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I Am All In…Again: Roll Call with Mr. Medina (Season 1 E11 "Paris is Burning") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in again.
• 0:06
  Speaker 2: Oh, I am all in again with Scott Patterson and
• 0:20
  Speaker 2: iHeartRadio Podcast.
• 0:22
  Speaker 3: Hey everybody, Scott Patterson, I am all in Podcast one
• 0:24
  Speaker 3: eleven productions, iHeart Radio, iHeart Media. I Heart Podcast Episode recap,
• 0:31
  Speaker 3: Season one, Episode eleven.
• 0:34
  Speaker 1: Paris is Burning and boy is she?
• 0:37
  Speaker 3: And we have a very special guest, mister Max Medina himself,
• 0:41
  Speaker 3: the one and only Scott Cohen is here to discuss
• 0:44
  Speaker 3: this episode with me.
• 0:46
  Speaker 4: Yeah, it's so funny. Man. You watched it and you're like,
• 0:50
  Speaker 4: holy got you sucked in that? What?
• 0:52
  Speaker 1: What are you talking about? Your work is great? What
• 0:54
  Speaker 1: are you talking about?
• 0:55
  Speaker 4: That's how you feel. No, it's funny though, It's like,
• 0:58
  Speaker 4: you know, I've really have I barely watched the show
• 1:03
  Speaker 4: when it was on, and you know, because you didn't
• 1:06
  Speaker 4: have like you know, Netflix back then or whatever, and
• 1:09
  Speaker 4: you just and you moved on with shit, right, It's like,
• 1:11
  Speaker 4: you know, so it kind of passed me by, but
• 1:13
  Speaker 4: then when you look back on it, you're kind of surprised, like, oh,
• 1:17
  Speaker 4: I kind of remember that scene. I remember that's I
• 1:19
  Speaker 4: remember doing that and it's funny and I mean, I
• 1:23
  Speaker 4: could tell you this while we're doing it, but but
• 1:26
  Speaker 4: it was, it was, and I have to say seeing
• 1:30
  Speaker 4: it now, so this is twenty five years on. Man,
• 1:34
  Speaker 4: it's crazy and it's funny. It's just it's such a
• 1:40
  Speaker 4: good show and you're just like, oh my god, it's
• 1:42
  Speaker 4: like I can't believe, like Belly laughs, like.
• 1:44
  Speaker 1: Oh my, it's really funny.
• 1:45
  Speaker 4: Yeah, really funny.
• 1:46
  Speaker 1: That's my takeaway too, is.
• 1:48
  Speaker 3: How damn funny it is, I don't know, and how smart,
• 1:52
  Speaker 3: smartly funny.
• 1:53
  Speaker 4: It is so smart, so smart, she's so good. You know.
• 1:56
  Speaker 3: What really struck me about this is the narcissism of
• 2:01
  Speaker 3: Emily Gilmour how so and how she uses her daughter,
• 2:06
  Speaker 3: and how her daughter didn't measure up to their expectations,
• 2:12
  Speaker 3: and it is such a disappointment to Emily all the time.
• 2:16
  Speaker 3: Instead of like you know, adjusting her her worldview and
• 2:22
  Speaker 3: her expectations and accepting reality, she's like Emily just lives
• 2:28
  Speaker 3: in this world where she's just so rejecting her daughter
• 2:33
  Speaker 3: at all times.
• 2:35
  Speaker 4: Yeah. But what I find really interesting about that is
• 2:38
  Speaker 4: that Lurlai is capable of not doing that to Rory,
• 2:42
  Speaker 4: which I think is the hardest. I think a parent
• 2:45
  Speaker 4: that is raising a child that has such a strong
• 2:49
  Speaker 4: parent that is kind of creating this havoc in her life,
• 2:54
  Speaker 4: you know, to kind of evade that in a certain sense, right,
• 2:57
  Speaker 4: not in all senses, because her belliousness is really kind
• 3:01
  Speaker 4: of what what I think kind of defines her in
• 3:03
  Speaker 4: the same vein that that she's not. She doesn't do
• 3:08
  Speaker 4: the same thing that that uh, that Emily does to
• 3:13
  Speaker 4: Laurel I, that Lorelai would do to Rory.
• 3:15
  Speaker 1: But she did do it to Rory. She slept, she
• 3:18
  Speaker 1: got in a relationship with.
• 3:19
  Speaker 4: You, I know, But that's different than what Emily is.
• 3:22
  Speaker 4: Like Emily's just so she's so controlling and so things
• 3:25
  Speaker 4: have to be this way. In this way. Laurel I
• 3:27
  Speaker 4: just makes bad choices, right, but you know, I mean
• 3:31
  Speaker 4: are they bad choices? I mean they're just human, like
• 3:33
  Speaker 4: she just you know, she falls in love or she
• 3:34
  Speaker 4: you know whatever.
• 3:36
  Speaker 3: I you know, I saw this episode. This is the
• 3:38
  Speaker 3: second time I've seen it, and now I'm beginning to
• 3:42
  Speaker 3: you know, the genius of the Palladinos uh continues to
• 3:48
  Speaker 3: unfold because episodes like this are so necessary and they
• 3:53
  Speaker 3: aren't as you know, chalk full of humor, as you know,
• 3:57
  Speaker 3: your your average Gilmore up right, Although it had really
• 4:03
  Speaker 3: funny belly laps and funny moments in here. For sure,
• 4:07
  Speaker 3: this was a deeply dramatic episode, and more so than
• 4:12
  Speaker 3: a lot of.
• 4:12
  Speaker 1: The episodes are.
• 4:15
  Speaker 3: Consistently throughout so and I thought, these are the wells
• 4:21
  Speaker 3: that the Palladinos are digging deeper and deeper and deeper.
• 4:24
  Speaker 3: And once in a while they do this because these
• 4:26
  Speaker 3: wells they can go back to time and time again
• 4:30
  Speaker 3: for callbacks, and they use these wells these episodes in
• 4:36
  Speaker 3: the dramatic storytelling, in the jokes. There's there's a million
• 4:41
  Speaker 3: jokes that are going to come from this episode in
• 4:45
  Speaker 3: season four, in season five, and season six. So I
• 4:49
  Speaker 3: think these episodes are really necessary. And as much as
• 4:52
  Speaker 3: I try to analyze it and overanalyze it and judge it, say, man,
• 4:56
  Speaker 3: what an irresponsible thing to do, and how how can
• 5:00
  Speaker 3: these two be so boneheaded as to, you know, think
• 5:04
  Speaker 3: of themselves first and not Rory's welfare. Well, you know,
• 5:08
  Speaker 3: the storytelling is, these are flawed characters, These are human beings.
