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Introducing - SOLVING: Twin Peaks · Making The Merge - Survivor Podcast

• 0:00
  Speaker 1: Boys, Welcome to Solving Twin Peaks.
• 0:04
  Speaker 2: You have officially watched what a lot of people consider
• 0:08
  Speaker 2: the greatest pilot in TV history, hour and a half
• 0:12
  Speaker 2: movie long pilot.
• 0:12
  Speaker 1: For the show Twin Peaks.
• 0:13
  Speaker 2: Oh, before we jump into it, because I get already
• 0:16
  Speaker 2: see by the looking brand's eye, get the drinks.
• 0:22
  Speaker 1: I can already teld that maybe you didn't love it
• 0:24
  Speaker 1: that much.
• 0:24
  Speaker 3: No, no, no, well we'll save it for what. I don't know.
• 0:27
  Speaker 4: I guess for now, I you didn't love the greatest
• 0:31
  Speaker 4: pilot and TV.
• 0:32
  Speaker 3: A lot of people consider it that. Okay, yeah, I
• 0:36
  Speaker 3: can see that. I guess.
• 0:37
  Speaker 2: Okay, I'm very shocked that you weren't. Like, Oh, Man, Chaz,
• 0:41
  Speaker 2: it was awesome. Thank you for making me watch that.
• 0:43
  Speaker 3: I'm I'm so happy to be here and I'm so
• 0:46
  Speaker 3: happy that I watched it for this program. It's weird.
• 0:50
  Speaker 3: We're all in agreement that it's weird.
• 0:52
  Speaker 2: That's the whole point. Yeah, yeah, that's what makes it awesome.
• 0:56
  Speaker 2: It's all like tonally, all over the place. Yeah, and
• 0:59
  Speaker 2: we'll get into it into it. Did you before we
• 1:01
  Speaker 2: jump into what we're actually doing here, what did you think?
• 1:04
  Speaker 1: Did you like it?
• 1:05
  Speaker 3: Yeah?
• 1:05
  Speaker 4: Dude, that like minute and a half of saw mill
• 1:07
  Speaker 4: footage got me hyped up.
• 1:11
  Speaker 2: You know, the theme song should do that more often.
• 1:13
  Speaker 2: Where instead of an action packed showing you what's gonna
• 1:16
  Speaker 2: happen in the show, minute and a half solemn footage
• 1:20
  Speaker 2: of a saw mill.
• 1:21
  Speaker 3: And stupid me, I thought, Oh, she the whoever's murdered,
• 1:26
  Speaker 3: He's going to be chopped up in saw mill. No,
• 1:28
  Speaker 3: she's fully intact.
• 1:30
  Speaker 2: Well yeah, she's wrapped up in plastic. Right, so they
• 1:33
  Speaker 2: probably wanted a zip locker to refresh.
• 1:34
  Speaker 3: That's right. I thought the saw mill was going to
• 1:36
  Speaker 3: have a bigger part in the murder.
• 1:39
  Speaker 2: Uh well, I mean as we get into the show,
• 1:41
  Speaker 2: maybe it does.
• 1:42
  Speaker 3: Maybe.
• 1:42
  Speaker 2: And that's the whole thing that we're doing here is
• 1:44
  Speaker 2: we're not here to talk about if you like the show.
• 1:47
  Speaker 2: Now we're going to see if you two who have
• 1:48
  Speaker 2: never seen Twin Peaks can solve the mystery of who
• 1:52
  Speaker 2: killed Laura Palmer. I almost said, Arnold Palmer talking about
• 2:03
  Speaker 2: did you know about this? No?
• 2:07
  Speaker 3: No, no, no, our president went on how long?
• 2:13
  Speaker 1: Not my president?
• 2:14
  Speaker 3: Okay, that's that's fine. He went on the whole thing
• 2:18
  Speaker 3: about how big Arnold, no, no, what I this?
• 2:21
  Speaker 1: How did not see this, Hey Post.
• 2:25
  Speaker 3: Chason Post put the screenshot.
• 2:27
  Speaker 2: Of the article about Donald Trump's closing pitch to voters
• 2:31
  Speaker 2: at a Pennsylvania rally. This we can start with a
• 2:33
  Speaker 2: rant about the late golf legend Arnold Palmer's dick.
• 2:35
  Speaker 1: Yeah.
• 2:36
  Speaker 3: I didn't make this out.
• 2:38
  Speaker 1: Actually I was.
• 2:39
  Speaker 4: I mean, I was joking, but I was very intrigued
• 2:42
  Speaker 4: by the sawmill opening.
• 2:44
  Speaker 3: Yeah, right with the music, like the song underneath that.
• 2:48
  Speaker 1: I love the music. Do you guys know anything about
• 2:50
  Speaker 1: David Lynch? Really no.
• 2:51
  Speaker 3: The only thing I know about him is his late
• 2:53
  Speaker 3: in life. He'd posted daily weather updates. It's literally the
• 2:56
  Speaker 3: only thing I know about him.
• 2:57
  Speaker 2: So David Lynch's style is range, to say the least.
• 3:01
  Speaker 2: So we're in for a good.
• 3:02
  Speaker 3: Time kicking up that.
• 3:03
  Speaker 2: We're trying to see if you guys can saw who
• 3:06
  Speaker 2: killed Laura Palmer?
• 3:08
  Speaker 3: Right right? Yes?
• 3:11
  Speaker 1: Did she drink Arnold Palmer's I don't know, but every time.
• 3:14
  Speaker 3: And that's her.
• 3:15
  Speaker 1: Yeah, this is her right here she is. This is
• 3:17
  Speaker 1: the same portrait from the show Beautiful.
• 3:19
  Speaker 2: You would think that I just printed out a picture
• 3:22
  Speaker 2: from the Internet and put it in a frame. No,
• 3:24
  Speaker 2: I paid like fifty bucks for someone to send me
• 3:28
  Speaker 2: this for what reason?
• 3:29
  Speaker 1: Because I wanted it to look really nice and I
• 3:32
  Speaker 1: liked the friend the same frame from the show Get No,
• 3:35
  Speaker 1: it's a different frame this show. It's a gold frame.
• 3:38
  Speaker 1: It's a nice.
• 3:41
  Speaker 2: The way that this works is, as we're going to
• 3:43
  Speaker 2: be going through the episode, I want you guys to
• 3:44
  Speaker 2: point out things that you found suspicious. Who you think
• 3:47
  Speaker 2: could be the killer, who you thought, oh that's weird.
• 3:50
  Speaker 2: That's your responsibility. But also brand I want you to
• 3:54
  Speaker 2: tell me how you were feeling throughout the episode, because
• 3:57
  Speaker 2: I'm shocked that you didn't find it more.
• 3:59
  Speaker 3: I just ask you this really quickly. If Twin Peaks
• 4:01
  Speaker 3: isn't the greatest pilot of all time, what is the
• 4:03
  Speaker 3: greatest pilot?
• 4:03
  Speaker 2: A lot of people throwing breaking bad? Sure, Lost Lost
• 4:07
  Speaker 2: is a great one. You know the SpongeBob leaf Blow episode.
• 4:13
  Speaker 1: Is that a pilot episode?
• 4:14
  Speaker 3: Yeah, SpongeBob Breaking Lost probably.
• 4:22
  Speaker 1: I think that's fair. Well, I had time watching Twin.
• 4:26
  Speaker 3: I had a great time.
• 4:28
  Speaker 1: This is good man. This gives you an arc for
• 4:30
  Speaker 1: your character as we watch week by week. I think
• 4:33
  Speaker 1: killed her.
• 4:37
  Speaker 5: He's acting like it wasn't that big of a I
• 4:39
  Speaker 5: don't know what the big Hubbub's About You already mentioned
• 4:42
  Speaker 5: her being wrapped in plastic, but the opening of the show,
• 4:45
  Speaker 5: the opening scene, we learned what the big mystery is.
• 4:48
  Speaker 2: Laura Palmer is dead. She's wrapped in plastic. She's been killed.
• 4:52
  Speaker 2: Who killed Laura Palmer? Her body is found by Pete,
• 4:57
  Speaker 2: a fun character. Shortly after, the sheriff, Harry S. Truman
• 5:01
  Speaker 2: shows up. He's at the scene. We also meet Andy,
• 5:04
  Speaker 2: the crying cop. He's supposed to be taking crime scene photos.
• 5:07
  Speaker 2: He's crying the entire time. At this point, Laura's parents
• 5:12
  Speaker 2: Leland and Sarah. They have no idea that something bad
• 5:15
  Speaker 2: has happened, but her mom is confused why she's not
• 5:19
  Speaker 2: in her bedroom, so she's calling around trying to figure
• 5:22
  Speaker 2: out maybe Laura went with her boyfriend Bobby.
• 5:24
  Speaker 1: He got up early.
• 5:25
  Speaker 2: Bobby's mom is like, yeah, you got up early, went
• 5:28
  Speaker 2: to football practice. Maybe she's with him. Maybe she went
• 5:32
  Speaker 2: with Leland, your husband to work early. There was a
• 5:34
  Speaker 2: meeting up at the hotel, so nothing crazy is happening yet.
• 5:39
  Speaker 2: This leads us to meeting Leland Palmer, Laura's dad. He
• 5:43
  Speaker 2: works at the Great Northern Hotel. The owner is Benjamin Horn.
• 5:47
  Speaker 2: Let me ask you guys this question. When I was
• 5:48
  Speaker 2: watching it for the first time, I was having a
• 5:50
  Speaker 2: hard time keeping track of everybody's name and who everybody was.
• 5:54
  Speaker 2: And I mix those two guys up Leland and yes, yes,
• 6:00
  Speaker 2: Benjamin Horn, so they look similar.
• 6:02
  Speaker 1: They do look similar. Do you think that there's a
• 6:04
  Speaker 1: reason for that? Oh?
• 6:06
  Speaker 3: No, no, I don't see.
• 6:10
  Speaker 2: So you had a hard time with the characters. But
• 6:12
  Speaker 2: is it safe to say you're a Nadine stand?
• 6:14
  Speaker 3: I love Nadine. Nadine. We'll get to it, I guess,
• 6:19
  Speaker 3: but Nadine's awesome.
• 6:21
  Speaker 4: Yeah, Brad was like, I don't know how I feel
• 6:23
  Speaker 4: about Twin Peaks. Besides Nadine, I really love Nadine.
• 6:27
  Speaker 1: That's why you didn't like it.
• 6:28
  Speaker 2: You're like, not enough Nadine in this episode. When do
• 6:31
  Speaker 2: we get the Nadine spin off? Well, we learn how
• 6:33
  Speaker 2: she lost her.
• 6:35
  Speaker 4: I want to bring up Andy the crying cop. He's
• 6:38
  Speaker 4: a light bulb moment for me when I was like,
• 6:41
  Speaker 4: why is this cop crying? And then I remember it,
• 6:43
  Speaker 4: Oh his name is Andy?
• 6:45
  Speaker 1: Oh wait, Andy the crying cop.
• 6:47
  Speaker 4: This is like a meme in your comments that I
• 6:51
  Speaker 4: was like, you know, it must not be him, because
• 6:53
  Speaker 4: here's My theory about what I hear a meme in
• 6:55
  Speaker 4: your comments is because I'm assuming that you thought that
• 6:59
  Speaker 4: he did it and it was stupid and everyone made
• 7:02
  Speaker 4: fun of you for it, and that's why it gets brought.
• 7:04
  Speaker 3: Up a lot.
• 7:04
  Speaker 2: Hey, great theory, very strong possibility, but.
• 7:08
  Speaker 1: You could be wrong. Yeah, And that's the beauty of
• 7:11
  Speaker 1: it is.
• 7:12
  Speaker 3: It is an interesting way to watch this, going in
• 7:14
  Speaker 3: from minute one thinking is this person to kill her? Yeah?
• 7:19
  Speaker 2: So every character you're getting introduced, you're wondering, Yeah, are
• 7:22
  Speaker 2: they the one they kid? Out of the ones we've
• 7:23
  Speaker 2: met so far, so we've met the sheriff, we've met Andy,
• 7:26
  Speaker 2: the crime cop, we've met Pete who found the body,
• 7:29
  Speaker 2: we've met Laura's parents, and then we've met Bobby's mom
• 7:33
  Speaker 2: over the phone.
• 7:34
  Speaker 1: And Benjamin Horn.
• 7:36
  Speaker 2: Out of those, was anyone like, Oh, they've definitely the
• 7:38
  Speaker 2: one that killed her.
• 7:39
  Speaker 3: I was a little bit immediately suspicious of Pete because Okay,
• 7:43
  Speaker 3: Pete calls the police, yes, and what.
• 7:47
  Speaker 1: Does he say, Uh, she's dead.
• 7:52
  Speaker 3: She's dead. Which it's feel like if I were to
• 7:57
  Speaker 3: call in something, I would be like, I found a body, right,
• 8:03
  Speaker 3: I don't know.
• 8:04
  Speaker 2: It is suspicious because they don't find out it's Laura
• 8:07
  Speaker 2: Palmer until later when they roll the body over.
• 8:10
  Speaker 3: So and at the time, I don't know necessarily who
• 8:13
  Speaker 3: he's even calling. He just called and he says she's dad. Yes,
• 8:16
  Speaker 3: So I was immediately a little bit suspicious of him.
• 8:19
  Speaker 1: Okay, PD, Man, I gotta step my game up. That
• 8:22
  Speaker 1: never even crossed your mind. Did not cross my mind.
• 8:25
  Speaker 4: I'm gonna have to I'm gonna have to really lock
• 8:27
  Speaker 4: in on these next few episodes if I want to
• 8:29
  Speaker 4: out Detective Brand.
• 8:31
  Speaker 2: Hey, it's just like the video we did where you
• 8:33
  Speaker 2: guys had never seen clue and try to solve it.
• 8:36
  Speaker 3: Uh.
• 8:36
  Speaker 1: PD didn't even try that hard and still got it
• 8:38
  Speaker 1: right now. I went off of vibes, and I do
• 8:40
  Speaker 1: plan to do a.
• 8:41
  Speaker 3: Little bit as you should. I'm a classic overthinker.
• 8:45
  Speaker 4: Mmm, and just going on vibes so far, nothing really
• 8:49
  Speaker 4: popped out to me. I was curious about miss Packard.
