Latest / BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show / Izzy Made Us Do It: Exploring 'Highway to Hell' (EILFM Crossover)

Transcript

Izzy Made Us Do It: Exploring 'Highway to Hell' (EILFM Crossover) · BREAK/FIX the Motorsports & Vehicle Enthusiast Variety Show

• 0:00
  Grand Touring Motorsport started as a social group of car enthusiasts,
• 0:04
  but we've expanded into all sorts of motor sports disciplines and we
• 0:08
  want to share our stories with you.
• 0:10
  Years of racing wrenching and motorsports experience brings together
• 0:14
  a topnotch collection of knowledge and information through our podcast.
• 0:18
  Break Fix.
• 0:22
  The following episode is intended for mature audiences.
• 0:25
  Please note that listener discretion is advised.
• 0:27
  Just when you think it couldn't get any worse, you guys throw
• 0:30
  another curve ball at us.
• 0:32
  So here's the thing about this one.
• 0:34
  We've already done this on our podcast.
• 0:36
  Apparently Izzy just insisted you guys had to watch this movie.
• 0:39
  I did.
• 0:39
  Yeah, she did.
• 0:40
  She was very, very explicit about that.
• 0:43
  I really wanted, there are opinions on this one.
• 0:45
  That's the equivalent of waterboarding water boy or water boarding.
• 0:49
  Really?
• 0:50
  Yeah.
• 0:50
  Yeah.
• 0:50
  Water boying, water boarding.
• 0:53
  She tortured us.
• 0:54
  Water boarding might have been more enjoyable.
• 0:56
  Water boying.
• 0:57
  Is that when you just talk in a dumb accent and uh, then run into somebody?
• 1:02
  I think it happens in Southeast Asia.
• 1:06
  What is happening?
• 1:07
  I think they're pulling a stuntman on us.
• 1:09
  Apparently we've all been drinking and I'm driving, so.
• 1:12
  Perfect.
• 1:14
  So, uh, by the way, I'm Steve.
• 1:15
  And I'm Izzy and we're with everything I think from movies.
• 1:21
  We're here with Grand Touring Motor Sports Break Fix podcast.
• 1:24
  Is that we guys still officially go by know you're part of
• 1:26
  the Motoring Podcast network.
• 1:27
  Oh, very good.
• 1:28
  Look at you got it all over there.
• 1:30
  Okay.
• 1:30
  Okay.
• 1:31
  Oh, they don't call him shit plug or Steve for nothing.
• 1:33
  That's right.
• 1:34
  But we have Eric, Tanya, Brad and Mountain Mike.
• 1:37
  I mean, uh, mountain Man, Dan.
• 1:39
  No Mountain Mike.
• 1:40
  Sounds about right.
• 1:41
  That mountain Mike open yet near us, there is one coming to the East Coast.
• 1:46
  Yeah.
• 1:47
  And by near it's a couple hours away.
• 1:49
  Yeah.
• 1:49
  You guys have to go to Mountain Bikes.
• 1:51
  Get Everest.
• 1:52
  You won't be disappointed first.
• 1:53
  Then again after this move, you guys might not be taking my recommendations.
• 1:57
  Oh boy.
• 1:58
  She's like, I don't know.
• 1:58
  I can't trust Izzy's recommendations on pizza anymore.
• 2:01
  We still are here after the stuntman, so wow, shots fired.
• 2:07
  You guys picked that one.
• 2:09
  So do not blame me for that.
• 2:10
  Did we pick that one?
• 2:12
  All I gotta say is Trading Paint.
• 2:13
  You guys.
• 2:14
  Senior moment, there are worse movies than this movie, the Lamborghini movie.
• 2:19
  I'll put that below this one.
• 2:21
  But anyway, in keeping with tradition, let me read a traumatic
• 2:24
  introduction for this movie.
• 2:26
  Shall I go for it?
• 2:27
  Do it.
• 2:28
  Brace yourselves.
• 2:29
  Here it comes.
• 2:30
  An eloping bride is taken into hell and her fiance must pursue.
• 2:35
  Yeah.
• 2:38
  Taken straight from the IMDB synopsis.
• 2:41
  That's it.
• 2:42
  I mean, that's basically the movie roll credits.
• 2:44
  Guys, what do we think of?
• 2:46
  There's so many things to talk about.
• 2:49
  There are though.
• 2:50
  There really aren't.
• 2:52
  No, there are.
• 2:52
  There's so much to talk about this movie, right.
• 2:55
  For the picking.
• 2:56
  I wasn't gonna watch this movie because I watched the two minute and
• 2:59
  16 second trailer and I had enough.
• 3:03
  You watched the whole movie and I felt like I had seen the whole
• 3:07
  movie and I was good, but I did cave and I watched it tonight.
• 3:11
  It's because of Brad's play by play messages on Discord last night.
• 3:15
  That's why you watched it.
• 3:17
  No, it sucked you in.
• 3:19
  He baited you.
• 3:21
  You had to watch it.
• 3:21
  At that point, I realized I didn't have to pay for it.
• 3:25
  I didn't have to create a login for Tuby.
• 3:28
  No, tuby doesn't care.
• 3:30
  Tuby just wants you to watch also get no questions.
• 3:32
  Also, when Brad sent me the message, demon boobies, I was hooked.
• 3:35
  Yeah, demon boobies pretty much.
• 3:38
  But guys, what movie are we talking about?
• 3:39
  That would be 1990 ones Highway to Hell.
• 3:43
  Way the Heck Not in this movie that I think that's Maximum
• 3:47
  Overdrive a few years before.
• 3:49
  Now that.
• 3:50
  Now that's a good movie.
• 3:51
  I love that movie so much.
• 3:53
  They just said, maximum Overdrive is better than this movie.
• 3:55
  All right, you guys.
• 3:56
  Spoiler alerts.
• 3:57
  I love both of them and I'm really shocked you guys don't love this movie.
• 4:03
  Babe, do you remember your first time watching this movie?
• 4:05
  What was the first time we watched this?
• 4:06
  I know I watched that.
• 4:07
  My first time watched was with you.
• 4:09
  It was probably three or four years ago.
• 4:11
  We were just looking through Tubi and it popped up and I'm
• 4:14
  like, what the hell is this?
• 4:16
  And we watched it and what the hell was that?
• 4:19
  And then we had to watch it again.
• 4:21
  We've done an episode about this one, but we wanna share it with you guys.
• 4:23
  I really wanted their opinion of this.
• 4:25
  Is this like misery loves company?
• 4:27
  Is that what this is?
• 4:28
  No.
• 4:29
  No, guys, I'm not joking.
• 4:30
  I genuinely really love this little movie.
• 4:33
  This movie was period appropriate?
• 4:35
  Yes, very, uh, late eighties, early nineties.
• 4:37
  I'll agree with that.
• 4:38
  Yes, it tracked very well.
• 4:40
  It was period appropriate for 1976.
• 4:42
  This movie feels old for 1991.
• 4:46
  It does, of course, in 76, like Peter Fonda would've been the main
• 4:49
  guy with his 17-year-old bride or whatever, a thousand percent.
• 4:55
  So Peter Fonda would be 17 too, right?
• 4:56
  Right, right.
• 4:57
  Mm-hmm.
• 4:58
  It's your dyslexia.
• 4:59
  It's 71.
• 5:01
  Yeah.
• 5:01
  71 and 17.
• 5:03
  But yeah, from director, I think it's ate Dej.
• 5:06
  It's a Dutch dude.
• 5:07
  Is he Steve?
• 5:08
  Well, you might know him from Dutch Films.
• 5:11
  No.
• 5:11
  How about Drop Dead, Fred?
• 5:13
  I do know that movie.
• 5:14
  This.
• 5:14
  And then back to doing more touch films.
• 5:16
  I wonder why.
• 5:17
  Oh boy.
• 5:19
  The guys, okay.
• 5:20
  The writer of this movie, Uhhuh Ryan Helgeland.
• 5:24
  Who's he?
• 5:24
  Steve, does that name sound familiar to anyone?
• 5:26
  No.
• 5:27
  Wait, no.
• 5:28
  Okay.
• 5:29
  Nevermind.
• 5:29
  I thought of somebody else's name.
• 5:31
  Nope.
• 5:31
  No idea.
• 5:32
  Well, we all gotta start somewhere.
• 5:34
  Nightmare on Elm Street for the Dream Master.
• 5:36
  Oh, I was gonna say Nightmare on Elm Street.
• 5:39
  I don't know why I thought that.
• 5:40
  Because all great writers come from it followed by 9, 7 6 Evil.
• 5:44
  I know one of Eric's favorites.
• 5:45
  This and then, okay.
• 5:48
  Assassins.
• 5:48
  Yes.
• 5:49
  The Stallone ez uh, assassins Movie.
• 5:53
  That was a good movie.
• 5:54
  It was then LA Confidential.
• 5:57
  Oh, that's an excellent movie.
• 5:58
  Conspiracy Theory.
• 6:00
  Oh, so good.
• 6:00
  The Postman.
• 6:02
  Yeah.
• 6:02
  Payback.
• 6:04
  A Knight's Tale Blood Work, mystic River.
• 6:06
  The Order Man On Fire, the taking of Pellum.
• 6:08
  1, 2, 3. Suk Drie Vampire's Assistant Green Zone, the 2010
• 6:13
  Robinhood with Russell Crow, 42 Legend and Spencer Confidential.
• 6:18
  So, oops.
• 6:19
  All bangers.
• 6:19
  I mean, pretty much.
• 6:20
  Yeah.
• 6:21
  Wow.
• 6:21
  Even directed a few of 'em, like, uh, payback and Knight's Tale
• 6:24
  and Legend, and he learned from all the mistakes of this movie.
• 6:28
  Yeah.
• 6:29
  Like I said, we all gotta start somewhere.
• 6:30
  Hey guys.
• 6:31
  Oops.
• 6:31
  All bangers?
• 6:33
  Yep.
• 6:33
  Yep.
• 6:33
  Wow.
• 6:34
  Speaking of, oops.
• 6:35
  All bangers.
• 6:35
  Oh man.
• 6:36
  The cast in this movie.
• 6:38
  Ah-ha.
• 6:38
  Chad Lowe as Charlie Sykes.
• 6:41
  Who's he?
• 6:42
  Steve.
• 6:42
  I had no idea that Rob Lowe had a brother.
• 6:45
  I first saw him on screen.
• 6:46
  I was like, this guy looks like a low rent.
• 6:48
  Rob Lowe.
• 6:49
  That's what Steve said the first time we watched it, and so looked
• 6:51
  up and, oh, it's his little brother.
• 6:53
  That makes sense.
• 6:54
  By the way, there's another actor, Paul Lowe.
• 6:56
  Who looks exactly like these two.
• 6:58
  He was in, uh, primal Fear around the same time.
• 7:01
  Monkey Horror movie or whatever.
• 7:03
  Yeah.
• 7:03
  Or I guess it's more of a zombie monkey horror movie.
• 7:06
  I don't know.
• 7:06
  No relation just happens to be a low who looks like the lows, but no relation.
• 7:10
  I thought Chad Lowe, and this looked like the guy from Seaquest.
• 7:13
  What was his name?
• 7:14
  The young guy?
• 7:15
  The kid Jonathan Brandis?
• 7:16
  Yes.
• 7:17
  Oh, from Sidekicks or, yeah.
• 7:18
  He was giving me his vibes.
• 7:20
  He just doesn't have the dreamy blue eyes.
• 7:22
  No, but you know Chad Low, we all know about his prestigious movie career, right?
• 7:26
  70 plus credit.
• 7:27
  I was gonna ask, what other movie was he in?
• 7:30
  He's been in Silence of the Heart, the Charlie Sheen movie from the eighties.
• 7:34
  True Blood, which looking at this, he's the star of it.
• 7:36
  1989 movie with Jeff Fahe, Sherilyn fan, Billy Drago, James Tolkien.
• 7:41
  Ken Re and it's about saving his older brother from bringing
• 7:44
  Framed for a gang murder.
• 7:46
  Oh, okay.
• 7:47
  He, he's gotta say Rob Lowe, I guess.
• 7:48
  No, uh, I think, I think Jeff a, he's the older brother.
• 7:52
  I want it to be Rob Lowe so bad.
• 7:54
  Wait, so this is based on a true story.
• 7:56
  Sure.
• 7:57
  No, I have no idea.
• 7:58
  Probably not because his name's like Danny True Blood or something like that.
• 8:02
  I was thinking True Blood, the Vampire thing when you said that.
• 8:05
  That's what I call now that's based on a true story and, and then this.
• 8:09
  And then 37 episodes of Life goes On,
• 8:18
  hate episodes of Melrose Place.
• 8:20
  And then, okay, then we get into some good ones, like in
• 8:23
  the presence of mine Enemies.
• 8:24
  It's a Nazi flick.
• 8:26
  Uh, I was gonna say Soring Charles dance in Armand Mueller Stall.
• 8:29
  And of course Chad Lowe, Gilbert Godfrey what?
• 8:33
  Yeah.
• 8:35
  Yeah.
• 8:36
  Gilbert Godfrey with the guest spot.
• 8:37
  And of course, 1990 Eight's Target Earth starring friend of the podcast.
• 8:41
  John c McGinley.
• 8:42
  What's that about?
• 8:43
  Uh, you, I'll give you two guesses.
• 8:44
  Also, Christopher Malaney in that movie.
• 8:46
  There we go.
• 8:47
  He's also in suicide Colon.
• 8:48
  The comedy.
• 8:49
  Wait.
• 8:50
  You read the colon out?
• 8:51
  I was like colon.
• 8:52
  Like the organ?
• 8:54
  Yeah.
• 8:55
  Suicide.
• 8:55
  Colon.
• 8:56
  The comedy.
• 8:57
  Steve Colons are never comedic.
• 8:59
  He also played John Denver and Take Me Home.
• 9:01
  The John Denver story.
• 9:02
  I can see that with some glasses and slightly longer hair.
• 9:05
  That makes total sense.
• 9:06
  I wonder if he sings, uh, does he crash airplanes too?
• 9:10
  Ooh, too soon.
• 9:11
  Spoilers too soon.
• 9:13
  Too soon.
• 9:14
  It's been like 30 years too soon.
• 9:17
  Yes.
• 9:17
  I'm also, I'm also like trying to place like, wait, had the
• 9:20
  accident happened before this movie happened or, I don't know.
• 9:23
  I'll have to check out.
• 9:24
  But, uh, he is also into unfaithful.
• 9:25
  Everyone's seen that many times, especially one particular scene
• 9:29
  not featuring Chad Low though.
• 9:31
  Steve, do you, do you have something you wanna tell us about Chad Low?
• 9:34
  Not at all, but Chad Low episodes of TV shows like 24 CSI, Miami, ER, bones,
• 9:41
  the Ghost Whisper, and of course he played himself in the Entourage movie.
• 9:44
  Yeah.
• 9:46
  Uh, also eight episodes of Super Girl and six episodes of 9 1 1 Lone Star.
• 9:50
  That's right.
• 9:51
  Still kicking it.
• 9:52
  What happened to the podcast where we were gonna watch Entourage?
• 9:55
  You've never seen Entourage, entourage with, or what were they thinking?
• 9:58
  Uh, Brenda gave up on that after like.
• 10:00
  Four episodes.
• 10:01
  Okay.
• 10:02
  I don't even think we really finished the first season.
• 10:04
  Wow.
• 10:04
  You know, I'm pretty sure we finished the first season.
• 10:06
  It was a retrospective look on the show entourage and uh, the cohost was a coward.
• 10:12
  I can't believe you guys haven't seen all of entourage.
• 10:15
  That's mind blowing to me.
• 10:16
  Oh, one of us definitely has seen most of it.
• 10:19
  Oh, okay.
• 10:19
  I was gonna say one of us has not and was really looking forward to it.
• 10:22
  Speaking of looking forward to it, oh my god.
• 10:24
  Christie Swanson as Rachel Clark.
• 10:27
  Now we're talking Who's she?
• 10:29
  Steve.
• 10:30
  Oh, we might know her from her 90 credits.
• 10:31
  Apparently she's duckett in Pretty and Pink, which I've never seen.
• 10:35
  Okay.
• 10:35
  Simone in Ferris Bueller's Day off.
• 10:37
  She's the blonde girl.
• 10:39
  When Matthew Broderick?
• 10:41
  No, no, no.
• 10:41
  The guy.
• 10:41
  Bueller.
• 10:42
  Bueller.
• 10:42
  Anyone?
• 10:42
  What's Ben Stein?
• 10:43
  Right.
• 10:44
  So Ben Stein's in front of, she's the blonde girl at the front of the classroom.
• 10:47
  That's her.
• 10:48
  Oh, there you go.
• 10:48
  Yeah.
• 10:49
  Small part, but led to big things like Deadly Friend.
• 10:52
  Babe, we've seen this movie.
• 10:54
  Do you remember the uh, basketball kill?
• 10:56
  Oh shit.
• 10:57
  Yeah.
• 10:57
  Yeah.
• 10:58
  For those who don't know, it involves Kristi Swanson basically being a robot
• 11:01
  and going on a killing spree or something.
• 11:03
  Uh, or a demon.
• 11:04
  It's been a few years, but guys, it's great.
• 11:06
  Either way.
• 11:06
  There's a kill with the basketball.
• 11:08
  That is one of the greatest onscreen kills in history.
• 11:12
  And Izzy's favorite movie of all time Flowers in the Attic.
• 11:15
  Oh, god dammit.
• 11:15
  Did anyone else have to watch that in school?
• 11:17
  No.
• 11:18
  I'm not even joking.
• 11:19
  I've watched that probably four or five times in school for different classes.
• 11:23
  I don't know why is that the only one they could afford the rights to have?
• 11:26
  Maybe it's just public domain for schools.
• 11:29
  I don't know.
• 11:29
  But then she was in mannequin on the move, you know, mannequin two,
• 11:32
  some say the better One Hot Shots.
• 11:34
  Buffy The Vampire Slayer.
• 11:36
  The Chase Higher Learning The Phantom, yeah.
• 11:40
  Eight Heads In A Duffle Back, I mean, yes.
• 11:42
  Yeah.
• 11:42
  Phantom is amazing.
• 11:43
  Phantom is amazing.
• 11:44
  Big Daddy dude wears my car.
• 11:46
  Six episodes of Psych, a bunch of Christmas movies, and of
• 11:49
  course Obama Gate, the movie.
• 11:52
  Mm. Something.
