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One Piece, 856-858 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is Spoiling, covering
• 0:11
  Speaker 1: one piece episodes eight fifty six through eight fifty eight,
• 0:16
  Speaker 1: The Forbidden Secret, Kategory's Merienda, Lofy fights back the Invincible
• 0:22
  Speaker 1: katea Kory's weak point, and another crisis Gear four versus
• 0:28
  Speaker 1: Unstoppable Doughnuts. In this episode, remember how I said the
• 0:37
  Speaker 1: whole thing with Kate Kory needing a little snack break
• 0:40
  Speaker 1: was funny to me. I had no idea how funny
• 0:44
  Speaker 1: it was about to be. What a weird little guy.
• 0:50
  Speaker 1: Welcome to spoil me. Welcome to the show everyone. I
• 1:12
  Speaker 1: am Natasha. Thank you very much to Florian for commissioning
• 1:17
  Speaker 1: this episode. Uh I just cannot get over this. Guys,
• 1:24
  Speaker 1: So Category's secret is that he's like a secret binge eater.
• 1:36
  Speaker 1: Does it even count as binge eating when it's like
• 1:42
  Speaker 1: a limited number and you're so big, Like it's hard
• 1:47
  Speaker 1: for me to say what is an adequate serving size
• 1:52
  Speaker 1: for a guy like this? And when I think about
• 1:56
  Speaker 1: binge eating, I think about, you know, you take an
• 1:58
  Speaker 1: entire box donuts for example. However, despite the fact that
• 2:04
  Speaker 1: we only get the description of three different types of donuts,
• 2:07
  Speaker 1: it does look like, there's more than that here, And
• 2:11
  Speaker 1: I would say the fact that he has to do
• 2:13
  Speaker 1: it in secret, that he is so obsessive about it,
• 2:17
  Speaker 1: I think this really does fit the bill. And I
• 2:24
  Speaker 1: will say that I kind of appreciate this being a
• 2:28
  Speaker 1: thing for a character who isn't fat, and especially in
• 2:35
  Speaker 1: this like land of foods, you know this that there
• 2:40
  Speaker 1: is a character who deals with this. And the weird
• 2:43
  Speaker 1: thing about Category is that he has this like odd mouth.
• 2:49
  Speaker 1: The whole way he's designed as a character in costume
• 2:54
  Speaker 1: is that there's this cowl scarf looking it's not really scarf,
• 3:00
  Speaker 1: but it sort of has the effect of like a
• 3:03
  Speaker 1: scarf that has been wound around the neck down to
• 3:05
  Speaker 1: the shoulders, and it's got it covers up the lower
• 3:12
  Speaker 1: half of his face. And of course there are many
• 3:17
  Speaker 1: characters on this show who have like parts of their
• 3:22
  Speaker 1: faces hidden by their costume, and so I don't think
• 3:26
  Speaker 1: anything of that. I probably should begin to zero in
• 3:31
  Speaker 1: on that a little bit more, because like Pedro had
• 3:34
  Speaker 1: an eye covered up by his hair and it turned
• 3:37
  Speaker 1: out that he was missing that eye. So there are
• 3:40
  Speaker 1: definitely times where the way somebody is costumed actually has
• 3:46
  Speaker 1: something key to do with what's going on with him
• 3:49
  Speaker 1: as a person. But yeah, I just thought nothing of it.
• 3:52
  Speaker 1: And it turns out that he's hiding this mouth that
• 3:56
  Speaker 1: is like it's first of all, got very teeth, but secondly,
• 4:03
  Speaker 1: it's sort of weird because while he's eating the donuts
• 4:09
  Speaker 1: and singing to himself about the donuts, his chin is
• 4:14
  Speaker 1: big and round at the bottom in the way that
• 4:18
  Speaker 1: like a pelican's like chin and jaw are sort of
• 4:24
  Speaker 1: sack like, so it almost looks like he is able
• 4:29
  Speaker 1: to fit almost an entire donut in his mouth without
• 4:33
  Speaker 1: even having to chew it yet, and that it can
• 4:36
  Speaker 1: just like chill in his weird sack like mouth chin area.
• 4:44
  Speaker 1: I don't think that's really what's going on, And this
• 4:48
  Speaker 1: sack will go away, It's I guess pelicans can do
• 4:53
  Speaker 1: that too, can't they. They that sack is there when
• 4:56
  Speaker 1: they need it to be full of a bunch of
• 4:59
  Speaker 1: wino water and fish, but the skin will like shrink
• 5:04
  Speaker 1: back into place when there's nothing there. So he keeps
• 5:11
  Speaker 1: this like secret from everybody, and I don't I mean,
• 5:17
  Speaker 1: it's not just the snacking. It seems like people don't
• 5:22
  Speaker 1: actually know what he looks like, that he has this
• 5:27
  Speaker 1: mouth under there, which is interesting because I feel like
• 5:33
  Speaker 1: this is kind of an intimidating look that he could
• 5:36
  Speaker 1: use to his advantage. But I guess he's just undefeated
• 5:42
  Speaker 1: as is, So why does he need an additional thing
• 5:47
  Speaker 1: to intimidate people with? Hmm, yeah, I guess that's really
• 5:53
  Speaker 1: kind of overkill. But yeah, so I'm getting ahead of
• 5:57
  Speaker 1: myself obviously, But you know, I mean, I had to
• 5:59
  Speaker 1: talk about where this is going right away, but it
• 6:03
  Speaker 1: does take us a little while to actually get to
• 6:06
  Speaker 1: the reveal of what's going on with him, because we
• 6:09
  Speaker 1: open with Lufy had still been trapped under all of
• 6:13
  Speaker 1: that mochi and he is he had just said to
• 6:17
  Speaker 1: Lufy like, you made me late for my marienda, which
• 6:22
  Speaker 1: marianda is apparently like a It's a Portuguese, Spanish and
• 6:28
  Speaker 1: Italian thing that is similar to afternoon tea in like
• 6:35
  Speaker 1: the UK, where it's between lunch and dinner. Afternoon tea
• 6:42
  Speaker 1: is usually like around three or four o'clock, and marianda
• 6:47
  Speaker 1: is apparently later, around like five ish, which makes sense
• 6:50
  Speaker 1: because in Spain and Italy dinner is often quite late,
• 6:56
  Speaker 1: you know, like nine pm. So yeah, you would want
• 7:01
  Speaker 1: your snack a little bit further along, but it's the
• 7:05
  Speaker 1: same thing where you have like a beverage of some
• 7:08
  Speaker 1: kind oftent tea or coffee and a snack and it
• 7:13
  Speaker 1: can be like fruit, pastry, yogurt, you know whatever. And
• 7:19
  Speaker 1: this team of little he he yells out like butt
• 7:25
  Speaker 1: serrieres or whatever. I don't even know how you say it.
• 7:27
  Speaker 1: And it's these three little shifts that are evidently like
• 7:32
  Speaker 1: solely I don't know that it's like their job. The
• 7:38
  Speaker 1: only job that they have is making his merianda snack,
• 7:42
  Speaker 1: but it definitely is like a big part of their job.
• 7:47
  Speaker 1: And these three dudes know him well and are afraid
• 7:51
  Speaker 1: of him, of course, but also really really want to
• 7:56
  Speaker 1: like make him happy. And so we get this like montage.
• 8:01
  Speaker 1: They roll up, they've got this whole tea tray that
• 8:06
  Speaker 1: is loaded up with the teapot, the tray of donuts,
• 8:12
  Speaker 1: and they have the Yeah, I'm looking and seeing like
• 8:17
  Speaker 1: the basket looks like it's got at least like ten
• 8:21
  Speaker 1: donuts in it. So even though they only describe three,
• 8:26
  Speaker 1: there's definitely more going on. And so I think calling
• 8:29
  Speaker 1: him like a secret binge eater is fair. Once you
• 8:32
  Speaker 1: get over two or three donuts, I feel like you're
• 8:37
  Speaker 1: really getting into territory of like, yeah, that's starting to
• 8:40
  Speaker 1: not be great for you. And these are not just
• 8:44
  Speaker 1: like ordinary donuts. I mean, he is huge and much
• 8:48
  Speaker 1: bigger than these chefs. But even so, each donut is
• 8:52
  Speaker 1: about the size in proportion to category of a like
• 8:59
  Speaker 1: the kind of platter you'd use to serve a turkey on.
