Latest / Classic Metal Show / They Sat Through Months of Shadoe Steele’s Weird Interviews… Then Did This to Him (2008)
Transcript
- 0:52SPEAKER_03: You've got a lot of love from Shadowsteel, too.
- 0:56SPEAKER_03: Oh, I know, and I'm bringing that up right now, as a matter of fact.
- 0:59SPEAKER_03: I actually have a Shadowsteel update for you this evening.
- 1:05SPEAKER_03: Okay.
- 1:06SPEAKER_03: And...
- 1:09SPEAKER_03: Kind of interesting.
- 1:10SPEAKER_03: Audio updater?
- 1:12SPEAKER_03: No, about where he's been, what he's doing, and all that kind of stuff.
- 1:15SPEAKER_03: Is he not still at XM?
- 1:17SPEAKER_03: He's no longer in radio at all.
- 1:20SPEAKER_03: No shit.
- 1:20SPEAKER_03: No shit, but I got all the skinny on it.
- 1:23SPEAKER_01: All right.
- 1:23SPEAKER_01: Yeah, I'll be very interested in that.
- 1:26SPEAKER_01: I listened back to that this week, though.
- 1:28SPEAKER_01: You sent it to me?
- 1:29SPEAKER_01: Yes.
- 1:30SPEAKER_01: So fucking funny.
- 1:31SPEAKER_03: I know.
- 1:32SPEAKER_03: I saw a few comments about that I'm a bounder and a curr.
- 1:37SPEAKER_03: That I come off so nice, but I'm actually a bounder and a cur.
- 1:42SPEAKER_03: I just loved your Lemmy question.
- 1:46SPEAKER_01: Yeah,
- 1:46this band was formed by Lemmy Ian Kilmeister in 1964 when he
- 1:50first joined a band
- 1:51SPEAKER_01: called Hawkwind.
- 1:52SPEAKER_01: And then he was in the...
- 1:54SPEAKER_01: Shadow, what do you think about car stereo sound?
- 2:02SPEAKER_01: I was like, what the hell?
- 2:04Yeah,
- 2:04I actually got a Twitter message today about how did I keep
- 2:08such a straight face?
- 2:11SPEAKER_01: I tell this story all the time.
- 2:14SPEAKER_03: How did I not break up over reading that?
- 2:17SPEAKER_01: Correct me if I'm wrong.
- 2:18SPEAKER_01: I know how I did was because I had to keep turning the mic off.
- 2:22SPEAKER_01: Right.
- 2:23I had to turn the mic off on this side every time you started
- 2:26asking a question.
- 2:28SPEAKER_01: Because I knew what was coming.
- 2:29SPEAKER_01: Sure.
- 2:31Did you have to do it the same way the other side when I kept
- 2:33kissing his ass?
- 2:34SPEAKER_03: No, I actually was.
- 2:36I just was actually in that frame of mind because this was
- 2:38something you and I
- 2:39SPEAKER_03: prepared for for a week.
- 2:42SPEAKER_01: Dude, I couldn't.
- 2:43SPEAKER_01: I remember when we did it.
- 2:44SPEAKER_01: And every time you would say shadow, I was immediately at click.
- 2:47SPEAKER_01: Yeah.
- 2:48SPEAKER_01: I knew I was going to start laughing.
- 2:50SPEAKER_03: Right.
- 2:51SPEAKER_01: And you would, you know, you know.
- 2:53SPEAKER_01: Speaking of looks, Barry.
- 2:55SPEAKER_01: Right.
- 2:55SPEAKER_01: Barry was formed in 1838.
- 2:58I went through every Wikipedia page about every question I was
- 3:02going to ask,
- 3:03SPEAKER_03: and I had it all written down.
- 3:05SPEAKER_03: Everything was fact-based.
- 3:08SPEAKER_03: And then I asked a question that was totally unrelated.
- 3:11SPEAKER_01: It was so good.
- 3:14SPEAKER_01: So even even hearing it,
- 3:16I'm going to imagine that most people don't understand the full
- 3:19gist of it.
- 3:20SPEAKER_01: Right.
- 3:21You would have to go back and I'll post more of them up there
- 3:24in the in the archives every week.
- 3:27SPEAKER_01: But there's 10 of them at least that we did.
- 3:30SPEAKER_01: Shadow used to be on a podcast called the Mad Pod podcast.
- 3:34SPEAKER_01: Yeah.
- 3:35SPEAKER_03: Mad Pod.
- 3:36And that was Shadow's thing was he would recite all these
- 3:40stupid facts and
- 3:41You know,
- 3:42this album was AOR top whatever in 1963 from January 1st to
- 3:49January 17th.
- 3:50SPEAKER_01: And, you know, he had all these stats.
- 3:53But then he would ask questions that were not related to what
- 3:56he was statting about.
- 3:58SPEAKER_03: Yeah,
- 3:58because you're led to believe he's leading up to a question
- 4:01about a certain record
- 4:03SPEAKER_03: or an album or something.
- 4:05SPEAKER_03: And then he asked something totally unrelated.
- 4:07SPEAKER_01: Yeah.
- 4:07SPEAKER_01: So we did that to him.
- 4:09SPEAKER_03: Right.
- 4:10SPEAKER_01: Or you did.
- 4:11SPEAKER_03: I did, yeah.
- 4:12SPEAKER_01: You did it.
- 4:13Every time he got pissed off,
- 4:14that's when I would jump in and just kiss his ass.
- 4:16Yeah,
- 4:17you'd ask him personal questions and how interested you were in
- 4:20him and this and that.
- 4:21SPEAKER_01: He's such a legend, and it was an honor to have him on the show.
- 4:26SPEAKER_01: Just.
- 4:27that was me and you i don't know if it's at our finest or our
- 4:30worst or i don't know
- 4:31but we were just so stoked that that shadow agreed to be a part
- 4:35of the show i still
- 4:36remember when i made that happen and i called you and i said
- 4:40guess who we're
- 4:40interviewing and you were like you named off like a bunch of
- 4:43bands or whatever i
- 4:44was like no shadow and you were like get the fuck you were you
- 4:50didn't i don't even
- 4:51SPEAKER_01: think you believed me yeah
- 4:54SPEAKER_01: And then when it came to fruition, I showed you the emails and whatnot.
- 4:57SPEAKER_01: I was like, oh, look at this.
- 4:58SPEAKER_01: This is really going to happen.
- 4:59SPEAKER_01: Sure.
- 5:01SPEAKER_01: And then we did, what, 40 minutes with them?
- 5:03SPEAKER_01: Yeah, we did.
- 5:04SPEAKER_01: It was quite a lengthy interview.
- 5:07SPEAKER_01: To me, it's still my favorite interview we've ever done ever.
- 5:10SPEAKER_01: Yeah, it was pretty crazy.
- 5:13SPEAKER_01: And even when we finished it, me and you just laughed and laughed.
- 5:16SPEAKER_01: Sure.
- 5:17SPEAKER_01: For probably another 40 minutes.
- 5:19SPEAKER_01: We, like, recapped.
- 5:20SPEAKER_01: Right.
- 5:21SPEAKER_01: Exactly.
- 5:22SPEAKER_01: Good stuff, man.
- 5:24SPEAKER_01: You know what his real name is, don't you?
- 5:26SPEAKER_01: It's not Shadow Steel?
- 5:27SPEAKER_01: No.
- 5:28SPEAKER_01: I did not know.
- 5:29SPEAKER_01: His name is Dennis.
- 5:31SPEAKER_01: Dennis?
- 5:32SPEAKER_03: Dennis.
- 5:33SPEAKER_03: Did not know that.
- 5:34SPEAKER_03: His name is Dennis Miklasizik.
- 5:39SPEAKER_03: Oh, Jesus.
- 5:40SPEAKER_03: It's M-I-C-O-L-A-C-Z-Y-K. Oh, boy.
- 5:46SPEAKER_03: Dennis Miklasizik or something like that.
- 5:48SPEAKER_03: That's actually his real name.
- 5:50i'm glad he went by shadow steel exactly we would have never
- 5:54done anything with the
- 5:55dennis michael isaac show yeah i would have never even looked
- 5:58at that twice sure
- 6:00but i i will give you an update later in the show and let you
- 6:03know where he's where
- 6:04he's at and what he's doing all right i'm anxious to hear that
- 6:08actually you're uh
- 6:09SPEAKER_03: you're gonna be surprised all
- 6:26SPEAKER_03: He has interviewed everyone from Michael Jackson to Billy Joel.
- 6:29SPEAKER_03: He's caught up with one-hit wonders such as Falco and Marsha Griffith.
- 6:33And he's heard every week on KRZ-FM when he hosts his widely
- 6:37popular Saturday Night
- 6:39SPEAKER_03: Live at the Oldies radio show.
- 6:41SPEAKER_03: Most people might not know about NEPA's own Shadow Steel,
- 6:44SPEAKER_03: as that his work is heard not only here in this region,
- 6:48SPEAKER_03: but also around the nation and parts of Europe.
- 6:51He is an international DJ,
- 6:52heard on the Westwood One Radio Network and even on the BBC.