• 8:52
  Speaker 2: Okay, Josie, that's right. We do meet Josie. In fact,
• 8:56
  Speaker 2: I forgot about this, but when I rewatched the first episode,
• 9:00
  Speaker 2: she's the first person we see in the whole show.
• 9:02
  Speaker 1: That's why I was intrigued.
• 9:03
  Speaker 2: And she didn't say anything, and say anything didn't do anything,
• 9:05
  Speaker 2: and I was like, that's so strange. We go up
• 9:07
  Speaker 2: to the Great Northern Hotel where the owner, Benjamin Horn,
• 9:10
  Speaker 2: is trying to close a deal with some Norwegians. He
• 9:13
  Speaker 2: wants to open up a country club and a resort.
• 9:15
  Speaker 2: But the issue is the property where he wants to
• 9:19
  Speaker 2: open this resort he does not own. It is the
• 9:21
  Speaker 2: land on the sawmill where the sawmill is currently operating.
• 9:25
  Speaker 2: But he's banking on the fact that the saw mill
• 9:28
  Speaker 2: is going to be going bankrupt soon and they'll be
• 9:30
  Speaker 2: able to buy it for cheap. Now, I really want
• 9:32
  Speaker 2: to get into this as we go along, because on
• 9:35
  Speaker 2: second watch we learned some information about the sawmill that
• 9:40
  Speaker 2: really shocked me. Okay, and I want to bring that
• 9:42
  Speaker 2: up in a little bit.
• 9:43
  Speaker 3: Well, I appreciate you for laying that out, because I
• 9:47
  Speaker 3: didn't necessarily, even if they said it explicitly, I wasn't
• 9:50
  Speaker 3: clocking the whole mastermind plan there of the sawmill getting
• 9:55
  Speaker 3: it for cheap.
• 9:56
  Speaker 1: You weren't clocking it. I wasn't clocking. No, I don't know.
• 10:00
  Speaker 2: The first time I watched it, I had a hard
• 10:01
  Speaker 2: time putting together what the sawmills deal was as well.
• 10:04
  Speaker 2: But In this one, I had a clearer vision and
• 10:07
  Speaker 2: I was really locked in on the Norwegians.
• 10:09
  Speaker 1: Sure.
• 10:10
  Speaker 4: It just made me think of that sick song every
• 10:12
  Speaker 4: time I thought about the saw mill.
• 10:14
  Speaker 1: Oh yeah, from the theme. So it gets awesome.
• 10:18
  Speaker 2: We get a hilarious moment with the Norwegians. I love
• 10:20
  Speaker 2: the Norwegians. At one point, I love the Norwegian. Benjamin
• 10:24
  Speaker 2: Horn is talking to them about the deal, and he goes,
• 10:26
  Speaker 2: I know that you guys were worried about the air
• 10:29
  Speaker 2: quality up here, but you mind if I share what
• 10:31
  Speaker 2: you said after your morning run.
• 10:33
  Speaker 3: My air sacks have never felt so good.
• 10:36
  Speaker 4: And then he got a laugh on the translation. Yeah,
• 10:38
  Speaker 4: a little bit of a delayed laugh. Yeah, I feel
• 10:40
  Speaker 4: like that probably felt kind of weird. I've never done
• 10:43
  Speaker 4: stand up on a delay.
• 10:44
  Speaker 1: That's very interesting.
• 10:45
  Speaker 2: I've heard people talk about doing stand up with ASL
• 10:49
  Speaker 2: as sign language, and that's very interesting too.
• 10:52
  Speaker 3: Yeah.
• 10:53
  Speaker 2: I wonder if it messes up the pacing of the jokes.
• 10:56
  Speaker 2: I took four semesters of it in college and I
• 10:58
  Speaker 2: could only do the alphabet.
• 10:59
  Speaker 3: Yeah, it was like me in German. You took German
• 11:02
  Speaker 3: a lot of German. Yeah, boot and talk to you all.
• 11:04
  Speaker 4: Right, Chase, you do the pitch like the business pitch,
• 11:07
  Speaker 4: and then Chase, I mean then brand you translated.
• 11:09
  Speaker 1: Oh yeah, German, my.
• 11:11
  Speaker 3: Air sacks have never felt so good. Literally, none of
• 11:14
  Speaker 3: those words in German.
• 11:16
  Speaker 1: Mine something mine air.
• 11:20
  Speaker 3: Ah, what do you know? Sack? Surprisingly didn't get the sack.
• 11:28
  Speaker 3: I do know that cell phone is handy because I
• 11:31
  Speaker 3: thought it was very funny.
• 11:32
  Speaker 2: Very funny, and silon is the only thing I can
• 11:34
  Speaker 2: remember was uh uh, bullying because it's bold.
• 11:40
  Speaker 3: That's cool.
• 11:40
  Speaker 2: Bully you, bully you, It's just bold. Though I think
• 11:44
  Speaker 2: this is awesome. Okay, so it could be wrong bullying,
• 11:48
  Speaker 2: It doesn't matter. Right after that, Leland is called into
• 11:50
  Speaker 2: the lobby for a phone call.
• 11:53
  Speaker 1: He's talking to his wife on the phone.
• 11:54
  Speaker 2: She's very worried, and then Sheriff Truman walks in the door,
• 11:58
  Speaker 2: and this is a pretty intense moment where he has
• 12:01
  Speaker 2: to tell a father that his teenage daughter was found murdered.
• 12:05
  Speaker 3: But does he have to tell her? Tell him, yes,
• 12:10
  Speaker 3: tell him, okay, but you have to tell him no.
• 12:14
  Speaker 3: He does not I understand. He's on the phone with
• 12:17
  Speaker 3: his wife. His wife is like, I don't know where
• 12:19
  Speaker 3: our daughter is. You see a police officer, come in.
• 12:22
  Speaker 3: The officer goes, and you know right away, but what
• 12:26
  Speaker 3: I'm listen, I'm watching this through suspicious out here.
• 12:30
  Speaker 1: Yes, yes, that's it.
• 12:31
  Speaker 3: It's a joe. He jumped a little bit to a conclusion.
• 12:34
  Speaker 2: He goes, is this about, Yeah, Lord, that's it, and
• 12:37
  Speaker 2: he goes, I'm afraid.
• 12:38
  Speaker 3: So yeah, and that's all you needed to say. On
• 12:41
  Speaker 3: one hand, totally like if.
• 12:43
  Speaker 2: You are got a phone call from his wife and
• 12:45
  Speaker 2: like I can't find Laura, I see how he.
• 12:48
  Speaker 3: Got there, right, yes, But on the other hand, I'm
• 12:50
  Speaker 3: looking for things that could scream kill her. Yes, so
• 12:55
  Speaker 3: maybe he is responsible for the death of his own daughter. Okay,
• 13:00
  Speaker 3: and that's this is like just a little slip. He
• 13:03
  Speaker 3: responded a little bit too quickly to the police offic Okay, well,
• 13:07
  Speaker 3: I'm saying, but if.
• 13:08
  Speaker 2: He is the killer, that performance he gives when he
• 13:10
  Speaker 2: finds out his daughter's dead, very sad, when he grabs
• 13:14
  Speaker 2: hold of the sheriff to try to steady himself.
• 13:17
  Speaker 3: Yep, it's great.
• 13:18
  Speaker 2: It's pitiful, man. And then you just hear his wife
• 13:21
  Speaker 2: sobbing over the phone. Wales, We're here to joke around
• 13:24
  Speaker 2: and have fun. But that when I saw that scene.
• 13:26
  Speaker 2: I was like, this really is a very sad.
• 13:28
  Speaker 3: Oh, there's some serious stuff in this show.
• 13:30
  Speaker 2: There's a lot of serious stuff in the show, and
• 13:32
  Speaker 2: there's also the weirdest stuff you've ever seen.
• 13:34
  Speaker 4: Okay, great, I need to be more suspicious so you
• 13:38
  Speaker 4: not even clock that either. I was just like, you
• 13:41
  Speaker 4: know what this is sad?
• 13:45
  Speaker 1: I don't know I'm clocking it.
• 13:47
  Speaker 2: It's a little I'm very excited because as we introduce
• 13:51
  Speaker 2: each character that we meet, I feel like Brand's gonna
• 13:53
  Speaker 2: have a solid theory for.
• 13:54
  Speaker 1: All of them.
• 13:55
  Speaker 3: We'll see I'll be wrong about all of them.
• 13:57
  Speaker 2: Next up, we meet Bobby, who is Laura's boyfriend friend.
• 14:00
  Speaker 2: I love Bobby. What did you guys think about Bobby
• 14:03
  Speaker 2: off the bat, Because the first time we see Bobby,
• 14:05
  Speaker 2: he's in the diner and he's talking to a different girl.
• 14:08
  Speaker 2: He takes her home from the diner. As he's leaving the.
• 14:12
  Speaker 1: Diner, he puts a song on the jukebox.
• 14:14
  Speaker 2: He goes, here's a song for you, ladies, and then goes,
• 14:16
  Speaker 2: don't do anything I wouldn't do and then walks out
• 14:20
  Speaker 2: the door.
• 14:20
  Speaker 3: Yeah. I think that the only note that David Lynch
• 14:24
  Speaker 3: gave him was you literally can't go hard enough with
• 14:27
  Speaker 3: your character. Whatever the biggest reaction or how you would
• 14:33
  Speaker 3: say a line or whatever, go even further, go even more,
• 14:37
  Speaker 3: and no such things.
• 14:38
  Speaker 2: Too big for Bobby, no hashtag big for Bob, big
• 14:41
  Speaker 2: for Bobby.
• 14:42
  Speaker 1: I don't know.
• 14:43
  Speaker 4: I was just like pretty much immediately, I was like,
• 14:46
  Speaker 4: I hate everything about this guy.
• 14:49
  Speaker 3: Yeah.
• 14:49
  Speaker 2: What's interesting about Bobby is he supposed to be like
• 14:51
  Speaker 2: the star quarterback football player.
• 14:53
  Speaker 1: He does not give those vibes.
• 14:55
  Speaker 3: Yeah, no, he gives. He gives when your rejet, your jet,
• 14:59
  Speaker 3: like he's late for the old drama practice.
• 15:03
  Speaker 1: Yes.
• 15:05
  Speaker 2: And then he also has beef with the bikers, which
• 15:07
  Speaker 2: shocked me again because he's wearing a leather biker jack.
• 15:10
  Speaker 3: You think that he'd want to Maybe that's why he
• 15:12
  Speaker 3: has beef. But he wants to He want to be
• 15:13
  Speaker 3: a bike It's a high school musical situation.
• 15:16
  Speaker 1: He doesn't want to be a football right, he wants
• 15:18
  Speaker 1: to be a biker.
• 15:19
  Speaker 3: But listen, his hands are tied. He's already a football player.
• 15:22
  Speaker 1: Yeah, he wants to be John Travolta. Yeah, yes, C
• 15:25
  Speaker 1: and D.
• 15:25
  Speaker 3: What are you doing when he don't? We all see
• 15:29
  Speaker 3: John Travolta is.
• 15:30
  Speaker 1: The Beret thing.
• 15:31
  Speaker 3: He's twelve berets on rotation.
• 15:34
  Speaker 2: But the funniest part have you seen this? The funniest
• 15:37
  Speaker 2: part of why he has twelve berets is because he
• 15:39
  Speaker 2: directed his first movie. So he googled what old directors
• 15:42
  Speaker 2: look like and they all had berets. So he bought twelve.
• 15:45
  Speaker 3: He bought twelve, and now he is just this is
• 15:47
  Speaker 3: going to be his entire person.
• 15:48
  Speaker 2: That's the most baller thing I could think of, is like, well,
• 15:50
  Speaker 2: if I'm a director, what do directors wear?
• 15:52
  Speaker 3: Sorry, fum my eyepatch. That's like you with Nadine. I
• 15:56
  Speaker 3: about twelve these. I know they're all black. You're not
• 15:59
  Speaker 3: gonna be spreuly though.
• 16:01
  Speaker 2: Yesterday brand goes, hey, is there some sort of costume
• 16:04
  Speaker 2: we should wear? And I said, you could do whatever
• 16:06
  Speaker 2: you want. And then he watched the episode and he said, hey,
• 16:09
  Speaker 2: do you have an eye patch?
• 16:10
  Speaker 3: I said no, I could have gone with something I have,
• 16:13
  Speaker 3: like a leather jacket.
• 16:15
  Speaker 1: Okay, nope.
• 16:16
  Speaker 3: I went to the store and got an eye patch
• 16:18
  Speaker 3: at eight thirty in the morning.
• 16:19
  Speaker 1: By the end of the series, I will show up.
• 16:22
  Speaker 2: In a costume. Okay, I'll go even harder in the paint.
• 16:26
  Speaker 2: If this podcast can get three hundred reviews on Apple
• 16:30
  Speaker 2: Podcasts or Spotify.
• 16:31
  Speaker 1: By the end of the month, I'll get a Twin.
• 16:33
  Speaker 2: Peaks tattoo and we'll let the fans vote for what
• 16:37
  Speaker 2: the tattoo.
• 16:37
  Speaker 1: Wow, Laura Palmer tramp stamp, I'd love that that picture,
• 16:46
  Speaker 1: this this exact picture on my ower brack.
• 16:49
  Speaker 2: How about you don't get how about that a different frame?
• 16:53
  Speaker 3: Not that frame, the gold frame. No, it's got to
• 16:56
  Speaker 3: be a third frame.
• 16:57
  Speaker 1: Oh okay, so that's why we stay here.
• 16:58
  Speaker 3: We're constantly in the frame department.
• 17:01
  Speaker 1: One more thing about Bobby.
• 17:02
  Speaker 4: Yes, it was my second light bulb moment of the episode. Okay,
• 17:06
  Speaker 4: the first was Andy the crime Cop. And then I
• 17:08
  Speaker 4: was like, oh my god, this is the guy who
• 17:10
  Speaker 4: does those terrible covers on America's Got Talent?
• 17:13
  Speaker 1: Is he actually?
• 17:14
  Speaker 2: Is he?
• 17:15
  Speaker 1: I don't know. It just looks like the same guy.
• 17:17
  Speaker 1: What's name? I don't know, he does terrible covers. Yeah.
