Latest / Nashville Movie Dispatch / Ep. 82: Drinking With... Crash

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Ep. 82: Drinking With... Crash · Nashville Movie Dispatch

• 0:12
  Speaker 1: The Sobrose Network presents the Movie podcast, breaking down films
• 0:17
  Speaker 1: and their impact on pop culture as they approach the
• 0:20
  Speaker 1: legal drinking age.
• 0:25
  Speaker 2: This is Drinking With.
• 0:29
  Speaker 1: Now here's your host, Steven m cash.
• 0:34
  Speaker 3: Welcome to Drinking With, the podcast where we raise the
• 0:37
  Speaker 3: glass of the movies that reached the legal drinking age.
• 0:39
  Speaker 3: I'm your host, Stephen mccash with a Sobros Network, and
• 0:42
  Speaker 3: join me as we embark on a cinematic journey through
• 0:44
  Speaker 3: the classics of yesteryear, celebrating their twenty first birthdays in style.
• 0:49
  Speaker 3: From iconic blockbusters to hitting gems, Each episode will toast
• 0:52
  Speaker 3: to a different film that has stood the test of
• 0:54
  Speaker 3: time and shared our cultural landscape. So grab your favorite
• 0:57
  Speaker 3: beverage or the one we've curated for this episode. Let's
• 1:00
  Speaker 3: deep dive into the nostalgia as we explore movies that
• 1:03
  Speaker 3: are finally old enough to join us for a drink.
• 1:05
  Speaker 3: Now joining me? Excuse me, I've had one too many
• 1:08
  Speaker 3: already to start the day off. Joining me at the
• 1:10
  Speaker 3: bar as always, are the two best people I can
• 1:13
  Speaker 3: think of to stumble out of the bar after a
• 1:15
  Speaker 3: long discussion of movies versus the resident film critic of
• 1:18
  Speaker 3: the Sobros Network, mister Brandon Vick, who is also a
• 1:21
  Speaker 3: board member of the Excuse Me, a member of the
• 1:23
  Speaker 3: Southeastern Film Critics Association, a board member of the Music
• 1:26
  Speaker 3: City Films Critics Association, and most importantly the birth giver
• 1:30
  Speaker 3: of the vix Flicks and Cinema Chronicles podcast that you
• 1:32
  Speaker 3: can hear wherever you get your podcasts from, and joining
• 1:36
  Speaker 3: him as always as the man behind the Sobros Network,
• 1:39
  Speaker 3: the man, the myth, the legend, the eiic, the glue
• 1:42
  Speaker 3: of the brand. A Jenna Fishonado cat lover all around
• 1:45
  Speaker 3: football wordsmith, and a member a budding star if you will.
• 1:49
  Speaker 3: At one to four point five the Zone, mister Stony Keeley, gentlemen,
• 1:53
  Speaker 3: Happy New.
• 1:54
  Speaker 2: Year, Happy New Year, mccash, what an intro. I feel
• 1:58
  Speaker 2: like I alway always feel like we are standing in
• 2:01
  Speaker 2: the middle of the ring ready for a title fight,
• 2:04
  Speaker 2: and mcash is given the rundown of all of our accomplishments.
• 2:08
  Speaker 4: I like to think that my pyro is going off, ye.
• 2:13
  Speaker 3: And your pants as Yeah.
• 2:16
  Speaker 2: Most pyro does go off when the ring announcers are
• 2:19
  Speaker 2: announcing the contestants.
• 2:21
  Speaker 4: Yeah, where they can't hear you because.
• 2:23
  Speaker 3: It's just a lot like our friend Jesse Butler, I too,
• 2:27
  Speaker 3: am retired from ring announcing.
• 2:29
  Speaker 2: Yeah, yeah, well you you've definitely got the You've got
• 2:34
  Speaker 2: the chops for it, at least on this show, gotcha.
• 2:39
  Speaker 3: I get paid handsomely for it on this show too.
• 2:45
  Speaker 3: So we haven't a good new year so far before
• 2:47
  Speaker 3: we deep dive into this family friendly film.
• 2:50
  Speaker 2: Yeah, I family friendly. It is a very uplifting way
• 2:55
  Speaker 2: to ring in a new year and a new season
• 2:57
  Speaker 2: on Dream.
• 2:58
  Speaker 4: So I think it's very fitting. Yeah, as I look outside,
• 3:01
  Speaker 4: it's not because the fireworks, but stuff's on fire. It's
• 3:05
  Speaker 4: been dark since I don't know, November.
• 3:09
  Speaker 3: Twenty fourteen, Yeah, twenty sixteen.
• 3:11
  Speaker 2: Yeah, I want you to know. Mcash Brandon called me
• 3:15
  Speaker 2: after he rewatched this and gave me one of the
• 3:18
  Speaker 2: darkest thoughts I think I've ever heard in preparation for
• 3:21
  Speaker 2: this show. It's like, I think it's sad that twenty
• 3:24
  Speaker 2: one years have passed and all of this stuff is
• 3:27
  Speaker 2: still going on pretty.
• 3:28
  Speaker 3: Much so relevant.
• 3:30
  Speaker 2: It's still relevant today.
• 3:31
  Speaker 4: I think of this later, I think this I was thinking.
• 3:34
  Speaker 4: I think the scariest part is I have a feeling
• 3:37
  Speaker 4: probably watching this twenty one years ago is real, Like, oh, man,
• 3:41
  Speaker 4: Like now, I think watching it now, it's like oh yeah, yeah, yeah,
• 3:46
  Speaker 4: yeahow no oh they oh yeah, yep, fine, in the news,
• 3:51
  Speaker 4: in the news, in the news.
• 3:54
  Speaker 3: I honestly, after about half an hour in I was like,
• 3:56
  Speaker 3: is this a documentary?
• 3:57
  Speaker 4: I'm watching right right with a wonderful Matt Dylan.
• 4:01
  Speaker 2: Matt Dylan is is crazy good in this.
• 4:05
  Speaker 4: This made me miss him. I know, I haven't apparently
• 4:07
  Speaker 4: he has been working. I just haven't really seen anything since.
• 4:11
  Speaker 2: But he was not.
• 4:12
  Speaker 3: I've seen more of it. Yeah, I've seen more of
• 4:15
  Speaker 3: his brother than I have him in the last twenty
• 4:17
  Speaker 3: one years.
• 4:18
  Speaker 4: That's true, Kevin, and I think it's because of entourage.
• 4:21
  Speaker 3: It's exactly because of Yeah.
• 4:24
  Speaker 2: Yeah, I forgot about that. The one thing that I
• 4:27
  Speaker 2: want to say to before I forget to lead us
• 4:31
  Speaker 2: off the controversial thing about Crash the Best Picture winner, which, hey,
• 4:36
  Speaker 2: we're continuing the tradition of kicking off a new season
• 4:40
  Speaker 2: with a with an Awards player. I do think, after
• 4:44
  Speaker 2: rewatching this and having seen broke Back Mountain for the
• 4:48
  Speaker 2: first time, that broke Back Mountain should have won the Oscar. Yeah.
• 4:51
  Speaker 3: A lot of people agree with you. Yeah, And we'll
• 4:53
  Speaker 3: get into.
• 4:54
  Speaker 2: That oh it's in your notes.
• 4:55
  Speaker 3: Okay, very well, Yeah, and Crash if you haven't figured
• 4:59
  Speaker 3: out that's we're talking about today. Crash explores the interconnected
• 5:03
  Speaker 3: lives of strangers in Los Angeles over a thirty six
• 5:06
  Speaker 3: hour period. The film delves into themes of race, prejudice, fear,
• 5:10
  Speaker 3: and empathy, showing how people from different backgrounds collide, sometimes literally,
• 5:15
  Speaker 3: and how those encounters exposed their assumptions, biases, and humanity. Now.
• 5:22
  Speaker 3: Crash was directed by Paul Hags, who I don't think
• 5:25
  Speaker 3: has really done anything directing wise, really since this big
• 5:29
  Speaker 3: big Wise.
• 5:30
  Speaker 2: I could be wrong, that's a you question. Yeah, not
• 5:35
  Speaker 2: a whole lot.
• 5:36
  Speaker 4: But he has been in He's gotten into some trouble.
• 5:39
  Speaker 3: Oh really, I did not catch that in my notes.
• 5:41
  Speaker 4: Sexual assault stuff that I think has now been settled.
• 5:45
  Speaker 4: But yeah, he got He was in trouble for a
• 5:48
  Speaker 4: while towards the last I'd say, at least a few years.
• 5:52
  Speaker 2: The last film he directed was a documentary titled five
• 5:55
  Speaker 2: B and that was twenty eighteen, which was about when Yeah,
• 5:59
  Speaker 2: in twenty seventeen was when all the sexual assault allegations
• 6:02
  Speaker 2: came out.
• 6:03
  Speaker 3: So he gone, yep, somebody somebody got me too.
• 6:07
  Speaker 4: Well, wait a minute, don't don't count him out just yet.
• 6:10
  Speaker 4: He could be back in no time. Everybody else is
• 6:14
  Speaker 4: Kevin Spacey's making a comeback?
• 6:16
  Speaker 3: Are we are? We gonna get crashed to crash harder? Oh?
• 6:20
  Speaker 4: I hope, so, I hope. So bring back Matt Dillon.
• 6:24
  Speaker 3: There you go. Well. He was directed by Paul Hags.
• 6:26
  Speaker 3: Like I said, it was also written by Paul Hags,
• 6:28
  Speaker 3: who did last year's Oscar winning film Million Dollar Baby.
• 6:34
  Speaker 3: He wrote that as well, and it also made him
• 6:36
  Speaker 3: the only screenplay writer to win back to back Oscars
• 6:40
  Speaker 3: for writing.
• 6:41
  Speaker 2: Oh wow, wow, that that feels like.
• 6:44
  Speaker 4: We should forgive him.
• 6:46
  Speaker 3: Know that no all's forgiving.
• 6:49
  Speaker 4: Yeah? Well that actually that means his personal shit aside.
• 6:53
  Speaker 4: That is quite an accomplishment and also what a what
• 6:56
  Speaker 4: two films to be attached to.
• 6:59
  Speaker 3: Yes, especially yeah, the film also stars We're Gonna do this,
• 7:05
  Speaker 3: We're gonna power. I mean a couple of people up,
• 7:08
  Speaker 3: Sandra Bullock and Brendan Fraser, who are a husband and
• 7:10
  Speaker 3: wife in the in the show, in the movie don
• 7:13
  Speaker 3: Cheatle and Jennifer es Posito, who I'd forgotten all about.
• 7:16
  Speaker 3: Jennifer Esposito and when he showed up, I was like,
• 7:19
  Speaker 3: hey girl, where you be? Uh? They are partners on
• 7:24
  Speaker 3: the police Force. And then you have Terrence Howard and
• 7:27
  Speaker 3: Tandy Newton, who were I guess their husband and wife.
• 7:30
  Speaker 3: I don't know if it was ever, Oh it was yeah.
• 7:34
  Speaker 4: Uh.
• 7:34
  Speaker 3: And then the my favorite couple in the whole film
• 7:39
  Speaker 3: Ludacris and Lorenz Tate. I was blown away by how
• 7:42
  Speaker 3: good Ludacris was in his role. And we can get
• 7:45
  Speaker 3: into that as well.
• 7:45
  Speaker 2: Yeah. Uh.
• 7:46
  Speaker 3: That then Michael Pina, who I think is so underrated
• 7:50
  Speaker 3: as an actor.
• 7:51
  Speaker 2: Yeah.
• 7:52
  Speaker 3: And then lastly, Ryan Philippi and Matt Dillon are partners
• 7:56
  Speaker 3: as well in the Police Force. And like we said,
• 7:57
  Speaker 3: Matt Dillon was nominated for Best Supporting Actor for his
• 8:00
  Speaker 3: roll and crash.
• 8:02
  Speaker 2: Yeah, that's a start.
• 8:03
  Speaker 3: That's a stud lineup right there.
• 8:04
  Speaker 2: It is. And it's really interesting how all of the
• 8:07
  Speaker 2: plots kind of weave through one another throughout the film
• 8:10
  Speaker 2: and converge upon, uh a single point. Basically, it's it's
• 8:15
  Speaker 2: it's a well done, well written story.
• 8:18
  Speaker 4: I I was actually surprised that I think the like
• 8:23
  Speaker 4: the least interesting part was Brendan Fraser and Sandra Bullock.
• 8:30
  Speaker 2: I agree, I agree to.
• 8:31
  Speaker 4: I actually was I was very kind of engaged with
• 8:35
  Speaker 4: everything else, but when it came to them, it just
• 8:38
  Speaker 4: seemed like they weren't really involved like the others. And besides,
• 8:42
  Speaker 4: like the like them kicking it off with the car
• 8:46
  Speaker 4: jack card jagging, I there was really nothing else except
• 8:50
  Speaker 4: oh wait, she did twist her ankle. I forgot she
• 8:52
  Speaker 4: twisted her ankle.