• 9:02
  Speaker 1: They're huge even in proportion to him. So this is
• 9:11
  Speaker 1: a very lot. This is much food. Seraphim says, great
• 9:18
  Speaker 1: bit is early on in the fight brew let oh yeah, this,
• 9:22
  Speaker 1: I'm gonna talk about this. I'm not even gonna read
• 9:23
  Speaker 1: Serafim's whole comment because there's another thing that happens that
• 9:27
  Speaker 1: I think is extremely funny. But yeah, so he the
• 9:32
  Speaker 1: way that he behaves with this, where it's like every
• 9:35
  Speaker 1: day and he has to do it at the same
• 9:38
  Speaker 1: time he gets apparently like really fucking irritable if he
• 9:43
  Speaker 1: doesn't do it, and the way he hides it, and
• 9:47
  Speaker 1: how much he eats. All of this together definitely feels
• 9:51
  Speaker 1: like bro has an issue. He's got a food issue.
• 9:57
  Speaker 1: So they I have to tell him that since you
• 10:01
  Speaker 1: are forty minutes late for your snack, the tea has
• 10:05
  Speaker 1: grown cold. And they are literally sweating and trembling with
• 10:10
  Speaker 1: fear telling him this. But he says iced tea is fine,
• 10:14
  Speaker 1: which I think, of course, because the doughnuts are the thing.
• 10:18
  Speaker 1: He doesn't care about the tea. It's not about that,
• 10:21
  Speaker 1: you know. So anyway, this is when they start talking
• 10:26
  Speaker 1: about the doughnuts and what are in there? Let's see,
• 10:31
  Speaker 1: Oh my god. Each treat is made from the perfect ingredients.
• 10:36
  Speaker 1: We purchased the finest corioli cocow we could find on
• 10:39
  Speaker 1: the black market and combine it with milk from a
• 10:42
  Speaker 1: cow grazed on Sky Island whose life was free from
• 10:46
  Speaker 1: stress and woe. I love this that they're like, this
• 10:49
  Speaker 1: is not fair trade, but at the very least cruelty
• 10:55
  Speaker 1: free to to cow. For this one, we whipped the
• 10:58
  Speaker 1: highest grade cream, which we received fresh from the Great
• 11:02
  Speaker 1: Minister Opera himself. I am so sorry, but I could
• 11:08
  Speaker 1: never eat a treat made with cream that I knew
• 11:13
  Speaker 1: came from a person. I just couldn't. I just couldn't.
• 11:18
  Speaker 1: And I also do want to mention and this is
• 11:21
  Speaker 1: absolutely not a big deal, but I have to mention it. It
• 11:23
  Speaker 1: has been stated multiple times that the food that comes
• 11:31
  Speaker 1: from people who have these devil fruit abilities that our
• 11:35
  Speaker 1: food related is not tasty, So it's sort of weird
• 11:41
  Speaker 1: that it doesn't taste good, except like in this one
• 11:46
  Speaker 1: particular guy's case where this cream is supposed to be
• 11:50
  Speaker 1: like the best, and this is not the only time
• 11:53
  Speaker 1: this has been said about him specifically, so that's weird.
• 11:57
  Speaker 1: Like why is that the icing is meticulously decorated and
• 12:03
  Speaker 1: topped with a strawberry to make this masterpiece a feast
• 12:06
  Speaker 1: for the eyes before it becomes entombed within your grateful belly,
• 12:11
  Speaker 1: which is such a weird way to say that. Also, advice,
• 12:15
  Speaker 1: if you have a pastry like a donut with a
• 12:17
  Speaker 1: hole in the middle, don't put a bunch of whipped
• 12:21
  Speaker 1: cream and a strawberry in the middle where the hole is.
• 12:25
  Speaker 1: It's just not very practical, it's not smart. Why would
• 12:27
  Speaker 1: you do that. I saw this and I was just like,
• 12:29
  Speaker 1: come on, man, what is that? And then we have
• 12:32
  Speaker 1: also prepared a donut topped with a sugar flavor flavored
• 12:36
  Speaker 1: by Selish, flavored with ciliciodor, which brings out the spiciness
• 12:39
  Speaker 1: of the Maylon cinnamon baked into its dough. Along with
• 12:42
  Speaker 1: this and that and the other thing too. Of course,
• 12:46
  Speaker 1: So yeah, they present him with all of these snacks
• 12:50
  Speaker 1: and he holds his hand out and begins to make
• 12:54
  Speaker 1: these little balls of mochi. And I'm watching this like
• 12:58
  Speaker 1: what exactly is going off? And he starts talking about
• 13:02
  Speaker 1: how like depleted he is after that fight with Loofy,
• 13:05
  Speaker 1: that it went on for longer than he anticipated, and
• 13:07
  Speaker 1: that if he is going to go out there and
• 13:10
  Speaker 1: continue to fight, that he needs to get his strength
• 13:12
  Speaker 1: back up, and all as he says this, these little
• 13:16
  Speaker 1: balls of mochi are continuing to float around. And yeah,
• 13:22
  Speaker 1: especially that like he had to use hockey so much.
• 13:27
  Speaker 1: But if I intend to subdue his crew, I need
• 13:31
  Speaker 1: to take in a substantial amount of nourishment and the
• 13:37
  Speaker 1: sugar shall provide me with that power. Which this is fact.
• 13:43
  Speaker 1: You know, when you are doing a lot of intensive cardio,
• 13:47
  Speaker 1: you need carbohydrates. So I am not mad at it,
• 13:51
  Speaker 1: but I do think that probably this is all I'm
• 13:54
  Speaker 1: excuse because he's just a bit cheater. Saraphims says, have
• 13:59
  Speaker 1: you seen how much loufe the anime food rules means
• 14:01
  Speaker 1: there's always way more than you should be able to eat.
• 14:04
  Speaker 1: There's Yeah, I'm gonna talk about another thing. There later.
• 14:07
  Speaker 1: It would be more surprising if anyone growing up with
• 14:09
  Speaker 1: big mamas their mother didn't have food issues. It's not
• 14:12
  Speaker 1: a universal thing about any food related devil fruit, just
• 14:15
  Speaker 1: the chef guy's cook cook fruit. Well, Lufy says it here.
• 14:20
  Speaker 1: He eats his way by the way out of the Mochi,
• 14:23
  Speaker 1: and he says, do I I have to eat every
• 14:29
  Speaker 1: time I get in a fight. The food doesn't even
• 14:32
  Speaker 1: taste good. So the way that he said it made
• 14:35
  Speaker 1: it sound like frequently that has been the case. But
• 14:40
  Speaker 1: because like the cook cook fruit, I don't know if
• 14:44
  Speaker 1: he has encountered that specifically yet. He ate his way
• 14:48
  Speaker 1: out of the wedding cake, but that was cooked properly,
• 14:51
  Speaker 1: that was not made with an ability. But Seraphim says,
• 14:57
  Speaker 1: maybe he's just not a fan of mochi and the
• 15:00
  Speaker 1: biscuits were really, really soggy. Maybe so category what he's doing.
• 15:08
  Speaker 1: It turns out with all of this Mochi is building
• 15:14
  Speaker 1: himself a little private tea house out of Mochi to
• 15:19
  Speaker 1: go into to have some privacy. I can't help but
• 15:26
  Speaker 1: be jealous of the concept of somebody who can simply
• 15:30
  Speaker 1: build themselves a little room for time out whenever they
• 15:34
  Speaker 1: feel the need to get away from the folks around them.
• 15:37
  Speaker 1: That sounds so handy. There have been many times where
• 15:42
  Speaker 1: I have had to go to a bathroom and let
• 15:45
  Speaker 1: myself decompress from the anxiety of whatever social situation I
• 15:50
  Speaker 1: was in in the bathroom, So this would be great.