• 5:13
  Speaker 3: They they're making a mistake, they don't see the mistake.
• 5:16
  Speaker 3: They're too in love, they're too infatuated. That's a very
• 5:19
  Speaker 3: human thing. And man, it's going to it's going to
• 5:25
  Speaker 3: manufacture so many great lines in the future, so many
• 5:31
  Speaker 3: great situations in the future. And I also thought that
• 5:36
  Speaker 3: maybe the critics didn't know what the show was in
• 5:40
  Speaker 3: the first season, like is this a drama?
• 5:43
  Speaker 1: Is it a comic?
• 5:43
  Speaker 4: What is it?
• 5:45
  Speaker 3: Because some are heavily dramatic, some are a lot of them,
• 5:48
  Speaker 3: and I think it operates best as a like comedy
• 5:51
  Speaker 3: with all the Joki jokes. Maybe that was the confusion,
• 5:54
  Speaker 3: but I think.
• 5:55
  Speaker 4: Was it was it reviewed poorly?
• 5:57
  Speaker 1: No, absolutely not.
• 5:59
  Speaker 3: No, I'm just saying, by the by the by the
• 6:01
  Speaker 3: I'm sorry, by the people that vote on awards. Oh,
• 6:04
  Speaker 3: like ye award, you know, like the Academy.
• 6:08
  Speaker 4: And yes, it didn't win any yes, yes, right, that's
• 6:11
  Speaker 4: where Lauren. Lauren was nominated I think for Golden Globe
• 6:15
  Speaker 4: or or something for the first year or something something
• 6:17
  Speaker 4: that yeah.
• 6:19
  Speaker 1: Yeah, yeah, kind of yeah.
• 6:21
  Speaker 3: But but isn't it interesting that And I think the
• 6:25
  Speaker 3: Palladinos just sort of they just wrote without restrictions, They
• 6:29
  Speaker 3: just wrote whatever they want.
• 6:31
  Speaker 1: They wrote instinctively m hm.
• 6:33
  Speaker 3: You know, within a within a structure obviously, but they
• 6:36
  Speaker 3: really brilliant instinctual writing. It's like they just went where
• 6:41
  Speaker 3: the characters wanted to take them.
• 6:42
  Speaker 4: Yeah, I would. I would agree with that.
• 6:44
  Speaker 3: Yeah, this is this is where they wanted to go.
• 6:48
  Speaker 3: And I think this dynamic this episode is as deep
• 6:52
  Speaker 3: and as interesting and as telling and revealing as any
• 6:57
  Speaker 3: episode that I've seen so far, because it really shows
• 7:03
  Speaker 3: how good it can be for her, you know, and
• 7:09
  Speaker 3: it's just not to be, and and how she sabotages
• 7:13
  Speaker 3: and the effects of having a mother like that.
• 7:15
  Speaker 1: Yeah, they raised that way.
• 7:17
  Speaker 3: Yeah, yeah, yeah, it's going to cause her to sabotage
• 7:19
  Speaker 3: things that are really great for her.
• 7:23
  Speaker 4: Right yeah, yeah, yeah, yeah. I mean I I thought
• 7:28
  Speaker 4: also that it feels like they they are capable of
• 7:37
  Speaker 4: really kind of digging deep to find out, you know
• 7:43
  Speaker 4: what what motivates people, uh really like not not in
• 7:48
  Speaker 4: not in kind of a That's what I always found interesting,
• 7:51
  Speaker 4: even just doing readings of the scripts, Like as we
• 7:54
  Speaker 4: sat down and did the readings, like it just felt like, Wow,
• 7:57
  Speaker 4: they really understand, you know, motivational factor as opposed to
• 8:03
  Speaker 4: just writing something that has a plot and a dramatic
• 8:07
  Speaker 4: factor and just kind of like moving forward in the story,
• 8:10
  Speaker 4: like it stops for a second and you're kind of
• 8:13
  Speaker 4: witnessing two people or three people whatever, going through something
• 8:17
  Speaker 4: very very kind of difficult and hard, and that kind
• 8:20
  Speaker 4: of gives us a sense of reality to it, which
• 8:24
  Speaker 4: I think is what attracts people now as fans. I
• 8:27
  Speaker 4: think it's like it's just a real they're they're real
• 8:30
  Speaker 4: things that happen to people.
• 8:32
  Speaker 3: Right, yeah, right, exactly. But boy, Emily, wow, what so good?
• 8:42
  Speaker 1: What a character?
• 8:44
  Speaker 4: Oh my god, what a character?
• 8:46
  Speaker 1: What a destructive?
• 8:47
  Speaker 4: Yes, so destructive?
• 8:49
  Speaker 1: Entertaining? I mean, aren't these people just so entertaining?
• 8:54
  Speaker 3: Yes, character so entertaining.
• 8:57
  Speaker 4: I found Alexis and this is that, this was what
• 9:01
  Speaker 4: is interesting to me. I found Alexis to be so good.
• 9:06
  Speaker 4: And I remember when we started right in the first season,
• 9:11
  Speaker 4: and I remember she I mean I think this was
• 9:13
  Speaker 4: her first job or something like that, right, and I
• 9:16
  Speaker 4: remember Lauren really being her mentor, and just her following
• 9:21
  Speaker 4: Lauren and just like not barely knowing what a mark was, right, right,
• 9:26
  Speaker 4: and kind of just feeding off of Lauren's pace and
• 9:33
  Speaker 4: tempo and trying to stick with that and you know,
• 9:37
  Speaker 4: maybe struggling with it for a little bit, but totally
• 9:39
  Speaker 4: found her way. And then I felt like, I mean,
• 9:42
  Speaker 4: this is the second season, and this is why I
• 9:45
  Speaker 4: felt like Wow. She was really a force, like there
• 9:49
  Speaker 4: was something major going on there. And I said in
• 9:54
  Speaker 4: the beginning, like, oh, you know, God, did I suck?
• 9:57
  Speaker 4: I wish I kind of saw a little bit it
• 10:00
  Speaker 4: more of that working with her as opposed to kind
• 10:04
  Speaker 4: of focused on Laurel. I like, I think my focus
• 10:09
  Speaker 4: was more on Laura I as opposed to like the
• 10:11
  Speaker 4: idea that I'm doing these things with Alexis and and
• 10:15
  Speaker 4: and there's really interesting things going on because she has
• 10:17
  Speaker 4: there's a whole, there's a whole there's a whole backstory,
• 10:20
  Speaker 4: there's all this stuff that's going on besides what's happening
• 10:22
  Speaker 4: with me, and to really kind of be able to
• 10:24
  Speaker 4: see that in some way, And so I felt like
• 10:27
  Speaker 4: I kind of I felt like I missed that in
• 10:29
  Speaker 4: a certain sense.
