Latest / Pink Shade: Reality TV with Mary Payne / 2075 - 90 Day Fiance (s12e6) "When Two Worlds Collide" with Kimberly

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2075 - 90 Day Fiance (s12e6) "When Two Worlds Collide" with Kimberly · Pink Shade: Reality TV with Mary Payne

• 0:10
  Speaker 1: Hey, everybody, welcome to Pink Shade. It's TLC Tuesday. I
• 0:14
  Speaker 1: had hit record. Kimberly was looking down and she said
• 0:16
  Speaker 1: I'm ready. Yeah, girl, you.
• 0:18
  Speaker 2: Are, And then I was not ready. I was ironically
• 0:21
  Speaker 2: not ready.
• 0:22
  Speaker 1: Ironic ironic, everybody. This is ninety Day Fiance, season twelve,
• 0:26
  Speaker 1: episode six. This is TLC Tuesday. But listen real quick
• 0:30
  Speaker 1: if you listen to Kimberly and I on the paid
• 0:33
  Speaker 1: feed which comes out on Friday, where we cover the
• 0:36
  Speaker 1: secondary show, which currently is Last Resort. If you had
• 0:40
  Speaker 1: a problem with it on Friday, we apologize. There was
• 0:43
  Speaker 1: a problem with supercasts, which a lot of people then
• 0:46
  Speaker 1: download to their Apple or however they get it, and
• 0:50
  Speaker 1: then somehow that made a glitch. Some people also had
• 0:54
  Speaker 1: an Apple problem if they just subscribed to them Apple
• 0:58
  Speaker 1: and Patreon people were fine. So anyway, Ingrid fixed it
• 1:01
  Speaker 1: on by Friday night, she had it all sorted out.
• 1:04
  Speaker 2: And it sounds like Ingrid's the one who fucked up.
• 1:06
  Speaker 1: No mistake, it's not. It's not the case.
• 1:10
  Speaker 2: She's not listening. I can say whatever I want to
• 1:12
  Speaker 2: inger it. No.
• 1:13
  Speaker 1: I think she searches for her name in the show
• 1:15
  Speaker 1: notes in the transcript in the transcript. I think she
• 1:19
  Speaker 1: searches for her name.
• 1:20
  Speaker 2: What if I say Schmingrid, the transcript might still be
• 1:24
  Speaker 2: able to pick it up.
• 1:25
  Speaker 1: I don't know how a works Ingrid. Okay, just call
• 1:29
  Speaker 1: her like Trappee's girl or something. Yeah, exactly. Yeah. Anyway, No,
• 1:35
  Speaker 1: Ingrid did not. It was a technical error that could
• 1:38
  Speaker 1: not be controlled. But she fixed it. By the evening.
• 1:40
  Speaker 1: Lots of people were like, oh, I'm dying to hear it.
• 1:42
  Speaker 1: I can't hear it, which we appreciate. We appreciate that.
• 1:44
  Speaker 2: Oh my god, I just can't believe people are waiting
• 1:47
  Speaker 2: to hear it and want to hear it. I can't
• 1:49
  Speaker 2: believe anyone's listening to me right now. That's still wild
• 1:52
  Speaker 2: to me.
• 1:53
  Speaker 1: It's a shock every day, you know. Uh. Meto on
• 1:57
  Speaker 1: this episode says he really just thinks that he should
• 2:00
  Speaker 1: be able to do what he wants for his job
• 2:02
  Speaker 1: and all that, and I say, I love that, yeah,
• 2:04
  Speaker 1: because I feel like that's what we get to do.
• 2:06
  Speaker 1: This is our jobs, and we love it.
• 2:07
  Speaker 3: I know we're so blessed, are so blessed, but I mean,
• 2:10
  Speaker 3: let's be honest, we're better podcasters than Medo as an actor.
• 2:14
  Speaker 2: We're better people.
• 2:15
  Speaker 1: I mean, that's just that's clear from this episode.
• 2:19
  Speaker 2: Also, have we been saying his name wrong the entire
• 2:22
  Speaker 2: time because he introduced himself as me do No.
• 2:25
  Speaker 1: I never heard him say that, and I was like.
• 2:28
  Speaker 2: Oh fuck, we've been saying it wrong the whole time.
• 2:31
  Speaker 1: I didn't hear him say me do so No.
• 2:32
  Speaker 2: That is he said it too. He's a spelled Medo,
• 2:36
  Speaker 2: but he pronounced it like more like me do like.
• 2:39
  Speaker 2: It's it's a little bit of a at the end.
• 2:42
  Speaker 1: Okay, well, I'm sorry we've not known that, and we're
• 2:45
  Speaker 1: on episode six since it's too late to change, and
• 2:47
  Speaker 1: Debbie told us. Debbie taught us this. So it's just
• 2:50
  Speaker 1: like Mallory and Rosh, we're calling him.
• 2:52
  Speaker 2: Rash yeah, or Stevie and Maddie yeah, she.
• 2:55
  Speaker 1: Calls him Maddie. It's Maddie. You know. We're doing what
• 2:58
  Speaker 1: we can. Way. I apologize Americans, apologies for the Friday snafu.
• 3:06
  Speaker 1: Thank you for everybody who reached out very nicely to
• 3:09
  Speaker 1: let us know. Some people were a little annoyed, right,
• 3:15
  Speaker 1: and I'm sorry. I'm sorry. It was fixed by Friday night.
• 3:18
  Speaker 1: But I think if you didn't like unloaded and reload it,
• 3:23
  Speaker 1: you know whatever. So just you, guys, anytime you go
• 3:25
  Speaker 1: onto Apple or any some people use overcast, somebody us
• 3:28
  Speaker 1: like pocket casts, you know all these other things. If
• 3:31
  Speaker 1: you ever have a problem with an episode of not
• 3:33
  Speaker 1: just Mine, anybody's this happens to me with other episodes. Yes,
• 3:36
  Speaker 1: you happened to me with my favorite Murder, one of
• 3:38
  Speaker 1: the biggest podcasts in the whole world. It'll pop up
• 3:41
  Speaker 1: and say episode not available, and you're like, bitch, please,
• 3:44
  Speaker 1: yes it is, and uh, you have to just remove
• 3:47
  Speaker 1: the download and then.
• 3:49
  Speaker 2: Just download, redownload.
• 3:50
  Speaker 1: It and go back and then it's there. That's what
• 3:53
  Speaker 1: worst comes to worst.
• 3:54
  Speaker 2: You re unsubscribe and resubscribe, which is you have to
• 3:58
  Speaker 2: make sure you have your RSS feed if you're on
• 4:01
  Speaker 2: Patreon or supercuest. It's a little tricky, but once you
• 4:04
  Speaker 2: get the hang of it. But these glitches happen to everybody, guys.
• 4:07
  Speaker 1: They do. I'm sorry, and people, I mean, listen, I'm
• 4:11
  Speaker 1: just happy.
• 4:11
  Speaker 2: The world is an imperfect, imperfect place. It's not fair always,
• 4:15
  Speaker 2: so people.
• 4:17
  Speaker 1: Were just dying to hear it is a last resort.
• 4:19
  Speaker 1: It's a great show. Hope everybody's tuning in over there.
• 4:22
  Speaker 2: Uh huh. Well, I feel like they're not too watching
• 4:25
  Speaker 2: and they just want to hear us talk about these garbage.
• 4:28
  Speaker 1: Oh, that happens a lot, mostly with love after lock up,
• 4:30
  Speaker 1: people like I can't bring myself to watch it, but
• 4:32
  Speaker 1: you in case you are funny.
• 4:33
  Speaker 2: So yeah, yeah.
• 4:35
  Speaker 1: We'll take it. We'll take it, but let's talk about this.
• 4:40
  Speaker 1: So this is again no rhyme or reason to the titles.
• 4:46
  Speaker 1: And I got to tell you, I don't. I don't
• 4:48
  Speaker 1: like it. I don't.
• 4:50
  Speaker 2: I feel there was this guy in this last episode
• 4:54
  Speaker 2: of Dateline who would write emails to his wife that
• 4:59
  Speaker 2: occasionally words capitalized for no reason, and.
• 5:04
  Speaker 1: It I listened to that when I was walking the
• 5:06
  Speaker 1: dog and I was crying laughing because you would screamed
• 5:08
  Speaker 1: certain words. Yeah, hilarious.
• 5:11
  Speaker 2: It is jarring. It's jarring when a person in an
• 5:14
  Speaker 2: elected position does it in their messages. And it is
• 5:19
  Speaker 2: jarring when your husband does it to you and then
• 5:21
  Speaker 2: he murders you. That's all jarring.
• 5:23
  Speaker 1: Being deafered.
• 5:25
  Speaker 2: But this is much like this with these titles. They're
• 5:28
  Speaker 2: all over the place, and so I'm trying to make
• 5:31
  Speaker 2: a sense of order in a world full of chaos,
• 5:35
  Speaker 2: which is a perfect metaphor for the world. Actually, but
• 5:38
  Speaker 2: it's jarring and it makes you feel unmored.
• 5:43
  Speaker 1: So yeah, yeah, these titles make no sense. This title
• 5:48
  Speaker 1: is when two worlds collide. Huh, that's it. That's the
• 5:53
  Speaker 1: whole theme of the show.
• 5:55
  Speaker 2: What's yeah, exactly annoying.
• 5:58
  Speaker 1: Well, lucky for you, you're starting with you this week
• 6:01
  Speaker 1: with Thomas and Paula. And boy, he's turned out to
• 6:04
  Speaker 1: be a nervous nelly.
• 6:06
  Speaker 2: What a jerk guy.
• 6:08
  Speaker 1: He's just like, do weep city, I don't know what's
• 6:11
  Speaker 1: going he is we did find out what did we
• 6:13
  Speaker 1: find out? Aerospace engineer?
• 6:15
  Speaker 2: Yeah, which actually could make sense. I mean he's like
• 6:19
  Speaker 2: very particular about the way things are done.
• 6:22
  Speaker 1: Yeah, and we need that in our aerospace engineers.
• 6:25
  Speaker 2: So that's yeah, feel oriented. But you can sit on
• 6:30
  Speaker 2: a floor eat, don't need a table as all an
• 6:34
  Speaker 2: aerospace engineers. They're notoriously don't need furniture. That's one of
• 6:38
  Speaker 2: their biggest characteristics.
• 6:40
  Speaker 1: What's Katie's excuse? She also doesn't need furniture.
• 6:44
  Speaker 2: So they she's just a hot mess. So they wake
• 6:48
  Speaker 2: up after the first night, they say they had amazing
• 6:51
  Speaker 2: first night. She loves his body shape. He's gotten bigger.
• 6:54
  Speaker 2: He is big like a refrigerator. She loves it. Yeah, okay, okay,
• 7:00
  Speaker 2: love a refrigerator. Man, mister Maytag compare man, come on in.
• 7:07
  Speaker 2: They say they did lots of spidering, which I still
• 7:10
  Speaker 2: don't love, and then they try to demonstrate I don't
• 7:14
  Speaker 2: like it. So then they do this thing where he
• 7:16
  Speaker 2: cooks her breakfast and then she's like, okay, now you
• 7:21
  Speaker 2: need to cook me breakfast and you're thinking what, and
• 7:25
  Speaker 2: they say, we're quirky couple. This is us demonstrating how
• 7:29
  Speaker 2: fun we are. We do this thing where one of
• 7:31
  Speaker 2: us will make the other one breakfast, and then the
• 7:33
  Speaker 2: other one demands that they make breakfast. It's totally inefficient
• 7:37
  Speaker 2: to have two people cooking one after the other, never
• 7:41
  Speaker 2: get to eat at the same time, and the first
• 7:43
  Speaker 2: one's probably is cold by the time you eat it,
• 7:47
  Speaker 2: and it's just stupid. But they think it's hilarious because
• 7:51
  Speaker 2: they're fun, wacky couple. But this is going to be
• 7:54
  Speaker 2: fun for no one. In about three days of her
• 7:56
  Speaker 2: living there.
• 7:57
  Speaker 3: She can't make bacon. She can't make bake and she's
• 8:00
  Speaker 3: a vegan. Did you not watch the episode she is
• 8:05
  Speaker 3: going to make the bacon? Yeah, Okay, now I did
• 8:08
  Speaker 3: watch it.
• 8:09
  Speaker 2: She doesn't want to cook with any of the beef
• 8:12
  Speaker 2: tallow or anything, and so she wants to cover her
• 8:16
  Speaker 2: face with a towel. She doesn't want to inhale the fumes.
• 8:19
  Speaker 2: So he tells us he follows Paleo because he has
• 8:23
  Speaker 2: crones or he wasn't diagnosed with crones a long time
• 8:27
  Speaker 2: ago and doesn't know what he has. Now. I don't know, Okay,
• 8:31
  Speaker 2: what's going on with him. He has lots of issues.
• 8:34
  Speaker 1: I heard all this Paleo and this crones talk, but
• 8:36
  Speaker 1: it was one of those things where I had the
• 8:38
  Speaker 1: computer on the kitchen island and was walking around fixing
• 8:40
  Speaker 1: my own food because this wasn't a couple to take
• 8:42
  Speaker 1: notes on. So if she was talking about bacon or
• 8:45
  Speaker 1: covering her face, I didn't see it.
• 8:47
  Speaker 2: Well, then he gets her a mask that is like
• 8:49
  Speaker 2: if you are painting or doing drywall or insulation, cooking
• 8:54
  Speaker 2: meth and it's like a ventilator mask. And so she
• 9:00
  Speaker 2: is fully wearing that, like has matt suit breaking bad
• 9:05
  Speaker 2: when she is cooking his breakfast. Which, again, this is
• 9:09
  Speaker 2: not going to last. This is they're trying to be
• 9:11
  Speaker 2: wacky and it's gonna last one more day.
• 9:13
  Speaker 1: Cook your own breakfast.
• 9:14
  Speaker 2: Yeah exactly.
• 9:16
  Speaker 1: Yeah.
• 9:16
  Speaker 2: So she says in Brazil she had no interaction with
• 9:20
  Speaker 2: meat products, animal products whatsoever. But now she's cooking for him.
• 9:24
  Speaker 2: She hopes he'll make compromises for her like she is.
• 9:29
  Speaker 2: So then they said at the stupid table on the
• 9:31
  Speaker 2: stupid yoga blocks that I imagine just go up your
• 9:35
  Speaker 2: butt after a while and just start to get really.
• 9:37
  Speaker 1: On your butt bones, like just exactly.
• 9:41
  Speaker 2: Yeah. So he's like talking about her doing yoga, and
• 9:44
  Speaker 2: she's like interrupts him, saying, let's pray so we can
• 9:48
  Speaker 2: eat because I'm starving. And it's like a Universe manifestations
• 9:54
  Speaker 2: type prayer, and then she starts crying and says being here.
• 9:59
  Speaker 1: Is a dream.
• 10:00
  Speaker 2: She goes, not sitting at the stupid table, but just
• 10:03
  Speaker 2: being with you. I hate this table. We'll be here
• 10:08
  Speaker 2: with you. And so she's crying and like the bread
• 10:12
  Speaker 2: is falling out of her mouth and she's like, it's
• 10:14
  Speaker 2: so hard, you cook so bad with tears. Universe manifests
• 10:21
  Speaker 2: me the strength to deal with this guy, and it's
• 10:24
  Speaker 2: very cute, it's funny. So then she puts on makeup
• 10:27
  Speaker 2: because she likes to feel good. It makes her feel
• 10:30
  Speaker 2: ready for the day. I need to start doing that.
• 10:32
  Speaker 1: She's like Katie. Katie puts on makeup no matter what
• 10:34
  Speaker 1: every day.
• 10:35
  Speaker 2: It makes she doesn't feel good unless she does. It's
• 10:37
  Speaker 2: like part of her ritual. Yeah.
• 10:39
  Speaker 1: I mean, I feel perfectly happy just staying in my
• 10:42
  Speaker 1: pajamas all day with no makeup. And then I get
• 10:44
  Speaker 1: like a glimpse in the mirror. I'm like, oh my god,
• 10:47
  Speaker 1: the ups guy just saw me like this. But I'm
• 10:49
  Speaker 1: in my house.
• 10:50
  Speaker 2: Yeah, but you're in your house. And the second we're
• 10:52
  Speaker 2: done recording, that comes off because I feel it. I'm
• 10:54
  Speaker 2: my skin and like I can't so it comes off.
• 10:58
  Speaker 1: Okay, Yeah, I had to confirm it. Wise you have
• 11:00
  Speaker 1: to put my hair.
• 11:01
  Speaker 2: So bad too. And I had a pimple on my face.
• 11:04
  Speaker 2: It's okay. The howth the people through broken through to
• 11:08
  Speaker 2: the surface. I want to break free? Is this pimples
• 11:12
  Speaker 2: karaoke song? And it has broken free. It is large
• 11:16
  Speaker 2: and in charge. It is a volcano on my face. Well,
• 11:20
  Speaker 2: I'm really glad to hear that. I have the filter on. Okay,
• 11:23
  Speaker 2: because it's loud, it's strong, it's solid, It's like one
• 11:28
  Speaker 2: of those thruples on love on.
• 11:31
  Speaker 1: This is Polly and you've been putting like that clinique
• 11:33
  Speaker 1: stuff on it that really kills it.
• 11:35
  Speaker 2: Oh yeah, but apparently I need the pads, the covering
• 11:39
  Speaker 2: things that have the micro you know, needles, and I
• 11:44
  Speaker 2: don't have those, so apparently I need to buy those.
• 11:47
  Speaker 2: So someone send me a good brand so I can
• 11:49
  Speaker 2: buy them.
• 11:49
  Speaker 1: Well, how have I just go to CVS because by
• 11:51
  Speaker 1: the time they send that to you, that that thing
• 11:53
  Speaker 1: is going to have the right of your whole face.
• 11:54
  Speaker 2: Yeah no, I know it's going to slowly eat my face.
• 11:57
  Speaker 2: And I'm going to be on one of those TLC shows.
• 12:00
  Speaker 2: It's like my strange body.
• 12:01
  Speaker 1: I saw a guy accidentally accidentally because I.
• 12:05
  Speaker 2: Don't know, you weren't seeking it out, No, it just
• 12:08
  Speaker 2: happened to be.
