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Its All About Growth ( Omar Epps and Charles Murray) · The Breakfast Club

• 0:01
  Speaker 1: This is Yo wak up Hallam Club to show you
• 0:05
  Speaker 1: love to hate from the East to the West. Coach
• 0:07
  Speaker 1: DJ and Angela Cholomagne the the rualist show on the planet.
• 0:11
  Speaker 1: This is why I respect this show because this is
• 0:14
  Speaker 1: a voice of society. Sames in the game. Guys are
• 0:17
  Speaker 1: the coveted morning show. But y'all earning impacting the coach.
• 0:20
  Speaker 1: They wake up in the morning and day want to
• 0:23
  Speaker 1: hear that breakfast the world's most dangerous morning show. Good
• 0:32
  Speaker 1: morning Usa yo yo yo yo yo yo yo yo
• 0:35
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:36
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:38
  Speaker 1: yo yo yo yo yo yo yo yo Angela. Ye's
• 0:41
  Speaker 1: that was Papa Sholomagne pasted the planet in It's Thursday. Yes,
• 0:48
  Speaker 1: it's Thursday, definitely Thursday. I'm tired today now I'm gonna
• 0:51
  Speaker 1: let y'all know. Okay, between all that dance and I
• 0:53
  Speaker 1: was doing it here yesterday, uh and a good um
• 0:56
  Speaker 1: arm workout yesterday, I'm tired this morning. Yo boy muscles
• 1:00
  Speaker 1: a little exhausted, but I'll be all right. We're gonna
• 1:02
  Speaker 1: make it goddamn it. Okay, Yes, well it is Thursday.
• 1:06
  Speaker 1: But besides working at What else did you do yesterday? Anything?
• 1:08
  Speaker 1: Anything entertaining, anything fun? Anything at all? Who was yesterday? Wednesday? Tursday?
• 1:13
  Speaker 1: Yesterday was Wednesday? Man, it's all a blur. Man, I
• 1:16
  Speaker 1: don't know. I'm not I don't remember doing anything entertaining.
• 1:18
  Speaker 1: You know what I did yesterday after we worked out,
• 1:21
  Speaker 1: I rolled my wife to pick up the kids from school.
• 1:23
  Speaker 1: That was That was fun. That was it. It was fun.
• 1:26
  Speaker 1: You know what I'm saying, Like, right when you finished
• 1:27
  Speaker 1: a good work out and this is you and the
• 1:29
  Speaker 1: wife together and you're talking and going and pick up
• 1:31
  Speaker 1: your kids. Yeah, that's life. Yeah. Do you want me
• 1:34
  Speaker 1: to say, yeah, the club tossing it up? No, I
• 1:37
  Speaker 1: didn't even say that anymore. I had to say that
• 1:39
  Speaker 1: at all. My kids picked up my kids yesterday from school,
• 1:44
  Speaker 1: and you know, it was subway day. They wanted for
• 1:46
  Speaker 1: some reason, they wanted subway. Damn man, why he said?
• 1:49
  Speaker 1: Cameraman said, gross, let's growing subway. I liked upwhere I
• 1:52
  Speaker 1: haven't had subway in a while. But you know, I'm
• 1:54
  Speaker 1: not going to help with this nothing that I grew
• 1:56
  Speaker 1: up on. Now, my kids on the subway yesterday, So
• 1:58
  Speaker 1: I took them the subway and they got the subway
• 2:00
  Speaker 1: sandwhich is just they were so excited to go to subway.
• 2:02
  Speaker 1: That's dope. Man, Daddy got a foot long in the morning,
• 2:05
  Speaker 1: kids get a foot long later. That's what I didn't
• 2:08
  Speaker 1: say nothing, Man, I don't even say nothing. Man, Scott's crazy.
• 2:12
  Speaker 1: Scot's crazy. I ain't even say nothing. Who we got
• 2:14
  Speaker 1: anybody on the show to Omar Epps and Charles Murray
• 2:17
  Speaker 1: will be joining us. Hey, Omar and Charles got a
• 2:19
  Speaker 1: movie coming out this weekend called The Devil, The Devil,
• 2:22
  Speaker 1: you know, the Devil. You know it's in theaters tomorrow actually,
• 2:26
  Speaker 1: so they'll be here to talk all about that. That's
• 2:27
  Speaker 1: that's black Hollywood royalty right there. Absolutely, you know what
• 2:30
  Speaker 1: I mean on my Epps and Charles Burth. If you
• 2:31
  Speaker 1: don't know who Charles Murray is, um, look up shows
• 2:34
  Speaker 1: like Sons of Anarchy, Look up shows like Luke K,
• 2:37
  Speaker 1: look up shows like you know, Marvel's Being Humans. It's
• 2:40
  Speaker 1: a bunch of stuff that that's that's that's the stuff
• 2:42
  Speaker 1: I you know, I watched. But he's had his hand
• 2:45
  Speaker 1: in a little bit of everything. Absolutely, you know, I'm
• 2:47
  Speaker 1: a sea goes back from watch to uh, you know,
• 2:51
  Speaker 1: the PowerBook now to the loving basketball. Yeah, he's been
• 2:56
  Speaker 1: in so many different things. Would but he said would twice.
• 3:00
  Speaker 1: That's the name is movie manage you the first time
• 3:03
  Speaker 1: I said it twice. This guy is crazy starting, This
• 3:06
  Speaker 1: guy be making up stuff for no reason. Man starting early,
• 3:10
  Speaker 1: come home. Man, when we got the front page news,
• 3:12
  Speaker 1: Disney releasing more gay characters, will tell you about grow up.
• 3:22
  Speaker 1: It's the breakfast Club. Good morning morning. Everybody is DJ
• 3:26
  Speaker 1: Envy Angela Yee, Charlomagne the guy. We are the breakfast Club.
• 3:29
  Speaker 1: Let's getting some front page news now after an eight
• 3:34
  Speaker 1: year wait. Some sports. At first, the US men's national
• 3:36
  Speaker 1: teams secure the spot Wednesday in the twenty twenty two
• 3:41
  Speaker 1: FEEFA World Cup. Soccer. Yeah, this is soccer. This is football.
• 3:44
  Speaker 1: Anybody beg in here in soccer? Is that big? No? No,
• 3:46
  Speaker 1: soccer big soccer is huge. No. No. The fact that
• 3:49
  Speaker 1: the US team finally made the World Cup. I don't
• 3:50
  Speaker 1: even know what the World Cup means. That I'm playing
• 3:52
  Speaker 1: super Bowl? Is soccer? Right? Is that the super Bowl?
• 3:55
  Speaker 1: I don't know. I don't watch something I don't I
• 3:57
  Speaker 1: don't It's like the super Bowl of soccer tournament. So
• 4:01
  Speaker 1: it's not what game and so it's like the playoffs.
• 4:03
  Speaker 1: I guess all I know is football, Okay, the biggest
• 4:07
  Speaker 1: sport in the world. Absolutely so. Now in the Fiefeels,
• 4:10
  Speaker 1: a big video game, yeah, based off soccer. It's big,
• 4:14
  Speaker 1: it's big. Yeah. Okay, all right, Now Bruce Arians resigns
• 4:17
  Speaker 1: as Buccaneers head coach. Todd Bows will be taking his place.
• 4:20
  Speaker 1: Draveling a clue bonn for Tod Bows. Okay, black man
• 4:24
  Speaker 1: get a promotion. Head coach of the Bucks, Tom Brady
• 4:27
  Speaker 1: coming back. All right, see if you can lead them
• 4:30
  Speaker 1: to the Super Bowl. Now, Disney turn I don't root
• 4:32
  Speaker 1: for it because I got my Dallas cowboy Fanny. That's
• 4:33
  Speaker 1: messed up. But you want to Bubba would do good.
• 4:35
  Speaker 1: Not against my cowboys. The cowboys ain't in the way. Sure,
• 4:39
  Speaker 1: the cowboys are trash, but Disney Disney exec said they
• 4:42
  Speaker 1: what more gay characters. I'm here as a mother of
• 4:47
  Speaker 1: two queer children actually um, one transgender child and one
• 4:53
  Speaker 1: hand sexual child. I feel responsibility to speak not just
• 4:57
  Speaker 1: for myself but for them. We have many, many, many
• 5:01
  Speaker 1: lgbt QIA characters in our stories, and and and yet
• 5:07
  Speaker 1: we don't have enough leads, um and narratives. In which
• 5:12
  Speaker 1: gay characters just just get to be characters, um and
• 5:17
  Speaker 1: and not have to be about gay stories. Isn't that
• 5:21
  Speaker 1: a contradiction though if you say you know you want
• 5:23
  Speaker 1: gay characters just to be characters, but then you say
• 5:25
  Speaker 1: you want more gay characters, because the truth in the
• 5:27
  Speaker 1: matter is, how would I know these characters are gay?
• 5:31
  Speaker 1: The only way you can show that gay is if
• 5:32
  Speaker 1: you know you're doing something sexual, right, unless you're doing
• 5:35
  Speaker 1: some stereotypical stuff, you know, I don't I didn't know
• 5:39
  Speaker 1: if Goofy was gay grown up right? Making mouse in
• 5:43
  Speaker 1: many mouth to anybody? So how many a couple? So
• 5:46
  Speaker 1: he can't say that. But well, you don't know that relationship, right,
• 5:49
  Speaker 1: you know what I'm saying. It might have an open relationship.
• 5:51
  Speaker 1: They might have been PolyGram Polynesian sauce. You don't know, right,
• 5:55
  Speaker 1: You don't know what making many ha go on. All
• 5:56
  Speaker 1: I'm simply saying is how are we supposed to know
• 5:58
  Speaker 1: characters to give? You don't tell I don't know it.
• 6:02
  Speaker 1: Like I said, it's not like it's different when it's
• 6:03
  Speaker 1: like you know, race or something that you can see
• 6:06
  Speaker 1: now you can see the representation. When it's gender, you
• 6:08
  Speaker 1: can see the representation. How do you know when somebody
• 6:10
  Speaker 1: is you know, I don't know LGBTQ Disney. Plus, I
• 6:13
  Speaker 1: didn't think anything about Burton Rry. That's not Disney, sir,
• 6:18
  Speaker 1: but they were definitely gay. Why do you say, okay?
• 6:22
  Speaker 1: That is when I can see why. I just can't
• 6:25
  Speaker 1: see that that that's right. There was an energy together
• 6:28
  Speaker 1: that rubber, Ducky one vowel and ducky. Mortgage rates are
• 6:35
  Speaker 1: rising faster than they ever did. So if you're look
• 6:37
  Speaker 1: at the purchase at home or thinking about it, rates
• 6:39
  Speaker 1: are rising. At one time Rachel as low as two
• 6:41
  Speaker 1: point now and two point nine now they are four
• 6:44
  Speaker 1: point eight. And lastly Camden, this was this was pretty horrible. Uh.
• 6:49
  Speaker 1: This morning they're saying we investigated a possible contamination of
• 6:52
  Speaker 1: milk at their early childhood development center. It was a
• 6:56
  Speaker 1: turner that a substance found in the cartons of milk
• 6:58
  Speaker 1: was a sanitizer. Now to sanitizer runs through the vendor
• 7:01
  Speaker 1: machines prior to the milk. Unfortunately, many cartons were filled
• 7:05
  Speaker 1: with the sanitizer and a bunch of students two dozen
• 7:07
  Speaker 1: students had to be a rushed to the hospital after
• 7:09
  Speaker 1: drinking this milk. I'm so confused. So wait a minute,
• 7:12
  Speaker 1: what happened The sanitizer was what I guess in these
• 7:15
  Speaker 1: machines when they run the machines, they clean the machines
• 7:18
  Speaker 1: out first, and they have I guess some type of
• 7:20
  Speaker 1: sanitizing solution that goes to the machines to clean the machines.
• 7:23
  Speaker 1: But I guess the sanitizing solution wasn't all the way through.
• 7:26
  Speaker 1: So when they started putting the milk back into the cartons,
• 7:28
  Speaker 1: some of the milk cartons also had the sanitizer in
• 7:31
  Speaker 1: it as well, and it made two dozen students sick.
• 7:33
  Speaker 1: I can't believe they still serving kids milk. Wok isn't
• 7:36
  Speaker 1: necessarily good for you, Okay. People say it's one of
• 7:39
  Speaker 1: the top sources of a saturated fact in the American diet,
• 7:41
  Speaker 1: contributes to heart disease and type two diabetes, and all timers,
• 7:45
  Speaker 1: it's like, why are we still drinking milk? I drink
• 7:47
  Speaker 1: all mi in milk, though I have no idea. Well,
• 7:50
  Speaker 1: that is your front page news, and I'm like tools intolerant,
• 7:53
  Speaker 1: by the way, so get it off your chests eight
• 7:56
  Speaker 1: five eight five one oh five one. If you need
• 7:58
  Speaker 1: to vent folns a wide open eight hundred five eight
• 8:01
  Speaker 1: five one h five one, Get it off your chest.
• 8:03
  Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. Wake up,
• 8:10
  Speaker 1: wake up, wake y'alls. Your time to get it off
• 8:13
  Speaker 1: your chest? Your man, I'm blass. We want to hear
• 8:17
  Speaker 1: from you on the Breakfast Club. Hello. Who's this? What up?
• 8:22
  Speaker 1: What up? What up? Trash? What's up? Sean? Ye I
• 8:25
  Speaker 1: missed you. I know you're not there, but you know
• 8:27
  Speaker 1: I can missed you. But y'all can tell y'all something.
• 8:30
  Speaker 1: I was little step. I'm gonna upset yaw. So I
• 8:34
  Speaker 1: was talking to this guy right minere was hanging out
• 8:37
  Speaker 1: the other day and we've been talking for like a
• 8:39
  Speaker 1: good light almost a month, right, and yeah, I know
• 8:42
  Speaker 1: this man try to scam me yesterday. How you trying
• 8:45
  Speaker 1: to scam? What you do? Like here? So like when
• 8:48
  Speaker 1: he woke up, right it was like seven o'clock in
• 8:50
  Speaker 1: the morning, he said he was going to my other rooms.
• 8:52
  Speaker 1: They can play the PS five right, Oh you hit,
• 8:54
  Speaker 1: you hit trash. You can't listening game listening to real
• 8:57
  Speaker 1: quick song, so listen to my period literally was like
• 9:01
  Speaker 1: literally was like, yo, where's your wallet? So I got
• 9:03
  Speaker 1: up and I text my I text my plants pocket
• 9:05
  Speaker 1: and I said, you know what, maybe I left in
• 9:07
  Speaker 1: the other room. So I didn't want to go in
• 9:08
  Speaker 1: there right away. So when he went to the bathroom,
• 9:11
  Speaker 1: I went inside the room. I opened my wallet. I'm
• 9:13
  Speaker 1: a creature of Hannit. I know how I put my
• 9:14
  Speaker 1: card and I had so he had my unemployment card
• 9:17
  Speaker 1: and sitting on top of my my EBC card, sitting
• 9:20
  Speaker 1: on top of my retar baint card. And I never
• 9:23
  Speaker 1: put my cards like that. How you get some masks
• 9:25
  Speaker 1: and you want unemployment and EBT. You don't deserve nothing.
• 9:27
  Speaker 1: You need to get a job. That was like struggling. Okay, right,
• 9:32
  Speaker 1: you need a job. Traf All right, listen, I have
• 9:36
  Speaker 1: I have target. Well, salute to that man. I know
• 9:38
  Speaker 1: that struggled. D you gave him was good. That was struggled.
• 9:41
  Speaker 1: A puture of my card, which one he took a
• 9:45
  Speaker 1: puture of my bank card and my unemployment card, Am
• 9:47
  Speaker 1: I easy card? What's the problem? He want to make
• 9:50
  Speaker 1: sure he got to know who you are. You know
• 9:52
  Speaker 1: he was you know, he tryed, he was trying to
• 9:54
  Speaker 1: he was trying to scam and trying to keep my card. Well,
• 9:56
  Speaker 1: I mean your D was whacked if he did that.
• 9:58
  Speaker 1: I mean he had to get something out to deal. Okay,
• 10:01
  Speaker 1: you gave him that trash ass D. You gave him
• 10:03
  Speaker 1: that trash ass D and you ain't got no job.
• 10:06
  Speaker 1: I gotta get something out of this situation. Traffic, listen everything, yep,
• 10:10
  Speaker 1: I just dropped this single? Right? Can I send to
• 10:12
  Speaker 1: see you see you put in your make it's really
• 10:14
  Speaker 1: really dope. Send it to me. Leaves play trap single
• 10:16
  Speaker 1: man trap needed. I hope you got it on screaming
• 10:19
  Speaker 1: services traffic they start seeing services, but I have to
• 10:23
  Speaker 1: clean version. All right, we'll send it over, sending you
• 10:25
  Speaker 1: healing energy trap. I'm sending you healing energy man. Lord,
• 10:28
  Speaker 1: have mercy. Trashy he put an unemployment card on top
• 10:31
  Speaker 1: of his EBT card. God, damn struggle. Hello, who's this
• 10:36
  Speaker 1: dominic dude? What's up? Dum? Go morning solo man, Go
• 10:42
  Speaker 1: morning Evan. Can't you want to give a shout out
• 10:45
  Speaker 1: to my wife? I should get ready to go on
• 10:47
  Speaker 1: label man. I hope she'd on a road. Truck driver, man,
• 10:50
  Speaker 1: oh man, how far are you from on H five?
• 10:54
  Speaker 1: Five minutes? I ain't too far? All right, we'll get
• 10:56
  Speaker 1: your ass home. Man. This baby number one. Number number
• 11:00
  Speaker 1: four comes fast. We just have four. Last year, Me
• 11:02
  Speaker 1: and my wife had number four last year. Four. Don't
• 11:04
  Speaker 1: play with congratulations. Yeah once you're going label for number four.
• 11:09
  Speaker 1: It's on king Hurry, hurry your ass up, Yes, sir, Yes, sir.