• 15:56
  Speaker 1: But yeah, it's like quite detailed. It's lovely, and he
• 16:01
  Speaker 1: disappears inside, and the chefs outside are like talking amongst
• 16:06
  Speaker 1: each other, and one of them says, he's as particular
• 16:08
  Speaker 1: as ever, and I was sort of like, I mean,
• 16:11
  Speaker 1: not really, he was fine with iced tea. Just wanted
• 16:16
  Speaker 1: to remind you, guys, how relieved you were that he
• 16:19
  Speaker 1: wasn't that particular. But you know, it's fine. And then
• 16:23
  Speaker 1: they start talking. This is great, they say. No one
• 16:27
  Speaker 1: has ever caught him in the act of eating. He's
• 16:30
  Speaker 1: ceaselessly vigilant and can't let his guard down even during
• 16:34
  Speaker 1: a snack. A pity, since the whole point of tea
• 16:37
  Speaker 1: time is to unwind with friends. But for him it's
• 16:40
  Speaker 1: a joyless act of nutritional intake and solemn meditation before
• 16:46
  Speaker 1: his next battle. I love this because you know, there
• 16:51
  Speaker 1: are times where this sort of talk telegraphs the joke
• 16:56
  Speaker 1: that's coming. But for whatever reason, it didn't telegraph for
• 17:01
  Speaker 1: me this time. I didn't see it coming what was
• 17:03
  Speaker 1: really going on. Everything that we have seen of who
• 17:07
  Speaker 1: Kategory is lines up with this assumption about what he's doing,
• 17:13
  Speaker 1: so I just never thought about it. Twice. So this
• 17:17
  Speaker 1: is when we see the mochi behind them, like bouncing around,
• 17:21
  Speaker 1: and then one of them turns and realizes that Lufy's
• 17:24
  Speaker 1: arm isn't sticking out from underneath it anymore, and all
• 17:27
  Speaker 1: of a sudden, Lufy is there and is fat from
• 17:32
  Speaker 1: having eaten his way out, and he takes off running,
• 17:40
  Speaker 1: and they think that he's running away, that he's like
• 17:44
  Speaker 1: using the fact that Kategory is distracted with his snack,
• 17:48
  Speaker 1: taking advantage of this and fleeing while the fleeing's good.
• 17:54
  Speaker 1: And then he turns around and he comes back, and
• 18:01
  Speaker 1: he was running so that he would lose the weight
• 18:05
  Speaker 1: from eating all of this mochi, which the chefs are like,
• 18:10
  Speaker 1: that's not how the human body works, and I was like, y'all,
• 18:13
  Speaker 1: I don't know how to tell you this. Nothing about
• 18:17
  Speaker 1: anything in this show is how the human body works.
• 18:23
  Speaker 1: There is no way that Lufi would have gotten fat
• 18:26
  Speaker 1: from eating mochi within five minutes either. But y'all were
• 18:31
  Speaker 1: fine with that. That's not anything, though, I don't know
• 18:37
  Speaker 1: why you're surprised. So Lufy is like, where's Kategori. They're
• 18:44
  Speaker 1: all just like, oh, he's gone, he's you know, there's nothing.
• 18:49
  Speaker 1: And then he sees this fucking house made of mochi
• 18:55
  Speaker 1: and is going very obviously he's over here. Guy is like,
• 19:00
  Speaker 1: see the house made out of the stuff that Category
• 19:04
  Speaker 1: makes with his devil fruit. I think I've got it
• 19:07
  Speaker 1: figured out. And then they try to be like, oh,
• 19:09
  Speaker 1: you can't intrude. This is a sacred time for him,
• 19:15
  Speaker 1: and Lufy is just like yeah, and he does the
• 19:21
  Speaker 1: gatling and busts this place up, and this is when
• 19:26
  Speaker 1: we get the reveal that Category is eating these donuts,
• 19:30
  Speaker 1: and not only is he eating them, but he's singing
• 19:32
  Speaker 1: a little song about how good donuts are, how much
• 19:38
  Speaker 1: he loves his donut eating time, how there's no judgment,
• 19:42
  Speaker 1: and how especially he's on his back eating donuts. That's
• 19:48
  Speaker 1: like actually a lyric according to the translation, and as
• 19:54
  Speaker 1: Saraham mentioned in the comments earlier, and I had meant
• 19:58
  Speaker 1: to mention this last episode because I actually found the
• 20:02
  Speaker 1: line really funny and I totally forgot, so I was
• 20:04
  Speaker 1: glad that it kind of comes back here as like
• 20:06
  Speaker 1: a joke. But Brulah had said that like Kategory has
• 20:12
  Speaker 1: never fallen down or even laid down or something like that,
• 20:17
  Speaker 1: he's downright disrespectful to the ground, which I think is
• 20:22
  Speaker 1: just such a funny way to fucking say that. And
• 20:27
  Speaker 1: so evidently he does lay down when he's eating his stonnuts.
• 20:34
  Speaker 1: I can't help but be like that feels very sad
• 20:42
  Speaker 1: that like he can't ever relax. I don't know, man,
• 20:48
  Speaker 1: I just hated this for him in a weird way.
• 20:51
  Speaker 1: I was just saddened by it. But uh, all that aside.
• 20:59
  Speaker 1: There's a point later where Loofy punches him and he
• 21:03
  Speaker 1: goes flying backward and he remembers her saying that he
• 21:09
  Speaker 1: never has fallen or laid down, and makes himself land
• 21:14
  Speaker 1: on the top of his head instead of his back,
• 21:19
  Speaker 1: so as to continue the theme of never falling down,
• 21:27
  Speaker 1: which was extremely funny to watch. The landing on his head.
• 21:31
  Speaker 1: What a weird like it's this weird backbend that he
• 21:34
  Speaker 1: has to do before coming back up, and it's very
• 21:37
  Speaker 1: much him sort of getting a hold of himself after
• 21:39
  Speaker 1: having gotten punched and being in complete shock over it.
• 21:44
  Speaker 1: So yeah, loufy interrupting him as he's eating, we get
• 21:48
  Speaker 1: to see his huge, weird chin and mouth, and I
• 21:55
  Speaker 1: really really felt bad for the chefs because they they
• 22:00
  Speaker 1: are immediately aware, oh, we weren't supposed to see all that,
• 22:06
  Speaker 1: and attempt to reassure him we aren't gonna say anything
• 22:12
  Speaker 1: to anybody, trust us. It's like as if it never happened.
• 22:18
  Speaker 1: We would never divulge your secret, and he just won't
• 22:23
  Speaker 1: hear it, and we see him swing and it. I
• 22:27
  Speaker 1: don't believe that it's gonna be that these chefs are
• 22:30
  Speaker 1: actually dead, but he definitely like knocks all these motherfuckers out,
• 22:35
  Speaker 1: And I felt really bad for them because they didn't
• 22:37
  Speaker 1: ask to be here. They didn't ask to see any
• 22:40
  Speaker 1: of this, you know what I'm saying, Like this was
• 22:43
  Speaker 1: not part of what they wanted in their day. And
• 22:48
  Speaker 1: I have to admit, even though they don't want to
• 22:52
  Speaker 1: see any of this, if I were him, I don't
• 22:55
  Speaker 1: think i'd trust that they would be able to keep
• 22:58
  Speaker 1: quiet about it, because this is some really hot goss,
• 23:01
  Speaker 1: you know, like Catechory, the guy who is so intense
• 23:06
  Speaker 1: and self serious is out here singing songs while he
• 23:11
  Speaker 1: gleefully chomps down all the donuts in like a kind
• 23:15
  Speaker 1: of fugue state.
• 23:16
  Speaker 2: Yeah, no, man, of.