• 12:09
  Speaker 1: And it was a guy who was sitting and when
• 12:11
  Speaker 1: they pulled back, his hand was as big as the table.
• 12:16
  Speaker 2: Crazy.
• 12:17
  Speaker 1: What.
• 12:19
  Speaker 2: I saw one that's on my DVR and it said
• 12:21
  Speaker 2: he got into a horrible accident and to save his like,
• 12:25
  Speaker 2: doctors had to cut him in half. What I'm gonna
• 12:28
  Speaker 2: watch that later?
• 12:31
  Speaker 1: Okay, Well you thought out about why the guy has
• 12:33
  Speaker 1: just one giant hand?
• 12:35
  Speaker 2: Yeah, yeah, okay, I will I could you a Kimberlez corner?
• 12:40
  Speaker 1: Please? No, no, please, no no.
• 12:44
  Speaker 2: So Paula or Paula Paella? How did they say her name? Paula?
• 12:50
  Speaker 1: It's it's spelled Paula, but it's got to be Paula.
• 12:54
  Speaker 1: I know we have to call her Paula. That's how
• 12:56
  Speaker 1: it's spelled.
• 12:57
  Speaker 2: Yeah. So she puts on the makeup, but then she
• 13:00
  Speaker 2: commits the cardinal sin of putting two drops of perfume on?
• 13:05
  Speaker 2: How dare she? He comes running out into the living
• 13:10
  Speaker 2: room like a chicken with his head cut off, freaking out.
• 13:14
  Speaker 2: What is that smell? What is that smell? Oh my god?
• 13:17
  Speaker 2: He runs out to the balcony and isolates himself. He
• 13:21
  Speaker 2: might as well have gotten out the plastic tarp and
• 13:24
  Speaker 2: the tape, like you are preparing for a hurricane. Yes see,
• 13:29
  Speaker 2: this is a zombie movie and he is trying to
• 13:32
  Speaker 2: get the superbug to not have escaped.
• 13:35
  Speaker 1: It was wild.
• 13:36
  Speaker 2: He is patient zero of the next COVID outbreak. He's
• 13:40
  Speaker 2: freaking out, and he goes, I'm super allergic to artificial perfumes.
• 13:48
  Speaker 1: It's only petuly oil. He will like, you does smell
• 13:51
  Speaker 1: like a hippie?
• 13:51
  Speaker 2: Yeah, and my sinuses swell up and I can't stop sneezing,
• 13:55
  Speaker 2: even though we have yet to see him sneeze.
• 13:58
  Speaker 1: No sneeze, no nosebill, no sniffle of any type.
• 14:02
  Speaker 2: Not one. He's talking normally, he's not stuffed up. Okay.
• 14:07
  Speaker 2: He says, why does she need to put on perfume?
• 14:10
  Speaker 2: Who's she trying to attract? Like, it's not gonna make
• 14:13
  Speaker 2: me fall in love with her, it's just gonna piss
• 14:15
  Speaker 2: me off more. It's not some magical pheromones. And then
• 14:19
  Speaker 2: he goes in to the danger zone and he is
• 14:23
  Speaker 2: bitching and is like, I was having a freaking allergy attack.
• 14:29
  Speaker 2: Footage not found.
• 14:30
  Speaker 1: Roll the tape. We didn't see it.
• 14:32
  Speaker 2: Where where was the allergy attack? Because that is the
• 14:35
  Speaker 2: calmest allergy attack I've ever seen someone have. I didn't kives.
• 14:41
  Speaker 2: I didn't see one cough, one sneeze, one's I didn't
• 14:46
  Speaker 2: see that.
• 14:48
  Speaker 1: Where's the benadryll? None of it?
• 14:49
  Speaker 2: No, No, he's acting like she tried to murder him
• 14:52
  Speaker 2: on purpose.
• 14:53
  Speaker 1: It's like she's frayed, like rouse fray deodorant. It's like
• 14:58
  Speaker 1: it's like, who wasn't they had all the sprays the
• 15:01
  Speaker 1: other day? Was amido who had so many praise when
• 15:04
  Speaker 1: he was getting ready, like so many sprays. It was
• 15:07
  Speaker 1: like that too, drop Bunny, to drop.
• 15:11
  Speaker 2: She didn't even spray it.
• 15:13
  Speaker 1: It was drop dab on her body.
• 15:15
  Speaker 2: Dabs on her body.
• 15:17
  Speaker 1: Wow.
• 15:17
  Speaker 2: And so he's like, why did you do that by
• 15:20
  Speaker 2: a freaking allergy attack And she's making jokes like, oh,
• 15:23
  Speaker 2: it's just because you have a big nose that you
• 15:25
  Speaker 2: can't handle it. And she's like, I put on two drops.
• 15:28
  Speaker 2: I didn't spray anything. And he's like, why can't you
• 15:31
  Speaker 2: just buy perfume I'm not allergic to. And she's like,
• 15:34
  Speaker 2: I've tried the non allergy branded perfumes. You hate those two.
• 15:39
  Speaker 2: And she says in Brazil, perfumes and smelling good are
• 15:42
  Speaker 2: part of the culture and I'm not willing to give
• 15:44
  Speaker 2: it up. And only when I'm dead can you bury
• 15:47
  Speaker 2: me smelly. And he says, you're so dramatic. And I
• 15:51
  Speaker 2: was like, roll the tape of you five seconds ago
• 15:54
  Speaker 2: saying that you were dying.
• 15:56
  Speaker 1: But she was like trying to be funny, like oh
• 15:58
  Speaker 1: my god, like you should be stuck. It's a superpower,
• 16:01
  Speaker 1: Like I cannot believe you could smell those two drops
• 16:03
  Speaker 1: from kilometers away. You know, she's joking and being.
• 16:07
  Speaker 2: Like, She's like, you're an X man for smelling. Your
• 16:10
  Speaker 2: nose is so strong you we should message Marvel. You
• 16:13
  Speaker 2: had like you have a superpowers.
• 16:16
  Speaker 1: Me and he's losing his mind.
• 16:18
  Speaker 2: Why are you taking me? Seriously? You're upsetting me? Can
• 16:21
  Speaker 2: you see how upset I am? And she just like
• 16:24
  Speaker 2: keeps making little jokes and he's like, just say you're sorry.
• 16:27
  Speaker 1: Why are you teasing me? God?
• 16:30
  Speaker 2: Oh my god, this is the most unattractive I've ever
• 16:34
  Speaker 2: seen a man ever behave totally ridiculous. This is the
• 16:38
  Speaker 2: version of the man flew like. My brother is like
• 16:43
  Speaker 2: make going out. Ralphie jumped on me and it hurt me.
• 16:46
  Speaker 2: It really hurt me. And I was like, be a man,
• 16:49
  Speaker 2: you're fine's not going to be attracted to you if
• 16:52
  Speaker 2: you're whin He's Ralphie jumped on you. He jumps on
• 16:54
  Speaker 2: me all the time and I have constant bleeding, scratch
• 16:57
  Speaker 2: marks or care. He's just showing that he likes you
• 17:00
  Speaker 2: and he's not well trained, but he's a big baby.
• 17:03
  Speaker 2: But being a complainer like that is not attractive. I
• 17:06
  Speaker 2: just have to say to all the men out there,
• 17:08
  Speaker 2: it's not attractive.
• 17:09
  Speaker 1: I'm attractive. Women either do it.
• 17:11
  Speaker 2: But women go through way more talk about cramps, menopause,
• 17:17
  Speaker 2: giving birth, like our bodies are built for it, and
• 17:20
  Speaker 2: we complain less than this man is complaining because she
• 17:23
  Speaker 2: put on two drops of perfume.
• 17:25
  Speaker 1: And this was Now, if this was like you opened
• 17:29
  Speaker 1: a bag of peanuts and have a severe peanut allergy
• 17:31
  Speaker 1: and he freaked out, I would understand one hundred percent.
• 17:34
  Speaker 2: And that's how he's acting, right, but there are no symptoms,
• 17:39
  Speaker 2: which means he does not actually have a problem, and
• 17:43
  Speaker 2: she only put on two drops.
• 17:45
  Speaker 1: Okay, continue because I'm stunned by this behavior.
• 17:48
  Speaker 2: Stunned, but this behavior is wild. So she's she's like,
• 17:52
  Speaker 2: why are you so mad? It's my first day here.
• 17:54
  Speaker 2: Can you just go easy on me? And he's like,
• 17:56
  Speaker 2: if you are going to spray things in this apartment,
• 17:59
  Speaker 2: I'm just gonna lead. I will walk out, I will leave,
• 18:02
  Speaker 2: and she's like, you're taking this so seriously, and then
• 18:05
  Speaker 2: he goes get ready. If it isn't safe for me here,
• 18:13
  Speaker 2: I'll leave. I need a white man talking about not
• 18:20
  Speaker 2: feeling safe to shut the fuck up.
• 18:24
  Speaker 1: He doesn't feel safe because she applied two drops of
• 18:26
  Speaker 1: non allergic, non allergen perfume that he's not allergic to.
• 18:33
  Speaker 1: Three rooms over.
• 18:35
  Speaker 2: And he's feeling unsafe. He's triggered.
• 18:38
  Speaker 1: He's triggered by Oh he's triggered. All right, he's triggered.
• 18:41
  Speaker 2: So she's like, God, he's making such a big deal
• 18:44
  Speaker 2: about this. It's really like not attractive, you know, like
• 18:49
  Speaker 2: he's unhinged, and he wants me to He's gonna want
• 18:51
  Speaker 2: me to have sex with him later, like with I
• 18:53
  Speaker 2: can't after seeing this tantrum that he's throwing. Tantrum, Yes,
• 18:58
  Speaker 2: a baby, he's being a child. This is not attractive.
• 19:02
  Speaker 2: So he's like, throw away your perfume. I want you
• 19:04
  Speaker 2: to throw it away. She goes, no, it was expensive.
• 19:07
  Speaker 2: I can give it to someone. It'll be a nice gift.
• 19:09
  Speaker 2: And he starts to go through her stuff, finds the perfume,
• 19:15
  Speaker 2: opens the top of the perfume. No reaction, no sneezing, no,
• 19:22
  Speaker 2: and then super glues into the bottle, sealing it closed.
• 19:28
  Speaker 2: No reaction to opening the bottle right at his face level.
• 19:33
  Speaker 1: And you know what else is really strong smelling super
• 19:36
  Speaker 1: glue super glue. No reaction to that triggering.
• 19:42
  Speaker 2: So now she's pissed. And she's like, what am I
• 19:44
  Speaker 2: doing here? I have a business at home, I have
• 19:47
  Speaker 2: employees that like I left, I have my family and
• 19:51
  Speaker 2: my friends in a wonderful life. He is so immature,
• 19:54
  Speaker 2: and I came to live with this baby man. I mean,
• 19:57
  Speaker 2: he is ten years younger than you, but at the
• 19:59
  Speaker 2: same time, he's thirty one. Like this, he's not twenty three,
• 20:04
  Speaker 2: Like get your act together, Thomas. I did not see
• 20:09
  Speaker 2: them being this drama filmed, but this I was surprising.
• 20:15
  Speaker 1: This was very surprising behavior. It was I wonder if
• 20:18
  Speaker 1: she's ever seen him like freak out. Like later when
• 20:21
  Speaker 1: we get to Debbie a Meidos, she's like, this is
• 20:23
  Speaker 1: how he acts and you just have to kind of
• 20:24
  Speaker 1: ignore it. I wonder if she's seen him like have
• 20:26
  Speaker 1: a fit like this before and she's like, oh, you
• 20:28
  Speaker 1: just write it out. He'll get over it, you know, right,
• 20:30
  Speaker 1: or she was like I thought she was, like Wow, she.
• 20:34
  Speaker 2: Was disappointed and like surprised by behavior. I feel like
• 20:38
  Speaker 2: she hasn't seen him act like this before, and it
• 20:42
  Speaker 2: makes me think he's a hypochondriac. And I don't even
• 20:44
  Speaker 2: know if he has chrones now, Like.
• 20:47
  Speaker 1: I'm beginning into wonder if he just has a sensitive
• 20:50
  Speaker 1: tom tum right, yeah, don't we all don't.
• 20:54
  Speaker 2: Hello, Hello, I've I've had I haven't been able to
• 20:58
  Speaker 2: leave my house in four days. Let's just leave it
• 21:00
  Speaker 2: at that.
• 21:00
  Speaker 1: I'm just so sorry. Yeah, I'm just so sorry it happened.
• 21:06
  Speaker 1: It's not great.
• 21:06
  Speaker 2: Okay, diabetes, GLP ones, it's the whole thing.
• 21:10
  Speaker 1: Yeah. If we get Keishawn here, she could talk about
• 21:12
  Speaker 1: her loopus. Uh huh.
• 21:15
  Speaker 2: That we have problems, Thomas.
• 21:17
  Speaker 1: We have medical problems. We do again.
• 21:21
  Speaker 2: I will feel badly if he like dies one day
• 21:23
  Speaker 2: of an allergic reaction and I've been mocking him, but
• 21:26
  Speaker 2: there was no symptoms whatsoever. And it's not like this
• 21:30
  Speaker 2: is an invisible disease that you might not see on
• 21:33
  Speaker 2: someone like.
• 21:34
  Speaker 1: No, a larger reaction you can see like that.
• 21:37
  Speaker 2: Could see something is happening to this person.
• 21:42
  Speaker 1: Okay, Hopefully next week he apologizes or goes to see
• 21:45
  Speaker 1: an allergist. Okay, that that would be. That would be
• 21:49
  Speaker 1: rooting television. Let's go to Mallory and Ras sheet Rash.
• 21:57
  Speaker 2: Okay, I love disappointing scene. I love I love Rash,
• 22:03
  Speaker 2: but he lost me in this episode. He lost me
• 22:06
  Speaker 2: to be back in the future. Because I was so
• 22:09
  Speaker 2: rooting for him me too.
• 22:11
  Speaker 1: I'm really really hoping this is gonna be a story
• 22:14
  Speaker 1: arc where he and he and Brandy will be best
• 22:16
  Speaker 1: friends at the end.
• 22:17
  Speaker 2: Yeah, so maybe like he officiates the wedding or something like.
• 22:22
  Speaker 1: I mean, wouldn't that would be sweet? I mean, yeah,
• 22:24
  Speaker 1: Brandy's gonna have to get a haircut first. I mean, oh, yeah,
• 22:27
  Speaker 1: he's gonna have to clean himself off a little bit. Yeah.
• 22:29
  Speaker 1: So Rash is sitting on the back of Brandon's truck
• 22:32
  Speaker 1: and he says, I want to talk and but I
• 22:36
  Speaker 1: don't know, and Brandy goes, you don't want to be
• 22:38
  Speaker 1: an asshole, and he goes right. He says, I have
• 22:41
  Speaker 1: a problem with you, and Brandy goes all right, and
• 22:44
  Speaker 1: he goes, yesterday you call my fiance and you come
• 22:47
  Speaker 1: quickly to my home. This is not good for my culture,
• 22:51
  Speaker 1: and I don't want you to be friends with my fiance.
• 22:54
  Speaker 1: This is important for me. And he just gets right
• 22:57
  Speaker 1: to the point.
• 22:57
  Speaker 2: Yeah no, small sock, No, no, like, can.
• 23:00
  Speaker 1: We work out a solution or maybe let's figure out
• 23:03
  Speaker 1: like how we can combine our cultures compromise And Brandy
• 23:09
  Speaker 1: goes no. In the talking head Rash goes, Brandy is
• 23:13
  Speaker 1: here at party and his voice is like caveman, rah
• 23:15
  Speaker 1: rah rah, and I want to make boundary our culture
• 23:19
  Speaker 1: and country. We don't have ex boyfriend as friend, so
• 23:24
  Speaker 1: Brandon says nicely, he says, hey, look, I understand your
• 23:28
  Speaker 1: culture is different, and I respect you and Mallory and
• 23:31
  Speaker 1: your future marriage and your relationship. But you know Mallory
• 23:34
  Speaker 1: and I she is one of my best friends. We
• 23:36
  Speaker 1: are very close friends, regardless of our past. And she says,
• 23:41
  Speaker 1: I understand you how to pass life. I don't care
• 23:43
  Speaker 1: about this life. Don't call my fiance, don't text my fiance.
• 23:48
  Speaker 1: You can delete Mallory's number.
• 23:51
  Speaker 2: What Yeah?
• 23:53
  Speaker 1: Too far and too far? And he says, you want
• 23:56
  Speaker 1: me to delete her number and for me and her
• 23:59
  Speaker 1: to just eliminate our friendship and he goes, yeah. He says,
• 24:04
  Speaker 1: so because of your culture and how we are as
• 24:07
  Speaker 1: friends makes you uncomfortable. But no, I'm not going to
• 24:11
  Speaker 1: do that. I'm not going to eliminate a friendship because
• 24:13
  Speaker 1: somebody told me to. And he just looks at it
• 24:16
  Speaker 1: and he goes, I respect you as a man, but
• 24:18
  Speaker 1: you know no, and Rushi says, can you listen to me?
• 24:23
  Speaker 1: You don't call my fiance never. Now. Let's also see
• 24:26
  Speaker 1: we've seen Rashiet do a lot of shots and drinks
• 24:29
  Speaker 1: and things, so he's got a little liquid courage here.
• 24:32
  Speaker 1: It's not cute.
• 24:33
  Speaker 2: He has that mullet. He has that mullet strength. Yeah,
• 24:36
  Speaker 2: he's got this mullet we call h mullet confidence.
• 24:41
  Speaker 1: Brandon says, well, you act like you have a choice
• 24:44
  Speaker 1: in this, but you don't have a choice. And Rushi says,
• 24:47
  Speaker 1: I'm a boss in my house and she must listen
• 24:50
  Speaker 1: to me. No, and Brandon just looks at him, like,
• 24:53
  Speaker 1: have you met Mallory?
• 24:55
  Speaker 2: Yeah, Brandon shouldn't have been discussed further. And Malory, I
• 24:59
  Speaker 2: feel should be involved in this conversation. I kind of
• 25:03
  Speaker 2: do like normally I would think let them handle it themselves,
• 25:07
  Speaker 2: but she has been like hands off and saying, yeah, Rush,
• 25:10
  Speaker 2: just talk to him, tell him how you feel. And
• 25:13
  Speaker 2: it's like, are you enjoying these men fighting over you?
