Latest / Vanity Farah with Chris Farah / 90 Day Fiancé- Before the 90 Days Season 8 Episode 12 “Final Boarding Call”

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90 Day Fiancé- Before the 90 Days Season 8 Episode 12 “Final Boarding Call” · Vanity Farah with Chris Farah

• 0:05
  Speaker 1: Hello, my pets, Welcome back to Vanity Farrah. My name
• 0:09
  Speaker 1: is Chris Fara. It is a fun podcast where I
• 0:12
  Speaker 1: watch TV and then get to tell you about the
• 0:15
  Speaker 1: dumb shit I watch and guess what, you watch it too,
• 0:18
  Speaker 1: or you're just like I can't, Chris, we just tell
• 0:22
  Speaker 1: me what happened in this one episode. I mean, I
• 0:24
  Speaker 1: don't know what your life is. However, thank you so
• 0:26
  Speaker 1: much for listening, Thank you so much for being here.
• 0:28
  Speaker 1: I really appreciate it. And here's the thing. I hope
• 0:31
  Speaker 1: that some dumb, silly, stupid, maybe funny, maybe smart, but
• 0:36
  Speaker 1: like probably kind of just like universally humanly dumb thing
• 0:39
  Speaker 1: I say means something to someone once and that means enough.
• 0:43
  Speaker 1: At the same time, what are we talking about? I mean,
• 0:45
  Speaker 1: ninety dight fiance. It's so for the ninety Days. It's
• 0:47
  Speaker 1: season eight, it's episode twelve, Final boarding call. Here's the thing,
• 0:52
  Speaker 1: Final boarding call happens before like even getting on the plane,
• 0:58
  Speaker 1: so like it doesn't quite make sense to have it
• 1:00
  Speaker 1: now that should have happened way before. Like it's not
• 1:03
  Speaker 1: linear to the storytelling of we know what happens when
• 1:07
  Speaker 1: you get on a plane, you know, like it's dissenting.
• 1:10
  Speaker 1: You know, at this point it's final boarding call. We're
• 1:12
  Speaker 1: talking about you, like anyway, I don't understand who they
• 1:18
  Speaker 1: think we are. I'll tell you what I liked about
• 1:20
  Speaker 1: this episode some things. I'll tell you what I hated
• 1:23
  Speaker 1: what I'll start with Lisa and Daniel. Guess what she
• 1:25
  Speaker 1: pooped the bed? I do I even want to say this?
• 1:29
  Speaker 1: I already said it, but like, do I even want
• 1:31
  Speaker 1: to talk about it now? I don't. She's a wild
• 1:36
  Speaker 1: candidate to be on the show. I feel bad for
• 1:38
  Speaker 1: her at the same time she needs to just I mean, honey,
• 1:42
  Speaker 1: just like sit out a couple of years. I don't
• 1:44
  Speaker 1: have to say, like sit out a couple of months,
• 1:46
  Speaker 1: and just like do some like self reflection. Lisa's desperate
• 1:51
  Speaker 1: need to feel fake good even when she knows it's
• 1:57
  Speaker 1: not real and like fleeting and just like detrimental to
• 2:00
  Speaker 1: her and other people. Is yeah, I mean, it's not great.
• 2:04
  Speaker 1: She's and she's too old. So here's we are, here,
• 2:07
  Speaker 1: here's we are? Oh god, you know that that spicy
• 2:11
  Speaker 1: food is caught up to her. So like I guess
• 2:13
  Speaker 1: in the middle of the night, she just shot the bed.
• 2:16
  Speaker 1: She she just she pooped the bed, honey. I mean,
• 2:19
  Speaker 1: I don't. She just she woke up. It was warm,
• 2:23
  Speaker 1: and it's not like the kind of warm where you
• 2:25
  Speaker 1: just pee, Oh my god, and it's all over him.
• 2:28
  Speaker 1: He's like, it's stained my clothes, it's on me. He's
• 2:32
  Speaker 1: what it's I mean, he's what he said. And then
• 2:34
  Speaker 1: she said that she had a hard time cleaning up
• 2:37
  Speaker 1: because she kept done running to the bathroom. I'm like,
• 2:41
  Speaker 1: I just was like, how do I do that? I
• 2:42
  Speaker 1: don't want to know this. I hate this. I It's
• 2:46
  Speaker 1: why I will say this. This is the one thing
• 2:47
  Speaker 1: that this scene will tell me. You really cannot get
• 2:51
  Speaker 1: this woman to feel any amount of like shame, humiliation
• 2:57
  Speaker 1: enough to like get the f out of there, you know,
• 3:00
  Speaker 1: Like I just he is, however, I will say, remarkably understanding.
• 3:05
  Speaker 1: He's not happy about it. But I mean, next scene
• 3:07
  Speaker 1: is that he's taken her. Guess what is it to
• 3:09
  Speaker 1: learn about her culture or to talk about her in
• 3:11
  Speaker 1: her life or I don't know, like care about faith
• 3:13
  Speaker 1: or something. No, it's still you know, talk more about
• 3:16
  Speaker 1: him his life. It's the Ebo culture. Culture, it's the
• 3:18
  Speaker 1: ego Igbo culture. I'm so sorry, but I do like
• 3:21
  Speaker 1: the culture. I'm just saying, it's so funny. This is
• 3:23
  Speaker 1: probably the first time I'm like, this foreign person never
• 3:26
  Speaker 1: cares about the American And it's true, I usually don't
• 3:30
  Speaker 1: care about that, but in this case, Daniel so obviously
• 3:33
  Speaker 1: does not care about one lick of Lisa's whole life,
• 3:36
  Speaker 1: Like he never talks about faith, Like, oh, who's the
• 3:41
  Speaker 1: daughter that I'm gonna be in the life of Like
• 3:44
  Speaker 1: it's just so obvious, you know. So anyway, at the
• 3:48
  Speaker 1: same time, like yes, they're like patriarchal that He's like,
• 3:51
  Speaker 1: my culture is the culture. I don't care about my culture,
• 3:53
  Speaker 1: so his culture right now, because she's done so many
• 3:56
  Speaker 1: things like the fake king and his uncle and like
• 3:59
  Speaker 1: the you know, and they had a lot tie the
• 4:02
  Speaker 1: thing around her head. She can't do it. She can't
• 4:04
  Speaker 1: fit in the clothes like she's done so much. If
• 4:07
  Speaker 1: you werely thought the palm wine, you know, like the kneeling,
• 4:09
  Speaker 1: you know, like the lying. She's tried to do so
• 4:13
  Speaker 1: much for the wig. I mean, really think about what
• 4:15
  Speaker 1: this No American and I mean this probably on ninety
• 4:19
  Speaker 1: dight fiance history in the books has done, has done
• 4:24
  Speaker 1: anything as much as this woman has tried to change
• 4:28
  Speaker 1: herself and do and do it for him. She you know,
• 4:33
  Speaker 1: obviously doesn't have as much financial means, you know, but
• 4:36
  Speaker 1: like she has obviously helped him to the best of
• 4:38
  Speaker 1: her ability, which seems like arguably a lot, if not
• 4:42
  Speaker 1: more than we would assume. Okay, so this, I mean,
• 4:44
  Speaker 1: Lisa's done a lot. Daniel has done, you know, basically
• 4:47
  Speaker 1: nothing except that one parade and then be like, this
• 4:50
  Speaker 1: is what you need to do to make my life happy,
• 4:51
  Speaker 1: even though you're the one kind of like, you know,
• 4:53
  Speaker 1: saving me from I don't know, poverty, I mean whatever,
• 4:57
  Speaker 1: giving him the nice clothes, the ancestors, whatever they said
• 4:59
  Speaker 1: about the you know, premonition of the white woman coming,
• 5:02
  Speaker 1: you know and saving him coupless. Now that's going to
• 5:04
  Speaker 1: come up later what he thought about white people and
• 5:07
  Speaker 1: ell o, well, I mean this is ridiculous. I feel
• 5:12
  Speaker 1: bad talking about it a little, you know, I mean
• 5:15
  Speaker 1: I don't feel great talking about it. I don't feel
• 5:18
  Speaker 1: you know, like super learned or like, my god, She's
• 5:21
  Speaker 1: gonna go down in history as like someone who really
• 5:24
  Speaker 1: just tried to fight the fight of philosophical and deep talks.
• 5:28
  Speaker 1: Like I can't believe I had to say that she
• 5:29
  Speaker 1: pooped the bed, you know, like that's where I am
• 5:31
  Speaker 1: in live talking about this, But that is what happened.
• 5:34
  Speaker 1: She's now making the soup. So the making the soup
• 5:36
  Speaker 1: is a traditional soup, Honey. There's like fermented beans. You know.
• 5:40
  Speaker 1: Sometimes hermentation is like so great, right, like yum, like pickles, yum.
• 5:44
  Speaker 1: I love that kind of hermentation. You know, sour dough
• 5:47
  Speaker 1: bread couldn't be better, cheese, you know, like and then
• 5:50
  Speaker 1: sometimes hermentation makes things really bad, like blue cheese. You know,
• 5:54
  Speaker 1: it's a boundary and too much rmentation, absolutely not. So
• 6:01
  Speaker 1: I can imagine that sometimes things can smell. There's so
• 6:05
  Speaker 1: many ingredients in that soup, honey, I mean, and then
• 6:08
  Speaker 1: she makes it and hets it with his like hands,
• 6:12
  Speaker 1: you know, like it's you know, it's like interesting, and
• 6:15
  Speaker 1: he loves it. Like they do this thing kind of
• 6:20
  Speaker 1: like almost a sharp thing where you know, he tastes
• 6:22
  Speaker 1: her soup and he makes a face that you think
• 6:25
  Speaker 1: for a second that he's going to be like this
• 6:27
  Speaker 1: is the grossest thing I have ever had, Like who
• 6:30
  Speaker 1: are you? Like you think this man's going to go
• 6:32
  Speaker 1: full like Gordon Ramsey, like spit it out and be
• 6:34
  Speaker 1: like how dare you? And this man does the absolute opposite.
• 6:36
  Speaker 1: He's like kind of grabbing, he's kind of grabbing the
• 6:40
  Speaker 1: soup and putting it in his mouth. I can't describe
• 6:42
  Speaker 1: it exactly, but he pauses and then he's like, he said,
• 6:47
  Speaker 1: this is so good. I'm so proud of you. You know.
• 6:49
  Speaker 1: She's like so happy, you know. And then he's also like,
• 6:51
  Speaker 1: please try this soup. And she's like, oh no, did
• 6:53
  Speaker 1: you I'm so sorry. Do you remember that time by
• 6:56
  Speaker 1: all over you? Do you remember that it was this morning?
• 6:59
  Speaker 1: Don't asked me to have this rmented being soup? Honey? Absolutely,
• 7:03
  Speaker 1: I'm good. I'm good. So here's the thing. She's like,
• 7:07
  Speaker 1: I think I did it. I've been really, I've tried
• 7:10
  Speaker 1: so hard. There's sores all over my head. You know, Like,
• 7:14
  Speaker 1: what more can this man want from me? Except you
• 7:18
  Speaker 1: know I didn't. I didn't tell him something. So she's like,
• 7:21
  Speaker 1: I feel guilty because he's done so much for me.
• 7:26
  Speaker 1: So she confesses that she's been married before, and not
• 7:30
  Speaker 1: just to like Fate's dad, and he really didn't ask
• 7:32
  Speaker 1: about that, and you know that's on him because he
• 7:35
  Speaker 1: didn't ask. Next time, I ask how many times she's
• 7:38
  Speaker 1: actually been married? Because he didn't ask, she wasn't gonna
• 7:41
  Speaker 1: tell him five times. She's like, you would be my
• 7:45
  Speaker 1: sixth husband. Now that's a lie. I've been married five times. Okay, yeah,
• 7:52
  Speaker 1: no that's true. You would be my sixth husband. Not true,
• 7:56
  Speaker 1: not true, you'd be my sixth spouse, but rothed husband.
