Latest / The Real Report with Tony Yayo and Uncle Murda / Skilla Baby on surviving shooting, working w/ Chris Brown & 42 Dugg, Power Origins, Real Estate gems

Transcript

Skilla Baby on surviving shooting, working w/ Chris Brown & 42 Dugg, Power Origins, Real Estate gems · The Real Report with Tony Yayo and Uncle Murda

• 0:00
  Speaker 1: You got a bright future though, Man, Joe, it's crazy.
• 0:02
  Speaker 1: How like I look at your situation similar to fifty
• 0:06
  Speaker 1: because it's like because he got shot. Yeah, because fifty
• 0:09
  Speaker 1: got shot.
• 0:11
  Speaker 2: I can't y'all go ahead, this is crazy. Yeah, they're
• 0:17
  Speaker 2: not getting see you never let me drink?
• 0:20
  Speaker 3: Did he gets tipped? Shut proven frock out? Yo?
• 0:39
  Speaker 1: We here what Skiller baby man? The intro, it's the
• 0:42
  Speaker 1: real report. We got the realist artist, the biggest artist
• 0:45
  Speaker 1: out of Detroit. Right now, make some noise for Skiller Baby.
• 0:48
  Speaker 4: Yeah, you know what the vibes ship.
• 0:52
  Speaker 1: You know what I'm saying, fresh out the body shot.
• 0:55
  Speaker 1: You know what I'm saying. My man got popped and
• 0:57
  Speaker 1: he's back better than never. Man, y'all can't stop him. Man,
• 1:02
  Speaker 1: y'all can't stop him. I can't stop them. Y'all can't
• 1:10
  Speaker 1: stop him. And we heard the new music. Y'all was
• 1:13
  Speaker 1: in trouble, man, worry. Shout out to forty two dog,
• 1:17
  Speaker 1: what's the process of that?
• 1:18
  Speaker 4: Thick one?
• 1:18
  Speaker 1: Thick one is the hottest on the streets right now.
• 1:21
  Speaker 1: You know what I'm saying, it's been it's been shortened
• 1:23
  Speaker 1: for a minute. Talk about the process. You know you
• 1:27
  Speaker 1: in forty two dog clapping.
• 1:30
  Speaker 3: We really Me and Doug had to get cool. We're
• 1:33
  Speaker 3: just like we weren't their eyes, but we're just like, man,
• 1:36
  Speaker 3: that's just one of my friend I wasn't his friends,
• 1:39
  Speaker 3: so we had to get cool first. And then he
• 1:42
  Speaker 3: ended up being a cool So I know he need
• 1:46
  Speaker 3: a girl record with like he good at street records.
• 1:49
  Speaker 3: So I had on my phone that already. Did I
• 1:53
  Speaker 3: really sent it to him, like I that was really
• 1:56
  Speaker 3: supposed to be a record for my album, but I'll
• 1:59
  Speaker 3: be have girl records on my phone and and I
• 2:01
  Speaker 3: know everybody want girl records from me, So I just
• 2:04
  Speaker 3: sent them the hook and the idea and.
• 2:06
  Speaker 4: Talk about the new album. I was shieling with you
• 2:08
  Speaker 4: with Rocket we We I forgot where was we At
• 2:11
  Speaker 4: was in the Foul Blue in Vegas, Vegas.
• 2:14
  Speaker 1: We had a restaurant we you know, clowns, a fucking
• 2:17
  Speaker 1: wag gooule pastrami and all this good ship and ship
• 2:20
  Speaker 1: was coming out smoking and then he just started playing
• 2:23
  Speaker 1: the records and I heard another one with Doug, and
• 2:26
  Speaker 1: I was.
• 2:26
  Speaker 4: Like, man, this is like it's gonna kill the streets.
• 2:30
  Speaker 2: For the name of the album Rockets.
• 2:31
  Speaker 3: That was the street was hard it's out. I put
• 2:35
  Speaker 3: that out like two weeks ago.
• 2:37
  Speaker 1: So okay, West to East definitely, definitely, I definitely got
• 2:41
  Speaker 1: a I'm definitely gonna get that on Apple Music, Spotify,
• 2:44
  Speaker 1: whatever it is.
• 2:44
  Speaker 4: Shout to you and Doug, because that's another one when
• 2:47
  Speaker 4: y'all y'all did like both of them records in the
• 2:49
  Speaker 4: same day, don't you.
• 2:51
  Speaker 3: I had. I did the the Thick One Ship. I
• 2:55
  Speaker 3: did that like two years ago, almost two years ago.
• 3:00
  Speaker 3: I had that on my phone just sitting and I
• 3:01
  Speaker 3: sent it to him. He liked it. And then the
• 3:04
  Speaker 3: West to East shit, I did that right after I
• 3:07
  Speaker 3: got shot and I was just on some bullshit and
• 3:09
  Speaker 3: then I was just thinking all bunch of creative ways
• 3:13
  Speaker 3: to get my ship off. So then the sample like
• 3:17
  Speaker 3: a real like they considered Blade ice Wood the biggest
• 3:21
  Speaker 3: rapper from Detroit, you know, like the history of Blade
• 3:24
  Speaker 3: ice Wood, So I thought, like for us to both
• 3:27
  Speaker 3: get on there, it just mean something for Detrick, like
• 3:30
  Speaker 3: some ship we did for the trick. But yeah, we
• 3:34
  Speaker 3: just been We got me and Doug got like five
• 3:36
  Speaker 3: six songs. Yeah, putting EP together out or something like that. Yeah,
• 3:41
  Speaker 3: we're supposed to be working on Okay.
• 3:43
  Speaker 4: We wanted up getting shot man because that car got switched.
• 3:45
  Speaker 4: Cheese man. Thank god they still need it. Man, What like,
• 3:48
  Speaker 4: what the fuck you was feeling?
• 3:50
  Speaker 3: Like?
• 3:50
  Speaker 4: Did you see niggas on you?
• 3:51
  Speaker 3: Or like no, they got on the side of me
• 3:54
  Speaker 3: for real, for real? The call wasn't bulletpoof, you know,
• 3:59
  Speaker 3: I mean, I'll be moving around like I'm normal and
• 4:02
  Speaker 3: some ship and I should that.
• 4:04
  Speaker 4: I'm definitely you know, he'd be rolling Dice Harlem.
• 4:06
  Speaker 3: You know how you know how home will make it.
• 4:15
  Speaker 4: Harlem Dice games. You know what I'm saying.
• 4:17
  Speaker 3: I already said I'm from Harlem.
• 4:20
  Speaker 1: You every every strip club of course, sucking it up.
• 4:23
  Speaker 1: How you know to make the music for the women?
• 4:26
  Speaker 1: Like how do you how do you know like to relate.
• 4:28
  Speaker 4: To them like that?
• 4:29
  Speaker 3: Some shold just be natural though, you know how street niggas.
• 4:33
  Speaker 3: Some niggas just make music where the streets feel it,
• 4:36
  Speaker 3: like I think some should just be natural. Like you
• 4:41
  Speaker 3: can't really explain it. I didn't go to the studio
• 4:43
  Speaker 3: like I'm gonna be the girl rapper. I never did that.
• 4:46
  Speaker 3: I went to the studio like I'm gonna make what
• 4:49
  Speaker 3: I feel. Girls end up feeling that ship you see
• 4:52
  Speaker 3: something work and then like it's like making food, Like
• 4:55
  Speaker 3: you find a recipe, you don't just change your recipe.
• 5:00
  Speaker 3: People like you do what people like because at the
• 5:02
  Speaker 3: end of the day, we do it for our fans.
• 5:05
  Speaker 3: We don't do it for some other shit. You do
• 5:08
  Speaker 3: it to please your fans and the people that listen
• 5:10
  Speaker 3: to you and support you. So I just figured that out.
• 5:13
  Speaker 3: Rocket was just telling me that today, like damn, you
• 5:16
  Speaker 3: mastered this shit. I was like, I really don't feel
• 5:19
  Speaker 3: like I mastered it, but like I know, my niche right.
• 5:25
  Speaker 1: Got you hundred You know twenty twenty four you was
• 5:28
  Speaker 1: on that Freshman cover and when I when I view things,
• 5:31
  Speaker 1: I look at it like you Big X, the.
• 5:34
  Speaker 4: Plug, Cash Cobin. I believe Scarlett was on there.
• 5:38
  Speaker 1: But just between y'all three right there know how to
• 5:41
  Speaker 1: make fucking hit records, Big Exter Plug, Cash Cobin and you.
• 5:45
  Speaker 1: And it's like it's just like when you when you
• 5:46
  Speaker 1: in the studio, do you bring girls in the studio.
• 5:49
  Speaker 3: Or it depends on the day for real, Like I could,
• 5:53
  Speaker 3: I could go to the studio a lot of times,
• 5:55
  Speaker 3: Like I like being in the studio by myself, Like
• 5:58
  Speaker 3: if I want to make a song, like think when
• 6:01
  Speaker 3: I probably bring some girls, but if I want to
• 6:04
  Speaker 3: make some real music and get deep, I probably go
• 6:07
  Speaker 3: by myself because I don't need know distractions. I don't
• 6:10
  Speaker 3: need to feel like I'm not gonna say this because
• 6:12
  Speaker 3: this person here, or I just need to get this
• 6:15
  Speaker 3: ship off and I'm gonna do it, like you know
• 6:16
  Speaker 3: what I'm saying.
• 6:18
  Speaker 1: How did you feel when he was on the Freshman
• 6:20
  Speaker 1: cover sh double xself Vanessa? You know that's one of
• 6:23
  Speaker 1: the first covers we was on G units, so I
• 6:25
  Speaker 1: always you know, shout out double xit.
• 6:27
  Speaker 4: How you feel that was like a big accomplishment.
• 6:30
  Speaker 3: Yeah, I felt like that like cement you and hip
• 6:33
  Speaker 3: hop like so to speak, like when you on XX sales,
• 6:37
  Speaker 3: it's only certain people get on that shit, so it's
• 6:40
  Speaker 3: like something that it's like a little cool thing to
• 6:42
  Speaker 3: say when you get older, like like it's something that
• 6:46
  Speaker 3: some of the biggest people came up of. So you
• 6:48
  Speaker 3: can't never downplay XXXL. I feel like they walking it
• 6:52
  Speaker 3: down now with people doing the freestyles and stuff and
• 6:55
  Speaker 3: they not really taking it serious. That's what was my
• 6:58
  Speaker 3: problem with it at first. But like you can't help
• 7:01
  Speaker 3: what other people doing, but I feel like they should
• 7:05
  Speaker 3: kind of like put it, put it back together how
• 7:08
  Speaker 3: it was, like make it more less successible to just
• 7:12
  Speaker 3: the average people. But I appreciate it being on there
• 7:17
  Speaker 3: because everybody can't get on there. Definitely.
• 7:19
  Speaker 1: I know you got hell Cats, track Hawks, jewelry, and
• 7:24
  Speaker 1: you got everything. You know, you're rich, right, So no,
• 7:28
  Speaker 1: I'm just keeping it real. But tell tell the young
• 7:30
  Speaker 1: niggas out there, Thewaiians out there, about your real estate ventures,
• 7:33
  Speaker 1: because a lot of people don't know about that.
• 7:36
  Speaker 4: I know a lot of real estate.
• 7:37
  Speaker 3: Yeah, real estate. I got into real estate from my
• 7:41
  Speaker 3: my guy, he works for the Mayor's office. His name right, Simpson,
• 7:45
  Speaker 3: cold guy. I he started introducing real estate to me. Yeah,
• 7:52
  Speaker 3: I was young, but I was avery. I really got
• 7:55
  Speaker 3: into it because every nigga that I know that so
• 7:58
  Speaker 3: dope and ship. That's what they did with their money.
• 8:01
  Speaker 3: You know what I'm saying. They bought houses, you know
• 8:03
  Speaker 3: what I'm saying. So I got into it, and I
• 8:07
  Speaker 3: really flipped my first house this year. I've been sitting
• 8:09
  Speaker 3: on houses for like years, but I flipped my first
• 8:12
  Speaker 3: house this year a couple months ago. Appreciate you, but
• 8:17
  Speaker 3: I really jumped into it just because I had money.
• 8:19
  Speaker 3: I wanted to see what that could do. Like I
• 8:21
  Speaker 3: got a block where I got like three four houses
• 8:24
  Speaker 3: on it. I bought them for twenty thousand a piece.
• 8:26
  Speaker 3: They worked for like five hundred and all shit, and
• 8:28
  Speaker 3: I ain't even touch them. Like so I just that's
• 8:31
  Speaker 3: what made me really love it. Now I'm getting into
• 8:34
  Speaker 3: new developments, I'm win to like the youngest black developers
• 8:38
  Speaker 3: from my hood. Like so it's like I could build
• 8:41
  Speaker 3: from the ground up. Now I got into like a
• 8:44
  Speaker 3: little bit with the politics, helping the mayor and stuff
• 8:46
  Speaker 3: gett in the office. So they like they just always
• 8:50
  Speaker 3: on my side. They make sure I do everything right.