• 25:16
  Speaker 2: Why are you acting like this? You should tell him
• 25:19
  Speaker 2: You should have told him yesterday. He is going to
• 25:23
  Speaker 2: be friends with me, And this is an issue between
• 25:24
  Speaker 2: the you and I, not you and him, because I
• 25:29
  Speaker 2: want him still in my life as a friend. So
• 25:31
  Speaker 2: let's you and I work this out as husband and wife.
• 25:35
  Speaker 1: He I kind of think she's usually sort of telling
• 25:37
  Speaker 1: him and he's like, oh okay, but in this situation, he's
• 25:40
  Speaker 1: not like I'm gonna do it. She says, you know right.
• 25:44
  Speaker 1: So Brandon says, let me tell you something, man, I
• 25:48
  Speaker 1: am like the government, million taxes are here forever, and
• 25:52
  Speaker 1: you want mutual respect, that's what you're asking for. But
• 25:56
  Speaker 1: just sitting no my fucking tailgate without an invitation, demanding things.
• 26:01
  Speaker 1: Until you start giving the respect that you won't, you
• 26:03
  Speaker 1: get the fuck off my tailgate.
• 26:06
  Speaker 2: I need to hear from people if this is a thing.
• 26:09
  Speaker 1: I do too. I need some real Southerners. I am
• 26:13
  Speaker 1: a real Southerner, but I don't understand tailgate culture. It
• 26:17
  Speaker 1: is this a thing like when I was in high
• 26:19
  Speaker 1: school and stuff, the guys would take their trucks and
• 26:21
  Speaker 1: when you do all the stuff. But I never ever
• 26:24
  Speaker 1: heard anybody say like, oh, will can't go sit on
• 26:28
  Speaker 1: Alan's tailgate? Do you know what I mean? Like, I've
• 26:31
  Speaker 1: never heard that.
• 26:32
  Speaker 2: It's like a vampire. You have to be invited in. Yes,
• 26:36
  Speaker 2: you can sit on my tailgate. Oh thank you, I
• 26:38
  Speaker 2: will sit on your tailgate. Kind sir, thank you, and
• 26:42
  Speaker 2: it's I didn't know there was this unspoken rule like
• 26:45
  Speaker 2: other other rules about it, Like I didn't feel later
• 26:49
  Speaker 2: when he closes the tailgate that felt passive aggressive or aggressive.
• 26:55
  Speaker 1: I think you don't. Let's just like slam on somebody's
• 26:58
  Speaker 1: car door, like all right, this is my car. Don't
• 26:59
  Speaker 1: do that right, right? You know? Yeah, So I do
• 27:02
  Speaker 1: need to know. I need to know from my deep
• 27:04
  Speaker 1: South friends, is sitting on a man's tailgate a man
• 27:07
  Speaker 1: sitting on another man's tailgate without being invited? Is that
• 27:10
  Speaker 1: considered rude or I just I've just never heard this,
• 27:14
  Speaker 1: but that.
• 27:14
  Speaker 2: Doesn't and how big? How big of a cultural sin
• 27:17
  Speaker 2: is it? Like will punches be thrown? Is it that
• 27:21
  Speaker 2: big of a deal.
• 27:23
  Speaker 1: So let's just say this had gone differently and Sheet
• 27:25
  Speaker 1: walks up and it's like, Brandon, I want to talk
• 27:27
  Speaker 1: to you, and Brandon goes, yeah, man, have a seat.
• 27:29
  Speaker 2: Right, The whole conversation had have gone differently, But he said,
• 27:34
  Speaker 2: I'm not going to hold it against him because he
• 27:36
  Speaker 2: didn't know the room. No, Yeah, but now he's holding
• 27:39
  Speaker 2: it against him because he's he's furious. Yeah exactly, and
• 27:42
  Speaker 2: I would be too. He's being rude.
• 27:45
  Speaker 1: So in the talking head, Brandon goes, yeah, so him
• 27:48
  Speaker 1: saying he's the man of the house and she's gonna
• 27:51
  Speaker 1: listen to what he says. No, man, you know, I
• 27:55
  Speaker 1: hear this as an ultimatum, and we don't do ultimatums here.
• 27:59
  Speaker 1: And when it comes to a man's truck, you treat
• 28:02
  Speaker 1: that truck as the man himself. I will give him
• 28:06
  Speaker 1: the benefit of the doubt that he didn't know any better,
• 28:08
  Speaker 1: but that's his one free pass from me. So Rushi says, listen,
• 28:15
  Speaker 1: I hope you will listen to me. Don't call my fiance,
• 28:18
  Speaker 1: and Brandy goes, okay, well, I already told you I
• 28:21
  Speaker 1: am going to text her and I am going to
• 28:23
  Speaker 1: call her. Yeah. Then Rashi gets off the tailgate, slams it,
• 28:28
  Speaker 1: and Brandy goes.
• 28:29
  Speaker 3: Really, really, we just had a conversation, just talked about
• 28:35
  Speaker 3: my tailgate.
• 28:36
  Speaker 2: Man, oh man, that tailgate is an extension of me
• 28:40
  Speaker 2: and my manhood.
• 28:41
  Speaker 1: I guess listen, it's just a thing we don't know about,
• 28:45
  Speaker 1: but I would like to hear some people send us
• 28:47
  Speaker 1: some Instagram dms. Okay, let's go to Marissa and Edwards.
• 28:56
  Speaker 1: Oh boy, and I'm really tired of seeing all over
• 28:59
  Speaker 1: the internet about how Marissa really can't be forty five.
• 29:01
  Speaker 1: She looks way older, and I'm like, why are we
• 29:03
  Speaker 1: doing that? A and B. She looks older than she
• 29:07
  Speaker 1: is because she is incredibly like thin and sinewy like
• 29:12
  Speaker 1: a ballerina, you know, just like muscle on bone. And
• 29:16
  Speaker 1: that's it.
• 29:17
  Speaker 2: Yeah, you got a little fat on your face and
• 29:21
  Speaker 2: your face younger. That's the only thing that I have
• 29:23
  Speaker 2: going for me. So not true, she but there have
• 29:29
  Speaker 2: been some posts on Reddit that were not nice.
• 29:31
  Speaker 1: I don't like it.
• 29:32
  Speaker 2: I side shots of her and like a skeleton or
• 29:36
  Speaker 2: like a crip keeper like, I don't like it.
• 29:39
  Speaker 1: I don't like it. I don't like it.
• 29:41
  Speaker 2: So I do not enjoy her personality. But that's a
• 29:45
  Speaker 2: different situation.
• 29:47
  Speaker 1: She is just so type A and that she is
• 29:51
  Speaker 1: going to have to let go. I think any man
• 29:54
  Speaker 1: coming into her space from another country or not, younger
• 29:57
  Speaker 1: or not. I think any man coming into her space
• 30:00
  Speaker 1: is going to get this reaction if he's not doing
• 30:02
  Speaker 1: it exactly the way.
• 30:03
  Speaker 2: She wants it, right, She's gonna have Fortunately, Yeah, she
• 30:06
  Speaker 2: picked a man who's a lot younger, who has never
• 30:09
  Speaker 2: lived with kids or had that responsibility and is kind
• 30:13
  Speaker 2: of a kid himself.
• 30:14
  Speaker 1: Or on the airplane or exactly exactly.
• 30:17
  Speaker 2: Yes, yeah. So he's on the phone with his mother,
• 30:22
  Speaker 2: which is nice. How could she possibly criticize that? She
• 30:25
  Speaker 2: thinks he's talking way too loud on the phone, and
• 30:28
  Speaker 2: he apologizes and says, Dominicans are very loud. I'm sorry,
• 30:32
  Speaker 2: and she's like, it's just a lot.
• 30:34
  Speaker 1: I think it's a lot of like can you hear me?
• 30:35
  Speaker 1: Can you hear me? Can you hear me? No? Is
• 30:37
  Speaker 1: your connection working? You know? I think it's a lot
• 30:39
  Speaker 1: of that, And she's like just hang up, Oh my god, yeah,
• 30:41
  Speaker 1: you know.
• 30:42
  Speaker 2: So that she asks to help can you help with dinner?
• 30:46
  Speaker 2: He puts ketchup on his hand and pretends to cut himself.
• 30:50
  Speaker 2: She does not find these pranks funny at all. And
• 30:54
  Speaker 2: then she's overseeing his chopping because she doesn't trust him
• 30:59
  Speaker 2: with a knife. I guess no sharp things. Maybe she
• 31:01
  Speaker 2: gave him a child's knife and she's like, doesn't trust it.
• 31:05
  Speaker 2: She goes, I'm so bossy. Tell me to stop being
• 31:08
  Speaker 2: so bossy, and he says, it's fine. Nothing bothers me.
• 31:11
  Speaker 2: Every everything bothers you. I have the patience to deal
• 31:15
  Speaker 2: with someone like you. This is why we're a good couple.
• 31:18
  Speaker 2: She's like, I hope so. And it's only day two,
• 31:21
  Speaker 2: so we're gonna see how long they're a good couple.
• 31:24
  Speaker 1: Did it say did it say eighty eight days to wed?
• 31:27
  Speaker 2: It was literally? I know, I just think he just
• 31:29
  Speaker 2: got there. I think it's literally like, yeah, it's been
• 31:33
  Speaker 2: like two or three days.
• 31:34
  Speaker 1: Okay, And there are I like when I like when
• 31:36
  Speaker 1: they tell us them, I countdown.
• 31:38
  Speaker 2: Yeah. Yeah, So he says. She'll say things like I
• 31:43
  Speaker 2: don't want to dress you, but change out of that shirt.
• 31:48
  Speaker 2: And she says, I don't want to have to boss
• 31:51
  Speaker 2: people around, but ninety nine percent of the time I
• 31:54
  Speaker 2: have to step in because they're doing it wrong. They're
• 31:58
  Speaker 2: just not doing your way right. So that's you are
• 32:03
  Speaker 2: feeling like you have to step in. So she's like,
• 32:06
  Speaker 2: cut the potatoes in half, and he very smartly says,
• 32:10
  Speaker 2: which way, because you could cut it this way, you
• 32:13
  Speaker 2: cut it with wise lengthwise which way because whichever way
• 32:18
  Speaker 2: will be wrong. So she's like, I'll show you how.
• 32:22
  Speaker 2: So he says the only thing she's not bossy at
• 32:25
  Speaker 2: is in bed.
• 32:26
  Speaker 1: I was like okay, wow.
• 32:28
  Speaker 2: So then the boys come in and give him a present,
• 32:31
  Speaker 2: which is a little box with a fake bug in it,
• 32:34
  Speaker 2: and he freaks out and they're all laughing, except she's
• 32:36
  Speaker 2: not really laughing. They would have loved.
• 32:38
  Speaker 1: That catch up joke.
• 32:40
  Speaker 2: Loved it.
• 32:41
  Speaker 1: They would have loved it. He needs to start.
• 32:42
  Speaker 2: Again for that, he needs to know your audience. So
• 32:47
  Speaker 2: then he has the boys pick a hand, and he's like,
• 32:51
  Speaker 2: pick one hand, and one of them picks it, and
• 32:52
  Speaker 2: there's a fifty bucks fifty dollars bill in one hand
• 32:57
  Speaker 2: and in the other one, so he's basically just giving
• 32:59
  Speaker 2: out one hundred dollars and the brunette kid, Derek, says,
• 33:06
  Speaker 2: I don't want it. It's okay, I don't want it,
• 33:09
  Speaker 2: and he's like, I don't feel like taking money because
• 33:13
  Speaker 2: I feel guilty that basically he feels like he has
• 33:17
  Speaker 2: more money. I think he knows he's a lot richer
• 33:20
  Speaker 2: than some of the other kids, and he feels guilty
• 33:22
  Speaker 2: that if someone's giving him money or an expensive gift,
• 33:25
  Speaker 2: he feels guilty because they're probably worried that they spent
• 33:28
  Speaker 2: too much or they're now losing that money, and he
• 33:32
  Speaker 2: knows Edward doesn't have a lot of money. So it
• 33:35
  Speaker 2: was nice. The thought behind not accepting the money was nice,
• 33:38
  Speaker 2: but it came out kind of awkward and like rude.
• 33:42
  Speaker 1: It was very awkward.
• 33:43
  Speaker 2: Yeah, So Edward says it kind of did hurt his
• 33:46
  Speaker 2: feelings because like, why didn't he want my money? Is me?
• 33:50
  Speaker 2: Any kid in my country would love to have fifty dollars?
• 33:53
  Speaker 2: So he said, Derek is going to be harder to
• 33:55
  Speaker 2: connect with than the pale one.
• 34:00
  Speaker 1: So I can't remember the balil One's name.
• 34:02
  Speaker 2: Is it Counterer?
• 34:06
  Speaker 1: Never? Really?
• 34:07
  Speaker 2: No, I can't remember his name. So they're eating dinner
• 34:11
  Speaker 2: and Edward says he's going to make some Dominican food
• 34:14
  Speaker 2: for them sometime, and they talk about Edward has never
• 34:17
  Speaker 2: seen snow, and he's like, yeah, so don't think it's
• 34:20
  Speaker 2: weird if I see a pile of snow and I
• 34:21
  Speaker 2: just jump into it, don't judge me. Like he's being funny. Yeah,
• 34:25
  Speaker 2: And the kids are giving him nothing. Can we leave
• 34:28
  Speaker 2: the table? Can we go play our video games? She's
• 34:32
  Speaker 2: like no, we're having family time. And she says, Edward's
• 34:36
  Speaker 2: really trying, but I would like to see the boys
• 34:38
  Speaker 2: try to initiate some of this, but it's going to
• 34:41
  Speaker 2: take time.
• 34:42
  Speaker 1: It's like day three, just like yeah.
• 34:44
  Speaker 2: And Edward's like, so do you guys have girlfriends? And
• 34:47
  Speaker 2: they're like, can we? Can we leave? Can we? And
• 34:50
  Speaker 2: this is just kids being kids, I think, and not
• 34:52
  Speaker 2: wanting to be with their awkward new you know mom
• 34:56
  Speaker 2: who's dating a younger guy and they're gonna probably start
• 34:58
  Speaker 2: making out and it's uncomfort so all that. Yeah, they
• 35:01
  Speaker 2: just want to leave. And after dinner, he says, so
• 35:04
  Speaker 2: that was kind of weird with the money, like Derek
• 35:06
  Speaker 2: Quinn take the money, and she says, I think he's
• 35:08
  Speaker 2: trying to be respectful, like he would take money from
• 35:11
  Speaker 2: my parents because they have a lot of money. So
• 35:16
  Speaker 2: Edward says, yeah, becoming a stepdad is going to be
• 35:19
  Speaker 2: more difficult than I thought. And she says, I cannot
• 35:22
  Speaker 2: believe we have ninety days to integrate an entire family basically,
• 35:27
  Speaker 2: like become a fully functioning family in ninety days. So
• 35:32
  Speaker 2: in the morning, she's packing the kids up for camp
• 35:35
  Speaker 2: and to go to their dad's. Edward is just hanging
• 35:37
  Speaker 2: out on his phone, and she says, mornings here are go,
• 35:41
  Speaker 2: go go, and Edward should be more aware of his
• 35:43
  Speaker 2: surroundings and like follow my lead, not on his phone,
• 35:46
  Speaker 2: pay attention and just say you wanted a live at
• 35:51
  Speaker 2: home nanny that you could fuck. Yeah, I mean yeah,
• 35:54
  Speaker 2: I mean you wanted a manny that you could fuck.
• 35:57
  Speaker 1: But also like he says, like, I've I'm new here.
• 36:00
  Speaker 1: I can't read your mind. Oh I should help get
• 36:03
  Speaker 1: the water bottles, I should help do this. Oh can
• 36:05
  Speaker 1: I help with your Like, how do I I've never
• 36:06
  Speaker 1: had how do I know? How do I know what
• 36:08
  Speaker 1: the kids need to pack for school or camp or whatever.
• 36:11
  Speaker 2: Yeah, So he offers to help, and she's like, Nope,
• 36:14
  Speaker 2: it's too late, it's already done. Could you put the
• 36:17
  Speaker 2: sugar away? Yeah, I'll do it. Are you coming? We're
• 36:19
  Speaker 2: gonna be late. We're leaving. And he's like, yeah, I
• 36:22
  Speaker 2: just have to put shoes on and sucks, and he's
• 36:25
  Speaker 2: She's like, put on some slides, it doesn't matter, we
• 36:27
  Speaker 2: have to go. So then they're like waiting for him,
• 36:29
  Speaker 2: where's Edward? Is he coming? Like he's your other kid,
• 36:32
  Speaker 2: That's that's the slow poke child.
• 36:35
  Speaker 1: He's me, He's the he's the third daughter that's ever
• 36:38
  Speaker 1: in the car on time.
• 36:39
  Speaker 2: Yeah, So Derek has Edward sit in the back of
• 36:43
  Speaker 2: the car and she's like, Derek always sits in the front,
• 36:45
  Speaker 2: and he has everyone sit in the back and they're choking,
• 36:48
  Speaker 2: and then she says, so I heard some wrestling going
• 36:53
  Speaker 2: on upstairs last night. Oh, he goes any fun, It
• 36:58
  Speaker 2: was not just distracting at all and probably messing things up.
• 37:02
  Speaker 1: Messing things up, yes, yeah, and she's.
• 37:06
  Speaker 2: He says, well, we were wrestling and I threw them
• 37:08
  Speaker 2: on your bed, and you know, we were just having.
• 37:10
  Speaker 1: Fun bonding, and she's.
• 37:13
  Speaker 2: My bedroom is not a jungle gym, like, which is
• 37:17
  Speaker 2: what you say to your toddler. And Derek says, mom,
• 37:21
  Speaker 2: you're being a party pooper, and she says, well, someone
• 37:24
  Speaker 2: has to be the adult, and maybe you have gotten
• 37:29
  Speaker 2: a guy thirteen years younger than you who has never
• 37:33
  Speaker 2: had the obligation of being a parent. So Edward says
• 37:37
  Speaker 2: to us, I've been trying to connect with the boys,
• 37:39
  Speaker 2: but everything I do is wrong in her eyes, and
• 37:44
  Speaker 2: it's starting to It's.