• 8:01
  Speaker 1: I mean, I don't to be like Sue Labelly, but like,
• 8:03
  Speaker 1: you know, no, you know, like I think he's our
• 8:05
  Speaker 1: third right, there was two ladies third man too. You know,
• 8:10
  Speaker 1: there's two wives. He'd be her third husband after two wives,
• 8:14
  Speaker 1: two wives removed near my third husband, two wives removed
• 8:17
  Speaker 1: from that, so you know, I mean, you know, and
• 8:20
  Speaker 1: so he just she can't stop lying. She didn't even
• 8:23
  Speaker 1: have to say husband, you'd be my sixth period, she
• 8:26
  Speaker 1: just stops it. So then my favorite part of the
• 8:29
  Speaker 1: entire episode happens. Okay, so she starts that, right, and
• 8:33
  Speaker 1: he's obviously upset, like he's not handling it well, you know,
• 8:36
  Speaker 1: like and she, you know, like immediately back pedals because
• 8:39
  Speaker 1: she's a crazy kind of manipulative person, like she you know,
• 8:42
  Speaker 1: whatever she has, she has the also thing where she
• 8:44
  Speaker 1: will kind of try and backpedal out of any accountability,
• 8:48
  Speaker 1: which then also back, which then pedals her into more accountability.
• 8:53
  Speaker 1: Does that make sense, Like, if you're gonna tell me
• 8:55
  Speaker 1: that you have, you know, maybe like some processing thing
• 8:58
  Speaker 1: or neurological thing or personal disorder, whatever the f you
• 9:01
  Speaker 1: have or whatever the gubless, I would get it, except
• 9:03
  Speaker 1: for the fact that if you backpedal out of accountability
• 9:06
  Speaker 1: and try to manipulate out of thinking that something is
• 9:09
  Speaker 1: your fault when it's someone else's fault, then that only
• 9:11
  Speaker 1: makes me feel like you're smarter and you know what
• 9:13
  Speaker 1: you're doing. He like a lawyer, you know. So anyway,
• 9:16
  Speaker 1: so here we are. So she's like, well this all happened,
• 9:19
  Speaker 1: you know, me just telling you now because well, as
• 9:21
  Speaker 1: like I said, you never asked, so I just never
• 9:24
  Speaker 1: mentioned it. Here's the thing. We were married a few
• 9:26
  Speaker 1: months and then they ran off to be with someone else.
• 9:30
  Speaker 1: This is where she gets kind of smart. And I
• 9:33
  Speaker 1: couldn't locate them for quite a while. And he's listening
• 9:37
  Speaker 1: and I filled out divorce papers, but I'm I'm still married,
• 9:43
  Speaker 1: and then you know, he's this is where he takes pause,
• 9:47
  Speaker 1: because he almost was going like if she was just like, oh,
• 9:52
  Speaker 1: you know five marriages, you're my you know six husband.
• 9:55
  Speaker 1: He was like, okay, yeah, I'm one, two, three, four five,
• 9:58
  Speaker 1: that's fine. Yeah, yeah, here's a people come and go.
• 10:01
  Speaker 1: You know, it's not about that, it's about us now,
• 10:04
  Speaker 1: you know, it's about well, you just are marrying kind
• 10:06
  Speaker 1: then what you know, you must be wife material. People
• 10:09
  Speaker 1: can stop trying to marry you, is what I'm picking
• 10:11
  Speaker 1: up on. That's probably good signs. And then of course
• 10:13
  Speaker 1: she's like, you know, you know, I'm still you know,
• 10:16
  Speaker 1: figuring it out with that fifth one, who's the one
• 10:20
  Speaker 1: before you, the husband before you. And he's like, yeah,
• 10:24
  Speaker 1: you're still married to the fifth one, you know. And
• 10:26
  Speaker 1: she's like, yes, but there's and she says, but they're
• 10:30
  Speaker 1: so fast. This is the funniest part. Yes, but there's
• 10:35
  Speaker 1: she wants to say, but there's more. I not a lesbian,
• 10:39
  Speaker 1: and there are a lot of lesbians involved, and it's
• 10:41
  Speaker 1: just you know, you're like I said, you're the third husband.
• 10:44
  Speaker 1: There's two lesbians. Like she wanted to say all that,
• 10:46
  Speaker 1: but she couldn't, and so all we got was, but
• 10:49
  Speaker 1: there's but there's high Oh my, I remerab the but
• 10:53
  Speaker 1: there's one billion times because at first I also wanted
• 10:55
  Speaker 1: to get a shot of the captions, but obviously, she says,
• 10:57
  Speaker 1: it's so fast. The captions also happened really fast too.
• 11:00
  Speaker 1: He's like, you know, gobla, she looks like a cat
• 11:03
  Speaker 1: that had ate in a whole ass mouse, honey, and
• 11:05
  Speaker 1: then they caught the mouth. They caught the cat mouse
• 11:08
  Speaker 1: whole wiggly tail out that mouse. I can't talk out
• 11:12
  Speaker 1: that cat's mouth, you know, just like it's wiggling, and
• 11:16
  Speaker 1: you're just like giddy, open your mouth. You got a
• 11:19
  Speaker 1: mouse in there. And that's Lisa's face, honey, just like
• 11:21
  Speaker 1: you know, it's interesting. I guess, okay, here's a thing.
• 11:26
  Speaker 1: I just okay, here's the thing. No one's perfect, and
• 11:29
  Speaker 1: for sure, it's just that once you get so caught
• 11:33
  Speaker 1: like once you are just obviously you know, the shit's
• 11:37
  Speaker 1: hit the fan, you know, come on out. Like it's
• 11:41
  Speaker 1: interesting when people don't give up at that point, because
• 11:44
  Speaker 1: there's two things. A, I think, do they think we're
• 11:48
  Speaker 1: dumb and you know that could be it? Or B
• 11:51
  Speaker 1: wouldn't it be easier? Is there not? Just a relief
• 11:55
  Speaker 1: in just letting it go now, just moving fine, you
• 11:59
  Speaker 1: did it? I mean, I don't know she's she's been
• 12:01
  Speaker 1: sitting on this. It's been just sitting on her mind
• 12:05
  Speaker 1: that she's lied to him. It's just underneath that wig,
• 12:08
  Speaker 1: all these thoughts, all these worries about waiting to see
• 12:10
  Speaker 1: if he's going to judge her for being a lesbian,
• 12:12
  Speaker 1: and the you know, the marriage because obviously it's a
• 12:15
  Speaker 1: double whammy, and she doesn't even get to the second whammy.
• 12:18
  Speaker 1: She doesn't get to it, honey, she can't. Okay, So anyway,
• 12:23
  Speaker 1: at this point, obviously it's not great. He's like, I've
• 12:26
  Speaker 1: been sleeping with another man's wife. And we're like, nope,
• 12:29
  Speaker 1: oh no, that's the problem. No, no, you haven't. You're good.
• 12:33
  Speaker 1: He's so upset. He's like I could be banished for this,
• 12:35
  Speaker 1: So you cannot sleep with another man's wife.
• 12:37
  Speaker 2: Good.
• 12:38
  Speaker 1: No, I'm like we're just like, oh, then here's the thing.
• 12:40
  Speaker 1: That's fine. So the producers are kind of like even like, hey,
• 12:45
  Speaker 1: just so you know, like you can be upset for
• 12:47
  Speaker 1: like so many reasons and we don't even know the
• 12:49
  Speaker 1: reason you should really be upset yet, but like we
• 12:50
  Speaker 1: won't say that to you, but like pick it up
• 12:52
  Speaker 1: in her voice. In America, they are legally separated, and
• 12:55
  Speaker 1: there's like this thing where it's like if it's after
• 12:57
  Speaker 1: a certain amount of times, it's kind of like a
• 12:59
  Speaker 1: mood point and it's been years, you know, and he's
• 13:01
  Speaker 1: so upset. He's just like, I can't sleep with another
• 13:03
  Speaker 1: man's wife. And again the producers just have to be
• 13:05
  Speaker 1: like you not to route, you don't rude. I mean, yeah,
• 13:16
  Speaker 1: I just unfortunately, it's like, oh, no, do I want
• 13:19
  Speaker 1: Lisa's ex wife to like have a sit down with Daniel?
• 13:22
  Speaker 1: Of course I do. Do I want that to happen,
• 13:26
  Speaker 1: to tell all no, yes, yes, I want it so bad,
• 13:33
  Speaker 1: you know, like yeah, of course, oh god, she's Here's
• 13:36
  Speaker 1: the thing. I think that woman that you know is
• 13:38
  Speaker 1: the fifth the fifth person that was hard to locate.
• 13:42
  Speaker 1: She's not hard to locate on the internet. She's been
• 13:43
  Speaker 1: doing interviews, so the TLC people can like definitely pick
• 13:47
  Speaker 1: her up. I unfortunately feel like two things are true.
• 13:50
  Speaker 1: I do think that TLC or Sharp Entertainment might be
• 13:52
  Speaker 1: taking advantage of Lisa in her life and her you know,
• 13:55
  Speaker 1: kind of like weird proclivities and or eccentricities. You tell me. So,
• 14:00
  Speaker 1: I think it'd be really damaging if they went into
• 14:01
  Speaker 1: her whole life and try to get people to talk
• 14:03
  Speaker 1: about her or come to the tell all. But however,
• 14:05
  Speaker 1: that is what usually happens that I can see it happening. Yes, Faith,
• 14:08
  Speaker 1: Faith's gonna come and they had that one friend don
• 14:12
  Speaker 1: But you know, I could see a world in which
• 14:14
  Speaker 1: the ex wife comes on too, because it would be unfortunately,
• 14:18
  Speaker 1: oh shit TV and oh shit TV is easy to
• 14:21
  Speaker 1: make if like hungry people, are you ready to expose
• 14:25
  Speaker 1: all for fame? And if that ex wife is just
• 14:27
  Speaker 1: going to do some like bloggers interview. I'm just saying
• 14:31
  Speaker 1: unless she Entertainment's like, no, we're going to protect Lisa,
• 14:34
  Speaker 1: and I'd be happy about that. So anyway, she's like
• 14:37
  Speaker 1: so upset. She's like, do you want me to take
• 14:39
  Speaker 1: off the ring? Do you want me to take off
• 14:41
  Speaker 1: the ring? She's like, he doesn't want me anymore, which
• 14:44
  Speaker 1: is you know, he doesn't fight her. She takes off
• 14:46
  Speaker 1: the ring. He's just like and he's like, you messed up.
• 14:49
  Speaker 1: She's so upset. She wanted to come back and be
• 14:51
  Speaker 1: like please, I just want to tell me what I
• 14:53
  Speaker 1: have to do. He's like, you messed up. Get some
• 14:55
  Speaker 1: paper towels and clean this up. I mean no, he's
• 14:58
  Speaker 1: it's interesting, h he does have you know, some boundaries
• 15:01
  Speaker 1: you know, like, yeah, he's not gonna you're not gonna
• 15:04
  Speaker 1: fuck around with someone's wife, you know, if there's something
• 15:07
  Speaker 1: very admirable, admirable about that, yes, he would absolutely con her,
• 15:13
  Speaker 1: like absolutely wants to move to America and pretend to
• 15:16
  Speaker 1: be totally into this woman. He's not. She's pooped on him.
• 15:19
  Speaker 1: He hates the whigs, you know, doesn't care about her daughter,
• 15:22
  Speaker 1: doesn't care about her life, like, doesn't care about her period,
• 15:25
  Speaker 1: just as like get me, you know, into the ancestry
• 15:29
  Speaker 1: forecast dream where my mom said, the white woman's coming
• 15:34
  Speaker 1: and here's the problem. This whole time has been waiting
• 15:36
  Speaker 1: for that fucking and jelic lady to come, like the
• 15:41
  Speaker 1: premonition said, and he thought, you know why, people tells
• 15:45
  Speaker 1: the truth and we're here to say no, I nope,
• 15:49
  Speaker 1: historically no, categorically no, nope, no, people don't tell the truth.
