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Attack of Catherine Mary Stewart and Lance Guest! · Movie Meltdown

• 0:00
  Speaker 1: Guess who?
• 0:02
  Speaker 2: It's 10 o'clock. Do you care where your parents are?
• 0:04
  Speaker 3: The following feature has been rated R by the Motion
• 0:06
  Speaker 3: Picture Association of America. It is intended for mature audiences
• 0:10
  Speaker 3: and parental discretion is advised.
• 0:22
  Speaker 4: The Coast Guard and the Navy have been alerted and
• 0:38
  Speaker 4: are standing by on the Eastern Sea.
• 0:41
  Speaker 5: And it continues to burn out of control.
• 0:43
  Speaker 2: It has been regular.
• 0:44
  Speaker 3: Every five to ten minutes there has been another convoy
• 0:47
  Speaker 3: of units, fire companies, paramedics.
• 0:50
  Speaker 2: A citywide emergency has been declared.
• 0:52
  Speaker 6: Police officers are still on tactical full alert.
• 0:56
  Speaker 7: 2,000 National Guardsmen are standing by.
• 0:58
  Speaker 8: Air defense warning read.
• 1:01
  Speaker 1: We're doomed!
• 1:04
  Speaker 9: It's time for Movie Meltdown's Attack of the Killers soundtrack.
• 1:08
  Speaker 1: The live transmission has begun, and we're into the final
• 1:12
  Speaker 1: hour of hell.
• 1:34
  Speaker 10: What's up, and welcome to Movie Meltdown's Attack of the
• 1:36
  Speaker 10: Killers soundtrack. I'm Brian, and this week I'm very happy
• 1:39
  Speaker 10: to welcome back one of my favorite running guests over
• 1:42
  Speaker 10: the years. And I think I can safely say, one
• 1:45
  Speaker 10: of my favorite people ever. This week we welcome back
• 1:49
  Speaker 10: Catherine Mary Stewart. Now, with her last appearance on our show,
• 1:52
  Speaker 10: we had a lot of fun adding her former co-star
• 1:55
  Speaker 10: and pseudo-sister Kelly Maroney into the conversation. So along those lines,
• 2:00
  Speaker 10: this time, as Catherine and I were crossing paths again,
• 2:03
  Speaker 10: she was in the middle of an appearance alongside her
• 2:06
  Speaker 10: co-star in The Last Starfighter. In fact, he is The
• 2:09
  Speaker 10: Last Starfighter himself, actor Lance Guest.
• 2:12
  Speaker 9: Now, I hadn't met Lance.
• 2:13
  Speaker 11: Before, but I had a good feeling that not.
• 2:16
  Speaker 10: Only would he be fun to talk with, But also,
• 2:19
  Speaker 10: since we decided to put together this soundtrack episode, I
• 2:22
  Speaker 10: was pretty sure Lance would be a good and knowledgeable
• 2:24
  Speaker 10: guest on the subject. Turns out I was right, as
• 2:27
  Speaker 10: you'll appear, and in fact, maybe a little more knowledgeable
• 2:31
  Speaker 10: on music than Catherine is comfortable with. But more on
• 2:34
  Speaker 10: that as we go. For now, let's settle in with
• 2:36
  Speaker 10: this week's two special guests, Catherine Marie Stewart and Lance Guess.
• 2:47
  Speaker 3: So.
• 2:47
  Speaker 10: I think when we talked to you last time, we'd
• 2:51
  Speaker 10: actually somehow lucked into having you and Kelly there.
• 2:54
  Speaker 1: Yeah.
• 2:55
  Speaker 10: So we were kind of doing the catch up of
• 2:57
  Speaker 10: how it's been being like sisters all these years. So
• 3:00
  Speaker 10: with you guys, you're stuck together all these years. I mean,
• 3:03
  Speaker 10: how has it been like?
• 3:05
  Speaker 2: Lovers all these years.
• 3:06
  Speaker 10: It's an ongoing, yeah, like strange relationship. Years and years
• 3:10
  Speaker 10: go by. It's not that strange.
• 3:12
  Speaker 12: It's actually the perfect relationship.
