Latest / Crime and Horror / Top 5 Bingeable SCARY STORIES • NIGHTMARE FUEL Edition Vol. 2
Transcript
- 0:00Speaker 1: Today, we have a very special bonus video for you guys.
- 0:03Speaker 1: It's a collection of five fan favorites that are all
- 0:06Speaker 1: just straight nightmare fuel. Now, even if you've heard or
- 0:10Speaker 1: seen one or all of these stories before, keep in
- 0:13Speaker 1: mind they've all been completely re edited for today's episode,
- 0:17Speaker 1: so it should feel like a brand new viewing experience.
- 0:19Speaker 1: But before we get into today's five stories, if you're
- 0:23Speaker 1: a fan of the strange, dark and mysterious delivered in
- 0:25Speaker 1: story format, and you've come to the right place, because
- 0:28Speaker 1: that's all we do, and we upload once a week.
- 0:31Speaker 1: So if that's of interest to you, please offer to
- 0:33Speaker 1: do the like Buttons laundry, but when you do a
- 0:36Speaker 1: load of their colored clothes, go ahead and just fill it.
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- 0:45Speaker 1: any of our weekly uploads. Okay, let's get into today's
- 0:48Speaker 1: five stories. In twenty fourteen, the United States Navy decided
- 1:08Speaker 1: it was time to decommission one of their old frigate ships,
- 1:12Speaker 1: and so they sent it to a dock to be
- 1:14Speaker 1: broken down for scrap in order for workers to actually
- 1:17Speaker 1: be able to access the underside of the ship and
- 1:19Speaker 1: actually begin to break it down.
- 1:21Speaker 2: They would need to dry dock the.
- 1:22Speaker 1: Ship, which meant the ship would basically drive into this
- 1:25Speaker 1: special locking corral where the doors would shut behind it,
- 1:28Speaker 1: the water would drain out from underneath, and the ship
- 1:31Speaker 1: would be left resting on these huge wooden blocks that
- 1:34Speaker 1: elevated it off the ground. And with no water in there,
- 1:37Speaker 1: workers were able to get underneath the hall and could
- 1:39Speaker 1: access every part of the ship without obstruction. It's important
- 1:43Speaker 1: to note for this story that when a ship is
- 1:45Speaker 1: in dry dock, there is only one way on or off.
- 1:48Speaker 1: It's this ramp called a gangway, that leads from the
- 1:51Speaker 1: dock onto the deck of the ship. Besides that, there
- 1:54Speaker 1: is nowhere else for you to get on this ship,
- 1:56Speaker 1: and if for some reason you really wanted to get
- 1:59Speaker 1: on and didn't use the gangway, you could, in theory,
- 2:01Speaker 1: try to run and leap from the dock to the ship.
- 2:05Speaker 1: There's a pretty significant gap there all the way around,
- 2:07Speaker 1: but you could try the jump, but if you weren't
- 2:10Speaker 1: successful at grabbing onto the ship, you would fall multiple stories,
- 2:13Speaker 1: probably to your death because there's no water in the
- 2:16Speaker 1: dry dock.
- 2:17Speaker 2: So this old.
- 2:17Speaker 1: Frigate ship that was being decommissioned was officially dry docked
- 2:21Speaker 1: in July of twenty fourteen. The first group of people
- 2:24Speaker 1: that went on board the ship to begin dismantling it
- 2:26Speaker 1: were military personnel. They were in charge of removing all
- 2:30Speaker 1: of the sensitive equipment before civilians were allowed to go
- 2:33Speaker 1: on board. The military personnel begin to wrap up, and
- 2:35Speaker 1: it's getting late in the day and they tell the
- 2:38Speaker 1: foreman who's in charge of all of the civilian workers
- 2:40Speaker 1: that are going to be going on and finishing this
- 2:43Speaker 1: decommissioning of the ship. They go to the foreman and
- 2:46Speaker 1: they say, hey, we're done. We're wrapped up for the night.
- 2:48Speaker 1: Your workers are good to go. They can get on
- 2:49Speaker 1: here tomorrow. The foreman would send a message to his
- 2:52Speaker 1: boss that night letting him know that they were on
- 2:54Speaker 1: track to start work the next day. The boss would
- 2:57Speaker 1: respond and say, hey, can you go on there tonight
- 3:00Speaker 1: and take pictures of all the different workstations so we
- 3:02Speaker 1: know how many people that we need to place in
- 3:04Speaker 1: different segments of this big ship. So the foreman walks
- 3:07Speaker 1: onto the ship and proceeds to take hundreds of pictures
- 3:10Speaker 1: all over the inside of the ship. Now the ship
- 3:13Speaker 1: itself was pitch black inside. There was no electricity, and
- 3:16Speaker 1: it was nighttime, so we had a flashlight the whole time,
- 3:18Speaker 1: but whenever he took a picture, he would turn his
- 3:20Speaker 1: flashlight off and then use the flash on his camera
- 3:23Speaker 1: before going back to his actual flashlight. So all night
- 3:26Speaker 1: he's going room to room taking all these pictures, and
- 3:28Speaker 1: at some point he realizes he's photographed everything he needs to,
- 3:31Speaker 1: so he leaves. He goes back to his office, he
- 3:33Speaker 1: uploads the pictures, and he sends them to his boss.
- 3:36Speaker 1: His boss wrote back almost immediately and just said, who's
- 3:40Speaker 1: the guy with the axe? Now, the foreman has no
- 3:42Speaker 1: idea what he's talking about. He was just in the
- 3:44Speaker 1: ship by himself for a couple of hours and didn't
- 3:46Speaker 1: see anyone. So he reads the email again to make
- 3:49Speaker 1: sure he read it correctly, and he sees that his
- 3:51Speaker 1: boss is actually attached the picture he is referring to.
- 3:54Speaker 1: Here is this guy clearly clutching an axe in a
- 3:57Speaker 1: hallway that.
- 3:58Speaker 2: He was just in.
- 3:59Speaker 1: And even the creepier is the foreman is looking at
- 4:01Speaker 1: where this picture was taken, and it was relatively early
- 4:04Speaker 1: on in his photo shoot, and he had walked past
- 4:08Speaker 1: the exact area where this guy's poking his head out
- 4:11Speaker 1: of which means the whole time he was down there,
- 4:14Speaker 1: this guy with an axe was there with him. They
- 4:16Speaker 1: review the security footage of a camera that was aimed
- 4:19Speaker 1: directly at the ramp, the one entrance in and out
- 4:22Speaker 1: of this ship, and from the time the foreman left,
- 4:25Speaker 1: no one else left, So they don't know how he
- 4:27Speaker 1: got on or how he got off without being detected,
- 4:30Speaker 1: but somehow he did. In July of twenty sixteen, a
- 4:46Speaker 1: woman living in Chicago, Illinois, named Jordan Baranskis opened her
- 4:50Speaker 1: eyes and realized she had fallen asleep on the couch
- 4:53Speaker 1: the night before. She looked up and the TV was
- 4:55Speaker 1: still on, And then she looked down at the other
- 4:57Speaker 1: section of the couch and her boyfriend met was all
- 5:00Speaker 1: so asleep on the couch. As much as she wanted
- 5:02Speaker 1: to keep sleeping alongside her boyfriend, she had work that day,
- 5:05Speaker 1: so she stood up, turned the TV off, and made
- 5:07Speaker 1: her way upstairs to get ready.
- 5:09Speaker 2: As soon as she got upstairs, the.
- 5:10Speaker 1: First thing she did is go into her bedroom and
- 5:13Speaker 1: get her purse that she left on the foot of
- 5:14Speaker 1: her bed. But when she got in the room, her
- 5:16Speaker 1: purse wasn't there. So she leaves her bedroom and she
- 5:18Speaker 1: starts searching all the rooms upstairs, and she can't find
- 5:21Speaker 1: her purse, and she's thinking to herself, I'm certain I
- 5:24Speaker 1: had it the night before. I remember rifling through my
- 5:27Speaker 1: purse before going downstairs and starting to fold laundry before
- 5:31Speaker 1: ultimately falling asleep on the couch. So, after spending about
- 5:34Speaker 1: fifteen minutes looking for the purse unsuccessfully, and now she's
- 5:36Speaker 1: starting to stress because she's gonna be late for work
- 5:39Speaker 1: because she can't find a purse, she goes downstairs and
- 5:42Speaker 1: she wakes Mad up and says, hey, I gotta find
- 5:44Speaker 1: my purse. I thought I left it upstairs. Apparently I didn't.