• 10:29
  Speaker 3: You know, she did bring there was an effortlessness that
• 10:34
  Speaker 3: she totally yeah, And it was uncanny. It was unlike
• 10:39
  Speaker 3: working with anybody else because and I know it wasn't
• 10:43
  Speaker 3: easy for her, but she sam she made.
• 10:45
  Speaker 4: It seem easy totally yeah.
• 10:47
  Speaker 3: And effortless and smooth right as Yeah. As Hamlet instructs
• 10:53
  Speaker 3: his players that act, it's like she listened totally.
• 11:00
  Speaker 4: Yeah, yeah, exactly exactly.
• 11:02
  Speaker 5: To wave your hands to totally totally economical, like really
• 11:07
  Speaker 5: really economical, and you know, her eyes said it all
• 11:10
  Speaker 5: and she has gorgeous eyes, and you're just you know, and.
• 11:14
  Speaker 4: Really it's funny because you know, I've worked with people
• 11:17
  Speaker 4: over the years, and there's there are certain people that
• 11:20
  Speaker 4: have you know, you when you're working with them, you're
• 11:23
  Speaker 4: not really sure what's happening, and then when you see
• 11:25
  Speaker 4: it on film, you're like that they was going on,
• 11:30
  Speaker 4: I missed the boat. It was. Yeah.
• 11:34
  Speaker 3: I worked with a guy like that on a film
• 11:36
  Speaker 3: a long time ago. I could not figure out for
• 11:39
  Speaker 3: the life of me what he was doing. Yeah, and
• 11:44
  Speaker 3: he just kept asking so many questions that director's driving
• 11:47
  Speaker 3: everybody crazy, and it was just like we just wanted
• 11:51
  Speaker 3: to go, dude, will you just do it?
• 11:53
  Speaker 1: We want to get out of here.
• 11:56
  Speaker 4: Yeah.
• 11:56
  Speaker 3: He was adding hours on every day and then we
• 12:00
  Speaker 3: go to the premiere and he's great.
• 12:02
  Speaker 4: Yeah, he's brilliant.
• 12:04
  Speaker 3: He's like ultraspecific and right right, you know, you can
• 12:08
  Speaker 3: really you can read his thoughts.
• 12:11
  Speaker 4: And right right right.
• 12:12
  Speaker 1: That was real learning.
• 12:13
  Speaker 3: Yeah, yeah, I think I think Alexis had that naturally.
• 12:16
  Speaker 3: I do too, just had this ability to exist and
• 12:20
  Speaker 3: just be who she was.
• 12:21
  Speaker 4: Yeah, and I actually think this show really kind of
• 12:23
  Speaker 4: allowed her to do that. I mean I think that,
• 12:26
  Speaker 4: you know, not not every show would have allowed her
• 12:28
  Speaker 4: to just kind of be. I mean, she was playing
• 12:30
  Speaker 4: a character that was close to her age and you know,
• 12:34
  Speaker 4: going through very normal things as a teenager. And Lauren
• 12:40
  Speaker 4: was you know, I mean, she's fantastic to play against.
• 12:42
  Speaker 4: So it's like it was, I'm sure it was. It
• 12:44
  Speaker 4: was much easier than it could have been.
• 12:47
  Speaker 3: Let's talk about that because I I just had such
• 12:53
  Speaker 3: I just had such a good time working with her, Lauren. Yeah, yeah,
• 12:58
  Speaker 3: I mean just and she There were a couple of
• 13:01
  Speaker 3: times where, you know, I remember that it was a
• 13:05
  Speaker 3: diner scene and it was just you know, it was
• 13:08
  Speaker 3: always quick dialogue, and so she had a word, I
• 13:10
  Speaker 3: had a word, she had a word. I had to word,
• 13:14
  Speaker 3: and she jumped me in one take, just jumped the
• 13:19
  Speaker 3: line and hit it back faster, and she hit it
• 13:23
  Speaker 3: back faster, head it back. You know, It's like, who
• 13:26
  Speaker 3: can do that? Who can do that?
• 13:29
  Speaker 4: Her brain was so clear, right, you know, I remember
• 13:33
  Speaker 4: her reading a book like in her on her trailer
• 13:37
  Speaker 4: steps and thinking to myself, Okay, she has like four monologues.
• 13:42
  Speaker 4: It's like, when did she memorize those?
• 13:48
  Speaker 1: Like it's not even fair, it's not even fair fair.
• 13:52
  Speaker 4: She was, Yeah, she was just really And I knew
• 13:57
  Speaker 4: this before I worked like I worked with her prior
• 13:59
  Speaker 4: to this, and she was like a backboard, like she
• 14:03
  Speaker 4: was able to absorb what you gave her and give
• 14:05
  Speaker 4: back and so it was and it was immediate. It
• 14:08
  Speaker 4: wasn't there was no there was no filter really like
• 14:12
  Speaker 4: you I'm sure there was a filter, but there was
• 14:14
  Speaker 4: no filter, and so it was so easy to her too,
• 14:18
  Speaker 4: I think, you know, it was so easy and fluid
• 14:20
  Speaker 4: and like a like a Lexus and phenomenally prepared. I mean,
• 14:25
  Speaker 4: this one was constantly like you know, really and but
• 14:28
  Speaker 4: made it like I never felt uneasy. I never felt like,
• 14:35
  Speaker 4: you know, like I was making some kind of wrong
• 14:37
  Speaker 4: choice or something like. She never she never made me
• 14:40
  Speaker 4: feel that way. She made me feel She always made
• 14:41
  Speaker 4: me feel very comfortable. And you did what she did,
• 14:46
  Speaker 4: and that's that's what it was, and that's and you
• 14:49
  Speaker 4: moved on from there. Yeah, there was.
• 14:59
  Speaker 3: Her process was so interesting with her because yes, she
• 15:04
  Speaker 3: was prepared, but she wasn't over prepared. No, you know,
• 15:08
  Speaker 3: it was like she left open the possibility of notes
• 15:13
  Speaker 3: from director, feedback from who she was working with that day,
• 15:17
  Speaker 3: you know, this kind of thing. And she would sort
• 15:20
  Speaker 3: of refine everything through the rehearsal process, and you could
• 15:26
  Speaker 3: see her, you know, just sort of gathering all the
• 15:30
  Speaker 3: information and making choices, and then a question would come up,
• 15:34
  Speaker 3: and then a prop would be needed to be moved,
• 15:37
  Speaker 3: and then there'd.
• 15:38
  Speaker 1: Be a subtle thing, and then.
• 15:41
  Speaker 3: You know, there was so much nuance going on and
• 15:44
  Speaker 3: then on the first take action boom she she did.