• 8:53
  Speaker 2: Was that do you think maybe done on purpose? Or
• 8:58
  Speaker 2: was it just a by product of the story, like
• 9:01
  Speaker 2: where they presented as.
• 9:02
  Speaker 4: Like untouchable white rich people.
• 9:04
  Speaker 2: Yeah, yeah, and it gives them a certain like sort
• 9:07
  Speaker 2: of coldness in the story. They're kind of distant from
• 9:10
  Speaker 2: the story. Every time you see them, it's it's kind
• 9:13
  Speaker 2: of like it feels like a different world from the
• 9:17
  Speaker 2: rest of the characters that were exploring.
• 9:19
  Speaker 4: It's possible, but even if I would say I would
• 9:23
  Speaker 4: have with every with how everything else is structured and written,
• 9:28
  Speaker 4: I would think that that part would have been better
• 9:32
  Speaker 4: crafted to convey still that.
• 9:35
  Speaker 2: I don't think it was intentional. No, but I don't
• 9:37
  Speaker 2: think it was.
• 9:37
  Speaker 3: It told me.
• 9:38
  Speaker 4: But I'm also kind of like, I guess just to
• 9:40
  Speaker 4: be a part of that, But I'm just like I
• 9:42
  Speaker 4: always think, what was it that, Like, is it because
• 9:46
  Speaker 4: he wrote Million Dollar Baby and this was his directing debut,
• 9:50
  Speaker 4: so you know, well, I.
• 9:52
  Speaker 2: Mean, I don't know what the timelines were like because
• 9:55
  Speaker 2: I don't either if this was like written at the
• 9:56
  Speaker 2: same time like nobody and like, I don't know, was
• 10:01
  Speaker 2: this actually made, filmed and written and everything after a
• 10:05
  Speaker 2: Million Dollar Baby.
• 10:06
  Speaker 4: Well, that's true. So it does make you wonder if
• 10:10
  Speaker 4: he got the opportunity after a million dollar or like
• 10:12
  Speaker 4: he had already started filming this and then it picked up.
• 10:17
  Speaker 3: I don't know, but I do know the first draft
• 10:20
  Speaker 3: of Oscar was written in I mean, of Crash was
• 10:23
  Speaker 3: written in two thousand and one. Oh, I don't know,
• 10:26
  Speaker 3: but I don't know if that's before A Million Dollar
• 10:27
  Speaker 3: Baby was written or not. Obviously it was, it was
• 10:30
  Speaker 3: written before the film was made. Yeah, a million Dollar Baby,
• 10:33
  Speaker 3: that is. But I don't know.
• 10:35
  Speaker 2: I mean, I don't think and I'm sure we'll get
• 10:38
  Speaker 2: into the money aspect of it, but it's it's not like,
• 10:42
  Speaker 2: I mean, I don't know from a money perspective. It
• 10:45
  Speaker 2: does have an ensemble cast, but was it I'm trying
• 10:50
  Speaker 2: to piece it together too, like why the this these
• 10:53
  Speaker 2: choices were.
• 10:53
  Speaker 4: Made well and then sometimes maybe they were in it
• 10:56
  Speaker 4: because you know, it got him more money, so they said, okay,
• 10:59
  Speaker 4: I'll do these part you know, I don't know, Yeah,
• 11:01
  Speaker 4: I forgot. Ryan Philippi was in it, and you know
• 11:04
  Speaker 4: what he which I mean, he's still in He's kind
• 11:06
  Speaker 4: of doing these action shows. Now. I think he just
• 11:09
  Speaker 4: did shoot her and he's in something else. But you know,
• 11:12
  Speaker 4: he was.
• 11:12
  Speaker 3: He was.
• 11:13
  Speaker 4: He's a good actor if he's in the right stuff.
• 11:16
  Speaker 4: Because I liked him. We did a thing about Beniso
• 11:18
  Speaker 4: del Toro and he's good in the way of the gun.
• 11:21
  Speaker 4: I saw that and have you all seens?
• 11:26
  Speaker 2: Yeah, terrible movie. I hated cruel intentions.
• 11:29
  Speaker 3: The hell you say. Ryan Philippi has just been the
• 11:32
  Speaker 3: raising beautiful children for the last twenty years or so
• 11:34
  Speaker 3: with him and Reeese.
• 11:35
  Speaker 2: You know, well.
• 11:39
  Speaker 3: Enough dead, I say, we raise the glass and cheers
• 11:43
  Speaker 3: to this ensemble cast with our drink for today. And
• 11:47
  Speaker 3: that's a little thing called tensions Collide. And this is
• 11:51
  Speaker 3: where you take an ounce and a half of bourbon.
• 11:54
  Speaker 3: This is representing the complexities and the underlying tensions in
• 11:57
  Speaker 3: the film. You have a half ounce of sweet from you,
• 12:00
  Speaker 3: you know, for a hint of warmth and connection. You
• 12:02
  Speaker 3: kind of get with some of the stories coming together.
• 12:05
  Speaker 3: Two dashes of bitters to symbolize, you know, the bitter
• 12:07
  Speaker 3: reality and prejudices, and then an orange pil for garnish
• 12:11
  Speaker 3: with a little glimmer of hope or change. You're gonna
• 12:14
  Speaker 3: steer the bourbon, the sweetener of youth and the bitters
• 12:17
  Speaker 3: with ice and a mixing glass strained into a chilled
• 12:20
  Speaker 3: rocks glass, and then garnish with an orange pil. So
• 12:24
  Speaker 3: that's your tensions collade, A nice sweet little drink that's
• 12:28
  Speaker 3: really would be warm and perfect for this time of
• 12:30
  Speaker 3: the year.
• 12:31
  Speaker 2: Yeah. And I like the complexity angle of it too.
• 12:34
  Speaker 2: I love a good, complex tasting drink.
• 12:38
  Speaker 4: It's like Paul Haggis made that drink.
• 12:41
  Speaker 2: But before all those yeah, before the bad stuff.
• 12:46
  Speaker 3: Yeah. Well, I mean with million, the success, a million
• 12:51
  Speaker 3: dollar baby and Crash. You know, he's obviously made some
• 12:54
  Speaker 3: money to take care of his his issues. So let's
• 12:59
  Speaker 3: let's talk about money when it comes to Crash. We're
• 13:01
  Speaker 3: gonna start with the budget obviously, as we always do here.
• 13:04
  Speaker 3: What do we think the budget was for Crash?
• 13:07
  Speaker 2: Oh man? So this is filmed in La.
• 13:11
  Speaker 3: Yes, and he fought to film it in la because
• 13:16
  Speaker 3: the studio wanted to film in Toronto because it had
• 13:19
  Speaker 3: been cheaper.
• 13:19
  Speaker 4: D I would have felt just the same.
• 13:23
  Speaker 2: Yeah, have you been to Toronto?
• 13:24
  Speaker 4: Yep, but it'd be I probably would have been nicer,
• 13:28
  Speaker 4: just a lot of nice Canadians.
• 13:29
  Speaker 2: And well, then they could have had the mayor that did.
• 13:31
  Speaker 4: Crack exactly and don't act like he wouldn't have.
• 13:34
  Speaker 3: Been it, and they could have gotten Ryan Reynolds instead
• 13:38
  Speaker 3: of that's true, Matt Dylan.
• 13:40
  Speaker 2: That's true.
• 13:41
  Speaker 4: No, we then I ain't watching it.
• 13:43
  Speaker 2: I'm gonna say it's an ensemble cast.
• 13:46
  Speaker 4: I think Sandra and them took a pay cut. I
• 13:49
  Speaker 4: don't think they're charging no ten twenty or anything like that.
• 13:53
  Speaker 2: I'm going to say, I'm gonna say forty six.
• 13:57
  Speaker 4: I'm gonna say thirty three.
• 14:00
  Speaker 3: Whoa? How about six and a half million dollars?
• 14:04
  Speaker 2: Whoa?
• 14:06
  Speaker 3: How?
• 14:06
  Speaker 4: My god?
• 14:07
  Speaker 2: God?
• 14:09
  Speaker 4: Everyone worked for free?
• 14:10
  Speaker 3: Everyone basically, Yeah, they brought their own lunches to set.
• 14:15
  Speaker 4: What did Matt Dillon probably just cooked pasta for everyone?
• 14:19
  Speaker 2: Game? What did Paul Haggis have on these people?
• 14:22
  Speaker 3: For real?
• 14:23
  Speaker 4: That's why I wonder if there's some credibility he had,
• 14:27
  Speaker 4: and if Million Dollar Baby played a part where they
• 14:29
  Speaker 4: were just wanted to, Like they just thought or their
• 14:33
  Speaker 4: agent said, hey, this could be an Awards contender? Do
• 14:35
  Speaker 4: you want to get in on it?
• 14:37
  Speaker 2: Yeah? Maybe it was just I mean it was something
• 14:40
  Speaker 2: as simple as like reading the script and being like, oh, yeah,
• 14:43
  Speaker 2: this is not only is it a pretty good script,
• 14:47
  Speaker 2: but like the themes that this explores is definitely going
• 14:51
  Speaker 2: to be an Awards player. Yeah, so this might be
• 14:53
  Speaker 2: your shot. This might be your shot. Matt Dylon.
• 14:56
  Speaker 3: Yeah, well I will say that, uh, maybe reading the
• 15:01
  Speaker 3: script knowing that, uh is what got them because the
• 15:05
  Speaker 3: success of a million dollar maybe had nothing to do
• 15:08
  Speaker 3: with this, and we'll get into that. That's one of
• 15:10
  Speaker 3: the little fun facts we'll discuss later.
• 15:12
  Speaker 4: I was also looking because sometimes you know, like I
• 15:14
  Speaker 4: was wondering if Sandra Bullock or anybody was a producer
• 15:17
  Speaker 4: on it as well. But no, the only person who's
• 15:20
  Speaker 4: in the movie that I saw that was a producer
• 15:22
  Speaker 4: was Don Chetele.
• 15:24
  Speaker 3: Okay, he's Don Chetele. Yeah.
• 15:26
  Speaker 2: For Don Cheatle, he should have been worth twenty minute exactly.
• 15:31
  Speaker 3: Yeah. Yeah, I mean that's that's the general manager of
• 15:35
  Speaker 3: Hotel Rondo.
• 15:36
  Speaker 4: Yeah, for God's sake, that's how he got to replace
• 15:39
  Speaker 4: Terrence Howard later, Yeah, that's true.
• 15:41
  Speaker 3: Yeah, yeah, so uh we talked about the budget. Now
• 15:45
  Speaker 3: let's talk about what this movie did at the box office,
• 15:48
  Speaker 3: especially in US and Canada on opening weekend. I'll give
• 15:51
  Speaker 3: you some little fun facts of box office. It opened
• 15:53
  Speaker 3: May sixth, two thousand and five. So I don't know
• 15:57
  Speaker 3: if the studio, Yeah, I don't know if studios really
• 16:00
  Speaker 3: thinking this is an Oscar contender because it was released
• 16:04
  Speaker 3: so early in the year. Maybe they thought it was
• 16:05
  Speaker 3: gonna be a big blockbuster coming out in May, because
• 16:09
  Speaker 3: you know, people just flocked to movies about racism.
• 16:12
  Speaker 4: Yeah, well, Sandy Bullet's in it, and Brendan Fraser maybe
• 16:15
  Speaker 4: take that to Mummy.
• 16:17
  Speaker 3: And Sino Man is in Crash for like five scenes.
• 16:21
  Speaker 3: But it was released. It was released on over eighteen
• 16:24
  Speaker 3: hundred screens. It opened against one movie I've never heard
• 16:28
  Speaker 3: of or remember at all, and that's Kingdom of Heaven.
• 16:31
  Speaker 2: Oh is that Orlando Bloom? Yeah?
• 16:36
  Speaker 3: And then it opened against the Paris Hilton classic House
• 16:40
  Speaker 3: of Wax as well.
• 16:42
  Speaker 2: Actually I liked that movie. I haven't watched it since
• 16:45
  Speaker 2: two thousand and five.
• 16:46
  Speaker 4: I remember us going to see it.
• 16:49
  Speaker 3: I saw in theaters too. And then recently rewatched it
• 16:52
  Speaker 3: so the wife could see it for the first time,
• 16:54
  Speaker 3: and I liked it better this time than I did
• 16:56
  Speaker 3: the first time.
• 16:57
  Speaker 4: Well, you watched it two or three years ago, and
• 17:00
  Speaker 4: it's what you think it is. But it's not even
• 17:02
  Speaker 4: a bad way.
• 17:03
  Speaker 2: We might have too, well, might have to add that
• 17:05
  Speaker 2: one to our spooky season slate this year.
• 17:07
  Speaker 3: Yep. I think I think it would be a contender. Definitely.
• 17:10
  Speaker 2: Yeah.