• 17:23
  Speaker 1: Like he has a band and it's not good.
• 17:25
  Speaker 3: Oh, I know you're dying about. He's a guy who
• 17:27
  Speaker 3: didn't make it in acting. Yeah, and he started this
• 17:30
  Speaker 3: really bad band. It looks like an older version of
• 17:34
  Speaker 3: their Like it's an overly they're like overly Paul.
• 17:37
  Speaker 2: Sandoval, Tom Sandoval is that his name? So the actor
• 17:41
  Speaker 2: who plays Bobby is Dana Ashbrook.
• 17:44
  Speaker 1: This is what he looks like. Old, well older, I
• 17:47
  Speaker 1: don't mean to call him old, but.
• 17:50
  Speaker 2: Okay, no, okay, yeah, he's a good looking Fellah.
• 17:55
  Speaker 1: Now look up Tom Sandoval, okay and you'll see it.
• 17:58
  Speaker 2: Oh wow, it like him. It's just he doesn't have
• 18:02
  Speaker 2: a gray hair. When we meet Bobby, he's taking Shelley,
• 18:06
  Speaker 2: who works at the diner, home, and this is where
• 18:08
  Speaker 2: we find out that he is cheating on Laura with Shelley.
• 18:11
  Speaker 2: And we also find out that Shelley's cheating on her
• 18:14
  Speaker 2: husband with Bobby because as they're pulling up to her house,
• 18:17
  Speaker 2: they find out her husband's truck is there when he's
• 18:20
  Speaker 2: supposed to be out of town. Right freaks him out
• 18:22
  Speaker 2: because he is scared of her husband. Leo Johnson too
• 18:26
  Speaker 2: for good reason.
• 18:27
  Speaker 3: Yeah, I will say, I do think just the good
• 18:30
  Speaker 3: rule of thumb in the show, your spouse is cheating
• 18:35
  Speaker 3: on you.
• 18:35
  Speaker 2: Yeah, that's in large part due to the soap opera
• 18:38
  Speaker 2: nature the show. Yes, so you've mentioned that the show
• 18:41
  Speaker 2: feels weird.
• 18:42
  Speaker 1: It is soap opera. Yeah, That's exactly the point.
• 18:45
  Speaker 2: Is what Twin Peaks is is it's not a satire
• 18:48
  Speaker 2: or a parody of a soap opera. It is telling
• 18:51
  Speaker 2: this story through the lens of a soap opera turned
• 18:54
  Speaker 2: up to eleven, so all of these soap opera tropes
• 18:57
  Speaker 2: will come into play.
• 18:58
  Speaker 3: Okay, that's helpful.
• 19:00
  Speaker 1: Okay, I'm locking it in. Okay, I'm locking it out.
• 19:03
  Speaker 3: Are you locking in your your Yeah? Whoa?
• 19:07
  Speaker 1: The killer is somebody's twin that we haven't met yet.
• 19:10
  Speaker 2: Hey, great, you can never go too weird in this show.
• 19:13
  Speaker 2: I think you're on a great track. Man, Thank you.
• 19:16
  Speaker 1: Brand you want to go ahead and lock in a kiss?
• 19:17
  Speaker 3: No, I don't want to lock in a guest yet.
• 19:19
  Speaker 3: That's but it's a twin of somebody we haven't met yet.
• 19:23
  Speaker 2: Yeah, an evil twin of someone we have met and
• 19:28
  Speaker 2: we just haven't met the twin yet.
• 19:30
  Speaker 4: Yeah, or that we'll go with that. Okay, all right,
• 19:34
  Speaker 4: locking it in this.
• 19:35
  Speaker 2: Brings This is after we meet Bobby and Shelley. We
• 19:38
  Speaker 2: then meet Donna and James, Laura's best friends. But this
• 19:43
  Speaker 2: is my favorite moment of the whole episode, which is
• 19:48
  Speaker 2: we meet James and Donna in the hallway at school
• 19:50
  Speaker 2: and in the background there's just a dude getting fucking
• 19:53
  Speaker 2: wavy yea.
• 19:54
  Speaker 1: Through the halls. I hit the you know back ten
• 19:57
  Speaker 1: seconds and watched that a couple of times.
• 19:59
  Speaker 3: Yeah, like, what is he doing, dude?
• 20:02
  Speaker 2: And I was doing some research on this last night unscripted.
• 20:05
  Speaker 1: No, just on set. They were like, hey, do this,
• 20:08
  Speaker 1: and he was just vibing. I thought you're gonna say
• 20:10
  Speaker 1: he decided to do that, which I feel like, you know,
• 20:12
  Speaker 1: nine times out of tim would get you fired. Yeah,
• 20:14
  Speaker 1: not on this show, because, as Brand.
• 20:16
  Speaker 3: Said, mister Lynch, I have a note he I don't.
• 20:19
  Speaker 2: Think my character would be getting wavy in the booby.
• 20:22
  Speaker 3: Yeah, I like that.
• 20:26
  Speaker 1: Uh.
• 20:26
  Speaker 2: The school slowly starts finding out about Laura's death. Bobby
• 20:29
  Speaker 2: is being questioned by the police. He doesn't know why
• 20:32
  Speaker 2: he's being questioned by the police. Where we get another
• 20:35
  Speaker 2: great moment from Bobby here where he goes, I wasn't
• 20:38
  Speaker 2: at practice.
• 20:39
  Speaker 1: Because I didn't feel like it.
• 20:40
  Speaker 2: Did He bangs his fist on the table and snaps Yeah,
• 20:46
  Speaker 2: I didn't feel like it.
• 20:47
  Speaker 3: Yeah. I mean that's good as reason as any I never.
• 20:51
  Speaker 2: Felt like Basically, Bobby is the number one suspect right now,
• 20:54
  Speaker 2: because he was with Laura last night. We find out
• 20:57
  Speaker 2: from missus Palmer, though, that she actually saw Laura after
• 21:00
  Speaker 2: she came home from Bobby's around nine pm.
• 21:04
  Speaker 3: Right, I was gonna ask the time, so thank you
• 21:06
  Speaker 3: for that.
• 21:06
  Speaker 2: Yes, So around nine pm she goes home, she goes upstairs,
• 21:09
  Speaker 2: and she's in her room and that's the last time.
• 21:11
  Speaker 1: Her mom saw her.
• 21:12
  Speaker 2: But she did hear her phone ring at some point,
• 21:16
  Speaker 2: so that could be a big clue or it could
• 21:19
  Speaker 2: mean nothing.
• 21:20
  Speaker 1: We find out that another high school.
• 21:23
  Speaker 2: Girl is missing at this point, but before we learn
• 21:26
  Speaker 2: more about her, we do get a big scene explaining
• 21:29
  Speaker 2: the dynamics of the saw mill, which I just feel
• 21:31
  Speaker 2: like we're gonna get really into the political, the small
• 21:34
  Speaker 2: town politics of this small saw mill.
• 21:37
  Speaker 3: It's important, I think.
• 21:39
  Speaker 1: Well, I don't know if it is or not.
• 21:41
  Speaker 3: Yes, but the very least it's a struggling saw mill. Yes,
• 21:47
  Speaker 3: because the old owner died. Okay, yes, and now what
• 21:54
  Speaker 3: is her name again? Josie? Josie is now she's taken
• 21:58
  Speaker 3: it over. But the siblings correct me if I'm wrong.
• 22:02
  Speaker 3: The siblings, the sibling of the old owner. She's still
• 22:07
  Speaker 3: very much involved in the day to day aspect of this,
• 22:10
  Speaker 3: she runs in and so is this when she comes
• 22:13
  Speaker 3: in and shuts it down for the day. Yes, okay, Yes,
• 22:16
  Speaker 3: so she comes in and she shuts it down for
• 22:18
  Speaker 3: the day. And what's her.
• 22:20
  Speaker 1: Name again, Josie, Josie, And who's this Catherine the pussy
• 22:25
  Speaker 1: Cat Catherine.
• 22:27
  Speaker 3: Catherine's like, don't you dare this? This will be the
• 22:31
  Speaker 3: end of us. Yes, but but Josie wants to shut
• 22:34
  Speaker 3: it down for the day out of respect for the
• 22:37
  Speaker 3: dead body, but not because of the saw mill. Like again,
• 22:44
  Speaker 3: as far as I know, the saw mill is not
• 22:46
  Speaker 3: responsible for the murder of the body that was found
• 22:51
  Speaker 3: down by the beach. Yes, so she's just doing this
• 22:55
  Speaker 3: as like a just go be with your family, because
• 22:58
  Speaker 3: that's the right thing to do.
• 23:00
  Speaker 2: The girl is missing, yes, and so is the kind
• 23:02
  Speaker 2: of thing. She's like, Hey, go home and be with
• 23:04
  Speaker 2: your family.
• 23:04
  Speaker 1: Right, Where's a lot happens that your takeaway? When you
• 23:06
  Speaker 1: saw You're like, what, why are you stopping all the
• 23:09
  Speaker 1: work the saw mill? Catherine sympathizer. I'm a sympathize.
• 23:13
  Speaker 3: The work has to get done.
• 23:15
  Speaker 1: Guys, who's gonna mill the saw Whose care costs this
• 23:19
  Speaker 1: saw mill? Eighty seven thousand dollars. We don't know that
• 23:22
  Speaker 1: what to talk about. That was what I brought up earlier.
• 23:24
  Speaker 2: Of like if shutting down the sawmill for half a
• 23:28
  Speaker 2: day cost them eighty seven thousand dollars, they're making like
• 23:32
  Speaker 2: one hundred and sixty.
• 23:34
  Speaker 1: How are they struggling?
• 23:36
  Speaker 2: And something tells me that we might get into this
• 23:38
  Speaker 2: okay next week?
• 23:40
  Speaker 3: What what is going on with this song?
• 23:43
  Speaker 4: But what matters to me is that miss Packard she
• 23:47
  Speaker 4: chose people over profits. That's what she's doing. She was
• 23:51
  Speaker 4: choosing her employees well being and brand. For some reason
• 23:55
  Speaker 4: can't handle that. He's like, you should work through it.
• 23:58
  Speaker 1: I don't know. Maybe these people just need a day.
• 24:00
  Speaker 1: There's too murders.
• 24:00
  Speaker 3: Maybe they need to pour themselves into their work to
• 24:05
  Speaker 3: take their minds off.
• 24:06
  Speaker 2: We all mean that you were suspicious of this very
• 24:08
  Speaker 2: nice lady who was looking out for her workers.
• 24:10
  Speaker 1: I was, yeah, I was suspicious.
• 24:13
  Speaker 4: I be you're a misogynist and raging capitalist pig.
• 24:18
  Speaker 3: No, thank you for saying that. No, I I was
• 24:22
  Speaker 3: suspicious because why is it so important for her to
• 24:25
  Speaker 3: get everybody out of the song. I am still very
• 24:28
  Speaker 3: much at this point in time, like this sawmill has
• 24:32
  Speaker 3: something that has to do with it, and we got
• 24:34
  Speaker 3: to get all these people out of here.
• 24:36
  Speaker 1: Hey, man, you're really cooking over there.
• 24:38
  Speaker 2: I'm not saying you're anywhere close to around You're really thinking.
• 24:42
  Speaker 3: I'm over here thinking logically, PD's over here going it's
• 24:46
  Speaker 3: a twin if someone we haven't than met.
• 24:48
  Speaker 1: Yet, I'm thinking outside the bus as you should.
• 24:51
  Speaker 2: In Hey, twin Peaks, just like how Bobby, you can
• 24:55
  Speaker 2: never go too big MPD's defense, We're on a set
• 25:00
  Speaker 2: of something that makes no sense to us.
• 25:03
  Speaker 1: Where the hell are we?
• 25:04
  Speaker 3: What is this?
• 25:05
  Speaker 1: I think I could it's safe to say that we're
• 25:07
  Speaker 1: in the red room. Okay, we're in the red room.
• 25:09
  Speaker 3: That's the thing. Like, you are so clearly closer to
• 25:14
  Speaker 3: the pen than I am, I think.
• 25:16
  Speaker 1: So I'm not saying any no, no, you mean the
• 25:18
  Speaker 1: weed pen.
• 25:19
  Speaker 3: The weed p.
• 25:22
  Speaker 2: Did like eight hundred milligrams of mushrooms and was like,
• 25:24
  Speaker 2: there's a twin.
• 25:26
  Speaker 1: I was really caught up on the tom sand of
• 25:28
  Speaker 1: all of it all.
• 25:32
  Speaker 2: So to clarify, because your recap of this section was
• 25:36
  Speaker 2: a little all over the place, Josie was married to
• 25:40
  Speaker 2: the guy who owned the mill practically built Twin Peaks.
• 25:45
  Speaker 2: He died left everything to his wife, who his sister,
• 25:51
  Speaker 2: Catherine does not like, don't like. She runs the day
• 25:54
  Speaker 2: to day operation. She thinks she should it should be her.
• 25:57
  Speaker 2: She thinks she should have gotten the sawmill, and so
• 26:00
  Speaker 2: that's that whole dynamic her husband.
• 26:02
  Speaker 3: I felt like I was pretty clear, but go ahead,
• 26:03
  Speaker 3: you were, you were.
• 26:06
  Speaker 2: Because there's some sick freaks out there who are gonna
• 26:08
  Speaker 2: listen to this show without watching twin Peaks.
• 26:11
  Speaker 1: Do you know who Catherine's husband is? Do you remember?
• 26:15
  Speaker 2: Um?
• 26:16
  Speaker 3: Yeah, yeah, yeah, yeah, yes he is what's his name, Pete?
• 26:21
  Speaker 1: Pete, the one who found the dead body.
• 26:23
  Speaker 3: Yes, which was shocking to me that those two were married,
• 26:27
  Speaker 3: but yes.
• 26:28
  Speaker 2: Because she sucks. I mean, at one point she walks
• 26:30
  Speaker 2: up to a guy and she goes, what's your name?
• 26:31
  Speaker 1: Yeah, you're fired?
• 26:33
  Speaker 3: Yeah. Crazy.
• 26:35
  Speaker 2: We get a few quick scenes here. The missing girl
• 26:37
  Speaker 2: is named Ronnette. She is walking down the train tracks.