• 37:44
  Speaker 1: So nice that he's trying to play with them and
• 37:46
  Speaker 1: have fun and even be like a big kid with them,
• 37:50
  Speaker 1: and I think it's great that he's doing that. Yeah.
• 37:55
  Speaker 2: So after the boys get dropped off, she says, I
• 37:58
  Speaker 2: want to tell you something, but I don't know how
• 38:00
  Speaker 2: to approach it. I'm getting irritated because you're always sitting
• 38:05
  Speaker 2: around on your phone, You're not present, or like this
• 38:07
  Speaker 2: morning you weren't helping, Like it's relaxing time for you
• 38:11
  Speaker 2: and work time for me. And I know you hate
• 38:14
  Speaker 2: this when you hear this, but I feel like I
• 38:16
  Speaker 2: have another kid and you're sitting around not paying attention,
• 38:21
  Speaker 2: and when you offered to help, it was too late.
• 38:23
  Speaker 2: And he's like, you have to tell me if you
• 38:25
  Speaker 2: need help. I can't read your mind. I don't know
• 38:27
  Speaker 2: the rules and what to do. And she's like, I
• 38:30
  Speaker 2: want another adult in the house. And he's like, well,
• 38:33
  Speaker 2: I want to help. I don't like sitting around doing nothing.
• 38:37
  Speaker 2: I'm not that guy. I'm motivated and all this stuff.
• 38:40
  Speaker 2: And she says, okay, well, it's just I've only seen
• 38:43
  Speaker 2: you on vacation mode, relaxing in the dr and now
• 38:47
  Speaker 2: you're here relaxing, so I haven't seen this productive guy again.
• 38:53
  Speaker 2: He just got here two days ago.
• 38:55
  Speaker 1: He worked for like six months.
• 38:58
  Speaker 2: I think she thinks he should have started a bit,
• 39:00
  Speaker 2: gotten his driver's license and built her a gazebo in
• 39:03
  Speaker 2: the backyard.
• 39:04
  Speaker 1: Right, Yes, it's wild.
• 39:07
  Speaker 2: Show me your worth. Essentially, it's like she says, I
• 39:11
  Speaker 2: need to see that side of you to prove to
• 39:14
  Speaker 2: me that this is the right decision for me. Like,
• 39:18
  Speaker 2: you literally have to prove your worth in my life.
• 39:23
  Speaker 1: And so he's so easy rezy. He's like, I understand, Okay,
• 39:27
  Speaker 1: I got it.
• 39:28
  Speaker 2: They're just not a good match. And she said, and
• 39:31
  Speaker 2: sometimes opposite is attracted and you need one person to
• 39:34
  Speaker 2: be really type A. But she's so far that way
• 39:38
  Speaker 2: it's going to be a real turn off. So she says,
• 39:41
  Speaker 2: in my past relationships, I haven't been good at voicing
• 39:44
  Speaker 2: my concerns, so now I'm just voicing it all the
• 39:48
  Speaker 2: time in a really assertive manner.
• 39:52
  Speaker 1: And it's not.
• 39:54
  Speaker 2: Exactly She's like, if I don't voice my concerns, then
• 39:57
  Speaker 2: it's just going to build up and it's going to explode. Okay,
• 40:00
  Speaker 2: but you could pick and choose your battles. You don't
• 40:02
  Speaker 2: have to harp on every single thing he's doing and
• 40:05
  Speaker 2: lay out your expectations for him.
• 40:07
  Speaker 1: In the morning, Yeah, like when they get home, like, Okay,
• 40:11
  Speaker 1: did you see this morning? This is how this went.
• 40:13
  Speaker 1: So here's kind of what I tried to do. By seven,
• 40:16
  Speaker 1: I like to have this done Bye da da day.
• 40:18
  Speaker 1: So in the morning, when you get up, if you
• 40:20
  Speaker 1: could just like help get their water bottles ready? You know,
• 40:23
  Speaker 1: how about that? That's nicer?
• 40:24
  Speaker 2: Huh, yes, much nicer. But again, is he okay with
• 40:28
  Speaker 2: being a living nanny, like, because.
• 40:32
  Speaker 1: Well, he's got to have it for now, you know,
• 40:34
  Speaker 1: he has to.
• 40:34
  Speaker 2: Help for now until he can work, and then what happens.
• 40:37
  Speaker 2: I don't know what the rules are. So he says,
• 40:39
  Speaker 2: I'm not worried about it, and she's like, well, that's nice.
• 40:43
  Speaker 2: I'm glad you're not worried about it, because I am
• 40:46
  Speaker 2: gonna keep worrying about everything.
• 40:50
  Speaker 1: She's rough, man, she's rough.
• 40:52
  Speaker 2: She's gonna keep like e masculating him and it's not
• 40:55
  Speaker 2: gonna feel good.
• 40:57
  Speaker 1: And she's gonna show her in the bedroom.
• 41:00
  Speaker 2: Oh okay, well then maybe that's that'll work for them.
• 41:03
  Speaker 2: That's their their rules.
• 41:06
  Speaker 1: Yeah, he's like, get in the bedroom and I'll show
• 41:08
  Speaker 1: you his boss. Baby. I don't find it there.
• 41:12
  Speaker 2: So I yeah, I don't want to live in someone's home.
• 41:17
  Speaker 2: And they keep telling me it's my home too, but
• 41:19
  Speaker 2: they are monitoring my behavior, like every time I'm on
• 41:23
  Speaker 2: my phone, they're looking like why is she being so lazy? Yes,
• 41:27
  Speaker 2: would be annoying and if not, you're home too.
• 41:31
  Speaker 1: You know that would happen a lot if somebody who
• 41:32
  Speaker 1: was in this home.
• 41:35
  Speaker 2: You're watching ninety Day Fiance again, it's my job. It's
• 41:39
  Speaker 2: my job.
• 41:40
  Speaker 1: I swear you already watch I got to watch it twice.
• 41:45
  Speaker 1: So let's move on to Shay and Annabelle.
• 41:49
  Speaker 2: And speaking of disappointing men.
• 41:53
  Speaker 1: Boy, So he is like, he's talking to the dogs.
• 41:58
  Speaker 1: Mommy Bell is mad at Daddy Bell. I don't know
• 42:00
  Speaker 1: what the fuck he's saying, but Mommy Bell is mad
• 42:02
  Speaker 1: at daddy. Oh I'm in trouble. You know, I don't
• 42:06
  Speaker 1: what happens at the lake stays at the lake. Am
• 42:08
  Speaker 1: I right? Come on now.
• 42:09
  Speaker 2: So he's teaching the dogs to say life.
• 42:12
  Speaker 1: So he goes in the bedroom. He's like, hey, hi,
• 42:15
  Speaker 1: doing babe. She just walks past him and doesn't say
• 42:18
  Speaker 1: a word. I was like, I love this lady, lurall.
• 42:22
  Speaker 1: So we're talking to she goes, yeah, I'm angry. He's
• 42:25
  Speaker 1: told me, you know that about these women and that
• 42:28
  Speaker 1: there's no sex. But he was drunk and he probably
• 42:31
  Speaker 1: doesn't even know what he did when he was drunk.
• 42:33
  Speaker 1: So I need to know the truth. And yeah, I'm mad.
• 42:36
  Speaker 1: So they go outside and sell on the porch and
• 42:39
  Speaker 1: he says, what's going on, babe? You're mad babe, And
• 42:42
  Speaker 1: she goes, so, did you have sex? He no, no,
• 42:48
  Speaker 1: she goes, you don't even know what you did. He goes, well,
• 42:50
  Speaker 1: I mean I don't always remember, but like I got told. Okay,
• 42:53
  Speaker 1: like here's a good example, just telling on himself. He goes,
• 42:57
  Speaker 1: here's a good example. So this one girl, she said
• 42:59
  Speaker 1: she got fake boobs, and I said, hey, let me
• 43:03
  Speaker 1: see them things, like you know, that's just smart ass,
• 43:05
  Speaker 1: And me like, hey, let me see them boobs. And
• 43:07
  Speaker 1: she showed me like lift it up, put it down
• 43:09
  Speaker 1: like hey, and she goes, did you touch something and
• 43:12
  Speaker 1: he goes, no, she just lifts up down, says, showing
• 43:15
  Speaker 1: them boobs. It's just the lifestyle. It's the party's baby.
• 43:19
  Speaker 1: You're just maybe you're overreacting.
• 43:22
  Speaker 2: Oh no, don't know.
• 43:25
  Speaker 1: And she just stares at him and goes, overreacting. You
• 43:28
  Speaker 1: are cheating on me. He goes, I mean, I've apologized
• 43:33
  Speaker 1: and I don't feel like it is cheating, babe. So
• 43:37
  Speaker 1: he says, I mean, what is cheating? So he says,
• 43:42
  Speaker 1: I hate We got off on bath foot and we
• 43:43
  Speaker 1: still have the still got the night to days, and
• 43:45
  Speaker 1: I want to prove to you that it was just
• 43:47
  Speaker 1: innocent and fun at a party. Babe. I made an
• 43:50
  Speaker 1: arrangement for you and Alice and Angie to have a
• 43:53
  Speaker 1: spy day and baby, you'd be with Angie. You can
• 43:56
  Speaker 1: just ask Angie yourself what you're just friends. You could
• 43:58
  Speaker 1: ask her. So she goes, I don't want to go anywhere,
• 44:03
  Speaker 1: and he goes, do you want to stay here with
• 44:04
  Speaker 1: me all day? And she goes no, So he drives
• 44:08
  Speaker 1: her to the spa.
• 44:10
  Speaker 2: You're gonna so basically enjoy yourself at the spa with
• 44:14
  Speaker 2: the woman that you think I slept with, and my
• 44:17
  Speaker 2: bitchiest daughter, who hates, who hates uses, not the nice one. No, still,
• 44:24
  Speaker 2: no time spent with a nice one.
• 44:27
  Speaker 1: So she's so pissed in the car, she's just she's
• 44:31
  Speaker 1: got that resting bitch face. She is not cracking a smile.
• 44:34
  Speaker 1: She is furious. So we're talking to her. Sha goes,
• 44:37
  Speaker 1: I'm getting the silent treatment. I don't know what her
• 44:39
  Speaker 1: head's face is, you know, like I know when my
• 44:42
  Speaker 1: daughter Allison's having man troubles, the girls go off and
• 44:45
  Speaker 1: get their nails done and that'll put you in a
• 44:47
  Speaker 1: better mood. So that's why I planned it. Yeah, a
• 44:50
  Speaker 1: manicure will fix the cheating every time, every time.
• 44:54
  Speaker 2: Yeah, then I can just keep doing it.
• 44:57
  Speaker 1: I just keep.
• 45:00
  Speaker 2: I think he thinks this sort of behavior will change
• 45:02
  Speaker 2: when she's there, But she's not a partier. So when
• 45:06
  Speaker 2: they go to the lake, she's going to go to
• 45:08
  Speaker 2: bed early. He's going to keep partying and do fucked
• 45:12
  Speaker 2: up stuff and then be like, sorry, baby, you went
• 45:15
  Speaker 2: to bed. I gotta touch rubies.
• 45:18
  Speaker 1: You gotta come to the party, babe.
• 45:20
  Speaker 2: Yeah, it's lake left.
• 45:23
  Speaker 1: So Annabelle and Angie meet and and she goes, oh
• 45:27
  Speaker 1: my gosh, Orre you're a hugger and goes to hugger
• 45:29
  Speaker 1: and they do over the shoulder and Anna I's like,
• 45:32
  Speaker 1: the eyes are so far back in the head. She's
• 45:34
  Speaker 1: like oh yeah. And so she's like, are you staying
• 45:38
  Speaker 1: And she goes, no, I'm not staying. His lady land
• 45:42
  Speaker 1: over here. I don't I don't fuck with the manicure.
• 45:45
  Speaker 1: And so he's Lee's.
• 45:47
  Speaker 2: I don't know what his tone nails. Well, she got
• 45:49
  Speaker 2: to his toenails when she got here.
• 45:51
  Speaker 1: Right right right? She gets yes, she's yeah. So she's
• 45:55
  Speaker 1: like you're not staying. He goes, no, it's just you
• 45:57
  Speaker 1: and the girl's just some girl time. And the talking
• 46:01
  Speaker 1: head annabel says, Angie, she hugged me. I don't like her. Mmm,
• 46:06
  Speaker 1: so Angie. Angie also has a broken arm. It's not explained.
• 46:10
  Speaker 2: Yeah.
• 46:10
  Speaker 1: So they all sit and talk while doing the nails
• 46:13
  Speaker 1: and the toes, and Alison asks annabel everything, Okay, are
• 46:18
  Speaker 1: you doing all right? And Annabelle says, we had a
• 46:22
  Speaker 1: little fight about about Angie. All the Alison, Annabel Angie,
• 46:26
  Speaker 1: everybody starts to say, okay, sorry. I was like, I'm
• 46:28
  Speaker 1: confusing myself. So Annabelle says, we had a little fight
• 46:32
  Speaker 1: about Angie because Nicole says, your dad is having a
• 46:38
  Speaker 1: secret relationship with Angie. And Angie's face is like, huh
• 46:43
  Speaker 1: she is. Her whole face retracts into her neck. She's
• 46:46
  Speaker 1: like what.
• 46:48
  Speaker 2: Look, don't forget Angie. Though, at the state Fair with
• 46:51
  Speaker 2: all the barbecue sauce over everybody, you said, if he
• 46:55
  Speaker 2: was single, you go.
• 46:56
  Speaker 1: You might, you might go for it, she said, even.
• 47:00
  Speaker 2: Though you are a thousand times hotter than Shay two
• 47:04
  Speaker 2: thousand and he's best friends with your dad.
• 47:08
  Speaker 1: Who also has a Filipino wife never forget who and
• 47:11
  Speaker 1: he only sees her six months of the year. So
• 47:15
  Speaker 1: so Annabel says, are you having an affair with my
• 47:19
  Speaker 1: future husband? She's like, oh, what have you seen him?
• 47:26
  Speaker 1: And she says did he ever try to kiss you?
• 47:29
  Speaker 1: And Agi goes, no, that is absolutely not true, completely
• 47:34
  Speaker 1: not true. We are just friends and I believe I
• 47:36
  Speaker 1: believe this.
• 47:38
  Speaker 2: Yeah, I do show, but it's still weird that they're
• 47:40
  Speaker 2: such close friends and he helped her through her divorce.
• 47:45
  Speaker 1: It is strange. It is strange. So the talking head
• 47:49
  Speaker 1: Angie goes, I'm in total shock. I don't know what
• 47:51
  Speaker 1: to say about this. And here's poor Annabel just got
• 47:54
  Speaker 1: here and is hearing all this information. I can't imagine
• 47:57
  Speaker 1: the thoughts going through her head, like she's probably think it,
• 48:00
  Speaker 1: should I even be doing this? Should I go home?
• 48:02
  Speaker 2: I really liked that, and she seemed to really have
• 48:06
  Speaker 2: a lot of empathy for Annabel. She also seems to
• 48:09
  Speaker 2: be drunk or on pills.
• 48:12
  Speaker 1: Yeah, they are drinking at the spot.
• 48:14
  Speaker 2: It seems a little wasted, but she does seem to
• 48:17
  Speaker 2: be nice and like feel bad for the situation Annabel
• 48:20
  Speaker 2: is in.
• 48:21
  Speaker 1: Yeah, because they all know Nicole is crazy, right, right,
• 48:25
  Speaker 1: so Annabel says, your dad told me last month he
• 48:28
  Speaker 1: cheated on me. And they're like what with who? And
• 48:31
  Speaker 1: she goes, I don't know the woman. He said he
• 48:33
  Speaker 1: kissed a woman and then he asked another woman to
• 48:36
  Speaker 1: show her boobs. They were big and fake and the
• 48:38
  Speaker 1: girl's worth going what. They're like what?
• 48:43
  Speaker 2: Uh?
• 48:43
  Speaker 1: And maybe he was drunk and I told him I
• 48:45
  Speaker 1: don't like for him to be drunk because then he
• 48:47
  Speaker 1: doesn't know what he's doing and he hurt and he
• 48:49
  Speaker 1: hurt my feelings. And Alison goes, wow, this is a lot.
• 48:54
  Speaker 1: She says, will you be forgiving him? And she goes,
• 48:58
  Speaker 1: I'm not sure, but I will be thinking one hundred
• 49:00
  Speaker 1: times before marrying him. Alison goes, well, my dad doesn't
• 49:07
  Speaker 1: have the best track record, but I know he loves you.
• 49:09
  Speaker 1: I have never seen him talk about a woman like
• 49:11
  Speaker 1: he talks about you, like he's very pride full of
• 49:15
  Speaker 1: you and very happy that it was nice. Yeah. Angie agrees,
• 49:21
  Speaker 1: is like, yeah, you guys have been together five years.
• 49:23
  Speaker 1: I mean he really loves you so and she says,
• 49:27
  Speaker 1: and now that you're here, I think he'll prove to
• 49:29
  Speaker 1: you that he's really ready to make that commitment. So
• 49:33
  Speaker 1: Annabelle says to Alison, is there more to know? And
• 49:36
  Speaker 1: Allison goes, yeah, I don't know. I don't know, and uh,
• 49:41
  Speaker 1: Annabell goes, well, I don't want to break up, so
• 49:44
  Speaker 1: I hope that we can work on this. So you're
• 49:47
  Speaker 1: talking toad, Alison says, I'm surprised. I'm surprised he told
• 49:50
  Speaker 1: her that he cheated on her because I thought I
• 49:53
  Speaker 1: was going to have to do it.
• 49:54
  Speaker 2: I was hoping to be the bearer of bad news.
• 49:58
  Speaker 2: But she says, I thought I would have to And
• 50:01
  Speaker 2: in my mind, she's thinking, I was hoping i'd get
• 50:05
  Speaker 2: to be the bearer of bad news and had my
• 50:07
  Speaker 2: daddy all to myself.
• 50:09
  Speaker 1: But Nicole was going to beat me to it that
• 50:11
  Speaker 1: bad Yeah. So she says, I've watched him lie for
• 50:15
  Speaker 1: years about who's there or how much he's had to drink.
• 50:20
  Speaker 1: I think he's only told her a little bit. She
• 50:22
  Speaker 1: doesn't know everything, and I'm sure Nicole has a lot
• 50:25
  Speaker 1: on him.