- 6:57steel says the success of his work is simply reflective of the
- 7:00time he puts into it
- 7:02landing big interviews with some pop music's biggest names is
- 7:05no easy task nor is
- 7:07it easy to track down a one-hit wonder who's been out of the
- 7:10limelight for decades
- 7:12SPEAKER_03: but steel says he enjoys all of it and he enjoys bringing such insightful
- 7:16conversations to those that tune in welcome to the classic
- 7:20metal show shadow my
- 7:21SPEAKER_03: friend
- 7:22SPEAKER_00: Chris, thank you so much for having me, and I look forward to this.
- 7:25SPEAKER_00: I'm very appreciative that you called.
- 7:27Well,
- 7:27Shadow,
- 7:29you as an interviewer and as a broadcaster,
- 7:3335 years,
- 7:34my friend.
- 7:34SPEAKER_02: That is nothing to sneeze at.
- 7:36SPEAKER_00: You better believe it.
- 7:37SPEAKER_00: And every day, as a matter of fact, today is no different.
- 7:39SPEAKER_00: I try and do about seven interviews a week,
- 7:42SPEAKER_00: some running the full 45 minutes,
- 7:44SPEAKER_00: some running five to ten minutes,
- 7:46SPEAKER_00: depending on how the brevity works.
- 7:49SPEAKER_00: As you all know, Chris, some of these artists...
- 7:52SPEAKER_00: If you ask them what time it is,
- 7:53SPEAKER_00: they'll tell you how to build a clock,
- 7:54SPEAKER_00: and others are one-word answers,
- 7:56SPEAKER_00: yes or no.
- 7:57So you can never judge how an interview will go unless you've
- 7:59interviewed the person before.
- 8:02SPEAKER_02: Right.
- 8:02SPEAKER_02: Well,
- 8:03SPEAKER_02: Shadow,
- 8:03SPEAKER_02: I have noticed that over the course of time throughout your career,
- 8:10everything from checking your work with the MAD podcast through
- 8:13knowing your career
- 8:14SPEAKER_02: as a fellow radio broadcaster,
- 8:17that you've spanned the musical globe interviewing folk singers
- 8:22and rock singers
- 8:23SPEAKER_02: and metal singers.
- 8:24SPEAKER_02: Shadow, how did you get your start 35 years ago?
- 8:27SPEAKER_00: I was very lucky.
- 8:28SPEAKER_00: In this area, there was a public TV station called WVIA.
- 8:32I was,
- 8:33let's see,
- 8:33it was 1973,
- 8:35so I was around 15 years old,
- 8:3815 and a half.
- 8:39SPEAKER_00: I just had working papers at the time.
- 8:41SPEAKER_00: It was a pretty big frequency, too.
- 8:43SPEAKER_00: It was 89.9 on the FM band, and they had about a 25,000-watt signal.
- 8:48WVIA,
- 8:49they still have an FM and a television station in the
- 8:52Scranton-Wilkes-Barre area.
- 8:53SPEAKER_00: I was very lucky enough.
- 8:54SPEAKER_00: to doing news,
- 8:57SPEAKER_00: news,
- 8:57SPEAKER_00: weather,
- 8:57and sports on a couple of programs at night which were very
- 9:01well popularized.
- 9:03SPEAKER_00: I was on a program called Mixed Bag,
- 9:06which I learned a lot about everything from rock to pop to folk
- 9:09to country to jazz
- 9:11SPEAKER_00: to even classical as they played classical during the daytime.
- 9:14SPEAKER_00: And then a program right after that called All That Jazz.
- 9:17SPEAKER_00: So Mixed Bag ran from 8 until 10.
- 9:20All that jazz ran from 10 until midnight Eastern time on this
- 9:2389.9 FM signal.
- 9:26SPEAKER_00: And the person who hosted it knew quite a bit as well.
- 9:28SPEAKER_00: I learned from this person, his name was George Graham.
- 9:32SPEAKER_00: He has since retired in the area,
- 9:34SPEAKER_00: but again,
- 9:35he ran the gamut of everything from rock to pop and learned a
- 9:39lot about jazz,
- 9:40SPEAKER_00: from the standard jazz artists such as the Miles Davis
- 9:44SPEAKER_00: era,
- 9:45SPEAKER_00: you know,
- 9:45SPEAKER_00: with Sketches of Spain and Kind of Blue,
- 9:47SPEAKER_00: two of the most infamous albums of all time.
- 9:49SPEAKER_00: Right now,
- 9:49SPEAKER_00: for the newer age jazz folks,
- 9:51SPEAKER_00: like the Pat Metheny's,
- 9:52SPEAKER_00: the Chick Corea's,
- 9:53SPEAKER_00: the Art Blakely's,
- 9:54SPEAKER_00: the Grover Washington's.
- 9:56SPEAKER_00: So it was a pretty good learning curve in progress for those four hours.
- 10:00SPEAKER_00: And, you know, when you do it five days a week, that's 20 hours a week.
- 10:03SPEAKER_00: It's a pretty good educational background.
- 10:05SPEAKER_03: Sure, Shadow.
- 10:05SPEAKER_03: You mentioned Pittston, Pennsylvania.
- 10:07SPEAKER_03: Pittston is the midpoint city between Wilkes-Barre and Scranton.
- 10:12SPEAKER_03: Named after the famous statesman William Pitt,
- 10:15the city was laid out in 1768 and settled about 1770 and was
- 10:20incorporated as a
- 10:21SPEAKER_03: borough in 1855 and was characterized as a city in 1894.
- 10:27SPEAKER_03: Shadow, do you think car stereos sound better than home stereos?
- 10:31SPEAKER_00: I think home stereo may sound a bit better,
- 10:33SPEAKER_00: but I think it's actually made better as an engineer myself.
- 10:37I think it's made better by the ambiance of the atmosphere in
- 10:41which you're listening to.
- 10:43SPEAKER_00: I think that's why HD radio,
- 10:45SPEAKER_00: the way it is right now,
- 10:46SPEAKER_00: has caught on to some point,
- 10:48but I really don't think that HD radio will ever really get off
- 10:52the ground,
- 10:52SPEAKER_00: no pun intended.
- 10:54SPEAKER_00: It's more or less a home listening device.
- 10:57SPEAKER_00: In the car, it really doesn't matter about the ambience.
- 10:59SPEAKER_00: I think people just want to hear music for music.
- 11:02SPEAKER_00: And I think that the channels within the channel for HD radio,
- 11:06SPEAKER_00: I really at this point in time don't think it's really going to fly.
- 11:09SPEAKER_02: Well, Shadow, that brings up an interesting point, too.
- 11:12And I think you are one of maybe the best guys outside of Lee
- 11:16Abrams to actually
- 11:18SPEAKER_02: speak on this because you have,
- 11:20SPEAKER_02: you know,
- 11:21SPEAKER_02: your hands and feet in basically all of the mediums.
- 11:24SPEAKER_02: I mean, you're clearly tied in with...
- 11:27with the satellite radio and terrestrial radio and internet
- 11:30radio through the podcasting world.
- 11:33SPEAKER_02: Which medium do you see as the future of radio?
- 11:37SPEAKER_00: I see in this order, Chris.
- 11:38SPEAKER_00: I see conventional terrestrial radio still maintaining its own.
- 11:43SPEAKER_00: I see podcasting following that,
- 11:45SPEAKER_00: the ability to download and to archive a podcast,
- 11:49SPEAKER_00: a radio broadcast,
- 11:50SPEAKER_00: and to play it back at your own time,
- 11:53SPEAKER_00: on your own means,
- 11:54SPEAKER_00: at your own leisure.
- 11:55SPEAKER_00: And then I see satellite radio as a very, very distant third.
- 12:00I'm very thankful to be affiliated with both terrestrial and
- 12:03also satellite radio
- 12:04SPEAKER_00: as well as podcasting.
- 12:05SPEAKER_00: But I think that right now,
- 12:07SPEAKER_00: with the economy the way it is,
- 12:09SPEAKER_00: and I thought this even before the economy,
- 12:11SPEAKER_00: this is a very big point,
- 12:12SPEAKER_00: Chris.
- 12:12SPEAKER_00: The bottom line is, will you pay for a service that you already get free?
- 12:18No one can answer that except the person who mails out the
- 12:20invoice for their Sirius
- 12:22SPEAKER_00: or their XM satellite bill every 30 or 31 days.
- 12:25SPEAKER_00: That's the problem with satellite radio.
- 12:27SPEAKER_00: And we all know right now,
- 12:29SPEAKER_00: because the headlines in the paper prove this,
- 12:31SPEAKER_00: if these two are not allowed to merge,
- 12:34SPEAKER_00: neither one will be fluid enough to survive.
- 12:37SPEAKER_00: That's the problem.
- 12:38It's a great incentive for XM and Sirius to be in all the
- 12:44General Motors cars,
- 12:45Fords,
- 12:46Chrysler.
- 12:46SPEAKER_00: That's great.
- 12:47SPEAKER_00: You get one year of free service.
- 12:48SPEAKER_00: Wonderful.
- 12:49SPEAKER_00: Yes, it boosts up those numbers.
- 12:51SPEAKER_00: It boosts up the bottom line.
- 12:53SPEAKER_00: It puts all these companies in black.
- 12:55SPEAKER_00: because you see how many subscribers they have to their service.
- 12:58But time tells in one year when that free service,
- 13:02when you buy a new vehicle,
- 13:03runs out.
- 13:04SPEAKER_00: Will these people pay to renew that subscription?