• 15:56
  Speaker 1: I mean, that's what it's like, is interesting. It's like, yeah, yeah,
• 15:59
  Speaker 1: at the end of the day, people are people. So
• 16:01
  Speaker 1: there's gay everywhere. There's gay in Nigeria. There's lying in Nigeria.
• 16:04
  Speaker 1: There's gay and white I'm sorry, there's gay in America.
• 16:07
  Speaker 1: There's lying in America. You know, it's yeah, like for
• 16:10
  Speaker 1: better or for worse. The boundaries in between, the ways
• 16:13
  Speaker 1: in which human beings treat and act others and themselves
• 16:17
  Speaker 1: is like not bound at all by race, you know,
• 16:20
  Speaker 1: like it's just that's just it's just interesting people and
• 16:23
  Speaker 1: people treat everyone kind of like a similar situation. You know,
• 16:26
  Speaker 1: like people are either weird or mean or classist or elitist,
• 16:30
  Speaker 1: or you know, or welcoming and warm and inviting and
• 16:35
  Speaker 1: wanting of connection and you know, respectful of others and
• 16:39
  Speaker 1: if not, you know, somewhat joyful in the connection they
• 16:41
  Speaker 1: have with others, I mean I don't know, and or
• 16:44
  Speaker 1: open minded to how other people live and sort of
• 16:46
  Speaker 1: like understanding that it takes all types to make a world.
• 16:48
  Speaker 1: And having had conversations with other people, truthful ones where
• 16:52
  Speaker 1: people felt open and honest, honest enough to bear themselves,
• 16:57
  Speaker 1: so that you've had enough of those to realize that,
• 16:59
  Speaker 1: you know, people, people move, you know, the way that
• 17:01
  Speaker 1: their hearts dictate them, and it's not always so binary.
• 17:06
  Speaker 1: That's the truth. And anyway, Okay, so here's the thing
• 17:11
  Speaker 1: she face times faith and faith has been waiting. Okay,
• 17:15
  Speaker 1: So faith is like what happened? She's like I told
• 17:17
  Speaker 1: him no, I told him about the marriage is Faith,
• 17:21
  Speaker 1: and he didn't. He didn't dig it well. And she's like,
• 17:25
  Speaker 1: did you say that the marriages were two women. He's
• 17:29
  Speaker 1: like no, He's like, well, Mom, you know what you
• 17:33
  Speaker 1: have to do. You have to go tell him about
• 17:34
  Speaker 1: the winden. I can again knew it. He didn't dig
• 17:38
  Speaker 1: you well. I just did you just hear what he said?
• 17:41
  Speaker 1: He took it. He took that first part bad. So
• 17:44
  Speaker 1: I don't understand why you think I'm gonna come back
• 17:46
  Speaker 1: around and say more bad shit. Faith, No, have you
• 17:49
  Speaker 1: met me. I'm going to skirt the issue. I am
• 17:52
  Speaker 1: going to avoid it. I will do whatever. The worst,
• 17:55
  Speaker 1: most possible toxic option is Faith. That's me, it's your mom. God,
• 18:00
  Speaker 1: it's been that long since you talk to me. Are
• 18:02
  Speaker 1: so my Faith? It's me Faith, it's Lisa. You're just like,
• 18:05
  Speaker 1: oh my god, I just I hate to laugh. It's
• 18:08
  Speaker 1: just that it's also triggering, but it's also so sad,
• 18:10
  Speaker 1: and also there's a part of me that is laughing
• 18:12
  Speaker 1: only because Faith's demeanor and she's not with her mom,
• 18:16
  Speaker 1: so she's had some distance. At this point, does sort
• 18:19
  Speaker 1: of feel like, what the fuck, What the fuck?
• 18:23
  Speaker 2: Mom.
• 18:23
  Speaker 1: I just friend, I mean person that is getting her
• 18:27
  Speaker 1: life together but hopefully soon not but not right now
• 18:29
  Speaker 1: and definitely not in front of me ever, Like I
• 18:32
  Speaker 1: just Faith does seem like she knows that her mom
• 18:34
  Speaker 1: isn't doing it, and she does seem to be able
• 18:38
  Speaker 1: to tell her that, And she's not being Lisa's not
• 18:41
  Speaker 1: being mean or like lying to Faith, nor is she
• 18:44
  Speaker 1: even like manipulating Faith to think that Faith is in
• 18:47
  Speaker 1: the wrong for not supporting her, which could have happened
• 18:50
  Speaker 1: and it's not. So I'm just gonna give her that,
• 18:52
  Speaker 1: you know. I just like to fantasize that this whole
• 18:56
  Speaker 1: time Faith has been like in the most luxury therapeutic
• 19:01
  Speaker 1: facility to heal her mother wound, you know, or she's
• 19:05
  Speaker 1: just like has a lovely psychologist to just be like,
• 19:10
  Speaker 1: all right, we're gonna fix it, you know, Like you
• 19:14
  Speaker 1: have the opportunity now to like be away from her,
• 19:17
  Speaker 1: let her do her thing. I wonder one part of
• 19:19
  Speaker 1: faith is like reverse psychology of being like, look, mom,
• 19:22
  Speaker 1: whatever you do, don't get married to Daniel, leave me
• 19:27
  Speaker 1: and then stay in Nigeria. Please don't whatever you do,
• 19:30
  Speaker 1: don't do it. But I wonder if you really was like,
• 19:32
  Speaker 1: please do it, Please stay there, Please, I don't want
• 19:34
  Speaker 1: to deal with you anymore. Please be someone else's problem. Please.
• 19:38
  Speaker 1: Is this an opportunity for you to like not be
• 19:40
  Speaker 1: in my life, not be my problem anymore? And I
• 19:42
  Speaker 1: got a clean break from someone who is like a
• 19:44
  Speaker 1: fucking suckubiss. I'm just wondering. I mean, you know, I
• 19:47
  Speaker 1: don't know. What do you guys think? You tell me.
• 19:50
  Speaker 1: I didn't mind the ring when you took it off.
• 19:52
  Speaker 1: I was like, you know, it's not a bad looking ring. Okay,
• 19:54
  Speaker 1: let's move on Forrest and Sheena. This is a weird
• 19:57
  Speaker 1: kind of like half ass scene. We're in the middle
• 19:59
  Speaker 1: of a confrontation. Obviously the confrontation were forced. Has gotten
• 20:03
  Speaker 1: engaged to Shina, which is what he wanted the entire time.
• 20:06
  Speaker 1: He wanted two things. A to for some reason go
• 20:09
  Speaker 1: to the Philippines with three pairs of underwear and then
• 20:11
  Speaker 1: just buy something that would fit him right there. And
• 20:14
  Speaker 1: then b to low key get engaged to Shina. This
• 20:16
  Speaker 1: is one. This is a whole other, Like that's okay,
• 20:19
  Speaker 1: that's two. To be have sex with Shina. Great to
• 20:22
  Speaker 1: see like stay in the Philippines with his you know,
• 20:27
  Speaker 1: new wife that he has sex with. Like that's all
• 20:29
  Speaker 1: up too, okay. So that sort of started. On the
• 20:33
  Speaker 1: precipice of that, of course, was the engagement at the
• 20:36
  Speaker 1: Gondola mall. The Gondola ma Italy's finest Elpoyo local sponsored mall.
• 20:45
  Speaker 1: I love that Elpoyo Loco like creamy Caesar dressing, and
• 20:48
  Speaker 1: I told you that already. And the thing about it
• 20:50
  Speaker 1: is Caesar is like maybe Italian. I'm not quite sure
• 20:53
  Speaker 1: even tho if you really look at at it, Okay,
• 20:54
  Speaker 1: if you look it up, I'm ninety nine percent sure
• 20:58
  Speaker 1: that Caesar was like made from like a lovely rest
• 21:01
  Speaker 1: one in like Tijuana or something like that. Like I
• 21:03
  Speaker 1: think that Caesar is like a Mexican specialty that's like
• 21:07
  Speaker 1: somehow co opted by Italian specialty or like Italian rest
• 21:12
  Speaker 1: sauce joints. I'm gonna look it up. But that's what
• 21:14
  Speaker 1: I was told. And I listen the Internet, and people
• 21:17
  Speaker 1: like waiters at places couldn't possibly lie to me. Okay.
• 21:21
  Speaker 1: So Forrest is like putting six toes in the sand
• 21:25
  Speaker 1: against his mom, you know. And here's the thing about Molly, Molly,
• 21:29
  Speaker 1: is I was talking I said this, I was getting
• 21:31
  Speaker 1: my hair done. And if you're on YouTube or on Patreon,
• 21:35
  Speaker 1: you're gonna get these visuals. Like on Patrion to get
• 21:37
  Speaker 1: the visuals real fast, so you're the first person to
• 21:39
  Speaker 1: see my new haircut. It's my birthday haircut. And then
• 21:43
  Speaker 1: you know, like twenty four hours later, maybe I'll release
• 21:45
  Speaker 1: this to YouTube or you're listening on Vanity Fera. Either way,
• 21:48
  Speaker 1: wherever you are, please be giving your girl comments stars,
• 21:52
  Speaker 1: whole situation, reviews, five stars if you don't mind, and
• 21:56
  Speaker 1: whatever nice thing you want to say on Apple and Spotify,
• 22:00
  Speaker 1: and then on YouTube make sure you're subscribed. Followed the
• 22:03
  Speaker 1: whole situation. All that to say, I got my hair done,
• 22:06
  Speaker 1: and I love my girl. Who's Casey, who's at Chris McMillan,
• 22:10
  Speaker 1: who's been doing my hair for like so long, it's wild,
• 22:13
  Speaker 1: And she watches the show and we were talking about
• 22:16
  Speaker 1: how Mollie isn't all bad, right, like, Mollie isn't all bad,
• 22:19
  Speaker 1: And I'll tell you why, and this is Casey. It's
• 22:22
  Speaker 1: because Mollie, for all of her toxic American you know,
• 22:26
  Speaker 1: white you know, like mom stuff, is having the time
• 22:31
  Speaker 1: of her life in the Philippines. She really is enjoying it.
• 22:33
  Speaker 1: She's trying everything. She loves the fruit. She's like mean
• 22:38
  Speaker 1: and nice to she nit the whole time. She's like,
• 22:40
  Speaker 1: I don't know, Forrest, how you can listen to this
• 22:43
  Speaker 1: lying sack of a beauty.
• 22:44
  Speaker 2: You know.
• 22:45
  Speaker 1: She's like, she like knows that Sheina has her shit together.
• 22:48
  Speaker 1: She's like, the Philippines is really beautiful. There's so much history.
• 22:51
  Speaker 1: I've never been out of my country. Wow, what a
• 22:52
  Speaker 1: special place. I mean, these palaces are gorgeous. And your place,
• 22:56
  Speaker 1: she is really nice. Your parents are really cool. I
• 22:59
  Speaker 1: love your Thank you so much for treating Dev and
• 23:02
  Speaker 1: I like kings and queens, like the feats and the like.
• 23:07
  Speaker 1: She laid in that hot tub. This is Molly like
• 23:11
  Speaker 1: soaking it in literally figuratively her love of the Philippine.
• 23:15
  Speaker 1: At the same time, she's been tasked with being the contrarian,
• 23:18
  Speaker 1: you know, so she she has a new bull. I
• 23:21
  Speaker 1: really don't appreciate you for us trying to move to
• 23:25
  Speaker 1: such a beautiful, historical country with such nice things and
• 23:29
  Speaker 1: such wildly delicious, ripe, interesting tasting fruits. Dev, do you
• 23:35
  Speaker 1: have anything this say, Dev's like love the fruits. I mean,
• 23:40
  Speaker 1: I cocaine, so okay, but she's mad. But right now
• 23:44
  Speaker 1: Mollie's mad, okay, and she is mad because Forrest, you know,
• 23:47
  Speaker 1: was supposed to listen to every moment of her and
• 23:49
  Speaker 1: everything and do everything she wants. And obviously he wants
• 23:52
  Speaker 1: to get rid of her. And the best way to
• 23:54
  Speaker 1: get rid of her is to jump from one to another.
