Latest / Murder Files Unsealed / Texas Woman Who Vanished During Walk Found Slain in "Haunted House"
Transcript
- 0:00Speaker 1: So I want you to just imagine for a second
- 0:03that you live in a place that is so tight
- 0:06knit and you know, just so fundamentally trusting that taking
- 0:10a solitary evening walk out on a country road feels
- 0:14exactly as safe as sitting in your own.
- 0:15Speaker 2: Living room, right, like sitting there with the doors locked, exactly.
- 0:18Speaker 1: I mean, imagine a community where you actually know your neighbors,
- 0:22and not just their names, but you know their parents,
- 0:24you know what they do for a living, you know
- 0:26their schedules, and they knew you. Yeah, they know you.
- 0:29You wave at the pickup trucks passing by because well,
- 0:31you know exactly who is driving them. You don't bother
- 0:34locking your doors at night.
- 0:35Speaker 2: People probably leave their keys in the exition when they
- 0:37go into the store.
- 0:38Speaker 1: D oh, one hundred percent. There is this deeply ingrained
- 0:41rhythm to a place like this. It's like a kind
- 0:44of unspoken social contract that binds everyone together.
- 0:48Speaker 2: Right, a contract that essentially says, you know, we look
- 0:51out for each other here.
- 0:52Speaker 1: Yes, like you are safe because we are here. It
- 0:56is just the absolute idyllic picture of rural comfort, until,
- 1:01of course, the day it suddenly isn't, which is terrifying.
- 1:04It really is. Until that social contract is violently and
- 1:09just irreparably torn to pieces.
- 1:11Speaker 2: It's a completely devastating transition for any community to go through,
- 1:16and it's something that I mean, it completely rewrites their reality.
- 1:19Because we all like to believe that geography offers some
- 1:22kind of built in protection, don't we.
- 1:24Speaker 1: Oh, for sure, we think the bad stuff only happens
- 1:26in cities, right.
- 1:27Speaker 2: We like to think that the real evils of the
- 1:29world are confined to crowded cities or places with higher
- 1:32crime rates or dark alleys. But the stark reality is
- 1:36that vulnerability exists everywhere. Yeah, and when that illusion of
- 1:39safety is shattered in a place that prides itself on community,
- 1:43the psychological fallout is just absolute.
- 1:46Speaker 1: Because you can't trust anyone anymore.
- 1:47Speaker 2: Exactly. Doesn't just scare people for a few weeks. It
- 1:50changes their fundamental understanding of where they live. It forces
- 1:54them to look at their neighbors, their friends, and even
- 1:56their own backyards with this entirely new, terrifying perspective.
- 2:00Speaker 1: Right, And that shift, that really terrifying loss of innocence
- 2:04is exactly what we are getting into in today's deep dive.
- 2:07We are traveling to rural Brown County, Texas back in
- 2:10the spring of twenty sixteen. We are looking at a quiet,
- 2:14deeply faithful community that was suddenly thrust into just a
- 2:17real life nightmare over the course of our time. Today
- 2:21we are going to unpack the tragic twenty sixteen murder
- 2:24of a young woman named Chanty Blankenship.
- 2:27Speaker 2: Such a heartbreaking case.
- 2:28Speaker 1: It really is, and the mission of this deep dive
- 2:30is to explore exactly how a completely stalled investigation, I
- 2:35mean a case that hit a massive brick wall and
- 2:38left a town paralyzed by fear for over a year,
- 2:42how it was ultimately blown wide open because of the tech.
- 2:44Because of the tech.
- 2:45Speaker 2: Yeah.
- 2:46Speaker 1: It is a story about the collision of experimental, cutting
- 2:49edge forensic technology and a really shocking, profoundly public crisis
- 2:52of conscience.
- 2:53Speaker 2: It is a fascinating and frankly just heartbreaking intersection of elements.
- 2:56You have the cold harbor microscopic data of modern science
- 3:00pushing right up against the most messy human of all traits,
- 3:03which is guilt.
- 3:04Speaker 1: Yeah, gilt.
- 3:04Speaker 2: The way this entire case unravels, it defies the standard
- 3:08procedural narratives we are so used to hearing about in
- 3:11true crime, it's not just a story of a detective
- 3:14finding a smoking gun.
- 3:15Speaker 1: It really isn't you know. As I was reading through
- 3:17all the case files and the articles, all the research
- 3:20we gathered for this, I was thinking about how to
- 3:22best frame the investigation right, And the best way I
- 3:26can describe it is like working on a massive jigsaw
- 3:29puzzle where you are absolutely convinced you have missing pieces.
- 3:32Speaker 2: Oh, that's a good way to look at it.
- 3:34Speaker 1: Yeah, Like you can have the entire framework of the
- 3:36puzzle set up. In this specific case, you have the
- 3:40tight knit town acting as the borders. You have the
- 3:44incredibly diligent, exhausted police force doing everything right.
- 3:48Speaker 2: They really did everything right in this one.
- 3:50Speaker 1: They really did. You even have the suspect, though you
- 3:52don't know it yet, hiding in plain sight, right in.
- 3:54Speaker 2: Front of you, right there in the pile.
- 3:55Speaker 1: Exactly. These are the pieces you already possess. But no
- 3:59matter how how do you stare at them, no matter
- 4:01how many times you rearrange them, you can't see the
- 4:04full picture.
- 4:05Speaker 2: Because the tendency is to think, you know, we need
- 4:06more pieces, right.
- 4:08Speaker 1: You think we need a new witness or a new
- 4:09physical clue. But sometimes you don't need more pieces at all,
- 4:14You just need a completely different type of light to
- 4:16finally see the image that is already printed on the
- 4:19pieces you have. That is so true, and in this story,
- 4:22that new type of light is a revolutionary scientific process
- 4:25called DNA phenotyping that.
- 4:28Speaker 2: Is a highly accurate way to look at the forensics
- 4:30of this case. Traditional forensics, as incredible as they are,
- 4:35can only take you so far if you are looking
- 4:38in the wrong direction, or you know, more specifically, if
- 4:41your criminal databases are completely.
- 4:43Speaker 1: Empty, which happens a lot it does.
- 4:46Speaker 2: The introduction of DNA phenotyping here wasn't just handing the
- 4:49investigators a new tool like a better magnifying glass or something.
- 4:53It was handing them an entirely new paradigm for how
- 4:56they were able to look at their suspect. Pool. Yeah,
- 4:59it changed the very nature of the light they were
- 5:01casting on the community, shifting from looking for a name
- 5:04in a computer system to looking for a physical face
- 5:07on the street.
- 5:08Speaker 1: Okay, so let's unpack this and start exactly where we
- 5:11always should, which is with the most important person in
- 5:14this story, the victim. Absolutely before we get into the
- 5:17science or the police work or the killer we really
- 5:20need to understand who was at the center of this tragedy.
- 5:24Her name was Rhonda Blankenship, but everyone in her life
- 5:27knew her.
- 5:27Speaker 2: As Shantey, right, Shantay.
- 5:29Speaker 1: She was twenty five years old in the spring of
- 5:31twenty sixteen, and she lived in the North Lake neighborhood
- 5:35near Lake Brownwood. And just to give you a little
- 5:38geographical context, we are talking about a region roughly one
- 5:41hundred and seventy miles southwest of Dallas.
- 5:43Speaker 2: Really out there.
- 5:44Speaker 1: Yeah, this is quintessential rural Texas. We are talking open skies,
- 5:48sprawling overgrown fields, dirt roads, and incredibly close knit communities
- 5:53where you know, generations of families live side by side.