• 23:19
  Speaker 1: Course they're gonna want to talk about this to somebody,
• 23:21
  Speaker 1: or at least to each other and then be overheard like, yeah,
• 23:25
  Speaker 1: he if he wants to keep the secret, I can
• 23:29
  Speaker 1: see that maybe this was the right call. I don't
• 23:32
  Speaker 1: like it, but I understand it, so anyway, So sorry
• 23:38
  Speaker 1: you guys, but it is just hilarious to me, this
• 23:42
  Speaker 1: whole thing. It's the way that he even says to Loofy,
• 23:49
  Speaker 1: nobody is allowed to see me. The way he says
• 23:55
  Speaker 1: it is truly very, very funny. It's a hell of
• 23:58
  Speaker 1: a delivery. So this is all happening in the very
• 24:02
  Speaker 1: first episode, and Loofy attempts to punch him and again
• 24:10
  Speaker 1: winds up sort of like failing to hit him. And
• 24:13
  Speaker 1: it's not until the second episode that we get a
• 24:16
  Speaker 1: flashback and find out what's going on here. But we
• 24:19
  Speaker 1: will get there in a second, because the first thing
• 24:21
  Speaker 1: that I want to talk about after this initial reveal
• 24:26
  Speaker 1: is something that I had forgotten to mention in the
• 24:28
  Speaker 1: previous episode, which is our previous group of episodes, which
• 24:33
  Speaker 1: is what's going on with the baking of the wedding cake.
• 24:37
  Speaker 1: For Big Mom, I take great issue you guys with
• 24:47
  Speaker 1: what all is going on here? So they run out
• 24:51
  Speaker 1: of butter, they're thirty grams short for perspective, thirty grams
• 25:01
  Speaker 1: is something like a couple tablespoons. I think it's really
• 25:06
  Speaker 1: not much, but despite this, Pudding's line actually is something
• 25:13
  Speaker 1: like thirty grams. May not seem like much, but Mom
• 25:18
  Speaker 1: will be able to tell, which makes the solution even
• 25:25
  Speaker 1: more egregious to me. The solution that Sanji proposes is
• 25:33
  Speaker 1: to replace the missing butter with a mixture of prunes
• 25:41
  Speaker 1: and baking powder and I think milk or water or something,
• 25:46
  Speaker 1: and he says it's fewer calories. In case you're watching
• 25:55
  Speaker 1: your figure my friends in Christ. If this is a healthier,
• 26:03
  Speaker 1: lower fat version of the recipe, and Big Mom would
• 26:08
  Speaker 1: have noticed thirty grams of missing butter, she is going
• 26:12
  Speaker 1: to notice that you replaced the butter with fucking prunes
• 26:18
  Speaker 1: and baking soda or whatever, because the prunes the baking
• 26:22
  Speaker 1: soda is to compensate for the leavening. Butter is a
• 26:25
  Speaker 1: leavener because it has water in it, so it can
• 26:27
  Speaker 1: cause things to rise, and so if you just used prunes,
• 26:32
  Speaker 1: it's not going to ry. They contain a little butter,
• 26:34
  Speaker 1: but it's not really the same it doesn't have the
• 26:36
  Speaker 1: same action. So that suggestion is like accepted by everybody,
• 26:44
  Speaker 1: and he is hailed as saving them from the terrible
• 26:49
  Speaker 1: fate that would have awaited them if they had made
• 26:52
  Speaker 1: the cake wrong. And I am sitting over here like
• 26:56
  Speaker 1: slack jawed, going, are you kidding me? This is the
• 27:00
  Speaker 1: worst choice you could make. Now I know that they
• 27:03
  Speaker 1: are going to be able to get away with this.
• 27:06
  Speaker 1: That is simply the way this is set up. He
• 27:09
  Speaker 1: is meant to have actually saved the day. Here everybody
• 27:15
  Speaker 1: congratulating him and talking about what a genius he is.
• 27:18
  Speaker 1: This is supposed to be one what happened? But I
• 27:23
  Speaker 1: am so sorry that is psychotic though that as a
• 27:29
  Speaker 1: substitute aute. No, it's not just the the butter is missing.
• 27:35
  Speaker 1: Now prunes have a very specific flavor that is going
• 27:38
  Speaker 1: to change everything. Like what I have said my piece.
• 27:46
  Speaker 1: So the other thing that's going on in this episode,
• 27:52
  Speaker 1: we have first the construction of the elements of the cake,
• 28:00
  Speaker 1: and there's more of putting starting to like fate because
• 28:06
  Speaker 1: she is so in love with soany there's jealousy at
• 28:10
  Speaker 1: one point because I think that Chaffon is feeding him
• 28:18
  Speaker 1: some of the cake that she made. It's supposed to
• 28:21
  Speaker 1: be kind of flirty, you know that he's like, oh,
• 28:23
  Speaker 1: you've got a little on your face, like that kind
• 28:25
  Speaker 1: of thing. So Pudding is getting jealous but is managing
• 28:29
  Speaker 1: to control herself, I will say that, and is insisting
• 28:32
  Speaker 1: that she's not jealous. What would she even have to
• 28:34
  Speaker 1: be jealous about? What do you mean? Which, sweetie, you
• 28:37
  Speaker 1: don't need to hide the fact that you're into him.
• 28:39
  Speaker 1: We can all see it, and it's totally fine. But
• 28:43
  Speaker 1: eventually she winds up getting a phone call from Brulat
• 28:47
  Speaker 1: And it's so hard to tell because the way that
• 28:50
  Speaker 1: like the voice actress who does Brulai speaks to Pudding,
• 28:56
  Speaker 1: there's a sinister quality to the way that she responds that,
• 29:02
  Speaker 1: of course is part of her being a villain. But
• 29:07
  Speaker 1: I was almost for a second thinking like, is she
• 29:10
  Speaker 1: aware that putting switched sides? Does she know? And no,
• 29:16
  Speaker 1: she doesn't. It's it's pretty clear quickly that this is
• 29:20
  Speaker 1: just her the way she talks, But there was a
• 29:23
  Speaker 1: tone to it that for a second had me kind
• 29:25
  Speaker 1: of going, oh shit, has she caught on? And she
• 29:30
  Speaker 1: just wants to inform Pudding that Big Mom is like
• 29:37
  Speaker 1: still suffering from hunger pangs, first of all, and that
• 29:42
  Speaker 1: the one, the what do you call them, the Big Sonny,
• 29:49
  Speaker 1: they made a deal all these straw hats to meet
• 29:53
  Speaker 1: Loofy on Cacao Island, So if you see that, you'll
• 30:02
  Speaker 1: be aware that like they're heading in your direction, and
• 30:05
  Speaker 1: that there are a bunch of reinforcements heading your way
• 30:09
  Speaker 1: as well to deal with them, because we know what's
• 30:14
  Speaker 1: about to go down. And then she also mentions the
• 30:18
  Speaker 1: fact that Lufy decided to pick a fight with Katekori,
• 30:23
  Speaker 1: which was a really stupid idea, and now like Lufy
• 30:29
  Speaker 1: is distracted, so we don't even have to worry about him,
• 30:33
  Speaker 1: And understandably, when Putting hears this, she's like, oh shit
• 30:41
  Speaker 1: and does not understand why Sonji is so sanguine about
• 30:47
  Speaker 1: the whole thing. I love this. This is one of
• 30:52
  Speaker 1: those recurring things with this show that I liked right
• 30:58
  Speaker 1: from the beginning, and that is the way that these
• 31:02
  Speaker 1: characters all trust one another's skills, like it could very
• 31:08
  Speaker 1: easily be Oh no, Luthy, you know, but no. Instead,
• 31:13
  Speaker 1: he is so completely confident that she starts to be
• 31:18
  Speaker 1: irritated with him, and it's just like, why aren't you
• 31:22
  Speaker 1: worried about this? You don't understand. Category has literally never
• 31:26
  Speaker 1: lost a fight in his life, and I love Sonji's
• 31:29
  Speaker 1: response is, oh, well, then today is a special occasion
• 31:34
  Speaker 1: because he is about to lose for the first time.
• 31:38
  Speaker 1: And I just fucking love this shit, y'all. I love
• 31:42
  Speaker 1: the fact that they just believe in him so deeply
• 31:46
  Speaker 1: that hearing that this man is undefeated does not phase
• 31:50
  Speaker 1: Sanji for a moment. It's purely, Oh, he'll win. I
• 31:54
  Speaker 1: don't know how he'll win. I don't know the details
• 31:57
  Speaker 1: of what Kategori can do. That's none of my business.
