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Netflix Needs To Stop Making These · The conspiracy

0:00
Speaker 1: What if I told you Netflix just turned an honest,
0:03
Speaker 1: deceased woman into a fictional serial killer confidant. And what
0:07
Speaker 1: if I told you they invented murders that never happened
0:12
Speaker 1: in a story about a serial killer who was very
0:15
Speaker 1: much real. And what if I told you this is
0:17
Speaker 1: just the latest example of one man's obsession with making
0:22
Speaker 1: killers and victims stories dramatized to a extremely unsavory degree.
0:28
Speaker 1: Ryan Murphy has a problem, and equally does Netflix, because
0:32
Speaker 1: they're the ones that greenlit this absolute garbage, and together
0:36
Speaker 1: they've built an entire empire on transforming real life monsters
0:41
Speaker 1: into your next guilty pleasure. And with Monster the Ed
0:44
Speaker 1: Gaines story, he's, in my opinion, crossed a line that
0:48
Speaker 1: should terrify anyone who gives a flying frig about the truth.
0:54
Speaker 1: So today we're lightly exposing Hollywood's most disturbing trend and
0:59
Speaker 1: the man who's perfected it. All right, let's take a
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Speaker 1: to Raycon for sponsoring this video and let's get back
3:00
Speaker 1: to it. Hello everybody, and welcome back into my YouTube channel.
3:04
Speaker 1: And welcome to my YouTube channel. I'm calling Chris. You
3:06
Speaker 1: can call me Chris and Anti. Chris is a little
3:08
Speaker 1: spicy mad right now. I'm on two and two grade.
3:11
Speaker 1: I wasn't gonna do this video. Also, I'm still sick
3:14
Speaker 1: sorry about that. Wasn't gonna do this video. I did
3:16
Speaker 1: make this video on ed Geen about the real victims
3:20
Speaker 1: of what actually happened to them, and I lightly touched
3:22
Speaker 1: on the ed Geen Show, but it wasn't out yet.
3:25
Speaker 1: I was just saying like, I'm probably not gonna watch
3:27
Speaker 1: it because they already look like they're butchering the story.
3:30
Speaker 1: Turns out, I was right, that's right. You know, I
3:33
Speaker 1: got a lot to talk about and obviously let's just
3:36
Speaker 1: let's just you know, wave at the big elephant in
3:38
Speaker 1: the room. I make true crime content. I do, But
3:42
Speaker 1: what's important to me is getting all the facts right
3:45
Speaker 1: and giving you information you might have not even known
3:48
Speaker 1: that that are part of those facts, and highlighting the
3:52
Speaker 1: victims of the story and the victims families and really
3:56
Speaker 1: just nailing in the coffin what pieces of the monsters
4:02
Speaker 1: or even you know, the killers are in those stories.
4:05
Speaker 1: And that is like the most important part to me.
4:08
Speaker 1: Not to mention, I do donate to victims families around
4:12
Speaker 1: the globe in doing that, so it is very important
4:16
Speaker 1: to me. Of course, it's fascinating, and I'll get into
4:18
Speaker 1: that a little bit later. It's fascinating to all of us.
4:20
Speaker 1: There's a reason why I make the videos. But it
4:22
Speaker 1: also is important to tell the truth and not to
4:26
Speaker 1: make up stuff and romanticize stuff and dramatize stuff to
4:31
Speaker 1: make a better story. What a slap in the face
4:34
Speaker 1: to the people that got murdered or that went missing
4:39
Speaker 1: and weren't even a part of the case. We'll get
4:41
Speaker 1: into that too. I'm just I'm frustrated. I'm frustrated, okay,
4:44
Speaker 1: but we are going to talk about the show, and
4:46
Speaker 1: I'm just gonna nippick all the little things that are wrong.
4:49
Speaker 1: Maybe you'll learn something out of it. I highly suggest
4:51
Speaker 1: you go watch this video though, if you want it,
4:53
Speaker 1: like the full in depth story on ed Geen and
4:56
Speaker 1: all of the horrible things he did and like highlighting
5:01
Speaker 1: the victims lives and all that kind of stuff. That's
5:03
Speaker 1: the video you should go to. Today. We're just kind
5:05
Speaker 1: of kind of graze over the show. Also talk about
5:08
Speaker 1: some other shows that Brian Murphy has done, along with
5:12
Speaker 1: maybe some other Netflix shows as well. Just really getting
5:14
Speaker 1: into it. Okay, I feel like Judgy feel free to
5:16
Speaker 1: judge me too. It's fine, but I feel like there's
5:18
Speaker 1: a line and I feel like it's been crossed. So
5:20
Speaker 1: first things first, let's first take a look at Netflix's
5:24
Speaker 1: number one newest series. It is number one, by the way,
5:26
Speaker 1: it's been number one for a while, which is kind
5:29
Speaker 1: of even more disturbing but also makes sense. And that
5:31
Speaker 1: is Monster the ed Geet Story. It's the third installment
5:35
Speaker 1: to Ryan Murphy's trove of not so true crime remakes,
5:39
Speaker 1: next to The Dahmer One and The Menendez Brother's Case,
5:45
Speaker 1: which is just again I think I did do a
5:48
Speaker 1: little bit of a in depth take on that, and
5:53
Speaker 1: it's hard, it's conflicting. It's like there's stuff that's really
5:55
Speaker 1: well done, but then he ruins it by doing this weird,
5:59
Speaker 1: weird bullshit, by making up these weird narratives. It's like, kick,
6:04
Speaker 1: I'm just gonna get into the edge story right now. Okay.
6:06
Speaker 1: So episode one is called mother all right, and the
6:10
Speaker 1: series opens in Rule, Wisconsin, with Ed Geen living under
6:13
Speaker 1: the control of his fanatically religious mother Augusta. One point,
6:17
Speaker 1: that's very true. She was crazy and extremely control Like
6:22
Speaker 1: who condemns all women as corrupt? True? Can get a
6:26
Speaker 1: can we get a false and fact? So we can
6:28
Speaker 1: keep count here, all right? So we got one truth
6:31
Speaker 1: so far. Mom was crazy and she didn't like women,
6:34
Speaker 1: all right. And then it goes on to Ed secretly
6:36
Speaker 1: spying on his young neighbors Adeline and Madison trying on lingerie.
6:40
Speaker 1: Then returns home to engage in disturbing behavior, including wearing
6:44
Speaker 1: his mother's clothes and doing some not so well fun
6:48
Speaker 1: for him. I guess some stuff to himself. Let's get
6:50
Speaker 1: a let's get one on the false thing. He never
6:53
Speaker 1: did that, he never he never peeping tombed on Adeline
6:57
Speaker 1: or Madison. That's just made up. He also, as a
7:00
Speaker 1: seven year old child was caught by Augusta and reprimanded
7:05
Speaker 1: for it, but there is no stories in which he
7:08
Speaker 1: did this as an adult. Could it be true? Sure,
7:10
Speaker 1: I'm going to put a loose false on that one. Okay,
7:14
Speaker 1: I do want to say I don't mind that they're
7:16
Speaker 1: doing this because I get that they just want to
7:18
Speaker 1: show that they had this dynamic. Could they have done
7:22
Speaker 1: a flashback and would it have been more accurate? Yes,
7:26
Speaker 1: but whatever, I'm not going to be too picky about that.
7:29
Speaker 1: So why an Augusta catches him, she explodes with rage
7:32
Speaker 1: and at a local diner, we learn ed and Adeline
7:35
Speaker 1: know each other and she shares disturbing Holocaust photos and
7:39
Speaker 1: Nazi criminal is lecoq material with him, feeding his dark fascinations.
7:44
Speaker 1: It is true he was fascinated with Nazi photos and
7:48
Speaker 1: memorabilia and stuff that they did to them. So that's fine.
7:51
Speaker 1: Adeline wasn't a part of this. There's a loose claim
7:55
Speaker 1: that they had talked about this, So again, I'm not
7:58
Speaker 1: going to be like two nitpicky about this. But the
7:59
Speaker 1: whole relationship they made up about Adeline is completely false.
8:02
Speaker 1: It's completely false. There's a quote from her where she
8:06
Speaker 1: said that they had a relationship, but it wasn't until
8:09
Speaker 1: after all of this, and it was false as well,
8:13
Speaker 1: it was proven not to be proven. And also Ed
8:16
Speaker 1: was known to say that he had zero interest in
8:20
Speaker 1: having any sort of romantic relationship with any women. So
8:24
Speaker 1: that is this is like a whole conjured up relationship
8:26
Speaker 1: that didn't even exist. And that's what Ryan Murphy does best.
