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Transcript

Gunsmoke — Lochinvar [episode 26], Broadcast 10/17/1952 (Western Radio Drama) · Gunsmoke | Old Time Radio

• 0:08
  Speaker 1: Around God's City and in the territory on West.
• 0:11
  Speaker 2: There's just one way to handle the killers and the spoilers,
• 0:15
  Speaker 2: and that's with a US Marshal and the smell of
• 0:18
  Speaker 2: gun smoke, guns smoke.
• 0:38
  Speaker 1: Storry William Conrad.
• 0:39
  Speaker 2: The Story of the Violence that moved West with Young America.
• 0:43
  Speaker 2: The story of a man who moved with it. Matt Dylon,
• 0:47
  Speaker 2: United States.
• 0:47
  Speaker 3: Marshal, Oh what's the rush, miss Kitty? Come on, sit
• 1:20
  Speaker 3: out and have a beer with us.
• 1:21
  Speaker 4: Kitty, I love too mad, but I just stepped out
• 1:24
  Speaker 4: for some threads.
• 1:25
  Speaker 5: I gotta get back to work.
• 1:26
  Speaker 1: Some thread That sounds pretty domestic for you, doesn't it, Alice.
• 1:31
  Speaker 1: But it's an occasion. I'm making a wedding dress.
• 1:35
  Speaker 6: Whoa, no, miss Kitty, not you, oh mine?
• 1:38
  Speaker 4: No, it isn't for Maychester, worst luck for artists, Nash.
• 1:43
  Speaker 4: It's going to be beautiful, if I say so myself.
• 1:46
  Speaker 1: Well, if I ever need a wedding dress made, I'm
• 1:48
  Speaker 1: sure come to you for it. We'll be here, Matt.
• 1:52
  Speaker 1: Let me know, see you later. Boys.
• 1:55
  Speaker 7: Kitty, she's a fine girl, mister Dylan.
• 2:00
  Speaker 1: They oh yeah, yeah, she's great. She's well. Look who's
• 2:05
  Speaker 1: back in town, mister Dylan.
• 2:08
  Speaker 8: Yeah, Frank Craig, Hello Marshall.
• 2:20
  Speaker 1: Frank, I never expected you to come back. I don't
• 2:24
  Speaker 1: know what to say to you. You might say welcome home, Yeah,
• 2:28
  Speaker 1: I might at least your honest Marshall. Sure, who have
• 2:33
  Speaker 1: you been for the last year out West Wyoming? Be exact?
• 2:38
  Speaker 1: And my sympathy for the peace officers of Wyoming. Man
• 2:42
  Speaker 1: can change, Marshall grow up and get over his wildness
• 2:46
  Speaker 1: and start to think about settling down. Some men can, well,
• 2:50
  Speaker 1: I'm one of them. I don't aim to cause any trouble.
• 2:54
  Speaker 1: Marshall came back here to marry Artists and take her
• 2:57
  Speaker 1: with me. That's all you heard from since you're left.
• 3:02
  Speaker 1: She's pretty as ever.
• 3:03
  Speaker 9: She'll pass if the man in Dodge was crazy about her.
• 3:07
  Speaker 1: She was my girl from start to finish. Things can change, Frank,
• 3:11
  Speaker 1: She's still my girl. Mar Ben Martin might differ with him.
• 3:16
  Speaker 9: Ben Martin, that bullneck plowboy. You never had a chance
• 3:21
  Speaker 9: in What are you saying, Marshall.
• 3:25
  Speaker 1: You don't aim the cousin any trouble you say, and
• 3:27
  Speaker 1: you actually just happened to roll into tom three days
• 3:29
  Speaker 1: before Artists is due to marry Ben. You're claiming you
• 3:33
  Speaker 1: didn't know about it, eh, artist wrote me a farewell
• 3:38
  Speaker 1: let her Marshall.
• 3:40
  Speaker 9: It doesn't make any difference. Like I said, she's still
• 3:44
  Speaker 9: my girl.
• 3:45
  Speaker 1: She's not marrying Ben or anybody else, not while I'm alive.
• 3:50
  Speaker 1: And like I said, Frank, Ben may differ with you.
• 3:53
  Speaker 9: I used to chase him home crying when we were kids.