• 17:10
  Speaker 3: So with that being said, what do we think the
• 17:14
  Speaker 3: opening weekend box office was domestically for Crash?
• 17:17
  Speaker 4: Well, I have a feeling Kingdom of Heaven probably won that.
• 17:20
  Speaker 2: I'm opening weekend, I'm gonna say eleven million.
• 17:24
  Speaker 3: I'm gonna say eight, eight and eleven. I will tell
• 17:28
  Speaker 3: you the top five real quick. The Interpreter was number.
• 17:32
  Speaker 2: Five, Wow, I forgot about that movie.
• 17:35
  Speaker 3: Crash came in at number four, so it's in the
• 17:37
  Speaker 3: top five. Hitchhiker's Guide to the Galaxy was number three,
• 17:43
  Speaker 3: House of Wax number two, and Kingdom of Heaven opened
• 17:46
  Speaker 3: at number one. But Crash brought in nine point one
• 17:50
  Speaker 3: million dollars opening weekend, so you're kind of in the middle. Close,
• 17:54
  Speaker 3: but it automatically made its budget back in the first
• 17:57
  Speaker 3: week you know.
• 17:58
  Speaker 4: How I knew that it was in single digits. How
• 18:02
  Speaker 4: when he said Hitchhiker's Guy to the Galaxy was ahead
• 18:05
  Speaker 4: of it, That's how I knew.
• 18:08
  Speaker 2: I don't think I even saw that.
• 18:11
  Speaker 3: I didn't either. Total domestic it made fifty four and
• 18:17
  Speaker 3: a half million dollars and then worldwide ninety eight and
• 18:21
  Speaker 3: a half million dollars total. Saw the budget at six
• 18:24
  Speaker 3: pointy five. That's a huge success.
• 18:26
  Speaker 2: I could have sworn this was one hundred million dollar
• 18:28
  Speaker 2: movie because I thought, like I thought, how for some reason,
• 18:33
  Speaker 2: I remember reading that like it didn't make a lot,
• 18:36
  Speaker 2: It didn't make its money until they put it back
• 18:38
  Speaker 2: in theaters because of the Oscar run.
• 18:41
  Speaker 4: Well that's that's probably true. And you know it always
• 18:45
  Speaker 4: gets a boost once you get those nominations. Yeah, I
• 18:48
  Speaker 4: thought you were kidding at first when you said a
• 18:50
  Speaker 4: million dollars.
• 18:51
  Speaker 2: I'm like, what, I thought it was gonna be one
• 18:53
  Speaker 2: of those sneaky ones where we're like, oh, it ended
• 18:56
  Speaker 2: up making its I made nine million opening weekend, but
• 18:59
  Speaker 2: for the total run it was one hundred and six
• 19:01
  Speaker 2: million or something like that. But it wasn't far off.
• 19:03
  Speaker 2: Ninety no, no, ninety eight.
• 19:05
  Speaker 4: I bet Bulgaria did helped it.
• 19:08
  Speaker 3: I got Bulgaria's numbers, don't you are?
• 19:10
  Speaker 4: This is that's become my favorite part of this whole
• 19:12
  Speaker 4: show is just Bulgaria.
• 19:15
  Speaker 3: So the UK a little over eleven million dollars and
• 19:18
  Speaker 3: Spain brought in a little over ten million dollars. So,
• 19:22
  Speaker 3: you know, Western Europe really enjoyed this movie. And you
• 19:26
  Speaker 3: know their takes on views of American racism.
• 19:29
  Speaker 2: Yeah, that's what's weird, Like how how does this play
• 19:34
  Speaker 2: in other countries?
• 19:34
  Speaker 4: Well, but yes, and also are they going in a
• 19:38
  Speaker 4: way not that prejudice doesn't happen all over the world,
• 19:42
  Speaker 4: but really kind of hone in on like God, these Americans.
• 19:46
  Speaker 2: I don't know, you know, I don't know. There are
• 19:48
  Speaker 2: some countries that I think probably watching and think these
• 19:51
  Speaker 2: Americans not not far enough. They need to really.
• 19:55
  Speaker 4: Well, that's true. They're probably thinking that's easy. What they're
• 19:59
  Speaker 4: doing is easy.
• 19:59
  Speaker 3: Yeah, there are tightened the news for lack of better.
• 20:03
  Speaker 2: Yeah, there are some parts of Europe that are still
• 20:06
  Speaker 2: kind of barbaric if you keep up.
• 20:09
  Speaker 4: Yeah, I don't keep up with the news.
• 20:11
  Speaker 2: That's probably for the best.
• 20:13
  Speaker 3: It's probably for the best. So our friends in Bulgaria
• 20:17
  Speaker 3: they brought in forty eight thousand, five ninety three dollars,
• 20:21
  Speaker 3: So that's a hefty little nice you know.
• 20:23
  Speaker 2: That's well junk. There. There's a there's a a cohort
• 20:27
  Speaker 2: of American centophiles in Bulgaria.
• 20:30
  Speaker 4: I just, I just, I just I don't know why,
• 20:33
  Speaker 4: but I just imagine that there are like twelve families
• 20:38
  Speaker 4: and they go see every movie playing at this one
• 20:41
  Speaker 4: theater and it doesn't matter what it is, and that's
• 20:44
  Speaker 4: where the money comes from.
• 20:46
  Speaker 3: I'm just imagining. I'm just imagining a little russeph going
• 20:52
  Speaker 3: going to the movies with mom and dad and whatnot.
• 20:55
  Speaker 3: But I will tell you what I think is the
• 20:57
  Speaker 3: least race cis country in the world is Slovakia because
• 21:04
  Speaker 3: it only brought in twelve hundred dollars at the bottom.
• 21:07
  Speaker 2: Man, Wow, the dollars. What do you think of Slovakian
• 21:11
  Speaker 2: movie ticket costs? We can do the math here real quick.
• 21:16
  Speaker 3: Two chickens.
• 21:18
  Speaker 2: If it's like ten bucks a pop, that's one hundred
• 21:21
  Speaker 2: and twenty people that saw Crack.
• 21:22
  Speaker 4: Two chickens and a four year old boiling pot. Yeah,
• 21:27
  Speaker 4: gets you and two other guests in yeah yeah.
• 21:31
  Speaker 3: And you split a medium popcorn. No better, but.
• 21:34
  Speaker 4: Hey, free on your birthday.
• 21:36
  Speaker 2: There, there you go, there you go.
• 21:39
  Speaker 3: Uh So the movie did well at the box office,
• 21:42
  Speaker 3: especially based on its a budget. But what's important is
• 21:46
  Speaker 3: what people thought about the movie. I will go down
• 21:49
  Speaker 3: saying this is the most polarizing film I think we've
• 21:52
  Speaker 3: we've reviewed on this podcast so far in what are
• 21:56
  Speaker 3: four or five years now we've been doing it.
• 22:00
  Speaker 2: So what do we think polarizing in terms of like
• 22:02
  Speaker 2: the general audience, Because yeah, we've had some we've had
• 22:05
  Speaker 2: some knock down dragouts over like the high fidelity on
• 22:09
  Speaker 2: the show.
• 22:10
  Speaker 3: So I'm talking about in reference to it being an
• 22:14
  Speaker 3: Oscar winner and okay, like that, gotcha, people people in
• 22:19
  Speaker 3: the comments are have some ways of thinking about this film,
• 22:24
  Speaker 3: fair enough. So with that said, Rotten Tomatoes. We do
• 22:27
  Speaker 3: this every time. We've got two hundred and forty reviews
• 22:30
  Speaker 3: of the Tomato meter that'd be in the media, the journalist,
• 22:33
  Speaker 3: the critics, blah blah blah. What do we think the
• 22:35
  Speaker 3: percentage is for Crash?
• 22:38
  Speaker 2: I'm going to say. I'm going to say, because it
• 22:41
  Speaker 2: is kind of mixed, say eighty two.
• 22:48
  Speaker 4: I'm I'm gonna say ninety three.
• 22:51
  Speaker 3: Oh, y'all way over seventy three.
• 22:55
  Speaker 2: Dang.
• 22:56
  Speaker 4: Still I still though those nineties. But when you compare
• 22:58
  Speaker 4: it to like Broke Back Mountain, stuff, people are But
• 23:01
  Speaker 4: I thought critics really did love it.
• 23:04
  Speaker 2: Do you think the fact that well it wouldn't. I
• 23:07
  Speaker 2: don't know that you can add the reviews in retrospect.
• 23:10
  Speaker 2: Do you think the love for Broke Back Mountain actually
• 23:14
  Speaker 2: generates negative feelings towards Crash? Do people resent Crash a
• 23:19
  Speaker 2: little more than maybe they should because of Brokeback Mountain?
• 23:22
  Speaker 3: Yeah? I think so absolutely from the reviews I read.
• 23:27
  Speaker 4: Definitely, I think it's a fine film, but because it
• 23:33
  Speaker 4: won Best Picture that them people are, you know, they're
• 23:39
  Speaker 4: almost shitting on it just because even though the movie
• 23:42
  Speaker 4: actually is I think a really good movie. But yes,
• 23:46
  Speaker 4: the and but you know, the one thing about Rotten
• 23:49
  Speaker 4: Tomatoes is is like, I just wonder what it was
• 23:51
  Speaker 4: when it came out because people can add so many things. Yeah,
• 23:55
  Speaker 4: after the fact that I'm just like, is it seventy
• 23:58
  Speaker 4: something now? Because maybe people don't like the subject matter,
• 24:03
  Speaker 4: or they think it's woke, or you know, it's it's
• 24:06
  Speaker 4: always a bit skewed. But but still, I definitely think
• 24:11
  Speaker 4: people are more of a hater on it because of
• 24:13
  Speaker 4: it winning than it actually like if they just saw it,
• 24:17
  Speaker 4: I mean, it stopped there.
• 24:18
  Speaker 2: I have to say, I haven't rewatched this until now.
• 24:22
  Speaker 2: I think when it came out and I enjoyed it,
• 24:25
  Speaker 2: and I remember thinking, oh, yeah, I do enjoy this
• 24:29
  Speaker 2: as much as I enjoyed it then, and I thought
• 24:31
  Speaker 2: it was really good then yeah, But the thought did
• 24:34
  Speaker 2: cross my mind at the end of it was like,
• 24:35
  Speaker 2: oh yeah, like Broke Back Mountain should have won.
• 24:38
  Speaker 4: I know that's the thing, and so if like up
• 24:42
  Speaker 4: again holding it against that standard, and and to me,
• 24:45
  Speaker 4: it's really good, but it doesn't meet.
• 24:47
  Speaker 2: That, and uh, I think that's in a way unfortunate
• 24:52
  Speaker 2: for that this film is probably still deserving of the
• 24:57
  Speaker 2: Best Picture echelon of movies. I think it's in the conversation,
• 25:02
  Speaker 2: people made a good movie, they won the award, and
• 25:04
  Speaker 2: all these years later we're still talking about it doesn't
• 25:07
  Speaker 2: deserve it.
• 25:08
  Speaker 4: But then if it's like, okay, Broke Back Mountain wasn't
• 25:10
  Speaker 4: in there, what then would people be like, hey, you
• 25:12
  Speaker 4: know what solid Best Picture winner?
• 25:15
  Speaker 2: Yeah, I mean the other nominees were. I don't want
• 25:18
  Speaker 2: to cut you off my cash if you've got this
• 25:19
  Speaker 2: later on in your Adults.
• 25:21
  Speaker 4: I know one of the nominees was Passion of the Christ.
• 25:25
  Speaker 2: New Year, got it, New Year, We don't have to
• 25:28
  Speaker 2: hit that quota anymore. The other nominees that year were
• 25:31
  Speaker 2: Broke Back Mountain, Capodi, good Night and good Luck, and Munich.
• 25:37
  Speaker 3: So okay, okay, Yeah, So if if.
• 25:44
  Speaker 2: Broke Back Mountain is not in that field, does Crash still.
• 25:49
  Speaker 4: I think it has a better Yes, I do. I
• 25:52
  Speaker 4: think some people would argue because I know a lot
• 25:54
  Speaker 4: of people like Munich.
• 25:55
  Speaker 2: That's Spielberg's that's the one that came to mind.
• 25:59
  Speaker 4: I like Capodi, but I do think it's more of
• 26:01
  Speaker 4: a showcase verse Hoffman, which is why I won. But yeah,
• 26:03
  Speaker 4: I could see Crash. I think it's an easier to
• 26:06
  Speaker 4: digest that if Broke Back Mountain. And also, just real quick,
• 26:11
  Speaker 4: I think part of the surprise was and I'm not
• 26:13
  Speaker 4: sure if like Broke Back Mountain was winning everything up
• 26:15
  Speaker 4: to this point and Crash snuck in and got it,
• 26:18
  Speaker 4: but the fact that the award before Best Pictures Best
• 26:21
  Speaker 4: Director and ang Lee won for Broke Back Mountain, yeah,
• 26:25
  Speaker 4: probably really got people's hopes up. Probably like when they
• 26:28
  Speaker 4: thought Chadwick Boseman and then Anthony Hopkins won.
