Latest / Four Finger Discount (Simpsons Podcast) / Love, Springfieldian Style (S19E12)

Transcript

Love, Springfieldian Style (S19E12) · Four Finger Discount (Simpsons Podcast)

• 0:01
  Speaker 1: My card of What's Romantic.
• 0:04
  Speaker 2: About this by for the next two hours will be
• 0:08
  Speaker 2: kid free. It'll be just like a time we lost
• 0:11
  Speaker 2: them at the Monk that was the best Christmas ever
• 0:15
  Speaker 2: four finger discount dude.
• 0:33
  Speaker 3: Welcome to four figure discounts where this week we're here
• 0:35
  Speaker 3: to do the review on another trilogy episode. I'm never
• 0:38
  Speaker 3: usually a huge fan of these ones, but hey, what
• 0:40
  Speaker 3: are you gonna do? It's love Springfield and style.
• 0:42
  Speaker 4: I'm Dando and I'm guying. Yes, this was certainly an
• 0:45
  Speaker 4: episode of The Simpsons.
• 0:47
  Speaker 3: I've just got here inoffensive twenty minutes that I will
• 0:50
  Speaker 3: probably never revisit. I've always said I'm never a fan
• 0:52
  Speaker 3: of these trilogy episodes. They just they seem pointless to me.
• 0:56
  Speaker 3: I know they I think Matt Someone now may meet
• 0:58
  Speaker 3: and Matt Someone's a big fan of these. I like
• 1:01
  Speaker 3: non candid episodes where they sort of trilogy woman, trilogy
• 1:03
  Speaker 3: of error. Oh yes, loved episode right, twenty four minutes.
• 1:07
  Speaker 3: Something a bit different, right, but it still feels like
• 1:09
  Speaker 3: it's an episode. It's not three separate things.
• 1:12
  Speaker 4: Yeah, when you've got these these kind of trilogy episodes,
• 1:15
  Speaker 4: I feel like we've got an idea and we either
• 1:19
  Speaker 4: can't flesh it out or we can't be as spleshing
• 1:22
  Speaker 4: it out. I'm not about to say that. The guys
• 1:23
  Speaker 4: at Simpson's HQ are like.
• 1:27
  Speaker 3: Near enough is good and I'm so goob a filming
• 1:29
  Speaker 3: that everyone can see what you just did. Then I
• 1:32
  Speaker 3: like to think that you're you're you're an attractive yawner.
• 1:34
  Speaker 3: I'll give you that.
• 1:38
  Speaker 4: Get a lot of that. What's those subscribe those subscriptions
• 1:43
  Speaker 4: like and subscribe, subscribe to my only fans, right, just
• 1:48
  Speaker 4: do that?
• 1:49
  Speaker 3: It probably the only fans out there were people just yawning.
• 1:52
  Speaker 3: But we had friends I was about a month ago
• 1:55
  Speaker 3: were talking about how apparently there's only fans where they
• 1:58
  Speaker 3: show women lactating because she's just had a baby, right,
• 2:00
  Speaker 3: And She's like, I can literally do an only fans
• 2:02
  Speaker 3: and make a mint just by lactating on camera and
• 2:05
  Speaker 3: apparently it's big money.
• 2:06
  Speaker 4: Is she doing this?
• 2:07
  Speaker 3: She's considered, like legitially considering it. What if we come
• 2:10
  Speaker 3: to at the same.
• 2:12
  Speaker 4: Time get the bag. But at the same time, what's
• 2:16
  Speaker 4: wrong with that?
• 2:17
  Speaker 3: I'm like, did Kenny is like? Mate? If she's bringing
• 2:19
  Speaker 3: in that much money, I don't give a shit what
• 2:21
  Speaker 3: she's there because she's like, you have to show my face.
• 2:23
  Speaker 4: It's just it's just the titties.
• 2:24
  Speaker 3: Yeah, that's it. I was like, I still beat picks
• 2:28
  Speaker 3: are still weird. Yeah, it's odd.
• 2:31
  Speaker 4: I think the Internet just allowed us, allowed that everyone
• 2:34
  Speaker 4: to wave their freak flag high.
• 2:36
  Speaker 3: Well, we found other freaks that like the same freaky ship.
• 2:39
  Speaker 3: That's the thing. That's that's the thing, isn't it, and
• 2:41
  Speaker 3: justifies in your head it's okay for me to like
• 2:43
  Speaker 3: this shit because there's a million other people who like
• 2:45
  Speaker 3: it as well.
• 2:46
  Speaker 4: We could go deep, deep around while I think we're
• 2:49
  Speaker 4: talking about this to avoid talking about love, spring, freeding,
• 2:51
  Speaker 4: and style, which quite in.
• 2:53
  Speaker 3: The parts of the time. It's kind of a nothing burger.
• 2:55
  Speaker 3: I mean, it's not like I disliked this. I just
• 2:57
  Speaker 3: got to the end and went see with these trilogy
• 2:59
  Speaker 3: episode is right. The problem is that it just feels
• 3:03
  Speaker 3: like they've got source material and they just put the
• 3:05
  Speaker 3: Simpsons characters in there. Sure, there's some tweaks here and there,
• 3:08
  Speaker 3: there's some jokes, but for the most part, it's just
• 3:09
  Speaker 3: retelling a story.
• 3:10
  Speaker 4: Are there though? I Mean I'm trying. By the end
• 3:13
  Speaker 4: of the episode, I was trying. I was struggling to
• 3:15
  Speaker 4: remember what's the first part of oh, the Bonny and
• 3:17
  Speaker 4: Clyde thing? And I could not remember. I mean, I
• 3:19
  Speaker 4: suppose there were gags in there, but none that really
• 3:23
  Speaker 4: sort of power home or anything like that.
• 3:25
  Speaker 3: Lot. Do you know this was actually rated like higher
• 3:29
  Speaker 3: than normal episodes because of the do you mean like
• 3:33
  Speaker 3: chocolate being drugs, shooting of Bonny and Clyde, because it's
• 3:37
  Speaker 3: you see them getting shit if there's no blood, I mean,
• 3:40
  Speaker 3: like not quality wise as in later. Yeah. So apparently
• 3:45
  Speaker 3: in the UK this was the equivalent of Weakened at
• 3:48
  Speaker 3: Burns's when Homer's on marijuana, So that add this. I
• 3:51
  Speaker 3: like the way they use the chocolate here as a
• 3:53
  Speaker 3: way to sort of get around that.
• 3:54
  Speaker 4: I don't have a lot of favorite moments from this
• 3:56
  Speaker 4: episode when I'm going to jump right ahead to that,
• 3:58
  Speaker 4: but if I do have a favorite moment is probably like, Okay,
• 4:01
  Speaker 4: that's a decent workaround if you are going to do
• 4:03
  Speaker 4: Sid and Nancy, and they did so Nancy pretty faithfully
• 4:06
  Speaker 4: to the best of my recollection. I mean that that's
• 4:08
  Speaker 4: not a bad spit on it.
• 4:10
  Speaker 3: That's the positive here too, is that we talked about
• 4:13
  Speaker 3: how The Simpsons introduces kids, in particular to things of
• 4:17
  Speaker 3: pop culture that you might not have been love. For example,
• 4:20
  Speaker 3: what I always go to is rolling down the stairs,
• 4:23
  Speaker 3: like Indiana Jones right as a kid, you're watching that
• 4:25
  Speaker 3: going or you're of the eighties or them. You were
• 4:29
  Speaker 3: a kid at the time, Well what you were? How
• 4:31
  Speaker 3: old were you? Were You ten? I need, we were
• 4:32
  Speaker 3: fifteen when the movie came out, right, Indiana Jones was
• 4:35
  Speaker 3: ten one, I would yeah, so yeah, you're right in
• 4:38
  Speaker 3: the whelhouse, so you knew what it was. But like
• 4:40
  Speaker 3: kids are the nineties, we might not have discovered Indiana
• 4:43
  Speaker 3: Jones yet, but you knew that's a thing, right, and
• 4:45
  Speaker 3: then you realized, oh it's Indiana Jones. Yes, and you've
• 4:48
  Speaker 3: got the idea and.
• 4:48
  Speaker 4: You old, yeah, you've got the older sibling or the
• 4:52
  Speaker 4: cool kid next door, and said, I think.
• 4:54
  Speaker 3: That you think that's good? I my mate Meetia, who
• 4:57
  Speaker 3: I mentioned all the time of the podcast. You're gonna
• 5:00
  Speaker 3: Darren as well. But over Day and his older brother
• 5:03
  Speaker 3: had the Mad magazines of course, yeah, and I was
• 5:05
  Speaker 3: just like, I've never seen these magazine before. We had
• 5:07
  Speaker 3: a whole stack on them, and my meat he would
• 5:09
  Speaker 3: read them and he always felt like he was the
• 5:11
  Speaker 3: cookie because he had the older brother who was into
• 5:12
  Speaker 3: cool shit.
• 5:13
  Speaker 4: Well, of course, yeah, I mean that's one of the
• 5:14
  Speaker 4: great Look. I am not an older sibling to anyone,
• 5:17
  Speaker 4: but I mean I've been an uncle, and I like
• 5:19
  Speaker 4: to think that I've passed on the pop culture wisdom.
• 5:23
  Speaker 4: You were the people who were coming up.
• 5:26
  Speaker 3: But my point anyway, was that I feel like this
• 5:29
  Speaker 3: that segment at least introduced kids potentially to punk, rock, sex, pistols,
• 5:33
  Speaker 3: that kind of thing.
• 5:33
  Speaker 4: Well, yeah, also to the film Bonnie and Clyde or
• 5:36
  Speaker 4: the first one, yeah, yeah, yeah, or two Lady in
• 5:38
  Speaker 4: the Tram.
• 5:38
  Speaker 3: I think most I've never seen Letting in the Tramp
• 5:41
  Speaker 3: can I think I have, but it was when I
• 5:43
  Speaker 3: was a lot younger.
• 5:45
  Speaker 4: Likewise, because something I've written down here, I'm sorry to
• 5:48
  Speaker 4: be jumping ahead, but do you think anyone remembers anything
• 5:51
  Speaker 4: from Lady in the Tramp other than the spaghetti kids.
• 5:54
  Speaker 3: I can't tell you anything.
• 5:55
  Speaker 4: I can't tell you anything about it either, but I
• 5:57
  Speaker 4: know that they're enjoying a romantic meal at the back
• 5:59
  Speaker 4: of an Italian restaurant and they both had the same
• 6:01
  Speaker 4: signbitty strand they end up kissing. How delightful it's been
• 6:05
  Speaker 4: It's been meaned and mimicked and parodied and lovingly honored
• 6:12
  Speaker 4: in so many things, amages everywhere. I can't tell you
• 6:15
  Speaker 4: a single fucking thing. It's not laid in the tram Bambi.
• 6:18
  Speaker 3: I don't remember Watch of a Bambiystept for the fact
• 6:19
  Speaker 3: that the mum gets shot at the start.
• 6:22
  Speaker 4: I know, I mean, I could pick it, you know,
• 6:24
  Speaker 4: an image from Bambi pretty easily, But like, what's the story? Yeah,
• 6:28
  Speaker 4: you know, Bambi's um gets killed by hunter and then
• 6:31
  Speaker 4: stuff happens.
• 6:32
  Speaker 3: So the kids. The kids watched it about a year ago,
• 6:34
  Speaker 3: and I went, oh, Bamby grows up at the end
• 6:36
  Speaker 3: and becomes like this big. I also, Babby was a girl, right,
• 6:39
  Speaker 3: I was like, I wait, no, ship, Bambi's Oh he's
• 6:41
  Speaker 3: a big stallion. He's a big deal now. Oh not
• 6:43
  Speaker 3: a stand a deer, you know, big antlers, Like he's
• 6:46
  Speaker 3: going to be running the show now, he's a big grown,
• 6:47
  Speaker 3: fully grown den.
• 6:48
  Speaker 4: I was like, oh, ship, and his name is Bambi. Yeah,
• 6:51
  Speaker 4: which do you know any men named Bambi.
• 6:55
  Speaker 3: He's not Bamby Bamby, Okay, it's Clared Rambo. I guess
• 6:59
  Speaker 3: he's a Rambo The Deer World.
• 7:00
  Speaker 4: It's a long stretch down. I'm glad you made it.
• 7:03
  Speaker 4: I have your feeling stretched as a result. But you're right, yes,
• 7:07
  Speaker 4: it does pay tribute to a few things that may
• 7:11
  Speaker 4: you may have that person in your life. Hey, you
• 7:14
  Speaker 4: know that's based on and then you introduced a ten
• 7:16
  Speaker 4: year old kid to sit in Nancy Scart them for life.
• 7:19
  Speaker 3: I guess it is three completely different versions of love
• 7:23
  Speaker 3: stories as well.
• 7:24
  Speaker 4: That's look, I'm not saying that no thought went into
• 7:27
  Speaker 4: this and that no effort went into this, but it's
• 7:30
  Speaker 4: not something that really stuck with me. I mean, look,
• 7:33
  Speaker 4: five minutes after watching.
• 7:34
  Speaker 3: This, I was like, oh, yeah, that's something that happened.
• 7:36
  Speaker 4: But I would be if I didn't take notes, so
• 7:38
  Speaker 4: I didn't write this stuff down, I'd be hard press
• 7:40
  Speaker 4: to tell you what happened.