• 3:55
  Speaker 1: I don't think he'll chase that easy now. Ben took
• 3:57
  Speaker 1: over the Circle Barbee. He's got twenty five boys writing
• 4:00
  Speaker 1: for him. He's a big man around here, swings a
• 4:03
  Speaker 1: lot of weight. Marshall, I said, I wasn't looking for
• 4:07
  Speaker 1: trouble in a matute. I came back here to get artists.
• 4:11
  Speaker 1: That's all. Any man tries to stop me, I'll kill him.
• 4:17
  Speaker 1: I'll see you, Marshall, Chester. See if you can find
• 4:24
  Speaker 1: Ben Martin. Have you meet me over at the jail office.
• 4:41
  Speaker 10: I thought he was one thousand miles away, Marshall. I
• 4:44
  Speaker 10: didn't think he'd ever have the nerve to come back.
• 4:46
  Speaker 1: I hope then the two of you are bound to
• 4:48
  Speaker 1: run into each other, so I figured you'd better know
• 4:50
  Speaker 1: about it.
• 4:52
  Speaker 10: What's he expect, Marshall. Artists forgot him a week after
• 4:55
  Speaker 10: he left town. Does he expect to force himself on it.
• 5:00
  Speaker 10: Maybe you know Frank my money, he's a crazy half
• 5:04
  Speaker 10: wild saddle bumb We should have been hung five years ago.
• 5:07
  Speaker 1: He says.
• 5:08
  Speaker 10: He's settled down, though, Ben, you're not going to settle
• 5:11
  Speaker 10: down here.
• 5:11
  Speaker 1: Look, Ben, I don't like killings. Now, hang on to
• 5:13
  Speaker 1: that temporary yours.
• 5:14
  Speaker 10: Sure, Sure, I'll hang on to it, Marshall, just as
• 5:17
  Speaker 10: long as Frank Craig stays clear of me and stays
• 5:21
  Speaker 10: away from my girl. Otherwise I tell you all right now, Marshal,
• 5:26
  Speaker 10: that you artists, we're here, Honey, come on in.
• 5:33
  Speaker 1: Someone said you.
• 5:34
  Speaker 11: Were here at the jail, even to mister villain, Miss Nash,
• 5:38
  Speaker 11: I'm sorry if I interrupted anything, But Ben, you know
• 5:41
  Speaker 11: who's in town.
• 5:42
  Speaker 10: Yeah, Frank Craig, that's what we were talking about, honey.
• 5:47
  Speaker 11: He says, he's come back for me. Take me away
• 5:50
  Speaker 11: with him.
• 5:50
  Speaker 1: What do you mean, he says, Miss Snash, We came.
• 5:53
  Speaker 11: To the house a while ago. He knew about Ben
• 5:55
  Speaker 11: and me, that we were going to be married. Became anyway,
• 5:59
  Speaker 11: I sent him away.
• 6:00
  Speaker 1: That does it? Rushall? That Ben, there's no harm in
• 6:03
  Speaker 1: him just talking to her.
• 6:05
  Speaker 10: Man's got a right to protect what's his Marshall.
• 6:07
  Speaker 1: Protection's my business, Ben, and as long as I'm Marshall here,
• 6:10
  Speaker 1: it'll keep on being my business. On three days. You
• 6:13
  Speaker 1: got a wedding coming up, I'd hate to see it
• 6:16
  Speaker 1: ruined by you kill him.
• 6:18
  Speaker 11: I have nothing against Frank Craig, mister Dylan.
• 6:21
  Speaker 1: I wouldn't want him killed, neither would I. Oh good night,
• 6:27
  Speaker 1: miss Nash. Ben all right, think it over, Ben, don't
• 6:33
  Speaker 1: lose your head.
• 6:35
  Speaker 10: Yeh sure, Marshall, I'll think it over.
• 6:54
  Speaker 6: How long are we going to have to keep on riding?
• 6:56
  Speaker 10: Heard on?
• 6:57
  Speaker 1: Frank Craig, mister Dillon, Oh just he and then meet
• 7:00
  Speaker 1: face to face and have their say. I guess.
• 7:04
  Speaker 6: That Frank Craig, Sure he is a fancy dresser.
• 7:09
  Speaker 7: Silver spurs, red silk cake, cheap mellow boots.
• 7:15
  Speaker 1: World. Here's the Marshall, right on the job, hie, Doc,
• 7:20
  Speaker 1: we a match here.