• 26:40
  Speaker 2: She looks pretty beat up and uh then we meet
• 26:43
  Speaker 2: big Ed and his wife May Deane, who has an
• 26:47
  Speaker 2: eye patch and loves drapes, get the drains something like that,
• 26:56
  Speaker 2: pe d do you I mean very clearly brand has
• 26:58
  Speaker 2: a favorite character so far.
• 26:59
  Speaker 1: Do you have a favorite character? So far. Oh yeah,
• 27:01
  Speaker 1: who Audrey?
• 27:03
  Speaker 2: Oh okay, we'll get to Audrey in a second.
• 27:06
  Speaker 1: I find that fascinating. Is it because you think Audrey's hot?
• 27:10
  Speaker 1: That means that might have something to do with it.
• 27:13
  Speaker 1: She's an awesome character. Well then what is the reason?
• 27:16
  Speaker 1: Just the energy? Okay, it's very long.
• 27:19
  Speaker 3: On dre She's gonna marry a crocodile hunter?
• 27:23
  Speaker 1: Maybe? All right, that's just the vibe I'm getting good. Uh.
• 27:28
  Speaker 2: Then, thirty minutes into the episode, the one and only
• 27:33
  Speaker 2: FBI agent Dale Cooper arrives into Twin Peaks.
• 27:36
  Speaker 3: I did find it suspicious that the FBI was already
• 27:38
  Speaker 3: on this case. Yeah.
• 27:40
  Speaker 2: Well, in the dialogue he has with Sheriff Harry S. Truman,
• 27:47
  Speaker 2: he explains that because Ronnett crossed state lines, it became
• 27:50
  Speaker 2: a federal thing, so they had to call him the FBI.
• 27:54
  Speaker 1: Sure, but it was a very quick, it's quick thing
• 27:57
  Speaker 1: that happened, and I agree with you.
• 27:58
  Speaker 2: He wants to know what's going on here, and he
• 28:00
  Speaker 2: also wants to know what's the name of the Magnificent
• 28:02
  Speaker 2: Trees and Twin Peaks and those are Douglas Firs. Okay, sure,
• 28:07
  Speaker 2: and case you're wondering, he takes over the investigation. He's
• 28:09
  Speaker 2: working with Sheriff Truman. They go and check out Ronnette
• 28:12
  Speaker 2: at the hospital. She's suffering from shock and exposure. She's
• 28:15
  Speaker 2: been through a lot. She was assaulted several times. And
• 28:18
  Speaker 2: then we find out that she went to the same
• 28:20
  Speaker 2: high school as Laura. But as far as they know,
• 28:23
  Speaker 2: they don't know each other. They don't know what the
• 28:26
  Speaker 2: connection between these two girls are other than they were
• 28:29
  Speaker 2: both attacked the same night, same night.
• 28:33
  Speaker 1: Yes. In the hospital, Agent Cooper and Sheriff.
• 28:36
  Speaker 2: Truman run into doctor Jacoby, a psychiatrist. This guy's vibes
• 28:41
  Speaker 2: are all over the place. He gives me in the
• 28:44
  Speaker 2: show victorious Psychowitz vibes.
• 28:46
  Speaker 1: Sure, sure, because he's a creep. Yeah, he's a little
• 28:49
  Speaker 1: bit of a creep.
• 28:50
  Speaker 3: I wish I had more time before from between watching
• 28:55
  Speaker 3: and doing what we're doing now, because I would have
• 28:57
  Speaker 3: found that tie and I would have bought it for this.
• 28:59
  Speaker 3: Do you remember the tie?
• 29:01
  Speaker 2: No, but I remember he's wearing earplugs.
• 29:03
  Speaker 3: He's wearing airplex. He is a tie and on it
• 29:07
  Speaker 3: is a hula dancer and he at one point when
• 29:11
  Speaker 3: he begins talking about the case and the girls, he
• 29:18
  Speaker 3: goes underneath the houla skirt. Did you guys not know?
• 29:23
  Speaker 3: He goes under the houli skirt and begins touching under, like,
• 29:29
  Speaker 3: going like this up and down.
• 29:31
  Speaker 1: Skirt under the How did you catch that, dude.
• 29:35
  Speaker 3: I'm on a wavelength, man.
• 29:38
  Speaker 1: Yeah, that's an insane catch brand.
• 29:41
  Speaker 4: And then I was more cut up on him saying
• 29:44
  Speaker 4: she was seeing me, but her parents don't know.
• 29:47
  Speaker 2: Yeah, yeah, didn't know she was seeing me.
• 29:50
  Speaker 3: Don't tell the parents. Yeah, I uh as. I immediately said
• 29:55
  Speaker 3: he's in. He said, he's too. This guy, he's a
• 29:59
  Speaker 3: major red hair understand. This guy comes in with ear plugs,
• 30:02
  Speaker 3: a crazy tie, yeah, and is going up and down
• 30:05
  Speaker 3: on a on the tie.
• 30:07
  Speaker 1: I didn't want to catch that, dah.
• 30:09
  Speaker 3: He couldn't have done it like that's too that'd be
• 30:11
  Speaker 3: too obvious.
• 30:13
  Speaker 1: Wait, he's a red what red herring?
• 30:15
  Speaker 3: What's that? Yeah? Oh, I'm so glad you guys asked.
• 30:18
  Speaker 2: A red haring is a storytelling device used in mysteries
• 30:21
  Speaker 2: to misdirect you from the actual killer. So you have
• 30:24
  Speaker 2: someone super suspicious that draws the attention of the audience. Meanwhile,
• 30:28
  Speaker 2: hidden in the background is the actual killer. Yeah, I'd
• 30:30
  Speaker 2: say he's the first major red hairring agent Cooper gets
• 30:34
  Speaker 2: to see Laura's body before the autopsy, and he finds
• 30:37
  Speaker 2: something hidden under her fingernail on the ring finger under
• 30:41
  Speaker 2: the nail, a tiny letter R.
• 30:43
  Speaker 3: I had to look away from the scene.
• 30:44
  Speaker 1: Oh you didn't like that.
• 30:45
  Speaker 3: I don't like I don't like fingernail stuff.
• 30:47
  Speaker 2: Oh yeah, so you don't like in the Wolverine Origins
• 30:51
  Speaker 2: movie when his brother, instead of having claws, just has
• 30:54
  Speaker 2: sharp fingernails.
• 30:55
  Speaker 1: You didn't like that, no, know, and you know what?
• 30:57
  Speaker 3: You remember the Guinness p Qortal record, but the.
• 30:59
  Speaker 1: Super long feeling.
• 31:01
  Speaker 3: Yeah, but there was something about like where I like,
• 31:03
  Speaker 3: I couldn't look away, I couldn't look at it, but
• 31:05
  Speaker 3: when I did, but I also really wanted to see him.
• 31:09
  Speaker 3: One of those numbers where you like, open the page
• 31:11
  Speaker 3: really quickly and then close it back.
• 31:12
  Speaker 2: That's how people feel about my YouTube Chaine one hundred,
• 31:15
  Speaker 2: like I don't want to watch.
• 31:16
  Speaker 1: But there's something I gotta see.
• 31:17
  Speaker 4: Yeah, yeah, yeah, but brand she's dead, like she didn't
• 31:21
  Speaker 4: feel it.
• 31:22
  Speaker 1: Yeah, it was still crazy though, because the actress was real.
• 31:26
  Speaker 3: I could feel brand.
• 31:27
  Speaker 1: You don't you don't enjoy pain, Well, I don't think
• 31:30
  Speaker 1: most people enjoy pain, but you like. Some people don't
• 31:32
  Speaker 1: like it.
• 31:32
  Speaker 3: I really I don't like the idea of pain.
• 31:35
  Speaker 4: So watching something that could be painful to somebody else
• 31:39
  Speaker 4: is just too much.
• 31:39
  Speaker 1: Is it a phobia? Is there like a name for it?
• 31:41
  Speaker 3: I don't know what the Yeah, I don't know.
• 31:44
  Speaker 1: Pain a phobia?
• 31:45
  Speaker 3: My yeah, because my fear of heights is not that
• 31:48
  Speaker 3: I'll die, but that I'll live after falling and be
• 31:51
  Speaker 3: in pain and pain.
• 31:52
  Speaker 1: Let's just throw the rest of this episode. It'll just
• 31:54
  Speaker 1: really dive.
• 31:55
  Speaker 3: Into Sure, we don't need to do this.
• 31:58
  Speaker 2: It's like we have a buddy Jonathan on our Survivor
• 32:00
  Speaker 2: podcast making them much who Uh, he's afraid of the ocean,
• 32:05
  Speaker 2: not because of like sharks or anything, but because of
• 32:08
  Speaker 2: the vastness the ocean.
• 32:10
  Speaker 3: You know, he would probably hate back roums.
• 32:13
  Speaker 1: Oh yeah, because they're so vast.
• 32:14
  Speaker 3: The vastness of the back rounds.
• 32:15
  Speaker 2: The weird thing, though, is that Cooper says that he's
• 32:19
  Speaker 2: seen this before when he finds the letter under the nail,
• 32:22
  Speaker 2: and that will come up in a little bit.
• 32:24
  Speaker 3: Uh, thanks for recapping that because I looked away and
• 32:27
  Speaker 3: I you missed that. I missed that.
• 32:29
  Speaker 1: It's okay.
• 32:29
  Speaker 2: It becomes a bigger plot point at the press conference.
• 32:31
  Speaker 2: In a little bit for the investigation. The next thing
• 32:35
  Speaker 2: that Cooper does is he busts open Laura's diary. What's
• 32:38
  Speaker 2: very funny about this is that the cops and Twin
• 32:41
  Speaker 2: Peaks they couldn't find the key to the diary, so
• 32:43
  Speaker 2: they were like, we can't get in there, and then
• 32:46
  Speaker 2: he just immediately just snaps it open because it's plastic, right.
• 32:48
  Speaker 3: I did feel like the chasm between the police force
• 32:53
  Speaker 3: and the FBI was even like the FBI agent is
• 32:56
  Speaker 3: like a superhero, like yes, yeah, compared to the one
• 33:00
  Speaker 3: Peaks sheriff. The Sheriff's part like they just they can't
• 33:02
  Speaker 3: they don't know anything, and he knows too much.
• 33:06
  Speaker 2: He busts open the diary. The last entry before she
• 33:08
  Speaker 2: died said that she was nervous about meeting j tonight.
• 33:12
  Speaker 1: Now we have a new mystery on her hands.
• 33:14
  Speaker 2: Joe is j Now I want to know at this
• 33:18
  Speaker 2: point of the episode, did you guys know or have
• 33:21
  Speaker 2: an inkling who Jay is? You guys, neither of you
• 33:24
  Speaker 2: understand who Jay is. By the end of the pilot.
• 33:27
  Speaker 1: Do you know who Jay is? I think I do, James, Yes, Okay, yeah, I.
• 33:31
  Speaker 3: Assume it's James, who is the biker who? I don't
• 33:35
  Speaker 3: know if we don't know yet that they were, we
• 33:38
  Speaker 3: don't know. I think it's pretty clear that yes, where
• 33:41
  Speaker 3: am I allowed to say it? Yeah okay, she was
• 33:44
  Speaker 3: cheating on Bobby with Jane.
• 33:46
  Speaker 2: Yeah, absolutely, okay, And so that's why I was curious though,
• 33:49
  Speaker 2: was at this point in the episode when we get
• 33:51
  Speaker 2: uh C J Tonight. For me, because I've seen the show,
• 33:55
  Speaker 2: it seemed blatantly obvious, because we've met James in the
• 33:57
  Speaker 2: episode at this point.
• 33:58
  Speaker 3: I did not put it together and put that together.
• 34:01
  Speaker 1: I had a feeling that's who it was, Okay.
• 34:03
  Speaker 3: I just I also couldn't remember his name at that
• 34:05
  Speaker 3: point in time, So oh.
• 34:08
  Speaker 2: Okay, that's so it didn't he's a funny looking guy.
• 34:11
  Speaker 3: I didn't. I didn't connect the dot that that guy
• 34:13
  Speaker 3: is James, Like I didn't.
• 34:15
  Speaker 1: I watch you.
• 34:16
  Speaker 4: He was memorable to me because he looks like if
• 34:20
  Speaker 4: you took Tom Brady and Rob Gronkowski and like mashed
• 34:24
  Speaker 4: him together.
• 34:25
  Speaker 1: See.
• 34:25
  Speaker 4: I might not be good at picking up on details,
• 34:29
  Speaker 4: but I have good observations, like.
• 34:32
  Speaker 1: But only when it comes to Tom Brady.
• 34:33
  Speaker 2: Tom Brady plus Gronk equals j and then America's got talent,
• 34:38
  Speaker 2: uh cover bands. Inside the diary is a safety deposit
• 34:42
  Speaker 2: box key and a baggie And this, having rewatched, it
• 34:48
  Speaker 2: felt like it came out of left field. There's a
• 34:50
  Speaker 2: baggie that the key's in, and Agent Cooper's like, I'll
• 34:52
  Speaker 2: be shocked if this doesn't test positive for cocaine.
• 34:55
  Speaker 1: Yeah.
• 34:56
  Speaker 3: This was like this is one of those superhero moments,
• 34:58
  Speaker 3: like he sees this bag he with a key in
• 35:00
  Speaker 3: it and goes, yep, cocaine is.
• 35:03
  Speaker 2: Sheriff Truman's like, ah, she wasn't that kind of girl,
• 35:05
  Speaker 2: and he goes, I think we're both gonna learn a
• 35:07
  Speaker 2: little bit about Laura Palmard.
• 35:10
  Speaker 1: I was on the same wavelength as what's his name Cooper?
• 35:14
  Speaker 1: Agent Cooper. Yeah, Agent Cooper. Because I saw the portraits,
• 35:17
  Speaker 1: I was like, she does coke.
• 35:21
  Speaker 2: Agent Cooper then questions Bobby and he asked them about
• 35:24
  Speaker 2: a fight that they had last week.
• 35:25
  Speaker 1: Another superhero moment. He's like, you fought last week, didn't you?
• 35:28
  Speaker 2: How did he know that? I think this is just
• 35:31
  Speaker 2: good detective work because he just threw it out there
• 35:34
  Speaker 2: to see if he would respond. He was like, you
• 35:36
  Speaker 2: fought last week, didn't you, And he's like, we did.