- 13:07SPEAKER_00: And in most cases, the answer is no.
- 13:10SPEAKER_00: Again, will you pay for something for the most part?
- 13:13SPEAKER_00: You get for nothing.
- 13:14Quite frankly,
- 13:14I really don't need eight channels of soundtracks in my car.
- 13:18SPEAKER_00: I'm not really in my car all that much.
- 13:21It requires all these different morning shows and these
- 13:23different Oprah Winfrey channels.
- 13:25SPEAKER_00: And I really don't need the Margaritaville channel from Jimmy Buffett.
- 13:28SPEAKER_00: Again, the niche market, but it's very expensive.
- 13:32SPEAKER_00: With cable television, people compare it to cable, but it's not true.
- 13:35SPEAKER_00: Cable television,
- 13:36SPEAKER_00: for the most part,
- 13:37SPEAKER_00: gives you a lot of choices in programming,
- 13:38SPEAKER_00: but it also gives you crystal clear reception.
- 13:42I don't think there's anything wrong with the reception of FM
- 13:44terrestrial radio if
- 13:46SPEAKER_00: you're in your own listening area,
- 13:47SPEAKER_00: quite frankly.
- 13:48So cable TV,
- 13:49which they always compare to satellite radio,
- 13:51I think it's apples and oranges.
- 13:52SPEAKER_03: Well, you mentioned podcasting, Shadow.
- 13:55A podcast is a series of digital media files which are
- 13:59distributed over the
- 14:00Internet using syndication feeds for playback on portable media
- 14:04players and
- 14:05SPEAKER_03: computers.
- 14:06The term podcast like broadcast can refer to either the series
- 14:10of content itself or
- 14:11SPEAKER_03: the method by which it is syndicated.
- 14:14SPEAKER_03: The latter is also called podcasting,
- 14:16SPEAKER_03: and the host or author of a podcast is often called a podcaster.
- 14:20SPEAKER_03: Who are you for for the election this November, Shadow?
- 14:25SPEAKER_00: Well, you know, I'm at this point really mixed.
- 14:29SPEAKER_00: We had the pleasure of having Hillary Clinton.
- 14:32SPEAKER_00: I'm not a real Clinton fan.
- 14:34SPEAKER_00: I'm certainly not a Barack Obama fan.
- 14:36SPEAKER_00: I think...
- 14:38SPEAKER_00: I think at this point right now,
- 14:39SPEAKER_00: I think I will go with John McCain only as a default position right now.
- 14:44SPEAKER_00: I'm really not a fan of either,
- 14:46SPEAKER_00: although I switched about 15 years ago from Democratic to Republican.
- 14:50SPEAKER_00: My folks have always been staunch Democrats.
- 14:53SPEAKER_00: But about 15, 20 years ago, I switched to the Republican ballot.
- 14:57SPEAKER_00: And I do vote every time.
- 14:59SPEAKER_00: I think this is a very critical election.
- 15:01SPEAKER_00: I think that John McCain...
- 15:04Again,
- 15:04although I'm not a fan,
- 15:05I think he will succeed in the election this November.
- 15:10SPEAKER_02: Now,
- 15:11SPEAKER_02: Shadow,
- 15:11SPEAKER_02: while we're talking about politics a little bit,
- 15:15SPEAKER_02: I have to ask you as a true veteran,
- 15:17SPEAKER_02: and as we said before,
- 15:18SPEAKER_02: 35 years broadcasting,
- 15:23SPEAKER_02: do you feel a responsibility,
- 15:25SPEAKER_02: I guess is the right way to put this,
- 15:28SPEAKER_02: to maybe stay somewhat vague at times with certain topics,
- 15:33SPEAKER_02: such as politics,
- 15:34because of the staunch influence that a person like yourself
- 15:38would have on the
- 15:39SPEAKER_02: voting public?
- 15:41SPEAKER_00: Not at all.
- 15:42SPEAKER_00: I think, Chris, because I think I voice my opinion right or wrong.
- 15:46SPEAKER_00: I think that I make myself a little more human,
- 15:49SPEAKER_00: a little more down-to-earth by voicing my opinion.
- 15:52SPEAKER_00: I try not to be vague, actually.
- 15:54SPEAKER_00: And I think by the same token,
- 15:55SPEAKER_00: if I heard,
- 15:56SPEAKER_00: say,
- 15:57a network news anchorman such as Brian Williams from NBC or
- 16:01Charles Gibson from
- 16:02SPEAKER_00: ABC,
- 16:02SPEAKER_00: if they were backing an opponent that I wasn't backing,
- 16:06SPEAKER_00: by them backing a different opponent,
- 16:08SPEAKER_00: I don't think it would make me switch.
- 16:09SPEAKER_00: or even think about it one way or another.
- 16:11SPEAKER_00: I think that I have it predetermined whose points I like.
- 16:15I think I have it predetermined the actual prowess of the
- 16:19person and he or she's
- 16:21SPEAKER_00: ability to carry him or herself.
- 16:24SPEAKER_00: I don't think it really matters,
- 16:25SPEAKER_00: and I really like to offer my opinion on who I like in the primaries,
- 16:31SPEAKER_00: who I like in the actual polls in November.
- 16:34SPEAKER_00: No, I don't think that matters one bit or another.
- 16:36I'm really glad to give you my choice,
- 16:37and if you don't agree with it,
- 16:38that is your choice.
- 16:40SPEAKER_02: I couldn't agree more, Shadow.
- 16:42SPEAKER_02: Look at your screen right now.
- 16:44SPEAKER_02: If you're tired of the hide-and-seek games with big tech,
- 16:48SPEAKER_02: where links disappear and episodes get throttled,
- 16:52SPEAKER_02: I've got the fix.
- 16:53SPEAKER_02: I'm Chris Akin,
- 16:55and it's time for me to show you how to take back your access
- 16:59to the Classic Metal
- 17:00SPEAKER_02: Show,
- 17:01SPEAKER_02: The Seth Williams Show,
- 17:02SPEAKER_02: and Chris Akin Presents.
- 17:05Pick up your phone,
- 17:06go to the App Store or Google Play,
- 17:09and download the Locals app.
- 17:11SPEAKER_02: It is 100% free.
- 17:14SPEAKER_02: Once you're in, just search for the CMS Network.
- 17:17SPEAKER_02: You're going to see everything.
- 17:19SPEAKER_02: Every interview,
- 17:20SPEAKER_02: every unfiltered rant,
- 17:22SPEAKER_02: every deep dive music discussion,
- 17:24SPEAKER_02: every uncensored news article we put up,
- 17:28SPEAKER_02: all in one centralized uncensored hub.
- 17:32SPEAKER_02: No more chasing links across five different socials.
- 17:35SPEAKER_02: This is our home.
- 17:37But if you really want the keys to the kingdom,
- 17:40look for that VIP upgrade.
- 17:43SPEAKER_02: For just $4.99 a month,
- 17:44SPEAKER_02: you're cutting out the commercials,
- 17:46SPEAKER_02: getting the advanced drops before anyone else,
- 17:49SPEAKER_02: and accessing bonus episodes that are way too heavy,
- 17:53SPEAKER_02: dirty,
- 17:53SPEAKER_02: or we just don't want to share with the free public.
- 17:57For the price of a cheap beer,
- 17:59you're supporting independent,
- 18:01unapologetic media.
- 18:03SPEAKER_02: Download the Locals app today.
- 18:06SPEAKER_02: Get some CMS wherever you are.
- 18:08And if you're a real one,
- 18:10join the VIP squad at ClassicMetalShow.Locals.com.
- 18:15SPEAKER_02: The Classic Metal Show and the CMS Network.
- 18:18SPEAKER_02: It's uncensored.
- 18:19SPEAKER_02: It's unapologetic.
- 18:21SPEAKER_02: We will see you there.
- 18:23SPEAKER_02: Well, Shadow, one of the...
- 18:26SPEAKER_02: One of the things that you're working on right now,
- 18:28SPEAKER_02: one of your,
- 18:29I don't know if you would call this a pet project or where
- 18:32exactly that you list
- 18:33SPEAKER_02: this,
- 18:34but one of the things that Wendell and myself are most
- 18:37interested in and we catch
- 18:39SPEAKER_02: it every single time,
- 18:40SPEAKER_02: you know,
- 18:40SPEAKER_02: we have it subscribed to our iTunes and stuff,
- 18:43SPEAKER_02: is the MAD podcast.
- 18:45SPEAKER_02: And the MAD podcast, the thing that is so appealing to me is,
- 18:50SPEAKER_02: is not only the realm and depth that you put into each interview,
- 18:56SPEAKER_02: but the wide spectrum of artists.
- 18:58SPEAKER_02: I mean,
- 18:59SPEAKER_02: I believe it was last week or in the last couple of weeks,
- 19:01SPEAKER_02: you had Gordon Lightfoot not too long ago.
- 19:03You had the late Kevin Dubrow and Donna Summer and,
- 19:07I mean,
- 19:07just a bunch of them.
- 19:09SPEAKER_02: And, you know...
- 19:10SPEAKER_02: where do you get all of your musical knowledge?
- 19:13SPEAKER_02: I mean,
- 19:14SPEAKER_02: it just seems like when you,
- 19:15when you go into like the Donna Summer interview or Gordon
- 19:19Lightfoot or whomever,
- 19:21SPEAKER_02: you are so well versed and ready.