• 7:21
  Speaker 5: We got ourselves a nice little killing coming up here.
• 7:24
  Speaker 1: You hope we have it? Oh?
• 7:27
  Speaker 5: No, it's not the fee. It's a romance thing. Yes,
• 7:30
  Speaker 5: young man comes back in the west, sees girl find
• 7:32
  Speaker 5: she's on the point of.
• 7:35
  Speaker 1: Watch me for the play and keep me covered. Huh.
• 7:37
  Speaker 7: I don't know what you mean.
• 7:38
  Speaker 1: Over there. Oh, Ben Martin and two of his boys.
• 7:41
  Speaker 1: They just came in. I'm gonna go over to the
• 7:44
  Speaker 1: bar next to Craig They keep your head up, Yes.
• 7:48
  Speaker 6: Mister Dylan, you better give me some room.
• 7:51
  Speaker 1: Doc Hell, how are you, Frank? Yeah? I saw him
• 7:59
  Speaker 1: come in too. You've been standing over there watching me
• 8:02
  Speaker 1: for two hours, and now you come up and speak.
• 8:07
  Speaker 1: I fight my own battles, Marshal, Frank. The way I'm
• 8:09
  Speaker 1: playing that, there's not going to be a battle. Wow, Ben, it's.
• 8:16
  Speaker 10: Nice to see you, Marshall. I'd rather you weren't here.
• 8:21
  Speaker 10: I guess you know that.
• 8:23
  Speaker 1: Yeah, sure, I know that. I don't worry. Ben. Felan's neutral.
• 8:28
  Speaker 1: That still gives it three to one odds. What more
• 8:31
  Speaker 1: do you want, Frank?
• 8:34
  Speaker 10: We don't need you in this town. You were going
• 8:38
  Speaker 10: for a year and we got along fine. So if
• 8:41
  Speaker 10: you climb on that horse of yours and ride out again,
• 8:44
  Speaker 10: we'll still get along fine.
• 8:46
  Speaker 1: My girl won't. Ben.
• 8:47
  Speaker 10: You haven't got a girl in Dodge City, Frank.
• 8:51
  Speaker 1: Sure I have, and I want to thank you for
• 8:54
  Speaker 1: looking out for while I was away.
• 8:57
  Speaker 10: As far as she's concerned, your fill away, I might
• 9:02
  Speaker 10: as well warn you there are a couple of my
• 9:04
  Speaker 10: boys on guard at her house, armed with the rifles.
• 9:09
  Speaker 9: Ben, I never needed a guard to hold her.
• 9:14
  Speaker 10: If you come within fifty yards, they got orders to
• 9:17
  Speaker 10: kill you.
• 9:19
  Speaker 1: You'll be there from now till the wedding.
• 9:22
  Speaker 9: Oh yeah, win, I'm afraid that's been called off.
• 9:27
  Speaker 1: Ben. It's the artists and I have other plans. We
• 9:31
  Speaker 1: got a wedding of our own coming up.
• 9:33
  Speaker 9: Well, you thurty.
• 9:34
  Speaker 1: Arf, either one of your draws he's drawn against me.
• 9:39
  Speaker 1: I wouldn't draw on him, Marshall. I feel kind of
• 9:43
  Speaker 1: sorry for him, so we'll help you.
• 9:46
  Speaker 6: Now.
• 9:47
  Speaker 1: You both had your say, and each knows how the
• 9:49
  Speaker 1: other one stands. Well, there's my stand. If Ben wants
• 9:53
  Speaker 1: to keep a guard in her house, is all right
• 9:54
  Speaker 1: with me. You've had a fair warning, Frank, so stay away.
• 9:58
  Speaker 10: I wish she would try to buy.
• 10:00
  Speaker 1: On the other hand, Ben, Frank's got as much right
• 10:02
  Speaker 1: to the run of the town as you or me
• 10:03
  Speaker 1: or anybody else your As.
• 10:05
  Speaker 10: Long as decent citizens hide, they're valuable.
• 10:07
  Speaker 1: You can't go by rumors, Ben, Nobody ever proved a
• 10:10
  Speaker 1: case against him.
• 10:11
  Speaker 10: You know that piece of stout rope would prove.
• 10:13
  Speaker 1: I wouldn't try it. Ben. If you and your boys
• 10:16
  Speaker 1: want a drink. Now, go on over to the long Horn.