• 8:52
  Speaker 3: If I need inspection and stuff, they just make sure
• 8:55
  Speaker 3: I get my permits, do everything right. So shout out
• 8:58
  Speaker 3: Mary Sheffield and the mayor office. They helped me when
• 9:02
  Speaker 3: I do gun By bags that I done, gave kids shoes,
• 9:08
  Speaker 3: five hundred pair of shoes. I'm always showing up to
• 9:10
  Speaker 3: those events. I put some kids through college, put some
• 9:13
  Speaker 3: people through law school. So the Mayor's office always helping
• 9:16
  Speaker 3: me give back to the community. And then they my
• 9:18
  Speaker 3: community bless me, you know what I'm saying.
• 9:20
  Speaker 1: So that's Detroit Man. One of the biggest sauce hot. Yeah,
• 9:24
  Speaker 1: because your hooks, Like, man, you it's like you write
• 9:26
  Speaker 1: million dollar hooks.
• 9:27
  Speaker 3: Man, I don't know.
• 9:29
  Speaker 4: I just do you write or you just do the booth?
• 9:32
  Speaker 3: I do both. I do both something. I be inspired
• 9:35
  Speaker 3: by life, so I don't really go to the studio
• 9:37
  Speaker 3: a lot. I try to live and then go to
• 9:40
  Speaker 3: the studio to have something to write about. Like if
• 9:43
  Speaker 3: I made a song called the Thick One, I probably
• 9:45
  Speaker 3: had thick One. Reality.
• 9:53
  Speaker 2: Youp Detroit heavy? So what part shaped you the most
• 9:56
  Speaker 2: in Detroit?
• 9:57
  Speaker 3: Like Detroit? The whole Detroit really shaped me me though,
• 10:00
  Speaker 3: because like I grew up on the West Side and stuff,
• 10:04
  Speaker 3: and my whole family from like Wellwood in that area.
• 10:07
  Speaker 3: But I grew up like on like seven Mile and
• 10:10
  Speaker 3: Myers so and then when I got older, I got
• 10:14
  Speaker 3: like nineteen, I started going to the East Side running around.
• 10:18
  Speaker 3: So it's like I be inspired by everything about Detroit,
• 10:22
  Speaker 3: even the niggas I don't like. I'd rather hang with
• 10:25
  Speaker 3: them the other niggas. I would never hang with them niggas,
• 10:28
  Speaker 3: but I rather hang with the niggas I don't like
• 10:31
  Speaker 3: from Detroit. Then go to certain places and hang with
• 10:35
  Speaker 3: like niggas like, because niggas be weird to me, got you,
• 10:38
  Speaker 3: got you like, that's just about preference, though. Detroit niggas
• 10:44
  Speaker 3: my niggas. I fuck with niggas, But home Be I
• 10:48
  Speaker 3: did the record Home just be. You get too comfortable
• 10:52
  Speaker 3: at home. That's how he was talking with my sugar
• 10:54
  Speaker 3: and switch cheese and shit. Because you get too comfortable,
• 10:57
  Speaker 3: you get to doing normal like that.
• 11:00
  Speaker 4: You think niggas get bored when they get rich.
• 11:02
  Speaker 1: It's like like young rappers, like you know, young celebrities,
• 11:05
  Speaker 1: and y'all make all this money and you can buy
• 11:06
  Speaker 1: mansions and you can get any grill you want.
• 11:09
  Speaker 3: And you I think that's not the boredom part. The
• 11:12
  Speaker 3: boredom part is when you gotta you get rich, you
• 11:16
  Speaker 3: gotta leave home, and then that's not home. Like you
• 11:20
  Speaker 3: you imagine being twenty five and you can't go to
• 11:22
  Speaker 3: the block. I grew up on the block. How the
• 11:25
  Speaker 3: fuck you're gonna tell me I can't go to the
• 11:26
  Speaker 3: block because I'm rich. This is where I'm comfortable. This
• 11:29
  Speaker 3: is where make me happy, So I gotta be not
• 11:32
  Speaker 3: happy because I'm rich. I think like that, once you
• 11:35
  Speaker 3: get rich.
• 11:35
  Speaker 4: To police being you anyway, because when you look at
• 11:38
  Speaker 4: Young and Nace and Florida. He can't even go to Florida.
• 11:41
  Speaker 4: He can't even come back to where he's from.
• 11:43
  Speaker 3: Yeah, that's from certain that's from certain circumstances though, Like
• 11:48
  Speaker 3: see me, like my city really loved me. It's just
• 11:51
  Speaker 3: probably a couple of niggas that just got it off
• 11:53
  Speaker 3: of me. But my city really loved me. Like I
• 11:56
  Speaker 3: go anywhere, I could go anywhere. The police love me,
• 11:59
  Speaker 3: street niggas love me, the kids love me. Because I
• 12:01
  Speaker 3: don't go starting problems. I ain't a nigga that's gonna
• 12:04
  Speaker 3: pull up looking for problems. I ain't even a nigga
• 12:07
  Speaker 3: that's gonna get on here, like yeah, I want to
• 12:09
  Speaker 3: kill people every day. I don't. I want to see
• 12:11
  Speaker 3: everybody live. So like, I ain't going there with that
• 12:14
  Speaker 3: type of energy. I ain't going on set. I went
• 12:17
  Speaker 3: to movie set the power shit I go with suit
• 12:21
  Speaker 3: song like. I ain't even trying to give street nigga don't.
• 12:25
  Speaker 3: I ain't one of them niggas. It's just I like,
• 12:28
  Speaker 3: I like going to hang on my block. I like
• 12:30
  Speaker 3: going to hang in the hood. I do, and that's
• 12:33
  Speaker 3: what makes me happy. I like going to strip clubs.
• 12:35
  Speaker 2: I do.
• 12:36
  Speaker 3: I ain't gonna lie. I like being around bitches.
• 12:38
  Speaker 1: What if you're successful, you know? But what I'm what
• 12:40
  Speaker 1: I'm saying, is you successful people. You know, people who's
• 12:44
  Speaker 1: gonna hate you just dropped in twenty twenty four. You
• 12:46
  Speaker 1: had the Freshman cover. It's only twenty twenty six. You
• 12:50
  Speaker 1: put out hit records for the league, hit records for
• 12:52
  Speaker 1: the clubs. You got hit record out. Now we just
• 12:56
  Speaker 1: know you know how to make fucking hit records.
• 12:58
  Speaker 4: So why go back? And you know, A wise man
• 13:02
  Speaker 4: once always told me, you know, protect the money.
• 13:05
  Speaker 3: For sol but money don't just equal happiness. When you
• 13:09
  Speaker 3: go back and you like this is what you know,
• 13:12
  Speaker 3: like you'll be like you gotta think it don't matter
• 13:15
  Speaker 3: how rich you get, you still gonna know what you know.
• 13:18
  Speaker 3: You're gonna love what you love. Like everybody you love,
• 13:21
  Speaker 3: you can't take it with you. So I can't never
• 13:23
  Speaker 3: see you because you on the block.
• 13:26
  Speaker 1: I feel you, but I don't feel I don't get
• 13:28
  Speaker 1: that like I look when I look at rest in peace,
• 13:30
  Speaker 1: young Dolph, send a nigga to go get some cookies. No,
• 13:34
  Speaker 1: I ain't saying, I'm just saying just for just for
• 13:37
  Speaker 1: him being in the hood, like he had the bulletproof
• 13:39
  Speaker 1: ferrari and all that. He could have sat in the
• 13:41
  Speaker 1: car and his brother or whoever rested his brother could
• 13:45
  Speaker 1: have win got the cookies.
• 13:46
  Speaker 3: But that might have made young Dolph happy. You can't
• 13:49
  Speaker 3: tell young Dolph what made him happy. That cookie stole
• 13:52
  Speaker 3: might have brought him happiness. That might be his spot,
• 13:56
  Speaker 3: that where he grew up in made brought him joy.
• 13:58
  Speaker 3: That ship might have He might have had depression his
• 14:02
  Speaker 3: whole life and went to that cookie store and it
• 14:05
  Speaker 3: relieved him.
• 14:05
  Speaker 1: But when you but when you're an artists, right some property,
• 14:09
  Speaker 1: you know we got a lot to deal with. We
• 14:11
  Speaker 1: know that every single day it's watching it back. You
• 14:13
  Speaker 1: got chisty promoters, industry people, stick up kids, baby mama,
• 14:19
  Speaker 1: drama girls trying to get you for your money. You
• 14:21
  Speaker 1: know you got irs, you got the Feds. Everybody's watching,
• 14:25
  Speaker 1: gun police, everybody's watching because.
• 14:28
  Speaker 4: You're a rich black man with money. So I just
• 14:31
  Speaker 4: think we had beef with everybody.
• 14:34
  Speaker 1: So instead of us like going in Walmart, you know
• 14:37
  Speaker 1: what I'm saying, to go get socks or under nas yo,
• 14:40
  Speaker 1: send a nigga in there, because it's levels. I think
• 14:43
  Speaker 1: when you go back it's fucked up. Like I feel
• 14:45
  Speaker 1: like Limbse's supposed to be alive. Doult's supposed to be alive.
• 14:47
  Speaker 1: A lot of niggas, God bless you alive.
• 14:49
  Speaker 3: But what age did you figure that out? Though? What that?
• 14:54
  Speaker 3: I got beef for all these niggas and I gotta
• 14:57
  Speaker 3: do this this way? What age would you?
• 15:00
  Speaker 4: Well?
• 15:00
  Speaker 1: When I came home, fifty told me he gave me
• 15:02
  Speaker 1: my first Jacob and he told me, you know, motherfuckers,
• 15:04
  Speaker 1: shoot you for this?
• 15:05
  Speaker 3: What age though?
• 15:06
  Speaker 4: He's probably twenty five, twenty six, So.
• 15:09
  Speaker 3: You gotta think a lot of these niggas down at
• 15:11
  Speaker 3: twenty one twenty two nigga don't know no better. Niggas
• 15:15
  Speaker 3: just getting I just told my label this. They give
• 15:18
  Speaker 3: you all this money, right, it's not even your money.
• 15:22
  Speaker 3: This your marketing, this your recording budget. So that give
• 15:26
  Speaker 3: you this money. You gonna blow your first run the
• 15:29
  Speaker 3: first time you get some money, regardless, I don't care
• 15:32
  Speaker 3: who you are, you're blowing your first run. They gonna
• 15:35
  Speaker 3: give you this money that automatically make you a bigger
• 15:38
  Speaker 3: threat than the hood. Then you're gonna blow this money.
• 15:42
  Speaker 3: You're not getting no money to you fulfill your obligations.
• 15:45
  Speaker 3: You're not getting nothing. You're not getting you're not getting
• 15:48
  Speaker 3: streaming money. You better hope you getting shows. You're not
• 15:52
  Speaker 3: getting no more advances. You ain't getting nothing, No rice,
• 15:56
  Speaker 3: no nothing. You're not eating. Yeah, right, so Chicken, you're
• 16:02
  Speaker 3: gonna blow this shit. You're gonna buy a car, You're
• 16:04
  Speaker 3: gonna buy some jurey, You're gonna buy a house, and
• 16:07
  Speaker 3: then you're gonna help people around you. He's gonna buy
• 16:09
  Speaker 3: some guns. Then you're gonna get to doing bullshit. You
• 16:13
  Speaker 3: know what I'm saying. You're gonna be a bigger threat
• 16:15
  Speaker 3: because the niggas know you got money now and then
• 16:18
  Speaker 3: you're gonna blow it all. Now you gotta go back there.
• 16:21
  Speaker 3: People still think you got money, and YO is gonna
• 16:24
  Speaker 3: get blue down because the label ain't got nothing for you.
• 16:27
  Speaker 3: So the label really, this is the label really, Like
• 16:32
  Speaker 3: I ain't saying they the reason why young niggas dye,
• 16:36
  Speaker 3: but they enhancing this shit because it's no artist development.
• 16:41
  Speaker 3: It's no. They're not teaching on financial literacy. They're not
• 16:46
  Speaker 3: doing all this shit. They're giving you a bunch of money.
• 16:48
  Speaker 3: They're not telling you to do nothing with it. They
• 16:51
  Speaker 3: really telling you to go do the shit that's helping
• 16:54
  Speaker 3: you sell, which is the bullshit, and then you're gonna
• 16:57
  Speaker 3: blow it all, and then they ain't got nothing for you,
• 17:00
  Speaker 3: and your music gonna stop selling because you're not inspired
• 17:03
  Speaker 3: by nothing, You're not seeing nothing else, you're not doing nothing,
• 17:07
  Speaker 3: and it's gonna be twenty other little niggas just like you.
• 17:11
  Speaker 3: So like that's why a lot of this shit happened.
• 17:14
  Speaker 3: I'll watch it every day. I seen this movie a
• 17:17
  Speaker 3: hundred times. You know what I'm saying. I just happen
• 17:20
  Speaker 3: to get lucky. I'll be around older niggas like y'all,
• 17:23
  Speaker 3: and y'all get me game like I talk back and
• 17:25
  Speaker 3: get my peace. But I'm still listening to you. I
• 17:27
  Speaker 3: don't live in Detroit. I'll be gone.
• 17:29
  Speaker 1: So what's going through your head when the cars getting
• 17:32
  Speaker 1: shot up because you got you got hit or grades live?
• 17:35
  Speaker 3: I got hit, I got hit, grays it's live.
• 17:39
  Speaker 2: Like.