• 15:48
  Speaker 1: But here's the thing I really loved about her.
• 15:51
  Speaker 3: She didn't put pressure on her herself ever to be
• 15:55
  Speaker 3: great on the first take. She didn't care. She was
• 16:01
  Speaker 3: gonna do it when she was ready. And I think
• 16:05
  Speaker 3: she used those first takes as just sort of like
• 16:08
  Speaker 3: an extended rehearsal. It's like, Okay, now I've got it, now,
• 16:12
  Speaker 3: let's get it now. So by the second take or
• 16:16
  Speaker 3: the third take, it was just like fully formed and
• 16:19
  Speaker 3: it had this arc, you know, and it was just
• 16:22
  Speaker 3: beautiful to watch.
• 16:23
  Speaker 4: Yeah, I mean, I always felt like she was somebody
• 16:26
  Speaker 4: who very who learned very early on that like that
• 16:29
  Speaker 4: you know you're you're not you can't judge yourself on
• 16:33
  Speaker 4: especially being a lead of a show. You can't. You
• 16:36
  Speaker 4: can't judge yourself on one scene. You have to just
• 16:38
  Speaker 4: move through the day and and and the day will
• 16:41
  Speaker 4: be cut and it, you know, and and just be
• 16:44
  Speaker 4: as as as natural as you can be, just be
• 16:49
  Speaker 4: as presents as you can be. And I always felt
• 16:52
  Speaker 4: like that's how she was very present. And you know,
• 16:55
  Speaker 4: for guest stars, it's miserable. It's like, you know, it's
• 16:58
  Speaker 4: you know, you're, you're you always feel like you're you're
• 17:00
  Speaker 4: to blame if something goes wrong, and and and you're
• 17:04
  Speaker 4: you're you're a nervous wreck because you feel like, oh,
• 17:07
  Speaker 4: I got to get this ship right, because you know
• 17:09
  Speaker 4: they're already talking about how long the day is going
• 17:12
  Speaker 4: to be, right, so if you if you extend it
• 17:14
  Speaker 4: just a minute, you're like, everybody's like, oh god, here
• 17:18
  Speaker 4: he goes. It's like this work.
• 17:20
  Speaker 3: How do you think you would have reacted having that
• 17:22
  Speaker 3: kind of schedule, like being in every single scene every
• 17:26
  Speaker 3: single day. I don't know if I could have done it.
• 17:29
  Speaker 4: I did two shows where I was almost in every
• 17:32
  Speaker 4: scene really, and I remember always thinking I have to
• 17:37
  Speaker 4: be like Lauren Graham I really, I can't throw a
• 17:42
  Speaker 4: tizzy fit. I have to be very like everybody's you know,
• 17:46
  Speaker 4: everybody's here for me basically, and I have to make
• 17:49
  Speaker 4: sure that I'm okay, I'm I don't blame anybody I
• 17:54
  Speaker 4: And but I think that what I didn't have, which
• 17:58
  Speaker 4: I wish a little bit more like what she is,
• 18:00
  Speaker 4: that is this ability to let go right, which I
• 18:04
  Speaker 4: think I think she had a great ability to let go.
• 18:06
  Speaker 4: And I think I was more always kind of like,
• 18:09
  Speaker 4: you know, I wish I did it this way. I
• 18:11
  Speaker 4: wish I did this, you know, like that kind of thing.
• 18:14
  Speaker 4: And so that's that's less uh, you know, you're just
• 18:18
  Speaker 4: you're that's judging yourself and so it's like it's a
• 18:20
  Speaker 4: terrible place to be. But I think in terms of
• 18:22
  Speaker 4: scheduling and and being I mean, I think now I
• 18:28
  Speaker 4: would probably be like, I'm so tired, I can't do this.
• 18:32
  Speaker 4: It's like, you know, because but I mean I think
• 18:35
  Speaker 4: around that time, it was I had so much energy
• 18:38
  Speaker 4: to kind of be on set all the time. I
• 18:40
  Speaker 4: really didn't care. But I never had monologues like she
• 18:45
  Speaker 4: would have. Like she she had she had work. I mean,
• 18:47
  Speaker 4: she had eighty pages to memorize and you know, I
• 18:50
  Speaker 4: mean it was way too much. Man, A lot people
• 18:54
  Speaker 4: do it. Yeah, that was a lot man. But she
• 18:56
  Speaker 4: was great, you know, so fun to work with. Wish
• 19:00
  Speaker 4: I could work. I wish we'd met up again sometime.
• 19:02
  Speaker 3: But yeah, I really miss working. I'm miss working with everybody.
• 19:06
  Speaker 3: That was a very very special cast. That was a
• 19:09
  Speaker 3: very unique cast. I thought everybody was just so.
• 19:12
  Speaker 4: Great and what watching uh Melissa McCarthy watching her was like,
• 19:18
  Speaker 4: oh my god, she you know, how how how she's
• 19:22
  Speaker 4: developed into this like you know, uh, she's so cute
• 19:30
  Speaker 4: and so sweet and so and how she's how she's
• 19:34
  Speaker 4: kind of found her way into like just being raunchy
• 19:38
  Speaker 4: and and I mean she's still cute and sweet and
• 19:43
  Speaker 4: has all that.
• 19:44
  Speaker 3: But well, we saw like the first season she was
• 19:48
  Speaker 3: in Groundlings, right, and that's how we know her. She's
• 19:52
  Speaker 3: so sweet and she's so funny and she's so great
• 19:55
  Speaker 3: and uh so she invited everybody to come see her,
• 19:58
  Speaker 3: Oh okay, uh at the Groundlings and we're like, oh,
• 20:03
  Speaker 3: I didn't know she was at the Groundlings.
• 20:04
  Speaker 1: You know.
• 20:05
  Speaker 3: Groundlings is a comedy troupe in La where they I mean,
• 20:10
  Speaker 3: I'm telling the if those of you who don't know
• 20:13
  Speaker 3: Groundlings is like, what is it second city or second
• 20:18
  Speaker 3: Stage in Chicago or there's a second city in Canada,
• 20:22
  Speaker 3: I think. And all of the great SNL and comedy
• 20:26
  Speaker 3: stars are coming out of these programs. You know, so
• 20:31
  Speaker 3: many and a lot coming out of the Groundlings.
• 20:34
  Speaker 1: In LA and.
• 20:38
  Speaker 3: They they train you to you know, it's comedy, it's
• 20:43
  Speaker 3: improv it's writing your own characters, is performing those characters,
• 20:47
  Speaker 3: so they're really developing. You know, Melissa was developing her
• 20:52
  Speaker 3: skills as a writer, as a producer, as a director,
• 20:57
  Speaker 3: and a performer of all these different types of characters.