• 32:01
  Speaker 1: What I do know is that Loofy manages to beat
• 32:04
  Speaker 1: everybody eventually, So trust me, it's happening, and I am
• 32:14
  Speaker 1: I am just here for it. I love it. I
• 32:16
  Speaker 1: love everybody having such total faith and trust in one
• 32:21
  Speaker 1: another when it comes to certain things. Of course, there
• 32:24
  Speaker 1: are going to be things with Loofy that everybody's like, oh, boy,
• 32:27
  Speaker 1: you sent Loofy to do this thing? Are you sure
• 32:30
  Speaker 1: that was a good idea? That's fair, that is simply
• 32:34
  Speaker 1: knowing who these people are. That's different. But yeah, in
• 32:38
  Speaker 1: this respect, it's great and I really really appreciate it,
• 32:41
  Speaker 1: and I also enjoy putting. On the one hand, you know,
• 32:47
  Speaker 1: as I've said, she is just falling all over Sanjy.
• 32:53
  Speaker 1: But on the other hand, the fact that he is
• 32:55
  Speaker 1: so unconcerned by this irritates her a little bit. She
• 33:00
  Speaker 1: says something like, you don't know what you're talking about.
• 33:04
  Speaker 1: He is going to get fucking crushed and you won't
• 33:08
  Speaker 1: be ready for it. And I couldn't help. But like,
• 33:13
  Speaker 1: every time she lets that other part out, I find
• 33:19
  Speaker 1: it delightful, and I really wish that it happened a
• 33:22
  Speaker 1: little bit more often, Like it's sort of calming down
• 33:28
  Speaker 1: at this point in the story, where it feels like
• 33:32
  Speaker 1: the part of her that's in love with Sanjy is
• 33:34
  Speaker 1: coming to the surface much much more often than the
• 33:39
  Speaker 1: part of her that's still on Big Mom's side, or
• 33:43
  Speaker 1: if you don't want to call it that the part
• 33:45
  Speaker 1: of her that's evil, I guess, you know, depending on
• 33:47
  Speaker 1: how you want to look at it. So yeah, I'm
• 33:52
  Speaker 1: kind of missing the evilness, and I was glad that
• 33:54
  Speaker 1: this surfaced again here for a second, and just to
• 33:58
  Speaker 1: wrap up on everything that's happening over here. We also
• 34:03
  Speaker 1: have Cheffon's dad showing up and it's a weird thing.
• 34:09
  Speaker 1: So what is his name? Guys? I know that it's
• 34:14
  Speaker 1: been mentioned and I forgot Oh Sarah him. That's when
• 34:20
  Speaker 1: you should just lay down and pretend Lufy killed you
• 34:22
  Speaker 1: before he opened up the house. That's funny, Pound, thank you, yes, Pound.
• 34:30
  Speaker 1: And that's a type of cake too, huh. He wants
• 34:35
  Speaker 1: to see Chiffon. And I didn't really feel very strongly
• 34:41
  Speaker 1: about Pound either way. You know, when we met him
• 34:43
  Speaker 1: in the woods, he was just such a little weirdo
• 34:46
  Speaker 1: and things were so odd and new that I was
• 34:50
  Speaker 1: very distracted. But I will say that these episodes had
• 34:56
  Speaker 1: me really starting to like this guy. He's growing on me. Like,
• 35:02
  Speaker 1: first of all, he's just so excited to see his daughter,
• 35:05
  Speaker 1: which you've got to love a dad who wants to
• 35:07
  Speaker 1: see his little girl. Secondly, I really love the fact
• 35:11
  Speaker 1: that he is remembering her as a baby and how
• 35:15
  Speaker 1: cute she was with such affection and it's very sweet. Thirdly,
• 35:22
  Speaker 1: he's coming to the door and he's like trying to
• 35:25
  Speaker 1: pound on it. An oven is here, and he like
• 35:30
  Speaker 1: punches him, and instead of just cowering, first, Pound says
• 35:38
  Speaker 1: to one of the like regular people at the door,
• 35:40
  Speaker 1: who's keeping him out? Why are you being so cruel?
• 35:44
  Speaker 1: I'm just trying to see my daughter, which I just
• 35:47
  Speaker 1: liked him immediately asking the question like do you get
• 35:50
  Speaker 1: what I'm trying to do here? Like why would you
• 35:53
  Speaker 1: even keep me out? And you know, it has the
• 35:57
  Speaker 1: desired effect almost where the guy is like, oh, that's
• 36:00
  Speaker 1: what you're here for, Like.
• 36:01
  Speaker 2: Yeah, communication works.
• 36:03
  Speaker 1: Who fucking knew? But then when Oven punches him, he's
• 36:07
  Speaker 1: immediately like, hey, why are you hurting me? I'm just
• 36:11
  Speaker 1: trying to see my girl. You don't have to get violent.
• 36:16
  Speaker 1: I swear to god. You guys, there's like been Narry
• 36:19
  Speaker 1: a character who has reacted in this way to being punched,
• 36:23
  Speaker 1: when it's actually the most appropriate reaction that I could imagine.
• 36:29
  Speaker 1: He's so like direct and logical that I cannot help
• 36:35
  Speaker 1: but respect it. Rather than like getting punched and going
• 36:39
  Speaker 1: sailing across, you know, he doesn't just go ow, you know,
• 36:43
  Speaker 1: and get afraid and snivel and cower. Instead, he's just like, bro,
• 36:49
  Speaker 1: what the fuck I want to see my kid? What
• 36:53
  Speaker 1: are you doing? There's no need for this. I love it.
• 36:58
  Speaker 1: I love it, and I am personally very much rooting
• 37:02
  Speaker 1: for him getting to see Chiffon. Inside, people are wrapping
• 37:08
  Speaker 1: up on their parts of the assignment. So we have
• 37:12
  Speaker 1: Cheffon finishing the cake, which is so light and airy
• 37:15
  Speaker 1: that it's threatening to like float away into the air.
• 37:18
  Speaker 1: The chocolate sauce that pudding what's working on is so
• 37:26
  Speaker 1: smooth that it's slipping right out of the bowl. The
• 37:32
  Speaker 1: icing that Soanji was working on. This guy tastes and
• 37:35
  Speaker 1: literally falls over and they think for a second that
• 37:38
  Speaker 1: it was poisoned, until he says, I can die happy.
• 37:42
  Speaker 1: This is so delicious and I love that, Like putting
• 37:46
  Speaker 1: immediately is like ooh, I want to taste it, and Son,
• 37:48
  Speaker 1: she's like, I don't think that's such a good idea
• 37:50
  Speaker 1: because then you'll get knocked out and we really need you.
• 37:53
  Speaker 1: And again she just starts to like turn bright red
• 37:57
  Speaker 1: and get very excited. And at one point they're like,
• 38:00
  Speaker 1: is she okays, is she having a fever? Why is
• 38:03
  Speaker 1: she so red? Somebody says maybe she somebody baked her,
• 38:06
  Speaker 1: and I was like, yeah, that's that's likely.
• 38:08
  Speaker 2: What.
• 38:11
  Speaker 1: So they are like feeling pretty solid on this. What
• 38:16
  Speaker 1: they are planning to do is put the cake on
• 38:20
  Speaker 1: the ship and bring all of the like additions with
• 38:26
  Speaker 1: them and actually ice and assemble the cake on the
• 38:31
  Speaker 1: ship on their way to the island where Mom is,
• 38:34
  Speaker 1: so they think. But Mom is already on their island
• 38:41
  Speaker 1: because after sinking the sonny, so she thinks she's pretty
• 38:47
  Speaker 1: much entirely lost the plot. Pedo has no control over her.
• 38:52
  Speaker 1: He keeps yelling at her that, like, the cake isn't
• 38:54
  Speaker 1: over here, and I think that he is the one
• 38:57
  Speaker 1: who like calls ahead and amand gets the call and
• 39:02
  Speaker 1: is like, yeah, so big Mom's headed this way, and
• 39:07
  Speaker 1: she thinks that, like, we've got the cake on one
• 39:11
  Speaker 1: of these islands, so we really need to evacuate this
• 39:15
  Speaker 1: place immediately. And I will say I was pleasantly surprised
• 39:20
  Speaker 1: that they're like evacuating, because I just expected them to
• 39:25
  Speaker 1: not give a shit about their own people. Frankly, I
• 39:28
  Speaker 1: fully was just sort of thinking it was going to
• 39:30
  Speaker 1: be like, Oh, it sucks to be you guys, you know.