• 17:39
  Speaker 3: I don't be in no situation panicking. I got faith
• 17:43
  Speaker 3: in God, so like God, just if it's my time,
• 17:46
  Speaker 3: I feel like it's my time. I ain't yelling nothing.
• 17:48
  Speaker 3: It wasn't nobody in the car to yell to. So
• 17:50
  Speaker 3: it's like, all right, boom. Let me get out the
• 17:53
  Speaker 3: way of these bullets. Let me turn these niggas gotta
• 17:55
  Speaker 3: go straight. I'm gonna crash this bitch. I'm gonna get out.
• 17:58
  Speaker 3: I'm gonna get out of harm's way. I ain't gonna
• 18:01
  Speaker 3: like when we accept what come with this shit too,
• 18:04
  Speaker 3: Like you know what I'm saying. It's like anytime you
• 18:08
  Speaker 3: doing certain shit like and I don't do bullshit, but
• 18:11
  Speaker 3: you live a certain life. Unfortunately, we was born in
• 18:14
  Speaker 3: the ghetto, so you live a certain life. You got
• 18:16
  Speaker 3: to accept what come with everything you got going on
• 18:20
  Speaker 3: as a man, as a street nigga. Like I don't,
• 18:23
  Speaker 3: I don't know. I don't never wake up a day
• 18:25
  Speaker 3: and be like nothing can't happen. I don't do that,
• 18:28
  Speaker 3: especially being from Detroit or hanging in Detroit. Like, niggas
• 18:33
  Speaker 3: get ribbed, niggas get shot, a type of shit get happened.
• 18:36
  Speaker 3: You might get hit by a current. It might just
• 18:38
  Speaker 3: be your time to get hit by I tell.
• 18:39
  Speaker 1: Young niggas like, yo, listen, I'm in the country where
• 18:42
  Speaker 1: niggas don't God gun, So I'm good.
• 18:44
  Speaker 3: What country is that?
• 18:45
  Speaker 4: Switzerland? Mad? This bad countries? It's no good. We've been
• 18:48
  Speaker 4: in the countries though, Yo, Look, we.
• 18:51
  Speaker 3: Was in the country get shot to get hit by.
• 18:55
  Speaker 4: Yeah, wasn't we in a country?
• 18:57
  Speaker 1: I don't know what country was, but you gonna remember
• 18:59
  Speaker 1: the pole last had to give their guns in at
• 19:01
  Speaker 1: the end of the night, so they don't nothing that. Yeah,
• 19:04
  Speaker 1: it was doublin or something them countries. Just when you
• 19:08
  Speaker 1: overseas for me, instead of you being in the strip
• 19:11
  Speaker 1: club rolling in the gamble spot, spend your money and
• 19:14
  Speaker 1: fly to Paris.
• 19:15
  Speaker 3: You ain't have flood there. Though I'm have fun.
• 19:18
  Speaker 1: I might have fun going to see the Mona Lisa
• 19:20
  Speaker 1: shopping that low wage. Might have fun going to see
• 19:24
  Speaker 1: big Man.
• 19:26
  Speaker 3: Right now.
• 19:28
  Speaker 5: That while he'll live in Value, Yo, listen to Value,
• 19:31
  Speaker 5: he need more money. Why he'll live Yo, listen, let
• 19:35
  Speaker 5: me explain. He ain't let me explain something. He don't
• 19:39
  Speaker 5: even y'all don't even know my next plan. My next
• 19:42
  Speaker 5: plan is to have a gold passport. That's when I
• 19:45
  Speaker 5: have residents in Amsterdam, Paris or whatever, and I will
• 19:50
  Speaker 5: live there.
• 19:51
  Speaker 4: That's in the future. Volume keep paying me, we gotta pay.
• 19:54
  Speaker 3: You always talk about what they're gonna do. Right again,
• 20:00
  Speaker 3: I see watch his chain everywhere I see nigga doing.
• 20:06
  Speaker 3: We still don't live in Jubbling.
• 20:08
  Speaker 1: I can't yo, I can't wait too. I can't wait too.
• 20:11
  Speaker 1: He goes on a big ass tour and he's gonna
• 20:15
  Speaker 1: be like YO. I'm telling he's gonna be like your
• 20:16
  Speaker 1: rocket call the phone. I'm staying in Switzerland, man, I'm
• 20:19
  Speaker 1: not leaving here.
• 20:20
  Speaker 4: Man. I'm telling you you lie, get there.
• 20:26
  Speaker 3: I'm gonna tell you the truth. I've been a thousand
• 20:29
  Speaker 3: places in the world. Ain't no pussy like Detroit. Pussy
• 20:32
  Speaker 3: Oh ship, I don't know about that, but I'm telling
• 20:35
  Speaker 3: you I'm going home.
• 20:39
  Speaker 1: I'm going Detroit pussy can fly to Switzerland. You catching
• 20:44
  Speaker 1: a stunt to me?
• 20:44
  Speaker 4: I love. I just love touring overseas.
• 20:47
  Speaker 2: Where that slogan Detroit versus everybody come from cause they
• 20:49
  Speaker 2: was going.
• 20:50
  Speaker 4: That's how Detroit is.
• 20:51
  Speaker 3: It's just how Detroit is. We ain't like like, if
• 20:54
  Speaker 3: I see a nigga on beef aware out of town
• 20:56
  Speaker 3: and some out of town niggas get on him, I'm
• 20:58
  Speaker 3: daring there getting on the out of townniggas because it.
• 21:00
  Speaker 1: Makes Detroit fight. They fight each other, but once they
• 21:05
  Speaker 1: go out of town, it's them together.
• 21:06
  Speaker 4: They together. They gonna.
• 21:08
  Speaker 3: It's gonna make Detroit. It makes Detroit as a whole
• 21:10
  Speaker 3: look bad, Like I don't gotta be cool with a
• 21:13
  Speaker 3: nigga to make my city look good, Like I ain't
• 21:16
  Speaker 3: have to be cool with Doug. But if some out
• 21:18
  Speaker 3: of town niggas get on Dug and I'm right there,
• 21:20
  Speaker 3: I ain't saying I'm jumping in a nigga beef. But
• 21:22
  Speaker 3: if I'm right there and out of town niggas get
• 21:25
  Speaker 3: on Peas or Vezzo or Ray or anybody, I'm I got.
• 21:29
  Speaker 3: I gotta protect home, like you know what I'm saying,
• 21:31
  Speaker 3: Like that just is what it is, Like I ain't
• 21:35
  Speaker 3: them niggas ain't got to be my friends. It's just
• 21:38
  Speaker 3: Detroit versus everybody. That's our culture. Like I can't even
• 21:42
  Speaker 3: I don't know who. That's just how we was raised
• 21:44
  Speaker 3: for real, Like I ain't gonna be out of town
• 21:46
  Speaker 3: even if I don't like it's certain niggas, I just
• 21:49
  Speaker 3: absolutely don't like that. Or but I'm never gonna be
• 21:52
  Speaker 3: out of town telling the business. I'm never gonna be
• 21:55
  Speaker 3: saying like I don't like you would never know.
• 21:57
  Speaker 4: Let me ask you a question. You think Detroit niggas
• 21:59
  Speaker 4: and New York niggas thought that the Caudier wave.
• 22:01
  Speaker 3: The niggas. I'm gonna say that because I'm biased, and
• 22:04
  Speaker 3: that's what.
• 22:04
  Speaker 4: I really think.
• 22:05
  Speaker 3: I thought New York niggas, we wear buffs though we
• 22:10
  Speaker 3: don't know.
• 22:10
  Speaker 4: But Buff's Cardiers.
• 22:11
  Speaker 3: You know, we don't really do like card You can
• 22:14
  Speaker 3: see the buff, the wood white buff white buffs. The
• 22:18
  Speaker 3: wood on the side or white is white is supposed
• 22:21
  Speaker 3: to be genuine buffalo horn.
• 22:22
  Speaker 4: I thought it was just Cardy's period.
• 22:24
  Speaker 3: Every we wear buffs. We wear buffs. Some niggas wear
• 22:29
  Speaker 3: wires and woods they did back in it. But we
• 22:31
  Speaker 3: we we we wear buffs like out there like this.
• 22:36
  Speaker 3: We like white buffs though, like you gotta had the
• 22:38
  Speaker 3: whitest buff genuine buffalo horn.
• 22:43
  Speaker 1: No Detroit, your ya get fly, y'all got the glasses.
• 22:45
  Speaker 1: The jewelry ch jewelry game is crazy in Detroit. You
• 22:49
  Speaker 1: go to Detroit, everybody looking like mister t.
• 22:52
  Speaker 3: Everybody think that it's celebrity and the troch. And they
• 22:54
  Speaker 3: was pimping hall in Detroit. That was like, that was like,
• 22:58
  Speaker 3: I ain't no no pimp. You ain't no no pimp.
• 23:00
  Speaker 3: Mama told me it was PIMPSI Detroit. I ain't even
• 23:02
  Speaker 3: know that.
• 23:02
  Speaker 4: Though, gentlemen, this is a sponsored show.
• 23:04
  Speaker 3: I don't talk all Mama Love was right.
• 23:11
  Speaker 4: I'm talking about the jewelry.
• 23:13
  Speaker 3: Gain. I know I was talking.
• 23:14
  Speaker 1: After you got shot, you went right back outside like
• 23:17
  Speaker 1: maybe two three days later, maybe five days.
• 23:19
  Speaker 3: Yeah, I don't want nobody they got nothing over me.
• 23:23
  Speaker 3: The nigga ain't gonna think he stopped this show.
• 23:25
  Speaker 4: Crazy.
• 23:27
  Speaker 3: I don't like niggas thinking they got power over you
• 23:29
  Speaker 3: like I did that because I wanted to let a
• 23:31
  Speaker 3: nigga know, like, yeah, you sweet, you don't stop that,
• 23:34
  Speaker 3: like like you don't stop no show. You gotta really
• 23:37
  Speaker 3: stop the show. I don't. I wasn't raised like that though,
• 23:41
  Speaker 3: Like I swear to God, like my pops would have told, man,
• 23:44
  Speaker 3: get your ass up, like I had the pops that
• 23:47
  Speaker 3: was born in forty six, so he man, if a
• 23:50
  Speaker 3: nigga hits, you hit him back.
• 23:52
  Speaker 4: I just want to see all my young boys get
• 23:54
  Speaker 4: the money before they dead or in jail.
• 23:56
  Speaker 3: Man.
• 23:56
  Speaker 4: That's really it. Because we get excited.
• 23:58
  Speaker 1: Y'all making way more money than we did way back.
• 24:01
  Speaker 1: So it's like for me, I just get excited. So
• 24:03
  Speaker 1: when I see young niggas fuck up the bag. That
• 24:05
  Speaker 1: shit kind of make me tight, like then niggas making
• 24:10
  Speaker 1: chef Chee sleepy out of you know this guy, you
• 24:12
  Speaker 1: know what I mean. Free to guys, but like dudes,
• 24:15
  Speaker 1: is y'all missing out on serious bread?
• 24:18
  Speaker 3: But I ain't really into it with niggas off ship.
• 24:21
  Speaker 3: I did, like, why not, no shit, I ain't. I
• 24:24
  Speaker 3: ain't in to it with niggas. I'm off I be
• 24:26
  Speaker 3: in too with niggas off family shit Like I'm a
• 24:31
  Speaker 3: soldier so like I'm my MoMA holy boy. So I
• 24:35
  Speaker 3: don't want to put too much shit. It'd just be
• 24:37
  Speaker 3: like I'm in tool with niggas because my mama had
• 24:40
  Speaker 3: one boy and I just happened to be frontline for
• 24:44
  Speaker 3: this shit. So that's just what it is. Like I'm
• 24:47
  Speaker 3: dying about that shit, like I don't really care about
• 24:50
  Speaker 3: none of I'm down about my respect and my family.
• 24:54
  Speaker 3: It's one thing I'm jumping in front of bullets. I'm
• 24:56
  Speaker 3: doing whatever, like you, I'm gonna come get you about
• 24:59
  Speaker 3: that shit everything. I don't want no problems with nobody.
• 25:02
  Speaker 3: I never go outside. You see me outside. I never
• 25:05
  Speaker 3: wanted a problem with nobody but for my family and
• 25:08
  Speaker 3: for my respect and people. I love my friends, all
• 25:11
  Speaker 3: that shit. I'm standing front line about this shit. I
• 25:13
  Speaker 3: don't care how rich I get.
• 25:15
  Speaker 2: I'm sure help get them out that situation, so you
• 25:17
  Speaker 2: ain't got to put yourself in.
• 25:18
  Speaker 3: I moved them, I moved them. But this just happened
• 25:21
  Speaker 3: to be a situation that happened before I got rich,
• 25:24
  Speaker 3: you know what I'm saying. Before I was in a
• 25:26
  Speaker 3: position to move my family, shit shit happened, and shit,
• 25:31
  Speaker 3: I just had to stand frontline for that shit. And
• 25:34
  Speaker 3: even if I got to stand by myself, I'm standing
• 25:36
  Speaker 3: on that shit regardless. I'm never gonna apologize for being
• 25:40
  Speaker 3: a good man of my family. Like, I'm not never
• 25:42
  Speaker 3: doing that shit. And if I got to go against
• 25:44
  Speaker 3: a whole village of people, I'm doing that shit about
• 25:47
  Speaker 3: my village, you know what I'm saying, even about your
• 25:51
  Speaker 3: I'm going that way like if I see a nigga
• 25:54
  Speaker 3: like I'm a person that if I seen a nigga
• 25:56
  Speaker 3: disrespecting you all behind you all back, I'm standing on
• 25:59
  Speaker 3: it because I look at all like my big brothers.