• 23:56
  Speaker 1: You know what I'm saying. That's how you do it
• 23:57
  Speaker 1: in life, honey, You just like pretend you just jump
• 23:59
  Speaker 1: from one to another like a little monkey, branch to branch.
• 24:02
  Speaker 1: And so he's swinging from his mommy branch right to
• 24:05
  Speaker 1: Sheena's branch. You don't have to, like, you know, live
• 24:07
  Speaker 1: in any horn of jungle by yourself. If you are
• 24:10
  Speaker 1: swinging branch to branch, easy, that way safe, so God
• 24:13
  Speaker 1: bless so she He's like, you know, this is really happening.
• 24:16
  Speaker 1: We're getting engaged. You can't do anything about it. And
• 24:20
  Speaker 1: Sheena's like, look, mom, you know we're making our own choices.
• 24:24
  Speaker 1: He's like, She's like, shut up, Sheena. You don't want
• 24:26
  Speaker 1: to talk all the time. When I'm asking you about
• 24:29
  Speaker 1: why you're lying and now you're tagging, I don't want
• 24:32
  Speaker 1: to hear your stupid mouth. Sheena She's like oh, and
• 24:36
  Speaker 1: then Forrest is like, look, Mom, Sheenah told me she'd
• 24:39
  Speaker 1: have told me that the reason why she lies is
• 24:41
  Speaker 1: because she has no She did tell me. Wait, I'm
• 24:44
  Speaker 1: so sorry. She know why? Okay, noway she told me
• 24:47
  Speaker 1: why she lies? Mom, Okay, And it's because sometimes when
• 24:50
  Speaker 1: Sheena's like thinking about what to say, like the the trauma,
• 24:54
  Speaker 1: it's she know, why do you? Why do you lie? Again?
• 24:57
  Speaker 1: Like you did say it, but like it wasn't like
• 25:00
  Speaker 1: super cohesent. It's something mom, Like she just gets upset
• 25:03
  Speaker 1: and like you know, people like pressure her and so
• 25:05
  Speaker 1: she lies or whatever. It's like it's like our fault,
• 25:07
  Speaker 1: but like she's gonna work on so you're gonna work
• 25:09
  Speaker 1: on we. We said that she is going to work
• 25:11
  Speaker 1: on us, so don't even worry about it. And that's
• 25:14
  Speaker 1: what Flores said. And then Molly's like, well, would you
• 25:16
  Speaker 1: stay if she diddled someone else? Wouldn't you? She would
• 25:20
  Speaker 1: just lie to you, or she would not even have
• 25:22
  Speaker 1: to you'd stay, you little pussy boy. You're gonna diddle someone?
• 25:26
  Speaker 1: I mean, she would diddle someone. Doodle diddle. First of all, yeah,
• 25:31
  Speaker 1: it's a horrible word. It's a horrible horrible word that
• 25:34
  Speaker 1: she chose to say on TV. And also in that sense,
• 25:38
  Speaker 1: like she wouldn't have to be like, well she fucked someone,
• 25:41
  Speaker 1: you know, but she was. She could be like, was
• 25:42
  Speaker 1: she cheated on you? Would you stay? But diddled is
• 25:46
  Speaker 1: so infantile, and he's like literally like I'm gonna do
• 25:52
  Speaker 1: what I want and she's like, well, you're just gonna
• 25:54
  Speaker 1: do what you're wanting to listen to your mom. He's like, no,
• 25:56
  Speaker 1: I'm going to be an adult man. And she's like, well,
• 26:01
  Speaker 1: don't come crying back to me when she breaks up
• 26:04
  Speaker 1: with him. He's like, no, I absolutely won't. Now Here's
• 26:07
  Speaker 1: the thing, if anything happens, he is going to go
• 26:11
  Speaker 1: back to his mom. And I mean that only because
• 26:14
  Speaker 1: I wish I had had experience meeting one of his friends.
• 26:20
  Speaker 1: Forrest should have one American friend that we met, someone
• 26:24
  Speaker 1: that like hangs out with him, plays D and D.
• 26:26
  Speaker 1: I don't know, you know, like for me to believe
• 26:29
  Speaker 1: that he's not gonna have to like hit up his
• 26:30
  Speaker 1: mom for stuff, but because we never met that person,
• 26:34
  Speaker 1: and he went to a sex shop with who his mom,
• 26:37
  Speaker 1: not even dev not even his like male role model
• 26:40
  Speaker 1: or whatever, but his mom. You know, it makes me
• 26:44
  Speaker 1: feel like if anything happened, of course the mom would
• 26:46
  Speaker 1: be there. And here's the thing, moll, You're gonna have
• 26:48
  Speaker 1: to be there. And I think that at some point
• 26:50
  Speaker 1: people have to be there for loved ones. I don't
• 26:53
  Speaker 1: know how many relationships Fors been in to have like
• 26:57
  Speaker 1: massive breakups or like to be broken up with, but
• 27:00
  Speaker 1: I'm just gonna go ahead and say probably not. Because
• 27:02
  Speaker 1: he's dated Sheena for like seven years. So it's crazy
• 27:04
  Speaker 1: to me for you to just be like, don't come
• 27:07
  Speaker 1: crying to me, as if it's happened so many times.
• 27:10
  Speaker 1: I mean, you have to allow someone to get their
• 27:13
  Speaker 1: heart broken. You have to allow someone discomfort and pain.
• 27:17
  Speaker 1: It's like part of the learning process, and it's painful
• 27:20
  Speaker 1: to do that as a parent across the board right
• 27:22
  Speaker 1: like it's and also it's like you want to save
• 27:26
  Speaker 1: them from that, so you want to just tell them
• 27:28
  Speaker 1: how to avoid it, and you want them to just
• 27:31
  Speaker 1: believe you. But a they don't or be what they
• 27:35
  Speaker 1: want or on hormones or whatnot, like supersedes your desires.
• 27:38
  Speaker 1: And the good news is if you can lean into oh, well,
• 27:41
  Speaker 1: then that's what it's supposed to be. And they have
• 27:43
  Speaker 1: to learn a lesson and you know this is on them,
• 27:45
  Speaker 1: then that's great. It's hard though, if you like also
• 27:48
  Speaker 1: have the eyeted pressure of this person as autistic or
• 27:51
  Speaker 1: I have to like save this person. At the same time,
• 27:53
  Speaker 1: he is fully saying I'm an adult male and he is.
• 27:57
  Speaker 1: He's a seasoned you know mail, He's huge, and you
• 28:00
  Speaker 1: know he has no money. So the thing about all
• 28:04
  Speaker 1: of this is that if Forrest had something financial to lose,
• 28:10
  Speaker 1: all of this would be like, yeah, Molly, I don't know,
• 28:14
  Speaker 1: but he doesn't. Sina has all the money, and you know,
• 28:18
  Speaker 1: whoever has the gold makes the rules. And so at
• 28:20
  Speaker 1: the same time, if Sina wants to do whatever she
• 28:22
  Speaker 1: wants to do with her money, which is save as
• 28:24
  Speaker 1: much as she wants and then give away as much
• 28:26
  Speaker 1: as she wants or like gives them her parents or
• 28:28
  Speaker 1: buy a new hat or you know, whatever she wants
• 28:31
  Speaker 1: to do is what she should do, period, And Forrest
• 28:34
  Speaker 1: has got to do something. Now. I don't know what
• 28:37
  Speaker 1: Forest is planning on doing. If he's going to move
• 28:39
  Speaker 1: to the Philippines, that's what's important now, Like I literally
• 28:43
  Speaker 1: need his game plan because that feels like he's just
• 28:46
  Speaker 1: going to be a burden on Gena. Now, if you
• 28:48
  Speaker 1: can tell me something that he can do, great, And
• 28:50
  Speaker 1: but it's interesting because at the same time, it doesn't
• 28:53
  Speaker 1: feel like he had a formidable career trajectory in America either,
• 28:59
  Speaker 1: So we need to know what the difference is, like
• 29:02
  Speaker 1: why this is going to work out for him in
• 29:04
  Speaker 1: the Philippines. And also I want to know if Sheena
• 29:08
  Speaker 1: understands that he is just a financial liability if he
• 29:12
  Speaker 1: moves there, Like if that is what happens, is she
• 29:15
  Speaker 1: okay with that, like being a breadwinner for everyone, because
• 29:19
  Speaker 1: that does save her then she can do whatever the
• 29:21
  Speaker 1: fuck what she wants with her money. You really can't
• 29:23
  Speaker 1: tell her anything, you know. So basically, he then tries
• 29:28
  Speaker 1: to give some metaphor about rocks, like you sometimes have
• 29:31
  Speaker 1: to dive right in to the deep end and then
• 29:34
  Speaker 1: there's jagged rocks that you could kill yourself on, but
• 29:38
  Speaker 1: you do it because that's how you get in the water.
• 29:43
  Speaker 1: And she's like, Dev, are you hearing this? And Dev
• 29:45
  Speaker 1: is not hearing it, doesn't care one bit. I mean,
• 29:48
  Speaker 1: in Dev's mind, he is just like boobies and burgers,
• 29:52
  Speaker 1: boobies and burgers, boobies and burgers, boobies and burgers, you know,
• 29:54
  Speaker 1: all day long, and also that bath. So now like
• 29:57
  Speaker 1: I think that also he thinks about that bath. He
• 30:00
  Speaker 1: he loves b words, bitches, boobies, burgers, paths. I mean,
• 30:05
  Speaker 1: can I be honest? Oh no, I do too. I
• 30:09
  Speaker 1: love boobies, I love burgers. I don't care so much
• 30:13
  Speaker 1: about hmm, like touching or seeing a lot of other
• 30:17
  Speaker 1: women's boobies. But I don't mind, like definitely, like a
• 30:20
  Speaker 1: flip book I like to see. I don't mind seeing
• 30:23
  Speaker 1: four sets of boobies a day. Well, that seems a
• 30:26
  Speaker 1: lot of boobies. I don't mind seeing two sets of
• 30:30
  Speaker 1: boobies a day, one mind and one someone else's like,
• 30:32
  Speaker 1: either to magazine or just like out and about like
• 30:35
  Speaker 1: oh just because I liked her, and be like, oh
• 30:37
  Speaker 1: I forgot this what other pairs look like? I see
• 30:40
  Speaker 1: mine all the time. I love mine. But then you know,
• 30:42
  Speaker 1: there's just vastly different aesthetics of boobies, and I think
• 30:45
  Speaker 1: that it's great to look at aesthetics of different things.
• 30:48
  Speaker 1: It's why things genitals, It's why I talk about enjoying
• 30:53
  Speaker 1: naked attractions so much, because watching naked attraction is just
• 30:57
  Speaker 1: this like reset of looking at human bodies in a
• 31:02
  Speaker 1: way that everything has to be perfect or filtered or whatnot.
• 31:05
  Speaker 1: Everything is just like, oh, got many different types there.
• 31:07
  Speaker 1: They look like, oh yeah, people have in grown hairs,
• 31:10
  Speaker 1: people have like red bumps, people have you know, hairs,
• 31:15
  Speaker 1: people have you know, all the things. There's something kind
• 31:18
  Speaker 1: of universally comforting about it. So anyway, moving on, So
• 31:22
  Speaker 1: he's like, accept this proposal, mom or get out of
• 31:26
  Speaker 1: our lives, and she's like, well, I guess I know
• 31:28
  Speaker 1: I'm gonna be in your life again. I guess I'm
• 31:30
  Speaker 1: not gonna be that life. And they're both kind of
• 31:32
  Speaker 1: doing this thing like, oh, you're gonna be your life Okay,
• 31:34
  Speaker 1: well I guess you're not gonna be my life mane.