8:29
Speaker 1: He just makes up this bullshit to make the story
8:31
Speaker 1: more interesting and to get more episodes to sell his
8:34
Speaker 1: share Netflix. I don't know, so that's another false. And
8:38
Speaker 1: then the episode reaches its climax when Ed's brother Henry,
8:41
Speaker 1: exhausted by Augusta's tyranny, plans to leave and urges Ed
8:44
Speaker 1: to join him. That's true, Okay, that did happen, and
8:48
Speaker 1: Ed responds by attacking Henry with a log and leaving
8:50
Speaker 1: him for debt, later burning the body and convincing Augusta
8:53
Speaker 1: was an accident. That's false, never proven. It was an accident.
8:57
Speaker 1: Henry died by extraction, and yes he did have some
9:00
Speaker 1: bruises on him. Could it have been Ed potentially, but
9:03
Speaker 1: it was never proven, So I don't think it should
9:06
Speaker 1: be in the show because it's not fact. And I
9:08
Speaker 1: think if you're having to fact check through a show,
9:12
Speaker 1: and as we'll see, I'm assuming it's going to be
9:14
Speaker 1: at least fifty to fifty on what's true what's not.
9:16
Speaker 1: If fifty percent of the show isn't real and it's
9:19
Speaker 1: based off of ed Geen's story, it's a bad show.
9:22
Speaker 1: In my opinion. People are watching the show because they're
9:25
Speaker 1: not crazy like you and me, who we watch and
9:28
Speaker 1: read a lot of true crime stuff. They take it
9:30
Speaker 1: as at face value. They think that that is the case,
9:33
Speaker 1: and if they don't, then that's good. If they just
9:34
Speaker 1: watch it and think that, oh, this is clearly made
9:38
Speaker 1: up and it's just ed Geane, then fine. But I
9:39
Speaker 1: think most people are like, WHOA, he's crazy like that,
9:42
Speaker 1: that's horrible, And I can't believe he killed his brother.
9:45
Speaker 1: That's not true. And there was no relationship with that
9:47
Speaker 1: a lot, and there was no I'm gonna stop yapping,
9:50
Speaker 1: keep let's continue. So that's false. And then soon after
9:54
Speaker 1: Augusta dies of a stroke, and this is true, but
9:58
Speaker 1: it wasn't after It wasn't until a couple years after
10:02
Speaker 1: actually so they kind of sped up the timeline to
10:04
Speaker 1: make it more convenient for themselves. Classic, So we got
10:08
Speaker 1: a false and then, hearing his mother's voice demanding he
10:12
Speaker 1: keep her close, Ed attempts to dig up her grave
10:14
Speaker 1: but fails. False never happened. So instead he exhumes another
10:18
Speaker 1: woman's corpse and places it in Augusta's rocking chair. False
10:23
Speaker 1: never happened. He did, he did. He did exhume other bodies,
10:27
Speaker 1: but this wasn't till a long time after as well.
10:30
Speaker 1: So again we're just speeding up the timeline for convenience.
10:33
Speaker 1: We don't know that he ever put a corpse in
10:37
Speaker 1: the chair. In fact, Ed Gat has never claimed that,
10:39
Speaker 1: So that's just a fun little thing for Ryan Murphy
10:44
Speaker 1: to just do because it's creepier, I guess, but it's bullshit.
10:47
Speaker 1: And then the episode ends with Ed gazing lovingly at
10:50
Speaker 1: the body and his grief and madness fully merch. So listen.
10:54
Speaker 1: First episode. I was so frustrated watching this. I was like,
10:57
Speaker 1: as a true crime junkie, I was like, how just wrong?
11:02
Speaker 1: It Just like it's like when you read a book
11:05
Speaker 1: and then you watch the movie and they're like, you're like,
11:07
Speaker 1: what is this but it's even worse because it's real people.
11:11
Speaker 1: It's real people, and we're not even into the actual
11:14
Speaker 1: victims yet, which makes me sick to my stomach, like
11:16
Speaker 1: he should have just made a show like Psycho, or
11:20
Speaker 1: like Bates Motel or like you know, Chainsaw Massacre. There's
11:23
Speaker 1: a reason why people make these fake serial killers instead
11:27
Speaker 1: of the real one, because you can. You can go
11:29
Speaker 1: off and make stuff, and you could do stuff inspired
11:30
Speaker 1: by something. But when you're putting ed Gean's name on
11:33
Speaker 1: something and the actual victims' names in something, you have
11:37
Speaker 1: to tell the truth. In my opinion, it just doesn't
11:39
Speaker 1: fly with me. Let's move on to episode two, which
11:41
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11:43
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13:50
Speaker 2: All right, let's get back to the video.
13:51
Speaker 1: So episode two opens with Ed experiencing nightmares of Holocaust
13:55
Speaker 1: victims stemming from his obsession with Nazi material. I'm fine
13:58
Speaker 1: with this. You can have a little dream, that's fine,
14:00
Speaker 1: you know whatever. The show then jumps to nineteen fifty
14:03
Speaker 1: nine Hollywood, where Alfred Hitchcock, his wife Alma, and author
14:07
Speaker 1: Robert Block discuss how Geen's crimes will inspire Psycho's Roman
14:11
Speaker 1: Bates and they explore how ads fascination with death began early,
14:15
Speaker 1: fueled by pulp magazines and about criminals like Nazi is
14:19
Speaker 1: Lacoke establishing the connection between Geen's real crimes and emerging
14:23
Speaker 1: horror cinema. And this is like also just very like.
14:28
Speaker 1: The way they say things is so like, ohoh, he
14:31
Speaker 1: looked at this and this, and it went deeper than that,
14:33
Speaker 1: and I feel like there's more to it. But overall
14:36
Speaker 1: they weren't wrong. He was infactuated with certain types of
14:40
Speaker 1: magazines and with Nazi memorabilia, not until later in his
14:43
Speaker 1: life though. But whatever, I'll let its lad, okay, So
14:46
Speaker 1: we'll give a loose fact and then back in nineteen
14:49
Speaker 1: fifties Wisconsin, AD's relationship with Adeline deepens bizarrely, and she
14:54
Speaker 1: dreams of photographing crime scenes in New York, while he
14:57
Speaker 1: shows her a bowl made from a human skull, which
15:00
Speaker 1: she dismisses as dark humor. And when he invites her
15:03
Speaker 1: to meet his mother, Adeline discovers Augusta's preserved corpse sitting
15:07
Speaker 1: in a chair and flees in terror. All just completely false,
15:12
Speaker 1: none of it ever happened, what is even happening right now?
15:15
Speaker 1: But shaken ed visits Mary Hogan's tavern, where he suddenly
15:19
Speaker 1: shoots and kills her, dragging her body back to his
15:23
Speaker 1: farm while police remained oblivious. And yes, he did kill
15:27
Speaker 1: Mary Hogan, but the way they lead up to it,
15:29
Speaker 1: it's just it's not it's just not what happened with
15:32
Speaker 1: the whole Adeline thing going on. So we'll give a
15:34
Speaker 1: false and effect because yeah, I guess. And then the
15:38
Speaker 1: episode ends with Hitchcock directing Anthony Perkins as Norman Bates,
15:41
Speaker 1: showing him artifacts meant to mirror Gan's grotesque collection, cementing
15:45
Speaker 1: the link between real horror and Hollywood fiction. And here's
15:50
Speaker 1: where I'm like, Okay, is this like a weird way
15:53
Speaker 1: for Ryan to be? Like, see, Hollywood always makes up
15:56
Speaker 1: stuff like I'm doing, which makes it okay. I'm like no,
16:00
Speaker 1: because the thing with Hitchcock is he's actually making a
16:03
Speaker 1: completely fictional movie with light inspiration from ed Geen. You're
16:08
Speaker 1: just making a ed Geen movie and putting your own random,
16:13
Speaker 1: fucked up shit into the movie to make it more
16:15
Speaker 1: interesting so you'll you can sell it better. It's it's
16:19
Speaker 1: not the same. So if anybody's arguing like, well, he's
16:22
Speaker 1: he put lots of things into the show to be like, oh,
16:25
Speaker 1: well this is you know, Hollywood romanticizes it, and he
16:29
Speaker 1: he leans into that with this. It's like, no, see,
16:32
Speaker 1: you guys, see the difference. You know, this is fiction,
16:35
Speaker 1: you know, psycho fiction, ed Gank not fiction. Anyway, let's
16:39
Speaker 1: move on to episode three and the next episode. Oh
16:43
Speaker 1: made me upset? Okay? Episode three is the Babysitter. All right,
16:47
Speaker 1: this is Addison Ray's episode. First off, and I'll add
16:50
Speaker 1: this in as well. The acting great, the acting from
16:54
Speaker 1: everyone fantastic. The stylization great, cinematography great. He knows how
16:59
Speaker 1: to make a good show and we'll get into that later.