- 19:23SPEAKER_02: I mean,
- 19:23SPEAKER_02: you know,
- 19:23all the exact dates and times that songs were number one and on
- 19:27what charts and
- 19:28SPEAKER_02: whatnot,
- 19:28SPEAKER_02: where do you get,
- 19:29SPEAKER_02: um,
- 19:30SPEAKER_02: all this knowledge?
- 19:31SPEAKER_02: Is it just from being in the business for so long?
- 19:33Yeah,
- 19:33to be honest with you,
- 19:34Chris,
- 19:35it's from being in the business a lot.
- 19:37SPEAKER_00: Um,
- 19:38SPEAKER_00: The real bottom line is,
- 19:39SPEAKER_00: and again,
- 19:41SPEAKER_00: believe me,
- 19:41SPEAKER_00: if there's one thing I never do is pat myself on the back,
- 19:44SPEAKER_00: but I try and know more about these people than they know myself.
- 19:47SPEAKER_00: The greatest compliment they can give me when we hang up and say,
- 19:50SPEAKER_00: wow,
- 19:51SPEAKER_00: I've never had an interview like this.
- 19:52SPEAKER_00: You were really prepared.
- 19:54SPEAKER_00: You didn't ask me if I were a color, what kind of color would I be.
- 19:58SPEAKER_00: You didn't ask me these Barbara Walters-type questions.
- 20:00SPEAKER_00: If I were a tree, what kind of a tree would you be?
- 20:04SPEAKER_00: And the common denominator, probably out of seven out of ten interviews,
- 20:07SPEAKER_00: is the interviewee always says to me,
- 20:10SPEAKER_00: it's like,
- 20:11SPEAKER_00: wow,
- 20:11SPEAKER_00: I had no idea on those chart positions,
- 20:14SPEAKER_00: how many weeks it was adult contemporary,
- 20:16SPEAKER_00: how many weeks it was Billboard Hot 100,
- 20:18SPEAKER_00: how many weeks it was Top 40,
- 20:20SPEAKER_00: what was the run?
- 20:22SPEAKER_00: They don't even remember the labels on some of their songs.
- 20:24And I really try to dive in and delve in via the Billboard
- 20:28charts and also when
- 20:29SPEAKER_00: available the Cashbox charts,
- 20:32SPEAKER_00: which went out in the early 1970s,
- 20:33SPEAKER_00: 1973 or 1974,
- 20:33SPEAKER_00: I believe,
- 20:36and take a random poll of the chart positions through the Joel
- 20:39Whitburn publications.
- 20:40SPEAKER_00: Joel Whitburn out of Wisconsin,
- 20:43SPEAKER_00: Monomi Falls,
- 20:43SPEAKER_00: Wisconsin,
- 20:44SPEAKER_00: was very lucky enough to ink a deal about maybe 15,
- 20:47SPEAKER_00: 20 years ago with a billboard.
- 20:49SPEAKER_00: and get all of their charts out of the archives.
- 20:51Before that,
- 20:51people were merely guessing at what chart positions these songs
- 20:56were.
- 20:56SPEAKER_00: You would think back of a big song,
- 20:58SPEAKER_00: anything back to the 60s,
- 20:59SPEAKER_00: 70s,
- 21:00SPEAKER_00: and automatically think that it's number one.
- 21:02Until we really looked at these charts that were in the
- 21:04archives of Billboard for
- 21:06SPEAKER_00: all these decades,
- 21:07SPEAKER_00: and you say,
- 21:07SPEAKER_00: you know what?
- 21:08SPEAKER_00: I heard that song a million times on my local radio station.
- 21:10SPEAKER_00: It really behooves me to look.
- 21:12SPEAKER_00: And see, that was only number 35.
- 21:14SPEAKER_00: That wasn't even a mid-chart.
- 21:15SPEAKER_00: It was a real fifth, as we say in the business.
- 21:17SPEAKER_00: So it was a combination,
- 21:18SPEAKER_00: I think,
- 21:18of the charts and also the information that I have known from
- 21:21reading biographies
- 21:22SPEAKER_00: and all that.
- 21:23SPEAKER_00: And also it was the great in-depth insight of James Donnelly,
- 21:28SPEAKER_00: who started MadPod.com in this area and now is in the San Francisco,
- 21:33SPEAKER_00: Northern California area,
- 21:34SPEAKER_00: to really carry these interviews from all walks of life.
- 21:38SPEAKER_00: And here's the other deal, to answer part two to your question, Chris.
- 21:41SPEAKER_00: A lot of these interviews,
- 21:42SPEAKER_00: too,
- 21:43SPEAKER_00: I work these interviews,
- 21:44SPEAKER_00: as you mentioned,
- 21:45SPEAKER_00: and you were very astute to notice this as well.
- 21:48SPEAKER_00: A lot of these interviews are so broad-based.
- 21:50They are all over the gamut,
- 21:52mainly because of the many stations they're carried on.
- 21:57SPEAKER_00: Say,
- 21:57SPEAKER_00: for example,
- 21:58SPEAKER_00: if you were a very alternative rock station,
- 22:01SPEAKER_00: cutting-edge,
- 22:03SPEAKER_00: AAA,
- 22:03SPEAKER_00: playing nothing but active adult rock,
- 22:07SPEAKER_00: and then you had an oldie show on,
- 22:09SPEAKER_00: you would be really reticent to carry the Barry Manilow interview.
- 22:13SPEAKER_00: That's the bottom line.
- 22:14SPEAKER_00: Barry Manilow gave me his first interview back in 2000.
- 22:16SPEAKER_00: He did it in 13 years.
- 22:18SPEAKER_00: But would an active, a AAA adult rock station carry that?
- 22:22SPEAKER_00: Not at all.
- 22:22SPEAKER_00: By the same token,
- 22:24An easy listening station or an adult contemporary station
- 22:28would really be reticent
- 22:29SPEAKER_00: to carry my interview with Don Dockin.
- 22:32SPEAKER_00: There's just no possible way.
- 22:33So I have to run the entire gamut from a British artist such as
- 22:36Tony Burroughs,
- 22:37who did all of the one-hit wonder groups such as the
- 22:40Brotherhood of Man and White
- 22:41SPEAKER_00: Plains and The First Class with Beach Baby,
- 22:44right down to the big stars like Neil Diamond and Barbra
- 22:47Streisand and Billy Joel,
- 22:48SPEAKER_00: who you mentioned.
- 22:49So it's got to run the gamut or I think you'll really be
- 22:52short-lived in the business.
- 22:53Well,
- 22:53Shadow,
- 22:54you mentioned your partner,
- 22:56James Donley,
- 22:57also known as J.A.
- 22:58SPEAKER_03: Donley.
- 22:59He's a prominent figure and a visionary in broadcasting and new
- 23:03media podcasting
- 23:04SPEAKER_03: and pod safe music.
- 23:06SPEAKER_03: He also was born in Wilkes-Barre, Pennsylvania.
- 23:09SPEAKER_03: with musical roots.
- 23:10SPEAKER_03: Donley started a multi-track recording at the age of seven,
- 23:14SPEAKER_03: and with his interest in music,
- 23:15SPEAKER_03: film,
- 23:15SPEAKER_03: and television,
- 23:16Donley was the youngest station manager at the time for his
- 23:20college radio station,
- 23:21SPEAKER_03: WKRC King's College.
- 23:24SPEAKER_03: Shadow, do you think marijuana should be legalized?
- 23:28SPEAKER_00: At this point in time, I do not.
- 23:31SPEAKER_00: I'm not a fan of taking,
- 23:33SPEAKER_00: quite frankly,
- 23:34SPEAKER_00: I may sound like a stiff,
- 23:35SPEAKER_00: but I don't even take prescription drugs for a headache.
- 23:38SPEAKER_00: I think that the ramifications at this point in time by legalizing it,
- 23:42SPEAKER_00: I think would outweigh the benefit.
- 23:44SPEAKER_02: Well,
- 23:44SPEAKER_02: Shadow,
- 23:46SPEAKER_02: when you look back throughout the 35 years of history that you have,
- 23:51SPEAKER_02: I mean,
- 23:52SPEAKER_02: clearly there's always ups and downs in a broadcaster's career,
- 23:57SPEAKER_02: and a lot of people seem to point to the disco era as a down point.
- 24:02SPEAKER_02: For you, you basically rode that wave out.
- 24:06SPEAKER_02: What was your impression of that era?
- 24:08SPEAKER_02: And looking back on it, do you think that it was adequately received?
- 24:14SPEAKER_00: I'm probably one of the biggest disco fans in America,
- 24:17SPEAKER_00: Chris,
- 24:18SPEAKER_00: and probably have every single 12-inch single that ever came out,
- 24:21from the first ones being The Hustle and Rock Your Baby by
- 24:25George McRae on TK back
- 24:26SPEAKER_00: in 1974,
- 24:28SPEAKER_00: right up until the waning days of disco in the early 1980s.
- 24:31SPEAKER_00: And I think it was a format all to its own.
- 24:33SPEAKER_00: I'm a big fan of disco.
- 24:35I think disco has a miraculous place,
- 24:38an incredible place in music culture,
- 24:41just like doo-wop.
