Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "Elmer the Great" (Old Time Radio, 1936)
Transcript
- 0:00Speaker 1: In snowy Gentryville, Indiana, Elmer Cain is content to drive
- 0:04Speaker 1: a grocery delivery wagon until a chance at the New
- 0:07Speaker 1: York Major Leagues places his hometown ties in the balance.
- 0:11Speaker 1: This is Lux Radio Theater, Episode 101, Elmer the Great,
- 0:16Speaker 1: first heard on CBS October 5th, 1936.
- 0:21Speaker 2: Joe E.
- 0:21Speaker 1: Brown stars as Elmer, with June Travis as Nellie Poole,
- 0:26Speaker 1: in the story by Ring Lardner and George M. Cohan,
- 0:30Speaker 1: adapted from their 1928 Broadway play.
- 0:34Speaker 2: Cecil B.
- 0:35Speaker 1: DeMille is your host and producer, and during the intermission,
- 0:38Speaker 1: this broadcast welcomes Yankees first baseman Lou Gehrig and Giants
- 0:43Speaker 1: pitcher Carl Hubble, appearing amid the 1936 World Series. And now,
- 0:50Speaker 1: our story begins.
- 0:54Speaker 2: Hollywood, California, Monday, October 5th.
- 1:03Speaker 3: The Lux Radio Theater presents Elmer the Great, starring Joey
- 1:07Speaker 3: Brown with June Travis. Lux presents Hollywood. Tonight, the Lux
- 1:23Speaker 3: Radio Theater, from its home on Hollywood Boulevard, brings you
- 1:26Speaker 3: Joey Brown, June Travis.
- 1:28Speaker 2: Cecil B.
- 1:28Speaker 3: DeMille, Max Reinhart, and Louis Silvers. And from New York,
- 1:33Speaker 3: Carl Hubble and Lou Gehrig, fresh from their deeds in
- 1:35Speaker 3: the World Series. Gathered here to witness our performance is
- 1:39Speaker 3: an audience filled with Hollywood notables. Welcome to the Lux
- 1:42Speaker 3: Radio Theater.
- 1:52Speaker 2: We can think of.
- 1:52Speaker 3: No higher recommendation for luxe flakes than the fact that
- 1:56Speaker 3: these sheer, marvelously effective flakes are used by all the
- 2:00Speaker 3: leading picture studios here in Hollywood for wardrobe protection. And
- 2:05Speaker 3: now the producer of the Luxe Radio Theater takes his
- 2:07Speaker 3: place at the microphone.
- 2:08Speaker 2: Motion Pictures' most eminent director, ladies and gentlemen, Mr. Cecil B. DeMille.
- 2:14Speaker 1: Thank you.
- 2:20Speaker 3: Greetings from Hollywood, ladies and gentlemen. Among the things for
- 2:24Speaker 3: which Joey Brown is distinguished is the singular void between
- 2:27Speaker 3: his upper and lower lips and his ability to play baseball.
- 2:31Speaker 3: Both of these are probably the result of Joe's belief
- 2:34Speaker 3: in the old Spanish proverb, a closed mouth catches no flies.
- 2:39Speaker 3: But Joe caught flies off and on for 10 years
- 2:42Speaker 3: as a member of minor league baseball teams.
- 2:44Speaker 2: Later, he played exhibition ball with the Boston Red Sox.
- 2:47Speaker 2: For three years, he kept a bench warm for the
- 2:50Speaker 2: New York Yankees... and today is the owner of a
- 2:52Speaker 2: semi-professional team in Los Angeles. But long before Joe ever
- 2:56Speaker 2: struck out as a ball player... he struck out for
- 2:58Speaker 2: a career in the circus. When only nine years old,
- 3:01Speaker 2: he became an acrobat. He was known as Master Joe,
- 3:04Speaker 2: the Boy Wonder. His aerial feats were not limited to acrobatics, however.
- 3:09Speaker 3: In 1907, at Montreal, he was persuaded... to make a
- 3:13Speaker 3: flight in an airplane glider. He sailed 50 feet in
- 3:16Speaker 3: this pioneer venture... landed on his head and.
- 3:18Speaker 2: Broke a finger. But no records.
- 3:22Speaker 3: Joe was earning $ 300 a week as the daring young
- 3:25Speaker 3: man on a flying trapeze when he decided to turn
- 3:27Speaker 3: comedian for one quarter of the salary. It was the
- 3:31Speaker 3: wisest move in his career. A series of hit plays
- 3:34Speaker 3: soon brought him stardom. Among them, the baseball comedy in
- 3:37Speaker 3: which we hear Joe tonight, Alma the Great. Hollywood was
- 3:41Speaker 3: quick to sign him when he appeared on the West Coast.
- 3:43Speaker 3: And after nine years in pictures, Joseph Evan Brown... remains
- 3:48Speaker 3: among our top flight comedians. June Travis is also appropriately
- 3:53Speaker 3: cast as the leading lady in a baseball story, for
- 3:56Speaker 3: she's the daughter of Harry Grabiner, vice president of the
- 3:59Speaker 3: Chicago White Sox, and while at college, played first base
- 4:03Speaker 3: in an all-girls team. In pictures, June has played leads
- 4:06Speaker 3: in Ceiling Zero and with Joey Brown in Earthworm Tractors. Tonight,
- 4:12Speaker 3: we hear her in the role of Nellie Poole, owner
- 4:14Speaker 3: of a small-town grocery store. And now the players are
- 4:23Speaker 3: warming up. A hush falls as 30 million fans from
- 4:26Speaker 3: Boston to Los Angeles await the first inning. Deluxe Radio
- 4:30Speaker 3: Theater presents a four-base hit by Ring Lardner and George M. Cohen,
- 4:34Speaker 3: Elmer the Great, starring Joey Brown as Elmer Cain and
- 4:38Speaker 3: featuring June Travis as Nellie Poole.
- 4:41Speaker 4: Play ball.
- 4:59Speaker 3: Our scene is Elmer Cain's home in the village of Gentryville, Indiana.
- 5:04Speaker 3: It's 2 o'clock in the afternoon on February 22nd, Washington's birthday.
- 5:08Speaker 3: And our hero, taking full advantage of the holiday, has
- 5:12Speaker 3: still not come down for breakfast. As the curtain rises, Mrs. Cain,
- 5:16Speaker 3: Elmer's mother, is busily setting the table in the dining room.
- 5:24Speaker 4: Elmer!
- 5:25Speaker 5: Oh, Elmer! Better come down to breakfast now. Your breakfast's ready.
- 5:31Speaker 6: Oh, Elmer! Is that you, Nick?
- 5:34Speaker 4: Yeah, Ma.
- 5:35Speaker 2: Oh, boy. Gosh, it's cold out. It's regular blizzard.
- 5:39Speaker 6: Now, Nick, don't you go tracking snow all over the house.
- 5:42Speaker 2: I won't. Well, what are you setting the table for, Ma?
- 5:45Speaker 6: Your brother Elmer's going to have his breakfast.
- 5:47Speaker 2: Breakfast? In the middle of the day?
- 5:49Speaker 6: Well, there ain't no reason to get up early on
- 5:51Speaker 6: Washington's birthday.
- 5:53Speaker 2: Why not? I'll bet Washington did.
- 5:55Speaker 6: Oh, don't be silly, Nick. Anyway, Elmer worked hard all
- 5:59Speaker 6: day yesterday.
- 6:00Speaker 7: Oh, driving a delivery wagon ain't hard work. The horse
- 6:03Speaker 7: snows away and the boy delivers the groceries. All Elmer
- 6:06Speaker 7: has to do is sit on the front seat and
- 6:08Speaker 7: go to sleep.
- 6:09Speaker 2: Hello, Ma.
- 6:10Speaker 6: Oh, hello, Elmer.
- 6:12Speaker 2: Breakfast ready yet?
- 6:13Speaker 5: In a minute.
- 6:15Speaker 6: You can sit right down now if you want.
- 6:17Speaker 2: I can. Say, that's the best news I had since
- 6:19Speaker 2: dinner time last night. How are you, Nick? All right,
- 6:23Speaker 2: sleeping beauty. And how are you? Oh, pretty good. A
- 6:26Speaker 2: little tired, but pretty good.
- 6:28Speaker 6: Oh, Elmer, Mr.
- 6:30Speaker 5: Wade just telephoned. Said it was important.
- 6:33Speaker 2: Wade? Oh, yeah, I know him.
- 6:35Speaker 6: He wants you to call him back at the commercial house.
- 6:37Speaker 2: Oh, he does, huh? Well, he's going to have a
- 6:40Speaker 2: long wait. Bring on the ham and eggs, Ma, and
- 6:43Speaker 2: let's get down to business.
- 6:44Speaker 6: Maybe that's him again.
- 6:46Speaker 2: Yeah, well, if it is, you tell him that I
- 6:48Speaker 2: ain't in.
- 6:49Speaker 6: Hello? Oh, hello, Nellie.
- 6:51Speaker 5: How are you? Is that good?
- 6:54Speaker 6: It's Nellie Fool, Elmer.
- 6:56Speaker 2: Oh, gosh, what does she want? Here, Ma, give me
- 6:59Speaker 2: the phone.
- 6:59Speaker 5: I'll go and get you breakfast.
- 7:01Speaker 2: Oh, hello, Nellie. Yes. What? Oh, Mr. Wade. Yes, I
- 7:08Speaker 2: know him. I was speaking to him yesterday. He's scout
- 7:12Speaker 2: for the New York Ball Club.
- 7:15Speaker 4: Hmm?
- 7:16Speaker 2: Well, what was he doing over at the store?
- 7:19Speaker 8: Oh, yes.
- 7:20Speaker 2: Well, listen, boss. You tell him he's wasting his time.
- 7:24Speaker 2: I had all the league baseball I wanted when I
- 7:26Speaker 2: was with Terrell Hutt last summer. I don't have to
- 7:30Speaker 2: think it over, boss. Sure I know the New York
- 7:33Speaker 2: club bought me. The New York club? Holy jeez. Wait
- 7:36Speaker 2: a minute, Nellie. Listen to me, will you? I know
- 7:39Speaker 2: what I want to do. I'm going to stay right
- 7:41Speaker 2: here in Gentryville and drive your delivery wagon, just like
- 7:44Speaker 2: I always done. Now, listen, boss. Let's not go into
- 7:49Speaker 2: extra innings about this. I'll explain it all to you
- 7:52Speaker 2: when I see you at the store tomorrow morning.
- 7:54Speaker 6: Here's your breakfast, Elmer.
- 7:56Speaker 2: Gotta say goodbye now. My food's here. So long. Say,
- 8:00Speaker 2: is that right? Did New York buy it from Tara Hut, Elmer? Yes.
- 8:05Speaker 2: How's the ham, Ma?
- 8:06Speaker 5: And you knew it right along, Elmer?
- 8:08Speaker 2: Sure I did. How's the ham, Ma?
- 8:11Speaker 8: It's all ready.
- 8:12Speaker 6: Is anything the matter?
