Latest / I Am All In with Scott Patterson / How long exactly are you planning on keeping me company? (S7 E15 “I'm a Kayak, Hear Me Roar”)

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How long exactly are you planning on keeping me company? (S7 E15 “I'm a Kayak, Hear Me Roar”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:08
  Speaker 2: Let's just you. I am all in with Scott Patterson
• 0:19
  Speaker 2: and iHeartRadio podcast.
• 0:21
  Speaker 1: Everybody, Scott Patterson, I am all in podcast, want to
• 0:23
  Speaker 1: leven productions. iHeartRadio, iHeart media, iHeart podcasts. I am joined
• 0:27
  Speaker 1: by my full intrepid crew was less intrepid last week.
• 0:33
  Speaker 1: Now we've got an addition special appearances by Danielle Romo
• 0:39
  Speaker 1: and Tara sud and our stalwarts Suzanne French and Amy Sugarman.
• 0:46
  Speaker 2: And as everybody is here, I.
• 0:49
  Speaker 1: Am kayak hear me roar Seeing seven, Episode fifteen, and
• 0:55
  Speaker 1: let's discuss it briefly here before we synopsize. What did
• 1:00
  Speaker 1: everybody think? Amy? What did you think of this?
• 1:03
  Speaker 2: Like parts and I don't like parts? Yeah? Was that
• 1:07
  Speaker 2: how anyone else feels?
• 1:11
  Speaker 1: I roared in the beginning. I thought there was some
• 1:15
  Speaker 1: highlights and high humor and then long stretches of not
• 1:19
  Speaker 1: very funny at all.
• 1:20
  Speaker 3: Yeah, Like I found it as a whole. It was
• 1:23
  Speaker 3: kind of like a nothing Burger episode for me. Like
• 1:25
  Speaker 3: it ended and I was like, all right.
• 1:27
  Speaker 4: Well I kind of liked it. I kind of liked it, although,
• 1:31
  Speaker 4: but I ended the episode being like, paused, did I
• 1:34
  Speaker 4: miss something I need to rewatch this.
• 1:37
  Speaker 2: I'm so confused. Why did it end this way controversial? Ending? Agree?
• 1:44
  Speaker 2: And I liked, though, we'll break it down. But my
• 1:47
  Speaker 2: pet peeve with it? Oh should I say it now?
• 1:51
  Speaker 2: I guess I will. My pet peeve with it is
• 1:54
  Speaker 2: Richard and Emily.
• 1:55
  Speaker 1: I thought Emily was shrill in this episode, and she's
• 1:59
  Speaker 1: never shrill. Yeah, and I thought, I don't I don't
• 2:02
  Speaker 1: like seeing Emily back on her heels and kind of
• 2:06
  Speaker 1: so out of sorts. And she acts it beautifully, but
• 2:11
  Speaker 1: it didn't provide any real for me anyway, comedic moments
• 2:16
  Speaker 1: between her and Laura, and we saw her, Laura and
• 2:19
  Speaker 1: Emily together for a lot of this.
• 2:21
  Speaker 2: Yeah, we had one really good scene. But then I
• 2:23
  Speaker 2: agree with you, Scott.
• 2:24
  Speaker 1: There was some funny little stuff in the beginning of
• 2:27
  Speaker 1: that whole arc, right, but then it just got kind
• 2:32
  Speaker 1: of tedious with the drinking and the confessional. But it
• 2:39
  Speaker 1: didn't have any humors. It didn't have any impact for
• 2:41
  Speaker 1: me anyway.
• 2:42
  Speaker 2: For I just don't think she was going to be
• 2:44
  Speaker 2: like she's probably look I feel like she should have
• 2:47
  Speaker 2: been so happy that Richard survived, that she wouldn't be
• 2:52
  Speaker 2: as irritated by him and also, she has so much
• 2:55
  Speaker 2: help and they're so awful to the help.
• 2:59
  Speaker 1: Right, it was hard to watch.
• 3:00
  Speaker 2: It was uncomfortable to watch a little cringey Richard.
• 3:06
  Speaker 1: What is happening here?
• 3:07
  Speaker 2: You know?
• 3:07
  Speaker 5: Yeah, Richard was a toddler in this episode, Like he
• 3:11
  Speaker 5: was just so bratty. I didn't understand, Like, I get
• 3:14
  Speaker 5: that he has to make some lifestyle changes and eat
• 3:17
  Speaker 5: different food, but he was just being such a brat
• 3:19
  Speaker 5: about the whole thing. I don't really blame Emily for
• 3:22
  Speaker 5: being the way.
• 3:22
  Speaker 2: She was, because she was probably super what if it
• 3:24
  Speaker 2: didn't track for me?
• 3:26
  Speaker 3: The only reason this is a really specific but as
• 3:30
  Speaker 3: someone who was just recentably injured, there were days where
• 3:32
  Speaker 3: I was just like in such a bad mood where
• 3:35
  Speaker 3: I was like, maybe that's I kind of put myself
• 3:37
  Speaker 3: in the issues, like well and to the extent.
• 3:42
  Speaker 4: Yes, nagging him, yeah, legitimately nagging him. All he wants
• 3:47
  Speaker 4: is spaghetti and steak, like let the man eat.
• 3:50
  Speaker 3: Yeah, And she she kind of she kind of acts
• 3:54
  Speaker 3: though like, well, there's one point where like Emily, He's like, oh,
• 4:00
  Speaker 3: well he is going to die one day, Like she
• 4:02
  Speaker 3: does say that, but I think the way she's acting
• 4:04
  Speaker 3: is like, oh, he's gonna live forever, so I better
• 4:06
  Speaker 3: give him his fish and soup and salad and whatever
• 4:09
  Speaker 3: it is that they're eating.
• 4:11
  Speaker 2: And you can't enjoy life much help? I like me
• 4:15
  Speaker 2: so soup? Like, is it really that bad? Like if
• 4:18
  Speaker 2: I just had a heart attack, I too might not
• 4:20
  Speaker 2: be going for the Rabbi. I don't know.
• 4:24
  Speaker 5: Yeah, I mean you can eat a diet, like a
• 4:27
  Speaker 5: decent diet that's not fish for every single meal. I
• 4:32
  Speaker 5: don't know. It was all, yeah, I can't do a
• 4:36
  Speaker 5: lot of fish.
• 4:38
  Speaker 1: Did it make you irritated? Watching two people be so
• 4:40
  Speaker 1: irritated and then irritated with one another. It's not fun.
• 4:45
  Speaker 2: It's not funny and irritated.
• 4:48
  Speaker 1: I was bored and irritated too, Yeah, but other carts
• 4:52
  Speaker 1: were good. Are we being We are irritated ourselves, aren't we?
• 4:56
  Speaker 1: Are we born? Are we not? Let's not be hypocrites here?
• 5:01
  Speaker 1: I mean, are we boring? And we are irritated a
• 5:04
  Speaker 1: little bit?
• 5:04
  Speaker 2: Are a little irritated? I think we should get into.
• 5:06
  Speaker 1: It, but we are smiling all right? Who's synopsizing? I
• 5:10
  Speaker 1: can't get back anymore?
• 5:13
  Speaker 2: Right after the break. We have to take a break.
• 5:16
  Speaker 1: We have to take a break. We're taking a break.
• 5:18
  Speaker 2: Yeah, right after the break, Danielle will start it.
• 5:21
  Speaker 1: Off and we'll be back after these words with Danielle Romol.
• 5:25
  Speaker 1: Synopsisations iHeart Podcasts. Listen on the iHeartRadio app. All right,
• 5:35
  Speaker 1: we're back, Danielle. Hit us with it.
• 5:37
  Speaker 2: All right.
• 5:38
  Speaker 4: It's season seven, Episode fifteen, I Am Kayak hear me Roor.
• 5:42
  Speaker 4: Air date February twenty, two thousand and seven. Lorlai avoids
• 5:45
  Speaker 4: telling Richard and Emily about her breakup with Christopher, but
• 5:49
  Speaker 4: a drunken night with Emily ends with a surprise reaction
• 5:51
  Speaker 4: to her failed marriage. Meanwhile, Richard is grumpy while recovering
• 5:56
  Speaker 4: from his surgery. Rory celebrates Logan's birthday with Mitcham and
• 6:00
  Speaker 4: gets Huntsburger. Plus t J and Liz stay with Luke
• 6:03
  Speaker 4: for a few days and ask Luke about where he
• 6:05
  Speaker 4: stands with Laura. I bus TJ.
• 6:14
  Speaker 1: He provided some a couple of big laughs. Lock it up.
• 6:19
  Speaker 1: We'll lock it up, Solder.
• 6:21
  Speaker 2: Rich parts that were actually really good in this episode.
• 6:27
  Speaker 2: It's just overall, I was like, all right, Suzanne, what
• 6:32
  Speaker 2: happens first?