17:02
Speaker 1: So I just want to start with that. But this
17:03
Speaker 1: episode just revolved around a completely false narrative about a
17:09
Speaker 1: victim who likely died extremely violently but is unsolved and
17:14
Speaker 1: absolutely was not one of ed Geen's victims and was
17:18
Speaker 1: kidnapped and god knows what happened to her. But Ryan
17:21
Speaker 1: Murphy thought, since she's gone and her whole family's dead
17:25
Speaker 1: at this point because of the year that this happened,
17:28
Speaker 1: he just do whatever he wants and make up a
17:29
Speaker 1: story about a real human being who now is deceased
17:33
Speaker 1: and most likely died in a horrific way and terrified,
17:37
Speaker 1: and he just decided to just make up his own
17:39
Speaker 1: little story and make Edgeen the killer anyway. Episode three
17:42
Speaker 1: opens with Ed dancing alone in his farmhouse, wearing his
17:46
Speaker 1: mother's clothes and a mask made from human in which
17:50
Speaker 1: we can safely assume he wore the masks he made
17:53
Speaker 1: so fine was he known to dress in his mother's clothing? No,
17:59
Speaker 1: so a fall in fact, I guess. And when police
18:02
Speaker 1: arrived to question him about Mary Hogan's disappearance, Ed perfectly
18:05
Speaker 1: plays the awkward grieving son, claiming car trouble kept him
18:08
Speaker 1: home with Augusta, A, successfully deflecting suspicion despite witness placing
18:13
Speaker 1: his truck near Mary's tavern. He did not get caught
18:16
Speaker 1: for this, so fine. Later, Ed reunites with Adeline at
18:19
Speaker 1: the diner. Every time Adeline's name comes up, put it
18:22
Speaker 1: on the false because it just didn't happen, all right,
18:24
Speaker 1: And despite her previous terror, she warms to him again.
18:27
Speaker 1: She shows him photos of a transgender woman, fascinating Ed
18:31
Speaker 1: with concepts of identity transformation, and he promises her a surprise,
18:36
Speaker 1: And that night, at a cemetery, Ed proposes to Adeline
18:38
Speaker 1: with a ring stolen from a fresh grave, and disturbingly,
18:41
Speaker 1: she accepts this never happened. She does say later on,
18:45
Speaker 1: after Ed is arrested, that there was a proposal made.
18:49
Speaker 1: It was at her house, it wasn't at the graves,
18:52
Speaker 1: but then she retracts everything she said. So it could
18:57
Speaker 1: be an attention thing, it could be something that happened,
19:00
Speaker 1: but we know Ryan Murphy's going to take any little
19:02
Speaker 1: grain of salt and just make it into a giant iceberg.
19:07
Speaker 1: So like loosely kind of true if she was right,
19:11
Speaker 1: but it's not proven in any way, especially based off
19:14
Speaker 1: Ed Gaen's accounts. He says that wasn't the case when
19:18
Speaker 1: he was very forthcoming about everything else that happened. So
19:20
Speaker 1: I'm going to safely assume it was false, but we
19:23
Speaker 1: don't know for sure anyway. The episode interweaves Hollywood's exploitation
19:28
Speaker 1: of the game story as Anthony Perkins becomes trapped playing
19:32
Speaker 1: Norman Bates, struggling with his own sexuality while studios demand sequels.
19:37
Speaker 1: And I don't mind this intertwining of the you know,
19:43
Speaker 1: like Psycho being made and everything. That's fine, but I
19:46
Speaker 1: just wish the Ed Green stuff was actually true, that
19:49
Speaker 1: it would just make more sense. I think it just
19:53
Speaker 1: belittles everything else around it in my opinion. So anyway,
19:57
Speaker 1: back in Wisconsin, Ed's behavior escalates when he babysits local children,
20:02
Speaker 1: and he did babysit local children, but in the show
20:06
Speaker 1: he terrorizes them with decomposed heads as games, finally alerting
20:11
Speaker 1: parents that something's wrong with the town's quiet handyman. People
20:14
Speaker 1: actually liked Ed game, They actually liked him, and they
20:17
Speaker 1: were fine with him babysitting. He was known to be
20:19
Speaker 1: a very good babysitter and not to torment the kids
20:22
Speaker 1: at all. So we're gonna have to throw up another
20:24
Speaker 1: giant false None of that ever happened. It's for shock value.
20:28
Speaker 1: It's not true. And that night Ed abducts Evelyn, and
20:31
Speaker 1: this is the woman I was talking about where they
20:33
Speaker 1: just completely manufactured a story about a real person and
20:37
Speaker 1: it frustrates me. But Evelyn was a young babysitter and
20:40
Speaker 1: she recently recovered from polio. That's not true. And Ed
20:43
Speaker 1: murders her in the barn while forcing Augusta's preserved corpse
20:46
Speaker 1: to participate in the violence, signaling his progression from grave
20:51
Speaker 1: robbing to killing. Living victims. All of that's false. All
20:55
Speaker 1: of it is false. Ed never abducted Evelyn, He never
20:59
Speaker 1: killed Evelyn. He never put his mother in front of
21:02
Speaker 1: the victims to kill them in front and participate in
21:05
Speaker 1: all this kind of stuff. None of that ever happened.
21:07
Speaker 1: Evelyn Grace Hartley born November twenty second, nineteen thirty eight,
21:12
Speaker 1: disappeared October twenty fourth, nineteen fifty three. And she was
21:15
Speaker 1: the daughter of a professor. And in the show they
21:17
Speaker 1: have her babysitting two kids when she was actually babysitting
21:20
Speaker 1: one twenty month year old girl. Why even make up
21:23
Speaker 1: two kids? Like anything Ryan can lie about and just
21:26
Speaker 1: make extra bad he does and it just makes me
21:29
Speaker 1: so mad. But she was babysitting for the rest Musen
21:33
Speaker 1: family and Lacrosse when she failed to check in at
21:36
Speaker 1: eight thirty pm. This is the real story, by the way,
21:38
Speaker 1: because I feel like we owe her this. And her
21:41
Speaker 1: father found the house with locked doors, lights on, furnature
21:45
Speaker 1: moved and were belonging scattered in different rooms, and her
21:48
Speaker 1: glasses broken and a basement window was open with pride
21:52
Speaker 1: marks and a step ladder positioned beneath it, and blood
21:55
Speaker 1: was found inside the house and yarded with bloody handprints
21:58
Speaker 1: in a nearby garage, and the baby was unarmed, thankfully,
22:03
Speaker 1: so police dogs tracked Evelynce sent to Cooley Drive two
22:06
Speaker 1: blocks away, where she was likely put in a vehicle,
22:09
Speaker 1: and witness ed Hoffer reported nearly being hit by a
22:13
Speaker 1: speeding nineteen forty two green buick with two men and
22:17
Speaker 1: a girl inside, and he'd seen them earlier with the
22:20
Speaker 1: girl wedged between them holding her arms and for the record,
22:25
Speaker 1: ed geens car was a maroon nineteen forty nine Ford
22:29
Speaker 1: four door Sedan, so not even ed Geen's car, and
22:33
Speaker 1: days later, bloodstained clothing matching Evelyn's blood type was found
22:36
Speaker 1: at various locations and over one thousand people, including National
22:40
Speaker 1: Guard and Air Force, searched for her. It was like
22:42
Speaker 1: one of the largest searches in Wisconsin history, and every
22:45
Speaker 1: vehicle in La Cross County was inspected, and in May
22:48
Speaker 1: nineteen fifty four, controversial mass lide detector tests were conducted
22:51
Speaker 1: on local high school boys but halted after testing three
22:55
Speaker 1: hundred and in November nineteen fifty seven, serial killer ed
22:58
Speaker 1: Geen was investigated but cleared after passing two light detector tests,
23:03
Speaker 1: and in two thousand and four. A nineteen sixty nine
23:05
Speaker 1: bar recording surfaced in which Clyde Peterson implicated himself and
23:09
Speaker 1: Jack Golfair in Evelyn's murder, claiming she was buried at LeFarge,
23:15
Speaker 1: but both men had died by then, and Evelyn's parents
23:18
Speaker 1: moved to Oregon in the nineteen seventies and have since
23:21
Speaker 1: passed away, and her case remains unsolved. So that's the
23:26
Speaker 1: real story about Evelyn, and that's all readily available online,
23:31
Speaker 1: and there is a lot more information about Evelyn. Also,
23:34
Speaker 1: she never had polio. That's just a weird thing he
23:36
Speaker 1: made up for the story, I guess. But this is
23:40
Speaker 1: a real life human being who walked and breathed and
23:45
Speaker 1: had experiences. And then for like Ryan to make this
23:49
Speaker 1: up and for the actors to look at that and
23:52
Speaker 1: be like, yeah, that's fine, It just it makes me mad,
23:56
Speaker 1: Like if that was my sister or if that was
23:58
Speaker 1: my daughter, I would sue them to the ground. But
24:01
Speaker 1: they're all dead. They can't do anything, you know, And
24:05
Speaker 1: I hate that people think that's okay. I don't think
24:07
Speaker 1: it's okay. And it's like, oh, it's what he imagined
24:11
Speaker 1: he could have done. It's like, no, you're dealing with
24:12
Speaker 1: a person that actually is her case is still unsolved.
24:16
Speaker 1: So like that alone makes this show garbage to me personally.