- 24:43SPEAKER_00: And doo-wop is regarded as one of the highest formats of all time,
- 24:47SPEAKER_00: albeit only in some of the major markets.
- 24:49SPEAKER_00: I mean, doo-wop didn't play in Florida.
- 24:51SPEAKER_00: It didn't play in the panhandle of Oklahoma or Texas.
- 24:54SPEAKER_00: It played in Los Angeles.
- 24:55SPEAKER_00: It played in New York, in all five boroughs.
- 24:57SPEAKER_00: It played in Philadelphia.
- 24:58SPEAKER_00: It played in parts of Chicago.
- 25:00So I think disco was extremely important,
- 25:03and it spawned an entirely new underculture.
- 25:07SPEAKER_00: Studio 54 is in New York City.
- 25:09SPEAKER_00: Right across the street and down the block was Plato's Retreat.
- 25:13SPEAKER_00: It spawned a counterculture from the music itself.
- 25:16SPEAKER_00: The problem was that, as has been said many times, disco killed disco.
- 25:21SPEAKER_00: When we started getting into the disco fight Star Spangled Banner,
- 25:24SPEAKER_00: the American public and the record-buying public at the time said,
- 25:27SPEAKER_00: enough is enough.
- 25:28SPEAKER_00: Everything is just the same type of 4-4 rhythm.
- 25:32SPEAKER_00: And I think that's what eventually led to the demise of disco.
- 25:35SPEAKER_00: Disco, on the other hand, I love to do disco from a ratings standpoint.
- 25:41SPEAKER_00: And we do a lot of research on my program.
- 25:43SPEAKER_00: We're consulted by strategic research.
- 25:45SPEAKER_00: The songs are tested for audience testing.
- 25:49SPEAKER_00: All songs are tested in the realm of familiarity to the audience.
- 25:53SPEAKER_00: They're tested in regards to burn.
- 25:55SPEAKER_00: Does it have high burn or the audience is sick and tired of hearing it?
- 25:59Just because somebody calls every week for its raining men by
- 26:02the Weather Girls
- 26:02SPEAKER_00: does not mean that 99% of the audience wants to hear that.
- 26:06SPEAKER_00: It's that 1%,
- 26:07SPEAKER_00: or as they tell us,
- 26:08SPEAKER_00: the 1% of 1% that folks call a radio station,
- 26:13SPEAKER_00: call a network,
- 26:14SPEAKER_00: email or write in to hear their favorite songs.
- 26:18the masses or the 99% who don't call you have to please them
- 26:21and you cannot play
- 26:22the wreck of the Edmund Fitzgerald the American Pies the
- 26:25Stairway to Heaven all
- 26:26these songs which are absolute classics but are quite frankly
- 26:29burned out on most of
- 26:30the oldie stations and oldie networks in America so you have to
- 26:33look at that disco
- 26:34does not do well when it's back to back with disco my research
- 26:39shows that about two
- 26:41SPEAKER_00: disco records per 60 minutes is about as much as the audience
- 26:46can tolerate so to do a four or five hour non-stop disco show
- 26:51is music suicide
- 26:52disco has a great place i think it's a turntable type of a
- 26:56format a disco to be
- 26:57quite honest with you again a lot of stations make that mistake
- 26:59they think that a
- 27:00disco show is a party show not true two records per hour it's
- 27:04that two records at
- 27:06SPEAKER_00: the most in an hour is more than enough it's a rock and roll society
- 27:11They say you should never look back,
- 27:14but I've never been good at following orders.
- 27:17SPEAKER_02: I'm Chris Akin,
- 27:18SPEAKER_02: and while most of you know me for the radio and the interviews,
- 27:21SPEAKER_02: I've got a past that would make social justice warriors' heads explode.
- 27:27My latest book,
- 27:28and other things I should not say,
- 27:30isn't a self-help manual.
- 27:32SPEAKER_02: It's an autopsy of the years 1986 to 1990.
- 27:37SPEAKER_02: Four years of sex,
- 27:38SPEAKER_02: booze,
- 27:39and absolute chaos while I was serving in the military in Korea
- 27:44and California.
- 27:45I'm talking about stories that stay buried in the back of your
- 27:49memory because
- 27:50SPEAKER_02: society tells you they're wrong and ugly.
- 27:53SPEAKER_02: Well...
- 27:54SPEAKER_02: I don't live in fear of my past.
- 27:56SPEAKER_02: Every filthy,
- 27:57SPEAKER_02: calloused,
- 27:58SPEAKER_02: and ridiculous moment in this book actually happened,
- 28:01SPEAKER_02: and I'm damn proud to share it.
- 28:03SPEAKER_02: If you're easily offended, keep walking, pal.
- 28:07But if you want to see what happens when you pack a lifetime of
- 28:10dangerous living
- 28:11SPEAKER_02: into just four years,
- 28:13head over to Amazon.com or just go to the link in the
- 28:18description and grab yourself
- 28:20SPEAKER_02: a copy today.
- 28:22SPEAKER_02: Both middle fingers are up and the truth is right here.
- 28:25SPEAKER_02: Get some CMS, uncensored.
- 28:28And other things I should not say is the book and it is sure to
- 28:32offend and sicken
- 28:34SPEAKER_02: and make you laugh like you never have before.
- 28:38SPEAKER_03: Well, Shadow, you have a very impressive resume and background.
- 28:42You hold a bachelor's degree in aerospace and engineering and a
- 28:46master's degree in
- 28:47SPEAKER_03: electrical engineering from Duke University of Durham,
- 28:51SPEAKER_03: North Carolina for the past 20 years.
- 28:53You've managed space divisions within the aerospace satellite
- 28:57engineering industry,
- 28:58SPEAKER_03: working with both CBS and NBC television networks,
- 29:02including MSNBC in Syracuse and New Jersey and New York City
- 29:06and AT&T Global
- 29:07Satellite Systems at the former World Trade Center before
- 29:11turning a weekend hobby
- 29:13SPEAKER_03: into a radio now podcasting direction.
- 29:17SPEAKER_03: Shadow, what are your thoughts on Alan Freed?
- 29:22SPEAKER_00: I think he,
- 29:23SPEAKER_00: much like James Donnelly,
- 29:25SPEAKER_00: was a visionary,
- 29:27SPEAKER_00: Alan Freed,
- 29:28SPEAKER_00: and I'll tell you,
- 29:30SPEAKER_00: that was the golden era.
- 29:32SPEAKER_00: And how circular,
- 29:34SPEAKER_00: how cyclical is life,
- 29:37SPEAKER_00: Chris,
- 29:37SPEAKER_00: when we're back again fighting the FCC in the ways of payola and plugola,
- 29:43SPEAKER_00: again at the hands of the former New York state governor,
- 29:47SPEAKER_00: Elliot Spitzer.
- 29:48SPEAKER_00: Life is really a circle.
- 29:50SPEAKER_00: And Alan Freed,
- 29:52SPEAKER_00: who did nothing more in those days than what radio stations do now,
- 29:57SPEAKER_00: was severely punished and banned from the business,
- 30:00SPEAKER_00: just like a lot of folks lost their jobs over the past couple of years.
- 30:04SPEAKER_00: Again, is pay-for-play wrong?
- 30:08SPEAKER_00: Again, that's a question only people in the business can answer.
- 30:11SPEAKER_00: And they tell us,
- 30:12SPEAKER_00: they,
- 30:13SPEAKER_00: being the FCC and their mandates,
- 30:15SPEAKER_00: they tell us that pay-for-play is wrong.
- 30:18SPEAKER_00: Well,
- 30:19SPEAKER_00: You know, I'm kind of mixed about that.
- 30:20I'm fortunate that playing oldies,
- 30:22I don't have to worry about pay-for-play.
- 30:24SPEAKER_00: But who's to say that this song will not be a hit anyway in the future?
- 30:28SPEAKER_00: I mean,
- 30:29SPEAKER_00: is a company,
- 30:30SPEAKER_00: a record company,
- 30:31SPEAKER_00: a record label like Capital or WIA or Sony,
- 30:34by them giving 100 pair of concert tickets to a very
- 30:37hard-to-get concert in
- 30:39SPEAKER_00: exchange for adding a song a couple of weeks early,
- 30:42SPEAKER_00: is that wrong?
- 30:43SPEAKER_00: Especially when the 100 pair of tickets benefit the audience?
- 30:47SPEAKER_00: The 100 pair of tickets are given out over the year,
- 30:49SPEAKER_00: over the couple of months,
- 30:51SPEAKER_00: to promote a concert,
- 30:52SPEAKER_00: to promote a song,
- 30:53SPEAKER_00: to promote whatever.
- 30:54SPEAKER_00: It's not like the person getting the tickets is putting them on eBay.
- 30:58SPEAKER_00: So is pay-for-play wrong?
- 31:00SPEAKER_00: Again, in the sense of the word, I guess it is.
- 31:03I fail to see the real drastic life-or-death importance of
- 31:08these folks on a witch
- 31:09SPEAKER_00: hunt for pay-for-play.
- 31:10And again,
- 31:11as we always say,
- 31:13I think there's just a lot more important issues
- 31:16for the FCC and for the record labels and the attorneys for
- 31:19these different states.
- 31:20I think there's a lot of more important things that they should
- 31:22be addressing and
- 31:23working on and then worrying about where 10 pair of concert
- 31:27tickets go in exchange
- 31:28SPEAKER_00: for playing a record.