• 39:33
  Speaker 1: But it does seem like they're trying to keep the
• 39:37
  Speaker 1: the natives so to speak, from getting hurt by her.
• 39:43
  Speaker 1: And then there's this other thing going on which I
• 39:47
  Speaker 1: love so much. So everybody who is positioned all around
• 39:52
  Speaker 1: the island are expecting that they're going to get notifications
• 39:58
  Speaker 1: from the slug the sea slugs that are meant to
• 40:03
  Speaker 1: like give them the position of enemies ships or the
• 40:10
  Speaker 1: enemies like submarines underwater. You know, all of this stuff,
• 40:15
  Speaker 1: and nobody is getting any updates, and everyone is sort
• 40:20
  Speaker 1: of like, what the fuck is going on? Why aren't
• 40:24
  Speaker 1: we hearing from them? And this was actually mentioned in
• 40:28
  Speaker 1: the last section as well, but I wasn't given an
• 40:31
  Speaker 1: answer at the time, so I think I just felt
• 40:34
  Speaker 1: it wasn't really worth bringing up yet because I didn't know,
• 40:37
  Speaker 1: and I didn't really have any theories. I had completely
• 40:41
  Speaker 1: forgotten about Aladdin, you know, with his wife who is
• 40:48
  Speaker 1: one of the she is a child of Big Mom,
• 40:54
  Speaker 1: and that they have they could have some influence over
• 40:59
  Speaker 1: these slugs. Get this really frankly strange sequence where it's
• 41:07
  Speaker 1: him and his wife singing to the sea slugs. Essentially like,
• 41:14
  Speaker 1: you guys work too much. Don't you think you deserve
• 41:18
  Speaker 1: a break? Do you think that you should get to
• 41:21
  Speaker 1: take a little vacation from all this hard work and
• 41:25
  Speaker 1: just dance around in the water and play and do
• 41:29
  Speaker 1: your own thing, don't you think you deserve it? And
• 41:36
  Speaker 1: it completely works. These slugs are evidently, like not real intelligent.
• 41:43
  Speaker 1: They are intelligent enough to do the thing that they
• 41:45
  Speaker 1: do with reporting locations and stuff, but that's not even
• 41:49
  Speaker 1: they have something attached to them that's really doing that.
• 41:52
  Speaker 1: So it's really barely even them so much as they
• 41:56
  Speaker 1: are carriers for equipment that really does the job. And
• 42:02
  Speaker 1: I just really really loved this because it's such a
• 42:08
  Speaker 1: it's an unexpected group effort thing, because again I'd forgotten
• 42:13
  Speaker 1: all about Aladdin. And also there's a point where he
• 42:20
  Speaker 1: says something after they've like distracted the slugs. He says,
• 42:23
  Speaker 1: I hope that this helps, even though it's only a
• 42:26
  Speaker 1: little thing, And I was just like, bro a little thing,
• 42:30
  Speaker 1: because it's like the thing, this distraction is kind of
• 42:36
  Speaker 1: a game changer, you know. So he's just very much
• 42:40
  Speaker 1: downplaying the importance of this, and I don't know if
• 42:44
  Speaker 1: he doesn't know or if he's simply being modest. I
• 42:47
  Speaker 1: suspect the ladder, but this is clutch And it was
• 42:53
  Speaker 1: just very fun to see everyone being like, where the
• 42:57
  Speaker 1: fuck are the slugs? What the hell? Because the slugs
• 43:00
  Speaker 1: have been mentioned repeatedly earlier on as like, Oh, we
• 43:04
  Speaker 1: don't need to worry because we've got those and they
• 43:07
  Speaker 1: will do half the work for us, so we don't
• 43:09
  Speaker 1: even need to think about it. And it's just very
• 43:12
  Speaker 1: fun to see an enemy that has gotten complacent about
• 43:16
  Speaker 1: something suddenly realize that that thing isn't there anymore. I mean,
• 43:21
  Speaker 1: I can't help but really enjoy that, you know what
• 43:22
  Speaker 1: I'm saying. And what is the name of the dark
• 43:28
  Speaker 1: haired woman? Because there's this other one of Big Mom's
• 43:32
  Speaker 1: kids that goes and speaks to Mondor and she's like
• 43:35
  Speaker 1: telling him about how Beggie's ship got away. I can't
• 43:39
  Speaker 1: remember her. She is firing on him and like Beggie
• 43:46
  Speaker 1: the when he takes off. There had been the thought that, like,
• 43:50
  Speaker 1: we can use the sea slugs as well, and that's
• 43:53
  Speaker 1: part of, you know, the whole thing with them being indetectable,
• 43:58
  Speaker 1: and Mondeora basically tells her because she comes to Montdora
• 44:03
  Speaker 1: and it's just like, I don't know what to do.
• 44:05
  Speaker 1: We can't get in touch with the sea slugs, and
• 44:08
  Speaker 1: Montor in the end is like find him anyway, figure
• 44:13
  Speaker 1: it out without the sea slugs pursue him. What do
• 44:17
  Speaker 1: you mean and she's just like, oh, okay, but it's
• 44:21
  Speaker 1: just clearly like the idea of going forward with finding
• 44:27
  Speaker 1: him like a fucking filthy casual with no equipment or
• 44:31
  Speaker 1: advantage at all simply had not occurred to her. Which
• 44:35
  Speaker 1: that is how it be sometimes when you are used
• 44:38
  Speaker 1: to having something that's really helpful and then it's suddenly gone.
• 44:42
  Speaker 1: You're just like, well, I guess I can't do the
• 44:43
  Speaker 1: thing at all, and it's like, no, yeah, you definitely can.
• 44:46
  Speaker 1: It's simply like much more inconvenient. It's like, you know,
• 44:51
  Speaker 1: you're dishwasher breaking. Oh I can't wash dishes anymore? You
• 44:55
  Speaker 1: fucking can. You can just wash them. It's not as
• 45:00
  Speaker 1: fun as just putting something in a box and turning
• 45:02
  Speaker 1: the box on, but yes you can. So anyway. Beji's
• 45:06
  Speaker 1: still like a factor, but he's very much on the
• 45:10
  Speaker 1: outside of things right now. He's not important for the moment.
• 45:14
  Speaker 1: It's just kind of a distraction, and I am going
• 45:18
  Speaker 1: to be interested to see what all he's up to,
• 45:23
  Speaker 1: So I'm trying to make sure that I talk about
• 45:26
  Speaker 1: all of the side stuff. Because there are check ins
• 45:31
  Speaker 1: with like pretty much everybody, there's a thing with checking
• 45:36
  Speaker 1: in with the straw hats as well. Oh my god,
• 45:38
  Speaker 1: and no Me gets a costume change now she's in
• 45:42
  Speaker 1: like a white sweater dress as well. I did find
• 45:45
  Speaker 1: it funny that Brooke specifically says, oh, you've got a
• 45:48
  Speaker 1: new look, because normally her new clothes aren't really acknowledged
• 45:53
  Speaker 1: unless it's like a specific plot point, you know. But
• 45:57
  Speaker 1: we'll get there. I'm just really quickly want to talk
• 45:59
  Speaker 1: about what's going on with Loofy and Category, because Category
• 46:07
  Speaker 1: Loofy manages to punch him this time, and what we
• 46:11
  Speaker 1: find out we go back in time in a flashback
• 46:16
  Speaker 1: to Lufy learning how to fight from us his face
• 46:22
  Speaker 1: that taught him how to use hockey. And it's very
• 46:27
  Speaker 1: funny because these fucking subtitles that I'm using are like
• 46:30
  Speaker 1: clearly auto translation, so it's spelled hockey like like the
• 46:33
  Speaker 1: sport h O c K E Y. And then earlier
• 46:37
  Speaker 1: there were a bunch of subtitles that were translated completely wrong.
