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Two Decades Of Dominance With ZOLTAN BATHORY From FIVE FINGER DEATH PUNCH · HEAVY Music Interviews

• 0:00
  Speaker 1: It's this is no time from five Thing in Death Punch.
• 0:04
  Speaker 1: We just got to a record deal yesterday, so we
• 0:06
  Speaker 1: are a brand new band. Nice to say. Yeah, we hopefully,
• 0:12
  Speaker 1: you know, we play a lot of shows and hopefully
• 0:15
  Speaker 1: we get a deal. You know.
• 0:16
  Speaker 2: So I like your confidence, mate, I like it.
• 0:20
  Speaker 1: I know, I know I'm trying hard that. You know,
• 0:23
  Speaker 1: we're the biggest unknown band in the world, so hopefully
• 0:26
  Speaker 1: we'll change it soon.
• 0:28
  Speaker 2: Fantastic, Matt, thanks for joining us today. That was a
• 0:30
  Speaker 2: fantastic introduction.
• 0:33
  Speaker 1: And the band calles five at that Punch. I know
• 0:35
  Speaker 1: it's a crazy name, but hey, all the good names
• 0:38
  Speaker 1: were taken, so we went to this one.
• 0:42
  Speaker 2: Fantastic. So Five Things and Death Punch release twenty years
• 0:46
  Speaker 2: Best of Five Thing Death Punch Best Of Volume two
• 0:48
  Speaker 2: on October twenty fourth. That's a bloody mouthful, mate, Do
• 0:51
  Speaker 2: you mind if I it's called a volume two from
• 0:53
  Speaker 2: here on here?
• 0:55
  Speaker 1: Yeah, yeah, it is volume two.
• 0:56
  Speaker 2: Yes, you released volume two on twenty fourth, right, say
• 1:01
  Speaker 2: how you feel about it? It's pretty close.
• 1:03
  Speaker 1: Now, yeah, it's coming. You know. It's it's kind of
• 1:06
  Speaker 1: crazy because by doing this, you know, like low exercise
• 1:10
  Speaker 1: of recording these songs, we got to sort of revisit
• 1:14
  Speaker 1: or past, you know, because usually, you know, we are
• 1:17
  Speaker 1: kind of a forward facing band, like what's next, where
• 1:19
  Speaker 1: we're going, what's the next thing you're doing. So it's
• 1:22
  Speaker 1: not really that we're looking at the rear view mirrors
• 1:26
  Speaker 1: so much, you know. And so this was kind of crazy,
• 1:30
  Speaker 1: you know, looking back, like man twenty years you know,
• 1:33
  Speaker 1: if I, if I had to put some money on
• 1:35
  Speaker 1: it and bat, I probably would bet against us, you know, yeah,
• 1:41
  Speaker 1: I mean yeah, I would have lost, right because you know,
• 1:44
  Speaker 1: not many bands make it that long. You know, it's
• 1:46
  Speaker 1: it's just what it is. It's difficult, and a lot
• 1:49
  Speaker 1: of bands just you know, just don't make it this long.
• 1:52
  Speaker 1: And from all bands, this was like, you know, it
• 1:56
  Speaker 1: was a fire, tornado or whatever you want, the last
• 1:59
  Speaker 1: twenty years. So it's actually pretty amazing that we hear
• 2:02
  Speaker 1: we did nine record and a bunch of you know,
• 2:05
  Speaker 1: a bunch of hits. It's it's it's kind of crazy,
• 2:08
  Speaker 1: it is.
• 2:08
  Speaker 2: And as the term and the title suggested, because this
• 2:11
  Speaker 2: is a follow up, the best of Volume Money came
• 2:13
  Speaker 2: out earlier this year, so you can see them as
• 2:16
  Speaker 2: companion pass or as two separate bodies of why.