• 26:32
  Speaker 2: Yeah, so I.
• 26:33
  Speaker 4: Think there was kind of sett them up.
• 26:34
  Speaker 2: This was a really interesting year at the Oscars because
• 26:37
  Speaker 2: like the six big categories, the Best Picture, Best Directing,
• 26:41
  Speaker 2: and the four Acting awards, Yeah, all went to six
• 26:45
  Speaker 2: different films.
• 26:47
  Speaker 4: Oh yeah, well Capodi, it was Capodi.
• 26:49
  Speaker 2: Broke Back Mountain, Crash. Reese Witherspoon wins for Walk the Line. Oh,
• 26:54
  Speaker 2: George Clooney wins for Siriana. Oh, and Rachel Weiss won
• 26:58
  Speaker 2: for The Constant Gardner. Wow.
• 27:01
  Speaker 4: There's some good films though.
• 27:02
  Speaker 2: So yeah, it's goodyear, and Crash rose to the top
• 27:07
  Speaker 2: among them all as the Best Picture.
• 27:09
  Speaker 3: Yeah.
• 27:09
  Speaker 4: I see why George Clooney won because I was wondering
• 27:11
  Speaker 4: who Matt Dillon lost to.
• 27:14
  Speaker 2: I never saw that film.
• 27:15
  Speaker 4: Yeah, it's it's actually what's funny is it's a little
• 27:18
  Speaker 4: bit like Crash as far as like all of these
• 27:23
  Speaker 4: plots are kind of like criss crossing. Yeah, and it's
• 27:26
  Speaker 4: quite it's another ensemble piece.
• 27:29
  Speaker 2: Paul Giamatty. It's alla, man, God, I love that movie.
• 27:33
  Speaker 2: I do too. I love Paul Giamattia in general.
• 27:36
  Speaker 3: Yes, so, but the question is did the everyday fan
• 27:41
  Speaker 3: love Crash? So two hundred and fifty thousand plus refuse
• 27:45
  Speaker 3: what is the popcorn meter? And rotten tomatoes?
• 27:48
  Speaker 2: That was what I was going to say was probably
• 27:50
  Speaker 2: like seventy two seventy three. I know, I'm going to
• 27:52
  Speaker 2: say seventy two percent.
• 27:53
  Speaker 4: I'm going to say sixty three.
• 27:56
  Speaker 3: You both undershot this time. She's eighty eight percent.
• 28:00
  Speaker 2: That's surprising.
• 28:01
  Speaker 4: Well, racism is popular.
• 28:03
  Speaker 2: I guess, so, I guess. So you're saying, like some
• 28:06
  Speaker 2: people watch this and we're like, hell.
• 28:07
  Speaker 4: Yeah, hell yeah, hell yeah.
• 28:10
  Speaker 2: I'm fired up.
• 28:11
  Speaker 4: Now I'm glad that man's on the side of the
• 28:13
  Speaker 4: road dead.
• 28:17
  Speaker 3: Philip I would have grabbed her by the pussy too, Yeah.
• 28:22
  Speaker 4: While looking her husband dead in his eyes.
• 28:28
  Speaker 3: That's where uncomfort.
• 28:30
  Speaker 4: I can't imagine, Like how does Matt Dylon and Thandy
• 28:34
  Speaker 4: Newton like to approach that scene and to make it
• 28:38
  Speaker 4: where like I mean, that's why I feel like Matt
• 28:40
  Speaker 4: Dylan is so good in this because he is He
• 28:43
  Speaker 4: actually is, like you see how he got there and
• 28:50
  Speaker 4: when he tells that operator lady, yeah that that's one
• 28:54
  Speaker 4: of the best scenes in the entire film is because
• 28:56
  Speaker 4: he's like if not, he's like, I know, I'm a
• 28:58
  Speaker 4: prick like he like it was great.
• 29:00
  Speaker 2: You have to get to a place where you were
• 29:03
  Speaker 2: saying and doing some things that are very uncomfortable, but
• 29:07
  Speaker 2: you have to do it convincingly. And I'm just I'm
• 29:11
  Speaker 2: watching him do his thing, and I'm thinking, how do
• 29:13
  Speaker 2: you get into that headspot?
• 29:14
  Speaker 4: But you know what, we don't know. He could just
• 29:16
  Speaker 4: be like that.
• 29:17
  Speaker 2: Maybe he is.
• 29:17
  Speaker 3: Yeah, yeah, he turned Tandy Newton into a finger puppet.
• 29:22
  Speaker 3: That's all.
• 29:23
  Speaker 4: That was that scene and when she talked and when
• 29:26
  Speaker 4: she talked like cookie monster. I thought that was kind
• 29:28
  Speaker 4: of strange.
• 29:34
  Speaker 3: You say, you're saying, Matt Dillon did it all for
• 29:36
  Speaker 3: the cookie.
• 29:39
  Speaker 2: Oh my god, we're gonna get this.
• 29:42
  Speaker 4: Well.
• 29:43
  Speaker 3: If that doesn't, maybe some of these letterbox reviews will
• 29:46
  Speaker 3: get us canceled, all right, Like like I said, and
• 29:49
  Speaker 3: looking through reviews on on rod Tomatoes and letterbox, people
• 29:52
  Speaker 3: are all over the board with this fucking movie. And
• 29:56
  Speaker 3: it starts with Dirk h who I think has up
• 30:00
  Speaker 3: on a previous episode because that name sounds very familiar.
• 30:03
  Speaker 2: But it does.
• 30:04
  Speaker 3: This is a This is a bit of a long one,
• 30:07
  Speaker 3: so bear with me. Gave it one star. Whenever I
• 30:11
  Speaker 3: walk into I guess Dirk's a teacher. Whenever I walk
• 30:14
  Speaker 3: into a classroom filled with new students, I can always
• 30:17
  Speaker 3: immediately pick out the spoiled, rich kids who think they
• 30:20
  Speaker 3: have an understanding of the real world while they really
• 30:23
  Speaker 3: really don't. This film is one of those kids, and
• 30:27
  Speaker 3: it's the worst kind. It thinks it's important too, but
• 30:30
  Speaker 3: it's not. It's about as important as bleaching your anus
• 30:35
  Speaker 3: or stuffing your face with botox.
• 30:37
  Speaker 2: Okay, wow, my goodness, Jesus, I would like Dirk. Why
• 30:42
  Speaker 2: Why does Dirk think that?
• 30:44
  Speaker 4: Why does he think it's smarter than it is? But
• 30:46
  Speaker 4: not that important? Yeah, especially twenty one years later, and
• 30:51
  Speaker 4: that looks real familiar in everyday life more than I
• 30:54
  Speaker 4: think it used to shock people sometimes.
• 30:58
  Speaker 2: Like I read letterbox reviews and I just I'm like,
• 31:01
  Speaker 2: what movie did you watch?
• 31:03
  Speaker 5: Know that?
• 31:04
  Speaker 4: But I also feel like, like where did you like?
• 31:07
  Speaker 4: Where did like? At what point did you come up
• 31:09
  Speaker 4: with that? Like when did you start watching? And think? Yeah,
• 31:14
  Speaker 4: this is like when I go into my classroom and
• 31:17
  Speaker 4: I see the it doesn't really make you.
• 31:21
  Speaker 2: I don't mind people critiquing film, but obviously, but no, like,
• 31:27
  Speaker 2: if you feel a certain way, you gotta you gotta
• 31:29
  Speaker 2: tell me why if I'm going to believe what you're
• 31:31
  Speaker 2: getting down, and he's not. He's not telling a lot
• 31:34
  Speaker 2: of why there.
• 31:35
  Speaker 4: No, no, I agree, Well, I yeah, there's not a
• 31:39
  Speaker 4: lot of why. But I'm not even I don't think
• 31:41
  Speaker 4: I can connect where he's going off on it, where
• 31:46
  Speaker 4: he doesn't think like I mean, maybe in the grand
• 31:49
  Speaker 4: scheme of things, it's not important, but I think that
• 31:50
  Speaker 4: subject matter hits a certain spot and the fact that
• 31:54
  Speaker 4: we can see it now, so I'm not quite sure.
• 31:57
  Speaker 4: I don't know when did Dirk put this that the letter?
• 32:01
  Speaker 2: I think I think Dirk thinks he's smarter than he
• 32:04
  Speaker 2: really is.
• 32:05
  Speaker 3: Yeah.
• 32:05
  Speaker 4: I don't think Dirk's even a teacher. I think he
• 32:07
  Speaker 4: just wanders into schools once. Maybe sound cool?
• 32:11
  Speaker 3: Yeah yeah, maybe Dirk has bleached his aim and it's one.
• 32:14
  Speaker 4: To me exactly, That's what I'm thinking.
• 32:16
  Speaker 2: Yeah.
• 32:17
  Speaker 3: Uh. Somebody who thought even lesser of this film is
• 32:22
  Speaker 3: Keegan Martin. Keegan gave it a half a star and says,
• 32:26
  Speaker 3: I made myself sit through this and I'm pissed. This
• 32:30
  Speaker 3: one best picture over Broke Back Mountain.
• 32:32
  Speaker 2: Well, I mean that's the general sentiment.
• 32:33
  Speaker 3: Yeah, I think that's what I was gonna say.
• 32:35
  Speaker 4: But again, what why was that hour and fifty three
• 32:39
  Speaker 4: minutes so excruciating?
• 32:41
  Speaker 2: Yeah, Like, were you sitting through it the whole time
• 32:44
  Speaker 2: just thinking what broke back? Mountain broke? Yeah, And but
• 32:53
  Speaker 2: it goes to a point you brought up earlier, Brandon.
• 32:56
  Speaker 2: It's like you're holding those feelings that get against this film,
• 33:00
  Speaker 2: and I don't really think that's fair. I think if
• 33:03
  Speaker 2: you just take the film for what it is, stand alone,
• 33:06
  Speaker 2: out all of that around it, I don't see how
• 33:08
  Speaker 2: you get started.
• 33:10
  Speaker 4: Start going, Hey, what you need to do, you sons
• 33:13
  Speaker 4: of bitches, is start going to these Academy people and
• 33:16
  Speaker 4: asking them because they voted for it, and you know why,
• 33:19
  Speaker 4: Crash probably won because they were too damn scared to
• 33:21
  Speaker 4: award a movie about two gay cowboys back in two
• 33:24
  Speaker 4: thousand a whatever, that's what's really happened.
• 33:30
  Speaker 3: So depressed and on letterbox dave it three Yeah, gave
• 33:35
  Speaker 3: it three stars. It would have been better if it
• 33:37
  Speaker 3: was depressed and checked in. I like that, Yeah, three stars,
• 33:45
  Speaker 3: and says the movie would have been better if it
• 33:47
  Speaker 3: ended with Ludacris turning to the camera and saying, man,
• 33:51
  Speaker 3: when two people crash that ship.
• 33:53
  Speaker 2: Ludacris, that would be good. Yeah, then nobody would remember broken,
• 34:01
  Speaker 2: That's right. Uh.
• 34:04
  Speaker 3: Then, lastly, Starlow five stars. Starlow loves the film and
• 34:09
  Speaker 3: says it's one of the greatest multi layered, intertwined stories
• 34:13
  Speaker 3: and cinematic history, gripping, emotional and a great sense of
• 34:17
  Speaker 3: overall shocking twist. An ensemble cast at all independently and
• 34:21
  Speaker 3: collaboratively kill it Max Directional Powers.
• 34:25
  Speaker 4: Well, I thought for sure he was gonna end with
• 34:27
  Speaker 4: but broke back won I. I uh, when I was
• 34:35
  Speaker 4: watching that scene of where Matt Dillon is getting real
• 34:40
  Speaker 4: handsy with Sandy Newton, I just thought, you know what,
• 34:43
  Speaker 4: this ship wouldn't happen if Terrence Howard's character from Hustle
• 34:47
  Speaker 4: and Flow was her husband.
• 34:51
  Speaker 2: Both of those cops have been shot.
• 34:52
  Speaker 4: I don't even think they would be in the same
• 34:54
  Speaker 4: car that they were in. Well, he was, But I thought, man,
• 34:58
  Speaker 4: Matt Dillon, you're you lucky, you real lucky.
• 35:02
  Speaker 3: You lucky. Craig Brewer didn't direct this lucky.
• 35:05
  Speaker 4: It was some old white man.
• 35:06
  Speaker 3: Yeah. Uh So this is an award winner. As we've
• 35:11
  Speaker 3: mentioned multiple times, it was nominated for six Academy Awards,
• 35:14
  Speaker 3: winning three, winning for Best Original Screenplay, as we said earlier,
• 35:18
  Speaker 3: best Film as well, and Best Editing. I do think
• 35:21
  Speaker 3: it was a really well edited film too.