- 5:46Speaker 1: Can you help me look for it.
- 5:48Speaker 2: Matt rolls over.
- 5:49Speaker 1: He doesn't really want to get up because he's pretty
- 5:50Speaker 1: tired and he doesn't have work, so he doesn't want
- 5:53Speaker 1: to wake up right now, and he says, well, are
- 5:55Speaker 1: you sure you didn't leave it at the restaurant last night?
- 5:57Speaker 1: I mean, if you already looked, it's probably not here.
- 5:59Speaker 1: You want to just give them all and see if
- 6:00Speaker 1: you left it there. Jordan was immediately really annoyed by
- 6:03Speaker 1: his reaction, because she just wanted him to stand up
- 6:06Speaker 1: and help her look for the purse because she had
- 6:08Speaker 1: work and he.
- 6:08Speaker 2: Could just go back to sleep. And so it started
- 6:10Speaker 2: this argument.
- 6:11Speaker 1: Between the two of them where Matt just wanted her
- 6:14Speaker 1: to call the restaurant because he was convinced she had
- 6:16Speaker 1: it there, and Jordan was like, no, I know I
- 6:19Speaker 1: had my purse. I'm positive I had it last night
- 6:22Speaker 1: before I fell asleep on the couch with you. So
- 6:24Speaker 1: their argument begins to escalate a little bit, and that's
- 6:27Speaker 1: when Jordan remembers that they had recently installed a Nest
- 6:30Speaker 1: camera downstairs to monitor their dogs whenever they were gone,
- 6:33Speaker 1: and she thought, we can just look at the footage
- 6:35Speaker 1: on the Nest camera. We can see me walking into
- 6:38Speaker 1: the apartment and I will either have or not have
- 6:41Speaker 1: my purse in my hand. And so Jordan opens up
- 6:43Speaker 1: her app and she calls Matt over and they go
- 6:45Speaker 1: back to the night before, right before they left for
- 6:47Speaker 1: the restaurant.
- 6:48Speaker 2: She's got our person hand. They leave the front door, and.
- 6:51Speaker 1: Then several hours go by and they come back in
- 6:54Speaker 1: and very clearly Jordan has her purse in her hand.
- 6:57Speaker 1: And Jordan turns to Matt and says, told you so,
- 6:59Speaker 1: and Matt's it's like, okay, fine, let me help you. Look,
- 7:02Speaker 1: and as they're about to put the app down, she
- 7:04Speaker 1: realizes on the nest camera timeline that motion was detected
- 7:08Speaker 1: at three thirty in the morning, when they were both
- 7:10Speaker 1: clearly asleep on the couch, and so she calls Matt
- 7:13Speaker 1: back over and says, here, look, there's motion detected at
- 7:15Speaker 1: three thirty in the morning, and they hit play. After
- 7:18Speaker 1: the couple had fallen asleep on the couch with the
- 7:20Speaker 1: TV on, a hooded figure emerges from their upstairs hallway
- 7:24Speaker 1: and stands at the top of the stairs and just
- 7:26Speaker 1: watches the two of them sleep. Before he left, he
- 7:29Speaker 1: stole her purse, along with a couple of other things
- 7:31Speaker 1: from their apartment. And somehow this guy has never been caught,
- 7:34Speaker 1: and he's been given the nickname Creeper Ghost. In early
- 7:49Speaker 1: nineteen seventy four, thirty one year old Michael Taylor was
- 7:52Speaker 1: living happily with his wife Christine and their five children
- 7:56Speaker 1: in Osset, which is a small town in central England.
- 7:59Speaker 1: Michael was described as a great father and a great
- 8:01Speaker 1: husband who had an excellent sense of humor. In fact,
- 8:04Speaker 1: neighbors whenever they would walk past the tailor household would
- 8:08Speaker 1: say you could often hear the sound of Michael laughing
- 8:10Speaker 1: or the sound of him telling jokes to his family.
- 8:13Speaker 1: But in April of that year, everything changed for the
- 8:15Speaker 1: Tailor family. Michael had been doing some home repairs when
- 8:18Speaker 1: he fell off of a ladder and he heard his back.
- 8:21Speaker 1: The injury itself was fairly minor, but it resulted in
- 8:24Speaker 1: chronic pain, and this chronic pain quickly changed how Michael behaved.
- 8:29Speaker 1: Michael went from being this cheerful, funny, happy guy to
- 8:32Speaker 1: being sad and depressed, and he was so irritable that
- 8:36Speaker 1: his family could barely be around him because he would
- 8:38Speaker 1: lash out at them. Now, the Tailor family was not
- 8:41Speaker 1: a religious family, however, most families who lived in auct
- 8:45Speaker 1: at that time were, and so when one of Michael's
- 8:47Speaker 1: friends found out about how poorly Michael was doing, they
- 8:50Speaker 1: approached Michael and said, you know, you really ought to
- 8:53Speaker 1: turn to religion for help and for guidance in this
- 8:56Speaker 1: difficult time.
- 8:56Speaker 2: And they also told him.
- 8:57Speaker 1: Specifically that he really ought to check out this one
- 9:00Speaker 1: particular Christian group. It was called the Christian Fellowship Group,
- 9:04Speaker 1: and all it was was a prayer group for Christians
- 9:08Speaker 1: who wanted more religious support beyond just going to church
- 9:11Speaker 1: on Sundays. But this friend of Michael's told him that
- 9:14Speaker 1: the real draw of this group was the group's leader.
- 9:18Speaker 1: Her name was Marie Robinson, and she was this twenty
- 9:21Speaker 1: one year old, extremely friendly and energetic and charismatic person
- 9:25Speaker 1: who just had this incredible way of making all of
- 9:28Speaker 1: her members really feel like they belonged. And so Michael's
- 9:31Speaker 1: friend was telling him that he really thought Marie could
- 9:34Speaker 1: be the difference maker for him, that she could help
- 9:37Speaker 1: him get back to normal. And so Michael, you know,
- 9:39Speaker 1: he trusted this friend, and he really didn't have much
- 9:41Speaker 1: to lose at this point. He was already at rock bottom,
- 9:44Speaker 1: and so he agrees to go check this group out.
- 9:46Speaker 1: So on September twelfth of that year, Michael makes his
- 9:48Speaker 1: way to the church where this fellowship group is held.
- 9:51Speaker 1: He goes inside, and he makes his way to one
- 9:53Speaker 1: of the back rooms in the church, and when he
- 9:55Speaker 1: goes inside, he sees there's a ring of people sitting
- 9:58Speaker 1: in a circle, about twenty PEPs people, And as soon
- 10:01Speaker 1: as they see Michael coming in the room, they all
- 10:03Speaker 1: stand up and they open their arms up and they say,
- 10:05Speaker 1: come on, come sit down with us, Welcome, Welcome to
- 10:07Speaker 1: the group. And then the woman who had to be Marie,
- 10:10Speaker 1: she stands up and she looks at Michael, huge smile
- 10:12Speaker 1: on her face, and she encourages him to come over
- 10:15Speaker 1: and sit right next to me. Welcome, We'd love to
- 10:17Speaker 1: have you join our group. And so Michael, for the
- 10:19Speaker 1: first time in ages, is smiling as he strides across
- 10:22Speaker 1: the room and sits down right next to Marie. And
- 10:24Speaker 1: then as Marie began to lead the group in prayer,
- 10:27Speaker 1: Michael did not feel his chronic pain.
- 10:30Speaker 2: He just felt happy again.
- 10:31Speaker 1: But when the meeting was over and Michael went back
- 10:34Speaker 1: home again, the pain and depression came flooding back. It
- 10:38Speaker 1: was like the only place he could be happy was
- 10:40Speaker 1: inside of the church at this fellowship group. And so
- 10:43Speaker 1: over the next couple of weeks, Michael completely prioritized this group.