• 21:01
  Speaker 3: And we went to see her and we were flowed.
• 21:05
  Speaker 3: We couldn't believe how many different characters she played and
• 21:09
  Speaker 3: played them so well, and she wrote everything and she
• 21:12
  Speaker 3: I mean, we were our stomach's heart at the end
• 21:14
  Speaker 3: of the night. We couldn't stop laughing.
• 21:18
  Speaker 4: Was there anything that was like that that she that
• 21:20
  Speaker 4: she had, like that that she did in movies later on.
• 21:24
  Speaker 3: Like kind of versions, Yeah, you know, there was like
• 21:27
  Speaker 3: she came out and did a she was rapping and
• 21:32
  Speaker 3: she had all this attitude and it was just it
• 21:34
  Speaker 3: was just so funny that she was so dynamic and
• 21:38
  Speaker 3: so great, and was like, wow, is she talented?
• 21:41
  Speaker 4: Was she with her husband at that time? Or no?
• 21:43
  Speaker 3: Uh no, no, no, not at that time.
• 21:46
  Speaker 4: Are you friends with her still?
• 21:48
  Speaker 3: She has a house out near me and I run
• 21:51
  Speaker 3: into her every once in a while.
• 21:53
  Speaker 1: But she's all over the world.
• 21:55
  Speaker 3: Yeah, she's always on set, she's always on location.
• 21:58
  Speaker 1: She's all over the world.
• 22:00
  Speaker 3: And then when she's not all over the world, she
• 22:02
  Speaker 3: has to go back.
• 22:03
  Speaker 1: To promote the films to premieres.
• 22:06
  Speaker 3: And honest, she's extraordinarily busy.
• 22:11
  Speaker 1: But I knew right away that.
• 22:15
  Speaker 3: I thought to myself, if anybody's going to break out,
• 22:18
  Speaker 3: it's going to be her because she has the she
• 22:20
  Speaker 3: has such a broad range of comedy and drama in
• 22:25
  Speaker 3: her and the ability to write these characters for herself.
• 22:29
  Speaker 1: I mean that is I mean that is.
• 22:31
  Speaker 4: Was Was she on it for all seven seasons?
• 22:35
  Speaker 1: Oh? Sure? Oh yeah.
• 22:38
  Speaker 4: She ends up with Jackson, yes.
• 22:41
  Speaker 3: And they this is their first time that they.
• 22:47
  Speaker 4: Which was so good.
• 22:49
  Speaker 3: Because of his reaction was okay, and then he just leaves.
• 22:54
  Speaker 4: I loved her, she was so good. Oh my god,
• 22:57
  Speaker 4: y yeah.
• 23:00
  Speaker 3: But I miss them all too. It was so great
• 23:03
  Speaker 3: to go to work and knowing that you were going
• 23:06
  Speaker 3: to be like, you were going to have to give
• 23:09
  Speaker 3: your best to get by with that.
• 23:11
  Speaker 4: Yeah, I feel that way to.
• 23:15
  Speaker 3: A game every day, because if you slipped a little bit,
• 23:18
  Speaker 3: if you weren't feeling it, you were going to get.
• 23:20
  Speaker 1: Buried over there.
• 23:21
  Speaker 4: I completely agree.
• 23:22
  Speaker 3: Yeah, man, it was just such a great place to work.
• 23:26
  Speaker 3: Really miss it. All right, So what do you think
• 23:30
  Speaker 3: about all this? What kind of reactions do you get
• 23:34
  Speaker 3: out there in the public when you're traveling.
• 23:36
  Speaker 4: Or Oh it's crazy, man, are you kidding me? It's nuts?
• 23:40
  Speaker 1: Tell me about that.
• 23:41
  Speaker 3: Because you're you're a kind of a beloved character. People
• 23:44
  Speaker 3: really like MAXI meidee.
• 23:46
  Speaker 4: Well you there's Team Max, and there's you know, there's
• 23:49
  Speaker 4: Team Luke, and there's Team I don't know other teams,
• 23:53
  Speaker 4: and there's some Team Chris maybe and some people some
• 23:57
  Speaker 4: people love you, some people despise you. Some people say
• 24:00
  Speaker 4: things like, you know, thank god you never Laura, I
• 24:03
  Speaker 4: didn't pick you. You were so wrong for her. Some
• 24:06
  Speaker 4: say which is like okay, well, some say, you know,
• 24:11
  Speaker 4: oh she's made such a mistake. Oh my god, you
• 24:14
  Speaker 4: were the best. We're so team Max. And this is
• 24:17
  Speaker 4: like I would say, I get ten to fifteen kind
• 24:23
  Speaker 4: of like you know, Instagram messages some kind of thing
• 24:28
  Speaker 4: every day, and people are very they they this show
• 24:35
  Speaker 4: is massive and it has it is global. It's massive
• 24:41
  Speaker 4: and it's and it's people have very very strong opinions
• 24:49
  Speaker 4: about what what and and things that they remember, things
• 24:52
  Speaker 4: that they you know, the details that they remember. The book.
• 24:55
  Speaker 4: I mean, I had I watched this episode and it
• 24:58
  Speaker 4: was all about and it was all about On's Way,
• 25:01
  Speaker 4: and I'm like, I totally did not remember that there
• 25:05
  Speaker 4: was this book involved. I gave it to Laura LII.
• 25:08
  Speaker 4: She was supposed to read it. She never read it.
• 25:10
  Speaker 4: She read the first one pages, you know, and I'm
• 25:12
  Speaker 4: thinking to myself, I read that book. It's like, you know,
• 25:16
  Speaker 4: and so that was it was really but this is
• 25:19
  Speaker 4: what people that's the kind of reaction to get. It's
• 25:22
  Speaker 4: a very intense love of the show and love of
• 25:29
  Speaker 4: of every character that's in it. There's not a single
• 25:31
  Speaker 4: character that doesn't get some attention. You know. It's it's, it's, it's,
• 25:38
  Speaker 4: it's and and being recognized. I'm sure you get recognized
• 25:41
  Speaker 4: all the time. It's like I mean, and you just
• 25:44
  Speaker 4: feel like wow, I mean, in the weirdest places, are
• 25:47
  Speaker 4: you I'm just sorry, but are you Max Medina, I'm like, yeah,
• 25:52
  Speaker 4: I mean, and it happens all the time, you know,
• 25:56
  Speaker 4: it's and I mean, thank god for Netflix. It's like,
• 25:58
  Speaker 4: uh it, keep your relevant.
• 26:03
  Speaker 3: Let's talk a little bit about Paris, because she was
• 26:06
  Speaker 3: really she was featured prominently in this episode. We get
• 26:10
  Speaker 3: to know a little bit about her backstory, parents going
• 26:13
  Speaker 3: through ugly, nasty divorce and it's affecting her already.