• 2:19
  Speaker 1: Well it's like, here's here's the thing. You know, we
• 2:22
  Speaker 1: obviously it's kind of out there. Everybody knows, like why
• 2:25
  Speaker 1: we really did it? You know, first and foremost or
• 2:27
  Speaker 1: twentyeth anywherey was coming up. So we were gonna do
• 2:30
  Speaker 1: something for the fans anyway, and you know, this was
• 2:33
  Speaker 1: the perfect lemon that was handed to us and we
• 2:36
  Speaker 1: so we made lemonade right, you know, the label legally.
• 2:41
  Speaker 1: So they did do anything criminal, like they sold the Masters.
• 2:44
  Speaker 1: It happens all the time in the recording industry. There's
• 2:47
  Speaker 1: nothing surprising. It's nothing nw just most artists are quiet
• 2:51
  Speaker 1: about it and they just take it. And when you
• 2:53
  Speaker 1: know Taylor Swift, it happened to Taylor Swift. She decided, like,
• 2:57
  Speaker 1: you know what, I'm just gonna really record my whole catalog.
• 3:00
  Speaker 1: And it worked because she has a really loyal families
• 3:04
  Speaker 1: and so that was the idea. Well, we also have
• 3:07
  Speaker 1: a really loyal family, so why don't we do that.
• 3:10
  Speaker 1: It gives us a chance to revisit those songs, and
• 3:13
  Speaker 1: this way we can give something to the fence. So
• 3:16
  Speaker 1: that's how this happened us. For how do we pick
• 3:18
  Speaker 1: the songs? It was fairly easy. It's it's been always
• 3:21
  Speaker 1: the people bad, you know, So we just literally looked
• 3:24
  Speaker 1: at like, okay, it's not even about the hits. We
• 3:26
  Speaker 1: do have thirty top ten hits, so we could just
• 3:28
  Speaker 1: do those thirty songs, but it was about what what
• 3:31
  Speaker 1: are the songs that it's mostly what are what are
• 3:34
  Speaker 1: the songs that are the most important defense and there
• 3:39
  Speaker 1: is data like whatever songs they stream the most, So
• 3:43
  Speaker 1: we just literally looked at Spotify, we looked at Apple
• 3:47
  Speaker 1: Music and all the streaming services, and we could see that, Okay,
• 3:50
  Speaker 1: these are the thirty songs that the fans love the most,
• 3:53
  Speaker 1: so let's do those thirty. That's how that's how simportant.
• 3:56
  Speaker 2: Was Yeah, no, so it is very fair driven. But
• 3:59
  Speaker 2: you guys have all it's been a very fan driven band.
• 4:01
  Speaker 2: But out of the two Volume one and Volume two,
• 4:03
  Speaker 2: which one personally, do you think is got the best songs?
• 4:06
  Speaker 2: Which one's got your favorites on it?
• 4:08
  Speaker 1: Well, that's that's kind of you know, the question like
• 4:10
  Speaker 1: which which kids of yours?
• 4:15
  Speaker 2: I've got two of them so and I feel you pain.
• 4:17
  Speaker 1: Right, so exactly so which one is it? Volume one?
• 4:21
  Speaker 1: Volume tear of your kids?
• 4:24
  Speaker 2: They standing behind me with a baseball bat, so I've
• 4:26
  Speaker 2: got to say base, I.
• 4:28
  Speaker 1: See what I mean. So I'm gonna say the same thing. Right.
• 4:31
  Speaker 1: It's hard to decide, you know, hard to decide, but
• 4:34
  Speaker 1: but each record has amazing moments, and both record have
• 4:39
  Speaker 1: a song that has a feature. The first one had
• 4:42
  Speaker 1: Maria Brink right, and that song became a number one
• 4:45
  Speaker 1: song and it's made a lot of sense. A lot
• 4:47
  Speaker 1: of people don't know this, but in this moment and
• 4:49
  Speaker 1: Maria and fifing in that punch our our history is
• 4:55
  Speaker 1: kind of intervined, you know, because this is again not
• 4:59
  Speaker 1: many people know this, but there was a band in
• 5:01
  Speaker 1: Los Angeles that.