• 3:15
  Speaker 10: I can think of people I worked with years and
• 3:17
  Speaker 10: years ago, and I don't see them ever.
• 3:19
  Speaker 9: And sometimes I'm fine with that.
• 3:21
  Speaker 10: So it's just a different scenario that like, you're kind
• 3:25
  Speaker 10: of forced into it. And it seems like you guys
• 3:27
  Speaker 10: have done well, where I've actually run into people that
• 3:31
  Speaker 10: don't want to hang out with their former co-stars.
• 3:33
  Speaker 2: I can believe that. No, I can totally believe that.
• 3:35
  Speaker 12: I think, in fact, in most cases, you know, you
• 3:38
  Speaker 12: do this movie or this intense, intimate situation for a
• 3:41
  Speaker 12: month or two, and then it's over, and it's just
• 3:44
  Speaker 12: like the bubble bursts, and you go back to reality,
• 3:47
  Speaker 12: and you come down, and you try to, like, get
• 3:50
  Speaker 12: back to your own sense of self and family or whatever.
• 3:54
  Speaker 12: And oftentimes you never see the rest of the cast again.
• 3:57
  Speaker 12: But it wasn't even likely we were forced together. In fact,
• 4:00
  Speaker 12: there was a period that we didn't see each other for, what,
• 4:04
  Speaker 12: a decade?
• 4:04
  Speaker 2: Yeah, easily, easily a decade.
• 4:06
  Speaker 12: And the chance that we even got together was stupid.
• 4:11
  Speaker 12: It was just so random.
• 4:13
  Speaker 2: Completely random.
• 4:14
  Speaker 12: Completely random, yeah.
• 4:16
  Speaker 2: Yes, it was. My wife's relatives were living in this
• 4:21
  Speaker 2: really cool building in New York. And so we had
• 4:24
  Speaker 2: been staying there. And this was in 1999, I think.
• 4:30
  Speaker 11: Or 2000.
• 4:31
  Speaker 12: Jack was in a stroller still.
• 4:33
  Speaker 2: Yeah, so then it was like 2002. No, no, I'm sorry. No, no, no. Wait. Oh, well,
• 4:39
  Speaker 2: maybe it was. Maybe it was more like 2006.
• 4:42
  Speaker 9: Many, many years ago.
• 4:45
  Speaker 2: I can't remember. Early 2000s, let's say.
• 4:47
  Speaker 12: Well, when was Jack born?
• 4:49
  Speaker 2: He was born in 2004.
• 4:50
  Speaker 12: Okay, so it had to be like 2006. Yeah.
• 4:52
  Speaker 2: 2005, 2006.
• 4:52
  Speaker 12: Okay.
• 4:53
  Speaker 2: Anyways, we're sitting there and we're just about to leave
• 4:57
  Speaker 2: and the guy that works downstairs, I don't want to
• 5:02
  Speaker 2: get him in trouble now, but he goes, hey, aren't
• 5:07
  Speaker 2: you the guy in The Last Starfighter? I said, yes,
• 5:10
  Speaker 2: I am. He says, I shouldn't be saying this, but
• 5:12
  Speaker 2: you know, your co-star, she lives up on whatever, 7A
• 5:16
  Speaker 2: or 8 or whatever it was.
• 5:16
  Speaker 1: Yeah, whatever it was. Yeah.
• 5:18
  Speaker 2: And I said, are you kidding me? He's like, yeah.
• 5:21
  Speaker 2: I said, oh, my God. Can I go, like, just
• 5:24
  Speaker 2: blow her mind, you know, just go knock on the door?
• 5:26
  Speaker 9: Just randomly show up on her doorstep.
• 5:27
  Speaker 2: And he said, we worked it out, and we're just
• 5:30
  Speaker 2: about to leave. And I go up there, and I'm.
• 5:32
  Speaker 13: Like, hey.
• 5:33
  Speaker 12: And I opened the door, and I was like, no way.
• 5:38
  Speaker 14: Oh, my God.
• 5:40
  Speaker 12: And so that was sort of our reunion. And then
• 5:42
  Speaker 12: we kind of kept in touch after that, right?
• 5:44
  Speaker 2: Yeah, yeah. And then you came out to LA and stuff.