• 26:03
  Speaker 2: Man.
• 26:03
  Speaker 3: Yea yo, murder, No y'all got I'm a call y'all man,
• 26:08
  Speaker 3: y'all heard what dogs saying about your.
• 26:09
  Speaker 4: Telling years to talk of New York, Tony Yo.
• 26:12
  Speaker 2: And it's the boy led Jed Lenny We And.
• 26:14
  Speaker 1: Right now we represent basket Laver Black Owned. One of
• 26:17
  Speaker 1: my best products that I love to use is the
• 26:20
  Speaker 1: bid Grow because I want to use, you know, full
• 26:22
  Speaker 1: a whole bid out.
• 26:23
  Speaker 2: I've been working on my waves, so I've been messing
• 26:24
  Speaker 2: with this one.
• 26:25
  Speaker 3: Yeah, I gonna hold you.
• 26:26
  Speaker 2: I'm gonna sell the people have my Waves is looking
• 26:27
  Speaker 2: to in the next couple of episodes.
• 26:29
  Speaker 1: I can be like, oh, well, yeah, they know for
• 26:31
  Speaker 1: good nutrients, you know, for your hair circulation, a lot
• 26:34
  Speaker 1: of things they got. They got a men's healthcare kid
• 26:37
  Speaker 1: that's wonderful and great.
• 26:38
  Speaker 2: You could go to basket Lather Cold dot com and
• 26:41
  Speaker 2: if you mentioned Real Report, you get twenty percent off
• 26:44
  Speaker 2: your herd. That's basket Leather Cold dot com mention Real Report.
• 26:49
  Speaker 2: You get twenty percent off.
• 26:50
  Speaker 1: Your explore viral bestsellers and products of healthier hair of
• 26:54
  Speaker 1: all types from basket Laver. Go to basket Laver Cold
• 26:59
  Speaker 1: dot com and you was the Cold Real Report for
• 27:01
  Speaker 1: twenty percent off.
• 27:03
  Speaker 2: And that's twenty percent off at basket laber CEO dot com.
• 27:07
  Speaker 2: Cold real report.
• 27:09
  Speaker 1: Well, yo, come on, let's talk about the album. Chris
• 27:13
  Speaker 1: Brown Bracing Toil, the forty two, Doug and Wis Kalifa.
• 27:20
  Speaker 3: I got Mary Mary on that shit all type of shit.
• 27:23
  Speaker 2: Ask you about that, right, Mary Mary, because I've seen
• 27:25
  Speaker 2: something where you went to when you went to church
• 27:28
  Speaker 2: and all that.
• 27:29
  Speaker 3: What made you want to do that?
• 27:31
  Speaker 2: Uh?
• 27:32
  Speaker 3: It was that situation and shit I was going through,
• 27:35
  Speaker 3: and I was just I was really fighting myself, like
• 27:38
  Speaker 3: I was like, all right, boom, I could go do
• 27:42
  Speaker 3: this and be in that situation like other people, or
• 27:46
  Speaker 3: I could try to figure it this shouting through it
• 27:48
  Speaker 3: a different way. So then I just happened to be
• 27:52
  Speaker 3: with the president of A and R my label, and
• 27:55
  Speaker 3: he was with Warren Campbell, which is Erica Campbell's husband,
• 28:00
  Speaker 3: and he produced a lot of records, gospel records. He
• 28:04
  Speaker 3: produced like seventeen songs on All Eyes on Me, all
• 28:07
  Speaker 3: type of shit. He has Dog of Beasts, so he
• 28:10
  Speaker 3: also he had passed.
• 28:12
  Speaker 4: So definitely talking to him, trusting Jesus, and.
• 28:16
  Speaker 3: He was like, I was like, I'm fighting between like
• 28:19
  Speaker 3: I want to do bullshit, and he was like, you
• 28:23
  Speaker 3: might not be fighting right and wrong, like it might
• 28:27
  Speaker 3: be the right thing to go do some bullshit, but
• 28:30
  Speaker 3: it might not be the wise thing, which is what
• 28:32
  Speaker 3: you're saying. Like, so he like, you might be fighting
• 28:35
  Speaker 3: right and wise, like you might be right, like your
• 28:38
  Speaker 3: intentions might be right everything, but is it a wise
• 28:41
  Speaker 3: thing to do? So Ever, since he said that to me,
• 28:44
  Speaker 3: and I felt like he wasn't judging me. I was
• 28:47
  Speaker 3: just locked in with him because it was like another
• 28:50
  Speaker 3: person would have been like, man, the Bible says, don't
• 28:53
  Speaker 3: do this, this, this, and that, I'm judging you if
• 28:55
  Speaker 3: you And he was like, you might not be right
• 28:58
  Speaker 3: or you might not be wrong. Is it wise? Though?
• 29:02
  Speaker 3: And I had to really think and that helped me
• 29:04
  Speaker 3: with my album processing everything. I was just sitting in
• 29:07
  Speaker 3: there thinking and shit, and that shit really kept me
• 29:09
  Speaker 3: out a lot of trouble for me.
• 29:11
  Speaker 1: Chris Brown hit record, one of the biggest records in
• 29:14
  Speaker 1: the world. Talk about that, man, how do you even
• 29:17
  Speaker 1: get in the room with these guys?
• 29:19
  Speaker 3: Well, when I met Chris Brown through T Grizzly, that
• 29:22
  Speaker 3: was hard, Like like a few years ago, No, I
• 29:25
  Speaker 3: met Chris Brown through Side of the Baby when I
• 29:27
  Speaker 3: was hanging with Sider all the time. Then shout out
• 29:30
  Speaker 3: to Side of for Shelby bro Then I got with
• 29:32
  Speaker 3: t Grizzly and he took me to his rehearsal. Then
• 29:35
  Speaker 3: I locked in with Chris Brown. So over the years
• 29:38
  Speaker 3: I just been seeing him and shit, and every time
• 29:40
  Speaker 3: he see me he showed me love. Then one time
• 29:43
  Speaker 3: I was at a show with bryceon Taylor and Bryce
• 29:46
  Speaker 3: and Tiller told me he fucked through my ship. So
• 29:49
  Speaker 3: then shout out to hit Maker because I was working
• 29:52
  Speaker 3: with hit Maker. He like, boom, I got this record.
• 29:56
  Speaker 3: So Bryce and Tiller and Chris Brown went on the
• 29:59
  Speaker 3: record the firston Nothing. So then we're just figuring it out.
• 30:03
  Speaker 3: I just did my verse on the record. I had
• 30:06
  Speaker 3: wrote my verse and shit, and then I was like,
• 30:09
  Speaker 3: I told him who I wanted on there. So then
• 30:12
  Speaker 3: Bryson Tiller wasn't even the first person I wanted on there.
• 30:14
  Speaker 3: I said Chris, he was supposed to do the hook
• 30:16
  Speaker 3: on the shit, but then Bryson Tylor ended up doing it.
• 30:20
  Speaker 3: We ended up somehow getting brycey Tiller to do the hook.
• 30:23
  Speaker 3: I was like, I still need Chris on this bitch,
• 30:26
  Speaker 3: because Bryson Taylor gonna take me to the top. I
• 30:29
  Speaker 3: need to go over the top. We need to blow
• 30:31
  Speaker 3: the roof off this bitch. So then I just kept
• 30:34
  Speaker 3: seeing Chris. I really ain't had the courage at first
• 30:37
  Speaker 3: because Chris my man, like, I just fuck with him.
• 30:40
  Speaker 3: I don't be fucking with niggas for records or fucking
• 30:42
  Speaker 3: with niggas just to for them to do something. Then
• 30:45
  Speaker 3: I just seen him a few times and I built
• 30:47
  Speaker 3: up the carriage. I'm like, damn, could you do this
• 30:49
  Speaker 3: for me? Thought like yeah, And eventually he ended up
• 30:54
  Speaker 3: doing it for me. He just called me and hit
• 30:56
  Speaker 3: Baker on the phone and motherfucking with the verse and shit.
• 31:00
  Speaker 3: That shit was like I was like, man, because it's
• 31:03
  Speaker 3: really like, as an artist, it's hard to get. The
• 31:07
  Speaker 3: hardest people that get to do stuff for you is rappers.
• 31:10
  Speaker 3: It don't be the singers and the R and B
• 31:13
  Speaker 3: niggas and the biggest niggas in the world. They just
• 31:16
  Speaker 3: be genuinely fucking with I done heard rappers tell me
• 31:20
  Speaker 3: two fifty all type of shit like, and it's like
• 31:23
  Speaker 3: me and you might be working you, but it's just
• 31:26
  Speaker 3: like I like working with people that is genuine love.
• 31:29
  Speaker 3: Like I don't we do the same things, so I
• 31:32
  Speaker 3: don't want to have to buy buy you like I mean,
• 31:35
  Speaker 3: I will, I'll do the business if it makes sense,
• 31:38
  Speaker 3: But I just rather just be genuine and it's just
• 31:41
  Speaker 3: genuine c B Like Dog Dog want the coolest people.
• 31:45
  Speaker 3: I'm in the industry for real. It's genuine with Dog.
• 31:49
  Speaker 3: He genuinely on what he owned, he not. He unapologetically
• 31:53
  Speaker 3: itself every time. It don't matter if it's a hundred
• 31:56
  Speaker 3: bitches in the room, whatever niggas in the room, he's
• 31:59
  Speaker 3: shaking my here in the same way he's standing on
• 32:01
  Speaker 3: that shit. He fuck with me. So I just fuck
• 32:04
  Speaker 3: with bro. Same thing with fifty, Like it don't matter
• 32:07
  Speaker 3: who around. He showed me the same love. Same thing
• 32:09
  Speaker 3: with y'all. Y'all showed me the same love. It don't
• 32:12
  Speaker 3: matter motherfucking president could be in the room. So that's
• 32:15
  Speaker 3: why I just I'm a genuine person like that, So
• 32:17
  Speaker 3: I valued it, you know what I'm saying. So that
• 32:20
  Speaker 3: type of shit I just love like and most of
• 32:22
  Speaker 3: my records on it, like all my records on his
• 32:25
  Speaker 3: album was like that, Like it was just genuine and organic.
• 32:29
  Speaker 4: How was the collab of What's Kalifa heard? The records
• 32:31
  Speaker 4: fire that was.
• 32:32
  Speaker 3: On the movie, That was on the movie set when
• 32:35
  Speaker 3: we did the movie set for On Moses, the Black
• 32:39
  Speaker 3: Whiz Khalifa just what's cool as hell? He stopped me
• 32:42
  Speaker 3: for the movie. Dog was like he said something, and
• 32:46
  Speaker 3: he was like, said something by my music. And I
• 32:49
  Speaker 3: was really being quiet around because I'm like this weiz.
• 32:52
  Speaker 3: He stopped me and said something. I'm like, damn wiz.
• 32:55
  Speaker 3: Know who I mean? Is that shit?
• 32:56
  Speaker 2: Was?
• 32:56
  Speaker 3: That shit fucked me up? Then the whole movie set
• 32:59
  Speaker 3: we just king and chopping it. Then I just like,
• 33:03
  Speaker 3: I got a record for you. He really did that
• 33:06
  Speaker 3: ship in like a week, that ship with fire.
• 33:10
  Speaker 2: I mean the first time I went Miss Khalifa, I
• 33:13
  Speaker 2: was in Atlantic Records. Man, he was just walking by,
• 33:18
  Speaker 2: smoking in the label. Nigga walked in the boom, was like,
• 33:21
  Speaker 2: oh ship, Murdy, what's up the fun? You gave me
• 33:24
  Speaker 2: a dad smoking his blunt, just kept walking out.
• 33:27
  Speaker 3: I was in the gene.
• 33:28
  Speaker 2: I'm like, I'm like, yo, he y'all smoking, like well
• 33:31
  Speaker 2: whiskey smoking here. I was like, oh wow, just walking
• 33:34
  Speaker 2: around the building.
• 33:36
  Speaker 4: Snoop. But I'm about to be like that.
• 33:41
  Speaker 2: That's how you're gonna be up man. You're talking about
• 33:46
  Speaker 2: acting a lot.
• 33:47
  Speaker 3: Man.
• 33:47
  Speaker 2: You're about to be in this power origin and how
• 33:49
  Speaker 2: that ship feeling.
• 33:50
  Speaker 3: What's that experience that's her shout out to fifty and Rocket.
• 33:53
  Speaker 2: Definitely man, but they don't know he takes.
• 33:56
  Speaker 1: Talking about acting classes, people just take fifty. Just choose
• 33:59
  Speaker 1: people right right lead just to.
• 34:00
  Speaker 4: Be yo, you and acting Yo, Yo, don't fit your
• 34:02
  Speaker 4: dope me and your shit. Talk about the acting, the
• 34:05
  Speaker 4: acting classes and the process you go through.
