Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / A Life in Your Hands:The Final Curtain Call (EP0822)

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A Life in Your Hands:The Final Curtain Call (EP0822) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

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Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
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is your host, Adam Graham. If you have a comment, email it
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to me Box thirteen at Great Detectives, not neet, follow us on Twitter
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at Radio Detectives, and call us to a eight nine nine one four seven
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eight three. Well, today we begin a new series, Alife in Your
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Hands. Much like Called the Police, Alife in Your Hands was a summer
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replacement show, and it was even more popular and in demand than Call the
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Police. Call the Police was a summer replacement for three seasons. A Life
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in Your Hands was actually a summer replacement in four different seasons for NBC nineteen
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forty nine, fifty fifty one, and fifty two. As a consequence,
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there were different actors who played the lead role. The first is ned La
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Fever, and there's really not a whole lot known about him, so you'll
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forgive the lack of information. There's just no information that can find to offer.
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The series itself is pretty fascinating, the concept, and I can't help
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but thinking Earl Stanley Gardner, who also did the Christopher London series we played
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a year or so back, did have some say on the whole concept.
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The concept was that a lawyer represendy neither prosecution or defense, acting as a
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friend of the court seeking only the truth, could bring justice. And I
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think it's fairly well executed. We're going to play the first episode we have
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in just a second. Before we do get started, I do want to
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let you know that my novel Tales of the Damn Night is now available as
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an audiobook. Can buy it on Audible or through Amazon dot Com, and
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probably by the time this thing is uploaded, you should also be able to
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purchase it through items. It's a wonderful superhero comedy. I know a lot
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of folks have said that they don't have time to read, so it works
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for those who would prefer an audiobook version. So you can download that today
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and also if you have the kindleby sure and pick up but made the Golden
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Age Shine. Now it's time for today's episode of A Life in Your Hands.
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This one is called from June seventh, nineteen forty nine, The Faunal
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Curtain Call Roley Cigarettes present Earl Stanley Gardner's A Life in Your Hand? Did
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you would hear him fatten her? What was the position of the body was
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she still alive at eight thirty. Listen, while we place a life in
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your hand. You never know when you stepped from the safety of your home,
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when you may witness the violin step, and be called upon to testify
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as to what you saw and heard, and suddenly find yourself with a light
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in your hand. Murder is a dark enigma that strikes here into the heart
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of man, Strange, batling, mysterious, but the darkest crime. One
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man can invent, another man can unravel. And such a man as Jonathan
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Kegg, created by Earl Stanley Gardener of the world's most popular writer of mysteries.
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Mister Gardner is also creator of the famous Perrymason, doug Selby and dozens
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of equally outstanding fictional characters. Jonathan Kaig is a lawyer, but of a
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very special sort. When he appears in court, Jonathan Kegg acts only in
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the capacity of amicus curii. And here is mister Kagg himself to tell you
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what that is. Believing ladies and gentlemen, mister Kag just what he has
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meant. By amicus curii, translated from the Latin, amicus curia i simply
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means friend of the court. Refers to a lawyer or an expert whether is
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a case either on behalf of the prosecution nor the defense. He acts impartially
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seeking only the truth. How does an amicas curi I go about finding the
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truth. It is my belief that by cross examination of witnesses the truth can
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usually be learned, and as amicas CURII, you conduct such cross examination in
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the hope of seeing justice done. Exactly. All we need is testimony from
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witnesses who remember what they hear. The basis of our system of justice is
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the ability of witnesses to relate accurately what they saw or heard. You never
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know when the crime is going to be committed. Even now, somewhere in
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the city, there may be a crime. Hello, anybody here, actors
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stop men like vision. I'm here, miss Molly, but I guess there's
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nobody else in the theater. There's only about four in the afternoon. Anything
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I can do for you, Well, you might, Juvie. No,
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you might be all sorts of people. You might even be another bartender.
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I'm Tom Kaylish, Miss Marley, the new assistant stage manager who just started
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today. Fine, fine, fine career in the theater. I I Victoria
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Marley have a career in the theater. You know that, did you?