• 7:41
  Speaker 3: I'd love a twenty two short films about Springfield. Start
• 7:43
  Speaker 3: episode on Valentine's Day in Springfield. I liked the first
• 7:46
  Speaker 3: minute of this where it was just everyone celebrating their
• 7:49
  Speaker 3: love for each other.
• 7:50
  Speaker 4: Oh yeah, that was actually pretty cute.
• 7:51
  Speaker 3: This would have been a good story in itself, just
• 7:54
  Speaker 3: Springfield on Valentine's.
• 7:55
  Speaker 4: Dayah, the whole cheap, a very sweet and funny moment.
• 8:01
  Speaker 4: I think the Clancy and Sarah relationship might be low
• 8:04
  Speaker 4: key one of my favorites. They just they just get
• 8:07
  Speaker 4: each other. I love it.
• 8:11
  Speaker 3: But pretending up on the phone, thank you, Sarah, but
• 8:15
  Speaker 3: the gun then, but just look at him like, oh oh,
• 8:17
  Speaker 3: but to see that. There's an episode of Valentine's episode
• 8:22
  Speaker 3: actually where a poo makes everybody else look bad because
• 8:25
  Speaker 3: he's got all the gifts of Manjula, right, I'm aware
• 8:27
  Speaker 3: of that. Yes, Now at the end, they have the
• 8:30
  Speaker 3: sky writing and it comes up like a little star
• 8:32
  Speaker 3: and everyone mistakes it for their own like pupping fresh.
• 8:41
  Speaker 4: Clancy Sarah Loki cool couple, hug a lot.
• 8:44
  Speaker 3: Well, it just feels like she is like the rock
• 8:46
  Speaker 3: behind him because he being is an idiot, right, but
• 8:49
  Speaker 3: he's seen some ship in his job and he's got
• 8:51
  Speaker 3: a tough gig. Comes home, Sarah does she's the rock.
• 8:54
  Speaker 4: Indeed she is.
• 8:59
  Speaker 5: Do that.
• 9:00
  Speaker 4: Let me give you a little peek behind the curtain.
• 9:01
  Speaker 4: What happens at four Finger Discount Industries today. We were
• 9:04
  Speaker 4: going to record a couple of episodes back to back.
• 9:06
  Speaker 4: We were going to do the next episode of our
• 9:08
  Speaker 4: show TV Launch pot, Yeah you can do the shield
• 9:10
  Speaker 4: and yeah, we're going to talk about the pilot of
• 9:12
  Speaker 4: the shield.
• 9:12
  Speaker 3: But with the Bang, I was like, what a time capsule,
• 9:17
  Speaker 3: but the perfect the perfect song for that moment, perfect
• 9:19
  Speaker 3: song for that moment. It's like, Okay, my name is kid,
• 9:25
  Speaker 3: my name is Big.
• 9:28
  Speaker 4: I think we can all agree the kid rock kind
• 9:30
  Speaker 4: of sucks, but at that particular moment in time perfect
• 9:36
  Speaker 4: couldn't go ask for anything matter. I'm trying to remember
• 9:39
  Speaker 4: the name of Vic Mackie's wife. Is that Cassie? No,
• 9:41
  Speaker 4: that's his daughter.
• 9:42
  Speaker 3: Oh boy, we'll get to that.
• 9:46
  Speaker 4: When we get to that talk about getting raised a
• 9:50
  Speaker 4: little higher, you might want to put on the.
• 9:53
  Speaker 3: It gets into the blue. I'm just imagining Wickham as
• 9:59
  Speaker 3: like Vic mack just looking in.
• 10:03
  Speaker 4: Let's not go there, let's not go there, and anyway,
• 10:06
  Speaker 4: but yes, a good relationship. I like them very much,
• 10:09
  Speaker 4: and I like that to start very much. That was
• 10:11
  Speaker 4: that was good, And there were good snippets, bits and
• 10:14
  Speaker 4: pieces throughout this, but overall.
• 10:17
  Speaker 3: The generalist, it's just really place names here and they're
• 10:22
  Speaker 3: throwing the occasional sort of Oh that's the simpsonized version
• 10:25
  Speaker 3: of this moment.
• 10:27
  Speaker 4: Yeah, and I get the feeling you know, at season
• 10:29
  Speaker 4: nineteen there they probably picked up on a lot of
• 10:31
  Speaker 4: the things that early adopters and just longtime fans of
• 10:35
  Speaker 4: the show have realized. It's like, oh, this can be
• 10:39
  Speaker 4: an introduction to other forms of pop culture, you know,
• 10:42
  Speaker 4: you know what's really good about the same they teach
• 10:44
  Speaker 4: you about, like Susan Kine or Albert Hitchcock or this
• 10:48
  Speaker 4: or this or this. And they were kind of like, oh, well,
• 10:51
  Speaker 4: now we've got responsibility, let's do something on Bonnie and Clyde,
• 10:54
  Speaker 4: you know, a pole movie of New Hollywood. I mean,
• 10:56
  Speaker 4: except didn't really do a whole lot with it.
• 10:57
  Speaker 3: Granted, I know more about the Bonnie and Clyde story
• 11:00
  Speaker 3: now and Side Nancy and before this episode from a
• 11:03
  Speaker 3: good point.
• 11:03
  Speaker 4: Yeah, it's I.
• 11:04
  Speaker 3: Don't know the exact details, but I know the gist
• 11:06
  Speaker 3: of the story now, and yeah, your.
• 11:08
  Speaker 4: Interests might be peaked just enough that you'd be like,
• 11:12
  Speaker 4: I go rent Sid Nancy, like to track down Bonnie
• 11:14
  Speaker 4: and Clyde watch Lady in the Tramp.
• 11:16
  Speaker 3: Probably not. I actually did some research on Side Nancy
• 11:19
  Speaker 3: after watching something like well that's probably what it was
• 11:20
  Speaker 3: set out to achieve.
• 11:22
  Speaker 4: Yeah, I mean, they were very faithful to that to
• 11:24
  Speaker 4: that movie in a lot of ways.
• 11:25
  Speaker 3: Yeah. Fun fact, you know, Homer was another name considered
• 11:29
  Speaker 3: for the character of Tramp in Lady in the.
• 11:31
  Speaker 4: Tramp Really, so it might have been like Lady in
• 11:34
  Speaker 4: the Homer.
• 11:34
  Speaker 3: Well, his name isn't Tramp though he is a.
• 11:38
  Speaker 4: See That's what I'm saying.
• 11:40
  Speaker 3: So let's don't know anything other than let's look up
• 11:42
  Speaker 3: the Lady in the Train, Lady and the Tramp, right
• 11:46
  Speaker 3: did that? By the way, did you know they did
• 11:47
  Speaker 3: a live action version of that film? Have they?
• 11:50
  Speaker 6: Or yeah?
• 11:51
  Speaker 3: They actually did do it. It's a Disney plus. I
• 11:53
  Speaker 3: was like, when the fuck did this come out?
• 11:55
  Speaker 4: Yeah, because there was that real run of like, let's
• 11:57
  Speaker 4: live action everything, a live action animation everything. There's an
• 12:00
  Speaker 4: actress in it named Kissy Clemens, who I like, I
• 12:03
  Speaker 4: think she was in like Justice League. She was Barry
• 12:05
  Speaker 4: Allen's girlfriend, Flash's girlfriend or something. Oh, because I was like, oh, yeah,
• 12:09
  Speaker 4: they're going to make that too, And turns out they
• 12:11
  Speaker 4: actually made it. What's the one they haven't made yet?
• 12:13
  Speaker 4: They're going to do it like.
• 12:15
  Speaker 3: A Mona because potentially yeah, the Arista cats. Oh really yeah, okay,
• 12:22
  Speaker 3: just CJ CAATs me directed by Questlove. I'm just looking
• 12:26
  Speaker 3: up here though, So Tramp is just his name Larry
• 12:29
  Speaker 3: Roberts as Tramp among girls because uh well, and lady
• 12:32
  Speaker 3: was Lady and the Tramp. I see her name is
• 12:36
  Speaker 3: actually lady. He nicknames Lady Pig, but he's not a pigeon.
• 12:39
  Speaker 3: But he's the.
• 12:40
  Speaker 4: Tramp or a tramp.
• 12:41
  Speaker 3: That's what I thought. Lady and the Tramps, I thought.
• 12:43
  Speaker 4: Doesn't he's a street dog, doesn't have no owner, so
• 12:45
  Speaker 4: he doesn't have anyone giving him a slave name.
• 12:48
  Speaker 3: But apparently Homer was Lady in the Homer.
• 12:50
  Speaker 4: I don't know about that.
• 12:52
  Speaker 3: That's what I said on Wikipedia. Anyway, did this to
• 12:56
  Speaker 3: be wrong?
• 12:57
  Speaker 4: You've got the font of all knowledge up. Did the
• 13:00
  Speaker 4: song Lady in the Tramp come first?
• 13:02
  Speaker 3: Or did the movie? Let's look it up? So let no,
• 13:05
  Speaker 3: because it's not Lady in the Tramps. The Lady is
• 13:06
  Speaker 3: a tramp.
• 13:07
  Speaker 4: Forget, I forget.
• 13:08
  Speaker 3: I was like, what is that song? I've known that song?
• 13:09
  Speaker 4: Yeah, that's why the Lady is a Tramp.
• 13:12
  Speaker 3: It was released in nine to fifty five to box
• 13:13
  Speaker 3: office success. It was the first animated film to be
• 13:15
  Speaker 3: filmed in the cinescope widescreen film process, as well as
• 13:18
  Speaker 3: Disney's first animated film to be distributed by their Buenifsta
• 13:21
  Speaker 3: division following their split from RKO Radio Pictures.
• 13:24
  Speaker 4: Ah when When all right?
• 13:26
  Speaker 3: So anyway, okay, that's enough, band pre ample my favorite
• 13:33
  Speaker 3: favorite moments in an episode. You said didn't have many, But.
• 13:35
  Speaker 4: Like I said, I liked the heroin equals chocolate thing
• 13:39
  Speaker 4: or chocolate equals heroine.
• 13:41
  Speaker 3: Not a bad D transposition. And it tells kids don't
• 13:46
  Speaker 3: eat chocolate. It's bad for your kids.
• 13:48
  Speaker 4: They're not had a bit of a talk about chocolate
• 13:50
  Speaker 4: off Mike beforehand, and I.
• 13:52
  Speaker 3: Was on the dark chocolate. I'm just say, yeah, we're
• 13:54
  Speaker 3: gonna beat chcolate. I want chocolate, Well yeah, I mean,
• 13:56
  Speaker 3: don't treat yourself. Treat yourself.
• 13:57
  Speaker 4: I'm being a late night sophistic a having like a
• 13:59
  Speaker 4: real lipple whiskey on ice and a square of dark chocolates.
• 14:02
  Speaker 3: In a white Russian. It's called the Cope. I've reade
• 14:08
  Speaker 3: an interview with Jeff which is recently where he's like,
• 14:11
  Speaker 3: I went to that film, think it's going to be
• 14:12
  Speaker 3: a huge success, and people just didn't get it, man,
• 14:15
  Speaker 3: But they did get it. Jeff, He's like it wasn't.
• 14:18
  Speaker 3: It wasn't successful. People just didn't get it.
• 14:20
  Speaker 4: Yeah, but it's got a tail, It's got a long tail. Yeah, Labowski.
• 14:23
  Speaker 3: But it's like at the time though, it's like, yeah,
• 14:25
  Speaker 3: it's still it's got longevity. But nineteen ninety wouldn't that
• 14:29
  Speaker 3: movie went ninety eight? Yes, it's like notin only eight
• 14:31
  Speaker 3: Jeff Bridges won success. Then he doesn't get twenty years
• 14:34
  Speaker 3: from then.
• 14:36
  Speaker 4: It's one of my favorite stories about my my man
• 14:39
  Speaker 4: John Carpenter. How you know, I think he had like
• 14:42
  Speaker 4: the other horror film, the only other horror filmmaker, the
• 14:45
  Speaker 4: filmmaker Gimel del Toro, sitting down with the dinner and
• 14:49
  Speaker 4: not saying, you know what, the thing such a great movie.
• 14:53
  Speaker 4: Nobody saw it nine onely two. What's good to do me?
• 14:55
  Speaker 3: Now? Is That's what I mean? Because as we know,
• 14:58
  Speaker 3: j C just loves that. It loves that money. Humans
• 15:03
  Speaker 3: love money.
• 15:03
  Speaker 4: Well, that's true, that's why they call it money. So yeah,
• 15:07
  Speaker 4: I like to heroin egling chocolates. And this is probably
• 15:10
  Speaker 4: a common prank, or at least a prank that happens
• 15:14
  Speaker 4: more often than not. But putting the jello into the
• 15:18
  Speaker 4: into the tunnel of love river.
• 15:19
  Speaker 3: Well, it doesn't work because Jello takes forever to set.
• 15:22
  Speaker 4: That is correct.
• 15:23
  Speaker 3: But I was like, as a visual gag, this works
• 15:26
  Speaker 3: as as a stanist and I think this works.
• 15:31
  Speaker 4: Let me point out the fluors.
• 15:32
  Speaker 3: I know this because Elliott wants me to make red
• 15:34
  Speaker 3: Jelly fro him lately and we put it in the
• 15:36
  Speaker 3: fridge and five minutes later is like, is it ready yet?
• 15:37
  Speaker 3: I'm like, it's not ready yet, and now that is ready.