• 34:07
  Speaker 3: I've been acting class for like the last two years.
• 34:09
  Speaker 3: Rocket put me in that ship. Shout out my nigga,
• 34:13
  Speaker 3: Sam too. He linked me with a Rocket. That's how
• 34:15
  Speaker 3: I got cool with Rocket. I was seeing him and
• 34:17
  Speaker 3: passing that shit my nigga saying I linked me with
• 34:19
  Speaker 3: a rocket, and Rocket really was just chopping it with
• 34:23
  Speaker 3: me at first, and then I was like, no, I
• 34:26
  Speaker 3: really want to do this shit, Like you really want
• 34:28
  Speaker 3: to do this shit. We gotta do acting class. We
• 34:30
  Speaker 3: ain't gonna get no rolls for like four years, three years.
• 34:34
  Speaker 3: I told it as man like I'm I wasn't know
• 34:38
  Speaker 3: with them, like I'm skiller baby shit. I was like,
• 34:41
  Speaker 3: you don't know me, like I'm a nigga that when
• 34:43
  Speaker 3: I put my mind to do something, I'm gonna blow
• 34:45
  Speaker 3: past everybody. So he ain't really know I was gonna
• 34:48
  Speaker 3: lock in. I was doing like class like three times
• 34:51
  Speaker 3: a week. That shit was like one fifty every time.
• 34:53
  Speaker 3: I was just doing that ship. That shit was just
• 34:56
  Speaker 3: like and I started falling in love with the ship.
• 35:00
  Speaker 3: So then we ain't even tell fifty, like he like,
• 35:04
  Speaker 3: we ain't even gonna tell fifty. We're just gonna show him.
• 35:07
  Speaker 3: And then one day we just he was like, yeah,
• 35:10
  Speaker 3: dog been acting classes for like like six months or
• 35:15
  Speaker 3: some shit. He told Fifty like word blah blah blah,
• 35:18
  Speaker 3: just keep working and damn nigga just kept working and well, no, no,
• 35:23
  Speaker 3: intend to like make somebody notice how I was working.
• 35:27
  Speaker 3: So then Fifty just called one day like man taking.
• 35:31
  Speaker 6: The I a G.
• 35:33
  Speaker 3: Which is on the agency and ship, but it was
• 35:36
  Speaker 3: also ya yo in the midst of that ship. Yao
• 35:40
  Speaker 3: was like, man, you need to this before the acting class.
• 35:45
  Speaker 3: Damn man. I just said like, man, you need to
• 35:54
  Speaker 3: do this, this and that. Though he was saying that
• 35:56
  Speaker 3: ship like man, you need to get on that ship,
• 35:58
  Speaker 3: Like what the fuck is you waiting for? You talking
• 36:00
  Speaker 3: to me like that. We had shows and ship, like
• 36:06
  Speaker 3: we had eight boogie shows and ship. He's still saying this.
• 36:08
  Speaker 6: Ship like what the fuck you wait for you to micarating,
• 36:13
  Speaker 6: like you see the nigga micarading, like you see the
• 36:17
  Speaker 6: niggy little meat man look at him, Man, nigga acting
• 36:20
  Speaker 6: and ship man.
• 36:21
  Speaker 2: So to tell you how much the checks was saying, Oh, okay.
• 36:25
  Speaker 3: I'm like this ship make it sick. And then I
• 36:28
  Speaker 3: was like, yeah, I'm kind of decent at this ship.
• 36:30
  Speaker 3: So I just kept working and ship and damn, like
• 36:34
  Speaker 3: I started just keep working and kept working, and I
• 36:38
  Speaker 3: was getting I actually takes fifty like man, I'm feeling
• 36:41
  Speaker 3: staggering and rapping ship Like man, this ship like like
• 36:46
  Speaker 3: because you know, as a rapper, like you all rappresent s,
• 36:48
  Speaker 3: so you know, we gets to a moment a point
• 36:50
  Speaker 3: like it don't matter how successful, well this ship be
• 36:53
  Speaker 3: feeling the same, Like I'm just feeling the same off
• 36:57
  Speaker 3: this ship, Like, man, this ship getting boring.
• 37:00
  Speaker 4: But you're right, hits so would be boring for you.
• 37:06
  Speaker 3: But I had text that nigga and he was he
• 37:09
  Speaker 3: was like, word, I'm gonna have something for you soon
• 37:12
  Speaker 3: next week he had me an audition for one of
• 37:14
  Speaker 3: the biggest shows in the world, like and I didn't
• 37:17
  Speaker 3: get it. But it was just like Damn, niggas don't
• 37:19
  Speaker 3: even get to self take for this show like I couldn't.
• 37:22
  Speaker 3: I don't even want to say it because I don't
• 37:24
  Speaker 3: want niggas to be thinking like like I know how
• 37:27
  Speaker 3: big the oops I be getting? Like that was crazy?
• 37:30
  Speaker 3: He thre be a crazy like like that's why I,
• 37:34
  Speaker 3: like a nigga, can't say nothing wrong about your to me,
• 37:37
  Speaker 3: for real, niggas.
• 37:39
  Speaker 1: Pay the bills, skills, pay the bills, man, because I
• 37:43
  Speaker 1: look at it like this to me, like you could
• 37:46
  Speaker 1: have balls, But to me, it's like melodies and dope hooks.
• 37:51
  Speaker 4: Is that's it? Once you got that, it's different to me.
• 37:55
  Speaker 3: Told Rocket that you can you could spit.
• 37:57
  Speaker 1: But when you like when you hit thick ones, so
• 38:00
  Speaker 1: many bitches, so many I just want to think one
• 38:03
  Speaker 1: that shit videos crazy and Rockets telling me about all
• 38:08
  Speaker 1: these videos that you want to do. When I watched
• 38:10
  Speaker 1: thick one, it's like where do you pick the girls from?
• 38:14
  Speaker 3: Too?
• 38:14
  Speaker 4: That's the number one question.
• 38:15
  Speaker 3: You didn't pick the girls for that one.
• 38:16
  Speaker 1: You have some things in there, the visuals crazy, It
• 38:19
  Speaker 1: was just sick video you you directed as yourself for No.
• 38:25
  Speaker 3: I didn't direct that one. I helped a little bit
• 38:27
  Speaker 3: while I was on set. But my new videos like
• 38:32
  Speaker 3: gonna be out of this world. My new inspirations is
• 38:36
  Speaker 3: from old movies and hip hop moments and hip hop.
• 38:40
  Speaker 3: So I want to recreate moments and hip hop and
• 38:42
  Speaker 3: my videos and old movies.
• 38:44
  Speaker 2: So you played the part with the creative process with
• 38:46
  Speaker 2: these new ones were talking about got You, got You.
• 38:49
  Speaker 3: They all start with me, like what I wanted to do.
• 38:52
  Speaker 3: We get somebody to get a treatment, and I like
• 38:56
  Speaker 3: curated and like make it to what I wanted to be.
• 38:59
  Speaker 3: But it all start with my idea, like I won't
• 39:03
  Speaker 3: like all older movies that girls like all hip hop
• 39:08
  Speaker 3: moments that make like some nostalgic moments that make like
• 39:12
  Speaker 3: because I got a I got a real rap album
• 39:15
  Speaker 3: coming out, So I want like real hip hop HEAs
• 39:17
  Speaker 3: and people that have been listening to rap for a
• 39:19
  Speaker 3: long time to be like all right when I see
• 39:21
  Speaker 3: this moment. I was right here back in the day
• 39:24
  Speaker 3: in ninety six. I was here, oh five, I was
• 39:27
  Speaker 3: here when this movie came out. I was there.
• 39:29
  Speaker 1: How was how was it working in the studio with
• 39:31
  Speaker 1: knaves Man? I mean, when you know that was something
• 39:33
  Speaker 1: different from me, I'm like, you know, I know you
• 39:35
  Speaker 1: good at the hooks and stuff like that, and I
• 39:36
  Speaker 1: know you got balls.
• 39:38
  Speaker 4: Don't know you be on the grim spitting and shit.
• 39:39
  Speaker 4: But I just was like, damn me in the studio
• 39:41
  Speaker 4: with Naves, what the fuck?
• 39:42
  Speaker 3: But my president shot out dash he linked us, because
• 39:48
  Speaker 3: I'm supposed to get nads on my shit too, but
• 39:52
  Speaker 3: he linked us in No, I just took a liking
• 39:54
  Speaker 3: to me. They was talking about NAS album and shit
• 39:58
  Speaker 3: and me helping with NAS out him. I helped him
• 40:01
  Speaker 3: with some ideas. It was cool, like that was fire.
• 40:04
  Speaker 3: And then he was telling me stories from back in
• 40:06
  Speaker 3: the day and Ship like that's why I like kicking
• 40:08
  Speaker 3: it with the other stuff. That was hearing them stories
• 40:11
  Speaker 3: like I can't, I don't. I wasn't here in ninety six,
• 40:14
  Speaker 3: so like I'd be wanting to hear ship like Man
• 40:18
  Speaker 3: in ninety five. This is going on like with your
• 40:21
  Speaker 3: favorite person like Man five six that was like.
• 40:26
  Speaker 1: Cha z and that ninety five was definitely yeah, that
• 40:32
  Speaker 1: was you know, to get money era. Niggas was still
• 40:34
  Speaker 1: getting money in the nineties.
• 40:36
  Speaker 3: I want to hear how Timberlin like paying you to
• 40:38
  Speaker 3: the club.
• 40:38
  Speaker 1: But you gotta understand for me, the moments like I
• 40:42
  Speaker 1: remember like shook ones coming on, like you ain't a
• 40:45
  Speaker 1: crook son when that first came out. Niggas get robbed,
• 40:49
  Speaker 1: niggas get punched in they faced eight bulls getting jacked
• 40:53
  Speaker 1: pell Pelly's back then you're.
• 40:54
  Speaker 2: Saying records in the club.
• 40:56
  Speaker 4: It was just like, I ain't even.
• 40:58
  Speaker 1: Gonna lie, Like even what I I remember when I NIX,
• 41:02
  Speaker 1: like everybody, they had to throw the guns in the air,
• 41:05
  Speaker 1: niggas buying their first guns, little two fives or whatever.
• 41:08
  Speaker 1: You know what I'm saying, Oh your God, Like it
• 41:11
  Speaker 1: was just it was crazy back then too, just like
• 41:13
  Speaker 1: you always said.
• 41:14
  Speaker 4: It just wasn't no cameras. The same shit was going on.
• 41:17
  Speaker 3: I kind of wish I was back then though, I
• 41:19
  Speaker 3: would have been that thing back then. I ain't gotta
• 41:22
  Speaker 3: lot to tell you.
• 41:22
  Speaker 1: Cameras, yeah, ueyawaiians is fucking everything up, y'all fucking everything else,
• 41:27
  Speaker 1: Like niggas don't want to go party like it was
• 41:29
  Speaker 1: different because think about it. Think about this, It was
• 41:33
  Speaker 1: no Instagram. Niggas have a phone, maybe a flip phone
• 41:36
  Speaker 1: in the nineties. In the eighties, you know, nineties, niggas
• 41:39
  Speaker 1: really had beepers too. You know what I'm saying, then
• 41:42
  Speaker 1: the omni points and all that shit came out. Feel me,
• 41:45
  Speaker 1: But nigga was in jail when camera phones came out
• 41:48
  Speaker 1: two o five. You know they got the camera phone out.
• 41:50
  Speaker 1: Now you know what I'm saying.
• 41:52
  Speaker 4: I was in jail.
• 41:53
  Speaker 1: Niggas ain't have all that shit. So when you go
• 41:55
  Speaker 1: to a party, niggas is dancing, DJ's is killing the shit.
• 41:59
  Speaker 1: Ain't used to be crazy, bro, backyard parties, block parties
• 42:03
  Speaker 1: them ships really ain't getting shot up like that.
• 42:06
  Speaker 4: Now she's totally different. You can't really even.
• 42:09
  Speaker 2: Parties got shot up back in I mean they did.
• 42:11
  Speaker 2: Some niggas no parties got I know, know they you know,
• 42:22
  Speaker 2: you know it's crazy.
• 42:23
  Speaker 3: Look more ship happened back then. You think that's why
• 42:26
  Speaker 3: I ship. You know, more murders than Detroit back in.
• 42:34
  Speaker 2: The day than way more.
• 42:35
  Speaker 3: But you know what it is.
• 42:36
  Speaker 2: Nowadays we got still little things get highlighted more.
• 42:39
  Speaker 1: She said, Okay, I agree with you. She was getting
• 42:42
  Speaker 1: shot up. But back in the days, right drug dealers
• 42:45
  Speaker 1: had bus trips.
• 42:49
  Speaker 3: Right about that, they did do things.
• 42:51
  Speaker 4: What that go do what that.
• 42:58
  Speaker 2: To throw it off?
• 42:59
  Speaker 6: More?
• 43:00
  Speaker 3: Shoot is but but yo, but dying twenty bodies Listen,
• 43:06
  Speaker 3: you're talking about old niggas with twenty bodies and ship.
• 43:08
  Speaker 3: You've never heard nothing when.