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Well? Of course, miss Marley, I Ky, Molly, I am
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an actress. Worst I'm married to an actor, the highly paid, thoroughly
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successful, extremely talented mister Peter Bond is my husband and the star of the
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show. Very good for Peter. Peter is Dard Victoria's featured if you know,
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are you aware, mister Kayish, mister Kayleish, are you aware of
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the suple distinction between a star and a feature player? Huh? Are you?
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Well? Yes, Miss Morley. But in this case, all right,
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all right, I'm embarrassing, but it's something you'll just have to give
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you to grieve all days a week. I come in like this. It's
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part of the plot. The lady drinks. But I have a lay.
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I get around it. I come here to the theater early, and now
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if I nap it off and by a certain time, I'm as good as
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you. Very simple, I think, Miss Morley. I figured what other
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people do is their own. And you know something else, I've never missed
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the show or an entrance or even a queue. Never got an understand it,
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pretty little tramp Lucy, never Peter, my Peter, mister Barnes.
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He thinks very highly of her as an actress. I tell myself, yeah,
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but Lucy my understudy, she's never had to go on for me,
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but never now Isn't that a shame? The pizza, isn't it? Miss
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Marley? I'm brand new with the show. I okay, okay, I'm
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I know. It is just talks, that's all you know. Whether Charlie
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sad painting the second egg job. He said he'd had a john in time
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for the show. There the head stage manager, you mean, yeah,
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Charlie wanted me to speak to you about it. Don't tell me if I
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got it again. Well, I've told him at least it doesn't. Have
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you seen the drop I walk on a blonde. The job is about appreciate
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bline of them. My area makes me look terrible. It's like a golden
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ball behind me. That's what Charlie wanted me to tell you. He didn't
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forget Miss Morley. Mister Barnes told him not to repaint it, and the
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producer mister Waller's okay there, but they walked. Charlie said he was all
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set to go ahead when mister Barnes called him, Well, we'll just say
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about this thing once in allet you got any change? And I think yeah,
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I think ye, No, thanks, no, yeah, I keeps
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it on. No, not just for a couple of nickels. That's crazy,
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miss Martin. Keep it hello, what is about not repaining to play
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an egg cup? Don't know that, Torry? I mean he Why isn't
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nothing repaying? You? Just try you just try putting me out of this
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show. Hasn't over. I'll blow you and that keeps all times. Have
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you tasing a piece? No, no, I won't be reasonable about anything
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of the time. You're trying to make a big flight with her. Don't
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lie about it. Forget it, Saby, just playing. Forget Before that
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girl takes over my part, I'll go to my grave. And now back
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to the theater. The echoing emptiness of the stage is now electric with the
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tension that comes just before curtain time. Three minutes, three minutes, curtain
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in three minutes, mister Barnes, three minutes, mister Barnes. That's funny,
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he's not if you're looking for mister Barnes. He did his wife dressing
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room down the hall. Oh thanks, mister de bro He's on in three
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minutes. You gotta go and remind him there, Yeah, I guess ahead,
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and don't let the sound and fury bother you. It's just victory.
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You're giving him an okay, three minutes, curtain in three minutes first,
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that curtain going up in three minutes. Time? Will you lower your voice?
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Three minutes, mister Barnes, you're in three minutes, all right,
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kidish, thanks, I'll be done in just a minute. They go for
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him, don't they hit the audience? Why, he's wonderful. You've been
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with the show along with stever. Think it open right November. The acting
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experience has given me I might just as well as Dave the more. Yeah,
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I know. Miss Marley was telling me she's never missed a performance,
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sort of toughing away. Huh. I don't mind too much, but I
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can't see why Peter puts up with it. She's terrible. Right, where
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did you come from? Producer? Watch his own show, Lucy, I
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love it. I've been out front. I think he's going back here.