• 31:36
  Speaker 1: And then Molly's like, oh, yeah, you came up from
• 31:39
  Speaker 1: you don't came about your mommy being in your life.
• 31:40
  Speaker 1: Of course it's fine with you, Okay, won't be in
• 31:42
  Speaker 1: your life line. You know. It's like it really is
• 31:44
  Speaker 1: back and forth like that. Dev's just like half of
• 31:47
  Speaker 1: Me's like Dev has to have a conversation with Sheena
• 31:49
  Speaker 1: where he's like She's like, I'm sorry. He's like, Shena,
• 31:52
  Speaker 1: just so you know, what this life is like when
• 31:54
  Speaker 1: you just I need to tell you, you're gonna be
• 31:57
  Speaker 1: like me. You're not gonna say shit, You're not to
• 32:00
  Speaker 1: time to line when you're in America. You're not gonna
• 32:02
  Speaker 1: be talking, not with those two. Let's move on to
• 32:07
  Speaker 1: a horrible situation. I mean, I want to tell you
• 32:09
  Speaker 1: Rick and Trish. Oh no, okay, So he, you know,
• 32:17
  Speaker 1: confessed that he cheated on her after obviously making sure
• 32:21
  Speaker 1: she felt like an absolute cheating horror for nothing or
• 32:25
  Speaker 1: just having a conversation with one of her ex boyfriend's henchmen,
• 32:29
  Speaker 1: or who knows what, or even if she but even
• 32:31
  Speaker 1: if she had a relationship with her ex, it's her
• 32:34
  Speaker 1: ex that she knows in real life from her you know,
• 32:36
  Speaker 1: her country, and he, for no reason flew out to
• 32:40
  Speaker 1: Columbia to like hook up with someone. Okay, so God bless.
• 32:43
  Speaker 1: She's obviously upset. And then he's like, baby, baby, baby,
• 32:47
  Speaker 1: how can we make this right? Don't put this on me?
• 32:49
  Speaker 1: How can we make this right?
• 32:51
  Speaker 2: Bitch?
• 32:51
  Speaker 1: Go back in fucking time and not do it, is
• 32:55
  Speaker 1: what I would say. And she's like, I don't know,
• 32:57
  Speaker 1: but that's what I would say. And yeah, she's she
• 33:00
  Speaker 1: says how can I trust you when you go back
• 33:04
  Speaker 1: home to your country? And Rick says, oh, oh, you
• 33:09
  Speaker 1: can because she's not in my country. Period. That's what
• 33:13
  Speaker 1: Rick says to her. That is what he answers her.
• 33:16
  Speaker 1: How can I trust you when you go home to
• 33:20
  Speaker 1: your home country? And Rick looks at that woman that
• 33:23
  Speaker 1: he's and says, I can't believe that. I'm so mad,
• 33:25
  Speaker 1: I can't under sands. He says, oh, well, she's not
• 33:27
  Speaker 1: in my country. As if him cheating was only that
• 33:33
  Speaker 1: woman's fault, he didn't cheat for any other reason. Then
• 33:38
  Speaker 1: he had access to that sinner, that snake, that temptress
• 33:45
  Speaker 1: like he was eve And I mean Columbia was just like, hey, wack, hey,
• 33:52
  Speaker 1: I know you're such a good guy. You wouldn't want
• 33:54
  Speaker 1: to fuck over Trish ever, but why don't you come
• 33:58
  Speaker 1: by take like you're just like, no, he's gonna fuck
• 34:00
  Speaker 1: over you because he feels bad. He'll whatever it takes
• 34:03
  Speaker 1: for him to not feel bad at the moment is
• 34:05
  Speaker 1: what he's gonna do. Oh my god, it was just
• 34:07
  Speaker 1: so happens that he, you know, either can't get a
• 34:10
  Speaker 1: lot of like his favorite kind of preference of like
• 34:14
  Speaker 1: younger kind of you know, ladies to really put up
• 34:17
  Speaker 1: with this shit in America for whatever reason, and or
• 34:20
  Speaker 1: whatever reason is like they have better options and so he,
• 34:24
  Speaker 1: you know, is like how can I on paper look
• 34:27
  Speaker 1: good because he's not a bad looking guy and entrap
• 34:30
  Speaker 1: someone who, like you know, can't have conversations with him
• 34:34
  Speaker 1: in real life all the time. You really can like
• 34:36
  Speaker 1: put on such an air when you're just like face
• 34:38
  Speaker 1: himing and sending texts and you're on that shit. It's
• 34:41
  Speaker 1: so interesting, like the ways in which people fuck over
• 34:45
  Speaker 1: people communication wise, it takes such a like presence to
• 34:50
  Speaker 1: read people. That's okay. Also not to jump ship. I'm
• 34:55
  Speaker 1: annoyed if you watch Traders of Who Won Traders spoiler
• 34:59
  Speaker 1: alert trying to think when you guys listen to this,
• 35:01
  Speaker 1: it would have already happened at least for five days.
• 35:05
  Speaker 1: But uh, you know, listen when Rob spoiler alerted read
• 35:10
  Speaker 1: Natalie live on TV and then discussed how he knew
• 35:15
  Speaker 1: that she was lying in real time. I remember thinking
• 35:19
  Speaker 1: can I just do that all the time? Like why
• 35:22
  Speaker 1: can't I just do that all the time? And like
• 35:24
  Speaker 1: know when people are lying and people aren't shit? And
• 35:28
  Speaker 1: then I think, like, can you take a class on
• 35:31
  Speaker 1: like reading people virtually, because it's like, how can you
• 35:35
  Speaker 1: tell if people are authentic in the way they face
• 35:38
  Speaker 1: time and stuff? Like, I think I can just by personality.
• 35:42
  Speaker 1: But I think I'm overly critical. I think I'm just like,
• 35:44
  Speaker 1: what's that? What's happening there? Why would he hold the
• 35:46
  Speaker 1: angle like that? I mean, in so much of like
• 35:49
  Speaker 1: Rick's confessionals, he's always like I talk about I guess
• 35:52
  Speaker 1: Lisa looking like a mouse, I'm sorry, a cat that
• 35:55
  Speaker 1: had a mouth in her mouth. But also Rick looks
• 35:58
  Speaker 1: like and he every time you blink he takes one
• 36:01
  Speaker 1: millis second, sorry one MILLI step closer, like he's just
• 36:06
  Speaker 1: he feels so he feels like he's trying to pull
• 36:08
  Speaker 1: a fast run. I'm sorry, he feels like he's trying
• 36:11
  Speaker 1: to pull a fast one over the entire world, as
• 36:15
  Speaker 1: if we all don't know, and he doesn't have to
• 36:18
  Speaker 1: be accountable with the fact that he is weird. He
• 36:21
  Speaker 1: isn't shit that he is like too old to be
• 36:23
  Speaker 1: doing this to this lovely, beautiful young lady. I mean,
• 36:28
  Speaker 1: Tricias so naturally gorgeous, like her skin is so supple
• 36:34
  Speaker 1: when she has her hair back, I'm like, she does
• 36:36
  Speaker 1: also look so young that it's like very cringey to
• 36:40
  Speaker 1: watch this man who's swollen and beefed out be like,
• 36:43
  Speaker 1: I can't wait to fuck you again when I've already
• 36:45
  Speaker 1: fucked you over. Like another thing that I really really
• 36:48
  Speaker 1: hate and we saw it like when Johnny and Chloe
• 36:51
  Speaker 1: were fighting, is when men do something super shitty to
• 36:55
  Speaker 1: a female and like the female is so devastated by
• 36:59
  Speaker 1: it that they're crying and the man is trying to
• 37:03
  Speaker 1: use that as an opportunity to slide in with physical comfort.
• 37:06
  Speaker 1: And it's like, no, you're not gonna hug me now
• 37:09
  Speaker 1: and be like, baby, baby, I'll want you to feel better.
• 37:11
  Speaker 1: I'm literally crying because of what you did in me
• 37:13
  Speaker 1: and now you want to push my whole body against
• 37:15
  Speaker 1: you No, and be like, oh, it's breaking my heart
• 37:20
  Speaker 1: to watch you cry. He wants to comfort her.
• 37:25
  Speaker 2: He just is like, I promise, maybe I promise I'm
• 37:30
  Speaker 2: not gonna cheat. I will never cheat on you. I
• 37:34
  Speaker 2: would never do it, baby, Please, please, baby, don't ever
• 37:42
  Speaker 2: consider me cheating on my baby again.
• 37:45
  Speaker 1: You're just like, oh my god, Rick, it is so intense,
• 37:48
  Speaker 1: and he absolutely is gonna cheat on her immediately, Like
• 37:51
  Speaker 1: it is such a lie. It is so gross. I mean,
• 37:55
  Speaker 1: it like makes me if I said quiver, you would
• 37:59
  Speaker 1: think it meant like turn. It makes me shudder, you know,
• 38:01
  Speaker 1: it makes me like it makes me like convulse with
• 38:05
  Speaker 1: like no, no help that this universe has such a
• 38:09
  Speaker 1: person that is going to lie and be so gross
• 38:12
  Speaker 1: to someone who doesn't deserve it. How are you so
• 38:16
  Speaker 1: mean and like violently vulgar to someone that you quote
• 38:23
  Speaker 1: unquote like quote unquote, like it is attracted to like
• 38:28
  Speaker 1: I do, And I say, quote unquote, he obviously is
• 38:30
  Speaker 1: attracted to her. If you really liked someone that you're
• 38:33
  Speaker 1: attracted to and you think they're cool and they you
• 38:35
  Speaker 1: want them in your life, like, how do you treat
• 38:38
  Speaker 1: them like this? Unless you just don't have the capacity to.
• 38:42
  Speaker 1: And I think that we think age gives people awareness
• 38:47
  Speaker 1: or capacity or wisdom. But for Lisa and for Rick,
• 38:51
  Speaker 1: there are very similar vibes of not these two, not yet,
• 38:56
  Speaker 1: not ever. No, Rick just looks way better than you
• 38:59
  Speaker 1: know Lisa. He's kept up, you know, a little boor.
• 39:00
  Speaker 1: And I feel bad to say that for Lisa, but
• 39:02
  Speaker 1: you know, like she you know could it's just you know,
• 39:05
  Speaker 1: she got blessed, as we see. But at the same time,
• 39:07
  Speaker 1: both people are desperate for love and barkin up wrong trees,
• 39:12
  Speaker 1: trees that are too young. And here's the thing, I
• 39:15
  Speaker 1: don't know exactly what I don't know. I know what
• 39:18
  Speaker 1: Daniel wants. I don't Trish. I think is just really young.
• 39:21
  Speaker 1: And I do think that she probably just enjoys the
• 39:23
  Speaker 1: idea of the fantasy of what America's like and she
• 39:28
  Speaker 1: gets on paper someone that is physically attractive that makes
• 39:33
  Speaker 1: her smile. I do think that she is more into him.
• 39:35
  Speaker 1: Daniel obviously isn't into Lisa. It's I mean, you're not
• 39:39
  Speaker 1: like shocked when I say that, which is why it's
• 39:42
  Speaker 1: interesting that he draws the line when he does, because
• 39:45
  Speaker 1: then they're like, oh, that's the shameful part, okay, okay.
• 39:50
  Speaker 1: So basically Rick and Trisha then after he gets her
• 39:56
  Speaker 1: to somewhat give him a chance, and then he tries
• 39:58
  Speaker 1: to kiss her and she's like not, yeah, yeah, don't
• 40:00
  Speaker 1: fucking touch me. They go to a fighting match where
• 40:03
  Speaker 1: people are fisticuffs. I mean, but there's no cuffs. They're
• 40:07
  Speaker 1: fists fist to fists, fist to faces. I mean, they
• 40:11
  Speaker 1: are fighting, they are hidden. It's a kind of hit slap.