- 10:47Speaker 1: He went to all of their meetings, and over the
- 10:50Speaker 1: course of these couple of weeks, Michael became very close
- 10:53Speaker 1: with Marie, and apparently Marie became very close with Michael,
- 10:57Speaker 1: to the point where the two of them would stay
- 10:59Speaker 1: after after the meetings were over, and just those two
- 11:02Speaker 1: would sequester themselves in quiet prayer. No one knew what
- 11:05Speaker 1: they did in there, but it just seemed like they
- 11:07Speaker 1: were developing a real relationship. And in fact, many people
- 11:11Speaker 1: in this group suspected they were having an affair. And
- 11:14Speaker 1: before long the rumors in the church had spread outside
- 11:17Speaker 1: and were all over Asset. And then before long, Christine,
- 11:20Speaker 1: Michael's wife, was hearing from a friend or a neighbor
- 11:23Speaker 1: that apparently Michael was having an affair with Marie. Now
- 11:26Speaker 1: Christine had already suspected her husband was having an affair
- 11:29Speaker 1: with Marie because Marie was the only thing Michael talked
- 11:32Speaker 1: about when he got home. So on October first of
- 11:35Speaker 1: that year, only a couple of weeks after Michael had
- 11:38Speaker 1: first attended this group, Christine waited until Michael had left
- 11:42Speaker 1: the house to head out to one of the group meetings.
- 11:44Speaker 1: And then Christine hopped in her car and she followed
- 11:47Speaker 1: him to the church. And when she got there, she
- 11:49Speaker 1: parked her car, she took a deep breath, and then
- 11:51Speaker 1: she got out. She made her way to the front
- 11:53Speaker 1: doors of the church and she stormed inside and she
- 11:56Speaker 1: found the room where these meetings were held. She barges
- 11:59Speaker 1: in and she points said her husband, and she says,
- 12:01Speaker 1: I know you're having an affair with Marie, then you're
- 12:04Speaker 1: gonna admit it in front of this whole group. And Michael,
- 12:07Speaker 1: who's sitting with his back to his wife in one
- 12:09Speaker 1: of the chairs, he stands up and instead of addressing
- 12:12Speaker 1: his wife, who's accused him of infidelity, he turns and
- 12:16Speaker 1: looks at Marie on the other side of the room.
- 12:18Speaker 1: And when Marie made eye contact with Michael, she screamed.
- 12:22Speaker 1: She would later say Michael did not look human. He
- 12:25Speaker 1: looked like a beast, and he had wild eyes. And
- 12:28Speaker 1: so as Michael is standing there staring at Marie with
- 12:31Speaker 1: this very aggressive face, he began breaking.
- 12:34Speaker 2: Out in tongues. Speaking in tongues is.
- 12:36Speaker 1: Where the speaker will be saying or uttering words or
- 12:39Speaker 1: sounds that sound like language, but the speaker doesn't know
- 12:43Speaker 1: what they mean. The idea is some entity has come
- 12:47Speaker 1: inside of their body and this entity is dictating their speech.
- 12:51Speaker 1: And so Michael is broken out in tongues. He's barking
- 12:54Speaker 1: these words and sounds at Marie, and everyone inside of
- 12:58Speaker 1: the room has no idea what to make of this.
- 13:00Speaker 1: Everything has happened so suddenly, and it's so surprising. You
- 13:03Speaker 1: have the wife suddenly coming in and aggressively accusing her
- 13:06Speaker 1: husband of cheating, and Michael is not responding to it,
- 13:09Speaker 1: and he's acting totally crazy. And then before anyone can
- 13:12Speaker 1: do anything, Michael goes from just barking in strange languages
- 13:16Speaker 1: at Marie to suddenly rushing across the room as if
- 13:19Speaker 1: he's going to attack her. And when he does that,
- 13:22Speaker 1: the rest of the members jump on top of him
- 13:24Speaker 1: and hold him down, and despite there being like ten
- 13:27Speaker 1: or fifteen people holding him down, Michael is still trying
- 13:30Speaker 1: to get up, and he's screaming and snarling and yelling
- 13:33Speaker 1: at Marie, and then Marie suddenly breaks out into tongues too,
- 13:37Speaker 1: and it's only then that Michael stops trying to force
- 13:40Speaker 1: himself up out of this pig pilot's on top of him,
- 13:43Speaker 1: and instead he just continues to speak in tongues to her,
- 13:46Speaker 1: and so the two of them are looking at each
- 13:48Speaker 1: other speaking in tongues, and the rest of the group
- 13:51Speaker 1: is just totally dumbfounded, and so they just begin praying,
- 13:54Speaker 1: and then after about an hour, Michael just collapses. It's
- 13:57Speaker 1: like he went unconscious, and at that point everybody in
- 13:59Speaker 1: the room just goes silent, and they look at Michael,
- 14:02Speaker 1: and then Michael kind of opens his eyes and it's
- 14:04Speaker 1: almost like he's waking up, and he begins looking around
- 14:06Speaker 1: frantically trying to figure out what had just happened. Michael
- 14:09Speaker 1: would claim he had no memory of what had just
- 14:11Speaker 1: happened to him, and so at this point Marie would
- 14:13Speaker 1: tell him and Christine that she believed Michael was possessed
- 14:18Speaker 1: by a demonic force and the only thing they could
- 14:20Speaker 1: do at this point would be to perform an exorcism,
- 14:23Speaker 1: and exorcism is an expulsion or attempted expulsion of a
- 14:27Speaker 1: supposedly evil spirit inside of a person or a place.
- 14:30Speaker 1: Michael and Christine were at a loss. They had no
- 14:33Speaker 1: idea what to do in this situation. They were both
- 14:36Speaker 1: kind of in shock for very different reasons, and so
- 14:39Speaker 1: they just kind of deferred to Marie's judgment and said, yeah,
- 14:41Speaker 1: you know, I think an exorcism is the way to go.
- 14:44Speaker 1: So Christine and Michael just leave the church and go home,
- 14:47Speaker 1: and then the next morning Marie would get in touch
- 14:50Speaker 1: with the Anglican Church of England and would request an exorcism,
- 14:53Speaker 1: and after hearing about what was going on with Michael,
- 14:56Speaker 1: the Anglican Church would say, yeah, that does sound like
- 14:59Speaker 1: he needs an exercis, and so the following day they
- 15:01Speaker 1: would send out two of their best exorcists named Peter
- 15:05Speaker 1: and Raymond, and so Peter and Raymond they get to asset,
- 15:08Speaker 1: they go to Michael's house and they observe him, and
- 15:10Speaker 1: very quickly they determined that it does seem like Michael
- 15:14Speaker 1: is possessed by at least.
- 15:15Speaker 2: One demonic force.
- 15:17Speaker 1: And so they tell Michael the only thing we can
- 15:19Speaker 1: do here is perform this exorcism, but we need you
- 15:22Speaker 1: to agree to it. And so Michael says, okay, yeah,
- 15:24Speaker 1: I agreed to this exorcism, and so would his wife,
- 15:27Speaker 1: because she at this point is just completely unsure what
- 15:30Speaker 1: to do.
- 15:30Speaker 2: She's just going along for the ride.
- 15:32Speaker 1: So a day later, on October fourth, at ten pm, Michael,
- 15:36Speaker 1: his wife, and the rest of the members of the
- 15:38Speaker 1: Spellowship group, along with Peter and Raymond, they would all
- 15:42Speaker 1: meet at this other church in.
- 15:43Speaker 2: A neighboring town.
- 15:44Speaker 1: And as soon as Michael had been positioned in the
- 15:46Speaker 1: middle of this group in this chair, Peter and Raymond
- 15:49Speaker 1: began the ritual by praying, and as soon as they did,
- 15:53Speaker 1: Michael began streaming out in tongues, and he began writhing around,
- 15:57Speaker 1: and he fell to the ground, and he began content
- 16:00Speaker 1: awarding his body in grotesque positions, as if the words
- 16:03Speaker 1: Peter and Raymond were saying were physically harming Michael. And
- 16:07Speaker 1: so after eight hours of this, during which they had
- 16:10Speaker 1: to actually tie Michael down to prevent him from hurting
- 16:14Speaker 1: other members or hurting himself, after eight hours, they finally
- 16:17Speaker 1: just came to a stop. Peter and Raymond were exhausted.
- 16:21Speaker 1: It looked very much like Michael two was exhausted, and
- 16:24Speaker 1: as soon as they stopped the ritual, Michael just kind
- 16:28Speaker 1: of collapsed on the ground as if he had fallen unconscious.