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Kelly, that's fine. Quaters like so. I think it's great. And
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Peter Barnes are scar of scar Hey, he's got the stuff all right,
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he hass fall up? Fine, fine, okay, but you better give
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mis money a call. She's on sho give me a break home. Maybe
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she's asleep. I'm all ready to go on. Please this one be reasonable.
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Please, Now you know what's out of the question. You'll get there
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on your own tricks. Okay, I'll be sweet. You want me to
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call it? That's very sweet? Yes, I do very much. She's
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a cute kid, one of the cutest, one of the very acutest.
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That's all good. Come and see she's in there, sitting in a chair.
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Somebody's miss Marley Road, I said, mister k I should begin this
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discussion by telling you that I am absolutely certain Peter Bonds did not kill his
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wife. Very interesting, mister Walters. As you know, they've brought an
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indictment against him and the trial has been underway for a couple of days now.
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The prosecution is making a good case against him, but the charges absolutely
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baseless. Just what exactly do you want me to do, mister Waters.
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I believe Vicky Marley committed suicide, but the police and the DA seemed to
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have overlooked, or at least discredited the possibility completely. Did you suggestice theory
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to them? Yes, and well they were very polite about it. But
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mister KG, I would like you to volunteer your services to the court as
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Amika's curio, and by examining all the evidence, I believe you can prove
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it with almost a physical impossibility for Peter Bonds to kill his wife. Have
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you evidence to support that? Yes, Peter is on stage during most of
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the show, especially the first and second act. Vicky's body was discovered during
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the second act while Peter was in plain sight of the audience. Have you
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considered that he mis has killed her between the first and second acts? No?
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According to a maid, she was still alive when the second act curtain
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went up. Have you considered that someone else may have killed her? This
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is deverell perhaps? Yes, yes I have, but it doesn't add up.
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Lucy could have killed Victoria, but I can't think why she had replaced
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Victoria at least as an actress in Peter's estimation as well as my own.
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I'll admitted presense of fascinating challenge, mister Wolters, and you may name your
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own theme, mister King. No, no, mister wos the Nigga's curia.
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I will never accept a fee. I am particularly fortunate in the diamond
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philantilists. Sure, therefore, I'm able to serve in that capacity and to
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indulge my passion for helpingusy justice done, and you will do so in this
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case. Remember, if I do offer my services to the Court as amicas
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CURII tomorrow morning, my object will not be to prove that Peter Barnes didn't
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kill his wife. I shall seek only to uncover the facts and fit them
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together in a logical pattern, no matter whom it may help or hurt your
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honor. It is my belief that the testimony has so far presented does not
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form a true picture of the facts. I respectfully request the Court permission to
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serve as a megast CURII, and in that capacity to cross examine some of
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the witnesses. Very well, mister King, permission is granted. Mister Barnes,
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he said, the last time you saw your wife alive, it's when
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you left your dressing room a minute or so before the first act. Again,
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that's right. It has been conclusively established that miss Morley was still alive
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when the second act curtain was up. Would you mind telling me, mister
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Barnes, just how long you were on the stage during the second act,
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prior to that part at which Miss Morley makes her reference, I go off
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just once I'm supposed to make an accent onto a brand, and then I
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reappear a few minutes later through a French door in the back wall of the
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stage. How much time would you say elapses during that period? As I
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say, a few minutes. I've never given it much thought. I see
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this letter opener which your wife was stabbed. Are you recognize him? Yes?
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It's mine? And was the last time you saw you? I don't
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really remember a few days ago in my dressing room, I think in your
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dressing room, I think so. Thank you, mister Barnes. That'll be
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all your honor. I believe there are addicitional facts which have not been brought
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to lighten the testimony so far. I understand that the entire cast and the
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people sitting in the front row the audience have been subpoened and are here in
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court. I would like to talk with one of those people. We will
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call to the stand any person you desire, mister Keg, and that person
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must testify. Thank you, your honor, ladies and gentlemen, You of
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us ever consider that we might at any moment be witnessed to a crime.