• 15:39
  Speaker 3: It's not ready, it says overnight. It isn't like when
• 15:43
  Speaker 3: you wake up it to be ready. It's like, but
• 15:44
  Speaker 3: I want to now. I know we all want it now,
• 15:46
  Speaker 3: so you'reself complaining, but no, Jelly takes a long time to.
• 15:48
  Speaker 4: Set, very much a child of the twenty first century.
• 15:50
  Speaker 3: I want it now, Yes, I want it now. I
• 15:51
  Speaker 3: don't know what I want, but I want it now.
• 15:53
  Speaker 3: You're raising a little Varica salt. I liked the what
• 15:56
  Speaker 3: do you chip mean for? I co operated? It's a
• 15:58
  Speaker 3: sex thing.
• 15:59
  Speaker 4: Oh, I get it. If you've never seen Bonnie and
• 16:04
  Speaker 4: Clyde the na which I think is nineteen sixty eight
• 16:07
  Speaker 4: or so, Warren Beatty and Faye done Away. Good movie,
• 16:09
  Speaker 4: classic movie. Yeah, it's got a lot of yeah, weird
• 16:13
  Speaker 4: sexual underpinnings with their crime spree.
• 16:16
  Speaker 3: Whenever you see a male and a female in a
• 16:18
  Speaker 3: duo like criminals, it's always that they're the new Body
• 16:21
  Speaker 3: and Clyde, aren't.
• 16:21
  Speaker 4: They pretty much? Yeah, and the gun is usually a
• 16:25
  Speaker 4: pattern that that that vibe of couples being criminals. I'm
• 16:30
  Speaker 4: sure there were, you know, criminal couples before that, but
• 16:32
  Speaker 4: Bonnie and Clyde, it celebrated. Yeah, came along at the
• 16:35
  Speaker 4: right time where it's like the.
• 16:36
  Speaker 3: Right time, the right time to rob banks and people.
• 16:40
  Speaker 3: Others were before, way before that time. The world wasn't
• 16:42
  Speaker 3: ready for him yet. Correct. Oh man, I like the
• 16:45
  Speaker 3: fancy fleas to get a cottage in the west leg. Well,
• 16:48
  Speaker 3: the fleas are fleeing. It just reminded me of the
• 16:52
  Speaker 3: a flying Okay, that's one of my one of my
• 16:57
  Speaker 3: favorite go to images. Now share it all the time. Yeah,
• 17:00
  Speaker 3: it we're just home with the monicle his gag.
• 17:06
  Speaker 4: Looking is there when they say vintage Homer or classic
• 17:09
  Speaker 4: Homer or they.
• 17:11
  Speaker 3: Say that something something like that, Oh yeah, classic right,
• 17:14
  Speaker 3: classic Home. I'm going to look it up now on
• 17:16
  Speaker 3: Frankiak I'm gonna get the guys that make f on
• 17:18
  Speaker 3: the show because they have saved me a lot of time,
• 17:20
  Speaker 3: saved a lot of people of time. So what is it?
• 17:23
  Speaker 3: Slipped it in? Slipped gag? That should find it right,
• 17:25
  Speaker 3: pure hilarity, pure Homer.
• 17:27
  Speaker 4: Pure But I'm pretty sure there's another one that classic Homer.
• 17:33
  Speaker 3: That's how classic home into happens. Classic Homer, great audio.
• 17:37
  Speaker 3: This is uh, that's anything here? No, okay, but pure
• 17:41
  Speaker 3: Homer probably is pure Homer, and I just change it.
• 17:45
  Speaker 4: Did my thing?
• 17:45
  Speaker 3: Yeah, yeah, you put a clock, thank you, you got
• 17:50
  Speaker 3: it just right, Officer Otto as well? Happy to be
• 17:54
  Speaker 3: of service? What did I've never heard? I've married to
• 17:57
  Speaker 3: an english woman, been to England numerous times, heard anyone
• 18:00
  Speaker 3: say the term old bean? But why does anyone who
• 18:02
  Speaker 3: doesn't live in England just to shoot that they say
• 18:04
  Speaker 3: old bean? Yeah, I don't know.
• 18:07
  Speaker 4: I've never heard old bean outside.
• 18:10
  Speaker 3: Of happy to be of service? Old bean?
• 18:12
  Speaker 4: Well, you got Google? Do you want to look up
• 18:13
  Speaker 4: what old bean mean?
• 18:14
  Speaker 3: I can't be bothered. I also really enjoyed how much
• 18:16
  Speaker 3: Matt was enjoying Saturday Night, But the basically roll was
• 18:19
  Speaker 3: absolutely do what Nate?
• 18:24
  Speaker 4: You know how there are certain songs that are very
• 18:26
  Speaker 4: popular at sporting events, and one of them is is
• 18:31
  Speaker 4: it rock and roll by Gary g Litter?
• 18:33
  Speaker 3: That's the that's the one of it's. People still like
• 18:37
  Speaker 3: the song, but like he was a bad guy the song.
• 18:40
  Speaker 4: That's the thing.
• 18:41
  Speaker 3: There are certain things that it was made recently. Joker
• 18:45
  Speaker 3: down the Stairs. That's what it's known for now.
• 18:47
  Speaker 4: Of course. Yeah, but yeah, they'd also play it when
• 18:49
  Speaker 4: a half time at the footio is. Yeah. As far
• 18:56
  Speaker 4: as I can tell, none of the Basicity rollers have
• 19:00
  Speaker 4: touched up any kids like that, so yeah, so they're
• 19:03
  Speaker 4: probably you know, safe. Yeah, let's reclaim a do you?
• 19:09
  Speaker 4: What do you what? It's great sing along doing.
• 19:13
  Speaker 3: Let's do it. Martin was having a great time.
• 19:15
  Speaker 4: Yeah, Martin was having a great time.
• 19:16
  Speaker 3: Next question, you there eating the baste trivia time?
• 19:20
  Speaker 4: It is indeed trivia time. You want me to go first?
• 19:22
  Speaker 4: Would you like?
• 19:24
  Speaker 3: No questions here? So yeah, eat me your first?
• 19:25
  Speaker 4: How about I go first? Okay? During the Bond in
• 19:28
  Speaker 4: Clyde's segment, we see a bunch of bubble heads. What
• 19:31
  Speaker 4: does the Flanders one say?
• 19:33
  Speaker 3: It's like a.
• 19:35
  Speaker 4: It's basically well, what's Alicia Silverstone's best known movie?
• 19:41
  Speaker 3: For me? Isn't she? Batman and Robin God damn it.
• 19:45
  Speaker 3: What the fuck she met me?
• 19:48
  Speaker 4: Robin or she's she's bat girl in Batman?
• 19:51
  Speaker 3: Yeah? Yeah, damn. But I was like, I was like,
• 19:54
  Speaker 3: holy ship, Alicia Silverstone, wasn't She's not clueless smoke shot?
• 19:57
  Speaker 4: Yeah, clueless. So that's I'm giving you.
• 19:59
  Speaker 3: The far Yeah, yes, it's clueless. I know the words
• 20:04
  Speaker 3: down my tongue. It starts with you, right, accomplice, This
• 20:08
  Speaker 3: is complice, Yes, clueless accomplice.
• 20:11
  Speaker 4: Yes.
• 20:12
  Speaker 3: My first question for you will be what holiday is
• 20:14
  Speaker 3: when we're going to it? Is Clyde going to return
• 20:16
  Speaker 3: to see his dad? I'll see you at oh because
• 20:21
  Speaker 3: because you could have giving Thanksgiving? Yes, indeed, which.
• 20:25
  Speaker 4: Cartoon character is the star of Tier one of trouble?
• 20:28
  Speaker 3: Say again?
• 20:30
  Speaker 4: Which they're in? They're in a movie theater. They're watching
• 20:33
  Speaker 4: the racist cartoon prior to the main feature.
• 20:38
  Speaker 3: The cartoon is gractually a sensitive cartoon.
• 20:39
  Speaker 4: I was like, even, I'm just scratched about that.
• 20:42
  Speaker 3: The only reason I put this in there is to
• 20:44
  Speaker 3: put something that's racially insensitive into your show and get
• 20:46
  Speaker 3: away with it. I think.
• 20:50
  Speaker 4: Just to have the.
• 20:52
  Speaker 3: Racist ship now show, let's just do it, and then you.
• 20:54
  Speaker 4: Give yourself the escape batch even am my friend.
• 20:56
  Speaker 3: Yes, we knowledge that it's insensitive.
• 20:57
  Speaker 4: But still you're gonna laugh out about it. No idea, Uh,
• 21:03
  Speaker 4: Robbie Robin would Packie Robin.
• 21:06
  Speaker 3: Yes, all right, My next question for you will be, um,
• 21:11
  Speaker 3: let's see if you're paying attention to my favorite moments
• 21:13
  Speaker 3: where they got a cottage the fleas, we're taking a
• 21:16
  Speaker 3: cottage in the west hind quarters, west leg basically the
• 21:21
  Speaker 3: same thing. He just fancied it up behind quarters, as.
• 21:25
  Speaker 4: One should when you're talking about Lady Bitington, which leads
• 21:28
  Speaker 4: into my next tripod question. Who was Lady Bitington's partner?
• 21:33
  Speaker 3: I don't know, chompere, chompere, fancy voice like fancy rich
• 21:40
  Speaker 3: kid voices or whatever you know?
• 21:41
  Speaker 4: Father, may we dadd it?
• 21:46
  Speaker 3: Please? Father? Please?
• 21:47
  Speaker 4: Dad it please?
• 21:48
  Speaker 3: And day did the film shopping we just reviewed. He
• 21:52
  Speaker 3: comes to the neighborhood on going down the South Park and.
• 21:54
  Speaker 4: Had one of our favorite things, fancy voices from our
• 21:58
  Speaker 4: friends Parker and Studie.
• 21:59
  Speaker 3: Voices, snooty voices, speaky ghosts as.
• 22:02
  Speaker 4: Well, spooky ghosts snooty voices.
• 22:05
  Speaker 3: Yes, two of our favorite things.
• 22:07
  Speaker 4: That's all the trivia.
• 22:08
  Speaker 3: I go all right, I'll find one more question for you.
• 22:12
  Speaker 3: What do they give what nickname do they give Lisa?
• 22:16
  Speaker 3: In the final segment, Oh, she's an American rhymes the
• 22:20
  Speaker 3: two words. Oh, what would you normally call Lisa? She's
• 22:24
  Speaker 3: a well, she's a bookworm American. What does Homer call
• 22:28
  Speaker 3: the guy when he yells out the car at the college? Nerd?
• 22:32
  Speaker 3: She's an American nerd bird, nerd bird. Yes, American ned bird.
• 22:36
  Speaker 4: We got there, we got their thanks to you because
• 22:38
  Speaker 4: I did not answer any of that.
• 22:40
  Speaker 3: He's going to save us from this segment. Stone cut
• 22:42
  Speaker 3: stone cutters. Yes, in particular Katie g with her one
• 22:55
  Speaker 3: hundred dollar support. Thank you so much, Katie. We love
• 22:57
  Speaker 3: you here at four thinker this.
• 22:58
  Speaker 4: Gn we do and do Katie, thank you all the
• 23:00
  Speaker 4: regular what well American friends called the sea notion.
• 23:03
  Speaker 3: I believe you pay for our shopping because Dan.
• 23:07
  Speaker 4: Doing Gabby shutting food.
• 23:12
  Speaker 3: That's pretty much it.
• 23:15
  Speaker 4: He said that, Dan, I just got like stuff, you know, well,
• 23:18
  Speaker 4: I mean you're you've got packages that arrived in.
• 23:20
  Speaker 3: The Blue Bays.
• 23:21
  Speaker 4: Yeah.
• 23:21
  Speaker 3: Yeah, I was like six dollars for one and eight
• 23:23
  Speaker 3: for the other. So live in the heart. Art Andrews,
• 23:29
  Speaker 3: with his fifty dollars support also paying for some of
• 23:32
  Speaker 3: us shopping.
• 23:32
  Speaker 4: Yeah, oh, Andrew, look, we give Katie g your props
• 23:36
  Speaker 4: and deservedly so. She's great.
• 23:39
  Speaker 3: Andrews half is great, but still pretty great. Aliot gets
• 23:42
  Speaker 3: snack packs in these lunchbox because of Andrews. A Kenn
• 23:45
  Speaker 3: pays for the essentials. Yeah, and Andrews pays for the
• 23:48
  Speaker 3: little bonus extras each week.
• 23:50
  Speaker 4: Thank you, Andrews, and thank you to everybody else whose
• 23:52
  Speaker 4: names were about to read it. WHI and when I
• 23:54
  Speaker 4: say us, I mean Zach Pru Andrew Swan. Of course
• 23:57
  Speaker 4: part of the four thing of this scanteam well one
• 23:59
  Speaker 4: edits one puts us on the socials, Yes, exactly right,
• 24:02
  Speaker 4: Well not their website whenever we have problems with our website.
• 24:06
  Speaker 3: Now Discord Andrews wants is at to save the day.
