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Benders & Brews - Episode 3 - Squid Games · Session Zero Heroes | TTRPG Actual Play Adventures & Improv Storytelling

• 0:03
  Jasmine, oolong, green and white.
• 0:07
  Long ago, these four tees were skillfully brewed at the Blissful Brew.
• 0:11
  Then everything changed when the shop's popularity threatened its existence.
• 0:17
  All Mr.
• 0:17
  Okuran, the shop's owner and teammaster, could do was to recruit four teenage orphans to learn his trade and staff his shop.
• 0:26
  A year has passed since the orphans were hired, and although their skills have progressed, they still have a lot to learn before they can brew anything.
• 0:34
  But I believe that they have the potential to make the Blissful Brew the greatest tea shop in the world.
• 0:41
  Last time on Benders and Brews an Avatar Legends Podcast what in the world is going on? We kicked out of drunken this young man, so he steps into the shop.
• 0:52
  I need to have a word with you outside, old man.
• 0:55
  The guy says you owed us the money for the whole month and you haven't paid up yet.
• 0:59
  You have until tomorrow.
• 1:01
  Please.
• 1:01
  That's not going to be enough time to get the money together.
• 1:04
  Okay, fine.
• 1:05
  I'll give you to this weekend.
• 1:07
  But if you don't pay me by then, I'm trashing a tea shop and take it whatever I want.
• 1:12
  Wild Coyote.
• 1:13
  Boars, let's roll out.
• 1:15
  They're a group that offers protection services.
• 1:19
  I've always been able to make the payments, but this month a customer called in a fairly large and expensive order.
• 1:26
  It was going to be a catering job for a very wealthy individual here in town.
• 1:30
  They bailed on the order and canceled it.
• 1:33
  And now I'm stuck with all these incredibly expensive ingredients.
• 1:36
  I don't know what else to do.
• 1:38
  I want to talk to the rich people.
• 1:41
  Hello, everyone.
• 1:42
  Welcome to Benders and Brews podcast, a non canonical Avatar Legends real play podcast.
• 1:49
  My name is Skyler Gorsett, and as always, I am the game master, creating story alongside my co writer Nick Van Puersem and then bringing it to you and of course these fantastic players around me.
• 2:04
  And today's question, as the players go around and introduce themselves is at a festival, what activity does your character gravitate to? Connor, tell us a little bit about what Brock Lee would gravitate to.
• 2:18
  Yeah, Brock Lee, the strapping young earthbender he is, would take his talents over to the dunk tank where he would be chucking rocks.
• 2:28
  He really likes Chucking rocks.
• 2:30
  He loves Chucking rocks.
• 2:31
  He will be chucking rocks at that dunk tank all day long until the water is absolutely disgusting.
• 2:36
  Whether it's seagulls or targets.
• 2:39
  He's hucking rocks all day.
• 2:40
  He is hacking rocks all day.
• 2:42
  Does he often accidentally or purposely miss the target to hit the person in the dunk tank? On occasion, but I think he gets enough satisfaction on dunking them into disgusting water.
• 2:56
  Something about that.
• 2:57
  Yeah, that definitely seems more satisfying.
• 2:59
  For sure.
• 2:59
  Oh, yeah.
• 3:00
  Dave, tell us about Guo Han.
• 3:05
  He's had a lot of experience with that.
• 3:08
  Festivals.
• 3:09
  Sure.
• 3:12
  So he would probably go to the kissing booth you know, that makes a lot of sense because as someone that grew up in the carnival, like you mentioned before, he knows that game.
• 3:26
  A lot of them are just scammed.
• 3:28
  They're just scammed.
• 3:29
  So it's like, you know what? At least with a kissing booth, I'm getting something for my money.
• 3:33
  Exactly.
• 3:34
  That makes so much sense.
• 3:35
  That's so great.
• 3:37
  Frickin love Guo Han I feel like he's the chubby kid, but he also has a lot of build up confidence and I love that.
• 3:44
  I love that about him.
• 3:47
  Cameron with Bill door.
• 3:49
  Yeah.
• 3:50
  What does he do at festivals? Bill Door goes to the ring toss okay.
• 3:56
  And spends many hours tossing.
• 3:59
  Ring tossing ring.
• 4:00
  Is there a price that he's really trying to get success? He just wants to prove himself.
• 4:06
  He just wants to make one that's fair.
• 4:08
  They're pretty much impossible.
• 4:11
  Slippery.
• 4:12
  And he gets sweatier the more he throws them, gets more into it and only gets brow arches.
• 4:20
  And it's like that meme of that kid where his veins are popping.
• 4:24
  It's basically that, but with the ring causing and he loses a lot of money on it.
• 4:30
  That's understandable.
• 4:32
  Ring tossing and the one where you try to get the ping pong ball in the bottles or whatever.
• 4:36
  Yeah.
• 4:37
  But he usually uses all his money and then they feel bad for him because he's out of money, but he really wants to get it.
• 4:44
  So they just let him keep going because it's not about the prize.
• 4:48
  They're like, I don't care if this keeps very angry.
• 4:52
  He's got something about it and he wants to get that ring on that bottle eventually.
• 4:58
  Yes.
• 4:58
  5 hours later awesome.
• 5:01
  Meeka, what do you do at festivals? Has Mika ever gone to a festival? Sorry, Makala playing Meeka.
• 5:08
  Yeah.
• 5:09
  Okay.
• 5:10
  But she's gone to more festivals.
• 5:13
  Just kind of like the ones where you have to wear like masks or whatever.
• 5:20
  Sure.
• 5:22
  I don't know.
• 5:23
  I guess I suppose if they were in the Earth Kingdom, then she probably would visit one without a mask, but right.
• 5:29
  I'm going to say that they have like rights.
• 5:34
  Sure.
• 5:35
  Yeah, she does that.
• 5:36
  She likes this real sure.
• 5:38
  That would be interesting to come over.
• 5:40
  How do people in this era kind of like create rides? How would they run them? But I'm sure there's a way.
• 5:48
  There's got to be a way.
• 5:49
  If benders are actively bending as like the little roller coaster goes down the tracks or because like the delivery system yeah.
• 5:58
  So it'd be kind of sort of like that that were like carnival games.
• 6:02
  Because she has a couple of tricks of her sleep, so she likes to scan back.
• 6:06
  Yeah.
• 6:06
  Okay, cool.
• 6:07
  Very cool.
• 6:08
  That makes sense given that she's a rogue.