• 6:34
  Speaker 5: Okay, So we start out with Laurel I knocking on
• 6:38
  Speaker 5: Rory's door, because Rory doesn't know that she and Christopher
• 6:45
  Speaker 5: broke up. So Paris and Doyle are doing yoga in
• 6:52
  Speaker 5: the living room. It was, yeah, it was it was fine.
• 6:58
  Speaker 5: I don't know. I love Paris and Oyle. I think
• 7:00
  Speaker 5: the two of them.
• 7:02
  Speaker 6: I feel like any scene with them is great.
• 7:04
  Speaker 5: Yeah, totally, I totally agree. So she tells Mary that
• 7:08
  Speaker 5: she wants to go for a drive and they get
• 7:10
  Speaker 5: in the car.
• 7:12
  Speaker 2: I think, can I throw a flag? Yeah?
• 7:14
  Speaker 1: Please please do.
• 7:17
  Speaker 2: Driving acting. First of all, this you never drive like this.
• 7:25
  Speaker 2: You just all hard road So why do driving actors?
• 7:32
  Speaker 1: Because because it's a because it's what's called a process shot,
• 7:35
  Speaker 1: and you're being towed, you're on the back of a
• 7:38
  Speaker 1: flatbed device and you're being towed by uh you know,
• 7:44
  Speaker 1: uh truck.
• 7:46
  Speaker 2: It's no to all actors when just it's hard.
• 7:49
  Speaker 1: It actually is kind of hard to mimic real driving
• 7:52
  Speaker 1: because it's it's it's so the movements are so small.
• 7:57
  Speaker 2: Les more just we know you're driving, we see the car,
• 8:00
  Speaker 2: we see the windows. We got it. I mean, she
• 8:02
  Speaker 2: could even just one arm it like, because this is
• 8:07
  Speaker 2: just so distracting.
• 8:09
  Speaker 1: Well, but yeah, it is a jeep. It is a jeep.
• 8:13
  Speaker 1: It's rack and pinion steering. It's not power steering.
• 8:16
  Speaker 2: So so that was a challenge for me. But if
• 8:18
  Speaker 2: I let that go, okay, they're in the car, continue well.
• 8:23
  Speaker 5: And I did notice that when they ran out of
• 8:25
  Speaker 5: gas and they got out of the car, you could
• 8:27
  Speaker 5: see the shadow of the screen like they were under
• 8:31
  Speaker 5: like a tent or a screen or something, and you
• 8:33
  Speaker 5: could see the shadow of it on the street.
• 8:36
  Speaker 2: Two things in Griffith Park.
• 8:38
  Speaker 4: Yeah, the most unroad out there.
• 8:41
  Speaker 1: The wind was blowing and the fake, fake leaves were
• 8:46
  Speaker 1: blowing by. But it kind of looked.
• 8:48
  Speaker 2: Fall like it didn't It looks maybe foolish, but it
• 8:51
  Speaker 2: didn't look like Connecticut. And did you see the weird
• 8:53
  Speaker 2: make snow on the ground.
• 8:55
  Speaker 1: Yes, yeah, like we Nothing in California is remotely connecticuty.
• 9:02
  Speaker 1: It was so full of greenery and grass and water
• 9:06
  Speaker 1: and massive trees.
• 9:08
  Speaker 2: He literally said, leave the Warner Brothers lot, Jim on
• 9:11
  Speaker 2: the one thirty four exit of Griffith Park and you're good.
• 9:14
  Speaker 5: And you know, did you notice you could see the
• 9:16
  Speaker 5: one thirty four in the where they pulled over, and
• 9:22
  Speaker 5: then the leaves blowing in the street, like none of
• 9:25
  Speaker 5: the leaves on the trees were moving. It was just
• 9:27
  Speaker 5: like somebody with a blower off camera.
• 9:30
  Speaker 2: That took me out a little bit. I'm not gonna lie,
• 9:32
  Speaker 2: and I don't know why, Like who was like you know.
• 9:34
  Speaker 6: What I mean, it's because we've all driven there, like
• 9:36
  Speaker 6: we know where it is. That's why.
• 9:38
  Speaker 5: Yeah, Like I don't know, but this is how we
• 9:43
  Speaker 5: found out that, you know. She tells Rory that they
• 9:46
  Speaker 5: broke up, and Rory says she's not that surprised because
• 9:49
  Speaker 5: she never felt was that right. She kind of changed
• 9:53
  Speaker 5: her tune there a little bit, but I don't know,
• 9:56
  Speaker 5: it was funny, it was okay. I thought I thought
• 9:59
  Speaker 5: it was interesting that that whole thing was the was
• 10:02
  Speaker 5: the opening, like it was the apartment scene and the
• 10:05
  Speaker 5: driving scene. We're both before the credits. It wasn't just
• 10:08
  Speaker 5: one second.
• 10:10
  Speaker 2: Yeah, lengthy the credits.
• 10:12
  Speaker 1: The credits were. They nailed it on the credits. The
• 10:14
  Speaker 1: credits were really good. Great song, great great shots. The
• 10:19
  Speaker 1: credits were.
• 10:20
  Speaker 5: So it's so early, like right and Rury's dry showered,
• 10:26
  Speaker 5: She's ready to go.
• 10:27
  Speaker 3: It's well, she did make a comment that she gets
• 10:29
  Speaker 3: she got up because Doyle and Paris were up.
• 10:33
  Speaker 5: Yeah, but she was like ready to go, like she
• 10:36
  Speaker 5: was true.
• 10:37
  Speaker 2: Do you know any college students that are like, you
• 10:39
  Speaker 2: know what I'm going to do? Get up at six?
• 10:41
  Speaker 2: Like in college, you're like, I have a ten to
• 10:43
  Speaker 2: thirty class. I'm going to get up at ten twenty
• 10:45
  Speaker 2: two and run. Yeah.
• 10:47
  Speaker 1: No matter no matter how drab and opening we have,
• 10:52
  Speaker 1: it's always going to be a great opening because we
• 10:54
  Speaker 1: have the credits and we have that song.
• 10:57
  Speaker 2: Right, that's true. That does get you in the mood.
• 11:00
  Speaker 1: Gets you in the mood. I mean, that's that's the trick.
• 11:03
  Speaker 2: Do you not hit skip?
• 11:03
  Speaker 6: Do you let it play every time?
• 11:06
  Speaker 1: I watched it this time?
• 11:07
  Speaker 5: Okay?
• 11:08
  Speaker 1: Yeah, because I was too late. I was too late
• 11:10
  Speaker 1: on the skip, and the skip disappeared.
• 11:11
  Speaker 3: And it goes away.
• 11:16
  Speaker 1: The skipp goes away.
• 11:18
  Speaker 2: Okay.
• 11:19
  Speaker 5: So then then we go to Emily and Richard's house
• 11:22
  Speaker 5: and we have the whispering housekeeper. Now, does if you're
• 11:28
  Speaker 5: whispering gibberish, does that count as having lines?
• 11:31
  Speaker 2: And the thing so that.
• 11:34
  Speaker 1: I thought they could have used. I thought they could
• 11:36
  Speaker 1: have ut I thought they were setting us up for
• 11:38
  Speaker 1: some really great stuff with the whispering, because somewhere it
• 11:44
  Speaker 1: felt like there was going to be some payoff with that,
• 11:46
  Speaker 1: and there never was.
• 11:47
  Speaker 5: Yeah, other than her hiding Emily looking for her and
• 11:51
  Speaker 5: like looking under the furniture and stuff. That was a
• 11:54
  Speaker 5: little amusing.
• 11:54
  Speaker 2: But it's almost little amusing. I have a lot of amusing.
• 12:00
  Speaker 5: But I have to compliment the wardrobe in this scene,
• 12:06
  Speaker 5: because all three women were wearing lovely shades of blue.
• 12:09
  Speaker 5: Emily had that nice like kind of peacock colored sweater.
• 12:12
  Speaker 5: I liked the I liked all of their outfits in
• 12:14
  Speaker 5: this scene.
• 12:17
  Speaker 2: I still was like, h this is not a home
• 12:19
  Speaker 2: run for me right now.
• 12:21
  Speaker 5: No, it wasn't. They're serving non alcoholic drinks. This is
• 12:25
  Speaker 5: where we meet Francette, the nurse, who Emily seems to
• 12:29
  Speaker 5: not understand what a nurse does. It was a little annoying.
• 12:34
  Speaker 5: I don't know if they were just trying to show that,
• 12:37
  Speaker 5: you know, Emily thinks she's so far above everybody else
• 12:40
  Speaker 5: that anyone below her no matter what they do, they're
• 12:43
  Speaker 5: just all the same category to her. I don't know.
• 12:46
  Speaker 1: Yeah, this especially made both Gilmore's look bad. Yes, it
• 12:52
  Speaker 1: was not a good look for either one of them.
• 12:54
  Speaker 6: No, agree, whatever a random question.
• 12:56
  Speaker 2: I looks good in this episode, Like she's very you know,
• 13:00
  Speaker 2: helping the family. She comes across well, and so does
• 13:02
  Speaker 2: Rory Prankley.