- 8:14Speaker 2: Nothing's the matter with me, except that I'm hungry. They
- 8:17Speaker 2: really want you to join the New York ball club? Yes.
- 8:21Speaker 2: The New York Giants. Well, what are you going to do? Well,
- 8:25Speaker 2: right now I'm going to eat this food.
- 8:28Speaker 7: You mean you're going to pass up a chance to
- 8:30Speaker 7: pitch for the Giants?
- 8:31Speaker 2: Yes, but I ain't going to pass up a chance
- 8:34Speaker 2: to pitch into the Sam... Gee, can you beat that?
- 8:37Speaker 2: You must be crazy, Elmer. Hey, Ma, take this kid
- 8:41Speaker 2: away from me before he spoils my appetite.
- 8:43Speaker 6: Leave Elmer alone, Nick, and let him eat in peace.
- 8:46Speaker 6: There's pancakes, too, Elmer.
- 8:48Speaker 2: Swell, Ma. Shoot them right along. And bring plenty of
- 8:52Speaker 2: syrup with them, too.
- 8:53Speaker 7: Gee, Ma, he'll never get a break like this again
- 8:56Speaker 7: in a thousand years.
- 8:57Speaker 2: Turning down the Giants. You know what that means?
- 9:00Speaker 8: No.
- 9:01Speaker 6: What's it mean, Elmer?
- 9:02Speaker 2: Don't mean a thing in the world to me, Ma.
- 9:04Speaker 2: But it'll probably cost them the pennant. Where's the pancakes?
- 9:09Speaker 6: Oh, yes, I'll get them right away.
- 9:11Speaker 2: Oh, listen here, Elmer. You ain't serious about this, are you? Oh,
- 9:16Speaker 2: forget it, Nick.
- 9:17Speaker 7: But if you go with the Giants, you're liable to
- 9:19Speaker 7: turn out.
- 9:20Speaker 2: To be the greatest pitcher in the world. Liable to
- 9:23Speaker 2: turn out to be? Say, where do you get that stuff?
- 9:26Speaker 7: Well, Len, you are the greatest pitcher in the world.
- 9:29Speaker 7: Didn't I always say you were?
- 9:31Speaker 2: Yes. Well, I had to explain it to you first... Oh, Ma! Ma,
- 9:36Speaker 2: got any more ham?
- 9:37Speaker 6: I'll bring it right in, Elmer.
- 9:39Speaker 7: Listen, Elmer, why don't you see this fellow Wade again
- 9:42Speaker 7: and have another talk with him?
- 9:43Speaker 2: Talk about what? About pitching. Say, he can't tell me
- 9:47Speaker 2: nothing about pitching. I don't care who he is. Oh, gosh.
- 9:50Speaker 7: I'm so excited about this thing, I won't be able
- 9:53Speaker 7: to sleep tonight.
- 9:54Speaker 2: Well, I will. I think I'll take another little nap
- 9:57Speaker 2: this afternoon, too. Boy, that sure was good ham.
- 10:02Speaker 7: Oh, how can you talk about ham at a time
- 10:05Speaker 7: like this?
- 10:06Speaker 2: What time is it?
- 10:07Speaker 6: Here's the pancakes and more ham, Elmer.
- 10:10Speaker 2: Yeah, well, put them right down there, Ma. I'll dive
- 10:13Speaker 2: right into them. Oh, sit down there, Ma, will you?
- 10:15Speaker 2: Let's talk to this fella. He's got the chance of
- 10:18Speaker 2: his lifetime. A chance to become rich and famous.
- 10:21Speaker 6: Is that so, Elmer?
- 10:23Speaker 2: Let him rave, Ma. Let him rave. Oh, listen, Ma.
- 10:26Speaker 2: This may be the most important day of his life.
- 10:28Speaker 4: Why?
- 10:29Speaker 6: Because it's Washington's birthday? That's a corker, Ma.
- 10:36Speaker 2: Hey, where's the syrup?
- 10:38Speaker 5: Oh, dear, I forgot the syrup. Do you want a
- 10:41Speaker 5: piece of apple pie, too?
- 10:43Speaker 2: Yes, bring it in. I'll flirt with it. Why don't
- 10:49Speaker 2: you want to go to New York?
- 10:50Speaker 4: Why?
- 10:51Speaker 2: Because I don't like it, that's why. How do you
- 10:53Speaker 2: know you don't like it? You've never been there. That's
- 10:56Speaker 2: just it. I hate places I ain't never been.
- 11:00Speaker 7: But New York's the greatest city in the world.
- 11:02Speaker 2: How do you know? You ain't never been there. Well,
- 11:05Speaker 2: I can read, can't I? Well, that ain't nothing to
- 11:08Speaker 2: brag about. Seven out of every ten can read. I
- 11:11Speaker 2: don't prove nothing.
- 11:13Speaker 6: See if you like this syrup, Elmer. It's a new kind.
- 11:16Speaker 6: And here's the pie.
- 11:18Speaker 2: Say, Ma, that sure looks scrumptious.
- 11:20Speaker 4: Oh, gee, Ma.
- 11:21Speaker 2: Can't you even try and talk some sense into him?
- 11:24Speaker 2: He's passing up a fortune, I tell you. Gosh, I
- 11:27Speaker 2: only wish I could pitch like him. Yes. So does
- 11:31Speaker 2: Dizzy Dean.
- 11:33Speaker 7: Say, if you were only as good as you think
- 11:35Speaker 7: you are, you're not as good as Dizzy Dean, I'll.
- 11:38Speaker 2: Tell you that right now.
- 11:39Speaker 6: Who's Dizzy Dean?
- 11:42Speaker 2: There you are. That's how good Dizzy is.
- 11:45Speaker 5: Well, who is he?
- 11:47Speaker 7: Who is he?
- 11:47Speaker 2: He's the greatest pitcher in the world.
- 11:49Speaker 6: Is he, Elmer?
- 11:51Speaker 2: Well, I ain't saying a word, Ma. Got any donuts? Oh, donuts. Say,
- 11:57Speaker 2: are you going to eat donuts on top of all that? Sure,
- 12:00Speaker 2: why not? A fellow's got to eat something to keep
- 12:02Speaker 2: up his strength. And Ma, better give me a glass
- 12:05Speaker 2: of milk and a couple of bananas, too. Oh, ye gods.
- 12:09Speaker 6: How many donuts do you want, Elmer?
- 12:11Speaker 2: Oh, only five or six. Don't want to spoil my supper. Hey, listen.
- 12:16Speaker 2: Somebody's driving up.
- 12:17Speaker 6: See who it is, Nick.
- 12:19Speaker 2: Oh, it looks like Nellie Poole Slay. Yeah, that's who
- 12:22Speaker 2: it is.
- 12:22Speaker 7: It's Nellie.
- 12:23Speaker 2: Nellie. Oh, gosh.
- 12:25Speaker 6: Why, Elmer, ain't you always glad to see Nellie?
- 12:28Speaker 2: Well, sure I am, but not just when I'm starting
- 12:30Speaker 2: my breakfast, I ain't. It's all right.
- 12:33Speaker 5: You can begin all over again after she leaves.
- 12:36Speaker 6: Answer the door, Nick.
- 12:38Speaker 2: All right, Ma.
- 12:39Speaker 8: Hello, Nick.
- 12:40Speaker 2: Hiya, Nellie. Come on in.
- 12:41Speaker 8: Hi.
- 12:42Speaker 5: Good afternoon, Nellie.
- 12:43Speaker 2: Hello, Mrs.
- 12:43Speaker 9: Kane.
- 12:44Speaker 4: Hello, Elmer.
- 12:45Speaker 2: Hiya, boss. Just having a bite to eat.
- 12:47Speaker 5: Oh, don't let me disturb you.
- 12:48Speaker 2: Oh, it's all right. I ain't very hungry anyhow.
- 12:52Speaker 6: Well, it's some day, ain't it?
- 12:54Speaker 5: I'll say it is.
- 12:55Speaker 6: Sit down and make yourself at home.
- 12:57Speaker 2: Thank you.
- 12:58Speaker 6: How's things at the store, Nellie?
- 13:00Speaker 5: Oh, pretty well. People are still buying groceries.
- 13:03Speaker 6: Everyone says it's wonderful the way you took over that
- 13:05Speaker 6: store after your pa died and put it on a
- 13:08Speaker 6: good paying basis.
- 13:09Speaker 7: Yeah, with Elmer in town, any grocery store could make
- 13:13Speaker 7: a big profit.
- 13:14Speaker 2: Hey, that'll be just about enough out of you, young fella.
- 13:16Speaker 5: Well, if you'll excuse me, Nellie. Of course, Mrs.
- 13:19Speaker 8: Kane.
- 13:19Speaker 6: I'd better get after those dishes.
- 13:21Speaker 5: I'll see you before you go.
- 13:24Speaker 4: Elmer.
- 13:25Speaker 2: Yes? What's on your mind, boss?
- 13:27Speaker 5: Well... I went over to the commercial house after I
- 13:29Speaker 5: spoke to you, and I saw Mr.
- 13:31Speaker 2: Wade again. Yes, I thought that was it. Well, I
- 13:33Speaker 2: ain't gonna go to New York, and you might as
- 13:35Speaker 2: well not.
- 13:35Speaker 5: Now, wait a minute. Now, listen to reason, Elmer. Wade
- 13:39Speaker 5: is going to leave town in a few minutes.
- 13:41Speaker 2: Yeah? I ain't holding him back.
- 13:43Speaker 5: Oh, but you're passing up a wonderful opportunity. Why, Wade
- 13:46Speaker 5: says you're the greatest pitching possibility of the season. He
- 13:49Speaker 5: predicts you'll be a second Dizzy Dean.
- 13:51Speaker 2: Boy, what a boost. Yeah, for Dizzy.
- 13:55Speaker 5: Nick, will you run upstairs for a few minutes? I
- 13:57Speaker 5: want to speak to Elmer alone.
- 13:58Speaker 2: Oh, all right. But it ain't gonna do no good.
- 14:01Speaker 2: I can see that. You'll never be able to get
- 14:03Speaker 2: anything through that swell head. He's a great kid, ain't he?
- 14:08Speaker 5: Elmer, what's the matter? Why are you throwing this chance away?
- 14:13Speaker 2: Oh, I got more reasons.
- 14:15Speaker 5: Is it because you're afraid to go to New York?
- 14:17Speaker 2: Afraid to go to New York? I wouldn't be afraid
- 14:20Speaker 2: to go to Chicago. Oh, no.
- 14:23Speaker 5: I mean because it's a big league... Is that what
- 14:25Speaker 5: scares you?
- 14:26Speaker 2: Scares me? Say, listen. I could take the whole 16
- 14:30Speaker 2: clubs in both leagues and make them look as though
- 14:31Speaker 2: they never had a bat in their hands. Scared. Say,
- 14:34Speaker 2: is that what that fellow Wade thinks? That I'm scared?
- 14:38Speaker 5: Well, he's got to think something.
- 14:39Speaker 10: Yeah?
- 14:40Speaker 2: Well, I'd knock his block off if he said it
- 14:42Speaker 2: to me.