• 50:28
  Speaker 2: So you just lied to Annabelle and said there's no
• 50:30
  Speaker 2: more to know or you don't Well what she said was.
• 50:33
  Speaker 1: I don't know. Yeah, I don't like this.
• 50:36
  Speaker 2: I feel like the I think girl code supersedes dad
• 50:41
  Speaker 2: code and even and it's like those moms on Love
• 50:46
  Speaker 2: After lock Up that know their son is coming out
• 50:48
  Speaker 2: too timing and are like, well, he's my son, so
• 50:51
  Speaker 2: I'm gonna help him. I'll help him with this lie. Yeah,
• 50:56
  Speaker 2: And I don't like that. I know he's your baby boy,
• 50:59
  Speaker 2: but like, would you want why do you are allowing
• 51:02
  Speaker 2: him to treat women like this?
• 51:04
  Speaker 1: I just feel like, don't, don't involve me, like I don't,
• 51:06
  Speaker 1: I don't want to know.
• 51:07
  Speaker 2: And don't do this. This is also I don't tell
• 51:10
  Speaker 2: her I will. I would say that I have no
• 51:13
  Speaker 2: loyalty to my dad or anybody. If you're behaving like
• 51:16
  Speaker 2: a dog, you're gonna get treated like a dog. And
• 51:19
  Speaker 2: but I mean not the way I treat a dog.
• 51:21
  Speaker 2: I love my dogs.
• 51:22
  Speaker 1: Yeah, never, I've never I've never understood that phrase. You
• 51:26
  Speaker 1: treat you like a dog. I'm like, want to treat
• 51:27
  Speaker 1: my dog pretty good?
• 51:29
  Speaker 2: Treat you like a roach? Yeah?
• 51:32
  Speaker 1: A roach? Gross? Okay, Oh, let's move on to Katie
• 51:39
  Speaker 1: and Josh. Josh is out here on the internet trying
• 51:43
  Speaker 1: so hard to defend himself. He's so funny. Hey, he's
• 51:48
  Speaker 1: on Instagram. He's like, Okay, so I've seen all your comments,
• 51:53
  Speaker 1: and if anybody has any constructive comments, I'd like to
• 51:56
  Speaker 1: hear them. Now, you can't say these words run.
• 51:59
  Speaker 2: Run run three exclamation point, he goes, You can't.
• 52:04
  Speaker 1: He goes, you can't say. He goes, you can't say
• 52:06
  Speaker 1: other terms for run, like take a boat, a train,
• 52:10
  Speaker 1: go on a hike, take a short jog, He goes,
• 52:13
  Speaker 1: don't say anything like that, I like other critics, He goes, Oh, also,
• 52:16
  Speaker 1: don't say hilarious.
• 52:18
  Speaker 2: Yeah, he's like, be creative at least. So people are
• 52:22
  Speaker 2: doing like move your body away from the person that
• 52:26
  Speaker 2: you are in the vicinity of He's like, nice, try.
• 52:32
  Speaker 2: He's responding to everybody. It's very funny. But he's not
• 52:35
  Speaker 2: saying so I don't Are they still together?
• 52:38
  Speaker 1: I don't know, because he's not saying anything bad about her.
• 52:41
  Speaker 2: Yeah, but he could just be a gentleman.
• 52:43
  Speaker 1: She posts a lot by herself too, But hers are
• 52:46
  Speaker 1: very strange, like a day in the life of me
• 52:48
  Speaker 1: here in Portland. You know. I mean, her are odd,
• 52:52
  Speaker 1: but she's all she's odd.
• 52:55
  Speaker 2: Okay, So they're in their new apartment. He doesn't know
• 52:58
  Speaker 2: where anything is, but that's part of the fun, he says.
• 53:02
  Speaker 2: Not for long. This is gonna get old so fast.
• 53:06
  Speaker 2: So Katie had He goes, Katie has breakfast, has pizza
• 53:12
  Speaker 2: for breakfast, but like, I'm making eggs. I don't understand
• 53:15
  Speaker 2: how you can have pizza for breakfast unless you're hungover.
• 53:19
  Speaker 2: There you go, it's right in front of.
• 53:21
  Speaker 1: You, Josh, She's always hungover.
• 53:24
  Speaker 2: She's always hungover. So he says, sleeping on a twin
• 53:29
  Speaker 2: mattress was horrible, and the garage door sings a tune
• 53:34
  Speaker 2: like and you can't stop it. God. They need to
• 53:39
  Speaker 2: Amazon Prime white noise machine right now.
• 53:42
  Speaker 1: You can do it.
• 53:44
  Speaker 2: You can do it. Does they need to put oh
• 53:47
  Speaker 2: yeah on your phone? And I have a sleep app?
• 53:49
  Speaker 1: Yeah, there's free ones called white noise, but like we
• 53:52
  Speaker 1: and our family, we use the calm app. But they
• 53:55
  Speaker 1: need to put a white nose machine in the window
• 53:58
  Speaker 1: where that is. They also probably some heavy curtains would
• 54:01
  Speaker 1: also help block that. There's a lot of solutions to
• 54:03
  Speaker 1: this problem, totally. Yeah.
• 54:05
  Speaker 2: Yeah. So she comes home and she's like, why are
• 54:08
  Speaker 2: you making so many eggs? And were they expensive? And
• 54:12
  Speaker 2: he says, well, I know you liked to buy eggs
• 54:15
  Speaker 2: from the most unhappy sat Is chickens. Around because they're
• 54:18
  Speaker 2: the cheapest, and she's like, no, I just think cage
• 54:21
  Speaker 2: free and all of that is a scam. And all
• 54:23
  Speaker 2: eggs in America are the same. Okay, Okay, I mean
• 54:28
  Speaker 2: sometimes organic is a scam and not like real but
• 54:32
  Speaker 2: because there aren't a lot of guidelines for it. But
• 54:34
  Speaker 2: I think if it says farm fresh and like free range,
• 54:38
  Speaker 2: it's probably.
• 54:39
  Speaker 1: I think farm fresh is probably a scam. But if
• 54:41
  Speaker 1: it's like certified organic, then it's organic. I mean, you know, oh,
• 54:46
  Speaker 1: maybe we're idiots, maybe we're stupid. Yeah, yeah, so we're
• 54:49
  Speaker 1: gonna get a lot of comments. Yeah you are stupid. Yeah.
• 54:53
  Speaker 2: But also they just hate each other and it's just
• 54:55
  Speaker 2: passive aggressive snipping. They're just every comment is like snip.
• 55:01
  Speaker 1: You're right, it is a lot of passive aggressive snipping.
• 55:04
  Speaker 2: Like, right, are they expensive? Well, I know you like
• 55:08
  Speaker 2: the saddest chickens in the lend because they're the cheapest. No,
• 55:12
  Speaker 2: I just think it's a scam. Ha ha, it's all
• 55:15
  Speaker 2: organic doesn't mean anything. Well, I told the guy, just
• 55:18
  Speaker 2: give me the saddest, most crying chickens that are the cheapest.
• 55:22
  Speaker 2: Give me the the chickens that were already ready to
• 55:25
  Speaker 2: kill themselves and I got their eggs. Okay, well it's
• 55:29
  Speaker 2: just money's tight. Ha ha, you know love you uh huh.
• 55:33
  Speaker 2: It's like they hate each other.
• 55:34
  Speaker 1: Yeah. Yeah.
• 55:35
  Speaker 2: So they're going shopping and it just gets worse. He
• 55:39
  Speaker 2: wants to buy things because they have nothing and no
• 55:42
  Speaker 2: furniture they need. They don't even have a little table
• 55:45
  Speaker 2: like Thomas has with some yoga blocks. So she doesn't
• 55:50
  Speaker 2: want to spend any money and he says, well, I
• 55:53
  Speaker 2: wasn't expecting an unfurnished apartment and she's like, what why
• 55:57
  Speaker 2: would you think it would be furnished?
• 56:00
  Speaker 1: And you can get apartments furnished.
• 56:02
  Speaker 2: You can get apart in England, you know you can
• 56:04
  Speaker 2: find apartments furnished. Is that different here? We come from
• 56:07
  Speaker 2: two different places, two worlds. Collide is the name of
• 56:10
  Speaker 2: this episode that we're in.
• 56:12
  Speaker 1: There you go.
• 56:13
  Speaker 2: So they sit on the ground in the kitchen on
• 56:16
  Speaker 2: a yoga mat to eat and she is like, he goes,
• 56:21
  Speaker 2: I think we should have a list, so when we
• 56:23
  Speaker 2: go to the stole, we know what to buy and
• 56:24
  Speaker 2: she's like, let's just play it by ear. I don't
• 56:26
  Speaker 2: think we have to buy everything, and he goes, well,
• 56:28
  Speaker 2: let's first I have an iron and an ironing board,
• 56:31
  Speaker 2: and she goes, why and he says, because I like
• 56:36
  Speaker 2: to iron things.
• 56:37
  Speaker 1: I like to iron my clothes. Yeah.
• 56:39
  Speaker 2: She's like no, and then he goes dining table and
• 56:43
  Speaker 2: chairs and she's like, I don't think we need those,
• 56:46
  Speaker 2: and he says, well, this feels feral to sit like this,
• 56:50
  Speaker 2: and it's hurting my back, which already was hurting from
• 56:53
  Speaker 2: the twin mattress with the stains all over it, so
• 56:56
  Speaker 2: I would like to get them, and she goes, that's.
• 56:59
  Speaker 1: Stud okay, Katie. I think you're quirky and fine, but
• 57:07
  Speaker 1: on this episode you really lost me.
• 57:09
  Speaker 2: You lost me much like Rash lost me. Everyone's me
• 57:13
  Speaker 2: in this episode. And I've been defending you Katie a lot. Yeah,
• 57:17
  Speaker 2: and I this is not nice, so he says. He
• 57:22
  Speaker 2: says to us in the UK, if I break my arm,
• 57:25
  Speaker 2: I can get it fixed, but here, the safety net's gone.
• 57:29
  Speaker 2: If you have no money and you run out of
• 57:31
  Speaker 2: money and something happens, you're fucked. So I understand why
• 57:35
  Speaker 2: Katie worries about money, but like, I just want to
• 57:38
  Speaker 2: live like a person.
• 57:39
  Speaker 1: I just want to not sing to Florida eat.
• 57:42
  Speaker 2: Yeah, that's all I want, And he goes, I really
• 57:45
  Speaker 2: just want something to sit on. That's our goal for
• 57:48
  Speaker 2: today because my back is killing me. And she goes no,
• 57:52
  Speaker 2: and she's like, my friend offered us free stuff and
• 57:55
  Speaker 2: he goes, okay, but it's not available to us today,
• 57:58
  Speaker 2: and I want something today, Let's get it. And she's like,
• 58:01
  Speaker 2: I just don't trust you with money yet, based on
• 58:04
  Speaker 2: decisions you've made in the past.
• 58:07
  Speaker 1: Okay, let's hear what those decisions are.
• 58:09
  Speaker 2: Yeah. He says they weren't bad decisions, they're just things
• 58:13
  Speaker 2: you disagree with. And she says, you just bought four
• 58:16
  Speaker 2: hundred dollars sunglasses, and he says, don't judge me, because
• 58:22
  Speaker 2: I'm trying very hard to not judge you and trust
• 58:25
  Speaker 2: you with all of your stuff, like making out with everybody.
• 58:29
  Speaker 2: And he like if he has a good job, and
• 58:32
  Speaker 2: I would guess unlike Katie, he takes good care of
• 58:34
  Speaker 2: his possessions. He can buy nice sunglasses.
• 58:38
  Speaker 1: Yeah, I yes, I agree with that.
• 58:39
  Speaker 2: I think it will last three years and he is
• 58:42
  Speaker 2: not going to lose them or break them like Katie
• 58:44
  Speaker 2: probably does.
• 58:45
  Speaker 1: And it's his money. And if he wants to buy
• 58:47
  Speaker 1: four hundred dollars sunglasses is not your business.
• 58:49
  Speaker 2: You know, yeah, And she says, I just don't want
• 58:54
  Speaker 2: to spend money, and he says, my back hurts, and
• 58:57
  Speaker 2: she says. He says, I've managed myn for multimillion dollar
• 59:01
  Speaker 2: companies and all I want is like a couch, so
• 59:05
  Speaker 2: that's a small expense in comparison. And she says, well,
• 59:09
  Speaker 2: maybe you should stretch or exercise for your back.
• 59:13
  Speaker 1: I was dying. I was like, girl, I instead of
• 59:19
  Speaker 1: buying a chair, I.
• 59:20
  Speaker 2: Mean, you won't let him buy a chair, and instead
• 59:23
  Speaker 2: you're blaming him, like saying that he's ni lazy and
• 59:26
  Speaker 2: needs to stretch more or exercise. Like are you body
• 59:29
  Speaker 2: shaming him now because his back hurts? What is happening?
• 59:33
  Speaker 1: Why do you give it? Why do you give a
• 59:35
  Speaker 1: shit if I buy a table and chairs and a couch,
• 59:37
  Speaker 1: like it's not coming out of your bank account? Why
• 59:39
  Speaker 1: do you care?
• 59:40
  Speaker 2: How about this, I'll buy a couch and you aren't
• 59:42
  Speaker 2: allowed to sit on it.
• 59:44
  Speaker 1: I'll buy all my money you can send on the
• 59:46
  Speaker 1: yoga mat and the stained twin, and I'll sleep in
• 59:49
  Speaker 1: the Queen. Yeah.
• 59:50
  Speaker 2: Yeah, So he tells us Katie has some savings and
• 59:55
  Speaker 2: I have shares in a family company that's being sold
• 59:58
  Speaker 2: so it's not like we're destined. It sounds like they're fine.
• 1:00:02
  Speaker 2: And so she acts that like her way is wrong
• 1:00:05
  Speaker 2: and her way's right and everyone else's way is wrong
• 1:00:09
  Speaker 2: and just because we do things differently. And so they
• 1:00:12
  Speaker 2: go to the store and he sees some pieces that
• 1:00:14
  Speaker 2: he likes, but she doesn't want to spend, and she's like,
• 1:00:17
  Speaker 2: it's just that rent and food prices are so high.
• 1:00:20
  Speaker 2: And he says, it can't just be your way and
• 1:00:23
  Speaker 2: everything else is stupid, and you just attack me for
• 1:00:27
  Speaker 2: what I want. And she says, I talk with a
• 1:00:29
  Speaker 2: lot of passion, but I'm not being mean.
• 1:00:33
  Speaker 1: Yeah you are. He called him stupid, called him stupid,
• 1:00:36
  Speaker 1: and said that his backvein wasn't real. Yeah, you know.
• 1:00:40
  Speaker 2: So she's like, I think we should wait on a
• 1:00:42
  Speaker 2: couch because you can't work right now and I don't
• 1:00:44
  Speaker 2: have a job, so we shouldn't. We don't deserve furniture,
• 1:00:48
  Speaker 2: I guess until then. So he says I put money
• 1:00:53
  Speaker 2: away for this move, like three thousand dollars, and he
• 1:00:57
  Speaker 2: maybe hasn't spent it yet. So he's like, I set
• 1:01:00
  Speaker 2: money aside for this purpose, and she goes, well, you're
• 1:01:04
  Speaker 2: saying you're calling yourself, the house husband. Figure out how
• 1:01:07
  Speaker 2: to get cheap furniture. Just figure it out.
• 1:01:10
  Speaker 1: It sounds like that dining set was three hundred dollars. Yeah,
• 1:01:14
  Speaker 1: it's free fucking cheap.
• 1:01:15
  Speaker 2: Get it.
• 1:01:16
  Speaker 1: Yeah.
• 1:01:17
  Speaker 2: Do you want him to drive around the neighborhood and
• 1:01:19
  Speaker 2: look for something on the curb.
• 1:01:21
  Speaker 1: Yes, that's what she wants. She wants it to do
• 1:01:23
  Speaker 1: that and.
• 1:01:23
  Speaker 2: Then the free cycle yeah, which is fine, or go
• 1:01:26
  Speaker 2: on craigslist whatever, but you might not be able to
• 1:01:29
  Speaker 2: get it that day. You need a truck, you have
• 1:01:31
  Speaker 2: a tiny little car. How are you gonna get the
• 1:01:34
  Speaker 2: couch from somebody's yard? Like, it's all gonna cost money.
• 1:01:38
  Speaker 2: So just buy this couch and they'll deliver it for
• 1:01:41
  Speaker 2: you today probably. So yeah, she's like we should wait,
• 1:01:46
  Speaker 2: and he's like, we're going around in circles. Let's just
• 1:01:48
  Speaker 2: leave the store. We're leave it. And I hate that
• 1:01:50
  Speaker 2: when you that's when you know everyone's in a bad
• 1:01:52
  Speaker 2: mood when you leave a store and you didn't even
• 1:01:55
  Speaker 2: go And also the people at the store are probably
• 1:01:59
  Speaker 2: watching you, like sensing the tension, like are they going
• 1:02:02
  Speaker 2: to buy something? Oh, they're fighting? Are they breaking up?
• 1:02:05
  Speaker 2: Are they leaving? What's happening. We're not selling a couch today,
• 1:02:08
  Speaker 2: I guess. So she goes, I'm not trying to be
• 1:02:12
  Speaker 2: an asshole, and he says, then, don't be an asshole.
• 1:02:15
  Speaker 1: Like I liked that he stood up for himself.
• 1:02:19
  Speaker 2: Yes, absolutely, because before he's been like, well, I prefer
• 1:02:23
  Speaker 2: if you don't stick your tongue in someone's house's mouth
• 1:02:27
  Speaker 2: because we're engaged. That would be my preference. But now
• 1:02:33
  Speaker 2: he's like, don't be an asshole. It's like two days
• 1:02:36
  Speaker 2: and he's done. So Katie says, you just want something now,
• 1:02:40
  Speaker 2: and I have a strategy for getting furniture. What is
• 1:02:43
  Speaker 2: your strategy? Okay, furniture, do it.
• 1:02:47
  Speaker 1: You should have done it already.