• 13:03
  Speaker 1: But like and Laurel, I had like most of the
• 13:07
  Speaker 1: really strong lines. Yeah, I mean she provided a lot
• 13:11
  Speaker 1: of the last.
• 13:13
  Speaker 6: I have a random question. I know what Shirley Temple is,
• 13:17
  Speaker 6: but what's a Roy Rogers.
• 13:18
  Speaker 2: Hope it's just a grenadine and coke and coke. Yeah,
• 13:23
  Speaker 2: Shirley Temple's grenadine and seven up? Oh Roy Rogers is
• 13:28
  Speaker 2: if you don't want the seven up your coke and grenadine?
• 13:31
  Speaker 1: Oh yeah.
• 13:31
  Speaker 2: I love with the cherry Marashino. So I say Maraschino cherry.
• 13:36
  Speaker 2: Does anybody say Maraschino?
• 13:38
  Speaker 1: No?
• 13:40
  Speaker 2: Yeah, I say the same.
• 13:41
  Speaker 5: I think that's the best part of the whole drink.
• 13:43
  Speaker 5: I love those as I as a.
• 13:44
  Speaker 4: Kid, like your straw and like try to spear it
• 13:48
  Speaker 4: at the bottom of the guy.
• 13:49
  Speaker 6: I still get Shirley Temples, but you, Charlie, that's.
• 13:55
  Speaker 5: Just a dirty anyway. Okay. Richard comes down in his robe.
• 14:03
  Speaker 5: That was sort of an odd visual thing, like we
• 14:05
  Speaker 5: I don't know if we've ever seen Richard well.
• 14:07
  Speaker 2: Maybe once or twice seen him in the bed, but yeah,
• 14:10
  Speaker 2: we saw him in bed. We've seen him at clothes
• 14:12
  Speaker 2: in a while.
• 14:13
  Speaker 5: And he's ticked off about golf.
• 14:17
  Speaker 2: He's like watching old golf.
• 14:18
  Speaker 6: Yeah, I thought, there's he said, sixty nine?
• 14:22
  Speaker 5: Is that what he's well?
• 14:23
  Speaker 6: What's he watching on? Like an old tape that they were.
• 14:26
  Speaker 1: Going ESPN and the Golf Channel, like old PGA championships
• 14:32
  Speaker 1: and masked old masters. Chance.
• 14:35
  Speaker 2: I'm happy that he just doesn't need to be so
• 14:37
  Speaker 2: grouchy and neither is Yeah.
• 14:40
  Speaker 4: Is that a thing? Guys do watch old games?
• 14:44
  Speaker 2: Yeah? Oh probably, yeah, maybe some.
• 14:47
  Speaker 1: I actually confess to watching old golf matches. I do.
• 14:51
  Speaker 1: I identify with Richard on that.
• 14:54
  Speaker 5: Do you whint about fish while you're doing that?
• 14:56
  Speaker 1: I love fish.
• 14:57
  Speaker 3: I never want him, only if it's not pared right
• 15:00
  Speaker 3: then interrupt you watching?
• 15:05
  Speaker 1: She does, yes, but she's not irritated like that.
• 15:11
  Speaker 5: So I had a realization.
• 15:13
  Speaker 1: I watched golf eat fish and we laugh all day there.
• 15:16
  Speaker 1: It's wonderful.
• 15:27
  Speaker 5: So they were talking about the four hundred Corners game
• 15:29
  Speaker 5: Hens and I had I think I messed in the
• 15:32
  Speaker 5: last episode, or maybe the one before when Richard had
• 15:35
  Speaker 5: the heart attack. I had completely forgotten about this party
• 15:38
  Speaker 5: that Emily is planning for Christopher and Laurel. I so
• 15:43
  Speaker 5: that kind of got, you know, pushed to the side
• 15:45
  Speaker 5: because of Richard's heart attack. But now we've circled back to,
• 15:48
  Speaker 5: you know, that wedding party that they had the big
• 15:50
  Speaker 5: fight about, and now it's Emily's circling back to planning
• 15:54
  Speaker 5: for which I had.
• 15:55
  Speaker 2: Completely cornish game hens. Do you eat too so? Or
• 16:00
  Speaker 2: is it to assume there were four hundred people going
• 16:02
  Speaker 2: to that party?
• 16:04
  Speaker 5: Yeah? Four hundred people. I don't know.
• 16:07
  Speaker 1: Were they having the party at the house?
• 16:09
  Speaker 2: No, some country, A couple.
• 16:13
  Speaker 5: They were at that hotel.
• 16:16
  Speaker 2: Who's had a cornish game frequently?
• 16:19
  Speaker 1: Cornish game hens are wonderful.
• 16:21
  Speaker 5: They like chicken.
• 16:23
  Speaker 2: I've never had one.
• 16:24
  Speaker 5: Yeah, yeah, there's like little chicken.
• 16:26
  Speaker 1: They're like a pound and a half. Maybe they're all
• 16:31
  Speaker 1: smaller than yourself. I wouldn't say that. I mean if
• 16:35
  Speaker 1: you're if you're hungry, yeah, which is let's talk about
• 16:38
  Speaker 1: twenty four ounces of steak that ror ate at dinner. No, sorry,
• 16:43
  Speaker 1: nobody's eating like, sorry, that's a pound and a half
• 16:47
  Speaker 1: of meat. She just consumed. No, she did not.
• 16:51
  Speaker 5: And when when Richard asked Laurlai if Christopher was coming,
• 16:55
  Speaker 5: Emily had a look on her face.
• 16:57
  Speaker 2: I don't know if you guys know, you know, there's
• 16:58
  Speaker 2: trouble in Paradise, all right, yeah, yeah.
• 17:01
  Speaker 5: Yeah, So that was that was significant.
• 17:04
  Speaker 1: I didn't really feel like any of this was set
• 17:07
  Speaker 1: up that well where anybody would care that much or
• 17:10
  Speaker 1: be that surprised anyway, So why drag it out right,
• 17:15
  Speaker 1: Because it's not a focal point of the show. I
• 17:18
  Speaker 1: mean it's it's definitely part of the show, but it's
• 17:23
  Speaker 1: to base an episode around, and to think that the
• 17:27
  Speaker 1: fans are so invested in this whole relationship anyways.
• 17:32
  Speaker 4: We have been cringe since a lot would argue before,
• 17:36
  Speaker 4: but definitely since Paris.
• 17:38
  Speaker 1: Right right, right, So it's there was a good.
• 17:43
  Speaker 5: There was a good joke in there when well I
• 17:45
  Speaker 5: thought it was good when Rory was telling Lorelai she
• 17:49
  Speaker 5: has to tell Emily that they broke up because otherwise
• 17:52
  Speaker 5: Emily is going to kill four hundred corners game hands,
• 17:54
  Speaker 5: probably with her bare hands.
• 17:57
  Speaker 1: Yeah, as an attempted humor.
• 18:01
  Speaker 5: Yes, yes, there was also a Shakespeare joke in there
• 18:04
  Speaker 5: about Richard.
• 18:04
  Speaker 1: Oh that was good. That was the Richard the third
• 18:08
  Speaker 1: with the golf. That was really good. The way she
• 18:12
  Speaker 1: hunched over It's like, that's really good.
• 18:15
  Speaker 5: So that there was a little bright light in there.
• 18:19
  Speaker 1: Yeah. It was like, finally a laugh I can laugh now.
• 18:22
  Speaker 5: Yeah, right, and Emily's talking listing all the different fishy
• 18:25
  Speaker 5: fish that was that got old.
• 18:30
  Speaker 1: I can so agree. It was just dragging. Oh my god.
• 18:33
  Speaker 5: I know.
• 18:33
  Speaker 2: I was sort of like, is something wrong with me?
• 18:36
  Speaker 2: But I'm so happy.
• 18:37
  Speaker 1: Oh no, it's like he's cut back to laurel Ie
• 18:39
  Speaker 1: so she can be funny, give me.
• 18:41
  Speaker 2: More Logan in the birthday thing, I was just like,
• 18:43
  Speaker 2: this is.
• 18:44
  Speaker 1: See, that's another thing. Anyway, we'll get to it.
• 18:46
  Speaker 5: Okay, so we can get there right now, because the
• 18:48
  Speaker 5: next scene is at Logan's apartment, where Rory has made
• 18:51
  Speaker 5: him breakfast in bed. Please.
• 18:54
  Speaker 2: Logan with all his money loves a studio.
• 18:59
  Speaker 4: Oh yeah, mikasing to living in New York though.
• 19:04
  Speaker 2: You think he's got separate rooms, but no, everything in
• 19:07
  Speaker 2: the same room.
• 19:08
  Speaker 5: When she decorated there there they were in like a
• 19:11
  Speaker 5: living room kind of room, so I think it was
• 19:13
  Speaker 5: all just a big flat like.
• 19:15
  Speaker 2: Yeah, I assumed.
• 19:17
  Speaker 6: I assumed it was the others like another angle.
• 19:19
  Speaker 2: Yeah, yeah, it's all the same room.