• 11:53
  I didn't know that existed.
• 11:55
  Yeah, I didn't until I was going through IMDB and I'm like, oh
• 11:58
  no, it's been a rough 10, 15 years for, uh, Christie Swans.
• 12:01
  And the last person, I'm gonna go really in depth in Patrick Bergen as Beasel.
• 12:06
  Who's he?
• 12:07
  Steve, 120 plus credits.
• 12:10
  God damn.
• 12:11
  Sleeping with the Enemy.
• 12:12
  Okay.
• 12:12
  He was in there, Robin Hood, 1991.
• 12:15
  No, not Robin Hood, prince of Thieves.
• 12:17
  This is the one with Uma Thurman and Jurgen Pro.
• 12:19
  Now I'm sure you guys have seen it.
• 12:21
  No.
• 12:22
  Okay.
• 12:22
  We talked about it a couple years ago.
• 12:23
  It's, it's, it's actually pretty good.
• 12:24
  This.
• 12:25
  Patriot games.
• 12:26
  He was in Frankenstein, and it's not the one with Robert De Niro, but
• 12:30
  it came out around the same time.
• 12:32
  Oh, Randy Quaid plays the monster in this version.
• 12:35
  Oh, oh man.
• 12:37
  Oh my.
• 12:37
  So interested.
• 12:40
  My curiosity is peaked and then, yeah, his career basically peaked with his next
• 12:44
  movie, lawnmower Man, two Colin Jobes.
• 12:46
  War or Beyond Cyberspace.
• 12:48
  Yes.
• 12:48
  Okay.
• 12:49
  Okay.
• 12:49
  That's okay.
• 12:50
  Yeah, yeah, yeah.
• 12:51
  He's the, the scientist guy.
• 12:52
  The guy, the shack.
• 12:54
  Yep.
• 12:54
  Yep.
• 12:54
  Guy.
• 12:55
  The shack in the canyon.
• 12:56
  Yeah.
• 12:56
  Yeah.
• 12:56
  I have the beholder.
• 12:57
  He was King Arthur in Merlin.
• 12:59
  The return, the T three K one.
• 13:02
  Yeah, yeah, yeah.
• 13:03
  Beneath Lochness Ella.
• 13:04
  Enchanted.
• 13:05
  Casanova's Last Stand.
• 13:07
  Dick Dickman Pi, Pre-Fire, Nutcracker Massacre.
• 13:11
  And of course, one episode of the Continental.
• 13:14
  That's right.
• 13:15
  Still kicking it.
• 13:16
  Hell yeah.
• 13:19
  And as far as uh, other people in this movie, we have Adam Stork as Royce lead
• 13:24
  a Ford for a cameo, Gilbert Godfrey, and every single member of the Stiller family,
• 13:28
  every single member of the Stiller family.
• 13:33
  So, uh, how, how'd you guys watch this one?
• 13:35
  It sounds like it was a Tubi watch all around Tubi for sure.
• 13:38
  Yeah.
• 13:38
  You didn't want it in your search history or something, correct?
• 13:41
  I saw it on Amazon Prime.
• 13:42
  Yeah.
• 13:43
  He's not a coward.
• 13:45
  Yeah.
• 13:46
  I pulled it down, threw it on the plex.
• 13:47
  It's on the library now.
• 13:49
  There you go.
• 13:49
  He's gonna watch it over and over and over again.
• 13:53
  Yeah.
• 13:55
  Again.
• 13:55
  'cause he's not a coward.
• 13:57
  We watched trading paint nine times for crying out loud.
• 14:01
  Some people are completionist.
• 14:03
  See, I wanna make sure Steve and Izzy make it out to the East Coast of visit.
• 14:05
  They got good movies to watch.
• 14:07
  Oh boy.
• 14:08
  That's not what I'd select.
• 14:10
  Tony, do you remember how this movie starts?
• 14:12
  I do.
• 14:13
  I can give you a hint.
• 14:14
  They were in the um, no.
• 14:21
  Yeah,
• 14:24
  so terrible.
• 14:29
  Was this during the postcard that was sitting on the screen?
• 14:32
  Yeah.
• 14:32
  Yeah.
• 14:33
  Okay.
• 14:33
  I fast forwarded that.
• 14:34
  I was like, I
• 14:38
  missed it.
• 14:38
  The song was like the best part.
• 14:40
  You were like, what is this?
• 14:42
  Yeah.
• 14:42
  It almost was like Gregorian chant.
• 14:44
  Yeah.
• 14:45
  It was rough.
• 14:46
  Okay.
• 14:46
  I think this is why you guys didn't like this movie.
• 14:48
  You weren't prepped by the opening song to get you in the proper frame of mind.
• 14:52
  Yeah.
• 14:53
  And it says Music by Hidden Faces.
• 14:55
  And I'm like, really?
• 14:58
  Wow.
• 15:00
  But like you said earlier, you gotta start somewhere, I suppose.
• 15:03
  Oops.
• 15:03
  All bangers.
• 15:06
  But it was like four minutes of that.
• 15:08
  It went on way too long.
• 15:10
  I did about 20 seconds of it.
• 15:11
  I'm like, why am I wasting minutes of this fast?
• 15:14
  Why did you guys notice, uh, how the postcard was changing though?
• 15:17
  Not just day to night, but it was, everything was like decaying.
• 15:21
  Tanya missed it.
• 15:22
  She skipped over all.
• 15:23
  Well, I, well I started out with the postcard that I was like, is
• 15:25
  that like a old Nissan Sentra?
• 15:27
  What is that?
• 15:29
  Yeah.
• 15:29
  So I was gonna ask, are car folks, what do you think the
• 15:31
  little car is in the illustration?
• 15:33
  Nissan Maxima?
• 15:34
  That I don't know.
• 15:35
  'cause I'd have to go back and re-watch that part.
• 15:37
  But I'm wondering if Dan has the database prepped because I've
• 15:40
  got some questions to confirm.
• 15:42
  I do.
• 15:43
  I do, but it does not mention what that car is.
• 15:45
  Alright.
• 15:45
  Oh yes, there is.
• 15:46
  I have the answer.
• 15:47
  I know what it is.
• 15:48
  The postcard car.
• 15:49
  What is it?
• 15:49
  Oh, the postcard car or the red car?
• 15:51
  The postcard.
• 15:51
  No, I wanna know about the red car later.
• 15:53
  But the postcard car is what we're talking about now.
• 15:55
  Oh, I don't think I mentioned that.
• 15:57
  It's a rotted heat by the end of the postcard.
• 15:59
  Yeah, I was gonna say.
• 16:00
  Yeah, just nothing.
• 16:02
  You know what it really was?
• 16:03
  It's a time lapse of how cars end up at the mountain where Dan is
• 16:07
  Right When they first get there.
• 16:09
  I'm telling you.
• 16:10
  So you mean how they appreciate So if there was a desert Dan out there, that's
• 16:13
  what it'd be a postcard of his house.
• 16:16
  A thousand percent, yes.
• 16:18
  All right.
• 16:18
  But, uh, but after the opening number to get you in the right frame of mind,
• 16:21
  apparently we see, uh, a cop playing an arcade game called Highway to Hell.
• 16:25
  And I'm like, all right, well here we go.
• 16:27
  Mm-hmm.
• 16:28
  It's gonna be one of those like last star fighter kind of things.
• 16:30
  Right.
• 16:30
  We're gonna come into the game now and we, we see a nervous dude with his.
• 16:34
  Let's just say two hot girlfriend sitting at the diner table with them.
• 16:38
  Yeah.
• 16:39
  And she's like, why?
• 16:40
  Why are you sweating?
• 16:41
  What's going on?
• 16:42
  Like we we're, we're across the state lines to get married because, 'cause
• 16:46
  your parents won't consent or something.
• 16:48
  I don't know.
• 16:48
  This basically what we're doing is illegal.
• 16:51
  Yeah.
• 16:51
  There's a cop right there.
• 16:54
  And I'm just like, yeah.
• 16:55
  And if you fucking chill, no one will care.
• 16:57
  You're just on a date or something.
• 16:59
  Right.
• 17:00
  I dunno what he was so worried about.
• 17:01
  We're off to a bad start with this, so I was like, ah yeah, this is our hero.
• 17:06
  It's because they knew she was way outta his league.
• 17:09
  Yeah.
• 17:09
  The cop was gonna make a move.
• 17:10
  No, the cop was worried like, blink twice if you're unsafe right
• 17:14
  now, are you being trafficked?
• 17:16
  I liked the 1950s.
• 17:19
  I love Lucy Spit Take That happened during this scene.
• 17:22
  I was like, why is this necessary?
• 17:24
  Because it's a comedy guys.
• 17:26
  No, the thing that got me in the scene, most of all is like when
• 17:28
  they're like, alright we, we gotta go, we gotta go, blah, blah, blah.
• 17:31
  And he is like super nervous and he leaves $3 to pay his bill with tip.
• 17:35
  And I'm like, fuck you.
• 17:36
  1991. And he remembers to grab a sandwich for the most
• 17:39
  important character in the movie.
• 17:40
  Who's that babe?
• 17:41
  Mr. Ben?
• 17:43
  Yeah.
• 17:43
  The dog in the backseat who's been sitting there the whole time while
• 17:46
  they were eating indoors, I assume.
• 17:48
  Yeah.
• 17:48
  Yes.
• 17:48
  Some dogs don't have crippling anxiety and you can leave them alone.
• 17:52
  Oh God.
• 17:53
  What a dream world I get.
• 17:55
  It's just a movie.
• 17:55
  Yeah, right.
• 17:56
  But yeah, he hops in, uh, the, his, uh, pizza delivery Gremlin, Pinto, Pinto Ford.
• 18:02
  Pinto.
• 18:02
  It was a Pinto.
• 18:03
  Pinto.
• 18:03
  That's right.
• 18:04
  That Sam says it later too.
• 18:06
  There's an epic line in a little bit.
• 18:07
  Yes.
• 18:09
  But you know, the cops follow him down the freeway and he is like, he's course
• 18:12
  super nervous, like, oh my God, we good.
• 18:14
  Wait a second.
• 18:15
  He backs his pinto up.
• 18:17
  Yeah.
• 18:17
  Almost runs him over.
• 18:18
  Yeah, it almost runs over the cop and hits the motorcycle.
• 18:21
  I was expecting whoop, whoop, whoop.
• 18:23
  And then nothing.
• 18:23
  It was just going down the highway.
• 18:25
  That's that.
• 18:25
  Cops used to be cool, man.
• 18:27
  I guess so.
• 18:28
  They used to get it like we're all people, man.
• 18:30
  Oh, I thought you were talking like Eric Estrada, like he gets it
• 18:33
  chips, you know, that kind of thing.
• 18:35
  Oh, also, yes.
• 18:36
  That's the other reason why Rob Lowe has to leave with his wildly hot girlfriend.
• 18:40
  That cop's going to get it.
• 18:41
  That cop's got some blow, he's gonna get it.
• 18:43
  So, but, uh, but you know, the cops followed us.
• 18:47
  He hasn't turned on his lights, so he is not gonna pull us over.
• 18:49
  Right.
• 18:50
  Well, there's only one way to find out.
• 18:51
  And they pull off on the next exit.
• 18:53
  Cop keeps going down the freeway.
• 18:54
  Roll credits, guys.
• 18:55
  What do we think I went?
• 18:57
  Hell right.
• 18:58
  Okay, so now they decide, all right, well we should probably stay off
• 19:01
  the main freeways if your mom, uh, you know, dropped the dime on us.
• 19:04
  We can take these back roads to Vegas.
• 19:06
  And I'm like, you never wanna take the back roads to Vegas?
• 19:08
  No.
• 19:09
  Let's take the back roads to Vegas guys.
• 19:10
  Don't do it.
• 19:11
  You'll end up in needles or something.
• 19:12
  Steve, tell us about what Needles doesn't have.
• 19:16
  Oh, it doesn't have a statue to Sam Kinison.
• 19:18
  I'll tell you that.
• 19:20
  Fuck you.
• 19:21
  2000 tens domino or whatever it was.
• 19:25
  All things for that movie to lie about.
• 19:26
  Why is Sam Kinison statue in Needles, California?
• 19:31
  Oh, all hoffey and know I'm a bounty hunter.
• 19:33
  Sure are.
• 19:35
  Sure ya.
• 19:36
  Did anyone else find it weird?
• 19:37
  The fact they like climb out the window to sit on the windows and
• 19:40
  talk over top of the cart to each other with the Big Arrow pizza slice.
• 19:44
  Sign like a beacon as he is driving down the road.
• 19:46
  Have you guys never wanted to romantically kiss under Anon pizza?
• 19:50
  No.
• 19:50
  Ew.
• 19:52
  Do, do you not believe in romance?
• 19:54
  Is romance dead?
• 19:54
  Say, I guess romance died the minute the Ford Pinto showed up.
• 20:00
  Is this the point where we mention how gross of a kisser he is?
• 20:04
  Holy cow.
• 20:05
  I mean there's movie kissing, which let's face it guys, horse Seaton and apple.
• 20:09
  Like it that level.
• 20:11
  Okay, talk.
• 20:11
  But, but this is even beyond that.
• 20:13
  This is Nu and Sandra in the lake house level of what's worse.
• 20:18
  Jeff Bridges raw Dogg in the Aztec ruins.
• 20:22
  Right, because he was eating her face like the sucker thing.
• 20:26
  An alien or this like what's worse?
• 20:29
  Definitely raw dogging in the ruins is worse.
• 20:31
  Yeah.
• 20:32
  This has the decency to be over quickly and has a neon pizza slice in the
• 20:36
  background, which gives it extra points.
• 20:38
  Yeah, the Aztecs weren't big on neon pizza, apparently.
• 20:40
  Yeah.
• 20:41
  I guess they just got that but up.
• 20:42
  It's not like Meatloaf's, the glow of the dashboard lights.
• 20:44
  It had to be the glow of the, uh, pizza line.
• 20:46
  Eventually they do take it to the backseat a little bit, you know, for a
• 20:49
  little make out and, uh, blah blah blah.
• 20:52
  She's like, we're not doing it in a for pen.
• 20:54
  He's like, just close your As for pretend to Porsche.
• 20:56
  Ah, so gross.
• 20:58
  You know, one line every owner most of you has done in their life.
• 21:01
  And then they're like, all right, fine.
• 21:02
  Let's just get to Vegas so we can do it in a perfectly clean room at the Plaza
• 21:06
  Hotel on Fremont Street or something.
• 21:08
  Oh, we're the Corvette from Corvette Summers on a rotator, right?
• 21:11
  That's right.
• 21:11
  Yeah.
• 21:13
  Maybe the dog could sleep in a different room.
• 21:16
  Oh, the dog's part of this.
• 21:17
  Yeah.
• 21:17
  Mr. Ben is part of this.
• 21:19
  It's going right there.
• 21:21
  Ah, like, so just can't get off without the dog licking their toes.
• 21:26
  Toes.
• 21:27
  Yes.
• 21:27
  That's it.
• 21:28
  As everyone shutters.
• 21:30
  Ugh.
• 21:31
  So now we continue down the road to nowhere and we end up at the gas station.
• 21:35
  Yeah.
• 21:36
  Sam's last chance we're, uh, a nice elderly gentleman.
• 21:39
  I assume Sam, did anybody else find it weird that when he is sitting
• 21:42
  there I understand them doing it?
• 21:43
  So you could get the view of both actors when he is sitting out there before to
• 21:46
  go inside the reflection off the mirror.
• 21:48
  It's like a truck mirror off of a seventies or eighties truck
• 21:51
  that they do the reflection on.
• 21:52
  I'm like, why is a truck mirror just randomly sitting there
• 21:54
  next to his like rocking chair?
• 21:56
  Underneath of the overhang of I noticed that too.
• 21:58
  So you couldn't sneak up on him.
• 22:00
  That's why got ass everywhere.
• 22:02
  Yeah.
• 22:02
  It's like Doctor who, you can't look at the bad guys like directly in the eyes.
• 22:06
  You gotta let 'em come up on you, you know, use the mirror or if it's a gorgan.
• 22:10
  Right.
• 22:10
  If you're thinking in that sense, you know, Medusa with the snakes.
• 22:13
  If you look in the mirror, you know how it works.
• 22:15
  Yeah.
• 22:15
  Yeah.
• 22:16
  We've all seen those scenes.
• 22:17
  Yeah.
• 22:17
  Uhhuh.
• 22:18
  But, uh, you know, fills 'em up and, uh, he is like, well, that'll be $8 for gas.
• 22:22
  And again, I'm screaming at the tv.
• 22:24
  Fuck you.
• 22:25
  91. Mm-hmm.
• 22:26
  Free coffee too.
• 22:27
  Free coffee if you want it.
• 22:29
  1976, please.
• 22:30
  In 1976.
• 22:31
  No, I kept joking that the movie was filmed way before the movie.
• 22:35
  Oh, yeah.
• 22:36
  It was just released in 91.
• 22:37
  Oh, okay.
• 22:38
  Think about it.
• 22:38
  Who's still driving a Pinto in the nineties?
• 22:41
  I could tell you in the early two thousands, many people at my high
• 22:44
  school, oh, I was a kid working at Nunzio Pizza or whatever it was.
• 22:48
  Yeah.
• 22:49
  Should have been driving like an 85 Cavalier.
• 22:52
  Not a Pinto, but whatever.
• 22:53
  We'll leave it where it is.
• 22:54
  85 Cavalier would've been wildly new for guy with his kind of budget.
• 22:59
  That's true.
• 23:00
  That's true.
• 23:00
  That's true.
• 23:01
  He's more of a 72 Riviera kind of guy.
• 23:03
  Yeah.
• 23:04
  Yeah.
• 23:04
  They're getting ready to go after the Philip on gas and then the sand.
• 23:07
  He's like.
• 23:08
  By the way, I'm gonna tell you, you're gonna come up to two Joshua trees just to
• 23:12
  make sure you go right past both of 'em.
• 23:14
  Don't stop in between 'em, whatever you do.
• 23:17
  And of course Charlie's like, huh, what?
• 23:19
  Whatever.
• 23:19
  I'm a bumble fuck.
• 23:20
  What was he saying about something with two trees?
• 23:23
  Doesn't matter.
• 23:24
  We're going to Vegas.
• 23:25
  Woo.
• 23:26
  I turned to my wife and I said, what is a Joshua Tree?
• 23:29
  And she said, I don't know.
• 23:31
  It's a tree.
• 23:31
  Not a U2 fan, huh?