• 5:03
  Speaker 3: Was a local band that was fairly big locally but
• 5:08
  Speaker 3: never really made it. But locally they were an alley band.
• 5:12
  Speaker 3: And when this band fell apart, alf of that band
• 5:15
  Speaker 3: became in this moment and the other half came to
• 5:17
  Speaker 3: fiping in that bunch.
• 5:19
  Speaker 1: So yeah, yeah, yeah. So and then they got the
• 5:22
  Speaker 1: recorded I think with Central Media. Then we got ours,
• 5:25
  Speaker 1: and we sort of grew in the same time. They
• 5:27
  Speaker 1: were heavier, so they kind of went into that direction.
• 5:30
  Speaker 1: We had radio songs of the band obviously blew up,
• 5:33
  Speaker 1: but you know, we toured together, We took them out
• 5:37
  Speaker 1: on the road many times, so this is this is
• 5:39
  Speaker 1: and she already been featured in the song before. Also
• 5:42
  Speaker 1: we have the same producer, you know, and also they
• 5:45
  Speaker 1: record in Las Vegas, so we have a lot of
• 5:47
  Speaker 1: these common elements, you know, that made all the sense
• 5:50
  Speaker 1: in the world, Like, oh, it has to be Maria.
• 5:52
  Speaker 1: It's a recapable last twenty years, so it should be Maria.
• 5:55
  Speaker 1: And on volume two it is baby Metal Suit from
• 6:00
  Speaker 1: Baby Metal Singing or Not, which is amazing. First and foremost,
• 6:04
  Speaker 1: imagine right now the song is already in top ten
• 6:07
  Speaker 1: in America. So that's like, oh, imagine a song on
• 6:11
  Speaker 1: mainstream rock radio in America that half of the song
• 6:14
  Speaker 1: is in Japanese. I don't think that ever happened. It
• 6:17
  Speaker 1: shouldn't happen, but it does, right, Yeah, so you know
• 6:20
  Speaker 1: what I mean, Like it's kind of like the I
• 6:22
  Speaker 1: Think we broke that, you know that the tradition with that.
• 6:26
  Speaker 1: It became a number one song on I think the
• 6:28
  Speaker 1: Japanese iTunes and whatnot, and it is already in the
• 6:31
  Speaker 1: top ten in America. And even though they are a
• 6:34
  Speaker 1: metal band and we are kind of a hard rock
• 6:36
  Speaker 1: metal band, we some of the fan base overlap but
• 6:40
  Speaker 1: we have very different fans, and it's amazing to see
• 6:43
  Speaker 1: that we got such an influx of baby Metal fans
• 6:48
  Speaker 1: coming in. I see the comments, half of them in Japanese.
• 6:52
  Speaker 1: But again, we've got a lot of people coming because
• 6:55
  Speaker 1: they never heard of five thing in that one too.
• 6:57
  Speaker 1: That's why I say we got the biggest unknown men right.
• 7:00
  Speaker 1: And the same way, our fans are not necessarily familiar
• 7:04
  Speaker 1: with baby metal, so now they're like, oh, what is this, man,
• 7:07
  Speaker 1: let me check it out, so you know, so you know, right,
• 7:11
  Speaker 1: in a way it worked out for both bands. Bands
• 7:13
  Speaker 1: and the song. From that perspective, the song of Finally
• 7:18
  Speaker 1: is complete in some way, at least for me. You know,
• 7:21
  Speaker 1: when I even writes the lyrics, he it does if
• 7:24
  Speaker 1: you ask him, and it happens when it times if
• 7:26
  Speaker 1: you e when you run into him and ask him
• 7:28
  Speaker 1: what he wrote any songs about. He's not gonna tell you.
• 7:32
  Speaker 1: That's his thing is. He's not gonna tell you because
• 7:34
  Speaker 1: this is what and you know what, I agree with this,
• 7:36
  Speaker 1: He goes, listen, I wrote the lyrics. If I tell
• 7:39
  Speaker 1: you what the lyrics is about, then I petrified it.