• 19:22
  Speaker 3: It's the same thing though about the studio, I'm like,
• 19:25
  Speaker 3: you're spending all this money on you know your.
• 19:28
  Speaker 2: Company at Yale. At Yale, he had the same thing.
• 19:31
  Speaker 2: He just loves a big loft, a big yeah, yeah great,
• 19:40
  Speaker 2: it screams same set designer to me.
• 19:45
  Speaker 4: Not enough in the studio and this is all the
• 19:49
  Speaker 4: space we have in our sound stage.
• 19:51
  Speaker 2: Yeah whatever, cool apartment. I like his place.
• 19:55
  Speaker 5: Did you did you notice next to the window that
• 19:59
  Speaker 5: was very early two thousand?
• 20:01
  Speaker 2: Yeah, and I saw that that soldier what do you
• 20:04
  Speaker 2: call that ten suit?
• 20:07
  Speaker 5: Yeah?
• 20:07
  Speaker 1: Yeah, coat of arms?
• 20:09
  Speaker 2: Thank you he was that was from his other apartment. Yeah,
• 20:12
  Speaker 2: he took that.
• 20:14
  Speaker 5: I had a red flag on Rory's voice. She was
• 20:17
  Speaker 5: like really she had that baby voice. The people I noticed.
• 20:20
  Speaker 6: I noticed that.
• 20:22
  Speaker 2: I noticed that it's in.
• 20:23
  Speaker 5: Yeah, it was weird. And she's I don't.
• 20:25
  Speaker 2: Know something about her cinnamon to those look yummy covered
• 20:29
  Speaker 2: in the frosting.
• 20:30
  Speaker 5: They did look good. And he's inching off the little, tiny,
• 20:34
  Speaker 5: tiniest possible piece.
• 20:35
  Speaker 2: Of crumbs like day like sorry, uh Christopher eating that muffin.
• 20:40
  Speaker 2: David suggy like can you take a bite, dude, just
• 20:43
  Speaker 2: take a bye, like.
• 20:44
  Speaker 6: Uh, frosting's messy though.
• 20:47
  Speaker 2: Yeah, she did pretty good with that.
• 20:49
  Speaker 5: Yeah it looked goodyeral, but so then we found out
• 20:53
  Speaker 5: Hunsburgers didn't really celebrate birthdays, and she said, you didn't
• 20:58
  Speaker 5: have parties and he said, well, not with kid that
• 21:00
  Speaker 5: I knew. And it made me think of that party
• 21:02
  Speaker 5: that Emily threw for Rory, all the high school kids
• 21:07
  Speaker 5: that Rory didn't know any of them, So my brain
• 21:10
  Speaker 5: connected those dots. But then we also find out Logan
• 21:14
  Speaker 5: closed his big deal that he's been working on and
• 21:16
  Speaker 5: it's gonna there was a press release sent to the
• 21:18
  Speaker 5: Wall Street Journal, So there's a move the plot forward
• 21:21
  Speaker 5: a little bit there.
• 21:22
  Speaker 2: Yeah.
• 21:24
  Speaker 5: Then Emily calls Laurel I freaking out about the pharmacy.
• 21:28
  Speaker 5: I took that a little personally. No, I didn't really,
• 21:31
  Speaker 5: that's how far the are. And then the okay, this
• 21:36
  Speaker 5: is where Emily again with treating the nurse like the maid.
• 21:39
  Speaker 5: I can't tell the difference between them whatever. And then
• 21:44
  Speaker 5: they're always being helpful. She says she'll go pick up
• 21:46
  Speaker 5: Richard's meds. And then I did like the scene after
• 21:50
  Speaker 5: Emily hung up on her and Laurel I said Richard Christopher, Ye,
• 21:54
  Speaker 5: why that was?
• 21:56
  Speaker 1: That?
• 21:57
  Speaker 2: Actually was funny. That made me giggle too. I don't
• 21:59
  Speaker 2: have any real criticism of Lauren Graham in this episode.
• 22:02
  Speaker 1: No right, yeah, yeah, she was nailing everything.
• 22:07
  Speaker 2: Get her star on the Walk of Fame. Everybody, did
• 22:09
  Speaker 2: you see that she is? She's in the what is
• 22:14
  Speaker 2: it the twenty twenty five class or whatever where.
• 22:17
  Speaker 1: I'm really really, really really happy for her because the
• 22:23
  Speaker 1: year after year she was snubbed right by Emmy's by
• 22:27
  Speaker 1: I think she was nominated for a Golden Globe though, right,
• 22:31
  Speaker 1: wasn't she probably or something? I mean also, in seven years,
• 22:37
  Speaker 1: all those awards shows have an opportunity to nominate her
• 22:40
  Speaker 1: for her work and maybe one or two noums and
• 22:44
  Speaker 1: no wins. It's it's absurd, So very happy, so very
• 22:48
  Speaker 1: happy for her that that she's getting a star on
• 22:52
  Speaker 1: the Walk of Fame because it's much deserved and over
• 22:54
  Speaker 1: and long overdue.
• 22:55
  Speaker 2: By the way, totally totally yeah, I agree.
• 22:59
  Speaker 5: So then we go to Luke Steiner. Now this scene
• 23:03
  Speaker 5: was a shining star for me. I loved this entire
• 23:06
  Speaker 5: scene with Babbett and Miss Patty talking about talking and and.
• 23:11
  Speaker 6: The hen.
• 23:13
  Speaker 5: Very the rooster and then Kirk thinks it's all literal.
• 23:18
  Speaker 5: That was very good, classic stars hollow for me, it
• 23:23
  Speaker 5: needs to be with the.
• 23:26
  Speaker 2: That was good. That was good to use them again
• 23:29
  Speaker 2: and like that was good.
• 23:30
  Speaker 5: And then listen TJ come barging in with every single
• 23:34
  Speaker 5: piece of baby equipment known to man.
• 23:36
  Speaker 3: It's so funny when that happened. For some reason, We're like,
• 23:39
  Speaker 3: are they dropping off the baby again?
• 23:41
  Speaker 2: Do you remember when they just barged?
• 23:43
  Speaker 6: I was like, are we repeating this? But that wasn't it?
• 23:46
  Speaker 3: Yeah?
• 23:50
  Speaker 7: Mom, Yeah, I cringed a lot of the things that
• 23:56
  Speaker 7: TJ and oh my Liz Lizen TJ were doing a
• 24:03
  Speaker 7: lot of cringe, like putting the car seat in a snowsuit, like.
• 24:09
  Speaker 2: A snow suit.
• 24:10
  Speaker 4: It's just a lot of bad stuff. I'm like, oh man,
• 24:13
  Speaker 4: the safety of this child is not.
• 24:17
  Speaker 1: What are the chances gonna make it? Baby is not
• 24:21
  Speaker 1: gonna make it.
• 24:22
  Speaker 2: No, this baby was legit.
• 24:23
  Speaker 4: It blinked.
• 24:27
  Speaker 1: You wouldn't believe how how realistic.
• 24:29
  Speaker 2: These rubber babies. The rubber baby. Do you guys remember
• 24:34
  Speaker 2: when Luke's like, hi, doulah, that funny.
• 24:40
  Speaker 4: It was just funny. It's so matter of fact instead
• 24:43
  Speaker 4: of laughing.
• 24:45
  Speaker 5: Yeah, that was good. The TJ had a funny line
• 24:48
  Speaker 5: in there. It was kind of risque about how moths
• 24:51
  Speaker 5: are just loser butterflies.
• 24:53
  Speaker 1: Right.
• 24:55
  Speaker 5: Anyways, I won't finish the line because it's a.
• 24:57
  Speaker 1: Little no no, but that that what the finish it.
• 25:00
  Speaker 1: It's okay, you it was, you're safe here.
• 25:04
  Speaker 5: I don't have the right if they couldn't get lad
• 25:09
  Speaker 5: if they had one hundred dollars bill tied to there
• 25:12
  Speaker 5: and then he got cut off. So that bit.
• 25:17
  Speaker 1: Of getting that's what That's what I love about this
• 25:20
  Speaker 1: show because it's it's actually an edgy show. They just
• 25:23
  Speaker 1: don't go all the way. Yeah, I suggest it, which
• 25:26
  Speaker 1: is brilliant, brilliant, Like.
• 25:28
  Speaker 2: The bit of getting them to move in with Luke
• 25:30
  Speaker 2: for a minute because it brings them together. Yeah, some
• 25:35
  Speaker 2: pretty good scenes and the talking about him at night
• 25:39
  Speaker 2: like that actually was clever and really good.
• 25:42
  Speaker 5: Yeah, it was. It was. It was a big build
• 25:45
  Speaker 5: up though, just for the payoff of seeing Luke thinking
• 25:49
  Speaker 5: about Lorelei again, like it was a big setup.