- 14:42Speaker 5: Elmer, they paid Terrell Hart $ 10, 000 for you.
- 14:47Speaker 2: Did you know that? I didn't get any of it. Oh.
- 14:51Speaker 5: Oh, so that's the reason you won't go.
- 14:53Speaker 2: I wouldn't go if they paid a million.
- 14:56Speaker 5: Elmer, look at this.
- 14:59Speaker 2: What is it? Your contract.
- 15:00Speaker 5: I asked Mr. Wade to let me have it. It's
- 15:02Speaker 5: all ready for you to sign.
- 15:04Speaker 2: Yeah? Well, I ain't ready to sign it.
- 15:06Speaker 5: Well, then you're out of baseball if you know anything
- 15:08Speaker 5: about the game.
- 15:09Speaker 2: I know all about the game.
- 15:12Speaker 5: Well, here it is on the table in case you
- 15:14Speaker 5: change your mind. Oh, Elmer, what's the reason for your
- 15:19Speaker 5: acting this way? Why do you want to stay in
- 15:21Speaker 5: a one-horse town like this when you've got a chance
- 15:23Speaker 5: to get out and be somebody? There's no future for
- 15:26Speaker 5: you here driving my delivery wagon.
- 15:28Speaker 2: Oh, what is it?
- 15:30Speaker 5: Tell me.
- 15:32Speaker 2: You... You really want to know? Yes, Elmer. Well.
- 15:38Speaker 4: Well, I.
- 15:39Speaker 2: Here, take a look at this watch. Your watch? Well? Well,
- 15:45Speaker 2: open the back of the case.
- 15:48Speaker 4: Oh.
- 15:48Speaker 2: There.
- 15:49Speaker 4: There.
- 15:49Speaker 2: Now, you see?
- 15:51Speaker 5: My picture. You carry my picture in your watch case.
- 15:54Speaker 6: Yes.
- 15:56Speaker 2: I never thought I'd get up courage enough to show
- 15:58Speaker 2: it to you. That's the first time anyone's ever seen
- 16:00Speaker 2: it outside of my cell. But.
- 16:03Speaker 5: but I don't understand.
- 16:04Speaker 2: Gee, boss. Don't you know what I mean? Gosh, I'm miserable.
- 16:12Speaker 2: I dream about you when I go to sleep at night.
- 16:15Speaker 2: Even when I'm eating, I think about you. And sometimes
- 16:18Speaker 2: when I'm driving a delivery wagon during the day, I
- 16:21Speaker 2: make believe you're sitting beside me and I talk to you.
- 16:24Speaker 2: Just like you was there. No matter what I do,
- 16:27Speaker 2: I can't get my mind off you. Oh, I know
- 16:31Speaker 2: I got an awful crust for even having such thoughts.
- 16:35Speaker 2: But this has been going on for years and getting
- 16:37Speaker 2: worse every day. Had to come out sometime, I suppose. Well...
- 16:44Speaker 2: Now I guess you know why I've been acting like
- 16:46Speaker 2: I was half off my nut. I'm sorry, boss. Please
- 16:52Speaker 2: forgive me.
- 16:54Speaker 5: It's all right, Elmer. Here's your watch.
- 16:58Speaker 2: Do you mind if I keep the picture in it?
- 17:00Speaker 8: No.
- 17:02Speaker 5: I don't mind.
- 17:02Speaker 2: I don't suppose... I don't suppose I got a chance
- 17:07Speaker 2: in the world to have a... I mean, with you.
- 17:12Speaker 5: I'm sorry, Elmer.
- 17:13Speaker 8: I'm sorry.
- 17:15Speaker 2: You ain't gonna hate me, are you? No.
- 17:18Speaker 5: You don't know how sorry I am.
- 17:21Speaker 2: Oh, yes, I do. I ain't no darn fool altogether.
- 17:25Speaker 2: I understand. Elmer.
- 17:30Speaker 4: Yes?
- 17:31Speaker 5: Elmer, I don't think you ought to come to the
- 17:33Speaker 5: store anymore.
- 17:35Speaker 2: No?
- 17:36Speaker 7: No.
- 17:37Speaker 2: Well, I guess you're right.
- 17:40Speaker 5: I'm sure I am. Well, I've got to go now.
- 17:46Speaker 5: I've got an awful lot to do. Well, goodbye, Elmer.
- 17:50Speaker 8: Goodbye.
- 17:55Speaker 2: Gosh. Hey, Elmer.
- 17:58Speaker 5: Hmm?
- 17:59Speaker 8: Oh.
- 18:00Speaker 2: What do you want? Did Nellie go? Yeah, she went. Well,
- 18:04Speaker 2: what's the matter with you?
- 18:06Speaker 4: Nothing.
- 18:06Speaker 2: Why? Well, you look kind of funny. Well, what are
- 18:10Speaker 2: you going to do about that offer?
- 18:11Speaker 4: Hmm? Oh.
- 18:13Speaker 2: Oh, I don't know. I don't know what to do. I...
- 18:16Speaker 2: Wait a minute. Yeah, sure. Sure, I know what I'm
- 18:19Speaker 2: going to do. Hey, get that fellow Wade on the phone,
- 18:21Speaker 2: will you, Nick?
- 18:22Speaker 5: What?
- 18:22Speaker 2: Get him on the phone. I'm going with a New
- 18:24Speaker 2: York Giant.
- 18:25Speaker 5: You mean it?
- 18:26Speaker 2: Of course I do. You heard what I said. Hey,
- 18:28Speaker 2: old boy. Hey, Mark, Mark, come on down here, Mark.
- 18:30Speaker 2: Where's that contract? Where'd she leave it?
- 18:33Speaker 7: Give me the commercial house right away.
- 18:35Speaker 5: What's the matter, Nick?
- 18:36Speaker 2: Elmer's going with the big legs. He's going with the Giants.
- 18:39Speaker 2: He's going to play ball in the big legs, Mark.
- 18:40Speaker 5: Elmer, are you really?
- 18:42Speaker 4: Yes.
- 18:43Speaker 2: I guess I'll be leaving for the training quarters pretty soon, Ma. Hello,
- 18:45Speaker 2: commercial house? Let me speak to Mr. Wade.
- 18:48Speaker 6: Was it Nellie who convinced you, Elmer?
- 18:50Speaker 2: Yeah, I'll say she did.
- 18:51Speaker 6: Hello, Mr.
- 18:52Speaker 9: Wade?
- 18:53Speaker 2: Hold the wire a minute, Mr. Wade.
- 18:54Speaker 5: Just a second.
- 18:54Speaker 2: Here we are. All right. Hello, Mr.
- 18:56Speaker 7: Wade.
- 18:57Speaker 2: This is Elmer Kane. Yes, I changed my mind, Mr.
- 18:59Speaker 4: Wade.
- 19:00Speaker 2: I'm going to pitch for you after all. Yeah, that's
- 19:03Speaker 2: what I said. But wait a second. Just a minute.
- 19:05Speaker 2: I want to warn you about something. You better tell
- 19:07Speaker 2: those big league batters of yours to button up their overcoats. Yes,
- 19:11Speaker 2: because when I start speeding them in, there's going to
- 19:13Speaker 2: be plenty of breeze. And I don't want to be
- 19:15Speaker 2: responsible for giving anybody pneumonia. So long.
- 19:35Speaker 3: Here in Hollywood, working hours are often irregular, frequently very long.
- 19:39Speaker 3: Wives often spend the evenings with each other for company.
- 19:43Speaker 3: So here you have Mabel sharing the evening and Jim's
- 19:46Speaker 3: radio with Mrs.
- 19:46Speaker 2: Jim. Suddenly they hear... Hail, Hans, I've loved beside the Shalimar.
- 19:58Speaker 5: Oh, Mabel, that's the song Jim always sang when we
- 20:01Speaker 5: first married.
- 20:02Speaker 6: He was so proud of my hands.
- 20:04Speaker 5: Doesn't he sing it now? No, and I don't blame him.
- 20:08Speaker 5: Dishwashing has made my hands perfectly horrid. Why, you poor lamb.
- 20:12Speaker 5: Don't you know that luxe for dishes keeps hands soft
- 20:15Speaker 5: and white? Honestly, it's like a beauty treatment right in
- 20:18Speaker 5: your dishpan. You must try it.
- 20:23Speaker 2: Luxe flakes do keep your hands lovely. Just because you
- 20:26Speaker 2: have housework to do, dishes to wash, don't think that
- 20:29Speaker 2: your hands need look rough and work-worn. They can stay
- 20:32Speaker 2: as soft and white as they were on your wedding day.
- 20:35Speaker 2: When you use Lux in the dishpan, hands are protected
- 20:37Speaker 2: against roughening and reddening. Lux has none of the harmful
- 20:41Speaker 2: alkali ordinary soaps may have. Lux does not irritate or
- 20:45Speaker 2: dry your skin. Begin using Lux for your dishes tomorrow.
- 20:49Speaker 2: And once again, Mr.
- 20:50Speaker 8: DeMille.
- 20:52Speaker 3: We continue Elmer the Great starring Joey Brown as the
- 20:55Speaker 3: modest baseball pitcher and featuring June Travis as Nellie Poole.
- 21:05Speaker 3: Several weeks have passed and Elmer has been training with
- 21:08Speaker 3: the Giants in Florida. Elmer is a sensation, but he's
- 21:18Speaker 3: been taking a good deal of ribbing from the other
- 21:20Speaker 3: players and has twice threatened to quit. In a hotel room, Walker,
- 21:24Speaker 3: the Giants' manager, has called a meeting to lay down
- 21:28Speaker 3: the law to the rest of the team.
- 21:31Speaker 2: Hello? Hello? Is that you, Doyle? Well, this is Walker speaking.
- 21:37Speaker 2: I'm up in my room with the rest of the boys.
- 21:39Speaker 2: Round up Kane and bring him along with you right away.
- 21:41Speaker 2: And what's your excitement, Dave?
- 21:43Speaker 4: Why the big meeting?
- 21:44Speaker 2: Well, it's just this. I've been telling you guys for
- 21:47Speaker 2: a month to lay off Elmer Kane, and you haven't
- 21:49Speaker 2: listened to me. Well, you're going to start now. Stop kidding.
- 21:52Speaker 2: Leave him alone. I know he's a fathead, but lay off.
- 21:56Speaker 2: This guy Kane is a valuable man. We need him,
- 21:58Speaker 2: and you birds ain't gonna laugh him off this team. Sure,
- 22:00Speaker 2: let's give him a loving kiss. Never mind the sarcasm, Noonan. No,
- 22:04Speaker 2: I mean it. If we're gonna humor him, let's go
- 22:06Speaker 2: after it right. Maybe if we keep telling him how
- 22:08Speaker 2: good he is, he'll quit telling us. Ain't that what
- 22:10Speaker 2: I preached here right along? And take it from me,
- 22:13Speaker 2: that's the only way to handle him. Well, Doyle... Where's Kane?
- 22:17Speaker 2: Bad news, boys. He's quit again. He's packed and everything. No. Yeah,
- 22:21Speaker 2: I had.