• 6:10
  Yeah.
• 6:11
  Awesome.
• 6:12
  Cool.
• 6:12
  All right, let's jump into things.
• 6:16
  Alright.
• 6:17
  Like I said, as you pass through kind of like this marketplace district and things like that, pretty much almost immediately afterwards, the houses that start popping up are pretty nice houses.
• 6:28
  You've kind of entered, like, if not middle, upper middle class, like the upper class section.
• 6:34
  So you're looking around, and eventually, sure enough, you do find a very large, nice house.
• 6:40
  Not a mansion necessarily, but it's a big, nice house.
• 6:44
  And on the decorative mailbox, that looks exactly like the house itself, just like a mini version of it with a little door in the front that a mailman could put the mail into, it says, Shifu Family.
• 7:00
  I'm going to roll my eyes at that.
• 7:02
  And then is there a gate or something? Going to knock on it? It's a small gate.
• 7:12
  I'm going to open it.
• 7:14
  You do that, and you step inside, and you make your way up the path to the door of this fine house.
• 7:22
  They're fairly large or neat doors.
• 7:24
  Then I knock on the door.
• 7:25
  All right, you knock on the door, and the door opens.
• 7:28
  And a man dressed in a long robe holding his hands in kind of almost like a prayerlike position as he steps up to the door, and he says, yes, welcome to the Shifu residence.
• 7:42
  How can I help you? That's rude, don't just stare at him.
• 7:57
  Do I have something in my teeth? He starts, like, digging into his teeth with his tongue.
• 8:07
  Did I get it? Yes, you got it, sir.
• 8:12
  I was just wondering if I could speak to the head of the household, and I kind of give him, like, a courtesy, but it's kind of wobbly because I don't do it very often, honestly.
• 8:24
  They're not taking any visitors at this time because the master of the house is actually not here at the moment.
• 8:34
  What about the madam of the house? She's with him.
• 8:37
  They are both attending a party today.
• 8:42
  They're out shopping, I believe, getting attire ready.
• 8:55
  Do you know how long they're going to be out? I would say until roughly.
• 9:04
  Master typically likes to eat out at a very particular restaurant in town, so I assume he will do that with the mistress for lunch, take her out to the nicest to sit down and then after that.
• 9:18
  They will probably maybe do a couple more little bits of okay, I get it.
• 9:24
  Did they have, like, a little master of the house , per se? Well, no.
• 9:35
  The master and mistresses how do you say this are barren? You're getting a lot of information about this family.
• 9:46
  This guy doesn't talk to many people.
• 9:50
  Well, you see, I was just hoping to talk to somebody.
• 9:53
  I work at a tea shop in town, and I just wanted to talk to somebody who would maybe give me some information about it.
• 10:04
  He puts his hand on your shoulder, and he says, I know what it feels like.
• 10:09
  I do not have many friends to talk to either.
• 10:16
  I wanted to talk to him about a Tea deal, and I kind of pat in his hand.
• 10:24
  He removed that awkward, kind of embarrassed well, they did discuss something about tea deal.
• 10:35
  Something for tonight's, party, I believe.
• 10:41
  I don't quite remember the details.
• 10:44
  Are you catering tonight? Is this a situation in which there's an error with the catering deal? Yes.
• 10:53
  Oh, what seems to be the problem? I can send a message.
• 10:59
  Well, do you mind if I just come in and rest my feet on the sofa? I'm feeling a little parched.
• 11:05
  From a long walk.
• 11:07
  We could sit and have a chat.
• 11:09
  Normally, I don't roll a plead.
• 11:14
  She wants a friend.
• 11:15
  Yeah.
• 11:16
  And you're pleading to have him let you into the house and be his friend? I'm going to use my roguish term.
• 11:21
  Okay.
• 11:23
  That fits really well.
• 11:24
  What was the beginning of that, the roguish term? If I can plead with an NPC or guide and comfort someone by flattering them and empathizing with them, mark one fatigue to role with creativity instead of harmony, you are definitely empathizing with his desire for a friend.
• 11:56
  a six.
• 11:57
  And then you roll with creativity.
• 12:00
  Yeah.
• 12:02
  All right.
• 12:02
  On a seven to nine, they need assurance or something extra before helping.
• 12:13
  Normally, the family doesn't allow guests when they're not at home.
• 12:21
  Well, you know, like, I'm a guest for you right now.
• 12:26
  I was just hoping we could just sit and check because, like you said, I don't have a lot of friends, and you probably have lots of friends, but I just thought maybe we could just have a little bit of conversation.
• 12:45
  Maybe you could cheer me up some.
• 12:47
  A tear drips down his eye, and he says, it may come as a surprise, but I, in fact, do not have a lot of friends, and I would be absolutely honored to have you come in and chat with me.
• 13:08
  And he sort of does a very butler steps to the side of the door with it open and kind of boughs with his hand outstretched into the building to allow you entrance.
• 13:18
  I slide my arm into his folded arm and I walk him into the house.
• 13:24
  Look back at the door.
• 13:27
  Yeah, I'll look back at the door and I'll link at them.
• 13:29
  Okay.
• 13:34
  So he closes the door as you two step inside.
• 13:39
  He leads you into sort of there's, like, the big foyer, main area, very decorative set up in such a way to really accentuate the decorative and fineness of their house, I suppose.
• 13:53
  And then he leads you to the left, where there's sort of like a sitting room, kind of not a dining area, but sort of just like a congregating room.
• 14:02
  I've been in enough, like, old house museums.
• 14:04
  I feel like I should know these terms, but it's not really my thing.
• 14:09
  But anyway so there's a fireplace, and it's not lit at the moment.
• 14:16
  Yeah.
• 14:17
  Gathering room.
• 14:18
  Yeah, that might be it.
• 14:19
  Yeah.
• 14:19
  And then there's some fine chairs and some couches, maybe like one or two bookshelves, but nothing like substantial.
• 14:26
  It's mostly just decorative to make it look nice and things like that.
• 14:29
  Obviously, there's a large, ornate crystal chandelier hanging above you, things like that.
• 14:35
  So he offers you a seat, and there is a nice little teapot and tea set sit sitting there.
• 14:41
  He immediately pours some tea and he hands you one of the cups.
• 14:44
  And then he sits across you and crosses over his legs.
• 14:46
  He says, this is almost feeling having guests in the house without the Master here.
• 14:55
  So tell me, what's your name, first of all? My name is Nika.