• 35:24
  Speaker 4: Especially that one where Sandra Bullock falls and twister ankle.
• 35:27
  Speaker 4: She shouldn't have been wearing socks.
• 35:29
  Speaker 3: That may have been c G. I we don't know,
• 35:32
  Speaker 3: but I doubt it was six and a half million
• 35:33
  Speaker 3: dollars in the budget.
• 35:34
  Speaker 4: I thought that was they had to push Sandy down
• 35:36
  Speaker 4: those stairs. They had no choice.
• 35:38
  Speaker 2: That might have been why it feels so out of
• 35:41
  Speaker 2: place is that it wasn't supposed to happen, But they
• 35:43
  Speaker 2: just got to explain what that's method for her.
• 35:50
  Speaker 3: It was supposed to have been in the blooper reel
• 35:52
  Speaker 3: at the end of the film in the credit.
• 35:54
  Speaker 4: Starts yelling for him and the only person there is
• 35:57
  Speaker 4: that made who She's been a bitch too? Like I
• 35:59
  Speaker 4: just sick.
• 36:00
  Speaker 2: Thanks? Yeah.
• 36:02
  Speaker 4: Uh.
• 36:02
  Speaker 3: That year at the Academy Awards, Crash was the only
• 36:05
  Speaker 3: Best Picture nominee to have a nomination for Best Song.
• 36:10
  Speaker 4: I did see that. I I was looking at the
• 36:12
  Speaker 4: Awards stuff and I forgot was it called something in
• 36:14
  Speaker 4: the Deep or in the Deep? Rolling in the deep?
• 36:17
  Speaker 3: That's a death.
• 36:21
  Speaker 2: That was the way before that was the year that
• 36:23
  Speaker 2: It's Hard out Here for a Pimp won for Hustle
• 36:25
  Speaker 2: and Flow. My god.
• 36:26
  Speaker 4: So Hustle and Flow was Was it the same Oscars
• 36:29
  Speaker 4: as Crash?
• 36:30
  Speaker 3: Yeah? So at the Oscars you had racism, uh, Southern
• 36:36
  Speaker 3: Southern racism.
• 36:38
  Speaker 2: Yeah.
• 36:38
  Speaker 3: And and gay cowboys. It was a year and a gay.
• 36:44
  Speaker 2: And Johnny Cash and Johnny Cash and King Kong won
• 36:48
  Speaker 2: a few Oscars that year, Oh my god, for visual
• 36:51
  Speaker 2: effects and sound editing. Sound mixing Memoirs of a Geisha was.
• 36:57
  Speaker 4: Oh my god, did Jack Black win for sound mixing
• 36:59
  Speaker 4: for I think so?
• 37:01
  Speaker 3: I think him or Kyle Glass one one of the two?
• 37:04
  Speaker 4: Oh my god? What what? Ah?
• 37:07
  Speaker 2: That was the year March of the Penguins came out, too, God,
• 37:12
  Speaker 2: that was the no wonder that show an.
• 37:16
  Speaker 3: Amazing thing. So it's completely in black and white. So
• 37:19
  Speaker 3: who knows? Yeh uh. In my research, I you know,
• 37:23
  Speaker 3: finding how you know controversial this film is and how
• 37:26
  Speaker 3: people view it. It was often mentioned as one of
• 37:30
  Speaker 3: the lowest ranked Best Picture winners of all time. So
• 37:36
  Speaker 3: we're sitting at ninety eight best winners overall. So the
• 37:40
  Speaker 3: Oscars are closing in on one hundred years. Crash ranked
• 37:44
  Speaker 3: at this is according to Rotten Tomatoes ranking of each
• 37:47
  Speaker 3: Best Picture winner of all time. Crash comes in at
• 37:51
  Speaker 3: number ninety on the list.
• 37:53
  Speaker 2: Wow wow, I mean it's I don't know all of
• 37:56
  Speaker 2: the best picture winners, so it would be hard for
• 37:58
  Speaker 2: me to argue with that book.
• 38:00
  Speaker 4: Yeah well, sometimes, like even out of ninety eight, like
• 38:03
  Speaker 4: you're talking about supposedly the best of the best of
• 38:06
  Speaker 4: each year, so it still may not sound as.
• 38:08
  Speaker 2: Bad theoretically, Like ninety eighth on that list could still
• 38:12
  Speaker 2: be one of the ninety eighth greatest movies ever made.
• 38:15
  Speaker 4: It could be Lawrence of Arabia.
• 38:16
  Speaker 2: I love Lawrence of Arabia. There's no way, there's no Well,
• 38:21
  Speaker 2: I don't know if it did.
• 38:23
  Speaker 3: I'm sure it did. Should I feel like that movie
• 38:25
  Speaker 3: won like everything that year. But I do have the
• 38:28
  Speaker 3: top five?
• 38:29
  Speaker 4: Okay?
• 38:30
  Speaker 3: Do we do we have any guesses or thoughts of
• 38:32
  Speaker 3: what could be in the top five according to Rotten Tomatoes.
• 38:35
  Speaker 2: Oh man, some of the movies that come to mind.
• 38:37
  Speaker 2: I don't think it.
• 38:38
  Speaker 4: Was Godfather Part two.
• 38:40
  Speaker 3: No, even that's not up there, not in the top five.
• 38:43
  Speaker 4: But now this isn't like rated like certified fresh. This
• 38:48
  Speaker 4: is just a ranking that's rotten Tomatoes did of the
• 38:50
  Speaker 4: best Well.
• 38:51
  Speaker 3: No, it's based on where the film tomatoes ranking.
• 38:56
  Speaker 2: Okay, because like Citizen Kane one of the best of
• 39:00
  Speaker 2: all time, but it didn't win Best Picture, did it.
• 39:03
  Speaker 3: I don't.
• 39:04
  Speaker 4: I don't think so.
• 39:05
  Speaker 3: I missed that year, so I don't remember.
• 39:08
  Speaker 2: Well, we just did a podcast, I say, just did.
• 39:10
  Speaker 3: Yeah.
• 39:12
  Speaker 4: Yeah, that's been a while. I mean, I'm trying to
• 39:16
  Speaker 4: go way back because I feel like it's like gone
• 39:21
  Speaker 4: with Yeah, Casa Blanca.
• 39:23
  Speaker 3: Castle Blanca is number two. Down with the Wind is
• 39:26
  Speaker 3: not in the top five, Okay.
• 39:28
  Speaker 4: I feel like all of these are like one hundred
• 39:30
  Speaker 4: and ninety nine and that's it.
• 39:32
  Speaker 3: Is there?
• 39:33
  Speaker 4: Is there any like anything past two thousand?
• 39:37
  Speaker 3: Yes, two of the top five are from two thousand of.
• 39:42
  Speaker 4: The Return of the King, No Man, Gladiator, no Jeus,
• 39:47
  Speaker 4: I had to Parasite.
• 39:49
  Speaker 3: Parasite is number one.
• 39:52
  Speaker 4: Damn. I feel so long ago.
• 39:55
  Speaker 3: H The other two thousand was one that was at
• 40:00
  Speaker 3: first mistakenly not awarded Movie Award. Moonlight is number five,
• 40:07
  Speaker 3: and then number four All about Eve and number three
• 40:10
  Speaker 3: on the Waterfront.
• 40:11
  Speaker 4: Oh man, I haven't even heard of those. Those last two,
• 40:15
  Speaker 4: I've heard of them. I just I'm a little surprised
• 40:18
  Speaker 4: that that is. Yeah, those are your top five.
• 40:21
  Speaker 3: Yeah, I've never seen All about Eve, but On the
• 40:23
  Speaker 3: Waterfront is a great Marlon Brando film.
• 40:26
  Speaker 4: I've seen All about Steve that has Sandra Bully. Likewise,
• 40:31
  Speaker 4: like Bradley Cooper.
• 40:32
  Speaker 2: I've seen What About Bob.
• 40:36
  Speaker 3: I hate that movie so much.
• 40:38
  Speaker 2: I had to watch it in a high school psychology class. Uh,
• 40:43
  Speaker 2: cast Blanka.
• 40:44
  Speaker 4: I figured get that Angle of the Wind would be
• 40:46
  Speaker 4: up there.
• 40:47
  Speaker 3: I thought Godfather would be in the top five.
• 40:49
  Speaker 4: Too, But okay, Steve, So I don't know. I think
• 40:53
  Speaker 4: the ranking of ninety, which I mean, I guess that
• 40:55
  Speaker 4: makes sense. It's in the seventies.
• 40:58
  Speaker 3: Yeah, so.
• 41:00
  Speaker 4: That's fine. So it has three oscars, I mean.
• 41:04
  Speaker 3: Yeah, yeah, which we'll get to. I have a note
• 41:08
  Speaker 3: about that. It's it's the least amount of oscars a
• 41:12
  Speaker 3: Best Picture film has won since Rocky Oh My Him
• 41:18
  Speaker 3: only went in three. Yep and Crash was particularly controversial,
• 41:24
  Speaker 3: as we talked when it won the Best Oscar for
• 41:26
  Speaker 3: Best Picture over the more critically favored, respected and commercial
• 41:30
  Speaker 3: hit Broke Back Mountain. The Academy was accused of homophobia,
• 41:34
  Speaker 3: and many said that Crash benefited by the Academy's ingrained homophobia,
• 41:40
  Speaker 3: and many felt that Crash was a safer option since
• 41:42
  Speaker 3: it safely tackled racism and tolerance, whereas Broke Back Mountain
• 41:46
  Speaker 3: was a riskier option that the Academy, even at its
• 41:49
  Speaker 3: most progressive, wasn't going to celebrate. And many also felt
• 41:53
  Speaker 3: that Crash winning over Broke Back Mountains cemented the notion
• 41:56
  Speaker 3: that the Academy is an out of date institution.
• 42:00
  Speaker 2: I remember that being man. Yeah, it was. It was
• 42:03
  Speaker 2: a hot topic there for a little bit.
• 42:05
  Speaker 4: Well, and I think that even went more into where
• 42:09
  Speaker 4: they tried to play both sides. Because ang Lee would
• 42:13
  Speaker 4: win for Best Directory, they wouldn't reward the movie, but
• 42:16
  Speaker 4: they rewarded him.
• 42:20
  Speaker 2: Academy truly believed that Crash was a better film. I
• 42:24
  Speaker 2: think that's perfectly fine, no issues with that.
• 42:27
  Speaker 4: But I don't think it all the signs actually point.
• 42:30
  Speaker 2: That's exactly what I was about to say, Yeah, is
• 42:33
  Speaker 2: that I don't feel like I don't feel like that
• 42:37
  Speaker 2: was the case. I think there's there's enough reason to
• 42:40
  Speaker 2: say what was just outlined. I think there's a plausible
• 42:45
  Speaker 2: you can believe that, you can believe that at the
• 42:48
  Speaker 2: time they just did not want to reward Brokeback Mountains,
• 42:54
  Speaker 2: so then, which is a shame.
• 42:55
  Speaker 4: It is a shame. And fast forward when you say, hey,
• 42:58
  Speaker 4: you know what Moonlight?
• 43:00
  Speaker 2: Do it? Yeah?
• 43:01
  Speaker 4: Do it for the gays.
• 43:03
  Speaker 3: That's right, We're gonna but I want you to let
• 43:06
  Speaker 3: people think. But I want you to let people think
• 43:09
  Speaker 3: Lola Land won first before you go back and say
• 43:12
  Speaker 3: that Moonlight one.
• 43:13
  Speaker 4: I want those straight musical people to celebrate the first.
• 43:16
  Speaker 3: Yes, and before we get to the black gays.
• 43:19
  Speaker 4: Yes, you should see Moonlight just for I'm gonna butcher his.
• 43:24
  Speaker 2: Name herschel Ali.
• 43:26
  Speaker 4: Yes, because that's when he won his first Oscar.
• 43:28
  Speaker 3: Have you not seen it? Stip?
• 43:29
  Speaker 2: I have not know.
• 43:30
  Speaker 3: Oh, Moonlight is so good.
• 43:32
  Speaker 4: Barry Jenkins, It's fantastic.
• 43:35
  Speaker 3: Uh this this podcast is all about movies turning twenty
• 43:39
  Speaker 3: one years old. If you didn't know, spoiler alert, but
• 43:42
  Speaker 3: Crash is actually older than Million Dollar Baby.
• 43:46
  Speaker 2: Really?
• 43:47
  Speaker 3: Yeah?
• 43:48
  Speaker 2: How?
• 43:49
  Speaker 3: How great question. Crash is the only Best Picture winner
• 43:53
  Speaker 3: initially released before the previous year's Best Picture winner.
• 43:57
  Speaker 2: Uh So.
• 44:00
  Speaker 3: Million Dollar Baby was released on December fifteenth of two
• 44:02
  Speaker 3: thousand and four, and this film, Crash, the two thousand
• 44:06
  Speaker 3: and six Best Picture winner, was released on September tenth,
• 44:09
  Speaker 3: two thousand and four, at the at TIFF, the Toronto
• 44:15
  Speaker 3: International Film Festival. How about that, yep, A little loophole here, yep.