- 22:22Speaker 3: To talk fast to stop him. I told him we
- 22:24Speaker 3: had a big surprise for him. He's on his way
- 22:26Speaker 3: down here now.
- 22:26Speaker 2: Yeah, but what's the surprise? I don't know. I was
- 22:29Speaker 2: thinking maybe you could tell him he was going to
- 22:31Speaker 2: pitch the opening game or something.
- 22:32Speaker 4: Yeah?
- 22:33Speaker 2: Well, maybe he might have that. Hey, I got an idea. Well,
- 22:36Speaker 2: spill it. Listen, this guy's crazy to talk on the radio. Well,
- 22:39Speaker 2: what of it? You've got an electric heater, ain't you? Yeah,
- 22:42Speaker 2: but what's an electric heater got to do with Kane
- 22:44Speaker 2: talking on the radio? Listen, give me the heater. We'll
- 22:46Speaker 2: tell him it's a microphone and let him talk in it.
- 22:49Speaker 2: He'll never know the difference. He'll think he's talking on
- 22:51Speaker 2: a coast-to-coast hookup. Well, all right, all right, Noonan. Set
- 22:55Speaker 2: up the heater. There it is over there by the bed. Yeah,
- 22:58Speaker 2: I'll fix the wire so it'll look like a microphone lady. Hey,
- 23:02Speaker 2: wait a minute. See who that is.
- 23:04Speaker 6: Hello, Dave.
- 23:05Speaker 2: Well, if it ain't Evelyn Corey. Well, how are you, Evelyn?
- 23:08Speaker 5: Pretty good, Dave. The clerk told me you were here,
- 23:10Speaker 5: and I just couldn't wait to see you.
- 23:12Speaker 2: What are you doing in Fort Gray?
- 23:13Speaker 5: Blew in about two hours ago. It's my hometown. Don't
- 23:16Speaker 5: you remember? I told you that in New York, the
- 23:18Speaker 5: night you came backstage to see me.
- 23:19Speaker 2: Sure, that's right. Oh, say, fellas, meet Miss Evelyn Corey,
- 23:24Speaker 2: a good kid and a great pal of mine. How
- 23:26Speaker 2: are you, boys? Say, Dave, here's your surprise. I got
- 23:29Speaker 2: your thought, Doyle. I beat you to it. Listen, Evelyn,
- 23:32Speaker 2: there's a guy coming in this room in a few minutes.
- 23:34Speaker 2: He's a kind of a nut. Will you stand for
- 23:36Speaker 2: anything I tell him and play up? It's all fun,
- 23:38Speaker 2: you understand.
- 23:39Speaker 6: Sure, I'll string along.
- 23:40Speaker 5: You know me. What is he, a sap?
- 23:43Speaker 2: He's the last word in the comic supplement. Do you mind?
- 23:46Speaker 9: Mind?
- 23:46Speaker 5: I'd love it.
- 23:47Speaker 2: That's a good day. Wait a minute. That's probably him now.
- 23:52Speaker 2: Come in. Why, hello, Elmer. How are you feeling? Doyle
- 23:57Speaker 2: said you had a surprise for me. I certainly have. Oh,
- 24:00Speaker 2: but first of all, let me present Miss Evelyn Corey.
- 24:02Speaker 2: Miss Corey, this is Elmer Cain himself. Elmer the Great
- 24:06Speaker 2: in the flesh. The greatest pitcher in the country. Yeah, sir,
- 24:10Speaker 2: in the city either.
- 24:12Speaker 5: Well, well, this is an overwhelming honor, I'm sure. You've
- 24:15Speaker 5: no idea. I'm certainly glad to meet you, Mr.
- 24:18Speaker 2: Cain. Oh, that's all right.
- 24:20Speaker 7: Well.
- 24:21Speaker 2: What's the big surprise you said there was, Mr. Walker?
- 24:23Speaker 5: You tell him, Doyle.
- 24:24Speaker 3: Elmer, we've decided that you're to pitch the opening game
- 24:27Speaker 3: of the season. And you've been selected most popular man
- 24:29Speaker 3: in the club.
- 24:30Speaker 2: Come on, boys. Three cheers for Elmer. Hooray! Hooray! Hooray! Well, now,
- 24:37Speaker 2: what do you think of that? What do you mean,
- 24:39Speaker 2: what do I think of it? Well, you didn't expect
- 24:41Speaker 2: to pitch the opening game, did you, Elmer? You want
- 24:44Speaker 2: to win it, don't you? Elmer, we'd like to win
- 24:46Speaker 2: all the games. No, sirree. I can't pitch every day. Well,
- 24:52Speaker 2: come on, where's the big surprise? Well, ain't you surprised
- 24:54Speaker 2: to meet Miss Corrie? What for? I guess Alma don't
- 24:57Speaker 2: understand who Miss Corrie is. Oh, I guess he doesn't.
- 25:00Speaker 2: Come on, fellas, three cheers for Miss Corrie. Hooray! Hooray! Hooray! Say,
- 25:07Speaker 2: what are you, Miss Corey, a female pitcher?
- 25:10Speaker 8: No, no, no.
- 25:12Speaker 2: Now, you see, Elmer, Miss Corey is a very famous person.
- 25:15Speaker 2: She's field scout for the International Broadcast Association of the World. Yeah? Well,
- 25:19Speaker 2: what's so wonderful about that? Miss Corey has come all
- 25:22Speaker 2: the way from California to have you say a few
- 25:24Speaker 2: words over the radio about joining the Giants and about yourself.
- 25:29Speaker 2: and about what a wonderful little fella you are. Yeah?
- 25:34Speaker 2: You mean... You mean you want me to talk over
- 25:36Speaker 2: the radio? Yes, please do.
- 25:38Speaker 8: Here's the microphone.
- 25:39Speaker 2: It's all set up and waiting for you. All ready
- 25:40Speaker 2: to shoot, ain't it, Miss Curry? All prepared. Yeah? What
- 25:43Speaker 2: do you do? Just talk right smack dab into it?
- 25:46Speaker 4: That's right.
- 25:47Speaker 2: Go on, Alma. Say a few words.
- 25:49Speaker 5: Oh, please.
- 25:50Speaker 2: Go on. No, I feel like a fool. Oh, go ahead, Alma.
- 25:53Speaker 2: Talk up. Talk up. All right. All right. Uh... Good evening,
- 25:59Speaker 2: ladies and gentlemen. This is Elmer Cain speaking. Louder. They
- 26:02Speaker 2: can't hear you.
- 26:04Speaker 4: Oh, they can't?
- 26:04Speaker 2: No. Okay. Good evening, ladies and gentlemen. This is Elmer
- 26:09Speaker 2: Cain speaking. I wish all the little boys in America
- 26:13Speaker 2: the best of good luck in baseball. The same as I,
- 26:16Speaker 2: Lou Gehrig, and many others. I'm glad New York's has
- 26:20Speaker 2: got me. And I guess New York's will be glad
- 26:22Speaker 2: to get back into the world serious. In the world serious,
- 26:26Speaker 2: I ain't gonna use nothing... Only my fast and my downer.
- 26:30Speaker 2: And I guess that'll be plenty. And how?
- 26:36Speaker 5: Say a few words to President Roosevelt.
- 26:39Speaker 4: What?
- 26:40Speaker 5: Say a few words to President Roosevelt. He's listening in.
- 26:43Speaker 2: Yeah?
- 26:44Speaker 7: Yes.
- 26:47Speaker 2: Good evening, President Roosevelt. This is Elmer. Elmer Cain speaking.
- 26:52Speaker 2: Guess you're going to be at the World Series to
- 26:54Speaker 2: see the four straight games won by I and the
- 26:57Speaker 2: New Yorks Well, good evening, ladies and gentlemen, and heaven
- 27:02Speaker 2: bless all the little children, especially the baseball fans. Yours truly,
- 27:08Speaker 2: Elmer Cain. That's right. Wait a minute. Hello, Ma. How's
- 27:16Speaker 2: the pancakes? Excuse me, ladies and gentlemen. I was just
- 27:21Speaker 2: saying a few kind words to my mother. Always remember,
- 27:25Speaker 2: a boy's best friend is his mother. For when she's gone,
- 27:30Speaker 2: you'll never have another. Yours for clean sport, Elmer Cain.
- 27:35Speaker 2: Now you can clap if you want to. Very good.
- 27:40Speaker 5: You were wonderful, Mr.
- 27:42Speaker 4: Cain.
- 27:42Speaker 5: The president will be more than pleased, I'm sure.
- 27:45Speaker 2: Yeah, I guess I did look pretty good up there
- 27:47Speaker 2: at that.
- 27:48Speaker 5: I've got to give you a little kiss for that.
- 27:51Speaker 2: A kiss? Well, all right. Oh, wait a minute. Wait
- 27:55Speaker 2: a minute. What was that? The dinner bell. The dinner bell?
- 27:58Speaker 2: Excuse me, folks.
- 27:59Speaker 10: I got a very important date in the dining room.
- 28:11Speaker 10: Here you are, final baseball scores. Elmer Cain wins opener
- 28:17Speaker 10: for Giants. Shuts out Phillies.
- 28:20Speaker 2: Here you are. Elmer Cain wins opener. Hello, everybody.
- 28:31Speaker 4: This is Jerry Osborne, the Daily Express sports reporter, giving
- 28:33Speaker 4: you the latest news of the sporting world. Well, folks,
- 28:35Speaker 4: the baseball season got off to a big start today
- 28:37Speaker 4: with Elmer Cain, the hayseed hurler, leading the Giants to
- 28:39Speaker 4: a shutout victory over Philadelphia. Cain pitched one of the
- 28:41Speaker 4: greatest games I ever saw.
- 28:45Speaker 2: Hey, Nellie, Elmer won the opener.
- 28:52Speaker 4: I know. Isn't it wonderful?
- 28:53Speaker 2: Oh, you ain't seen nothing yet. He'll win them all.
- 28:55Speaker 4: © BF-WATCH TV 2021.
- 29:20Speaker 2: Good evening, everybody. Jerry Osmond speaking. Well, it came true, folks.
- 29:23Speaker 4: Just as I predicted on this program three months ago.
- 29:25Speaker 4: The Giants cinched the National League pennant today, and Al McCain,
- 29:28Speaker 4: the ace pitcher from Gentryville, is the boy who did it.
- 29:30Speaker 4: The World Series opens next week between the Giants and
- 29:32Speaker 4: the Tigers. And when Kane is in there pitching for
- 29:35Speaker 4: New York, it's going to be a cinch to pick
- 29:36Speaker 4: the winner.
- 29:42Speaker 2: Gee, it's good to see you, Evelyn. Sit down. Thanks, Dave.
- 29:45Speaker 2: You got my telegram, huh?
- 29:46Speaker 5: Yes, and I left the show flat in Pittsburgh. What's
- 29:49Speaker 5: the excitement?
- 29:50Speaker 2: Oh, it's Kane again. He's walking around in a daze.
- 29:53Speaker 2: He didn't sleep a wink on the train last night.