- 5:56Speaker 2: And Shantay was very much a fixture, a really beloved fixture,
- 5:59of that specific community. From everything we have in our sources,
- 6:03every interview given by those who knew her, she is
- 6:05universally described as having this remarkably gentle, sweet spirit.
- 6:09Speaker 1: Yeah, everyone loved her.
- 6:10Speaker 2: She was deeply involved in her faith, singing in the
- 6:13choir at the North Lake Community Church. She found a
- 6:17tremendous amount of joy in what we might consider the simple,
- 6:21steadying aspects of life. You know, she loved her music,
- 6:24she loved her faith, and she drew immense comfort from
- 6:27her daily routines.
- 6:28Speaker 1: She lived with her family, which included her mother, Michelle,
- 6:31and her grandfather, Charlie Barnett. And we really have to
- 6:34note right up front that Shantey and her grandfather had
- 6:37an incredibly close special bond.
- 6:39Speaker 2: We were very tight.
- 6:41Speaker 1: Very and the sources detailed that Shante had been diagnosed
- 6:44with a pervasive developmental disorder. What this meant practically in
- 6:49her day to day life was that she faced some
- 6:51significant challenges. She couldn't drive a car, she couldn't hold
- 6:55a traditional independent job to support herself, and her reading
- 6:58and writing skills were limited.
- 7:00Speaker 2: So she was very reliant on her family.
- 7:02Speaker 1: Exactly because of this, she was very reliant on her
- 7:05family for her basic needs and her overall navigation of life.
- 7:09Speaker 2: Which is exactly where that social fabric of rural Texas
- 7:12we mentioned earlier becomes so crucial to understanding her day
- 7:15to day life. How do you mean, Well, if you
- 7:18play someone with Chantey's level of vulnerability in a different,
- 7:22perhaps more urban or transience environment, they might be kept
- 7:26highly isolated or intensely guarded for their own protection.
- 7:29Speaker 1: Oh, sure, you wouldn't let her just wander around a
- 7:31big city exactly.
- 7:33Speaker 2: But in Brown County, her safety wasn't guaranteed by dead bolts,
- 7:36high fences, security cameras, or fancy alarm systems. Her safety
- 7:42was guaranteed by the very rhythm of the neighborhood itself.
- 7:45Speaker 1: That social contract.
- 7:46Speaker 2: Right when everyone knows you, When the cars passing by
- 7:50on the dirt road are driven by people who attend
- 7:53your church, or know your mother or wave to your grandfather,
- 7:56there is a collective social contract of protection that surrounds you. Yeah,
- 8:01she was allowed to have a degree of independence like
- 8:03her beloved evening walks, specifically because the community implicitly agreed
- 8:08to keep an eye on her. They were her security system.
- 8:11Speaker 1: But you know, I want to push back on that
- 8:13a little bit, or at least look at it from
- 8:15another angle, because I think this is where the heartbreak
- 8:17really starts.
- 8:17Speaker 2: Okay, what do you mean?
- 8:18Speaker 1: Well, when I read about her specific routine, a chill
- 8:21actually went down my spine. Chantey took the exact same
- 8:25walk every single evening.
- 8:27Speaker 2: Like clockwork.
- 8:27Speaker 1: Like clockwork, she would walk down the exact same country roads,
- 8:31and she would always call her grandfather from the exact
- 8:34same spot there was this set of community mailboxes. She'd
- 8:37call him just to let him know she was turning
- 8:39around and heading home right now. The community viewed that
- 8:42as a beautiful, comforting routine. But doesn't a deeply predictable
- 8:48routine like that, taking the exact same path at the
- 8:51exact same time every day, actually create a massive dangerous vulnerability.
- 8:56Speaker 2: Oh? Absolutely.
- 8:57Speaker 1: The tragic irony here is that the very predictability that
- 9:00was so comforting to the community and to Chante herself
- 9:03is highly exploitable to a predator.
- 9:06Speaker 2: You are absolutely hitting on the darkest truth of criminal
- 9:09psychology right there. To Chante, to her grandfather, and to
- 9:12her well meaning neighbors, that routine was a mechanism of safety.
- 9:16Speaker 1: Yeah, it made them feel secure.
- 9:17Speaker 2: Because predictability is deeply comforting, especially for someone with a
- 9:21developmental disorder who relies on structure to navigate a world
- 9:25that can often feel overwhelming. Routine is an anchor, right, But,
- 9:30as you pointed out, if we look at this through
- 9:32the lens of a predator, routine is precisely what they
- 9:35look for. What acts as a safety net in a trusting,
- 9:38loving community acts as a literal road map for someone
- 9:42with malicious intent, a roadmap. Yeah, a predator doesn't want surprises,
- 9:47they want a schedule they can rely on, and Chantey,
- 9:50through no fault of her own, provided one.
- 9:53Speaker 1: It's just devastating to think about. You have this beautiful,
- 9:55innocent routine, the sunset walk, that she loves so much,
- 9:58and it gets weaponized.
- 9:59Speaker 2: Agains completely reckonized.
- 10:01Speaker 1: Which brings us to the exact moment that routine and
- 10:04the piece of Brown County was permanently shattered. Let's move
- 10:07our timeline to Friday, May thirteenth, twenty sixteenth.
- 10:10Speaker 2: Friday the thirteenth. Yeah, it's a date that obviously carries
- 10:13a lot of cultural baggage, but here it marks the
- 10:15beginning of a very real nightmare.
- 10:18Speaker 1: Yeah, Friday the thirteenth. So as the sun begins to
- 10:22set over the Texas Fields, Chante heads out for her walk,
- 10:25just like she always does. Everything is exactly as it
- 10:28always is.
- 10:28Speaker 2: She's just doing a normal thing. Right.
- 10:31Speaker 1: She reaches the community mailboxes, she makes the phone call
- 10:34to her grandfather, Charlie, to say she's turning around and
- 10:36heading home. And tragically, that was the last time anyone
- 10:39ever heard her voice.
- 10:40Speaker 2: And you have to realize the disruption of a routine
- 10:44that rigid is an immediate, glaring red flag.
- 10:48Speaker 1: Right, Because she is never late.
- 10:49Speaker 2: Exactly, her grandfather knew almost instantly that something was terribly wrong.
- 10:56When the timeline breaks. For someone who operates on such
- 10:58a strict, predictable schedule, the alarm bells ring much much
- 11:02faster than they would for someone with a more spontaneous
- 11:05or erratic lifestyle.
- 11:07Speaker 1: That makes sense.
- 11:07Speaker 2: If a college student doesn't come home one night, you
- 11:10might assume they stayed at a friend's house. Yeah, if
- 11:12Chantey doesn't walk through the door ten minutes after calling
- 11:14from the mailboxes, you know there is a crisis.
- 11:18Speaker 1: So he didn't wait. He immediately gets in his car
- 11:21and starts driving the neighborhood roads looking for her, hoping
- 11:24she just tripped or got distracted, hoping for the best.
- 11:28By the next morning, when she still hasn't appeared, the
- 11:30family officially calls the authorities. And here is where I
- 11:34want to highlight something really important about the immediate law
- 11:37enforcement response, because they got this right.
- 11:39Speaker 2: They really did.
- 11:40Speaker 1: Usually, when an adult goes missing, law enforcement has a
- 11:43standard operating procedure that involves a waiting period.