• 40:14
  Speaker 1: It's kind of like it would be like, Okay, it's
• 40:17
  Speaker 1: vicious and I don't want to do it. There's something
• 40:20
  Speaker 1: wildly like kind of feminine about it also, like it
• 40:24
  Speaker 1: looks kind of like listen, I don't mean to say it,
• 40:26
  Speaker 1: like it's these two men are fighting, but there's something
• 40:29
  Speaker 1: kind of sorority girl or bad or like bad girl
• 40:32
  Speaker 1: about the style and technique, which is just kind of
• 40:35
  Speaker 1: a free for all maybe, and I think that maybe
• 40:38
  Speaker 1: if there was more hair, they be more hair grabbing,
• 40:40
  Speaker 1: but it just it is manic looking and just like so, yeah,
• 40:46
  Speaker 1: you have to be really fucking good at fighting. And
• 40:49
  Speaker 1: so Trisha's like, listen, for some reason, I'm okay with
• 40:54
  Speaker 1: sleeping with you again. So you pick someone because she
• 40:56
  Speaker 1: offers this, if you pick the fighter that you know wins,
• 40:59
  Speaker 1: then we'll have sex tonight. And if I win with
• 41:03
  Speaker 1: my fighter who's whoever's left, we don't have sex. And
• 41:06
  Speaker 1: he's like, I don't want to put my sex life
• 41:09
  Speaker 1: in someone's hands, and she's like, well, these are my
• 41:10
  Speaker 1: rules and you wouldn't even have an option. He's like okay,
• 41:13
  Speaker 1: So he picks the tall person. The tall person wins.
• 41:15
  Speaker 1: He's so happy, and now she has to fuck him,
• 41:17
  Speaker 1: and she's I think, lo key happy about it. And
• 41:21
  Speaker 1: then he's like, so what now, She's like, off to
• 41:23
  Speaker 1: see my daddy, the best daddy in the world. Also,
• 41:26
  Speaker 1: you're gonna have to tell my dad that you want kids. Yeah.
• 41:29
  Speaker 1: He I like the idea that he's like, I'll do
• 41:32
  Speaker 1: whatever it takes to make it up to you.
• 41:34
  Speaker 2: Baby.
• 41:35
  Speaker 1: Like when she's so upset and in that moment, I
• 41:38
  Speaker 1: want her to be like, oh anything, okay. Step one,
• 41:42
  Speaker 1: buy out the fucking bathing suit's store at the mall,
• 41:45
  Speaker 1: the one I wanted when I said that you're gonna
• 41:47
  Speaker 1: buy me a bathing suit and you made a whole
• 41:49
  Speaker 1: big ass deal about it. Buy me the fucking store.
• 41:52
  Speaker 1: And two, we're having kids as many as I want.
• 41:55
  Speaker 1: And you're about to go kiss my dad's ass and
• 41:57
  Speaker 1: then tell him how you can't wait to bring him
• 42:00
  Speaker 1: his grand babies, or I'm on have sex with you tonight.
• 42:04
  Speaker 1: That's the fucking ultimatum she should have made, not about
• 42:06
  Speaker 1: like picking the fighter girl. So let's move on to Elise. Honey. Okay,
• 42:12
  Speaker 1: we pick up on Aalise and Elise is packing honey,
• 42:16
  Speaker 1: and we get Alise has a fabulous apartment This is
• 42:22
  Speaker 1: a super modern, very bright Miami apartment. Her kitchen's gorgeous.
• 42:27
  Speaker 1: She has a lot of clothes. She has a lot
• 42:29
  Speaker 1: of bags. There are Christian du or like shopping toats
• 42:33
  Speaker 1: their YSL. There's a couple of Gucci bags and like
• 42:36
  Speaker 1: not the ship maybe I don't know, the black ones.
• 42:39
  Speaker 1: Maybe the chevron uh but yeah, two kind of like
• 42:42
  Speaker 1: cute maybe crossbodies. It looks like a Chloe bag is
• 42:48
  Speaker 1: a circle bag. She has them all displayed. Now they do.
• 42:53
  Speaker 1: They do look real and or very good looking knockoffs.
• 42:58
  Speaker 1: They look real though, and I think of the way
• 43:01
  Speaker 1: that they're displayed isn't how I'm gonna say, isn't how
• 43:06
  Speaker 1: a lot of women display there, like designer bags that
• 43:10
  Speaker 1: are real. Some women keep them in their dust cloths.
• 43:15
  Speaker 1: They're little you know bags, or they keep them like
• 43:18
  Speaker 1: behind glass containers so they don't get dust, like just
• 43:21
  Speaker 1: like you know people put their shoes in the boxes
• 43:25
  Speaker 1: and so but I was like, whatever I can. I
• 43:27
  Speaker 1: can deal with that. And you know, she is packing,
• 43:30
  Speaker 1: like I said, and we're like going over and seeing
• 43:32
  Speaker 1: her like putting her like stuff in. I'm like really
• 43:34
  Speaker 1: looking at all her like Dior bags that she really
• 43:37
  Speaker 1: has like such good look as a saddle bag back there, like,
• 43:41
  Speaker 1: oh my god, I really love it. So then we
• 43:44
  Speaker 1: go into her bag and she has white Chanel like
• 43:52
  Speaker 1: whatever flats their slides just willy nilly on top of
• 43:57
  Speaker 1: each other in a bag on what looks like white
• 44:01
  Speaker 1: Gucci sneakers. And that part is suspect because there's no
• 44:06
  Speaker 1: way you can pack all those white designer shoes like
• 44:09
  Speaker 1: with no dust bags just sitting on top, They're gonna
• 44:12
  Speaker 1: get so fucked up and so dirty, like they have
• 44:15
  Speaker 1: dirt in the bottom, just press against each other like
• 44:17
  Speaker 1: you wouldn't do that. Those are expensive. But here's the thing.
• 44:21
  Speaker 1: I didn't realize that Elise had at least access to
• 44:25
  Speaker 1: as much money as she does in the sense of
• 44:27
  Speaker 1: I didn't realize that her parents were like, you know, ballers,
• 44:31
  Speaker 1: which I'm so happy for her, you know, God bless
• 44:33
  Speaker 1: I'm so happy for anyone that has, you know, some
• 44:36
  Speaker 1: security in their life. But I'm just saying I didn't
• 44:38
  Speaker 1: quite realize it, you know. So when I'm looking at
• 44:40
  Speaker 1: all of this, I'm like, oh, you know, like how
• 44:42
  Speaker 1: much is you know, is this her daddy just taking
• 44:44
  Speaker 1: care of her love or is this you know, like
• 44:48
  Speaker 1: her own deal. What does she do again? Also she
• 44:51
  Speaker 1: does date are these gifts from various lovers. I would
• 44:55
  Speaker 1: like to know. I want like full stories about each bag,
• 44:59
  Speaker 1: but that was suspect. So basically we know that she
• 45:03
  Speaker 1: is on the way to meet Josh and she gets
• 45:05
  Speaker 1: her friend Uli to come take her to the airport
• 45:08
  Speaker 1: and she tells us this crazy story which is like
• 45:10
  Speaker 1: recently she heard, like she literally just got this crazy
• 45:13
  Speaker 1: text from Josh that Josh, who we already know, told
• 45:17
  Speaker 1: her that he lived with his mom and dad and
• 45:20
  Speaker 1: that for this trip he wants to make her feel comfortable.
• 45:23
  Speaker 1: So he's going to rent a beautiful apartment, but he
• 45:25
  Speaker 1: cannot afford it by himself, even for this small amount
• 45:28
  Speaker 1: of months that he is doing it, even though he
• 45:31
  Speaker 1: lives with his parents and he's thirty nine, and so
• 45:33
  Speaker 1: he has to rent with an apartment sorry with a friend.
• 45:36
  Speaker 1: And she's been like, oh, oh okay, and then he's like,
• 45:40
  Speaker 1: guess what, I Am probably going to lose that job
• 45:44
  Speaker 1: that I have And the reason why is because it
• 45:46
  Speaker 1: has to do like with boats or there's boats involved
• 45:49
  Speaker 1: in this job that I should take seriously. And I
• 45:52
  Speaker 1: decided to take one of the boats and joy ride
• 45:57
  Speaker 1: the boat in the harbor. Okay, and we got a
• 46:01
  Speaker 1: fucking car accident and fuck it up because I was
• 46:03
  Speaker 1: drinking or who what knows what?
• 46:05
  Speaker 2: No.
• 46:06
  Speaker 1: I also feel like he looks older than thirty whatever
• 46:08
  Speaker 1: nine he is like you know, no, I Okay, I'm
• 46:12
  Speaker 1: gonna be honest. There is not a human on God's
• 46:16
  Speaker 1: green Earth that if I learned that information about them,
• 46:20
  Speaker 1: having gritted my teeth with all the in their information
• 46:23
  Speaker 1: that I knew about them, like the age and whatnot,
• 46:25
  Speaker 1: that I would get on that plane. I'd be like, Oh,
• 46:28
  Speaker 1: this is literally God, the universe, Mother Mary, the love
• 46:34
  Speaker 1: that universally connects us, all the transcendental spirit. I mean,
• 46:37
  Speaker 1: I don't know what you want to say. I would
• 46:39
  Speaker 1: be like someone up there slash all around us, loves
• 46:42
  Speaker 1: me to protect me and to make sure I know
• 46:46
  Speaker 1: not to get on that goddamn plane, not to waste
• 46:48
  Speaker 1: my time, honey, with someone who does not have it.
• 46:51
  Speaker 1: It's hard because I think that it's hard to find
• 46:54
  Speaker 1: love and it's hard not to be judgmental on people.
• 46:58
  Speaker 1: You want to have an open openness, You want to
• 47:01
  Speaker 1: be flexible, and you want to go with the flow,
• 47:04
  Speaker 1: and you know not I reguard up, keep your you know,
• 47:09
  Speaker 1: perceptions open. You want to you want that because I
• 47:11
  Speaker 1: think that people move differently and you might miss something.
• 47:15
  Speaker 1: But at the same time, that's so Peter Panny. That
• 47:19
  Speaker 1: is so someone who doesn't take real life seriously, who
• 47:23
  Speaker 1: doesn't care about anything, who certainly doesn't care about their
• 47:28
  Speaker 1: job or other people's property. Also maybe again has an
• 47:31
  Speaker 1: alcohol problem or wants to be cool in front of
• 47:34
  Speaker 1: their friends, or was trying to impress someone, And then
• 47:37
  Speaker 1: I would ask who anyway, all these questions. So at
• 47:42
  Speaker 1: the airport, there's momentary drama with her visa getting denied,
• 47:46
  Speaker 1: but that's not really HAIRNR. There he we find out
• 47:51
  Speaker 1: has his friend Chris Honey, and they're living up in
• 47:53
  Speaker 1: Australia and Sydney, and they're like two guys that are
• 47:56
  Speaker 1: cute and probably just drown an Australian Reichy all day long,
• 48:01
  Speaker 1: you know what I mean. And they're like, you know
• 48:04
  Speaker 1: what we're gonna do. We're gonna pick up some snacks
• 48:06
  Speaker 1: for our girl. Lease. She gave me a whole list
• 48:08
  Speaker 1: and we love fucking goldfish number one. And the second
• 48:11
  Speaker 1: thing is we're gonna make this girl who like got
• 48:15
  Speaker 1: on a plane twenty eight hours ago. By the way,
• 48:18
  Speaker 1: is that one plane? No way, you can't take one
• 48:20
  Speaker 1: plane for twenty eight hours. You don't have to gas
• 48:22
  Speaker 1: for it, right. I had to like look up the
• 48:24
  Speaker 1: Australian rude. I'm Australia looks wild to me. It looks
• 48:29
  Speaker 1: like a parallel universe. I don't know why. It looks like, yeah,
• 48:33
  Speaker 1: like a parallel universe, A little bit like everything I know,
• 48:36
  Speaker 1: but one slightly askew moment off or I'm like, is
• 48:40
  Speaker 1: it okay? I feel like we get a lot of
• 48:42
  Speaker 1: this right off the plane onto some place like and
• 48:46
  Speaker 1: the person always is like, no, I don't want to.