• 10:18
  Speaker 1: Stay out of the Texas trail here from now on,
• 10:22
  Speaker 1: you Franks, stay clear the Longhorn. Quite an optimist, Marshall.
• 10:27
  Speaker 1: Yeah maybe so. How know you leaving? Ben?
• 10:34
  Speaker 10: Yeah, I'll be seeing you, Frank.
• 10:41
  Speaker 1: Oh boy, all right, Frank, you've got nothing to gain
• 10:47
  Speaker 1: here and everything to lose. Miss Nash has made a choice,
• 10:50
  Speaker 1: and whatever was between you, once there's water down the river,
• 10:52
  Speaker 1: why don't you pull out?
• 10:54
  Speaker 9: Because she's still my girl, Matt, I know, and she
• 10:58
  Speaker 9: knows too.
• 10:59
  Speaker 12: You and see.
• 11:17
  Speaker 1: You'll move man, And let's see now, so and move there.
• 11:22
  Speaker 1: You'll move there, dropping my king block the whole corner.
• 11:27
  Speaker 1: But if I move here, mister, you can move.
• 11:34
  Speaker 5: No, you got Chester And now I'm playing, Matt, not.
• 11:37
  Speaker 1: Both of you. Chester and I kind of run together, doc.
• 11:40
  Speaker 5: Enforcing the law. That's fine, playing checkers. No, Matt, it's
• 11:45
  Speaker 5: still your move.
• 11:47
  Speaker 1: Yeah, I know, Yeah, all right, sat.
• 11:57
  Speaker 6: Well, I'll be here.
• 12:01
  Speaker 10: Thanks, doctor.
• 12:04
  Speaker 1: Let's call the gate.
• 12:05
  Speaker 5: Yeah, you sneak up on me. That's what you did,
• 12:07
  Speaker 5: you snug.
• 12:07
  Speaker 6: Up on Oh well, sure, it's quiet. I figured one
• 12:17
  Speaker 6: of them to would make a play before this.
• 12:19
  Speaker 1: Yeah, and if we can get past noon tomorrow with
• 12:23
  Speaker 1: Ben and artists married. Even Craig got to know when
• 12:27
  Speaker 1: he's beaten.
• 12:28
  Speaker 9: I don't know, Matt, he never did when he was
• 12:30
  Speaker 9: here for I better learn.
• 12:33
  Speaker 1: Kind of got a girl to change her mind as
• 12:34
  Speaker 1: one thing bother a married woman's another.
• 12:38
  Speaker 6: You know, mister Dylon, it seems to me miss artist
• 12:41
  Speaker 6: Nash is the one that.
• 12:42
  Speaker 1: Could have stopped all this if she just speak.
• 12:44
  Speaker 6: Her mind out playing.
• 12:48
  Speaker 4: If they want you over at the Express office right away,
• 12:51
  Speaker 4: you too, doctor was wrong?
• 12:52
  Speaker 5: Hold up, Matt, somebody shot the clerk.
• 12:55
  Speaker 6: He's dying.
• 13:07
  Speaker 1: Let me throw it. Please, I'm sorry. One side, please
• 13:11
  Speaker 1: this one.
• 13:12
  Speaker 9: Please stand back.
• 13:16
  Speaker 1: And you get through and you yeah, man, yeah, schester,
• 13:21
  Speaker 1: will you move them back and make them stand back?
• 13:23
  Speaker 10: Yes, yes, you're mister.
• 13:24
  Speaker 5: Let me have a look now, just let me have
• 13:25
  Speaker 5: a look.
• 13:27
  Speaker 1: How does a look back?
• 13:29
  Speaker 5: There's a lot of bleeding matter.
• 13:30
  Speaker 10: I don't know.
• 13:31
  Speaker 1: I'll do what I can easy now, Sally, you're gonna
• 13:35
  Speaker 1: be all right. One man, mister dim wearing a mask
• 13:40
  Speaker 1: over space red silk handkerchief O red Siel candkerchief.
• 13:47
  Speaker 5: Frank Craig is the only man.
• 13:48
  Speaker 2: Yeah, I know, we will return for the second act
• 14:12
  Speaker 2: of gun Smoke. In just a moment, but first, Tomorrow night,
• 14:15
  Speaker 2: Von Monroe and his musical company settled down for an
• 14:18
  Speaker 2: evening's melody making at Duke University. Aileen Woods is Vaughn's
• 14:22
  Speaker 2: guest songbird bandleader Vaughn, the moon Maids and the Moonmen
• 14:26
  Speaker 2: join and playing and singing the top tunes of the week.