• 24:09
  Speaker 3: Swannye yes and speaking of saving the day, Jordan mol Man, Richie,
• 24:12
  Speaker 3: Jonathan Rossi Reached Beasley, Stephen Roberts, Shawn DV, Pete Anderson,
• 24:15
  Speaker 3: Timothy Bells, and Andrew Davis, Ryan Dunlap, Kevin Dental Planned Flood,
• 24:19
  Speaker 3: Shannon Hofa, Bala Winderback, Jack McFadden, Heath Apple, b Adrick
• 24:21
  Speaker 3: McLeod Lewis Kavanagh, much be Even Reese, Roberts, Ginger and Pickle, Presto, Murray,
• 24:25
  Speaker 3: to Lee and Riquez, Jape, Masato, Deck and Phoenix, Brian McCoy,
• 24:28
  Speaker 3: Josh Hellier, Logan b James Sheppard, Joe reiden Sec, Dave
• 24:31
  Speaker 3: Pretzels McNally, Gavinlan and Damie Miller. Thank you for being
• 24:33
  Speaker 3: top tier Stonecutter supporters of ours on Patreon at four
• 24:37
  Speaker 3: figure discount.
• 24:37
  Speaker 4: Thank you so very much. All.
• 24:39
  Speaker 3: Let's get into our view of love Springfield in style.
• 24:42
  Speaker 3: Original edit was February seventh, three days after Valentine's Day
• 24:45
  Speaker 3: in two thousand and eight. What we do for Valentine's
• 24:48
  Speaker 3: Day in two thousand and eight, I would have been
• 24:51
  Speaker 3: Madi dal in university, would have been doing something somewhere.
• 24:57
  Speaker 4: I had to bring the mood down. But two thousand and eight,
• 24:59
  Speaker 4: that's probably getting divorced.
• 25:00
  Speaker 3: Oh ship, moving along, you asked? Production code kab F
• 25:08
  Speaker 3: zero five, written by Don Payne, directed by Raymond s
• 25:11
  Speaker 3: Percy Cash gag. Each family member rushes into the living
• 25:14
  Speaker 3: room and attaches themselves to a giant sized baby mobile.
• 25:17
  Speaker 3: Baby Yeah, is it mobile or mobile mobile? I think yeah?
• 25:20
  Speaker 3: Mobile is a car?
• 25:20
  Speaker 4: Right? I think a mobile, mobile, automobile. Yeah, and then
• 25:26
  Speaker 4: there's the thing that hangs over the baby's crib mobile. Mobile.
• 25:29
  Speaker 3: Yeah, that's not say mobile is a car? Right? No?
• 25:32
  Speaker 4: Tell mobile is a car? Mobile?
• 25:35
  Speaker 3: Is the thing mobile? Or is it? No mobile? You
• 25:40
  Speaker 3: say automobile or automobile? Automobile. That's weird. It's like garage garage,
• 25:45
  Speaker 3: say garage, garage, garage, Yeah, garage or garage. Oh hell,
• 25:50
  Speaker 3: we've got this again. It'scause I live with Nicola and
• 25:53
  Speaker 3: she says words wrong so frequently that I start copying her.
• 25:59
  Speaker 3: She says she speaks English in English because she says garage. Now,
• 26:05
  Speaker 3: it's just it's weird, right in the garage. Come on.
• 26:08
  Speaker 3: But now, but if you ask me, how do you
• 26:10
  Speaker 3: say garage? I'm in the garage, but garage if it's
• 26:14
  Speaker 3: it's weird. It's slightly different, but it's very different as well.
• 26:17
  Speaker 3: It's not quite Caribbean Caribbean. So I'm going in my
• 26:20
  Speaker 3: automobile automobile mobile, and then mobile is mobile? Phone? Yeah? Cares,
• 26:27
  Speaker 3: But we've given you two minutes of content. Everybody strike
• 26:32
  Speaker 3: those off. Okay, good. The episode kicks off, and as
• 26:35
  Speaker 3: I was saying, I liked the start of this with
• 26:37
  Speaker 3: just Springfield on Valentine's Day, people enjoying each other's company. Well,
• 26:40
  Speaker 3: Smither's not there so much with mister Burns has released
• 26:43
  Speaker 3: the hounds on the on the candies. I never had
• 26:45
  Speaker 3: those candies on Valentine's Day.
• 26:47
  Speaker 4: No, they sort of chalky little numbers.
• 26:51
  Speaker 3: The kids sometimes get these, like the bracelet things with
• 26:54
  Speaker 3: the eat them off, and I'm just like, none of
• 26:56
  Speaker 3: this is tasty. Why are we It's just hard sugar.
• 26:58
  Speaker 3: You just have some dark chocolate and whiskey at the
• 27:01
  Speaker 3: end of the night, like your power guy. Yeah why not?
• 27:03
  Speaker 4: Yeah?
• 27:04
  Speaker 3: But yeah, basically so Homer and Marge. He takes it
• 27:07
  Speaker 3: to the carnival and at first I'm thinking, oh you
• 27:09
  Speaker 3: dick it now, oh two hours kid free, very smart move.
• 27:12
  Speaker 4: Dando can relate.
• 27:13
  Speaker 3: I can relate. Indeed, just like the time they lost
• 27:16
  Speaker 3: the kids at the More, that was the best Christmas ever.
• 27:18
  Speaker 3: So they go on the Tunnel of Love. What kind
• 27:20
  Speaker 3: of tunnel of love was this? Speaking ghosts? I think
• 27:23
  Speaker 3: that's meant to be the gig that they've repurposed, the
• 27:25
  Speaker 3: ghost train. There you go, Okay, just because it's Valentine's Day,
• 27:30
  Speaker 3: they're just and carnies are cheap. All their what's the
• 27:33
  Speaker 3: word I'm looking for?
• 27:34
  Speaker 4: Clever?
• 27:34
  Speaker 3: Well, I completely miss that. Thanks for explaining it to me.
• 27:38
  Speaker 4: I don't think they actually say that out.
• 27:40
  Speaker 3: Loud, but most people will have the common sense to
• 27:42
  Speaker 3: realize two and two together.
• 27:44
  Speaker 4: Indeed, yeah, you did it, and they came up with
• 27:46
  Speaker 4: a fraction.
• 27:47
  Speaker 3: But they're enjoying themselves and she's getting spooked and what's
• 27:50
  Speaker 3: a cuddle and Whatnot's all working out well? Bar says
• 27:53
  Speaker 3: he wants to ruin their funk because he thinks if
• 27:54
  Speaker 3: they keep kissing it'll lead to the stalk and the baby.
• 27:57
  Speaker 4: Is clearly uninformed the idea of.
• 28:01
  Speaker 3: How babies are me haven't that's sexual education yet, even though.
• 28:04
  Speaker 4: Well Lisa seems pretty uh. But I think Lisa doesn't
• 28:07
  Speaker 4: that mus fuzzy bunny. She's faking it, I know. I
• 28:12
  Speaker 4: think Bart's got a short attention span and picked up
• 28:14
  Speaker 4: the wrong lesson somewhere along line, and they stuck.
• 28:17
  Speaker 1: Mom and dad are in there when they're ruined their
• 28:19
  Speaker 1: fun bike. No, it's Valentine's Day, Okay, the dad kiss
• 28:23
  Speaker 1: his mom too much, a stroke will lay an angel
• 28:25
  Speaker 1: egg and her tummy and the next thing, you know,
• 28:26
  Speaker 1: we find a baby brother in the cabbage patch. Here's
• 28:29
  Speaker 1: a thumbnail sketch in the first place, Do whatever you want.
• 28:34
  Speaker 1: I'm getting a candy apple.
• 28:36
  Speaker 3: So he puts jello in the water, makes it all
• 28:38
  Speaker 3: go hard and it turns into jello. That's not the
• 28:40
  Speaker 3: only thing that happened in the Turner of Love, if
• 28:42
  Speaker 3: you know what I mean. I don't know what I mean.
• 28:45
  Speaker 3: I think you're supposed to say, that's the other thing
• 28:46
  Speaker 3: didn't got that went hard? That wasn't the only thing
• 28:48
  Speaker 3: that went hard. Is that what you're trying to say, though,
• 28:50
  Speaker 3: isn't that what I said? You said, that's not the
• 28:51
  Speaker 3: only thing that happened in the Tunnel of Love. Well,
• 28:53
  Speaker 3: I thought i'd throw that through hard in there. Okay,
• 28:55
  Speaker 3: well you probably did.
• 28:56
  Speaker 4: You think that's bad.
• 28:58
  Speaker 3: But the riot stops as a result. The witch keeps
• 29:00
  Speaker 3: coming out and scaring them, and the guy says, you're
• 29:02
  Speaker 3: going to be charged extra for your time here on
• 29:03
  Speaker 3: the ride. Have you been stopped on a ride on
• 29:06
  Speaker 3: an amusement right?
• 29:08
  Speaker 4: Not to my recollection, No, not in a way that's
• 29:10
  Speaker 4: so traumatic that actually stuck in my memory.
• 29:13
  Speaker 3: Happened to us. I've told this, I've definitely told this
• 29:15
  Speaker 3: on the podcast at some point. But parts of the Caribbean,
• 29:18
  Speaker 3: Parts of the Caribbean, however you want to say.
• 29:20
  Speaker 4: That's something I was about to sort of when I
• 29:22
  Speaker 4: mentioned that earlier, because it's an American movie, and now
• 29:25
  Speaker 4: American friends tend to say I'm after the Caribbean. Well
• 29:27
  Speaker 4: that rich American friends when they've had But I never
• 29:31
  Speaker 4: saw an American trailer for the Johnny Depp franchise Parts
• 29:35
  Speaker 4: of the Caribbean. But I wonder if they said Pirates
• 29:38
  Speaker 4: of the Caribbean, the Curse of the Black Pearl.
• 29:40
  Speaker 3: Caribbean's just easier to say in a Caribbean, Caribbean, Parts
• 29:45
  Speaker 3: of the Caribbean. It's a tongue twister Caribbeans and the
• 29:48
  Speaker 3: world goes to parts of the Caribbean.
• 29:51
  Speaker 4: It's such aluminum and aluminum forget about it, trash can
• 29:56
  Speaker 4: it's a different word.
• 29:57
  Speaker 3: The guy I was on that ride right, yes, the
• 30:00
  Speaker 3: very start of the ride at disney Land, so the
• 30:03
  Speaker 3: visual one in in Anaheim, it's sort of it's just
• 30:06
  Speaker 3: like I like the Love Tunnel right here, it's the
• 30:08
  Speaker 3: love rope go through at the start there's like this skull.
• 30:12
  Speaker 3: I think it was like a pirate whatever it was
• 30:14
  Speaker 3: like a head before you go down the first little
• 30:15
  Speaker 3: drop and it goes dort Man, tell no tales, and
• 30:19
  Speaker 3: then you go down right, it's pretty spooky. So we're
• 30:21
  Speaker 3: on the ride, and then the ride stops at that
• 30:23
  Speaker 3: one point. So we sat there for about an hour
• 30:25
  Speaker 3: hearing dirt Man tell no tis that skull run the skull.
• 30:30
  Speaker 3: I would if I could have reached it. I'm just like,
• 30:33
  Speaker 3: oh shit, I heard at least a hundred times. I reckon,
• 30:35
  Speaker 3: dird Man, tell no tales. Look at least turn this
• 30:39
  Speaker 3: fucking thing off.
• 30:42
  Speaker 4: You're going to be charged for this.
• 30:43
  Speaker 3: But we waited like an hour to go to the ride.
• 30:45
  Speaker 3: I wasn't that interested, but it was one of those
• 30:46
  Speaker 3: things where we MAT's like, you're gonna try it, you know,
• 30:48
  Speaker 3: because at least you can say you went on the
• 30:49
  Speaker 3: parts of the Caribbean. Right. I'm like, okay, whatever, it's
• 30:51
  Speaker 3: the original ride. Okay, we get there after all that waiting,
• 30:54
  Speaker 3: that's the very start of the ride to do it stops.
• 30:56
  Speaker 3: I was like, no, oh, sweet Jesus sweet. But basically
• 31:00
  Speaker 3: this is where Homer starts telling the story about Bonnie
• 31:03
  Speaker 3: and Clyde because they've got to kill some time. So
• 31:06
  Speaker 3: clead Us invites Marge to your Bonnie to a picture show.
• 31:10
  Speaker 3: He said, you won't misbehave. She says she wants action,
• 31:12
  Speaker 3: action action.
• 31:13
  Speaker 4: Indeed, by the way, before we launch into the Bonnie
• 31:16
  Speaker 4: and Clyde story, I think he's talking about, or maybe
• 31:18
  Speaker 4: Marge's talking about. Oh, she wants to hear certain love
• 31:21
  Speaker 4: stories and brimming with the romance and love that last
• 31:24
  Speaker 4: through the ages, and one of them is Branjelina.
• 31:25
  Speaker 3: Oh that didn't age o that age well at all. No,
• 31:27
  Speaker 3: that's right. Yeah, will you.
• 31:28
  Speaker 4: Hear about the sort of the pit jolly.
• 31:31
  Speaker 3: I've made much about it for a long time. To
• 31:33
  Speaker 3: be honest, it.
• 31:35
  Speaker 4: Just sounded like bad news for one another.
• 31:37
  Speaker 3: Yeah, just felt like a pr stunt of anything. And
• 31:40
  Speaker 3: then just so diep we cake it out.
• 31:45
  Speaker 4: Yeah, but look, you can do your own googling on
• 31:47
  Speaker 4: Branjelina if you're like. But I just want to bring
• 31:49
  Speaker 4: it up because suddenly I like gossip and I'm a
• 31:51
  Speaker 4: little bitch.
• 31:51
  Speaker 3: Yes, well we all know this, do you. I feel
• 31:54
  Speaker 3: like you'd be a gossip girl.
• 31:55
  Speaker 4: Fan, right, No, but I am a gossip girl.
• 31:58
  Speaker 3: You are a gossip girl. Yes.