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The crimes of violence and passion that you read about in your newspapers are not
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committed in a vacuum. Much of the evidence which could solve them is frequently
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witnessed by many people. If you should be the one called upon to testify,
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as our next witness is about to do, you would surely have a
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life in your hand. We returned out of the courtroom where a well known
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stage star, Peter Barnes, is on trial for the murder of his wife,
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Victoria Molly. Jonathan Kegg, serving as Amicus curai, a friend of
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the court, is about to call his next witness from those members of the
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cast and theater audience who vince the poenut as witnesses. If you were this
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witness, you would have a life in your hands. I would like to
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have Tom Kayleish, the assistant stage manager, to take the stand. Tom
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Kens appeared before you were in the Kaysman keg you go alwady being sworn Tom
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forward, Tom Kaylish. Mister Kaylish, the court writer chose that when you
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testified before you told briefly about a quarrel you overheard between mister Barnes and miss
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Molly, what with quarreling about? Well, first I heard miss Marley yelling,
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don't give me that I can act rings around Devereaux drunk or silver.
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And then mister Barnes said something about lowering her voice. She said she wouldn't
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lower her voice. And then he said, I swear if you don't shut
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up, And by then I was knocking on the door to give him his
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call. I didn't hear the end of what he said. Did mister Barnes
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come to the door, Yes, he did, and he said he'd be
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right down. You saw him, Yes, mister Kayleish, I want you
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to consider this next question very carefully before answering it. How long was mister
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Barnes off the stage during the second act? I'd say at least four minutes.
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That's a very accurate estimates. Actualister Barnes, or rather the person who
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was now playing his part. He's off the stage for four minutes and thirty
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five seconds. I flotted it last night's performance, mister Kayleish. Miss Devereaux
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is testified that she was the first to discover miss Ally's body and your own
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words, Will you please tell the court exactly what you remember is taking place?
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Just before that discovery. Well, Miss Devereall and I were watching the
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show from the wings when mister Wallace came in from from out front and he
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asked, coffins, we're going backstage, and did I like the show?
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Mister kayleish, will you try to tell the court as nearly as you can
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the conversation that few and Miss Devereau and mister Waters had at that time.
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I'll try, mister, please do. Mister Barnes's fate may depend on how
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well you remember it. Let's see. Miss Devereall and I both said hello
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to mister Wallers, and he said, sort of kidding, we'll see you're
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beautiful. And then he said to me, I have an outfront. How
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are things going back here? And I answered that it was going all right,
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go on, and then mister Wallers asked how is the house mister Deborah,
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and I will jumped in the answer that it was putty forth for Monday.
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And then mister Wallers asked me to give miss Morley a call because she
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was on pretty soon, and Miss Devereah said, I'll give me a break.
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Sigh, maybe she's sleeping. I'm all ready to go on, but
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mister Wallers wouldn't go for that. How do you mean, mister kayleish Oh,
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he talked her out of it, something about Miss Devereau's getting there on
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her own and not having to bother with tricks. So Miss Devereaux offered to
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call Miss Marley herself. Then a few seconds after she's gone, we heard
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her scream. She came running back crying and told us Miss Morley was dead.
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I see earlier in your testimony, mister Kayley, you stated that Miss
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Marley made a phone call in your presence. Will you tell us about that?
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Well, that afternoon when she came to the theater, she'd had a
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few drinks, like I said, and was kind of talkative. And after
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we'd got acquainted, she asked me if Charley, he's a head stage manager,
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if he'd had a certain piece of scenery repainted that she wanted done.
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When I told her that mister Barnes had told Charlie not to repaint it,
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she blew up and call him on the telephone. She called mister Barnes,
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Yeah, yeah, I think it was you. Did she address him by
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name? No, but she bought him out something awful. Did you did
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you hear her place the call? Yeah, I heard her dial a number.
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You know what numbers she dial? No, sir, I had no
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way of knowing. I understand. Now, is this phone she used a
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pay for? Yes, it is, and she didn't have any change she
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borrowed from me. She had to borrow nickel from you to make the call.