• 14:29
  Speaker 2: Enjoy every bit of it Tomorrow night on CBS Radio.
• 14:34
  Speaker 2: Now the second act of gun Smoke.
• 14:59
  Speaker 1: It's pretty you wait, mister Dylon.
• 15:01
  Speaker 6: Maybe he's not gonna come back here in.
• 15:03
  Speaker 1: His bedrolls here at Chester, all his belongings. Man doesn't
• 15:07
  Speaker 1: leave his stuff in a rooming house unless he's planning
• 15:09
  Speaker 1: to come back to it.
• 15:11
  Speaker 6: He might have got to wind up after he shot
• 15:13
  Speaker 6: that clerk. Maybe he just hit the saddle.
• 15:16
  Speaker 1: And lit out. No, not, Frank. It's one thing about him.
• 15:19
  Speaker 1: I've never seen him scared. He'll be here sooner or later,
• 15:26
  Speaker 1: and I can't figure him. Mister Dyllon, he must have
• 15:29
  Speaker 1: needed the money off of bad Yeah, I guess so.
• 15:36
  Speaker 1: My hiding out in the dark gets on the man's nerves,
• 15:40
  Speaker 1: don't it. Yeah, it sure does helps some of POI
• 15:45
  Speaker 1: could just smoke it. Don't suppose.
• 15:51
  Speaker 6: Somebody's coming, mister Dillon.
• 15:53
  Speaker 1: Yeah, that's him, all right, I'll watch it. Chester, all right,
• 16:07
  Speaker 1: hold it, Frank, don't move. It's Matt Dillon. Thought it
• 16:15
  Speaker 1: might be somebody else like the Lanchester. Here's mister Frank.
• 16:20
  Speaker 1: Understands you left the Texas Trail right after dark. Nobody's
• 16:24
  Speaker 1: seen you since. Where you've been.
• 16:27
  Speaker 9: Just friendly conversation Marshall, or is this official?
• 16:30
  Speaker 1: It's official? Then, I guess you won't answer that. I
• 16:35
  Speaker 1: see you're still wearing that red silk handkerchief. Any reason
• 16:38
  Speaker 1: why I shouldn't be.
• 16:41
  Speaker 9: Marshall?
• 16:41
  Speaker 1: What's it all about? Murder? If that express clerk dies?
• 16:47
  Speaker 1: I ask you, what's it all about? Where's the money? Frank?
• 16:54
  Speaker 1: The way I seem to get it?
• 16:55
  Speaker 9: Somebody held up the express office and shot the clerk.
• 16:58
  Speaker 1: You're accusing me. I didn't do it, Marshall. Where you've been? Sorry, Marshall,
• 17:06
  Speaker 1: you're under arrest. Frank now, I'm afraid not see that
• 17:12
  Speaker 1: would ruin all my plan. But i'd lay your gun
• 17:14
  Speaker 1: on the table over there. I'm sorry, Marshall. Some of
• 17:18
  Speaker 1: the time.
• 17:20
  Speaker 5: Ravin Chester, don't you grab he went through the window.
• 17:24
  Speaker 2: Mister killan never mind, Chester, grab a blanket. Let's get
• 17:26
  Speaker 2: this fire out before it burns the whole place.
• 17:28
  Speaker 1: Dot cot Math then looks a sour.
• 17:47
  Speaker 4: In an hour, it'll all be.
• 17:48
  Speaker 1: Over, Kitty. I'd be a lot sure of that if
• 17:51
  Speaker 1: I had Frank Craig locked up in jail.
• 17:53
  Speaker 4: No plaice of him, Hunt, not a sign. Don't forget
• 17:56
  Speaker 4: about him, Matt. He could be halfway to wyoming by now.
• 18:00
  Speaker 1: I wish I could think so.
• 18:02
  Speaker 4: I wonder what artist Nashes thinking about him.
• 18:06
  Speaker 1: What businesses she got thinking about him? When she's gonna
• 18:08
  Speaker 1: marry Ben in an hour.
• 18:12
  Speaker 4: I'm afraid you'll just never understand women.