• 25:53
  Speaker 1: You know, here's a little behind the scenes. They weren't
• 25:57
  Speaker 1: They weren't actually in the room doing the dialogue on
• 26:00
  Speaker 1: my close up of that show when I shot that
• 26:03
  Speaker 1: later part of it. Yeah, that was after the fact,
• 26:06
  Speaker 1: and the dialogue was being read to me by I
• 26:09
  Speaker 1: think George Bell. Our scripts are are are not. He's
• 26:14
  Speaker 1: not the script supervisor. He's the dialogue dialogue coach. Yeah,
• 26:18
  Speaker 1: and a good actor, a fine actor in his own right,
• 26:21
  Speaker 1: so he he was doing both sides of that sort.
• 26:26
  Speaker 3: I've always wondered that, is that what usually happens on
• 26:28
  Speaker 3: sets when there's okay yeah, so when someone.
• 26:31
  Speaker 1: Say something like that, yeah, where it's like.
• 26:33
  Speaker 2: You have to react.
• 26:34
  Speaker 1: But the thing is they can schedule that my shot
• 26:37
  Speaker 1: at any time that really works for them scheduling wise,
• 26:42
  Speaker 1: So it's often not when the other two actors are working.
• 26:46
  Speaker 2: Because also they are guest actors. Would they only maybe
• 26:49
  Speaker 2: come for a couple of days and you're there all week?
• 26:52
  Speaker 5: Yeah, so they want to shoot all their scenes the
• 26:54
  Speaker 5: same day.
• 26:54
  Speaker 2: Yeah, makes sense.
• 26:57
  Speaker 5: Interesting, that's cool, very yeah, And that's how they do it,
• 27:00
  Speaker 5: Like with telephone calls, right where there's it's coming back
• 27:03
  Speaker 5: and forth between two people on the phone.
• 27:05
  Speaker 4: Yeah.
• 27:06
  Speaker 1: Yeah, you're rarely talking to the other actor or even
• 27:09
  Speaker 1: hearing the other actor because they're not there that day.
• 27:12
  Speaker 1: They're not working that day. So it's so it's always
• 27:14
  Speaker 1: like a scripty is doing it, script supervisor, dialogue coach
• 27:17
  Speaker 1: is doing it, or another you know, somebody's doing it
• 27:21
  Speaker 1: but it ain't but it ain't. Yeah, interesting, interesting.
• 27:26
  Speaker 5: Very cool. Okay, So then we go back to Emily
• 27:31
  Speaker 5: and Richards and we're gonna yell about the boots some more.
• 27:35
  Speaker 5: I did notice that the candles weren't hard.
• 27:38
  Speaker 2: I don't like I could have.
• 27:38
  Speaker 3: Just cut out yeah, yeah, like what's so bad about soup?
• 27:43
  Speaker 2: And yeah, and then it's prepared by a five starship.
• 27:47
  Speaker 5: And he suggests a sandwich and Richard loses his mind. Right, okay,
• 27:55
  Speaker 5: so dinner's dinner is not good. The candles weren't lit
• 27:58
  Speaker 5: in this one, which I thought was interesting because Emily
• 28:00
  Speaker 5: is usually so like everything has to be exactly perfect the.
• 28:04
  Speaker 6: Time script.
• 28:08
  Speaker 1: Somebody, somebody.
• 28:11
  Speaker 2: And then they were busy lighting over at Logan's studio
• 28:16
  Speaker 2: to make sure that birthday.
• 28:18
  Speaker 1: Decorations, well, they ran out of candles because of the
• 28:21
  Speaker 1: dinner scene with mister Huntspurd, that's true.
• 28:23
  Speaker 5: They were busy assembling the suit of armor, I guess.
• 28:28
  Speaker 5: So Richard's yelling at the chef, and Laurel I shows
• 28:34
  Speaker 5: up with Richard's medication and tries to calm Emily down.
• 28:38
  Speaker 5: And then we have Suki showing up too with you
• 28:41
  Speaker 5: know healthy food for richards, so that that seems just
• 28:44
  Speaker 5: a hot mess.
• 28:46
  Speaker 1: It's just so many people getting pissed off all the time.
• 28:49
  Speaker 5: Everybody was pussy, everybody was yelling.
• 28:51
  Speaker 1: You know, I'm watching a serials not to do unsolicited
• 28:56
  Speaker 1: plug but I'm watching a series now on Netflix called
• 28:59
  Speaker 1: Call My Agent, and it's a French show. It's a
• 29:00
  Speaker 1: comedy and there's a lot of people flipping out all
• 29:04
  Speaker 1: the time. But it's so funny because it's all set
• 29:08
  Speaker 1: up so beautifully and it's so interconnected. It's not like
• 29:10
  Speaker 1: ambling and kind of out of the blue.
• 29:13
  Speaker 3: And another show that's like that right now is The Bear.
• 29:15
  Speaker 3: Like I feel like sometimes stressed out watching that show.
• 29:18
  Speaker 3: But I agree, but I agree like this just felt
• 29:21
  Speaker 3: like unnecessary when other shows I think it works.
• 29:24
  Speaker 1: But I think the difference is that that single camera
• 29:29
  Speaker 1: comedies are different from Gilmour because it was a dramedy,
• 29:34
  Speaker 1: right it what, So it's just that it's Watch Call
• 29:41
  Speaker 1: My Agent. Watch watch a couple of episodes in the
• 29:44
  Speaker 1: first season. You'll see what I mean. These people are
• 29:46
  Speaker 1: stressed out.
• 29:48
  Speaker 2: Yeah, and the show can really make you feel agivate
• 29:52
  Speaker 2: where you're.
• 29:52
  Speaker 1: Like no, but this show doesn't because they know how
• 29:54
  Speaker 1: to let you release it, because they it's all always
• 29:58
  Speaker 1: the right tone. You buy into, you buy into the way.
• 30:04
  Speaker 1: It's like, it's almost like seasons. Part of Season seven
• 30:06
  Speaker 1: is we've for six seasons, we've bought into this world.
• 30:09
  Speaker 1: We know it's funny. We've defined everything, the parameters of
• 30:12
  Speaker 1: this world, how things are set up and how they're
• 30:14
  Speaker 1: paid off. But Season seven doesn't seem to be following
• 30:17
  Speaker 1: those rules at times. And I think this is one
• 30:20
  Speaker 1: of those times.
• 30:25
  Speaker 2: I think you're right, it's got too much, too much irritant,
• 30:29
  Speaker 2: not enough release, right.
• 30:31
  Speaker 1: It's just not how we want to see the Gilmour's
• 30:33
  Speaker 1: not in that situation. I mean, it's already a serious
• 30:37
  Speaker 1: enough situation with recovering from what triple bypass surgery, right,
• 30:42
  Speaker 1: so lighten it up, make it fun and make it funny.
• 30:46
  Speaker 1: You know.
• 30:46
  Speaker 5: Well, this scene, for me, basically it was just like
• 30:50
  Speaker 5: a carbon copy of the scene we already saw at
• 30:53
  Speaker 5: dinner twice. You know, It's like, well, sometimes less is more,
• 30:58
  Speaker 5: So I didn't I didn't really need that scene. While
• 31:11
  Speaker 5: Laura I is still in the kitchen at Emily's, Rory
• 31:13
  Speaker 5: calls her and starts asking about all of her birthday parties,
• 31:16
  Speaker 5: and then we get that was kind of cute like
• 31:19
  Speaker 5: that Laura I has planned for Rari over the years,
• 31:23
  Speaker 5: and I thought, oh, that's cute, Like I didn't do
• 31:26
  Speaker 5: stuff like that. He was cute and we always the
• 31:30
  Speaker 5: easy way out on parties. But Emily I had the
• 31:33
  Speaker 5: list of it all.
• 31:34
  Speaker 2: I won't wore everybody, but I had the list of
• 31:36
  Speaker 2: it all somewhere of all the different things.
• 31:38
  Speaker 5: Yeah, a space party and yeah, so Emily I can't
• 31:45
  Speaker 5: keep their names straight. Rory is, you know, feeling bad
• 31:48
  Speaker 5: that Logan didn't have these experiences in his own childhood,
• 31:51
  Speaker 5: so she's trying to create one giant birthday party with
• 31:54
  Speaker 5: all of these experiences.
• 31:55
  Speaker 2: It was cute, are painful. I'll get to that when
• 31:59
  Speaker 2: we get to that.
• 32:00
  Speaker 5: Yeah, and then Logan calls and drops the bomb that
• 32:05
  Speaker 5: they're going out to dinner with his dad for his birthday.
• 32:10
  Speaker 5: All right, So then we see Liz making her jewelry.
• 32:16
  Speaker 5: Wasn't that attractive?
• 32:18
  Speaker 2: Fishing line?
• 32:19
  Speaker 5: Fishing line and the feathers, and then I thought it
• 32:25
  Speaker 5: was cute. TJ wearing the baby. I thought that was adorable.
• 32:30
  Speaker 5: And then so this is where they start talking about
• 32:33
  Speaker 5: Laura I.
• 32:33
  Speaker 1: And Liz the biggest laugh of the show.
• 32:39
  Speaker 5: Oh, TJ.