- 16:31Speaker 2: And then at some point he kind of wakes up.
- 16:32Speaker 2: He's looking around wildly.
- 16:34Speaker 1: He's still tied down to the ground, and he's acting
- 16:36Speaker 1: like he has no idea what's just happened. And at
- 16:38Speaker 1: this point, Peter and Raymond they tell him that, you know,
- 16:41Speaker 1: the exorcism was mostly successful. We identified forty demons inside
- 16:47Speaker 1: of you, and this exorcism was able to expel thirty
- 16:51Speaker 1: seven of them. So that means there's still three demons
- 16:54Speaker 1: inside of you. Now we can't do it right now,
- 16:56Speaker 1: We're too tired. You're too exhausted. So go home, get
- 16:59Speaker 1: some rap, and tomorrow we will finish this exorcism. We
- 17:02Speaker 1: will get rid of those three demons, and you will
- 17:05Speaker 1: be just fine. And so Michael and Christine they get
- 17:07Speaker 1: their things and they leave the church and they head home.
- 17:10Speaker 1: A few hours later, around noon, a woman who lived
- 17:14Speaker 1: near where Michael Taylor and his family lived thought she
- 17:17Speaker 1: heard something strange outside of her house.
- 17:19Speaker 2: It sounded like someone yelling, and so she went to
- 17:21Speaker 2: the front of.
- 17:21Speaker 1: The house and she pulled the curtain aside on one
- 17:23Speaker 1: of her windows, and outside, walking down the street, completely naked,
- 17:27Speaker 1: covered in blood, was Michael Taylor, and he was saying
- 17:30Speaker 1: something about Satan, and so this woman she calls the police.
- 17:33Speaker 1: The police show up and they find Michael. He had
- 17:36Speaker 1: curled up on the sidewalk outside of this woman's house
- 17:39Speaker 1: and he was giggling like a child in the fetal position,
- 17:41Speaker 1: and so the police approach him, and at some point
- 17:43Speaker 1: Michael apparently snaps out of it and he starts looking
- 17:46Speaker 1: up at the police like he has no idea what's
- 17:48Speaker 1: going on. And eventually they would get him to tell
- 17:50Speaker 1: them his name and where he lived. And so after
- 17:52Speaker 1: calling in back up to deal with Michael. The responding
- 17:56Speaker 1: officers made their way to Michael's residence and so they
- 17:59Speaker 1: go inside and immediately as soon as they see what's
- 18:02Speaker 1: in there, one of the officers just turns around and
- 18:05Speaker 1: runs outside and begins dry heaving. The inside of the
- 18:09Speaker 1: Taylor family home would become one of the most infamous
- 18:12Speaker 1: crime scenes in English history. A few hours earlier, when
- 18:15Speaker 1: Michael and his wife had come home from the exorcism,
- 18:19Speaker 1: they had gone inside and then Michael had fallen into
- 18:22Speaker 1: one of his trances and began beating his wife, and
- 18:25Speaker 1: then at some point she fell to the ground and
- 18:27Speaker 1: either was dead or was in the process of dying,
- 18:30Speaker 1: at which point Michael jumped on top of her and
- 18:33Speaker 1: using only his hands, he ripped her face off and
- 18:37Speaker 1: flung it across the room. And then as she's laying
- 18:39Speaker 1: there bleeding to death, he began rubbing her blood all
- 18:42Speaker 1: over his body, and then after she had finally died,
- 18:46Speaker 1: he tracked down the family.
- 18:47Speaker 2: Dog and killed the dog as well.
- 18:49Speaker 1: Fortunately, their five children were not home at the time
- 18:52Speaker 1: of this attack, and so they were unharmed. During Michael's trial,
- 18:56Speaker 1: the prosecution and the defense blamed the Anglican Church of
- 19:00Speaker 1: England and Marie and her religious group for effectively convincing
- 19:05Speaker 1: Michael he was possessed with demons which caused him to
- 19:08Speaker 1: act out violently and kill his wife. And so ultimately
- 19:12Speaker 1: Michael would be found not guilty by reason of insanity
- 19:16Speaker 1: and after only four years of psychiatric care, he was
- 19:19Speaker 1: released and today he is still living free in Auset.
- 19:23Speaker 1: But despite the legal outcomes of this case, there are
- 19:26Speaker 1: many people, both religious and not religious, who believe the
- 19:30Speaker 1: Michael Taylor case is one of the only true demonic
- 19:34Speaker 1: possession cases in modern history. Also, just to close the loop,
- 19:37Speaker 1: we don't know for sure if Michael and Marie were
- 19:40Speaker 1: having an affair, but it is assumed they were. It
- 19:49Speaker 1: begins here from the director of It comes It Welcome
- 19:52Speaker 1: to Darry, the chilling new HBO original series exploring one
- 19:56Speaker 1: of horror's biggest terrors, Pennywise the Clown, set in nineteen
- 20:01Speaker 1: sixties Dairy, Maine. The new HBO original series premiere Sunday,
- 20:05Speaker 1: October twenty sixth on HBO Max. Also, you can listen
- 20:09Speaker 1: to the official IT Welcome to Dairy podcast wherever you
- 20:12Speaker 1: get your podcasts. In eighteen ninety eight, a twelve year
- 20:30Speaker 1: old boy was playing at this river that ran near
- 20:34Speaker 1: his house.
- 20:34Speaker 2: He was out in the forest. He's playing to.
- 20:36Speaker 1: This river, and he had a bow and arrow and
- 20:38Speaker 1: he was practicing shooting his.
- 20:39Speaker 2: Bow and arrow.
- 20:40Speaker 1: And after a little while he got bored of his
- 20:42Speaker 1: bow and arrow and he went to the stream itself
- 20:45Speaker 1: and he started to build a little dam.
- 20:47Speaker 2: In the river to try to catch some fish.
- 20:49Speaker 1: And as he's building this thing up, he's down on
- 20:51Speaker 1: his knees building up this little dam in the river.
- 20:54Speaker 1: He notices someone is walking down the river towards him,
- 20:58Speaker 1: and he looks up and he would describe this person
- 21:01Speaker 1: as looking normal, a normal looking stranger. It's a gentleman
- 21:05Speaker 1: who shows up. He's wearing a nice suit. He walks
- 21:08Speaker 1: over to Wafford and he apparently just came out of
- 21:11Speaker 1: the woods and he says, hey, what are you doing.
- 21:13Speaker 1: And the boy, you know, he's like, oh, I'm making
- 21:15Speaker 1: this fish trap and he's like, man, it's like a
- 21:17Speaker 1: lot of work, Like, you know, you should take a break.
- 21:20Speaker 1: And the boy's like, yeah, I guess I could take
- 21:22Speaker 1: a break. And the gentleman just says, well, if you want,
- 21:26Speaker 1: you know, while you're taking this break, you can come
- 21:28Speaker 1: to my house.
- 21:29Speaker 2: It's just up past the bend here. My family's there.
- 21:32Speaker 2: You can have a meal with us, and then you
- 21:34Speaker 2: can come back and you can finish your fish trap.
- 21:36Speaker 2: And so, you know, this is a different time.
- 21:37Speaker 1: This is the late eighteen hundreds, and I'm not suggesting
- 21:40Speaker 1: that at the time it was totally cool to go
- 21:42Speaker 1: with strangers into weird houses in the forest. But the
- 21:46Speaker 1: boy felt compelled to say yes. He didn't want to
- 21:48Speaker 1: be rude, and maybe his fear of strangers is less
- 21:51Speaker 1: extreme than it is, you know, for us today in
- 21:53Speaker 1: twenty twenty. And so he agrees to go with the man.
- 21:56Speaker 1: They make their way up past the river into the
- 21:58Speaker 1: forest a little bit, and they come up to this cabin. Now,
- 22:00Speaker 1: the boy played in the woods here, and he had
- 22:03Speaker 1: never seen this house before.
- 22:05Speaker 2: But he's not he's not too.