• 44:20
  Speaker 3: Although originally released in two thousand and four, of the
• 44:22
  Speaker 3: film did not qualify for the following year's Academy Awards
• 44:26
  Speaker 3: as it did not play at least one week in
• 44:28
  Speaker 3: Los Angeles, as Academy Awards rules required for eligibility. When
• 44:33
  Speaker 3: it was finally released in LA the following year, the
• 44:35
  Speaker 3: film qualified for OSCAR consideration in five and went on
• 44:39
  Speaker 3: to win the Best Picture. As we've already discussed.
• 44:41
  Speaker 2: How about that. So a little technicality, because it is
• 44:44
  Speaker 2: one of those movies that, depending on which site you
• 44:47
  Speaker 2: look at, some say two thousand and five, some do
• 44:50
  Speaker 2: say two thousand and four.
• 44:51
  Speaker 3: Yep. And that's where I was kind of talking earlier
• 44:54
  Speaker 3: about people signing up to be a part of this
• 44:57
  Speaker 3: film couldn't base it off of the success of A
• 45:00
  Speaker 3: Million Dollar Baby because yeah, hadn't come out yet.
• 45:04
  Speaker 2: Yeah, So that's that is really interesting. Then this was
• 45:08
  Speaker 2: it just one of those films that everybody's like you
• 45:11
  Speaker 2: read the script and you know, like this is kind
• 45:14
  Speaker 2: of awards fodder, Like this is we take a swing
• 45:17
  Speaker 2: on it and.
• 45:18
  Speaker 3: Or has important messages we watched you know yeah yeah,
• 45:23
  Speaker 3: uh well, while it was at the two thousand and
• 45:25
  Speaker 3: four Toronto International Film Festival, Lionsgate bought the distribution rights
• 45:29
  Speaker 3: for four million dollars. Dang.
• 45:33
  Speaker 4: Also, when's the last time Lionsgate has been in an awards?
• 45:38
  Speaker 2: I was thinking the same thing.
• 45:40
  Speaker 3: It's a bit a hot minute.
• 45:41
  Speaker 4: I saw that, like what was it LGF Lionsgate film
• 45:43
  Speaker 4: or something pop up when I first started watching them, like,
• 45:45
  Speaker 4: oh my this I thought they only did saw.
• 45:49
  Speaker 2: That's what I was about to say, What is the
• 45:53
  Speaker 2: last good movie that lions Gate put?
• 45:55
  Speaker 4: Now they may have made a good movie, I just
• 45:56
  Speaker 4: don't think it's been in awards.
• 46:00
  Speaker 2: Yeah, I don't know. Uh Den of Thieves hell yeah, Okay,
• 46:05
  Speaker 2: those are wait that's a film series. Oh they did
• 46:08
  Speaker 2: the Hunger Games movies and the Twilight movies.
• 46:12
  Speaker 3: So they're they're they're doing all right and financially.
• 46:14
  Speaker 4: John Wick, oh yeah, John Wick, Doug, Yeah, they do,
• 46:19
  Speaker 4: so they've got the ok.
• 46:21
  Speaker 2: Sorry sorry lions they were bad. They were associated with
• 46:26
  Speaker 2: La La Land. Damn my bad bad that did not
• 46:34
  Speaker 2: respect your game. Dang, y'all like good yeah.
• 46:38
  Speaker 3: Uh so Crash was shot in only thirty six days,
• 46:42
  Speaker 3: which kind of helps that six and a half million
• 46:44
  Speaker 3: dollar budget. But they did have to take two weeks
• 46:47
  Speaker 3: off because uh director Paul Hages suffered a heart attack
• 46:52
  Speaker 3: during filming.
• 46:53
  Speaker 4: Oh my god, he guilty.
• 46:57
  Speaker 3: He refused, yeah, the kill to the White Man. True.
• 47:00
  Speaker 3: He refused to let anyone else finish directing the film,
• 47:03
  Speaker 3: and so production was delayed for two weeks while he recovered.
• 47:07
  Speaker 2: My god, what a weird spot to be in, though,
• 47:09
  Speaker 2: because like, I mean, what would you do if they
• 47:14
  Speaker 2: wanted to keep filming without you? Like, you gotta get
• 47:18
  Speaker 2: this done. I mean, do you have guess.
• 47:21
  Speaker 4: They didn't care. Lionsgates said, hey, we got Soft six
• 47:24
  Speaker 4: going on. You can do whatever you want.
• 47:26
  Speaker 2: Yeah.
• 47:27
  Speaker 4: No, wonder they won the Oscar. What a story to tell?
• 47:31
  Speaker 2: What would the movie have looked like?
• 47:33
  Speaker 4: I mean, would you like, yeah, Zack Snyder, Yeah, Zach,
• 47:41
  Speaker 4: I guarantee you, Roger, I guarantee you. Sandra Bullock ain't
• 47:44
  Speaker 4: falling down those stairs. She probably shoot laser beams out
• 47:47
  Speaker 4: of her eyes. Yeah that's true, Grass, one of them.
• 47:52
  Speaker 3: Michael Orr comes and picks her up off the off
• 47:55
  Speaker 3: the stairs, and.
• 47:56
  Speaker 4: It's like a reverse blind Side exactly, and then for
• 47:59
  Speaker 4: so reason, Brendan Fraser has just turned into Tim mcgrawl. Yeah,
• 48:04
  Speaker 4: same character, same name.
• 48:06
  Speaker 2: By the way, the blind Side comes out two years later, right, and.
• 48:10
  Speaker 4: Is not directed by Zack Snyder.
• 48:13
  Speaker 2: Nobody knows what is happening, right, Actually.
• 48:16
  Speaker 4: If it's happening in Crash, they're gonna think, oh my god,
• 48:19
  Speaker 4: that black man got their key from the house. He's
• 48:21
  Speaker 4: robbing them. Yeah, that's how that would play.
• 48:26
  Speaker 3: Lasater.
• 48:27
  Speaker 2: We get the sequel, The blind Side, and she's got
• 48:30
  Speaker 2: blonde hair and country as hell knocked her rofter out
• 48:37
  Speaker 2: and she woke up, so.
• 48:38
  Speaker 4: She divorced Brendan Fraser because she didn't know who he
• 48:41
  Speaker 4: was and went for the guy that sings down on
• 48:43
  Speaker 4: the farm.
• 48:45
  Speaker 3: But but the movie has more money because they decided
• 48:47
  Speaker 3: to film in Atlanta instead of Memphis.
• 48:49
  Speaker 4: Exactly, And oh it's about football classic no wonder. The
• 48:55
  Speaker 4: real Michael Orr is like, this doesn't make This isn't
• 48:58
  Speaker 4: my life.
• 48:59
  Speaker 2: We should have jobs in Hollywood, Yeah, making.
• 49:02
  Speaker 4: Movies unless a movie forty three got made, So tell
• 49:05
  Speaker 4: me we can't come up with something better than that.
• 49:08
  Speaker 3: Yeah, the Sobros Film can definitely get made. If movie
• 49:12
  Speaker 3: for forty three was made exactly this. This is a
• 49:15
  Speaker 3: weird little tibit. This is one crashes, one of two
• 49:18
  Speaker 3: Best Picture winners whose title only had one syllable.
• 49:22
  Speaker 2: One syllable.
• 49:23
  Speaker 3: Oh huh, and it's a film I guarantee you the
• 49:28
  Speaker 3: three of us have probably never heard of, definitely have
• 49:30
  Speaker 3: never seen, and that would be nineteen twenty seven's Wings. M.
• 49:36
  Speaker 4: Well, I've heard of it only because of the well
• 49:39
  Speaker 4: Academy history part, but no, I have never I have
• 49:42
  Speaker 4: not seen it.
• 49:43
  Speaker 2: Yeah, I've never heard of it.
• 49:44
  Speaker 5: So yeah, no, uh, but congrat Yeah, congrats to them
• 49:51
  Speaker 5: and to the soul remaining person alive from nineteen twenty
• 49:55
  Speaker 5: seven Wings.
• 49:56
  Speaker 2: I guess yeah.
• 49:57
  Speaker 3: I doubt anybody's alive still from that thing.
• 49:59
  Speaker 4: They're by now by January twenty twenty six. Trust me,
• 50:03
  Speaker 4: something got them, no health care, no nothing, something got them.
• 50:06
  Speaker 3: Yeah, unless they're living in Canada.
• 50:09
  Speaker 4: Oh you didn't hear it's gone?
• 50:11
  Speaker 3: Oh first fifty.
• 50:13
  Speaker 4: First states is gone. Yeah, now the fifty first state
• 50:17
  Speaker 4: is Egypt. I thought you guys read the news.
• 50:20
  Speaker 3: Not to pull back the curtain. When do we record this?
• 50:22
  Speaker 3: But what if in January some shit like this is
• 50:25
  Speaker 3: gone down?
• 50:26
  Speaker 2: Actually that's always the risk you run.
• 50:28
  Speaker 3: It is.
• 50:30
  Speaker 4: I want to go on record by saying, I hope
• 50:32
  Speaker 4: none of this is real.
• 50:34
  Speaker 2: Yeah, real, Yeah Tooche, it's funny now. It's funny now,
• 50:38
  Speaker 2: but we might not be laughing in January.
• 50:40
  Speaker 3: No, true, what is real? That this was included in
• 50:44
  Speaker 3: the book one thousand and one Movies You Must See
• 50:47
  Speaker 3: Before you Die.
• 50:50
  Speaker 2: I would agree with that.
• 50:52
  Speaker 4: It's the same thing in Oscars ninety eight years you,
• 50:56
  Speaker 4: I mean shit, and you will see all best Picture
• 50:58
  Speaker 4: winners anyway.
• 50:59
  Speaker 2: Yeah.
• 50:59
  Speaker 3: True.
• 51:00
  Speaker 4: Isn't that the goal? I think that's the goal when
• 51:02
  Speaker 4: you're born, When you're born.
• 51:03
  Speaker 2: That's what I tell you.
• 51:05
  Speaker 3: I would love to go through the and see how
• 51:07
  Speaker 3: many I've actually seen.
• 51:08
  Speaker 2: Me too, out of a list, and see how many
• 51:11
  Speaker 2: you've seen. I've seen like twelve.
• 51:15
  Speaker 3: So I've probably am not much more much higher than
• 51:19
  Speaker 3: you are. When it comes to that.
• 51:20
  Speaker 4: I'd say nineties into two thousands, I'm probably pretty good.
• 51:24
  Speaker 4: We start getting into these thirties, forties, fifties six, that's
• 51:27
  Speaker 4: that's where I'm you know now. Some because of these podcasts,
• 51:31
  Speaker 4: I've been able to watch and stuff. But I but yeah,
• 51:34
  Speaker 4: there's quite a there was quite a few. The New
• 51:36
  Speaker 4: York Times did something last year where it was like
• 51:39
  Speaker 4: the one hundred greatest movies ranked, and then you chose
• 51:43
  Speaker 4: how many you saw, like how many you've seen? I
• 51:45
  Speaker 4: have seen like ninety three, and a lot of them
• 51:48
  Speaker 4: were actually quite like relevant, like been alive since they've
• 51:53
  Speaker 4: come out. Well maybe you know what, Maybe now I'm
• 51:57
  Speaker 4: starting to think because I didn't see certain films, maybe
• 52:00
  Speaker 4: it was the best hundred movies of like since the
• 52:03
  Speaker 4: two thousands. Okay, because I'm starting to think I didn't
• 52:06
  Speaker 4: see Yeah, I know a lot of those like Gone.
• 52:09
  Speaker 4: But the way I didn't see a lot of those.
• 52:11
  Speaker 2: Yeah, I know what you're talking about. People posted their
• 52:13
  Speaker 2: little pictures. Yeah of the movies. That scene, Yeah, that
• 52:16
  Speaker 2: was just from two thousand, was it?
• 52:18
  Speaker 4: Okay? Man, No wonder I was nailing those, and I'm
• 52:21
  Speaker 4: really nailing them.
• 52:24
  Speaker 2: Uh.
• 52:24
  Speaker 3: In the years following the release of Crash, Uh, Paul
• 52:28
  Speaker 3: Hags has admitted that his film did not deserve to
• 52:31
  Speaker 3: win the Academy Award for Best Picture over the much
• 52:34
  Speaker 3: war acclaim Broke Back Mountain.
• 52:36
  Speaker 2: Yeah, even he knows it. That's not gonna make us
• 52:38
  Speaker 2: forget the out.
• 52:39
  Speaker 4: Right right Paul. And also how convenient after you have
• 52:42
  Speaker 4: two oscars or three oscars.
• 52:45
  Speaker 3: Good for you back to back now that.
• 52:47
  Speaker 4: I've won everything, Just so y'all know they chose the
• 52:49
  Speaker 4: wrong movie.