24:20
Speaker 1: I don't know why I'm getting so emotional about this,
24:21
Speaker 1: but it's frustrating. Like if I was approached to do
24:24
Speaker 1: a role like that, I would outright be like, what
24:29
Speaker 1: is this like? In doing two minutes of research and
24:33
Speaker 1: saying this is so disrespectful to the victim and their family.
24:37
Speaker 1: I'm good, you know, and I don't want to be
24:39
Speaker 1: a hater and stuff, But like the quotes that I
24:43
Speaker 1: read because I was doing research on this, and obviously
24:46
Speaker 1: you know there's quotes of the Ryan Murphy and the
24:50
Speaker 1: actors and all this stuff, but Addison's quotes are just
24:53
Speaker 1: like so tone deaf. It was unbelievable. And she said
24:56
Speaker 1: in an interview she was asked, tell us a little
24:59
Speaker 1: bit about your case character and how she fits into
25:01
Speaker 1: the story. Addison Ray answered, word for word, Evelyn in
25:05
Speaker 1: the story is a babysitter to two really sweet children.
25:08
Speaker 1: I did research before I filmed about Evelyn. There's actually
25:12
Speaker 1: not much about her. There's a lot. It was the
25:15
Speaker 1: largest search for any human in Wisconsin in history at
25:19
Speaker 1: that point. Okay, they don't really know exactly what happened
25:23
Speaker 1: in real life, So it was really interesting for me
25:25
Speaker 1: as an actor to lean into something that there was
25:28
Speaker 1: minimal information about. You know that ed Gean didn't do it.
25:32
Speaker 1: If you did a minute of research and you know
25:35
Speaker 1: that there is no evidence that she was killed like there,
25:39
Speaker 1: I would just be like, now, like what are we doing?
25:42
Speaker 1: But what do I know? Maybe I'm just too sensitive
25:44
Speaker 1: to this stuff. And then she was asked what do
25:46
Speaker 1: you think people find so interesting about the Monster anthology series?
25:50
Speaker 1: Addison says, I think it's really wild to see a
25:53
Speaker 1: picture being painted that feels so insightful and honest and
25:58
Speaker 1: raw and challenging in a lot of ways. It brings
26:02
Speaker 1: so much light to things that maybe people didn't explore before.
26:06
Speaker 1: I didn't know much about ed Green other than what
26:09
Speaker 1: movies were made based off him. Seems like you still don't.
26:13
Speaker 1: Nobody does that. Watch the show. If anybody watched the
26:15
Speaker 1: show and things they learned anything about ed Green, they didn't.
26:17
Speaker 1: They learned like maybe twenty percent if that anyway, she continues,
26:21
Speaker 1: So it was interesting to dive into that in a
26:23
Speaker 1: different way and also speak to Charlie, someone that had
26:26
Speaker 1: such an intimate understanding of who Ed Green was. And listen,
26:30
Speaker 1: I'm not going to blame the actors because it's their
26:34
Speaker 1: job to act and it's not necessarily their job to
26:38
Speaker 1: do the research on these subjects. They show up and
26:41
Speaker 1: they do the best they can, and they did a
26:43
Speaker 1: really good job. Like actors did a really good job.
26:45
Speaker 1: But I think people are so like far removed that
26:49
Speaker 1: these were actually real people and it's just fine to
26:53
Speaker 1: just lie about it and to make up stuff, even
26:56
Speaker 1: if it's like maybe in his perspective that's what he
27:00
Speaker 1: thought in his head, it's like, no, you're just you're
27:02
Speaker 1: talking about Ed Gaines. So tell the real story. Don't
27:05
Speaker 1: leave things up to interpretation. You can't just like make
27:09
Speaker 1: it obscure. And maybe this happened, and maybe he thought
27:13
Speaker 1: that this could happen. It's just this type of stuff,
27:16
Speaker 1: in my opinion, shouldn't exist. And that brings us to
27:19
Speaker 1: episode four in Greed And Episode four opens with Adeline
27:22
Speaker 1: discovering the corpse in Augusta's chair and fleeing home in terror,
27:26
Speaker 1: with Ed following her, and when he corners her in
27:28
Speaker 1: the bedroom, she demands answers, and Ed commonly admits the
27:31
Speaker 1: body isn't Augusta but a woman he exhumed, and shockingly,
27:34
Speaker 1: Adeline responds with fascination rather than horror, asking how it
27:38
Speaker 1: felt to dig someone up. Didn't happen, didn't happen. And
27:41
Speaker 1: what frustrates me about Adeline as well is that she
27:44
Speaker 1: is passed. She can't defend herself. You know, parents obviously
27:47
Speaker 1: passed away. All these people are deceased, and obviously they
27:52
Speaker 1: may have descendants, they may not, but they can't defend
27:55
Speaker 1: themselves in any way. So they're just twisting her story
27:58
Speaker 1: into something that never existed. And again, maybe you know,
28:02
Speaker 1: you could say it's what Ed thought or whatever, but
28:05
Speaker 1: it's not, because he's known to say that he had
28:08
Speaker 1: zero interest in women, and that that's a documented fact.
28:12
Speaker 1: He never he was obsessed with his mother. We know
28:15
Speaker 1: that he wanted to be his mother, He wanted to
28:18
Speaker 1: be inside his mother's skin. That we know he had
28:21
Speaker 1: no fascination with having any sort of relationship with anyone. Again,
28:27
Speaker 1: just frush, just dumb, just frustrating and dumb. And then
28:30
Speaker 1: Ed then begins courning Bernice Warden, which never happened. He
28:34
Speaker 1: never had any sort of relationship with Bernice, and the
28:37
Speaker 1: lonely hardware store owner was charmed over her lunch in
28:40
Speaker 1: an ice skating date, even making plans to move in together,
28:44
Speaker 1: all false never happened. This was like his first attempt
28:47
Speaker 1: at life beyond his mother's shadow, but hallucinations of Augusta
28:50
Speaker 1: calling Bernice a harlot proved stronger than any chance at normalcy.
28:55
Speaker 1: So Ed breaks things off with Bernice the next day,
28:57
Speaker 1: and when she protests, he shoots her in and he
29:00
Speaker 1: drags her body to his barn, where he heavily mutilates
29:03
Speaker 1: and hangs it upside down in the show's most graphic sequence,
29:06
Speaker 1: which yes, I know they never had any sort of relationships,
29:11
Speaker 1: so I don't even know, put like ten more on
29:13
Speaker 1: this and it's all just bullshit. He absolutely did, He
29:16
Speaker 1: absolutely did take her back to the barn. He absolutely
29:18
Speaker 1: did horrible things to her and mute her body. And
29:21
Speaker 1: I'm sure Ryan Murphy took that and he's like, Wow,
29:23
Speaker 1: I don't need to make anything up about that. That's
29:26
Speaker 1: grotesque enough. We can throw in that, like we get
29:29
Speaker 1: one truth thing and it's like the worst thing that
29:31
Speaker 1: ever happened. And when he shows the corpse to Adeline,
29:33
Speaker 1: which never happened, she's disturbingly fascinated rather than repulsed, leaning
29:38
Speaker 1: into her own darkness. It's just a completely made up thing.
29:41
Speaker 1: And I feel horrible for Adeline because none of this
29:44
Speaker 1: ever happened, and it makes her look like a really
29:46
Speaker 1: evil person when she was completely innocent in all of this.
29:49
Speaker 1: And the episode ends with a cut to filmmaker Toby Cooper,
29:52
Speaker 1: who's frustrated that Hitchcock Psycho didn't go far enough, beginning
29:56
Speaker 1: work on what will become the Texas Chainsaw Massacre, showing
30:00
Speaker 1: how Gen's real crimes continue seeping into popular culture. Again,
30:05
Speaker 1: I don't mind this parallel. It's fine, but that's all
30:08
Speaker 1: made up, you know, Texas Change. I'm Asker Psycho all
30:11
Speaker 1: the stuff. It's grotesque and crazy, but I love horror.
30:14
Speaker 1: You know, it's not We're not dealing with real people,
30:16
Speaker 1: so whatever. I much prefer a documentary that's real and like,
30:20
Speaker 1: you know, highlights the victims and how horrible the freaking
30:25
Speaker 1: monster that committed those crimes are. But this whole production
30:29
Speaker 1: is just sick. And that brings us to episode five
30:32
Speaker 1: ice and episode five shift's focused to Adeline's unraveling, and
30:35
Speaker 1: this whole episode could just be like omitted because Adeline's
30:39
Speaker 1: whole story is completely false. But anyway, it opens with
30:42
Speaker 1: her sleeping with a local farm hand, which we never
30:45
Speaker 1: knew about as signaling her detachment from Ed, fighting with
30:49
Speaker 1: domineering mother who wants her to settle down. Adeline dreams
30:52
Speaker 1: of escaping to New York as a crime scene photographer.