- 29:55Speaker 2: Never closed his eyes on the whole jump to Detroit.
- 29:57Speaker 5: What do you suppose it is?
- 29:58Speaker 2: I don't know. But there's one thing certain. The World
- 30:01Speaker 2: Series starts Thursday. He's got to work two out of
- 30:04Speaker 2: the first four games or we're sunk. And I'm depending
- 30:06Speaker 2: on you to get him right.
- 30:08Speaker 5: I'll do my best, Dave.
- 30:09Speaker 2: Atta girl. Listen, he's on his way up here right now. Okay.
- 30:13Speaker 5: Say, Dave, you know this is the third time this
- 30:15Speaker 5: season you've sent for me. You might as well put
- 30:17Speaker 5: me under salary and I'll travel with the club as
- 30:19Speaker 5: Kane's keeper.
- 30:20Speaker 2: I wish you could. But find out what's on his mind,
- 30:22Speaker 2: will you? You can make him talk. He likes you.
- 30:25Speaker 5: No, he's got a rude sweetheart back in Gentryville. He
- 30:27Speaker 5: told me all about her. But he's got an idea
- 30:29Speaker 5: I'm crazy about him.
- 30:32Speaker 8: Hello?
- 30:33Speaker 2: Want to see me, Walker?
- 30:34Speaker 5: Well, if it isn't Elmer.
- 30:36Speaker 2: Oh, hello.
- 30:36Speaker 8: Hello.
- 30:37Speaker 2: How are you, Elmer? Oh, pretty good. Bet you're surprised
- 30:40Speaker 2: to see Evelyn here, eh, Elmer? No, not much.
- 30:43Speaker 5: I couldn't stay away. I want to see New York
- 30:45Speaker 5: win the series.
- 30:46Speaker 2: We'll win all right. There's nothing going to stop this
- 30:48Speaker 2: ball club now, is there, Elmer?
- 30:50Speaker 10: Yeah.
- 30:51Speaker 2: How do you know I won't drop dead?
- 30:53Speaker 5: Oh, Elmer, you wouldn't pull a trick like that.
- 30:55Speaker 2: Well, I might if I don't get some sleep. I
- 30:58Speaker 2: ain't had no sleep for two nights. Excuse me for
- 31:01Speaker 2: butting in, but I gotta see you, Dave. What's the matter, Doyle? Oh, plenty.
- 31:04Speaker 2: Noonan is off again. Again? Yeah, he's lit to the skies.
- 31:06Speaker 2: I got him up in his room now. Can you
- 31:08Speaker 2: beat that fella? I'll tell him his right name. See
- 31:10Speaker 2: you later, Evelyn. Come on, Doyle.
- 31:13Speaker 5: Guess Mr. Noonan's got it coming to him, evidently.
- 31:15Speaker 10: Yeah.
- 31:16Speaker 2: I told that guy to lay off the liquor. He
- 31:18Speaker 2: was drinking all night on the train.
- 31:20Speaker 5: He's that left-handed pitcher, ain't he?
- 31:22Speaker 2: Yeah, but he drinks with both hands. Gee, I hate
- 31:26Speaker 2: that fella. Wish I'd have never met him. I told
- 31:29Speaker 2: him when I told his friend Crabtree what I thought
- 31:31Speaker 2: of both of them.
- 31:32Speaker 5: Crabtree?
- 31:32Speaker 8: Yeah.
- 31:33Speaker 2: Friend of Noonan's in Chicago.
- 31:35Speaker 5: You don't mean Walter Crabtree, the gambler?
- 31:37Speaker 4: Yes.
- 31:38Speaker 2: Do you know him?
- 31:39Speaker 5: I met him. We had a roulette party at his
- 31:41Speaker 5: place one night.
- 31:42Speaker 2: No. Did you shoot crabs? No.
- 31:45Speaker 5: Did you?
- 31:46Speaker 2: Well, I never did. Only them two nights that I
- 31:49Speaker 2: went out with Noonan. I wish I'd have stayed the home.
- 31:52Speaker 2: I wouldn't have nothing to worry about now if I did.
- 31:54Speaker 5: What are you worried about, Elmer?
- 31:57Speaker 2: Oh, nothing. Say, listen. Don't you say nothing about me
- 32:00Speaker 2: shooting craps, will you? And don't say nothing about me
- 32:02Speaker 2: knowing this fellow Crabtree, either.
- 32:04Speaker 5: It's against the rules for league players to mix it
- 32:06Speaker 5: with professional gamblers, isn't it?
- 32:07Speaker 9: Yes.
- 32:08Speaker 2: And I don't want to be brought up before Judge
- 32:10Speaker 2: Landis again. I was up before him just two weeks ago.
- 32:13Speaker 5: Is that so? What about?
- 32:15Speaker 2: About eating.
- 32:16Speaker 5: Eating?
- 32:18Speaker 4: Yeah.
- 32:19Speaker 2: The Empire's claimed that I didn't have no right to
- 32:21Speaker 2: eat while I was in the pitcher's box.
- 32:25Speaker 5: You don't mean to say you eat while you're pitching.
- 32:27Speaker 2: Well, why not? I get hungry sometimes in a game.
- 32:30Speaker 2: You know, when they start fouling them off. I always
- 32:33Speaker 2: carry a couple of donuts in my back pocket.
- 32:35Speaker 10: Donuts?
- 32:37Speaker 5: What did Judge Lander say about it?
- 32:39Speaker 2: Oh, he said the Empire thought that I was putting
- 32:41Speaker 2: lard on the ball. So he asked me to show
- 32:45Speaker 2: him one of the donuts and I did.
- 32:47Speaker 5: What did he do?
- 32:49Speaker 2: He had it.
- 32:50Speaker 5: Oh, no, really?
- 32:52Speaker 2: Yeah. He said there wasn't no rule against donuts, but
- 32:56Speaker 2: I'd have to eliminate them.
- 32:58Speaker 5: Well, I guess he'd rather see a ball player eat
- 33:00Speaker 5: than drink at that.
- 33:01Speaker 8: Yeah.
- 33:02Speaker 2: Look at Noonan. He and Crabtree was drinking all the
- 33:05Speaker 2: time we was in Chicago.
- 33:07Speaker 5: Say, Elmer, did Noonan introduce you to Crabtree?
- 33:11Speaker 2: Yeah, that's how it all happened. We got to playing dice,
- 33:14Speaker 2: and I didn't even know we was playing for keeps.
- 33:17Speaker 2: But now I owe him a lot of money. What
- 33:19Speaker 2: are you owing? You know how much money is $ 5, 000?
- 33:23Speaker 5: $ 5, 000? Yeah.
- 33:26Speaker 2: Well, it's $ 500 more than that.
- 33:28Speaker 5: You don't mean to say you owe Walter Crabtree $ 5, 500?
- 33:32Speaker 2: Yes, I think that's it.
- 33:33Speaker 5: Can't you pay him off?
- 33:35Speaker 2: Pay him off? Gosh, I only got $ 3 right now,
- 33:38Speaker 2: and I gotta have dinner.
- 33:40Speaker 5: What are you going to do?
- 33:40Speaker 2: Oh, I don't know. Crabtree wants to see me tomorrow.
- 33:44Speaker 2: But look... You won't say nothing about this to anyone,
- 33:47Speaker 2: will you?
- 33:47Speaker 5: Why, no, of course not.
- 33:49Speaker 2: Oh, please don't, because I've been playing pretty good ball
- 33:52Speaker 2: this year, and it'd be kind of tough to be
- 33:54Speaker 2: pitched off the team. Come in. Hello there, Kane. Oh, hello, Mr. Crabtree. Hmm,
- 34:10Speaker 2: all alone?
- 34:11Speaker 4: Yeah.
- 34:12Speaker 2: Sit down. Thanks. Well... I suppose you know why I'm here, Cain. Yes,
- 34:17Speaker 2: but I ain't got it, Mr. Crabtree. I ain't got
- 34:19Speaker 2: but only a few dollars. Look, you'll have to give
- 34:22Speaker 2: me more time. I'll dig it up someplace, honest to will. Oh,
- 34:25Speaker 2: that's all right. Now, don't get excited. I'm not going
- 34:29Speaker 2: to rush you, son. Oh, no? Why, of course not.
- 34:34Speaker 2: After all, what's $ 5, 500? Chicken fee.
- 34:36Speaker 8: Chicken?
- 34:36Speaker 2: You don't say. Sure. That's all it is to me.
- 34:44Speaker 2: Chicken feed. You know, as a matter of fact, I
- 34:48Speaker 2: came here tonight for the express purpose of telling you
- 34:52Speaker 2: not to bother about it. Yes? You mean I don't
- 34:55Speaker 2: have to pay you? That's the idea. Well, say, that's swell.
- 35:00Speaker 2: But I owe it to you, don't I? Well, I'll
- 35:02Speaker 2: tell you. You see, Cain, you know, you're in a
- 35:06Speaker 2: position to do me a little favor and maybe make
- 35:09Speaker 2: a little something for yourself on the side. Say, what
- 35:12Speaker 2: are you getting at, mister? Well, I'm playing spoken, Kane,
- 35:15Speaker 2: so here it is in a nutshell. Now, I'm willing
- 35:18Speaker 2: to forget that little debt and cut you in on
- 35:21Speaker 2: a percentage of all I win betting on the series. Oh,
- 35:24Speaker 2: you mean you're betting on the Giants to win? Say,
- 35:27Speaker 2: you understand. You weren't born yesterday. I'm betting on the
- 35:32Speaker 2: Giants to lose. Oh, see, you want me to throw
- 35:37Speaker 2: a game and then you'll call everything square, is that it? Yes,
- 35:40Speaker 2: that's it. Get out of here.
- 35:42Speaker 4: What?
- 35:43Speaker 2: Get out of here before I bust you one in
- 35:45Speaker 2: the nose.
- 35:45Speaker 8: Now, just a minute.
- 35:46Speaker 2: You heard what I said, didn't you? I ain't throwing
- 35:48Speaker 2: no ball game for anybody. Now, listen, Rube. Get out
- 35:50Speaker 2: of here, I tell you. All right. All right. But
- 35:55Speaker 2: get this. You'll either play ball my way, or you
- 35:58Speaker 2: won't play ball at all.
- 36:00Speaker 8: No?
- 36:00Speaker 2: How are you going to stop me? Well, there's more
- 36:02Speaker 2: than one way to skin a cat. Yes, and there's
- 36:05Speaker 2: more than one way to skin a set of knuckles, too.
- 36:08Speaker 2: You get out of here before I lose my temper.
- 36:10Speaker 2: Go on. Now, keep your hands to yourself. I'm going.
- 36:12Speaker 2: You bet your life you are. But don't forget this.
- 36:15Speaker 2: I've got plenty of dough on this series, and I'm
- 36:17Speaker 2: not going to lose it. I've been up against suckers
- 36:20Speaker 2: like you before, and I know just how to handle you.
- 36:25Speaker 2: So long, Rube. Dirty, four-flushin' crook.
- 36:31Speaker 9: We call for.