• 32:01
  Speaker 4: Anyway, So.
• 32:04
  Speaker 3: That was kind of like, so that was that was
• 32:07
  Speaker 3: like the Sex and the City for like teens, wasn't it.
• 32:09
  Speaker 4: I think?
• 32:09
  Speaker 3: So? Yeah, yeah, we're talking about saucy stuff anyway. So
• 32:13
  Speaker 3: Homer is Clyde saucy saucy. Homer is Clyde Marge's bunny.
• 32:20
  Speaker 3: They meet. She basically says, the only way I'm gonna
• 32:23
  Speaker 3: get horny is if you do illegal ship. So Homer,
• 32:27
  Speaker 3: he holds up the feed store with it, breaks Tommy
• 32:29
  Speaker 3: guns store, get the Tommy gun out, shoots and up
• 32:30
  Speaker 3: turns out that grandpa's the owner, He co owns that store.
• 32:33
  Speaker 3: Didn't do it anyway. Then they have Oats Texas caviat
• 32:37
  Speaker 3: and he realizes violences are only turned on. Maybe there's others.
• 32:40
  Speaker 3: Lets you figured it out? Violence?
• 32:41
  Speaker 4: It is, yeah, plush if you dive a little deeper
• 32:44
  Speaker 4: into the bonding in Clyde story, Clyde Barron, maybeen gay, possible,
• 32:49
  Speaker 4: possibly impotent?
• 32:50
  Speaker 3: Why are you shooting at us? We cooperated fully, it's
• 32:53
  Speaker 3: just text thing. Say no more. Then Flanners picks them up.
• 32:56
  Speaker 3: So was there a clueless assailing to the well?
• 33:01
  Speaker 4: In the Bonny Club movie, they have like their getaway
• 33:03
  Speaker 4: driver who was apparently like a third party in the
• 33:07
  Speaker 4: Bonnie and Clyde. Yeah, they also took some hostages or
• 33:12
  Speaker 4: occasionally had people along for the ride, as just the
• 33:16
  Speaker 4: people along for the ride. The the accomplice in the
• 33:20
  Speaker 4: movie is not really as clueless as Flanders. I think
• 33:22
  Speaker 4: they just wanted to wedge Flanders in there. Okay, it's
• 33:25
  Speaker 4: a nicer mustache. They did fancied up a little bit.
• 33:28
  Speaker 4: But he says he's going to help them. He drives
• 33:30
  Speaker 4: them away, and then the news report about how they're
• 33:33
  Speaker 4: all being embraced by the town. There's bubble has there's
• 33:35
  Speaker 4: a radio show with George Burns, George Burns and Allen
• 33:38
  Speaker 4: George and Gracie. Yep, that's that's that's just how well, certainly.
• 33:49
  Speaker 3: Because George Burns is Burns, his older brother remember in
• 33:51
  Speaker 3: the Bob episode. Oh that's right. Yeah, But then Flanders
• 33:54
  Speaker 3: realizes that the marriage is going to turn them in
• 33:57
  Speaker 3: the sheriff. Mean, while I was there watching the movie
• 33:58
  Speaker 3: as well as like, I want to watch his insensitive
• 34:00
  Speaker 3: cartoon which serves absolutely no purpose except the fact that
• 34:03
  Speaker 3: it's racially insensitive, and want to put on the Simpsons.
• 34:05
  Speaker 4: Well, yeah, there's just Mexican food will exit your system.
• 34:09
  Speaker 4: Fairly quickly and oh yeah yeah, and also make and
• 34:17
  Speaker 4: also kids will use you as a pinata, because that's
• 34:19
  Speaker 4: what the Mexican people, that's all they do, that's their pastime.
• 34:22
  Speaker 4: Even though I'm disgusted about that.
• 34:23
  Speaker 3: Yes, the Flanders pulls them over, do something in the
• 34:27
  Speaker 3: bushes or whatever, and the cops just shoot them. There's
• 34:29
  Speaker 3: no blood and they're having a conversation as they're being
• 34:31
  Speaker 3: shot to death, saying she wants to see other people
• 34:32
  Speaker 3: because he's not exciting enough for anymore. She's works Wigham
• 34:35
  Speaker 3: the cop. And that's prettynce the end of the episode,
• 34:37
  Speaker 3: end of the segment.
• 34:38
  Speaker 4: That's the end, Yeah, the end of the film. Bonnie
• 34:40
  Speaker 4: and Clyde. Spoiler for Bonnie and Clyde. They both get
• 34:42
  Speaker 4: shot by the cops, but in a way that was
• 34:45
  Speaker 4: unprecedented in American cinema, and like, wow, they really shouldn't
• 34:48
  Speaker 4: they shoot.
• 34:48
  Speaker 3: Out of these people kind of like Godfather a little bit.
• 34:51
  Speaker 4: Yeah, it's like when, yeah, when Sanny gets killed on
• 34:53
  Speaker 4: the Causeway. Bonnie and Clyde is the precursor to.
• 34:56
  Speaker 3: That one of them in film. Right. I feel like
• 35:00
  Speaker 3: moments that hit me almost harder than others are the
• 35:03
  Speaker 3: moment just before someone realizes their fucked, like Peshi good Fellaws,
• 35:07
  Speaker 3: but he gets in. It's like, ah, I was like a.
• 35:09
  Speaker 4: Ship share, shut me in the head, have a Loane ramp,
• 35:17
  Speaker 4: but I won't do that. Yeah, tough break for Tommy
• 35:20
  Speaker 4: to Vito and good Fellas.
• 35:22
  Speaker 3: Like the moment I then realized, like imagine that movie,
• 35:24
  Speaker 3: like ah shit, they tucked out of this. Among the nerds.
• 35:28
  Speaker 4: Of say film Twitter, there's there's a prompt question that
• 35:32
  Speaker 4: always goes around, and I was like, we've already done
• 35:35
  Speaker 4: this one.
• 35:35
  Speaker 3: Stop doing this. But you know, I would always gets
• 35:37
  Speaker 3: engaged a new thing. Now is so and so doing
• 35:39
  Speaker 3: something a thread? Thread?
• 35:42
  Speaker 4: But this one, this one in particularly, was like what
• 35:45
  Speaker 4: is the best? Oh, I'm dead and I know it's seen,
• 35:47
  Speaker 4: and it's always Jeff Daniels.
• 35:50
  Speaker 3: In Speed, Yes, yeah, before the explosion.
• 35:52
  Speaker 4: Yeah, we already know that.
• 35:55
  Speaker 3: I've seen it like two or three times. It's always
• 35:57
  Speaker 3: that one. It's always I want to do one saying
• 35:59
  Speaker 3: a thread of people saying a thread, thread.
• 36:02
  Speaker 4: And little threads sport social media. It's good in some ways, terrible.
• 36:08
  Speaker 3: In others, but basically they come back to commercial. They're
• 36:14
  Speaker 3: still shirt shooting. I guess the jokes have been shooting
• 36:17
  Speaker 3: through the commercial break. That's what happened in the film,
• 36:19
  Speaker 3: the excessive shooting. But they're shooting the birds that are
• 36:21
  Speaker 3: pecking at their bodies. Margin tells the story of Shady
• 36:23
  Speaker 3: and the Vamp. And Shady is Homer. It's playing in
• 36:27
  Speaker 3: the yard. No, sorry, Shady is lady. Sorry, she's playing
• 36:30
  Speaker 3: in the yard. Imagine what you look like a color off.
• 36:32
  Speaker 3: I was like, yeah, okay, I see you're going for that.
• 36:36
  Speaker 3: This is what it is. Yes, but she's too fancy
• 36:37
  Speaker 3: for him, you know, even if fleas are more what's
• 36:40
  Speaker 3: the term the mo dog uses, Oh, I feel a
• 36:43
  Speaker 3: class for us up a crust whatever.
• 36:45
  Speaker 2: Yeah, lady Bitington, will you be summering in the hime
• 36:50
  Speaker 2: quarters again this year?
• 36:53
  Speaker 4: No, champion, I have taken a cottage in West Leg.
• 36:56
  Speaker 3: It's where all the fleas are fleeing, just the fancy
• 37:02
  Speaker 3: fleas there taking the cottage in the West Leg. The
• 37:04
  Speaker 3: fleas are fleeing Homer, who puts his name in here, vamp.
• 37:11
  Speaker 3: I guess he's he's a vampire. He takes her flowers
• 37:14
  Speaker 3: and a bone that he digs up.
• 37:15
  Speaker 4: Unless he's Shady.
• 37:17
  Speaker 3: No, Shady is the lady is that her actual name
• 37:21
  Speaker 3: shady is Yeah, because they say say shady, one.
• 37:24
  Speaker 4: Would accuse the vamp, one would assume the vamp is
• 37:27
  Speaker 4: the woman. Yeah, I mean sorry being a terrible gender sense.
• 37:30
  Speaker 3: Because I've got here, that's why. And his and his
• 37:33
  Speaker 3: behavior is shady. Yes, yeah, because I'm pretty sure they
• 37:36
  Speaker 3: say shady. Shady was saying Daddy, Ley say daddy, let's
• 37:39
  Speaker 3: have a look at this. I was gonna make sure
• 37:40
  Speaker 3: you get this right. Shows how much why the writers
• 37:44
  Speaker 3: didn't paintually ripped on pain. Vamp is Marge, Shady is Homer. Yes,
• 37:49
  Speaker 3: there we go. Yeah, glad we settled that. But the
• 37:54
  Speaker 3: kids going out of gate interrupted Homer floating with her,
• 37:57
  Speaker 3: He says, oh, she said, what can I do for
• 37:58
  Speaker 3: you at dinner? The dog serves no purpose and it's
• 38:01
  Speaker 3: I guess there was. Was there a friend in the
• 38:02
  Speaker 3: film that was just like really, like I.
• 38:04
  Speaker 4: Said, do I know anything about lady in the dream
• 38:06
  Speaker 4: the spaghetti kiss?
• 38:06
  Speaker 3: None? Nothing? The way dog wants to come to do
• 38:08
  Speaker 3: you want someone one of the dogs wearing a black
• 38:10
  Speaker 3: on their head so we can check them out why
• 38:12
  Speaker 3: they're not realizing or something. I thought it so I
• 38:14
  Speaker 3: wouldn't see him ah, okay or maybe who knows. But
• 38:19
  Speaker 3: Luigi then brings food out to Shady and vamp out,
• 38:23
  Speaker 3: and this is basically just the iconic scene what everyone remembers.
• 38:26
  Speaker 3: As you're saying, yeah, I like the hope, the twists,
• 38:28
  Speaker 3: Homer sucking her head into his mouth like other spaghetti. Yes,
• 38:31
  Speaker 3: you're pretty fasty for an upper class bitch. Again, it
• 38:34
  Speaker 3: felt like I was trying to be a bit naughty
• 38:37
  Speaker 3: in this episode, didn't it? And I had to explain it. Oh,
• 38:39
  Speaker 3: I love to use a technical term for a female dog,
• 38:41
  Speaker 3: just in case parents got a bit annoyed because the
• 38:44
  Speaker 3: kids see, I feel like classic Simpsons would have just
• 38:47
  Speaker 3: left it a bitch. They wouldn't have explained it. They
• 38:48
  Speaker 3: would have had the balls to go no, no, no, yeah,
• 38:51
  Speaker 3: and they can if you complain, then you're the idiot.
• 38:54
  Speaker 3: Yes yeah, but no they explained it. They've done the
• 38:57
  Speaker 3: damn it. They made themselves the idiot. Then the health
• 38:59
  Speaker 3: and space to arrive in Paul Luigi. Why didn't he's
• 39:01
  Speaker 3: listen to his mama, Just serve the pits, serve people. Yes, uh,
• 39:05
  Speaker 3: vamp is now on heat, which is the safest time, right, Yeah? Sure,
• 39:10
  Speaker 3: And as we get a pan out there. There was
• 39:13
  Speaker 3: a couple sitting in the car in the shadows. I thought,
• 39:15
  Speaker 3: is that in the marsh was a particular shot in
• 39:17
  Speaker 3: Lady in the Tramp Again, why you keep asking me,
• 39:20
  Speaker 3: But you're the movie man, you're the movie guard. Yeah,
• 39:23
  Speaker 3: but Waiting the Tramp probably someone was like six years
• 39:25
  Speaker 3: old and that was a long long dame. Again. Yeah,
• 39:27
  Speaker 3: no film that reminds me of that. The Wizard of Oz.
• 39:29
  Speaker 3: I I've said it a hundred times. I can probably
• 39:32
  Speaker 3: remember like maybe four or five key scenes. I have
• 39:35
  Speaker 3: to rewatch it.
• 39:36
  Speaker 4: But I think you can say that about a lot
• 39:37
  Speaker 4: of movies, and all even the great ones. I don't
• 39:40
  Speaker 4: think you can remember. There are some that you remember
• 39:42
  Speaker 4: seeing the scene to scene to see it, but that
• 39:43
  Speaker 4: they're the ones that are probably your personal favorites. But
• 39:46
  Speaker 4: I think you think you think about the classics, it's like, oh,
• 39:48
  Speaker 4: it's a movie where that happens, and that happens, and
• 39:49
  Speaker 4: that happens, like there's maybe fifty other.
• 39:52
  Speaker 3: And as you're watching it, you're like, oh, this happens too.
• 39:55
  Speaker 3: It's quite the classic.
• 39:56
  Speaker 4: Yeah, yeah, it was a terrific surprise. You know, you readsits, say,
• 40:00
  Speaker 4: Godfather partos.