- 31:30SPEAKER_02: Exactly, Shadow.
- 31:31SPEAKER_02: Well,
- 31:31SPEAKER_02: Shadow,
- 31:32SPEAKER_02: you know,
- 31:32SPEAKER_02: obviously we do a show called The Classic Metal Show,
- 31:36SPEAKER_02: and we feature on what is termed classic metal,
- 31:38SPEAKER_02: or,
- 31:38SPEAKER_02: you know,
- 31:39SPEAKER_02: basically hard rock with a bit of melody and edge.
- 31:42And clearly your path and our path crosses here and there on
- 31:46certain artists,
- 31:47SPEAKER_02: you know,
- 31:47SPEAKER_02: Dokken and Quiet Riot,
- 31:49SPEAKER_02: etc.,
- 31:50SPEAKER_02: that I know that I've seen that you've interviewed,
- 31:51SPEAKER_02: and I'm sure you've probably interviewed everybody within the industry.
- 31:54Now,
- 31:55one of the arguments that we have on our show with the
- 31:59listeners is that...
- 32:01SPEAKER_02: The current era of big bands,
- 32:04it seems like the older bands have really made a resurgence
- 32:09lately with events like
- 32:11Rock La Homa or your Judas Priest or your Black Sabbath coming
- 32:16back and doing big
- 32:17SPEAKER_02: numbers,
- 32:17SPEAKER_02: Iron Maiden.
- 32:18SPEAKER_02: But there's nothing following it.
- 32:21There's no new wave where throughout history there's always
- 32:24been the next wave of
- 32:26SPEAKER_02: huge bands coming along to unseat the veterans.
- 32:31SPEAKER_02: Do you think that the era of major bands,
- 32:36major arena-selling type bands in the hard rock world is going
- 32:41to soon become a
- 32:42SPEAKER_02: thing of the past?
- 32:43SPEAKER_00: Well, that's a great question, Chris, and you're right.
- 32:47Again,
- 32:48I think I go back to two questions ago when I say that life is
- 32:50cyclical.
- 32:52SPEAKER_00: We go back now again to the era of the one-hit wonder.
- 32:55SPEAKER_00: Every band coming out fits a very important criterion,
- 33:00SPEAKER_00: and that is they provide a couple,
- 33:03SPEAKER_00: underline a couple,
- 33:05SPEAKER_00: of great radio hits for the label,
- 33:07SPEAKER_00: and by the same token,
- 33:09SPEAKER_00: the label only looks for one CD,
- 33:11SPEAKER_00: one full-length album,
- 33:12SPEAKER_00: whatever.
- 33:13So they do as much for the record label as the label does for
- 33:16the person.
- 33:17SPEAKER_00: The days,
- 33:17SPEAKER_00: as you mentioned,
- 33:18SPEAKER_00: this is a perfect example to bring in this,
- 33:20SPEAKER_00: and you'll remember this very well.
- 33:22SPEAKER_00: 1989, 1990.
- 33:23SPEAKER_00: The days of standing in line at 12.01,
- 33:28SPEAKER_00: a minute after midnight,
- 33:30SPEAKER_00: to buy a copy of the Guns N' Roses,
- 33:32SPEAKER_00: Use Your Illusion Volumes 1 and 2,
- 33:34SPEAKER_00: they're gone.
- 33:35SPEAKER_00: They're gone forever.
- 33:37SPEAKER_00: There is just absolutely no artist loyalty whatsoever.
- 33:40SPEAKER_00: with the younger generation anymore.
- 33:42It's more hip to carry around a burned CD in your CD holder
- 33:48than it is the actual
- 33:49SPEAKER_00: jewel case with a professionally made CD in it.
- 33:52SPEAKER_00: It's the bottom line.
- 33:53SPEAKER_00: The days of the big group, the days of the
- 33:57SPEAKER_00: Even the smaller groups,
- 33:58SPEAKER_00: as you mentioned before,
- 33:59SPEAKER_00: Kevin DeBrow is glad that we run that interview when the man passed on.
- 34:02SPEAKER_00: We had Dee Snider on.
- 34:03SPEAKER_00: Dee Snider also has a career in radio.
- 34:05SPEAKER_00: We had Alice Cooper.
- 34:07SPEAKER_00: Alice Cooper is reinventing himself once again.
- 34:11SPEAKER_00: It's amazing.
- 34:12SPEAKER_00: Cat Scratch's Fever.
- 34:14SPEAKER_00: Ted Nugent, again, another radio aficionado up in Michigan.
- 34:18I think that these guys will keep what's left of the vestiges
- 34:21of their big classic
- 34:23SPEAKER_00: bands alive for a show such as yours and for a show such as mine.
- 34:27SPEAKER_00: But I think those days, I don't think we'll see those ever again.
- 34:30I think we have to enjoy the memories and make them last as
- 34:33long as we possibly last.
- 34:35SPEAKER_03: Excellent, Shadow.
- 34:36SPEAKER_03: Well,
- 34:36SPEAKER_03: we admire the fact that your career has spanned 35 years,
- 34:40SPEAKER_03: and we wish you many,
- 34:41SPEAKER_03: many years.
- 34:42SPEAKER_03: The Classic Metal Show has been airing for over 12 years now.
- 34:45SPEAKER_03: It was first broadcast in January of 1996 on an Akron,
- 34:49SPEAKER_03: Ohio station,
- 34:51SPEAKER_03: 88.9 WSTB,
- 34:53SPEAKER_03: which was managed by station manager Bob Long.
- 34:56SPEAKER_03: Shadow, do you think reality TV actually depicts reality?
- 35:00SPEAKER_00: Not at all.
- 35:01SPEAKER_00: Reality TV depicts reality TV.
- 35:05SPEAKER_00: And I think, once again, there's the cyclical part about it.
- 35:08SPEAKER_00: When reality TV came on, the ratings were astronomical.
- 35:12SPEAKER_00: Now we have just so many shows.
- 35:15SPEAKER_00: Every channel,
- 35:16SPEAKER_00: even the oldies' channels,
- 35:17SPEAKER_00: if you will,
- 35:18SPEAKER_00: quote-unquote,
- 35:19SPEAKER_00: like TV Land,
- 35:20SPEAKER_00: even they're picking up on reality shows.
- 35:22SPEAKER_00: The George Foreman thing.
- 35:23SPEAKER_00: I see VH1 and MTV now going to simulcast.
- 35:26SPEAKER_00: I want to work for Diddy.
- 35:30SPEAKER_00: I think it's a bit of...
- 35:31SPEAKER_00: It's a bit of pop culture with the latest names in the business.
- 35:35SPEAKER_00: I think this too in time will pass.
- 35:38SPEAKER_00: The thing is,
- 35:39SPEAKER_00: is that a reality show,
- 35:40SPEAKER_00: as much as you think of me being in the television business,
- 35:42SPEAKER_00: know this.
- 35:43SPEAKER_00: A reality show is a lot cheaper.
- 35:45There's that magic word when it comes down to the bottom line,
- 35:47being in the black.
- 35:48It's much cheaper to put on than to develop a 30-minute or a
- 35:5360-minute sitcom.
- 35:54SPEAKER_00: That's the bottom line.
- 35:55SPEAKER_00: It's cheaply done.
- 35:56SPEAKER_00: They're cranked out very, very easily.
- 35:59SPEAKER_00: You take four cameras.
- 36:00SPEAKER_00: You take four cameras into somebody's house.
- 36:01SPEAKER_00: You shoot about 12 hours worth of video, and you put the best 45 minutes.
- 36:06SPEAKER_00: That's what people want to see.
- 36:08SPEAKER_00: They want to see reality television.
- 36:09SPEAKER_00: But it's not reality.
- 36:11You can't tell me you have four cameras following you around
- 36:14all day long and
- 36:15SPEAKER_00: you're going to act the same way.
- 36:16SPEAKER_00: It's impossible.
- 36:17SPEAKER_00: That's anti-human nature.
- 36:19SPEAKER_00: It cannot happen.
- 36:20So I think it's a big cost prohibitive discretion right now to
- 36:26put on major productions.
- 36:28Gone are the days when the networks ran major full-length scale
- 36:32miniseries such as
- 36:33SPEAKER_00: Roots and Wheels and things.
- 36:34SPEAKER_00: It's a really cheap
- 36:36SPEAKER_00: entertainment medium.
- 36:37And it's obviously catching on because every one of your 200
- 36:41cable channels has
- 36:42SPEAKER_00: some type of reality show on it.
- 36:44SPEAKER_00: Even right down to the arts and entertainment channel.
- 36:46SPEAKER_00: That used to be a classy channel.
- 36:47And now they're running the same type of pop schlock as the
- 36:52MTV's and the VH1's and
- 36:53SPEAKER_00: the VH1's classics.
- 36:55You've heard me grill your favorite rock stars for 30 years on
- 36:59the Classic Metal
- 37:00SPEAKER_02: Show and Chris Akin Presents.
- 37:02SPEAKER_02: Now it's time to put me to work for you.
- 37:06SPEAKER_02: That's right.
- 37:07I am officially on Cameo and I'm bringing that same unfiltered
- 37:11high octane energy
- 37:13SPEAKER_02: to your personal messages.
- 37:15SPEAKER_02: No fluff, no corporate scripts, just the raw truth.