- 36:41Speaker 3: Station identification. This is the Columbia Broadcasting System. Our play,
- 37:05Speaker 3: Elmer the Great starring Joey Brown with June Travis, continues shortly.
- 37:09Speaker 3: While we are in the middle of the greatest baseball
- 37:11Speaker 3: comedy of the season out here in Hollywood, the greatest
- 37:14Speaker 3: baseball drama of.
- 37:15Speaker 2: The year is being enacted in New York.
- 37:18Speaker 3: There, the World Series between the Giants and the Yankees
- 37:21Speaker 3: is at its peak. This week, the star of the Giants,
- 37:24Speaker 3: Carl Hubble, and the Yankee slugger, Lou Gehrig, have their
- 37:28Speaker 3: pictures on the cover of the magazine Time, an honor
- 37:31Speaker 3: reserved for the outstanding personalities of the week The Lux
- 37:35Speaker 3: Radio Theater is proud to present both these stars direct
- 37:39Speaker 3: from New York.
- 37:40Speaker 2: All right, New York, batter up.
- 37:45Speaker 8: You know, Lou, I seem to remember you saying that
- 37:47Speaker 8: the Yankees would win the World Series by Monday night.
- 37:49Speaker 2: Well, Carl, can I help it if it rained last Thursday?
- 37:53Speaker 8: It didn't rain today.
- 37:54Speaker 2: No, and it didn't rain Thursday either.
- 37:58Speaker 8: I kind of wish it had, Lou. You Yankees sure
- 38:00Speaker 8: gave it to me Sunday, and your homer sensed it.
- 38:04Speaker 2: Well, I was lucky, Carl. It was the biggest curveball
- 38:07Speaker 2: in the world, but it was about time. I'd batted
- 38:10Speaker 2: against you for quite a while without even getting a
- 38:13Speaker 2: loud foul. And that Schumacher, was he tough today. He
- 38:18Speaker 2: sure pissed the ball game.
- 38:19Speaker 8: What was it he threw you when he struck you
- 38:21Speaker 8: out in the third with the bases full? Or is
- 38:23Speaker 8: that too personal?
- 38:24Speaker 2: It's personal, all right. He threw me everything. And then
- 38:28Speaker 2: he came through for the third strike with his Sunday pitch.
- 38:31Speaker 2: It was a curveball, and I missed it a mile.
- 38:34Speaker 8: I'll have to get him to teach it to me.
- 38:37Speaker 2: You've got enough right now. What do you say we
- 38:40Speaker 2: forget about today and talk about tomorrow? What's going to happen, anyhow?
- 38:45Speaker 8: The Giants are a cinch. If Fitzham will show you
- 38:47Speaker 8: more than you saw today... Oh, sure, the Giants are
- 38:51Speaker 8: a cinch. Just like they were in that 18-4 game.
- 38:54Speaker 8: It's a good thing for you fellas we let up
- 38:56Speaker 8: in that game yesterday. What do you mean, let up?
- 38:59Speaker 8: You got six runs in the ninth inning.
- 39:01Speaker 2: That's when we let up. We were afraid if we
- 39:04Speaker 2: made any more, you wouldn't show up for the third game.
- 39:07Speaker 8: Say, Lou, you're a great hitter, all right. What's your
- 39:10Speaker 8: average so far in the series?
- 39:12Speaker 2: Oh, about 315.
- 39:14Speaker 8: That's pretty good. Of course, I'm hitting 333 myself. Then
- 39:18Speaker 8: everybody don't hit like a hubble.
- 39:20Speaker 2: Watch us tomorrow, slugger.
- 39:23Speaker 8: Lou, we've been doing a lot of ribbing here tonight.
- 39:25Speaker 8: There's one thing I want the folks to know, That
- 39:28Speaker 8: is that last week you were voted the most valuable
- 39:30Speaker 8: player in the American League for the fourth time.
- 39:32Speaker 2: Yes, and I want the folks to know that you
- 39:34Speaker 2: got the same award in the National League.
- 39:37Speaker 8: Yes, but that was before they heard Joey Brown in
- 39:40Speaker 8: Elmer the Great.
- 39:41Speaker 2: Speaking of Joe, I bet it's tough on him missing
- 39:44Speaker 2: the series. You know how crazy he is about baseball.
- 39:48Speaker 4: I don't know.
- 39:48Speaker 8: Seems like he's pitching a pretty good game out in
- 39:51Speaker 8: Hollywood tonight. By the way, Lou, who's going to pitch
- 39:53Speaker 8: for the Yankees tomorrow?
- 39:55Speaker 2: Looks like Gomez. And then we all go home for
- 39:58Speaker 2: the rest of the winter. Why don't you have dinner
- 40:00Speaker 2: with me tomorrow night, Carl? We're going to have Yankee
- 40:03Speaker 2: bean soup, Yankee pot roast... Wait till after Wednesday and
- 40:06Speaker 2: eat with me. I'll treat you to some of the
- 40:08Speaker 2: best giant raspberries you ever saw.
- 40:11Speaker 8: Sort of a celebration, you know. And then I'm going
- 40:13Speaker 8: back to Meeker, Oklahoma and get in some hunting and fishing.
- 40:16Speaker 2: What are you going to do after the series, Lou? Well,
- 40:19Speaker 2: tomorrow night, I'm going to sleep about two days. And
- 40:22Speaker 2: then I'll figure out some way of spending the big
- 40:24Speaker 2: end of the series money. That'll be my toughest problem.
- 40:28Speaker 8: No, Lou, your toughest problem will be to get the
- 40:30Speaker 8: big end of the World Series.
- 40:32Speaker 2: Well, Carl, we'll see about that tomorrow. So long. See
- 40:36Speaker 2: you at the ballpark. Good night, Hollywood.
- 40:38Speaker 8: Good night, Joey Brown. Keep pitching in there.
- 40:50Speaker 3: We come to the final inning of Elmer the Great,
- 40:52Speaker 3: starring Joey Brown and featuring June Travis. After turning down
- 40:59Speaker 3: the gambler's proposition, Elmer pitched the opening game of the
- 41:03Speaker 3: World Series and won it. Five games have been played since,
- 41:07Speaker 3: and the score is now tied, three games to three.
- 41:10Speaker 3: The winner of the next game will, of course, win
- 41:13Speaker 3: the series. The night before the great battle, we find
- 41:17Speaker 3: Elmer in a restaurant, looking vaguely at the menu... A
- 41:20Speaker 3: young lady approaches his table.
- 41:24Speaker 1: Hello.
- 41:25Speaker 2: Hmm?
- 41:26Speaker 7: Oh.
- 41:27Speaker 2: Oh, hello.
- 41:27Speaker 5: You're El McCain, aren't you?
- 41:29Speaker 2: Yes, that's right.
- 41:30Speaker 5: I thought I recognized you.
- 41:32Speaker 9: I was sitting right over there at that other table,
- 41:34Speaker 9: and I said to myself, I'll bet that's El McCain,
- 41:37Speaker 9: the famous pitcher.
- 41:38Speaker 2: Yeah. I guess I am pretty well known, all right.
- 41:41Speaker 5: I should say you are. Your picture's always in the newspapers.
- 41:44Speaker 4: Hmm.
- 41:45Speaker 9: But you know, I don't think they do you justice.
- 41:49Speaker 9: You're really much handsomer in real life.
- 41:51Speaker 2: Oh, go on.
- 41:53Speaker 5: No, I mean it.
- 41:55Speaker 4: Yeah?
- 41:56Speaker 2: Well, you should have seen me when I was a baby.
- 42:00Speaker 2: Sit down.
- 42:00Speaker 4: Oh, Mr.
- 42:01Speaker 5: Kane.
- 42:02Speaker 2: What's your name?
- 42:03Speaker 5: Oh, Dolly.
- 42:04Speaker 2: Dolly Williams. Dolly Williams. Well, I certainly am pleased to
- 42:07Speaker 2: meet you, Dolly. I was just having a little snack.
- 42:11Speaker 2: Will you join me?
- 42:12Speaker 5: Oh, no, thanks. I didn't come over for that. All
- 42:15Speaker 5: I want is an autograph.
- 42:17Speaker 2: Oh, you mean you want my name written down?
- 42:18Speaker 5: That's right. I'm making a collection, you know.
- 42:21Speaker 2: Sure. Well, now, wait. Let's see if I got a
- 42:24Speaker 2: piece of paper.
- 42:24Speaker 5: Oh, I have one right here. And here's my fountain pen, too.
- 42:28Speaker 2: Gee, that's kind of a big piece of paper for
- 42:30Speaker 2: just my name, isn't it? Well, I'll write it good
- 42:32Speaker 2: and big, right smack across the middle.
- 42:34Speaker 4: Oh, no, no.
- 42:35Speaker 5: Look, just right down here near the bottom, a little
- 42:37Speaker 5: bit to the right. You see... I want to paste
- 42:39Speaker 5: one of your pictures in the center of the page.
- 42:42Speaker 2: Oh, sure. Well, wait a second now. I've got to
- 42:45Speaker 2: write it nice and plain. Capital E-L-M-E-R, comma, comma. Capital K-A-N-E, Kane.
- 42:56Speaker 2: Elmer Kane, there you are.
- 42:57Speaker 5: Oh, thank you, Mr. Kane, ever so much.
- 43:01Speaker 2: Oh, that's all right. Any time at all. Big hearted Elmer,
- 43:05Speaker 2: that's me. Hello?
- 43:14Speaker 5: Hello, is this Crabtree?
- 43:16Speaker 9: Oh, this is Dolly Williams. Yeah, I got the SAP signature,
- 43:19Speaker 9: all right. Sure, write where you wanted it, on the
- 43:21Speaker 9: lower right-hand corner of the paper. You can write anything
- 43:24Speaker 9: you want above it, and it'll look just like a
- 43:26Speaker 9: signature to a letter.
- 43:36Speaker 6: Good evening, ladies and gentlemen.
- 43:39Speaker 10: Here's a bit of hot news that'll knock you right.
- 43:43Speaker 2: Off your chairs. Hello.
- 43:53Speaker 7: Hello.
- 44:21Speaker 2: Hello, Mr. Walker? Is this you, Mr.
- 44:23Speaker 6: Walker?
- 44:24Speaker 2: Well, this is Elmer Kane.
- 44:25Speaker 4: Listen, Mr.
- 44:26Speaker 2: Walker, I've been trying to get you on the phone
- 44:28Speaker 2: all morning. They told me you won't speak to me.
- 44:31Speaker 2: You gotta speak to me, Mr.
- 44:32Speaker 4: Walker.
- 44:32Speaker 2: Wait, you gotta believe me. I tell you, I don't
- 44:34Speaker 2: know a thing about that letter. I swear I don't.
- 44:38Speaker 2: I never throwed a ball game in my life. And
- 44:40Speaker 2: you gotta let me pitch today. Hello? Hello? Hello?
- 44:44Speaker 7: Gosh.
- 44:46Speaker 2: Gosh. Come in.
- 44:53Speaker 4: Hello, Elmer.
- 44:56Speaker 2: Boss.