• 15:01
  Nika? Yes.
• 15:06
  To meet you, my name is Sebastian.
• 15:09
  That's the worst alias I've ever heard of.
• 15:18
  Something that's close to your name.
• 15:20
  Yeah, but not like if someone mispronounces your name normally.
• 15:23
  So Meeka, please tell me what is it you do? You said you work for a Tea shop.
• 15:29
  Please tell me about that.
• 15:31
  Anyway, I hope that the tea that I prepared is up to standard.
• 15:37
  It's delicious.
• 15:39
  Thank you.
• 15:41
  I mean, so much coming from you.
• 15:45
  Yeah, I do work at tea shop.
• 15:47
  Sometimes I'm making the tea.
• 15:49
  Sometimes I do dishes.
• 15:53
  Sometimes I serve the customers a little bit of everything.
• 15:58
  He leans forward, he puts his hand on your knee, not in a weird way.
• 16:05
  And he just looks you in the eye and he says, I do all of those things here, too.
• 16:11
  We have so much in common.
• 16:14
  We're going to be the best of friends.
• 16:15
  I would like to think so.
• 16:22
  I'm so emotional.
• 16:23
  I don't get to show all this normally in front of the Master and the mistress.
• 16:27
  I have to keep a straight face, and I have to always come across this professional at all times.
• 16:33
  I kind of pat his hand and I say, There, let it all out.
• 16:38
  Thank you.
• 16:40
  You take that hanky kind of dabs away just below his eyes at the tears that are starting to form and things like that.
• 16:49
  And he says, you mentioned something about some sort of tea deal that the Master and the mistress have ordered for the party tonight.
• 16:58
  Yeah, well, we had some really the finest of tea set up for them, and it's just really great tea, but there's a miscommunication and when we're supposed to deliver it and payment and stuff, and I was just kind of wondering if I could talk to him about that.
• 17:21
  As I mentioned before, maybe I could retrieve the order form and if you want to write notes on it, and I could have it sent off to the Master, wherever he's at.
• 17:30
  Like I said, I can send a footman, a messenger who can ration over to him.
• 17:35
  That way he has all the information that he needs.
• 17:38
  Yeah, that would be great.
• 17:39
  Okay, so he rushes off and he quickly brings back a sheet of paper.
• 17:45
  Wait, hold on.
• 17:47
  Why he's out of the room? Pickpotted king their couch cushion.
• 17:52
  Okay.
• 17:54
  Yeah.
• 17:54
  You find a handful of copper pieces between the cushions.
• 18:01
  Okay.
• 18:02
  I'm going to say five.
• 18:03
  Okay.
• 18:04
  And you find one silver piece hidden amongst them.
• 18:10
  These guys counting money on their couch.
• 18:14
  That is a quiz.
• 18:15
  It was 1% of what we need, yes.
• 18:19
  Oh, wow.
• 18:21
  I guess it would probably be from the you know, they have guests over.
• 18:24
  They bring them into the guest room for everybody to talk and chat.
• 18:29
  And then every once in a while the money slips out of your pocket, as it does in our day, in our time, into the cushioned seat.
• 18:39
  They never have to look for a spare change because they always got it.
• 18:42
  Maybe they had a party recently in Sebastian, just hasn't had a chance to really dig under the seeds.
• 18:48
  Or maybe that's the one flaw in this butler's routine, is he just relaxed to do that.
• 18:55
  He sounds like he does a lot.
• 18:58
  He does like cry.
• 19:00
  He doesn't get to do that very often.
• 19:03
  Is there anything else that you do before he returns? No.
• 19:09
  Sounds like I have enough time.
• 19:10
  Yeah, that makes sense.
• 19:11
  I was going to say you might be pushing your luck at that point.
• 19:13
  Okay, cool.
• 19:14
  So you manage to ground that up and then you quickly sit back down as you can hear his feet squeaking.
• 19:23
  The floorboards under his feet squeaking as he makes his way back.
• 19:27
  He got clown shoes on.
• 19:31
  And he comes in and he hands you a sheet of paper and you open it.
• 19:36
  And it is not a T order catering form from the Blissful Brew.
• 19:44
  It is a tea ordering form from some company called Hot Leaf Juice.
• 19:51
  Hot Leaf Juice betrayal.
• 19:55
  And it talks about the catering for a party tonight with tea and ingredients that seem similar to what Mr.
• 20:06
  Okran had been describing previously.
• 20:09
  But obviously, again, this is not the Blissful Brew that is providing it.
• 20:16
  Okay, so this is like an order form.
• 20:18
  So does it have like the Hot Leaf Juice address and information for payment or it's just the name and what they order? Yes, it has their information on it too.
• 20:32
  Can I write down the Blissful Bruise information instead? Yes.
• 20:41
  Erase blows or an ink properly? It's in ink.
• 20:44
  Yeah, I can't afford to document that.
• 20:49
  What is the address? So it is from out of town? It's actually from the capital, but it looks like that they are traveling.
• 20:58
  They're sending kind of a mobile unit to this town for this special order.
• 21:04
  Does it say anything about payment? How that's going to be made or processed or anything? It says that it's already been paid in half and then the other half will be after the party tonight.
• 21:16
  Okay, I am going to as you look it over, he kind of says, well, what is that? You need to edit on this or any notes, like I said that you needed it.
• 21:29
  I can write it or you can write it, and then like I said, I can have it send talk to the master and the mistress and let them know that there was a change in it, and they can probably stop by your establishment or whatever the case to handle that during their day.
• 21:46
  Like I said, probably after brunch or lunch or whatever.
• 21:50
  Meals come after that.
• 21:52
  Meanwhile, outside of the house, three men stand awkwardly at the front gate.
• 21:59
  I'm in a bush.
• 22:00
  Three men or two men stand awkwardly at the gate while one man stands awkwardly in a bush.
• 22:07
  I like to think that you're literally just, like, your feet up to your waist or just in a bush, but you're just standing there with your arms, like, just slightly out at an angle.
• 22:15
  I'm invisible.
• 22:17
  They can't see me, guys, but I can see them.
• 22:21
  Are we able to seek in the house from where we're at? You might just be able to catch, like, a glimpse at least at some point, of them walk past one of the windows to show which room that she's in.
• 22:35
  Is he crying? He's been crying a lot, if that's what that's his really happy well, she's not dead yet.
• 22:47
  I can't believe she made it into the parlor.
• 22:49
  Honestly.