• 23:33
  Yeah, definitely not a U2 fan.
• 23:34
  Apparently that was like their big album.
• 23:36
  I have no idea what it is, what it looked like.
• 23:38
  That's native to the west.
• 23:39
  So I'm like, I have no clue.
• 23:40
  Oh no.
• 23:41
  If you're at the Southwest or the west.
• 23:43
  It's those trees.
• 23:44
  Uh, there's like a whole national park of 'em in Southern California and they kind
• 23:47
  of look like they're straight out of a Dr.
• 23:48
  Seuss book.
• 23:49
  Yeah.
• 23:50
  They're poofy on top.
• 23:51
  Yes.
• 23:51
  Yeah, they're, they're really ancient type of tree, like they were
• 23:54
  around when dinosaurs were around.
• 23:56
  Ah, okay.
• 23:57
  And like, some of the ones for 'em when dinosaurs were around might still be here.
• 24:01
  I see what you're saying.
• 24:02
  They killed the dinosaurs.
• 24:03
  Yeah, they killed the dinosaurs.
• 24:04
  That's what I'm saying.
• 24:05
  5,000 years ago, as it says in the Bible.
• 24:07
  Yeah.
• 24:08
  Really, really gnarly trees.
• 24:09
  They almost have what looks like palm frogs for needles
• 24:12
  and like really twisty trunks.
• 24:14
  And they're very, very cool.
• 24:15
  Everyone go visit Joshua Tree National Park.
• 24:17
  There you go.
• 24:18
  Speaking of super cool Charlie, he's driving along and just confessing
• 24:22
  like, oh man, I can't believe I'm lucky enough to be with a girl like you.
• 24:26
  And if we're gonna get married and spend our lives together.
• 24:29
  And of course, Christy Swanson's fucking asleep.
• 24:31
  He's like, okay, believe you're not here to listen to this.
• 24:33
  And I'd just be like, enjoy the silence buddy.
• 24:35
  You're about to get married.
• 24:37
  I love you too.
• 24:38
  Sometimes I love, I love you kitten.
• 24:42
  But you know, uh, Ben, the dog, he's there.
• 24:45
  He's also asleep.
• 24:45
  And then Charlie starts going to sleep.
• 24:47
  'cause you know, he's driving in the back roads, not knowing where he's going.
• 24:51
  He should have taken that coffee.
• 24:52
  I was waiting for him to plan right into that cop car killing everyone.
• 24:56
  Roll credits, guys.
• 24:57
  What do we think of Highway to hell?
• 24:58
  Not quite yet.
• 24:59
  It should have ended then.
• 25:00
  Yeah.
• 25:00
  Not quite.
• 25:01
  Instead, he, uh, swerves at the last minute doesn't kill himself,
• 25:05
  but then the cop sees him.
• 25:06
  He was hiding behind the sign.
• 25:07
  You know how those cops are, right?
• 25:09
  Woo.
• 25:09
  Anything for a ticket.
• 25:10
  But, uh, this cop seems a little different.
• 25:12
  This cop was the T 2000 from Terminator.
• 25:15
  He's the T 1995.
• 25:18
  'cause he didn't make the full two.
• 25:21
  It's like Robocop, if he took the helmet off, like, who is this guy?
• 25:25
  Oh my God.
• 25:26
  Tyra year two would've been like the same summer this movie came out, right?
• 25:29
  Yeah.
• 25:31
  That's why I kept thinking they ripped him off.
• 25:32
  Different budgets both have flawless special effects.
• 25:37
  The, the cop is, I don't know, seven feet tall, 300 pounds, pure muscle,
• 25:41
  and I don't know, Freddy Kruger skin, the runes carved into his skin.
• 25:45
  Oh, is that, oh, okay.
• 25:46
  The runes.
• 25:47
  And uh, he pulls out his handcuffs, which are literal hands with
• 25:51
  a chain holding them together.
• 25:53
  That was punny.
• 25:54
  It's no hand grenade, but I'll take it.
• 25:56
  That's right.
• 25:57
  That was Beetlejuice level kind of stuff right there.
• 25:59
  So, yeah.
• 25:59
  So then, uh, Charlie's getting his ID ready, registration and all that.
• 26:04
  Cop tears the door off snatches Rachel, like he works for ice.
• 26:07
  Starts taking her to the car and he is like, wait, wait.
• 26:09
  What the fuck are you doing?
• 26:10
  Backhand.
• 26:11
  Charlie knocks him out.
• 26:12
  It's Mr. Ben and knocks him out.
• 26:14
  I mean, the dog messed around, found out.
• 26:16
  By the way, we don't even know her name until this point.
• 26:20
  I took note of that.
• 26:21
  When's the first time they say the character's name?
• 26:23
  So Rachel was said, you know, we're what, 20 minutes into the movie at this point?
• 26:27
  Yeah.
• 26:27
  About that.
• 26:27
  Yeah.
• 26:28
  Yeah, yeah.
• 26:28
  And I also noticed at that point, apparently the driver
• 26:30
  door didn't work on this Pinto.
• 26:32
  No.
• 26:32
  And he had to climb out through the window to try to get her from the,
• 26:34
  like Duke's a hazard to get in it too.
• 26:36
  Yeah.
• 26:36
  Yeah.
• 26:38
  So this is followed by this.
• 26:40
  Saddest back to the future drive away flame effect I've ever seen.
• 26:45
  Yeah.
• 26:45
  A car drives away at what, like four miles an hour and we just see the
• 26:49
  occasional fire coming out the sides or whatever was falling out on the process
• 26:53
  of driving away is this jet powered?
• 26:55
  'cause it sounded like night rider like Kit had that kind of jet whistle to it.
• 26:59
  You know, they're going down the road.
• 27:00
  I was like, what is going on with this cop car?
• 27:01
  Well I thought ev sound to it.
• 27:03
  It had a wine.
• 27:04
  I think that was just Charlie.
• 27:06
  Definitely didn't sound like V eight or whatever.
• 27:09
  Since you have the database, Dan, was it a Plymouth, was it a Ford?
• 27:12
  What was it?
• 27:12
  'cause I was curious.
• 27:13
  It was a 79 Ford LTD. Really?
• 27:16
  Oh yeah.
• 27:17
  Body kit on it for the back.
• 27:19
  And it looked like they run in to make it sloped as well.
• 27:22
  Almost like the older seventies.
• 27:24
  Camaros had that sloped front or the Monte Carlo in the eighties.
• 27:26
  Is it one of those like George Vera specials or whatever?
• 27:29
  Yeah, like a modified LDD it seems.
• 27:31
  Yeah, I thought it looked like a four-door Monte.
• 27:33
  Carlo to me.
• 27:34
  See, I thought it was a Plymouth 'cause of the headlights.
• 27:36
  It had these teeny little rectangle headlights, which are smaller than normal.
• 27:39
  And the Plymouth Cop cars, at least on the east coast, had
• 27:41
  a similar kind of front end.
• 27:43
  So I, at first I was, I wasn't sure what it was, but from the
• 27:45
  back it looked like a nascar.
• 27:46
  It had the flares and like all this stuff.
• 27:48
  And I was like, all right, whatever.
• 27:49
  You guys were actually all wrong.
• 27:51
  This one has proven to me that this vehicle is, in fact, the first Tesla.
• 27:56
  It doesn't have door handle.
• 27:58
  Yeah, yeah.
• 27:58
  But it doesn't have keys.
• 28:00
  It starts on fire randomly.
• 28:03
  It's a goddamn death trap.
• 28:04
  So Charlie, he wakes up and realizes, you know, the love of his life is gone.
• 28:09
  And so he goes back to the gas station and Sam's there like, well, everything
• 28:13
  going okay, where's your lady?
• 28:14
  And he's like, what?
• 28:16
  Some asshole copied, like took her or something.
• 28:18
  I don't know.
• 28:18
  He ducked me out and Sam's like, oh hell man.
• 28:22
  You, uh.
• 28:23
  You know about the highway to hell.
• 28:25
  What?
• 28:25
  What?
• 28:25
  Yeah, the hell cop.
• 28:26
  He takes a bunch of girls around here.
• 28:28
  In fact, 50 years ago he took my lady Clara and shows like
• 28:31
  a picture and that's right.
• 28:32
  He like pulls out like newspaper clippings of like five or six girls,
• 28:36
  you know, from previous movies, I guess, and is like, yep, he took 'em.
• 28:39
  Did anybody else have the reaction?
• 28:41
  I had listening to Sam, we're gonna call him Sam since it's Sam's garage,
• 28:45
  where his level of acting was equivalent to the guy asking you to donate 17
• 28:50
  cents a day to like the kids in Africa.
• 28:52
  It was like an infomercial level acting.
• 28:55
  It was so dull and dry and sadly delivered.
• 28:59
  Or am I wrong?
• 28:59
  You, you know who it was.
• 29:01
  You know, in Waynes world when there's the gas station guy go out, can you
• 29:04
  tell me how to get to Gordon Street?
• 29:06
  Gordon Street Gordon?
• 29:07
  Oh yes, yes.
• 29:08
  I once knew a girl on Gordon Street when I was a young man.
• 29:12
  It was like.
• 29:12
  I know it's a small part, but can we get a better actor than this?
• 29:15
  And then Charlton Heston steps in and makes everybody cry.
• 29:17
  Yeah, I think it was the same actor.
• 29:19
  It was bad, but yeah, so Charlie's like, well, I gotta go Savor.
• 29:22
  And he is like, alright, well I got this special shotgun I made with these
• 29:26
  special shells and this beautiful lead sled that's been sitting here
• 29:30
  for 50 years just in case I ever had the balls to go after Clara.
• 29:34
  If you wanna go, you can just borrow that because your little POS
• 29:37
  isn't going anywhere in the hell.
• 29:39
  Can we talk about the bear?
• 29:41
  Let's do it.
• 29:41
  What's with the bear?
• 29:42
  Jeremy?
• 29:43
  Allen White is a goddamn amazing actor.
• 29:45
  I can't imagine, oh my God.
• 29:47
  In the episode where Jamie Lee Curtis plays his mom.
• 29:50
  Oh my God.
• 29:50
  Possibly the greatest episode of television.
• 29:53
  No.
• 29:53
  Oh, oh.
• 29:53
  Are we not talking about the series?
• 29:55
  The bear?
• 29:55
  We're talking about that teddy bear with the clock that he gives him.
• 30:00
  Yeah.
• 30:00
  What?
• 30:00
  Oh yeah.
• 30:01
  CL Claire is alarm clock.
• 30:02
  Yeah.
• 30:03
  Okay.
• 30:03
  I wanna make a note right now about this bear, because to me, I drew a very
• 30:07
  quick parallel between the bear and the fiance from King of the Mountain.
• 30:11
  I want you guys to remind me the next.
• 30:13
  Time we see the bear and the importance and the significance of the bear.
• 30:18
  At least the bear makes one noise later in the movie.
• 30:21
  But yeah, so uh oh Yeah.
• 30:22
  So he gives it the bear clock and is like, well you got 24 hours,
• 30:25
  otherwise you're stuck in hell forever.
• 30:27
  I don't make the rules, bill.
• 30:29
  Just remember, you just gotta go between those two Joshua trees
• 30:32
  and just start doing donuts or something until you believe, and then
• 30:35
  you'll be on the highway to hell.
• 30:37
  Ridiculous.
• 30:38
  Yep.
• 30:38
  You have to believe.
• 30:40
  So let's talk about the car for a second.
• 30:41
  Dan is my guest, right?
• 30:43
  That is a Zephyr.
• 30:44
  No, it's a 1940 Ford VA Deluxe.
• 30:48
  God, I knew.
• 30:48
  I was like, it's either a Ford or a Zephyr one or the other.
• 30:50
  'cause they had a similar front end.
• 30:52
  Dang.
• 30:52
  It's so cute though.
• 30:54
  It is though.
• 30:54
  So cute.
• 30:55
  It is very cute.
• 30:56
  Yeah.
• 30:56
  I paid such little attention to this movie.
• 30:58
  I had no idea that the car even changed.
• 31:02
  Oh man.
• 31:03
  You thought when the, when a Pinto goes to hell, it becomes a 44.
• 31:07
  I just didn't care enough to pay attention.
• 31:10
  Wow.
• 31:10
  Nice.
• 31:10
  So as Charlie's pulling away, Sam Allon has the realization,
• 31:14
  oh wait, I forgot to tell you.
• 31:16
  There's something special about that car.
• 31:18
  It's not gonna come back later, guys.
• 31:19
  Don't worry.
• 31:20
  Like the teddy bear from the writer of LA Confidential, uh,
• 31:23
  you all gotta start somewhere.
• 31:24
  Remember those exercises they used to do in PE where you gotta run
• 31:27
  between the blocks back and forth?
• 31:29
  Mm-hmm.
• 31:29
  This was the vehicle equivalent of that.
• 31:31
  He's running ladders or whatever.
• 31:33
  Yeah.
• 31:33
  Awful.
• 31:34
  So, yeah, he gets pulled over by the cop car and he's got that shotgun ready.
• 31:38
  Like, all right, I'm gonna blast this motherfucker right in the face
• 31:40
  as soon as this demon cop shows up.
• 31:43
  Spoilers.
• 31:43
  It's not the hell cop.
• 31:45
  And he's like, oh shit.
• 31:47
  In drives off.
• 31:48
  It's actually Mars Callahan.
• 31:49
  Who's he?
• 31:50
  I know.
• 31:51
  I know.
• 31:51
  Pool hall junkies.
• 31:52
  Yeah.
• 31:52
  So excited to find that out.
• 31:54
  He was so young.
• 31:54
  So baby faced.
• 31:56
  Yeah, so he drives off and he starts, I believe.
• 31:58
  I believe, I believe, and then the vortex to hell opens up.
• 32:01
  Did you guys notice where hell was?
• 32:03
  It's just Utah.
• 32:04
  Yeah, it's just southern Utah.
• 32:06
  No big whoop.
• 32:07
  We went on vacation there.
• 32:08
  It was great.
• 32:09
  It is great.
• 32:11
  Next up, cue the Stillers.
• 32:13
  Oh yeah.
• 32:15
  The entire Stiller clan and we pull up to Pluto's Diner and we got a chef
• 32:19
  Ben Stiller out scraping roadkill off the sidewalk and offering eggs.
• 32:24
  He's frying on it.
• 32:25
  Yeah, it's so hot.
• 32:26
  And hell, you fry eggs right on the sidewalk, babe.
• 32:28
  There you go.
• 32:29
  And a guy spoilers.
• 32:30
  Hell's full of cops.
• 32:31
  Just absolutely filled to the brim with him.
• 32:35
  That whole scene reminded me of the waiting room that Beetlejuice is
• 32:39
  in when he goes to the underworld.
• 32:40
  Mm-hmm.
• 32:40
  Yeah, just low budget version of that.
• 32:42
  But this was just cops waiting for donuts and coffee.
• 32:44
  I feel like Tim Burton was supposed to do this movie and then
• 32:47
  they're like, we can't afford him.
• 32:49
  Get some Dutch dude.
• 32:50
  Some Dutch dude.
• 32:51
  One of the cops is Jerry Stiller, who's talking with the waitress.
• 32:54
  And Amira, you know Ben Stiller's mom?
• 32:58
  Yeah.
• 32:58
  They're improving as best they can on short notice.
• 33:01
  I guess they were on a, a set next door or something.
• 33:04
  And spoiler, Ben's sister is in the movie too, but that comes later.
• 33:07
  Oh yeah.
• 33:08
  Yeah.
• 33:08
  She comes later.
• 33:10
  You know, hell cop, he has Rachel or whatever there, she's handcuffed
• 33:13
  to the diner, you know, where you like hang your purse or whatever.
• 33:16
  Jerry Stiller steals his donut or something, so heco
• 33:19
  blast him into a vortex.
• 33:23
  Yeah.
• 33:23
  Everybody knew he had that power.
• 33:24
  Right?
• 33:25
  Cool.
• 33:25
  Now we know it's to show why you don't fuck with.
• 33:28
  But meanwhile, Rachel, she pours the hot coffee on the handcuffs.
• 33:31
  Ah, so the hand cuff, let's go and she starts running and running until
• 33:35
  a bunch of bikers surround her.
• 33:36
  That didn't take too long.
• 33:37
  And then this biker pulls out Excalibur and is like, hold woman, wait, wait, let's
• 33:42
  talk about the biker gang for a let's.
• 33:45
  Yeah, we meet not Molly Ringwald because the budget is so high of this.
• 33:50
  We had to get somebody who looked like her, that wasn't her.
• 33:53
  And then we also had to get, not Lorenzo Llamas slash Jason Momoa to
• 33:57
  play the main motorcycle gang guy.
• 33:59
  Right.
• 33:59
  So my wife and I were cracking up.
• 34:01
  We're like, where did they find all these B lookalike or they all the
• 34:04
  stunt people for like the main act.
• 34:06
  But then to take it a step further, I think it was at this point or
• 34:09
  slightly after, the one guy's kind of like antagonizing Charlie.
• 34:12
  He's like, eh, he's like all up in his face with a dental mirror.
• 34:15
  Did anybody else notice that?
• 34:17
  Yeah, something like that.
• 34:18
  Am I supposed to be threatened by a dental mirror?
• 34:20
  I mean, I know dentists can be scary, but, well, I thought he also had like the
• 34:22
  drill or that later when he has that later he is the drill and he gets the little,
• 34:26
  you know, mirror thing on his head.
• 34:28
  Yeah, it's like full dentist.
• 34:29
  I'm like, okay, sure.
• 34:30
  But yeah, so, so the bikers, they catch Rachel and helicopter,
• 34:33
  you know, walks up behind him.
• 34:34
  They're like, ha ha can't believe this girl got away from you.
• 34:36
  He cop, tell you what though.
• 34:38
  I'll give her back to you, but you owe me, owe me big time.
• 34:42
  Alright, cool.
• 34:43
  That's the scene.
• 34:43
  So then we cut to Charlie.
• 34:45
  He's still uh, driving around, but he pulls over and Lee
• 34:47
  Ford's there to ask directions.
• 34:49
  Aha.
• 34:50
  Yeah.
• 34:51
  Hey Tiger.
• 34:51
  What's up?
• 34:52
  Brett's all on display.
• 34:54
  Popping in that window.
• 34:55
  He's like, uh, just, did you see a helicopter drive through
• 34:57
  here with my girlfriend?
• 34:58
  Like, what?
• 34:59
  Whatever.