• 52:52
  Speaker 2: That Bart Simpson.
• 52:55
  Speaker 3: Nelson that.
• 53:00
  Speaker 4: Maybe that's how we lapsed.
• 53:01
  Speaker 3: Yeah, all the way to the bank. Uh this Yeah,
• 53:08
  Speaker 3: you may or may not know this, but this was
• 53:10
  Speaker 3: the first Best Picture winner to be released on the
• 53:14
  Speaker 3: then newly introduced Blu ray format.
• 53:18
  Speaker 2: Nice Blu ray's been around that long.
• 53:22
  Speaker 4: Yes, now it's nothing now it's thrown in with the
• 53:27
  Speaker 4: four k's for most part.
• 53:28
  Speaker 2: That's the only reason I buy four k's.
• 53:33
  Speaker 4: One day, when you get a four K, you've got them,
• 53:35
  Speaker 4: and the Blu rays play on there too.
• 53:37
  Speaker 2: So I'll have Oppenheimer an American movie for.
• 53:40
  Speaker 4: My forte No, you got you just bought another four
• 53:44
  Speaker 4: K that. I don't think you knew it was four K.
• 53:47
  Speaker 2: I didn't know that's American movie. No, I thought, I
• 53:51
  Speaker 2: will think and got the four K.
• 53:52
  Speaker 4: I know, but there's one where you bought it danger Zone,
• 53:55
  Speaker 4: And I said, oh, is that the four K And
• 53:57
  Speaker 4: then you said yeah, civil War? Civil War that No,
• 54:00
  Speaker 4: I thought it was Son of Mask with Jamie Kennedy.
• 54:04
  Speaker 4: When's that turned twenty one.
• 54:06
  Speaker 2: Yeah, that's a good question.
• 54:08
  Speaker 3: I'll never ever tell this. Uh. This was also the
• 54:15
  Speaker 3: last Academy Award winning film to be released on VHS.
• 54:19
  Speaker 4: Huh my god, right there, first Blu Ray, last VHS.
• 54:24
  Speaker 2: Yeah, dang, love to see it. What a moment in time,
• 54:28
  Speaker 2: What a moment.
• 54:31
  Speaker 3: Lionsgate spent two million dollars to promote the film to
• 54:35
  Speaker 3: Academy members in the run up to the Oscars voting.
• 54:37
  Speaker 4: Well, they also had Paul have a heart attack on set,
• 54:40
  Speaker 4: so they could run with that too, like.
• 54:41
  Speaker 2: Hey, we're gonna we need to do something.
• 54:43
  Speaker 4: Brother, Oh, we got we got to do something. Have
• 54:45
  Speaker 4: you seen this gay cowboy movie. We've got to do something.
• 54:50
  Speaker 4: Come here, we've got to do take all these pills.
• 54:57
  Speaker 3: Yeah, we'll give you two weeks.
• 55:00
  Speaker 2: Get two weeks to recover, and we won't even get
• 55:02
  Speaker 2: another director.
• 55:03
  Speaker 4: That's right. We'll say we should have, but you were
• 55:06
  Speaker 4: too tough.
• 55:08
  Speaker 3: I've got some fun facts about Tandy Newton here in
• 55:11
  Speaker 3: her role. She was Paul Haggis's first choice for her character,
• 55:17
  Speaker 3: and I'm curious if he had. Yeah, she was phenomenal
• 55:20
  Speaker 3: and she's easy on the eyes as well, So I'm
• 55:23
  Speaker 3: wondering if, Like during rehearsal, Paul Hagas is like, Hey, Matt,
• 55:27
  Speaker 3: I'm gonna show you how I want this scene to
• 55:29
  Speaker 3: go and decides to clam dive with Tandy Newton in rehearsals.
• 55:35
  Speaker 4: Who he did that? No, I'm saying, my god, I
• 55:41
  Speaker 4: thought you were reading a note saying you did. I'm like,
• 55:43
  Speaker 4: that's how we had an art attack.
• 55:45
  Speaker 3: I'm saying Paul Hages's first choice for the character. I'm
• 55:51
  Speaker 3: thinking maybe she he was a little sweet on her.
• 55:54
  Speaker 3: It was joking saying.
• 55:56
  Speaker 4: That's the beginning of these allegations.
• 55:58
  Speaker 2: Yeah, no, sorry, I just blue snot all over my microphone.
• 56:02
  Speaker 2: So we had a bit of a situation.
• 56:03
  Speaker 4: I swear to god, I thought like he was showing
• 56:06
  Speaker 4: Matt Dillon.
• 56:10
  Speaker 3: I was saying that I would say what if? Maybe
• 56:13
  Speaker 3: maybe that's why he cast He wanted that.
• 56:15
  Speaker 4: Would make a cool what if show on that Marble.
• 56:25
  Speaker 2: Too Far.
• 56:28
  Speaker 4: Has been in a lot more stuff than I remember.
• 56:30
  Speaker 2: She's great, man.
• 56:31
  Speaker 4: I also like I do and and I think, what
• 56:34
  Speaker 4: was it Westworld? Is that one that was one of
• 56:36
  Speaker 4: the big shows on kind of brought her back, But
• 56:39
  Speaker 4: I remember her in there was some boring Mark Wahlberg
• 56:42
  Speaker 4: movie that was a remake Something Charlie, Truth About the
• 56:48
  Speaker 4: Truth About Charlie Charlie Wilson's That's.
• 56:51
  Speaker 3: A good one anyway.
• 56:54
  Speaker 4: Okay, so Paul did not really do that.
• 56:57
  Speaker 3: That I'm aware of.
• 56:58
  Speaker 4: No, that's fair enough.
• 57:00
  Speaker 3: She did, through this film become the eighth person to
• 57:04
  Speaker 3: win the BAFTA Award for Best Supporting Actress without having
• 57:08
  Speaker 3: ever been nominated for an Academy Award.
• 57:12
  Speaker 4: So she could have been in a Supporting Actress conversation.
• 57:15
  Speaker 3: Yeah, and possibly I would say deserving. I don't have
• 57:19
  Speaker 3: those nominees or the winner in front of me from
• 57:21
  Speaker 3: the Academy Awards that year. But I thought her performance
• 57:24
  Speaker 3: was amazing.
• 57:25
  Speaker 4: Hurry, Matt Dillon were the standouts.
• 57:27
  Speaker 2: I just I saw her not too long ago in something.
• 57:30
  Speaker 2: I think it was when she played Condolleza Rice in
• 57:33
  Speaker 2: w Oh.
• 57:35
  Speaker 4: Yeah, okay, I forgot about that.
• 57:37
  Speaker 2: Oh she's in Rock and Roller too.
• 57:39
  Speaker 4: I'm telling you, She's in a lot of stuff.
• 57:42
  Speaker 2: Yeah.
• 57:42
  Speaker 3: Yeah. Sadly, this movie we talked about almost made one
• 57:48
  Speaker 3: hundred million dollars, but it is in fact the lowest
• 57:51
  Speaker 3: grossing Best Picture OSCAR winner since the Last Emperor in
• 57:55
  Speaker 3: nineteen eighty seven.
• 57:57
  Speaker 2: Dang, oh, I ain't never even heard of that movie.
• 58:00
  Speaker 4: I heard of it.
• 58:02
  Speaker 3: It's what's his name? From American psycho Christian First. That's
• 58:09
  Speaker 3: his first film. Yeah, he was baby, a little baby. Yep,
• 58:13
  Speaker 3: all right, So I've got a few things left. We'll
• 58:15
  Speaker 3: do a little Koda would have should have here in
• 58:17
  Speaker 3: just a second. But with only a budget of the
• 58:20
  Speaker 3: six million dollars or six and a half million dollars
• 58:23
  Speaker 3: for the film, uh and And director Paul Hages was
• 58:26
  Speaker 3: adamant about filming in la instead of Toronto or other
• 58:29
  Speaker 3: places that would be more cost effective. In order to
• 58:33
  Speaker 3: keep that budget low and make everybody happy, he had
• 58:35
  Speaker 3: to cut the cost by using his own house for scenes,
• 58:39
  Speaker 3: and even his own car and other scenes. Yes, his car,
• 58:47
  Speaker 3: and the notes I saw it said, but I don't
• 58:50
  Speaker 3: remember off damn it. I didn't really think I would
• 58:53
  Speaker 3: get that question.
• 58:53
  Speaker 4: Yeah, the one that.
• 58:56
  Speaker 3: It was the cop car? You know, he used one
• 58:58
  Speaker 3: of the cop.
• 58:58
  Speaker 4: I honestly, I felt like it was, uh maybe the
• 59:02
  Speaker 4: one that Terrence Howard's in and they end up stealing
• 59:06
  Speaker 4: and I feel like it's an suv.
• 59:08
  Speaker 2: Yeah, probably.
• 59:10
  Speaker 3: So before we get to our Mount Rushmore question, we
• 59:13
  Speaker 3: got a little kudda would have should us? So? The
• 59:17
  Speaker 3: role of the TV director, which is a small little
• 59:19
  Speaker 3: role at the beginning of the film, was originally offered
• 59:23
  Speaker 3: to Force Whitaker, but he turned it down so he
• 59:28
  Speaker 3: could film First Daughter with Katie Holmes.
• 59:32
  Speaker 4: Yes, wow, yes, cause someone looked this up. How many
• 59:36
  Speaker 4: Oscars did that get nominated?
• 59:38
  Speaker 2: Yes?
• 59:39
  Speaker 3: Please, I don't think I have to look that one
• 59:41
  Speaker 3: up to give you that answer. Their Uh. And then
• 59:45
  Speaker 3: before before Ryan Phillippi signed on, Uh, there was another
• 59:51
  Speaker 3: actor in talks of playing the role of Hansen, who
• 59:57
  Speaker 3: went on to be a an Academy Award winn and
• 1:00:01
  Speaker 3: is and is no longer with us.
• 1:00:05
  Speaker 4: He is an Oscar winner and he's passed.
• 1:00:08
  Speaker 2: Yeah, Heath Ledger.
• 1:00:11
  Speaker 4: I was gonna say it couldn't be Phillips.
• 1:00:16
  Speaker 2: That would have been great though.
• 1:00:18
  Speaker 4: Yeah.
• 1:00:18
  Speaker 3: Yeah. Ironically Ledger starred and Broke Back Mountain, the film
• 1:00:23
  Speaker 3: that lost the Best Picture to Crash in a very
• 1:00:25
  Speaker 3: controversial decision see by many.
• 1:00:27
  Speaker 2: And that would have been that would have been something.
• 1:00:31
  Speaker 4: That would have been something. But I'll be honest, I
• 1:00:33
  Speaker 4: don't think that. I just don't think that's a big
• 1:00:41
  Speaker 4: I think to have someone like Heath Ledger, that role
• 1:00:44
  Speaker 4: needs to be bigger.
• 1:00:46
  Speaker 2: I was about to say, I don't think that role
• 1:00:48
  Speaker 2: is big enough for him to really shine in it.
• 1:00:50
  Speaker 4: Yeah, because it's you only get you only get a
• 1:00:53
  Speaker 4: little bit at the end.
• 1:00:54
  Speaker 3: Yeah, I don't think that character is right for him either.
• 1:00:57
  Speaker 3: That character is made for somebody like Philippy, where you've
• 1:01:01
  Speaker 3: kind of got that you know, uh innocence, you know,
• 1:01:04
  Speaker 3: look in the world, kind of like Ryan Philippi takes
• 1:01:07
  Speaker 3: takes into that character. Or Heath Ledger would try to
• 1:01:10
  Speaker 3: be a little edgier with it.
• 1:01:12
  Speaker 4: Yeah, he probably would have made Matt Dillon look like
• 1:01:14
  Speaker 4: Ryan Phillippy. That's probably what would have happened. It probably
• 1:01:18
  Speaker 4: would have gone real dark.
• 1:01:20
  Speaker 3: Tandy Newton might have liked it better.
• 1:01:21
  Speaker 4: Who would have told Lawrence Tate you know how I
• 1:01:23
  Speaker 4: got these scars?
• 1:01:25
  Speaker 3: Did you say, Lawrence Tate?
• 1:01:27
  Speaker 4: Yeah? What's his name?
• 1:01:29
  Speaker 3: Laurn?
• 1:01:30
  Speaker 4: I put an a in there.
• 1:01:32
  Speaker 3: You put some other syllables as well, sir.
• 1:01:36
  Speaker 4: How I got these scars?
• 1:01:38
  Speaker 2: Well done? Well done?
• 1:01:41
  Speaker 3: And then lastly, the uh Brendan Fraser was not the
• 1:01:46
  Speaker 3: original choice for the role of the District Attorney Rick Cabot.
• 1:01:50
  Speaker 2: I can see that.
• 1:01:50
  Speaker 4: Yeah, he was doing Looney Tunes back in action. Who
• 1:01:52
  Speaker 4: had time?