• 11:13
  Speaker 1: Also Solomn. I want to get one of your books. Man,
• 11:15
  Speaker 1: I got you. I'm gonna send you, uh what I
• 11:17
  Speaker 1: gotta left off you. I gotta need a copac shallow water,
• 11:20
  Speaker 1: and I'm gonna sending that up here for you. I
• 11:21
  Speaker 1: think your wife will enjoy that after she has the
• 11:23
  Speaker 1: baby and she laying up in the hospital. Something to read,
• 11:26
  Speaker 1: you know, Yes, sir, most but y'all have a wonderful play.
• 11:29
  Speaker 1: Put them on hold and get it off your chest.
• 11:31
  Speaker 1: Eight hundred five ain't five one on five one. If
• 11:34
  Speaker 1: you need to vent, hit this up now. It's the
• 11:35
  Speaker 1: Breakfast Club. Good morning, the Breakfast Club. This is your
• 11:43
  Speaker 1: time to get it off your chests. Whether you're man
• 11:45
  Speaker 1: or blast three, better have the same. An We want
• 11:48
  Speaker 1: to hear from you on the Breakfast Club. Hello. Who's
• 11:51
  Speaker 1: this Hey? Yeah? This from Alia. Hey, what's up? Get
• 11:54
  Speaker 1: it off your chest? Hey man? Yeah, good morning to y'all.
• 11:57
  Speaker 1: Bust up real quick, first time calling along time I'm
• 12:00
  Speaker 1: listening above yourself, guys, thank you sir. Absolutely, But I'm
• 12:04
  Speaker 1: twe years old and I used to be a real
• 12:06
  Speaker 1: social person. I'm the youngest of seven big family, you
• 12:09
  Speaker 1: know what I mean. But it's this This generation is
• 12:12
  Speaker 1: real weird, man, and I'm having a hard time really
• 12:15
  Speaker 1: five and enjoying with anybody at all. I hope you
• 12:17
  Speaker 1: ain't calling up here for no advice because I'm the
• 12:19
  Speaker 1: most and I'm very anti social, especially after COVID. Yeah,
• 12:22
  Speaker 1: my anxiety kicking. I don't want to be around nobody. Absolutely,
• 12:26
  Speaker 1: That's why I mainly wanted to ask you, man, do
• 12:29
  Speaker 1: you ever you ever get a time where you might
• 12:31
  Speaker 1: feel like, you know what I mean, you need to
• 12:34
  Speaker 1: go out, You need to talk to people, whether that
• 12:36
  Speaker 1: be family friends. I mean, I know you are surrounded
• 12:39
  Speaker 1: by a lot of people you know at home, but
• 12:41
  Speaker 1: is there any time that you feel like you need
• 12:43
  Speaker 1: to go in and get something out like that? Well? No,
• 12:46
  Speaker 1: but you got a lot of friends. Thought. I got
• 12:48
  Speaker 1: a nice small circle of friends, and I got my therapists,
• 12:52
  Speaker 1: and I got my wife. I'm good. Yeah, I think
• 12:54
  Speaker 1: the same, like I gotta I got a circle of people.
• 12:56
  Speaker 1: That and that's it. I think my circle is about
• 12:59
  Speaker 1: less than I know it is less than ten. It
• 13:01
  Speaker 1: might be seven. But yeah, I just stayed with my circle. Yeah,
• 13:03
  Speaker 1: I do go out when I go out with my circle,
• 13:05
  Speaker 1: but when I'm out, I'm in and out as usually business.
• 13:08
  Speaker 1: But now I got a strong team around me. That
• 13:10
  Speaker 1: the way my anxiety set up. Guys me and all
• 13:12
  Speaker 1: that the way my anxiety set up. And after COVID
• 13:15
  Speaker 1: like being you know, us being in the house quarantine.
• 13:17
  Speaker 1: I just don't be around a bunch of random people
• 13:19
  Speaker 1: all the time. No more Hello, who's this? What's up?
• 13:23
  Speaker 1: Broke it off your chest? Man? I just don't understand
• 13:25
  Speaker 1: how kids get automatically guns and shooting make self Like
• 13:28
  Speaker 1: three year old sports and year old playing with guns
• 13:30
  Speaker 1: to shooting make self. It's ridiculous. I understand fourteen, but
• 13:34
  Speaker 1: three years wild. Yeah, I mean, I guess, I guess
• 13:36
  Speaker 1: A lot of time parents don't put the guns up
• 13:39
  Speaker 1: or hide the guns. But you know, a lot of times,
• 13:41
  Speaker 1: you know what what parents do sometimes if they put
• 13:43
  Speaker 1: the guns where they can grab it, if there's an
• 13:45
  Speaker 1: into the in the house. But a lot of times
• 13:47
  Speaker 1: they don't think about their child or the children grabbing
• 13:49
  Speaker 1: that gun, you know, very scared. What story are you
• 13:53
  Speaker 1: referencing in particular that ain't come out of nowhere? What
• 13:55
  Speaker 1: you're talking about? It's your old shooting. Really yeah, it
• 14:00
  Speaker 1: did not with a regular guy afifteen huh how yeah?
• 14:04
  Speaker 1: Where you don't where the story yet if you look
• 14:08
  Speaker 1: at the funks where you'll find the hole w MT.
• 14:11
  Speaker 1: I know that that that gonna got a safety, so
• 14:13
  Speaker 1: that that's even that's even scarier. I I mean, I
• 14:16
  Speaker 1: know most guns do have safeties as a security thing
• 14:19
  Speaker 1: where you know, and if you have a glock, you know,
• 14:21
  Speaker 1: usually you have to actually cock that block to be
• 14:24
  Speaker 1: able to use it, which is which is a guess
• 14:26
  Speaker 1: a form of safety. But I mean parents should know
• 14:28
  Speaker 1: that they should have some type of safety lock box
• 14:30
  Speaker 1: that you know, even if this one with the fingerprints,
• 14:32
  Speaker 1: now you can put your thumb print on it to
• 14:33
  Speaker 1: open it up fast or whatever it may be. But
• 14:35
  Speaker 1: you gotta be you gotta be very very careful with
• 14:37
  Speaker 1: those kids and guns, because you know, kids see guns,
• 14:40
  Speaker 1: they look on TV. They think it's funny, they think
• 14:42
  Speaker 1: it's cool, and you know, I'm looking at it right now.
• 14:45
  Speaker 1: How does a three year old even lift upper a
• 14:47
  Speaker 1: off fifteen Jesus Christ, my goodness, get it off your
• 14:50
  Speaker 1: chest eight hundred five A five one on five one
• 14:53
  Speaker 1: that when we come back, we got roomors on the way.
• 14:55
  Speaker 1: Two queens of this hip hop team were out and
• 14:58
  Speaker 1: about last night shooting videos. Will tell you about it,
• 15:00
  Speaker 1: So don't move. It's to breakfast club. Coming the breakfast club.
• 15:09
  Speaker 1: Oh reports club. Now. I just thought this was dope
• 15:18
  Speaker 1: because I'm I'm excited to hear some new music. Yesterday
• 15:21
  Speaker 1: in New York City, we had both the queens actually
• 15:23
  Speaker 1: recording videos. Nicki Minaj was recording her single with five
• 15:27
  Speaker 1: Year four and out in the city, and so was
• 15:29
  Speaker 1: Cardi B. She was recording her single with key k
• 15:32
  Speaker 1: Flock out in the city as well. I just thought
• 15:35
  Speaker 1: it was dope. I just thought it was two queens.
• 15:36
  Speaker 1: They're getting back to music, they're shooting videos. I didn't
• 15:39
  Speaker 1: think nothing of it. God bless body and Nicki Minaj.
• 15:42
  Speaker 1: They looked like they was in the trenches they were.
• 15:44
  Speaker 1: I'm sure they had the proper security around him as
• 15:46
  Speaker 1: they should have. I'm sure, and I still don't want
• 15:49
  Speaker 1: to see him in that type of element, though, strictly
• 15:50
  Speaker 1: for safety, reasons. But I was just shooting video, I know.
• 15:52
  Speaker 1: But and when I when I saw it, I was
• 15:54
  Speaker 1: like Jesus, Chris, you know, I hope they got the
• 15:56
  Speaker 1: right people around. I'm sure I know NICKI did. I
• 15:59
  Speaker 1: know Cardi did. But then I guess the trolls started
• 16:01
  Speaker 1: saying that Cardi B. What's crazy though? What's that? I
• 16:04
  Speaker 1: bet you both of them, Nikki and Cardy was safer
• 16:07
  Speaker 1: in the trenches then they would have been at the
• 16:09
  Speaker 1: Oscars this week, okay, because we had no incidences of
• 16:12
  Speaker 1: violence at easy one of those videos. We've been talking
• 16:15
  Speaker 1: about an incident of violence at the Oscars all week long.
• 16:17
  Speaker 1: So saluted them both from New York and then you
• 16:20
  Speaker 1: know they know how to touch the town. And Cardy
• 16:22
  Speaker 1: B as a zillion one b X dudes and Nikki
• 16:26
  Speaker 1: got a zillion one Queen's dude, so I'm sure they
• 16:28
  Speaker 1: were safe. But then they started trolling Cardy and said
• 16:30
  Speaker 1: the only reason that Cardy was out recording her video
• 16:33
  Speaker 1: was because Nicky was. I didn't see none of this.
• 16:35
  Speaker 1: The producer just told me, so. Cardy B actually responded,
• 16:38
  Speaker 1: I've been trying to be nice, are trying to keep peaceful,
• 16:40
  Speaker 1: but y'all not gonna keep playing me, And let me
• 16:42
  Speaker 1: say something. February twenty fifth, that's when Ka Flag managers
• 16:46
  Speaker 1: at me a cool. I'll see that, right, y'a'll be
• 16:51
  Speaker 1: acting like I'll be moving on people's time, and I'll
• 16:53
  Speaker 1: move on party B time. And I now, y'all see
• 16:56
  Speaker 1: the dates right here. Let me make it really nice
• 16:58
  Speaker 1: and clear for you. Now, y'all said that it's March fifth, right, Now,
• 17:01
  Speaker 1: here's Cardi vocals. That's a little rough, all right, that's
• 17:06
  Speaker 1: March fifteen. At the end of the day, Cardi B
• 17:09
  Speaker 1: was working, Cardi B was rehearsing for a movie. Cardi
• 17:11
  Speaker 1: B was doing Facebook. Cardi B even had to go
• 17:14
  Speaker 1: to Europe for deal. Like what, Barty, stop explaining yourself
• 17:19
  Speaker 1: to people. Okay, the Internet cannot have a hold on
• 17:23
  Speaker 1: your brain in that way. I wish I would explain
• 17:25
  Speaker 1: myself to a bunch of folks that don't know me.
• 17:27
  Speaker 1: All right, Bartie, they are committed to misunderstanding you, they
• 17:29
  Speaker 1: are committed to not liking you. Why are you explaining
• 17:31
  Speaker 1: yourself to them? Stop? But I'm just happy they're both
• 17:34
  Speaker 1: back recording and shooting videos in the same way. You know,
• 17:37
  Speaker 1: Cardi moves on our own time. Don't give them people
• 17:40
  Speaker 1: none of your time. You know the truth, you know
• 17:43
  Speaker 1: you know the truth. Like who cares what they think?
• 17:45
  Speaker 1: They're gonna talk anyway? Absolutely now Black China. She was
• 17:49
  Speaker 1: in the news yesterday. She posted on Twitter yesterday I
• 17:52
  Speaker 1: had to give up three of my cars, my reasons, morals, beliefs,
• 17:55
  Speaker 1: being a single mother, no support, I'm a mama that
• 17:59
  Speaker 1: She posted single, no support, child support, then she put
• 18:04
  Speaker 1: practicing gratitude or Tiger responded, I paid forty thousand a
• 18:08
  Speaker 1: year for my son's school and he lives with me
• 18:10
  Speaker 1: Monday through Saturday. Why would I pay child support? Laugh
• 18:13
  Speaker 1: out loud? Oh, City Boys up seven hundred points for
• 18:15
  Speaker 1: that one. That was a nice one. Rob Kardashian posted,
• 18:18
  Speaker 1: I paid thirty seven thousand a year for my daughter's school.
• 18:21
  Speaker 1: I can't do every single medical expense. I paid for
• 18:24
  Speaker 1: all of her activities, and I have my daughter from
• 18:26
  Speaker 1: Tuesday to Saturday. Why would I pay child support? City
• 18:29
  Speaker 1: Boys up another seven hundred points. That's fourteen points in
• 18:31
  Speaker 1: the checkmate right there. Tiger responded, how you paid three
• 18:34
  Speaker 1: thousand less than me? Let me head get on the phone, Kings,
• 18:38
  Speaker 1: get on the phone with each other, and let's talk
• 18:41
  Speaker 1: about it. Let's discuss, Okay, the best route to pay
• 18:45
  Speaker 1: less money when it comes to your children. Okay, but
• 18:49
  Speaker 1: at least stay there for these children. She did she reply?
• 18:51
  Speaker 1: And anyway she didn't respond. Hey man, Hey, now, I
• 18:55
  Speaker 1: don't see nothing wrong with that comment. I don't see nothing.
• 18:57
  Speaker 1: She spoke, you know, what was her truth and they
• 19:01
  Speaker 1: spoke that. Okay, made the best truth win. There you go. Now,
• 19:05
  Speaker 1: shout out to Mayno. You know Mayno has the Kitchen
• 19:07
  Speaker 1: Talk of podcast. It was just picked up on Fox Soul.
• 19:11
  Speaker 1: A smooth to Mayno. All right, so he has that
• 19:14
  Speaker 1: begins on April fourth. He has Angie Martinez, Fat Joe,
• 19:17
  Speaker 1: Remy mar dj MV, that guy. Oh yeah, that's gonna
• 19:20
  Speaker 1: be a great episode. And they're all gonna be on
• 19:22
  Speaker 1: the program this year. So congratulations and shout out to
• 19:24
  Speaker 1: Mayno on his Fox Soul deal. Hold on to today
• 19:27
  Speaker 1: license the content that he already put out or this
• 19:30
  Speaker 1: is new shows. I didn't sign off in anything, but
• 19:32
  Speaker 1: I guess it's uh the content that he put out already.
• 19:35
  Speaker 1: You you you're gonna sign off? Yeah, Mayno's the homie.
• 19:37
  Speaker 1: Yeah yeah, Mayno slaps Manoe slapped me, but I'm sure
• 19:42
  Speaker 1: Chris Rocks had. I wouldn't slap you now because it's
• 19:44
  Speaker 1: all that Beijing you got on your Shut up man,
• 19:46
  Speaker 1: I wouldn't want you know, at least a lot of evidence.
• 19:47
  Speaker 1: Shut up, slap you on the face now, I gotta
• 19:49
  Speaker 1: do fingerprints, you know. Shut up? And lastly, now, Bruce Willis,
• 19:54
  Speaker 1: Bruce Willis is stepping away from acting for a little
• 19:56
  Speaker 1: bit after am I saying this? Right? Pronounced this? Say
• 20:02
  Speaker 1: it loud? Let me see. It's sound like a phasia,
• 20:06
  Speaker 1: but I'm not sure. Let me give it a try.
• 20:09
  Speaker 1: Where's it that top? Put your glasses off? No, it
• 20:12
  Speaker 1: look like a Disney character. I can't pronounce that spellative
• 20:16
  Speaker 1: to the people, right, A p h A s A
• 20:19
  Speaker 1: y aha. Phasia. I think it's a phaia. I know
• 20:22
  Speaker 1: her too, you know, yeah, well, a phasia is when
• 20:25
  Speaker 1: you have the difficulty of speaking and comprehending. That's horrible, man, man,
• 20:28
  Speaker 1: Bruce Bruce Willis is sixty seven. That's a young sixty seven,
• 20:31
  Speaker 1: A young nowadays, you know what I'm saying. I don't
• 20:33
  Speaker 1: want to start losing my memory ever, but definitely not
• 20:35
  Speaker 1: at sixty seven. They said you start getting these when
• 20:38
  Speaker 1: you someone uses gipperish or can only speak in short spurts.
• 20:43
  Speaker 1: So he's stepping away for a little bit. And they
• 20:45
  Speaker 1: said this usually happens due to an injury of the brain.
• 20:49
  Speaker 1: Damn man, So what he had, like some brain trauma
• 20:53
  Speaker 1: at some point in his life. I don't know. And
• 20:55
  Speaker 1: when they say injury of the brain, was it a
• 20:56
  Speaker 1: recent injury or something that happened to him before, Like
• 20:59
  Speaker 1: I want to know more about it. They're not. I'm saying.
• 21:01
  Speaker 1: They said the diagnosis is confirmed with an MRI or
• 21:03
  Speaker 1: CT scans. Uh, And he's stepping away for a little bit.
• 21:06
  Speaker 1: I thought that was a form of dimension. I don't know.
• 21:08
  Speaker 1: I mean, I guess when I just saw what the
• 21:11
  Speaker 1: conditions were, it is a form of dimension. Okay, what
• 21:13
  Speaker 1: you said, the missions not called my brain. I'm just
• 21:16
  Speaker 1: telling you what they tell me. And I don't know.
• 21:18
  Speaker 1: I'm just asking. I really, I'm not a doctor. I'm
• 21:20
  Speaker 1: not a Kennedy. Like my mother in law had dementia
• 21:23
  Speaker 1: and she got hus from a car accident. Somebody ran
• 21:26
  Speaker 1: into the back of her car, and you know, when
• 21:28
  Speaker 1: she went to the hospital and whatever, they had to
• 21:31
  Speaker 1: fix her back. But that's how hustar that accident from
• 21:34
  Speaker 1: that car accident. Man, that's horrible. Man, definitely sending healing
• 21:37
  Speaker 1: energy to Bruce Willis. All right, well that is your
• 21:40
  Speaker 1: room of report. Now when we come back, we got
• 21:41
  Speaker 1: front page news. Joe Biden. He's gonna try to help
• 21:44
  Speaker 1: you guys with the gas. He's gonna release some barrels.