• 35:39
  Speaker 2: But also, I think Cooper knows at this point that
• 35:42
  Speaker 2: if Laura was meeting Jay tonight, that she was probably
• 35:47
  Speaker 2: cheating on Bobby with someone else.
• 35:49
  Speaker 4: I mean, it's not like he's a super genius. Kids
• 35:51
  Speaker 4: do coke and they cheat and they fight.
• 35:53
  Speaker 1: Yeah, did you do all those things when you were
• 35:55
  Speaker 1: in high school? I did it this morning.
• 35:58
  Speaker 2: But Cooper is interrogating Bob and he shows Bobby a
• 36:01
  Speaker 2: videotape from Laura's camera that they found. It's her and
• 36:04
  Speaker 2: Donna hanging out and having fun. But who's filming it?
• 36:08
  Speaker 1: Yeah?
• 36:09
  Speaker 5: She?
• 36:09
  Speaker 2: He then asks Bobby, did you know that Laura was
• 36:12
  Speaker 2: seeing someone else, to which Bobby says, she wouldn't do
• 36:16
  Speaker 2: that to me.
• 36:17
  Speaker 1: Yeah, very interesting.
• 36:18
  Speaker 3: Where did they get the tape?
• 36:20
  Speaker 2: It was in Laura's camcorder in her bedroom.
• 36:23
  Speaker 3: Okay, okay, thank you.
• 36:25
  Speaker 1: Yeah.
• 36:26
  Speaker 2: I thought it was so funny that Bobby was like,
• 36:28
  Speaker 2: she wouldn't do that to me, when like twenty minutes ago,
• 36:31
  Speaker 2: he was with his I wouldn't do it to her.
• 36:34
  Speaker 3: But she wouldn't do it to me.
• 36:36
  Speaker 2: Agent Cooper mentions the letter J from the diary to Bobby.
• 36:40
  Speaker 2: Bobby seems to know exactly who he's talking about. So
• 36:43
  Speaker 2: he goes and gets his best friend, Mike, who is
• 36:45
  Speaker 2: Donna's boyfriend. Donna is Laura Palmer's best friend. Her boyfriend
• 36:49
  Speaker 2: is Mike. Mike's best friend is Bobby, who was dating
• 36:53
  Speaker 2: Laura Palmer.
• 36:53
  Speaker 1: So they're like a close group.
• 36:55
  Speaker 3: Sure, we're talking about this though this plan. Yes, we
• 36:58
  Speaker 3: gotta go get him out side of the office of
• 37:01
  Speaker 3: what is her name, Lucy? Outside of Lucy's office. And
• 37:05
  Speaker 3: I'll say this, I've been suspicious of a lot of people.
• 37:08
  Speaker 3: Lucy is as good as they get. She's a perfect character.
• 37:14
  Speaker 3: She's my favorite character.
• 37:15
  Speaker 2: Okay, so that's your favorite character, not Nadine.
• 37:17
  Speaker 3: Not Nadine.
• 37:18
  Speaker 1: Is it because you think she's hot?
• 37:19
  Speaker 3: No, I think she's so funny. She's doing like a
• 37:23
  Speaker 3: little bit of a voice, and she like she's always
• 37:26
  Speaker 3: just kind of listening it. I do think she might
• 37:28
  Speaker 3: play a big part in the show at some point,
• 37:31
  Speaker 3: because like we have this situation where she's listening and
• 37:36
  Speaker 3: on what they're saying, and she's like, I wasn't even
• 37:37
  Speaker 3: actually typing, I was just they were saying. And then
• 37:41
  Speaker 3: later on when they come back into the office and
• 37:45
  Speaker 3: she has the donuts laid out, and she's on the phone, yes,
• 37:48
  Speaker 3: and she like pipes up and he's like, Okay, you
• 37:50
  Speaker 3: can hang up now. But I'm pretty sure she doesn't
• 37:52
  Speaker 3: hang up. I think she's always she's got her ears everywhere.
• 37:57
  Speaker 2: When I first was watching this and trying to solve it,
• 38:00
  Speaker 2: also got hung up on the scene where she's on
• 38:03
  Speaker 2: the phone in the when the doughnut room the breakroom.
• 38:06
  Speaker 1: But for different reasons.
• 38:07
  Speaker 3: Oh interesting.
• 38:08
  Speaker 1: It was something that she said.
• 38:10
  Speaker 2: About decaf coffee that I really latched onto. Okay, she says,
• 38:15
  Speaker 2: I've got extra dcaf coffee because uh Andy has been
• 38:20
  Speaker 2: drinking mostly decaf lately. And I got really caught up
• 38:22
  Speaker 2: on that detail because I was like, surely they wouldn't
• 38:25
  Speaker 2: bring that up and.
• 38:25
  Speaker 1: It means nothing, but they did.
• 38:29
  Speaker 2: Maybe probably I can't tell you, but.
• 38:34
  Speaker 1: Yeah she does. She is that why he's crying so much?
• 38:37
  Speaker 1: Is the caffeine withdrawal.
• 38:38
  Speaker 2: Maybe maybe you're onto something.
• 38:40
  Speaker 1: That's a good theory.
• 38:41
  Speaker 3: P D Are they a thing? Who Nadine and cry?
• 38:45
  Speaker 1: And Andy Nadine?
• 38:47
  Speaker 3: Sorry?
• 38:49
  Speaker 2: I think as the show goes on, we will find
• 38:51
  Speaker 2: out about who they are seeing.
• 38:54
  Speaker 1: Maybe it's twin, maybe it's an.
• 38:56
  Speaker 3: Evil twin who they are saying, maybe are they? Are
• 38:59
  Speaker 3: they a part of a polycule?
• 39:01
  Speaker 1: Sure? Maybe so.
• 39:03
  Speaker 2: After Agent Cooper mentions the j from the diary, Bobby
• 39:06
  Speaker 2: and Mike are like, oh, we know who this is.
• 39:08
  Speaker 1: We're gonna go handle this. But what is very interesting
• 39:12
  Speaker 1: to me, p D. Did you pick up on this?
• 39:14
  Speaker 2: Agent Cooper writes down something while they're interrogating Bobby and
• 39:17
  Speaker 2: shows it to Sheriff Truman.
• 39:18
  Speaker 1: What did he write down? He wrote down he did
• 39:22
  Speaker 1: not do it.
• 39:23
  Speaker 2: Yeah, Bobby didn't do it. Is that device though it
• 39:26
  Speaker 2: looked like a calculator. It was like a calculator that
• 39:28
  Speaker 2: you would you would do like eight zero zero.
• 39:30
  Speaker 3: Yeah, it's like, yeah, it's a calculator with T nine,
• 39:36
  Speaker 3: like of like the old phone that had the teen I. I
• 39:38
  Speaker 3: don't know if you guys are old and no we're not.
• 39:40
  Speaker 3: But you do know T nine? You know?
• 39:42
  Speaker 1: Do you know T nine? No? I don't either. I
• 39:45
  Speaker 1: was trying to act like I did.
• 39:46
  Speaker 3: Oh, thank you so much. That's very swet. Okay, so
• 39:48
  Speaker 3: you know how on a phone there's letters. Yes, I've
• 39:52
  Speaker 3: heard of that, even on your phone, Yes, right when
• 39:55
  Speaker 3: you go before five?
• 39:56
  Speaker 2: Yeah, no, I know my first phone had the where
• 39:59
  Speaker 2: you had to do the ab see.
• 40:00
  Speaker 3: Yeah, that's Tinah. So when you when you text with
• 40:04
  Speaker 3: what back when you just had numbers. So if I
• 40:08
  Speaker 3: wanted to say the I would do eight.
• 40:11
  Speaker 1: Four four, uh huh three three.
• 40:14
  Speaker 3: That would give me the that's Tina.
• 40:15
  Speaker 1: I remember using my uncle's BlackBerry.
• 40:18
  Speaker 3: There you go.
• 40:18
  Speaker 1: Point, well, what else was it like in the olden days?
• 40:21
  Speaker 3: Brand thank you for asking. It was a similar time
• 40:24
  Speaker 3: we'd listen to the radio.
• 40:25
  Speaker 1: Wait, a BlackBerry had like a full keyboard. Yeah, yeah, no,
• 40:29
  Speaker 1: it was must have been a different phone. But I
• 40:31
  Speaker 1: do remember at one point having to do You're welcome,
• 40:34
  Speaker 1: a lot of time to write stuff. It is a
• 40:36
  Speaker 1: weird device that he's using, though I don't know.
• 40:38
  Speaker 3: I don't, I don't. Maybe somebody in the comments can
• 40:41
  Speaker 3: let us know.
• 40:42
  Speaker 2: Is that a was that a real device in nineteen
• 40:44
  Speaker 2: I'm also using a tape recorder the entire time we
• 40:47
  Speaker 2: talked to Diane.
• 40:48
  Speaker 3: Diane, shout out, Diane. Another theory to throw out there.
• 40:51
  Speaker 1: Let's hear it.
• 40:51
  Speaker 3: What if the this FBI agent is not real okay,
• 40:55
  Speaker 3: not a real FBI agent and he is taking notes
• 40:59
  Speaker 3: for Diane. They are are a package deal. Some sort of.
• 41:02
  Speaker 1: Duo serial killer. Yes, I'm really liking where you're going
• 41:05
  Speaker 1: with this.
• 41:06
  Speaker 3: That's not that's not my current theory, but it's one
• 41:09
  Speaker 3: that I had had a thought of.
• 41:10
  Speaker 2: I will say, you're both of you. The box definitely great. Okay,
• 41:16
  Speaker 2: definitely great. Not saying that that helps you, but it
• 41:19
  Speaker 2: makes for way entertaining TV.
• 41:21
  Speaker 1: You know, I'm in the box.
• 41:22
  Speaker 4: But to bring it back to SpongeBob, the box I'm
• 41:25
  Speaker 4: in is the one that remember like the junk Yard
• 41:27
  Speaker 4: and the imagination box.
• 41:29
  Speaker 1: That's I'm in the imagination. That's a great box to
• 41:31
  Speaker 1: be in for this show.
• 41:32
  Speaker 3: SpongeBob's great. I watched some SpongeBob recently with my kids
• 41:37
  Speaker 3: on VAK. It slaps you strike me, and I hope
• 41:40
  Speaker 3: this is you.
• 41:40
  Speaker 2: Don't take this as an insult. You strike me as
• 41:42
  Speaker 2: the type of parent that wouldn't let their kids watch SpongeBob.
• 41:46
  Speaker 3: Why.
• 41:47
  Speaker 2: I think it's only because one time you had mentioned
• 41:50
  Speaker 2: that you were watching a show with them, and the
• 41:52
  Speaker 2: kids seemed a little too mean spirited, so you were like,
• 41:54
  Speaker 2: maybe let's not watch this.
• 41:55
  Speaker 3: Big big, big, big city big. What's that video? You re?
• 42:00
  Speaker 1: Gravy Falls, Gravity Falls? Yeah, I found that very interesting.
• 42:04
  Speaker 3: If yeah, I U. It just depends like if if
• 42:07
  Speaker 3: the if there are actual kids in a show and
• 42:13
  Speaker 3: they are constantly ragging on each other, be mean, I'll
• 42:18
  Speaker 3: be like, let's watch something of those. Oh, okay, I
• 42:19
  Speaker 3: guess kids don't need help being mean.
• 42:22
  Speaker 2: Kids are mean, especially your kids. I mean, the one
• 42:26
  Speaker 2: could slap me. I thought it was very interesting that
• 42:28
  Speaker 2: he said Bobby didn't do it to Sheriff Truman. We
• 42:31
  Speaker 2: jump back over to the Great Northern where Audrey Horn
• 42:34
  Speaker 2: my favorite Pete's favorite character. That is the daughter of
• 42:37
  Speaker 2: Ben Horn, the guy who owns the hotel. We also
• 42:40
  Speaker 2: find out that he owns.
• 42:42
  Speaker 1: Like most of the town. He's a very rich businessman.
• 42:45
  Speaker 3: Uh.
• 42:46
  Speaker 2: Audrey goes in and she tells the Norwegians about Laura
• 42:49
  Speaker 2: Palmer being brutally murdered.
• 42:51
  Speaker 4: But you're skipping over something really important. She's stabbed the
• 42:54
  Speaker 4: coffee on the desk, spilled it everywhere.
• 42:57
  Speaker 1: Mess, what's her deal?
• 43:00
  Speaker 3: I think?
• 43:01
  Speaker 2: And I think it's pretty clear from the hole. She's like,
• 43:04
  Speaker 2: what happens if I pull out the pencil? She puts
• 43:07
  Speaker 2: it in a styro foam cup and she's like, Audrey,
• 43:09
  Speaker 2: you wouldn't she pulls out, gets it everywhere.
• 43:12
  Speaker 1: She's just a trouble.
• 43:13
  Speaker 3: She's a rich kid who feels like she can do
• 43:17
  Speaker 3: it against her father. Wants the attention because like she
• 43:21
  Speaker 3: walks into the room with the Norwegians and does a
• 43:25
  Speaker 3: whole weird bit where she like throws herself up against
• 43:29
  Speaker 3: the wall.
• 43:30
  Speaker 1: It's so sad and one over. So you fell for it,
• 43:35
  Speaker 1: just like the Norwegians. Yeah, you would have been.
• 43:38
  Speaker 4: Well, the Norwegians, they didn't like it very much because
• 43:40
  Speaker 4: it kind of ruined the whole deal.
• 43:42
  Speaker 3: Yeah.
• 43:43
  Speaker 1: I loved how she's like she was murdered.
• 43:47
  Speaker 2: Yeah, she rules. I also really like Audrey. She's a
• 43:50
  Speaker 2: great care what is her motivation though?
• 43:52
  Speaker 3: There it's just.
• 43:53
  Speaker 2: That she's rebelling against her She knows that this is
• 43:56
  Speaker 2: a huge deal for her father and she wants to rule.
• 44:00
  Speaker 1: And although I think she's being a brat, I would
• 44:02
  Speaker 1: not say she has Charlie XCX energy. I'm going to
• 44:05
  Speaker 1: continue to say Lonna del Rey interesting. I don't know
• 44:09
  Speaker 1: much about Lonna Delray other than the alligator husband. This
• 44:12
  Speaker 1: ruins the Norwegians deal. The Norwegians run out of there. Yeah,
• 44:15
  Speaker 1: they couldn't handle that. Her friend was murdered.