- 22:06Speaker 1: Concerned because as soon as he gets to the house,
- 22:09Speaker 1: this cabin in the woods, he sees that the lights
- 22:11Speaker 1: are on and he hears kids playing inside, and a
- 22:15Speaker 1: close family friend of his families is sitting on the
- 22:17Speaker 1: porch talking to one of the other apparently family members
- 22:21Speaker 1: of the stranger. And so the boys put at ease
- 22:24Speaker 1: and he says hi to the family friend, and the
- 22:26Speaker 1: family friend, you know, waves back. The boy goes inside
- 22:28Speaker 1: and he sees that this family has a couple of
- 22:31Speaker 1: kids roughly his age. They're playing goofing around. They have
- 22:34Speaker 1: dinner in this wonderful meal, and the boy waffered, is like, man,
- 22:38Speaker 1: this is so great. And after the meal he lays
- 22:41Speaker 1: down and falls asleep. He kind of loses track of time.
- 22:44Speaker 1: The boy falls asleep at this cabin, and so he
- 22:46Speaker 1: wakes up early the next morning and he feels horrible
- 22:49Speaker 1: because he didn't mean to fall asleep, and he didn't
- 22:52Speaker 1: tell anyone from his family where he was going. And
- 22:54Speaker 1: he's thinking, man, they're going to be so worried about me.
- 22:57Speaker 1: And so as he's getting out to leave, the stranger
- 22:59Speaker 1: is our already awake, the one that had met him
- 23:01Speaker 1: down by the river and called him up.
- 23:02Speaker 2: To the house.
- 23:03Speaker 1: And the boy says, hey, can you walk me down
- 23:06Speaker 1: back to the river, And the stranger's like, I can
- 23:08Speaker 1: take you part of the way down, sure. So the
- 23:10Speaker 1: two of them they're having small talk, and you know,
- 23:12Speaker 1: the boy's thanking the man for his generosity. And so
- 23:15Speaker 1: as they're walking, they're passing by an orchard on one
- 23:19Speaker 1: side and a cornfield on the other, and it's this
- 23:22Speaker 1: beautiful morning, the sun's just coming up, and the boy
- 23:24Speaker 1: remembers thinking how beautiful the setting was, but he also
- 23:27Speaker 1: was thinking, like, I don't I don't even know where
- 23:30Speaker 1: I am right now, and I'm assuming he's walking me
- 23:32Speaker 1: back to where I live. But this doesn't look familiar
- 23:35Speaker 1: at all, and the stranger stops. They get to almost
- 23:39Speaker 1: a junction right at the end of the orchard and
- 23:41Speaker 1: of the cornfield, and the stranger tells the boy wafferd.
- 23:44Speaker 1: He says, hey, just go straight. You're going to turn
- 23:45Speaker 1: down this way, turn back and you'll be You'll be
- 23:48Speaker 1: at the river again where we met. And the boy
- 23:50Speaker 1: thanks the stranger, and the stranger turns and starts walking
- 23:53Speaker 1: back towards his cabin and says, hey, good luck sea,
- 23:56Speaker 1: and the boy starts following the man's directions. And as
- 24:01Speaker 1: he's walking, you know, following the stranger's directions, he just
- 24:04Speaker 1: he's suddenly curious and turns around to look back at
- 24:08Speaker 1: this strange person who had brought him up to the
- 24:12Speaker 1: house and then now brought him back, and he's stunned
- 24:15Speaker 1: because suddenly the orchard and the cornfield are not there.
- 24:19Speaker 1: There is no orchard or cornfield. It's just deep dark
- 24:24Speaker 1: forest and he's like, what's going on. He turns back
- 24:28Speaker 1: and there's a search party, or it looks like a
- 24:30Speaker 1: search party running up to him. Part of the search
- 24:33Speaker 1: party is the family friend that he had seen at
- 24:36Speaker 1: the house. And the boy's like looking at these people
- 24:39Speaker 1: running towards him, like they're running to him, and he
- 24:42Speaker 1: recognizes the family friend and he can tell they're like
- 24:44Speaker 1: urgently looking for him, and he felt bad because he
- 24:48Speaker 1: knows he slept over through the night. So he's like, hey,
- 24:50Speaker 1: I'm here. I'm here, and they're like, where have you been?
- 24:53Speaker 1: And the boy turns to the family friend and he's like,
- 24:56Speaker 1: didn't you tell them I was with you? And the
- 24:58Speaker 1: family friend is like, what are you talking about? And
- 25:00Speaker 1: he's like, yeah, the house with the family. We ate
- 25:04Speaker 1: dinner together last night. And the guy, the family friend,
- 25:08Speaker 1: is like, I've been looking for you for the past
- 25:10Speaker 1: several days. I've been with your family looking for You've
- 25:13Speaker 1: been gone for three days.
- 25:14Speaker 2: And the boy is like what.
- 25:17Speaker 1: And as he's describing the kind of general vicinity of
- 25:20Speaker 1: where this cabin was, he's kind of pointing back up
- 25:23Speaker 1: towards where it was and describing it from where the
- 25:25Speaker 1: river was. The family says to him that since you've
- 25:29Speaker 1: been missing, we've heard rhythmic drumming non stop coming from
- 25:34Speaker 1: the section of the forest that you just described. We
- 25:37Speaker 1: can never pinpoint where it was coming from. And now
- 25:39Speaker 1: that you just showed up, the drumming has stopped, and
- 25:41Speaker 1: so the kid's terrified, but there's no answers.
- 25:44Speaker 2: Pretty creepy.
- 25:59Speaker 1: My early nine, nine nine, Christopher Case was living his
- 26:02Speaker 1: best life. He was thirty five years old. He had
- 26:05Speaker 1: moved out to Seattle to pursue a career in music,
- 26:07Speaker 1: and he had landed a job at a music company
- 26:10Speaker 1: in Seattle, and he had risen to the rank of
- 26:12Speaker 1: executive at that company. He was incredibly fit. You know,
- 26:15Speaker 1: he was known for being at the gym seven days
- 26:18Speaker 1: a week. You know, he took vitamins, He took his
- 26:19Speaker 1: health very seriously. He had loads of friends. People really
- 26:24Speaker 1: liked him. He was very close with his family. And
- 26:27Speaker 1: you know, despite all that, despite his popularity and success,
- 26:31Speaker 1: he had been single for years.
- 26:33Speaker 2: And even though he was not.
- 26:34Speaker 1: Actively seeking a companion, his friends and family were continuously
- 26:39Speaker 1: trying to set him up on dates, but Chris would
- 26:43Speaker 1: prefer to not go on a date and actually stay
- 26:45Speaker 1: home by himself and listen to music because Chris had
- 26:49Speaker 1: an obsession with a very specific type of music. He
- 26:52Speaker 1: loved music from ancient times, specifically from Egypt, and so
- 26:57Speaker 1: he was stay home instead of go out on dates
- 27:00Speaker 1: and you know, crush ancient Egyptian music.
- 27:02Speaker 2: That was like his idea of a great night.
- 27:04Speaker 1: On April eleventh of nineteen ninety nine, Chris was on
- 27:08Speaker 1: a business trip because part of his job required a
- 27:10Speaker 1: ton of travel, and he was on a trip with
- 27:13Speaker 1: a couple of his co workers who were also friends
- 27:16Speaker 1: of his. They go out to San Francisco and on
- 27:19Speaker 1: the eleventh they decide to go out for dinner that night,
- 27:21Speaker 1: and one of his co workers decides to bring along
- 27:24Speaker 1: a friend who was someone that lived in the area.
- 27:27Speaker 1: So they get to dinner and one of them has
- 27:29Speaker 1: their friend who's an older woman, very attractive, very kind
- 27:32Speaker 1: of intense looking woman. She was about twenty years older
- 27:35Speaker 1: than Chris. That was his guest, and she sits down
- 27:39Speaker 1: and the four of them are just kind of having
- 27:40Speaker 1: a nice conversation and at some point, the older woman
- 27:44Speaker 1: really takes an interest in Chris, and Chris takes an
- 27:48Speaker 1: interest in her because it would turn out that they
- 27:50Speaker 1: had a lot in common. And then she actually admitted
- 27:53Speaker 1: to him that she was really into music from ancient
- 27:57Speaker 1: times and actually has a specific interest in music from
- 28:01Speaker 1: ancient Egypt. And so to Chris, he's like, how can
- 28:05Speaker 1: this be? And he's like, this is my passion. I
- 28:07Speaker 1: love that type of music, and they really hit it off. Now,
- 28:10Speaker 1: Chris was not looking for any sort of romantic involvement
- 28:14Speaker 1: with this woman. He was just so excited to talk
- 28:16Speaker 1: about something he loved. And so all night Chris and
- 28:20Speaker 1: this older woman are chatting it up and they're super
- 28:23Speaker 1: into each other. He was looking at her purely from
- 28:26Speaker 1: a platonic sense, but it was becoming clear by the
- 28:28Speaker 1: end of the night, at least Chris was realizing this
- 28:31Speaker 1: that she was looking at him with a romantic angle.