• 5:45
  Speaker 12: And I would go out to LA. I started going
• 5:47
  Speaker 12: out to LA like 2009, I think, and always get
• 5:50
  Speaker 12: in touch with him, as I did with Kelly and
• 5:53
  Speaker 12: Kelly Maroney. And yeah, we just maintained this great friendship.
• 5:57
  Speaker 12: I always go out there. I'm sort of like this
• 5:59
  Speaker 12: little lost babe in the woods when I go out there.
• 6:03
  Speaker 12: And they always... he and his wife always invite me
• 6:06
  Speaker 12: over for an incredible meal it's like because i sort
• 6:10
  Speaker 12: of live off nuts and things you.
• 6:11
  Speaker 9: Know foraging yeah the wilderness and then.
• 6:17
  Speaker 12: Studio city and it's hell.
• 6:19
  Speaker 2: Out there and then we we went and lived in
• 6:21
  Speaker 2: new york when i was doing the play for three
• 6:23
  Speaker 2: years so then i got to see you all the
• 6:25
  Speaker 2: time so that was really fun and uh And then,
• 6:29
  Speaker 2: you know, I go out to New York.
• 6:30
  Speaker 12: He'll stay with us or his wife will come out
• 6:32
  Speaker 12: and stay with us.
• 6:34
  Speaker 9: Yeah.
• 6:35
  Speaker 12: And then we started doing these kind of convention things.
• 6:38
  Speaker 1: That's right.
• 6:38
  Speaker 10: That was after the fact.
• 6:39
  Speaker 9: Yeah, that hadn't kicked in really.
• 6:42
  Speaker 10: This is when it started picking up steam in like
• 6:44
  Speaker 10: these last 10, 12 years.
• 6:46
  Speaker 9: It went out of control now.
• 6:47
  Speaker 2: Yeah.
• 6:47
  Speaker 15: Yeah.
• 6:48
  Speaker 2: We hope we don't saturate the market too many.
• 6:51
  Speaker 9: That's what I worry about.
• 6:54
  Speaker 10: As anyone listening knows, I hit these every other week
• 6:56
  Speaker 10: of my life. The fact that I can do that
• 6:58
  Speaker 10: means there's a lot of them. So I worry sometimes.
• 7:02
  Speaker 12: Yeah.
• 7:02
  Speaker 2: But it's really fun. It's really fun that it's become
• 7:05
  Speaker 2: this very easy, non-freaky thing to do.
• 7:09
  Speaker 9: Well, yeah, that's what I was just saying.
• 7:10
  Speaker 10: Also, pop culture has changed so much that it's like
• 7:14
  Speaker 10: everyone is invested in pop culture.
• 7:15
  Speaker 9: Where it used to be a very, like, Oh, the
• 7:17
  Speaker 9: teenagers are into that.
• 7:18
  Speaker 10: Or it was just.
• 7:19
  Speaker 9: Little niche groups.
• 7:20
  Speaker 10: But now you'll see kids dragging their parents here. And
• 7:25
  Speaker 10: the parents are just as geeky about everything.
• 7:27
  Speaker 9: As the kids.
• 7:29
  Speaker 12: Or parents dragging the kids.
• 7:30
  Speaker 9: Or vice versa.
• 7:30
  Speaker 12: It's unbelievable how many families come. Little babies. Especially for
• 7:35
  Speaker 12: you guys.
• 7:36
  Speaker 10: I grew up on this movie and I make him
• 7:37
  Speaker 10: watch it now.
• 7:38
  Speaker 2: Some 40-year-old dad is telling his kids, I can't believe
• 7:41
  Speaker 2: this is the last Starfighter, blah, blah, blah. And the
• 7:43
  Speaker 2: 12-year-old kid is kind of looking at me going, who
• 7:45
  Speaker 2: are you? Kind of glazing over.
• 7:48
  Speaker 9: I watched that movie. I have problems with the visuals.
• 7:50
  Speaker 9: Which I did. That's what I was going to say.
• 7:53
  Speaker 9: I did actually, I don't know.