• 35:00
  They're probably over at Pluto's.
• 35:01
  Hey, he got room for two in there and then she backs up and I don't know.
• 35:05
  The ice cream man shows up and tries to eat his grains.
• 35:08
  It's three, man.
• 35:09
  What the fuck's going on there?
• 35:10
  Like this scoop at your brain?
• 35:12
  Yeah, the melon baller.
• 35:13
  You're like, what is going on here?
• 35:15
  But there's something interesting about this scene.
• 35:17
  She calls him preacher, and I was like, oh, the car is white
• 35:20
  and he's going to savor whatever.
• 35:22
  Remember the car has special powers.
• 35:23
  That's also part of this whole plot line.
• 35:25
  Immediately I wrote down.
• 35:27
  It's an allegory.
• 35:28
  It's a metaphor.
• 35:30
  So by her calling him preacher, I think that obviously is
• 35:34
  foreshadowing of what's coming later.
• 35:35
  But I thought it was really important.
• 35:36
  If you didn't catch that little line where she's teasing him or whatever, who cares?
• 35:41
  But I think it's an important reference to the whole film.
• 35:43
  Yeah.
• 35:44
  Say, I didn't catch that.
• 35:44
  So yeah.
• 35:45
  Good.
• 35:45
  Go.
• 35:45
  This was just Dante's Inferno, that's all this was.
• 35:49
  No, no.
• 35:49
  It's something else.
• 35:50
  So, oops.
• 35:51
  All bangers.
• 35:51
  Oh, it's just one of the greatest things in literary history.
• 35:54
  I agree.
• 35:55
  Yeah.
• 35:55
  Yeah.
• 35:56
  See, I knew you guys would get this movie.
• 35:58
  We'll talk about it later.
• 35:59
  So anyway, just like in Dante's Inferno, he pulls out a special
• 36:02
  shotgun and head canoe and
• 36:06
  yeah, I mean, scoop out your bread.
• 36:09
  How about you try it up your own?
• 36:11
  I wrote down shoots.
• 36:12
  The dude in the face.
• 36:15
  Yeah.
• 36:16
  The bikers show up and they stop.
• 36:18
  Charlie after he sees the hell cop and stops.
• 36:21
  For some reason I, I don't know why he would ever stop for a motorcycle.
• 36:26
  That's just me though.
• 36:27
  Yeah, but not everybody drives a battle wagon, Steve.
• 36:30
  So all this goes down and he catches up with the cop, like super easy.
• 36:34
  Yeah.
• 36:34
  Yeah.
• 36:34
  'cause the bikers let him go.
• 36:35
  But the, you know, again, he is like, you owe me.
• 36:37
  Okay, cool.
• 36:38
  Whatever, bro.
• 36:39
  Did every anybody else know, like when they pulled him outta the car before
• 36:42
  he went chase, after the he cop and the one biker guy, once again, he is
• 36:45
  like, you're gonna owe me a favor.
• 36:46
  And he is got like this joy.
• 36:47
  It's like, okay, is this gonna be a thing with this guy the respir
• 36:49
  way through in a movie where he keeps telling You're gonna owe me?
• 36:51
  Yes.
• 36:51
  Yeah.
• 36:52
  It was just, I mean, it does technically come up.
• 36:54
  Yeah.
• 36:54
  At the very end end.
• 36:55
  It didn't seem necessary.
• 36:56
  You know, I, I think it was to show us that the leader of this
• 36:59
  biker gang is not just any guy.
• 37:03
  He is, he's got some power that even the hell cop is willing to owe him.
• 37:08
  It's that sweet ass sword.
• 37:09
  Exactly.
• 37:10
  But yeah, like hell cop doesn't just.
• 37:11
  Yeah.
• 37:12
  Him blessed him like he did Jerry Stiller.
• 37:14
  Yeah.
• 37:14
  Yeah, exactly.
• 37:14
  Do we think that's Gabriel's sword?
• 37:16
  Oh, maybe.
• 37:17
  Maybe Peter.
• 37:18
  Yeah.
• 37:18
  Peter Gabriel.
• 37:19
  Yeah, a hundred percent.
• 37:21
  He had a sledge, not a sword.
• 37:23
  He sword.
• 37:24
  Oh my bad.
• 37:27
  How want be a sweet ass sword?
• 37:32
  You guys have to remember though, the cop stopped for coffee.
• 37:34
  He had time to catch up.
• 37:36
  And also we forgot to mention, Charlie recognizes one of the bikers,
• 37:39
  it's Clara Sam's a old flame from, she hasn't aged in 50 years, but
• 37:44
  he's like, oh yeah, there we go.
• 37:45
  Yeah, that's not Molly Ringwald.
• 37:47
  Yeah, yeah, yeah.
• 37:48
  Drives off, catches up to the helicopter and they start trading
• 37:51
  paint and it was like days of thunder, like when they're going at
• 37:55
  it in the rental cars, it's awesome.
• 37:57
  And then, uh, yeah, they do that for a couple minutes and then there's
• 38:00
  a giant truck blocking the road.
• 38:01
  For some reason, helicopter just blasts right through it.
• 38:04
  'cause apparently he can.
• 38:05
  And Charlie goes off the road, keeps going and going.
• 38:09
  And then runs out of oil apparently.
• 38:11
  Okay.
• 38:12
  Who's the oil pan?
• 38:13
  Did you catch the imagery here though?
• 38:15
  The car looked like it was bleeding.
• 38:17
  Yes.
• 38:17
  So apparently in hell, you can also call aaa.
• 38:20
  I don't remember what it said on the side of the truck.
• 38:22
  Uh oh.
• 38:23
  It was an anarchy.
• 38:24
  Armageddon and Annihilation.
• 38:26
  There it is.
• 38:27
  Yeah.
• 38:27
  I want that as a battle patch.
• 38:28
  Oh babe.
• 38:28
  But yeah, so we finds this phone in the middle of the desert wandering.
• 38:31
  'cause he wouldn't just head back towards the road or anything like that.
• 38:34
  That's crazy to me.
• 38:35
  By the way.
• 38:35
  It was like this movie isn't gonna translate for kids.
• 38:38
  Yes.
• 38:38
  You, because there aren't phones on the sides of the roads anymore.
• 38:41
  Yeah.
• 38:42
  35 years will do that for a lot of movies.
• 38:44
  It wasn't a rotary, so that moved it out of 1976.
• 38:47
  Finally.
• 38:48
  More modernized.
• 38:48
  This movie, like how he picks up the phone is like, yeah, my
• 38:51
  car broke down or something.
• 38:52
  Can I get a tow truck?
• 38:53
  Uh, your car broke down.
• 38:54
  Yeah.
• 38:55
  Looks like you're walking geek.
• 38:58
  I didn't realize Steve worked for.
• 39:03
  I work for Triple Z, so shows up the Satanic mechanic, which was
• 39:08
  written on the side of the tow truck.
• 39:09
  I think that was cool too.
• 39:10
  Yeah, like, Hey, where are you going with my car, man?
• 39:14
  Sorry.
• 39:14
  I just saw a car broken on the side of the road and I have a
• 39:17
  tow truck, so that's my business.
• 39:19
  He says that I pick up a lot of scrap out here.
• 39:21
  I'll fix it for you though.
• 39:23
  Got a ride in the back with Adam here though.
• 39:25
  And we see a little, uh, little kid run around.
• 39:27
  That's Adam.
• 39:28
  What's your name, dude?
• 39:29
  Uh, my name's Bezel.
• 39:30
  Beasel Bob Albu.
• 39:33
  Yeah, that was like the first thing I thought of.
• 39:35
  And of course Little Adam loves Mr.
• 39:37
  Ben, the dog.
• 39:38
  Oh, of course.
• 39:39
  Because who wouldn't we then cut to, uh, the garage and like within
• 39:43
  three minutes it's like, yep.
• 39:44
  There you go.
• 39:44
  All fixed.
• 39:45
  Hey, do you know how to get the hell city?
• 39:47
  Yeah.
• 39:47
  All roads lead to hell.
• 39:48
  City to Helsinki?
• 39:49
  Is that what you said?
• 39:50
  Hell city.
• 39:51
  Ah, there it is.
• 39:52
  It's kind of weird though, you know, you mentioned that was
• 39:54
  your girlfriend or whatever.
• 39:56
  'cause the he cop, he usually only goes after virgins and of
• 40:00
  course Charlie's like, what?
• 40:01
  What?
• 40:01
  No, we totally like in the back of my Pinto, like Right.
• 40:06
  Anyone who's ever done in the back of a Pinto.
• 40:08
  Yeah, totally Not virgins man.
• 40:11
  Like, all right, well cool then, uh, yeah.
• 40:13
  Uh, look up.
• 40:14
  She'll let her go soon then if she's, you know, not a virgin.
• 40:16
  Yeah.
• 40:16
  You got nothing to worry about.
• 40:17
  Then cuts to Charlie hopping in the car and driving off as fast as he can.
• 40:20
  But Adam's also hanging off the side where Charlie can't see what, and
• 40:25
  this is where Adam pops up and uh, Charlie's like, what are you doing here?
• 40:28
  Like, Hey, that didn't come along with you guys.
• 40:30
  Pops up, he was riding on the sideboard, hanging on the car while
• 40:33
  he's doing like 70 mile an hour.
• 40:35
  I was like, did he do his own stunts too?
• 40:37
  Got me to thinking.
• 40:38
  'cause some of those older cars, the handle, you would actually physically
• 40:40
  turn it down to get it to pop open.
• 40:42
  Yeah.
• 40:43
  He wouldn't have been able to just hang on its own Unless there was one
• 40:45
  where you actually pushed in on it.
• 40:46
  That's not exactly a safe way to hold on there, buddy.
• 40:48
  Yeah.
• 40:49
  They found that out after the first three atoms.
• 40:52
  This is the stuff Dan thinks about the door handle and how it works.
• 40:55
  Yeah.
• 40:55
  No, no, you were right though, Dan.
• 40:57
  Those door handles.
• 40:57
  Yeah.
• 40:58
  They just like pull down and Yeah.
• 41:00
  When they get worn out they just start falling down and
• 41:02
  things start flopping open.
• 41:03
  Yeah.
• 41:03
  Doing there man.
• 41:05
  We, uh, catch up with the good intentions paving company 'cause you know, the road
• 41:09
  to hell is paved with good intentions.
• 41:11
  Ah, but just before that, the guys who are adding the trash to the
• 41:16
  road I wrote down Is that Devo?
• 41:19
  It is Devo, yeah, it is.
• 41:20
  Yeah.
• 41:21
  It's other devo or flock of seagulls.
• 41:23
  It's like a hybrid of them two.
• 41:25
  They're paving that road and uh, we see people walking up like they're
• 41:28
  going to the pearly gates and like I thought the more medicine would
• 41:33
  make him better or something like that, you know, it would kill him.
• 41:35
  And they're like, well, you're next.
• 41:37
  And they go.
• 41:38
  I, I slept with my husband's boss to further his career.
• 41:41
  Yeah.
• 41:42
  I had to let little Annie drink the bleach the way she'd never learned the lesson.
• 41:46
  Yeah.
• 41:48
  Terrible.
• 41:48
  And of course all these people are turned into basically tar for the road.
• 41:52
  Very satisfying.
• 41:53
  That was gruesome too.
• 41:54
  It's like, ooh, okay.
• 41:55
  Like the rainstorm they wind up in, it's got like black rain coming
• 41:58
  down and the one angle, it looks like the water's actually leaking
• 42:01
  inside the back windows of the car.
• 42:02
  Yeah, that was messed up.
• 42:03
  Yeah, there was some inconsistency there.
• 42:05
  Especially when you see the shots, like the car doesn't have windows
• 42:09
  at all, but in that scene it doesn't have a passenger window and the back
• 42:12
  one's leaking and it, it's a mess.
• 42:14
  I was like, what is going on?
• 42:15
  Yeah.
• 42:15
  But then they make their pinky swear pack, they're gonna ride
• 42:17
  or die and off we go to Hoffa.
• 42:20
  So this is the point at which I wrote down, 'cause I asked my wife, I was
• 42:24
  like, what makes this movie R rated?
• 42:26
  Right?
• 42:28
  Yeah.
• 42:28
  It's, it's very PG up until a certain point, uh, Hoffa's Club and we're
• 42:32
  instantly greeted with boobs and cowboys and Nazis and Rachel's in a
• 42:38
  cage handcuffed to it and everything.
• 42:41
  Well, I love how when he was sitting there, Gilbert Gar
• 42:42
  was like, I'm not Hitler.
• 42:43
  I'm a 17-year-old boy.
• 42:44
  I like being in my room playing video games.
• 42:46
  Yeah, that was really funny.
• 42:48
  Yeah, I bet that was completely ad-lib too.
• 42:50
  I, I think all the comedy was ad-libbed in this one.
• 42:53
  I would be curious.
• 42:54
  So like how many other versions of that rant they have, they have three hours of
• 42:59
  Gil Godfrey ranting, like I'm actually a 14-year-old Australian girl and Australia.
• 43:04
  I could see how you get them confused.
• 43:07
  Charlie's walking around, you know, taking his sweet time,
• 43:09
  enjoying the scenery by the way.
• 43:10
  I like that.
• 43:11
  Helicopter stop.
• 43:11
  He has a special delivery for his boss.
• 43:14
  Mm-hmm.
• 43:14
  And he stops at as a true cop.
• 43:16
  Would both a uh, donut shop.
• 43:18
  And a strip club.
• 43:19
  Yeah.
• 43:20
  Mm-hmm.
• 43:20
  Steve, your dad was a sheriff?
• 43:22
  Oh yeah.
• 43:22
  Well, the strip club, I can explain.
• 43:24
  He's getting his side money to let certain things go on there that may not be legal.
• 43:28
  Like I'm assuming gambling isn't legal in hell unless the double gets his cut.
• 43:32
  Makes a lot of sense.
• 43:34
  Yeah.
• 43:34
  Charlie finds Rachel like, starts trying to freeze her by the way.
• 43:37
  He just walked.
• 43:37
  He was wandering around with a shotgun, wasn't even hiding
• 43:40
  it or anything in this one.
• 43:41
  And then, uh, helicopters like, Hey, what, you know, starts walking
• 43:44
  towards was like, what are you doing?
• 43:47
  Charlie shoots him.
• 43:48
  No, sells that shit.
• 43:49
  Like the Undertaker helicopter.
• 43:50
  Just blast Charlie in the chest with his gun roll credits.
• 43:55
  Guys, what do we think of Highway to Hell, by the way, when Steve
• 43:58
  says he cop says, what's up?
• 43:59
  He cop actually has no lines.
• 44:00
  Yeah, no, no lines.
• 44:01
  But he is like walking up, like gets get away from her.
• 44:04
  All right.
• 44:04
  He gets the look, you know, you know, he cop grabs Rachel, throws him in the car.
• 44:08
  Bezel just shows up.
• 44:10
  His shift is over.
• 44:11
  He's gonna have a cocktail, right?
• 44:12
  But he sees Charlie lying on the ground with his chest
• 44:15
  open from the shotgun wound.
• 44:16
  He's basically like, I can fix you, but Adam, you gotta promise to stay with me.
• 44:20
  You can't run away with him.
• 44:21
  And Adam's like, okay, I guess so.
• 44:24
  See Charlie.
• 44:26
  Ugh, ugh.
• 44:28
  And to hold that, ugh, all that.
• 44:30
  Just, it's awful.
• 44:32
  Yeah.
• 44:32
  Luckily it doesn't get any worse from here.
• 44:34
  So then we cut to a table where, uh, Hitler, Cleopatra, and
• 44:38
  Genus Kahan are playing cards.
• 44:41
  It's like my favorite part played by Gilbert Godfrey is Hitler Ben Stiller's
• 44:45
  sister, I think Amy as Cleopatra.
• 44:48
  Yeah.
• 44:48
  And Ben Stiller.
• 44:49
  As Genghis Khan?
• 44:50
  Yes.
• 44:51
  Wow.
• 44:51
  That's almost like John Wayne or Richard Tyson or something.
• 44:54
  How early was this in Ben Stiller's career that his whole
• 44:57
  family had to come with him?
• 44:58
  I think he's off of Jerry Stiller's career at this point, like, yeah.
• 45:02
  Yeah.
• 45:02
  I wanna say like 93 was when he was on MTV.
• 45:05
  Right.
• 45:06
  So like right after this, gotta start somewhere.
• 45:08
  Right.
• 45:09
  But yeah, Charlie's okay.
• 45:10
  Bezel fixed him up.
• 45:11
  Bezels kinda like, look dude, you can always just go,
• 45:14
  Rachel will be okay down here.
• 45:16
  I hear that the devil takes care of, of his ladies, you know?
• 45:19
  Right.
• 45:19
  A big part of this movie is that like they're still alive
• 45:22
  and everybody else is dead.
• 45:24
  And like the dead can tell that they're still alive.
• 45:26
  Yep.
• 45:26
  Is Charlie still counted as being alive now?
• 45:29
  He's resurrected.
• 45:30
  Yeah.
• 45:30
  Well babe, if you kill somebody in hell, where are they gonna go?
• 45:32
  Detroit?
• 45:35
  Hey, I lived in Detroit.
• 45:38
  Wow.
• 45:39
  Am I dead?
• 45:40
  Shots fired.
• 45:41
  Okay.
• 45:41
  The, the whole killing someone and hell, thing's gonna come up again later in the
• 45:44
  movie and I'm just gonna be like, well, where the fuck are they going anyway?
• 45:47
  Uhhuh.
• 45:48
  They go to second hell, the seventh ring of Dante's Inferno or whatever.
• 45:51
  Right.
• 45:51
  Where are we?
• 45:52
  Oh, yeah.
• 45:52
  So, but you know, Charlie's like, no, no, no.
• 45:54
  She's definitely the the best girl I'm ever gonna have a chance with.
• 45:57
  I'm not my brother.
• 45:58
  I'm not a sheen, I'm not an estevez.
• 46:00
  I have no chance with a girl like Christy Swanson, bezels like, alright,
• 46:03
  well I know a shortcut to hell city.
• 46:06
  I can give you some directions or whatever.
• 46:08
  And I like, as we pan away from this scene, there's a table with reserved
• 46:11
  spots for, uh, Kadafi and Jerry Lewis and a couple other people.
• 46:15
  I wasn't able to write 'em all down.
• 46:16
  Did you guys catch any of them?
• 46:17
  No.
• 46:17
  I caught those two for sure.
