad investments. All
• 1:13:11
  Speaker 1: of that have left him in court asking if he
• 1:13:13
  Speaker 1: can sell off his assets to pay creditors. He actually
• 1:13:16
  Speaker 1: has about four hundred and sixty thousand dollars in assets,
• 1:13:19
  Speaker 1: and he has one point five million dollars in liabilities.
• 1:13:22
  Speaker 1: He has a twenty thousand dollars child support debt in
• 1:13:24
  Speaker 1: his bankruptcy, and he lost more than a hundred thousand
• 1:13:27
  Speaker 1: dollars in a California real estate deal. All kinds of situations.
• 1:13:30
  Speaker 1: He's not asking for no sympathy, is he. Well, now,
• 1:13:33
  Speaker 1: we're just telling you what happens. Filing for bankruptcy after
• 1:13:35
  Speaker 1: making sixty six million dollars in the NBA, he now
• 1:13:38
  Speaker 1: is broke and owes more money than what he had.
• 1:13:40
  Speaker 1: Don't feel sorry for him. I can't even begin to
• 1:13:43
  Speaker 1: feel sorry for somebody who's made sixty six million dollars
• 1:13:45
  Speaker 1: in their life and went broke. That's they don't ask. Well,
• 1:13:47
  Speaker 1: he probably just didn't know, he didn't know how to
• 1:13:49
  Speaker 1: invest his money. That's a bad thing. A lot of
• 1:13:51
  Speaker 1: players get all his money, just don't know what to
• 1:13:52
  Speaker 1: do with it. Hey, you ain't got to know to investment.
• 1:13:54
  Speaker 1: You can aught to save you, right, sixty six million dollars.
• 1:13:57
  Speaker 1: I wish I would, all right, please, it's on a
• 1:14:00
  Speaker 1: dirt road. Okay, how you did that? Hell, I'm gonna
• 1:14:03
  Speaker 1: go bro drive a cadilat Esclade twenty. We haven't seen
• 1:14:08
  Speaker 1: that cat like Esclade in years. I just upgraded. And
• 1:14:10
  Speaker 1: the only reason the upgraded because I got I got
• 1:14:12
  Speaker 1: a free truck. How much you blue book value of
• 1:14:15
  Speaker 1: that escalade when you sold it? Umfund dollars. I sold
• 1:14:20
  Speaker 1: it for a good stack and left all the old
• 1:14:22
  Speaker 1: CDs that was in there in there. Man, he came
• 1:14:25
  Speaker 1: up here, you go. Okay, all right, let's go to
• 1:14:28
  Speaker 1: People's Choice mixes up next. You want to hear something
• 1:14:30
  Speaker 1: eight hundred five eight five one oh five one. We're
• 1:14:33
  Speaker 1: all gonna get that chocolate dropper on and also the
• 1:14:35
  Speaker 1: meek Mill dish. You want to hit a full record,
• 1:14:37
  Speaker 1: We're gonna play that as well. Shout out family at Revolt.
• 1:14:40
  Speaker 1: We'll see you guys on tomorrow. It's a breakfast lub.
• 1:14:43
  Speaker 1: Come on, let's go