30:55
Speaker 1: Not true, never, never, never happened. Over a tense dinner,
31:00
Speaker 1: she tells Ed she's leaving and urges him to come,
31:02
Speaker 1: but he's paralyzed by his devotion by Augustus memory. Yes,
31:06
Speaker 1: he had that relationship with his mother, but there's no
31:08
Speaker 1: proof this ever happened. And what Ed pushes for intercourse
31:13
Speaker 1: and traditional family life, Adeline cruely rejects him and mockingly
31:16
Speaker 1: suggesting that if no living woman wants him, that maybe
31:19
Speaker 1: he should sleep with corpses. He never did that, By
31:22
Speaker 1: the way, there is no evidence and no confession that
31:25
Speaker 1: he ever did anything like that with the corpses. So
31:29
Speaker 1: that is a completely made up thing that Ryan Murphy
31:32
Speaker 1: thought would be just extra triggering and I don't know,
31:36
Speaker 1: interesting to the viewer. Completely made up, and this just
31:39
Speaker 1: triggers the show's most grutesque scene, and they drive to
31:42
Speaker 1: a cemetery where Ed does stuff with an exhumed body
31:46
Speaker 1: while Adeline watches all fabricated and Adeline heads to New
31:50
Speaker 1: York but fails miserably. Her apartment is preesing her job
31:52
Speaker 1: interviews bomb and when she confronts her landlord about the heat,
31:55
Speaker 1: she snaps and beats the woman to death with her shoe,
32:00
Speaker 1: robbing the body before fleeing back to Wisconsin. This never happened.
32:04
Speaker 1: This has to be like illegal to say people did
32:07
Speaker 1: stuff like a full on crime that never happened. Like
32:10
Speaker 1: it's actually insane. This isn't a part of like Ed's imagination,
32:14
Speaker 1: if you want to use that argument. She's just like
32:16
Speaker 1: off living her own life and she hurts somebody on
32:22
Speaker 1: like anyway anyway. Finding no comfort from her mother, who
32:27
Speaker 1: admits never wanting her in the first place, all made up,
32:30
Speaker 1: Adeline seeks solace with Ed, suggesting intercourse to rekindle their relationship,
32:35
Speaker 1: but Edward Coyle's saying she's too warm and he can
32:40
Speaker 1: no longer connect with the living. And to prove her devotion,
32:43
Speaker 1: Adeline climbs into a bathtub of cold water while Ed
32:46
Speaker 1: dumps ice over her. And this is supposed to be
32:49
Speaker 1: like a chilling metaphor for how trauma has destroyed them both.
32:52
Speaker 1: But none of this ever happened. He never had relations
32:58
Speaker 1: with dead bodies. He never, you know, as far as
33:01
Speaker 1: we know, he died a virgin. So yeah, and then
33:06
Speaker 1: those episodes six The Buxom Birds. So episode six finally
33:10
Speaker 1: reveals ed Geane's House of Horrors, and after a flashback
33:13
Speaker 1: showing Deputy Frank Warden asking his mother Bernice to host
33:16
Speaker 1: Thanksgiving dinner, we jumped to present where Bernice has vanished
33:21
Speaker 1: and Frank and Sheriff Art Skylee investigate her hardware store,
33:25
Speaker 1: finding blood splatter and package addressed to ed Gean and
33:29
Speaker 1: Ed's farmhouse. They discover an unimaginable nightmare. And this so
33:32
Speaker 1: far is fine. It's a little bit true, not the
33:35
Speaker 1: whole Thanksgiving dinner thing, but you know, we're a little
33:39
Speaker 1: bit true, all right. And there was actually a receipt,
33:41
Speaker 1: not a package for ed Geen but whatever. But at
33:44
Speaker 1: the house they find bulls made from skulls, furniture upholstered
33:48
Speaker 1: with human skin, masks fashioned from faces, and all all true,
33:53
Speaker 1: And like Ryan Murphy doesn't need anything to dramatize that,
33:56
Speaker 1: because it's as horrible as it gets. He was a monster,
33:58
Speaker 1: but just because you call a show monster doesn't mean
34:02
Speaker 1: you think he is. You're like heavily leading into the
34:05
Speaker 1: fact that he was just this misunderstood guy who had
34:08
Speaker 1: relationships and is all false anyway. Frank's search leads to
34:12
Speaker 1: the barn, where he finds his mother's headless body hanging
34:16
Speaker 1: upside down like butchered beat true. That is true, and
34:21
Speaker 1: it's a devastating moment as a son discovers his mother's
34:24
Speaker 1: horrific fate. And Ed arrives during the investigation and is
34:28
Speaker 1: arrested while grief stricken and Frank attacks him, and under interrogation,
34:33
Speaker 1: Ed calmly admits to grave robbing and making keepsakes, but
34:36
Speaker 1: denies murder even during a polygraph test, and Sheriff skylely
34:40
Speaker 1: suspects Ed killed many more, possibly up to two hundred,
34:44
Speaker 1: but adds foggy memory prevents proving additional murders. Meanwhile, Adeline
34:49
Speaker 1: tries to sell her story to the media but is ignored,
34:52
Speaker 1: reduced to a footnote in the horror she witnessed. So
34:56
Speaker 1: this episode is like the most loosely true so far
34:59
Speaker 1: up until this point, because Adeline did put in a
35:02
Speaker 1: quote where she's like, yeah, like I know him so well,
35:05
Speaker 1: and she really wanted to sell her story and like
35:07
Speaker 1: be in the limelight for it, but she retracted everything
35:10
Speaker 1: two weeks later because there was just no way to
35:14
Speaker 1: prove that any of that happened, and she probably just
35:16
Speaker 1: had it conscious and she's like, oh, actually that none
35:18
Speaker 1: of that happened. But the episode ends with Frank struggling
35:21
Speaker 1: to reclaim his mother's body from the morgue for burial,
35:24
Speaker 1: then attending Thanksgiving dinner at Skylie's house, but when the
35:27
Speaker 1: sheriff carves a turkey, Frank can only see visions of
35:30
Speaker 1: Ed dismembering Bernice. All the shock value. We don't know
35:33
Speaker 1: this happened whatever, and is trauma shattering any sense abnormalcy again, awful.
35:38
Speaker 1: She's a real human beig and she was butchered in
35:40
Speaker 1: real life, and to just like portray that in just
35:43
Speaker 1: the most tremendous way is weird and disgusting. But they
35:47
Speaker 1: actually got some things true in this one. He actually
35:50
Speaker 1: was her Bernice's son, so there you go. And Watkins
35:54
Speaker 1: did give interviews to newspapers after Geane's arrest, but retracted
35:57
Speaker 1: all the statements and cheris, I keep saying skyly sorry,
36:00
Speaker 1: it's Slee. I don't know why I read it like
36:03
Speaker 1: that did assault Gen during questioning, banging his head into
36:08
Speaker 1: a wall. So that's fine. I feel like this hold,
36:10
Speaker 1: this part is like dramatic enough for Ryan not to
36:12
Speaker 1: have to do anything besides you know, the carving turkey thing,
36:15
Speaker 1: which was just insane. But it's like the most accurate episode.
36:20
Speaker 1: I think there is an in the entire show net
36:23
Speaker 1: brigs Is Episode seven, Can't Radio. Episode seven finds Ed
36:26
Speaker 1: Gen declared legally insane and committed to a mental hospital
36:29
Speaker 1: instead of prison, true, while Deputy Frank Warden spirals into alcoholism,
36:34
Speaker 1: unable to cope with discovering his mother's butchered body, and
36:37
Speaker 1: Sheriff Sklee tries to talk Frank out of his plan
36:40
Speaker 1: to sue Adds a state and auction his grotesque belongings
36:43
Speaker 1: for revenge and money, warning that turning Gen's artifacts into
36:46
Speaker 1: public spectacle is wrong, but Frank is beyond reasoning, and
36:50
Speaker 1: at the asylum, Ed settles into a childlike routine when
36:54
Speaker 1: a friendly nurse nickname Saltzy, offers to buy him items
36:57
Speaker 1: with money from his property sale, so and Ed requests
37:01
Speaker 1: a Ham radio, believing they'll let him speak with his
37:04
Speaker 1: idols like Nazi criminal is Lecoke and transgender pioneer Christine Jurgensen.
37:10
Speaker 1: So Ed chats with Isla, who bonds with him over
37:14
Speaker 1: their shared imprisonment, before taking matters into her own hands,
37:18
Speaker 1: and then calls Christine seeking guidance about his gender confusion. Obviously,
37:23
Speaker 1: all of this is like in his mind, he's later
37:26
Speaker 1: going to be diagnosed with schizophrenia. So I get that
37:28
Speaker 1: they're just trying to make him extra crazy and to
37:32
Speaker 1: give context to this whole situation. He definitely was fixated
37:36
Speaker 1: with Isla and Jorgensen to a certain degree. How much
37:41
Speaker 1: we don't know, but I get like trying to make
37:44
Speaker 1: those parallels. So, wearing a suit of human skin, he
37:47
Speaker 1: describes his obsession with Christine disturbed but compassionate. It tells
37:52
Speaker 1: him he's not transgender but guynophilic, which is being sensually
37:57
Speaker 1: fixated on female anatomy. And this was never a thing.