- 28:34Speaker 1: She was interested in Chris, and in fact, right as
- 28:36Speaker 1: he's kind of realizing this, she asked him if he
- 28:39Speaker 1: wants to leave with her and go back to her place,
- 28:42Speaker 1: and he politely declines because he's not interested. He loved
- 28:46Speaker 1: chatting with her about music and other things they had
- 28:49Speaker 1: in common, but he wasn't interested in her romantically, and
- 28:53Speaker 1: she became a little bit more aggressive and said, no,
- 28:55Speaker 1: come on, come on, let's get out of here. I
- 28:57Speaker 1: got a place right down the road. We can go
- 28:58Speaker 1: listen to music and hang out in my place. And
- 29:01Speaker 1: he felt really uncomfortable, and he kept saying no, but
- 29:03Speaker 1: she wouldn't let it go. And so finally, as she's
- 29:06Speaker 1: literally trying to get him to say yes, he says, hey,
- 29:09Speaker 1: you know what, I've had a long night.
- 29:11Speaker 2: I'm going to go.
- 29:11Speaker 1: And so he stands up to leave, and the woman
- 29:13Speaker 1: goes from being very flirtatious and friendly to very angry
- 29:17Speaker 1: at Chris. And she looks at him and kind of
- 29:20Speaker 1: abruptly says to him.
- 29:22Speaker 2: I'm actually a witch, and I'm going to put a
- 29:26Speaker 2: curse on you. You're going to be dead within a week, okay,
- 29:30Speaker 2: And he just leaves.
- 29:32Speaker 1: So the next morning, on April twelfth, Chris gets up
- 29:35Speaker 1: and he heads to the airport and he flies back
- 29:37Speaker 1: to Seattle. When he lands in Seattle, he calls his
- 29:40Speaker 1: friend Sammy, who was one of his very close friends
- 29:43Speaker 1: back when he lived on the East Coast. He just
- 29:45Speaker 1: wanted to share this weird experience with a close friend
- 29:49Speaker 1: and so they're kind of laughing about the whole thing.
- 29:51Speaker 1: Neither of them are taking the curse seriously at all.
- 29:55Speaker 1: It was like, you really dodged a bullet. It's could
- 29:57Speaker 1: you to not go home with her? So in good spirits,
- 29:59Speaker 1: Chris hangs up the phone with Sammy, and for the
- 30:02Speaker 1: next twenty four hours, Chris would fall right back into
- 30:05Speaker 1: his regular daily life in Seattle. Nothing out of the
- 30:09Speaker 1: ordinary happened, but all that would change starting the night
- 30:13Speaker 1: of April thirteenth, which would have been forty eight hours
- 30:16Speaker 1: after his encounter with this woman in San Francisco. So
- 30:20Speaker 1: Chris lives alone, he doesn't have pets, and he gets
- 30:23Speaker 1: into bed that night and he's laying there and before
- 30:26Speaker 1: he falls asleep, he hears whispering coming from outside of
- 30:29Speaker 1: his bedroom in the kitchen area, kind of near the
- 30:32Speaker 1: front door. And he's thinking to himself, like, I didn't
- 30:35Speaker 1: just hear whispering? What no one's in here? What's going on?
- 30:38Speaker 1: And he's hearing the whispering and then it kind of stops,
- 30:41Speaker 1: and before he gets up to investigate, he's like, Okay,
- 30:44Speaker 1: I probably was just hearing things that wasn't real. He's
- 30:47Speaker 1: just kind of laying there trying to go to sleep,
- 30:49Speaker 1: and then he hears it again, except now it's not
- 30:51Speaker 1: coming from the kitchen area. It's coming from a separate
- 30:54Speaker 1: area in his apartment outside of the room he's in.
- 30:58Speaker 1: And so now he's wondering, like, is someone did someone sneak.
- 31:01Speaker 2: Into my house?
- 31:03Speaker 1: Like is there a burglar in my house right now?
- 31:05Speaker 1: And so he quietly gets out of his bed and
- 31:07Speaker 1: he walks over his door. He opens it up, and
- 31:09Speaker 1: he can still hear the whispering, and it's coming from
- 31:11Speaker 1: like his laundry room a little ways away. But as
- 31:14Speaker 1: soon as he opens the door and he pokes his
- 31:15Speaker 1: head out, the whispering stops. And he's just standing there
- 31:19Speaker 1: looking around, like hoping that there isn't anything in his apartment.
- 31:23Speaker 1: And then out of the corner of his eye, near
- 31:25Speaker 1: the front door, he sees something dash across his periphery,
- 31:28Speaker 1: like a shadowy figure basically darts across the room, and
- 31:31Speaker 1: so he looks over and he's immediately afraid that it
- 31:34Speaker 1: really is a.
- 31:35Speaker 2: Burglar in his room. And as he's looking, he's turning
- 31:37Speaker 2: the light on next to him.
- 31:38Speaker 1: He's looking around, and he starts turning the whispering again,
- 31:41Speaker 1: and now it's coming from another.
- 31:43Speaker 2: Section of his house.
- 31:44Speaker 1: So he just starts turning on all the lights and
- 31:46Speaker 1: looking around to try to like make sure no one's
- 31:48Speaker 1: in his apartment. He's not even thinking about the whispering.
- 31:51Speaker 1: He's just looking for the shadowy figure that he saw
- 31:53Speaker 1: run past him. And so he's looking all over his apartment,
- 31:57Speaker 1: all the lights are on. It's a small apartment. And
- 32:00Speaker 1: as soon as he feels comfortable that the door's locked,
- 32:02Speaker 1: still everything's locked and there's nobody here, that's when he
- 32:06Speaker 1: realizes that that whispering is still happening. And so he
- 32:09Speaker 1: turns back around and now the whispering's coming from his
- 32:11Speaker 1: bedroom where he was, and so he walks over his
- 32:14Speaker 1: bedroom and looks inside and just he can't pinpoint the whispering, like,
- 32:18Speaker 1: he keeps hearing it and walking to wherever it's coming from,
- 32:22Speaker 1: and as soon as he gets near it, the whispering stops,
- 32:25Speaker 1: and he's thinking to himself, like, am I dreaming?
- 32:27Speaker 2: Is this a dream?
- 32:28Speaker 1: Am I losing my mind? Did somebody slip me something
- 32:31Speaker 1: like last night? Like? Is what's wrong with me? So
- 32:33Speaker 1: he has this horrible night where he's up all night
- 32:37Speaker 1: chasing down whispers in his apartment that keep vanishing and
- 32:40Speaker 1: then seeing shadowy figures running around and lurking in corners,
- 32:44Speaker 1: but he can't ever see them when he looks at them.
- 32:46Speaker 1: And so the next morning, on April fourteenth, when the
- 32:48Speaker 1: sun comes up, he hasn't slept. The first phone call
- 32:51Speaker 1: he makes is to Sammy, his friend, and he's totally panicked.
- 32:55Speaker 1: And we know about this phone call because Sammy would
- 32:57Speaker 1: tell police about all her interactions with with Chris over
- 33:00Speaker 1: the course of this week. She would say that he
- 33:03Speaker 1: was totally panicked, and she even thought, as she's taking
- 33:06Speaker 1: this phone call that it's just so weird, you know
- 33:09Speaker 1: that Chris is scared of noises in his apartment and
- 33:12Speaker 1: like figures moving around in his apartment, because it's so
- 33:16Speaker 1: unlike Chris. He's i mean, definitely a skeptic. He's just
- 33:20Speaker 1: like a he's a nobs kind of guy. So the
- 33:23Speaker 1: idea that he would suddenly be terrified of something paranormal
- 33:27Speaker 1: running around his apartment.
- 33:29Speaker 2: Just seems so unlike him.
- 33:30Speaker 1: But as she's listening to him, he was so scared
- 33:34Speaker 1: about what was in his apartment. He knew it wasn't
- 33:36Speaker 1: a person because he looked everywhere there.