• 1:02:49
  Speaker 2: And then it gets so much worse. She says, you're
• 1:02:51
  Speaker 2: so demanding and I've been driving you everywhere and doing
• 1:02:56
  Speaker 2: everything for you. He says, I just moved here like
• 1:03:03
  Speaker 2: three days ago from across the world. Yes, and I
• 1:03:08
  Speaker 2: left everything, and I did all the immigration paperwork. I
• 1:03:12
  Speaker 2: paid for it all, which we know costs like ten
• 1:03:15
  Speaker 2: thousand dollars. And I'm sorry that after you being on
• 1:03:19
  Speaker 2: holiday for two years, you have to do a little
• 1:03:23
  Speaker 2: bit of work by driving me around to get you
• 1:03:27
  Speaker 2: to do anything. It's like pushing blood out of a stone.
• 1:03:30
  Speaker 1: And she also let me drive you around so that
• 1:03:33
  Speaker 1: I can buy you furniture, right yeah.
• 1:03:36
  Speaker 2: So that we can have you can have a place
• 1:03:39
  Speaker 2: to sit as well, Like this is not just for me.
• 1:03:42
  Speaker 2: But he's basically calling her lazy, and I love it
• 1:03:45
  Speaker 2: because she has been on a pet sitting holiday around
• 1:03:48
  Speaker 2: the world, like for the past few years. Sure, and
• 1:03:52
  Speaker 2: now she has to what drive him? That's all she's
• 1:03:57
  Speaker 2: had to do. She threw him a welcome party at
• 1:03:59
  Speaker 2: a bar. She didn't have to plan anything. And they
• 1:04:02
  Speaker 2: got an apartment, right that. Okay, that's what a normal
• 1:04:06
  Speaker 2: person has to do.
• 1:04:07
  Speaker 1: Like, she's irritating really bad, really bad.
• 1:04:13
  Speaker 2: Also, she would have had to do all these things anyways.
• 1:04:16
  Speaker 2: She would have had to have a place to live anyway,
• 1:04:18
  Speaker 2: now that she's moved back, or maybe not, she would
• 1:04:21
  Speaker 2: have lived in her car. She has those dudes that
• 1:04:24
  Speaker 2: she slept with, like she might want to live at
• 1:04:26
  Speaker 2: their houses. She probably crashes a lot on people's couches.
• 1:04:30
  Speaker 1: Yeah, I think she didn't even know where she wakes
• 1:04:32
  Speaker 1: up half the time.
• 1:04:33
  Speaker 2: Yeah, so, oh, we're being so mean. So she says,
• 1:04:37
  Speaker 2: listen to last week, I was way nicer. So she
• 1:04:40
  Speaker 2: says the im this is bad, the immigration stuff, that
• 1:04:44
  Speaker 2: was your idea. I was not ready for it. And
• 1:04:48
  Speaker 2: he goes, you said you were, which is why we
• 1:04:53
  Speaker 2: did it. So that's on you if you said you
• 1:04:55
  Speaker 2: were and you weren't. And he says, saying things like
• 1:05:00
  Speaker 2: that like you just said and kissing other people, you
• 1:05:03
  Speaker 2: need to think about if marriage is right for you
• 1:05:05
  Speaker 2: because you're not being a reliable partner. Good point, Josh, Yeah,
• 1:05:10
  Speaker 2: I can't believe she said the immigration thing was your idea.
• 1:05:14
  Speaker 1: You just got didn't even want you to come here.
• 1:05:16
  Speaker 2: I didn't even want you to come.
• 1:05:18
  Speaker 1: That's maybe they're not together. Maybe this is all just Yeah.
• 1:05:23
  Speaker 2: If you're listening, run three exclamation points.
• 1:05:28
  Speaker 1: I think Josh is so cute.
• 1:05:31
  Speaker 2: I know he's a little chest harry for me, like
• 1:05:34
  Speaker 2: I wish I saw less of his chest hair. It
• 1:05:38
  Speaker 2: seems like a lot of his tops are like v
• 1:05:40
  Speaker 2: nex or that loose collar like Tony, and that bothers me.
• 1:05:46
  Speaker 1: A loose coller does bother me. But I have not
• 1:05:48
  Speaker 1: noticed this. Maybe I'm just mesmerized by Josh. I think
• 1:05:51
  Speaker 1: he's adorable. Listen, Katie, I'm really hoping that a lot
• 1:05:55
  Speaker 1: of this is going to be chalked up to stress
• 1:05:59
  Speaker 1: and not liking change, and yeah, hope, and I'm hoping
• 1:06:02
  Speaker 1: like next episode they're going to work it out. But
• 1:06:05
  Speaker 1: gives it seems like she asking for an open marriage,
• 1:06:08
  Speaker 1: so I don't know.
• 1:06:08
  Speaker 2: Yeah, she has a litany of problems, or, as Keith
• 1:06:13
  Speaker 2: Morrison would say, a constellation of ailments and a raft
• 1:06:16
  Speaker 2: of corresponding demons. Wow and wow, I understand, like I
• 1:06:22
  Speaker 2: feel that, which is why you should not be in
• 1:06:25
  Speaker 2: a relationship now. This is a perfect case of you
• 1:06:28
  Speaker 2: need to be working on yourself girl before you bring
• 1:06:31
  Speaker 2: someone else into it, because you're going to drag them
• 1:06:33
  Speaker 2: down with you. And I hope that you get therapy
• 1:06:35
  Speaker 2: and medication and deal with this stuff. You're still in
• 1:06:38
  Speaker 2: your twenties, you have so much time ahead of you
• 1:06:41
  Speaker 2: to grow, and you just should not be having someone
• 1:06:44
  Speaker 2: up earth their entire life to marry you when you're
• 1:06:49
  Speaker 2: doing things like this and behaving like this.
• 1:06:52
  Speaker 1: I agree, I agree. I can't even imagine what read
• 1:06:55
  Speaker 1: it saying about her. Don't tell me, okay, Debbie and
• 1:06:59
  Speaker 1: meta Wow, wow, Bethany, Wow, Wow.
• 1:07:03
  Speaker 2: We can't have disappointing everyone in this episode. They're one
• 1:07:06
  Speaker 2: of the couple. One person is disappointing me. We got mal,
• 1:07:09
  Speaker 2: we got Rash, we got Marissa, we got Katie, we
• 1:07:15
  Speaker 2: got Shay, we got what's it Miro, and we got uh.
• 1:07:24
  Speaker 2: I think that's all the people. Oh Thomas, Oh Thomas.
• 1:07:28
  Speaker 1: Yeah, wow with his little man fit.
• 1:07:31
  Speaker 2: This was like the Crash and Burn episode, Like everyone's true,
• 1:07:34
  Speaker 2: they've had sex for a few days, they're all happy,
• 1:07:37
  Speaker 2: and that is slowly fading away. Day three and it's
• 1:07:40
  Speaker 2: gone to hell and their true colors.
• 1:07:43
  Speaker 1: Yeah, that's crash and Burn. Should have been the title
• 1:07:46
  Speaker 1: of this episode. So it's seventy three days to wed
• 1:07:50
  Speaker 1: for Debbie and Meadow these hell seventy seventy three Yeah, okay,
• 1:07:55
  Speaker 1: we're jumping ahead in time a little.
• 1:07:57
  Speaker 2: Okay.
• 1:07:57
  Speaker 1: No, So she at the new apartment and she's making
• 1:08:01
  Speaker 1: a chore list thanks to get done around the house,
• 1:08:06
  Speaker 1: like like you do for your two year old, and
• 1:08:10
  Speaker 1: she says dishes, and he goes, I can't do dishes
• 1:08:13
  Speaker 1: because it hurts my hands, and then she.
• 1:08:15
  Speaker 2: Counts in her hands and what if I get an
• 1:08:17
  Speaker 2: acting role and my hands have to be in the frame,
• 1:08:20
  Speaker 2: that'll rue I won't get the roll.
• 1:08:22
  Speaker 1: So it's like Joey Young friends. We use a hand model. Yeah,
• 1:08:26
  Speaker 1: she says. She goes, okay, well you can do the trash.
• 1:08:28
  Speaker 1: She goes, no, I don't do that either, and she goes, well,
• 1:08:32
  Speaker 1: you have to do something. He goes, okay, I do sleep,
• 1:08:35
  Speaker 1: and and then talking to it, she goes, I know.
• 1:08:37
  Speaker 1: He thinks it's funny, but I mean you're gonna have
• 1:08:39
  Speaker 1: to do something, and he goes, in Egypt, the wife
• 1:08:42
  Speaker 1: takes care of the house and the dishes and everything everything,
• 1:08:47
  Speaker 1: and she goes, I understand that, but it's not Egypt. Again,
• 1:08:50
  Speaker 1: he thinks, I'm joking, but I'm not.
• 1:08:53
  Speaker 2: I'm not. And you can see that my smile is
• 1:08:55
  Speaker 2: not reaching my eyes because I'm founding his jokes less
• 1:08:58
  Speaker 2: and less funny. Also, in each the man is doing something.
• 1:09:02
  Speaker 2: He's probably providing fantally, Yes, well the whites is doing
• 1:09:06
  Speaker 2: all of that. You're not doing that, Meto.
• 1:09:09
  Speaker 1: No, your joke is that you sleep.
• 1:09:11
  Speaker 2: Yeah, so he says.
• 1:09:15
  Speaker 3: I appreciate you helping me to find an acting coach.
• 1:09:18
  Speaker 3: So he explains, like.
• 1:09:19
  Speaker 1: If you're a sports player, you have to keep you know,
• 1:09:22
  Speaker 1: trying with your sports or whatever. And he goes to
• 1:09:25
  Speaker 1: an acting class, right, just like a local New Orleans
• 1:09:28
  Speaker 1: acting class.
• 1:09:29
  Speaker 2: It's still going to be expensive, like and then she's
• 1:09:32
  Speaker 2: paying for this, I'm sure.
• 1:09:34
  Speaker 1: Oh yeah yeah. So he meets Jim, the acting coach,
• 1:09:39
  Speaker 1: and everybody introduces themselves and he tells them he's Medo.
• 1:09:43
  Speaker 1: He has over twenty series and movies in Egypt and
• 1:09:47
  Speaker 1: he's in America now hoping to be a Hollywood star. Yeah,
• 1:09:52
  Speaker 1: and the talking head Jim goes, a chance of an
• 1:09:55
  Speaker 1: actor becoming a Hollywood star is very slim. Everything has
• 1:09:59
  Speaker 1: to line up. It's just like your kid can be
• 1:10:02
  Speaker 1: the most incredible high school and college athlete and still
• 1:10:05
  Speaker 1: their chances of going to the NFL and being good
• 1:10:08
  Speaker 1: are slim.
• 1:10:10
  Speaker 2: Yeah, all they could be every have everything going, and
• 1:10:13
  Speaker 2: then they their achilles gets torn and ye, that's you
• 1:10:17
  Speaker 2: fixed properly, and the careers over.
• 1:10:20
  Speaker 1: So uh, Jim gives them all an assignment. So they're
• 1:10:23
  Speaker 1: they're speaking words, but they he's assigning them these words
• 1:10:27
  Speaker 1: and these emotions. So you have to speak the words
• 1:10:29
  Speaker 1: that don't match the emotions to like trick your brain
• 1:10:32
  Speaker 1: or whatever. So it's like four scores a year ago,
• 1:10:36
  Speaker 1: Like you have to cry while you do the deathlation
• 1:10:38
  Speaker 1: independence or whatever. So he gives them. He gives them
• 1:10:41
  Speaker 1: all the script, and we're going around and he gives
• 1:10:46
  Speaker 1: meat of the script and he's okay, Janet, come on up,
• 1:10:49
  Speaker 1: so handsom the script and Mita goes, so I can
• 1:10:52
  Speaker 1: do something different? Can I do something different? And they're like,
• 1:10:55
  Speaker 1: the act goes No, I'd like for you to do
• 1:10:58
  Speaker 1: what everyone else is doing.
• 1:11:00
  Speaker 2: This is your first class.
• 1:11:02
  Speaker 1: Yeah, this is like I've never been to an acting class,
• 1:11:05
  Speaker 1: but I assume that you have to follow the directions.
• 1:11:08
  Speaker 2: Yes, especially on the first day. You have no rapport
• 1:11:11
  Speaker 2: with these people. Like this first day, it's like walking
• 1:11:15
  Speaker 2: into your first day of school and being like, actually,
• 1:11:18
  Speaker 2: can we teach history instead of math in this bathroom?
• 1:11:21
  Speaker 1: You're the student.
• 1:11:22
  Speaker 2: Shut the fuck up.
• 1:11:23
  Speaker 1: So the talking head Jim goes, so, yeah, what I
• 1:11:27
  Speaker 1: wanted to say is you're here to participate in my class.
• 1:11:31
  Speaker 1: I'm the director, and if I had to give him
• 1:11:34
  Speaker 1: a grade, it would be a C plus. There's room
• 1:11:38
  Speaker 1: poor improvement to be coachable. M M. So he does
• 1:11:42
  Speaker 1: a scene and he does a cry and a hug
• 1:11:45
  Speaker 1: with Janet, and Jim goes, Okay, good, that was good.
• 1:11:48
  Speaker 1: I mean I think that meta was expecting Jodie Foster
• 1:11:52
  Speaker 1: to walk out from the wings and give him an oscar.
• 1:11:54
  Speaker 2: I was like, seriously, yeah, for everyone to bow down.
• 1:11:58
  Speaker 2: We're not worthy of acting with you because you're so good.
• 1:12:01
  Speaker 1: You're so good. So Jim says me though, all the
• 1:12:05
  Speaker 1: way from Egypt and where are you from? And let's
• 1:12:07
  Speaker 1: sit down and talk, and Meto and immediately says to Jim,
• 1:12:11
  Speaker 1: do you think I should leave New Orleans to go
• 1:12:13
  Speaker 1: to be in Hollywood? And Jim goes, yeah, you know
• 1:12:16
  Speaker 1: a lot of people act for a long time and
• 1:12:20
  Speaker 1: they never achieve a list star level, you know, like, uh,
• 1:12:24
  Speaker 1: I've done a lot of survival jobs, like you work
• 1:12:26
  Speaker 1: for the phone company, you're waiting tables, and you know
• 1:12:29
  Speaker 1: what the hope is is that you one day can
• 1:12:31
  Speaker 1: say all I do is acting for my job, Like
• 1:12:33
  Speaker 1: that was the hope. But it's hard, and Meto goes, right,
• 1:12:38
  Speaker 1: but I think I deserve to do my passion and
• 1:12:41
  Speaker 1: only be acting, And Jim goes, huh, well, when you
• 1:12:45
  Speaker 1: were in Egypt, did you do anything else for a
• 1:12:47
  Speaker 1: job or you only did you made your living only
• 1:12:49
  Speaker 1: being an actor? To say, Jim, good job, good job,
• 1:12:53
  Speaker 1: and he goes, well, yes, I did other things, and Jim.
• 1:12:57
  Speaker 2: Goes, I had a tour guide job, which is how
• 1:12:59
  Speaker 2: I got here by meeting a sugar mama.
• 1:13:02
  Speaker 1: Right, and Jim goes. And also, you know, once you
• 1:13:05
  Speaker 1: get married, you know you have to think about your wife.
• 1:13:07
  Speaker 1: Will she'd be okay? You know, sometimes life has to
• 1:13:10
  Speaker 1: be a priority and you have to make money.
• 1:13:13
  Speaker 2: Jim is like a life coach as well as an
• 1:13:15
  Speaker 2: acting coach.
• 1:13:16
  Speaker 1: He's like this dumb dumb So in the talking end,
• 1:13:20
  Speaker 1: Medows says, I am not looking for another job. I
• 1:13:23
  Speaker 1: will be an actor and Debbie will support me.
• 1:13:27
  Speaker 2: Okay, all right, you an American accent because there are
• 1:13:32
  Speaker 2: no stars that have accents British. We will allow Australian sometimes,
• 1:13:39
  Speaker 2: but they need to be able to do an American
• 1:13:42
  Speaker 2: accent to get a lot of roles. How many times
• 1:13:45
  Speaker 2: are they going to write in an Egyptian actor for
• 1:13:48
  Speaker 2: you to play, he needs.
• 1:13:49
  Speaker 1: To be able to do a British accent, an Australian accent,
• 1:13:53
  Speaker 1: and an American accent, because you know, there are so many
• 1:13:55
  Speaker 1: times you'll see somebody Okay. A great example is the
• 1:13:59
  Speaker 1: guy on his name is Matthew something, and he was
• 1:14:04
  Speaker 1: on secession and he played Shif's husband. Yeah, and Matthew God,
• 1:14:11
  Speaker 1: I can't think he's great.
• 1:14:12
  Speaker 2: He's great fully British, Yeah, and you wouldn't know fully British.
• 1:14:17
  Speaker 1: And when you see him and he's talking in an interview,
• 1:14:20
  Speaker 1: you're like, Shiv Australian. Yeah, Australian.
• 1:14:27
  Speaker 2: So you got mcfad.
• 1:14:30
  Speaker 1: It's like f A y d N or it's like, yeah,
• 1:14:32
  Speaker 1: there's a vowel missing in that list.
• 1:14:34
  Speaker 2: You know, there's an extra consonant fad.
• 1:14:38
  Speaker 1: Faith. Anyway, I'm just saying you're Your point is that
• 1:14:43
  Speaker 1: no matter where you're from, you're going to have to
• 1:14:45
  Speaker 1: learn to do other accents. And if you're in America,
• 1:14:47
  Speaker 1: you might have to do an American accent or a
• 1:14:49
  Speaker 1: British accent, or.
• 1:14:51
  Speaker 2: A character actor playing some sort of Middle Eastern man
• 1:14:55
  Speaker 2: in a lot of like Law and Order episodes. But
• 1:14:57
  Speaker 2: you're not going to be a star, yeah, I mean
• 1:15:01
  Speaker 2: in his starring roles. Character actors can make great money
• 1:15:04
  Speaker 2: and do good work, but like you're not. You want
• 1:15:07
  Speaker 2: to be as famous. Also, if you want to act
• 1:15:10
  Speaker 2: so much, there's community theater all over the country and
• 1:15:13
  Speaker 2: you could fulfill your acting love that way, But you
• 1:15:16
  Speaker 2: want to be famous.