• 40:01
  Speaker 3: Like oh, yeah, this happens that read Yeah, so she
• 40:04
  Speaker 3: wakes up feeling well, Homer Bales, It's like, I don't
• 40:07
  Speaker 3: want no part of this shady Bales. Marge is now
• 40:09
  Speaker 3: heavily pregnant, and they sing a song Any minute now,
• 40:11
  Speaker 3: I'll watch the song any minute now. I thought this
• 40:13
  Speaker 3: must have been a song from the movie, but I
• 40:15
  Speaker 3: looked it up. It's not.
• 40:16
  Speaker 4: It's just is it something that they created especially for
• 40:18
  Speaker 4: this episode? Because I saw in the end it was
• 40:20
  Speaker 4: written by Don Payne and yeah, of course.
• 40:21
  Speaker 3: And I'll watch the song.
• 40:27
  Speaker 1: Any minute now.
• 40:29
  Speaker 6: You'll scamper through that doggy door.
• 40:33
  Speaker 2: Any minute now, I'll be the dog she's looking for.
• 40:38
  Speaker 5: Any minute now, you'll be spoo well now she scrolled.
• 40:52
  Speaker 3: Horn kills me to trusting.
• 40:56
  Speaker 2: But you and nose keys, I wanted you the writing.
• 41:03
  Speaker 3: Come on with all this high class talori.
• 41:12
  Speaker 6: When you start, Yes, any minute now, I won't care
• 41:18
  Speaker 6: about my heart any man.
• 41:30
  Speaker 3: I felt the feeling i'd heard any minute now. I
• 41:34
  Speaker 3: talked Disney any minute now or was it I type
• 41:36
  Speaker 3: Simpsons anything?
• 41:37
  Speaker 4: Because it feels like like a girl group song Any
• 41:39
  Speaker 4: minute now, like a Motown or Phil Spector or something
• 41:42
  Speaker 4: like that Disney Any minute Now about to google, let's
• 41:44
  Speaker 4: see it comes out. No, it's all just Simpsons, not
• 41:47
  Speaker 4: even just Disney. I mean just put in any minute
• 41:49
  Speaker 4: now song song and see if it comes up with
• 41:52
  Speaker 4: something other than Simpson.
• 41:53
  Speaker 3: Well looked up the any minute Now on the Simpsons
• 41:55
  Speaker 3: wiki and doesn't say it's a tribute to anything. It's
• 41:57
  Speaker 3: just a song that was written for this episode. The
• 42:00
  Speaker 3: music was written by Don Payton and Alf Clauson. Well,
• 42:02
  Speaker 3: well done, you.
• 42:03
  Speaker 4: Guys, because it's a catchy song and one that I
• 42:05
  Speaker 4: thought was I hate to downplay it, but like an
• 42:09
  Speaker 4: actual song.
• 42:09
  Speaker 3: Yeah, anyway, nothing. I can't find anything. If I'm wrong,
• 42:13
  Speaker 3: let me know listeners or viewers. But I can't find anything.
• 42:16
  Speaker 4: Yeah.
• 42:17
  Speaker 3: Wow, I enjoyed the song. I enjoyed that song. Yes.
• 42:20
  Speaker 3: So now we've had the song and basically she's realized,
• 42:22
  Speaker 3: Oh I'm screwed. He's just I've got babies now and
• 42:25
  Speaker 3: no baby Daddy's he's shady, behavior is and he's not slim.
• 42:30
  Speaker 4: No kids stealing.
• 42:33
  Speaker 3: But she's had the puppies and she's now ripped. How
• 42:35
  Speaker 3: they get that photo on the wall, I don't know. Look,
• 42:37
  Speaker 3: let's not ask questions for she rips the photo off
• 42:39
  Speaker 3: the wall without having spaghetti in the in the other way,
• 42:42
  Speaker 3: questions and button Lisa puppies. They say, we're going to
• 42:44
  Speaker 3: find out Dad. Yeah, true, because you teach me how
• 42:46
  Speaker 3: to like Oh wait, I figured it out. I don't
• 42:47
  Speaker 3: need him anymore. But they go and they're looking for him,
• 42:50
  Speaker 3: and then Willie the dog catcher catches them. He says
• 42:53
  Speaker 3: he's gonna be put. You can put to sleep by
• 42:55
  Speaker 3: by by boring stories and then killed.
• 42:57
  Speaker 4: You know you like to pick knits. You can do
• 42:58
  Speaker 4: it on occasion. I rarely do, but I'm going to
• 43:02
  Speaker 4: pick an it. Those dogs are wearing tags. Both the
• 43:05
  Speaker 4: puppies weren't tags. Yeah, they shouldn't be, you know, taken
• 43:09
  Speaker 4: to the pound.
• 43:10
  Speaker 3: Those tags would have more than just a name on them.
• 43:13
  Speaker 3: I have a phone number, I reckon, so left your games.
• 43:15
  Speaker 3: Willy is just a ship person, And maybe that's true.
• 43:19
  Speaker 4: I wonder I wanted to use the Australian term was
• 43:22
  Speaker 4: that he's just a ship cut that out sack. But
• 43:26
  Speaker 4: but will it's just one of those guys where it's
• 43:27
  Speaker 4: such a great term. It's not one you can no
• 43:31
  Speaker 4: forget it. It's a tangent and if they have to
• 43:33
  Speaker 4: be cut it anyway. But I mean, I love how Australians,
• 43:35
  Speaker 4: you know, we use the sea word as a term endment.
• 43:37
  Speaker 4: But if you want to be like, oh, they're no good,
• 43:40
  Speaker 4: then you've got to preface it with their yeah they're
• 43:43
  Speaker 4: an sc love it language. It's fantastic.
• 43:47
  Speaker 3: But Willy, maybe willis just a great catches dogs. He's
• 43:50
  Speaker 3: not the official. It's just a dog catcher.
• 43:52
  Speaker 4: Maybe he's just a satus.
• 43:54
  Speaker 3: Yeah, he catches dogs and takes takes the calls off
• 43:56
  Speaker 3: and takes them to the pound. He just catch them
• 43:58
  Speaker 3: too the pound. Maybe he's got his own pound. Maybe
• 44:00
  Speaker 3: he's got a gas chamber there. But he's like, oh
• 44:03
  Speaker 3: oh sick, yeah, Jesus, yeah, Ill, it's took a bad turn.
• 44:08
  Speaker 4: But well this episode is a bad turn.
• 44:10
  Speaker 3: Yeah, oh man does it? Ever? So Home is concerned
• 44:13
  Speaker 3: most let's each other's butts and wants nothing of it.
• 44:16
  Speaker 3: Then there, I've got the pound and there's like the
• 44:18
  Speaker 3: bullies there version of dogs. This snake is another one
• 44:21
  Speaker 3: of them there. I think bumblebee Man was like a
• 44:22
  Speaker 3: chou ros. Yeah, he was looking all the it was
• 44:25
  Speaker 3: the new fish on the block yep. And then this
• 44:27
  Speaker 3: way to the Upstate Farm, which is obviously the gas chamber,
• 44:31
  Speaker 3: and it's Goofy not voiced by Bill Farmer.
• 44:34
  Speaker 4: Gosh, this place is no picnic, but the sure beats
• 44:39
  Speaker 4: working for Disney.
• 44:43
  Speaker 3: I'm gonna put together a article of all the times
• 44:45
  Speaker 3: Simpsons made fun of Disney before they were owned by Yes,
• 44:49
  Speaker 3: because now the Simpsons is owned Yes in both senses
• 44:53
  Speaker 3: Yes and metaphoric gets put in the gas chamber, and
• 44:55
  Speaker 3: this was cut out on TV. It would be because
• 44:58
  Speaker 3: it's just putting it's a wholecaust gag it kind of
• 45:01
  Speaker 3: is it really is? It is here and checking the
• 45:03
  Speaker 3: death and there's no gag here. It's just we're putting
• 45:05
  Speaker 3: Goofy into the gas chamber.
• 45:07
  Speaker 4: And I'm like, oh now, liddlely, Goofy does make it
• 45:10
  Speaker 4: out of the gas chamber later, but at the same
• 45:12
  Speaker 4: time I have written down here could have done with
• 45:14
  Speaker 4: that gas and Goofy.
• 45:15
  Speaker 3: And Goofy's not even one of my favorite characters. Goofy
• 45:17
  Speaker 3: is harmless nine his kid Goofy has always been one
• 45:20
  Speaker 3: of my favorites because we had a goof troop in
• 45:21
  Speaker 3: a Goofy movie, like a Goofy movie. Yeah yeah so
• 45:24
  Speaker 3: button so.
• 45:25
  Speaker 4: For me, it's always stand by me. It's like, what
• 45:26
  Speaker 4: the hell is Goofy?
• 45:28
  Speaker 3: But Lisa are now next and Willi walks in. He says,
• 45:32
  Speaker 3: got some cycle five of your last meal specifically formulated
• 45:35
  Speaker 3: with dogs for five minutes, for dogs with five minutes
• 45:38
  Speaker 3: to live. This was quite rule. Yeah, home, and then
• 45:41
  Speaker 3: bites him. Don't bite the hand that kills you. He
• 45:44
  Speaker 3: kills Willy. I'm assuming, takes him home, leks Goofy out,
• 45:47
  Speaker 3: and he says the line about this places their picnic.
• 45:49
  Speaker 3: But sure, BET's working for Disney. I know it kind
• 45:52
  Speaker 3: of feels like a gotcha, but it felt so like
• 45:55
  Speaker 3: a little kid going. It felt like a really lazy joke.
• 45:58
  Speaker 3: And then you got pants. Yeah, Disney just owned you
• 46:01
  Speaker 3: later exactly for folks. But they get home, Marge accepts him,
• 46:06
  Speaker 3: and then he realizes he's got nine other puppies look
• 46:08
  Speaker 3: after as well. And that's the end of the episode.
• 46:09
  Speaker 3: That is the end of that segment. Yes, now Bart's
• 46:12
  Speaker 3: telling the story about Sid and Nancy and here the
• 46:15
  Speaker 3: sex Pistols band. So Bart is Johnny Rotten, it is
• 46:20
  Speaker 3: it Kearney. Erny Dolph is another one of them. Remember
• 46:23
  Speaker 3: the band Jimbo. I think all the Bulls, Jimbo and
• 46:26
  Speaker 3: Dolph Okay and Nelson. I don't think Keernie is in there,
• 46:30
  Speaker 3: but but but basically the story is here that they're
• 46:32
  Speaker 3: in the band sid Vicious. Whatnot is Nelson? And Lisa
• 46:35
  Speaker 3: is there with Millhouses followed her to UNI or college
• 46:37
  Speaker 3: or whatever, follow abroad? Yes, and she's like a great
• 46:40
  Speaker 3: chance to meet new people. But no, you've followed me
• 46:42
  Speaker 3: here and she hears the music the rule, Sir Vicious,
• 46:54
  Speaker 3: second name? Why am I in myself? Why am I
• 47:00
  Speaker 3: it myself?
• 47:02
  Speaker 1: So I'm compromising. He never goes for an uncle spelling
• 47:06
  Speaker 1: bee champion like me, I'm spelled I'm requited.
• 47:09
  Speaker 3: Now I know what it means. I do like the
• 47:13
  Speaker 3: fact that they use Lisa and Nelson here. That seems
• 47:17
  Speaker 3: to be a romance that never goes away.
• 47:20
  Speaker 4: They do realize that these characters are It's very much
• 47:23
  Speaker 4: the opposite attract thing. But it's I can save him
• 47:25
  Speaker 4: something that kind of works. Yes, yeah, and also she's
• 47:28
  Speaker 4: attracted to.
• 47:28
  Speaker 3: The bad boy. Yes, Otto is selling like Nicola Nintendo.
• 47:32
  Speaker 3: I'm attatched to the bad girl. Let's just leave that shell.
• 47:40
  Speaker 3: Otto is selling some chocolate which is meant to be drugs.
• 47:43
  Speaker 3: At first I didn't get it. I was like, chocolate,
• 47:45
  Speaker 3: I get it because their kids. Yeah, but they made
• 47:47
  Speaker 3: sure you got it.
• 47:48
  Speaker 4: Yeah.
• 47:48
  Speaker 3: By the end of it, they made sure you got it. Yes,
• 47:50
  Speaker 3: she just started to put that in their body. I
• 47:52
  Speaker 3: was like, you fat shaping her house? What are you
• 47:53
  Speaker 3: doing here?
• 47:54
  Speaker 4: And then we'll just you know, zeroing out the sugar.
• 47:56
  Speaker 3: Yes, and Millhouse ends up having to pay because that's
• 47:59
  Speaker 3: my good friend. Were you paying for it? Gets arrested
• 48:01
  Speaker 3: office Otto happy to be of service being. Martin then
• 48:05
  Speaker 3: puts on Saturday Night in the jukebox and I was like,
• 48:07
  Speaker 3: unashamed love of this song. Go for it, Martin.
• 48:09
  Speaker 4: Absolutely what else did the bas City Rollers have?
• 48:13
  Speaker 3: They sing? That? Guy? The song is in my head.
• 48:16
  Speaker 3: I can't tell you what it's called. There's no good
• 48:18
  Speaker 3: in there. Get it out, Basicity Rollers, get it out?
• 48:21
  Speaker 3: Bay City Rollers singles.
• 48:24
  Speaker 4: So what is the base city that they hail from?