- 44:57Speaker 5: Elmer.
- 44:58Speaker 2: Oh, gosh, boss. Oh, gosh, it's good to see you.
- 45:03Speaker 6: I just got in.
- 45:03Speaker 5: I heard about it last night and I came right away.
- 45:07Speaker 5: I thought you might need somebody now.
- 45:11Speaker 4: Yeah.
- 45:13Speaker 2: Yeah, I do, boss.
- 45:14Speaker 5: How did it happen?
- 45:16Speaker 2: Oh, I don't know. That's just it. I don't know
- 45:18Speaker 2: what it's all about.
- 45:19Speaker 5: You mean you didn't agree to throw the game?
- 45:20Speaker 2: Of course I didn't. Nellie, I ain't no crook.
- 45:23Speaker 5: But why are they all saying you are?
- 45:25Speaker 2: Oh, it's that letter. Some fella came to the hotel
- 45:27Speaker 2: last night and slipped a letter under Walker's door. It
- 45:29Speaker 2: said that I got $ 10, 000 from some gamblers and that
- 45:32Speaker 2: I was going to allow a lot of hits this afternoon.
- 45:34Speaker 2: It was like an agreement between me and the gamblers.
- 45:37Speaker 2: And at the bottom, my signature.
- 45:40Speaker 4: Elmer.
- 45:40Speaker 2: Yes, there it was in black and white. But I
- 45:43Speaker 2: never signed nothing like that, boss. Was it really your signature? Yeah,
- 45:46Speaker 2: that's the funny part about it. It was.
- 45:49Speaker 5: Well, then you must have signed it, Elmer.
- 45:50Speaker 2: No, no, I didn't, I tell you. You've got to
- 45:53Speaker 2: believe me, boss.
- 45:54Speaker 5: Oh, I do believe you, Elmer, but.
- 45:55Speaker 2: Yeah, I know. I know. But it looks awful bad,
- 45:58Speaker 2: don't it?
- 45:59Speaker 5: Well, did you tell Walker you knew nothing about it?
- 46:02Speaker 2: Sure I did. A lot of good it did me.
- 46:04Speaker 2: The whole team was sitting around and not one of
- 46:07Speaker 2: them thought that I was telling the truth. They wanted
- 46:11Speaker 2: to beat me up. Oh, gosh, Nellie. I ain't got
- 46:15Speaker 2: a friend in the world. Everybody's against me.
- 46:18Speaker 5: Don't say that, Elmer. I'm not against you. And I'm
- 46:23Speaker 5: your friend. You know that.
- 46:24Speaker 2: Yeah, sure, I know it. Gee, it was swell of
- 46:27Speaker 2: you to come, boss. I can't tell you what it
- 46:31Speaker 2: means to have somebody to talk to. You don't have
- 46:36Speaker 2: to leave right away, do you, boss?
- 46:37Speaker 8: No, Elmer.
- 46:39Speaker 5: I'll stay just as long as you want.
- 46:41Speaker 2: You mean it?
- 46:42Speaker 8: Of course I do.
- 46:43Speaker 5: And I won't ever leave if you don't want me to.
- 46:47Speaker 2: But I don't get you, boss.
- 46:49Speaker 5: That's just it, Elmer. You do get me if you
- 46:53Speaker 5: still want me.
- 46:54Speaker 2: Nellie. Oh, gee, Nellie. No, no. No, you're just sorry
- 47:00Speaker 2: for me, that's all. You're just taking pity on me.
- 47:02Speaker 4: No, Elmer.
- 47:03Speaker 5: It isn't that.
- 47:04Speaker 2: Oh, sure it is. How could you love me now?
- 47:07Speaker 2: How could you have anything to do with a guy
- 47:09Speaker 2: like me? I thought I was a big shot. I
- 47:12Speaker 2: went around blowing off like a steam engine. Well, what
- 47:15Speaker 2: am I now? Just a hayseed. A hayseed crook. No,
- 47:22Speaker 2: I ain't gonna let you do it, Nellie.
- 47:24Speaker 5: Oh, Elmer, listen. This isn't anything new with me. You
- 47:29Speaker 5: told me that you had loved me for years. Well,
- 47:33Speaker 5: I've loved you too. I sent you away because I
- 47:36Speaker 5: thought it was the thing to do. I wanted you
- 47:38Speaker 5: to make good.
- 47:40Speaker 5: Well, you need me now, Elmer. You need me. And
- 47:45Speaker 5: here I am.
- 47:48Speaker 2: Gosh, Nellie. Gosh. I ain't dreaming, am I? No, Elmer. Then...
- 47:57Speaker 2: Then could I... Could I kiss you?
- 48:00Speaker 5: Of course you can.
- 48:03Speaker 8: Oh, gee. Well, now.
- 48:07Speaker 5: Now what are you.
- 48:09Speaker 8: Going to do?
- 48:09Speaker 4: Oh.
- 48:11Speaker 2: I don't know. I guess I'll just pack my bags
- 48:13Speaker 2: and go back home. Oh, no, not yet. Why not?
- 48:15Speaker 5: Well, don't you see? It'll look like you're running away.
- 48:18Speaker 5: You've got to stay and fight this thing out.
- 48:20Speaker 2: Oh, what's the use? The game's gonna start in a
- 48:22Speaker 2: few minutes.
- 48:22Speaker 5: Now, never mind this game. Think of the future.
- 48:25Speaker 2: I ain't got any future. Not in baseball, anyway. Walker's
- 48:28Speaker 2: got that letter, and he won't even listen to me.
- 48:30Speaker 5: Oh, Elmer, are you sure you didn't sign it?
- 48:32Speaker 2: Of course I am. Gee whiz, I ought to know.
- 48:34Speaker 4: Now, wait.
- 48:35Speaker 5: It isn't a forgery, is it?
- 48:37Speaker 2: Well, it don't look like it.
- 48:38Speaker 5: All right, if it's genuine, you must have signed something, Elmer.
- 48:41Speaker 2: But I tell you, I didn't. I ain't signed a thing.
- 48:43Speaker 2: I ain't even... Wait a minute. An autograph. What? I...
- 48:48Speaker 2: I signed an autograph. Elmer, where? In a restaurant.
- 48:50Speaker 5: Oh, no, I mean on what?
- 48:52Speaker 2: On a piece of paper. A big piece of paper.
- 48:54Speaker 5: Elmer, was there anything else written on it?
- 48:56Speaker 2: No, it was all blank. That's just what it is.
- 48:59Speaker 2: Somebody got hold of that paper and then they wrote
- 49:01Speaker 2: the letter so it looked like that I signed it.
- 49:02Speaker 5: Oh, Elmer, that's it. I'm sure that's it.
- 49:04Speaker 2: Yeah, that's it, but... But how am I going to
- 49:07Speaker 2: prove it?
- 49:08Speaker 4: Go to Mr.
- 49:08Speaker 5: Walker and tell him the whole story.
- 49:10Speaker 2: Oh, he wouldn't believe it. He might. No, not a chance.
- 49:13Speaker 5: Well, see him anyway.
- 49:13Speaker 2: Where is he? Over at the ballpark.
- 49:15Speaker 9: Quick, jump in the cab and get over there right away.
- 49:17Speaker 2: Okay, I'll do her. Where's my hat?
- 49:18Speaker 5: Oh, never mind your hat.
- 49:20Speaker 2: All right, I'll see you later, Nellie.
- 49:21Speaker 6: So long, boss.
- 49:33Speaker 2: And that's the honest truth, Mr.
- 49:34Speaker 4: Walker.
- 49:35Speaker 2: I signed that autograph, and then they wrote the letter afterwards,
- 49:38Speaker 2: just so as they could keep me out of this game.
- 49:40Speaker 2: I'd like to believe it, Cain. No, there's a little
- 49:42Speaker 2: too much against you. In the first place, I happen
- 49:45Speaker 2: to know that you owe Walter Crabtree $ 5, 500, a gambling debt. Yeah,
- 49:49Speaker 2: that's right. But that don't prove nothing. Crabtree is betting
- 49:52Speaker 2: on a tiger. He's the guy who's behind the whole business.
- 49:55Speaker 2: He had that letter delivered to you so you'd throw
- 49:57Speaker 2: me off the team and the tigers would win. Now,
- 49:59Speaker 2: it sounds a little bit too good, Kane. Too good
- 50:02Speaker 2: to be true. And you won't let me pitch? Not
- 50:04Speaker 2: for a million bucks. You better beat it now before
- 50:06Speaker 2: the boys come in from practice. One of them might
- 50:08Speaker 2: take a swipe at you. Wait, wait a minute. Wait, Mr. Walker.
- 50:11Speaker 2: Will you do one thing for me? What is it?
- 50:13Speaker 2: Will you let me take a look at that letter?
- 50:15Speaker 2: What do you want with it? Oh, I just want
- 50:17Speaker 2: to look it over, that's all. All right, if you
- 50:18Speaker 2: think it'll do you any good. Let's see. Yeah, it's typewriter,
- 50:23Speaker 2: ain't it? Well, anything wrong with it? No, I guess
- 50:26Speaker 2: there ain't. That's your signature, isn't it? Yes, L. McKean. Hey.
- 50:31Speaker 9: What?
- 50:32Speaker 2: Hey, look. Look at what? Look at my name there. Well,
- 50:35Speaker 2: what of it? Well, wait. You see where it says
- 50:37Speaker 2: yours truly? Yeah. Well, look at the letter Y and
- 50:39Speaker 2: the word truly. I'm looking at it. Well, don't you see?
- 50:42Speaker 2: See what? That Y comes down and crosses over the.
- 50:45Speaker 5: L in Elmer.
- 50:46Speaker 2: Yeah, so what? Wait a minute. I get it. It
- 50:49Speaker 2: crosses over it, you see? Over it. The typewriter letter
- 50:51Speaker 2: comes down and crosses over the letter that I wrote.
- 50:53Speaker 2: Holy gee. That proves it, Mr.
- 50:55Speaker 4: Walker.
- 50:55Speaker 2: That proves that all this typewriting stuff was put in
- 50:58Speaker 2: after I signed the paper. Holy gee. Now, you believe
- 51:00Speaker 2: me now, don't you, Mr. Walker? I'll say I do?
- 51:03Speaker 2: Then I can't pitch today? You bet your sweet life
- 51:06Speaker 2: you can. Get out on that field and warm up.
- 51:08Speaker 2: Warm up? Say, I ain't been cool since February.
- 51:21Speaker 6: Boy, oh boy, is this a ball game!
- 51:23Speaker 2: Is this a ball game!
- 51:24Speaker 4: It's the last half of the ninth inning, folks, with
- 51:26Speaker 4: a score of 3-2 in the Giants' favor. The Tigers
- 51:28Speaker 4: are up at bat, two men on base, and a
- 51:30Speaker 4: hit means a ball game. But there's two down, folks,
- 51:32Speaker 4: and don't you forget it.
- 51:33Speaker 2: Game line's up. Here it comes. Strike two! Strike two!