• 21:47
  Speaker 1: So we'll explain that and break that down when we
• 21:49
  Speaker 1: come back. Now. Also, oh man, today is I hate
• 21:53
  Speaker 1: to say anniversary is the anniversary of Nipsey's passing. Yeah,
• 21:56
  Speaker 1: one time for the late great Nipsey hustle man, sending
• 21:59
  Speaker 1: healing energy his team, in his whole family. It has
• 22:01
  Speaker 1: been three years since he's he's transitioned, that's right, and
• 22:04
  Speaker 1: we miss his energy physically, but we were forever Philage spiritually.
• 22:08
  Speaker 1: That's right. So let's get on the Nipsey. Come on, man,
• 22:10
  Speaker 1: what we're gonna play. What we're gonna play. Let's do
• 22:11
  Speaker 1: Victory Lap Classic Record. This is the first song off
• 22:15
  Speaker 1: off the Victory Lap Lap album Classic Record. Right here,
• 22:17
  Speaker 1: all right, it's a breakfast club. Come on here, so
• 22:20
  Speaker 1: breakfast club. Your mornings will never be the same. Hey,
• 22:24
  Speaker 1: it's Angela Ye have you taken a look at the
• 22:26
  Speaker 1: General insurance lately. Switch to the General and you could
• 22:29
  Speaker 1: say over five hundred dollars on your current insurance. Call
• 22:31
  Speaker 1: eight hundred General or visit the General dot com. The
• 22:34
  Speaker 1: General Auto Insurance Services, Inc. An insurance agency Nashville, Tennessee.
• 22:38
  Speaker 1: Some restrictions apply. Yeah, man, three years today since Nipsey transitioned.
• 22:45
  Speaker 1: We miss his energy physically, but we'll forever feel a
• 22:47
  Speaker 1: spiritually love that record right there. Find your purpose? Are
• 22:51
  Speaker 1: you wasting air? Morning? Everybody is DJ Envy angeluyis Charlomagne
• 22:56
  Speaker 1: the guy we are the breakfast Club's get into front
• 22:58
  Speaker 1: page news. Now. With gas prices hitting the record high,
• 23:03
  Speaker 1: a lot of states are taken off the gas tax
• 23:05
  Speaker 1: to lower the taxes being to lower the prices a
• 23:07
  Speaker 1: little bit. But now Biden is considering releasing a record
• 23:10
  Speaker 1: amount of oil from the US reserves. They have six
• 23:12
  Speaker 1: hundred million barrels of crude oil stored in the underground
• 23:17
  Speaker 1: caverns in Louisiana and Texas. They're gonna crack open the
• 23:20
  Speaker 1: emergency supply. You over here hiding things, Biden answer to that.
• 23:23
  Speaker 1: What they're saying is they're gonna hopefully start releasing around
• 23:26
  Speaker 1: a million barrels per days. What's cracking because we've been
• 23:29
  Speaker 1: out keeping out here, spending seven dollars a gallon on gas,
• 23:33
  Speaker 1: and you've been hiding the stash, six hundred million barrels.
• 23:35
  Speaker 1: You've been hiding the stash. You got a stash, and
• 23:39
  Speaker 1: you ain't tell us, ain't tell nobody. What's up? Man,
• 23:42
  Speaker 1: Come on, lower these gas prices. That's ridiculous. And then
• 23:45
  Speaker 1: what if you tell people? Ever didn't nothing? Do it? Now?
• 23:47
  Speaker 1: Now he's gonna start doing that. Gas prices are ridiculous
• 23:49
  Speaker 1: now they absolutely eight dollars and ninety seven cents a gallon.
• 23:53
  Speaker 1: Now I made that up, but it might as well
• 23:55
  Speaker 1: be now six dollars in some places now, Putin fields
• 23:58
  Speaker 1: the Russian military misled him, nat who says the first
• 24:04
  Speaker 1: they said they're gonna start pulling back, but the bombs
• 24:06
  Speaker 1: keep dropping in Ukraine. They also believe that Russian military
• 24:09
  Speaker 1: units are taking a beating and that Russian militaries is
• 24:12
  Speaker 1: not as strong as Putin believed they were. If if
• 24:15
  Speaker 1: mister Putin is being kept in the dark by his
• 24:17
  Speaker 1: Ministry of Defense, when he does learn the truth, when
• 24:21
  Speaker 1: he actually begins to realize how badly his military is
• 24:25
  Speaker 1: doing in Ukraine. You don't know what kind of reaction
• 24:28
  Speaker 1: that's going to of causing him. They say he's getting
• 24:30
  Speaker 1: his ass handed and doesn't know what to do. I know,
• 24:32
  Speaker 1: Ukraine's so mad at Will Smith. Do they even know
• 24:33
  Speaker 1: the oscars happened? Are they wondering why they got so
• 24:35
  Speaker 1: quietened him this week? Yeah? Because the no internet social
• 24:38
  Speaker 1: media over there. Yeah, they don't even know that. They're
• 24:40
  Speaker 1: wondering why nobody from the US responding this week? It's
• 24:43
  Speaker 1: more pressing issues. Okay, all right, Will Smith and Chris
• 24:47
  Speaker 1: Rock got into it at the oscars. That right, We
• 24:49
  Speaker 1: get back to you this weekend. They made they can't
• 24:53
  Speaker 1: hear us No. Now a governor of Arizona, it looks
• 24:56
  Speaker 1: like he signs a couple of new bills. One is
• 24:58
  Speaker 1: restriction or restricting abortions, fifteen week abortion, restricting trans athletes,
• 25:03
  Speaker 1: and also requiring voters to prove citizenship. So now two
• 25:08
  Speaker 1: hundred thousand people. It will affect those people because a
• 25:11
  Speaker 1: lot of them don't have the next the necessary proof
• 25:14
  Speaker 1: of citizenship, so a lot of those people will not
• 25:16
  Speaker 1: be able to vote in the next presidential election. That's
• 25:19
  Speaker 1: not the only state that did that there was nineteen
• 25:22
  Speaker 1: other states that did that already. Was the nineteen nineteen
• 25:24
  Speaker 1: other states did that already. It's been nineteen other states
• 25:28
  Speaker 1: that have implemented voter suppression lass. And meanwhile, John lewis
• 25:32
  Speaker 1: voting right. Jack is still sitting on the table. Meanwhile,
• 25:35
  Speaker 1: you know their course of action is going to be
• 25:36
  Speaker 1: to tell us to go out there and vote in
• 25:39
  Speaker 1: large numbers. We're gonna need the largest voter turnout in
• 25:42
  Speaker 1: American history in the mid terms. You know, to to
• 25:46
  Speaker 1: fight voter suppression. No, how about you know, fight voter
• 25:48
  Speaker 1: suppression through legislation. How about that? And they believe the
• 25:52
  Speaker 1: trans athlete bill was after swimmer Leah Thomas, who won
• 25:56
  Speaker 1: an individual title at NCAA Women's Division one Swimming and
• 25:59
  Speaker 1: Diving Championship last week. They believe she was first on
• 26:03
  Speaker 1: the men's team, and when she was on the men's team,
• 26:05
  Speaker 1: they believe he was four hundred and sixty two, and
• 26:10
  Speaker 1: when she swam on the women's team, she was number one. Now,
• 26:13
  Speaker 1: what's that, Billigain? It just bands translman from competing in
• 26:17
  Speaker 1: women's sports. Yeah, I'm attract the athletes, yep. Not mad
• 26:20
  Speaker 1: at that one. We can debate it. I'm not mad
• 26:23
  Speaker 1: at that one at all. All right, well that is
• 26:26
  Speaker 1: your front page news. Now when we come back. Who's
• 26:29
  Speaker 1: joining us Omar, Omar Epps in Charles Murray. Okay, they
• 26:33
  Speaker 1: got a new movie coming out this weekend called The Devil.
• 26:35
  Speaker 1: You know it's in theaters tomorrow actually right. You know
• 26:38
  Speaker 1: Omar Epps from a host of movies from the PowerBook
• 26:40
  Speaker 1: series to Juice to Loving Basketball and Charles Murray. He
• 26:44
  Speaker 1: directed Luke Cage, Son of Anarchy. He was a producer
• 26:50
  Speaker 1: on Luke Cage Sons of man Archy. Um, a lot
• 26:53
  Speaker 1: of stuff. Yeah, so we'll talk to him both when
• 26:54
  Speaker 1: we come back, So don't move. It's to Breakfast Club
• 26:56
  Speaker 1: The Morning, the Breakfast Club, Power one O five one
• 27:03
  Speaker 1: the Breakfast Club, Angela ye and Charlemagne the guy who
• 27:08
  Speaker 1: wanting everybody is DJ Envy and Angela yee, Charlemagne the guy.
• 27:12
  Speaker 1: We are to Breakfast Club. We got some special guests
• 27:14
  Speaker 1: joining us today. Got the good brother Omar Epps, Yes, indeed.
• 27:18
  Speaker 1: And now we have director and writer Charles Murray as well.
• 27:24
  Speaker 1: They are executive producing and starting in the upcoming movie
• 27:27
  Speaker 1: movie The Devil. You know, Yeah, what's that about? I
• 27:30
  Speaker 1: think It's a beautiful piece that Charles constructed, wrote and directed.
• 27:34
  Speaker 1: It's a film about family, brotherhood, morality, redemption, and it's
• 27:40
  Speaker 1: intentionally told through the lens of our blackness. Got a
• 27:43
  Speaker 1: different movie coming about twenty thirty years ago, just watching
• 27:47
  Speaker 1: my family and thinking that these people would be good
• 27:50
  Speaker 1: for like a movie or something like that, and then
• 27:52
  Speaker 1: the conversation about snitching came up. So if I was
• 27:57
  Speaker 1: to do a movie about snitching, it would normally go
• 28:00
  Speaker 1: somebody snitches and then your friend tries to stop you.
• 28:02
  Speaker 1: And I was like, well, what would that dynamic be
• 28:05
  Speaker 1: if it was the family that had to deal with it.
• 28:09
  Speaker 1: Oh you mean, like somebody in the family snitch? Yeah, yeah, yeah, yeah, yeah.
• 28:13
  Speaker 1: Did it happened to you? It was that the situation. No, no, no,
• 28:15
  Speaker 1: I mean you know, but I come from Gary, Indiana,
• 28:19
  Speaker 1: you know, which was the murder capital or the United
• 28:21
  Speaker 1: States for ten years, so you know, there was a
• 28:23
  Speaker 1: whole lot of you don't tell on anybody, you don't
• 28:25
  Speaker 1: do this, you don't do that. And I'm like, yeah,
• 28:27
  Speaker 1: but what if they did something heinous? And the fact
• 28:30
  Speaker 1: that that was always a big conversation was interesting to me,
• 28:34
  Speaker 1: and what would lead somebody to do it on snitching individually.
• 28:38
  Speaker 1: We start with you, Charles. You know, it's it's a
• 28:41
  Speaker 1: case by case, you know. I feel like anybody who
• 28:44
  Speaker 1: draws a hard line, you got to think about what
• 28:46
  Speaker 1: if that was your family that something had happened too.
• 28:50
  Speaker 1: But if it's my brother, I'm going to have a
• 28:52
  Speaker 1: lot of thoughts about it. You know, it runs deep
• 28:55
  Speaker 1: in our community because it really goes back to slavery
• 28:58
  Speaker 1: in us trying to look out for each other, and
• 29:00
  Speaker 1: we handle and police our own you know what I'm saying.
• 29:03
  Speaker 1: But where we are now, I know it's the whole
• 29:05
  Speaker 1: conversation in the culture about if it's a civilian or
• 29:08
  Speaker 1: this that any other. It's like, yeah, it's I think
• 29:11
  Speaker 1: everything is relative to the circumstance. Nobody knows. That's what's
• 29:15
  Speaker 1: exciting about this film is it's exploring this theme of
• 29:18
  Speaker 1: what do you do in that moment? Nobody knows what
• 29:21
  Speaker 1: they're gonna do until they face with it, you know
• 29:24
  Speaker 1: what I'm saying. So obviously it's like, yeah, if you're
• 29:25
  Speaker 1: in the street game and out of the lae, yeah,
• 29:27
  Speaker 1: the rules that apply, So that's easy. That's the easy part.
• 29:30
  Speaker 1: But if you rob miss Johnson up the block and
• 29:32
  Speaker 1: these young casts out here, you know, they gott to
• 29:34
  Speaker 1: tone it down a bit. You knock over the head,
• 29:36
  Speaker 1: she's seventy year old lady, and somebody saw. Yeah what
• 29:39
  Speaker 1: you expected to be? Yeah, I'm all about crime prevention.
• 29:42
  Speaker 1: That's what I call it. I don't even know why
• 29:45
  Speaker 1: civilians have that conversation, Like what does it matter? If
• 29:48
  Speaker 1: I see something and I say something, I should say
• 29:50
  Speaker 1: something like you said. If I see an old lady
• 29:52
  Speaker 1: get knocked upside the head, if I don't interview myself,
• 29:55
  Speaker 1: if I see the due running up the block and
• 29:56
  Speaker 1: the com coments you see somebody, you got damn right.
• 29:58
  Speaker 1: I thought somebody he went that you wear such as such,
• 30:01
  Speaker 1: especially because you don't want the cops to stop at you.
• 30:05
  Speaker 1: I say, That's what I'm gonna say, to be fair.
• 30:07
  Speaker 1: It's like, I think there's a lot of confusion amongst
• 30:09
  Speaker 1: the culture in the community because there's been instances of
• 30:13
  Speaker 1: innocent people trying to do the right thing and police
• 30:16
  Speaker 1: going them. I remember seeing somebody get hit by a
• 30:18
  Speaker 1: car on Queen's Boulevard and I called police, and the
• 30:21
  Speaker 1: way they harassed me made me feel like I did
• 30:23
  Speaker 1: the accent yeah, what were you driving? Where were you leaving?
• 30:26
  Speaker 1: I'm like, done of that matters. I've just seen hi
• 30:27
  Speaker 1: brother get hit, Like give him an ambulance. And because
• 30:30
  Speaker 1: of that, Now, if I see somebody else get hit,
• 30:31
  Speaker 1: what I call the police? Because the way they harassed me,
• 30:33
  Speaker 1: keen in my crib and all that, I'm like, I
• 30:35
  Speaker 1: would have to take us a second to think about
• 30:38
  Speaker 1: what I helped that person? What I called the police
• 30:39
  Speaker 1: for that person? Again? You know what I mean? So
• 30:41
  Speaker 1: it is what it is. And then the complicate matters.
• 30:44
  Speaker 1: His character is the black sheep of the family, right,
• 30:46
  Speaker 1: and somebody who's done jail time and is recently out
• 30:50
  Speaker 1: of rehab. I'm still in rehab actually, yeah, And so
• 30:52
  Speaker 1: he has been the problematic issue in the family. So
• 30:56
  Speaker 1: they've surrounded him and then that's put on him to
• 31:00
  Speaker 1: decide whether he needs to do it or not. So
• 31:02
  Speaker 1: where do you find the time to do all of
• 31:04
  Speaker 1: these movies? Man? You're always doing a movie, doing a show, Like,
• 31:07
  Speaker 1: when do you find the time? Bro? I would throw
• 31:10
  Speaker 1: that back on you. When do you find the time
• 31:11
  Speaker 1: to do what you do? It's dedication. We got this
• 31:14
  Speaker 1: one shot at this thing. We know his life and
• 31:16
  Speaker 1: this is what we're here to do. And for me,
• 31:19
  Speaker 1: the thing that drives me is the power of imagery.
• 31:22
  Speaker 1: I finally understand it now after thirty years of his career.
• 31:26
  Speaker 1: The power of imagery is everlasting. It's going to outlast me,
• 31:30
  Speaker 1: but it can impact the future generations. I'm shocked that
• 31:33
  Speaker 1: you say you just realize the power of imagery because
• 31:36
  Speaker 1: I think about all the movies I've seen, all my
• 31:39
  Speaker 1: epps in growing up have influenced me in something impact.
• 31:42
  Speaker 1: I bought it. I went and got a thirty eighth
• 31:43
  Speaker 1: snub nose pistol because of juice. You know what I mean.
• 31:49
  Speaker 1: I'll say another one. People might get mad at this,
• 31:53
  Speaker 1: but the wood to grab the butt get him? Like,
• 31:57
  Speaker 1: what when are you going with this? I'm saying. I'm
• 32:01
  Speaker 1: just saying, those are things we saw in movies. That
• 32:04
  Speaker 1: was athletics, that was that was in the seventies, right, God,
• 32:09
  Speaker 1: the one you remember the what when it was like,
• 32:11
  Speaker 1: y'all bet you wanna grab a butter day to grab
• 32:13
  Speaker 1: a butt? Okay, I get it. I was talking about
• 32:16
  Speaker 1: I'll never know because you always go somewhere life. So
• 32:20
  Speaker 1: I was like, no, no, no, no, but you know what,
• 32:24
  Speaker 1: but think about this like I did Juice when I
• 32:26
  Speaker 1: was seventeen years old. Damn, everything that was happening was
• 32:30
  Speaker 1: surreal to me. So I'm not thinking in those moments, oh,
• 32:35
  Speaker 1: thirty years from now, people still gonna be talking about this.
• 32:38
  Speaker 1: You didn't watching it? You know who probably did? Think
• 32:40
  Speaker 1: that was Tupac. He was only two years older than me,
• 32:43
  Speaker 1: you know what I'm saying. But he was just plugged
• 32:45
  Speaker 1: in in a way of everything that we're doing as
• 32:48
  Speaker 1: artists is gonna outlive us. Now, your wife with your wife,
• 32:53
  Speaker 1: because not just as your wife, your daughter didn't for
• 32:55
  Speaker 1: the movie too. Yeah, so my wife this is her
• 32:57
  Speaker 1: first film, but she's been putting in the work too.