- 37:19SPEAKER_02: Whether you need to roast a buddy for his terrible taste in music,
- 37:23SPEAKER_02: wish a fellow metalhead a brutal birthday,
- 37:26SPEAKER_02: or get a personalized shout-out that actually has some grit,
- 37:30SPEAKER_02: I have got you covered.
- 37:32SPEAKER_02: Stop sending boring cards.
- 37:34SPEAKER_02: Send a message they'll actually remember.
- 37:37SPEAKER_02: Head on over to cameo.com and just do a search for my name,
- 37:42SPEAKER_02: Chris Akin,
- 37:43SPEAKER_02: A-K-I-N.
- 37:44SPEAKER_02: Let's make something legendary.
- 37:46SPEAKER_02: Get some CMS personalized.
- 37:48SPEAKER_02: Well,
- 37:49SPEAKER_02: Shadow,
- 37:50SPEAKER_02: speaking of reality TV-type subjects,
- 37:54SPEAKER_02: one subject that you broached on a mad podcast,
- 37:58SPEAKER_02: I'm thinking it was about a year ago now,
- 38:00SPEAKER_02: but it was one of my favorites that you've done,
- 38:03SPEAKER_02: was when you boldly tackled an interview with Patty Boyd,
- 38:09SPEAKER_02: who's best known for being married to Eric Clapton and George Harrison.
- 38:15SPEAKER_02: When you were doing that interview,
- 38:17did you have a sense of nervousness to really go after the
- 38:20tough questions since
- 38:21SPEAKER_02: she clearly,
- 38:23SPEAKER_02: you know,
- 38:23she has one of those lives that is very much reminiscent of
- 38:26like a Yoko Ono in a
- 38:28SPEAKER_02: lot of people's minds as far as,
- 38:30SPEAKER_02: you know,
- 38:30SPEAKER_02: what she did to the music.
- 38:32SPEAKER_00: Yeah, that's a great question, Chris.
- 38:33SPEAKER_00: And yes,
- 38:35SPEAKER_00: as a matter of fact,
- 38:37SPEAKER_00: I felt,
- 38:37SPEAKER_00: to be totally honest with you,
- 38:38I felt much more at ease if I were speaking to the artists
- 38:44themselves rather than
- 38:45SPEAKER_00: to the Patty Boyd
- 38:47SPEAKER_00: type of, or Yoko Ono, she's been on the program quite a few times.
- 38:50SPEAKER_00: And Yoko has become a friend.
- 38:52SPEAKER_00: Patty, boy, that was the first and only time.
- 38:54SPEAKER_00: That was a very special limited deal.
- 38:56SPEAKER_00: I was one of five stations literally drawn out of a hat.
- 39:00SPEAKER_00: Again, being in this business, as you all know, Chris, is 99% luck.
- 39:05SPEAKER_00: It is all timing.
- 39:06SPEAKER_00: I could take the high road and say that,
- 39:07SPEAKER_00: you know,
- 39:07SPEAKER_00: I'm on all these stations,
- 39:08SPEAKER_00: I'm on for so long.
- 39:09SPEAKER_00: That means nothing.
- 39:10SPEAKER_00: It means absolutely nothing.
- 39:11I take the higher when I say that it absolutely comes down to
- 39:15being in the right
- 39:16SPEAKER_00: place at the right time.
- 39:17SPEAKER_00: I think we all know that.
- 39:18SPEAKER_00: She was a great interview.
- 39:19SPEAKER_00: I looked so forward to doing that interview.
- 39:22SPEAKER_00: And she was nice.
- 39:23SPEAKER_00: And yes, you're right.
- 39:24SPEAKER_00: I try not to ask the same questions, what you have for breakfast.
- 39:27SPEAKER_00: Nobody really cares.
- 39:28SPEAKER_00: I want to try and ask the questions about the personal life.
- 39:31SPEAKER_00: However, I was somewhat restricted.
- 39:34SPEAKER_00: A lot of folks will say, well, why didn't you ask this?
- 39:36SPEAKER_00: Well,
- 39:36SPEAKER_00: you know,
- 39:37SPEAKER_00: if you thought about me asking that,
- 39:38SPEAKER_00: don't you think I thought about asking that?
- 39:40There are a lot of restrictions I can and cannot ask to some of
- 39:43these artists,
- 39:45and you couldn't get too personal about that because she would
- 39:47move right along.
- 39:48SPEAKER_00: And in fear of her terminating the interview,
- 39:51I wanted to keep it more or less generic and keep her on for
- 39:53the entire 25 minutes.
- 39:55So it's better to have her on for 25 minutes and not ask what
- 39:59kind of cologne her
- 40:01husband wore than it was to lose her after seven minutes with a
- 40:04hang-up call.
- 40:05SPEAKER_02: I agree totally, Shadow.
- 40:07SPEAKER_02: That would have been the worst, to have them actually hang up.
- 40:11SPEAKER_02: Now, Shadow, 35 years in broadcasting, you've done everything.
- 40:17There's nothing really that you have not achieved in the
- 40:20broadcasting world.
- 40:21SPEAKER_02: You've done it in satellite medium.
- 40:23SPEAKER_02: You're doing it on the Internet.
- 40:24SPEAKER_02: You've done it in FM.
- 40:26When do they open the doors and put up the bronze bust of
- 40:29Shadow Steel in the
- 40:30SPEAKER_02: Broadcaster Hall of Fame?
- 40:32SPEAKER_00: Well,
- 40:32SPEAKER_00: I'll tell you,
- 40:33SPEAKER_00: and I always say this,
- 40:35SPEAKER_00: with the run I've had,
- 40:36SPEAKER_00: if it ended tomorrow,
- 40:37SPEAKER_00: I would be very,
- 40:38SPEAKER_00: very disappointed.
- 40:39SPEAKER_00: But I would thank everybody.
- 40:41SPEAKER_00: You can't say, well, if it ended tomorrow, like, no problem.
- 40:43SPEAKER_00: No, you know what?
- 40:44SPEAKER_00: Anybody who says that is an absolute fool.
- 40:46SPEAKER_00: If it ended tomorrow, I would really, really be sad.
- 40:50SPEAKER_00: I have a lot of work left to do,
- 40:51a lot of folks that I've been working on for years and years
- 40:54that I would like to
- 40:54SPEAKER_00: get on.
- 40:55SPEAKER_00: I would like to get on for just personal reasons.
- 40:58SPEAKER_00: Again, a lot of the folks that I interview, I have no interest in.
- 41:01SPEAKER_00: That's the funny part about it.
- 41:03SPEAKER_00: But the audience does.
- 41:04And,
- 41:04yeah,
- 41:05I know it sounds really contrived,
- 41:06but I do a lot of this for the audience.
- 41:08SPEAKER_00: The audience wants to hear some of these artists.
- 41:11SPEAKER_00: The Marcia Griffiths,
- 41:12SPEAKER_00: who you mentioned,
- 41:13SPEAKER_00: the Electric Slide,
- 41:14SPEAKER_00: one of the biggest dance crazes of all time.
- 41:15SPEAKER_00: You think I really wanted to talk to Marcia Griffiths?
- 41:18SPEAKER_00: She turned out to be an A interview.
- 41:19SPEAKER_00: She was fantastic.
- 41:20But again,
- 41:21not someone I would really go after who only has really one
- 41:23hit.
- 41:24SPEAKER_00: Although in Jamaica, she has about 10 albums.
- 41:26SPEAKER_00: Another person who's huge.
- 41:28So there are a lot of folks that I go after that are big
- 41:31elsewhere that aren't big
- 41:32SPEAKER_00: here and vice versa.
- 41:33SPEAKER_00: But I don't think my work is quite done yet.
- 41:35SPEAKER_00: But again, with the great luck, again, I say luck,
- 41:38SPEAKER_00: The great luck and timing I've had,
- 41:40SPEAKER_00: if it ended tomorrow,
- 41:41SPEAKER_00: it would have to end tomorrow,
- 41:43SPEAKER_00: and I would move on to something else.
- 41:44SPEAKER_00: I would be sad, but, you know, nothing lasts forever in this business.
- 41:48SPEAKER_00: And,
- 41:48SPEAKER_00: you know,
- 41:48SPEAKER_00: to be at one radio station,
- 41:50SPEAKER_00: one radio station for 22 years,
- 41:53SPEAKER_00: that,
- 41:53SPEAKER_00: my friend,
- 41:53SPEAKER_00: is 22 lifetimes,
- 41:55SPEAKER_00: Chris.
- 41:56SPEAKER_03: Well,
- 41:56SPEAKER_03: Shadow,
- 41:57we appreciate you taking the time out of your busy schedule to
- 42:01talk to us here on
- 42:02SPEAKER_03: the Classic Metal Show.
- 42:03SPEAKER_03: Calling live from Pittston,
- 42:05SPEAKER_03: Pennsylvania,
- 42:05SPEAKER_03: we've got the great broadcaster,
- 42:08SPEAKER_03: legendary Shadow Steele,
- 42:10SPEAKER_03: right here on the Classic Metal Show.
- 42:12SPEAKER_03: Shadow,
- 42:12is there anything else you want to tell the fans here on the
- 42:16CMS Radio Network,
- 42:18SPEAKER_03: which was established in 2006?