• 1:01:55
  Speaker 2: Uh take a guess at this one?
• 1:01:59
  Speaker 4: Did you ask?
• 1:02:01
  Speaker 3: That's where we were headed? That's where I was headed.
• 1:02:03
  Speaker 4: Yes, So Brendan Fraser was not the first one.
• 1:02:07
  Speaker 3: Okay, the original choice, for whatever reason I don't know,
• 1:02:11
  Speaker 3: didn't take the role.
• 1:02:14
  Speaker 4: Is he can? I have a hint? Is he in
• 1:02:16
  Speaker 4: the round the same age?
• 1:02:19
  Speaker 3: I think no, he's going to be a little older. Honestly,
• 1:02:22
  Speaker 3: don't know their ages, but I think this person is
• 1:02:24
  Speaker 3: a little older. This person has been discussed at length
• 1:02:30
  Speaker 3: throughout the years on this podcast. John Cusack indeed was
• 1:02:34
  Speaker 3: the original choice for Rick Cabot.
• 1:02:36
  Speaker 4: Well you know why he didn't do it, why Joan
• 1:02:41
  Speaker 4: wasn't available. We'll talk about that more.
• 1:02:47
  Speaker 2: In the next one.
• 1:02:49
  Speaker 3: Jesus Christ.
• 1:02:50
  Speaker 4: But yeah, look I can see him kind of doing that.
• 1:02:54
  Speaker 4: But honestly, I don't know. Would Sandra Bullock marry him?
• 1:03:00
  Speaker 4: I can't.
• 1:03:01
  Speaker 3: Yeah, it depends.
• 1:03:02
  Speaker 4: Does he have that like outrageous wig black wig on?
• 1:03:07
  Speaker 4: Because that can't be as real hair. So I just
• 1:03:11
  Speaker 4: carry as sir. I make it a mission to pick
• 1:03:15
  Speaker 4: on John Cusack. We run out of movies, and trust me,
• 1:03:18
  Speaker 4: we're getting there.
• 1:03:19
  Speaker 3: We're getting real I think we I think we have
• 1:03:23
  Speaker 3: maybe two three at tops left. Maybe all right, so
• 1:03:28
  Speaker 3: Mount Rushword, let's let's take it home. We've talked enough
• 1:03:31
  Speaker 3: about Crash. I think our favorite Sandra Bullock movies.
• 1:03:37
  Speaker 2: I think the first two that come to mind for
• 1:03:39
  Speaker 2: me are Miscongeniality and The blind Side. And I know
• 1:03:45
  Speaker 2: I've I've rewatched The blind Side in recent years, and
• 1:03:49
  Speaker 2: I don't think it's I don't love that movie, and
• 1:03:53
  Speaker 2: I know there's been a lot that's come out that
• 1:03:55
  Speaker 2: it's it's kind of problematic, but I do think it
• 1:03:59
  Speaker 2: is one of her signature roles. I'm willing to uh
• 1:04:03
  Speaker 2: to give her, give her that. I'm gonna give one
• 1:04:05
  Speaker 2: of the spots on my Mount Rushmore to my wife, who,
• 1:04:08
  Speaker 2: when I presented this question to her pretty much just
• 1:04:11
  Speaker 2: shouted at the top of her lungs the proposal.
• 1:04:15
  Speaker 3: Yeah, I like that, It's on my list.
• 1:04:17
  Speaker 4: I like that one.
• 1:04:18
  Speaker 2: And I don't know, I honestly don't know that I
• 1:04:21
  Speaker 2: have a fourth Sandra Bullock movie that I liked. I mean, like,
• 1:04:26
  Speaker 2: I guess I would put Crash in in that spot
• 1:04:28
  Speaker 2: because I like Crash, but it's an ensemble and I
• 1:04:32
  Speaker 2: don't really think that it's like her movie. It's like
• 1:04:35
  Speaker 2: I liked Bullet Train a lot.
• 1:04:38
  Speaker 4: Did you see The Lost City?
• 1:04:40
  Speaker 2: I did not see the Lost City one?
• 1:04:42
  Speaker 3: And like that.
• 1:04:43
  Speaker 2: I never saw Speed, I never saw like practical Magic.
• 1:04:48
  Speaker 2: I wasn't the biggest fan of bird Box. I never
• 1:04:50
  Speaker 2: even saw The Heat. I never saw Hope Floats, I
• 1:04:55
  Speaker 2: saw Murder by Numbers.
• 1:04:56
  Speaker 3: But like, give us your favorite Sandra Bullock movies you
• 1:05:00
  Speaker 3: I haven't seen.
• 1:05:00
  Speaker 2: Man, Yeah, I could do that Speed Gravity.
• 1:05:05
  Speaker 4: I would say mine would be Speed, Gravity, Miscongeniality, and
• 1:05:10
  Speaker 4: The Proposal. I think those are the most fun ones,
• 1:05:13
  Speaker 4: and I also think she's really good in them. I
• 1:05:15
  Speaker 4: like The Heat, but I think I like it more
• 1:05:17
  Speaker 4: because I'm Melissa McCarthy than I do Sandra Bullock. Yeah,
• 1:05:20
  Speaker 4: the Lost City is a fun one. That's probably her
• 1:05:23
  Speaker 4: best one in a while. And then I just want
• 1:05:26
  Speaker 4: to give another shout out because I like the movie.
• 1:05:31
  Speaker 4: It's dumb, but I do enjoy Two Weeks.
• 1:05:34
  Speaker 2: Notice I was about to say, yeah, I have seen
• 1:05:36
  Speaker 2: two Weeks, But if I.
• 1:05:37
  Speaker 4: Had to put it all in there, I think those
• 1:05:39
  Speaker 4: those are the four I would go with.
• 1:05:41
  Speaker 3: At this point, two of my four have been mentioned. Well,
• 1:05:46
  Speaker 3: actually kind of three of them, but it didn't make
• 1:05:48
  Speaker 3: the list for you guys. But Speed in the Proposal, definitely.
• 1:05:53
  Speaker 3: I did enjoy bird Box. I really liked it. So
• 1:05:57
  Speaker 3: that's on there. And then I have to go with
• 1:06:00
  Speaker 3: the film that I'm in A Time to Kill. Oh.
• 1:06:04
  Speaker 2: I liked her. I liked her in that I never
• 1:06:06
  Speaker 2: saw it.
• 1:06:07
  Speaker 4: She was good. Well, there you go.
• 1:06:11
  Speaker 3: Bullock and Samuel L. Jackson and Stephen mccash.
• 1:06:15
  Speaker 4: And Stephen it's all on the poster. You should see it.
• 1:06:20
  Speaker 3: It may be it may look handwritten, but my name's there.
• 1:06:23
  Speaker 2: So let's let's recap these because our conversation, uh spiraled
• 1:06:27
  Speaker 2: a little bit there. I'm going with miscongeniality, the proposal,
• 1:06:33
  Speaker 2: the blind Side, and crash.
• 1:06:35
  Speaker 4: Brandon, I'm going with speed, proposal, miscongeniality and gravity.
• 1:06:42
  Speaker 3: And so we all have the proposal thanks to Ryan
• 1:06:46
  Speaker 3: Reynolds and Betty White. Yes, but then I also like
• 1:06:50
  Speaker 3: Brandon have Speed. And then my two different ones are
• 1:06:53
  Speaker 3: Time to Kill in bird Box.
• 1:06:54
  Speaker 2: There you go, Yeah, pretty pretty good range there.
• 1:06:59
  Speaker 4: There's not I'll be honest, there's not. I guess it's
• 1:07:02
  Speaker 4: because like I think a lot of people still enjoy
• 1:07:04
  Speaker 4: like the way we are were with Bill Pullman Practical Magic,
• 1:07:09
  Speaker 4: Hope Floats. I thought for Strew that was gonna be
• 1:07:11
  Speaker 4: in Ma Caasha's Well.
• 1:07:13
  Speaker 3: No, my wife as soon as I gave her the question,
• 1:07:16
  Speaker 3: she just screamed out, while you were sleeping.
• 1:07:18
  Speaker 4: That's it. While you were sleeping, that's it. Sorry, that's
• 1:07:20
  Speaker 4: the Bill Pullman wan. So but you know, there's not
• 1:07:24
  Speaker 4: a lot that like I actually like would consider great,
• 1:07:27
  Speaker 4: and unfortunately Blindside has kind of diminished over time because
• 1:07:31
  Speaker 4: I think, one it has an age that great, and
• 1:07:34
  Speaker 4: then I mean it's like everything that affects it is
• 1:07:37
  Speaker 4: then it's like, okay, not that movies aren't like, you know,
• 1:07:41
  Speaker 4: stretch the truth anyway, but because of the of Michael
• 1:07:45
  Speaker 4: Orr coming out with all this stuff, I'm just like, yeah,
• 1:07:48
  Speaker 4: I don't know which it probably shouldn't affect the movie
• 1:07:50
  Speaker 4: because the movie is the movie. And I agree with
• 1:07:53
  Speaker 4: Stony like it is good. But now I'm like, does
• 1:07:55
  Speaker 4: she was that like a Jamie Lee Curtis everything everywhere?
• 1:07:58
  Speaker 4: Like does she win the Oscar? Because you know she's
• 1:08:00
  Speaker 4: been around for a while. Yeah, I don't know.
• 1:08:03
  Speaker 2: I will say she does not have a television credit
• 1:08:06
  Speaker 2: because sometimes you know, these filmographies go sideways, you realize, oh,
• 1:08:10
  Speaker 2: they stepped over. But television, but her last television credit
• 1:08:14
  Speaker 2: is nineteen ninety six. Is Muppets Tonight.
• 1:08:16
  Speaker 4: Hell yeah, she's doing there's some Keanu Reeves. They're getting
• 1:08:21
  Speaker 4: back together for some kind of thriller thing. And then
• 1:08:24
  Speaker 4: Practical Magic too is in product her and Nicole Kidman.
• 1:08:27
  Speaker 2: I got to see Practical Magic.
• 1:08:29
  Speaker 4: Yeah, I remember it being a fun one.
• 1:08:31
  Speaker 2: Strikes me as the type of film that I would
• 1:08:33
  Speaker 2: enjoy see in October.
• 1:08:34
  Speaker 3: Yeah.
• 1:08:34
  Speaker 4: Yeah, but I was kind of surprised on some of
• 1:08:37
  Speaker 4: the stuff where I'm like, oh, I can't believe you
• 1:08:41
  Speaker 4: on it mentioned demolition Man.
• 1:08:42
  Speaker 2: Demolition Man she was in.
• 1:08:44
  Speaker 4: Did you see that?
• 1:08:45
  Speaker 2: No? I never saw it.
• 1:08:46
  Speaker 4: Okay, let's go home.
• 1:08:49
  Speaker 3: Yeah, let's do go ho. Gentlemen, before we get out
• 1:08:52
  Speaker 3: of here, you want to tell these fine folks how
• 1:08:54
  Speaker 3: they can find you on the internet.
• 1:08:55
  Speaker 2: At Stony Keeley on Twitter, at silbrose Network everywhere, Nashville
• 1:09:00
  Speaker 2: Movie Dispatch, dot Substack dot com, Sobrosnetwork dot com, Stacking
• 1:09:04
  Speaker 2: the Inbox dot com and uh yeah that's it.
• 1:09:08
  Speaker 4: Uh, mine's Twitter at Sir Brandon V and Sir Brandon
• 1:09:12
  Speaker 4: on letterboxed.
• 1:09:14
  Speaker 3: And for me on Twitter, it's at mc underscore Cash
• 1:09:18
  Speaker 3: seventy five letterbox. Just simply Stephen mccash and cheers to
• 1:09:23
  Speaker 3: another episode of Drinking With, where we've explored the films
• 1:09:25
  Speaker 3: that have come of age is like a fine wine.
• 1:09:28
  Speaker 3: As we raise our glasses to movies turning twenty one,
• 1:09:30
  Speaker 3: we've laughed, reminisced, and maybe even shed a tear two
• 1:09:34
  Speaker 3: over the timeless classics. Definitely didn't shed a teer two
• 1:09:36
  Speaker 3: on Crash, but maybe next month. So until next time,
• 1:09:40
  Speaker 3: may or drinks be cold, your conversations lively, and your
• 1:09:42
  Speaker 3: movie nights unforgettable. Drink responsibly, and remember age is just
• 1:09:46
  Speaker 3: a number, but great films are forever. Most importantly, subscribe
• 1:09:49
  Speaker 3: to Drinking With wherever you get your podcast fixed. Leave
• 1:09:52
  Speaker 3: us a rating review so we know what you think
• 1:09:53
  Speaker 3: about the show, and let us know what movie that's
• 1:09:55
  Speaker 3: turning twenty one years old that you would like us
• 1:09:57
  Speaker 3: to discuss. So until next time, we'll see you then,
• 1:10:00
  Speaker 3: because I have to return some videotapes