• 22:50
  Same parlor.
• 22:52
  Wow.
• 22:53
  Just help that one.
• 23:00
  We don't need to go in to help her, do we? She seemed to have it on her own.
• 23:04
  Probably not.
• 23:05
  I mean, what else could happen? She goes in, she steals money.
• 23:11
  Now, obviously you can't hear anything that's being said inside of there, but at one point, you do see him lean forward and what looks like he puts his hand on her.
• 23:20
  We got a great menu.
• 23:21
  Apparently she seems to lean forward as well, whatever that means to you guys.
• 23:28
  That dude's like, three times her age.
• 23:30
  What's she doing is she's 14 and 17.
• 23:37
  That's still not legal.
• 23:38
  You can catch a case with that guy, get him in court, and that's how we get our money, bro.
• 23:43
  I don't think he's got the money, though.
• 23:45
  I don't know.
• 23:46
  Maybe she needs a distraction.
• 23:49
  Thank you.
• 23:51
  She's the distraction.
• 23:52
  No, maybe she needs a distraction.
• 23:55
  Remember she wanted to look through, like, couch cushions or something.
• 23:57
  That's what she said.
• 23:58
  Maybe we need one of us to go to the door and be like, delivery.
• 24:13
  Like a door to door squid sale.
• 24:18
  These rich people, they order a lot of people getting better and better.
• 24:22
  Honestly, I always take a squid with me wherever I go.
• 24:30
  But what other situations do we find ourselves in where we might need a squid? Like the Bob I Do episode where he gets a banjo and he's like, I'm just waiting for my banjo moment.
• 24:39
  Linda, this is the squid moment.
• 24:42
  If it's the squid moment, I'm with you.
• 24:44
  I'll go up with you to deliver a squid.
• 24:46
  She needs a distraction.
• 24:47
  Sounds like a group of door to door missionaries.
• 24:54
  Are you already with? Okay, Mika, as you're sitting there looking over the horror for me.
• 24:59
  No door is not wish to knock on the door and the bush.
• 25:03
  And Sebastian says, we have other gish at the house.
• 25:10
  And he rushes off over to the door.
• 25:12
  Wohan.
• 25:12
  Are you the only one that went knocked on the door, broccoli? So you two are still kind of in the bush? Yeah, and then just go, okay, I need to be clear.
• 25:24
  I'm in the bush, he's in the bush.
• 25:26
  Got it.
• 25:28
  So when they were having a conversation earlier about plans right.
• 25:31
  It was a bush talking to them.
• 25:34
  Good.
• 25:34
  Got it.
• 25:35
  Just like Moses in the desert, except I'm a man inside of a bush.
• 25:43
  It may look like that.
• 25:44
  It may look like a talking bush at first glance, but it's actually just bill door in a bush.
• 25:50
  Got it.
• 25:50
  Okay, so gohan.
• 25:52
  The door opens, and there's a man, a fairly older man, like I said, in the long robes with the sort of prayer hand sing symbol going on.
• 26:01
  And he says, how can I help you? Oh, hey there, Mr.
• 26:07
  We got a squid delivery for seafood family.
• 26:14
  I believe you mean to say Shifu? Yes.
• 26:20
  May I? Did you order a squid? I did.
• 26:23
  Not personally, but I'm not 100% knowledgeable about the affairs of my master and mistress.
• 26:31
  I am supportable butler here, but I suppose if they order the squid, I can take the squid.
• 26:40
  But you don't want to take a look at it first? Yes, of course.
• 26:50
  Yeah.
• 26:50
  I pull out the box, do some earth bending, open it up.
• 26:55
  There it is.
• 26:56
  Sloshing around, little tentacles kind of plopping out and back into the water here and there.
• 27:03
  Yes, this looks like a very fine squid specimen.
• 27:07
  Did they specify what this specimen was for? I don't know what you rich people do.
• 27:16
  I just deliver the squid.
• 27:18
  Yes, of course.
• 27:19
  Is there anything I need to do in order to keep the squid alive? What are these squids typically used for? Well, I'm not sure exactly.
• 27:32
  I mean, I usually just eat squid, but they ask for it alive.
• 27:37
  I don't know what a weirdo would ask for a live square.
• 27:40
  Maybe this is for the party tonight.
• 27:43
  It's not hosted here, but it would be something maybe they're taking with them.
• 27:49
  They were in charge of the T order.
• 27:52
  Well, all right, so what we want to do is keep the square alive until then.
• 27:57
  We got to find a nice cool area to keep this in.
• 28:03
  So if you allow me in, I'll come and find such an area here.
• 28:10
  I'll have you roll a pleat as well.
• 28:24
  Cool place.
• 28:30
  I probably could take it myself and figure it out.
• 28:35
  I don't know.
• 28:36
  You didn't seem to know anything about the squid here, I suppose.
• 28:42
  And you hail from the actual establishment, right? You're not like, just a footmen delivering squids everywhere or other things, right? No, this is my full time.
• 28:54
  You work with the squid distributor parts yes, I've heard of them.
• 29:01
  Okay.
• 29:02
  Yes, of course.
• 29:02
  Follow me.
• 29:04
  Yeah, it'd be a real shame if something happened to it.
• 29:08
  Yes, of course.
• 29:10
  I'll take you to the basement.
• 29:12
  That seems like a cool did you say dock or not dock? Well, it's got to have a decent amount of air flow, of course.
• 29:23
  The basement.
• 29:24
  So it doesn't suffocate.
• 29:26
  Well, yes, there's plenty of space in the basement.
• 29:29
  Yes, it would be.
• 29:31
  And he's going to lead you inside the house towards a stairwell, kind of off into the back, like you have to go through the kitchen, and then there's a stairwell past the kitchen, and as you're going, he's asking you questions.
• 29:43
  Sue.
• 29:43
  Is this a particularly rare squeeze, by chance? Oh, yes.
• 29:51
  Well, maybe that would explain why they wanted to keep it alive for like I said, maybe it's the party tonight that they're planning on having.
• 29:59
  That would make a lot of sense.
• 30:00
  I think I've heard the ink from the squid is what sets them apart.
• 30:07
  Interesting.
• 30:08
  Well, man, look at me.
• 30:10
  I'm making friends.
• 30:11
  I'm learning about squids today.
• 30:14
  I tell you what.
• 30:15
  I wasn't expecting to wake up on a Saturday morning and have just so much of my life changed.
• 30:20
  I was making friends.