• 7:43
  Speaker 1: I sort of solidified it what it means because I'm
• 7:47
  Speaker 1: the singer. So he's like, every fan, everybody listens to
• 7:52
  Speaker 1: your music, will hear it the way they needed to
• 7:55
  Speaker 1: hear it. You understand it the way you needed to
• 7:57
  Speaker 1: understand it. This is my song the person to everyone
• 8:00
  Speaker 1: who listens to them, right, because you can interpret what
• 8:04
  Speaker 1: it means in many ways, and you always hear what
• 8:06
  Speaker 1: you need to hear at the time. And he's like,
• 8:08
  Speaker 1: I would rob the fans from this. You know, this
• 8:11
  Speaker 1: feeling of this is my song. This speaks to me,
• 8:14
  Speaker 1: if you know. So when he came in with this
• 8:17
  Speaker 1: song the lyrics, I already when we wrote the music part,
• 8:21
  Speaker 1: I already had this idea like this is like an
• 8:23
  Speaker 1: epic you know, battle soundtrack, you know. And then he
• 8:27
  Speaker 1: came back he felt the same, so he wrote the
• 8:28
  Speaker 1: lyrics about the end. You know, it's never overuntil it's over.
• 8:32
  Speaker 1: Let the r spy you can take it metaphorical lyrics
• 8:35
  Speaker 1: literally as well. Right, So I saw this epic battle
• 8:39
  Speaker 1: like especially being a marchin arrist I just you know,
• 8:41
  Speaker 1: and I'm really you know, I'm a judo guy. I'm
• 8:44
  Speaker 1: really into Japanese culture. And then you know the bushido
• 8:47
  Speaker 1: the way of the summarise I saw a dot in
• 8:49
  Speaker 1: my head. So when it came to like, who are
• 8:51
  Speaker 1: we going to do the feature, become like, yes, this
• 8:54
  Speaker 1: has to be a Japanese you know, so that's kind
• 8:57
  Speaker 1: of what I came to get perfect.
• 9:00
  Speaker 2: Volume two also features live versions of Watching Away, Wrong
• 9:04
  Speaker 2: Side of Heaven and Jacqueline Hyde. I think it's a
• 9:07
  Speaker 2: great idea for you to put the live tracks on
• 9:09
  Speaker 2: the best of album as well, because a big part
• 9:11
  Speaker 2: of your history is live. Like you thre a dynamic
• 9:13
  Speaker 2: live band, So to be able to put that mix
• 9:16
  Speaker 2: it in with your fan favorites.
• 9:18
  Speaker 1: It's the bloody got idea.
• 9:19
  Speaker 2: It's given people an overall taste of the band.
• 9:22
  Speaker 1: You know what. And here's the thing. The reason we
• 9:24
  Speaker 1: did that exactly like this. We were talking to a
• 9:26
  Speaker 1: lot of people like you just said it right, I
• 9:28
  Speaker 1: heard this conversation. Then I have this conversation many times
• 9:32
  Speaker 1: the fans with media, everybody's like, man, you guys are
• 9:35
  Speaker 1: live band. You've gotta have a live record. And it's
• 9:39
  Speaker 1: interesting because I'm not a fan of live recordings, you know,
• 9:42
  Speaker 1: because because I always yeah, like I'm just not because
• 9:46
  Speaker 1: I always use it. When you go to the studio,
• 9:48
  Speaker 1: you work on the songs, every crack of the guitar,
• 9:51
  Speaker 1: every little noise, everything matters, right, So you're putting together
• 9:56
  Speaker 1: your automaticulously every single thing in there. So it's kind
• 9:59
  Speaker 1: of like, you know, in the kitchen, you're cooking a
• 10:01
  Speaker 1: little bit of this, a little bit of that, right.