- 33:38Speaker 2: Was no people. And that's the only reason he didn't
- 33:40Speaker 2: call the.
- 33:40Speaker 1: Police is because he didn't want to tell the police
- 33:43Speaker 1: that some shadow figure that's whispering in my apartment is
- 33:46Speaker 1: harassing me.
- 33:47Speaker 2: Like, what are the police gonna do?
- 33:48Speaker 1: So Sammy hangs up the phone with Chris after trying
- 33:50Speaker 1: to reassure him and just hopes that whatever that was
- 33:53Speaker 1: doesn't happen again. But unfortunately for Chris the night of
- 33:56Speaker 1: the fourteenth, now he's going to bed again and he
- 34:00Speaker 1: starts hearing the whispers and immediately he's out there looking
- 34:03Speaker 1: lights on. He's looking for these whispers. They keep disappearing.
- 34:07Speaker 1: He can't find the source. He's getting frustrated, he's scared.
- 34:10Speaker 1: He keeps seeing that thing dart around his apartment. Except
- 34:13Speaker 1: this night, he also noticed that he would look and
- 34:16Speaker 1: he could get close enough to where he could break
- 34:18Speaker 1: out the silhouette of what looked like a person, you know,
- 34:21Speaker 1: like lingering in the corner of his apartment. But he'd
- 34:23Speaker 1: go closer to it and it would disappear. It was
- 34:26Speaker 1: like the manifestations of what he was seeing, the whispers
- 34:29Speaker 1: and this figure running around his apartment were becoming more vivid.
- 34:33Speaker 1: But he's also thinking like, I didn't sleep the night before.
- 34:36Speaker 1: This could be my imagination. I don't know if this
- 34:39Speaker 1: is happening, but he's spiraling and he knows it. So
- 34:41Speaker 1: the next day, on the fifteenth, he doesn't call Sammy,
- 34:44Speaker 1: but he calls a couple of his other friends that
- 34:46Speaker 1: are anonymous, and they would all tell police that they
- 34:49Speaker 1: got a similar story that Sammy had gotten that first
- 34:53Speaker 1: night after the fourteenth. No matter what was happening, Chris
- 34:56Speaker 1: believed it was happening, and Chris was terrified.
- 35:00Speaker 2: This wasn't even the worst of it yet.
- 35:01Speaker 1: So that night on the fifteenth, Chris gets in bed
- 35:04Speaker 1: and now he's barely slept for two consecutive nights, and
- 35:08Speaker 1: he's determined to just go to sleep. That he's trying
- 35:12Speaker 1: to tell himself that everything that you've experienced the past
- 35:15Speaker 1: couple nights is probably brought on by stress, it's brought
- 35:18Speaker 1: on by now certainly a lack of sleep. So he's
- 35:21Speaker 1: telling himself, like, just go to sleep, Just get in
- 35:24Speaker 1: bed and go to sleep. So he gets in bed
- 35:25Speaker 1: and he's laying there and he does fall asleep, but
- 35:28Speaker 1: he wakes up in the middle of the night and
- 35:30Speaker 1: he can't move his body. He's paralyzed. He can't move,
- 35:34Speaker 1: and he's totally awake, and he starts hearing whispering, and
- 35:37Speaker 1: now his level of fear is so high because now
- 35:42Speaker 1: he's immobile. But the past two nights, he's heard that
- 35:45Speaker 1: whispering in his apartment and he's seen that figure moving
- 35:48Speaker 1: around his apartment. And so he's laying there in darkness
- 35:51Speaker 1: because he went to bed in darkness, and he starts
- 35:54Speaker 1: hearing whispering outside his room and then it stops, and
- 35:57Speaker 1: then he starts hearing whispering inside of his closet, and
- 36:00Speaker 1: then it stops, and then he hears whispering right underneath
- 36:03Speaker 1: his bed, and he can't move, and he's just laying there,
- 36:06Speaker 1: praying that nothing horrible it's gonna happen to him, that
- 36:08Speaker 1: this is just a dream. And then out from underneath
- 36:11Speaker 1: his bed, right next to him, he can only turn
- 36:13Speaker 1: his eyes. This black figure, this shadowy black figure, emerges
- 36:17Speaker 1: right next to his bed, and.
- 36:19Speaker 2: It's looking down at him.
- 36:20Speaker 1: He can't make out any facial expressions, but he can
- 36:23Speaker 1: clearly define a figure is hovering over him, and it
- 36:27Speaker 1: reaches down and puts its hands around his neck and
- 36:30Speaker 1: begins to throttle him and Chris is like gagging. He
- 36:34Speaker 1: can't breathe, but he can't move, and at some point
- 36:36Speaker 1: the thing begins to lift him off of his bed
- 36:38Speaker 1: by his neck and then throws him back down, and
- 36:41Speaker 1: then the figure vanishes. Chris still couldn't move. He's choking
- 36:46Speaker 1: to breathe, but he can't move, and he's just waiting
- 36:48Speaker 1: for this thing to come back.
- 36:50Speaker 2: And he knows that more than likely, whatever this.
- 36:52Speaker 1: Is is probably going to kill him this night. So
- 36:54Speaker 1: he's laying there just thinking, oh my god, I'm about
- 36:56Speaker 1: to die.
- 36:57Speaker 2: I'm about to die.
- 36:58Speaker 1: But the thing doesn't come back, and Chris can't move,
- 37:00Speaker 1: and at some point, Chris, probably at a just pure,
- 37:03Speaker 1: you know, adrenaline crash or something, he falls asleep. And
- 37:06Speaker 1: so when Chris wakes up and he can move again,
- 37:09Speaker 1: he notices there's blood inside of his bed, on his sheets,
- 37:13Speaker 1: and then he looks at his hands and at the
- 37:15Speaker 1: tips of all ten fingers are these incisions, like someone
- 37:19Speaker 1: had intentionally cut open the top of every finger, something
- 37:22Speaker 1: he certainly didn't do. And his bed is covered in
- 37:25Speaker 1: blood from these ten cuts on his hands. And then
- 37:28Speaker 1: he feels his neck and it feels tender, and it
- 37:31Speaker 1: turns out he had marks in his neck. It was
- 37:32Speaker 1: all bruised up from this thing choking him out, and
- 37:35Speaker 1: it brought him back to like that really happened.
- 37:38Speaker 2: He's now like actually in fear for his life.
- 37:41Speaker 1: Chris immediately calls Sammy and tells Sammy everything that happened,
- 37:45Speaker 1: and Sammy can't believe any of it's she felt helpless
- 37:48Speaker 1: because she's on the other side of the country.
- 37:50Speaker 2: She can't help him, and Chris is just petrified.
- 37:54Speaker 1: And he's like he can barely speak, you know, he's
- 37:56Speaker 1: like unable to articulate what's happening. You know, He's he's
- 38:00Speaker 1: describing these cuts on his hand and his neck, but
- 38:02Speaker 1: there's no one in his apartment, and Samy's trying to
- 38:04Speaker 1: get him to call the police, but Chris.
- 38:06Speaker 2: Is like, I can't call the police.
- 38:08Speaker 1: What am I gonna tell him that a shadowy figure
- 38:11Speaker 1: is coming in my apartment and just choking me. They're
- 38:14Speaker 1: gonna think I'm crazy. Chris decides he's gonna approach this
- 38:19Speaker 1: head on. Maybe that woman in San Francisco did put
- 38:22Speaker 1: some curse on me.
- 38:24Speaker 2: I need to at least research it.
- 38:26Speaker 1: And so there was a religious bookstore right near his
- 38:28Speaker 1: house that he figured might have some things on demonic
- 38:32Speaker 1: possession and demons the occult, and he goes in there
- 38:36Speaker 1: and he kind of awkwardly approaches the store owner and
- 38:40Speaker 1: is like, I'm looking for, you know, books about demons
- 38:45Speaker 1: and witchcraft and like how to protect yourself against that,
- 38:49Speaker 1: and the guy points him towards the section of the store,
- 38:51Speaker 1: and so Chris goes over there. He scoops up a
- 38:53Speaker 1: whole bunch of books. He also buys like a whole
- 38:56Speaker 1: bundle of crucifixes, so like at least ten, so he's
- 38:59Speaker 1: got all all these crucifixes, he's got all these books
- 39:01Speaker 1: about demonic possession and witchcraft. He buys all of that
- 39:05Speaker 1: and he leaves and he goes back to his apartment.