• 32:59
  Speaker 1: She's been training with the great Tasha Smith. And it
• 33:03
  Speaker 1: just came about organically, like as as we were trying
• 33:06
  Speaker 1: to figure out, well, who could be good for this,
• 33:08
  Speaker 1: one day, Charles calls me like, you know, it would
• 33:10
  Speaker 1: be good for this role and I'm like, who, He's
• 33:12
  Speaker 1: like your wife? And I was like, damn, I should
• 33:14
  Speaker 1: have thought of that, you know. And then even with
• 33:17
  Speaker 1: the music thing, because we did it on a shoe
• 33:18
  Speaker 1: string budget, so you know, we would be having conversations
• 33:22
  Speaker 1: and I was just like you know, do about music
• 33:24
  Speaker 1: and which scenes you want songs in and stuff like that.
• 33:27
  Speaker 1: And he was like, because my daughter, Kamari, my youngest daughter,
• 33:30
  Speaker 1: she's an inspiring singer songwriter. And he was like, well,
• 33:34
  Speaker 1: we'll figure something out. Just let them cook something up.
• 33:36
  Speaker 1: So he and my wife went and cooked up something
• 33:40
  Speaker 1: fire and she has two songs. YEA. From an actor perspective,
• 33:45
  Speaker 1: she plays your assistant law system. So that's a different
• 33:48
  Speaker 1: dynamic from wife. So how did that change when you're acting?
• 33:51
  Speaker 1: What do you how do you adjust? For me? There
• 33:53
  Speaker 1: was no adjustment. It was more about, you know, making
• 33:55
  Speaker 1: her feel comfortable and that was one of the other things.
• 33:58
  Speaker 1: And Charles is a big part of that in terms
• 33:59
  Speaker 1: of creating an environment on set, not only with the
• 34:03
  Speaker 1: cast but with the crew. In a professional aspect, I was,
• 34:06
  Speaker 1: you know, hands off, like that's his job. Like you know,
• 34:09
  Speaker 1: I would see things like we're doing certain scenes, but
• 34:11
  Speaker 1: I'm like, I ain't trying to have an argument when
• 34:14
  Speaker 1: we wrap. You never said that, babe. You know you
• 34:16
  Speaker 1: could do this, Betty Nah, I just you know, I
• 34:19
  Speaker 1: just said it was like, that's not my job. I
• 34:22
  Speaker 1: saw on the Today Show with holding Jena you said
• 34:25
  Speaker 1: that taking breaking up off the table. Yeah, helped your
• 34:28
  Speaker 1: marriage expand on it. It's as simple as that. Like,
• 34:31
  Speaker 1: when you take breaking up off the table, it changes
• 34:35
  Speaker 1: the whole dynamic of how you deal with conflict. It's
• 34:38
  Speaker 1: not about the happy times, it's about when the turbulences
• 34:41
  Speaker 1: is there. And for me, it really impacted me, like
• 34:44
  Speaker 1: because you don't have that car to pull out no
• 34:46
  Speaker 1: more saying you know what I mean. So it's this argument, conflict, misunderstanding,
• 34:50
  Speaker 1: whatever it is you're handling, handling it in a way
• 34:54
  Speaker 1: and where, well we're gonna be together after this where
• 34:57
  Speaker 1: I feel like in a lot of relationships, to pacing
• 35:00
  Speaker 1: it is you could always just like I'm out. It
• 35:02
  Speaker 1: is challenging, but I think it's been great for us
• 35:04
  Speaker 1: because you just handle things with care if I'm right,
• 35:09
  Speaker 1: you know about whatever. But it's all trivial, right. We
• 35:11
  Speaker 1: have a beautiful family. We have so much to be
• 35:13
  Speaker 1: thankful for. Let's lean into that. I also operate from
• 35:16
  Speaker 1: my ass about God forbid. But if something were to
• 35:19
  Speaker 1: happen to me, I want her to be good, you
• 35:22
  Speaker 1: know what I'm saying. Obviously I want my kids to
• 35:24
  Speaker 1: be good. But it's just like I kind of move
• 35:27
  Speaker 1: from that aspect too. We're supposed to go through these
• 35:29
  Speaker 1: trials and tribulations, that's a part of life. But when
• 35:31
  Speaker 1: you get a partner that's willing to walk through that
• 35:34
  Speaker 1: fire with you and still love you, just a blessing
• 35:37
  Speaker 1: from God, all right. We got more with Omar Apps
• 35:40
  Speaker 1: and directed Charles Murray. So don't move. It's the Breakfast
• 35:42
  Speaker 1: Club the Morning putting everybody's DJ envy, Angela Yee, Charlemagne,
• 35:48
  Speaker 1: the guy we are. The Breakfast Club was still kicking
• 35:49
  Speaker 1: it with Omar Apps and directed Charles or Murray. This
• 35:52
  Speaker 1: year is the thirty year anniversary of Juice. Now, with
• 35:56
  Speaker 1: all these these makes, would you ever think about doing
• 35:58
  Speaker 1: that over? You see? It's really good at what they do. Nah,
• 36:06
  Speaker 1: I think you could. You know, there is one film
• 36:09
  Speaker 1: that I've done, which I won't say now, but that
• 36:12
  Speaker 1: I definitely I could see it, and we're trying to
• 36:16
  Speaker 1: put that together. But that's another one low hanging I
• 36:21
  Speaker 1: see it now, you know. Me and Gina Prince Blackwood,
• 36:24
  Speaker 1: who wrote and directed that, we actually had a conversation
• 36:27
  Speaker 1: about that and we both agreed that there's like certain
• 36:29
  Speaker 1: songs you just don't touch right, like reasons It's one
• 36:34
  Speaker 1: of those songs you just don't cover, don't make a remake,
• 36:37
  Speaker 1: just leave it alone. Correct, you know it's saying it's humby.
• 36:40
  Speaker 1: You see what I'm saying, But just leave it alone.
• 36:42
  Speaker 1: And I think Juice is just one of those films
• 36:44
  Speaker 1: that you just leave it alone. I mean, the easy
• 36:45
  Speaker 1: it's just low hanging fruit. Like no disrespect to Juice,
• 36:49
  Speaker 1: but nah, I mean you could do a new generation version.
• 36:52
  Speaker 1: You could be like, oh, Bishop had a baby, nobody
• 36:55
  Speaker 1: ever knew about it. It's like it's all too easy.
• 36:59
  Speaker 1: It's just like, let's keep progressing because we have so
• 37:01
  Speaker 1: many more stories to tell. You know, I'll impact on
• 37:04
  Speaker 1: my TV talk show last season, I unpacked Juice from
• 37:08
  Speaker 1: a mental health perspective because the older I got, I
• 37:11
  Speaker 1: realized how many people in that movie were actually dealing
• 37:13
  Speaker 1: with mental health issue, you know what I mean. And
• 37:16
  Speaker 1: then I read somewhere that Bishop actually and another version,
• 37:20
  Speaker 1: he committed suicide. Who it wasn't that he committed suicide,
• 37:23
  Speaker 1: it was does Q drop him intentionally off the roof
• 37:26
  Speaker 1: or as we had it in the film, he slipped
• 37:29
  Speaker 1: out of his grasp, which I thought was a more
• 37:31
  Speaker 1: powerful ending, and they and they talk about you know,
• 37:34
  Speaker 1: throughout the whole movie, they talk about being crazy, ply
• 37:36
  Speaker 1: being crazy, and they talk about his father being crazy.
• 37:38
  Speaker 1: And then bodom As makes mentioned to he got violated
• 37:41
  Speaker 1: in jail, so he might have been dealing with those
• 37:42
  Speaker 1: type of issues. And it's just like it was so
• 37:44
  Speaker 1: much different underlying things we didn't see in Juice at
• 37:47
  Speaker 1: the time. And that's why I think it's such a
• 37:49
  Speaker 1: beautiful piece, because just planting no seeds and the reason
• 37:53
  Speaker 1: loving basketball would be great it's simply because it did
• 37:56
  Speaker 1: in almost like you could go anywhere with that. Y'all
• 37:58
  Speaker 1: got a family now, people love you Insnive's chemistry on screen.
• 38:02
  Speaker 1: You might got a couple of kids that played basketball,
• 38:04
  Speaker 1: But I see that's the easy way to go. You
• 38:06
  Speaker 1: would have to break that up, like they're not together,
• 38:09
  Speaker 1: you know, Yeah, they got a kid, and how does that?
• 38:11
  Speaker 1: I don't know. It's just you're right, there's so many
• 38:13
  Speaker 1: different ways to go with it. Yeah, so let's just
• 38:15
  Speaker 1: leave it alone. Going back to what you were saying
• 38:17
  Speaker 1: about mental health, if you think about that run of
• 38:19
  Speaker 1: films Jews, Boys in the Hoods, Society's if you look
• 38:25
  Speaker 1: at all of those movies they were in distress, that's right. Yeah,
• 38:28
  Speaker 1: I had to normalize, right, and that show. I think
• 38:32
  Speaker 1: you could say that era of filmmaking for black folks
• 38:35
  Speaker 1: was about surviving what was going on around them, you know. So,
• 38:40
  Speaker 1: I think that's a really dope idea. That man, that's
• 38:42
  Speaker 1: interesting you say that, Chalk, because it's like we were
• 38:44
  Speaker 1: looking at those movies it's just culture. But what he
• 38:47
  Speaker 1: did was turned our trauma into culture. And at the time,
• 38:50
  Speaker 1: I didn't even look at that as trauma. Yeah, Bronx,
• 38:53
  Speaker 1: that's where hip hop comes from. Yeah, buildings being torn down,
• 38:57
  Speaker 1: music being taken out of the schools that I'm a
• 39:00
  Speaker 1: became empower you know. So I think that there's a
• 39:02
  Speaker 1: whole art of emotional trauma moving through our art, you know.
• 39:08
  Speaker 1: I think that most of it has been about us
• 39:11
  Speaker 1: finding a way to find normal I fly a lot now.
• 39:15
  Speaker 1: I'm noticing I'm seeing more and more of black movies
• 39:19
  Speaker 1: on planes, loving basketball juice. How important is having a
• 39:23
  Speaker 1: good attorney when you're doing it, because you have to
• 39:25
  Speaker 1: get residuals and all that when the movies pop up
• 39:27
  Speaker 1: on planes and all that has to or not or not.
• 39:31
  Speaker 1: That's really all you need in this business is a
• 39:33
  Speaker 1: good attorney. So you know, obviously at this point I
• 39:36
  Speaker 1: know how to read a contract myself. But you know,
• 39:38
  Speaker 1: the law game is its own verbiage and blah blah
• 39:41
  Speaker 1: blah blah blah. But I'm always like, well, what about this? Oh,
• 39:45
  Speaker 1: nobody ever asked for that. Let's say. I mean, the
• 39:47
  Speaker 1: worst they can say is no, you know what I mean.
• 39:50
  Speaker 1: And at this point in my career, it's like, I'm
• 39:53
  Speaker 1: solely about ownership. I have to have a piece of it.
• 39:57
  Speaker 1: I don't have to own the whole thing. But you know,
• 40:00
  Speaker 1: if something happens to me, this got to go to
• 40:03
  Speaker 1: my kids and their kids and so forth and so on.
• 40:06
  Speaker 1: And it's really difficult to do in Hollywood. It's way
• 40:10
  Speaker 1: easier to do in music. Like with Charles, We've had
• 40:13
  Speaker 1: these discussions like this man, if you look at his resume,
• 40:16
  Speaker 1: everybody shouldn't know who he is. But the thing is
• 40:19
  Speaker 1: he speaks the truth in certain rooms and he makes
• 40:21
  Speaker 1: them uncomfortable. So when we had the opportunity, before the
• 40:25
  Speaker 1: opportunity came, when we were just talking about it, I
• 40:27
  Speaker 1: was like, Yo, I'm in with you. We're in the
• 40:29
  Speaker 1: trenches and we're gonna get this done. And I think
• 40:32
  Speaker 1: it sucks that it took us this long, But I
• 40:33
  Speaker 1: believe in divine order, in divine poetry. So when the
• 40:37
  Speaker 1: timing was right, I guess the universe opened up, like
• 40:39
  Speaker 1: Yo san Fiata delivered this film. What's more fulfilling? Is
• 40:43
  Speaker 1: it more fulfilling to get a big budget movie made
• 40:47
  Speaker 1: or to do something like this? You know, when you're
• 40:49
  Speaker 1: invest in your own money, hiring your own people, what's
• 40:52
  Speaker 1: more fulfilling? Or it depends on how big the bag
• 40:55
  Speaker 1: is now? I mean, listen, it's a balance, right, it's
• 41:00
  Speaker 1: a balance a boat because the thing that comes with
• 41:02
  Speaker 1: quote unquote ownership is greater responsibility for me at this
• 41:06
  Speaker 1: point was more fulfilling. I understand that it's not about me.
• 41:09
  Speaker 1: It's just having something that will go on. So, like
• 41:12
  Speaker 1: Envy just said, when he watching these movies on the plane,
• 41:16
  Speaker 1: they're selling those ips that I don't get a piece
• 41:19
  Speaker 1: of that sale. Residuals come from the union, and residuals
• 41:23
  Speaker 1: go down the longer the thing is playing. So you
• 41:26
  Speaker 1: might see a check for fifteen dollars to make you mad,
• 41:30
  Speaker 1: like this is the paper cause more to print? They
• 41:33
  Speaker 1: you know, but that ownership piece when they're like, oh,
• 41:35
  Speaker 1: we're gonna make a deal with Delta to have it
• 41:38
  Speaker 1: in for the first quarter for twenty five million dollars.
• 41:42
  Speaker 1: Who has points on the back end, they're gonna get
• 41:44
  Speaker 1: a piece, you see what I'm saying. Sometimes they if
• 41:47
  Speaker 1: they come with a huge bag, take that best. Like
• 41:49
  Speaker 1: everybody doing these Netflix deals. There's a reason when they'd
• 41:52
  Speaker 1: be like, here's one hundred million dollars, but like, yeah,
• 41:54
  Speaker 1: let me tally this up. It's gonna take a long
• 41:57
  Speaker 1: time for me to try to make something like that.
• 41:59
  Speaker 1: You know, they're gonna everything. And that's also why a
• 42:02
  Speaker 1: lot of the younger creatives are not going there. Well,
• 42:05
  Speaker 1: digital has ebbed it out too, because when you think
• 42:08
  Speaker 1: about music, the introduction of the four track was what
• 42:13
  Speaker 1: changed how people had to look at musicians because now
• 42:17
  Speaker 1: you can make it, sell it out of the back
• 42:19
  Speaker 1: of your car. You don't have to go through the
• 42:20
  Speaker 1: system to a studio anymore. R exactly. So now with
• 42:24
  Speaker 1: the adident of digital on this side, you're going to
• 42:28
  Speaker 1: have more people because if you think about what he
• 42:29
  Speaker 1: was talking about, you think of jewice, love and basketball,
• 42:32
  Speaker 1: that path was narrow, but now with digital, you get
• 42:36
  Speaker 1: easter ray, you get you know, leaning away you get
• 42:39
  Speaker 1: justin Simeon because you can make a movie off of
• 42:43
  Speaker 1: this now and you don't have to go through the system,
• 42:45
  Speaker 1: and system aster come to you, so you can have
• 42:48
  Speaker 1: more ownership. And I think that's the thing that's more
• 42:51
  Speaker 1: important when you think about a big budget versus something
• 42:54
  Speaker 1: small and intimate, is that you have ownership. My first
• 42:57
  Speaker 1: movie I made for three hundred thousand dollars. Things never said,
• 43:01
  Speaker 1: Omari's in it, Shinola Hampton's in it. That movie belongs
• 43:04
  Speaker 1: to my oldest shild Wow. My second movie, A Cold
• 43:09
  Speaker 1: Heart Truth Darrian Missic from own Missic that belongs to
• 43:12
  Speaker 1: my youngest daughter. Wow. They're in my trust for them.
• 43:17
  Speaker 1: So having that sort of control is way more important
• 43:20
  Speaker 1: than having somebody throw a big budget at you so
• 43:24
  Speaker 1: that you eventually do work for them. With all the
• 43:26
  Speaker 1: movies that you did, what was so hard because it's
• 43:28
  Speaker 1: not like you're a new director. You have history, you
• 43:30
  Speaker 1: have hits, you have movies and sitcoms and things on
• 43:34
  Speaker 1: the board that have made a lot of money. I
• 43:37
  Speaker 1: was it so difficult to get this one done? Blackness?
• 43:42
  Speaker 1: I thought she was gonna point at me. No, I mean,
• 43:47
  Speaker 1: you know, because there's still the belief that African American
• 43:51
  Speaker 1: dramas don't sell. The narrative of the studio system is
• 43:58
  Speaker 1: we're going to tell you one thing, and when it changes,
• 44:03
  Speaker 1: we're not going to tell you that it changed. Right, So,
• 44:06
  Speaker 1: when the narrative is set, people like to stick to
• 44:09
  Speaker 1: the narrative. The narrative for us is Black folks don't
• 44:14
  Speaker 1: go see X. They don't talk about that. We've been
• 44:18
  Speaker 1: conditioned to only want to see X, and that's why
• 44:21
  Speaker 1: they put only X out. And when you come along
• 44:24
  Speaker 1: and say, hey, I want to break that narrative, they go,
• 44:26
  Speaker 1: what's wrong with you? Don't do that? We had money
• 44:29
  Speaker 1: for it earlier, but we didn't have enough. And I
• 44:33
  Speaker 1: was like, I'm not pushing that needle and I'm pushing
• 44:36
  Speaker 1: it forward. I'm not pushing that button to make it
• 44:38
  Speaker 1: until we get a budget that's at least ample enough
• 44:41
  Speaker 1: that we can afford this person and that person. You know,
• 44:44
  Speaker 1: so going into rooms a lot of times and saying
• 44:48
  Speaker 1: like he was talking about the contracts, guys, I read
• 44:50
  Speaker 1: the contracts. I study this stuff. I know exactly why
• 44:54
  Speaker 1: Soderberg makes movies for five million dollars. I know why
• 44:57
  Speaker 1: Jason Blumm makes movies for a million dollars to two
• 44:59
  Speaker 1: million dollars, give us the same thing. Either you're giving
• 45:02
  Speaker 1: us profit, you're giving us money, you're giving us ownership.