• 44:20
  Speaker 2: But I mean, if you are about to invest heavily
• 44:23
  Speaker 2: in a resort and country club, you want to know
• 44:25
  Speaker 2: that the area is a safe area. And finding out
• 44:27
  Speaker 2: that two teenage girls were attacked probably not the best investment.
• 44:33
  Speaker 2: But also there's some shady stuff going on with this
• 44:35
  Speaker 2: deal anyway, because they don't even own the property that
• 44:38
  Speaker 2: they were about to get investment on anyway.
• 44:41
  Speaker 1: Anyway. Yeah, but to continue to talk about Audrey, Yes Brand,
• 44:46
  Speaker 1: what did you think when she was in the classroom
• 44:49
  Speaker 1: when what's Laura's best friend's name, Donna? Donna going to
• 44:53
  Speaker 1: get a lot?
• 44:54
  Speaker 4: When Yes was losing it, she's crying and and Audrey,
• 45:00
  Speaker 4: he has like a smile on her face.
• 45:02
  Speaker 1: It kind of kind of pushes in on Audrey.
• 45:03
  Speaker 3: Yeah, I don't I did not find her suspicious. I
• 45:06
  Speaker 3: just found it weird, Like she's just like a like
• 45:09
  Speaker 3: a just a yeah I think a troublemaker, not a brat.
• 45:13
  Speaker 3: But yeah, I didn't find her suspicious. She was not
• 45:18
  Speaker 3: a person of interest a po I for you in
• 45:21
  Speaker 3: this way, PD, do you find her suspicious?
• 45:24
  Speaker 2: And that's thing, because it's interesting that you clocked that moment.
• 45:26
  Speaker 2: I didn't expect that.
• 45:27
  Speaker 1: Yeah.
• 45:28
  Speaker 4: I think that was my first note on the episode.
• 45:30
  Speaker 4: I didn't take many, but I think my note was
• 45:32
  Speaker 4: Audrey is Hella suss Ooh, but then she became your favorite,
• 45:36
  Speaker 4: and then she became my favorite with the coffee and
• 45:38
  Speaker 4: the murder.
• 45:39
  Speaker 1: Yeah, yeah, she's She's a really fun character.
• 45:42
  Speaker 2: Back to the Sheriff's office, Cooper is questioning Donna. Now
• 45:46
  Speaker 2: says it was just her and Laura having a picnic together,
• 45:49
  Speaker 2: no one else. But then Cooper brings up the videotaping.
• 45:51
  Speaker 2: He's like, well, then, who's filming this video? And she goes, oh,
• 45:54
  Speaker 2: it was a female hitchhiker.
• 45:56
  Speaker 3: Yeah.
• 45:57
  Speaker 2: I thought it was very clever of her to mention
• 45:59
  Speaker 2: that it's a female hitch hiker, because if she said
• 46:01
  Speaker 2: just a regular hitch hiker, it could send them on
• 46:03
  Speaker 2: a wild goose chase looking for this random.
• 46:05
  Speaker 1: Hitch a female hitchhiker have a massive hog.
• 46:11
  Speaker 3: Are we talking about Arnold Palmer again?
• 46:13
  Speaker 4: No, I'm talking about the motorcycle Laura Palmer's eye.
• 46:22
  Speaker 3: I don't know why. For some reason, I thought she
• 46:25
  Speaker 3: was talking about a regular hiker. I didn't pick up
• 46:29
  Speaker 3: on a hitch. I just heard hiker.
• 46:31
  Speaker 1: But did you pick up on them. I did pick
• 46:33
  Speaker 1: up on the mass.
• 46:35
  Speaker 2: To clarify, we get a close up on Laura Palmer's
• 46:40
  Speaker 2: eye in the videotape and you can see a motorcycle.
• 46:43
  Speaker 3: Yeah, well they he he he says, we can see
• 46:46
  Speaker 3: a motorcycle.
• 46:47
  Speaker 1: I Coober goes. Cooper goes looks like a hog to me.
• 46:51
  Speaker 3: I couldn't pick up on that for the life of me.
• 46:54
  Speaker 3: Luckily they did the cool like fade transition into the
• 46:57
  Speaker 3: lights of the hog. But I I did not. I
• 47:02
  Speaker 3: felt like I was being gasler to believe that there
• 47:04
  Speaker 3: was a motorcycle in that eyebill.
• 47:07
  Speaker 1: No, it was in there. I saw it pretty clearly.
• 47:09
  Speaker 1: Did you see it?
• 47:10
  Speaker 3: I'm stupid.
• 47:12
  Speaker 1: I saw that it was because you were wearing your
• 47:13
  Speaker 1: eyepatch right scene.
• 47:15
  Speaker 2: Yeah, Cooper knows that she's lying and he goes, Donna,
• 47:18
  Speaker 2: who were you protecting at this point? Were you guys like, oh,
• 47:22
  Speaker 2: this is James.
• 47:25
  Speaker 3: No, I still wasn't. Still hadn't picked up on they
• 47:27
  Speaker 3: thought that.
• 47:27
  Speaker 1: Yeah, I thought Jay was James the whole time.
• 47:30
  Speaker 2: Oh so you you figured Jay was James the whole time? Okay,
• 47:33
  Speaker 2: so you had picked up on it at this point,
• 47:34
  Speaker 2: you hadn't because Jay is the first letter in James. Yes,
• 47:38
  Speaker 2: and we had met James and it was probably James.
• 47:40
  Speaker 1: Yeah.
• 47:41
  Speaker 3: Yeah, No, I just hadn't. I hadn't. I didn't know
• 47:44
  Speaker 3: what his name was.
• 47:45
  Speaker 1: Gotcha. I finally clocked something. Heck yeah, p d uh.
• 47:49
  Speaker 2: Now at this point, we the audience are aware that
• 47:52
  Speaker 2: the person that Donna and Laura.
• 47:54
  Speaker 1: Were with is James the biker.
• 47:56
  Speaker 3: Yeah.
• 47:57
  Speaker 2: And then we see a scene where Cooper and Harry
• 47:59
  Speaker 2: Truman are investigating the crime scene where Laura and Rennette
• 48:03
  Speaker 2: were being held and tortured. It's a train car out
• 48:05
  Speaker 2: by the train tracks, and in the scene of the
• 48:09
  Speaker 2: crime is a golden necklace with half of a golden heart.
• 48:13
  Speaker 2: We then get a scene where we see James is
• 48:15
  Speaker 2: holding the other half of the golden heart.
• 48:18
  Speaker 3: Question, yes, thank you. How did they know that the
• 48:22
  Speaker 3: crime scene was the train car?
• 48:24
  Speaker 2: So if you remember, we get a short short scene
• 48:27
  Speaker 2: earlier in this episode where Andy, the crime cop, calls
• 48:31
  Speaker 2: him and goes, we found it. We found where they
• 48:33
  Speaker 2: were being held in torture.
• 48:34
  Speaker 1: Thank you.
• 48:36
  Speaker 3: Yep.
• 48:37
  Speaker 2: This is very important though, that we see James with
• 48:40
  Speaker 2: the other half of the golden heart, because at this
• 48:42
  Speaker 2: point Cooper and Truman are looking for a mysterious j
• 48:46
  Speaker 2: which matched James, and now they're certain that the killer
• 48:51
  Speaker 2: is going to be the person that they find with
• 48:52
  Speaker 2: the match in Golden Heart, you would think, and James
• 48:55
  Speaker 2: has the match in Golden Heart, So at this point
• 48:57
  Speaker 2: James is kind of suspect Numero uno. Also, at the
• 49:02
  Speaker 2: scene of the crime, they find a piece of paper
• 49:04
  Speaker 2: with the words fire Walk with Me written in blood
• 49:08
  Speaker 2: on it. Now, pretty fucking spooky.
• 49:10
  Speaker 3: It is spooky. I have heard that phrase before, Firewalking
• 49:14
  Speaker 3: with Me.
• 49:14
  Speaker 1: Why do you know that phrase?
• 49:15
  Speaker 2: I don't know, PD have you ever heard that phrase?
• 49:18
  Speaker 1: No? I thought it was a Slayer song. It might be.
• 49:21
  Speaker 1: I don't know, but uh is it?
• 49:24
  Speaker 3: Is it a For some reason? I when I saw
• 49:27
  Speaker 3: the phrase, it made me think of some sort of
• 49:30
  Speaker 3: Native American story.
• 49:36
  Speaker 1: Well, so in Twin Peaks that cut.
• 49:40
  Speaker 2: So twin Peaks, yes, has season one, okay, season two,
• 49:46
  Speaker 2: that's it. They did a movie called Twin Peaks fire
• 49:49
  Speaker 2: Walk with Me okay, and then they did a return
• 49:52
  Speaker 2: season like not too long seventeen.
• 49:55
  Speaker 1: Yeah, yeah, twenty seventeen. So that's how you've heard of that, Okay.
• 49:58
  Speaker 1: So the phrase is from the show, It's from the movie.
• 50:01
  Speaker 3: In the show, but that phrase has come into the culture.
• 50:06
  Speaker 2: Yes, okay, great uh speaking of Native Americans, we meet
• 50:11
  Speaker 2: Audrey We're not gonna cut it. No, we meet Audrey
• 50:14
  Speaker 2: Horn's brother Johnny, who wears a Native American headdress and
• 50:17
  Speaker 2: bangs his head against a dollhouse over and over. We
• 50:20
  Speaker 2: find out that before she died, Lauren would come a
• 50:23
  Speaker 2: few times a week and work with him in the afternoons.
• 50:25
  Speaker 1: Is like a tutor. Meanwhile, Cooper and Truman go and find.
• 50:27
  Speaker 2: Laura's safety deposit box with the key from her diary.
• 50:31
  Speaker 2: Inside is a Flesh World magazine and over ten thousand
• 50:35
  Speaker 2: dollars in cash.
• 50:37
  Speaker 3: Inside picked up this wat of cash. He's like, this
• 50:40
  Speaker 3: is over ten thousand dollars.
• 50:42
  Speaker 2: Yeah, he was like, when I see it, I know
• 50:45
  Speaker 2: because when my evil twin brother.
• 50:48
  Speaker 1: Took ten thousand dollars.
• 50:50
  Speaker 3: When you do enough evil stuff with your twin you know.
• 50:52
  Speaker 1: Pd we're the same age.
• 50:55
  Speaker 2: And this might go back to the whole Tech nine
• 50:57
  Speaker 2: or nine Techne the battle Rapper, he's just a rapper. No,
• 51:02
  Speaker 2: there's two Tech nines. There's a Battle Rapper Tech nine,
• 51:04
  Speaker 2: and there's a kind of more mainstream artister in the world.
• 51:08
  Speaker 1: One of them died, so we're all having fun here,
• 51:10
  Speaker 1: what are you?
• 51:10
  Speaker 4: I didn't know there was a dead Technine there was
• 51:13
  Speaker 4: another Rapper Tech nine.
• 51:14
  Speaker 2: Yeah, because when the battle Rapper Tech nine died, everyone
• 51:17
  Speaker 2: thought it was the more mainstream Rapper Tech nine that died.
• 51:20
  Speaker 2: And it was like a big brew haha. Interesting, we're
• 51:24
  Speaker 2: learning all kinds of stuff.
• 51:25
  Speaker 1: Brother.
• 51:27
  Speaker 2: Flesh World magazine. When I was watching this for the
• 51:30
  Speaker 2: first time, this really threw me off. I just assumed
• 51:32
  Speaker 2: it was like some sort of Playboy type magazine. But
• 51:37
  Speaker 2: inside the magazine there is a picture of Rennette, the
• 51:41
  Speaker 2: other girl who was attacked, and it circled. So Laura
• 51:44
  Speaker 2: Palmer had this Flesh World magazine where there was a
• 51:47
  Speaker 2: picture of the other girl who's attacked and it circled,
• 51:49
  Speaker 2: and that's where we get our connection between Laura Palmer
• 51:51
  Speaker 2: and Rennette. I didn't understand why there would be a
• 51:53
  Speaker 2: picture of her in this playboy magazine type thing.
• 51:56
  Speaker 3: So I don't know what this is just based off
• 52:01
  Speaker 3: I can't get in trouble here based off the magazine.
• 52:06
  Speaker 3: It was very confusing because okay, picture of her and
• 52:09
  Speaker 3: there's a picture of is it ed with his no.
• 52:12
  Speaker 1: No, no, other yo Johnson's truck.
• 52:16
  Speaker 2: Well, here's the thing is, I don't know if that
• 52:19
  Speaker 2: is his truck or if it is a truck and
• 52:21
  Speaker 2: they just used it to match the shots that the
• 52:23
  Speaker 2: same truck.
• 52:24
  Speaker 3: Okay, same, Okay, this looks like some sort of like
• 52:31
  Speaker 3: escorts thing, right, So.
• 52:33
  Speaker 2: What I learned from my comments section in my video
• 52:35
  Speaker 2: because I had no idea this really none of us do.
• 52:39
  Speaker 3: Yeah.
• 52:39
  Speaker 2: Well no, like we didn't have magazine, Like magazines and
• 52:43
  Speaker 2: catalogs aren't really our generation. I got made fun of
• 52:46
  Speaker 2: in the comments for being like a magazine shows up, Chase,
• 52:49
  Speaker 2: what is this? So apparently a flesh world magazine. It
• 52:53
  Speaker 2: was like a type of thing where like you could
• 52:55
  Speaker 2: like take a like a like a classified section in
• 52:59
  Speaker 2: a newspap paper, Like you could take out an article
• 53:01
  Speaker 2: or a page of the paper and like be like, hey,
• 53:04
  Speaker 2: you want to have a good time. I'm Renette. Here's
• 53:08
  Speaker 2: my So it's like it was like it's like Craigslist.
• 53:11
  Speaker 2: It's like a Craigslist thing.
• 53:12
  Speaker 3: Okay, okay, so she's in it, but we don't know
• 53:18
  Speaker 3: who put her in it, Like it's possible that she
• 53:23
  Speaker 3: is being like pimped out traffic.
• 53:27
  Speaker 1: Traffic Okay, trafficking.