• 48:48
  Speaker 1: Why would they think I'd want to. I obviously need
• 48:50
  Speaker 1: to get you know, to a shower, into a bathroom,
• 48:53
  Speaker 1: into a bed. But however, our girl Elise, who is
• 48:57
  Speaker 1: hot as hell, who has you know, obviously a b
• 49:00
  Speaker 1: D YadA yaddi, who like is a cool girl, but
• 49:03
  Speaker 1: also you know, has some insecurity issues and definitely wants
• 49:06
  Speaker 1: to be loved and definitely has been hurt all of
• 49:09
  Speaker 1: those things, you know, and we're not quite sure if
• 49:11
  Speaker 1: she's ready and if Josh is it we I don't
• 49:14
  Speaker 1: think would expect her to do what she does. So
• 49:18
  Speaker 1: she's like, fucking I got off the plane. I've already
• 49:20
  Speaker 1: acquiesced to this. I check this person's stories and he's
• 49:24
  Speaker 1: taking out with this guy, Chris, so I guess Chris
• 49:26
  Speaker 1: is with us, and they're dressed up like they're going
• 49:28
  Speaker 1: to go to this Australian horse day, and like, that's
• 49:32
  Speaker 1: what my life is, and I'm just supposed to be like, great, oh,
• 49:37
  Speaker 1: that's exactly what I want to do, thanks babe. However,
• 49:41
  Speaker 1: she does like at least just like puts on our
• 49:43
  Speaker 1: big girl panties, but not really because those would be
• 49:45
  Speaker 1: two granny panties, and you know that she wears basically
• 49:47
  Speaker 1: a thone or nothing at all. And she's like, hey, hey,
• 49:51
  Speaker 1: you're sexy. Hi nice sen eight, You're so sexy. They
• 49:53
  Speaker 1: can't stay sexy. And she's like, uh okay, well that's
• 49:56
  Speaker 1: what it fucking is. If you guys think that I'm
• 49:58
  Speaker 1: not going to be able to have one moment of time,
• 49:59
  Speaker 1: then here here's my bags. You find me something to wear,
• 50:02
  Speaker 1: and they do. They open her bags on the air
• 50:04
  Speaker 1: ploor floor and they cifle through things, you know, and
• 50:07
  Speaker 1: they find a dress and she's like oh, I guess
• 50:09
  Speaker 1: I don't have to wear underwear bra with that one.
• 50:11
  Speaker 1: And they're like booming, you know, because she's a little
• 50:13
  Speaker 1: bit and I mean that it's fine. She is a
• 50:15
  Speaker 1: pick me girl, and so you're gonna have pick me moments,
• 50:17
  Speaker 1: you know, like and there's a couple of picck me studs.
• 50:20
  Speaker 1: Like there's a pick me kind of girl that's like
• 50:22
  Speaker 1: I'm not like other girls, you know, like I'm this
• 50:24
  Speaker 1: kind of girl. But there's also the kind of pick
• 50:26
  Speaker 1: me girl that like definitely loves to give the like
• 50:30
  Speaker 1: subtle think of me, think of me sexually at all
• 50:34
  Speaker 1: times when I'm around, you know, like a little bit.
• 50:37
  Speaker 1: And that's that kind She's an abasheit about it though,
• 50:41
  Speaker 1: So she's not trying to like hide the fact that
• 50:43
  Speaker 1: she wants to be thought of as sexy, wants people
• 50:45
  Speaker 1: to be thinking that she's sexy. Boobs but sexy. A
• 50:49
  Speaker 1: last period, you know, she puts on a dress and
• 50:53
  Speaker 1: the boys are like, you know what she did it?
• 50:55
  Speaker 1: We're impressed. You know, she could have like done a
• 50:59
  Speaker 1: whole like poudy thing. She could have put on a
• 51:01
  Speaker 1: whole princess thing. She could have been like, no, ay,
• 51:03
  Speaker 1: what is he doing here, Chris, What kind of name
• 51:06
  Speaker 1: is that? Fuck that? Unless you're I'm gonna meet you
• 51:09
  Speaker 1: and spray you down when bath and body works, I
• 51:11
  Speaker 1: don't want to meet it, Chris. I don't know she
• 51:13
  Speaker 1: was kidding. She could have been like I didn't want
• 51:14
  Speaker 1: to go back to the nice apartment, that it should
• 51:16
  Speaker 1: just be us and not you, Chris, and eat the
• 51:19
  Speaker 1: goldfish that you got me and take a shower. That's
• 51:21
  Speaker 1: what I want. Why making me dress this fancy ast
• 51:24
  Speaker 1: dress and go to a not polo event? I don't know.
• 51:26
  Speaker 1: But they do look good and they're gonna have fun.
• 51:28
  Speaker 1: Here's the thing. They're gonna have fun. And that's the
• 51:30
  Speaker 1: other thing about sometimes like keeping yourself open, like yes
• 51:35
  Speaker 1: things can be shitty, and yes it isn't. You have
• 51:38
  Speaker 1: to know yourself. But if you push your boundaries, sometimes
• 51:42
  Speaker 1: you're surprised. And it happens in I think social ways,
• 51:46
  Speaker 1: and there are other ways it happens too, Like you
• 51:48
  Speaker 1: know that to that same sentiment, knowing yourself, knowing what's
• 51:52
  Speaker 1: good for you and like what you can tolerate at
• 51:55
  Speaker 1: the same time, knowing if you can push yourself a
• 51:57
  Speaker 1: little bit, if that might be good for you, because
• 52:00
  Speaker 1: has over that mount could be and in fact a
• 52:02
  Speaker 1: reward you didn't quite know happens when you're working out right,
• 52:06
  Speaker 1: like when you're like, can I go another five minutes
• 52:08
  Speaker 1: of whatever? Another couple of reps or you know, blobby
• 52:12
  Speaker 1: blue blobs or yeah, can I extend a patience or
• 52:18
  Speaker 1: a graciousness or a go with the flow flexibility to
• 52:21
  Speaker 1: a situation that I normally wouldn't or would try to
• 52:25
  Speaker 1: exert control over because I think I need to? When
• 52:28
  Speaker 1: do I need to? I mean, for all intents and purposes,
• 52:33
  Speaker 1: we can assume that Alice got Daddy to get her
• 52:36
  Speaker 1: like a business class or first class seat, so she reclined.
• 52:40
  Speaker 1: I you know, she wore that same two piece the
• 52:43
  Speaker 1: whole time. I was surprised only because I was like,
• 52:46
  Speaker 1: how did you only travel in that like skinny ass
• 52:49
  Speaker 1: then ass two piece? Like how I travel? Like I
• 52:53
  Speaker 1: feel like when I say a lot, like frequently, but
• 52:57
  Speaker 1: not super long periods all the time, Like I've never
• 53:00
  Speaker 1: been to australiaet I've never been to like Asia, so like,
• 53:02
  Speaker 1: you know, my longest trips are like the europe trips
• 53:05
  Speaker 1: of like ten hours at a time, you know whatever.
• 53:08
  Speaker 1: But she's not not even that much. But yeah, for me,
• 53:10
  Speaker 1: I don't do it that much all I'm saying. But
• 53:12
  Speaker 1: at the same time, I think it's like kind of
• 53:15
  Speaker 1: a crazy travel outfit to wear, like a matching two
• 53:18
  Speaker 1: piece alo set. It's just too thin. You don't have
• 53:22
  Speaker 1: enough friction and like cushioning between you and the seat
• 53:27
  Speaker 1: and the warmth you need for a comfortable twenty eight
• 53:31
  Speaker 1: hour airplane, Like don't you want that with sweats over
• 53:35
  Speaker 1: it and like multiple layers. I don't know, or she's
• 53:39
  Speaker 1: just like I want to look hot all the time,
• 53:41
  Speaker 1: so I'm always cold, you know. There's yeah, there's like
• 53:43
  Speaker 1: that thing where when you're maybe driving around a bar
• 53:47
  Speaker 1: part or a club part of whatever city, like and
• 53:48
  Speaker 1: obviously this could happen in Hollywood or I live in
• 53:50
  Speaker 1: Los Angeles. There are times when you see girls just
• 53:53
  Speaker 1: like teetering, like in their shortest short short skirts. In
• 53:56
  Speaker 1: New York you see this too, and you know it's
• 53:58
  Speaker 1: fucking cold outside, like it's freezing, but like, you know,
• 54:01
  Speaker 1: you want all look caught, So yeah, i'd be cold anyway.
• 54:05
  Speaker 1: Let's move on, okay, Aviva and stick Okay, so listen,
• 54:10
  Speaker 1: spring has sprung and she's done. Who her first round
• 54:14
  Speaker 1: were her first round, And this is where it was
• 54:15
  Speaker 1: kind of confusing. Was just at Stig like, I'm gonna
• 54:19
  Speaker 1: tell you all this shit. I'm not gonna tell my
• 54:21
  Speaker 1: own niece all this stuff. I'm gonna tell you with
• 54:23
  Speaker 1: Karen my niece. Sorry, she has you know her Karen
• 54:26
  Speaker 1: is like her like kind of like fake niece. And
• 54:29
  Speaker 1: then you know, I think Karen might be oh sorry,
• 54:33
  Speaker 1: Karin is her niece by marriage, but also she's no
• 54:37
  Speaker 1: longer married to that person, but obviously they're now friends.
• 54:39
  Speaker 1: And then Aviva is I think her real niece. That's
• 54:41
  Speaker 1: why I said, like a biological niece. So Stig's dad's
• 54:45
  Speaker 1: gonna meet up up with all of them, and Stig's
• 54:47
  Speaker 1: dad is, we're gonna find out very good looking looks
• 54:51
  Speaker 1: just like Stig, and Stick wants to have a great
• 54:54
  Speaker 1: day with Aviva and get over the fact that Spring
• 54:57
  Speaker 1: told him that he's been caught with this other woman
• 55:01
  Speaker 1: or whatever and he told Aviva and Aviva it was like, what,
• 55:04
  Speaker 1: I don't know if I should believe You'm gonna go
• 55:06
  Speaker 1: hang out with ant Spring, And so yeah, she goes
• 55:08
  Speaker 1: hang out that Spring, but not before ordering extra strong
• 55:11
  Speaker 1: mohedos ough Minty. So they all meet. It's her, Karin, Spring,
• 55:18
  Speaker 1: Aviva in like Floral and then they decide to call
• 55:20
  Speaker 1: Karin's friend and being like, what's happening? So I have
• 55:25
  Speaker 1: this text and basically they're like, Okay, did you have
• 55:29
  Speaker 1: sex with Stage. She's like yes, It's like when a
• 55:32
  Speaker 1: month ago, okay, and then do you guys still talk? Yes?
• 55:35
  Speaker 1: And then that girl's like, and we do have an
• 55:40
  Speaker 1: upcoming trip and they're like, to where to San Pedro
• 55:45
  Speaker 1: at the end of month from Friday Saturday. So it's
• 55:49
  Speaker 1: interesting the way we do have an upcoming trip. It's
• 55:52
  Speaker 1: like you're on what you're going on vacation together, You're
• 55:55
  Speaker 1: meeting up somewhere, and it's just an interesting way to
• 55:58
  Speaker 1: say it. So they tell that to Aviva. She's pissed obviously,
• 56:02
  Speaker 1: and then now they have to go hang out with
• 56:04
  Speaker 1: his dad and Spring and they all made up. Now
• 56:06
  Speaker 1: Spring and the dad you know, on one side, and
• 56:10
  Speaker 1: basically it's super awkward because it's like set up by
• 56:13
  Speaker 1: the producers and Spring's like, well, it's nice to meet you.