- 11:46Speaker 2: Right, right, Usually twenty four to forty eight hours before
- 11:50they really kick a search into high gear. They legally
- 11:54have to assume the adult has the right to walk
- 11:56away and might have just gone off the grid for
- 11:58a bit exactly.
- 12:00Speaker 1: But because of Chantey's developmental disability, the Brown County Police
- 12:04completely bypassed that.
- 12:06Speaker 2: Waiting period, which was smart, very smart.
- 12:08Speaker 1: They threw out the twenty four hour rule. They treated
- 12:11her disappearance as an urgent life or death crisis from
- 12:14minute one.
- 12:15Speaker 2: That was a crucial, textbook and entirely correct decision by
- 12:18law enforcement. The vulnerability of the missing person must always
- 12:23dictate the speed and scale of the response totally. And
- 12:26what's remarkable here is that it wasn't just the police
- 12:29who recognized the urgency. The community response was massive and
- 12:33it was instantaneous.
- 12:34Speaker 1: Everyone came out.
- 12:36Speaker 2: We are talking about neighbors, church members from the North
- 12:39Lake Community Church, local volunteers who didn't even know her well.
- 12:43They all mobilized immediately. You have this incredible, inspiring unity
- 12:48of purpose.
- 12:49Speaker 1: People are just out there combing the overgrown field.
- 12:51Speaker 2: Checking the deep ditches along the roadsides, diving into the
- 12:54wooded areas. They are doing everything they can.
- 12:57Speaker 1: But despite all that manpower, despite the willpower of this community,
- 13:01we have to look at the geographical reality of where
- 13:04they are actually trying to search.
- 13:05Speaker 2: It's massive, it's massive.
- 13:07Speaker 1: I mean, the best analogy for this is that it's
- 13:09like looking for a needle in a haystack, But the
- 13:11haystack is spread out across hundreds of acres of overgrown
- 13:14wild Texas fields one hundred and seventy miles southwest of Dallas,
- 13:18and the sun has already set.
- 13:20Speaker 2: It's an impossible task.
- 13:21Speaker 1: Yeah, impossible.
- 13:22Speaker 2: The sheer scale and topography of the landscape work entirely
- 13:25against them. Brown County features vast, rolling open spaces. You
- 13:30are dealing with rural backcountry, dirt roads, dense, unforgiving brush,
- 13:35and very very few witnesses. There are no street lights
- 13:38on these back roads to eliminate a search. There are
- 13:41no ring doorbells or atm surveillance cameras catching a passing
- 13:44license plate. It is pure isolated geography.
- 13:48Speaker 1: Which is usually nice, but not now right.
- 13:51Speaker 2: An army of dedicated volunteers is a beautiful thing to witness,
- 13:54but an army on foot in the sprawling, dark Texas
- 13:57countryside is facing an incredibly doting, almost insurmountable physical challenge.
- 14:03The geographical isolation that usually provided this community with peace
- 14:06and quiet was now the very thing hiding what had
- 14:09happened to Chante.
- 14:10Speaker 1: And that desperate, agonizing search goes on for two full days.
- 14:13Speaker 2: Two days of just hell for the family exactly.
- 14:16Speaker 1: The whole town is holding its collective breath, hoping for
- 14:18a miracle, fearing the worst. And then we reach Sunday,
- 14:22May fifteenth, twenty sixteen. The search party is widening its
- 14:26net further and further out from the neighborhood.
- 14:29Speaker 2: Pushing into the really remote areas.
- 14:31Speaker 1: Right and two local volunteers, Charlie Raddle and Jackie Neil,
- 14:35approach a specific location about five miles away from Chantey's home.
- 14:40It's an abandoned Victorian farmhouse.
- 14:42Speaker 2: A place that even before this day already held a
- 14:46certain dark, uneasy space in the local imagination.
- 14:50Speaker 1: Yeah, the locals, especially the teenagers in the area, referred
- 14:53to it as the Haunted House.
- 14:55Speaker 2: Of course they did.
- 14:56Speaker 1: It sat off this remote dirt road, completely dilapidated, fa apart,
- 15:00surrounded by weeds. It had that eerie cinematic quality of
- 15:04a place you inherently want.
- 15:05Speaker 2: To avoid, just a creepy old building.
- 15:07Speaker 1: Right, And as these two volunteers, Charlie and Jackie, walk
- 15:11up to the edge of the property, the scene they
- 15:13stumble upon is just horrific. It doesn't happen.
- 15:15Speaker 2: All at once though, No, it's a progression.
- 15:17Speaker 1: Yeah. It starts with a slow trail of evidence that
- 15:20tells a terrible story. First, they see fresh tire tracks
- 15:23near the rusted gate.
- 15:25Speaker 2: Which is a clear sign someone had recently driven onto
- 15:27the abandoned property.
- 15:29Speaker 1: Right because nobody normally goes there. Then they find a
- 15:32clump of hair in the dirt, and then heartbreakingly, they
- 15:35find Chantai's distinctive, colorful rubber bracelets scatter on the ground.
- 15:40Speaker 2: And those bracelets are such a striking, devastating detail in
- 15:44the police reports. They are so personal.
- 15:46Speaker 1: Yeah, they were very much her.
- 15:48Speaker 2: They were literal symbols of her innesces, of her bright,
- 15:52joyful personality, just callously discarded in the dirt of this decaying,
- 15:57forgotten property. Visually, it is the absolute representation of that
- 16:01rural safety and innocence being violated.
- 16:04Speaker 1: So they find one bracelet inside the boundary of the
- 16:07property and another lying near the entrance of an open
- 16:10storm cellar, which is situated a short distance from the
- 16:13actual farmhouse structure.
- 16:14Speaker 2: I'm just sitting there open. Yeah.
- 16:16Speaker 1: The volunteers their hearts probably pounding out of their chests
- 16:19at this point. They walk over and look down into
- 16:22the open cellar and they see Chante oh Man. She
- 16:25is lying headfirst on the concrete stairs. She's only wearing
- 16:28a T shirt. The scene they are looking at is
- 16:30incredibly violent. There is massive blood trauma on her head
- 16:34and face. The murder weapon is literally lying right there
- 16:37beside her. It's a heavy, bloody lawnmower blade.
- 16:41Speaker 2: A lawnmower blade that is just yeah.
- 16:43Speaker 1: And as a chilling signature of the violence, there is
- 16:46a visible dirty shoeprint stamped right on her chest.
- 16:49Speaker 2: It is a scene of overwhelming, chaotic brutality. The sheer
- 16:54force required to inflict those injuries speaks to a deeply
- 16:57aggressive attack.
- 16:58Speaker 1: It wasn't an accident, not at all.
- 17:01Speaker 2: When the volunteers backed away and called nine to one one,
- 17:04the reality for Brown County shifted instantly and permanently. It
- 17:08went from a hopeful missing person search to a homicide
- 17:11investigation of the most severe, depraved nature. The community's worst
- 17:15fears were fully realized.
- 17:16Speaker 1: In that cellar, and the autopsy facts when they come back,
- 17:19just compound the horror of what she endured.
- 17:22Speaker 2: If that's even possible.
- 17:23Speaker 1: Yeah, the medical examiner confirms that she died from massive
- 17:26blunt force trauma to the head, face, and neck, which
- 17:29perfectly matches the strikes from that heavy lawnmower blade found
- 17:32at the scene. But that wasn't all. There is also
- 17:35clear evidence of strangulation, indicating a prolonged struggle or attack,
- 17:39and she had been sexually assaulted.
- 17:41Speaker 2: It's horrifying.