• 18:15
  Speaker 1: Well, who does. Frank Craig's a born drifter. He'll never
• 18:19
  Speaker 1: settle down. He's wild as a range coat, never been broken,
• 18:23
  Speaker 1: never will be sooner or later. He'll come home tight
• 18:26
  Speaker 1: across his saddle. How anny girl can get herself interested
• 18:30
  Speaker 1: in a man like that beats me?
• 18:32
  Speaker 4: Not me, Matt, I know exactly how a girl can
• 18:37
  Speaker 4: get herself interested in a man like that.
• 18:41
  Speaker 1: I'll see at the wedding.
• 18:42
  Speaker 5: I gotta help artists finish. Good morning, mis gidding beg morning, Matt.
• 18:50
  Speaker 10: You're working up your courage what for.
• 18:52
  Speaker 1: Doc, I'm not getting married. Uh, how's the express clerk?
• 18:57
  Speaker 5: He's bad, he's getting worse. I don't think he's gonna
• 19:00
  Speaker 5: make it. What about Frank.
• 19:02
  Speaker 1: Craig Nothing, not a sign. I think he's stole around
• 19:05
  Speaker 1: Tom somewhere. But we can well, Doc, Doc, look at that.
• 19:11
  Speaker 1: Well look an.
• 19:12
  Speaker 5: Now pack of Cote Borrow shirt, green galaxies and the
• 19:16
  Speaker 5: pink sotar. Well, Chester, I haven't seen it get up
• 19:19
  Speaker 5: like that since I holed out of Boston.
• 19:21
  Speaker 8: The home.
• 19:21
  Speaker 10: Well, I figured it.
• 19:23
  Speaker 1: With whom we do respect to the bride, Where where's
• 19:27
  Speaker 1: your gun? Chester?
• 19:28
  Speaker 7: Oh goodness, pacious, mister Dilly, you can't wear a gun
• 19:31
  Speaker 7: to a wedding.
• 19:32
  Speaker 1: At this wedding, even the bridegroom's wearing a gun. Chester,
• 19:36
  Speaker 1: I'm wearing one, and so are you, So you better
• 19:37
  Speaker 1: go get it. Made me at the church, mister Dillon.
• 19:57
  Speaker 9: He is so pretty. I wish I was marrying. I
• 20:00
  Speaker 9: heard myself.
• 20:00
  Speaker 1: You better forget that. Chester. Ben's got enough worries as
• 20:03
  Speaker 1: it is.
• 20:04
  Speaker 6: He sure does look fidgety, all right.
• 20:06
  Speaker 9: He's got reason to Oh yeah, sure kidding, period, My.
• 20:19
  Speaker 1: Dearly beloved friends and neighbors. It is the privilege of
• 20:23
  Speaker 1: all of us to be gathered here together in the
• 20:26
  Speaker 1: sight of the Lord, in.
• 20:28
  Speaker 13: The presence of one another, for the purpose of uniting
• 20:31
  Speaker 13: this man and this woman in the bonds of holy matrimony.
• 20:35
  Speaker 13: It won't belong now, mister Yeah, the sooner the better,
• 20:40
  Speaker 13: Barbara Hardest Nash and Benjamin Martin there is I am
• 20:44
  Speaker 13: sure no needs emphasize the solemn and sacred nature.
• 20:48
  Speaker 1: Of the great institution into which they are about to emper.
• 20:53
  Speaker 9: I never heard all of this.
• 20:55
  Speaker 1: You still want to marry her Chester.
• 20:58
  Speaker 13: Beyond, and about the decay and corruption of the flesh
• 21:02
  Speaker 13: and the.
• 21:02
  Speaker 10: Devil presence you come here.
• 21:08
  Speaker 12: Together. All that is.
• 21:15
  Speaker 1: Hand, Frank Craig.
• 21:20
  Speaker 6: He's just standing there, mister Dillon, just standing there and looking.
• 21:23
  Speaker 1: Slide out to the side Aisle Chester. Maybe we can
• 21:25
  Speaker 1: get to him quietly without breaking up the meeting.
• 21:28
  Speaker 9: I think he's already broken up, already studed.
• 21:31
  Speaker 3: Mister Dillon's fell right on the poor Come on, Chester,
• 21:35
  Speaker 3: pardon me?