- 39:08Speaker 1: When he gets back after doing some research, he ends
- 39:10Speaker 1: up putting these crucifixes all over his apartment, like every room,
- 39:13Speaker 1: and he takes salt and he draws a line all
- 39:16Speaker 1: through his apartment against the baseboard of every wall in
- 39:20Speaker 1: the house, and at every corner of the house. He'd
- 39:23Speaker 1: pile up little piles of salt. He was going to
- 39:26Speaker 1: do all the things that people say to do if
- 39:28Speaker 1: you're dealing with demons or ghosts or anything through witchcraft.
- 39:32Speaker 1: He was kind of grasping at straws a little bit,
- 39:34Speaker 1: so he went out and did everything he thought he
- 39:36Speaker 1: could possibly do to protect himself. That night, which was
- 39:39Speaker 1: April sixteenth. We don't know what happened to Chris, but
- 39:43Speaker 1: something scared him so badly that in the middle of
- 39:47Speaker 1: the night, in a full panic, he runs out of
- 39:49Speaker 1: his apartment and he checks into.
- 39:51Speaker 2: A hotel and does not stay at his apartment.
- 39:53Speaker 1: The next morning, April seventeenth, when Sammy called Chris to
- 39:57Speaker 1: check on him. Now, remember this is nineteen ninety nine,
- 40:00Speaker 1: it was just landline phones, so she calls his landline
- 40:03Speaker 1: at his apartment to check on him. There's no answer
- 40:06Speaker 1: because he's not there. He's at the hotel. And Sammy,
- 40:08Speaker 1: who's been speaking to Chris and other friends that have
- 40:11Speaker 1: been speaking to Chris, and everyone's concerned about his mental
- 40:14Speaker 1: health and what's going on with him. When she doesn't
- 40:17Speaker 1: get Chris to pick up his phone, she calls the
- 40:19Speaker 1: police and she says, Hey, I'm concerned about my friend.
- 40:22Speaker 2: Can you do a welfare check on this guy?
- 40:24Speaker 1: And they go over to his apartment and it's locked
- 40:25Speaker 1: and they kind of look in the windows and everything
- 40:27Speaker 1: just seems kind of quiet, and so they leave and
- 40:30Speaker 1: they tell Sammy like, hey, look it's locked. We can't
- 40:32Speaker 1: really do anything, you know, let us know if you
- 40:34Speaker 1: don't hear from him in the next couple of days.
- 40:37Speaker 1: And so that was it, and so Sammy's like super concerned,
- 40:39Speaker 1: and so she goes to work on the seventeenth, and
- 40:42Speaker 1: then when she gets back, she has a voicemail from Chris,
- 40:46Speaker 1: who had called her at some point during the day
- 40:47Speaker 1: while she was out, and on the voicemail, Chris tells
- 40:51Speaker 1: her in a voice that was different than the past
- 40:53Speaker 1: few days. The past few days he was scared, He
- 40:56Speaker 1: was really scared. This time he is defeated, you know,
- 41:01Speaker 1: he was like resigned to whatever was going on. And
- 41:04Speaker 1: he says to Sammy on the voicemail, he's under attack
- 41:08Speaker 1: and that tonight they're gonna kill me and there's nothing
- 41:11Speaker 1: I can do. As soon as she's done listening to
- 41:13Speaker 1: the message, Sammy calls Chris, but she can't get in
- 41:16Speaker 1: touch with him. She knows she just talked to the
- 41:19Speaker 1: police where they are at his apartment that day. They're
- 41:21Speaker 1: probably just gonna tell her like, hey, wait until tomorrow.
- 41:24Speaker 1: We just told you, you know, earlier, just give it
- 41:26Speaker 1: a couple of days. And so she just decides that
- 41:29Speaker 1: she's gonna go to bed and she's gonna try calling
- 41:31Speaker 1: him again on April eighteen. On the morning of April eighteenth,
- 41:35Speaker 1: Chris didn't show up for work, and word got back
- 41:38Speaker 1: to Sammy, who was already gonna reach out to Chris
- 41:40Speaker 1: that morning anyways, but now the friends and family are
- 41:43Speaker 1: talking about what's going on with Chris, and so word
- 41:45Speaker 1: got back to her that Chris had missed work, and
- 41:49Speaker 1: so she calls Chris.
- 41:50Speaker 2: He's not picking up from his landline.
- 41:52Speaker 1: And now she calls the police back and she says, hey,
- 41:54Speaker 1: you were there yesterday. I know it was locked, but
- 41:57Speaker 1: he hasn't shown up for work today. Everybody's concerned about him.
- 42:00Speaker 1: Can you please go over and check. And so the
- 42:02Speaker 1: police go back over to Chris's apartment and this time
- 42:06Speaker 1: the front door is unlocked, and they go inside and
- 42:09Speaker 1: they're met with this very strange scene. You know, you
- 42:11Speaker 1: have all these crucifixes that are on the wall, You
- 42:14Speaker 1: have the salt that lines every room in the house.
- 42:17Speaker 1: There are all these candles that have burned down to
- 42:20Speaker 1: the wick. There are little scraps of paper all over
- 42:24Speaker 1: the apartment that were handwritten little messages that Chris was
- 42:28Speaker 1: leaving all over the house warding off spirits and demons.
- 42:33Speaker 1: I mean, it just looked like out of a Hollywood
- 42:34Speaker 1: set for some demonic movie or something. And they search
- 42:38Speaker 1: the house and there's no sign of Chris. They're yelling
- 42:41Speaker 1: for him, there's no sign of him, and they make
- 42:43Speaker 1: their way into the bathroom where they discover Chris's body.
- 42:47Speaker 1: Chris was in his bathtub, no water in the bathtub,
- 42:50Speaker 1: He's fully clothed.
- 42:52Speaker 2: There's all these.
- 42:52Speaker 1: Candles all around the outside of this bathtub. There's you know,
- 42:56Speaker 1: more crucifixes and weird relics that are in the bathroom
- 42:59Speaker 1: with him, and he's on his knees and he's slouched
- 43:04Speaker 1: up against the wall with his hands kind of tucked
- 43:06Speaker 1: against his chest. He had no external injuries.
- 43:10Speaker 2: He was just dead.
- 43:11Speaker 1: And so the police take Chris's body, and the coroner
- 43:14Speaker 1: comes in and does a report, and it comes out
- 43:17Speaker 1: that Chris died of natural causes.
- 43:20Speaker 2: He died of a heart attack.
- 43:21Speaker 1: And so when friends and family saw that that was
- 43:23Speaker 1: his cause of death, they didn't buy it. They're like,
- 43:25Speaker 1: I don't know how to describe what happened to him.
- 43:28Speaker 1: But over the past seven days, Chris went from this happy, healthy,
- 43:33Speaker 1: successful guy to a complete, raving, paranoid lunatic, and no
- 43:38Speaker 1: one knows why. You know, it's I mean, it's certainly
- 43:41Speaker 1: possible that it was just a very poorly timed heart attack,
- 43:44Speaker 1: you know, mixed in with someone having a psychotic break
- 43:48Speaker 1: or some people say that he really was cursed by
- 43:52Speaker 1: that woman in San Francisco and that that was the result.
- 43:55Speaker 1: I mean, she said you're going to die within the week,
- 43:57Speaker 1: and he literally died within the week. And he described
- 44:01Speaker 1: regularly over the phone to his friends and family as
- 44:04Speaker 1: this was happening, these horrible experiences at night, with these
- 44:07Speaker 1: shadow beings in his room and attacking him. I mean,
- 44:10Speaker 1: it's just this crazy story that to this day leaves friends,
- 44:14Speaker 1: family and investigators baffled. Thank you so much for watching.
- 44:25Speaker 1: Let me know what you thought of today's episode in
- 44:27Speaker 1: the comments. And remember, we have hundreds of videos for
- 44:30Speaker 1: you to binge right now. But if you're looking for
- 44:33Speaker 1: a recommendation for me of that one video that's worth
- 44:36Speaker 1: your time, well it's this one right here, So give
- 44:39Speaker 1: it a watch, all right, Until next time, see y