• 45:06
  Speaker 1: But you're gonna have to give us something. You're gonna
• 45:08
  Speaker 1: have to respect what this is. So when I have
• 45:11
  Speaker 1: these conversations, they go, he's a difficult person because he knows. Yeah,
• 45:17
  Speaker 1: he's educated. Yeah, you know, I mean and listen, a
• 45:22
  Speaker 1: lot of the support that I've had has come from
• 45:24
  Speaker 1: the majority culture. But they also go, well, here's a lane.
• 45:30
  Speaker 1: Don't you want to stay in this lane? I got No,
• 45:32
  Speaker 1: It's about progression, you know. So when I see puff
• 45:35
  Speaker 1: we vote, or how Jay had tied over, or you
• 45:37
  Speaker 1: know what I'm saying, even what you guys are doing,
• 45:40
  Speaker 1: it all leads to the distribution point. That's what we
• 45:44
  Speaker 1: got our own. We was taught you gotta get manufactured,
• 45:47
  Speaker 1: you gotta press up your own CDs and all of
• 45:49
  Speaker 1: that type of stuff, not thinking about what you're gonna
• 45:52
  Speaker 1: sell it. That and you got the masterpiece. And we
• 45:54
  Speaker 1: got people who are legendary and moving the two shorts
• 45:57
  Speaker 1: like you know what, I'm moving out the trunk. But
• 45:59
  Speaker 1: now when we're dealing with this, we're still dealing with
• 46:02
  Speaker 1: their platforms. You know what I'm saying, when we're gonna
• 46:05
  Speaker 1: get behind ourselves and have our own platform, but I'm
• 46:07
  Speaker 1: thinking digital changes that right, because I didn't know you
• 46:10
  Speaker 1: guys until YouTube came into existence. I watch you all
• 46:13
  Speaker 1: the time. That's how I met Claude Anderson. That's why
• 46:16
  Speaker 1: I bought his book. And so when you think of
• 46:20
  Speaker 1: the dream situation, you have to widen the dream. You
• 46:24
  Speaker 1: have to say, I need to get to my audience.
• 46:27
  Speaker 1: I need to create my audience. However that comes about,
• 46:30
  Speaker 1: and I'm going to celebrate the fact that I actually
• 46:33
  Speaker 1: get to get my story out. How did how did
• 46:35
  Speaker 1: that work for you? Charles? You know you like you
• 46:37
  Speaker 1: talking about Luke Kids, but you know you also was
• 46:39
  Speaker 1: a part of In Humans and you know Sons of
• 46:42
  Speaker 1: an Archide, he's a big Sons of Sons of Anarchide
• 46:46
  Speaker 1: became such a big franchise, but he's are other two
• 46:48
  Speaker 1: already big titles in the comic world. How did that
• 46:50
  Speaker 1: work for you? Like as far as like I guess
• 46:53
  Speaker 1: back in and things like that, well, not doing not
• 46:56
  Speaker 1: because I was I was a player. I was cagging
• 46:58
  Speaker 1: the wheel. But that's what made me sit down at
• 47:01
  Speaker 1: my kitchen table and say to my wife, we're making
• 47:04
  Speaker 1: this film. When I made things never said because at
• 47:08
  Speaker 1: the end of the day, you can learn this business
• 47:11
  Speaker 1: or you can create for this business. And so I
• 47:14
  Speaker 1: decided to learn it. All right, Well, move we have
• 47:16
  Speaker 1: more with Omar Apps and Charles Murray when we come back.
• 47:19
  Speaker 1: It's the Breakfast Club the morning morning, everybody's DJ Envy
• 47:25
  Speaker 1: Angela Yee. Charlemagne, the guy we are the Breakfast Club
• 47:27
  Speaker 1: was still kicking it with Omar Apps and directed Charles
• 47:30
  Speaker 1: or Murray. Charlemagne. I want, I want to ask you'll
• 47:32
  Speaker 1: both a questions. You know, just as black Hollywood royalty,
• 47:36
  Speaker 1: what are your thoughts on the Will Smith Chris Rock
• 47:38
  Speaker 1: altercation from a Black Hollywood perspective and just a black
• 47:42
  Speaker 1: male perspective. I'm gonna keep it simple, like I got
• 47:44
  Speaker 1: respect for both of those men, and I think that
• 47:47
  Speaker 1: they'll work that out behind closed doors. And it was
• 47:50
  Speaker 1: just you know, some moment. We're human beings, we're spiritual
• 47:53
  Speaker 1: beings having a human experience. Sometimes things happen. Do you
• 47:57
  Speaker 1: have a look at yourself and say, what would I
• 47:58
  Speaker 1: do in that situation? We all do? You know? It
• 48:02
  Speaker 1: is what it is and bless us to both of
• 48:03
  Speaker 1: them in both of their families. What about you, Charles,
• 48:06
  Speaker 1: I think a great lesson can be learned from it,
• 48:09
  Speaker 1: you know, going back to what you were saying about
• 48:11
  Speaker 1: mental health. Will is unpacked a lot this year, more
• 48:15
  Speaker 1: than he ever has, and like finally came out of
• 48:20
  Speaker 1: the perfect image. And I think maybe if this had
• 48:24
  Speaker 1: been a year ago, he wouldn't have done that. It
• 48:27
  Speaker 1: can be a cautionary tale because this business is all
• 48:30
  Speaker 1: about making you feel like you're one of one. The
• 48:35
  Speaker 1: problem that comes with that is that you remove yourself
• 48:39
  Speaker 1: from yourself and you can't recognize things that are coming,
• 48:44
  Speaker 1: and then it happens and you're like left with in
• 48:47
  Speaker 1: the aftermath. But I think you can look at that
• 48:50
  Speaker 1: moment and learn from it that you might not want
• 48:54
  Speaker 1: to work on being perfect, You might want to work
• 48:56
  Speaker 1: on being you. And hold you say something really deep,
• 49:00
  Speaker 1: real quick that I wanted to jump on it when
• 49:02
  Speaker 1: you say, this business makes you feel like you're one
• 49:04
  Speaker 1: of one, and that's such a true, true statement. One
• 49:08
  Speaker 1: of the biggest problems is that we don't work with
• 49:11
  Speaker 1: each other. We're like there's a piece of cheese in
• 49:13
  Speaker 1: the middle of a labyrinth and all the rats is
• 49:16
  Speaker 1: going to scurry in and get the cheese, and then
• 49:17
  Speaker 1: you get the little piece and try to drag it,
• 49:19
  Speaker 1: you know what I mean, and take it over there
• 49:21
  Speaker 1: instead of working together. So when we're talking about what
• 49:25
  Speaker 1: you do for a living, what you do for a living,
• 49:27
  Speaker 1: what we do for a living. If he didn't believe
• 49:29
  Speaker 1: in me and I didn't believe in him, this film
• 49:31
  Speaker 1: would have never got made. We as an energy for
• 49:34
  Speaker 1: us were able to attract the other pieces. That's what
• 49:38
  Speaker 1: we got to start doing, you know what I mean,
• 49:40
  Speaker 1: so we could stop complaining about the system. This is
• 49:42
  Speaker 1: why I agree with I forget what it said. It
• 49:45
  Speaker 1: when Tyler Perry said, you're worrying about having a seat
• 49:47
  Speaker 1: at theay table. We got to build our own table.
• 49:49
  Speaker 1: I'm all for that. We're afraid to fail together, but
• 49:53
  Speaker 1: what we're worried about is succeeding together. It's like, you know,
• 49:56
  Speaker 1: we're gonna make this investment. It's all a chance, end
• 50:00
  Speaker 1: of the day. But you you want to fail with them,
• 50:02
  Speaker 1: but you won't. You don't want to fail with your own. Yeah.
• 50:04
  Speaker 1: And the other thing too, is like, let's not forget
• 50:07
  Speaker 1: that Tom Cruise audio from Mission Impossible seven where he
• 50:11
  Speaker 1: like had a melt damn Christian Bale, Christian Bale, Mel Gibson.
• 50:17
  Speaker 1: You know, but you also have to understand that that
• 50:20
  Speaker 1: spotlight is bright. Nobody's gonna protect you if they think
• 50:25
  Speaker 1: they can make money off they'll protect you from yourself
• 50:29
  Speaker 1: to make money off of you. But are they really
• 50:32
  Speaker 1: looking at your heart and your soul and saying, hey,
• 50:34
  Speaker 1: that's more important than the dollar amount you're putting in
• 50:37
  Speaker 1: my account. That doesn't happen that often in this business.
• 50:41
  Speaker 1: That's why we have so many suicides and you know,
• 50:43
  Speaker 1: alcoholic deaths and drug deaths and things like, things like that,
• 50:47
  Speaker 1: and they move on. So I think that when we
• 50:50
  Speaker 1: talk about our businesses, you know, music, whatever is creative. Again,
• 50:55
  Speaker 1: it comes back to understanding mental health. It comes back
• 50:58
  Speaker 1: to understanding they will push the narrative forward as long
• 51:02
  Speaker 1: as it brings them cheese. And what he's talking about
• 51:08
  Speaker 1: looking out for each other. It's very important because once
• 51:12
  Speaker 1: you get in those camps, guess what, you become one
• 51:15
  Speaker 1: of one. You're the only black dude, or you're the
• 51:18
  Speaker 1: only black woman, You're the only black bin binary person.
• 51:22
  Speaker 1: You kind of go, yeah, but this is what I
• 51:24
  Speaker 1: have to do to get to No, you don't, but
• 51:27
  Speaker 1: you don't know that because you keep following that narrative. Wow,
• 51:32
  Speaker 1: a lot of gems to make sure y'all go watch
• 51:34
  Speaker 1: the devil you know man comes out this Friday. And
• 51:36
  Speaker 1: we appreciate you guys for joining us and giving us
• 51:38
  Speaker 1: some gems in that jewelry this morning. Thank you for
• 51:41
  Speaker 1: having you AMC Theaters exclusively. Shout out to a sister
• 51:47
  Speaker 1: named Nicole Denson Randolph who is in charge of inclusivity.
• 51:52
  Speaker 1: She was the one who got behind this and I
• 51:54
  Speaker 1: mean she's a friend of mine. We were assistants together.
• 51:57
  Speaker 1: And this is what we're talking about, is that you
• 52:00
  Speaker 1: spread the wealth by spreading yourself to people who you
• 52:04
  Speaker 1: can help them they can help you. It's what the
• 52:07
  Speaker 1: main culture has done in these creative businesses from the beginning.
• 52:14
  Speaker 1: They just changed their last name sometimes right, so you
• 52:18
  Speaker 1: don't know that they're you know, you don't know that
• 52:22
  Speaker 1: their brothers, you don't know that. You know, like people
• 52:25
  Speaker 1: are always surprised when they find out that Nick cagees
• 52:28
  Speaker 1: princess for Coplu, But that family thing matters to them,
• 52:32
  Speaker 1: that that connectivity matters. And we got to get more
• 52:36
  Speaker 1: toward that instead of looking that way, we got to
• 52:38
  Speaker 1: look this one. Absolutely. Shout out to Keisha and Kumari.
• 52:43
  Speaker 1: We can fund the screening or something. Man, let's do
• 52:46
  Speaker 1: that for this Friday. Just fund screening. It's fun screening
• 52:48
  Speaker 1: done good joints. I sent you to listen this is
• 52:51
  Speaker 1: and you see yeah for sure, Yeah, let's do it
• 52:53
  Speaker 1: absolutely all right. Well it's Omar absence Charles Murray. I appreciate, appreciate,
• 52:59
  Speaker 1: thank you, thank you both. My daughter loves this song. Yes, okay,
• 53:05
  Speaker 1: okay this and Bruno, Oh my gosh, I can't. I'm
• 53:09
  Speaker 1: in a call with them. They have to hear this.
• 53:11
  Speaker 1: And who the hell is Bruno? Oh we don't talk
• 53:14
  Speaker 1: about Bruno for the lover Bruno. Oh my goodness, I'll
• 53:17
  Speaker 1: be saying that song all wrong. I just know it's Bruno,
• 53:19
  Speaker 1: Bruno and Conto dropping a clues bombs fan canto whatever
• 53:25
  Speaker 1: it is. And Conto has been a great distraction for
• 53:27
  Speaker 1: the fast month and some change. All right, if you
• 53:29
  Speaker 1: want to sit down and you know, let some kids
• 53:31
  Speaker 1: just be amongst themselves for a while, turn on that
• 53:33
  Speaker 1: damn in contact absolutely and canto. All right, Well, let's
• 53:36
  Speaker 1: get to the room. Miss this is the rum of
• 53:40
  Speaker 1: report with Angela. All Right, you tied to this Will
• 53:50
  Speaker 1: Smith and Chris Rock stuff yet, you know, because it's
• 53:52
  Speaker 1: really we're really starting to discuss the things that we
• 53:54
  Speaker 1: should be discussing in regards to the Chris Rock Will
• 53:58
  Speaker 1: Smith situation. Go well, want to decide? She was with
• 54:00
  Speaker 1: sitting down with Ellen Degenerous on The Ellen Degenerous Show,
• 54:03
  Speaker 1: and she spoke about her feelings. You know, we were
• 54:06
  Speaker 1: the host, right, so we were the this is our house,
• 54:10
  Speaker 1: we're inviting you in, we're host, we're keeping We're gonna
• 54:13
  Speaker 1: take care of y'all to night, make sure you have
• 54:15
  Speaker 1: a good time. And no one has apologized to us.
• 54:18
  Speaker 1: And we worked really hard to put that show together.
• 54:21
  Speaker 1: And as soon as I walked up to him, the
• 54:22
  Speaker 1: first thing he said was I'm so sorry, and I'm like,
• 54:25
  Speaker 1: why are you apologize? He's like, it was supposed to
• 54:27
  Speaker 1: be your night. It was supposed to you and Amy
• 54:28
  Speaker 1: and Regina, y'all were doing such a great job. I'm
• 54:31
  Speaker 1: so sorry. This is now gonna be about this because
• 54:34
  Speaker 1: that's I mean, that's who Chris did. Yeah. She also
• 54:37
  Speaker 1: talks about how she felt after seeing it, and I
• 54:41
  Speaker 1: just felt so awful for my my friend, you know,
• 54:45
  Speaker 1: Chris and uh and it was it was sickening. It
• 54:49
  Speaker 1: was absolutely I physically felt ill. And I'm still a
• 54:53
  Speaker 1: little traumatized me too. You know that's interesting, right, because
• 54:58
  Speaker 1: everybody's traumas show up different, and I saw people upset that,
• 55:02
  Speaker 1: you know, I think Amy Schuma and Wanda said they
• 55:05
  Speaker 1: are traumatized by this situation. What does traumatize mean to like,
• 55:09
  Speaker 1: I'm like, when people say that, what does that mean
• 55:11
  Speaker 1: that when they go on stage now they're nervous because
• 55:13
  Speaker 1: that's what they might stop them. I feel like, you know,
• 55:15
  Speaker 1: because they're performance. But we did we see this before though, right,
• 55:19
  Speaker 1: that's not on this level though, So when you see
• 55:21
  Speaker 1: somebody like Will Smith get up and smaximuity like a
• 55:23
  Speaker 1: Chris rocket the oscars, that mean they could be on
• 55:26
  Speaker 1: site anywhere if it happens there. So I can see
• 55:29
  Speaker 1: how in the back of their mind they may think
• 55:30
  Speaker 1: people may run up on stage and smack them. So
• 55:33
  Speaker 1: I can see how that could be a little traumatic
• 55:34
  Speaker 1: for performance for stand up comics. No, she has some
• 55:37
  Speaker 1: more to say for them to let him stay in
• 55:41
  Speaker 1: that room and enjoy the rest of the show and
• 55:44
  Speaker 1: accept his award. I was like, how gross is this?
• 55:47
  Speaker 1: This is just the wrong message. You know, like you
• 55:50
  Speaker 1: assault somebody, you get escorted out the building. Yeah, they
• 55:54
  Speaker 1: say that they tried to escort Will out, but Will
• 55:56
  Speaker 1: said no, he wasn't leaving. I don't believe that. I
• 55:58
  Speaker 1: think that's a damn line. I think that Academy is
• 56:00
  Speaker 1: just trying to save faced right now. I don't believe that,
• 56:03
  Speaker 1: because if they asked that man to lead the building
• 56:05
  Speaker 1: and he didn't leave the building, they would have security coming.
• 56:08
  Speaker 1: That's called him out to building exactly. Again, maybe not.
• 56:10
  Speaker 1: Because it was a live show on TV. They knew
• 56:12
  Speaker 1: what they wanted. They didn't want that man to leave.