- 17:42Speaker 1: But crucially, though amidst all this horror, the medical examiner
- 17:45was able to recover one vital piece of evidence. They
- 17:48recovered the killer's semen from her body, which.
- 17:51Speaker 2: In the realm of modern forensics, is the absolute golden ticket.
- 17:54Speaker 1: It's what she wants.
- 17:55Speaker 2: It is the single best piece of physical evidence investigators
- 17:59can ever hope or in a case with no eyewitnesses,
- 18:02DNA is irrefutable. But you know, before we get into
- 18:06the mechanics of what they did with that DNA, we
- 18:08really have to pause and consider the psychological weight of
- 18:11this specific location, the haunted house. Right finding a beloved, innocent,
- 18:16vulnerable woman in this specific farmhouse, it compounds the community's
- 18:21horror in a very unique way.
- 18:23Speaker 1: Just because it was known as the haunted House.
- 18:25Speaker 2: Exactly because of that, Almost every rural small town has
- 18:28a place like this, you know, a dilapidated structure, an
- 18:31old barn, an abandoned house that acts as a blank
- 18:34canvas for local lore, ghost stories in general, and ease.
- 18:38Speaker 1: Yeah, the place teenagers dare each other to go.
- 18:40Speaker 2: Exactly. It's the place where teenagers go on a dare
- 18:43to scare themselves on Halloween. By choosing to leave Chantey's
- 18:47body there, the killer took a place of imaginary, playful
- 18:51fear and turned it into a monument of real, tangible,
- 18:55suffocating evil.
- 18:56Speaker 1: It ruins it forever.
- 18:58Speaker 2: It permanently stains the psychological mass of the town. You
- 19:01can no longer drive past that property and think of
- 19:03harmless ghost stories. You drive past and know a brutal
- 19:06murder ended there.
- 19:07Speaker 1: That makes me really wonder about the killer's logistics and
- 19:10thought process, Like why leave the body there of all places?
- 19:13Speaker 2: Right?
- 19:13Speaker 1: Based on the physical evidence, I mean, the fresh tire
- 19:16tracks at the gate, the colorful bracelets scattered around as
- 19:19if they fell off or were thrown. The body just
- 19:22left haphazardly headfirst on the stairs of the cellar. Was
- 19:25this a crime of convenience where she was attacked right
- 19:28there on the property, or was this premeditated and he
- 19:30brought her there after the fact to hide her.
- 19:32Speaker 2: It's a critical question for investigators. What's fascinating about crime
- 19:36scene analysis here is that this specific scene presents primarily
- 19:41as a disposal site, not necessarily a primary attack site.
- 19:45Oh really, Yeah, the presence and the tire tracks right
- 19:47at the gate, the scattered bracelets leading to the cellar,
- 19:50It suggests rapid movement, a panicked offloading, like he was
- 19:54in a rush. Exactly, Without getting too far ahead of
- 19:57our narrative, the sources confirm late through the killer's own admission,
- 20:02that he actually assaulted her in a completely different secluded area. First,
- 20:06oh wow, the haunted house was merely a dumping ground.
- 20:10He used the remote, abandon mythologized nature of the property
- 20:13to hide his crime, likely assuming it would be days, weeks,
- 20:16or maybe even months before anyone ventured out to a
- 20:19place people generally avoided anyway.
- 20:20Speaker 1: But they found her in two days, right.
- 20:23Speaker 2: What he completely failed to anticipate was the massive immediate
- 20:27grid by grid community search that found her in just
- 20:30two days.
- 20:31Speaker 1: But here's where the story gets so incredibly frustrating. Even
- 20:34with finding her body so quickly, and even with having
- 20:37all of this physical evidence, the tire tracks, the shoeprint
- 20:40on her chest, the bloody murder weapon left at the scene,
- 20:44and most importantly, the killer's.
- 20:46Speaker 2: Actual DNA, the golden ticket.
- 20:48Speaker 1: The golden ticket, the investigation just slams into a massive brick.
- 20:52Speaker 2: Wall, completely stalls out.
- 20:54Speaker 1: Let's talk about the incredible effort put in by the
- 20:57Brown County Sherift's office, specifically sarch Scott Bird and Texas
- 21:01Ranger Jason sha because they didn't just sit on their hands.
- 21:06They worked this case to the bone.
- 21:08Speaker 2: Far from it. They executed a textbook, utterly exhaustive investigation.
- 21:13When we talk about a rural police force mobilizing, this
- 21:16is the gold standard.
- 21:17Speaker 1: Yeah, they didn't mess around.
- 21:19Speaker 2: Not at all. We're talking about investigators conducting over one
- 21:21hundred formal sit down interviews. They systematically checked and verified
- 21:26the alibi of every single registered sex offender living in
- 21:29the surrounding multi county area.
- 21:31Speaker 1: Wow, every single one everyone.
- 21:34Speaker 2: They utilized polygraph tests to rule people out, and perhaps
- 21:38most significantly, in town of this size. They collected DNA
- 21:42swabs from over thirty different men in the community to
- 21:46directly compare against the semen found of the scene.
- 21:49Speaker 1: Thirty people, let's just pause on that. That means they
- 21:52were aggressively swabbing anyone who had even a tangential passing
- 21:57connection to the area, to Shante or to the timeline
- 22:00of Friday.
- 22:01Speaker 2: The thirteenth, anyone they could think of. Right.
- 22:03Speaker 1: They cleared Chantey's boyfriend almost immediately, he had a rock solid,
- 22:07verified alibi at work. They cleared her family members. They
- 22:10exhausted their immediate circle, the secondary circle, and the tertiary circle.
- 22:14Speaker 2: It covered all their bases.
- 22:15Speaker 1: But the biggest dead end, the absolute crushing blow to
- 22:18the investigation, came from what should have been their biggest break,
- 22:21which was the DNA itself.
- 22:23Speaker 2: Yeah.
- 22:23Speaker 1: They take the complete genetic profile developed from the sexual
- 22:26assault kit, they plug it into Cody's and they wait
- 22:28for the match and nothing, absolutely no matches, not even
- 22:33a partial familial lead.
- 22:34Speaker 2: And this raises a very important point about the hard
- 22:37structural limitations of traditional DNA databases, and it's something the
- 22:41general public often misunderstands because of how forensics are portrayed
- 22:45on television.
- 22:46Speaker 1: Shows right on TV, it's always an instant match exactly.
- 22:49Speaker 2: COTIS, which is the Combined DNA Index system, is essentially
- 22:53a massive digital filing cabinet of criminal DNA, but it
- 22:58is governed by strict privacy laws and Fourth Amendment.
- 23:00Speaker 1: Protections, so not everyone is in there.
- 23:03Speaker 2: Right. It is only useful if the perpetrator or a
- 23:07very close blood relative has already committed a qualifying felony
- 23:10crime and had their DNA legally swabbed and entered into
- 23:14that specific system.
- 23:15Speaker 1: So if it's his first crime, if the.
- 23:17Speaker 2: Killer has never been arrested for a major crime before,
- 23:20if he doesn't have a record, his DNA simply isn't
- 23:22in there. COTIS is purely a matching tool. It is
- 23:26not a discovery tool.
- 23:27Speaker 1: Well that's a good way to put it.
- 23:28Speaker 2: You scan the DNA, and if the file doesn't already
- 23:30exist in the cabinet, the system cannot help you. It
- 23:32just returns a blank screen.
- 23:34Speaker 1: So they are sitting there with a complete, perfect genetic
- 23:38profile of a brutal murderer, but they have absolutely no
- 23:42idea what face belongs to that profile. And because of
- 23:45that technological dead end, time just starts to drag on.