• 56:17
  Speaker 1: Stig's dad and Dale want to really bring it up,
• 56:20
  Speaker 1: but your son's a whole ass liar and Stix's dad's like, oh,
• 56:24
  Speaker 1: I know Diig is drama. No, I know he doesn't
• 56:27
  Speaker 1: like one lady. He likes them all, you know. He
• 56:31
  Speaker 1: and Stick is kind of like, well, maybe I did
• 56:34
  Speaker 1: you know, hook up with someone the month before because
• 56:36
  Speaker 1: you haven't even been here yet. I know it was
• 56:38
  Speaker 1: gonna be like so into her or whatever. But he
• 56:40
  Speaker 1: doesn't say it's this girl. He very much, you know,
• 56:43
  Speaker 1: keeps it being like this girl as a fan. And
• 56:45
  Speaker 1: also even Stick's dad's like, why didn't this girl I
• 56:48
  Speaker 1: don't know show us the text messages of the upcoming
• 56:52
  Speaker 1: planned vacation, like how do you plan that vacation you're
• 56:55
  Speaker 1: coming up? Like, because it does seem like she's just
• 56:57
  Speaker 1: planned to come up and see his concert and Pedro
• 57:00
  Speaker 1: or whatever with her friend, because it's not hard a
• 57:04
  Speaker 1: screenshot like hey, babe, do you want to meet me
• 57:06
  Speaker 1: at the hotel blue Bitty Bloops decemburb blobbery blue from
• 57:09
  Speaker 1: Blobbery Bloop, you know, and obviously she doesn't have that.
• 57:12
  Speaker 2: See.
• 57:12
  Speaker 1: Other part of this story is Spring being like I
• 57:15
  Speaker 1: know how to make good TV ay my hair piece,
• 57:18
  Speaker 1: You're welcome, b Hey girl, Hey, when it even comes up,
• 57:23
  Speaker 1: remember how we had extra strong mihidos. You haven't tasted
• 57:26
  Speaker 1: anything yet to hold hold this. Hey, Stig's dad Dwayne,
• 57:32
  Speaker 1: who's hot as hell, and Stig, let's get some panty rippers.
• 57:36
  Speaker 1: She's like, yes, let's order panty rippers. Niece. I know
• 57:41
  Speaker 1: how to get the party started, and I know what
• 57:43
  Speaker 1: you need. It's to get away from Stig. Also panty rippers,
• 57:47
  Speaker 1: which feels like it's like it's not conducive to those things.
• 57:50
  Speaker 1: Those She is going to get her panties ripped later
• 57:54
  Speaker 1: tonight with Stig. I mean, I think Spring knows what's up.
• 57:58
  Speaker 1: I also feel like knows that there is a suspect
• 58:03
  Speaker 1: in this woman, this woman's story of being with stick.
• 58:07
  Speaker 1: But I kind of feel like Springs like, even if
• 58:09
  Speaker 1: it's not true, I want you to think that I
• 58:13
  Speaker 1: will come for you. You just happen to have gotten away
• 58:17
  Speaker 1: with this one, but you better not fucking do it again.
• 58:19
  Speaker 1: I can't wait to bring you down. I will. I'll
• 58:22
  Speaker 1: do whatever it takes. I have foot soldiers, you know.
• 58:25
  Speaker 1: So that basically is the end of the episode. I
• 58:28
  Speaker 1: really enjoyed, like some of the dumbest moments, I really
• 58:32
  Speaker 1: But first it was so good. Oh my god, I
• 58:36
  Speaker 1: love that. What is a panty ripper? Okay, I gotta
• 58:39
  Speaker 1: look it up, obviously, I know what extra strong mahido
• 58:42
  Speaker 1: is panty ripper. I'm assuming there's rum in it. Okay.
• 58:46
  Speaker 1: It looks just like a my tie without like the
• 58:48
  Speaker 1: dark rum. Oh okay, Oh well, I don't even read
• 58:50
  Speaker 1: it again, and it's oh my god, it is okay,
• 58:52
  Speaker 1: it first of us, sounds so good, and it kind
• 58:55
  Speaker 1: of is my tie. It's a popular sweet, tropical Belligian
• 58:59
  Speaker 1: cocktail made with coconut rum, pineapple juice, and a splash
• 59:03
  Speaker 1: of grenadine, often garnished with a cherry and a pineapple slice.
• 59:06
  Speaker 1: That sounds so good, oh good, perfect for hot weather,
• 59:10
  Speaker 1: and sometimes considered a woman's drink. That's why I like it.
• 59:14
  Speaker 1: You know, you can like water it down with some
• 59:16
  Speaker 1: like just lime juice or like some soda water. But
• 59:18
  Speaker 1: I mean, yeah, that's a kind of yeah, it's kind
• 59:20
  Speaker 1: of like a my tie with less alcohol or less
• 59:23
  Speaker 1: different kinds of RUMs and a cherry or grenadine. I
• 59:28
  Speaker 1: love those, like Lucardo cherries, or like the cherries from
• 59:31
  Speaker 1: those fancy Italian cherries as opposed to the Marichino cherries.
• 59:34
  Speaker 1: Oh my God, I want that. I want that cocktail
• 59:37
  Speaker 1: that sounds great again, maybe made not as sweets by
• 59:41
  Speaker 1: some way. Okay, my loves, Thank you so much for listening.
• 59:45
  Speaker 1: Thank you so much for being on this wild journey
• 59:49
  Speaker 1: before the ninety day journey with me. However, as you know,
• 59:52
  Speaker 1: we have many journeys to go on together, this is
• 59:54
  Speaker 1: just one. You have many battles to fight together in
• 59:57
  Speaker 1: the war of entertain We're obviously totally watching Single Life,
• 1:00:03
  Speaker 1: so that's happening as well. Did you guys listen to
• 1:00:05
  Speaker 1: My America's Nextop Model episode? It was so fun. Yeah,
• 1:00:09
  Speaker 1: a lot of fun things happening. Traders happened, you know.
• 1:00:12
  Speaker 1: Can you believe it? Other than that, my babes, I
• 1:00:16
  Speaker 1: really appreciate you spending your heart energy and your ear
• 1:00:21
  Speaker 1: energy with me. I really do. I know I say
• 1:00:24
  Speaker 1: that a lot, but it's just like you know that
• 1:00:27
  Speaker 1: someone would be like, I'm gonna listen to this bitch
• 1:00:28
  Speaker 1: talk for an hour and seven minutes. It fills my
• 1:00:32
  Speaker 1: heart with a warmth, you know, I really, I I
• 1:00:36
  Speaker 1: really appreciate it, and I really I don't know. I
• 1:00:38
  Speaker 1: wish at some point I hope I can make something
• 1:00:41
  Speaker 1: up for someone, so it's a goal other than that though,
• 1:00:45
  Speaker 1: let me tell you. You can follow me of course.
• 1:00:47
  Speaker 1: I'm at Chris Solfera on TikTok, on Instagram, I'm on Patreon,
• 1:00:52
  Speaker 1: I'm on substack. It's my birthday this week. It's not
• 1:00:55
  Speaker 1: a whole lass fucking birthday this week. It's you know,
• 1:00:58
  Speaker 1: been a great start the year, a bunch of brand
• 1:01:01
  Speaker 1: new beautiful energy, some great like lessons, some great growth,
• 1:01:05
  Speaker 1: just like getting shit out and getting new just like
• 1:01:09
  Speaker 1: vibes and spirit. And I'm just like overwhelmed with feeling
• 1:01:15
  Speaker 1: hope and also peace. So I really hope that other
• 1:01:19
  Speaker 1: people are feeling that too, because definitely, universally and like nationally,
• 1:01:24
  Speaker 1: none of that is being offered. So I think that
• 1:01:28
  Speaker 1: if you can find it, and if you can find
• 1:01:30
  Speaker 1: it for yourself, God bless it, you know, uh, And I,
• 1:01:34
  Speaker 1: you know, I just toggle back and forth between feeling
• 1:01:40
  Speaker 1: incredibly lucky and privilege and also being like, wow, my god,
• 1:01:42
  Speaker 1: my heart goes out to everyone that's experiencing fucking violence
• 1:01:46
  Speaker 1: from war, the war that America is putting on, and
• 1:01:49
  Speaker 1: like the war that like you know, is real and
• 1:01:51
  Speaker 1: it's fucking fighting, and like the war that Iran is
• 1:01:54
  Speaker 1: like funded and like, you know, God bless everyone that
• 1:01:58
  Speaker 1: has to deal with power or is just politically moving
• 1:02:01
  Speaker 1: in this earth planet and then just wreaking have it
• 1:02:04
  Speaker 1: on just normal citizens. So ah, there's both. There's both,
• 1:02:08
  Speaker 1: my God, there's both. So having said that, thank you
• 1:02:11
  Speaker 1: for this experience, we're going to breathe, and then we're
• 1:02:14
  Speaker 1: going to send each other on our merry way. But
• 1:02:17
  Speaker 1: you can give me my happy birthday gift by engaging
• 1:02:20
  Speaker 1: with me and any of the following aways. Please give
• 1:02:22
  Speaker 1: me a review we Listen Out podcast. Please follow me
• 1:02:26
  Speaker 1: on social media as all of them, follow me in
• 1:02:29
  Speaker 1: every one of them, and engage and share and comment
• 1:02:34
  Speaker 1: if you can. I would really appreciate it. And as
• 1:02:37
  Speaker 1: my birthday, did I mention that it's also my dad's
• 1:02:40
  Speaker 1: birthday too, because we're both fucking pissies and his birthday
• 1:02:43
  Speaker 1: is March fourth, and he's earning seventy five and I
• 1:02:45
  Speaker 1: had to plan his whole birthday and I'm happy about it.
• 1:02:47
  Speaker 1: And then three days later my birthday March seventh, which
• 1:02:49
  Speaker 1: is hopefully going to work out. It's I'm the back burner,
• 1:02:54
  Speaker 1: all right. Two breaths. Oh, let's get it out for
• 1:02:57
  Speaker 1: you for me, for this world, for peace, for love,
• 1:03:00
  Speaker 1: two breaths. Everything I said is now in the past,
• 1:03:03
  Speaker 1: and we're gonna bring ourselves into this present moment. We're
• 1:03:05
  Speaker 1: not gonna think about the future somehow. We're going to
• 1:03:08
  Speaker 1: just be be together for some reason. We're just going
• 1:03:12
  Speaker 1: to decide to categorically be present here now. Okay, if
• 1:03:18
  Speaker 1: you don't mind the sound of my voice helping you,
• 1:03:20
  Speaker 1: or your own breath, some sort of sensory moment where
• 1:03:24
  Speaker 1: you can feel yourself in space, feed on the ground
• 1:03:28
  Speaker 1: where you're sitting, the sound of the room itself kind
• 1:03:31
  Speaker 1: of brings you into the present moment. So let's do it.
• 1:03:34
  Speaker 1: It feels so good. All right, my babes, take care
• 1:03:37
  Speaker 1: of yourselves and one another, stand up for what you believe,
• 1:03:40
  Speaker 1: Make art and change your sheets. Okay, babes. You know
• 1:03:44
  Speaker 1: sometimes art's a brand new fucking bed, uh, a brand
• 1:03:47
  Speaker 1: new made bed with all your pillows nicely put or
• 1:03:50
  Speaker 1: you've like out the corner so like it's like beckoning
• 1:03:54
  Speaker 1: you to come in, like it's already pulled out for you.
• 1:03:56
  Speaker 1: I mean, put a chocolate on your pillow. Whatever you
• 1:03:58
  Speaker 1: need to do, honey, spray some lavender. Art is everywhere
• 1:04:02
  Speaker 1: all right, I'll talk to you later Bye.