• 30:21
  Was I interrupting something? No, just a wonderful new acquaintance stopped by, and we were getting to know each other, and it's not a problem at all.
• 30:34
  This is my job, after all, to make sure that the master and mistress's business is in order.
• 30:39
  So as long as I'm getting that done, and I personally don't see a problem with a new friend stopping by.
• 30:48
  No problem at all.
• 30:53
  Anyways, here's the basement.
• 30:54
  Yes.
• 30:55
  Is there a space in here that seems adequately shows you around it? I mean, it's not like dark dark.
• 31:01
  It's just dinner because it's underground.
• 31:03
  But there are obviously some sconces along the walls that are lit, running.
• 31:08
  He goes and lights up a couple more.
• 31:10
  Not with firebending.
• 31:12
  He's not a firebender.
• 31:13
  He's just lighting him with, like, matches or something like that.
• 31:16
  And it's a pretty open space.
• 31:19
  There's a couple of small rooms here and there, which she says you're welcome to use all of them.
• 31:25
  There's one that's like a bathroom esque room.
• 31:27
  It's got some facilities in there, just kind of like some general spaces for the most part.
• 31:35
  It doesn't look like they use it too much down here.
• 31:38
  It's usually not just open to anybody if they were to have guests over.
• 31:41
  Okay.
• 31:42
  Do I see any doors or, like, stairs leading out of the basement to a sub basement? Like I said, there's some doors to some smaller rooms, but I don't think there's anything that leads to a second basement or anything like that.
• 31:58
  He says, well, I suppose they probably for something like this.
• 32:04
  If we needed to, we could create a stone tub of sorts if we wanted to.
• 32:11
  And I could go fetch some water and we could fill it, and maybe the squid would be all right in there.
• 32:19
  Yeah, that would be perfect.
• 32:21
  Actually, on top of it, maybe you do know a few things about square.
• 32:29
  If you wouldn't mind.
• 32:30
  I myself am not an Earthbender, but feel free to perhaps this corner right here.
• 32:37
  And he points to one corner, and he kind of, like, holds his hands out in such a way to kind of suggest a sort of containment space that you could he's like, if you wouldn't mind if you could just got a check few things here.
• 32:53
  Yes.
• 32:56
  Like licks his finger and sticks it up into the air.
• 33:00
  We got some decent air flow here.
• 33:04
  Good lighting.
• 33:06
  Good.
• 33:06
  All right.
• 33:08
  Yeah, this should work here.
• 33:10
  And then he'll do some fancy footwork and lift up with his palms, create a little basin for the water.
• 33:23
  Yeah, that's a really good word.
• 33:24
  All right.
• 33:25
  Yeah, perfect.
• 33:26
  All right.
• 33:26
  And then he says, oh, wonderful.
• 33:28
  If you don't mind, I'll run upstairs.
• 33:30
  If you don't mind waiting here, and I can grab some auto.
• 33:34
  Or I suppose if you wanted to come with me, I know you have your hands a little bit taken by this container.
• 33:42
  Or if you want to put the container into the larger basin, I'll come help you.
• 33:46
  Okay.
• 33:48
  Faster we get this done, I can be on my way to my other delivery.
• 33:53
  Oh, yes, of course.
• 33:55
  Both of you rush upstairs.
• 33:57
  And do you set the squid down in the basement or in the basement? Downstairs.
• 34:03
  Okay, so you set it in there, and then, like I said, you both run upstairs and you start fetching water in some kind of large pools or buckets, even.
• 34:13
  Take down and fill the basement up.
• 34:18
  I'm looking around for any signs of Mika, like, looking in the parlor as we go past.
• 34:24
  Sure.
• 34:25
  You would definitely see here, especially if you had a chance to glimpse into the parlor.
• 34:30
  Mika, what are you doing while this is all going down? Drinking my tea.
• 34:35
  Okay, so at one point, you see Guo Hon actually peak around the corner into the parlor where you're at.
• 34:46
  Okay.
• 34:47
  You give them a wing.
• 34:49
  How does Guava handle that? He just winks back.
• 34:54
  Okay.
• 34:56
  I guess that means it's going good.
• 35:00
  Actually, Gohan would probably be, like, try to secretly sign, like, point at her and be like you, and then make the okay symbol.
• 35:11
  Mika, he's signaling the old are you okay? She not.
• 35:16
  Yeah, okay.
• 35:18
  She not.
• 35:19
  What are the two outside in the bush? What are you two doing? Sure.
• 35:24
  I hope GLOW's plan works, because we're out of squid.
• 35:31
  Yeah, we don't really have any reason to go up there.
• 35:35
  We have no backup squid? No, we should have bought two.
• 35:40
  The second squid is a rock.
• 35:42
  The first squid didn't go well.
• 35:45
  Can I walk around the house? Sure.
• 35:47
  Try and find any sort of houses that have storm doors that lead down to.
• 35:54
  A basement type area.
• 35:55
  Yeah, you take a look around and sure enough, you do find a kind of a storm seller that leads or doorway to a seller or something that probably leads to the basement.
• 36:09
  I want to go in there.
• 36:10
  Okay.
• 36:11
  It is locked.
• 36:13
  Okay.
• 36:16
  It just has a basic bolt lock on it.
• 36:19
  Basic bolt lock.
• 36:21
  But you said are there any windows around where I would be able to see Global or Mika from here? From this side? I don't think you'd be able to see anybody.
• 36:31
  The basement obviously being underground isn't going to be visible.
• 36:35
  And then you know where Mika is.
• 36:37
  So that's kind of around to the side of the house.
• 36:39
  But there were windows there because you were watching some interaction between her and Sebastian.
• 36:47
  Micah, are you keen on sign language at all? I wish.
• 36:54
  Okay, so could I try to frantically, since I know she can't sign, make the key turning hand gesture and say, I need a key or something, and maybe point to the butler.
• 37:10
  Okay, so you run around to the side of the house where you can see her.
• 37:13
  She can see you through the way you get her attention through the window, and then you just start doing this and then I don't know how Mika would interpret that.
• 37:22
  I'm interpreting that.
• 37:23
  He wants me to stab somebody.
• 37:26
  Remember, that is not I was a survivalist.
• 37:29
  Pointing to the butler.
• 37:36
  Shake my head no.
• 37:38
  Okay, so she's no help.
• 37:40
  No, the butler does not have a key.
• 37:42
  Okay.
• 37:42
  Butler does not have a key.