• 43:10
  Speaker 1: You say that, twenty bodies, twenty body, you say the
• 43:14
  Speaker 1: eighties and nineties. This is what I'm trying to say
• 43:16
  Speaker 1: to you. It's a classic time. And I'm gonna tell
• 43:18
  Speaker 1: you why.
• 43:19
  Speaker 4: Like before b E T. You know b T right
• 43:22
  Speaker 4: before m t V, right before so you.
• 43:26
  Speaker 2: Just asked him if he knows what BS he is.
• 43:27
  Speaker 3: Yeah, he's young though, Hey, it's crazy.
• 43:34
  Speaker 4: I'm fucking time. Put it up. I just say T
• 43:39
  Speaker 4: was back in the days. That was two five. He
• 43:42
  Speaker 4: was on that ship, was on that found what he
• 43:48
  Speaker 4: was born ninety eight, He was born ninety eight. He
• 43:51
  Speaker 4: know body cool? You know?
• 43:52
  Speaker 3: Okay, thank you.
• 43:53
  Speaker 4: He was like six watching us on that shit.
• 43:55
  Speaker 1: He was six watching I was watching your Yeah, look
• 44:00
  Speaker 1: you see making me think my train of thought. No,
• 44:02
  Speaker 1: but look now, look when you think about the good
• 44:04
  Speaker 1: old days, right the only place you could watch like niggas.
• 44:08
  Speaker 1: Don't give this man his props. But Ralph McDaniels is
• 44:12
  Speaker 1: a big part of hip hop because when we was kids,
• 44:15
  Speaker 1: it was only video music box. That shit, come on, doom,
• 44:20
  Speaker 1: that shit, come on you gonna see Run DMC. You
• 44:24
  Speaker 1: gonna see MC like you gonna see Queen Latifa. There
• 44:27
  Speaker 1: was no other channel. That was the beginning of hip
• 44:30
  Speaker 1: hop for me, niggas with the Big Change, and they
• 44:33
  Speaker 1: was just copying the drug dealers because the drug dealers
• 44:35
  Speaker 1: had that shit too, So the Big Change went. So
• 44:38
  Speaker 1: I always, you know, say Queens, I love Brooklyn, but
• 44:41
  Speaker 1: run DMC, hands down my my favorite group. Seeing them
• 44:44
  Speaker 1: motherfuckers on that ship walk this way with bon Jovi.
• 44:48
  Speaker 1: That that's the first group to be on MTV as
• 44:51
  Speaker 1: a rap group. Run DMC from Queen's shout to Brooklyn
• 44:55
  Speaker 1: from Queens, No BF. Okay, but that's why I get
• 44:58
  Speaker 1: excited when you say, yo, I want to do shit
• 45:00
  Speaker 1: from the eighties and the nineties.
• 45:02
  Speaker 4: You know what I'm saying, Shit like that, I understand
• 45:04
  Speaker 4: because for.
• 45:05
  Speaker 1: Me, that's a nostalgic time the MVP niggas started getting
• 45:10
  Speaker 1: the drop top ends is you know what I'm saying
• 45:12
  Speaker 1: When Big said to drop three in the quarter I've
• 45:14
  Speaker 1: seen niggas coming through my block and that three in
• 45:16
  Speaker 1: the quarto, I'm like, oh shit, drop top three. That's
• 45:21
  Speaker 1: why I like the drug dealers. No, not to glorify
• 45:23
  Speaker 1: it now. They was our hero That was my heroes
• 45:25
  Speaker 1: back in the days.
• 45:26
  Speaker 3: Drug dealers for sure. That's all that was in Detroit,
• 45:30
  Speaker 3: like for a long time. That's how we measured success
• 45:33
  Speaker 3: though it was the most successful people.
• 45:35
  Speaker 2: Know.
• 45:35
  Speaker 1: You have Mysroiety, Rick, all kinds of niggas out fucking
• 45:38
  Speaker 1: get money in Detroit. That's a get money place and
• 45:41
  Speaker 1: it's a rough place to live. But niggas always gonna
• 45:44
  Speaker 1: look nice, have some money, jeury girls, gonna have their
• 45:47
  Speaker 1: head done Detroit, clean up nice. You know what I'm saying.
• 45:50
  Speaker 1: They know how to get to the bags, you know
• 45:51
  Speaker 1: what I'm saying. So the hustle with mine us in
• 45:53
  Speaker 1: New York every time I came out there. Now, Detroit niggas,
• 45:56
  Speaker 1: a lot of Detroit niggas could rap and get money
• 45:58
  Speaker 1: like that.
• 45:59
  Speaker 4: Shit. Just it reminds me in New York. It's a
• 46:01
  Speaker 4: little more grimey.
• 46:04
  Speaker 3: Detroit. New York.
• 46:05
  Speaker 1: Yeah, y'all like number two on the Murder Capital Memphis.
• 46:09
  Speaker 1: But come I come visit y'all. On the VP of Bulletproof.
• 46:13
  Speaker 3: It's grimy everywhere Detroit is in New York. Right man
• 46:18
  Speaker 3: for New York, John playing with knives and ship like, man,
• 46:21
  Speaker 3: New York.
• 46:22
  Speaker 1: Is grimey, but Detroit is like Detroit is like blocks
• 46:25
  Speaker 1: with you. Like I done been on blocks in Detroit,
• 46:28
  Speaker 1: Like I went to Detroit, right, niggas took me to
• 46:30
  Speaker 1: a bowdega Like it's like some movie ship went to
• 46:33
  Speaker 1: the boatdegga.
• 46:34
  Speaker 4: You know what I'm saying. He rap nigga came back.
• 46:37
  Speaker 1: He was like, Yo, man, I've seen some black niggas. Man,
• 46:39
  Speaker 1: I was gonna shoot you up down he was cool though,
• 46:41
  Speaker 1: he was cool up. It's gonna grab the a. K
• 46:44
  Speaker 1: Moms was cooking in the back mad pounds that she
• 46:47
  Speaker 1: was like some training day ship.
• 46:49
  Speaker 4: Like what the fun kind of shit going on over here?
• 46:51
  Speaker 4: Like Detroit is different whole nother world.
• 46:54
  Speaker 3: Y'all ain't got that going out here, not in the.
• 46:56
  Speaker 4: Back of the boatdega, but that shit was just crazy.
• 46:58
  Speaker 1: Ship ship be going on going on everywhere, but Detroit,
• 47:04
  Speaker 1: like certain blocks ain't no lights, like you know, you
• 47:07
  Speaker 1: know block is lit up.
• 47:08
  Speaker 4: Now you go on the blocks, you ain't seeing police.
• 47:12
  Speaker 3: Or nothing nothing, because y'all ain't really got houses here
• 47:14
  Speaker 3: and ship like we got houses, we got houses, Yeah,
• 47:17
  Speaker 3: but y'all y'all got like this nigga buggets. I'm saying,
• 47:24
  Speaker 3: like our projects is like townhouses and houses, and y'all
• 47:29
  Speaker 3: got buildings and ship. We don't really live in buildings
• 47:32
  Speaker 3: like we don't like I don't know too many people
• 47:35
  Speaker 3: living apartments, so I know, like that's why I my
• 47:38
  Speaker 3: first thing was a big ass house I purchased because
• 47:40
  Speaker 3: I don't want to live in no condo or nothing.
• 47:42
  Speaker 3: I want to live in the house. That's what I
• 47:44
  Speaker 3: grew up in. Like y'all got buildings and ship, so
• 47:47
  Speaker 3: you would be beefing with a nigga on the twelve floor.
• 47:51
  Speaker 3: We beef with niggas from around the corner, so you
• 47:53
  Speaker 3: gotta get the striker and gop floor.
• 47:58
  Speaker 4: It used to be nigga beef with the nigga floor.
• 48:02
  Speaker 3: Nigga y'all coming around like around the hallway and ship.
• 48:06
  Speaker 3: We come around blocks. We gotta go spind a nigga
• 48:09
  Speaker 3: block and really get put feet on land. Y'all do too,
• 48:13
  Speaker 3: But y'all in buildings and ship like y'all ain't gotta
• 48:16
  Speaker 3: go buy a car and go do all this ship.
• 48:18
  Speaker 3: Y'all niggas put right, Yeah, we can stand outside or
• 48:22
  Speaker 3: the nigga come outside. The fun of the building.
• 48:25
  Speaker 2: We go to the next building to go creep on niggas,
• 48:28
  Speaker 2: vice versas.
• 48:28
  Speaker 3: And like that, poking together while you're walking past.
• 48:31
  Speaker 7: We can't do none of that ship right now, I
• 48:34
  Speaker 7: know we getting to I mean, none of that, y'all.
• 48:39
  Speaker 7: Podcast We put it to podcast.
• 48:53
  Speaker 2: Change talk to some times. It's a good statue of limitation.
• 48:57
  Speaker 3: He just told niggas, I gotta switch cheese.
• 49:00
  Speaker 2: He just said, my man, you got shot. Then when
• 49:04
  Speaker 2: niggas talk about shooting the ops, you wanted to say.
• 49:06
  Speaker 3: Whole off.
• 49:06
  Speaker 4: It just got crazy, a little bittaking with.
• 49:11
  Speaker 3: The bullets just coming through the bus. Thinking when the
• 49:14
  Speaker 3: bullets was coming through.
• 49:17
  Speaker 2: But now you want to say, hold up, gentlemen, shout.
• 49:19
  Speaker 3: Out the hard rock back.
• 49:23
  Speaker 4: I want to poke in and off.
• 49:26
  Speaker 2: It happens. This is real life. That happens, man, It's
• 49:28
  Speaker 2: all good. It happens.
• 49:30
  Speaker 4: We smoked in moroccos.
• 49:35
  Speaker 1: We ain't always aroc Take it from the guy got
• 49:38
  Speaker 1: a pool in his backyard.
• 49:40
  Speaker 2: Man, I love the pool.
• 49:43
  Speaker 3: With a lot of them.
• 49:44
  Speaker 2: The freestyles in the car to used to go. Get
• 49:48
  Speaker 2: back to that a little bit.
• 49:49
  Speaker 3: Yeah, I'm working on my album right now. Yeah, I'm
• 49:52
  Speaker 3: just trying to be like a little bit tech, take
• 49:58
  Speaker 3: some access from people a little bit right now, so
• 50:02
  Speaker 3: I can just focus on my album.
• 50:06
  Speaker 4: Professional like on a movie set, Like what have you learned?
• 50:09
  Speaker 4: Like what advice can you give the youngs out there
• 50:12
  Speaker 4: about being on a movie set, like on time and
• 50:15
  Speaker 4: all that shit.
• 50:16
  Speaker 3: Being on time? And it is important having a good attitude,
• 50:19
  Speaker 3: being a team player, making everybody comfortable, always bringing good energy,
• 50:25
  Speaker 3: positive energy, leader all bushit at home. Don't come to
• 50:30
  Speaker 3: work with nothing from home, like as far as attitude
• 50:33
  Speaker 3: or wearing that on your Just make everybody feel comfortable
• 50:36
  Speaker 3: and let everybody do their job and do your job.
• 50:39
  Speaker 3: Don't try to do everything. Everybody is important. It don't
• 50:42
  Speaker 3: matter what road they is, like cast crew, production, lights,
• 50:48
  Speaker 3: the driver. Everybody is important on das and just make
• 50:54
  Speaker 3: everybody feel like they of importance and they they they
• 50:58
  Speaker 3: somebody on set y'all really, So it was like everybody
• 51:04
  Speaker 3: goes into making this film and success, whether it's a
• 51:07
  Speaker 3: movie or a TV show. So you just come with professionalism,
• 51:11
  Speaker 3: courtesy and ship like that, and then you would be
• 51:15
  Speaker 3: good for real because a lot of this ship, like
• 51:18
  Speaker 3: everything be politics, so you might be a less you
• 51:22
  Speaker 3: might not be Denzel Washington, but he might not be
• 51:25
  Speaker 3: Denzel Washington either, but both a Dinzel Washington. But he's
• 51:29
  Speaker 3: an asshole, and you not, they're gonna pick you. You
• 51:32
  Speaker 3: know what I'm saying.
• 51:33
  Speaker 4: How was it working with Omar?
• 51:36
  Speaker 3: That was hard. I learned a lot of game from
• 51:38
  Speaker 3: Bro and he I was thinking, like he's gonna be
• 51:42
  Speaker 3: one of them actors. That was like stand offs and Ship.
• 51:45
  Speaker 3: He was real like cool and was talking to us
• 51:48
  Speaker 3: and Ship gave me game about acting. So that was cool.
• 51:51
  Speaker 3: Working well mar Well.
• 51:51
  Speaker 4: I think about his juice when I see him.
• 51:53
  Speaker 3: Sure juice love basketball.
• 51:57
  Speaker 4: That's one of my favorites.
• 51:59
  Speaker 3: So I just I asked him about the movies.
• 52:01
  Speaker 1: Just like when I see see you know Old Dog,
• 52:04
  Speaker 1: Old Dog. My God still call them old though classics.
• 52:08
  Speaker 3: Them classic movies. And he was telling me like he
• 52:10
  Speaker 3: ain't make that much money off them, but just like
• 52:13
  Speaker 3: so that was cool to know Nigga's biggest movies they
• 52:15
  Speaker 3: ain't even make that much bread off. But after you
• 52:18
  Speaker 3: put in that pain, Like you know what I'm saying,
• 52:21
  Speaker 3: people put you in other shit and you make money.