- 23:49Weeks turn into months. The one year anniversary of the.
- 23:52Speaker 2: Murder passes a whole year.
- 23:53Speaker 1: A whole year. They hold a solemn candlelight vigil at
- 23:57the North Lake Community Church. Only is grieving. The police
- 24:01are deeply frustrated. But the psychological toll this takes on
- 24:05the wider community it is immense and it is heavy.
- 24:09Speaker 2: Oh, I can't even imagine.
- 24:10Speaker 1: A whole year goes by and the town is forced
- 24:13to realize a terrifying truth based on the local knowledge
- 24:17required to navigate those dark, backcountry dirt roads to the
- 24:20haunted house. The killer probably didn't just pass through on
- 24:23the highway.
- 24:24Speaker 2: No, it had to be a local.
- 24:25Speaker 1: The killer might still be living right there among them,
- 24:27shopping at the same grocery store, getting gas at the
- 24:30same station.
- 24:31Speaker 2: That realization is incredibly corrosive to the social fabric of
- 24:35a community. When you have a horrific crime and you
- 24:38don't have a suspect, everyone around you suddenly becomes.
- 24:41Speaker 1: A suspect because it could be anyone.
- 24:43Speaker 2: Right. The trust we talked about at the very beginning
- 24:45of this deep dive completely evaporates. People start locking their doors,
- 24:49they stop letting their kids play outside in the evenings.
- 24:52The community mailboxes become a place of fear instead of
- 24:55a place to catch up with neighbors.
- 24:57Speaker 1: It's totally flipped.
- 24:58Speaker 2: And in the prolonged absence of verifiable facts, the human
- 25:02brain tries to fill in the gaps with anything it
- 25:04can find, no matter how irrational.
- 25:07Speaker 1: Which leads to these incredibly wild rumors. The sources say
- 25:11that during this stagnant period there were rumors spreading around
- 25:15town of occult involvement, phantom sightings near the old farmhouse,
- 25:20stories of people bragging at bars just to get attention.
- 25:22Speaker 2: People were desperate for answers.
- 25:24Speaker 1: The town is literally suffocating under the weight of this
- 25:27unsolved mystery. They have all these puzzle pieces we talked about,
- 25:30but the picture is entirely blink, which brings us finally
- 25:34to the Fall of twenty seventeen.
- 25:36Speaker 2: This is the critical juncture where the narrative shifts from
- 25:39a traditional, frustrating police procedural to something entirely different, something
- 25:43on the bleeding edge of science.
- 25:45Speaker 1: Right. So, investigator Carlisle Gover is watching a true crime
- 25:49television program one evening, and he sees a segment on
- 25:52a relatively new experimental technology called DNA phenotyping.
- 25:57Speaker 2: Just randomly on TV.
- 25:58Speaker 1: Yeah, he watches this and thanks, wait a minute, we
- 26:01have pristine DNA. Could we use this? He pitches the
- 26:05idea to Sargent Bird. They look into a company called
- 26:08Parabond Nanolabs, which specializes in something called single nucleotide polymorphism
- 26:13or SNP analysis.
- 26:14Speaker 2: SNP analysis.
- 26:16Speaker 1: Now, the department had to jump through some hoops. They
- 26:18had to pay thirty six hundred dollars out of pocket
- 26:20for this, which District Attorney Michael Murray helped fund to
- 26:23push the case forward. But I want to throw this
- 26:25to you because the science here is just wild and
- 26:27so important to understand. We know code has failed. What
- 26:31exactly did Parabond do with that DNA sample that was
- 26:34so different?
- 26:34Speaker 2: To truly understand how revolutionary this is, we have to
- 26:37look at the massive paradigm shift and how scientists are
- 26:40now able to use DNA okay land on me. Traditional
- 26:43DNA profiling, the kind used in the CODA system looks
- 26:45at what are called short tandem repeats or STRs. Think
- 26:49of str as exactly like a barcode on a product
- 26:51in a grocery store. A barcode A barcode tells you
- 26:54absolutely nothing about the physical nature of the product. It
- 26:58doesn't tell you what the product looks like, what it
- 27:00tastes like, or what color the packaging is. It is
- 27:03just a unique identifier, right, It's just a number, exactly.
- 27:06It only works if you scan it at the register
- 27:08and the exact same bar code is already loaded into
- 27:11the store's computer system. If it matches, great, the register
- 27:15tells you it's a box of cereal. If it's not
- 27:17in the system, it's just a meaningless, unreadable series of
- 27:20black and white lines.
- 27:21Speaker 1: Okay, that makes perfect sense. So when they put Chante's
- 27:24Killer into Cody's, they were essentially just standing a barcode
- 27:28and getting an item not found error on the screen.
- 27:31Speaker 2: Exactly. The barcode was perfectly clear, but the database had
- 27:34no record of it. What paarabond nanolabs and DNA phenotyping
- 27:38do is entirely fundamentally different. Instead of looking at STRs,
- 27:43they look at smps single nucleartide polymorphisms. Okay, ps SNPs
- 27:48are the specific variations in our DNA sequence that dictate
- 27:52our physical traits. They dictate how we are built. So
- 27:56instead of treating the DNA like a meaningless. Barcode typing
- 28:00treats it like a detailed genetic blueprint, a blueprint. By
- 28:03reading the SNPs, the scientists can actually predict, with varying
- 28:07degrees of statistical probability, what the person actually looks like.
- 28:12They aren't looking for a database match anymore. They are
- 28:14literally reading the biological instructions the killer's body used to
- 28:17build him.
- 28:18Speaker 1: That is just incredible. They are pulling a physical description
- 28:21out of microscopic biology. It's like turning a drop of
- 28:25fluid into a photograph.
- 28:26Speaker 2: That's a great analogy, But how accurate is it?
- 28:28Speaker 1: I mean, can they really tell you exactly what someone's
- 28:31face looks like?
- 28:32Speaker 2: It varies depending on the specific trait, which is why
- 28:34the science is so nuanced. Predicting eye color, for instance,
- 28:38is highly accurate because it is controlled by a relatively small,
- 28:42well understood set of genes. Hair color and skin pigmentation
- 28:46are also quite reliable. Predicting exact facial structure, like the
- 28:50distance between the eyes, the shape of the jawline, that
- 28:53is much more complex, because hundreds of different genetic markers
- 28:57interact with environmental factors to shape a face.
- 29:00Speaker 1: Weighed age, things like that.
- 29:02Speaker 2: Exactly, But what they can do is create a statistically
- 29:06highly probable composite. They are narrowing the universe of suspects
- 29:10from any human male to a very specific genetic phenotype.
- 29:16Speaker 1: And about a month after they send the swabs away
- 29:18to Parabon, the results come back to Brown County.
- 29:21Speaker 2: The big reveal.
- 29:22Speaker 1: The DNA predicts that the killer is a male of
- 29:24primarily Northern European ancestry. It says he has fair skin,
- 29:28blue or green eyes, brown or blonde hair, and is
- 29:31around twenty five years old.
- 29:32Speaker 2: Right.
- 29:33Speaker 1: The lab takes this biological data and generates a composite
- 29:35sketch like a computer generated face, which the Sheriff's office
- 29:38then releases to the public in November twenty seventeen.
- 29:41Speaker 2: Right into the community.