• 37:45
  That's what you interpreted? I'm just saying I'm not going to kill my new friend.
• 37:50
  You don't want to stab a buzzer.
• 37:52
  Okay, fine.
• 37:54
  All right, so I'll go back to the storm cellar area.
• 37:59
  Is anybody else around with an earshot you can see? Just the bush.
• 38:09
  Don't mind me.
• 38:10
  Just the bush.
• 38:11
  I conjure up a softball sized rock and I try to just smash the lock.
• 38:15
  Okay.
• 38:16
  All right.
• 38:16
  Skills.
• 38:17
  Yeah.
• 38:17
  Probably rely on your skills and training.
• 38:21
  So I need seven to nine, so I roll with focus.
• 38:27
  That is no additional talking to the ghost rater.
• 38:33
  Yeah, it says accept those consequences, which is sorry, it says accept those consequences.
• 38:40
  If you were to roll seven to nine and you do it imperfectly, which is going to cause an unexpected consequence, you can either accept those consequences or mark one fatigue.
• 38:50
  Okay.
• 38:50
  In seven to nine, I do it perfectly, but I need a seven to nine for it to be successful.
• 38:56
  Right.
• 38:57
  Ten plus is successful.
• 38:59
  Seven and nine, you can do it.
• 39:00
  But I seven or higher.
• 39:03
  Yeah, successful seven and nine.
• 39:04
  Just with consequences.
• 39:06
  Right, nine.
• 39:08
  Awesome.
• 39:09
  Okay, so you break the lock, and what do you do immediately after that? I peek my head through the door, see that it leads somewhere, and I try to go in through and close the door behind me.
• 39:24
  Okay, so as you break the lock, and you peek inside the bushiers Wohan from inside, you hear it, because you and Sebastian are both downstairs when it snaps.
• 39:40
  And so both of you kind of freeze.
• 39:42
  And Sebastian says, what was that? Give me just a moment, sir.
• 39:49
  I'm sorry, I didn't get your name, by the way.
• 39:53
  Steve.
• 39:54
  Steve? Yes.
• 39:55
  Steve quit.
• 39:56
  A strong, young earthbending man's name.
• 39:59
  Yes.
• 40:00
  Very good.
• 40:00
  All right, Steve.
• 40:01
  Give me just a moment.
• 40:02
  And he walks towards the room.
• 40:05
  So your head is in there as you hear him say, give me just a moment.
• 40:09
  What are the floors made of? Is it stone? Wood? At this point, it would probably be stone.
• 40:16
  I feel like the basement itself would probably be stone.
• 40:19
  Okay.
• 40:20
  So when I hear him, I go back out, close the door, and put my ear up to it until I hear his footsteps on the stone floor walk away.
• 40:29
  So you hear his footsteps as they make their way towards it, and then you hear him stop, and you can hear muttering, say, like, through the door, saying, wow, that's strange.
• 40:43
  The lock seems to be broken on the door.
• 40:47
  And you hear reaching up, and you hear, like, I guess it would be the contact of hands on the handles from the inside of the door.
• 40:54
  And as the door starts to open, I'm watching with amazement.
• 41:00
  Okay.
• 41:01
  The door begins to open.
• 41:03
  Oh, can I take a chance to just run from the front door? Sure.
• 41:09
  I want to see who comes out of the base behind the door.
• 41:15
  Okay.
• 41:16
  And what are you doing? I'm thinking.
• 41:18
  Okay.
• 41:20
  So he's opening the door.
• 41:22
  I'm pressed up right on it.
• 41:24
  Right.
• 41:24
  That is our stitch right now.
• 41:26
  That's your stitch? That's the stitch.
• 41:28
  Okay.
• 41:30
  I'm glad you got the reference.
• 41:34
  What type of door you said he reached up.
• 41:37
  Yeah.
• 41:37
  So he has handles from the inside, because normally that's where it would be.
• 41:40
  Well, it could be open from either side, I suppose.
• 41:42
  Got you.
• 41:44
  So the storm doors, they would open towards the outside.
• 41:49
  Yeah.
• 41:50
  So I'm a pretty beefy boy.
• 41:53
  I'll just sit on top of the doors so he can't open it and assume that the lock may have just shifted in the wind.
• 42:01
  Sure.
• 42:04
  I'm going to have you mark one fatigue.
• 42:06
  So this will basically be you not accepting the kind of consequences because you instead of make your own path.
• 42:12
  So you sit on top of the door and kind of hold yourself down as best as you can.
• 42:17
  So he starts moving the door, and he goes, well, maybe the lock is not broken, or maybe it must be jammed from the outside.
• 42:30
  Well, I guess it works either way.
• 42:33
  I'll have a maintenance person come look at this.
• 42:35
  My apologies, Steve.
• 42:37
  And you hear him scuttle his way back to the well, steve.
• 42:44
  Back to Steve.
• 42:46
  So is this my move or well, Steve and Sebastian are just kind of filling up this tub.
• 42:54
  So it's whatever you want to do at this point.
• 42:57
  All right.
• 42:57
  So I'll go back in all sneaky like.
• 43:00
  Yes.
• 43:01
  And I'll follow.
• 43:04
  Can I hear their voice echo through there? Yeah, a little bit.
• 43:10
  Okay.
• 43:10
  So I will try to find any sort of passage that leads in a direction away from them.
• 43:16
  Is there any sort of passage or is it a one way? Like I said, there's a number of sort of small rooms, but nothing seems to be a passage that leads out of the basement except for the one that leads out of the basement to any other room.
• 43:29
  So the only way you'd get out of the basement to somewhere else would be going up the stairs.
• 43:35
  Okay.
• 43:36
  So I'll stow away in one of those rooms okay.
• 43:39
  Until I feel that the coast is clear.
• 43:42
  Okay, sounds good.
• 43:43
  And then Bill door.
• 43:44
  Are you doing anything while he is he went inside? Yeah, he went inside the door.
• 43:48
  You are just a bush.
• 43:49
  Can I pick up the bush? Yes.
• 43:53
  You would have to break the stem that holds it into the ground.
• 43:58
  That's very conspicuous.
• 44:00
  It's going to leave the bush.
• 44:01
  Okay.
• 44:02
  And then dust the bush off of him.
• 44:08
  Yeah.
• 44:08
  And then he's going to head inside through the basement doors or he's going to go to the front door.
• 44:16
  Okay, sounds good.
• 44:17
  So you rush over to the front door.