38:01
Speaker 1: This was never a diagnosis that Ed got. The show
38:06
Speaker 1: or Ryan Murphy specifically, just didn't want to connect transgenderism
38:10
Speaker 1: and geinnophilichism to get He wanted to make sure that
38:15
Speaker 1: that was separate, which why even say it in the
38:18
Speaker 1: first place. If you're just gonna make stuff up, it's weird.
38:21
Speaker 1: I don't really get it. Just let it be what
38:24
Speaker 1: it is. It's a guy wearing freaking skin suits. We
38:27
Speaker 1: don't need a diagnosis for that. We got it. It's schizophrenia,
38:30
Speaker 1: So it was weird. I don't think it was necessary
38:33
Speaker 1: at all. It adds delusions escalate when the head nurse
38:36
Speaker 1: Roz cuts his privileges and the attacks her with a
38:38
Speaker 1: chainsaw one night, but she's perfectly fine the next morning.
38:41
Speaker 1: They do this as I'm assuming homage to Texas chainsaw Massacre,
38:45
Speaker 1: but I think it's just for the shock value, gore value,
38:49
Speaker 1: obviously not needed at all. And then panicked Ed confesses
38:53
Speaker 1: to the doctor, who delivers crushing truth that the radios
38:56
Speaker 1: never worked. Is lun Christine were voices in his head
39:00
Speaker 1: and he's diagnosed with schizophrenia, and Ed learns the voices
39:03
Speaker 1: that drove him to rob graves and kill came from
39:05
Speaker 1: untreated mental illness, which you know most likely he always
39:12
Speaker 1: said that it was his mother mostly in his head
39:15
Speaker 1: all the time. Couldn't have been them. Sure, it's definitely creative.
39:19
Speaker 1: Liberties being taken, but the whole show is so I
39:22
Speaker 1: just like I'm tired at this point. The episode ends
39:24
Speaker 1: tenderly as the doctor promises medication to quiet the voices
39:27
Speaker 1: and ed sobs, hugs Roz and takes his first pill,
39:30
Speaker 1: which is a moment a piece after a lifetime of mets. Oh,
39:33
Speaker 1: we have sympathy for him now, a guy that butchered
39:37
Speaker 1: human beings, classic Ryan Murphy, and that brings us to
39:41
Speaker 1: episode eight, The Good Fuck. The conclusion advances toward the
39:45
Speaker 1: nineteen seventies, depicting Edgieing, currently medicated and controlled within Wisconsin'
39:51
Speaker 1: psychiatric care, becoming an unwilling investigative asset while approaching death
39:56
Speaker 1: because he was very sick at this point and opening
39:58
Speaker 1: distant from Wisconsin, Venting disturbing Washington state events, which was
40:03
Speaker 1: an apparently supportive individual entices two females into transportation, renders
40:08
Speaker 1: one unconscious, and restrains both, and the identity reveals Ted Bundy.
40:13
Speaker 1: Oh he's another crazy killer. I bet Ryan Murphy's gonna
40:16
Speaker 1: butcher that story as well. Oh Man already intensifying his
40:22
Speaker 1: predatory offenses and his violations and posthumous degradation parallel ads history.
40:28
Speaker 1: Oh they connect. They connect murderers across periods. Following FBI
40:33
Speaker 1: pursuit and Bundy, investigators initially seek understanding from confined serial
40:38
Speaker 1: killer Jerry Brudos, receiving minimal assistance. Shout out to mind Hunter,
40:43
Speaker 1: who's actually accurate in their portrayal? WHOA, that's crazy? How
40:48
Speaker 1: you could actually be accurate and still have a good
40:51
Speaker 1: show and honor the victims? That's what that's crazy. And
40:55
Speaker 1: recalling earlier consultations, authorities approach and Geeness, suspecting his degradation,
41:01
Speaker 1: knowledge might enhance psychological analysis, and Ed cooperates in the show,
41:07
Speaker 1: appearing coherent through pharmaceutical intervention and through analytical yet troubling discussion.
41:12
Speaker 1: Ed examines crime documentation, observing and specific tools offering practical
41:18
Speaker 1: though gruesome intelligence for tracking Bundy's implements and his disconnected
41:22
Speaker 1: evaluation remains unsettling yet so valuable. All of that's fame.
41:28
Speaker 1: The FBI at one point came to Edgeen to talk
41:31
Speaker 1: about him in general, not at all about Ted Bundy,
41:34
Speaker 1: and he literally gave them no information because he was
41:37
Speaker 1: so hopped up on drugs and so far gone in
41:41
Speaker 1: his health declining. They got nothing from Ed Geen, so
41:45
Speaker 1: they did do an interview with him, not about Ted Bundy,
41:48
Speaker 1: and they got nothing from him at all because he
41:50
Speaker 1: was so incoherent. So just light that shit up, give
41:55
Speaker 1: me like five falses, just absolutely insane and non necessary. Again,
42:00
Speaker 1: just like making shit up for no reason, just for
42:04
Speaker 1: the audience to be like, what that really happened? It didn't.
42:08
Speaker 1: The episode depicts ED collecting Bundy coverage, subsequently systemically developing
42:13
Speaker 1: personal assessments, and additionally introduced is murderer Richard Speck, who
42:18
Speaker 1: worships ED through correspondence that never happened either. Ed never
42:23
Speaker 1: talked to other serial killers. It's all made up. Certain
42:27
Speaker 1: letters describe admirers organizing comparable collegiate attacks in Florida, and
42:31
Speaker 1: Ed discreetly provides authorities this intelligence, facilitating identification, ultimately enabling
42:37
Speaker 1: Bundy's capture. All fake, all false, not real. Light that
42:41
Speaker 1: shit up again, all false, and the time progresses and
42:44
Speaker 1: ads institutional companion Attendant RODS provides a terminal diagnosis advanced
42:49
Speaker 1: pulmonary malignancy without treatment options. So during physical decline, ED
42:54
Speaker 1: encounters an unanticipated guest, which is Adeline, and their exchange
42:58
Speaker 1: proves emotionally devastating. Never happened by the way Ed expresses
43:02
Speaker 1: pain regarding her absence, and Adeline admits personal psychological struggle,
43:06
Speaker 1: maintaining violent impulses. She resists executing false never happened, and
43:11
Speaker 1: he recommends pharmaceutical intervention, but she declines regardless. He professes
43:17
Speaker 1: affection never happened. He didn't care about women. He actually
43:20
Speaker 1: there's a quote of him saying he doesn't care about women,
43:22
Speaker 1: and Ed expires shortly following peacefully departing institutionally, and the
43:27
Speaker 1: program concludes. Through dreamlike self referential elements. An adolescent Steel
43:32
Speaker 1: adds memorial marker which did happen? A very uncommon fact,
43:36
Speaker 1: encountering fictional creatures like Norman Bates, Buffalo Bill, and leather
43:40
Speaker 1: Face figures originating from Gene's actual atrocities. And then finally
43:45
Speaker 1: Ed appears tranquility seated alongside Augusta, who states only mothers
43:50
Speaker 1: could love you, and Ed Grinn's slightly presenting audiences with
43:53
Speaker 1: his sermon combination of sorrow and fear because we have
43:57
Speaker 1: to feel something. We have to feel something for Hunky Charlie,
44:02
Speaker 1: what's his face? And ed Gean the guy who ripped
44:06
Speaker 1: apart innocent people in their graves and living human beings
44:10
Speaker 1: who butchered them like animals. Oh, we gotta feel something.
44:14
Speaker 1: What the fun? But yeah, the whole show was just
44:17
Speaker 1: extremely frustrating. Again, I've said it so many times, but
44:21
Speaker 1: if you're making a show about a real person and
44:23
Speaker 1: real victims, I think there should be a just a
44:26
Speaker 1: finite limit of creative liberties you're allowed to take. And
44:30
Speaker 1: there are some that I think are okay. You know,
44:33
Speaker 1: with showing that he's schizophrenic and he might be hearing
44:36
Speaker 1: voices in his head, that he might be hearing his
44:38
Speaker 1: mother and his head fut you know he said that
44:40
Speaker 1: that was the case. You know that he was always
44:42
Speaker 1: doing it for his mother. But like making up actual
44:45
Speaker 1: crimes that happened and defaming human beings who are now
44:50
Speaker 1: deceased and can't defend themselves for creative liberties is disgusting
44:56
Speaker 1: and I don't like it. I don't like it. But
44:59
Speaker 1: Ryan Furphy is undeniably okay, let's start with this. He's
45:03
Speaker 1: undeniably a talented storyteller who has created some of television's
45:08
Speaker 1: most compelling dramas. But there's a disturbing pattern that runs
45:12
Speaker 1: through his true crime work, and it's a consistent tendency
45:15
Speaker 1: to transform real killers into romantic anti heroes while the
45:21
Speaker 1: actual victims just fade into the background or their stories
45:25
Speaker 1: are just completely made up and they're just absolutely just
45:29
Speaker 1: shit on. And his pattern all started with American horror
45:32
Speaker 1: story with Murder House, where Murphy created Tate Langdon, and
45:36
Speaker 1: to his defense, this was made up technically. This is
45:40
Speaker 1: like the Psycho, where he took things from other events
45:42
Speaker 1: that happened, and he at least made up a character.