• 56:14
  Speaker 1: They knew that he was about to win the Best Actor,
• 56:16
  Speaker 1: They knew that everybody was going to tune in. They
• 56:17
  Speaker 1: knew they'd probably get his spike and ratings when he
• 56:19
  Speaker 1: give his acceptance speech, which they did. I don't believe
• 56:22
  Speaker 1: they asked that man to leave. Well, yesterday Chris Rock
• 56:24
  Speaker 1: performed out in Boston. It was a sold out show
• 56:27
  Speaker 1: and he addresses a little bit of what down what
• 56:40
  Speaker 1: the whole show? What he said? He got a standing
• 57:08
  Speaker 1: ovation before he even came out, right, Yeah, before he
• 57:09
  Speaker 1: even came out, you know, I mean, I get what
• 57:11
  Speaker 1: he said. He said, I wrote a whole show for
• 57:13
  Speaker 1: this whole tour, So you know, this is something that
• 57:15
  Speaker 1: he's still processing. I'm sure that's a whole other special
• 57:18
  Speaker 1: right there. Absolutely, I'm glad that the crowd poured into
• 57:20
  Speaker 1: Chris the way they did, though, because I'm sure he
• 57:22
  Speaker 1: needed it, you know, And I've been telling y'all all week,
• 57:24
  Speaker 1: you don't know, you know what childhood trauma was triggered
• 57:26
  Speaker 1: from Chris being humiliated like that, Like I love Will Smith,
• 57:29
  Speaker 1: but Will is clearly in pain, He's hurting, and he
• 57:31
  Speaker 1: projected that on Chris. Now Chris has to carry that
• 57:33
  Speaker 1: on top of what he was already dealing with. And
• 57:35
  Speaker 1: Chris has already told us he's been in therapy multiple
• 57:37
  Speaker 1: times a week dealing with the trauma of being bullied
• 57:40
  Speaker 1: his whole life. So I'm glad he felt that love
• 57:42
  Speaker 1: last name, but not only that. Now, what's gonna happen
• 57:44
  Speaker 1: was it is probably gonna be a problem with a
• 57:45
  Speaker 1: lot of these shows, is there was a heckler shouting
• 57:47
  Speaker 1: Will Smith's name, and the heckla was escorted out of
• 57:51
  Speaker 1: the building. Everybody want to be a comedian. Why did
• 57:53
  Speaker 1: the five fingers say to the faith, you're just yelling
• 57:55
  Speaker 1: at from the crown over and over. It's stupid. So
• 57:58
  Speaker 1: Chris Rock asked what it was? Escorted guy out? Is
• 58:00
  Speaker 1: this how the tour is going to go? Yes? And
• 58:03
  Speaker 1: the bad thing about it those tickets are cheap. So
• 58:04
  Speaker 1: you paid You paid for tickets to hecko Chris Rock
• 58:08
  Speaker 1: and get thrown out. What if the Heckla refuses to leave,
• 58:11
  Speaker 1: are they gonna throws exactly? That's why you know the
• 58:13
  Speaker 1: Academy line, they gonna throw his ass. Okay, Chris Rock
• 58:15
  Speaker 1: will stop the show though his ass out? What aout?
• 58:17
  Speaker 1: Chris Fields on stage? Now you know what I mean?
• 58:21
  Speaker 1: Because people don't like trauma is just an emotional response
• 58:24
  Speaker 1: to a terrible event. That's it, right, So I wonder
• 58:26
  Speaker 1: how he feels on stage now like this, you know?
• 58:29
  Speaker 1: And are people are gonna try to be funny and yes,
• 58:31
  Speaker 1: act like they're walking up to the stage every time
• 58:33
  Speaker 1: he's on stage. Now he better not. You see what
• 58:35
  Speaker 1: Wis Kalifa said. Wis Kleifan said, you jump on stage
• 58:37
  Speaker 1: with i't perform them and you gona get shot. That's
• 58:40
  Speaker 1: what I'm security is for. That's what I'm securities. Four
• 58:43
  Speaker 1: all right, well that is your rumor report. That's Charlemagne
• 58:46
  Speaker 1: who giveing that downt you man, four after the hour. Man.
• 58:49
  Speaker 1: First of all, I want to salute this young lady
• 58:50
  Speaker 1: who's way smarter than I wasn't high school, because I
• 58:52
  Speaker 1: feel like now I could have got a bag after
• 58:54
  Speaker 1: seeing what she did. But there's a teacher in Texas
• 58:57
  Speaker 1: named ben Giannold who needs to come to the front
• 58:58
  Speaker 1: of the congregation, like to have a word with him, okay,
• 59:01
  Speaker 1: because he don't know how to mind his business when
• 59:03
  Speaker 1: that goddamn pledge of allegiance comes on. Okay, we'll talk
• 59:06
  Speaker 1: about it. All of us couldn't stand. I grew up
• 59:08
  Speaker 1: at Jehova witnessed. All right, we'll talk about it. Four
• 59:11
  Speaker 1: after the hour, all right, we'll get to that next.
• 59:12
  Speaker 1: And also, of course, we're celebrating the life of Nipsey
• 59:15
  Speaker 1: Husb Man. This is the three year anniversary of his passing.
• 59:18
  Speaker 1: He transitioned three years ago today, and you know we
• 59:22
  Speaker 1: miss him physically, but we forever feel him spiritually. Man,
• 59:26
  Speaker 1: saluting my guy, Nipsey Hustle, Saluted his whole team, saluted
• 59:29
  Speaker 1: his family. Everybody. Let's get into another joint blue Laces two.
• 59:34
  Speaker 1: See now you're playing some joints. It's there. Now you're
• 59:36
  Speaker 1: acting like you know music. It's the breakfast Club. Good.
• 59:38
  Speaker 1: More than I hate you the breakfast Club. Your mornings
• 59:41
  Speaker 1: will never be the same. Piece of the planet. Charlemagne
• 59:44
  Speaker 1: the God here with news from one of They just
• 59:47
  Speaker 1: partnered with the Grammy Awards for exclusive NFTs and you
• 59:50
  Speaker 1: can win to pay tickets to fly out the next
• 59:52
  Speaker 1: year's Grammy's simply by claiming the free NFT at one
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• 59:57
  Speaker 1: visit one of dot com by seven pm April off.
• 1:00:01
  Speaker 1: This is a miracle. There is no question that there
• 1:00:06
  Speaker 1: are problems in this country between police and community. Yes,
• 1:00:12
  Speaker 1: you are a donkey to the latest on that police
• 1:00:15
  Speaker 1: killing of a black man. Now a new developments in
• 1:00:17
  Speaker 1: the deathly Spas shooting rampage. Yes, it was a really
• 1:00:19
  Speaker 1: bad day for him and if this is what he did,
• 1:00:21
  Speaker 1: and so we are in a state of emergency. Okay.
• 1:00:25
  Speaker 1: White supremacist violence is it always has been the number
• 1:00:28
  Speaker 1: one threat to outraciety. But I'm also very proud of
• 1:00:31
  Speaker 1: my wife was white because the practice club bitches, please
• 1:00:36
  Speaker 1: tell me why was I your donkey of the day. Well,
• 1:00:40
  Speaker 1: donkey today for Friday. In March thirty first goals to
• 1:00:42
  Speaker 1: a sociology sociology teacher named Benjie Arnold. Okay, Benji Hood
• 1:00:46
  Speaker 1: is a sociology teacher at of Texas High School. And
• 1:00:49
  Speaker 1: he's a prime example of a person using the position
• 1:00:52
  Speaker 1: of power to harm people. See, Benji is a proud American,
• 1:00:55
  Speaker 1: all right, nothing wrong with that. Okay, He's a proud
• 1:00:58
  Speaker 1: patriotic human. And he didn't like when people don't stand
• 1:01:02
  Speaker 1: for the pledge of allegiance. Now, listen, I grew up
• 1:01:04
  Speaker 1: Jehovah Witness. Okay, dropping the clues, bums. Foul of Jeovah
• 1:01:06
  Speaker 1: Witness is out there. Okay, Field Service forever ain't going
• 1:01:10
  Speaker 1: to know Danfield Service. So listen. We never pledged allegiance
• 1:01:12
  Speaker 1: to the flag, but we stood forward. Okay. Why didn't
• 1:01:15
  Speaker 1: Jehovah Witnesses pledge their allegiance because they believe their allegiance
• 1:01:18
  Speaker 1: belongs to God's Kingdom, which they view as an actual government. Okay.
• 1:01:22
  Speaker 1: They refrained from saluting the flag of any country, are
• 1:01:24
  Speaker 1: singing nationalistic songs which they believe are forms of worship,
• 1:01:28
  Speaker 1: but they do stand out of respect. We used to
• 1:01:31
  Speaker 1: stand out of respect. Okay, man, Hey, here's the thing.
• 1:01:33
  Speaker 1: When someone doesn't stand for the pledge of allegiance, mind
• 1:01:37
  Speaker 1: your business. Okay. You don't know what that person has
• 1:01:40
  Speaker 1: going on. It could be religious reasons, it could be
• 1:01:43
  Speaker 1: physical reasons. That's what happened to my father. Okay. On
• 1:01:47
  Speaker 1: nine eleven, twenty thirteen, all right, dropping a clues bumx
• 1:01:50
  Speaker 1: fro my pops. All right, Larry Club Cowboy Kiffield, South
• 1:01:54
  Speaker 1: Carolina was happening Cowboys versus New York Jets, Met Life Stadium. Right,
• 1:01:58
  Speaker 1: my father's minding his business. An injury that prohibited him
• 1:02:01
  Speaker 1: from standing. And you know, also he grew up Jehoba
• 1:02:04
  Speaker 1: witness too. He was the jehoa witness when I was younger.
• 1:02:06
  Speaker 1: He got this fellowship. That's another story. But if he
• 1:02:08
  Speaker 1: could have, he would have stood during the anthem out
• 1:02:10
  Speaker 1: of respect. He just wouldn't have pledged. Well, it was
• 1:02:12
  Speaker 1: an old marine sitting near him, and when my father's
• 1:02:15
  Speaker 1: wife tried to go to the bathroom later, that marine
• 1:02:18
  Speaker 1: didn't forget and he wouldn't move out the way so
• 1:02:20
  Speaker 1: she could get out of the houle to go to
• 1:02:22
  Speaker 1: the restroom simply because they didn't stand for the pledge
• 1:02:25
  Speaker 1: of allegiance. So that was his get back right. Needless
• 1:02:28
  Speaker 1: to say, a little kurfuffle ensued, and my father tasted him.
• 1:02:33
  Speaker 1: Okay tomorrow of the story mine, you damn business when
• 1:02:35
  Speaker 1: people not standing not pledging whatever it is okay because
• 1:02:38
  Speaker 1: you don't know what the situation could be. And since
• 1:02:40
  Speaker 1: Ben gi Arnold didn't mind his business a young student
• 1:02:42
  Speaker 1: in high school one ninety thousand dollars, it wasn't for
• 1:02:47
  Speaker 1: a religious reason though she ain't even have no injury.
• 1:02:50
  Speaker 1: Let's go to ABC thirteen oh Witness News for the report.
• 1:02:52
  Speaker 1: Police attorney say a year's long legal case tied to
• 1:02:55
  Speaker 1: the pledge of allegiance at Client Out High School has
• 1:02:58
  Speaker 1: come to an end. Or Jeffrey Blackwell was litigation counsel
• 1:03:01
  Speaker 1: for the civil rights group American Atheists and an attorney
• 1:03:04
  Speaker 1: for the plaintiff. He says the Cliento case was about
• 1:03:06
  Speaker 1: a student identified in court records as m sitting out
• 1:03:09
  Speaker 1: or declining to participate in the pledge of allegiance at school.
• 1:03:13
  Speaker 1: She spoke back in twenty seventeen, I also believe that
• 1:03:15
  Speaker 1: we live in a country where there isn't justice and
• 1:03:17
  Speaker 1: freedom for all? And so I'm not going to stand
• 1:03:19
  Speaker 1: for a pledge that says there is when there really isn't.
• 1:03:22
  Speaker 1: The student's mother foundled lawsuit against the school district and
• 1:03:25
  Speaker 1: several staffers, accusing several of them of retaliation and discrimination
• 1:03:29
  Speaker 1: as a result of the student's stance. Blackwell says the
• 1:03:32
  Speaker 1: defendants were dismissed from the suit over time, except for
• 1:03:34
  Speaker 1: one teacher, Benji Arnold, who agreed to settle the case.
• 1:03:37
  Speaker 1: American Atheists says the Texas Association of school Boards, a
• 1:03:41
  Speaker 1: risk pool, paid ninety thousand dollars to resolve the case. Man,
• 1:03:46
  Speaker 1: that was actually KPRC two news with that report, but
• 1:03:50
  Speaker 1: dropping a clues. Bad for that young queen. Man high school? Wow,
• 1:03:56
  Speaker 1: high school? Thinking like that. There's a part of me
• 1:03:59
  Speaker 1: that's jealous. Okay, this is the second person I know
• 1:04:01
  Speaker 1: who got a nice chunk of change because they were
• 1:04:03
  Speaker 1: harassed by someone who couldn't mind their business simply when
• 1:04:06
  Speaker 1: a person chose not the pledge of leaders to the
• 1:04:09
  Speaker 1: flag and the republic for which he stands. Okay, I
• 1:04:11
  Speaker 1: got to salute that young queen who even had to
• 1:04:13
  Speaker 1: wear with all to file this lawsuit. Because I know
• 1:04:16
  Speaker 1: for a fact in high school, my dumbass would have
• 1:04:18
  Speaker 1: just been in the principal's office for refusing to do
• 1:04:21
  Speaker 1: something like that. And I wouldn't even have realized I
• 1:04:23
  Speaker 1: would being harassed, because I would have just accepted the
• 1:04:26
  Speaker 1: fact this guy as a teacher, so he has the
• 1:04:27
  Speaker 1: authority to press me, but I don't have to do
• 1:04:29
  Speaker 1: a damn thing, and then I don't want to do.
• 1:04:31
  Speaker 1: But I wouldn't have thought the sue listen to this
• 1:04:34
  Speaker 1: queen's reason, and again listen, I also believe that we
• 1:04:36
  Speaker 1: live in a country where there isn't justice and freedom
• 1:04:38
  Speaker 1: for all, and so I'm not gonna stand for a
• 1:04:40
  Speaker 1: pledge that says there is when there really isn't. Who
• 1:04:45
  Speaker 1: They didn't release her name, That's why I'm not saying
• 1:04:47
  Speaker 1: her name. But you know, as a teacher, benji Okay, Benjie,
• 1:04:51
  Speaker 1: instead of attempting to force some bully kids into saying
• 1:04:54
  Speaker 1: one nation indivisible with liberty and justice for all, how
• 1:04:57
  Speaker 1: about asked them why she feel that she lives in
• 1:05:00
  Speaker 1: the country where there isn't justice and freedom for all.
• 1:05:03
  Speaker 1: I guarantee you'll learn something, Benji Okay. I know Texas
• 1:05:06
  Speaker 1: is like a country all to itself. But the reality
• 1:05:09
  Speaker 1: is this young student is right, and that's why you
• 1:05:11
  Speaker 1: have people out here simply trying to keep America honest.
• 1:05:14
  Speaker 1: That's what she's doing. Okay. She's not asked for anything
• 1:05:17
  Speaker 1: more than what has been promised, which is liberty and
• 1:05:19
  Speaker 1: justice for all. Okay, one nation is true, this is
• 1:05:21
  Speaker 1: one nation. But indivisible is a lie, okay, because indivisible
• 1:05:25
  Speaker 1: means unable to be divided or separated. Need grow please,
• 1:05:28
  Speaker 1: all right, we've been divided and separated from the start.
• 1:05:30
  Speaker 1: All right. They need to replace indivisible with invisible because
• 1:05:33
  Speaker 1: from the start you have not seen certain groups. Okay,
• 1:05:36
  Speaker 1: if you did, all right, you didn't see us in
• 1:05:38
  Speaker 1: our totality. That's what the whole three fifths compromise was. Clearly,
• 1:05:41
  Speaker 1: if you couldn't see us in our wholeness, then parts
• 1:05:43
  Speaker 1: of us were invisible. So let's replace indivisible with invisible.
• 1:05:47
  Speaker 1: Invisible is how so many people feel in this country
• 1:05:49
  Speaker 1: because white people would privilege don't see the plights of
• 1:05:52
  Speaker 1: other people. So when a person says they refuse the
• 1:05:55
  Speaker 1: pledge allegiance because they feel like they live in a
• 1:05:57
  Speaker 1: country where there isn't justice and freedom for all liberty
• 1:06:00
  Speaker 1: fall and they're not gonna stand for a pledge until
• 1:06:02
  Speaker 1: there is. And how about, as an educator you figure
• 1:06:07
  Speaker 1: out ways to help us get there instead of continuing
• 1:06:10
  Speaker 1: the marginalization that currently has that young woman feeling the
• 1:06:14
  Speaker 1: way she feels in the first place. Okay, Kathy Griffin,
• 1:06:19
  Speaker 1: please please give this giant jaral male the biggest heahaw
• 1:06:26
  Speaker 1: and Chelsea Handler you want to get in on on
• 1:06:27
  Speaker 1: on Bengi heahaw heaha. That is way too much, Dan Man.
• 1:06:32
  Speaker 1: There's really no reason to play a game. I guess
• 1:06:34
  Speaker 1: what race it is because it is Texas, and I
• 1:06:36
  Speaker 1: mean bengi on it. Don't get whiter than that. Like,
• 1:06:40
  Speaker 1: look how white this man is. He could be on
• 1:06:41
  Speaker 1: a piece of currency. He could be on a dollar,
• 1:06:44
  Speaker 1: a five dollar bill, a twenty dollars bill. This is
• 1:06:46
  Speaker 1: a white This is white white. This is wooden teeth.
• 1:06:49
  Speaker 1: White's come on, man, this is wooden teeth white. Okay,
• 1:06:53
  Speaker 1: all right, this is the slaves at eight and three
• 1:06:56
  Speaker 1: day who cares white in my life? He's white. This
• 1:06:59
  Speaker 1: is white white. Jesus christ Man. This is the man
• 1:07:04
  Speaker 1: when people talk about the man, the man holding you back,
• 1:07:07
  Speaker 1: This is the man. This is this right here could
• 1:07:10
  Speaker 1: be a picture of the man. This is what the
• 1:07:12
  Speaker 1: man looks like. If you've never seen what the man
• 1:07:14
  Speaker 1: looks like, this what the man looks like. This is
• 1:07:15
  Speaker 1: the day I'll miss being on Revote TV, just because
• 1:07:17
  Speaker 1: I want y'all to see what the man looks like. Okay, alright, Well, next,
• 1:07:23
  Speaker 1: ask C and E if you need relationship advice or
• 1:07:26
  Speaker 1: any type if advice calls right now. And I just
• 1:07:28
  Speaker 1: want to say salute all the Jehovah witnesses out there. Okay,
• 1:07:32
  Speaker 1: if any of y'all have ever felt harassed or forced
• 1:07:34
  Speaker 1: the pledge allegiance, you might be INTI of the conversation. Okay, okay,
• 1:07:39
  Speaker 1: all right, all right, As C and eight hundred five eight,
• 1:07:43
  Speaker 1: when you were Jeovah witnesses, you go ringing people's doorbells.