• 48:26
  Speaker 3: I only want to be with you. I only want
• 48:28
  Speaker 3: to be with you. Yeah, I know it. Yeah, it
• 48:34
  Speaker 3: doesn't have it. I just added out for spies. Apparently,
• 48:40
  Speaker 3: I really big mum loved them when she was young,
• 48:41
  Speaker 3: as you said, Oh look I was around for the
• 48:43
  Speaker 3: Basic Rollers.
• 48:43
  Speaker 4: Hey, I mean I was only a little Scottish. I
• 48:46
  Speaker 4: was a little kid. But yeah, they have on Candown
• 48:48
  Speaker 4: on the Saturday nights. City Rollers they think be sick.
• 48:51
  Speaker 3: It's a good name. Oh yeah, absolutely bas City rollers. H.
• 48:56
  Speaker 4: I think Geelong should it did for a while, change
• 48:59
  Speaker 4: the city plaza again and should re embrace its. Titler's
• 49:04
  Speaker 4: Bay City Bay City sounds cool.
• 49:06
  Speaker 3: It does. It sounds like a place you want to
• 49:09
  Speaker 3: go visit during summers, want to go to Bay City and.
• 49:11
  Speaker 4: Then a Bay City.
• 49:13
  Speaker 3: You know, you sort of do it.
• 49:14
  Speaker 4: We can kind of in the ironic quoitement, I'm do
• 49:16
  Speaker 4: own of Bay City. But after a while it's like,
• 49:19
  Speaker 4: you know what it actually is a city.
• 49:21
  Speaker 3: It actually is kind of turning to a city.
• 49:23
  Speaker 4: Now Bay City, man, let's go with that and we
• 49:26
  Speaker 4: can be the bas City rollers.
• 49:28
  Speaker 3: Westfield killed that when they got rid of ba City plaza.
• 49:30
  Speaker 3: I know that who runs Westfields at LOWI is that.
• 49:34
  Speaker 3: I have no idea.
• 49:35
  Speaker 4: I think he's like the big sort of money man
• 49:37
  Speaker 4: in power broker behind all the Westfield things and just
• 49:40
  Speaker 4: said like we're gonna put the Westfield brown. I was like,
• 49:42
  Speaker 4: it's basicity plan.
• 49:51
  Speaker 3: It's sorry. Local reference people listening overseas on what the
• 49:56
  Speaker 3: fuck are they talking about?
• 49:57
  Speaker 4: Yeah, but in the specificity you find uni versaality.
• 50:01
  Speaker 3: This is true. I mean, imagine you had a mal
• 50:03
  Speaker 3: in the States that had always had a particular name,
• 50:05
  Speaker 3: and then the big comor came along and said, we're
• 50:07
  Speaker 3: changing the name to this. It's like it's Plaza, it's
• 50:11
  Speaker 3: the it's the Boisey maul of boise Iaho, why do
• 50:14
  Speaker 3: you want to call it marvel mal? It's gonna have
• 50:19
  Speaker 3: its own flavor. Liz has walked in with chocolate to
• 50:24
  Speaker 3: offer that the sex pists, because they're thrown Martin into
• 50:25
  Speaker 3: the jukebox and they're not interested in chocolate, that say
• 50:28
  Speaker 3: it's boring. I was like, oh, I didn't. I thought
• 50:30
  Speaker 3: the sex pisces would have been all about rugs. I
• 50:32
  Speaker 3: guess they weren't. I know, I don't think they were actually.
• 50:36
  Speaker 4: I mean, Johnny Johnny Rotten was actually like a and
• 50:39
  Speaker 4: still is to some degree, a pretty smart guy.
• 50:41
  Speaker 3: Yeah.
• 50:42
  Speaker 4: I think I think some of them were certainly on drugs.
• 50:45
  Speaker 4: I think Steve Jones was, don't know about Glenn Matt Locke.
• 50:49
  Speaker 3: But Sid certainly was.
• 50:51
  Speaker 4: Sid went after it with Gusto and you know, people say, oh,
• 50:54
  Speaker 4: then maybe they had something to do with Nanty Nancy Spungeon.
• 50:57
  Speaker 4: It was a bit of a certain kind of a
• 50:58
  Speaker 4: Curtain Courtney precursor, but no one. I don't think Johnny
• 51:02
  Speaker 4: Rotten actually was.
• 51:04
  Speaker 3: Just not not an act, but it was just you know,
• 51:06
  Speaker 3: there was a market there.
• 51:07
  Speaker 4: Well, punk is not necessarily just fucking yourself up, but
• 51:11
  Speaker 4: it's more about.
• 51:12
  Speaker 3: The establishment, that's what it is. Yeah.
• 51:14
  Speaker 4: Yeah, and you know you've got to sometimes you've got
• 51:16
  Speaker 4: to have a straighthead to do that. There's a lot
• 51:18
  Speaker 4: of there's a lot of straight edge. He says, Yeah,
• 51:21
  Speaker 4: I didn't sign Sid Vicious. I want it forays to
• 51:22
  Speaker 4: be a thirty year relationship. Told you should I hid
• 51:25
  Speaker 4: Tom responsible, which is what you got when you got me,
• 51:29
  Speaker 4: Mitch was said, Tom responsible.
• 51:32
  Speaker 3: But they go in the binge here because of the
• 51:34
  Speaker 3: American nerd bird. They try the chocolate and Sid Vicious
• 51:36
  Speaker 3: and Nancy, Lisa and Nelson both enjoy it. Got the
• 51:39
  Speaker 3: hot chocolate. They throw the chocolates down the toilet. When
• 51:42
  Speaker 3: the police arrive, they spray paint each other. They melt
• 51:44
  Speaker 3: the chocolate on the ice cream in the studio. Yes,
• 51:47
  Speaker 3: so basically he's she's ruining his life, ruining the band's
• 51:50
  Speaker 3: life as wild Wade.
• 51:50
  Speaker 4: Yeah, it's been a while since I've seen Chancy. I mean,
• 51:53
  Speaker 4: I think Sid was probably kind of self destructive to
• 51:56
  Speaker 4: some degree anyway. Yeah, and I think a lot of
• 51:58
  Speaker 4: people may have that issue with the film if in
• 52:00
  Speaker 4: saying that, oh, Nancy let him down the the path
• 52:03
  Speaker 4: to Hell or something like that.
• 52:04
  Speaker 3: I'm not sure.
• 52:04
  Speaker 4: It's been a while. I should really watch it, sint Nancy.
• 52:06
  Speaker 4: What was a good movie was it? When did they
• 52:07
  Speaker 4: come out like eighty eight or something like. Yeah, it's
• 52:10
  Speaker 4: all like the star making role for Gary Oldman.
• 52:12
  Speaker 3: Okay, So now it's time for their gig at the
• 52:14
  Speaker 3: San Antonio Arena where on the So that night they're
• 52:19
  Speaker 3: playing the sex Pistols. The following night it is the
• 52:20
  Speaker 3: Reverend Billy Graham, and the day after it's Reverend Reverend
• 52:23
  Speaker 3: Graham's with Billy Pistol. But he arrives or they arrive
• 52:28
  Speaker 3: off their heads, as he says, here I expected a
• 52:31
  Speaker 3: thirty year business relationship. And then they sing the Bollocks song.
• 52:34
  Speaker 3: Another reason why it was to later on the UKs
• 52:37
  Speaker 3: because the bullocks is a bad word apparently slang spatisticals
• 52:41
  Speaker 3: I know that, but I get that, but it's it's
• 52:44
  Speaker 3: meant as the terms of bullshit are bollocks, Yeah, bollocks
• 52:47
  Speaker 3: to that. Yeah. Sid then ruins the song I Reach
• 53:03
  Speaker 3: the Ice, be bag you frontward. Dang it.
• 53:12
  Speaker 4: I want to hear what else was bollocks?
• 53:16
  Speaker 3: Then Nancy says he's quitting the band. He's gonna write
• 53:18
  Speaker 3: his own songs. I'm gonna write these songs for him,
• 53:21
  Speaker 3: and he starts. He says something just just stop talking
• 53:23
  Speaker 3: and bang your head against that walls. Basically, they're trying
• 53:25
  Speaker 3: to say that he yo Go owned it. Oh she
• 53:26
  Speaker 3: Yoko owned him, something like that, you go. Now they're
• 53:30
  Speaker 3: singing love songs together. This this, this ending came very abruptly,
• 53:34
  Speaker 3: singing love songs and the guys in the crowd and
• 53:36
  Speaker 3: annoy this song doesn't make me feel angry at all,
• 53:38
  Speaker 3: and his head turns to your emo hair makes me
• 53:40
  Speaker 3: feel sad. They get thrown out of CBGB's. Now that's
• 53:43
  Speaker 3: a real place, yeah, well, like a punk and new
• 53:46
  Speaker 3: wave epicenter in New York City. Yes, yep, but this
• 53:49
  Speaker 3: is comic book guys Bar, which I thought was not
• 53:51
  Speaker 3: a bad gag. Yes, one of those gags where if
• 53:54
  Speaker 3: you know you know, yes, yeah, as a kid that
• 53:56
  Speaker 3: he watches like, huh, it's just tomy book guys. So
• 54:00
  Speaker 3: they're thrown out. They go back to being drug o's again.
• 54:03
  Speaker 3: And indeed, have they used the term chomp and wonka
• 54:07
  Speaker 3: yet because they have, yes, which I thought was pretty funny. Yes,
• 54:11
  Speaker 3: but then you've been chomping Wonker home and then pause
• 54:14
  Speaker 3: trash all over them and that's the end. Does that
• 54:15
  Speaker 3: have the movie ends or what's the come Apparently?
• 54:17
  Speaker 4: So yes, it's like one of those it's like a
• 54:18
  Speaker 4: Joker kind of thing where oh, everything is dirty and filthy,
• 54:22
  Speaker 4: but we're turning into something romantic. So yeah, they're they're
• 54:25
  Speaker 4: making out in the alleyway and there's like garbage all
• 54:28
  Speaker 4: around them. But it's like filmed as the roast most
• 54:30
  Speaker 4: romantic thing ever. Okay, he says Happy Valentine's Day and
• 54:33
  Speaker 4: shut you gob Yeah, and then and then it ends
• 54:36
  Speaker 4: and then's it?
• 54:37
  Speaker 3: Yeah, a nothing episode. These trilogy episodes tend to be
• 54:40
  Speaker 3: nothing episodes. Inoffensive but just forgettable.
• 54:44
  Speaker 4: That's the best way of putting it down.
• 54:46
  Speaker 3: Yep. Nothing much more to say, except for what did
• 54:48
  Speaker 3: you learn from the episode with Davis that you.
• 54:50
  Speaker 4: Should go easy on bas city roller fans because they
• 54:52
  Speaker 4: are ahead of the curve.
• 54:53
  Speaker 3: A do you wa do you wh what was your
• 54:57
  Speaker 3: guilty pleasure band when you were say fifteen? Oh gosh,
• 55:01
  Speaker 3: I was fifteen, I don't know what was a bannie?
• 55:03
  Speaker 3: You remember enjoying that you would never dare let your
• 55:05
  Speaker 3: friends know that you enjoyed.
• 55:07
  Speaker 4: I could go back a little further because there's a
• 55:09
  Speaker 4: song that I really really like, but it's.
• 55:13
  Speaker 3: But it's Cliff Richard. It's it's devil Woman by Cliff Richard.
• 55:16
  Speaker 3: And tell me my business devil woman all the time.
• 55:22
  Speaker 3: Don't tell me my business dog. That's what she says
• 55:24
  Speaker 3: to him, the poop baggers on fight, don't put it
• 55:27
  Speaker 3: out with your bilts, Ted, don't tell him my business
• 55:29
  Speaker 3: devil woman.
• 55:31
  Speaker 4: Well, Cliff Richard, you know, the most seckless man in
• 55:34
  Speaker 4: show business. But in the mid seventies had a song
• 55:37
  Speaker 4: called devil Woman, where you know, he's like, oh, yeah,
• 55:39
  Speaker 4: I can't get a loove this lady. Oh she's just
• 55:41
  Speaker 4: a devil woman.
• 55:42
  Speaker 3: It's like, oh wow, I thought this was saucy.
• 55:50
  Speaker 4: I thought it made, you know, Barry White sound like
• 55:52
  Speaker 4: don No Soul Simmons At the time, and then you
• 55:54
  Speaker 4: play back it's like, I don't know that not that sexy.
• 55:58
  Speaker 4: But at the time I thought, wow, so yeah, I'm
• 56:03
  Speaker 4: trying to think of like teenage bands that I would
• 56:05
  Speaker 4: enjoy but didn't really in the teenage years.
• 56:09
  Speaker 3: I don't know.
• 56:10
  Speaker 4: But when I was in my early twenties, and I
• 56:13
  Speaker 4: remember distinctly, and I've told this before, being out at
• 56:15
  Speaker 4: the nightclub and like he's seventeen. I started playing. It's like, oh, rah, alright,
• 56:20
  Speaker 4: everything is going to be all right. Everybody knew that
• 56:22
  Speaker 4: he's seven. Thing was the nap Fuckers. It was like
• 56:25
  Speaker 4: this fucking jam I'm in the floor.