• 26:21
  Speaker 1: A dark, dark.
• 26:22
  Speaker 3: Mood, and she's taking it out on our kid Rory here.
• 26:32
  Speaker 1: And it's not particularly nice.
• 26:35
  Speaker 4: That the scene, the last scene with her where where
• 26:39
  Speaker 4: Rory's like, you know, why are you doing this? It's
• 26:42
  Speaker 4: like you know, you know and all that. I actually
• 26:45
  Speaker 4: thought that was one of the most brilliant scenes I've
• 26:47
  Speaker 4: ever that that and it almost on for an entire episode,
• 26:53
  Speaker 4: Like I was so interested in both of their characters
• 26:56
  Speaker 4: and what they're going to say to each other, how
• 26:58
  Speaker 4: they weren't going to give up, you know what they
• 27:00
  Speaker 4: you know, but I'm here if you need me. Well
• 27:03
  Speaker 4: I'm okay, but I'm not going to need you, you know,
• 27:05
  Speaker 4: but I'm here if you need me, but well, you know,
• 27:09
  Speaker 4: but I'm not I'm not going to need you, and
• 27:10
  Speaker 4: it was just it was absolutely brilliant and uh, Lisa, Liza,
• 27:18
  Speaker 4: Liza was. I knew then she was going to be great.
• 27:24
  Speaker 4: I totally thought that she was. She was solid, she
• 27:28
  Speaker 4: was you know, she she paid attention, she was strong,
• 27:32
  Speaker 4: she was you know, there's something interesting going on with her.
• 27:35
  Speaker 4: And what a great character. What a great great villain
• 27:40
  Speaker 4: that turns into not a villain that you know, you
• 27:43
  Speaker 4: you don't want to root for, but then you have
• 27:45
  Speaker 4: to root for, you know, uh mean girls turned nice
• 27:50
  Speaker 4: girl turned mean girl. I mean really incredibly uh laid
• 27:57
  Speaker 4: out I think for us. So yeah, great writing, such
• 28:02
  Speaker 4: great writing, and such a great uh such a great
• 28:07
  Speaker 4: opposite for Rory. I mean, you know, great obstacle for
• 28:11
  Speaker 4: for for a character like Rory to deal with and
• 28:14
  Speaker 4: have to you know, I mean, how difficult is it
• 28:17
  Speaker 4: to stand up to somebody like that's actually what that
• 28:21
  Speaker 4: that scene when she stands up to her Paris and
• 28:24
  Speaker 4: and says, you know, why are you doing this? I
• 28:27
  Speaker 4: feel like, wow, that's like you don't you don't know
• 28:30
  Speaker 4: what the result of that's going to be. That could
• 28:32
  Speaker 4: be you know, you know what you know to you
• 28:35
  Speaker 4: that could be you know, walk away that could be
• 28:37
  Speaker 4: you know, don't don't ever talk to me again. That
• 28:39
  Speaker 4: could be anything, right, but it's not, and she takes
• 28:42
  Speaker 4: the risk. I thought that was incredible and incredible writing.
• 28:46
  Speaker 3: And even maybe even more incredible is yeah, because you
• 28:51
  Speaker 3: want to sew, loathe and despise Paris, but you can't anymore.
• 28:55
  Speaker 4: You can't. No, not no, totally right. Scene with the
• 28:59
  Speaker 4: mother is she's really what No, the scene with the
• 29:01
  Speaker 4: mothers did it? I mean the scene with the I
• 29:03
  Speaker 4: don't know who that was, but she was amazing. Actually,
• 29:06
  Speaker 4: she was so cutthroat, like just disgusting human being. I mean,
• 29:14
  Speaker 4: you know, you don't want to grow up with a
• 29:16
  Speaker 4: mother like that. And I don't know if you saw
• 29:23
  Speaker 4: what was the film last year with Paul Giamatti. He
• 29:28
  Speaker 4: was nominated for an Oscar.
• 29:30
  Speaker 3: Oh.
• 29:30
  Speaker 1: Yeah, I didn't say it, but I know what you're
• 29:32
  Speaker 1: talking about.
• 29:32
  Speaker 4: Yeah, similar like that, because all the parents are like
• 29:35
  Speaker 4: they all walk away from their kids. They're like nobody
• 29:39
  Speaker 4: really pays attention. Yeah. I thought that was so good.
• 29:44
  Speaker 4: And she's she's really good. She's really really good. That's
• 29:49
  Speaker 4: the other thing I thought that was so amazing about
• 29:51
  Speaker 4: the show was that they're and I mean not that
• 29:55
  Speaker 4: I watch a lot of these shows with they're young
• 29:58
  Speaker 4: people and older people, which you don't have actually a
• 30:00
  Speaker 4: lot of shows that you have where you see an
• 30:03
  Speaker 4: older generation and a younger generation, like you see every
• 30:06
  Speaker 4: generation in this in this show, which I think is
• 30:09
  Speaker 4: that's what's so beautiful about it, or one of the
• 30:11
  Speaker 4: things that's so beautiful about is that they didn't like
• 30:13
  Speaker 4: you know, which was very similar to Mazel too. Mazel
• 30:16
  Speaker 4: had that too, so there wasn't there wasn't you know,
• 30:19
  Speaker 4: everybody has, everybody's flawed, everybody has problems. Everybody has, like
• 30:23
  Speaker 4: you know, things that that they need to deal with.
• 30:27
  Speaker 4: But this, I think, you know, one of the beautiful
• 30:30
  Speaker 4: things about it is just that that we were able
• 30:32
  Speaker 4: to see these, you know, an entire generation that we
• 30:36
  Speaker 4: really know nothing about and having to deal with problems
• 30:39
  Speaker 4: that they deal with. So it's it's almost like you
• 30:43
  Speaker 4: have you have Gossip Girl and you have you know,
• 30:45
  Speaker 4: it's everything combined in that. So that's it's so good.
• 30:50
  Speaker 3: And also one of the I agree that was a
• 30:52
  Speaker 3: great scene. That was one of the great scenes. And
• 30:54
  Speaker 3: then and then it's followed by another great scene where
• 31:01
  Speaker 3: Laurel I and Rory end up in the stairwell. Rory's
• 31:06
  Speaker 3: trying to get away from her and they have that
• 31:08
  Speaker 3: and they have it out over you know, what are
• 31:12
  Speaker 3: you doing.
• 31:13
  Speaker 1: To my life?
• 31:14
  Speaker 3: Mom? My reputation is destroyed here now you're kissing Max Medina,
• 31:19
  Speaker 3: You're kissing my teacher at parents' day? What are you
• 31:25
  Speaker 3: thinking about? What are you doing to me?