- 29:42Speaker 1: Now I have to play the skeptic here. Let's look
- 29:44at this entirely objectively. We are in rural Texas. The
- 29:47police just released a sketch and a description that essentially says, attention, public,
- 29:52we are looking for a twenty five year old white
- 29:54guy with light eyes and brownish blonde hair.
- 29:57Speaker 2: Which is of the lot of eyes. Right.
- 30:00Speaker 1: Isn't that incredibly frustratingly generic? In Brown County alone, that
- 30:05description probably fits hundreds, if not thousands, of young men.
- 30:09How could a sketch that broad possibly narrow down the
- 30:12suspect pool enough to make an actual legal arrest.
- 30:16Speaker 2: Your skepticism is entirely warranted, and frankly, the investigators shared
- 30:19that exact same skepticism. Really, oh yeah, they considered this
- 30:23a massive long shot, a hail Mary pass in the
- 30:25final seconds of a game to a detective who is
- 30:28looking to narrow down a suspect list for a grand jury.
- 30:31A generic description isn't immediately helpful in a courtroom, and
- 30:34it certainly isn't enough to pull someone into a police
- 30:36lineup right.
- 30:37Speaker 1: You can't arrest a thousand young men with blue eyes.
- 30:39Speaker 2: You can't. But this is exactly where the strategic genius
- 30:43of the public release becomes apparent. Okay, tell me, the
- 30:45sketch wasn't meant to perfectly match the killer's driver's license photo.
- 30:49It wasn't meant to be unquestionable probable cause. It was
- 30:53deployed as a psychological tool.
- 30:55Speaker 1: A psychological tool.
- 30:56Speaker 2: It was meant to shake the community, and more importantly,
- 31:00shake the killer.
- 31:01Speaker 1: Okay, let's unpack that strategy. How does releasing a generic
- 31:05sketch shake the community into solving a murder.
- 31:08Speaker 2: Because of the psychological context of the last year and
- 31:11a half. For eighteen agonizing months, the killer has lived
- 31:16with a horrific.
- 31:17Speaker 1: Secret, thinking he's totally safe.
- 31:19Speaker 2: He has convinced himself that he got away with it,
- 31:22that his DNA isn't in codis, that the police have
- 31:24absolutely nothing on him. He is comfortably hiding in plain sight.
- 31:28Suddenly the police go on the local news. They release
- 31:31a computer generated face, and they essentially broadcast a message
- 31:34that says, we pulled this face directly from the DNA
- 31:37you left on Chantey's body. We know what color your
- 31:40eyes are, we know your ancestry. We are closing it.
- 31:43Speaker 1: Oh wow, Yeah, that would be terrifying for him.
- 31:46Speaker 2: Even if the sketch isn't a perfect photographic match. To
- 31:49the killer, sitting in his living room watching the news,
- 31:52it feels like the walls are suddenly violently rushing in.
- 31:55Speaker 1: It makes him panic.
- 31:56Speaker 2: It completely shatters his false sense of security. Police weren't
- 32:00just looking for a neighbor to recognize the face. They
- 32:03were hoping the immense psychological pressure of the release would
- 32:07force the killer into making a mistake or breaking down.
- 32:10Speaker 1: Entirely, and oh boy, did it ever force a breakdown.
- 32:13Speaker 2: It really did.
- 32:14Speaker 1: Let's look at exactly what happens the minute that sketch
- 32:16hits the public sphere. It is November twenty seventeen, the
- 32:20images on the evening news, It's circulating rapidly on Facebook
- 32:24and local social media groups.
- 32:25Speaker 2: Everyone is seeing it.
- 32:26Speaker 1: Everyone, Shante's family and her half brother look at the
- 32:29composite and almost immediately, looking at this computer generated face,
- 32:33one of them says, I know who that is, which is.
- 32:36Speaker 2: Wild given how generic we thought it was.
- 32:38Speaker 1: Right, the sketch bears a striking resemblance to a twenty
- 32:42one year old local guy named Ryan Derek Riggs.
- 32:45Speaker 2: And this is where all those puzzle pieces we discussed
- 32:47finally start to lock together, revealing a picture no one
- 32:51in the town ever wanted to see.
- 32:53Speaker 1: No one because Ryan Riggs wasn't some drifter passing through
- 32:57on the highway. He wasn't a known criminal on the
- 33:00police radar during the initial one hundred interviews at all.
- 33:04Speaker 2: He was completely under the radar.
- 33:06Speaker 1: He knew Shanta's boyfriend, he attended the exact same church
- 33:09as Shantay North Lake Community Church. And here's the part
- 33:13that is just completely stomach churning when you think about it.
- 33:16Speaker 2: Oh, I know what you're going to say.
- 33:17Speaker 1: Riggs actually participated in the community search efforts that weekend
- 33:20Chantay went missing, just sickening. He attended her funeral. He
- 33:25stood right there beside her grieving family, offering his condolences,
- 33:29knowing exactly what he had done to her, knowing exactly
- 33:32where he had left her body.
- 33:33Speaker 2: It is the ultimate sickening betrayal of that community social
- 33:37contract we discussed earlier.
- 33:38Speaker 1: It really is.
- 33:39Speaker 2: The monster they were terrified of, The phantom they were
- 33:42locking their doors against. Wasn't hiding out in the dark woods.
- 33:46He was sitting in the pew right next to them,
- 33:48singing the exact same hymns on Sunday morning.
- 33:52Speaker 1: It's hard to wrap your head around.
- 33:54Speaker 2: The level of profound psychological compartmentalization required to commit a brutal,
- 33:59violent murder, dump the body in a cellar, and then
- 34:03wake up the next morning and go hand out missing
- 34:05person flyers with the victim's grandfather.
- 34:08Speaker 1: Hmmmm.
- 34:09Speaker 2: It is chilling, very chilling. It requires a mind capable
- 34:12of entirely disconnecting from its own actions.
- 34:15Speaker 1: It reminds me so much of Edgar Allan Poe's famous
- 34:19short story The Telltale Heart.
- 34:21Speaker 2: Oh that's a perfect comparison, yew.
- 34:23Speaker 1: The story, the narrator commits the murder, chops up the body,
- 34:25and hides it under the floorboards of his house. The
- 34:28police come to interview him, and he invites them in.
- 34:30He thinks he's so smart, he thinks he got away
- 34:33with the perfect crime. He's totally calm. But as they
- 34:35sit there talking, he starts hearing the heartbeat of the
- 34:38victim ticking louder and louder in his own head. Yeah,
- 34:41it's just his own guilt manifesting, But the sound becomes
- 34:44deafening until the internal pressure drives him completely insane and
- 34:48he confesses just to make the.
- 34:50Speaker 2: Sound stop, Which is exactly what happened here.
- 34:52Speaker 1: That is exactly, almost literally what happened to Ryan Riggs.
- 34:56The police didn't knock on his door with a warrant,
- 34:58they didn't even know his name yet, but the internal
- 35:01pressure of his own guilt, amplified a thousand times over
- 35:05by seeing his own face generated by science on the
- 35:08evening news, caused him to snap.
- 35:11Speaker 2: The psychological breaking point is a well documented phenomenon in
- 35:14cases like this. Where a perpetrator is living a double life.
- 35:18Riggs saw that sketch and realize the invisibility cloak he
- 35:21had worn for eighteen months had just been ripped away.
- 35:25Speaker 1: He couldn't hide anymore.
- 35:26Speaker 2: The sources note that his immediate reaction was pure panic
- 35:29and flight. He actually left the area for a short time,
- 35:32driving away to escape the pressure. He even contemplated suicide.
- 35:36Speaker 1: Wow, he was really spiraling.