• 46:18
  It went by real quick.
• 46:19
  Yeah.
• 46:20
  Yeah.
• 46:21
  The other one I started reading.
• 46:21
  I'm like, I, I don't even know who that is.
• 46:23
  I assume it's like somebody's lawyer or something.
• 46:25
  Like a little inside joke.
• 46:26
  So now we're outside of Hoffa's before he goes to the next location,
• 46:31
  and this is where I wanna stop for a second and talk about bezels car.
• 46:34
  The red car?
• 46:35
  Mm-hmm.
• 46:35
  Do we know what the red car is?
• 46:38
  Was it a vet? No, it was a kit car.
• 46:39
  Right?
• 46:40
  Because it had these weird scissor doors.
• 46:42
  But they weren't complete doors.
• 46:43
  They were like half doors.
• 46:44
  It was very strange.
• 46:46
  And they shot it at odd angle so you couldn't get a full picture of the car.
• 46:49
  So what does it say in the database?
• 46:50
  It's credited as a Manta montage.
• 46:53
  Is that some weird beetle thing?
• 46:55
  Gonna be a montage hit car built on a VW Beetle chassis.
• 47:00
  Oh wow.
• 47:00
  This looks like the coyote from Hard Castle and McCormick Wild.
• 47:06
  I knew you'd love this movie.
• 47:08
  Oh, I would drive this all day.
• 47:10
  This is awesome.
• 47:11
  Now I get to see the whole thing.
• 47:12
  Alright, now it makes sense why the doors are the way they are.
• 47:15
  Okay.
• 47:16
  Thank you Dan.
• 47:17
  You're welcome.
• 47:17
  So Charlie's, uh, continuing on his journey.
• 47:19
  He's got the shortcut directions now, but damn it, those bikers show
• 47:22
  up and start chasing them and one of them pees green or something on
• 47:25
  the windshield, I don't know, is.
• 47:26
  It was shot.
• 47:27
  Kind of weird, but it was like, should I be vomiting with the
• 47:30
  biker pissing on the window?
• 47:32
  It was all greeny or whatever.
• 47:34
  Instead of flipping the wipers on, he reaches out with his hand.
• 47:36
  Yeah.
• 47:37
  To let you know it's as, because he's like, ah.
• 47:38
  And it's like burning his hand and then he flips the wipers on.
• 47:40
  I'm like, jackass, you should flipped the wipers on.
• 47:42
  But I like how the wipers relax.
• 47:44
  Ah.
• 47:44
  Like they're doing their own thing badly.
• 47:46
  Cars of that era.
• 47:47
  That's about how the wipers work.
• 47:48
  Yeah, I was gonna say, I seem to remember from my dad working on those, that
• 47:52
  they worked off of either the engine pressure or the engine like RPMs.
• 47:56
  The faster you drove, the faster they would, the slower
• 47:58
  you drive, the slower they go.
• 48:00
  Some of 'em worked off vacuum before they started putting actual mechanical
• 48:02
  motors in there where it uses an arm to push it back and forth.
• 48:05
  Ah, okay.
• 48:06
  And that causes Charlie to pull off road directly to where he was supposed to go.
• 48:10
  Apparently to uh, slot Canyon, to nowhere.
• 48:13
  The helicopter car is parked out there and he just walked through this
• 48:16
  beautiful slot canyon in southern Utah.
• 48:18
  The cave I was thinking yeah.
• 48:20
  Playdoh.
• 48:21
  So this is a dec cave.
• 48:22
  This is a slot canyon.
• 48:23
  Uh, potato.
• 48:25
  Potato, tomato, tomato.
• 48:26
  Oh, we're in the, no, don't wait man.
• 48:27
  We're in the southwest.
• 48:28
  Sounds like someone doesn't know what a slot can is.
• 48:30
  Someone hiked a slot canyon.
• 48:32
  I thought it was a weird innuendo.
• 48:34
  No, no slot came.
• 48:34
  It's like a cave, but with better lighting.
• 48:36
  It's, it's true though.
• 48:37
  When he turned on it, it had the sign for the road to nowhere and had like
• 48:40
  the little black and yellow cattle gate looking thing that he crossed over.
• 48:43
  The bikers came and stopped that.
• 48:45
  Almost like they weren't allowed into that area.
• 48:46
  Yeah, yeah, yeah.
• 48:47
  Weird to me.
• 48:48
  But then one of the bikers does make it through there.
• 48:51
  It's Clara.
• 48:52
  What?
• 48:53
  Like, she's straight outta pet cemetery.
• 48:54
  Don't go down that road.
• 48:56
  He'll try to tempt you, Charlie, you may not be able to get
• 48:59
  outta here and blah, blah, blah.
• 49:00
  And he's like, I gotta try.
• 49:02
  It's Christy Swanson, man.
• 49:03
  And, and she's like, are you sure she's gonna pick you?
• 49:06
  Yeah.
• 49:07
  Think about it.
• 49:07
  I didn't pick Sam.
• 49:09
  Yeah.
• 49:09
  He goes down to Slot Canyon.
• 49:10
  There's a little door.
• 49:11
  Goes through it goes up some stairs, opens up and oh my God, there's
• 49:15
  the honeymoon suite with Rachel already tied to the bed, ready to go.
• 49:19
  DETF, have sex with me please, Charlie, the devil make a love to me.
• 49:24
  Yeah, yeah.
• 49:25
  The make love to me.
• 49:26
  Then the devil won't want me.
• 49:27
  I'm like, you convincing point, da da da da da da.
• 49:30
  Yet.
• 49:31
  Yeah.
• 49:32
  See Steve, you would've fallen for the trap.
• 49:34
  I mean, yes.
• 49:34
  This is a classic honeypot, barf, barf and more barf.
• 49:39
  And then, uh, you know, we hear some noises and someone's
• 49:42
  coming and I'm like, yeah, me.
• 49:44
  Okay.
• 49:45
  So hell cops come and he comes through that wall.
• 49:47
  They fight for a bit, him and Charlie.
• 49:49
  He basically grabs Charlie and spins him around like Conan to the destroyer.
• 49:52
  Yeah.
• 49:53
  Y'all know what I'm talking about.
• 49:54
  Like that was a figure skating move.
• 49:57
  This is where 80 WW Wrestling came into play.
• 50:00
  But then, uh, Charlie gets a hold of gun
• 50:04
  blossom and sends he cop through a vortex.
• 50:07
  Okay.
• 50:07
  That was cool.
• 50:08
  Yeah.
• 50:08
  And helicopters, close gun and glasses.
• 50:12
  And the, uh, the handcuffs are the pine Oh yeah, the handcuffs too.
• 50:15
  That's right.
• 50:15
  Yeah.
• 50:16
  You know, Rachel, she, uh, she still wants that d Yeah.
• 50:19
  But then, but then the cgi, I goes completely turd, man.
• 50:24
  Bill Pullman, weird science.
• 50:26
  If you didn't throw up a little in the back of your throat at this
• 50:29
  point, I don't know what to say.
• 50:30
  And Charlie, he's messed up.
• 50:31
  He's got blood all over his face and she's like, ah.
• 50:33
  Like, like just kissing.
• 50:35
  Get off of them.
• 50:36
  Oh, yeah.
• 50:38
  Oh, I love corn syrup.
• 50:40
  So gross.
• 50:42
  And Charlie's a little suss 'cause he is like, look, I thought
• 50:45
  we were waiting till Vegas.
• 50:46
  Here's your necklace back, by the way.
• 50:48
  And she's like, yeah, yeah.
• 50:48
  Cool.
• 50:49
  Tosses at this side.
• 50:50
  And uh, this is when Charlie, uh, catches the, the mirror's reflection.
• 50:54
  See the mirror?
• 50:55
  It comes back.
• 50:56
  Dan, you understand now the mirror why it's important.
• 50:59
  That way you can tell if it's a demon or not.
• 51:01
  Yeah.
• 51:01
  How can you tell she's a demon?
• 51:02
  Uh, hello.
• 51:04
  Her reflection demon boobs.
• 51:06
  That's why.
• 51:09
  So gross.
• 51:10
  The horns and the tail, and, ugh.
• 51:12
  Oh yeah, yeah.
• 51:13
  But that stuff too.
• 51:14
  But it's the boobs that give it away.
• 51:16
  Yeah.
• 51:17
  That's what thing.
• 51:17
  I dunno if you guys have noticed or not.
• 51:19
  Steve's a boob guy.
• 51:20
  I mean,
• 51:22
  yeah.
• 51:22
  So then, oh, you're a demon, you're a nicodemon with a tail and stuff.
• 51:26
  We're gonna fight now.
• 51:27
  And, uh, tail whipping around.
• 51:30
  Fight Charlie.
• 51:31
  Oh, she breaks the mirror again and Charlie grabs one
• 51:33
  of the shards and stabs her.
• 51:35
  Ah.
• 51:35
  And then blasts her with the gun
• 51:39
  and she sinks into the bed and into second hell, I guess.
• 51:43
  Definitely gonna stab a fiery report.
• 51:46
  Him cutting her with the, uh, shard of glass.
• 51:48
  He didn't so much stab her, like it didn't look like her tail.
• 51:50
  So I don't know.
• 51:51
  Does she have like an umbilical cord?
• 51:52
  'cause it goes out around his neck.
• 51:53
  Yeah, that's what I thought too.
• 51:54
  Oh yeah.
• 51:56
  It was her tail.
• 51:57
  I was like, what the hell is this creepy shit?
• 51:58
  And then he like cuts it off of her and he's got some ooze that pops out
• 52:01
  of it and it's like, that was weird.
• 52:02
  It was the grossest part of the whole movie.
• 52:04
  I mean, just, Ugh.
• 52:05
  Pretty sure it was her tail.
• 52:06
  Yeah, it was, you got somebody's tail off, you'll get some goo
• 52:08
  out of it, that's for sure.
• 52:09
  You're talking second hell to me, it reminded of Ghostbusters when they put
• 52:13
  the thing in the machine and they get sucked into that other vortex world.
• 52:17
  That's what that looked like to me.
• 52:18
  Yeah, she looked like.
• 52:20
  One of the monsters from Earnest.
• 52:23
  Yes.
• 52:24
  Yeah, yeah, totally.
• 52:25
  The trolls or whatever.
• 52:26
  Yeah.
• 52:26
  Also 1991.
• 52:27
  Oh shit.
• 52:28
  Was it really that long ago?
• 52:29
  God, yes it was.
• 52:30
  So Charlie had that happen.
• 52:31
  So he just quietly leaves the room, goes down the stairs, out the door through
• 52:36
  this lock canyon back to his car, and yeah, just kinda drives off right into
• 52:41
  the middle of a Volkswagen bug rally.
• 52:43
  Tanya, you had to have been excited by this part at least there was
• 52:46
  every conceivable variation of a Beatle in there you could think of.
• 52:49
  That was awesome.
• 52:50
  It was slug bug rally championship.
• 52:52
  It didn't understand the point of it.
• 52:54
  No, there's traffic.
• 52:54
  'cause you're in hell.
• 52:55
  It was the rush hour from hell.
• 52:57
  It's the middle of Utah and they didn't realize they were filming
• 52:59
  when the Mint 400 was going on.
• 53:03
  And were they saying the Volkswagen Beadle is the actual sponsored car of hell?
• 53:07
  The official car of hell.
• 53:08
  I mean, that's what Jeremy Clarkson says all the time.
• 53:11
  I thought he said the worst car ever was the Lexus SC four 30.
• 53:14
  But I digress.
• 53:15
  No,
• 53:18
  you haven't figured it out by now.
• 53:20
  But yeah, in the middle of this beetle traffic or whatever, we see
• 53:22
  Charlie's in the car, we see the helicopter and you know his cop car.
• 53:25
  They're trying to chase each other.
• 53:27
  But yeah, the bugs are trading paint.
• 53:31
  And then, I don't know, there's like the tunnel road out of fast four or whatever.
• 53:35
  I said the same thing.
• 53:36
  It was like the Mexico scene.
• 53:38
  He goes flying outta there like wow.
• 53:41
  Well during all this he cop, he's got Rachel in the back seat and
• 53:44
  it's like a TV up in the front.
• 53:45
  Oh yeah.
• 53:45
  And it shows being like this famous violin player or whatever, I guess,
• 53:49
  to try to coerce her to wanna stay.
• 53:51
  That leads us into the devil scene for the first time.
• 53:54
  But just before that, did anybody else see, well, you couldn't not see
• 53:57
  it, which was the California Raisins, Claymation, Cerberus, that was Garbing.
• 54:01
  The entrance to the Devil's Layer, quote unquote.
• 54:04
  The budget of this film must have been incredible.
• 54:07
  We'll get to it.
• 54:08
  Luckily, little Dog Ben finally plays into the movie and
• 54:11
  distracts Serra so he can get by.
• 54:13
  And then there's this tall, blonde crossing guy that operates the raft that
• 54:17
  goes through the river sticks or whatever.
• 54:18
  Oh yeah.
• 54:19
  That guy looked familiar to anybody.
• 54:20
  Who was that?
• 54:21
  Well, he shouldn't.
• 54:21
  'cause it's the guy that played the Predator.
• 54:23
  No, really?
• 54:25
  In the costume.
• 54:26
  Yeah.
• 54:26
  Yeah.
• 54:26
  He's been a bunch of tall horror creatures over the years.
• 54:29
  But yeah, predators probably most famous like Peter, Peter, Kevin Hall.
• 54:32
  Does he do the sound effect too?
• 54:34
  No, I think that's somebody else.
• 54:35
  But yeah, he passed away shortly after this.
• 54:38
  Yeah.
• 54:39
  Oh wow.
• 54:39
  Gone too soon.
• 54:40
  But anyway, so they get to the tower.
• 54:42
  I like how he like walks into this tower and there's like
• 54:45
  the apple of Eden on display.
• 54:47
  Like a little glass case.
• 54:48
  Yeah.
• 54:49
  Before he went in there.
• 54:50
  Do you guys the one point where he's running away from like
• 54:53
  all the Napoleon's army guys?
• 54:54
  Oh yeah.
• 54:55
  He shuts the door and slides the mop handle through.
• 54:57
  Yep.
• 54:57
  I would love to know what Hollywood makes their mop handles out of
• 55:00
  Where they can never break 'em open.
• 55:01
  Yeah.
• 55:02
  Yeah.
• 55:02
  Right.
• 55:02
  Like an entire legion can't open.
• 55:04
  Yeah.
• 55:05
  Basically saloon doors because of a mop handle.
• 55:07
  Also, I like that he's running through this tower, hiding the shotgun by like
• 55:11
  wrapping it in a a shirt or something.
• 55:14
  Yeah, right.
• 55:14
  Like, gee, I wonder what the guy's holding.
• 55:16
  I also felt like the scene where he walks in as Dan describes with the Napoleon
• 55:20
  soldiers, you know, there were different soldiers of different armies or whatever.
• 55:23
  It was almost like the video games when we were kids, like if you knew
• 55:27
  that you walked into this square and didn't move for a minute and then you
• 55:30
  know, the pattern changes and if you turn to the left and move two squares
• 55:33
  over and then one square up and then stopped, it felt like he could have
• 55:37
  done that and gotten through that room and nobody would've noticed him.
• 55:39
  But instead, you know, he goes in flailing with his gun wrapped in a t-shirt or
• 55:42
  whatever, and I'm just like, terrible.
• 55:44
  He's definitely never played Mow your solid.
• 55:47
  Exactly right.
• 55:48
  You gotta find a box.
• 55:49
  You know?
• 55:49
  Hell, I don't think he's ever gotten to one of the castles in Mario.
• 55:52
  Your princess is in another castle.
• 55:55
  Aw damnit.
• 55:55
  God damnit.
• 55:57
  He walks into a janitor's closet.
• 55:59
  Apparently it's not a janitor's closet.
• 56:02
  It's like where somebody holds their harem.
• 56:05
  Yeah.
• 56:06
  Mm-hmm.
• 56:06
  Her room.
• 56:07
  Yeah.
• 56:07
  Yeah.
• 56:08
  And uh, Rachel's just in there playing the violin and uh, Charlie's like,
• 56:12
  Rachel's that you, but then he is also like, holds the shotgun on her.
• 56:15
  Like, hold on a sec, let me see you in a mirror.
• 56:17
  Yeah, he'd be skeptical too, right?
• 56:19
  I mean, come on that pre, but then Rachel's like, I
• 56:21
  thought you were dead, Charlie.
• 56:22
  And I'm like, uhoh, this is going, I thought you were dead.
• 56:25
  I moved on.
• 56:26
  It's been 15 minutes since I thought you die.
• 56:28
  Yeah.
• 56:29
  So he gives, uh, Rachel the necklace and she's like, oh, Charlie, I love you.
• 56:32
  They start kissing and blah, blah, blah before slip, babe.
• 56:35
  It's a bracelet.
• 56:35
  Is it a bracelet?
• 56:36
  I don't know, whatever.
• 56:37
  It's a little piece of jewelry.
• 56:38
  But then
• 56:44
  somebody has shown up in their full devil form and we're totally
• 56:47
  not supposed to know who it is.
• 56:49
  Whoa.
• 56:50
  So I wrote down.
• 56:51
  The devil looks like an alien from Star Trek.
• 56:54
  Yeah, totally.
• 56:55
  Alien Early next Gen, star Trek, which was again, this time period.
• 56:59
  He's a olian or whatever.
• 57:01
  Yeah, yeah.
• 57:01
  And then my wife goes, why did they make him cross-eyed?
• 57:04
  Yeah, yeah.
• 57:06
  The contacts are whatever.
• 57:08
  I don't think they were sinking quite right so bad.
• 57:12
  Basically, uh, Charlie's like, Hey, we're leaving devil's.
• 57:15
  Like, you know, she may not want to, I mean, also.
• 57:19
  Is she a virgin?
• 57:20
  Because I wouldn't be interested in her unless she was.
• 57:24
  And then Steve's next note is, I know how to settle this argument.
• 57:27
  Walk right in front of the devil.
• 57:29
  Mm-hmm.
• 57:30
  You know, it's Rachel this time.
• 57:32
  Fool me once.
• 57:32
  Shame on you, fool me twice.
• 57:34
  Shame on me.
• 57:35
  But no.
• 57:35
  Then the devil goes in a whole monologue about, you know what?
• 57:38
  I don't think it's love.
• 57:39
  I think it's fear in vanity and whatever that's keeping you
• 57:43
  together and blah, blah blah.