• 31:28
  Speaker 4: You know?
• 31:28
  Speaker 3: And it's like, wake the f upe, Why why am
• 31:33
  Speaker 3: I here at this place?
• 31:35
  Speaker 1: This this this revered.
• 31:37
  Speaker 3: School and you're coming in and what are you doing?
• 31:41
  Speaker 4: Mom?
• 31:42
  Speaker 3: And I just thought that that scene was handled so
• 31:45
  Speaker 3: deathly and so there was so much desperation and so
• 31:48
  Speaker 3: much angst and so much I mean, it was so
• 31:51
  Speaker 3: fraught with like this relationship could not I don't know
• 31:56
  Speaker 3: about end at any moment, but this is this is
• 31:59
  Speaker 3: really testing their bond here.
• 32:02
  Speaker 4: I mean it's I completely agree, Yeah, totally, I completely agree.
• 32:07
  Speaker 4: I I you know, it's again, I think the ability
• 32:15
  Speaker 4: for the character of Rory to stand up to whoever
• 32:19
  Speaker 4: she needs to be standing up to was quite remarkable
• 32:23
  Speaker 4: that they that they chose to play her out like that.
• 32:26
  Speaker 4: This question comes up a lot actually with fans and
• 32:29
  Speaker 4: things like that, like the idea of what what Max
• 32:33
  Speaker 4: and Lorli did together to jeopardize her Rory's relationships in school,
• 32:40
  Speaker 4: with school, all that kind of stuff, and also jeopardizing
• 32:43
  Speaker 4: their own status in in in in the town that
• 32:48
  Speaker 4: they're living in at Chilton, all that kind of stuff that,
• 32:51
  Speaker 4: you know, I question whether or not that that feeling
• 32:57
  Speaker 4: would be what would happen if Rory didn't stand up
• 33:01
  Speaker 4: to her mother and say, what do you you know?
• 33:04
  Speaker 4: This is so wrong? Like I'm not sure, Like I
• 33:07
  Speaker 4: think that people would have seen it as a romantic tryst,
• 33:10
  Speaker 4: and people would have seen it as kind of like
• 33:13
  Speaker 4: a you know, ooh, like oh, I can't believe they're
• 33:16
  Speaker 4: doing that, as opposed to having an opinion about it,
• 33:18
  Speaker 4: which I think is actually brilliant writing. I think it's
• 33:21
  Speaker 4: like to be able to you're asking people to both
• 33:26
  Speaker 4: understand that characters are flawed, but also to take to
• 33:30
  Speaker 4: have judgment about them because they do something that hurts people,
• 33:34
  Speaker 4: and so that those two things have to play with
• 33:37
  Speaker 4: each other as opposed to one or the other, which
• 33:39
  Speaker 4: I think is quite that that also, I think is brilliant,
• 33:44
  Speaker 4: But I do question whether or not, like you know,
• 33:47
  Speaker 4: people would think that way if Rory wasn't so affected
• 33:52
  Speaker 4: by it, like I wonder if, like you know, it's
• 33:54
  Speaker 4: just a question. It's not saying that it is or
• 33:56
  Speaker 4: it isn't, but.
• 33:58
  Speaker 3: As a palatinos messing it up, for setting up perfect
• 34:02
  Speaker 3: situations or flawed situations, messing them up even further and
• 34:05
  Speaker 3: then fixing it or watching people trying to clean up
• 34:09
  Speaker 3: the mess, right right, all the forgiveness and stuff. And
• 34:21
  Speaker 3: then we have Suki and Jackson. They're gonna with a
• 34:25
  Speaker 3: really charming scene, very charming scene that you know, that
• 34:30
  Speaker 3: scene right, that scene gives you hope. It's like if
• 34:34
  Speaker 3: you if you have any kind of feelings about the
• 34:37
  Speaker 3: episode of these characters and how you know, maybe morally
• 34:42
  Speaker 3: or ethically compromise they are, you know, you get this
• 34:46
  Speaker 3: this purity with with Suki and Jackson. It's like, oh,
• 34:52
  Speaker 3: we're gonna end it with this. They're gonna give us this.
• 34:56
  Speaker 3: So now we kind of feel like, you know, we
• 34:58
  Speaker 3: showered a little bit. It was around.
• 35:11
  Speaker 4: Like yeah, totally that I actually I felt the same way.
• 35:20
  Speaker 4: Actually I felt like I felt like I I felt
• 35:24
  Speaker 4: like I deserved the laugh. Like I've been through so much.
• 35:29
  Speaker 4: It's like, you know, I can I need to I
• 35:32
  Speaker 4: need to end with some kind of like, you know.
• 35:33
  Speaker 1: You give us some fresh air.
• 35:35
  Speaker 3: Yeah, exactly, and it's not expected, right, and there's there's
• 35:40
  Speaker 3: Melissa on your screen smiling and being great, and you're like, ah,
• 35:45
  Speaker 3: exactly what I needed. You know, I've been through a
• 35:48
  Speaker 3: really rough day. I need a I need a drink.
• 35:51
  Speaker 1: There it was.
• 35:52
  Speaker 4: Yeah, I wasn't quite sure what he was trying to sell, Like,
• 35:55
  Speaker 4: I wasn't like what he was trying to get her
• 35:59
  Speaker 4: to make. I was like, what what is that? Ve Like,
• 36:01
  Speaker 4: what is he talking about?
• 36:03
  Speaker 1: Like some hybrid thing?
• 36:04
  Speaker 4: Yeah, it was confusing to me.
• 36:06
  Speaker 1: It was like a what was it a like an
• 36:09
  Speaker 1: egg plant or something, an egg plant with a something else.
• 36:13
  Speaker 4: I don't know, all right, It's like it looked like
• 36:15
  Speaker 4: a flower or something like that.
• 36:17
  Speaker 3: It was weird, right, Oh the very last thing, right, Yeah.
• 36:20
  Speaker 4: Like a pumpkin or somebody. Yeah, I don't know.
• 36:22
  Speaker 1: It was waving it at her.
• 36:23
  Speaker 4: Yeah, I don't know.
• 36:24
  Speaker 1: Yeah, yeah, I don't know what it was either.
• 36:25
  Speaker 4: Yeah, what what she always gets? That's what she always orders,
• 36:29
  Speaker 4: so in the last bit, so I wasn't I wasn't
• 36:32
  Speaker 4: sure what that was either. So it was, uh, yeah.
• 36:35
  Speaker 1: I don't think it was that important.
• 36:39
  Speaker 4: The fans would know, they would know exactly, they.
• 36:41
  Speaker 3: Would definitely know, and they will chime in, Yeah, well,
• 36:47
  Speaker 3: I just think you know an important episode, and uh,
• 36:55
  Speaker 3: you know it's the first season, right, it's episode what.