• 10:03
  Speaker 1: I like that process, and that's that's what I love about,
• 10:07
  Speaker 1: you know, treating music. How you put this together. Now,
• 10:11
  Speaker 1: once that is done, that's when you take it and
• 10:14
  Speaker 1: perform it live, you know, And once it's alive, it's
• 10:19
  Speaker 1: first and promise you perform in a song. Second, It's
• 10:22
  Speaker 1: like there's an energy exchange between the fans and the band.
• 10:26
  Speaker 1: You know. This is why live show is never going
• 10:28
  Speaker 1: to go away. There's nothing you can compare to that
• 10:31
  Speaker 1: that crowd and everybody's feeling the same thing in the
• 10:33
  Speaker 1: same time. That belongs to a live show. And I
• 10:36
  Speaker 1: always thought like, well, you know, live recordings, even the
• 10:40
  Speaker 1: best ones, you know, can give you a picture, but
• 10:43
  Speaker 1: can really bring that, you know what I mean, That
• 10:45
  Speaker 1: energy is not gonna be there or somewhat you know,
• 10:49
  Speaker 1: but we are a good live band. I mean, I
• 10:52
  Speaker 1: think that's why that's why the band blew up, because
• 10:54
  Speaker 1: people even if people the haters and may series. You know,
• 10:57
  Speaker 1: the bigger you get, the more of those you got.
• 11:00
  Speaker 1: We don't give a shit, you know, but we converted
• 11:03
  Speaker 1: a lot of those people come to the shows, people
• 11:05
  Speaker 1: come to festivals, and then while I have to suffer
• 11:08
  Speaker 1: to this five thing here whatever thing, you know, and
• 11:11
  Speaker 1: then they see us live and they're like, holy shit,
• 11:13
  Speaker 1: you know, because you know we're alive then. And so
• 11:19
  Speaker 1: even though you can't really capture that, but all the fans,
• 11:22
  Speaker 1: profession everybody says like, man, you guys gonna put some
• 11:24
  Speaker 1: of those And so that's kind of how it happened.
• 11:27
  Speaker 1: And and here's why it's easy for us. So we
• 11:31
  Speaker 1: do a thing called virtual stuntrack, which means every single
• 11:36
  Speaker 1: show is recorded and the very next day when they
• 11:39
  Speaker 1: roll into the new arena, stadium, whatever, we play. Right,
• 11:42
  Speaker 1: every one of those spaces have different acoustics, right, so
• 11:46
  Speaker 1: what happens Our crew recorded that through the previous day
• 11:51
  Speaker 1: and so exactly how we sound like, and then they're
• 11:54
  Speaker 1: gonna push it through the speakers as last it goes
• 11:58
  Speaker 1: in this new place whatever that this is right, and yeah,
• 12:02
  Speaker 1: see what I mean because because they recorded the instrument directly,
• 12:07
  Speaker 1: so now the sound engineers and everyone can hear and
• 12:10
  Speaker 1: the monetary engineers can hear it how it sounds in
• 12:12
  Speaker 1: this new venue. So that's how we sound checked. That's
• 12:15
  Speaker 1: how it sounds so good really because we literally, yeah,
• 12:18
  Speaker 1: this is what we do. So because of that, we
• 12:22
  Speaker 1: have all these live recordings because every show is recording, right,
• 12:25
  Speaker 1: So it was actually easy for us like, okay, well
• 12:27
  Speaker 1: grab some of those and put it on the record.
• 12:30
  Speaker 2: That's fantastic.
• 12:32
  Speaker 1: Yeah, that's the trick, right.
• 12:34
  Speaker 2: You also chose to re record the songs on the albums,
• 12:37
  Speaker 2: not just remix them or remaster them. Like it creates
• 12:39
  Speaker 2: a lot of extra work for you guys as a band,
• 12:41
  Speaker 2: so all the thought process by like I'm sure people
• 12:44
  Speaker 2: would have accepted just being remarstered, but you've gone that
• 12:47
  Speaker 2: step above and re recorded them all. It's great.