• 32:40
  Speaker 1: I mean I already did it. I'm not gonna do
• 32:42
  Speaker 1: but it's like, thank god for TJ. I mean, just
• 32:47
  Speaker 1: the facial expressions that the delivery yeah, so good.
• 32:52
  Speaker 2: Be redundant, but I do like them all in their
• 32:54
  Speaker 2: scene together. Yeah, it's enjoyable.
• 32:59
  Speaker 5: It was. It was good, like brother sister banter between
• 33:02
  Speaker 5: Luke and like, aren't you going to call her? No,
• 33:04
  Speaker 5: I'm not going to call her, and then TJ like,
• 33:08
  Speaker 5: don't get back together with her.
• 33:09
  Speaker 1: It was good.
• 33:10
  Speaker 5: I just I didn't have any any issues.
• 33:13
  Speaker 4: And I love that, Like TJ is so protective of
• 33:16
  Speaker 4: Luke weirdly, you know, he's kind of just being like, no,
• 33:20
  Speaker 4: you don't need it, you don't need it.
• 33:22
  Speaker 2: Yeah right.
• 33:23
  Speaker 4: I liked that.
• 33:27
  Speaker 6: This is kind of random, but.
• 33:28
  Speaker 4: They've come a long way.
• 33:29
  Speaker 2: They have.
• 33:30
  Speaker 5: Yeah, since TJ called him a dick.
• 33:35
  Speaker 2: This is kind of random.
• 33:36
  Speaker 3: But I'm rewatching the Resident, which is obviously logan but yeah,
• 33:44
  Speaker 3: Matt Zuker. But I didn't know until I was rewatching
• 33:47
  Speaker 3: it that Missus, Kim and Liz our guests make guest
• 33:50
  Speaker 3: appearances on the show.
• 33:53
  Speaker 5: Too.
• 33:53
  Speaker 2: I watched every episode.
• 33:55
  Speaker 3: Oh no, I've watched it too, but it's been so
• 33:56
  Speaker 3: long that I was like, I have forgot there on
• 33:58
  Speaker 3: the show. So I was like, oh, I like the
• 33:59
  Speaker 3: Gilmore crossing.
• 34:01
  Speaker 2: As I just remember so much from Er.
• 34:03
  Speaker 5: There was a Yes, that's where I knew her from first.
• 34:06
  Speaker 2: So when I saw her in Guilty, was like Anthony
• 34:08
  Speaker 2: edward sister I think or something? Was she Anthony Edward's
• 34:11
  Speaker 2: sister on it? She had a drug problem, she was
• 34:14
  Speaker 2: Susan Soon she was Sherry Stringfields. Yeah, yeah, yeah, you're right.
• 34:17
  Speaker 5: Yeah, but going back resident for a minute, I haven't
• 34:20
  Speaker 5: watched it, but i've seen it posted. There was there
• 34:23
  Speaker 5: was an actual Gilmore callback in that show. There was
• 34:27
  Speaker 5: a photograph of a T shirt or something.
• 34:30
  Speaker 2: Yeah, they did on Supernatural. They did that on Supernatural too, Scott,
• 34:34
  Speaker 2: did you know that there's a scene I think Jared
• 34:37
  Speaker 2: and uh, oh my god, don't say it acles Jensen
• 34:41
  Speaker 2: Ackles are driving somehow on the lot in a tour. Yeah,
• 34:48
  Speaker 2: it's good.
• 34:49
  Speaker 1: Speaking of Jared, I just texted him today his show
• 34:54
  Speaker 1: got canceled.
• 34:55
  Speaker 2: I felt he forgot about it. He spoke out.
• 34:58
  Speaker 1: I did. He wasn't thrilled. Yeah, no, what he's his
• 35:02
  Speaker 1: best work is in front of him. It's going to
• 35:04
  Speaker 1: be exciting to see what he goes on to do.
• 35:06
  Speaker 1: You know, he's still young. He's still like in his twenties,
• 35:09
  Speaker 1: or he's like twenties, he's but he's such a still
• 35:13
  Speaker 1: looks so young. It's so crazy. I'm looking up how
• 35:16
  Speaker 1: in twenty four years I met him when he was eighteen.
• 35:19
  Speaker 6: He forty one.
• 35:23
  Speaker 2: Jensen about the same.
• 35:24
  Speaker 4: I just a beautiful forty one year old.
• 35:29
  Speaker 1: He's a good man, good man.
• 35:32
  Speaker 4: Jensen is forty six.
• 35:33
  Speaker 2: Yeah, I knew Jensen was close to my age.
• 35:37
  Speaker 5: So we go to the restaurant where Rory and Logan
• 35:40
  Speaker 5: are having and Mitcham are having dinner. And I liked
• 35:45
  Speaker 5: Rory in the scene. I thought she did a good
• 35:49
  Speaker 5: job because Mitcham all of a sudden, is very complimentary,
• 35:52
  Speaker 5: and so she's kind of like, rest what is your deal?
• 35:56
  Speaker 5: And she I guess, actually, technically that's the next restaurant scene.
• 36:02
  Speaker 5: But this is this scene is where she mentions the
• 36:04
  Speaker 5: rest and fellowship, So that is.
• 36:06
  Speaker 2: Going to be right right important note Rory applies for
• 36:09
  Speaker 2: the James Reston Journalism Fellowship. That will be importantly to yes.
• 36:15
  Speaker 5: So they do a little toast it was kind of
• 36:19
  Speaker 5: cute and then irritating.
• 36:21
  Speaker 2: This was not irritating, you know what I mean, Like
• 36:24
  Speaker 2: I found them to be fine, and even though like
• 36:27
  Speaker 2: Mitcham was full of bloney, it was I did not
• 36:32
  Speaker 2: mind this not irritating.
• 36:34
  Speaker 4: But but I was very much like, Okay, what's what's
• 36:39
  Speaker 4: the deal? What's you know.
• 36:40
  Speaker 1: What's the right? You know, something's up with like why
• 36:44
  Speaker 1: is he being so nice? Right?
• 36:46
  Speaker 5: Right?
• 36:48
  Speaker 1: But he's just he just owns that role so much.
• 36:51
  Speaker 1: It's so fun to watch him.
• 36:53
  Speaker 2: I could have used more of that dinner and less
• 36:56
  Speaker 2: of the dinner at the game.
• 36:58
  Speaker 3: So yeah, a little bit more of like Logan's birthday
• 37:02
  Speaker 3: at the apartment something like.
• 37:03
  Speaker 1: Right, And I think I think the bar has been
• 37:06
  Speaker 1: set so high on Friday night dinners that when it
• 37:10
  Speaker 1: doesn't come through, it's just all the more disappointing.
• 37:13
  Speaker 2: Right, Yeah, yes, yes, because you think back of that
• 37:17
  Speaker 2: scene that uh Kenny or Tega directed with the camera
• 37:22
  Speaker 2: going around, and you're like, this is the best thing
• 37:24
  Speaker 2: ever happened on the show, and then this one, I'm.
• 37:26
  Speaker 1: Like, oh, I mean, you could do a highlight reel.
• 37:28
  Speaker 1: You could do a twenty hour highlight reel just on
• 37:31
  Speaker 1: Friday night dinners. Ye yeah, yeah, and your stomach would
• 37:35
  Speaker 1: hurt bad food. But I'm just saying from the last
• 37:38
  Speaker 1: you know, right right.
• 37:40
  Speaker 5: So then we go back to Emily and Richardson. Thankfully
• 37:43
  Speaker 5: we are not at the dinner table, but Lorla is
• 37:46
  Speaker 5: helping Emily with the business stuff, so there was good.
• 37:49
  Speaker 5: This guy was a good string or good Yeah. Yeah,
• 37:52
  Speaker 5: Emily like reaches behind the books and pulls out the
• 37:55
  Speaker 5: alcohy some nuts or something. I think, yeah, Scena similar.
• 38:02
  Speaker 1: Sorry this didn't improve things for me at all.
• 38:04
  Speaker 2: Oh really, I actually thought this was quite enjoyable them
• 38:07
  Speaker 2: kind of getting drunk and then bonding and really having.
• 38:13
  Speaker 4: To a new analogy.
• 38:16
  Speaker 1: See that's what I like. I like the canoe and
• 38:18
  Speaker 1: the kayak thing.
• 38:19
  Speaker 5: And then it was all this sought it was coming up,
• 38:26
  Speaker 5: that wasn't There's like a couple of these scenes right
• 38:29
  Speaker 5: clicking the whole thing. Yeah, so I thought it was cute,
• 38:32
  Speaker 5: like Laurlay was teaching her how to do the computer stuff.
• 38:35
  Speaker 5: I thought it was.
• 38:37
  Speaker 2: And then the Emily understands like Richard learned that Laura
• 38:41
  Speaker 2: is super successful and runs a big business and.
• 38:45
  Speaker 1: He showed her love and respect. You know.
• 38:48
  Speaker 4: It was importantly independent, you know, and that's not anything
• 38:52
  Speaker 4: that Allie has.