- 42:21Well,
- 42:21I'd like to thank,
- 42:22first of all,
- 42:22you,
- 42:23Chris,
- 42:23and Wendell,
- 42:23for having me on.
- 42:24SPEAKER_00: It's been a hot point of my career when I can offer.
- 42:29SPEAKER_00: When for a change, I'm the person being interviewed.
- 42:31That's what I think is one of the greatest coups of my
- 42:34professional career when
- 42:35SPEAKER_00: you're calling me to ask for my opinion.
- 42:38SPEAKER_00: And I just want to say that I think radio,
- 42:40SPEAKER_00: for the most part,
- 42:40SPEAKER_00: for the next at least 15 years,
- 42:42SPEAKER_00: this is a prediction,
- 42:43SPEAKER_00: I think radio will pretty much carry on the way it has been.
- 42:46SPEAKER_00: There's no really big monumental major changes.
- 42:48SPEAKER_00: I think satellite radio can fit in very well.
- 42:51SPEAKER_00: I think when it meshes and both providers combine,
- 42:55SPEAKER_00: I think it will have longer legs to go,
- 42:58SPEAKER_00: probably another decade or so,
- 42:59SPEAKER_00: again,
- 42:59SPEAKER_00: depending on customer and client demand,
- 43:02SPEAKER_00: depending on the price of things,
- 43:03SPEAKER_00: quite frankly.
- 43:04SPEAKER_00: I think we can all benefit from,
- 43:06SPEAKER_00: you know,
- 43:07SPEAKER_00: the person,
- 43:07SPEAKER_00: let's face it,
- 43:09SPEAKER_00: people out of the demographic really don't know what podcasting is.
- 43:13SPEAKER_00: I think that all types,
- 43:14all genre of the media can fit in and work well over the next
- 43:1810 to 15 years,
- 43:19SPEAKER_00: but
- 43:20SPEAKER_00: To be honest with you,
- 43:20SPEAKER_00: over the next 10 years or so,
- 43:22SPEAKER_00: I think I see pretty much complacency in the way of technology.
- 43:25SPEAKER_00: I don't think we can do really much more right now.
- 43:27SPEAKER_00: I think we have most of this information,
- 43:29SPEAKER_00: most of this data at our fingertips,
- 43:32SPEAKER_00: and it's out there to be chosen by whoever wants to do it.
- 43:38SPEAKER_00: Most of the media formats have already been developed.
- 43:42I think right now that they can only be strengthened or some
- 43:44will dissolve in time.
- 43:45SPEAKER_00: But I think the next 10 years, I see the course pretty much set straight.
- 43:50SPEAKER_03: Well, we appreciate it once again, Shadow.
- 43:53SPEAKER_03: And where can people find out about Shadow Steel?
- 43:56Well,
- 43:56you can go to our main website at 985krz.com and just click on
- 44:01the DJ page there as well.
- 44:03SPEAKER_00: That's our local flagship area in the Wilkes-Barre,
- 44:05SPEAKER_00: Straton,
- 44:05SPEAKER_00: Pennsylvania market,
- 44:07SPEAKER_00: number 69 market.
- 44:08SPEAKER_00: And again,
- 44:09SPEAKER_00: I've been very,
- 44:10SPEAKER_00: very lucky there,
- 44:11SPEAKER_00: and I'm extremely lucky to be on your program,
- 44:13SPEAKER_00: Chris.
- 44:14SPEAKER_03: Well, thank you, Shadow.
- 44:15SPEAKER_03: And,
- 44:16SPEAKER_03: well,
- 44:16we're going to wrap up this interview with our traditional
- 44:19classic metal show
- 44:20SPEAKER_03: question.
- 44:20SPEAKER_03: We started asking this question in 2004.
- 44:23The first recipient of the question was Michael Sweet of the
- 44:27band Striper.
- 44:29SPEAKER_03: Well,
- 44:29SPEAKER_03: we always ask the question about the band Motorhead,
- 44:32which was established in 1974 by Lemmy Ian Kilmeister along
- 44:38with Fast Eddie Clark
- 44:39SPEAKER_03: and Filthy Animal Taylor,
- 44:41SPEAKER_03: and they released their debut release in 1977 just entitled Motorhead.
- 44:46SPEAKER_03: Shadow, how has Lemmy from Motorhead influenced your career?
- 44:51SPEAKER_00: I think he blazed a trail where no person went before.
- 44:55SPEAKER_00: I don't really necessarily...
- 44:57SPEAKER_00: think that folks have to be widely accepted by the public.
- 45:01SPEAKER_00: I think when you do something different, I think you're an innovator.
- 45:05SPEAKER_00: I think you're a pioneer.
- 45:07SPEAKER_00: And I have to give you all the respect in my heart,
- 45:09SPEAKER_00: professionally and personally,
- 45:11SPEAKER_00: for going outside the box,
- 45:13SPEAKER_00: as they say,
- 45:13SPEAKER_00: and doing something where no one has gone before.
- 45:15SPEAKER_00: I'm a pretty big Motorhead fan, of course, at
- 45:17SPEAKER_00: It has really not too much of a place on a real top 40 station.
- 45:22SPEAKER_00: You know,
- 45:22playing Motorhead next to the Partridge family wouldn't be a
- 45:24really good segue,
- 45:25SPEAKER_00: as you can imagine.
- 45:26SPEAKER_00: But, I mean, the group is fantastic.
- 45:28SPEAKER_00: I think they will outlive all of us.
- 45:30SPEAKER_02: Look,
- 45:30SPEAKER_02: everybody,
- 45:31SPEAKER_02: I have spent 30 years in the loudest rooms in the world,
- 45:35SPEAKER_02: and I can tell you one thing for certain.
- 45:38SPEAKER_02: I've got zero time for weak coffee or woke nonsense.
- 45:43SPEAKER_02: Guess that's actually two things I don't care for.
- 45:46if you're like me you're tired of giving up your money to
- 45:50corporate sellouts who
- 45:51hate your values you want a brew that's as unapologetic as a
- 45:56marshall stack cranked
- 45:58SPEAKER_02: to 11.
- 45:59enter blackout coffee this is bold fresh roasted 100 american
- 46:05grit in a cup it's
- 46:07fuel for patriots who refuse to back down whether you're
- 46:11hitting the patriot medium
- 46:13SPEAKER_02: roast
- 46:14SPEAKER_02: or the massive high-caffeine kick of brutal awakening,
- 46:18SPEAKER_02: this is the taste of real freedom and hard-hitting flavor.
- 46:24SPEAKER_02: Stop supporting the bland beans of companies that don't stand for you.
- 46:29SPEAKER_02: Head over to blackoutcoffee.com right now.
- 46:33SPEAKER_02: Use my code, which is in the description, for an exclusive discount.
- 46:36SPEAKER_02: You can save.
- 46:38SPEAKER_02: It's time to wake up unstoppable.
- 46:42SPEAKER_02: Blackout Coffee, folks.
- 46:43SPEAKER_03: Fuel for Patriots.
- 46:45SPEAKER_03: Get yours now.
- 46:47SPEAKER_03: Excellent, Shadow.
- 46:48SPEAKER_03: Well,
- 46:48SPEAKER_03: Shadow,
- 46:49SPEAKER_03: once again,
- 46:49we appreciate you taking the time out to talk to us here on the
- 46:52Lowly Classic Metal
- 46:54SPEAKER_03: Show.
- 46:54SPEAKER_03: We're not worthy, as the folks at Wayne's World would say.
- 46:58SPEAKER_03: And as a tradition here,
- 47:00SPEAKER_03: Shadow,
- 47:00we're going to let you pick a closing tune to take us out of
- 47:03this interview.
- 47:05SPEAKER_00: I would like to hear Twisted Sisters.
- 47:07SPEAKER_00: We're not going to take it.
- 47:08SPEAKER_00: That's a great song.
- 47:09SPEAKER_03: Any particular reason you like that song?
- 47:12SPEAKER_00: I think it moves along and it brings back memories of the early 1980s,
- 47:16SPEAKER_00: 1983 to be exact,
- 47:18SPEAKER_00: Twisted Sister.
- 47:20It was just one of those songs that was really on the fringes
- 47:24of being banned at
- 47:25SPEAKER_00: the time and relegated only to being played after 7 p.m.,
- 47:29SPEAKER_00: 7 to midnight shift.
- 47:30SPEAKER_00: Look at these things.
- 47:31SPEAKER_00: They windowed.
- 47:33SPEAKER_00: They stymied.
- 47:34They pigeonholed these songs back then because the restrictions
- 47:37were so tight.
- 47:38SPEAKER_00: I know we're not going to take it.
- 47:40And whether it's become a classic used in women's liberation
- 47:44commercials on
- 47:45SPEAKER_00: television,
- 47:46I think it's a great juxtaposition to show how these classics
- 47:50have been restricted
- 47:51for so long and have finally come out of the box right now to
- 47:53breathe on their own.
- 47:55SPEAKER_03: Excellent, Shadow.
- 47:56SPEAKER_03: Well, here it is.
- 47:57SPEAKER_03: This is Twisted Sister,
- 47:58SPEAKER_03: a New York bass band established in 1974 with their 1984 hit,
- 48:04SPEAKER_03: We Are Not Gonna Take It,
- 48:05SPEAKER_03: exclusively here on your classic metal show.