• 53:29
  Speaker 3: Such that makes sense. I don't know why would the
• 53:33
  Speaker 3: It's just like, hey, truckers.
• 53:35
  Speaker 1: You went for pimped out before trafficking.
• 53:39
  Speaker 3: Hey we are are we all process things different? The
• 53:43
  Speaker 3: truck was a truck like this is like, hey, truckers,
• 53:46
  Speaker 3: take a gain.
• 53:47
  Speaker 1: Or of this.
• 53:47
  Speaker 2: So I don't know, Okay, that's the fact that because
• 53:50
  Speaker 2: I also was like, is that Leo's truck?
• 53:52
  Speaker 1: But that I was like, why would Leo's truck be
• 53:53
  Speaker 1: in there?
• 53:54
  Speaker 2: So I took it as it was just a different
• 53:56
  Speaker 2: truck and they used it to make a match cut.
• 53:58
  Speaker 2: But I guess there's a real possibility that it could
• 54:01
  Speaker 2: be Leo Johnson. As we learned, I thought it was
• 54:02
  Speaker 2: the same truck that the cut.
• 54:04
  Speaker 3: Like the they do the fade transition it is this.
• 54:07
  Speaker 3: It's literally the same.
• 54:08
  Speaker 2: Truck in the same position and everything right, and then
• 54:10
  Speaker 2: we I mean, because we we're about to transition into
• 54:13
  Speaker 2: that scene we learned from Leo John's like he's up
• 54:16
  Speaker 2: to something shady.
• 54:17
  Speaker 3: So it's possible that this whole page is Leo Johnson's page,
• 54:24
  Speaker 3: Oh women, that he is trafficking, well, yeah, trafficking, and
• 54:32
  Speaker 3: like this is his page. This is like Leo's girl.
• 54:34
  Speaker 2: Like he Oh, okay, Leo's girls, I.
• 54:37
  Speaker 1: Wouldn't use girls dot com. Yeah, I wrote off Leo
• 54:41
  Speaker 1: pretty quick.
• 54:42
  Speaker 3: I did too.
• 54:43
  Speaker 1: You think he's a red herring.
• 54:44
  Speaker 4: Because I was just like, oh, that's Jeffrey Dahmer. And
• 54:47
  Speaker 4: if you if you see somebody and you're like, oh,
• 54:49
  Speaker 4: he's Jeffrey Dahmer, and then.
• 54:51
  Speaker 1: Probably not him.
• 54:51
  Speaker 3: Probably not bad bad guy means guy probably didn't do it.
• 54:56
  Speaker 1: Yeah, and he only gets worse as we go.
• 54:58
  Speaker 3: Okay, but that'd be my guest based off of that
• 55:01
  Speaker 3: page that this is like, this is like what he does.
• 55:05
  Speaker 1: Okay, so he's a trucker.
• 55:07
  Speaker 2: He also has Leo's World dot com right, and he's
• 55:10
  Speaker 2: a bad guy. We get back to back affair scenes
• 55:16
  Speaker 2: is interrogating Leo is interrogating Shelley about why there's two
• 55:20
  Speaker 2: different types of cigarette butts in his house. She manages
• 55:24
  Speaker 2: to be like, I smoke different cigarettes, but it's Bobby's cigarettes.
• 55:28
  Speaker 1: Hey, there's two kinds of candy.
• 55:30
  Speaker 3: I won't say what's that about. I will say bold
• 55:34
  Speaker 3: move on her though, Like I know he goes out
• 55:36
  Speaker 3: of town a lot doing trucking, But bold move of
• 55:41
  Speaker 3: her to even have Bobby over to that place. This
• 55:45
  Speaker 3: is scary, guys. I wouldn't want to, like even risk it.
• 55:49
  Speaker 3: I mean, I wouldn't want to be in that situation
• 55:50
  Speaker 3: to begin with, but she is unfortunately, yes, and I
• 55:54
  Speaker 3: wouldn't want to risk it.
• 55:56
  Speaker 2: Yeah, that's very risky, I think, especially what we learn
• 55:59
  Speaker 2: about him as the SERI goes on.
• 56:01
  Speaker 3: But also how about him being able to spot a
• 56:03
  Speaker 3: different cigarette.
• 56:04
  Speaker 1: He's so controlling.
• 56:06
  Speaker 2: He's one of those guys that are so controlling over
• 56:08
  Speaker 2: their significant other that even the smallest detail about the
• 56:11
  Speaker 2: cigarettes that she smoked, because he tells her, he goes,
• 56:13
  Speaker 2: from now on, you smoke one type of cigarettes. Yeah.
• 56:16
  Speaker 1: Why the fuck is there a Sam's Club water in here?
• 56:19
  Speaker 1: You know we only drink liquid death.
• 56:21
  Speaker 3: This is food Lion.
• 56:23
  Speaker 1: We're an aqua Fina household. From now on, you only drink.
• 56:26
  Speaker 3: Fiji untouched by human hands. That's Fiji's whole thing. Uh,
• 56:31
  Speaker 3: then how do they get it? It makes you wonder though
• 56:33
  Speaker 3: about those other brands.
• 56:34
  Speaker 2: It's alien hands that do it. It's not human hands.
• 56:39
  Speaker 2: Do you think alien's gonna show up in Twin Peaks?
• 56:41
  Speaker 2: Let me just ask you that I want to say no, Okay,
• 56:43
  Speaker 2: unless although.
• 56:44
  Speaker 3: The fonts at the end though the names on it,
• 56:47
  Speaker 3: doesn't it potentially Okay?
• 56:49
  Speaker 1: They alien new theory, new theory, flocking agent Cooper is
• 56:53
  Speaker 1: an alien.
• 56:53
  Speaker 3: That's a good one, I liked.
• 56:56
  Speaker 1: Do you have any evidence from this episode that would
• 56:58
  Speaker 1: make him seem like an alien?
• 56:59
  Speaker 4: Everything he says and that yeah, everything he saything does
• 57:02
  Speaker 4: and he reminds me of Bill Hayter in the SNL sketch.
• 57:05
  Speaker 1: Greg is not an alien. That's good in which Greg.
• 57:08
  Speaker 2: Is, and that's why he's so obsessed with Like, this
• 57:12
  Speaker 2: is the best cup of coffee I've ever had. I
• 57:14
  Speaker 2: love this piece of pie. I need a hotel room
• 57:16
  Speaker 2: with a good rate, affair rate. It's like you read
• 57:19
  Speaker 2: a thing of like how to be a Human.
• 57:20
  Speaker 3: Yeah, that's good.
• 57:21
  Speaker 1: Poor Diane having to listen to Is Diane his mothership?
• 57:25
  Speaker 1: I don't know if Diane's real.
• 57:27
  Speaker 2: Ooh, that's a fun theory too. Well, And I feel
• 57:30
  Speaker 2: like I should also give you guys a heads up.
• 57:32
  Speaker 2: I might say things that are lies to throw.
• 57:35
  Speaker 3: That doesn't feel that does That feels not fair, but
• 57:39
  Speaker 3: that feels not far.
• 57:40
  Speaker 2: Our job is to watch the TV show and tell
• 57:43
  Speaker 2: us the facts.
• 57:44
  Speaker 1: Bitch, No, I am recapping the episode for the audience. Hey,
• 57:48
  Speaker 1: listen up, bitch.
• 57:50
  Speaker 4: You either tell us you did you can't say uh
• 57:55
  Speaker 4: huh or yeah.
• 57:57
  Speaker 1: But here's the thing.
• 57:57
  Speaker 2: If I'm like I can't say, then you're like, oh,
• 57:59
  Speaker 2: there might be that no, but you have now you
• 58:01
  Speaker 2: have to say you can't say to everything we say,
• 58:03
  Speaker 2: which is not gonna make for a fun podcast.
• 58:05
  Speaker 1: Right, But that's the YEA other than your script. And
• 58:07
  Speaker 1: then I don't know, that's the only two. That's the
• 58:10
  Speaker 1: only contributions I get to Bay, that's all. Well, I
• 58:13
  Speaker 1: don't know, man, you never know. I might throw something
• 58:15
  Speaker 1: in there. Uh. Anyway, lying is mean, you're right? Any
• 58:20
  Speaker 1: what else is mean? Uh?
• 58:22
  Speaker 2: That big Ed is married to Nadine, who loves drapes.
• 58:25
  Speaker 2: But then we see that he is talking to Norma
• 58:28
  Speaker 2: from the diner. It seems like they're having a bit
• 58:32
  Speaker 2: of an affair too.
• 58:34
  Speaker 1: Too functional eyes.
• 58:36
  Speaker 3: Yeah, yeah, I'm not that's probably.
• 58:39
  Speaker 1: Two eyes and she's serving pies.
• 58:41
  Speaker 3: I'm not sure. As of right now, I don't really
• 58:45
  Speaker 3: think that she matters all that much.
• 58:48
  Speaker 1: But we'll see Norma. Yeah, that's fair.
• 58:51
  Speaker 2: There's a town hall meeting being led by Agent Cooper.
• 58:54
  Speaker 2: A lady holding a log walks in. Agent Cooper goes,
• 58:56
  Speaker 2: who's the lady with the log? He goes, we call
• 58:58
  Speaker 2: it the log Lady. Cooper basically tells the town that
• 59:01
  Speaker 2: the murder of Laura Palmer and the attempted murder of
• 59:03
  Speaker 2: Ronnette matches the description of a woman who died in
• 59:05
  Speaker 2: the state earlier, meaning that this is the work of
• 59:07
  Speaker 2: a serial killer and he is on the loose.
• 59:10
  Speaker 1: Baby.
• 59:12
  Speaker 2: We then get a fun Bobby moment where he's drinking
• 59:14
  Speaker 2: beer pretending to surf on the hood of his car.
• 59:17
  Speaker 2: Donna sneaks out of the house to meet James at
• 59:19
  Speaker 2: the Roadhouse, which is the local biker bar. We see
• 59:22
  Speaker 2: Big Ed and Norma meeting in secret. We find out
• 59:24
  Speaker 2: that Norma is also married to a guy who is
• 59:28
  Speaker 2: in jail. His name is Hank. Bobby and Mike show
• 59:33
  Speaker 2: up to the Roadhouse. They start throwing hands with Big
• 59:35
  Speaker 2: Ed and the other bikers. During that commotion, one of
• 59:38
  Speaker 2: the bikers takes Donna to go see James in the woods.
• 59:42
  Speaker 2: Where either of you worried that he might kill Donna
• 59:45
  Speaker 2: in the woods. No, No, I believe that Cooper and
• 59:50
  Speaker 2: Sheriff Truman probably weren't concerned that James was going to
• 59:53
  Speaker 2: kill her, but they are actively looking for James to
• 59:56
  Speaker 2: arrest him.
• 59:57
  Speaker 1: But hey, that song that they were playing at the
• 59:59
  Speaker 1: road house, yes as a banger, it's original for this.
• 1:00:03
  Speaker 3: And that's the The instrumental of it is heard throughout
• 1:00:08
  Speaker 3: the episode as well.
• 1:00:09
  Speaker 2: Yeah, James tells Donna in the Woods, I don't have
• 1:00:13
  Speaker 2: an alibi for last night I was with her. He
• 1:00:16
  Speaker 2: says that she was a nightmare. She was like a
• 1:00:18
  Speaker 2: different person. He learned that she was involved with things
• 1:00:21
  Speaker 2: that even Donna didn't know about. And then Laura said
• 1:00:23
  Speaker 2: something about a guy being killed and that Bobby killed
• 1:00:27
  Speaker 2: that guy.
• 1:00:28
  Speaker 1: But I did pick up on Donna being like I
• 1:00:31
  Speaker 1: know her better than she thinks that I do. Okay,
• 1:00:34
  Speaker 1: what do you think that that means? Coke?
• 1:00:36
  Speaker 2: James says that the last time that he saw her,
• 1:00:38
  Speaker 2: she had put her hands around his neck, screamed that
• 1:00:41
  Speaker 2: she loved him, and then ran off and he never
• 1:00:44
  Speaker 2: saw her again.
• 1:00:46
  Speaker 4: That's a that's a pretty good last interaction to have
• 1:00:48
  Speaker 4: with somebody, though it's memorable.
• 1:00:49
  Speaker 3: I actually, weirdly enough, I'm going to do that to
• 1:00:52
  Speaker 3: both of you guys before I leave, just like, justin case,
• 1:00:57
  Speaker 3: justin case, we never see each other again.
• 1:00:59
  Speaker 1: Uh, then James and Donna start making out now again.
• 1:01:03
  Speaker 2: Just as a reminder for you guys, because this is
• 1:01:05
  Speaker 2: the first episode, there's a lot of characters on the table.
• 1:01:08
  Speaker 2: Laura Palmer is dating Bobby, but was cheating on Bobby
• 1:01:11
  Speaker 2: with James. Now Donna, Laura's best friend, who is dating
• 1:01:15
  Speaker 2: Bobby's best friend Mike, is cheating on her boyfriend Mike,
• 1:01:20
  Speaker 2: also with James. They're all being coucked by James. Basically,
• 1:01:25
  Speaker 2: imagine you and your best friend both getting your girls
• 1:01:28
  Speaker 2: stolen by the same guy.
• 1:01:29
  Speaker 3: Don't have to imagine it.
• 1:01:31
  Speaker 1: Do you think James has met I guess so. I
• 1:01:36
  Speaker 1: was thinking, like, do you think this.
• 1:01:38
  Speaker 3: Is the first Is the first time that this has
• 1:01:40
  Speaker 3: happened in life? No? For those two and for Donna James,
• 1:01:48
  Speaker 3: do you think it's the first time they've kissed?
• 1:01:50
  Speaker 1: Is this the first time in human history that a
• 1:01:53
  Speaker 1: girl was murdered and then two people met up while
• 1:01:56
  Speaker 1: being chased by the police and made out and made
• 1:01:59
  Speaker 1: out Almost No that this hasn't happened before.
• 1:02:01
  Speaker 4: I was just thinking a little bit like it gave
• 1:02:04
  Speaker 4: me flashbacks to Game of Thrones season seven, And I
• 1:02:07
  Speaker 4: don't know if I.
• 1:02:07
  Speaker 1: Should, Yeah, anything, you know, I can.