• 38:53
  Speaker 2: Also, Laura is like an n b A, right, she went,
• 38:56
  Speaker 2: did she go? What did she?
• 38:58
  Speaker 5: She has?
• 38:59
  Speaker 2: Just college? Okay? Sorry, yeah, so that was just her
• 39:02
  Speaker 2: finishing college right, right.
• 39:06
  Speaker 5: So the first the first time we see them in
• 39:09
  Speaker 5: Richard's study is where Laurel I says that she and
• 39:13
  Speaker 5: Christopher split up. Like she she drinks the vodka and
• 39:16
  Speaker 5: you can see her, like she gets her courage up
• 39:18
  Speaker 5: and she just blurts it out. And it was funny
• 39:23
  Speaker 5: when Emily said I don't know what to say, and
• 39:27
  Speaker 5: Laurel I said that's great, like.
• 39:34
  Speaker 2: Yeah, learning that Richard and Emily own windmills out by
• 39:38
  Speaker 2: Palm Springs because I know what those windmills? You know,
• 39:44
  Speaker 2: you're almost there?
• 39:45
  Speaker 5: Yeah, And then uh, then we go back to the
• 39:49
  Speaker 5: restaurant and Logan gets a call from Hong Kong because
• 39:52
  Speaker 5: you know, he's a big businessman now. And this is
• 39:54
  Speaker 5: when Mitcham compliments Rory and and basically attributes logan and
• 40:00
  Speaker 5: success to Rory's influence. And she called him out on it,
• 40:04
  Speaker 5: which I like, She's like, you know, you told me
• 40:07
  Speaker 5: I didn't have it, And he's like, oh, you know,
• 40:09
  Speaker 5: I was wrong, things change, whatever, but.
• 40:11
  Speaker 1: That's what he was. But he wasn't talking about journalism.
• 40:14
  Speaker 1: He was talking about.
• 40:16
  Speaker 4: With Logan, relation to the family.
• 40:18
  Speaker 1: His son and his ultimately his family. Yeah.
• 40:21
  Speaker 5: Yeah, I proud that she said that to him and
• 40:24
  Speaker 5: didn't and he.
• 40:25
  Speaker 2: Didn't have to make it like a little like she
• 40:28
  Speaker 2: did before.
• 40:28
  Speaker 4: Oh do we think that Rory understood what he was saying,
• 40:32
  Speaker 4: because part of me made me think that in this
• 40:34
  Speaker 4: scene she thought that he was changing his viewpoint on her.
• 40:40
  Speaker 4: But I took it as he was saying, well, now
• 40:43
  Speaker 4: that I'm kind of forced.
• 40:44
  Speaker 2: I think she got it. I think I think so
• 40:47
  Speaker 2: what do you think she gets that? He does think
• 40:50
  Speaker 2: she's good for Logan. He's not lying about that. He
• 40:53
  Speaker 2: does think she's good for Logan, Yes, but he doesn't
• 40:57
  Speaker 2: still respect her as like a journalist person.
• 41:00
  Speaker 4: Because him saying, oh, you circumstances right, his wife is
• 41:04
  Speaker 4: good for him.
• 41:06
  Speaker 2: He wants Rory to guide Logan, right.
• 41:08
  Speaker 1: So as long as she's in that traditional yeah, female
• 41:12
  Speaker 1: role subservient to the man with her, I don't I.
• 41:19
  Speaker 2: Didn't get it as subservient. I'm getting it as you
• 41:23
  Speaker 2: have power and influence over my son. So I'm going
• 41:27
  Speaker 2: to exert power and influence over you, so you will
• 41:29
  Speaker 2: tell him to do what I want him to do.
• 41:31
  Speaker 1: Right, exactly.
• 41:33
  Speaker 5: Yeah, they'll set her up manipulative where she wants to be.
• 41:38
  Speaker 5: I don't think he was expecting her to not work
• 41:41
  Speaker 5: and to just be the society.
• 41:43
  Speaker 2: But Scott's right when he said the word manipulative. Mitcham
• 41:46
  Speaker 2: is manipulating the situation. And now he knows this woman
• 41:50
  Speaker 2: can control my son, so I'm going to tell her
• 41:53
  Speaker 2: what I want.
• 41:56
  Speaker 1: It's like, it's like mister Huntsberger is operating on a
• 42:00
  Speaker 1: completely different level, not on a really an emotional level
• 42:08
  Speaker 1: as what's really good for his son. In terms of
• 42:11
  Speaker 1: his relationship with with Rory. Yeah, it's this is good
• 42:16
  Speaker 1: for my son's business. It's good for my business. Yeah,
• 42:20
  Speaker 1: And so ultimately, I'm going to continue to use you, Rory,
• 42:24
  Speaker 1: and manipulate you. And here's any job you want at
• 42:27
  Speaker 1: any newspaper, which is just like a massive insult. Right
• 42:31
  Speaker 1: doesn't care about like he values her in a way
• 42:34
  Speaker 1: that is entirely under his control.
• 42:39
  Speaker 4: The cheers to the same page, maybe want to vomit.
• 42:42
  Speaker 4: I'm like, oh, like you knew what he was doing.
• 42:46
  Speaker 5: I mean his his interactions with Logan have always been
• 42:51
  Speaker 5: about the business and about Logan, you know, growing up
• 42:55
  Speaker 5: and being a man. And you know not it's never
• 42:58
  Speaker 5: been It was Shira and the grandfather that care about
• 43:02
  Speaker 5: who Logan partners up with. Mitcham never cared about that.
• 43:08
  Speaker 5: He's always been about the business. Not so much like
• 43:10
  Speaker 5: Amy you just said. He doesn't care about Logan's happiness.
• 43:13
  Speaker 5: He just he just wants Logan to be a businessman
• 43:16
  Speaker 5: and you know, represent the family in the business.
• 43:19
  Speaker 2: Danielle, give your flag and then I'll read the line.
• 43:22
  Speaker 4: My little flag is I do think he kind of
• 43:24
  Speaker 4: does care about who he's with, because wasn't it wasn't
• 43:28
  Speaker 4: it Mitcham that told Richard like, well, the Gilmore's are
• 43:31
  Speaker 4: here and the hunts Burghers are here, Like, wasn't that
• 43:34
  Speaker 4: his thing?
• 43:35
  Speaker 2: Jo?
• 43:35
  Speaker 5: That was Shira that?
• 43:37
  Speaker 2: No, it was also Mitcham in the bathroom. It was
• 43:40
  Speaker 2: a little bit of Mitcham in the bathroom. But the
• 43:43
  Speaker 2: line that Mitcham says is you've been a real asset
• 43:46
  Speaker 2: to Logan and our family. So what he learned is
• 43:50
  Speaker 2: over the course of their relationship that she is guiding
• 43:55
  Speaker 2: him in a good way. And now they Mitcham sees that,
• 43:58
  Speaker 2: so he's glomming onto Rory even though he didn't give
• 44:00
  Speaker 2: two hoops about her earlier.
• 44:04
  Speaker 5: Yeah, it was shere's the one that said something like
• 44:06
  Speaker 5: there's our money and then there's your money. That was
• 44:10
  Speaker 5: at that Da R event.
• 44:12
  Speaker 2: And then when Richard and Mitcham had the fight in
• 44:15
  Speaker 2: the bathroom, it got kind of yeah, h yeah, Mitcham's
• 44:21
  Speaker 2: an ass, but he's still an ass. He just knows
• 44:23
  Speaker 2: that Rory is good for Logan anyway.
• 44:25
  Speaker 5: Right, right, So then we go we have that scene
• 44:30
  Speaker 5: we touched on it in the in Luke's apartment where
• 44:32
  Speaker 5: they're they're all in bed. Luke is lying there awake
• 44:35
  Speaker 5: and he's listening to TJ and Liz kind of you know,
• 44:37
  Speaker 5: whisper whisper about him. And then good scene. Okay, so
• 44:45
  Speaker 5: now this now we get to the scene, the kayak scene,
• 44:48
  Speaker 5: so Lorlin Emily, they've they've put down a few and
• 44:52
  Speaker 5: they're still trying to figure out how to use the computer.
• 44:56
  Speaker 5: And this is a scene where I'm reaches behind the
• 45:01
  Speaker 5: books and pulls out this random bowl of nuts. I like,
• 45:06
  Speaker 5: just I don't know, really, she just keeps him back
• 45:08
  Speaker 5: there and I really liked the canoe kayak analogy. I
• 45:13
  Speaker 5: thought that was that was pretty spot on, and personally,
• 45:18
  Speaker 5: I love finally, like we started to talk about I
• 45:21
  Speaker 5: loved Emily finally acknowledging that, you know, maybe Lauralai's path
• 45:26
  Speaker 5: that she chose is okay, and it's okay that she
• 45:30
  Speaker 5: didn't pick Emily's lifestyle and she seemed maybe a little jealous.
• 45:35
  Speaker 2: That so painful and she changes her tune at the end.
• 45:40
  Speaker 2: It's so pained that.