- 51:37Speaker 2: It's three and two now. Three balls, two strikes, two
- 51:39Speaker 2: men on base, and two down, and the crowd is
- 51:41Speaker 2: going mad.
- 51:42Speaker 4: Kane's got the ball now.
- 51:43Speaker 2: He's looking toward the catcher for instructions. This may be
- 51:46Speaker 2: the last pitch ball of the season, folks, and.
- 51:48Speaker 4: Little Elmer isn't taking any chances.
- 51:50Speaker 2: He wipes his hands on his shirt.
- 51:51Speaker 4: Now he's winding up, and here it comes.
- 51:53Speaker 2: Strike three, strike three, and the batter's out. It's all over, folks.
- 51:56Speaker 1: It's all over.
- 51:57Speaker 2: The Giants win, and the fans are going wild. They've
- 52:00Speaker 2: surrounded Elmer Kane down there on the field, and they
- 52:02Speaker 2: won't let him go. I'm going down to see if
- 52:04Speaker 2: I can get him to say a few words over
- 52:05Speaker 2: the air. Stand by a minute, folks.
- 52:07Speaker 9: Thank you.
- 52:10Speaker 2: Hey, wait a second. Wait a second, folks. One at
- 52:13Speaker 2: a time. One at a time, folks.
- 52:16Speaker 5: Elmer.
- 52:16Speaker 2: Elmer.
- 52:18Speaker 10: Oh, Nellie.
- 52:19Speaker 5: Oh, Elmer, you were wonderful.
- 52:21Speaker 2: Yes, I guess I was pretty good at that. Mr. Kane,
- 52:23Speaker 2: will you say a few words to the radio audience? Radio, huh? Yes. Hey,
- 52:26Speaker 2: wait a second. Wait a second. The last time I
- 52:29Speaker 2: spoke over the radio, I was talking into an electric heater.
- 52:32Speaker 2: This ain't no fake, is it? Of course not, Mr.
- 52:35Speaker 4: Kane.
- 52:35Speaker 2: There's a million people listening. Go ahead, Elmer. All right. Howdy,
- 52:39Speaker 2: radio and baseball fans. Now that the World Series is
- 52:43Speaker 2: over and I won the game for the Giants, I
- 52:46Speaker 2: want to let you in on a little secret. It
- 52:48Speaker 2: wasn't no surprise to me at all. The trouble is, say,
- 52:51Speaker 2: I knew how it was all going to turn out
- 52:53Speaker 2: right from the start. The trouble is that a bashful
- 52:56Speaker 2: fellow like I has got to make it look difficult. Otherwise,
- 53:00Speaker 2: people wouldn't believe you. Say, I could go on for
- 53:03Speaker 2: hours talking about myself and telling you how I done it.
- 53:06Speaker 2: Only I always say that a fella should not brag
- 53:09Speaker 2: about himself. and I've always made it a rule never
- 53:12Speaker 2: to talk about myself. And in closing, I want to
- 53:15Speaker 2: tell the followers of the New York Giants that you
- 53:17Speaker 2: don't have to worry none about the pennant again next year,
- 53:20Speaker 2: as your old friend Elmer Kane, myself, will be out
- 53:23Speaker 2: on the field in a Giants uniform. So long, folks. Oh, yes,
- 53:28Speaker 2: and don't forget to read the story that's running the
- 53:31Speaker 2: serially in all the newspapers next week. And before I
- 53:34Speaker 2: forget it, hello, Ma. You better start the cook stove going.
- 53:40Speaker 2: Me and Nellie are on our way.
- 53:42Speaker 3: The ball game is over, but Joey Brown goes to
- 53:57Speaker 3: bat again in a few minutes when he returns to
- 53:59Speaker 3: the microphone with June Travis. No man occupies a more
- 54:05Speaker 3: exalted position in the theatrical world... than tonight's guest, Dr.
- 54:08Speaker 3: Max Reinhart, an energetic and inspired worker in the theater
- 54:12Speaker 3: since he was 20. He has been responsible for more
- 54:15Speaker 3: than 300 productions, exerting a tremendous influence.
- 54:19Speaker 2: On the international stage.
- 54:21Speaker 3: In this country, we think of him chiefly in the
- 54:23Speaker 3: light of two achievements, the stage version of The Miracle
- 54:25Speaker 3: and the motion picture production A Midsummer Night's Dream, now
- 54:28Speaker 3: about to be shown in neighborhood theaters all over the country.
- 54:31Speaker 3: He has just returned to Hollywood from Europe, where he
- 54:34Speaker 3: produced Every Man and Faust, and is now at work
- 54:36Speaker 3: for Warner Brothers preparing Sheridan Gibney's famous drama of the
- 54:39Speaker 3: French Revolution, Danton.
- 54:41Speaker 2: Ladies and gentlemen, Dr. Max Reinhart. Thank you, Mr. DeMille.
- 54:53Speaker 2: There is one point, ladies and gentlemen, that our host
- 54:57Speaker 2: neglects to mention. The fact that he was the first
- 55:02Speaker 2: to acquaint me with Hollywood motion picture methods. That was
- 55:07Speaker 2: several years ago when I was his guest at the
- 55:10Speaker 2: making of The King of Kings.
- 55:13Speaker 3: I had a reason for not referring to that episode.
- 55:15Speaker 3: As I recall it, Doctor, motion pictures at that time
- 55:17Speaker 3: impressed you very slightly.
- 55:19Speaker 2: Quite true.
- 55:21Speaker 3: I thought silent films far too limited to become real drama.
- 55:28Speaker 3: But with the coming of sound, the screen jumped further
- 55:32Speaker 3: ahead in a few years. then the stage had been
- 55:36Speaker 3: able to crawl in centuries. And now you have the
- 55:38Speaker 3: satisfaction of realizing that your production of Midsummer Night's Dream
- 55:42Speaker 3: started a cycle of Shakespearean pictures. Romeo and Juliet has
- 55:45Speaker 3: just been released here, while As You Like.
- 55:47Speaker 2: It is running in England. Shakespeare, I think, has been
- 55:51Speaker 2: greatly misrepresented. Scholars have tried to make him an artist
- 55:57Speaker 2: who wrote only for the poetic and the intellectuals. Nothing
- 56:03Speaker 2: could be further from the truth. Shakespeare wrote for the
- 56:07Speaker 2: entertainment of the average person. He is responsible for some
- 56:12Speaker 2: of the greatest melodrama, the most delightful comedy, and the
- 56:18Speaker 2: loveliest romances in all literature. And surely, his humor is
- 56:24Speaker 2: not above the head of anyone. When Joey Brown played
- 56:29Speaker 2: the part of flute in the Midsummer Night's Dream, I.
- 56:32Speaker 3: Felt he was exactly... the comedian Shakespeare had in mind.
- 56:40Speaker 3: And now that Shakespeare has come into his own in pictures,
- 56:46Speaker 3: I am convinced he offers an equally great contribution to
- 56:51Speaker 3: the radio. In his time, there was no elaborate stage scenery,
- 56:56Speaker 3: no beautiful customs, no stage technique.
- 57:00Speaker 2: Hence, he wrote for the ears. His magic phrases fire
- 57:07Speaker 2: the imagination and, to my mind, contain a treasury of
- 57:12Speaker 2: values for the radio. Perhaps someday we will hear them.
- 57:19Speaker 2: And I know of no other man, no other program
- 57:24Speaker 2: capable of giving them a finer, truer presentation than the man...
- 57:31Speaker 2: and the program responsible for so many entertaining hours in
- 57:34Speaker 2: the past, Cecil B. DeMille and the Luxe Radio Theater.
- 57:41Speaker 2: To all of you, my thanks and good night. Good night, Doctor.
- 57:53Speaker 3: And now, tonight's stars. Ladies and gentlemen, June Travers and.
- 57:56Speaker 2: No! And Joey Brown. Oh, Joe. What's the trouble? It's
- 58:08Speaker 2: okay now, but for a minute I thought this microphone
- 58:10Speaker 2: was another one of those electric heaters.
- 58:13Speaker 5: Well, Mr.
- 58:13Speaker 2: DeMille, I want to thank you for making me a
- 58:15Speaker 2: ball player once again. Playing Elmer was quite different from
- 58:19Speaker 2: playing flute in A Midsummer Night's Dream. In that picture,
- 58:22Speaker 2: I had to wear long yellow curls and murmur sweet
- 58:24Speaker 2: nothings to Jimmy Cagney. After your performance tonight, Joe, you
- 58:29Speaker 2: can play Boy for Luxe Flakes anytime. And I don't
- 58:31Speaker 2: mean on the scrub team. Thank you. I used to
- 58:34Speaker 2: be pretty good as a clean-up man.
- 58:37Speaker 5: And before our side is retired, Mr. DeMille, may I
- 58:40Speaker 5: say that since coming to Hollywood, there's been nothing I've
- 58:42Speaker 5: enjoyed more than this appearance on the Luxe Radio Theater.
- 58:45Speaker 5: Good night.
- 58:47Speaker 2: Good night, Mr.
- 58:47Speaker 7: DeMille.
- 58:48Speaker 2: I'm heading for the showers. Good night, Joe.
- 58:51Speaker 8: Good night, Joe.
- 58:54Speaker 3: Thank you, Joey Brown and June Travis. Ladies and gentlemen,
- 58:57Speaker 3: this is your announcer, Melville Ruick. Word of next week's
- 58:59Speaker 3: play comes to us shortly from Mr.
- 59:01Speaker 8: DeMille.
- 59:02Speaker 4: Dr.
- 59:02Speaker 3: Rex, Max Reinhart, and June Travis appeared through courtesy of
- 59:05Speaker 3: Warner Brothers, Mr. DeMille Paramount, and Louis Silvers, 20th Century Fox,
- 59:09Speaker 3: whose new film, Ladies in Love, was musically arranged by Mr.
- 59:12Speaker 2: Silvers. And here's Mr. DeMille.
- 59:15Speaker 3: Next Monday night, the Lux Radio Theater stars Ginger Rogers
- 59:19Speaker 3: in The Curtain Rises. Ginger came to Hollywood as a
- 59:23Speaker 3: singer and is now a dancing star. And next week
- 59:26Speaker 3: adds a dramatic triumph to her repertoire... in Benjamin Kaye's
- 59:29Speaker 3: story of a girl who thought romance had passed her by.
- 59:33Speaker 3: Featured with Miss Rogers, will be an all-star cast. Our sponsors,
- 59:40Speaker 3: the makers of Lux Flakes, join me in inviting you
- 59:42Speaker 3: to be with us next Monday night when the Lux
- 59:44Speaker 3: Radio Theater presents The Curtain Rises, starring Ginger Rogers.
- 59:48Speaker 2: With an all-star cast. This is Cecil B. DeMille saying
- 59:51Speaker 2: goodnight to you from Hollywood. This is the Columbia Broadcasting System.
- 1:00:10Speaker 1: Our visit with Lux Radio Theater's Elmer the Great comes
- 1:00:13Speaker 1: to a close. Good evening, and thanks for sharing another
- 1:00:17Speaker 1: broadcast from radio's dramatic past.