• 57:44
  And he is like, fine, go but on one condition.
• 57:47
  Do not look back.
• 57:49
  Smash cut to Charlie Bumble fucking in his way to looking back.
• 57:53
  And then all of a sudden the army some fell.
• 57:55
  Rachel was behind him, like by the hand.
• 57:57
  She tripped and fell and said Ouch.
• 58:00
  So he turned to make sure she was okay.
• 58:02
  But then yeah.
• 58:03
  Yeah, I wrote down, 'cause I told you I'd bring it back up.
• 58:06
  Where is the bear if the bear is the timekeeper?
• 58:09
  A lot of things have transpired.
• 58:10
  All of this is supposed to be happening in 24 hours.
• 58:12
  Where is the bear?
• 58:13
  Probably on the floorboard.
• 58:15
  Those things don't have smooth dashboards.
• 58:16
  Come on.
• 58:17
  Where's the bear?
• 58:18
  Maybe Mr. Ben's got it in the backseat.
• 58:19
  Well maybe it's in, uh, the he cops car.
• 58:21
  'cause they still that car, the Tesla of the nineties.
• 58:24
  Yes.
• 58:25
  And start driving off.
• 58:26
  Yeah.
• 58:26
  Yeah.
• 58:26
  They have to swipe to try and find the Oh, yeah.
• 58:28
  Handle, yeah.
• 58:29
  Yeah.
• 58:29
  They gotta do the, you know, spectacles, testicles, wallet and watch or whatever
• 58:33
  to, so when they steal the PE cop's car, she kind of hot wires it with the
• 58:37
  spaghetti mess under the dash uhhuh, which I bring up earlier on when they stopped
• 58:42
  at Sam's and was having some trouble, she popped the hood and it's like,
• 58:44
  she jiggles like three or four things underneath when I didn't wanna start.
• 58:47
  And she's like, oh, I took shop class.
• 58:48
  I'm like, what shop class taught you to just jiggle wires and it's gonna work.
• 58:51
  Now?
• 58:51
  See, I did immediately think of my first car, my 75 Ford Courier pickup.
• 58:56
  Sometimes it wouldn't start, it was because the battery cables had oxidized.
• 59:00
  So I'd have to have somebody go out and jiggle the battery
• 59:02
  cables while I was starting it.
• 59:03
  There you go.
• 59:04
  Sandpaper your friend.
• 59:06
  Yeah, nobody told me that.
• 59:08
  So I just got people to jiggle battery cables for like three years.
• 59:12
  There you go.
• 59:13
  But eventually they get in the cop car and they start driving off and I
• 59:16
  wrote down why they gotta be midgets.
• 59:20
  Talking about the Legion army and I was like, what is going on?
• 59:23
  You?
• 59:23
  You only gotta pay 'em half.
• 59:24
  That's why Eric, to budget again.
• 59:26
  And then they have to drive through faith walls.
• 59:29
  Yeah, like you, you gotta believe that you're gonna go through
• 59:32
  that wall just by, I believe.
• 59:33
  I believe.
• 59:34
  And they do.
• 59:35
  And they go across the giant chasm and land right next to the lead sled.
• 59:39
  So then they can switch cars again.
• 59:40
  Cock, he starts tossing little people mechanics off of his car again.
• 59:45
  Why they gotta be midgets.
• 59:46
  That's sad 'cause because you had 'em from the earlier scene
• 59:49
  because they toss funnier.
• 59:52
  Yeah.
• 59:53
  That's awesome.
• 59:54
  So then, uh, yeah, the Chase continues.
• 59:56
  That's right.
• 59:56
  He's trying to go back to, uh, bezels chop shopper or whatever, his garage.
• 1:00:01
  But then, wait a minute, this looks like a Trump tower or some shit.
• 1:00:04
  What's going on here?
• 1:00:05
  When they were pulling off that building, I was thinking they were,
• 1:00:07
  he initially he was going to another strip code because you noticed.
• 1:00:09
  Out front.
• 1:00:10
  He had the, the sign for the building going down and going back up.
• 1:00:13
  It said Fallen Angel on it.
• 1:00:14
  I thought it was like another strip club because it had like a woman silhouette.
• 1:00:16
  No, that was, that was the name of the garage service station.
• 1:00:19
  Yeah.
• 1:00:19
  That he went to when he had to fix the Ford.
• 1:00:21
  Not Zephyr, preacher Mobile.
• 1:00:23
  Was it also the name of the strip club?
• 1:00:24
  No, the strip club was Hoffa's.
• 1:00:26
  Yeah, the strip club was Hoffa.
• 1:00:27
  Oh yeah, yeah, that's right.
• 1:00:28
  Yeah.
• 1:00:29
  Going up to it, it had the sign out front and it said Fallen Angel and
• 1:00:32
  it was rotating down a pole and going back up it, yeah, yeah, it sure was.
• 1:00:35
  Yeah.
• 1:00:35
  Yeah.
• 1:00:35
  I saw that earlier.
• 1:00:36
  When he goes there the first time, they show that imagery
• 1:00:38
  of the angel falling down.
• 1:00:39
  Yeah.
• 1:00:40
  Yeah.
• 1:00:40
  He knows how to go attract customers with his signage.
• 1:00:43
  A hundred percent.
• 1:00:43
  Plus people going in there, like, I was kind of expecting something else, but uh,
• 1:00:47
  while I'm here, can you change my oil?
• 1:00:49
  Bezel comes out and he is in a suit and he's basically like, Hey
• 1:00:53
  Charlie, what are you guys doing here?
• 1:00:54
  I thought you were leaving.
• 1:00:55
  And he is like, yeah, but we're taking Adam with us.
• 1:00:58
  But Adam's like I promised I would stay with him and like, yeah, but I
• 1:01:01
  promised I would take you with us.
• 1:01:03
  Okay, let's go instantly.
• 1:01:06
  Adam's like running out there and oh my gosh.
• 1:01:08
  We find out.
• 1:01:09
  Bezels the devil.
• 1:01:10
  What?
• 1:01:11
  Yeah, we did the whole time.
• 1:01:12
  Come on guys.
• 1:01:12
  Dave Batista was a werewolf.
• 1:01:14
  Anyway, sorry, this was a recent episode we just did too.
• 1:01:17
  And then, yeah, the, the Devil Bele or whatever, he starts going
• 1:01:20
  monologue a bit like, you know, there's many levels of hell.
• 1:01:23
  People think the world is ending.
• 1:01:24
  That's just wishful thinking, man.
• 1:01:26
  Like mm-hmm It gets so much worse before it gets worse.
• 1:01:31
  Oh man, I felt this one deep in my soul.
• 1:01:34
  Adam is mine, so, oh, and he, he says the, like, Adam will hit back
• 1:01:37
  eventually, but he is just not ready yet.
• 1:01:39
  He needs to finish his studies.
• 1:01:41
  'cause I'm just like, oh, Adam's the Antichrist cool.
• 1:01:43
  Yeah, exactly.
• 1:01:44
  He's Damian, basically.
• 1:01:46
  Yes.
• 1:01:46
  Yeah.
• 1:01:47
  But then we get the point in the movie where even I am like,
• 1:01:49
  wait, what's happening right now?
• 1:01:51
  Because Charlie's like, I'll raise you for him.
• 1:01:53
  It's let's make a deal.
• 1:01:55
  Yeah.
• 1:01:55
  And the Devil's is kinda like, no.
• 1:01:58
  And then it, they, they're like raising the stakes.
• 1:02:00
  Were like, like, look, if I lose the race, you can keep at 'em.
• 1:02:02
  And the devil's like, no, fuck off.
• 1:02:04
  I'm keeping him anyway.
• 1:02:05
  But then Rachel's like, and I'll stay two.
• 1:02:07
  And Charlie's like, oh, hold on, hold on.
• 1:02:09
  What?
• 1:02:09
  Which by the way, that's a big guarantee for a kid she just met.
• 1:02:14
  It kind of makes you think maybe she wants to stay.
• 1:02:16
  Right?
• 1:02:16
  Right.
• 1:02:17
  Doesn't Bezel make a comment?
• 1:02:18
  Okay.
• 1:02:19
  If you do.
• 1:02:19
  He is like, I want a child with you and I want a son or something like that.
• 1:02:23
  But he also says sometimes I can't get what I want.
• 1:02:25
  Where is the bear sitting in the backseat of the Ford?
• 1:02:28
  It's in the car.
• 1:02:30
  It's waiting for the right moment.
• 1:02:32
  It's kinda like that thing that's special with the car.
• 1:02:35
  Yeah.
• 1:02:35
  Yeah.
• 1:02:35
  But just before that.
• 1:02:36
  Now he sets it up.
• 1:02:37
  He's not gonna race.
• 1:02:38
  He's gonna race with Super cop.
• 1:02:40
  Yeah.
• 1:02:40
  Hill cop.
• 1:02:41
  Yeah.
• 1:02:41
  Yeah.
• 1:02:41
  The T 2000 and they're gonna go at it Drag race to the end.
• 1:02:44
  It's, it's almost as long of a drag race as Fast and the Furious when
• 1:02:47
  they're trying to get on the airplane.
• 1:02:48
  Yeah.
• 1:02:48
  Yeah.
• 1:02:49
  It's a good 18 mile track.
• 1:02:51
  Yeah.
• 1:02:51
  I don't know if you guys caught it.
• 1:02:53
  I appreciated it.
• 1:02:54
  It was the imagery when the race starts, which is what we're leading up to right
• 1:02:58
  now, is the beginning of the race.
• 1:02:59
  Bezel, the devil, whatever, is walking along and he's kind of walking up that
• 1:03:03
  hill 'cause he wants to watch the race.
• 1:03:05
  Mm-hmm.
• 1:03:05
  And in my head, suddenly of Depeche mode, enjoy the silence.
• 1:03:09
  Dragging a lawn chair and a guy with an umbrella.
• 1:03:11
  This is it right here.
• 1:03:12
  David Gahan needs to show up and, but this is the soundtrack of
• 1:03:15
  the movie right now, you know?
• 1:03:18
  Yep.
• 1:03:18
  So yeah, race starts, they get to the starting part.
• 1:03:20
  Yeah.
• 1:03:21
  The bikers are there too, with Royce and Cla and all.
• 1:03:23
  And they showed up along the way, Royce starts bitching
• 1:03:26
  about, well, I wanna go too.
• 1:03:27
  I want a chance to get outta here and do the devil's work on earth.
• 1:03:30
  And the devil's like, look dude, you're just a great disappointment to me.
• 1:03:34
  Just kinda walks away and I'm like, Ooh, harsh.
• 1:03:36
  So then the bikers leave, you know, Royce and Claire are on one bike and
• 1:03:39
  just chasing after cock and Charlie, and pulls out the sword and just starts
• 1:03:44
  stabbing the at little lead sled, like at Adam and Christie on that side
• 1:03:48
  or whatever, and just going to town.
• 1:03:51
  But then Clara Hero, the movie pulls off her scarf and starts blinding
• 1:03:55
  'em and pulling his head back with a scarf slide off the road.
• 1:03:58
  Fall off a cliff.
• 1:04:00
  Roy is impaled by his own sword, right before they go
• 1:04:02
  off the cliff and all of that.
• 1:04:04
  When Claire is blinding him, she says, no, you can't stop them.
• 1:04:07
  They're still alive.
• 1:04:08
  And he goes, so am I. Ooh, interesting.
• 1:04:11
  Yeah, there you go.
• 1:04:11
  But then, uh, yeah, he cop, he's a trading paint with Charlie, blah, blah, blah.
• 1:04:16
  And then pop Charlie, bless them in the fucking head.
• 1:04:20
  But the car's still driving.
• 1:04:22
  Yep.
• 1:04:22
  Adam says, you gotta break his glasses.
• 1:04:25
  And he is like, you haven't told me this before.
• 1:04:26
  Like, well now I'm on your side.
• 1:04:29
  Right?
• 1:04:29
  But there's only one shotgun.
• 1:04:30
  Shell left.
• 1:04:31
  Oh shit.
• 1:04:32
  I buble fucked and dropped it.
• 1:04:33
  And instead of the seat quick, we gotta grab it.
• 1:04:35
  Rachel, help me.
• 1:04:36
  You gotta grab it.
• 1:04:37
  Blah, blah, blah.
• 1:04:37
  He has a whole bunch of that while they're driving around.
• 1:04:39
  But then while she's looking for that shell, she finds something.
• 1:04:43
  She doesn't find the bear.
• 1:04:44
  No, she does not find the thing Mr. Ben.
• 1:04:47
  But perhaps something even better, she finds the nos, nos.
• 1:04:52
  And so then they start living life a quarter mile at a time.
• 1:04:54
  Victory.
• 1:04:55
  They win.
• 1:04:56
  There we go.
• 1:04:57
  Did anybody else enjoy their faces being stretched back
• 1:05:00
  when like they hit the Yeah.
• 1:05:01
  Yeah.
• 1:05:02
  Again, the budget of this film.
• 1:05:04
  I thought that was hilarious.
• 1:05:05
  Yeah.
• 1:05:05
  So then, uh, back in the real world, uh, the card comes flying out immediately.
• 1:05:10
  Crutches into like real cop or whatever.
• 1:05:12
  Yeah.
• 1:05:13
  Mars Callahan.
• 1:05:13
  Yeah.
• 1:05:14
  Mars Callahan.
• 1:05:14
  Yeah.
• 1:05:15
  Yeah.
• 1:05:15
  Here's your answer.
• 1:05:16
  The bear's on the dash.
• 1:05:17
  There we are.
• 1:05:18
  Search, ringing, pull it outta the backseat.
• 1:05:21
  From where Mr. Ben was the force of going through the portal.
• 1:05:24
  They just made it just in time.
• 1:05:26
  The human cop is still sitting there waiting.
• 1:05:28
  Yeah.
• 1:05:28
  For 24 hours.
• 1:05:29
  Yeah, that was my thing too, is like, what, what?
• 1:05:31
  No guys, it's 24 hours.
• 1:05:32
  He's just back on his shift.
• 1:05:33
  He went home.
• 1:05:34
  Oh yeah.
• 1:05:35
  There we go.
• 1:05:35
  Night sleep.
• 1:05:36
  Yeah.
• 1:05:36
  Changed his clothes and everything.
• 1:05:37
  Yeah, he changed his clothes 'cause he shattered his pants
• 1:05:39
  when the shotgun was pulled off.
• 1:05:41
  He had time to like basically work the rest of his shift.
• 1:05:44
  Harass the minorities, have some donuts, go home, beat his wife, get a
• 1:05:48
  full night's sleep and then come back.
• 1:05:52
  But then, uh, that's when the, he cops comes through the, the billboard and
• 1:05:55
  shit just starts on fire everywhere.
• 1:05:58
  Awesome.
• 1:05:59
  That was actually pretty awesome.
• 1:06:00
  What that means is they had money left over and they needed to use it.
• 1:06:04
  And this final scene we're just gonna torch everything done.
• 1:06:07
  Was there a burning bush?
• 1:06:08
  Oh, there had to be.
• 1:06:10
  Oh, that's a burning Joshua tree anyway.
• 1:06:12
  Yeah.
• 1:06:12
  Yeah.
• 1:06:13
  Everything's on fire.
• 1:06:14
  The, he cops slapping Charlie all over the goddamn place.
• 1:06:18
  Oh, yeah.
• 1:06:18
  Charlie hits the, he cop with a rock and bust one the lenses on his glasses.
• 1:06:22
  So it starts glowing, and then helicopter's, like enough of this
• 1:06:25
  shit, pulls his gun, puts it up to like Charlie's forehead about ready to pull.
• 1:06:29
  But then Rachel pops up
• 1:06:32
  with the shotgun, blasts the second lens, and then he cop tags away his
• 1:06:36
  safe distance, and then he explodes.
• 1:06:39
  Awesome.
• 1:06:40
  And then we cue the triumphant song.
• 1:06:42
  Yeah.
• 1:06:42
  Hey.
• 1:06:43
  Yeah.
• 1:06:43
  And Clara's alive back in hell.
• 1:06:46
  She's like getting up like, oh man, what a fall.
• 1:06:49
  The devil like, I don't know, raised a toast.
• 1:06:51
  Like he's the Great Gatsby to Charlie across the vortex.
• 1:06:54
  Did he raise glass to Charlie or did he raise his glass to Adam, the
• 1:06:59
  Antichrist, who's now on the other side?
• 1:07:01
  Who's now Oh, that's right.
• 1:07:02
  Who's now on Earth and bringing hell to earth roll credits, guys.
• 1:07:05
  Oh wait, wait.
• 1:07:06
  There's more.
• 1:07:06
  Luckily.
• 1:07:07
  We have an epilogue.
• 1:07:08
  Yes.
• 1:07:09
  And a nice little scroll where we find out.
• 1:07:11
  Oh yeah.
• 1:07:11
  Charlie and Rachel get married.
• 1:07:13
  Charlie makes some video games while Rachel has a string of
• 1:07:16
  pizzerias called Mountain Mikes now coming to the East coast.
• 1:07:19
  Adam moved to Cleveland.
• 1:07:21
  Sam's still the harbinger of Doom at his gas station waiting for Claire to come
• 1:07:25
  back instead of doing his own damn self.
• 1:07:26
  Ben's in commercials and the devil still be Deviling.
• 1:07:30
  Yeah.
• 1:07:30
  Roll credits highway to hell.
• 1:07:32
  Tell the hell to hell wait.
• 1:07:36
  Was that true?
• 1:07:36
  Was there something post movie?
• 1:07:38
  Yeah, yeah, yeah, yeah.
• 1:07:39
  To be cut off part of that so you didn't get all of it.
• 1:07:41
  So thanks for telling us Steve.
• 1:07:43
  'cause I missed it.
• 1:07:43
  We washed it on tub be as well.
• 1:07:45
  We Oh.
• 1:07:46
  Oh, maybe.
• 1:07:46
  Was it already suggesting the next movie or whatever cut out?
• 1:07:49
  Oh, okay.
• 1:07:50
  Yeah, it was basically Turing then like a white scroll, kind of like
• 1:07:53
  the credits, like Monty Python style.
• 1:07:55
  Were there any moose in that?
• 1:07:57
  No.
• 1:07:57
  No more maximum overdrive.
• 1:08:00
  So, yeah, it turns out it was aliens the whole time.
• 1:08:02
  So guys, what ac CDC song would you compare?
• 1:08:05
  Highway to Hell, to Thunderstruck, backseat Rhythm, big Gun.