• 45:41
  Speaker 3: That's what I think is Danielle, Is that what you
• 45:42
  Speaker 3: were talking about where you felt like you missed the part?
• 45:45
  Speaker 4: Yeah and yeah. And also it's because it was such
• 45:49
  Speaker 4: a like when Lorelai told her that she broke up
• 45:54
  Speaker 4: with Christopher, it was very much like, oh, okay, we're
• 45:59
  Speaker 4: lost in over it and Emily bringing it back up
• 46:03
  Speaker 4: with a little bit of disdain for it. But then
• 46:06
  Speaker 4: I'm like, I can't I feel like she played it
• 46:09
  Speaker 4: super well because you can't tell what she's really thinking.
• 46:12
  Speaker 1: Is she upset or.
• 46:14
  Speaker 4: Is she kind of just being like, we're doing this,
• 46:18
  Speaker 4: We're doing this right, We're canceling this. Like I couldn't
• 46:22
  Speaker 4: figure out what she was actually trying to say.
• 46:25
  Speaker 5: Yeah, then we go back to Logan's apartment and we
• 46:37
  Speaker 5: see that Rory's got the whole apartment decorated for every
• 46:41
  Speaker 5: birthday from zero to twenty five, and Logan is very
• 46:46
  Speaker 5: excited to see it. And this is where they have
• 46:51
  Speaker 5: the conversation about what happened to dinner, and Logan says,
• 46:54
  Speaker 5: you got hutsburgered, And it reminded me of that scene
• 46:57
  Speaker 5: with Luke and Emily where Laurel I tells him you
• 47:00
  Speaker 5: got gilboard.
• 47:01
  Speaker 2: Yeah.
• 47:02
  Speaker 6: Yeah.
• 47:04
  Speaker 5: And this is when we find out that the whole
• 47:09
  Speaker 5: business thing has collapsed, Like I didn't pass so whatever.
• 47:14
  Speaker 2: This was so brutal because you find that out Rory's
• 47:19
  Speaker 2: got this whole plan, and I actually felt for Logan
• 47:22
  Speaker 2: because he's baking it with her. Yes, okay, let's go.
• 47:25
  Speaker 1: And I'm like, oh, you know, that's that's very well,
• 47:28
  Speaker 1: that's well researched. Because the thing that you find in
• 47:30
  Speaker 1: Silicon Valley and big tech and medium tech and small
• 47:33
  Speaker 1: tech is the big guys and everybody is always stealing
• 47:37
  Speaker 1: from the small innovative companies. It's always a patent infringement lawsuit.
• 47:41
  Speaker 1: They always wait for a big guy to profit huge
• 47:44
  Speaker 1: from the their theft from your company. So that you
• 47:47
  Speaker 1: can see the crap out of them. And so it was.
• 47:53
  Speaker 1: It was. It was a very very believable outcome. Tragic
• 47:57
  Speaker 1: for Yeah, yeah, Logan.
• 48:00
  Speaker 3: I also felt bad the guy called him on his
• 48:02
  Speaker 3: birthday and then the call with happy birthday, and I
• 48:04
  Speaker 3: was like, dude.
• 48:06
  Speaker 5: Like really yeah, like poor Yeah, But the fact.
• 48:09
  Speaker 4: That Logan was just gonna carry on, I don't know,
• 48:12
  Speaker 4: I feel like most people.
• 48:15
  Speaker 3: Yeah, yeah, because if roles were reversed, it was rory.
• 48:18
  Speaker 3: She wouldn't she would have been upset the.
• 48:21
  Speaker 1: Rest of the night. Well, she would said something I did.
• 48:24
  Speaker 5: I did have a red flag that they were going
• 48:26
  Speaker 5: to go ice skating in Central Park. It's like ten
• 48:28
  Speaker 5: o'clock at night.
• 48:29
  Speaker 2: It's a little late.
• 48:30
  Speaker 4: They haven't been late in Central Park at two am.
• 48:34
  Speaker 6: I was gonna say, uh.
• 48:39
  Speaker 4: Late, have been on Central Park ice skating two am?
• 48:45
  Speaker 6: And the Rockefeller goes until like midnight, right, yeah.
• 48:48
  Speaker 5: Yeah, Okay. So then very quick scene in Luke's apartment,
• 48:53
  Speaker 5: Lizen TJ. You're cleaning up a big mess, and we
• 48:55
  Speaker 5: find out that the moths are gone. They've served their
• 48:58
  Speaker 5: purpose in the plot, and now they can go back
• 49:01
  Speaker 5: to their own apartment.
• 49:03
  Speaker 6: That made me feel like there were no moths.
• 49:05
  Speaker 4: They just they just wanted a vacation.
• 49:10
  Speaker 5: But we get the to the two second shot of
• 49:13
  Speaker 5: Luke looking at the phone, so you know he's thinking
• 49:15
  Speaker 5: because Liz had been telling him to call Laura.
• 49:17
  Speaker 2: I So we kind of see those Yeah, that was
• 49:19
  Speaker 2: very cute.
• 49:20
  Speaker 5: And then back to Emily and Richards. Now it's the
• 49:23
  Speaker 5: next morning and this is this was where you know
• 49:26
  Speaker 5: Emily's true colors.
• 49:27
  Speaker 2: I did not like this.
• 49:28
  Speaker 5: Come back again, Like we had that nice moment when
• 49:32
  Speaker 5: they're all liquored up, and now that she's sober again,
• 49:34
  Speaker 5: she's back to back to Emily.
• 49:38
  Speaker 4: Yeah, I mean, I don't know if it was mean though, I.
• 49:42
  Speaker 1: Don't hung over. She's just hung over, you know, and
• 49:45
  Speaker 1: now she's taking what her life has become. I didn't
• 49:48
  Speaker 1: think she was being mean.
• 49:50
  Speaker 5: I thought she was just being Yeah, she was a
• 49:52
  Speaker 5: little snotty, well a lot snotty. I don't know. It's
• 49:57
  Speaker 5: like you feel like they had made some progress, and
• 49:59
  Speaker 5: then the next morning you're like, oh, okay, maybe they
• 50:01
  Speaker 5: didn't really make any progress.
• 50:05
  Speaker 4: Let's bring this maybe back.
• 50:06
  Speaker 2: Yeah took me back to not liking the episode. All right,
• 50:10
  Speaker 2: so like what are.
• 50:12
  Speaker 1: We uh, what are we going to rate it? Uhara,
• 50:16
  Speaker 1: what do you think? What do you what's your measuring stick.
• 50:19
  Speaker 2: I'm gonna give it.
• 50:22
  Speaker 6: It wasn't bad.
• 50:23
  Speaker 3: It just wasn't my favorite. I'm gonna give it seven moths.
• 50:28
  Speaker 1: I thought you were going to say, sorry, Dantelle, what
• 50:31
  Speaker 1: rice moths?
• 50:33
  Speaker 6: Sure?
• 50:33
  Speaker 4: Yeahell eight point one five Rogers.
• 50:39
  Speaker 1: Well you liked it is on.
• 50:43
  Speaker 2: I liked this episode.
• 50:44
  Speaker 5: I'm going to give it eight point five Random bowls
• 50:48
  Speaker 5: of Nuts from Behind the.
• 50:49
  Speaker 1: Books eight five?
• 50:51
  Speaker 5: Yeah, I liked the episode.
• 50:52
  Speaker 2: Okay, uh seven pin the tail on the donkeys? I
• 50:56
  Speaker 2: think there was a pin the tail on the donkey
• 50:57
  Speaker 2: in there on the moose on the movie.
• 51:00
  Speaker 1: Yeah, okay, I'm gonna I think I'm on the low
• 51:08
  Speaker 1: end with Tara with the seven. Uh classic PGA nineteen
• 51:14
  Speaker 1: eighty six, that's funny. Golfree runs honey, and we all
• 51:21
  Speaker 1: know what the favorite. Everybody's favorite line is the same.
• 51:23
  Speaker 1: It was TJ's lock it up, Luke, lock it up? Yeah,
• 51:27
  Speaker 1: Solder it shut, there's no and the Richard the third
• 51:30
  Speaker 1: line from Laurele I, you know, mocking golfers.
• 51:35
  Speaker 5: I had a different favorite TJ line when they were
• 51:38
  Speaker 5: leaving and he told Luke, your cosa is my casa.
• 51:41
  Speaker 1: Yeah right, oh yes, anyway, that's going to wrap it up. Kids.
• 51:50
  Speaker 1: Thank you, ladies, TaRaSu, Daniel Romo, Susan French, Amy Sugarman.
• 51:55
  Speaker 1: Another rollicking episode. Thank you for your cards, letters and downloads.
• 52:01
  Speaker 1: We love you, we need you, we miss you, and
• 52:04
  Speaker 1: remember we and I am all In, Stay saber, Hey everybody,
• 52:36
  Speaker 1: and don't forget. Follow us on Instagram at I Am
• 52:40
  Speaker 1: all In podcast and email us at Gilmore at iHeartRadio
• 52:45
  Speaker 1: dot com