• 46:41
  Speaker 1: It was like they just it was like a real
• 46:45
  Speaker 1: bad speech to text where I could understand kind of
• 46:48
  Speaker 1: where they got that, but it was just way way off.
• 46:55
  Speaker 1: So he is explaining that there is an other kind
• 47:01
  Speaker 1: of hockey and it's called observation hockey, and basically it's
• 47:06
  Speaker 1: being so completely aware of your surroundings that you don't
• 47:12
  Speaker 1: even have to look, and you know where somebody is
• 47:14
  Speaker 1: about to strike from, and you know where your enemy is,
• 47:19
  Speaker 1: or how like many of them there are, if there's
• 47:22
  Speaker 1: more than one. And he demonstrates to Loofy he's standing
• 47:28
  Speaker 1: in front of the elephant who keeps trying to hit
• 47:31
  Speaker 1: him with its trunk, and he is just ducking and
• 47:34
  Speaker 1: dodging and diving out of the way, barely exerting any effort.
• 47:39
  Speaker 1: I'm pretty sure that for almost this entire scene his
• 47:42
  Speaker 1: eyes are closed, even just to like really point out
• 47:46
  Speaker 1: that his eyes are not what's being used to figure
• 47:49
  Speaker 1: this out here. And so Loofy is understanding that the
• 47:57
  Speaker 1: reason he wasn't able to hit Kardakori is not because
• 48:06
  Speaker 1: the guy was like invisible, not invisible, incorporeal, but because
• 48:12
  Speaker 1: Kategori is so good at the observational hockey that he
• 48:18
  Speaker 1: is able to create holes in himself that are that
• 48:24
  Speaker 1: Lufy's fists pass through. And this just kind of made
• 48:30
  Speaker 1: me stop and think, because, like, you know, the thing
• 48:35
  Speaker 1: with category has been I can do all of the
• 48:40
  Speaker 1: same things as you Loufy with my power, which is
• 48:44
  Speaker 1: a Mochi power, which is similar enough to rubber that
• 48:48
  Speaker 1: it's a very solid imitation. But can Loofy do this
• 48:58
  Speaker 1: opening spaces in his chest so that fists pass right
• 49:03
  Speaker 1: through him? Like I know that rubber isn't mochi. I
• 49:14
  Speaker 1: mean he has done I guess the thing where he
• 49:16
  Speaker 1: like kind of makes a hole in like bends his
• 49:21
  Speaker 1: body out of the way when like a canball is
• 49:23
  Speaker 1: gonna come at him, or he can make his body
• 49:26
  Speaker 1: a big sale and send the cannonball right back at
• 49:29
  Speaker 1: the person who fired it at him. But I don't
• 49:32
  Speaker 1: think that he has ever made holes like that, right,
• 49:38
  Speaker 1: Seraphim says no, Okay, So anyway, Lovie manages to just
• 49:46
  Speaker 1: sort of like because of the fact that Kadakoori is
• 49:50
  Speaker 1: so shaken, I guess by the fact that he was
• 49:54
  Speaker 1: seen eating, Lovie is able to land some punches because
• 49:58
  Speaker 1: kinda Kori's observation Hockey isn't on, so to speak. But
• 50:07
  Speaker 1: it's pretty quick that Kategory gets it together and it's like, Okay, yeah,
• 50:12
  Speaker 1: I lost my cool for a second there. But and
• 50:16
  Speaker 1: so Lufy is in the middle of trying to punch
• 50:19
  Speaker 1: him again, and kada Cory starts getting it together and
• 50:22
  Speaker 1: doing the thing where he makes the holes in his body,
• 50:25
  Speaker 1: and then when Lufy's fist goes through, he closes the
• 50:29
  Speaker 1: hole around Lufy's fist and like catches him and holds
• 50:35
  Speaker 1: him in place, which I gotta say is really awful.
• 50:40
  Speaker 1: Like it's the equivalent of going to kick somebody and
• 50:44
  Speaker 1: then catching your foot. You know, that is so embarrassing.
• 50:49
  Speaker 1: And in summary with what's going on with the two
• 50:56
  Speaker 1: of them, it seems like Loufy has got armament hockey down,
• 51:01
  Speaker 1: but he does not seem to have mastered observational hockey.
• 51:11
  Speaker 1: I don't really see him prioritizing that. It's one of
• 51:18
  Speaker 1: those things where.
• 51:21
  Speaker 2: Loufy is just.
• 51:23
  Speaker 1: He's just like by nature, not really very observant. You know.
• 51:27
  Speaker 1: He calls brule by the wrong name like a lot
• 51:29
  Speaker 1: of times. I'm running out of time, so I really
• 51:33
  Speaker 1: do gotta speed things up, So let's just go to
• 51:36
  Speaker 1: that point. Because he goes to what is a gear five?
• 51:41
  Speaker 1: Is it the one where he's the bounce man and
• 51:46
  Speaker 1: Kadakori is just sort of observing Loofy here, and I
• 51:50
  Speaker 1: mean outside of the hockey thing, I also want to
• 51:52
  Speaker 1: mention that I like the fact that the observational hockey
• 51:55
  Speaker 1: was hinted at by the red gleam in Kadakori's eye
• 51:59
  Speaker 1: that has been happening like the whole fight, but I
• 52:02
  Speaker 1: just thought was meant to indicate his focus and not
• 52:07
  Speaker 1: that there was something practically supernatural going on there, you know.
• 52:14
  Speaker 1: But he says something to Lufy about like it looks
• 52:18
  Speaker 1: like you're growing smaller, and I love Lufy being like,
• 52:22
  Speaker 1: oh shit, yeah, I'm running out of my fuel to
• 52:26
  Speaker 1: keep up this. Thanks for the heads up, hold on,
• 52:30
  Speaker 1: and he like takes off and is basically going, I
• 52:33
  Speaker 1: just need a little time to recharge, and Kata Koori
• 52:36
  Speaker 1: is sort of letting him run off, kind of amusedly,
• 52:39
  Speaker 1: being like, is he seriously just thinking I'm gonna let
• 52:43
  Speaker 1: him recharge? Why would I just let him do that?
• 52:48
  Speaker 1: And begins to go after Loofy, but not quickly enough,
• 52:52
  Speaker 1: as it turns out, because Loofy turns the corner and
• 52:57
  Speaker 1: who should he stumble upon? Brulai? Who is she is
• 53:04
  Speaker 1: hiding up against the wall. It is such a weirdly
• 53:07
  Speaker 1: drawn out moment, and Lufy gets that weird face that
• 53:10
  Speaker 1: he got when he was trying to pretend everything was
• 53:13
  Speaker 1: fine for the straw Hats. But this time, I don't
• 53:15
  Speaker 1: think it's him putting on a show. I think it's
• 53:20
  Speaker 1: just meant to indicate him like being very excited that
• 53:24
  Speaker 1: he has found an easy out that he wasn't expecting.
• 53:28
  Speaker 1: But he grabs her up and jumps like she's going
• 53:37
  Speaker 1: category save me, He's gonna get me, and it's just
• 53:43
  Speaker 1: she does nothing to try and like run or stop
• 53:45
  Speaker 1: him or anything. She's just very helpless in this moment.
• 53:50
  Speaker 1: And it's another instance of me being like kind of
• 53:53
  Speaker 1: sad for Brulai because her power working the way that
• 53:58
  Speaker 1: it does means that she has to be kidnapped every
• 54:03
  Speaker 1: time for people to do what they need to do,
• 54:05
  Speaker 1: and it's just very undignified. It just that sucks for her.
• 54:09
  Speaker 1: But anyway, Loofy jumps through one of the mirrors and
• 54:17
  Speaker 1: does he wind up on Cocao Island? Guys, he does, right.
• 54:20
  Speaker 1: I'm just trying to remember exactly how all of this goes,
• 54:24
  Speaker 1: because things at this point kind of coalesce somewhat quickly.