• 52:24
  Speaker 3: So just knowing that the longevity is what we were
• 52:29
  Speaker 3: striving for, that was like what I learned through like acting,
• 52:34
  Speaker 3: like his longevity, it ain't about just getting in it
• 52:37
  Speaker 3: and getting out of it, Like you gotta want to
• 52:40
  Speaker 3: do this for like you could wrap to you forty thirty, whatever,
• 52:44
  Speaker 3: you could act to you a hundred. You know what
• 52:46
  Speaker 3: I'm saying. It's always a role for somebody. You could
• 52:48
  Speaker 3: be a granddaddy, you could be a court justice, you
• 52:50
  Speaker 3: could be anything. So you can do active forever and
• 52:54
  Speaker 3: as long as you build up your brand and your resume,
• 52:57
  Speaker 3: you will keep getting paid more and more.
• 52:58
  Speaker 1: You don't like about your music, It's like your music
• 53:01
  Speaker 1: is like I want to just say, it's just for
• 53:03
  Speaker 1: the females. So when I'm in the club, I'm rocking
• 53:06
  Speaker 1: to it too, Like the beat is crazy, the hooks
• 53:08
  Speaker 1: is crazy, the balls is crazy.
• 53:11
  Speaker 4: So like on Thick One, like fuck with that too.
• 53:14
  Speaker 4: Of course, of course it's not like you just rapping
• 53:19
  Speaker 4: just for the ladies.
• 53:20
  Speaker 1: Like I feel like any rapper that could make music
• 53:23
  Speaker 1: that guys ain't girls Like I think that that's that
• 53:28
  Speaker 1: makes you crazy. Like a scissor, for instance, will listen
• 53:32
  Speaker 1: to scissors, you know what I mean, Like she make music,
• 53:36
  Speaker 1: she'll make music for the women.
• 53:38
  Speaker 4: But dudes be feeling it too. Fuck, I ain't gonna
• 53:41
  Speaker 4: fresh sexy Red like that too.
• 53:44
  Speaker 3: Sexy I had I had, I had a like a
• 53:48
  Speaker 3: fase where I would play all sexy rid, sexy.
• 53:52
  Speaker 2: Red heard sex.
• 53:54
  Speaker 4: You have my boy playing see for me for me,
• 53:56
  Speaker 4: I'm gonna keep it real. It's the beat. So what's
• 53:58
  Speaker 4: her producing name again? Whenever he makes yeah.
• 54:04
  Speaker 3: It's not all the time. It's how she make a
• 54:09
  Speaker 3: nigga feel on that tell. It's simple.
• 54:13
  Speaker 1: I like, I like sexy Red, but with ta Key
• 54:15
  Speaker 1: when he make a beat, it's just you mean, that's
• 54:18
  Speaker 1: like Greg John with Chef G And what's your favorite?
• 54:21
  Speaker 4: What producers you used, by the way, because you always
• 54:24
  Speaker 4: got crazy beats.
• 54:25
  Speaker 3: I use all type of I started off with j
• 54:27
  Speaker 3: C from Detroit. He like a hit in gym hit Maker,
• 54:31
  Speaker 3: one of my favorites right now. Books the Beasts work
• 54:33
  Speaker 3: with Kanye he hard, go Griz crazy beats. I got
• 54:40
  Speaker 3: this one nigga from Florida, his name Jay Hard to
• 54:44
  Speaker 3: sell hell of her Hard. I'll be fucking with a
• 54:48
  Speaker 3: lot of people. I'll be trying to make my ship
• 54:50
  Speaker 3: sound different every time, so I don't be trying to
• 54:53
  Speaker 3: just like I like in with my producers, but I
• 54:57
  Speaker 3: gotta like have different sounds. So but now my new process,
• 55:02
  Speaker 3: I want you to come to the studio and build
• 55:04
  Speaker 3: this bitch from scratch. Though like I don't how I
• 55:07
  Speaker 3: did my album. I want to do all my music
• 55:10
  Speaker 3: like that. I gotta build this bitch from scratch, Like
• 55:12
  Speaker 3: I gotta produce on it too, like I gotta I'm
• 55:15
  Speaker 3: a I gotta be a producer on it because I
• 55:17
  Speaker 3: gotta tell you how I'm feeling and what I want
• 55:20
  Speaker 3: to go into it now.
• 55:21
  Speaker 2: So you want to be there with the producer picking
• 55:23
  Speaker 2: out the sounds and all that, like for sure got
• 55:25
  Speaker 2: you got you.
• 55:27
  Speaker 1: And you gotta think about he got he got music
• 55:29
  Speaker 1: that is not only just for radio. It's like all
• 55:33
  Speaker 1: the women when they do their reals, they play his music.
• 55:37
  Speaker 1: So every time you go up on Instagram, you just
• 55:39
  Speaker 1: hear them. You hear them, see you know beautiful women,
• 55:42
  Speaker 1: Oh you know everywhere it's just like oh ship playing
• 55:47
  Speaker 1: his records. Like everything is just like I hit, I hit.
• 55:50
  Speaker 3: My song Mary Mary Gonna change the world, Mark mark
• 55:53
  Speaker 3: my words. I just said that cool my shit gonna
• 55:56
  Speaker 3: change the world. That one, for sure, thousand. It's not
• 56:00
  Speaker 3: like that one. It's not like a hip hop record
• 56:05
  Speaker 3: with a gospel person on it. And it's not like
• 56:07
  Speaker 3: a gospel record with a hip hop person on it.
• 56:10
  Speaker 3: It's like a real record, like it's a real collaboration.
• 56:14
  Speaker 3: It's not going on. Yeah, it's got like one of
• 56:18
  Speaker 3: them we are the real meanings to it, like feels
• 56:22
  Speaker 3: and vibes, like you got one of those to where
• 56:25
  Speaker 3: like when you hear it, you're gonna automatically feel like happy,
• 56:31
  Speaker 3: You're gonna feel relieved, all types of stuff, like it's
• 56:36
  Speaker 3: one of those record. Before I even met her, I
• 56:40
  Speaker 3: had did the record. I was just searching to make one.
• 56:46
  Speaker 3: I was just getting inspired by a lot of stuff.
• 56:48
  Speaker 3: And then I was searching to make a record like this.
• 56:51
  Speaker 3: And then I finally had got a beat that inspired
• 56:55
  Speaker 3: me to do the ship, and I had like a
• 56:58
  Speaker 3: theme for it and ship, and then I just was
• 57:00
  Speaker 3: writing a little bit at a time. I wrote a verse.
• 57:06
  Speaker 3: I liked it. Then I put the choir on it.
• 57:09
  Speaker 3: Then I just kept adding pieces to it, took some
• 57:12
  Speaker 3: pieces off, cart working it, care working it, and then
• 57:15
  Speaker 3: I got it to where I liked it. Then we
• 57:18
  Speaker 3: got in the studio, I played it for my label,
• 57:20
  Speaker 3: and that's how when I was telling y'all, I got
• 57:23
  Speaker 3: with Erica Campbell and her husband and stuff, and I
• 57:26
  Speaker 3: went through that situation. They was like, damn, Erica Campbell
• 57:29
  Speaker 3: can't get on this. And then when she got on it,
• 57:32
  Speaker 3: she just made it that she brought it all the
• 57:35
  Speaker 3: way together with the party and scenes looking at that.
• 57:38
  Speaker 1: Hows how's it working in the school? Shouting in the school?
• 57:40
  Speaker 1: You know all in the school movies there? We had
• 57:42
  Speaker 1: good time over there.
• 57:43
  Speaker 3: In Scope is one of the best labels to be
• 57:46
  Speaker 3: at because you got a lot of resources at your hand.
• 57:50
  Speaker 3: It's a lot of big artists over there, and it
• 57:56
  Speaker 3: be Interscope good for me, because it might not be
• 58:00
  Speaker 3: good for artists that just come in and trying to
• 58:04
  Speaker 3: be here by day, gone by night. Like, if you
• 58:10
  Speaker 3: really want to work to be something, you probably want
• 58:13
  Speaker 3: to go to Interscope because they're not going to really
• 58:16
  Speaker 3: work your ship until they really see you ready to
• 58:18
  Speaker 3: work your ship. So like right now in the Scope,
• 58:23
  Speaker 3: ready to take me through the roof, like what I'm saying,
• 58:25
  Speaker 3: take me to the moon because they see me putting
• 58:27
  Speaker 3: the work in. So in the Scope, one of the
• 58:29
  Speaker 3: records where you got m over there, fifth over there,
• 58:33
  Speaker 3: Kendrick Lamar over there, Drake was over there, all types
• 58:37
  Speaker 3: of all types of people, an interscope for big artists
• 58:41
  Speaker 3: and medium artists, little artists. Kendrick. Yeah, so it's all
• 58:46
  Speaker 3: type of people at your resource if you really put
• 58:50
  Speaker 3: in the work and practice on craft and.
• 58:52
  Speaker 4: So definitely, yeah, we definitely had some good times in
• 58:56
  Speaker 4: the school. I remember one time having lunch on.
• 58:59
  Speaker 3: I just tho, some of y'all merch. Oh no, they're
• 59:04
  Speaker 3: not right back in the day.
• 59:10
  Speaker 1: You on the show in the schoope. I know, you
• 59:12
  Speaker 1: know because you're from Detroit and you're on a Cali team.
• 59:15
  Speaker 1: But I had a good time over there. Jimmy Iven,
• 59:18
  Speaker 1: doctor dre Minem, you know me Banks fifty, you know
• 59:23
  Speaker 1: that ship Game two?
• 59:24
  Speaker 3: You know Buck.
• 59:26
  Speaker 4: You can't leave them out because it was just a
• 59:28
  Speaker 4: good time. The moments was just crazy for us. For
• 59:30
  Speaker 4: me coming out of.
• 59:31
  Speaker 3: Jail, what's your favorite moments? And hip hop though, like
• 59:35
  Speaker 3: that y'all y'all went through.
• 59:36
  Speaker 1: Like my favorite moment is always going to be free
• 59:38
  Speaker 1: Yale because I was on rikers Allen, so you know,
• 59:41
  Speaker 1: they kept the name alive while I was locked up,
• 59:44
  Speaker 1: So I mean, for me, I felt like me and jail.
• 59:47
  Speaker 4: I felt like Tupac on the island because it's only
• 59:49
  Speaker 4: a couple of niggas that got to do interviews on
• 59:52
  Speaker 4: the island. I think probably just me and Tupac. I
• 59:54
  Speaker 4: don't know who else.
• 59:55
  Speaker 1: But I got to do an interview on Rykers Allen
• 59:58
  Speaker 1: and that shit was crazy, like everything was moving so fast.
• 1:00:02
  Speaker 4: Fifty did a million his first week. I'm in jail.
• 1:00:04
  Speaker 4: I'm like, damn, it's crazy.
• 1:00:06
  Speaker 3: You know.
• 1:00:06
  Speaker 1: I get the call from Shady Records, like, yo, yo,
• 1:00:10
  Speaker 1: watch the Grammys tonight, and you know, I didn't want
• 1:00:12
  Speaker 1: to get stabbed over the TV and nothing.
• 1:00:14
  Speaker 4: I ain't in PC.
• 1:00:14
  Speaker 1: You know, Spanish niggas want to watch Kylieente. Other niggas
• 1:00:18
  Speaker 1: want to watch basketball and sports and all that. You
• 1:00:21
  Speaker 1: know how that goes, because you know, when you locked
• 1:00:22
  Speaker 1: up on the island, stay away from the newspaper, the phone,
• 1:00:25
  Speaker 1: just got to play the games politics in there.
• 1:00:27
  Speaker 4: You know, you know you be in New York.
• 1:00:30
  Speaker 1: So basically they called me and say, yo, eminem, we're
• 1:00:33
  Speaker 1: gonna do something at the Grammys.
• 1:00:34
  Speaker 3: I ain't know what.
• 1:00:35
  Speaker 4: He wore, a free AO shirt.
• 1:00:36
  Speaker 1: That shit had me hype or I'm gonna see seventy
• 1:00:39
  Speaker 1: three too lower hyped as motherfuckers. So I'm like, Damn
• 1:00:43
  Speaker 1: niggas blowing up crazy because we had the streets on
• 1:00:46
  Speaker 1: lock with the mixtapes and then it was just crazy.
• 1:00:50
  Speaker 1: Because you know, that's what I like about niggas that
• 1:00:52
  Speaker 1: can write hooks, because I felt like Fifth always could
• 1:00:55
  Speaker 1: write the hook.
• 1:00:57
  Speaker 4: The hook is.
• 1:00:58
  Speaker 3: Really the song.
• 1:01:00
  Speaker 4: It's really the song, you know what I'm saying.
• 1:01:03
  Speaker 1: Like you can spit balls and then how you put
• 1:01:05
  Speaker 1: you know, bridges and stuff in there. I like that creativity.
• 1:01:11
  Speaker 1: That's why I'm like, damn like you. It's like you
• 1:01:13
  Speaker 1: don't miss when you put out a record like the
• 1:01:15
  Speaker 1: Last Ship with Doug Crazy, you put out the other
• 1:01:20
  Speaker 1: record that's bubbling up. So it's like I just know,
• 1:01:23
  Speaker 1: like when your album come, I know you're gonna have
• 1:01:25
  Speaker 1: number one hits on it, you know what I'm saying,
• 1:01:27
  Speaker 1: Like I already know.