• 12:50
  Speaker 1: Yeah, I mean, so the two things, like you know,
• 12:53
  Speaker 1: as I said, it's it's fairly common in the recording
• 12:56
  Speaker 1: industry where the record label sells the masters of bands
• 12:59
  Speaker 1: and whatnot, and and it's it's it's a thing that happens.
• 13:03
  Speaker 1: You know, nothing criminal about it. It's just not true,
• 13:07
  Speaker 1: but you know, but it happens. And and so for us,
• 13:09
  Speaker 1: you know, we were like, okay, well that's that's your
• 13:13
  Speaker 1: move on the chessboard. So now this is our move.
• 13:16
  Speaker 1: So we're going to just re record the whole catalog
• 13:18
  Speaker 1: and you know, we can give something to the fans
• 13:21
  Speaker 1: for the twentieth anniversary, you know. And and we got
• 13:26
  Speaker 1: to revisit these songs. Some of them changed a little
• 13:29
  Speaker 1: bit live, you know, some even some lyrics change, so
• 13:31
  Speaker 1: we got to re record it today. Another thing is
• 13:35
  Speaker 1: when when you put put put a compilation together of
• 13:39
  Speaker 1: you know, fifteen songs per record, right, every one of
• 13:43
  Speaker 1: those songs, right, came from a different record, and every
• 13:47
  Speaker 1: record sounds a little bit different. I mean, now, imagine
• 13:51
  Speaker 1: that you took all these songs and recorded with the
• 13:54
  Speaker 1: same sound, so it looks it sounds like one record
• 13:56
  Speaker 1: versus you know, taking it from different places.
• 14:00
  Speaker 2: Makes sense then, like you said, right, like some of
• 14:03
  Speaker 2: the songs have been changed a little bit here and there,
• 14:05
  Speaker 2: but those changes, like did you rehearse those changes and
• 14:08
  Speaker 2: planned before you went in the studio or a lot
• 14:09
  Speaker 2: of them sort of jam down in the studio.
• 14:12
  Speaker 1: So no, I mean, just we just did it how
• 14:14
  Speaker 1: we would do it live. Because here's the thing. When
• 14:16
  Speaker 1: you write the song. You're cooking you know you again,
• 14:19
  Speaker 1: what you put in the song, every little thing. When
• 14:22
  Speaker 1: you really record something, you performing. We already wrote these
• 14:25
  Speaker 1: songs and some of them we play live a thousand times, right,
• 14:29
  Speaker 1: So it's a different energy. You're going into the studio
• 14:33
  Speaker 1: with okay, like we have to you know, build something.
• 14:36
  Speaker 1: We go to the studio with, well, we play these songs.
• 14:38
  Speaker 1: We live with these songs for some of them with
• 14:41
  Speaker 1: fifteen twenty years, right, So you're performing them and that
• 14:45
  Speaker 1: has a different energy. In fact, I would say this
• 14:49
  Speaker 1: if I'm listening to the recordings of this too, you know,
• 14:52
  Speaker 1: these two greatest hits.
• 14:54
  Speaker 3: It it isn't live, but it has a little bit
• 14:57
  Speaker 3: of a raw or live feeling.
• 15:01
  Speaker 1: Than the previous studio records because we performed this, you
• 15:04
  Speaker 1: know what I mean. Because it wasn't because as I said,
• 15:07
  Speaker 1: we lived with these songs for so long and some
• 15:09
  Speaker 1: of them we played and so it was more of
• 15:12
  Speaker 1: a performance and that gave a little bit of a
• 15:14
  Speaker 1: life feel to them. So it's a little bit feels different.
• 15:18
  Speaker 2: Yeah, I've I got to say to you, Brian, I
• 15:20
  Speaker 2: really loved the version of blow on Blankets on Boy,
• 15:22
  Speaker 2: like they are the three minute back, you guys bringing
• 15:25
  Speaker 2: this massive breakdown that shouldn't be there, but it just
• 15:28
  Speaker 2: like in a whole different direction. Brian, like, I didn't
• 15:31
  Speaker 2: think anyone could make that song better, and you got
• 15:34
  Speaker 2: quite well done it.