• 56:27
  Speaker 3: I was like Lady Gaga for me. I was like
• 56:29
  Speaker 3: early Lady Gaga. There was a song she's saying like
• 56:32
  Speaker 3: summertime or something some some something that summer right, and
• 56:35
  Speaker 3: I was like, this song is a fucking banger. Oh yeah,
• 56:38
  Speaker 3: but none of them. I would never dare let my
• 56:39
  Speaker 3: friends know that. But I just put on the car
• 56:41
  Speaker 3: the weady you know what's the nause of song? I
• 56:43
  Speaker 3: bought her album, her first album. I don't know what
• 56:46
  Speaker 3: term me on the Lady Gaga might have been bad
• 56:48
  Speaker 3: Romance because that was like the second one. Yeah, that's
• 56:50
  Speaker 3: a fucking jam. Yeah, poker Face is a great song.
• 56:53
  Speaker 3: Oh yeah, Lady Yaga, she's pretty good. She's Are you.
• 56:56
  Speaker 4: Looking forward to Joker too starring Lady Gang? Did you
• 56:59
  Speaker 4: like Joker?
• 57:00
  Speaker 3: I like Joker one in particularly that scene haunts me
• 57:04
  Speaker 3: where he kills his friend and then that's the other
• 57:07
  Speaker 3: guy go and you're like, oh yeah, And I don't
• 57:08
  Speaker 3: think anything epitomizes fear and terror more than that what
• 57:12
  Speaker 3: that guy must have been going through in that moment. Absolute.
• 57:14
  Speaker 4: Yeah, because it's the little guy. Yeah, yeah, yeah, it's
• 57:15
  Speaker 4: a little person.
• 57:16
  Speaker 3: Yeah.
• 57:18
  Speaker 4: I don't know if we did a movie guys on
• 57:19
  Speaker 4: Joker or I've talked about it during.
• 57:20
  Speaker 3: A movie and I've talked about it.
• 57:21
  Speaker 4: Yeah, that's the best scene in the movie because a
• 57:24
  Speaker 4: lot of it is Todd Phillipson made the Hangover movies
• 57:26
  Speaker 4: and all that kind of stuff. He's trying to be
• 57:28
  Speaker 4: Martin Scorsese very obviously, and in this scene he's like
• 57:31
  Speaker 4: because he's got a real gift for like black comedy
• 57:33
  Speaker 4: and dark comedy, and that scene's kind of funny, but
• 57:36
  Speaker 4: it's also terrifying. This little person can't reach the tartars
• 57:40
  Speaker 4: to handle to get out the joke has just killed
• 57:42
  Speaker 4: his mate and he might kill him too, and he
• 57:44
  Speaker 4: can't get out. Yes, I mean it's kind of like
• 57:47
  Speaker 4: I shouldn't be laughing at this, but I'm kind of
• 57:48
  Speaker 4: laughing that. I'm terrified.
• 57:50
  Speaker 3: It's fantastic.
• 57:51
  Speaker 4: That's that's a really really great scene. I'm looking forward
• 57:54
  Speaker 4: to joking too, because I think I'm intrigued by it. Yeah,
• 57:56
  Speaker 4: I think Joaquin and Lady Gaga will have complimentary I'm
• 58:01
  Speaker 4: looking forward to.
• 58:01
  Speaker 3: I'm interested to see what it is a direct continuation
• 58:05
  Speaker 3: from that night. I don't know.
• 58:06
  Speaker 4: Yeah, I don't know anything about it because.
• 58:08
  Speaker 3: It was originally film to be a one and done right.
• 58:10
  Speaker 4: I imagine, so yeah, but then it made like a
• 58:13
  Speaker 4: billion dollars in it won by King the.
• 58:14
  Speaker 3: Oscar and all that kind I just hope we don't
• 58:16
  Speaker 3: get a Bruce Wayne story again. Yeah, I know.
• 58:19
  Speaker 4: I think they're One thing I think DC does that
• 58:23
  Speaker 4: Marvel perhaps shouldn't, is they do standalone stuff and they realize, yes,
• 58:28
  Speaker 4: we know, this is a different joker to the one
• 58:29
  Speaker 4: that's been in the Batman movies.
• 58:31
  Speaker 3: But that's what cons it's in the same like it's
• 58:33
  Speaker 3: a multiverse kind of thing, but it's a.
• 58:35
  Speaker 4: Multiverse, but the multi verse is unconnected, very separate. And
• 58:38
  Speaker 4: yeah I like that.
• 58:40
  Speaker 3: Yes, okay, well we'll do move you guys on to
• 58:42
  Speaker 3: show me.
• 58:42
  Speaker 4: Hey, that's good idea.
• 58:43
  Speaker 3: Yeah, thanks for watching, guys. Hope you enjoyed our review
• 58:45
  Speaker 3: of Love Springfvillian style. As we said in an episode,
• 58:48
  Speaker 3: that's forgettable. But you know, check it out. It's there's
• 58:50
  Speaker 3: nothing that's harmless. I won't kill you. They won't kill you.
• 58:53
  Speaker 3: Are working on Valentine's Day anymore?
• 58:55
  Speaker 4: Wait, wait to Valentine's Day or maybe even your anniversary
• 58:58
  Speaker 4: with your special person.
• 58:58
  Speaker 3: Yeah, can't be any more boring. Plan val.
• 59:01
  Speaker 4: We have a shout out to Kell McDonald.
• 59:04
  Speaker 3: Yeah, we're gonna engage.
• 59:05
  Speaker 4: We just got engaged and they got a baby.
• 59:07
  Speaker 3: Everything like that. It's all happening. It's the circle. Tell
• 59:11
  Speaker 3: donald is a patient of ours, patient and we got
• 59:13
  Speaker 3: to patron. He said patient. Know what he means, she's
• 59:17
  Speaker 3: patient without gibberish. Absolutely, she's said through all this, well,
• 59:22
  Speaker 3: congratulations to you and Dan made man Dan as well,
• 59:25
  Speaker 3: he's just announced that they having a child as well,
• 59:27
  Speaker 3: which Dan is this we don't I can't pronounce his
• 59:29
  Speaker 3: last I'm going I'll get his name up France. We're
• 59:37
  Speaker 3: gonna get you Dan France from now on. Dan Fans,
• 59:40
  Speaker 3: I know the one you're talking. This is their main
• 59:43
  Speaker 3: man who would always go. This is how many clear
• 59:44
  Speaker 3: dies appearances there's been this this season that was the
• 59:48
  Speaker 3: Lord's work, all the devils. Let's look it up. So
• 59:53
  Speaker 3: Dan Stazinski so s t y z y so s
• 59:58
  Speaker 3: t y c z i n s k i ster Zinsky,
• 1:00:03
  Speaker 3: I'm gonna say, I'm gonna say dance to Zinsky Dawn.
• 1:00:05
  Speaker 4: If we've got it wrong, we apologize and also let
• 1:00:07
  Speaker 4: us know how to pronounce it.
• 1:00:08
  Speaker 3: Let's he just announced that they're having a baby. So
• 1:00:10
  Speaker 3: congratulations stand well London. Congratulations to everyone who was still
• 1:00:13
  Speaker 3: suck around for this episode of our four forgo discount.
• 1:00:16
  Speaker 3: Thank you so much for listening to our review. For
• 1:00:19
  Speaker 3: all of our patrons out there, don't panic. We're about
• 1:00:21
  Speaker 3: to do our new names. But for now, anyone who's
• 1:00:22
  Speaker 3: watching this on YouTube, here the subscribe button, give us
• 1:00:24
  Speaker 3: a thumbs up and we'll catch you the next episode
• 1:00:26
  Speaker 3: of four figure discount. So now that it's time for
• 1:00:28
  Speaker 3: the new names. From miss day forward, your name will
• 1:00:31
  Speaker 3: be all right. Mister Davis, the current leader board stands
• 1:00:35
  Speaker 3: at this for the Guy Davis New Name Championship. In
• 1:00:37
  Speaker 3: first position, we have Jared Hornby on thirteen points. We
• 1:00:42
  Speaker 3: have Adam Wolhouse on twelve points and second position, and
• 1:00:45
  Speaker 3: Phil Hawkins on nine points in a third position. Take
• 1:00:48
  Speaker 3: it away.
• 1:00:49
  Speaker 4: One point goes two. You had me at Jello.
• 1:00:53
  Speaker 3: That is Kyle Maldoon. Clever Kyle, which gives him up
• 1:00:56
  Speaker 3: to six points. Now outright, six points. Pretty clever car Oh,
• 1:01:00
  Speaker 3: he said, hold on as a post. Done. I gotta
• 1:01:03
  Speaker 3: get these ears.
• 1:01:04
  Speaker 4: Chit, you said, patient, I don't know what I get
• 1:01:14
  Speaker 4: about it. Okay, two points goes two. Sex Dogs and
• 1:01:18
  Speaker 4: Rock and Roll.
• 1:01:19
  Speaker 3: He's climbing that leaderboard. Now it's Fergus. Jeff's with the
• 1:01:22
  Speaker 3: two points there, Well on, Fergus. He's now on five.
• 1:01:24
  Speaker 3: He's climbing up. Oh, well done, Fergus.
• 1:01:26
  Speaker 4: But three points goes two. Because you know, I like
• 1:01:29
  Speaker 4: my dolls. It's true doll mance. It's a great movie
• 1:01:33
  Speaker 4: as well, true romance. Isn't that just?
• 1:01:35
  Speaker 3: Is? Indeed? All right? Dave mcnlly weld, I'm Davy. He's
• 1:01:37
  Speaker 3: only a one point now he's on four points. Wow, Well,
• 1:01:40
  Speaker 3: I'm Dave mc nally McNally. Yes, all right, so that's
• 1:01:42
  Speaker 3: the first time he's had three point so the current
• 1:01:44
  Speaker 3: leader board this hasn't changed. Jared hornby first position thirteen,
• 1:01:48
  Speaker 3: Adam Wirehouse still on twelve points in second, and Phil
• 1:01:50
  Speaker 3: Hawkins in third on nine points, with Kevikail coming up
• 1:01:53
  Speaker 3: behind him in fourth wof Okay then, yes, all right, guys,
• 1:01:57
  Speaker 3: thank you for all of his at four figure discount.
• 1:01:59
  Speaker 3: I feel like next we're going to do a classic review.
• 1:02:01
  Speaker 3: Won't tell you what it's going to be. Let's get
• 1:02:02
  Speaker 3: a big one. Wow.
• 1:02:03
  Speaker 4: We're not even gonna get your advice or your input
• 1:02:05
  Speaker 4: on pick one. Well you pick a season no, no, no,
• 1:02:07
  Speaker 4: no no. You give me a little time to work.
• 1:02:10
  Speaker 4: Don't as me to think on my feet.
• 1:02:12
  Speaker 3: Man, all right, we're gonna do a classic review on
• 1:02:14
  Speaker 3: the show here next week, and then we'll do another
• 1:02:16
  Speaker 3: season nineteen review which will be oh, yes, the debuted.
• 1:02:20
  Speaker 3: Oh this is an awesome episode. It is obviously a
• 1:02:23
  Speaker 3: parody of The Departed. Okay, and like that it starts
• 1:02:26
  Speaker 3: tofa Grace. That's good and it's a great episode. Yes,
• 1:02:29
  Speaker 3: then this is one of my favorite post gold Near episodes.
• 1:02:32
  Speaker 6: Love.
• 1:02:32
  Speaker 4: I'm taking a new word for it.
• 1:02:33
  Speaker 3: Yes, the debuted can't wait for that one.
• 1:02:35
  Speaker 4: Okay, so not next week but the weekend.
• 1:02:36
  Speaker 3: Yes, we do a classic review next week and then
• 1:02:38
  Speaker 3: the debuted will be the week after.
• 1:02:39
  Speaker 4: Okay, they's so stay tuned. You're gonna have to find
• 1:02:41
  Speaker 4: out what the special episode is, what the classic episode is.
• 1:02:44
  Speaker 3: Obviously you haven't already check out my interviews with Michael
• 1:02:47
  Speaker 3: Price and Matt Salmon. They're available now for free.
• 1:02:49
  Speaker 4: That I wasn't gonna wake up for.
• 1:02:52
  Speaker 3: And again continue to rate and reviewers on Apple Podcasts,
• 1:02:55
  Speaker 3: Spotify review You find the show over three hundred reviews
• 1:02:58
  Speaker 3: now on Spotify. Think so much for doing that, guys.
• 1:03:00
  Speaker 3: Some of them positive, some of them are positive. Yeah,
• 1:03:02
  Speaker 3: it was three hundred and thirty something I think, and
• 1:03:04
  Speaker 3: were four point nine. That's pretty good. At stars out
• 1:03:06
  Speaker 3: of five? Do they all say bring back Minch? None
• 1:03:08
  Speaker 3: of them say bring back Mitch?
• 1:03:09
  Speaker 6: Yeah?
• 1:03:10
  Speaker 3: Yeah. I feel like you've you've ridden the wave and
• 1:03:12
  Speaker 3: everyone everyone who's stuck around just like, yeah, we've moved
• 1:03:15
  Speaker 3: on one. All right, alright, alright, but if you haven't
• 1:03:20
  Speaker 3: done yet and you're listening on Spotify, please check us.
• 1:03:22
  Speaker 3: Five stars takes five seconds. It would really help us
• 1:03:25
  Speaker 3: get in front of more eyeballs and boost us up
• 1:03:27
  Speaker 3: the rankings on SPOTIF and earbuds, earbuds. Indeed, all right,
• 1:03:30
  Speaker 3: mister Davis, any five words for those incredible listeners out there.
• 1:03:33
  Speaker 3: Let's wrap this up so and go back to Chomp
• 1:03:34
  Speaker 3: and Wonka sh