45:45
Speaker 1: But it starts with Tate Langdon, a character directly inspired
45:49
Speaker 1: by the Columbine Shooters, which is horrifying, and turned him
45:53
Speaker 1: into a tragic romantic lead played by Evan Peters who's
45:58
Speaker 1: a great actor. But it's just disturbing. And for those
46:01
Speaker 1: of you who don't know, American high school seniors and
46:04
Speaker 1: mass murder duo who perpetrated the massacre at Columbine High
46:08
Speaker 1: School on April twentieth, nineteen ninety nine in Columbine, Colorado,
46:12
Speaker 1: killed thirteen students and one teacher and wounded twenty three others.
46:17
Speaker 1: So he saw that and he's like, I should make
46:19
Speaker 1: a character based off of that. That's great, and also
46:21
Speaker 1: make him romanticized and loved and listen. I watched I
46:26
Speaker 1: watched American Horsetra. I've watched it before, and I was
46:28
Speaker 1: absolutely one of those people who's like, oh, he's just misunderstood.
46:32
Speaker 1: He's a good guy, you know. Who cares that he's
46:34
Speaker 1: shot up a school and did all those bad things.
46:36
Speaker 1: Who cares? But now that I'm getting older and I've
46:39
Speaker 1: like taken the time to, you know, meet victims, talk
46:43
Speaker 1: to victims, be a victim myself in a certain way.
46:47
Speaker 1: It's so tone deaf, and I think there is a
46:50
Speaker 1: way to do it. I think there's a way to
46:52
Speaker 1: do it in just making them the monster. Where you
46:54
Speaker 1: see Texas James, I'mscer and Psycho and Patrick Bateman, they're
46:58
Speaker 1: clearly the monster. They're clearly evil. But this like weird
47:01
Speaker 1: need to make it romantic is like always Ryan Murphy's
47:05
Speaker 1: m because the show positioned Tate as like a tortured
47:08
Speaker 1: soul worthy of love and redemption, complete with a ghost
47:12
Speaker 1: romance subplot. And this was just our first warning sign
47:16
Speaker 1: of Murphy's troubling fascination with making monsters sympathetic, and the
47:21
Speaker 1: pattern just escalated with Dahmer, where Murphy cast Evan Peters again,
47:25
Speaker 1: and this time as Jeffrey Dahmer, and despite Murphy's insistence
47:29
Speaker 1: that the show wouldn't sympathize with Dahmer or be told
47:32
Speaker 1: from his perspective, the series repeatedly flashback to Dahmer's lonely childhood,
47:38
Speaker 1: with his struggles with his parents divorce and his isolation.
47:42
Speaker 1: And you know, I get like, it's important to the story.
47:45
Speaker 1: You need to know who this person is and where
47:46
Speaker 1: it came from. That's always why I do people's lives
47:49
Speaker 1: in chronological order and build up, because it's important to know.
47:52
Speaker 1: But it's like the way in which you choose to
47:55
Speaker 1: do that, Well, he's killing someone and mutilating them and
47:59
Speaker 1: injecting their head with acid. You can't just go back to, well,
48:03
Speaker 1: he was a little kid who got left home alone
48:05
Speaker 1: a lot. Who fucking cares? He's a monster dude with
48:09
Speaker 1: The show inadvertently or perhaps deliberately created empathy for a
48:13
Speaker 1: man who murdered and dismembered seventeen people, and the result
48:18
Speaker 1: was TikTok fan edits making Dahmer look mysterious and alluring,
48:23
Speaker 1: and Twitter users thirsting over the actual mugshot of Jeffrey Dahmer,
48:28
Speaker 1: and viewers explicitly saying the show made them feel sorry
48:31
Speaker 1: for the real Dahmer. And if you haven't already watched
48:34
Speaker 1: this video on Jeffrey Dahmer, Dahmer drugged, killed, and then
48:37
Speaker 1: had relations with corpses before dispring them and eating them
48:42
Speaker 1: and kept trophies of his victims in his apartment to
48:46
Speaker 1: yack off to later. What a catch, right, And then
48:49
Speaker 1: with monsters the Menendez brothers, Murphy cast conventionally attractive actors, which,
48:54
Speaker 1: to be fair, they looked kind of similar to the
48:56
Speaker 1: real guys, So whatever, Nicholas Chavez and Cooper and set
49:00
Speaker 1: dramatic scenes to catch the eighties music and focus more
49:03
Speaker 1: on making the brothers look cool in their period perfect outfits,
49:08
Speaker 1: then on accurately depicting the abit they claimed to have suffered.
49:12
Speaker 1: And yes, there are episodes in which the Courtroom it
49:15
Speaker 1: is word for word, and I do appreciate that, but
49:18
Speaker 1: it focused way more on stylization than what actually happened.
49:24
Speaker 1: And as one student actually noted, the Menendez brothers went
49:27
Speaker 1: through so much in their life and the show barely
49:30
Speaker 1: cared to mention it. And even the Menandaz brothers themselves
49:34
Speaker 1: said that the show was repulsive, that it was terrible.
49:37
Speaker 1: But the new low is with Monster, the Edkeen story,
49:40
Speaker 1: as we have heard already, and that's that Murphy's approach
49:43
Speaker 1: reaches its most ogregious extreme. The series doesn't just embellish,
49:49
Speaker 1: it completely fabricates major plot points in history, with inventing
49:55
Speaker 1: murders in the case of Evelyn Hartley, with liized Violet,
50:00
Speaker 1: with the Natilia scenes that never happened, and just the
50:05
Speaker 1: I mean, I don't even know how many folces we had,
50:07
Speaker 1: but like I'm going to assume it's well over fifty
50:09
Speaker 1: percent of just not true, not true things. It's crazy,
50:15
Speaker 1: but I really do think Ryan Murphy is a genius
50:18
Speaker 1: who has become just insidious because he knows exactly who
50:23
Speaker 1: his audience is and what they respond to. The research
50:26
Speaker 1: shows that true crime podcasts have seventy three percent female audience. Obviously,
50:31
Speaker 1: hey queens, I know it's me too, okay, and women
50:34
Speaker 1: are primary consumers of both true crime and shipping fiction,
50:38
Speaker 1: the kind of romanticized, often sized fan content that imagines
50:43
Speaker 1: relationships between characters. I'm not saying that's you. I think
50:46
Speaker 1: the people that watch this channel very much know that
50:48
Speaker 1: these people are horrifying, just wastes of oxygen. But there
50:52
Speaker 1: are a lot of you know, people that just romanticize
50:56
Speaker 1: the idea of being with these people. And Ryan Murphy
50:58
Speaker 1: capitalizes on that, and he deliberately exploits this by casting attractive,
51:04
Speaker 1: like overly attractive actors like Charlie Hunham and Evan Peters
51:08
Speaker 1: and Cooper Cock. And to be fair, they do look
51:11
Speaker 1: similar to these people, but the fact that they're always
51:14
Speaker 1: just like, I don't know, like twenty thirty forty percent
51:16
Speaker 1: more attractive. It's that's Hollywood. You know, that's Hollywood. And
51:21
Speaker 1: you know what is he supposed to do? You know,
51:22
Speaker 1: cast somebody who looks like them, but like slightly uglier
51:26
Speaker 1: or something like that, like whatever. But the biggest thing
51:29
Speaker 1: is creating these completely false romantic subplots that never existed
51:35
Speaker 1: and adding this settension and homoerotic undertones like the Menenda's
51:40
Speaker 1: brothers implied incest, which is what why why are you
51:45
Speaker 1: doing that? Focusing on the killer's emotional backstories rather than
51:49
Speaker 1: the victims suffering, And as Saram didim notes in unheard quote,
51:55
Speaker 1: Murphy understands what people want to see. Monster brings together
51:59
Speaker 1: the sensibility of horror story. Watch these hot brothers kiss
52:04
Speaker 1: with the truth telling pretensions of crime story unquote, and
52:08
Speaker 1: I couldn't agree more as like the way more Well
52:11
Speaker 1: said that, I said it. The psychology behind women's fascination
52:14
Speaker 1: with violent men is complex. Some argue it's about understanding
52:18
Speaker 1: potential threats, which I can sympathize with, especially being a
52:23
Speaker 1: victim of those kinds of things, and others suggest it's
52:26
Speaker 1: about the fantasy of taming dangerous men. But whatever the reason,
52:30
Speaker 1: Murphy cynically leverages this fascination to create what amounts to
52:35
Speaker 1: true crime fan fiction, taking real murders and transforming them
52:39
Speaker 1: into secized entertainment. And when he defends his shows by saying, quote,
52:45
Speaker 1: we show many, many many perspectives unquote, or claims he's
52:49
Speaker 1: teaching controversy, he's hiding behind artistic license to justify exploitation.