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Yeah, except it was two nickels. She borrowed two nickels. Did
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she make a second phone call at this time? No, sir, she
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used both nickels on the same call. You mean that before she died the
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number, she dropped two nickels into the pay phone. Yes, sir.
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I figured it was because she wasn't quite herself, you know, I see.
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Can you remember what she said when the party at the other end of
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the line answered, well, like I say, she was sore as a
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boil. But she said, hello, what's this about not repainting the second
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act? Drop all at once in a big rush, And he said something
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about his being a two bit casanova and trying to put her out of the
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show. Oh yeah, And she wound up by saying, before that girl
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takes over my part, I'll go to my grave. Then she hung up
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and walked down to her dressing room. I want you to think carefully,
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mister kayleish. At any time during missus Morley's phone conversation, did she ever
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explicitly addressed the person to whom she was talking as Peter or mister Barnes.
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No, no she didn't. Thank you very much, mister Kayley. That'll
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be all your honor. I would like to recall mister Cyrus Waters to the
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stand very well, mister Ky mister Walters will take the stand. Mister Waters,
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would you mind telling the court why you asked me to intercede in this
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case? I ask you to offer your services to the court because, in
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my opinion, Miss Marley had not been murdered. I thought she committed suicide.
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You thought she did. Don't you still think so? I? I
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honestly don't know. When you originally appealed to me to appearing court as a
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Maker's CURII, you stated that, apart from your personal conviction of Peter Bond's
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innocence, there was factual proof of it. Would you mind telling the court
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of what you felt that proof consisted? Not at all, Miss King,
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I told you that I regarded Peter's murdering Vickie as physically impossible. She was
24:14
alive when the second act curtain went up. I thought Peter was on stage
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for all but a few moments of the second act, and I couldn't see
24:19
how he could possibly have committed the crime. But now in you what evidence
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you've uncovered, I I'm not so sure, I am, mister Walters.
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I am absolutely certain that Peter Barnes did not murder his wife in the heart,
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or I'll flare it at once, mister Walters, this is one little
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drama you bungled very badly. I don't know what you're talking about. It's
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not a matter of court record that you, by your own testimony, requested
24:56
me to determine whether or not Peter Barnes had sufficient time to murder Why,
25:00
because you must have known through your long association with the show that he did
25:04
have sufficient time to commit the crime. I can only assume that your intention
25:08
was to ensure that point being brought out strongly in the court, thus straight
25:12
from the case against him. But that wasn't all you were. Now listen
25:18
here about sure that mister kayleish being used the cast and placed great emphasis on
25:22
the quarrel which took place immediately before the first curtain. Weller but you did
25:26
not expect him to know about the telephone call Miss Marley made during the afternoon,
25:30
because you didn't know he was at the theater early when Victoria Morley arrived.
25:34
Crat Tillamore, Mister Kayleish remembered quite a few things you've said to him
25:40
and Miss Devereaux. I said nothing of any consequence. Disagree with mister Kylish's
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account of the conversation that took place in the wings between you, Miss Devereaux
25:48
and himself. Why urge yourself, mister Walters. Remember Debeau was there too,
25:57
all right. He's account of what was said is well substantially true.
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One really, how would you please tell me, mister Waters, why,
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after having announced him as Devereaux and mister Cayley that you had, and I
26:10
am quoting you come in from out front? Why a few moments later you
26:14
asked how's the house beating? The size of the audience? Why? I
26:18
often asked, hope you had been out front, as you stated, you
26:21
would have certainly known the answer to that question. Was it? Because while
26:26
everyone else was watching the second act from backstage, you crossed behind the dark
26:30
and set entered was Molly's dressing room and stabbed her to down corn, your
26:34
crazy Katy. I had no motive for Kelly. Oh yes, mister Waters,
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yes you did, A quested judial motive, perhaps motive enough for you.
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It was Lucy shut off, Lucy Devereaux, a one girl you couldn't
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wear, a one girl you didn't Waters to hand meate on from Peter Barnes.