• 44:18
  You open it.
• 44:19
  Sure enough, it's currently open because the last person to go in was Steve.
• 44:24
  And Sebastian was a bit distracted to lock the door or anything.
• 44:27
  So you're able to creep the door open.
• 44:31
  And as you do this, Mika, you hear the door being opened.
• 44:36
  Since you're in the parlor, which is not too far from the front of the house.
• 44:40
  What? I'm sorry your ghost rider was attracted.
• 44:43
  It's okay.
• 44:44
  You hear the door being opened at the front of the house from the outside.
• 44:52
  I walk to the door.
• 44:53
  Okay.
• 44:54
  And in steps build door through a door, steps a door.
• 44:59
  And he wipes his feet, straightens his vest and his thigh and says oh, hey, Mika.
• 45:07
  Oh, hey, Eldora.
• 45:09
  Nice place you got here.
• 45:10
  Thanks.
• 45:11
  I just got it.
• 45:15
  I don't know.
• 45:16
  Johan came in and they're in the basement.
• 45:21
  Yeah, no, I figured that out.
• 45:26
  Builds over like, motion to the side.
• 45:28
  Says, yeah, I saw him just sitting on a basement door, and I saw like movement under it.
• 45:35
  I figured they're in the basement, maybe trapped them down.
• 45:38
  I don't know.
• 45:38
  I figured there's a little hustle bustle going on.
• 45:41
  Well, I was just about this and I show them the document tea trade that's going on, tea trade party tonight.
• 45:51
  Scan it over and get overview of hot tea, hot leaf juice.
• 45:55
  Hot leaf juice? Yeah.
• 45:57
  That sounds worse than I know.
• 46:01
  It says here that they paid them half already, but if we could somehow I'm sure that half the other half somewhere, somehow destroy the team destroy hopping with the blissful boom like, oh, hey, we got your back.
• 46:18
  No worries, bro.
• 46:20
  This has gone.
• 46:20
  So America versus Pete.
• 46:28
  I didn't know if they were already in town, we could just break the car.
• 46:32
  Okay, let me hear this correctly.
• 46:34
  You weren't fine with us going to go and beat you up, but you're totally fine with us going and just breaking a bunch of tea? Yeah.
• 46:42
  So Mr.
• 46:43
  Okra can get money for our tea.
• 46:47
  We're trying to save the tea shop here.
• 46:50
  Change the order.
• 46:52
  It's in ink.
• 46:56
  He's trying to cross it off.
• 46:58
  She just write a new one because they've already seen it.
• 47:02
  They'll know that I replaced it.
• 47:05
  What day? Well, I mean, the butler is the official stamp on it.
• 47:09
  The butler is pretty sad.
• 47:11
  I have a friend, he's emotional.
• 47:16
  Their family stamp is on it.
• 47:17
  Yeah.
• 47:17
  Okay, well, it's very official now, so if you touch that, it will be illegal.
• 47:22
  So who follows? I don't even know how you got this.
• 47:27
  How dumb is this butler? Well, he gave it to me because I said that I needed to get an important message and he said I could write a note on it.
• 47:34
  Oh, okay, hold on.
• 47:37
  So you're going to write a note? It's going to be a family.
• 47:39
  How is he going to get to the family? He's going to send a messenger.
• 47:42
  I'm the messenger.
• 47:45
  And what if this letter just never shows up? How will that be beneficial? Well, you see, if there's no official documentation, well, then it all the hearsay.
• 47:58
  We show up with our team.
• 48:00
  Exactly.
• 48:00
  Mr.
• 48:01
  Oak run has an argument.
• 48:03
  There's probably some other kind of official document.
• 48:08
  We're both going to show up with all of our tea.
• 48:10
  We don't even know where to show other teeth.
• 48:16
  It doesn't have a seal.
• 48:17
  It just has, like, the family.
• 48:19
  I mean, it would kind of be basically the same thing.
• 48:22
  But it's not sealing the letter, obviously, because the letters open.
• 48:25
  It would just be stamped.
• 48:26
  Yeah, well, the outside of the letter would have the seal on it.
• 48:31
  Must have been just brought paper.
• 48:34
  You wonder if maybe it was a situation where they sat down, they've made the order, and then he signed it with his that's what he would assume if he didn't see a seal.
• 48:42
  Yes.
• 48:43
  It didn't get mailed to anybody, so it didn't have to be sealed closed or anything.
• 48:46
  Okay, well, that was one idea.
• 48:53
  I'm assuming we ruined their tea and they have to go to the Blissful Brew.
• 48:59
  But this is all tonight, right? Yeah, we just forged it.
• 49:02
  We don't have to forge document because he said he will either write on it or I could write on it and we can just say, hey, the capital shipment there was miscommunication.
• 49:13
  They don't have it all.
• 49:14
  So the bus will brew, has to bring what they have since we're a pretty popular tea shop.
• 49:19
  Yeah, like a coty job.
• 49:22
  Yeah, except we get all the money and make it.
• 49:26
  The second half of the payment goes to blessful Group.
• 49:29
  Yeah, that's not a bad idea.
• 49:33
  Do you need to deliver that message? No, I just need the butler to come back so we can write the note.
• 49:38
  So is there anything I can do, or should I just go back and the butler needs a friend.
• 49:45
  There's a nice bush outside.
• 49:46
  Why can't you be friends? I don't want to be friends with him.
• 49:51
  Why can't I don't even like friends to begin with.
• 49:54
  So, yeah, I guess I have nothing to do here.
• 49:59
  Any food in the kitchen? I've not been in the kitchen.
• 50:05
  I'm going to go check out the kitchen.
• 50:07
  Okay.
• 50:07
  All right.
• 50:07
  As you make your way towards the kitchen, you can hear two sets of footsteps making their way up from the basement to the kitchen.
• 50:15
  And you hear an older voice that I guess, technically, you've been introduced to yet says, well, I have to say, Stephen, we did quite a good job there, setting up an entire aquarium set up for this merchment of squid that you brought us in.
• 50:33
  Only probably about 510 minutes.
• 50:36
  Yeah, we did a pretty good job.
• 50:38
  Now the only thing left is the matter of payment.
• 50:43
  The Master didn't set anything aside? I assumed that they had already paid for the square.
• 50:50
  I have a number of quotes set aside for tipping any delivery services or anything like that by the Master and Mrs orders.
• 50:59
  But I didn't know that's what I meant.
• 51:03
  Of course, my boy.