52:56
Speaker 1: And that's my biggest problem, because there are real costs
53:00
Speaker 1: to these creative liberties. One and the most major one
53:05
Speaker 1: is retraumatizing victims' families. For example, the families of Dahmer's
53:11
Speaker 1: victims called the Series of Dahmer, Ryan Murphy's Dahmer, retraumatizing
53:17
Speaker 1: over and over again. Who's the real monster? I think
53:20
Speaker 1: it's Ryan Murphy and the Menendez family called their portrayal repulsive,
53:25
Speaker 1: which I already mentioned, and the second being spreading blatant misinformation,
53:30
Speaker 1: because there's some viewers that watch these shows that believe
53:32
Speaker 1: they're based on true events and come away with completely
53:36
Speaker 1: false information. They think ed Gean really, you know, had
53:40
Speaker 1: relations with dead bodies, or that he actually killed Evelyn
53:44
Speaker 1: and all this bullshit and he actually helped catch Ted
53:47
Speaker 1: Bundy and had a murderous girlfriend, all false and all
53:51
Speaker 1: like the main plot points of this entire show. And
53:55
Speaker 1: then there's glorifying violence unnecessarily by making killer attractive, sympathetic,
54:01
Speaker 1: and even romantic, and Murphy shows just contribute to the
54:05
Speaker 1: culture that turns murderers into celebrities. The fan edits, the
54:09
Speaker 1: thirsting tweets, the romanticization. Murphy doesn't just predict this response,
54:13
Speaker 1: he deliberately cultivates it. But there is something we need
54:17
Speaker 1: to establish now, and that is that there's a massive
54:21
Speaker 1: ethical difference between thirsting over Dexter Morgan and you know,
54:27
Speaker 1: thirsting over Jeffrey Dahmer, and one is a fictional character
54:32
Speaker 1: and the other murdered seventeen real people with real families
54:37
Speaker 1: who are still grieving because when we watch fictional killers
54:41
Speaker 1: like Dexter Morgan, Joe Goldberg from You, or Patrick Bateman,
54:44
Speaker 1: we're engaging with fantasy. These characters exist solely for our entertainment.
54:50
Speaker 1: No real person died, no actual mother lost her actual son,
54:56
Speaker 1: no family has to see their loved one's death turned
54:59
Speaker 1: into a Netflix binge session, and we can explore dark themes,
55:04
Speaker 1: examine the psychology of violence, even find these characters compelling
55:08
Speaker 1: because they're not real. But when Ryan Murphy takes ed Geen,
55:13
Speaker 1: a man who skinned actual women, who destroyed real families,
55:18
Speaker 1: and gives him the Charlie Hunham treatment, complete with moody
55:22
Speaker 1: lighting and fictional romance subplot, he's not creating entertainment. In
55:26
Speaker 1: my opinion, He's just rewriting history to fit his fucked up,
55:32
Speaker 1: romanticized narrative. And you can think about it this way.
55:35
Speaker 1: When Anthony Hopkins plays Hannibal Lecter, he's bringing a fictional
55:40
Speaker 1: monster to life, But when Evan Peters plays Jeffrey Dahmer,
55:44
Speaker 1: he's bringing a real monster back to life. And again,
55:48
Speaker 1: I'm not blaming the actors for this necessarily, It's just
55:52
Speaker 1: I feel like we don't think about this enough, and
55:54
Speaker 1: I think about it way too much. Probably I'm making
55:56
Speaker 1: this video and probably people are like, oh, you're thinking
55:59
Speaker 1: too much into it and all this stuff. It's like
56:01
Speaker 1: when your life, My life like revolves around this lately.
56:04
Speaker 1: I mean, I come up with a new video every week,
56:07
Speaker 1: Like I'm looking into the stuff on a daily basis.
56:10
Speaker 1: I get less desensitized. I feel more empathy than ever.
56:14
Speaker 1: And so watching shows like this that just defame and
56:19
Speaker 1: embarrass and belittle victims, it's just it's sick. And when
56:25
Speaker 1: you bring these real monsters back to life and aren't
56:28
Speaker 1: honest about who they really were and what their stories
56:31
Speaker 1: really were and what the victims actually went through. One
56:35
Speaker 1: whose victims' families have to relive their trauma every time
56:39
Speaker 1: someone makes another TikTok edit set to a Blana del
56:43
Speaker 1: Reys song. It's just it's just it's disheartening to think about.
56:48
Speaker 1: The problem. Isn't that we're fascinated by darkness. That's just
56:52
Speaker 1: human nature. There's a reason why I do so much
56:54
Speaker 1: true crime and why we're so fascinated by it. I
56:57
Speaker 1: think it just makes sense. The problem is when Creed
57:00
Speaker 1: deliberately blur the line between fiction and reality using the
57:03
Speaker 1: same cinematography, the same attractive casting, the same romantic framing
57:08
Speaker 1: for both invented killers and actual murderers. Brian Murphy is
57:13
Speaker 1: training audiences to see no difference between a character and
57:16
Speaker 1: a criminal, and that's not art, that's just exploitation wearing
57:20
Speaker 1: designer clothes. So in general, and since Netflix Green Linit,
57:25
Speaker 1: I'm putting them into this thing. But you know, their
57:28
Speaker 1: work represents the worst of true crime entertainment, prioritizing the
57:33
Speaker 1: killers over their victims, fantasy over fact, and profit over people.
57:37
Speaker 1: And they've proven they can make compelling television. But the
57:41
Speaker 1: question is whether he or they can or will ever
57:45
Speaker 1: make ethical television when it comes to portraying real life violence.
57:51
Speaker 1: I don't know. And to be fair, there are plenty
57:54
Speaker 1: of good shows, even Netflix original shows that do a
57:58
Speaker 1: pretty good job of this, the being mind Hunter. They
58:01
Speaker 1: they take creative liberties, but they don't absolutely shit on
58:05
Speaker 1: the truth like like Ryan Murphy loves to. And there's
58:09
Speaker 1: plenty of documentaries that of course have kind of kind
58:12
Speaker 1: of paint their own narrative, but they don't stray from
58:15
Speaker 1: the actual truth. It's all fact in there. So I'm
58:18
Speaker 1: good with that, you know. I like to learn about
58:20
Speaker 1: that stuff, and and you know it has you know,
58:23
Speaker 1: testimony from the actual victims happening, and it's just yeah,
58:27
Speaker 1: that whole that whole time watching it, I just felt
58:31
Speaker 1: sick and disappointed and just angry. I felt angry and
58:36
Speaker 1: I don't even have anything to do with this, and
58:39
Speaker 1: you know, feel free to disagree with me in the comments.
58:41
Speaker 1: I know that I'm a bit passionate about this kind
58:44
Speaker 1: of stuff, but I think that's good. I think we
58:47
Speaker 1: need compassion and we shouldn't. I mean, it's just another
58:50
Speaker 1: thing where we shouldn't believe everything we see. You should
58:52
Speaker 1: always research it yourself. But if I have to google,
58:56
Speaker 1: you know, every two minutes of a show, if it's
58:59
Speaker 1: actually true, and most of it's not, I don't think
59:02
Speaker 1: it's a good show, especially if it's based off of
59:04
Speaker 1: a real killer and real victims and all that kind
59:07
Speaker 1: of stuff. So what do I know, though, I'm just
59:09
Speaker 1: a YouTuber anyway, really fun Saturday video. But I love
59:14
Speaker 1: true crime. I love true crime. I think it's absolutely fascinating.
59:18
Speaker 1: I think the dark things of the world are so
59:20
Speaker 1: fascinating because they're possible and because it's scary, also because
59:26
Speaker 1: it's real. It's real and these are real people, and
59:30
Speaker 1: I think it's horrible. And I do like highlighting the
59:32
Speaker 1: fact that there are real life monsters out there who
59:35
Speaker 1: do real life things to real life people and there's
59:38
Speaker 1: consequences from that. And if there's anything I can do
59:42
Speaker 1: to give back to people that have gone through that
59:44
Speaker 1: or going through that, I will do that and I
59:47
Speaker 1: will continue to do that. But I don't think there's
59:49
Speaker 1: anything wrong with liking true crime, obviously, but I think
59:53
Speaker 1: the way it's portrayed in media, oftentimes oftentimes with Ryan Murphy,
59:58
Speaker 1: it's just too much any creative liberties. I think sticking
1:00:02
Speaker 1: to the truth is enough. I don't think you need
1:00:04
Speaker 1: to make stuff up in a world that's already full
1:00:07
Speaker 1: of pure darkness personally, But what do I know anyway,