• 21:37
  Speaker 1: Would you let me throw please? I'm sorry, lady, would
• 21:40
  Speaker 1: one side pleasa? He was right here by the door
• 21:47
  Speaker 1: outside Chester.
• 21:56
  Speaker 6: Hell, no sign of him? Did you find him?
• 22:00
  Speaker 9: Not yet?
• 22:00
  Speaker 1: Ben put that gun away? You want to kill some
• 22:02
  Speaker 1: bystander in the crowd.
• 22:03
  Speaker 10: There's only one man I want to kill. I should
• 22:06
  Speaker 10: have done it three days ago.
• 22:07
  Speaker 1: Yeah, I know, Ben, what they do with miss Nash.
• 22:09
  Speaker 10: Who carried her into the minister's study, Dirty Lore walking
• 22:14
  Speaker 10: right into the church scared her out of a witch.
• 22:20
  Speaker 1: At thing is happening. He poster's way into my study,
• 22:22
  Speaker 1: pushed me out the door. Craig. Yes, he had a
• 22:24
  Speaker 1: horse tied behind the church.
• 22:25
  Speaker 10: He's gone and taking her with his kidnapped her ma out,
• 22:27
  Speaker 10: He's kidnapped.
• 22:28
  Speaker 1: Save your breath, Ben, get your horse, Come on, Chester,
• 22:30
  Speaker 1: let's ride.
• 22:45
  Speaker 6: I never did think we'd get back to town, mister Dylan.
• 22:48
  Speaker 6: I'm saddled, sore and beat.
• 22:52
  Speaker 1: Yeah, Chester, a.
• 22:54
  Speaker 6: Hundred men hunting him, and he slipped past all of him.
• 22:57
  Speaker 6: That's where I just can't figure it.
• 23:02
  Speaker 1: Any place on Uh not a sign, Kenny. Some of
• 23:06
  Speaker 1: the boys are still beating the river bed soft. But
• 23:09
  Speaker 1: I don't know.
• 23:10
  Speaker 6: I guess he kind of made fools office, mister Dillon.
• 23:14
  Speaker 1: Yeah, I guess so, Chester man luck Yeah, sure, Doc
• 23:25
  Speaker 1: all bad.
• 23:26
  Speaker 5: Yeah mine, Dumn That flirt died.
• 23:30
  Speaker 6: A half hours though. Mh so now it's murdered, mister Dillon.
• 23:37
  Speaker 12: Yeah, it's murdered.
• 23:41
  Speaker 1: Hull up by. Well, let's go into the office and
• 23:44
  Speaker 1: get out. I'm bulletin A bulletin. Not a good deal.
• 24:01
  Speaker 1: Light the lamp, will you, Chester? Yes?
• 24:11
  Speaker 6: Here, we are older than Matt.
• 24:15
  Speaker 1: You two, Chester, don't move. The only place nobody'd ever
• 24:20
  Speaker 1: think of looking right here in the jail. Yeah, that's
• 24:25
  Speaker 1: what we figured o, Miss Nash. You just need to
• 24:28
  Speaker 1: be in pretty fair shape for a kidnapped victim.
• 24:30
  Speaker 11: I'm not a victim of anything, mister Dillon l It's
• 24:33
  Speaker 11: my own foolishness. As most people would say, I guess
• 24:37
  Speaker 11: maybe they're right. I only know this when Frank came
• 24:41
  Speaker 11: back to town. I knew then that it wasn't over
• 24:43
  Speaker 11: and never would be. I'm Frank's girl, mister Dilman, for
• 24:47
  Speaker 11: better or worse, right or wrong, I'm going with him
• 24:50
  Speaker 11: to Wyoming.
• 24:51
  Speaker 1: He's wanted on suspicion of murder, Miss Nash.
• 24:54
  Speaker 10: He didn't do it.
• 24:55
  Speaker 5: He couldn't have.
• 24:57
  Speaker 11: He was with me when it happened.
• 24:59
  Speaker 1: What did you say?
• 25:00
  Speaker 11: He sits past Ben's guards and came to see me.
• 25:04
  Speaker 11: That's why he wouldn't tell you where he'd been. He
• 25:06
  Speaker 11: didn't want to get me in trouble.
• 25:08
  Speaker 1: He's telling the truth, Marshall.
• 25:10
  Speaker 11: Maybe, mister Dylon, you might ask Ben Martin what happened
• 25:15
  Speaker 11: to my red silkscr I missed it right after he
• 25:18
  Speaker 11: came to see me that afternoon.