• 1:08:08
  More like the three Stooges than the ac DC.
• 1:08:11
  Dirty deeds done.
• 1:08:12
  Dirt cheap.
• 1:08:13
  Kinda y Yeah.
• 1:08:13
  What, what, what?
• 1:08:14
  What'd you guys think going around the room, Brad?
• 1:08:15
  What?
• 1:08:16
  What'd you think?
• 1:08:16
  It was a good premise.
• 1:08:18
  Very, very poorly executed and I feel like it was probably supposed
• 1:08:23
  to be just a straight horror movie.
• 1:08:25
  And they realized the way they had done it was just so stupid.
• 1:08:28
  So they had to add in the comedic elements, like the stupid thing.
• 1:08:33
  Handcuffs?
• 1:08:34
  Yeah.
• 1:08:35
  Just like Drop Dead Fred.
• 1:08:36
  They had to add that stuff that this movie's not scary at all.
• 1:08:39
  How do we fix it?
• 1:08:39
  Oh, throw in some comedy.
• 1:08:41
  Great, great idea.
• 1:08:42
  What are the Stillers up to?
• 1:08:43
  Yeah, exactly.
• 1:08:44
  They just happen to be at the studio filming something else.
• 1:08:47
  What movie came out that they were involved in?
• 1:08:49
  In 91?
• 1:08:49
  Yeah.
• 1:08:49
  Gilbert Godfrey shooting like Problem Child two.
• 1:08:52
  And they're like, yeah, yeah, we gotta roll for you buddy.
• 1:08:54
  Don't worry about it.
• 1:08:55
  Exactly.
• 1:08:55
  Jerry Silver is like, I have this friend.
• 1:08:58
  He'd love to play Hitler.
• 1:09:00
  How about you, Dan?
• 1:09:01
  Middle of the road for me.
• 1:09:02
  I didn't hate it, but I didn't love it.
• 1:09:04
  I don't know that I'll recommend it, but if it's the course for
• 1:09:07
  late eighties, early nineties B rated kind of movie though.
• 1:09:10
  How about you, Tony?
• 1:09:11
  I think they're two minute and 16 second trailer did not do it justice.
• 1:09:16
  Yeah, like a good way or a bad way and or I wasn't in the right head
• 1:09:21
  space when I watched a trailer.
• 1:09:23
  Yeah, yeah, yeah.
• 1:09:23
  I'd hear that Hidden Faces song.
• 1:09:25
  That's what you meant.
• 1:09:29
  Yeah, totally and completely and utterly put off by the trailer.
• 1:09:35
  As I said from that, I thought I had seen enough that I could fill
• 1:09:37
  the gaps in on my own without watching the rest of the movie.
• 1:09:40
  However, upon watching the movie in its entirety, there are
• 1:09:44
  far worse movies than things.
• 1:09:47
  Let me guess which one is on your list.
• 1:09:49
  Would you say far worse movies that we've talked about on this here?
• 1:09:52
  Podcast Collaboration?
• 1:09:54
  Better Than The Stuntman, better than Lamborghini, better Than Trading
• 1:09:58
  Paint Better than Senior Moment?
• 1:10:00
  Where?
• 1:10:01
  Where, where are we going?
• 1:10:02
  I would watch this again before I watch Stuntman, but I would watch any of those
• 1:10:07
  other ones again, before I watch this.
• 1:10:09
  You would watch Senior Moment again before you watch this Lamborghini,
• 1:10:13
  the Rise and Fall of Frank Gorilla, or whatever it was called.
• 1:10:17
  If I was forced to watch something again,
• 1:10:22
  I have not watched any of these again, nor do I plan to what, not even the fall guy.
• 1:10:27
  Fall guy.
• 1:10:27
  We've watched more than once.
• 1:10:29
  That's good.
• 1:10:29
  That was a good, the new one.
• 1:10:31
  Oh no, I watched, watched that like six times I think.
• 1:10:33
  No, this was very period appropriate.
• 1:10:36
  It was stealing from movies before it, movies at the same time.
• 1:10:41
  Hell, it may have stolen from some movies after it and it may have, yes, it may have
• 1:10:46
  informed some movies after it as well.
• 1:10:49
  Yeah, it was super campy and just you took it in that regard.
• 1:10:53
  It was fine.
• 1:10:54
  I don't know if I would go as far as to say that the, uh, premise was.
• 1:10:58
  That deep, but maybe they had something there could have been executed better.
• 1:11:03
  It's like the bear, you could find it for most of the movies
• 1:11:06
  is in the back seat with the dog.
• 1:11:09
  How about you, Eric?
• 1:11:10
  I gotta give you guys a gold star this time and thank you Izzy,
• 1:11:13
  for recommending this movie.
• 1:11:14
  My wife usually hates everything that we watch together for these reviews.
• 1:11:20
  Like vehemently angry sometimes at the films.
• 1:11:23
  We watch this together from the moment it started, from
• 1:11:26
  the opening credits to the end.
• 1:11:28
  We were laughing, we were commenting, we were just all over the place with it.
• 1:11:32
  We got to the end and it's like, are we gonna watch it again?
• 1:11:34
  Probably not.
• 1:11:35
  It's not appropriate to watch with our girls by any stretch, but it
• 1:11:38
  was just, we got to the end of it.
• 1:11:39
  We were like.
• 1:11:40
  That was fun.
• 1:11:41
  We had fun watching it.
• 1:11:42
  We had fun watching it together.
• 1:11:43
  So mad props to you guys.
• 1:11:45
  I actually liked it.
• 1:11:46
  Now, if I were to stack rank it against some of the other stuff, you know,
• 1:11:49
  between stuntman and fall guy, if that's our upper and lower echelons, apparently
• 1:11:54
  that's our top and bottom, which is weird 'cause they're the same movie, but go on.
• 1:11:59
  It's somewhere in the middle, right?
• 1:12:00
  It it is.
• 1:12:01
  To your point, better than some of the other stuff we watch, but not as good as.
• 1:12:05
  Some of the others.
• 1:12:05
  So no mad props to you guys.
• 1:12:07
  This was a good one.
• 1:12:08
  How about you, Ozzie?
• 1:12:09
  Do you enjoy this movie?
• 1:12:11
  I genuinely love this dumb little movie.
• 1:12:13
  Is it a perfect movie?
• 1:12:14
  No.
• 1:12:15
  No, but like Eric said, it's fun.
• 1:12:19
  I, this is just fun.
• 1:12:20
  Yeah, it's fun.
• 1:12:21
  I really like the effects and stuff.
• 1:12:24
  I really do.
• 1:12:25
  It's, it's so of the late eighties, like, you know, the, the like fucking
• 1:12:28
  hamburgers from that, uh, better off Dead, like that whole kinda stop
• 1:12:33
  motion like Tim Burton kinda shit.
• 1:12:36
  Yeah.
• 1:12:36
  It's, it's a lot of that.
• 1:12:38
  It was almost like a Randy Brothers film.
• 1:12:40
  That's what my wife said.
• 1:12:41
  She's like, it's not quite evil dead, but it's like almost there.
• 1:12:45
  Yeah.
• 1:12:45
  It's trying, it's trying to be that and so it's like there was something
• 1:12:48
  about Evil Dead and Ash versus the, and all that stuff where you're just
• 1:12:51
  like, you knew what you were getting into Bruce Campbell and all that stuff.
• 1:12:54
  This wants to be that.
• 1:12:56
  But it just never gets there.
• 1:12:58
  It's a lot like Peewee Herman, but like our rate of, what if Peewee
• 1:13:01
  Herman walked into a strip club randomly looking for his bike?
• 1:13:05
  Yes.
• 1:13:05
  Yeah.
• 1:13:05
  Yeah.
• 1:13:05
  Like it's that same kind of feel like what if Peewee Herman went
• 1:13:09
  to hell looking for his bike?
• 1:13:10
  You know, would've made this movie though if we brought the singers from
• 1:13:13
  the Jeff Bridges movie over the coconuts.
• 1:13:16
  Remember them.
• 1:13:16
  If they were in hell, that would've been hilarious.
• 1:13:20
  Yeah, I could see it.
• 1:13:20
  Not Lou Vega and The Coconuts, because we got not Molly Wing
• 1:13:24
  Wal and not Lorenzo Llamas.
• 1:13:25
  So we gotta round it out.
• 1:13:27
  Yeah, yeah.
• 1:13:28
  So it sounds like we're divided on this movie.
• 1:13:30
  We have, uh, three recommends and three Burden Hells, I guess you guys
• 1:13:33
  have to decide for yourself on Tuby or any other method finding this movie.
• 1:13:37
  All right, we're gonna take a quick official break.
• 1:13:39
  Oh.
• 1:13:39
  But when we come back we have, well, not more beer.
• 1:13:42
  So we didn't have any beer.
• 1:13:42
  This one I did.
• 1:13:43
  You guys didn't even ask me.
• 1:13:45
  Oh, shit.
• 1:13:45
  Shit.
• 1:13:47
  Well, when we come back, we'll have some beer fun facts and what
• 1:13:50
  we learned from Highway to Hell.
• 1:13:52
  Yeah.
• 1:13:55
  There's so many podcasts out there.
• 1:13:57
  How do I find the one for me?
• 1:14:02
  For so long, I've searched for podcasts all over, but none
• 1:14:05
  of 'em seem to fit my needs.
• 1:14:07
  Where's my Nick Cage Pissing Fire podcast?
• 1:14:10
  Where's my monkey tickling?
• 1:14:12
  I couldn't find it anywhere until I found everything I learned from movies
• 1:14:15
  podcast with Steve Nzi, and now I get to hear about all the monkey tickling.
• 1:14:20
  I want Baby.
• 1:14:23
  So many podcasts out there are all talk and no Congo.
• 1:14:26
  That's why I listened to everything I learned from movies Greatest
• 1:14:30
  Living Actor, Nicholas Cage.
• 1:14:32
  Of course, that's why I listen to everything I learned from movies,
• 1:14:36
  one-liners, plot holes, gratuitous movies.
• 1:14:40
  Fun fact.
• 1:14:40
  That's why I listen to everything I learned from movies.
• 1:14:44
  See if everything I learned from movies is right for you at EILF movies.
• 1:14:48
  That's everything I learned from movies on Twitter, Facebook.
• 1:14:52
  Or Patreon free on all the major podcasters.
• 1:14:56
  And we're back.
• 1:14:57
  Oh my God, Steve, those are the greatest ads that have
• 1:14:59
  added in the history of adding.
• 1:15:01
  Oh, you guys should totally give us a promo to put here.
• 1:15:03
  If you're into anything with wheels and a motor, log onto the Motoring
• 1:15:07
  Podcast network and check out our family of podcasts@motoringpodcast.net.
• 1:15:12
  This is the place to find your favorite new show.
• 1:15:15
  And finally, grand Touring Motorsports covering all aspects of auto
• 1:15:20
  racing and motorsports history.
• 1:15:22
  Check out their ezine@gtmotorsports.org.
• 1:15:25
  All the links for our sponsors are in the description.
• 1:15:28
  So let's talk about our beers.
• 1:15:29
  Dan's not drinking well water for a change.
• 1:15:32
  What?
• 1:15:32
  Pennsylvania's finest.
• 1:15:33
  Is that what you got there?
• 1:15:34
  I got a little bit of this.
• 1:15:35
  Does that shine?
• 1:15:36
  Yes, it is.
• 1:15:37
  Or is that gasoline?
• 1:15:39
  It can run a car, but, but then I do have America's oldest brewery in hand.
• 1:15:44
  Good old giggling, lobster, Potstown, Pennsylvania.
• 1:15:46
  Look at that.
• 1:15:47
  They got multiple things in the cooler here.
• 1:15:48
  I, on the other hand have scooter blood orange Radler by Braxton Brewing
• 1:15:54
  Company out of Covington, Kentucky.
• 1:15:57
  And it is Ooh, fan Tabul Covington, Kentucky.
• 1:16:01
  Right across the river from Cincinnati, right?
• 1:16:03
  That's exactly right.
• 1:16:05
  Nice.
• 1:16:05
  How about you, Tony?
• 1:16:06
  You drinking anything?
• 1:16:07
  Water from your, well, from my, well, from my, well, actually, you know
• 1:16:13
  where mans splits get their water.
• 1:16:15
  Where's that babe?
• 1:16:15
  A well, actually, uh, no.
• 1:16:20
  How about you, Matt?
• 1:16:20
  Man, Dan, what?
• 1:16:21
  You already asked Dan.
• 1:16:23
  Oh.
• 1:16:23
  Uh, Brad.
• 1:16:23
  Brad, sorry.
• 1:16:24
  What the hell?
• 1:16:25
  Brad and Dan, they're all the same guy now.
• 1:16:27
  I was driving so I couldn't be drinking.
• 1:16:29
  Oh yeah.
• 1:16:29
  That makes sense.
• 1:16:30
  Good.
• 1:16:30
  Good job.
• 1:16:31
  Good job at you being all professional.
• 1:16:32
  On our end, we have a, a very special beverage here.
• 1:16:36
  Kirkland's signature, hella style lager, courtesy of Deschutes
• 1:16:39
  Brewing out of Bend, Oregon.
• 1:16:41
  Ooh.
• 1:16:41
  4.5% alcohol by volume.
• 1:16:44
  That where De Shoots is now.
• 1:16:45
  Yeah.
• 1:16:46
  You started off with Kirkland and I was like, wait a second.
• 1:16:48
  You bought the Costco sells beer.
• 1:16:50
  That's why I started laughing.
• 1:16:52
  Apparently you savor the triumph of a 2023 Great American Beer Festival.
• 1:16:56
  Gold medalist.
• 1:16:57
  A beer that stands out among the finest in America won the Goldberg Munich style.
• 1:17:01
  Hellis now available at your local Costco.
• 1:17:04
  There you go.
• 1:17:05
  Oh shit, babe.
• 1:17:05
  We might have voted on this.
• 1:17:07
  Oh yeah.
• 1:17:07
  Shit, maybe.
• 1:17:08
  Yeah.
• 1:17:09
  We were at the Great American Beer Festival.
• 1:17:10
  We were at the Great American Beer Festival that year too.
• 1:17:12
  Yeah, my top, oh, this tall.
• 1:17:14
  Nice And the pour down my throat.
• 1:17:17
  No, no, no, no.
• 1:17:18
  I'm just gonna take a sip off of yours.
• 1:17:20
  Sorry everybody.
• 1:17:21
  I've been fighting a stomach bug and probably chugging a bunch
• 1:17:24
  of beers is gonna help that.
• 1:17:26
  It's got a little green apple nest to it.
• 1:17:28
  That's kind of a poor descriptor, but it's got that, um, no, there's a touch
• 1:17:31
  of green apple on there, but um, yeah, definitely malt forward, earthy style hop,
• 1:17:36
  like a slight soreness, but in a good way.
• 1:17:39
  I don't know, just a little different mouth feel than kind of a
• 1:17:41
  standard logger, but yeah, not bad.
• 1:17:43
  Probably won't make me sick.
• 1:17:44
  No, I'm just kidding.
• 1:17:45
  No, no, this tastes bad.
• 1:17:46
  Aint bad at all.
• 1:17:47
  Yeah.
• 1:17:47
  Nice little beer.
• 1:17:48
  Yeah, try it out.
• 1:17:49
  Alright, so who's interested in some fun facts about this movie?
• 1:17:52
  I am always up for fun facts.
• 1:17:54
  Well, rotten Tomatoes.
• 1:17:55
  Ooh, there's no critic score on this one.
• 1:17:58
  Cowards.
• 1:17:58
  Well, there's four of 'em.
• 1:17:59
  That's not enough for an official score.
• 1:18:01
  Apparently they're all mildly positive, like three out of
• 1:18:04
  fives kind of thing, right?
• 1:18:05
  But nobody gives a fuck about critics anyway.
• 1:18:07
  What's that audience score on Rotten Tomatoes.
• 1:18:10
  What do the people think?
• 1:18:11
  70% range.
• 1:18:13
  What I think it got from the positive end of the spectrum.
• 1:18:15
  What is in your beer dude?
• 1:18:17
  70%. This movie's definitely on the spectrum.
• 1:18:23
  Brad, what's your number then?
• 1:18:24
  Negative 3000.
• 1:18:27
  $1 Bob.
• 1:18:28
  $1. 1 cent.
• 1:18:30
  He went 1 cent.
• 1:18:32
  What about you, Tanya?
• 1:18:33
  I wanna say 60.
• 1:18:34
  What is up with you guys?
• 1:18:36
  I feel like I saw what the number was, but I don't really remember.
• 1:18:39
  Right Eric?
• 1:18:40
  Well, I know Izzy's gonna say her generous.
• 1:18:42
  17%. So I'm gonna come in just over her and say 21%.
• 1:18:46
  See, I actually was gonna go with our other favorite number 69.
• 1:18:51
  Nice.
• 1:18:52
  Tanya's closest, 53% with the audience.
• 1:18:56
  Basically just like us right down the middle, three and three, you know?
• 1:18:59
  Wow.
• 1:19:00
  What if the three of us that liked it gave it a hundred percent
• 1:19:03
  and the you guys gave it one.
• 1:19:04
  That's what it happened just after the budget.
• 1:19:08
  $9 million.
• 1:19:10
  Actually, not that bad.
• 1:19:12
  I'm sure with like inflation, that's like 30 or 40 today or
• 1:19:14
  something, but yeah, $9 million.
• 1:19:16
  Any guesses on the worldwide growth?
• 1:19:19
  $17 and a six pack.
• 1:19:21
  Alright.
• 1:19:22
  How much did one ticket cost in 1991?
• 1:19:25
  Uh, let's say $3.
• 1:19:27
  Three 50.
• 1:19:28
  How about tree fitted?
• 1:19:29
  Alright, let's put this in perspective before you give that number.
• 1:19:33
  It cost not to make correct 22 million in today's dollars.
• 1:19:36
  But in 1991 when this movie came out, yeah, your plug box office numbers too.
• 1:19:41
  Nice.
• 1:19:41
  The biggest movie in 1991.
• 1:19:44
  Was Terminator two.
• 1:19:45
  So we said this movie cost 9 million to make 9 million.
• 1:19:49
  How much do we think Terminator two cost to make?
• 1:19:51
  Yeah, it was like a hundred or something, wasn't it?
• 1:19:53
  178 million.
• 1:19:56
  Holy.
• 1:19:56
  That's like a billion dollars today.