- 35:37Speaker 2: He felt entirely cornered by his own biology. The very
- 35:41DNA he left behind was now drawing a picture of him.
- 35:44But ultimately, after fleeing, he made a different choice. He
- 35:49felt compelled by his deeply ingrained faith and by the
- 35:52crushing weight of his conscience to return and turn himself in.
- 35:57The compartmentalization completely.
- 35:59Speaker 1: Failed him, which leads us to November fifteenth, twenty seventeen,
- 36:02exactly eighteen months after Shante was murdered. This brings us
- 36:06to one of the most stunning cinematic moments in modern
- 36:10true crime history.
- 36:11Speaker 2: It really is unbelievable.
- 36:12Speaker 1: Riggs returns to Brown County with his parents and it
- 36:16is a Sunday morning. They go to North Lake Community
- 36:18Church for the regular service. The church right in the
- 36:20middle of the service. Ryan Riggs stands up in front
- 36:23of the entire congregation. These are the very same people
- 36:26who searched for Chantey, the people who warned her, the
- 36:29people who have lived in fear for a year and
- 36:31a half, and he announces out loud, I am a murderer.
- 36:35I killed Chante.
- 36:36Speaker 2: I want you to truly imagine the absolute, suffocating silence
- 36:40that must have fallen over that room after those words
- 36:42left his mouth.
- 36:43Speaker 1: You could hear a pin drop.
- 36:44Speaker 2: I'm sure the sheer audacity of the setting is hard
- 36:47to comprehend. He didn't just walk into a sterile police
- 36:50priescinct to confess. He confessed in the spiritual harm of
- 36:54his victim, directly to the people who loved her most.
- 36:57Speaker 1: The people who watched her grow.
- 36:58Speaker 2: Up exactly and Pastor Ron Keener, who intimately knew both
- 37:03Chante and Riggs, immediately steps in. He handles an incredibly
- 37:08volatile situation remarkably well.
- 37:10Speaker 1: Yeah, that could have gone south so fast.
- 37:12Speaker 2: He keeps the peace, ensures no one reacts violently, and
- 37:16immediately calls law enforcement. Rig's own parents, grappling with a
- 37:20shock of what their son just admitted, then drive him
- 37:23straight to the police station.
- 37:24Speaker 1: And we have this incredible, stark juxtaposition. You have this dramatic, explosive,
- 37:29highly emotional confession in the church sanctuary, but then you
- 37:33transition immediately to the cold, hard, procedural reality of the
- 37:36police interrogation room.
- 37:38Speaker 2: It's a jarring shift.
- 37:39Speaker 1: Riggs sits down with Captain Scott Bird and Texas Ranger
- 37:43Jason Shay, the men who have been hunting him for
- 37:45eighteen months, and over the course of two hours, he
- 37:49gives a calm, matter of fact confession. He finally lays
- 37:53out every single missing puzzle piece. He tells them everything.
- 37:57Speaker 2: It is in this sterile interrogation room that we finally
- 38:01learn the rhythmic, step by step timeline of what happened
- 38:05on Friday the thirteenth.
- 38:06Speaker 1: What did she say?
- 38:08Speaker 2: Riggs admitted to the investigators that he saw Shantay walking
- 38:10near the community mailboxes that evening. He pulled over and
- 38:14offered her a ride because he was a familiar face,
- 38:17a guy from her church, someone who fit into that
- 38:19collective social contract of safety. She accepted give us. Why
- 38:23wouldn't she exactly? He then drove her to a completely
- 38:26secluded spot, sexually assaulted her, and murdered her. Afterwards, trying
- 38:31to cover his tracks, he drove her body to the
- 38:33abandoned Victorian farmhouse, the Haunted House, and dumped her down
- 38:36the stairs of the storm cellar.
- 38:38Speaker 1: Just pustered her down there.
- 38:39Speaker 2: He tossed her phone somewhere along the road to get
- 38:41rid of the GPS tracking.
- 38:42Speaker 1: The mechanical details are brutal enough, but there is one
- 38:44specific detail from his confession that just made me sick
- 38:48to my stomach. It is the absolute worst part of
- 38:50all this.
- 38:50Speaker 2: Yes, the motive, Yeah, the motive. When the investigators asked
- 38:54him the most important question, why, out of everyone, why,
- 38:58Chanteys calmly admitted that he chose her specifically because she
- 39:03was petite and because of her developmental disabilities, she was
- 39:06an easy target.
- 39:07Speaker 1: An easy target.
- 39:09Speaker 2: That phrase easy target is the most damning, horrific part
- 39:12of his entire confession. It strips away any illusion that
- 39:16this was a crime of sudden passion, a misunderstanding, or
- 39:19a spontaneous mistake.
- 39:21Speaker 1: It wasn't an accident.
- 39:22Speaker 2: It reveals a deeply calculated, predatory exploitation of a highly
- 39:26vulnerable person, and as analysts we have to synthesize this
- 39:30deeply chilling duality in Ryan Ricks, and how do you
- 39:33square that right? On one hand, you have a man
- 39:36who coldly, logically calculates the murder of a disabled woman
- 39:40because he thinks she can't fight back, and then has
- 39:43the nerve to pretend to search for her. On the
- 39:46other hand, you have a man who is eventually so
- 39:49overcome by his religious conscience that he stands up in
- 39:52church to confess his sins. It is a profound contradiction
- 39:55of human character. How does a mind reconcile those two
- 40:00violent extremes.
- 40:01Speaker 1: I honestly don't think it can. I don't think a
- 40:03rational mind can reconcile it. And as a listener, I
- 40:06want you to really put yourself in the shoes of
- 40:08that congregation for a moment.
- 40:09Speaker 2: It's hard to do.
- 40:10Speaker 1: Put yourself in that room. How do you process that reality?
- 40:13You spend eighteen months terrified of phantom, praying for justice,
- 40:17leaning heavily on your faith in your community for strength,
- 40:19and then you find out the ultimate threat was inside
- 40:21the house the.
- 40:22Speaker 2: Whole time, right beside you.
- 40:23Speaker 1: How does a tight knit community reconcile the fact that
- 40:26the monster was sitting right there taking communion with them.
- 40:29It has to completely fracture the foundation of the town.
- 40:32Speaker 2: It absolutely does. A betrayal of that magnitude leaves deep
- 40:36psychological scars that take generations to heal. The church, which
- 40:40was a place of refuge and joy for Chante, was
- 40:43violently violated by his presence. The trust is broken. Yeah,
- 40:47But to the communities and men's credit, they did not
- 40:49let Riggs's darkness define them. They rallied around the family again,
- 40:53and they pushed forward for legal justice. They demanded accountability.
- 40:57Speaker 1: And that demand brings us to the legal resolution of
- 41:00this nightmare. Following his confession, Riggs is immediately charged with
- 41:04capital murder, a very serious charge in the state of Texas.
- 41:07That is a massive charge that means the death penalty
- 41:10is absolutely on the table. But this doesn't turn into
- 41:13a massive, drawn out circus of a trial. To spare
- 41:16Shante's family the agony of sitting through weeks of graphic
- 41:19testimony and years of endless appeals, a plea.
- 41:22Speaker 2: Deal is reached, which is probably for the best.
- 41:24Speaker 1: On February fifteenth, twenty nineteen, Ryan Riggs pleads guilty to
- 41:28capital murder. In exchange, the state waives the death penalty
- 41:31and he is sentenced to life in prison without the
- 41:33possibility of parole.