• 15:36
  Speaker 1: Right It look it's like the very proud of that
• 15:39
  Speaker 1: the one that we did the first time too, you know,
• 15:41
  Speaker 1: because this this was a game. It was all performance.
• 15:45
  Speaker 1: When the first time we did it. You know, Kenny
• 15:48
  Speaker 1: Wayne Shepherd, who wrote the song, heard it and he
• 15:51
  Speaker 1: was like, hey, I want to be part of it.
• 15:52
  Speaker 1: So that so I imagine that scenario. So Kenny Wayne
• 15:56
  Speaker 1: Shepherd wanted to play and sing on the song that
• 15:58
  Speaker 1: we were covering, but it's he song. It's great. Yeah.
• 16:02
  Speaker 1: So yeah, so he was on the song, so odam
• 16:05
  Speaker 1: sudden is you know, it's not just a cover, it
• 16:07
  Speaker 1: is not collaboration. Then Brentley Gilbert was a huge culture
• 16:10
  Speaker 1: artist in America, was singing some of the verses, and
• 16:14
  Speaker 1: then Brian May from Twin was in the studio and
• 16:18
  Speaker 1: he's like, oh my god, that sounds I want to
• 16:20
  Speaker 1: be on this. It sounds great, and so he plays
• 16:22
  Speaker 1: one of the guitar solos. So this, Yeah, that that
• 16:25
  Speaker 1: was a crazy moment in history. So the guy who
• 16:29
  Speaker 1: wrote the song, you know, and it's kind of like
• 16:32
  Speaker 1: I got yeah it was he gave him a number one.
• 16:36
  Speaker 1: I mean, you know, like that song man number one
• 16:39
  Speaker 1: on the radio. So that's you know, so that's pretty cool.
• 16:43
  Speaker 2: You know, we're gonna have to wand this up right,
• 16:44
  Speaker 2: I'll just leave this last question, like twenty is significant
• 16:48
  Speaker 2: mouth tie in the music industry, like you said before,
• 16:50
  Speaker 2: but as the band, if you stack down and planned
• 16:52
  Speaker 2: any further in the future or are.
• 16:53
  Speaker 1: You just going to write the wave and take things.
• 16:55
  Speaker 4: It's like, I'm well, it was just you know, we're
• 16:58
  Speaker 4: always looking at the future, like what we're doing next,
• 17:01
  Speaker 4: Like right now we are talking about a world tour,
• 17:05
  Speaker 4: So twenty ath anniversary world tour probably twenty six twenty seven,
• 17:09
  Speaker 4: which means a world tour, like so we try to
• 17:11
  Speaker 4: do it all the whole, you know, usually you know,
• 17:15
  Speaker 4: we haven't been in Australia for a long time, so
• 17:18
  Speaker 4: haven't been in Japan for a long time, so we
• 17:20
  Speaker 4: want to do a world tour that a proper world tour,
• 17:23
  Speaker 4: and we just.
• 17:24
  Speaker 1: You know, it's like, look, that's how we got this far.
• 17:26
  Speaker 1: It's just one foot after the other, you know what
• 17:29
  Speaker 1: I mean, and we just kept marching. It's so we're
• 17:31
  Speaker 1: gonna keep doing the same.
• 17:33
  Speaker 2: Man, that's almost been a pleasure to make with. You
• 17:35
  Speaker 2: made your breath of fresh air this summer morning. I've
• 17:37
  Speaker 2: gotta say best of black volume teaer Is had type
• 17:40
  Speaker 2: of twenty fourth and congradulations on twenty years because I've
• 17:42
  Speaker 2: been with you guys from the start and long lived
• 17:44
  Speaker 2: five Think at that punch, right, all right, thank you,
• 17:47
  Speaker 2: Rother