• 1:19:58
  Yeah.
• 1:19:59
  Take that water world, making it the most expensive film ever made at that time.
• 1:20:03
  And what was the gross again?
• 1:20:05
  Almost 205 on Terminator two.
• 1:20:08
  It made its money back.
• 1:20:09
  We'll see.
• 1:20:09
  And how much money did highway to hell?
• 1:20:11
  Yeah.
• 1:20:11
  Well, I was hearing some guesses.
• 1:20:13
  I heard 17 and a six pack tree fitting.
• 1:20:15
  I'm thinking probably like 12 to 13.
• 1:20:17
  You think it made its money back?
• 1:20:19
  No, it cost 9 million.
• 1:20:20
  I think it did.
• 1:20:20
  Because you gotta understand during that time, it's not like today where you got
• 1:20:25
  to see movie trailers near as often.
• 1:20:27
  So it was like at the end of a movie that you went to the theater system.
• 1:20:31
  Dude, Daniel's trying to say people were bamboozled into watching it.
• 1:20:35
  Bam.
• 1:20:36
  Dude, people asked for a refund at the end of this movie.
• 1:20:39
  So 1.798 million.
• 1:20:42
  No way.
• 1:20:42
  It did not make more than it cost.
• 1:20:44
  I don't know what it made, but not more.
• 1:20:46
  It made $1 less.
• 1:20:47
  Less than 2 million.
• 1:20:48
  All right.
• 1:20:49
  The worldwide gross.
• 1:20:50
  $26,055.
• 1:20:55
  Ooh.
• 1:20:55
  I was the closest.
• 1:20:57
  Wow.
• 1:20:58
  I believe that is BHS sales.
• 1:21:01
  The blockbuster 3% of the budget.
• 1:21:04
  Chad Lowe's family and friends went to see this movie.
• 1:21:06
  Yeah.
• 1:21:07
  Yeah.
• 1:21:07
  Yeah.
• 1:21:07
  And just for perspective, since I have the box office numbers from 1991 pulled up,
• 1:21:11
  it only goes to the top 200 of that year number 200 Christopher Watkins McBain.
• 1:21:18
  Wow.
• 1:21:18
  Which made over $450,000.
• 1:21:22
  Wow.
• 1:21:23
  I feel like this movie's on par with McBain.
• 1:21:25
  This movie didn't deserve that much hate.
• 1:21:27
  Uh, a gross of a 20th of McBain.
• 1:21:30
  Which everyone only remembers because we keep suggesting it.
• 1:21:33
  I don't know.
• 1:21:34
  Obviously it's because of Maria Conci, Alonzo writing her donkey
• 1:21:38
  from South America to Brooklyn.
• 1:21:40
  Oh, there you go.
• 1:21:41
  Uh, yeah.
• 1:21:41
  Let's see what other fun facts we got.
• 1:21:43
  The film features four members of the Stiller family.
• 1:21:45
  Yeah, we, we talked about it.
• 1:21:46
  Yeah.
• 1:21:47
  Jerry Stiller, his wife and Mira Ben Stiller and of course
• 1:21:50
  Ben's sister, Amy Stiller.
• 1:21:51
  Ben Stiller ad-libbed His dialogue as Pluto's Cook.
• 1:21:55
  You really couldn't tell.
• 1:21:56
  Cocaine is amazing.
• 1:21:57
  Yeah.
• 1:21:57
  Make a part of Steve Johnson got the idea for the Riding on Hell.
• 1:22:01
  Cop's face from Clive Barker's book of Blood and this was shot from October
• 1:22:06
  25th to December 20th, 1989, but not released until 1991 and unreleased
• 1:22:12
  in the US until March 13th, 1992.
• 1:22:16
  Wait, hold on.
• 1:22:17
  Let's check that 92 box office.
• 1:22:19
  See if that's where it is.
• 1:22:20
  Top grossing movie of 1992 was, of course, Tim Burton's Batman Returns.
• 1:22:25
  Yeah.
• 1:22:26
  And going down the list.
• 1:22:28
  Oh shit.
• 1:22:29
  Number 200 Wild Orchid, two colon, two shades of blue.
• 1:22:34
  You guys know what Wild orchid, I'm gonna guess that's a porn.
• 1:22:37
  Mi Mickey Rourke and his then wife, Rita Ora or something like that.
• 1:22:40
  But that made almost $600,000.
• 1:22:42
  Wow.
• 1:22:43
  Love potion number nine was number 1 94 and it made 750,000.
• 1:22:48
  This movie is a victim of circumstance.
• 1:22:50
  It is in the shadow of other great and epic 1991 debut films.
• 1:22:56
  It didn't stand a chance.
• 1:22:57
  If it were released in early 1990, I'm sure it would've been
• 1:23:00
  nominated for Academy Awards and would've still made $26,000.
• 1:23:04
  Yeah, exactly.
• 1:23:05
  Well, you said it was done in 1989.
• 1:23:08
  Yeah, they wrapped like December of 89.
• 1:23:10
  There's no way they could have released it in 89 and been successful
• 1:23:13
  because Batman 89 came out.
• 1:23:15
  Oh, yeah.
• 1:23:15
  Yeah.
• 1:23:16
  I don't think the success of those other movies is why this movie sucked.
• 1:23:23
  You gotta believe Brad.
• 1:23:24
  I believe.
• 1:23:26
  I believe I know why it failed, because America hates Christians.
• 1:23:30
  You know what?
• 1:23:30
  That's it is dealing with hell and the whole religious aspect.
• 1:23:35
  Nobody wants to root for the devil or against the devil.
• 1:23:38
  With all the anti-cop sentiment in this, they filmed the whole thing in two months.
• 1:23:43
  Yeah, yeah.
• 1:23:43
  I would imagine.
• 1:23:44
  Most films, they take like six months to film.
• 1:23:47
  Two months.
• 1:23:48
  $9 million.
• 1:23:50
  Yeah, that's a lot of money in two months.
• 1:23:52
  Wow.
• 1:23:52
  That ending scene with all the pyro, dude, that was the year and a half it
• 1:23:56
  took or whatever for 'em to release.
• 1:23:57
  It was all that post-production and the stop motion and all that stuff so failed
• 1:24:01
  because they got the wrong low brother.
• 1:24:04
  I don't think it would've, I don't think it would've helped it.
• 1:24:05
  If Rob Blow was in it, it would've grossed at least nine and a half million.
• 1:24:10
  It would be nice to know what Rob was doing at the same time.
• 1:24:13
  I'm looking it up.
• 1:24:14
  Yeah, I was just thinking that was he drugged out?
• 1:24:17
  Oh shit.
• 1:24:17
  He was doing Wayne's World around this time, wasn't he?
• 1:24:19
  Oh shit.
• 1:24:20
  My other question is, 'cause Tanya brought it up earlier, Ernest scared
• 1:24:23
  stupid was at the same time, and it sort of has the same level of CGI writing.
• 1:24:29
  I mean, obviously Jim Varney was in it, so that takes it to a whole new level.
• 1:24:32
  I'm wondering how did Ernest scared Stupid do in 91 compared
• 1:24:36
  to this movie Ernest Scared stupid production cost was 9.6 million.
• 1:24:41
  Ooh, there you go.
• 1:24:42
  That's a good co comparison.
• 1:24:44
  All right.
• 1:24:44
  Ernest Scared Stupid, made less than Goes to Jail.
• 1:24:47
  14 million versus 25.
• 1:24:49
  So it made money.
• 1:24:51
  There's something broken here and Rob Lowe around this time, he was making
• 1:24:55
  such classics as Bad Influence, the Dark Backward if the shoe fits, and
• 1:25:00
  then in 92, a little movie called Wayne's World that took the world
• 1:25:04
  by storm and then Parks and Rec.
• 1:25:05
  Oh, well then, then like what the Stand Tummy Boy.
• 1:25:10
  Wait, so you said the Rotten Tomatoes on this movie was 53%.
• 1:25:15
  53%. Yeah.
• 1:25:16
  So what do we think the Rotten Tomatoes of Earnest Scared Stupid
• 1:25:20
  was for a movie that made money.
• 1:25:21
  Oh, that's interesting.
• 1:25:22
  How much?
• 1:25:23
  69. I'm gonna go 69.
• 1:25:25
  Or now it's probably like 45 or something like that.
• 1:25:27
  27. Oh, look at that.
• 1:25:30
  Wow.
• 1:25:31
  That's messed up.
• 1:25:32
  You heard it here.
• 1:25:33
  Highway to hell.
• 1:25:34
  Better than Ernest.
• 1:25:34
  Scared stupid.
• 1:25:36
  I like Ernest.
• 1:25:36
  Scared stupid too.
• 1:25:38
  Right?
• 1:25:38
  Any of the earnest movies are good.
• 1:25:40
  They're cornea school.
• 1:25:40
  Oh yeah.
• 1:25:41
  The earn goes to prison.
• 1:25:42
  Surprisingly hilarious.
• 1:25:44
  Oh my God.
• 1:25:44
  That's the best one.
• 1:25:45
  Followed by Earn rides again, where he is on the cannon.
• 1:25:48
  Oh, it's the best.
• 1:25:49
  Oh, slam dunk.
• 1:25:50
  Ernest.
• 1:25:50
  Ernest goes to Africa.
• 1:25:52
  I mean, nah.
• 1:25:52
  No, those I never saw.
• 1:25:53
  I never saw those.
• 1:25:54
  Those weren't that good.
• 1:25:55
  Yeah, yeah, yeah.
• 1:25:55
  Don't, don't worry about those.
• 1:25:57
  Ernest goes to jail.
• 1:25:58
  That's classic.
• 1:25:59
  But ladies and gentlemen, we reached the most important part.
• 1:26:01
  The end.
• 1:26:02
  What did we learn?
• 1:26:03
  Yes.
• 1:26:03
  From highway to hell.
• 1:26:05
  I'm going last.
• 1:26:05
  Who wants to go first?
• 1:26:06
  I know Eric likes to go last.
• 1:26:07
  Yeah.
• 1:26:07
  I learned that when you go to hell, apparently you're still alive and you
• 1:26:12
  can still die in hell and be resurrected because all the people were still alive
• 1:26:17
  and then they got killed in the mutilated asphalt machine going off the cliff.
• 1:26:21
  The road to hell is paid with good intentions.
• 1:26:23
  Yeah, so basically you're still alive somehow.
• 1:26:26
  Here's the thing, I don't think people with Mutilators died.
• 1:26:28
  I think they have to spend eternity as chunks in a road.
• 1:26:32
  I was wondering that because when the leg fell down, the leg stood up
• 1:26:36
  straight and for a minute I thought the leg was gonna like walk away.
• 1:26:39
  Yeah.
• 1:26:39
  They spread eternity in the flames that burn, but do not
• 1:26:42
  consume just like bet juice.
• 1:26:44
  Beetlejuice Beetlejuice.
• 1:26:45
  Alright, Brad, I learned absolutely nothing you learned.
• 1:26:50
  You could probably film a movie that would gross more than $26,000.
• 1:26:54
  I think I lost knowledge watching this movie.
• 1:26:58
  I didn't gain knowledge.
• 1:26:59
  I'm about to give you some knowledge.
• 1:27:01
  Just weight.
• 1:27:02
  You're about to drop some knowledge.
• 1:27:04
  How about you babe?
• 1:27:04
  I learned that Eric has never had anything slide off to the dashboard and
• 1:27:09
  disappear into that little black hole between the seat and the center console.
• 1:27:13
  Where is the bear?
• 1:27:14
  Where is the bear?
• 1:27:15
  Yeah, it, it's available on Hulu anyway, all four seasons.
• 1:27:20
  And also I think that movie from the French director that has like no dialogue.
• 1:27:25
  It's called the Bear.
• 1:27:26
  We did it last year.
• 1:27:26
  It was great.
• 1:27:28
  The bear, I learned hell is full of cops and stillers hell is full
• 1:27:32
  of cops and bad cop, no donut.
• 1:27:34
  Yeah.
• 1:27:35
  How about you, Dan?
• 1:27:36
  I learned that Eric apparently has a thing about Teddy bear with
• 1:27:40
  clock, so I think I know what his Christmas present might be this year.
• 1:27:44
  Oh, Teddy ruxbin.
• 1:27:45
  It's teddy bear clocks.
• 1:27:47
  It's a very specific kink.
• 1:27:48
  My mission is to find that bear with the clock in its belly for you.
• 1:27:51
  Ah-huh.
• 1:27:52
  Yeah, that's, yeah.
• 1:27:53
  Yes, you can probably find that specific one on eBay.
• 1:27:56
  Probably Chad Lowe's trying to like have an estate sale or something.
• 1:27:59
  They're still trying to make money off of the props from the
• 1:28:01
  movie to get it into the positive.
• 1:28:03
  A couple more of these, we can crack 30,000.
• 1:28:06
  All right, how about you, Eric?
• 1:28:07
  You know how there's the man of a thousand faces?
• 1:28:09
  There's really only seven stories ever told, and everything's a
• 1:28:12
  derivative of those seven stories, blah, blah, blah, blah, blah.
• 1:28:14
  A hundred thousand monkeys on a hundred thousand typewriters.
• 1:28:16
  Yeah, yeah, yeah.
• 1:28:17
  Turtles all the way down according to Terry prt.
• 1:28:19
  That being said, I've said before, like the Tron story is Alice in
• 1:28:22
  Wonderland, and this is that, and this is the other thing, whatever.
• 1:28:24
  This one actually is quite special because if you know your history, it's a
• 1:28:29
  retelling of a Greek tragedy, the story of Orpheus and acy, but it's poorly executed.
• 1:28:35
  So that's really what this is all about.
• 1:28:37
  And if you want a modern day interpretation of this exact
• 1:28:40
  same story, watch chaos.
• 1:28:43
  On Netflix with Jeff Goldblum and the rest of the fancy cast that's over there.
• 1:28:47
  That was way more than $9 million to produce that show.
• 1:28:49
  But that's the same story as well.
• 1:28:51
  Guy goes down to hell, he is gotta bring the girl back.
• 1:28:53
  So when Tanya said Dante's Inferno, I was like, oh, she's
• 1:28:56
  almost there, but not quite.
• 1:28:59
  It's not Dante's story.
• 1:29:01
  This is Orpheus and Retic.
• 1:29:03
  See.
• 1:29:03
  Boom, not chaos.
• 1:29:04
  The Jason Statham movie?
• 1:29:05
  No, not that one.
• 1:29:06
  No, no, no.
• 1:29:07
  That's Chaos with a K. Oh, like the director of Ballistic X versus sever.
• 1:29:12
  Yeah.
• 1:29:13
  You guys haven't watched Chaos.
• 1:29:14
  You gotta watch it.
• 1:29:15
  Oh, of course.
• 1:29:15
  I, I started to and I couldn't keep going.
• 1:29:18
  So good.
• 1:29:18
  We're too, we were too busy rewatching this.
• 1:29:23
  You know the good version.
• 1:29:25
  There you go.
• 1:29:25
  There you have it.
• 1:29:27
  Well guys, thank you so much for joining us here on
• 1:29:29
  everything I learned from Movie.
• 1:29:31
  I understand you also have a podcast network or two.
• 1:29:34
  We do.
• 1:29:34
  And you know, normally I will do a plug for some of the shows on the network.
• 1:29:38
  You know, the Ferrari marketplace, no matter your story, blah, blah, blah.
• 1:29:40
  But I just want to point out one in particular that if you're listening to
• 1:29:43
  this or you've been ride or die with us.
• 1:29:45
  So after all these crossovers, we've done with Steve Izzy tune in every month for
• 1:29:49
  our news episode called The Drive Through Guaranteed last Tuesday of every month.
• 1:29:53
  It is our monthly recap where we put together a menu of automotive, motor
• 1:29:57
  sport, and entertaining car adjacent news.
• 1:30:00
  So we encourage people to check that out because Brad, Tanya, and I with
• 1:30:04
  sometimes special co-hosts have a lot of fun with what's going on in the world.
• 1:30:07
  Everywhere good and bad podcasts are available.
• 1:30:10
  Babe, are you on social media at all?
• 1:30:12
  I am.
• 1:30:12
  You can find me everywhere at Untidy Venus.
• 1:30:15
  That is a goddess who's bad at housekeeping.
• 1:30:17
  I'm on all the social medias at Untidy.
• 1:30:19
  Venus also catch me at shows all up and down the Wasatch front and uh, on this
• 1:30:23
  here podcast repeating movies we've already done because I thought they
• 1:30:26
  were so good we needed to do 'em twice.
• 1:30:28
  Steve?
• 1:30:29
  Yes.
• 1:30:30
  Where can we find you?
• 1:30:31
  Oh, we can find me everywhere on all the major pod catchers and
• 1:30:34
  everything I learned from movies or is up directly on Twitter, Facebook,
• 1:30:36
  Patreon and bluesky at EILF movies.
• 1:30:40
  That's everything I learned from movies.
• 1:30:43
  So what are we doing next?
• 1:30:44
  Thunderbolt.
• 1:30:45
  We're finally doing Thunderbolt Jackie Chan racing movie.
• 1:30:48
  Yeah.
• 1:30:49
  Excellent.
• 1:30:50
  I'm so excited.
• 1:30:50
  All right.
• 1:30:51
  Next.
• 1:30:51
  Well, I guess until next time, I'm Steve and I'm busy.
• 1:30:54
  Oh, and we're the ones from Grand Touring.
• 1:30:55
  Yeah.
• 1:30:57
  Eric, Tony, you Mountain Down and Brad, and this is
• 1:31:01
  everything I think from movies.
• 1:31:05
  Happy, good night, everybody.
• 1:31:06
  Bye everybody.
• 1:31:11
  If you like what you've heard and want to learn more about GT m, be sure to
• 1:31:14
  check us out on www.gt motorsports.org.
• 1:31:18
  You can also find us on Instagram at Grand Tour Motorsports.
• 1:31:22
  Also, if you want to get involved or have suggestions for future shows, you can call
• 1:31:26
  or text us at (202) 630-1770 or send us an email at Crew chief@gtmotorsports.org.
• 1:31:34
  We'd love to hear from you.
• 1:31:36
  Hey everybody, crew Chief Eric here.
• 1:31:38
  We really hope you enjoyed this episode of Break Fix, and we wanted
• 1:31:42
  to remind you that GTM remains a no annual fees organization, and our goal
• 1:31:47
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• 1:31:52
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• 1:31:56
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• 1:32:01
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• 1:32:19
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• 1:32:24
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