• 1:15:17
  Speaker 1: I think that's what Jim is trying to say, like, yeah,
• 1:15:20
  Speaker 1: we all want to do what we love and we
• 1:15:22
  Speaker 1: want to be actors, but you may also have to
• 1:15:25
  Speaker 1: have another job and then be in the community theater
• 1:15:27
  Speaker 1: and you know, and hone your skill or whatever. So
• 1:15:33
  Speaker 1: now we're at sixty days to wed so he's been
• 1:15:36
  Speaker 1: there a month.
• 1:15:37
  Speaker 2: Wow.
• 1:15:38
  Speaker 1: So it's Halloween. So he got there at the end
• 1:15:42
  Speaker 1: of September. So Debbie and Medo are getting dressed up
• 1:15:46
  Speaker 1: for a Halloween party. They're going to be a Pharaoh
• 1:15:49
  Speaker 1: and Cleopatra, and.
• 1:15:52
  Speaker 2: It's kind of Timu Cleopatra. It was the whole thing
• 1:15:55
  Speaker 2: was bad our party city costume.
• 1:15:58
  Speaker 1: Barely I'm thinking CVS. So he's going to meet her
• 1:16:05
  Speaker 1: friends Laura and Astra and she's in the car or
• 1:16:09
  Speaker 1: before they leave, she's like, she goes, my friends are
• 1:16:11
  Speaker 1: gonna great, Like, don't be afraid. He goes, oh, are
• 1:16:13
  Speaker 1: they like Dracula? I will leave bye bye d D
• 1:16:16
  Speaker 1: and she goes, stop, don't make that joke every time, right,
• 1:16:20
  Speaker 1: So she is saying I hate haunted houses, and he goes,
• 1:16:24
  Speaker 1: I won't be scared for me. It's like acting. I
• 1:16:27
  Speaker 1: also hate hon analysis.
• 1:16:29
  Speaker 2: Yeah, so she.
• 1:16:30
  Speaker 1: Says in the car. She goes, I'm kind of nervous
• 1:16:33
  Speaker 1: about you meeting my friends, and he goes, well, if
• 1:16:35
  Speaker 1: they don't like me, I don't care, and she goes, yeah,
• 1:16:39
  Speaker 1: she goes, I can tell you're over it, you know,
• 1:16:41
  Speaker 1: I can already tell you're over it. We haven't even
• 1:16:43
  Speaker 1: gotten there yet. And I don't want them to feel
• 1:16:46
  Speaker 1: that you don't care about marring them. I want I
• 1:16:50
  Speaker 1: don't want them to feel.
• 1:16:51
  Speaker 2: Like they want to feel like you're trying to impress them,
• 1:16:54
  Speaker 2: because she's important to you, so you're trying.
• 1:16:58
  Speaker 1: She's saying, like, I don't want them to feel like
• 1:17:00
  Speaker 1: you don't care that you're meeting them, and he goes,
• 1:17:03
  Speaker 1: if they don't like me, I don't care, I will leave,
• 1:17:05
  Speaker 1: you know, I will leave, and she goes, okay. So
• 1:17:10
  Speaker 1: the talking head, she says, Medow can go from one
• 1:17:12
  Speaker 1: to one hundred and five seconds flat. It's like whiplash.
• 1:17:16
  Speaker 1: One minute he can be great and the next it's
• 1:17:18
  Speaker 1: something about something. And he doesn't seem to care one
• 1:17:23
  Speaker 1: ounce about meeting my friends, and it's frustrating. It's a
• 1:17:26
  Speaker 1: big deal to me for him to meet them, and
• 1:17:28
  Speaker 1: I'm nervous because their concerns are what are his intentions?
• 1:17:34
  Speaker 1: So I'm hoping it goes well. Here's hoping.
• 1:17:38
  Speaker 2: So I wonder how it's going with the daughter. If
• 1:17:40
  Speaker 2: it's been a month and the daughter's still living there.
• 1:17:43
  Speaker 1: I'm sure she's like, could this motherfucker take out the trash? Right?
• 1:17:49
  Speaker 1: So Astra and Derek walk up with Laura and Jeff.
• 1:17:54
  Speaker 1: So these Astra and Laura's booth things, and Jeff has
• 1:17:58
  Speaker 1: one F, which was odd.
• 1:18:00
  Speaker 2: Oh my god, that freaked me out. I've never seen that.
• 1:18:03
  Speaker 2: It's scared me. Why is there no F? Second F?
• 1:18:06
  Speaker 2: There should be a second F?
• 1:18:07
  Speaker 1: Where's the other F? Jeff? So everybody meets, everybody hugs,
• 1:18:12
  Speaker 1: everything's fine, and ask, oh, are you excited?
• 1:18:14
  Speaker 2: Yes, he's got the case lapped off of him, and
• 1:18:17
  Speaker 2: Jeff's got the second F slept off I put.
• 1:18:21
  Speaker 1: I mean, my my autocorrect corrected it to Jeff with
• 1:18:24
  Speaker 1: two f's because Mono cres like that's not correct. So
• 1:18:28
  Speaker 1: they go into the haunted house. I hate it. I
• 1:18:30
  Speaker 1: hate it so much. I hate the screaming, I hate
• 1:18:32
  Speaker 1: the pretending to chop up babies. I hate the hanging
• 1:18:35
  Speaker 1: on the ceiling like a meekly I hate everything. Yeah,
• 1:18:39
  Speaker 1: people are screaming, screaming in your face, and he is
• 1:18:44
  Speaker 1: literally like, how are you doing in there? Oh my goodness, wow, wow,
• 1:18:48
  Speaker 1: that pulling out the intestines. That looks delicious. And he's
• 1:18:51
  Speaker 1: just being very weird, right, And.
• 1:18:53
  Speaker 2: That's not fun for the actors either, if you're trying
• 1:18:56
  Speaker 2: to like do fun banter, like, they're not chopping up
• 1:18:59
  Speaker 2: a baby, it's you're trying to scare them.
• 1:19:03
  Speaker 1: In the talking head, she goes, he's having a blast.
• 1:19:06
  Speaker 1: He's entertained. He doesn't even seem to know that we're
• 1:19:08
  Speaker 1: all there. He's in another world. He mita was doing him.
• 1:19:13
  Speaker 1: So it's over and they go outside. They're like, how
• 1:19:15
  Speaker 1: did you feel? Oh my gosh, and they're asking him.
• 1:19:17
  Speaker 1: He goes, I thought it was amazing. I loved it.
• 1:19:19
  Speaker 1: And they're like, oh my god, I was like I
• 1:19:20
  Speaker 1: was scared and it was hot in there, and he goes, no,
• 1:19:24
  Speaker 1: it was like a movie. I thought it was amazing,
• 1:19:26
  Speaker 1: and they're all like, well, you're an actor, you could
• 1:19:28
  Speaker 1: be in it next year. I'm sure he's completely insulted
• 1:19:30
  Speaker 1: by that, right, right.
• 1:19:31
  Speaker 2: How dare you I'm gonna be Brad Pitt by next year?
• 1:19:34
  Speaker 1: Yeah? None of those people would be in the acting
• 1:19:36
  Speaker 1: class I was in, which wee mile they probably all were. Yeah,
• 1:19:40
  Speaker 1: and the talking head Laura and Astra together say something
• 1:19:45
  Speaker 1: was off with them with her and he seems to
• 1:19:49
  Speaker 1: be putting on an act, and I really am kind
• 1:19:51
  Speaker 1: of hoping he didn't come to the States just for
• 1:19:53
  Speaker 1: his acting career, Like we're questioning, is he really here
• 1:19:57
  Speaker 1: for Debbie? So here we go. Okay, So Debbie and
• 1:20:03
  Speaker 1: Meido are in the car with Lara. They're headed to
• 1:20:06
  Speaker 1: like a bar or a restaurant, like going to the
• 1:20:08
  Speaker 1: second location, and he seems to be he's either like
• 1:20:11
  Speaker 1: looking at Instagram or playing music on his phone, and
• 1:20:14
  Speaker 1: Debbie and Astra are literally talking about the weather. We
• 1:20:17
  Speaker 1: thought it was gonna be seventy three. They said it
• 1:20:19
  Speaker 1: seventy three doesn't feel like it. Oh I was hot
• 1:20:21
  Speaker 1: because I don't know hat and socks. I'm old. Yeah,
• 1:20:25
  Speaker 1: And he's just like, oh, just like rubbing his face
• 1:20:28
  Speaker 1: like he's so annoyed. And then she's like, it's crazy,
• 1:20:31
  Speaker 1: I don't know where these directions are taking. As we
• 1:20:32
  Speaker 1: were on this street, now we're on that street. He's
• 1:20:34
  Speaker 1: a crack crack crack crack crack crack popping off his knuckles,
• 1:20:39
  Speaker 1: not speaking, not only not joining the conversation, but like
• 1:20:43
  Speaker 1: obviously like rolling his eyes the whole thing. So talking
• 1:20:47
  Speaker 1: head Laura goes, it's like he wasn't there, Like at
• 1:20:50
  Speaker 1: the Haunted house. He was putting on an act, and
• 1:20:53
  Speaker 1: then in the car it was like time to take
• 1:20:54
  Speaker 1: a break from the act. So the girls get out
• 1:20:59
  Speaker 1: of the car and he goes, I'll be there in
• 1:21:01
  Speaker 1: a minute, he says in the car. Laura gets out
• 1:21:03
  Speaker 1: and tells Astro. In the car, he said nothing, She shows,
• 1:21:06
  Speaker 1: what do you mean? He did not say one word
• 1:21:09
  Speaker 1: the whole like thirty minute ride. So the talking head
• 1:21:12
  Speaker 1: Debbie says, when he converts into this personality, I don't
• 1:21:17
  Speaker 1: say anything to him. If I try to push a conversation,
• 1:21:20
  Speaker 1: it's not going to be pretty. It's going to get
• 1:21:22
  Speaker 1: ugly quick. So I usually take ten steps back and
• 1:21:26
  Speaker 1: let him wear himself out like a toddler. Like a toddler,
• 1:21:30
  Speaker 1: engaging is going to make a bad scene. But I
• 1:21:33
  Speaker 1: was so embarrassed with the way he was acting the
• 1:21:36
  Speaker 1: whole time she's talking. They have cut to him digging
• 1:21:39
  Speaker 1: for gold, picking his nose so hard in the car.
• 1:21:44
  Speaker 2: So dirty, by showing you. I thought it was just
• 1:21:47
  Speaker 2: going to be one and done. No, Well, they keep
• 1:21:50
  Speaker 2: cutting him back and then he keeps flicking it, flicking
• 1:21:53
  Speaker 2: the car.
• 1:21:54
  Speaker 1: Oh you know. I was like, I don't even want
• 1:21:57
  Speaker 1: to mention this. It was so gross.
• 1:21:59
  Speaker 2: Good luck being a Hollywood star, bro, after everyone's seen
• 1:22:03
  Speaker 2: me this disgusting.
• 1:22:05
  Speaker 1: So Debbie gets in the car with him and she's crying.
• 1:22:08
  Speaker 1: So we don't know if she's been out for ten
• 1:22:09
  Speaker 1: minutes or she got out of the car and her
• 1:22:11
  Speaker 1: friend was like, what is up with that dude? You know,
• 1:22:13
  Speaker 1: but anyway, she's embarrassed. Yeah, she gets in the car
• 1:22:16
  Speaker 1: and she's crying and he goes, why are you crying?
• 1:22:19
  Speaker 1: And she goes, I don't know. I'm just so frustrated,
• 1:22:22
  Speaker 1: and he goes, I left everything. I should be frustrated,
• 1:22:24
  Speaker 1: not you. She says, why are you being so rude?
• 1:22:28
  Speaker 1: And he goes, I don't need something from you. Focus
• 1:22:30
  Speaker 1: on what you will do, and she goes no, and
• 1:22:32
  Speaker 1: he goes sh stop and she goes no, and he goes,
• 1:22:36
  Speaker 1: I swear I will get uber and I will go home,
• 1:22:40
  Speaker 1: and she goes, okay, go home, get an uber, and
• 1:22:43
  Speaker 1: he says, what you want what you want, what you want,
• 1:22:45
  Speaker 1: what you want from me? And it was like spice fras,
• 1:22:50
  Speaker 1: so tell me what you want because he goes, what
• 1:22:52
  Speaker 1: you want, what you want, what you want from me?
• 1:22:55
  Speaker 1: And she goes, you're not going to yell at me
• 1:22:58
  Speaker 1: when I'm asking you to have a conversation. And he says,
• 1:23:01
  Speaker 1: what you need for conversation? Okay, I'm listening, and she says,
• 1:23:05
  Speaker 1: I don't need a thing from you. And I think
• 1:23:08
  Speaker 1: that's what you don't understand. I don't even know what
• 1:23:12
  Speaker 1: you're doing here because I don't think you love me.
• 1:23:15
  Speaker 2: Mm hmm.
• 1:23:16
  Speaker 1: And he goes, okay, okay, take me, take me, get
• 1:23:18
  Speaker 1: get me flight, get me flight. I returned back and
• 1:23:21
  Speaker 1: she goes all right, and he goes, fuck you. Oh
• 1:23:24
  Speaker 1: my what And she goes, okay, you do that, get
• 1:23:29
  Speaker 1: a flight, you book a fucking flight. I'm dead series,
• 1:23:31
  Speaker 1: I'm dead series, Go go, go go. You can fuck
• 1:23:33
  Speaker 1: that slut in Egypt, but you can't be compassionate with me.
• 1:23:38
  Speaker 2: Oh dang.
• 1:23:40
  Speaker 1: So there's a slut he's fucking in Egypt? Is it
• 1:23:42
  Speaker 1: a man or a woman? What's happening exactly?
• 1:23:46
  Speaker 2: Does she find your legging sexy? So she goes picking.
• 1:23:52
  Speaker 1: So she gets out of the car and she's like,
• 1:23:54
  Speaker 1: I'm done. I'm done. I'm done. I'm done with this
• 1:23:56
  Speaker 1: whole fucking thing. He's got to go home. I'm done.
• 1:23:58
  Speaker 1: And so she's sort of like yelling at production and
• 1:24:01
  Speaker 1: to the friends, and they're like, what's going on. So
• 1:24:04
  Speaker 1: she gets back in the car and says, figure out
• 1:24:06
  Speaker 1: what you gotta do. Get an uber, get a fucking
• 1:24:08
  Speaker 1: ticket home. So then she gets back out of the
• 1:24:11
  Speaker 1: car and then prods like, hey, hey, what happened. What happened?
• 1:24:14
  Speaker 1: What's going on? And Mito leans over her and goes
• 1:24:17
  Speaker 1: ask her why she cried why I'm he's frustrated, and
• 1:24:21
  Speaker 1: he's frustrated for what. And she goes, I'm not just
• 1:24:26
  Speaker 1: frustrated to get out, get out of my car. And
• 1:24:29
  Speaker 1: he says, fuck you. You are bitch. You are a bitch.
• 1:24:33
  Speaker 1: Oh my god, And so she's just like what And
• 1:24:36
  Speaker 1: the producer's standing there and she starts going like I
• 1:24:39
  Speaker 1: need him out of my house. I need him out
• 1:24:40
  Speaker 1: of my house. And she goes, you can't even get
• 1:24:42
  Speaker 1: in my house. You don't have a key, and he says,
• 1:24:44
  Speaker 1: shut your mouth. I'm not talking to you. Shut your
• 1:24:47
  Speaker 1: mouth and he goes, bring me uber, bring me uber,
• 1:24:50
  Speaker 1: and so Astr's like, hold on now. Astor goes, excuse me,
• 1:24:54
  Speaker 1: don't speak to her like that. And he's like, you
• 1:24:56
  Speaker 1: don't understand, you don't understand, and Debbie goes, no, no, ask,
• 1:25:00
  Speaker 1: I'm crazy, I'm crazy, and Astra is furious. She goes,
• 1:25:04
  Speaker 1: you don't, you don't tell her to shut her mouth,
• 1:25:06
  Speaker 1: and he starts going towards her and it's yelling. He's like,
• 1:25:09
  Speaker 1: you don't understand, you don't understand. He's shaking his finger
• 1:25:13
  Speaker 1: in her face.
• 1:25:13
  Speaker 2: Okay, I was thinking production was gonna step in too,
• 1:25:17
  Speaker 2: and me too.
• 1:25:19
  Speaker 1: But there's a car door between them.
• 1:25:21
  Speaker 2: Yeah, oh there was a car door between them, right,
• 1:25:25
  Speaker 2: but he could have easily gotten around it.
• 1:25:27
  Speaker 1: Yeah. So uh, he's saying you don't understand, you don't understand,
• 1:25:30
  Speaker 1: screaming and pointing in her face, and she goes, O,
• 1:25:33
  Speaker 1: you don't talk to me like that either, and then
• 1:25:36
  Speaker 1: she starts getting in his face and she says, you
• 1:25:40
  Speaker 1: don't raise your voice at me. This is not how
• 1:25:42
  Speaker 1: you treat women in America, motherfucker.
• 1:25:45
  Speaker 2: Yeah.
• 1:25:45
  Speaker 1: I was like, yes, I get it, but it's the
• 1:25:47
  Speaker 1: America part. I don't like that.
• 1:25:49
  Speaker 2: You know whatever, but yeah, but don't treat women like
• 1:25:52
  Speaker 2: that anywhere.
• 1:25:53
  Speaker 1: Anywhere, right, Yeah, So you don't treat women like this, motherfucker.
• 1:25:56
  Speaker 1: And he's like, he's coming towards her because you want
• 1:25:58
  Speaker 1: to get in my face. She says, you don't talk
• 1:26:01
  Speaker 1: to me like that. Is that how you talk to her?
• 1:26:04
  Speaker 1: And she's on him now, and that's when I wanted
• 1:26:06
  Speaker 1: production to get in because he is furious, and I
• 1:26:08
  Speaker 1: was scared something would happen.
• 1:26:10
  Speaker 2: Yeah.