• 1:01:28
  Speaker 3: You know that C B Ship gonna be your number one.
• 1:01:31
  Speaker 4: Here, Yeah, CB Mice and Tilla, Like that's that's hands down.
• 1:01:36
  Speaker 4: You know what I'm saying.
• 1:01:36
  Speaker 1: Because I know you a nigga that don't like to lose.
• 1:01:38
  Speaker 1: I've seen you play basketball, shreeport. You know what I'm saying,
• 1:01:42
  Speaker 1: like you didn't get the.
• 1:01:43
  Speaker 4: M v P.
• 1:01:44
  Speaker 3: No, they gave it to you.
• 1:01:51
  Speaker 2: Was you was cooking Gilly too? You was cooking Gilly?
• 1:01:54
  Speaker 3: Yeah, Gilly. Gilly couldn't check me.
• 1:01:55
  Speaker 2: He was cooking slept.
• 1:01:57
  Speaker 8: I slept on him too. But him and Gilly which
• 1:02:01
  Speaker 8: on y'all. Oh yeah, Yo told me I who because
• 1:02:04
  Speaker 8: because I was like, yea, I know Gilly nice. Yeah,
• 1:02:07
  Speaker 8: y'all tell me, y'all tell you man, never go.
• 1:02:13
  Speaker 2: Yeah, but we got the switches to I'm like, damn,
• 1:02:15
  Speaker 2: we're just talking about basketball.
• 1:02:19
  Speaker 4: Detroit niggas. My niggas, Detroit niggas. They be on time.
• 1:02:25
  Speaker 3: Tell the Gilly.
• 1:02:28
  Speaker 4: You dropped like twenty five thirty. Yeah, I have he
• 1:02:31
  Speaker 4: was cooking. I had a good time in street Port.
• 1:02:34
  Speaker 4: Man shout out to them that.
• 1:02:35
  Speaker 3: That was a good tim y'all had. Y'all had it
• 1:02:37
  Speaker 3: going to street Port. I ain't gonna lie what happened
• 1:02:39
  Speaker 3: in street Port. Stays and Streetport. Let's go to Streetport.
• 1:02:44
  Speaker 1: We're supposed to be doing one in Vegas, so we
• 1:02:46
  Speaker 1: see how that works out. Fifty you gotta come out
• 1:02:48
  Speaker 1: to that.
• 1:02:49
  Speaker 2: So what the origin power is? You just see like
• 1:02:52
  Speaker 2: one episode or they got you in a couple episode.
• 1:02:55
  Speaker 3: If you okay, and and I'm gonna show my ass,
• 1:02:58
  Speaker 3: they're gonna put me in more.
• 1:02:59
  Speaker 2: Okay, Okay, that's what I'm talking about.
• 1:03:02
  Speaker 3: Shout out to Power Origin, Shout out to the director
• 1:03:05
  Speaker 3: rive he heard. Shout out to fifty Autumn. They really
• 1:03:11
  Speaker 3: showed me a little too, like, and I don't be
• 1:03:14
  Speaker 3: over there on no Skiller baby stuff. They all call
• 1:03:16
  Speaker 3: me tray Vine and stuff by my real name.
• 1:03:19
  Speaker 2: That's me, that's me, that's his well name.
• 1:03:24
  Speaker 4: No, I never heard his government. You know, I'm glad
• 1:03:26
  Speaker 4: he said it.
• 1:03:26
  Speaker 3: Because you know that nigga shit is Marvin all right?
• 1:03:29
  Speaker 4: Why are you saying.
• 1:03:31
  Speaker 2: Lens cool.
• 1:03:36
  Speaker 4: My niggas gonna.
• 1:03:38
  Speaker 2: My my govern talking about nigga's going on?
• 1:03:43
  Speaker 6: Man?
• 1:03:45
  Speaker 4: Leonard Leonard Leonard nigga. But there's a lot of how
• 1:03:55
  Speaker 4: many how many famous Leonards?
• 1:03:57
  Speaker 3: You know? Nigga?
• 1:03:57
  Speaker 4: Okay, my man, the kaffy man, it's Leonardo. It's not Leonard.
• 1:04:04
  Speaker 4: Funk out of here.
• 1:04:05
  Speaker 1: You've got a right future though, Man, Joe, it's crazy
• 1:04:08
  Speaker 1: how like I look at your situation similar to fifty
• 1:04:11
  Speaker 1: because it's like because he got shot, Yeah, because fifty
• 1:04:15
  Speaker 1: got shot.
• 1:04:16
  Speaker 2: I can't y'all go ahead.
• 1:04:19
  Speaker 3: This is crazy.
• 1:04:21
  Speaker 1: Yeah, they're not getting see he never let me drin
• 1:04:27
  Speaker 1: finish point No, because you got shot. I'm not saying
• 1:04:31
  Speaker 1: getting shot is a good thing. Nobody wants to get shot.
• 1:04:33
  Speaker 4: You know what I'm saying. You got shot, and it's
• 1:04:36
  Speaker 4: like you and him got shot.
• 1:04:38
  Speaker 1: And y'all turned a negative thing into a positive thing
• 1:04:43
  Speaker 1: because look, listen to the music, the aggression he's going
• 1:04:46
  Speaker 1: to be acting, and it's like everything turned up.
• 1:04:50
  Speaker 4: When you did that.
• 1:04:51
  Speaker 1: And it's like sometimes when somebody's going through pain and music.
• 1:04:54
  Speaker 1: I always tell you that I've seen fifty go through that.
• 1:04:57
  Speaker 1: When you go through pain and you come back and
• 1:05:00
  Speaker 1: it's just like Yo, this niggas like Superman. You know
• 1:05:03
  Speaker 1: what I'm saying, Like this nigga just whatever, he just
• 1:05:06
  Speaker 1: acting now, fucking real estate, nigga, motherfucking moving crazy, bulletproof
• 1:05:11
  Speaker 1: trucks now he got all that shit now.
• 1:05:13
  Speaker 4: You know what I'm saying, motherfuckers.
• 1:05:16
  Speaker 1: What I'm just being real, You know what I'm saying,
• 1:05:18
  Speaker 1: bulletproof trucks now, niggas moving, Like, how the fuck do
• 1:05:23
  Speaker 1: you like? How the fuck do motherfuckers do that could
• 1:05:25
  Speaker 1: take a negative and turn that shit into a positive.
• 1:05:28
  Speaker 4: What gave you that drive.
• 1:05:29
  Speaker 3: I think that shit just began you though, Like getting
• 1:05:31
  Speaker 3: shot either put you up or turn you up, like
• 1:05:34
  Speaker 3: that shit, Like it's two different types of people in life,
• 1:05:37
  Speaker 3: like you got fight or flight sence, so like that
• 1:05:41
  Speaker 3: type of shit to make you want to go, Like
• 1:05:44
  Speaker 3: like that shit. I got in the gym after that
• 1:05:46
  Speaker 3: shit early and everything, like started working on my body,
• 1:05:49
  Speaker 3: praying more, doing all type of shit. So I ain't
• 1:05:52
  Speaker 3: gonna lie me and Rocket be saying that like that's
• 1:05:54
  Speaker 3: like one of the best bullets I caught, like and
• 1:05:56
  Speaker 3: it's like and it ain't funny, but it's it really is,
• 1:06:01
  Speaker 3: like that shit changed my life mentally physically, I'm better
• 1:06:05
  Speaker 3: and bigger, like it's everything. I'm more focused. So I
• 1:06:11
  Speaker 3: turned the negative to a positive like you said, but
• 1:06:14
  Speaker 3: I wouldn't won't. I wouldn't recommend nobody getting shot. This
• 1:06:17
  Speaker 3: is just my situation and how I turned my situation
• 1:06:20
  Speaker 3: into this, and it just showed me, like you said,
• 1:06:24
  Speaker 3: how to move better and maybe other people I'll be saying,
• 1:06:28
  Speaker 3: I'm like God's guinea pig though, like I'll be feeling
• 1:06:30
  Speaker 3: like God be putting me through shit to show other
• 1:06:34
  Speaker 3: people because I'm big and young people life and stuff,
• 1:06:37
  Speaker 3: kids and shit, and like, I ain't really trying to
• 1:06:40
  Speaker 3: preach at no kids. I really just be trying to
• 1:06:42
  Speaker 3: show kids I went through this, you don't have to
• 1:06:46
  Speaker 3: go through this, you know what I'm saying, Like you
• 1:06:48
  Speaker 3: could use because I used a lot of shit that
• 1:06:50
  Speaker 3: people went through to avoid situations too. Since I'm gonna
• 1:06:54
  Speaker 3: be in kids life and shit, i ain't gonna make
• 1:06:57
  Speaker 3: the choice for them, but I'm gonna show them to like,
• 1:07:00
  Speaker 3: and I think that's what God do for us, Like
• 1:07:02
  Speaker 3: He'll show you the door on the left, show you're
• 1:07:05
  Speaker 3: doing the right. Nigga. You can go through this door
• 1:07:08
  Speaker 3: and it might be the same to get to the
• 1:07:10
  Speaker 3: same spot. But nigga, just fire on this door, nigga
• 1:07:14
  Speaker 3: and its steps on this door, and a nigga might
• 1:07:17
  Speaker 3: like it might be a little bit of fire and
• 1:07:19
  Speaker 3: it might be the goal right here, but it might
• 1:07:21
  Speaker 3: be a lot of steps, and the nigga might not
• 1:07:23
  Speaker 3: want to go up all them steps. But if you
• 1:07:26
  Speaker 3: go up all them steps, you come in. You come
• 1:07:28
  Speaker 3: through clean. You know what I'm saying. You just a
• 1:07:29
  Speaker 3: little tired. You go through this fire, your ass is
• 1:07:32
  Speaker 3: gonna be burnt. You know what? I'm saying, so I
• 1:07:35
  Speaker 3: feel like you just show like even with the kids,
• 1:07:38
  Speaker 3: I'll show you the fire and I'll show you the steps.
• 1:07:41
  Speaker 3: You don't have to go through the fire. You could
• 1:07:43
  Speaker 3: go through the steps. But Nigga, I got you regardless.
• 1:07:47
  Speaker 3: I ain't judging you. You know what I'm saying. Everybody
• 1:07:49
  Speaker 3: bumped their head. But I'm just here to show you
• 1:07:52
  Speaker 3: the options. You know what I'm saying. So I think
• 1:07:53
  Speaker 3: God do that for me a lot. A lot of
• 1:07:55
  Speaker 3: times I do choose the fire because I'm just a knucklehead,
• 1:08:00
  Speaker 3: you know what I'm saying. But shore, I got I
• 1:08:05
  Speaker 3: take the steps now.
• 1:08:08
  Speaker 4: Talked about giving back? Do you want to start a
• 1:08:10
  Speaker 4: foundation or do you have thee Yeah I had you
• 1:08:13
  Speaker 4: talk about giving out with five hundred PA sneakers.
• 1:08:15
  Speaker 3: You said something, Yeah, I just gave a lady a
• 1:08:16
  Speaker 3: house for for Christmas and gave one of my husbanes
• 1:08:21
  Speaker 3: and ship. But I do that all the time. I
• 1:08:23
  Speaker 3: don't have a foundation because I was just so caught up, like.
• 1:08:26
  Speaker 4: Well, I could get on it.
• 1:08:27
  Speaker 2: How did that come about giving a lady a house?
• 1:08:29
  Speaker 2: What you selected? You picked that you had like a.
• 1:08:32
  Speaker 3: I be working with the mayor and stuff and then
• 1:08:34
  Speaker 3: when certain people be having situations, they call me. Okay,
• 1:08:38
  Speaker 3: so they called me and I helped, Like I did
• 1:08:41
  Speaker 3: a gun by back last year, like I told you all,
• 1:08:43
  Speaker 3: gave them like fifty thousand tours buying all the guns
• 1:08:46
  Speaker 3: off the streets. I'll be doing a lot of ship,
• 1:08:48
  Speaker 3: and it's don't be like I be wanting to be
• 1:08:50
  Speaker 3: rewarded or no recognition for it, just because, like I said,
• 1:08:55
  Speaker 3: I used to look up to the dope man when
• 1:08:56
  Speaker 3: I was little in that's the type of ship the
• 1:08:59
  Speaker 3: older dope and used to do. Like when the ice
• 1:09:02
  Speaker 3: cream truck. Everybody guy ice cream man. This house on
• 1:09:05
  Speaker 3: the block ain't had water. He paid the water bill.
• 1:09:08
  Speaker 3: Like It's just it was ship I've seen growing up
• 1:09:10
  Speaker 3: that inspired me to do it.
• 1:09:13
  Speaker 4: Thank you man, thanks for having you on the show.
• 1:09:15
  Speaker 2: The name of the album, what's the name of the album?
• 1:09:17
  Speaker 3: The Price of Fang, The Price.
• 1:09:19
  Speaker 4: Of Fame man live from Detroit.
• 1:09:21
  Speaker 3: You know what it is?
• 1:09:22
  Speaker 4: Makes him noise kill a baby. Appreciate you though,