• 1:02:11
  Speaker 4: I can vaguely make the comparison in a way that
• 1:02:13
  Speaker 4: won't ruin the show for you. So there's there's a
• 1:02:16
  Speaker 4: character that died and then uh, after the funeral, there
• 1:02:20
  Speaker 4: are two people that got it on next to the
• 1:02:24
  Speaker 4: dead body. It's like, guys, it's not the time or
• 1:02:26
  Speaker 4: the place like we need Why can't we just you know,
• 1:02:30
  Speaker 4: go to a hotel or something. You know, when I
• 1:02:33
  Speaker 4: was watching this, I was like, she just got murdered,
• 1:02:36
  Speaker 4: you know this it feels like anywhere else.
• 1:02:39
  Speaker 2: Yeah, yeah, it's it's a bad look because even though
• 1:02:44
  Speaker 2: that's not Laura's main boyfriend, that was one of her
• 1:02:49
  Speaker 2: secondary boyfriends.
• 1:02:50
  Speaker 1: They just buried the half of the heart.
• 1:02:52
  Speaker 2: No, yes, kitty, would you like to explain that part?
• 1:02:55
  Speaker 4: Well, they thought he was going to be the killer
• 1:02:58
  Speaker 4: if he was caught with it, so right, he had
• 1:03:00
  Speaker 4: to bury it, and he decided to super securely bury
• 1:03:03
  Speaker 4: it like half an inch into.
• 1:03:05
  Speaker 1: The ground and put a rock on it.
• 1:03:06
  Speaker 4: Yeah, he's definitely not the killer because he's done.
• 1:03:09
  Speaker 1: He's stupid.
• 1:03:12
  Speaker 3: Can I is the is the twin thing? You're honest?
• 1:03:16
  Speaker 3: Lock in? No?
• 1:03:17
  Speaker 1: Basically, James ends up getting arrested. He trimplet James is arrested.
• 1:03:22
  Speaker 2: He's thrown into a jail cell across from Bobby and Mike,
• 1:03:25
  Speaker 2: who were also arrested earlier in the episode for starting
• 1:03:28
  Speaker 2: the fight in the roadhouse, and.
• 1:03:29
  Speaker 1: Then they turned into gorillas.
• 1:03:30
  Speaker 2: They were barking at him, Yeah, because you know when
• 1:03:34
  Speaker 2: you both of your girlfriends get stolen by the same
• 1:03:37
  Speaker 2: guy and then you're in the same jail cell as him,
• 1:03:39
  Speaker 2: so you start barking at him, you know when you
• 1:03:41
  Speaker 2: do that.
• 1:03:42
  Speaker 1: Yeah, And then James looks like he's trying not to fart.
• 1:03:45
  Speaker 2: He's just like, Yeah, that smolder he does is so funny.
• 1:03:49
  Speaker 2: Fun He's supposed to be a lot of people are
• 1:03:51
  Speaker 2: like James is never was never cool.
• 1:03:53
  Speaker 1: He's supposed to be like the cool biker guys. I
• 1:03:56
  Speaker 1: don't know. Tom Brady and Rob Gronkowski are pretty cool
• 1:03:59
  Speaker 1: on their own. Put them together and that's cool.
• 1:04:05
  Speaker 2: To end the episode, we find out that Sheriff Truman
• 1:04:07
  Speaker 2: is in a relationship with Josie, who owns the sawmill.
• 1:04:11
  Speaker 2: And then and then we see a hand dig up
• 1:04:14
  Speaker 2: the golden necklace that James and Donna barry as the
• 1:04:16
  Speaker 2: credits start to roll.
• 1:04:17
  Speaker 3: But let's not. It's not that we just see that.
• 1:04:20
  Speaker 3: We see it through what seems to be some sort
• 1:04:24
  Speaker 3: of vision by Laura's mom.
• 1:04:29
  Speaker 1: Laura's mom, Well, she's screaming.
• 1:04:31
  Speaker 3: Yes, It's like she is almost like dreaming this. Yeah,
• 1:04:35
  Speaker 3: that's how I kind of took it. I don't know
• 1:04:37
  Speaker 3: if it's real. I don't know if it's a dream.
• 1:04:41
  Speaker 2: That is going to be a question that you ask
• 1:04:44
  Speaker 2: a lot in this show.
• 1:04:45
  Speaker 1: Okay, is it real or.
• 1:04:48
  Speaker 3: By her?
• 1:04:48
  Speaker 1: Yeah?
• 1:04:49
  Speaker 2: She's great, good, scream great. Guys, we see the just
• 1:04:54
  Speaker 2: a hand dig up the golden necklace that James and
• 1:04:56
  Speaker 2: Donna barry. As the credit start to roll, there's only
• 1:04:58
  Speaker 2: one thing left to do here, and that is both
• 1:05:02
  Speaker 2: of you need to lock in a pick for episode
• 1:05:05
  Speaker 2: one of who you think killed Laura Palmer.
• 1:05:08
  Speaker 3: I'm gonna play it a little bit potentially safe, that's fine.
• 1:05:14
  Speaker 3: I'm not going twin of someone we haven't met yet.
• 1:05:17
  Speaker 3: I'm going to pick somebody that we have been introduced
• 1:05:20
  Speaker 3: to in episode one. It is very real possibility that
• 1:05:24
  Speaker 3: we have not met the killer yet.
• 1:05:26
  Speaker 1: Okay, interesting, right, I'm going with Donna. Whoa going with
• 1:05:33
  Speaker 1: best friend.
• 1:05:34
  Speaker 3: Donna specifically for the murder of Laura. Okay, Okay, Now
• 1:05:42
  Speaker 3: the connection here between Laura and Renette and Renettes and
• 1:05:47
  Speaker 3: the girl from a what like, Yeah, I don't. I
• 1:05:50
  Speaker 3: haven't been able to figure that out yet. Okay, But
• 1:05:53
  Speaker 3: just on a base level, it's possible that Donna has
• 1:05:59
  Speaker 3: had feelings for James for a while her best friend
• 1:06:03
  Speaker 3: was already cheating on her boyfriend with James. She was like,
• 1:06:09
  Speaker 3: kind of maybe maybe, maybe jealous, maybe, I don't know.
• 1:06:13
  Speaker 1: She also, why do you get both of them?
• 1:06:15
  Speaker 3: Why do you get both of them? And they are
• 1:06:18
  Speaker 3: in some She knows that Laura is in some sort
• 1:06:22
  Speaker 3: of I don't know what it is. I don't know,
• 1:06:24
  Speaker 3: if it's some sort of drug ring, a trafficking, I
• 1:06:28
  Speaker 3: don't I don't know, something in something. And so she's like,
• 1:06:33
  Speaker 3: you know what, it would be better if she just
• 1:06:37
  Speaker 3: went away, because I could, because I could get with James,
• 1:06:40
  Speaker 3: and then I would all she would also no longer
• 1:06:43
  Speaker 3: be in this situation. I'm honestly, I'm doing a good thing.
• 1:06:46
  Speaker 1: It's a mercy kill.
• 1:06:47
  Speaker 3: It's a mercy kill because she she she's out of control,
• 1:06:51
  Speaker 3: and so maybe it starts as a confrontation in the
• 1:06:55
  Speaker 3: woods and it leads to her killing her best friend.
• 1:06:59
  Speaker 3: I don't know, but that is my episode one lock in.
• 1:07:03
  Speaker 1: I think that's a great theory. Pet, what are you
• 1:07:05
  Speaker 1: locking in?
• 1:07:06
  Speaker 4: You know, I thought the same thing as Brand, But
• 1:07:10
  Speaker 4: that's not what I'm locking in because I thought that,
• 1:07:13
  Speaker 4: and I was like, it feels a little too forty
• 1:07:15
  Speaker 4: eight the first forty.
• 1:07:16
  Speaker 1: Eight hours it is. It seems a little too dateline.
• 1:07:20
  Speaker 3: Yeah, best friend or boyfriend would be who you would
• 1:07:24
  Speaker 3: go to, right of course, So that's I'm just starting there.
• 1:07:27
  Speaker 1: Yeah, I think it's a great place.
• 1:07:28
  Speaker 4: I'm still I'm a little suspicious of miss Packard Josie shows.
• 1:07:34
  Speaker 4: I'm not gonna call her jos I'm going to continue
• 1:07:36
  Speaker 4: to call her miss.
• 1:07:37
  Speaker 1: I have respect for her. You have nothing but respect,
• 1:07:39
  Speaker 1: even though you.
• 1:07:39
  Speaker 4: Think she's the killer, even though I'm a little suspicious
• 1:07:41
  Speaker 4: because she's dating the sheriff and and she cleared everybody
• 1:07:45
  Speaker 4: out of the sawmill even though it cost eighty seven
• 1:07:47
  Speaker 4: thousand dollars to do so. Yes, I just there's a
• 1:07:51
  Speaker 4: lot of questions that I have.
• 1:07:53
  Speaker 2: And the opening shot of the show is her. For
• 1:07:57
  Speaker 2: some reason, that's a great.
• 1:07:58
  Speaker 3: Pin Who better to try to kill somebody and get
• 1:08:02
  Speaker 3: away with it than somebody who is having a secret
• 1:08:04
  Speaker 3: fling with the sheriff.
• 1:08:06
  Speaker 1: It's a great that's a great point. And I know
• 1:08:08
  Speaker 1: it can't be Audrey because she's hot. Guys.
• 1:08:13
  Speaker 2: What's so fun about the game dynamic of we're gonna
• 1:08:18
  Speaker 2: lock in your prediction every single episode is that we
• 1:08:21
  Speaker 2: will get a back catalog when we get the reveal,
• 1:08:24
  Speaker 2: and we can look back and we can see how
• 1:08:26
  Speaker 2: close or far off you were in every single episode,
• 1:08:28
  Speaker 2: because there's a real possibility that one of you predicted
• 1:08:31
  Speaker 2: it right now and you have no idea, but us
• 1:08:35
  Speaker 2: that have seen it already, the people watching are listening
• 1:08:37
  Speaker 2: that I've seen already, we know or we don't know.
• 1:08:41
  Speaker 2: And one day you'll get to listen back to this
• 1:08:43
  Speaker 2: and be like, WHOA, I locked it in an episode one,
• 1:08:45
  Speaker 2: or I locked it in an episode five, I locked
• 1:08:47
  Speaker 2: it in episode eight.
• 1:08:48
  Speaker 1: One day with my grandchildren.
• 1:08:50
  Speaker 4: Yeah, I will listen back to this and I'll say, yeah,
• 1:08:52
  Speaker 4: I fucking got miss Packard on the first try. Yes, okay,
• 1:08:56
  Speaker 4: And then she did it and I think she.
• 1:08:59
  Speaker 2: Killed multiple people, So you think she's just a serial
• 1:09:01
  Speaker 2: killer going all over the place.
• 1:09:03
  Speaker 3: Killed her husband? Do we know how her husband died?
• 1:09:07
  Speaker 2: I believe in the show, they say it's an accident,
• 1:09:09
  Speaker 2: but that's that's a funny theory, saying that she killed
• 1:09:13
  Speaker 2: her husband. I really like that.
• 1:09:14
  Speaker 1: Guys. You guys are cooking.
• 1:09:15
  Speaker 3: Maybe I'm switching teams here. No, I'm sticking with them,
• 1:09:18
  Speaker 3: ye Saylan, But I like your pick.
• 1:09:22
  Speaker 2: Well that's the beautiful thing is next episode, do you
• 1:09:24
  Speaker 2: guys get to lock in someone totally new if you want,
• 1:09:26
  Speaker 2: or you can keep with your same theories. Guys, I
• 1:09:28
  Speaker 2: hope you are enjoying this show. I'm so excited about
• 1:09:31
  Speaker 2: this podcast solving twin peaks. I'm so excited to see
• 1:09:34
  Speaker 2: what you guys think about the show in its whole
• 1:09:37
  Speaker 2: and then also the mystery side of it, seeing if
• 1:09:40
  Speaker 2: you guys can guess it. Uh, leave us reviews on
• 1:09:43
  Speaker 2: Apple Podcasts, Spotify, whatever YouTube doesn't do reviews, just that you.
• 1:09:48
  Speaker 3: Could comment and yeah, something nice.
• 1:09:50
  Speaker 2: Also, please no spoilers in the comments for the people
• 1:09:53
  Speaker 2: that haven't seen and want to watch along with us,
• 1:09:55
  Speaker 2: and also just to make sure that Brandon Petie don't
• 1:09:57
  Speaker 2: accidentally see any spoilers.
• 1:09:59
  Speaker 4: I'm not going to read any comments, so you could
• 1:10:03
  Speaker 4: all hate me and brand and we would never know.
• 1:10:06
  Speaker 2: If you leave hate comments for these two. I'll screenshot
• 1:10:08
  Speaker 2: him and send them to me so that way they
• 1:10:10
  Speaker 2: know that you hate them.
• 1:10:11
  Speaker 3: I appreciate that.
• 1:10:12
  Speaker 4: I think after my excellent analysis like Bobby's Tom Sandoval, Yes,
• 1:10:17
  Speaker 4: the people are gonna be on my side.
• 1:10:18
  Speaker 1: Yeah, I agree with you.
• 1:10:20
  Speaker 3: I've added nothing.
• 1:10:21
  Speaker 2: You're you're you're Tom Brady Gronkowski comparison great. And then
• 1:10:25
  Speaker 2: brand has an eye patch, so they're gonna love.
• 1:10:27
  Speaker 1: And then Audrey has Londa del Ray energy. Yeah, I mean,
• 1:10:30
  Speaker 1: you're lockdown and you're lockedwn. I have the best takes
• 1:10:33
  Speaker 1: on this show. See you guys next week.
• 1:10:35
  Speaker 3: Don't kill anybody. You're about to hear some ads that
• 1:10:40
  Speaker 3: helped keep the lights on here in the old studio.
• 1:10:43
  Speaker 3: Thanks for listening or don't listen. It's really up to you.
• 1:10:47
  Speaker 3: At this point is at the end of the show.
• 1:10:49
  Speaker 3: I mean, you're listening to me Hi.
• 1:10:52
  Speaker 1: But here they come.
• 1:10:53
  Speaker 3: I promised their coming. Yep, here they are.
• 1:10:55
  Speaker 1: Happy Day.