• 1:26:11
  Speaker 1: So, as Astra is yelling at him, he's turning to
• 1:26:13
  Speaker 1: Debbie again with that sweet and he goes, oh you
• 1:26:16
  Speaker 1: need that? Are you happy now? And he says I'm
• 1:26:20
  Speaker 1: very sorry to come here, and then he laughs and
• 1:26:22
  Speaker 1: points at Debbie, and Debbie says, okay, he talks to
• 1:26:26
  Speaker 1: women like that all the time, Astroid, just back up,
• 1:26:28
  Speaker 1: back you, back up, back up. And Astra keeps going,
• 1:26:31
  Speaker 1: you don't talk to women like that, especially in front
• 1:26:34
  Speaker 1: of her friends, and he goes, okay, thank you, thank you,
• 1:26:37
  Speaker 1: thank you so much for your respect, thank you. So
• 1:26:39
  Speaker 1: Debbie's like stop stop. So Debbie hugs Astra and Astra's like,
• 1:26:43
  Speaker 1: fuck that guy, and Debbie goes, I'm leaving. I'm leaving,
• 1:26:46
  Speaker 1: so she gets in her Mercedes. Debbie's doing fine.
• 1:26:50
  Speaker 2: Debby's fine. Meanwhile, the league of their own friend, who
• 1:26:54
  Speaker 2: I loved her costume, Laura. He's like, I am ready,
• 1:26:57
  Speaker 2: I got it. I have ball practice tomorrow, so I
• 1:27:00
  Speaker 2: can't get involved, so I'm just gonna stand it. She
• 1:27:03
  Speaker 2: was traumatized.
• 1:27:05
  Speaker 1: She was.
• 1:27:05
  Speaker 2: She was like, I think she the other ones got this,
• 1:27:09
  Speaker 2: so I can just let this.
• 1:27:11
  Speaker 1: And you don't know if they had had like drinks
• 1:27:14
  Speaker 1: before or while this was going down. They were filming,
• 1:27:17
  Speaker 1: like they went inside to some shots because they were like, whoa,
• 1:27:20
  Speaker 1: how did this go? That guy was nose picking in
• 1:27:24
  Speaker 1: the car and now we're doing this totally. Yeah. So
• 1:27:27
  Speaker 1: next time on Paula shows Thomas a new two hundred
• 1:27:31
  Speaker 1: and fifty dollars like crystal rock she's bought, and he's like,
• 1:27:35
  Speaker 1: that is a bad decision. And he says, you know,
• 1:27:38
  Speaker 1: I'm terrified, but I've got to give her a credit card,
• 1:27:40
  Speaker 1: like she has no other way to buy anything. She's like,
• 1:27:44
  Speaker 1: to me, it means chitching, chit ching. I was like,
• 1:27:47
  Speaker 1: uh oh, oh, no.
• 1:27:48
  Speaker 2: Spencer Pratt, We're gonna have to worry about her in the.
• 1:27:51
  Speaker 1: Crystals in the crystals.
• 1:27:52
  Speaker 2: Yeah, so you're never going to get a table.
• 1:27:55
  Speaker 1: That way, you're never going to get a table. She
• 1:27:59
  Speaker 1: can send that too, fifty on the table exactly. So
• 1:28:04
  Speaker 1: Marissa's parents meet Edward. Marissa's mother appears to be her
• 1:28:11
  Speaker 1: same age, like.
• 1:28:12
  Speaker 2: Better, wow, young, Like wow, these are exactly what you
• 1:28:19
  Speaker 2: would think of Pennsylvania or like Connecticut country club, rich people,
• 1:28:25
  Speaker 2: rich white people. Yeah, yeah, like I was scared. Yeah, like,
• 1:28:32
  Speaker 2: don't tell them I'm Jewish. I'm sure they're fine with it. Oh,
• 1:28:35
  Speaker 2: but I don't. They seem okay in the clips, like
• 1:28:40
  Speaker 2: there was nothing super egregious. It was. They hug him.
• 1:28:44
  Speaker 1: Well, he says, I know, you know, you think I'm
• 1:28:46
  Speaker 1: here for the papers, And then mom does say talk
• 1:28:49
  Speaker 1: is cheap. We'll see what you're made of.
• 1:28:51
  Speaker 2: Yeah, I mean it's not. It's not great, But it
• 1:28:54
  Speaker 2: wasn't like super like why is this brown person in
• 1:28:58
  Speaker 2: our house?
• 1:28:58
  Speaker 1: No? No, no, it wasn't like I think it's more
• 1:29:01
  Speaker 1: about like do you have a job? Right? Yeah. So
• 1:29:05
  Speaker 1: Maxwell is sitting with his family and Asha and says, oh,
• 1:29:08
  Speaker 1: she wants to change my hairlines, she wants to change
• 1:29:10
  Speaker 1: my eyeballs. Does she want to like him to get
• 1:29:13
  Speaker 1: like colored contacts or something.
• 1:29:16
  Speaker 2: They can even do permanent dye in your eyes now heard.
• 1:29:20
  Speaker 1: But why he said, he's laughing and he goes to look.
• 1:29:23
  Speaker 2: Like Danielle at the last.
• 1:29:25
  Speaker 1: Tell and Asha. They're like, what, why do you want
• 1:29:31
  Speaker 1: to change him? We like the way he is and
• 1:29:33
  Speaker 1: a she goes, he doesn't know what he likes until
• 1:29:36
  Speaker 1: he sees it, and they're like what, he's a man,
• 1:29:39
  Speaker 1: he knows what he likes. They're all not happy. The
• 1:29:41
  Speaker 1: mom is like no, no, no, no, no.
• 1:29:43
  Speaker 2: She treats him like a project.
• 1:29:44
  Speaker 1: Yes, so they don't like that. Mallory tells Rashiet, you
• 1:29:52
  Speaker 1: and Brandon are going to have to work it out,
• 1:29:53
  Speaker 1: and she goes, no, I will never accept it. And
• 1:29:57
  Speaker 1: he says, if you love me, you will listen to me.
• 1:30:00
  Speaker 1: M hm, And so, I mean, I think Rush she's
• 1:30:03
  Speaker 1: going to get his ass handed to him by Mallory
• 1:30:05
  Speaker 1: and he's going to come around. That's what it thinks
• 1:30:07
  Speaker 1: gonna happen.
• 1:30:07
  Speaker 2: I really hope so.
• 1:30:10
  Speaker 1: And then her talking head she goes, if he wanted
• 1:30:13
  Speaker 1: this kind of life, he should have been with the
• 1:30:14
  Speaker 1: Turkish woman, you know, because I'm not I'm an American woman. Yeah, okay,
• 1:30:20
  Speaker 1: So Katie is having a birthday party and apparently she's
• 1:30:22
  Speaker 1: invited a guy named Brian, and she tells Josh, I've
• 1:30:26
  Speaker 1: invited Brian to my birthday. You're not gonna like it.
• 1:30:32
  Speaker 1: And Josh is like what, and he explains that this
• 1:30:35
  Speaker 1: is some guy when she went to like the Berlin
• 1:30:36
  Speaker 1: Marathon or something, that she was making out with this guy. Yeah,
• 1:30:40
  Speaker 1: And Brian and Josh and Katie are standing there and
• 1:30:44
  Speaker 1: Josh says, I don't know why you're here, and Brian says,
• 1:30:48
  Speaker 1: there's a reason this keeps happening, right.
• 1:30:51
  Speaker 2: I thought she had a vibe with the two other
• 1:30:54
  Speaker 2: guys on the team, so she keeps talking like she's
• 1:30:57
  Speaker 2: in love with one of them, Brian or whatever.
• 1:31:01
  Speaker 1: I think. Brian says there's a reason this keeps happening, right,
• 1:31:05
  Speaker 1: And I think what he's going to say is you
• 1:31:06
  Speaker 1: have a drinking problem.
• 1:31:08
  Speaker 2: Oh. I was thinking he was going to be like,
• 1:31:10
  Speaker 2: there's a connection between us, Like, no, we keep falling
• 1:31:14
  Speaker 2: into each other's lips. No.
• 1:31:16
  Speaker 1: I think he's going to be like, girl, you drink
• 1:31:18
  Speaker 1: too much and then jump on me.
• 1:31:20
  Speaker 2: I hope, so I hope someone says it.
• 1:31:23
  Speaker 1: Do we have time for Kimberly's Corner. How long is
• 1:31:26
  Speaker 1: Kimberly's Corner?
• 1:31:28
  Speaker 2: It's zero minutes long because we're recording this a day early,
• 1:31:32
  Speaker 2: so I couldn't watch Diaries because there's no screenare for Diaries.
• 1:31:38
  Speaker 1: Not clapping because there's no Kimberly's Corner Because who's it
• 1:31:40
  Speaker 1: going to be this week? Who was it gonna be?
• 1:31:47
  Speaker 2: Evelyn? Evelyn and uh coy. Yeah, and they're going to
• 1:31:53
  Speaker 2: fight and maybe break up.
• 1:31:55
  Speaker 1: Never No, we've been we've been promised that for seven years.
• 1:31:59
  Speaker 1: Has never had happened.
• 1:32:00
  Speaker 2: Yeah, and a couple of other people that yeah, remember right.
• 1:32:04
  Speaker 1: Now, no big scandalique this week? That yeah, I mean,
• 1:32:09
  Speaker 1: I know you love diaries. I just don't love it.
• 1:32:11
  Speaker 1: I love diaries, I know.
• 1:32:12
  Speaker 2: Oh it's Natalie auditioning for something, a beauty pageant and
• 1:32:17
  Speaker 2: always funny Megan having a baby and John thinking that's
• 1:32:22
  Speaker 2: not his baby.
• 1:32:23
  Speaker 1: Yeah, it's not my baby. We've got to get the paternity.
• 1:32:25
  Speaker 2: Yeah, Spockles baby, Yes, Spockles baby.
• 1:32:28
  Speaker 1: A Spockles is engaged as well to a serbian to
• 1:32:33
  Speaker 1: a serbian woman was always wanted. Yeah wow, yeah.
• 1:32:38
  Speaker 2: So is she still here or we know where she is?
• 1:32:42
  Speaker 1: Oh? Yeah that girl, Mia, Mio, Mida, what's.
• 1:32:46
  Speaker 2: Sheambri and Meonona got there, We got there.
• 1:32:51
  Speaker 1: Yeah, she's got a very very hot boyfriend or husband.
• 1:32:54
  Speaker 2: Yeah, good for her.
• 1:32:55
  Speaker 1: She's still selling those ponytails. Yeah yeah.
• 1:32:59
  Speaker 2: It's so high and tight high.
• 1:33:03
  Speaker 1: Tight, so bad for your scalp. Everybody that's it. Please
• 1:33:09
  Speaker 1: make sure you are following us on social media Pink
• 1:33:11
  Speaker 1: Shade Pod and Date Dateline. Also we have YouTube Pink
• 1:33:16
  Speaker 1: Shade Monkies and a Date with KNK And if you
• 1:33:18
  Speaker 1: ever want to watch this episode, you can head on
• 1:33:20
  Speaker 1: over to YouTube, hit subscribe, say something nice about how
• 1:33:23
  Speaker 1: adorable we are and that our next look young. No,
• 1:33:26
  Speaker 1: thank you, thank you, and we appreciate it. And as always,
• 1:33:31
  Speaker 1: you could leave a five star review. That's a nice
• 1:33:33
  Speaker 1: free thing you can do. This week, we have the
• 1:33:37
  Speaker 1: season finale of Welcome to Platfel Tomorrow. On Wednesday, Keisha
• 1:33:41
  Speaker 1: and I have our Welcome to platfil rewatch that's on
• 1:33:44
  Speaker 1: the paid feed. This week, I've got Pat and Ruby
• 1:33:47
  Speaker 1: at bad TV coming on to Chat Bravo, and then
• 1:33:51
  Speaker 1: of course on Friday, Kimberly and I will be breaking
• 1:33:54
  Speaker 1: down ninety day Last Resort also known as Hassle in
• 1:33:59
  Speaker 1: the Castle.
• 1:34:00
  Speaker 2: Yeah, also known as everyone hates each other? Why can't
• 1:34:04
  Speaker 2: these hot people get back together?
• 1:34:06
  Speaker 1: Yeah? And I don't need anybody else to let me
• 1:34:08
  Speaker 1: know that what Kara did was not just naked pictures.
• 1:34:10
  Speaker 1: It was like full on porn and whatnot. But my mind.
• 1:34:15
  Speaker 2: Eve, I said that you did.
• 1:34:18
  Speaker 1: But people keep telling me that I don't need to
• 1:34:20
  Speaker 1: brush it past like it's just sexy pictures. I understand
• 1:34:23
  Speaker 1: she's she's she's rotten dildo's and being raunchy, but she's
• 1:34:28
  Speaker 1: not doing it that, she's not doing it with another person,
• 1:34:32
  Speaker 1: So it's actually not porn because there's nobody else involved.
• 1:34:36
  Speaker 2: Just her, So I don't know if that might be
• 1:34:38
  Speaker 2: still considered porn. I don't know, is it?
• 1:34:40
  Speaker 1: I don't know porn?
• 1:34:41
  Speaker 2: But who cares? Again, since when did we go back
• 1:34:44
  Speaker 2: in time that it's okay to slutshame somebody for doing Yeah?
• 1:34:47
  Speaker 1: Yeah? Well yeah, yeah, that's why that's what he's mad about,
• 1:34:51
  Speaker 1: because she said implied nudity, but it went way further.
• 1:34:53
  Speaker 2: And I understand that, but he doesn't need to say
• 1:34:55
  Speaker 2: it in front of everybody on television like right and
• 1:34:59
  Speaker 2: say that she it means that she's an embarrassment as
• 1:35:03
  Speaker 2: a mother, like correct.
• 1:35:04
  Speaker 1: Yeah, yeah, we definitely agree on that.
• 1:35:08
  Speaker 2: So yeah, so nobody really flawed people.
• 1:35:12
  Speaker 1: Yes, I don't need anybody else to tell me that,
• 1:35:15
  Speaker 1: thank you. And I also don't need anybody else to
• 1:35:17
  Speaker 1: tell me that the reason that Angela and Charles Oakley
• 1:35:20
  Speaker 1: were in San Antonio for the next game is because
• 1:35:22
  Speaker 1: he's not allowed in Madison Square Garden. I know, I know.
• 1:35:28
  Speaker 1: And last night when we saw Charles and Angela Oakley
• 1:35:31
  Speaker 1: at the what this was because we're recording this early
• 1:35:34
  Speaker 1: when the knixt one, yeah, go next. When we saw
• 1:35:37
  Speaker 1: them there, I said, oh gosh, I go looks Real
• 1:35:39
  Speaker 1: Housewives of Atlanta and Charles Oakley days Like I just
• 1:35:42
  Speaker 1: He's like, that'll never not shock me that you don't say,
• 1:35:46
  Speaker 1: Charles Oakley one of the greatest basketball players of all
• 1:35:49
  Speaker 1: time and he's on a TV show you watch he goes,
• 1:35:51
  Speaker 1: but you know the reason he's there. I was like,
• 1:35:53
  Speaker 1: I know, he's not allowed to Madison Square Garden. I
• 1:35:55
  Speaker 1: don't need you to explain it to me. I understand. Yeah,
• 1:35:58
  Speaker 1: I get it, but he was there for the wins
• 1:35:59
  Speaker 1: who gare.
• 1:36:01
  Speaker 2: Let's like acknowledge both parties or it's it's that it's
• 1:36:06
  Speaker 2: usually the woman that's not acknowledged. It'll be like Travis
• 1:36:11
  Speaker 2: l fiance or George Clooney's wife, like she's not the
• 1:36:16
  Speaker 2: most highly accomplished, you know, international refugee lawyer, human rights
• 1:36:21
  Speaker 2: activists in the world. You know. So let's we can
• 1:36:26
  Speaker 2: acknowledge whoever we happen to know them as.
• 1:36:29
  Speaker 1: Yeah, yeah, I know, I know. I know him from
• 1:36:32
  Speaker 1: my television, I know him from the Housewives. Yeah. Anyway,
• 1:36:36
  Speaker 1: so nobody needs to tell me. I got it. Love
• 1:36:39
  Speaker 1: y'all so much. Thank you so much for being a listener.
• 1:36:42
  Speaker 1: Thank you if you're a Prime member. Thank you if
• 1:36:44
  Speaker 1: you're not a Prime member, if you're just listening here,
• 1:36:47
  Speaker 1: we appreciate that too. Lots of good content coming up.
• 1:36:51
  Speaker 1: We're keeping these trains on the tracks, keeping the lights
• 1:36:53
  Speaker 1: on and the MIC's on. As Humberly and Katie would say, listen.
• 1:36:57
  Speaker 2: To Keisha and Mary Payne to about this as Polly
• 1:37:01
  Speaker 2: because it's so funny.
• 1:37:02
  Speaker 1: It's just Kisha made a great point that'll come out
• 1:37:06
  Speaker 1: on this Sunday episode, which is I can't clutch my
• 1:37:09
  Speaker 1: pearls because I had to throw them out the window.
• 1:37:12
  Speaker 2: Because they were covered in seamen, it's gross and you
• 1:37:18
  Speaker 2: having to hear her explain. We're still trying to understand
• 1:37:22
  Speaker 2: how those three do it.
• 1:37:24
  Speaker 1: Yeah, Keisha's interviewing them this week, so.
• 1:37:27
  Speaker 2: She if she finds out the details, she's going to
• 1:37:30
  Speaker 2: ask themthing happening because I was also surprised that they
• 1:37:34
  Speaker 2: were only PG the two ladies because they made it
• 1:37:37
  Speaker 2: seem like they were going downtown Trent and doing everything. Yeah,
• 1:37:42
  Speaker 2: I thought there was like pegging and all sorts of
• 1:37:45
  Speaker 2: stuff going on.
• 1:37:46
  Speaker 1: There's so many toys on the floor at all times.
• 1:37:49
  Speaker 2: Yeah, yeah, I don't know. I still don't quite. I
• 1:37:52
  Speaker 2: might need a diagram, but like I also don't want
• 1:37:54
  Speaker 2: to know.
• 1:37:55
  Speaker 1: No, I don't want to know. Yeah. That's also that
• 1:37:58
  Speaker 1: comes out on Sunday on the page feed everybody. So yeah,
• 1:38:01
  Speaker 1: I'm just out here doing the Lord's work for you. Okay, everybody, thanks,
• 1:38:06
  Speaker 1: and I'm Kimberly. I'll probably see you tomorrow, but for
• 1:38:10
  Speaker 1: this episode, for this particular show, I'll see you next.
• 1:38:13
  Speaker 2: Bye bye.