• 54:30
  Speaker 1: I'm getting to the very end here where Big Mom
• 54:35
  Speaker 1: turns up because everybody is beginning to panic at her
• 54:38
  Speaker 1: arriving on this island, and she's at Nut Island, and
• 54:43
  Speaker 1: I think that's where he winds up right, is on
• 54:45
  Speaker 1: Nut Island. I'm jumping around here trying to see I
• 54:51
  Speaker 1: think so based on the woolpaper, I'm pretty sure. So
• 54:54
  Speaker 1: he hears her and is just like oh shit, and
• 54:59
  Speaker 1: he keeps calling brulet branch, Oh my god. It's very funny.
• 55:04
  Speaker 1: The fact that he's got her on this side also
• 55:07
  Speaker 1: means that category can't get out again, right, Like, don't
• 55:14
  Speaker 1: you need her in order to travel through the mirrors?
• 55:17
  Speaker 1: So is he like stuck in there right now? So
• 55:23
  Speaker 1: a seraphim says, no, he's on an island. Okay, cool, Okay,
• 55:26
  Speaker 1: I got there eventually. That category just being stuck in
• 55:32
  Speaker 1: there is very funny. I didn't I like didn't think
• 55:37
  Speaker 1: about that until this second because like Loufy coming through,
• 55:42
  Speaker 1: that's kind of the end of what we see with him.
• 55:46
  Speaker 1: And then we jump back over to the straw Hats
• 55:50
  Speaker 1: who are arriving at Cacao Island, and we jump back
• 55:54
  Speaker 1: to Soangy and everybody like prepping the cake. So I
• 56:00
  Speaker 1: I do not know exactly how he is planning to
• 56:03
  Speaker 1: approach things. His hockey is gone, so I don't anticipate
• 56:06
  Speaker 1: that he is going to try and face off with
• 56:08
  Speaker 1: Big Mom, because you know, it's hard to say. Lufy
• 56:14
  Speaker 1: can sometimes show a little bit of wisdom and understanding
• 56:18
  Speaker 1: of his own limitations, like just now when he ran
• 56:20
  Speaker 1: away from category, and then there are times where he's
• 56:24
  Speaker 1: fucking beaten and he doesn't seem to get it, and
• 56:27
  Speaker 1: he's still coming at people, and so it's hard for
• 56:31
  Speaker 1: me to decide whether or not he would try to
• 56:33
  Speaker 1: face Big Mom. She's under the impression still based on
• 56:40
  Speaker 1: Perro's whispering in her ear, that straw Hat has her
• 56:44
  Speaker 1: wedding cake. So that's the only reason I could see.
• 56:50
  Speaker 1: Maybe if Lufy understands that him coming out would be
• 56:54
  Speaker 1: enough of a distraction that she wouldn't hurt the people
• 56:57
  Speaker 1: of the island because she was too busy following him,
• 57:01
  Speaker 1: he doesn't really need Hockey to simply like lead her
• 57:05
  Speaker 1: on a little wild goose chase, you know. But I
• 57:08
  Speaker 1: don't know how much he comprehends that is the situation,
• 57:13
  Speaker 1: So that depends and when I and the Quick tune
• 57:20
  Speaker 1: in with the rest of the straw Hats, by the way,
• 57:24
  Speaker 1: is them acknowledging and I really do appreciate this. They
• 57:29
  Speaker 1: are heading to Cacau Island and they are encountering no
• 57:33
  Speaker 1: resistance at all.
• 57:35
  Speaker 2: And everybody is like, this seems a little weird, right, Jude.
• 57:45
  Speaker 1: Did you guys think we're just sailing straight into a traper?
• 57:50
  Speaker 1: And the conclusion that they all come to is basically, well,
• 57:56
  Speaker 1: if it's a trap, it's a trap. But there is
• 57:58
  Speaker 1: no way we can just turn around and leave now,
• 58:01
  Speaker 1: So whatever's going on, we just better be fucking ready.
• 58:07
  Speaker 1: That's the best we could do, which I respect, and
• 58:10
  Speaker 1: that is exactly right. And I'm just at least glad
• 58:12
  Speaker 1: that they clock the fact that them not running into
• 58:16
  Speaker 1: enemies is probably a bad sign. You know. It is
• 58:22
  Speaker 1: kind of actually a little bit sloppy on the part
• 58:26
  Speaker 1: of Big Mom's crew, but they're spread somewhat thin right now,
• 58:32
  Speaker 1: so it makes sense that they wouldn't put people out
• 58:36
  Speaker 1: here to like, you know, yeah, So I'll be interested
• 58:42
  Speaker 1: to see how all that goes down as well. Wondering
• 58:46
  Speaker 1: about Nanni's costume change, like, is there a reason? Ohda
• 58:51
  Speaker 1: just switches it up occasionally, And I'm fine with that.
• 58:54
  Speaker 1: She's the only person I think that really gets much
• 58:58
  Speaker 1: in the way of costume changing is not that other
• 59:01
  Speaker 1: people's clothes never changed, because they that's not true. But
• 59:04
  Speaker 1: I feel like she hers changed the most, which makes
• 59:07
  Speaker 1: sense because she likes clothes the most as a character tree,
• 59:10
  Speaker 1: you know. But I am curious if it's like the
• 59:16
  Speaker 1: sweater dress is interesting, because what I keep thinking about
• 59:19
  Speaker 1: is like that being a little bit more appropriate to
• 59:22
  Speaker 1: someplace that's got more cold weather, and I don't think
• 59:24
  Speaker 1: that's the thing anywhere on these islands, So I don't
• 59:26
  Speaker 1: know what that's meant to be about. Sarahim says with
• 59:32
  Speaker 1: this change, it's because what she was wearing when they
• 59:35
  Speaker 1: got to the boat was something she stole from some
• 59:38
  Speaker 1: mooks and had to jury rig to fit. Oh okay,
• 59:43
  Speaker 1: I didn't remember that. I don't even remember what she
• 59:45
  Speaker 1: was wearing before, to be honest, So okay, okay, that
• 59:48
  Speaker 1: makes sense. So yeah, that's pretty much where things stand.
• 59:56
  Speaker 1: By the end of this episode is uh Fion Nut Island,
• 1:00:01
  Speaker 1: Big Mama on Nut Islands starting to cause some real
• 1:00:03
  Speaker 1: fucking havoc Cacal Island. They've got the cake almost like
• 1:00:09
  Speaker 1: ready to go, and Category is stuck in mirror world
• 1:00:14
  Speaker 1: and the sea slugs are not on the job. Baje
• 1:00:20
  Speaker 1: has gotten away for now, and Montdor is just trying
• 1:00:25
  Speaker 1: to hold it all together. Montor has not yet, by
• 1:00:28
  Speaker 1: the way, figured out that German double six's one. He
• 1:00:37
  Speaker 1: still doesn't know about that, so he's somebody. I think
• 1:00:41
  Speaker 1: it's it's the woman who let Bejie get away. I
• 1:00:43
  Speaker 1: think she's the one who comes up to him and
• 1:00:45
  Speaker 1: is like, I have bad news, and he's like, oh wow,
• 1:00:48
  Speaker 1: bad news. What a change of pace. Like he's actually
• 1:00:54
  Speaker 1: really funny because he's he's not actually incompetent, but it's
• 1:01:00
  Speaker 1: just a real string of bad luck in combination with
• 1:01:05
  Speaker 1: treachery and a more competent enemy, so it's pretty funny.
• 1:01:11
  Speaker 1: I actually kind of have grown to like Mondor in
• 1:01:13
  Speaker 1: this weird way because it's just a dude who is
• 1:01:18
  Speaker 1: He's like middle management in a target on Black Friday,
• 1:01:25
  Speaker 1: you know where. It's just it fucking sucks. Good luck,
• 1:01:30
  Speaker 1: Sorry about it? Oh man? All right, I have got
• 1:01:38
  Speaker 1: to wrap this up. But thank you guys again so
• 1:01:41
  Speaker 1: much for listening. I hope you all are enjoying the coverage.
• 1:01:44
  Speaker 1: Thank you to Sarah fem as well for hanging out
• 1:01:47
  Speaker 1: in the chat feeding me info, and to Florian for
• 1:01:50
  Speaker 1: commissioning this episode, and yeah, I will see you guys
• 1:01:55
  Speaker 1: again very soon. Until then, motherfuckers, that was an unspoiled
• 1:02:30
  Speaker 1: network