• 1:07:45
  Speaker 1: Damn show was out in field service on saturdays. Absolutely,
• 1:07:50
  Speaker 1: So what would make you stop ringing the doorbells? Like?
• 1:07:52
  Speaker 1: Because you know, sometimes we close the shade, we turned
• 1:07:54
  Speaker 1: off the lights. But well, honestly, I don't remember doorbells
• 1:07:56
  Speaker 1: back then. We just was knocking on doors. You know.
• 1:07:58
  Speaker 1: He was going to trailer parks. And I grew up
• 1:08:00
  Speaker 1: in a single white trailers. I don't remember like ringing doorbell,
• 1:08:02
  Speaker 1: I remember knocking on doors, but yes, I definitely did
• 1:08:05
  Speaker 1: feel service on saturdays. Witness a days well as C
• 1:08:10
  Speaker 1: and E is next eight hundred five eight five one
• 1:08:12
  Speaker 1: O five one. It's the Breakfast Club co Morning. It's
• 1:08:15
  Speaker 1: that time ask Charlomagne a DJ nd anything pick it up,
• 1:08:21
  Speaker 1: up up, It's time to ask and Morning. Everybody is
• 1:08:26
  Speaker 1: DJ Envy Angela yee, Charlomagne the guy. We are the
• 1:08:30
  Speaker 1: Breakfast Club. It's time to ask C and E. If
• 1:08:32
  Speaker 1: you need relationship advice to any type of advice, you
• 1:08:35
  Speaker 1: can hit us. Hello. Who's this? It's staring down? How
• 1:08:38
  Speaker 1: y'all going seven? What up? Terrist Well the man? I
• 1:08:42
  Speaker 1: got a question for y'all. Y'all man, just like out yam,
• 1:08:44
  Speaker 1: I got a question for you, Yes, sir, after this
• 1:08:46
  Speaker 1: Chris rocket Wood Smith thing. And I want to know,
• 1:08:49
  Speaker 1: it's just possible for a wife or girlfriend if you
• 1:08:52
  Speaker 1: don't comfort going safe, that you go protect her if
• 1:08:54
  Speaker 1: she witness you not protect yourself. Well, what is protecting
• 1:08:57
  Speaker 1: yourself look like? Ken? Tell me what that looks like
• 1:08:59
  Speaker 1: to you, and I'll tell you what it looks like
• 1:09:01
  Speaker 1: to me. Oh, I'm in an old generation where your
• 1:09:03
  Speaker 1: father tell you the worst thing a man could do
• 1:09:05
  Speaker 1: to respect you to smack. I rather you punch to
• 1:09:07
  Speaker 1: me to smack. And now you can't even argue with
• 1:09:09
  Speaker 1: your wife because you can't live where the first thing
• 1:09:10
  Speaker 1: you're gonna say, don't break bad when me, you ain't
• 1:09:13
  Speaker 1: break bad when you out your mouth. You gotta live
• 1:09:15
  Speaker 1: with that. Now, that's that's terrible. Yeah, that's not what
• 1:09:19
  Speaker 1: protecting a woman to me is, or protecting a woman
• 1:09:21
  Speaker 1: to me is, you know, making sure that you know
• 1:09:24
  Speaker 1: you're doing the work on yourself to show up to
• 1:09:26
  Speaker 1: be the man that you need to be. Like, are
• 1:09:27
  Speaker 1: you in there? Are you in therapeut? You know how
• 1:09:30
  Speaker 1: to properly deal with your emotions? You know what I mean?
• 1:09:33
  Speaker 1: You're absolutely right. But just think if you go somewhere
• 1:09:35
  Speaker 1: and somebody to get loud, you think you're gonna feel
• 1:09:37
  Speaker 1: comfortable with you go protector. Yeah, I think I'm happening
• 1:09:40
  Speaker 1: to you like that. I think it's a different situation. Uh.
• 1:09:42
  Speaker 1: Will Smith and Chris Rock were actually friends. I mean
• 1:09:45
  Speaker 1: they worked with movies together. They knew of each other,
• 1:09:48
  Speaker 1: and that was that was one of the biggest stages
• 1:09:50
  Speaker 1: so I don't think you could compare that to if
• 1:09:52
  Speaker 1: we just in the street and somebody comes up to
• 1:09:53
  Speaker 1: me and smacks me in front of my my daughter
• 1:09:55
  Speaker 1: or my or my wife. So hey, I think many
• 1:09:58
  Speaker 1: different situations. Hey, also it is too Now, what if
• 1:10:02
  Speaker 1: you're a person who can't control their emotions and you're
• 1:10:04
  Speaker 1: dealing with a lot of hurt and you're dealing with
• 1:10:05
  Speaker 1: a lot of pain. So whenever somebody pops off, even
• 1:10:08
  Speaker 1: if it's something like you react in that way and
• 1:10:11
  Speaker 1: you just outsmacking people or punching people and then that
• 1:10:14
  Speaker 1: person decides to pull a gun out and then kills you,
• 1:10:16
  Speaker 1: blows your mother eff and brains out. That's not protecting, right,
• 1:10:19
  Speaker 1: will smell He pens acessful all the life. He's small
• 1:10:22
  Speaker 1: and everything. You gotta expect him to go off soon
• 1:10:24
  Speaker 1: or later because he couldn't never be himself. He only
• 1:10:27
  Speaker 1: got to be that image that is true. Later he
• 1:10:29
  Speaker 1: go come out from the later. And I think that's
• 1:10:31
  Speaker 1: all that happened. And I love both of the brothers
• 1:10:33
  Speaker 1: and I appreciate youall. I love both of I love
• 1:10:35
  Speaker 1: both of them too, man, and I can't I want
• 1:10:36
  Speaker 1: both of them to continue to continue on their journey
• 1:10:39
  Speaker 1: of healing. Hello, who's this yo? Without? Without without is alive?
• 1:10:43
  Speaker 1: All right? What's your question for CNE? I got a question.
• 1:10:46
  Speaker 1: My first question is for Charlomagne. Yo, charlomagn, I'll come
• 1:10:49
  Speaker 1: every time you're giving out the donkey to day you
• 1:10:51
  Speaker 1: got the day's wrong? Today is Thursday to thirty first,
• 1:10:54
  Speaker 1: not Friday the thirty first. What did I say Friday
• 1:10:57
  Speaker 1: to thirty first? I might have. I might have. I
• 1:11:00
  Speaker 1: might have some type of burger. Man. I don't know.
• 1:11:02
  Speaker 1: I'd be seeing what's the burger, asked burger. Yeah, I'll
• 1:11:05
  Speaker 1: be seeing. I didn't know. I thought the day was Thursday,
• 1:11:09
  Speaker 1: March thirty first. I said Friday. I don't know why
• 1:11:12
  Speaker 1: I do that. I'm gonna be honest. I see people
• 1:11:14
  Speaker 1: say that all the time on the YouTube comments. I'm like,
• 1:11:16
  Speaker 1: I don't even realize I'd be saying it like he
• 1:11:18
  Speaker 1: ain't got an eyefro that tells him to day. Last
• 1:11:20
  Speaker 1: week a time your uncle getting old brote? What's the
• 1:11:24
  Speaker 1: other question? Brother? Yo? Every I got I got a problem, man,
• 1:11:28
  Speaker 1: I'm trying to I'm trying to see man, like, how
• 1:11:30
  Speaker 1: can I I got an eighty percent? And I got
• 1:11:33
  Speaker 1: a twenty percent. I'm trying to see how can I
• 1:11:35
  Speaker 1: get my eighty eight? Sho my ady, John? Try to
• 1:11:38
  Speaker 1: see I shouldn give me a hunting. I'm tired of running.
• 1:11:40
  Speaker 1: You should know nothing about this, and you shouldn't know
• 1:11:43
  Speaker 1: nothing about this. You shouldn't even understand this math he talk?
• 1:11:47
  Speaker 1: What are you talking? You are happily married man, a
• 1:11:49
  Speaker 1: faithful black man? Are you talking about a faithful black man?
• 1:11:53
  Speaker 1: I'll tell you this. I tell you this, King, I
• 1:11:56
  Speaker 1: know math. I'm going with the eighty all day every day. Hey,
• 1:12:01
  Speaker 1: and I'm trying to go to eighty one day every day.
• 1:12:04
  Speaker 1: But the twenty calling you? You're an idiot. You wouldn't
• 1:12:07
  Speaker 1: take twenty percent of your paycheck, would you? If your
• 1:12:10
  Speaker 1: ball came here right now? Then I'm gonna give you
• 1:12:11
  Speaker 1: eighty percent of your paycheck or twenty percent of your paycheck?
• 1:12:14
  Speaker 1: Which one you're taking on? That's an easy question, Jo,
• 1:12:17
  Speaker 1: It should be easy in this situation to Foods calling
• 1:12:22
  Speaker 1: up talking about math. We don't know we faithful black man?
• 1:12:25
  Speaker 1: What are you talking? Number? That damn math? Eighty twenty?
• 1:12:28
  Speaker 1: What is that? I know? A hundred exactly one hundred
• 1:12:31
  Speaker 1: percent faithful to our wives what this man told eighty
• 1:12:35
  Speaker 1: twenty man asked, all right, ask CN eight hundred five
• 1:12:40
  Speaker 1: eight five one o five one. If you got questions
• 1:12:42
  Speaker 1: for ce, call us up right now. It's the Breakfast Club,
• 1:12:44
  Speaker 1: GOP five and five one oh five on. If you
• 1:12:49
  Speaker 1: need relationship advice at any type of advice, you can
• 1:12:52
  Speaker 1: call us right now and let's sell them in a
• 1:12:53
  Speaker 1: couple of one. Before you get into it, you said,
• 1:12:55
  Speaker 1: a couple of people called h and had a question
• 1:12:57
  Speaker 1: about your knees. I wanted to know how your knees
• 1:13:01
  Speaker 1: were fine. What you're talking about Yesterday you would dance,
• 1:13:04
  Speaker 1: remember you d I don't play with me. I'm sent man.
• 1:13:07
  Speaker 1: I was a stallion before there was stallions out here
• 1:13:09
  Speaker 1: what you're talking about. I grew up in the Uncle
• 1:13:12
  Speaker 1: Luke era. You hear me all right, Before y'all were
• 1:13:14
  Speaker 1: doing twerking and everything else, we was out here with
• 1:13:16
  Speaker 1: the sixty nine boys. Okay, Tucci rolling alright, motify it.
• 1:13:20
  Speaker 1: You're talking about how unk kneeds unk needs built for it.
• 1:13:23
  Speaker 1: It's in me, not on me. That was wrong with y'all.
• 1:13:27
  Speaker 1: Damn mind asked me about my knees. Please now listen.
• 1:13:31
  Speaker 1: Omar Epps and Charles Murray was here last hour. They
• 1:13:33
  Speaker 1: got a movie coming out in theaters this weekend called
• 1:13:35
  Speaker 1: The Devil. You know you heard me an NV say
• 1:13:38
  Speaker 1: at the end, we was gonna um you know, get
• 1:13:40
  Speaker 1: a theater correct so people can go see it. So
• 1:13:42
  Speaker 1: if you're in New York City, man um AMC Babe
• 1:13:46
  Speaker 1: Plaza in the Bronx and the Bronx. Okay, hit up
• 1:13:49
  Speaker 1: power one oh five one fm dot com right now
• 1:13:52
  Speaker 1: for your chance to get passes to go see the
• 1:13:54
  Speaker 1: new Omar Epps movie, The Devil. You know. Okay, it's
• 1:13:58
  Speaker 1: a special screening. When that hey eight, you just said
• 1:14:03
  Speaker 1: when you're screening tomorrow. What is the screening tomorrow? Yeah,
• 1:14:07
  Speaker 1: if the screening is tomorrow, So AMC Baye Plaza and
• 1:14:11
  Speaker 1: the Bronx hit up power one on five one fm
• 1:14:13
  Speaker 1: dot com for your chance to get passes courtesy of
• 1:14:16
  Speaker 1: me and Rashawn. That's right. And all you gotta do
• 1:14:18
  Speaker 1: is when you click to site, you'll see Omar EPP's face.
• 1:14:21
  Speaker 1: Just click that link and you just click the intel.
• 1:14:22
  Speaker 1: There you go, all right, and that's in the Bronx.
• 1:14:24
  Speaker 1: AMC Baye Plaza Cinema thirteen in the Bronx and that's
• 1:14:27
  Speaker 1: to see the screener for the devil, you know, and
• 1:14:30
  Speaker 1: don't don't worry about the fact that I see the
• 1:14:32
  Speaker 1: craziest people in America come from the Bronx and all
• 1:14:34
  Speaker 1: the Florida. Don't worry about that. Don't worry about that.
• 1:14:36
  Speaker 1: Don't worry about that. You'll be fine, all right when
• 1:14:38
  Speaker 1: we come back. We got more ass C and E
• 1:14:40
  Speaker 1: relationship advice than any type of advice call us. Now
• 1:14:42
  Speaker 1: it's the breakfast club. That time ask Charlomagne a DJ
• 1:14:47
  Speaker 1: NV anything up up? It's time to ask morning. Everybody's
• 1:14:54
  Speaker 1: DJ Envy and Jula yee, Charlomagne the guy. We are
• 1:14:57
  Speaker 1: the breakfast club. We're in the middle of seat in
• 1:14:59
  Speaker 1: the Hello, who's this? Hi? This is then? Hey, what's
• 1:15:04
  Speaker 1: your question for ce hi seeing? Oh my god? Now
• 1:15:07
  Speaker 1: I need to how to be super serious? I know
• 1:15:10
  Speaker 1: y'all dub around a lot. We're always serious, all right.
• 1:15:15
  Speaker 1: So I met this guy in LA. I lived in
• 1:15:18
  Speaker 1: the East Coast. I'm not gonna say just she's listening.
• 1:15:20
  Speaker 1: I live on the East Coast. Is um in the beginning.
• 1:15:25
  Speaker 1: I mean, this guy is super nice. We communicate fully good,
• 1:15:28
  Speaker 1: we click, We have a lot of things in comment.
• 1:15:31
  Speaker 1: I'm and I didn't want to like him because he's
• 1:15:34
  Speaker 1: on the West coast. But you know, I had a
• 1:15:36
  Speaker 1: conversation with him and I was like, listening, you're really likful.
• 1:15:39
  Speaker 1: What are we doing? Um? He didn't answer me when
• 1:15:42
  Speaker 1: I asked you that question. He kind of got quiet.
• 1:15:44
  Speaker 1: So I kind of sut the whole sporation down, and
• 1:15:47
  Speaker 1: I was like, you know what, you're a cool person,
• 1:15:48
  Speaker 1: but you know I'm here, you're there. Let's fall about
• 1:15:51
  Speaker 1: our lives. So he called me yesterday and he was
• 1:15:54
  Speaker 1: seeing for the relationship. She was like, what are you doing?
• 1:15:57
  Speaker 1: He was like, I don't care if you're in New Jersey.
• 1:15:59
  Speaker 1: He was and all the right things. He was like,
• 1:16:02
  Speaker 1: it's not that I'm not interested. I want to let
• 1:16:04
  Speaker 1: you know now that I'm interested. I'm busy, but let
• 1:16:07
  Speaker 1: me like. He's also told me I need to be
• 1:16:09
  Speaker 1: calling him. But I felt like I'm following his lead.
• 1:16:12
  Speaker 1: What is he doing? What did you do? What did
• 1:16:14
  Speaker 1: you do for a living? He's the entrepreneur. He's in
• 1:16:17
  Speaker 1: the fashion industry as well as the music industry. I mean,
• 1:16:20
  Speaker 1: I always feel like you you can always make time
• 1:16:22
  Speaker 1: for somebody you care about, and you love. I mean,
• 1:16:24
  Speaker 1: it ain't nothing to make a quick phone call or
• 1:16:26
  Speaker 1: a quick text or a quick little something just to
• 1:16:28
  Speaker 1: tell you I'm thinking about you. I always feel that,
• 1:16:30
  Speaker 1: like if you really want something, you really love it,
• 1:16:32
  Speaker 1: you're really thinking about it, it ain't nothing to make
• 1:16:33
  Speaker 1: a little time for that throughout the day. In my opinion, Yeah,
• 1:16:37
  Speaker 1: I agree. I mean, he said someone everything esterday to
• 1:16:40
  Speaker 1: try to say what we were trying to build. He
• 1:16:42
  Speaker 1: was like, listen, he said, I actually heard his feelings,
• 1:16:45
  Speaker 1: because you feel like I gave up on him, and
• 1:16:47
  Speaker 1: I don't think that he was fornesting me. But I
• 1:16:49
  Speaker 1: was like, you know what again, I'm here, you're there.
• 1:16:52
  Speaker 1: I don't want he's really likable. I think you need
• 1:16:55
  Speaker 1: to make sure that man ain't got a whole other
• 1:16:57
  Speaker 1: family in La. Absolutely, that's what I think you need
• 1:17:00
  Speaker 1: to do, because I mean, we all work a lot.
• 1:17:02
  Speaker 1: I work a lot, Charlomagne works a lot, but we
• 1:17:03
  Speaker 1: still find time to throughout the date just to call
• 1:17:06
  Speaker 1: I called my wife just to tell I'm thinking about it,
• 1:17:08
  Speaker 1: or I call my kid to check up on him.
• 1:17:10
  Speaker 1: And I got a zillion one jobs and Charlemagne does
• 1:17:12
  Speaker 1: as well. But if you really love somebody, you really
• 1:17:15
  Speaker 1: can you find that time unless he can't because he's
• 1:17:18
  Speaker 1: with his other family, right, and if he can't necessarily
• 1:17:20
  Speaker 1: get away, and if that man is with his other family,
• 1:17:22
  Speaker 1: you need to lead that man and her and you
• 1:17:25
  Speaker 1: need to lead that lady husband alone. Oh no, that's
• 1:17:28
  Speaker 1: not Charlemagne. Don't play with me. What I'm just asking.