26:52
And it was the phone called Victoria Molly made to you in the afternoon
26:56
that first put the idea in your head. It wasn't Peter she called,
27:00
was it, mister Waters? Not with two nickels. His phone number carries
27:03
a local exchange, so it must have been a tool call to a suburban
27:07
home, to a house like the one you own in Floral Heights. It
27:11
was that phone call that decided you. So you can see an elaborate plan
27:15
for getting Lucy's the row you'd promised her and eliminating Peter in the same stroke
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by seeing him convicted of his wife's murder. Okay, guy, did this
27:25
Devereaux? No, you were in love with her all right, Yes,
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yes she did. I'd ask her to marry me a number of times,
27:36
but it was always Peter. Peter, I like you a lot sigh,
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and maybe if it weren't for Peter everything he is everything, he says,
27:42
every clever manners and he has I gave them to him. He broke me
27:45
crazy, but she was so blind to it that she couldn't see that he
27:48
was nothing but a puppet. And Victoria Marley she another one of your puppets,
27:52
mister Waters. No, no, I that was different. I didn't
27:57
want to kill Nicky, but you couldn't think of an easier way when they
28:00
would end things so tidily and with all your characters just for you'd planned.
28:04
So we fell back on an old States trick. You killed one of the
28:07
off but I guess bloodedly as you slipped the strings of a marionette, you
28:12
walked into Victoria Marley's dressing room and murder. It was all I could think.
28:18
Yes, I guess it must have been, mister Wallas. Certainly you
28:25
had foreseen how the play would end. I felt that you would have included
28:29
that situation. Thank you, Jonathan, Kay. May I ask you now
28:42
to tell us something about next week's show. Inasmuch as no man can predict
28:47
the future, mister Wallace, I honestly can't tell you just where we'll find
28:51
ourselves next week, whether it be in the criminal court, Carner's inquest,
28:56
or judges chambers. I shall again offer my services as a Leeks security e.
29:03
Friends, here's a cordial invitation for each of you to be with us
29:06
next Tuesday, when you will again hear Jonathan Kake. Created by Earl Stanley
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Gardner, author of the internationally famous Perrymason's Stories and many others. A Life
29:26
in Your Hands is created by Earl Stanley Gardner with script by John Kelly.
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The program is produced by Jack Simpson, directed by Homer Heck. Jonathan Kegg
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is played by Ned Lapieber. This is Myron Wallace inviting you to be with
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us again next week when Raleigh cigarettes the pack with the coupon on the back,
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will again place a life in your hand. This is NBC, the
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National Broadcasting Company. Welcome, well, some moments of melodrama, but again,
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I'll just love the execution and this entire concept of the amigus cry I
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stepping into the court to defend and represent justice only and in some ways Gardner
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would work then out in real life through his project The Court of Last Resort,
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which there was also a television show about which will Play and the Court
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of Last Resort really did just seek to find out the truth, to find
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out if an injustice had been done, and then to correct it. And
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it's worth noting that this is probably one of the only true courtroom mystery dramas.
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There were other lawyers running about. One, of course, will Play
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will be the amazing Mister Malone series also known as Murder and Mister Malone.
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However, in those case, while John J. Malone was an attorney,
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he kind of ran around and acted more like a Shamus. And there was
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a radio series Public Defender and another one Defense Attorney, and they almost sort
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of intended to go the same way in their regards. This one is unique
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because you hit the lawyer actually in the program in the courtroom and then using
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the information in the courtroom to solve the crime. So I think that definitely
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makes this series a winner. So we have thirteen weeks of it and I
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hope you'll enjoy all of it. Well, join us back here tomorrow for
31:41
Let George Do It, and then next week another episode of A Life in
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Your Hands. In the meantime, Sandra commons to Box thirteen at Great Detectives
31:49
dot Net become one of our friends on Facebook, Facebook, dot com slash
31:53
Radio Detectives and follow us on Twitter at Radio Detectives. But from Boise,
31:59
Idaho. So this is your host, Adam Graham. Sign and off.