• 25:20
  Speaker 9: Go on, he didn't do it for the money to
• 25:24
  Speaker 9: ruin me once and for all.
• 25:26
  Speaker 11: If we were lying, we wouldn't have come here, mister Dillon, Yeah, it.
• 25:29
  Speaker 1: Makes sense all right? But Chester, who rode up out there?
• 25:37
  Speaker 6: It's Ben Martin? Mister Dillon, think he's coming in here?
• 25:41
  Speaker 1: Where's your horse? Frank? The corral back of the jail,
• 25:43
  Speaker 1: all right, go out the back way, get it in
• 25:45
  Speaker 1: the head for Wyom and take one of my extra
• 25:47
  Speaker 1: horses and leave it at Bison Flat. You can buy
• 25:49
  Speaker 1: another horse from the Indians there, Matt. I don't know
• 25:52
  Speaker 1: how we can ever. Thank you, never mind, I just
• 25:54
  Speaker 1: got going for I changed my mind, and good luck
• 25:57
  Speaker 1: to both of you.
• 25:59
  Speaker 11: Thanks, mister Dylan.
• 26:06
  Speaker 1: Anybody here, Yeah, come on in, Ben, pull the light on.
• 26:16
  Speaker 10: I figured you must be here, and he signed him.
• 26:22
  Speaker 10: What's the matter?
• 26:26
  Speaker 1: The clerk died? Why'd you do it? Ben?
• 26:33
  Speaker 10: I don't know what you mean.
• 26:34
  Speaker 1: Where's the red scarf you stole from Miss Nash, I
• 26:40
  Speaker 1: gotta arrest you for murder. Ben.
• 26:44
  Speaker 10: I don't think so, Matt. I don't think I'm gonna
• 26:48
  Speaker 10: let you do that.
• 26:49
  Speaker 1: You've seen me draw before. Now you better give me
• 26:51
  Speaker 1: your gun. Ben. Don't do it the hard What.
• 26:53
  Speaker 10: You call the hard way, Matt, may be the easiest
• 26:56
  Speaker 10: way of all. So win or lose.
• 26:59
  Speaker 7: I something fell out of his pocket there, yeah, his
• 27:25
  Speaker 7: marriage license.
• 27:48
  Speaker 2: Gun Smoke, under the direction of Norman McDonald's, stars William
• 27:51
  Speaker 2: Conrad as Matt dylon Us Marshall. Tonight's story was specially
• 27:55
  Speaker 2: written for Gun Smoke by Less Crutchfield, with music composed
• 27:58
  Speaker 2: and conducted by Rex Corey. Featured in the cast were
• 28:02
  Speaker 2: Herbalus Vivy Janis, Tom Tully and Barney Phillips, Parley bear
• 28:06
  Speaker 2: Is Chester, Howard mcneer, Is Duck, and Georgia Ellis Is Kiddy.
• 28:11
  Speaker 2: Join us again next week as Matt dillon Us Marshall
• 28:14
  Speaker 2: fights to bring law and order out of the wild
• 28:16
  Speaker 2: violence of the West in Gun Smoke. As colorful as
• 28:27
  Speaker 2: a Western roundup and twice the fun.
• 28:29
  Speaker 6: That's the gen Ottery Show, which comes your way every.
• 28:31
  Speaker 2: Saturday evening over CBS Radio.
• 28:34
  Speaker 1: It's one of.
• 28:34
  Speaker 2: Radio's most distinctive programs flavored to taste with songs of
• 28:38
  Speaker 2: the sagebrush and melodies of the Mesquite Country. The Genautry
• 28:42
  Speaker 2: Show is thirty minute jewel enjoys tacked full of comedance
• 28:45
  Speaker 2: songs and the genial personality of a one and only
• 28:48
  Speaker 2: gene Autry. The whole Melody Ranch gang is on hand
• 28:51
  Speaker 2: to entertain you Tomorrow night every Saturday night, So tune
• 28:54
  Speaker 2: in the gen Outry Show and hit the pleasure trail
• 28:57
  Speaker 2: over most of the same CBS station. Clancy Cassell speaking,
• 29:03
  Speaker 2: and remember Broadway as my Beaf brings you startling mysteries
• 29:06
  Speaker 2: Saturday nights on the CBS Radio Network