• 1:17:34
  Speaker 1: I'm just saying hypothetically. I don't know, right, but you
• 1:17:38
  Speaker 1: do need to find out if he got a whole
• 1:17:39
  Speaker 1: other situation going on, because envy is right, you know,
• 1:17:41
  Speaker 1: we make time for what we want to make time for.
• 1:17:44
  Speaker 1: There's no reason in two twenty two to not be
• 1:17:46
  Speaker 1: able to keep constant communication facetimes, zooms something. Yeah, you
• 1:17:49
  Speaker 1: should start facetimeing in wild times like FaceTime like early
• 1:17:53
  Speaker 1: in the morning to see, you know, if he's in
• 1:17:55
  Speaker 1: bad by himself FaceTime and just wild time, just to see.
• 1:17:58
  Speaker 1: And if you don't answer, if you don't answer, you
• 1:18:00
  Speaker 1: know what it is, right he don't answer to stop
• 1:18:02
  Speaker 1: interrupting that man's family time. Thank you, guys. I'm so
• 1:18:07
  Speaker 1: happy that you were serious with me. We are I'm
• 1:18:09
  Speaker 1: no way serious. Why people think we're not serious? Oh? No, hello,
• 1:18:13
  Speaker 1: who's this? Hey? What's stop this year from talio? Talio?
• 1:18:17
  Speaker 1: What's your seeing? Me? Um? I just trying to figure
• 1:18:20
  Speaker 1: out how my man. He treats me so good, but
• 1:18:24
  Speaker 1: he can't stop cheating, and I'm just not saying what
• 1:18:26
  Speaker 1: it is. Don't laugh? Paid did you catch it's not funny?
• 1:18:35
  Speaker 1: At least ten times? Whoa whoas? And eight years? Are
• 1:18:39
  Speaker 1: you married? In two years? We're not married together? My
• 1:18:43
  Speaker 1: g my g g g so he got five years,
• 1:18:46
  Speaker 1: he's averaging five cheating five cheats a yet correct? That's
• 1:18:50
  Speaker 1: what you're telling us right now? Yeah? I eight? How
• 1:18:54
  Speaker 1: old is this man? He's twenty nine? Why is this?
• 1:18:57
  Speaker 1: Why can't you let him go? Tell me? I have
• 1:18:59
  Speaker 1: to tend she in two years. You gotta let him
• 1:19:01
  Speaker 1: go because he understands you won't leave, so he's gonna
• 1:19:03
  Speaker 1: keep doing it to you until you change your behavior.
• 1:19:05
  Speaker 1: I need to hear how good the penis is. Tell
• 1:19:07
  Speaker 1: me what I know. That's all it is. That's the
• 1:19:11
  Speaker 1: only thing got you going crazy out here. You out
• 1:19:14
  Speaker 1: here tied you because you're you're allowing it. Honestly, if
• 1:19:20
  Speaker 1: you decide you won't take it anymore and you out,
• 1:19:22
  Speaker 1: then he will understand it. But the fact that you
• 1:19:24
  Speaker 1: keep forgiving him and allow him to come back in
• 1:19:25
  Speaker 1: the house. And that's the truth. No, it's not. This
• 1:19:29
  Speaker 1: man has been with ten different girls in two years.
• 1:19:32
  Speaker 1: She just one of them. You're not even really his girlfriend.
• 1:19:35
  Speaker 1: See that he slips with her? No, he don't, he do.
• 1:19:39
  Speaker 1: It's probably because you're a homeless sexual. All right. He
• 1:19:41
  Speaker 1: probably ain't got no other place to be, all right, Okay,
• 1:19:46
  Speaker 1: he probably ain't got no other place to be, all right?
• 1:19:48
  Speaker 1: Why would he Why? Why would he be living with you?
• 1:19:50
  Speaker 1: How does he what does he? When? Does he have
• 1:19:52
  Speaker 1: time to cheat? If he lives with you? Exactly what?
• 1:19:54
  Speaker 1: I go to work. He don't even got a job.
• 1:19:59
  Speaker 1: This man's is amazing. Come on, mama, he doesn't have
• 1:20:02
  Speaker 1: a job. You this man and this man's penis no
• 1:20:08
  Speaker 1: you pay his cell phone bill. It gets to the
• 1:20:10
  Speaker 1: point where you just gotta say enough is enough. I
• 1:20:15
  Speaker 1: will say that he's a drug dealers are paid? Is
• 1:20:18
  Speaker 1: he a drug dealer? Possibility? You're going to jail and
• 1:20:22
  Speaker 1: you're gonna have a heartbreak. Now. You gotta you gotta
• 1:20:24
  Speaker 1: let go because you don't want to be in a
• 1:20:25
  Speaker 1: predicament where he brings you home something that you don't
• 1:20:27
  Speaker 1: necessarily want like gonera conspiracy charges, conspiracy charges like it's
• 1:20:34
  Speaker 1: enough enough, and he keeps doing it because you just
• 1:20:36
  Speaker 1: won't leave, and he understands that, he'll say sorry and
• 1:20:38
  Speaker 1: you'll stay. You got now to the point where you
• 1:20:40
  Speaker 1: just gotta be like, you gotta do. It's best for you, sis.
• 1:20:42
  Speaker 1: It's the best peenis you ever had in your life.
• 1:20:44
  Speaker 1: Why you keep asking her? You weak? Damn God damn
• 1:20:50
  Speaker 1: does he at least give you a good conversation to
• 1:20:52
  Speaker 1: go along with it? It do? It's just like a
• 1:20:55
  Speaker 1: fery tale and then pop damn man, salute to that
• 1:20:59
  Speaker 1: king and he just Mama, you know what that king?
• 1:21:04
  Speaker 1: I remember when I was a young toxic Okay, Lord,
• 1:21:08
  Speaker 1: have mercy. You know what you gotta do? You hear me? No,
• 1:21:12
  Speaker 1: she don't hear you. She ain't trying to hear you.
• 1:21:14
  Speaker 1: Text it's Thursday, Friday tomorrow. Text him right now, tell him,
• 1:21:17
  Speaker 1: tell him you're not gonna do this anymore. He was
• 1:21:21
  Speaker 1: to grab on my phone right now. Let me talk
• 1:21:23
  Speaker 1: to this king. Boy, Come on, peace, King, How are
• 1:21:26
  Speaker 1: you doing? Brother? Why you wil b you? Why? Yeah?
• 1:21:30
  Speaker 1: Why you aren't playing with that girl's emotions? Man? I
• 1:21:33
  Speaker 1: ain't playing with her, but every speak man need to
• 1:21:35
  Speaker 1: understand they play too. And I think she would respect
• 1:21:42
  Speaker 1: you more if you had a job. King. You know
• 1:21:44
  Speaker 1: what I'm saying, Like you can't job? No, she said,
• 1:21:46
  Speaker 1: he don't got not a legal job? Oh your barber? Okay,
• 1:21:52
  Speaker 1: do you have your license? That ain't funny. Do you
• 1:21:56
  Speaker 1: have your license? He ain't got his life? You don't
• 1:21:58
  Speaker 1: got your license? Is still an the legal job? Bro?
• 1:22:00
  Speaker 1: She caught you ten times in two years, so there's
• 1:22:03
  Speaker 1: a couple of times she didn't catch you. Bro, come
• 1:22:05
  Speaker 1: on down. If she a good woman, you gotta chill
• 1:22:07
  Speaker 1: f out. You live in with her your clothes? Dare
• 1:22:09
  Speaker 1: you gotta chill out? Bro? Do you like her? Whoa girl?
• 1:22:15
  Speaker 1: If you don't kick that out your car right now,
• 1:22:18
  Speaker 1: right now, hit out, pull over and drop him off.
• 1:22:24
  Speaker 1: We're just joking. We don't want nothing toxic, all right? Well,
• 1:22:35
  Speaker 1: I don't know to tell somebody like that when the
• 1:22:37
  Speaker 1: person is dematized in that way. Okay, and the man
• 1:22:40
  Speaker 1: don't teated ten times in two years. She'll come around
• 1:22:46
  Speaker 1: one day one day, But you don't want to be
• 1:22:49
  Speaker 1: the guy that does it one last time. You lose
• 1:22:51
  Speaker 1: her and then three years down the line, you're like,
• 1:22:53
  Speaker 1: Dad was the best thing I haven't losted are or
• 1:22:57
  Speaker 1: what he could one day evolve and become the man
• 1:23:01
  Speaker 1: that she has always wanted him to be. That it
• 1:23:04
  Speaker 1: has happened to the worst of us, Right, I am
• 1:23:07
  Speaker 1: living through. You didn't get I never had no five,
• 1:23:10
  Speaker 1: I never had no ten in two years. That's just ridiculous.
• 1:23:12
  Speaker 1: That's just nasty. Yes, all right, all right, it's disgusting.
• 1:23:16
  Speaker 1: Ten in two years. You just out here wild and
• 1:23:18
  Speaker 1: you don't get nothing about your penis. You got time
• 1:23:20
  Speaker 1: ten and two years in this era, though he got
• 1:23:22
  Speaker 1: caught with ten, so it might have been twenty. Whoa,
• 1:23:25
  Speaker 1: whoa in this era. No, no, anybody got time for that. No, no, no,
• 1:23:29
  Speaker 1: you get commedia, computer viruses, all types of stuff. You
• 1:23:31
  Speaker 1: ain't black time computer virus. You don't want your penis
• 1:23:33
  Speaker 1: to get hacked. All right, Well, let's get to the
• 1:23:35
  Speaker 1: room as let's talk Soldier boy. It's about this is
• 1:23:43
  Speaker 1: the report angela ye on the breakfast club. Well, soldier
• 1:23:48
  Speaker 1: boy turns in the big Draco. He wants to know
• 1:23:51
  Speaker 1: our little Dirk water me goes ain't returning his calls
• 1:23:54
  Speaker 1: when you yelling I don't know. I want to get
• 1:23:56
  Speaker 1: my soldier boy's voice. I'm always doing a song, get signed,
• 1:24:00
  Speaker 1: then once get famous, I can't. I can't even get
• 1:24:03
  Speaker 1: a song from him. But when y'all was in the
• 1:24:06
  Speaker 1: hood and I ain't nobody know who the fuck y'all was,
• 1:24:09
  Speaker 1: I was doing songs with ya, Chief Keith, little Dirt,
• 1:24:13
  Speaker 1: me goos famous dicks only play the song with now
• 1:24:17
  Speaker 1: was Risty Keith ain't real. I'm still having it, still
• 1:24:21
  Speaker 1: have e motion. Really don't need no song with you.
• 1:24:24
  Speaker 1: All you gotta do is look up Soldier wear little
• 1:24:26
  Speaker 1: Dirt Eater the man first mix taken on somebody nobody
• 1:24:29
  Speaker 1: knew who the dirt wasna get a record deal? What
• 1:24:32
  Speaker 1: if my feature back in don't play with Big Draco?
• 1:24:36
  Speaker 1: Why Soldier? But always sound like he giving closing arguments
• 1:24:38
  Speaker 1: and you know what I mean, And I just say, guilty,
• 1:24:42
  Speaker 1: guilty to all of everybody he just named. Okay, all right,
• 1:24:46
  Speaker 1: well you should return the favorite of soldier did look
• 1:24:48
  Speaker 1: out for y'all in that way, you know, before y'all
• 1:24:51
  Speaker 1: got popping, You should return the favor later on that
• 1:24:53
  Speaker 1: like you should. But if you don't, you know it
• 1:24:56
  Speaker 1: is what it is. But you should all right, now,
• 1:24:59
  Speaker 1: eas Ray, there was rumors that Easter Ray is pregnant.
• 1:25:02
  Speaker 1: Why did you say that? I don't know, she responded.
• 1:25:05
  Speaker 1: She says, I am not pregnant. F you very much.
• 1:25:08
  Speaker 1: Let a bitch eat, drink and be merry. That's one
• 1:25:11
  Speaker 1: of the worst things you can say to a woman. Man,
• 1:25:12
  Speaker 1: tell a woman you know when brown congratulations, Uh, you
• 1:25:16
  Speaker 1: know when you're expecting and she ain't even pregnant. I
• 1:25:19
  Speaker 1: learned my lesson. I did that one jot. We was
• 1:25:21
  Speaker 1: on a plane and the radio personality was on there
• 1:25:24
  Speaker 1: with me and I was like, yo, congratulations, you know
• 1:25:26
  Speaker 1: what I'm saying. She said, for what I said, pregnant,
• 1:25:28
  Speaker 1: She's like, I ain't pregnant. I said, Oh, all's so disrespectful.
• 1:25:32
  Speaker 1: And I mean this in a real way. It's just
• 1:25:33
  Speaker 1: like saying fat bitch. It's that disrespectful. I'm serious. That's
• 1:25:37
  Speaker 1: the equivalent tiling my line and somebody walked to and
• 1:25:40
  Speaker 1: be like, damn you pregnant. That's disrespectful, right, that's just
• 1:25:43
  Speaker 1: like calling women to fat. Be right, it's I'm telling
• 1:25:47
  Speaker 1: you disrespectful. You well, uh, I didn't know this one.
• 1:25:53
  Speaker 1: This one. Just let me see, let me see, let
• 1:25:56
  Speaker 1: me see, let me see. No, let just see. It
• 1:25:58
  Speaker 1: was just a bad transition. No no, no, no no
• 1:26:02
  Speaker 1: no no no no no no no no. I'm glass.
• 1:26:06
  Speaker 1: That's bro right, that's broth. Even though I got to
• 1:26:08
  Speaker 1: show the people the headline at least on the camera,
• 1:26:11
  Speaker 1: but just to know what we did not we decided
• 1:26:13
  Speaker 1: not to discuss after that segue. Should I show we
• 1:26:17
  Speaker 1: didn't do it? We didn't do it. Don't do it.
• 1:26:19
  Speaker 1: You know what. I'm not gonna do even put the
• 1:26:21
  Speaker 1: energy alright, who who would that have been a hell
• 1:26:24
  Speaker 1: of a segue. I didn't have thought she was being
• 1:26:27
  Speaker 1: a real asshole on this radio morning. You hear me?
• 1:26:30
  Speaker 1: WHOA Okay? All right, well that is your room a report?
• 1:26:34
  Speaker 1: Damn Nope, nope, not doing that one. You just want
• 1:26:39
  Speaker 1: to say what it is though, I do not. Nope, nope,
• 1:26:43
  Speaker 1: all right, people's choice mixes up next therapy today? The
• 1:26:47
  Speaker 1: type of stuffs Friday, No, I got it to day.
• 1:26:50
  Speaker 1: Actually this is stuff we're discussing therapy. I'm not doing that,
• 1:26:53
  Speaker 1: all right, eight D five eight five to too, But
• 1:26:57
  Speaker 1: I ain't doing it. I ain't mess with you, but
• 1:26:58
  Speaker 1: I'm gonna get my last sooner is this. No, I'm
• 1:27:00
  Speaker 1: not I'm even gonna laugh at coming. You saw, okay
• 1:27:04
  Speaker 1: eight Nick, you saw, you saw what we didn't commit
• 1:27:06
  Speaker 1: the okay, you don't see what we didn't talk about.
• 1:27:09
  Speaker 1: We didn't talk about eight hundred five eight five one
• 1:27:11
  Speaker 1: five one The people Choice mixes up next week. Gonna
• 1:27:13
  Speaker 1: start it off with Nipsey. So Breakfast Club, your morning's
• 1:27:17
  Speaker 1: will never be the same piece of the planet. Charlomagne
• 1:27:21
  Speaker 1: the Guard here with news from one of They just
• 1:27:23
  Speaker 1: partnered with the Grammy Awards for exclusive NFTs and you
• 1:27:26
  Speaker 1: can win a pair of tickets to fly out the
• 1:27:28
  Speaker 1: next year's Grammy's simply by claiming the free NFT at
• 1:27:31
  Speaker 1: one of dot com. For rules and to claim your
• 1:27:33
  Speaker 1: free n FT, visit one of dot com by seven
• 1:27:35
  Speaker 1: pm April morning. Everybody is dj n V Angela yee,
• 1:27:42
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. Now. We
• 1:27:44
  Speaker 1: got a shout out to Omar Epps for joining us
• 1:27:47
  Speaker 1: this morning. Yeah, salute to the good brother Omar Epps
• 1:27:49
  Speaker 1: and Charles Murray. Also Charles Murphy is stopping through with them. Yeah,
• 1:27:52
  Speaker 1: they got a movie coming out this weekend called The
• 1:27:54
  Speaker 1: Devil you know, and uh n V and I we
• 1:27:57
  Speaker 1: have a theater for you to go see it at.
• 1:27:59
  Speaker 1: You know what I'm saying. And if you want to
• 1:28:00
  Speaker 1: go to a special screen and of the Devil, you
• 1:28:02
  Speaker 1: know tomorrow at AMC, Babe Plazat and the Bronx, just
• 1:28:05
  Speaker 1: go to Power one oh five one FM dot com
• 1:28:08
  Speaker 1: right now for your chance to get passes. That's right,
• 1:28:11
  Speaker 1: you'll see Omar Epster's face. Just click the link on
• 1:28:13
  Speaker 1: his face and uh definitely registered and you could be
• 1:28:15
  Speaker 1: in the building all right when we come back. We
• 1:28:17
  Speaker 1: got the positive note. It's the Breakfast Club morning. Everybody
• 1:28:21
  Speaker 1: is DJ Envy Angela Yee, Charlomagne the guy we are
• 1:28:24
  Speaker 1: the Breakfast Club. That's Charlomagne. You've got a positive note.
• 1:28:28
  Speaker 1: I do have a positive note. Man. You know today
• 1:28:30
  Speaker 1: is the three year um. It's been three years since
• 1:28:32
  Speaker 1: our good brother Nipsey Hustle, you know, transitioned. So this
• 1:28:35
  Speaker 1: quote is from the late great Nipsey Hustle. Man, if
• 1:28:38
  Speaker 1: you look at the people in your circle and don't
• 1:28:40
  Speaker 1: get inspired, then you don't have a circle. You have
• 1:28:43
  Speaker 1: a cage breakfast club. You don't finish it, y'all dumb