- 41:35Speaker 2: It is a highly pragmatic and honestly merciful conclusion for
- 41:40the legal system to offer. It provides absolute certainty he
- 41:43will never ever leave a prison cell, never, and it
- 41:46allows the family to close the grueling legal chapter without
- 41:50having to endure the trauma of a public trial. In
- 41:53capital cases in Texas, a death sentence triggers decades of
- 41:58mandatory appeals.
- 41:59Speaker 1: Right they would have to keep going back.
- 42:00Speaker 2: The family would be dragged back into court every few
- 42:03years to relive the worst day of their lives. A
- 42:06life sentence without parole stops that cycle of trauma immediately.
- 42:10Speaker 1: During the sentencing phase, Shantay's mother, Michelle McDaniel, delivered a
- 42:14victim impact statement that I think really speaks to the
- 42:17unbelievable enduring strength of this family.
- 42:19Speaker 2: She is incredible.
- 42:21Speaker 1: She stood up in court and spoke about the profound,
- 42:23bottomless loss they feel every single day. She openly mourned
- 42:27the future. Shante was violently robbed of the fact that
- 42:30she will never get married, she will never have children,
- 42:32she will never walk down those country roads again. Heartbreaking,
- 42:35But amidst all that pain, she also offered Rigs forgiveness.
- 42:39She rooted that profound forgiveness and the very faith that
- 42:42Chantey loved so much.
- 42:43Speaker 2: That level of grace is almost incomprehensible to most people.
- 42:47Given the extreme brutality of the crime. I could do
- 42:49it for many victims' families. Forgiveness in a courtroom is
- 42:53not about absolving the killer of their sins. It is
- 42:56about releasing the family themselves from the toxic burden of
- 43:00carrying that hatred forever. It is a necessary, proactive step
- 43:04for their own psychological survival. It is taking back their power.
- 43:09Speaker 1: So the legal case is officially closed, Riggs is in
- 43:12a self forever, but the physical remnants of the crime
- 43:14remained a festering problem for the town. Let's fast forward
- 43:18a bit to recent times. In twenty twenty five, the
- 43:21case gained national attention all over again.
- 43:23Speaker 2: Right the Dateline special Yeah.
- 43:25Speaker 1: Dateline produced an incredibly popular episode detailing the case, titled
- 43:30The Haunted House Confession. And while national attention can be
- 43:33good for keeping victim's memories alive and highlighting new forensics,
- 43:37in this specific case, it brought a really ugly disruptive
- 43:40side effect to Brown County.
- 43:41Speaker 2: Yes, we are talking about the sociological phenomenon known as
- 43:44dark tourism. Dark tourism in our current era of intense
- 43:49true crime obsession, physical locations associated with tragedy frequently become
- 43:53morbid tourist attractions for amateur sleuths. People want to go
- 43:57and stand exactly where the horror happened.
- 44:00Speaker 1: It's weird.
- 44:00Speaker 2: It's a very strange human impulse. After the Dateline episode
- 44:03aired to millions of viewers, the abandoned Victorian farmhouse began
- 44:07attracting out of town curiosity seekers. You had trespassers jumping fences,
- 44:13taking selfies, completely ignoring the no trespassing signs posted by
- 44:17the owners.
- 44:18Speaker 1: They were treating a real place where a real innocent
- 44:21woman suffered horrific violence as a spooky theme park ride.
- 44:24Speaker 2: It's grotesque, exactly, and the commodification of their local tragedy
- 44:27was just reopening the deepest wounds for the community. Every
- 44:31time they drove past, they saw people treating a murder
- 44:33site like a tourist trap.
- 44:34Speaker 1: So they took action.
- 44:35Speaker 2: They did. The landowner, deeply concerned for public safety and
- 44:38profoundly recognizing the ongoing pain the structure was causing, the town,
- 44:42made a definitive final decision. In April twenty twenty five,
- 44:46heavy equipment was brought in.
- 44:48Speaker 1: They tore it down.
- 44:49Speaker 2: They completely demolished the Victorian farmhouse. They leveled the structures entirely,
- 44:54and they filled in the storm cellar with hundreds of
- 44:56pounds of dirt. They physically erased the location from the
- 44:59lane landscape.
- 45:00Speaker 1: I think there is a really profound, lasting, poetic justice
- 45:03in that action, very much so. The haunted house, which
- 45:06had become this terrible, rotting monument to the worst day
- 45:10in the town's history, is physically wiped off the face
- 45:12of the earth. The dirt is smoothed over.
- 45:15Speaker 2: It is gone, gone forever.
- 45:17Speaker 1: But Chante's memory, her gentle spirit, the love her family
- 45:20clearly still has for her, that is lovingly preserved by
- 45:23the people who matter. The community actively destroyed the symbol
- 45:27of the killer and fiercely protected the legacy of the victim.
- 45:30Speaker 2: The physical destruction of the property was a necessary therapeutic
- 45:34act of reclamation for Brown County. It allowed the community
- 45:37to definitively reclaim their peace. The geography no longer holds
- 45:42that specific darkness. The physical anchor to the trauma has been.
- 45:46Speaker 1: Removed, so as we wrap up this deep dive today,
- 45:49let's look back at the incredible, twisting journey of this case.
- 45:53We started with a devastating crime that shattered a peaceful
- 45:56routine and violently broke the illusion of rural.
- 45:59Speaker 2: Safety, completely shattered it.
- 46:01Speaker 1: We watched a highly dedicated police force do everything right,
- 46:05only to hit a frustrating technological dead end. We saw
- 46:08them pivot, relying on cutting edge DNA phenotyping to generate
- 46:13a totally new kind of light when the old methods failed.
- 46:16Speaker 2: Changing the game entirely.
- 46:17Speaker 1: And finally, we saw a killer who realized he could
- 46:20not outrun his own biology or his own conscience, leading
- 46:23to a shocking confession that stunned a church and finally,
- 46:27after eighteen months, brought the truth into the light.
- 46:30Speaker 2: It truly is a testament to the profound, enduring resilience
- 46:33of Chantey's family and the entire Brown County community. They
- 46:37proved that even in the face of profound, intimate betrayal
- 46:41by one of their own, the truth has a way
- 46:43of forcing itself to the surface.
- 46:45Speaker 1: It always comes out.
- 46:46Speaker 2: The combination of relentless police work, innovative forensic science, and
- 46:50the heavy crushing burden of guilt ultimately delivered justice. But
- 46:54before we go, there's a lingering thought here that I
- 46:57just can't shake, and I want to leave it with
- 46:59you to ponder long after this deep dive ends.
- 47:02Speaker 1: Okay, what is it?
- 47:03Speaker 2: Let's look back at that generic DNA sketch one more time.
- 47:06If Ryan Riggs hadn't felt compelled by his faith, or
- 47:10if he hadn't seen the sketch on the news and
- 47:12felt the psychological pressure break him, well, if he had
- 47:16just kept his mouth shut and stayed home that Sunday, Right,
- 47:19what a generic DNA phenotype profile of a young white
- 47:22male with light eyes ever had been enough to actually
- 47:26convict him in a quarter of law? Wow?
- 47:27Speaker 1: Probably not.
- 47:28Speaker 2: It forces you to wonder how many perfectly constructed physical
- 47:32profiles generated by this exact, same groundbreaking technology are sitting
- 47:37in cold case police files all across the country right now,
- 47:40just sitting there in the dark, waiting not for a
- 47:43database match, but waiting for a guilty conscience to finally break.
- 47:47Speaker 1: Until next time, keep looking at the beasts.