• 36:57
  Speaker 4: Eleven is the first season? Second season?
• 37:00
  Speaker 1: It was first season.
• 37:04
  Speaker 3: So now we're we're halfway, we're almost now we did
• 37:06
  Speaker 3: twenty four the first year, so we're almost halfway through
• 37:10
  Speaker 3: the first season. And by this time, you know, the
• 37:15
  Speaker 3: fans are hooked, right, they love it, They're so curious
• 37:19
  Speaker 3: about what's going to happen, and then they get this
• 37:22
  Speaker 3: this very powerful episode. I mean just really you know,
• 37:27
  Speaker 3: everybody punching above their weight throughout the entire thing, and
• 37:34
  Speaker 3: it really really solidifies Max as you know, a serious
• 37:41
  Speaker 3: contender for for loralized affections.
• 37:44
  Speaker 4: How did you feel like kind of were you aware
• 37:48
  Speaker 4: of how Luke was going to kind of play out?
• 37:51
  Speaker 4: And oh no, And well, how did you feel like, uh,
• 37:57
  Speaker 4: you know, being in an episode where it's like you're
• 37:59
  Speaker 4: not quite certain like what your you know, were you
• 38:02
  Speaker 4: clear on what your your your purpose was and I
• 38:05
  Speaker 4: mean or did you feel like that kind of came
• 38:07
  Speaker 4: later or did you like what what was discussed with
• 38:10
  Speaker 4: you I'm curious.
• 38:12
  Speaker 1: Nothing no, nothing discussed.
• 38:15
  Speaker 3: It's like, come to work, hope your parking space is
• 38:18
  Speaker 3: still there.
• 38:22
  Speaker 1: You just keep hoping for the best guy. You know,
• 38:26
  Speaker 1: really you still have a job now.
• 38:29
  Speaker 4: You know.
• 38:29
  Speaker 3: We always felt fairly secure because you know, the diner
• 38:34
  Speaker 3: is pretty much a central hub. You know, it established
• 38:39
  Speaker 3: itself as as one of the two central hubs of of.
• 38:43
  Speaker 1: That show, right.
• 38:45
  Speaker 3: You know, we kind of felt that way with a
• 38:47
  Speaker 3: pilot too, because I was just a guest star in
• 38:48
  Speaker 3: the pilot. I wasn't a series regular yet, and but
• 38:52
  Speaker 3: we were hopeful because the pilot episodes began with the
• 38:57
  Speaker 3: diner and ended with the diners with oh, well this
• 38:59
  Speaker 3: is going to be a location. This will be an
• 39:02
  Speaker 3: established regular every episode location. So maybe you got a
• 39:07
  Speaker 3: shot here, you know, this kind of thing. But I
• 39:11
  Speaker 3: mean the way that your storyline was going, Yeah, it
• 39:15
  Speaker 3: made me a little nervous, I thought, because you guys
• 39:18
  Speaker 3: were so good together, and you know, I was like, boy,
• 39:24
  Speaker 3: I don't know what's going to happen. I may you know,
• 39:26
  Speaker 3: maybe maybe you take over the diner somehow, you know,
• 39:31
  Speaker 3: put some books in there. Now it's called you know,
• 39:35
  Speaker 3: Max's Place or something or Max's spoon.
• 39:42
  Speaker 4: Yeah, it was never you know, becoming a regular was
• 39:46
  Speaker 4: never ever, ever, ever, ever ever discussed. I mean, that
• 39:49
  Speaker 4: was never never a conversation. There was there, there was conversations.
• 39:56
  Speaker 4: I remember. I think I was doing a pilot and
• 40:00
  Speaker 4: then I was on the Warner Brothers lot and I
• 40:04
  Speaker 4: think it was season five or season not even season seven,
• 40:08
  Speaker 4: because they were out right they were gone, so it
• 40:11
  Speaker 4: must have been season five where Dan was like, we're
• 40:14
  Speaker 4: bringing you back, We're going to bring you back, and
• 40:16
  Speaker 4: I was like, okay, great, and then that never happened.
• 40:19
  Speaker 4: But besides that, it was never never a conversation.
• 40:22
  Speaker 3: Did you do my mice maisl.
• 40:26
  Speaker 4: I did one episode?
• 40:28
  Speaker 1: Okay?
• 40:29
  Speaker 3: Okay, did you do the new one? Did you do
• 40:31
  Speaker 3: any of the new one? Because they're doing a new
• 40:33
  Speaker 3: one about ballet?
• 40:35
  Speaker 4: Yeah?
• 40:35
  Speaker 3: No, no, no, no, it didn't do any Okay, all right, Well, look, Scott,
• 40:39
  Speaker 3: that brings us to the end of our our little breakdown.
• 40:44
  Speaker 3: Great catching up with you anything you're doing now you
• 40:47
  Speaker 3: want to talk about.
• 40:48
  Speaker 4: I have a movie coming out called Mooch in March.
• 40:51
  Speaker 3: Okay, mooch in March, mooch in March, and uh, who's
• 40:55
  Speaker 3: in it besides yourself?
• 40:57
  Speaker 4: Uh? Louis can't sell me. You might know from uh
• 41:03
  Speaker 4: what was the Scorsese the big movie last year about
• 41:07
  Speaker 4: the os Age.
• 41:08
  Speaker 1: Oh sure, yeah, he was in that.
• 41:12
  Speaker 4: He's in a lot of like Scorsesees stuff. Uh, a
• 41:18
  Speaker 4: couple of other people that you would know, But off
• 41:20
  Speaker 4: the top of my head, I'm actually forgetting at the moment.
• 41:22
  Speaker 3: Okay, all right, So Mooch in March with Scott Cohen.
• 41:25
  Speaker 3: What kind of a character do you play?
• 41:27
  Speaker 4: I played like a mob boss.
• 41:29
  Speaker 1: Oh man, that's really.
• 41:31
  Speaker 4: Fun, really fun. That's really really really fun.
• 41:34
  Speaker 1: That's great. All right, I'm gonna check it out.
• 41:36
  Speaker 3: Everybody check it out, Scott Colin Mooch and March.
• 41:38
  Speaker 1: Thanks for coming by the great Max Medina.
• 41:42
  Speaker 4: Yeah there he is.
• 41:45
  Speaker 1: Take care, Scott. Nice talking to you again.
• 41:46
  Speaker 4: San Scott. Talk to you soon.
• 42:16
  Speaker 3: Hey, everybody, and don't forget Follow us on Instagram at
• 42:20
  Speaker 3: I Am all In podcast and email us at Gilmore
• 42:24
  Speaker 3: at iHeartRadio dot com.