• 51:05
  That's too forward.
• 51:06
  Yes.
• 51:07
  No, sometimes it's good to be forward, because some people just they don't get it, so yes, of course.
• 51:16
  Here you go.
• 51:16
  And he hands you five copper pieces okay.
• 51:23
  As he leads you to the door.
• 51:27
  All right.
• 51:27
  Yeah, I just go with him.
• 51:29
  All right.
• 51:30
  Sounds good.
• 51:31
  Well, I truly appreciate your assistance, and you have done a fantastic job, and I will be sure to let the Master of the House know that what was it that you said you were from? Semipropod service.
• 51:45
  Separate service.
• 51:46
  Yes.
• 51:46
  I will be sure to let him know that you are an absolute asset to their company.
• 51:51
  And I'm sure he and his name will carry quite an impressive review for you.
• 51:57
  And you'll notice so the ink from the squid yes, if you collect, like, it's darker than usual ink? Really? Yeah.
• 52:13
  I always assumed that black was black.
• 52:16
  I didn't know there was a darker black color for ink.
• 52:21
  Oh, they're a shade to punch, not levels.
• 52:28
  Wow.
• 52:29
  That is too fine.
• 52:31
  As I said before, I have learned so much today.
• 52:34
  Made new friend.
• 52:36
  I will have to share this information with her.
• 52:38
  I'm sure she would be intrigued at this incredible, vast knowledge of squid that I've learned today.
• 52:47
  All right, will you take care of what? Sebastian? Was it Sebastian? Yes, it happened off screen? Yes, of course.
• 52:57
  Thank you and you have a wonderful day.
• 53:00
  Steven.
• 53:02
  Will do.
• 53:03
  And he gives you one last wave as he closes the door.
• 53:07
  And then he turns back and heads back into the parlor and walks into where Mica is sitting and he says, well, just absolutely intriguing the amount of information I just learned about squid.
• 53:26
  Squids of all things.
• 53:28
  I was not expecting it's such a delivery to come to the house.
• 53:30
  I sincerely apologize for making you sit here all by yourself.
• 53:34
  You know, no worries.
• 53:36
  I was really enjoying this team provided I'm so glad you did.
• 53:44
  Where we I was just going to have you right on this note here that there was a problem with the Hot leaf Juice not having all the proper tea that they needed, so that they needed our help, the Blissful brew to kind of restock what they have and you guys give us the rest of the payment.
• 54:13
  Oh, yeah.
• 54:15
  So you are not with Hot leaf juice? We're like partners, you know what I'm saying? Like sister companies.
• 54:25
  Yeah, in a sense.
• 54:27
  Okay.
• 54:28
  Interesting.
• 54:30
  They can't go back to the capital and get the rest of the teas that they need.
• 54:34
  So since we're a pretty popular tea company in town, they ask for help.
• 54:40
  I'm going to have you roll up, push your luck on this one because it seems like you're kind of throwing some information that he definitely wasn't expecting and it's with passion Ten.
• 54:59
  Okay.
• 55:00
  Yes, of course.
• 55:02
  That makes sense.
• 55:04
  And based on the address, they're from the capital and you're from here locally, it makes sense that you would collaborate, especially in order such as big as this.
• 55:14
  Absolutely, that makes sense.
• 55:16
  Okay, so what did you want me to write on there? He takes the note and he pulls out a quill pin and he gets ready to write I repeat what I just said.
• 55:26
  Okay.
• 55:27
  There is some missing teas from the Hot leaf Juice and the Blissful Drew would be attending to accept the payment and to provide the teas that were unavailable.
• 55:37
  Yes.
• 55:38
  Okay.
• 55:39
  So he writes that down and he says, I will have this mailed off right away.
• 55:47
  What do you plan for the rest of your day then? Well, I suppose you got to get ready for this party coming up.
• 55:54
  Of course, because you'll be there.
• 55:55
  Will I see you there? I will not know.
• 55:58
  I will probably be here taking care of the house.
• 56:02
  I'll bring you by some of this fancy tea.
• 56:05
  Oh, that's wonderful.
• 56:07
  Thank you so much.
• 56:08
  I really appreciate that.
• 56:10
  Well, I'll need you to the door.
• 56:13
  I don't want to have to keep your Thonger.
• 56:16
  I'm sure you are busy, busy, busy, busy.
• 56:18
  Thank you so much for your time and so much.
• 56:20
  I really enjoyed it so much.
• 56:22
  Yes.
• 56:22
  Thank you so much for stopping by.
• 56:25
  I really appreciate it.
• 56:27
  You're welcome, anytime.
• 56:29
  All right.
• 56:29
  And he opens up the door for you and he gives you a bow and he says, it's always good to have more friends.
• 56:35
  I truly appreciate it.
• 56:36
  Have a wonderful day.
• 56:38
  You too.
• 56:39
  Bye.
• 56:40
  Anyways, I mean, he's got the note, but he's going to call for somebody to have it delivered ASAP.
• 56:50
  Am I stuck in the basement? Who is hot leaf juice? How will the master and mistress use the Squid? And then the real question will Broccoli ever get out of the way? He's stuck there to enjoy his time with his new friend, the Squid.
• 57:05
  Find out next time on Benders and Bruise an Avatar Legends podcast.
• 57:13
  Thank you so much for listening to our show.
• 57:15
  Of course, don't forget to follow or subscribe to our podcast through whatever podcast site that you're using, such as itunes, Spotify, YouTube and others.
• 57:26
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• 57:29
  Just look for the social media icons.
• 57:32
  Following us on social media gives you access to all news, announcements and, of course, new episodes as they are released.
• 57:38
  You can check out our website, Benders and Bruise.com, which will feature all of our episodes as well as news announcements and even cool character and player profiles.
• 57:47
  It's a great hub of information for the Benders and Brews podcast.
• 57:51
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• 57:56
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• 58:04
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• 58:07
  It sure would mean a lot to us.
• 58:09
  Avatar Legends is a tabletop role playing game created by Magpie Games, nickelodeon, Avatar, and all related titles, logos and characters are trademarks of Viacom International, Inc.
• 58:21
  All rights reserved.
• 58:23
  I also want to thank the following artists who you can find on Fiverr for their amazing creative work on this character.
• 58:29
  Art was done by Alicia Papa.
• 58:31
  Draw background art by Kanichi.
• 58:34
  Music by Joe Tim.
• 58:38
  Thanks again for listening and we'll see you on the next episode.