• 7:55
  Speaker 10: Again, getting on the effects, you probably don't. It was
• 7:58
  Speaker 10: Rick Sternbach we just had on recently. And he actually
• 8:01
  Speaker 10: did work on, again, I love to work in artists.
• 8:04
  Speaker 10: So he was originally there drawing up storyboards for the
• 8:08
  Speaker 10: concept art and was working on the, I think it
• 8:11
  Speaker 10: was the, developing texture maps for the computer rendering of
• 8:15
  Speaker 10: the space scenes. And I'm like, even with him, because,
• 8:18
  Speaker 10: I mean, he knew, you know, it was like nothing
• 8:21
  Speaker 10: like that had been done before, really.
• 8:23
  Speaker 9: It was like Tron and that movie, and that's it.
• 8:26
  Speaker 12: And Tron was nowhere near as complex.
• 8:28
  Speaker 10: Yeah, and could look kind of fake, where yours was.
• 8:30
  Speaker 9: Still trying to be sort of realistic.
• 8:32
  Speaker 2: But it's hard to bash on the R effects, because
• 8:37
  Speaker 2: they wrote the original code upon which a lot of
• 8:40
  Speaker 2: other stuff is... I mean, they were groundbreaking. They bled
• 8:45
  Speaker 2: on the battlefield for people nowadays that can do that
• 8:48
  Speaker 2: shit on their phones.
• 8:49
  Speaker 10: So I feel like kids won't understand, but I'm like,
• 8:51
  Speaker 10: you need to put this in context.
• 8:53
  Speaker 12: Yeah, on a computer that's the size of this room.
• 8:56
  Speaker 9: This will blow your mind in the 1980s.
• 8:59
  Speaker 2: And like Nick was saying yesterday, it was a function
• 9:03
  Speaker 2: of time. You have to prioritize how detailed can you
• 9:07
  Speaker 2: do this because it's going to take X amount of hours.
• 9:10
  Speaker 2: At that time. And nowadays, of course, it's... Yeah. It's all.
• 9:14
  Speaker 12: The foundation is there. And I think that they were still...
• 9:17
  Speaker 12: While we were shooting the film, they were writing these
• 9:19
  Speaker 12: codes or whatever, and I think they were still debating
• 9:21
  Speaker 12: whether they'd use traditional special effects.
• 9:23
  Speaker 2: Yeah, sure.
• 9:25
  Speaker 12: Whether they would get this thing done in time. So, yeah,
• 9:28
  Speaker 12: it's really kind of fascinating. This is something I only
• 9:31
  Speaker 12: learned about, like, when they did this.
• 9:33
  Speaker 9: Me too.
• 9:34
  Speaker 12: 25th anniversary screening, and all the technical guys were there.
• 9:37
  Speaker 12: I'm sitting on stage going.
• 9:38
  Speaker 9: No way.
• 9:39
  Speaker 10: Because your work has nothing to do, you're still doing normal, traditional, yeah.
• 9:43
  Speaker 12: We're in the trailer park and these guys are sitting
• 9:45
  Speaker 12: in their little booze, pounding away, I guess, on keyboards.
• 9:49
  Speaker 10: I don't know what you do.
• 9:51
  Speaker 9: A giant keyboard.
• 9:52
  Speaker 12: A giant, yeah, yeah.
• 9:53
  Speaker 9: A keyboard that filled a room.
• 9:55
  Speaker 10: But, yeah, that was, and again, we're, rolling into music here.
• 10:00
  Speaker 10: So yours is, with that movie, I was trying to
• 10:02
  Speaker 10: pull in stuff from your films and that one's all,
• 10:05
  Speaker 10: which is an amazing score. I did work some in
• 10:07
  Speaker 10: on Rick's episode, but I was trying to come up
• 10:10
  Speaker 10: with some more pop stuff. So we don't really have
• 10:12
  Speaker 10: much with that one. So I was going to have
• 10:13
  Speaker 10: to go to other areas. I mean, Catherine, you have
• 10:17
  Speaker 10: a very amazing voice. Maybe your first entry, if I
• 10:20
  Speaker 10: think we've discussed in the past. I mean, we can
• 10:23
  Speaker 10: certainly find something from the apples.
• 10:27
  Speaker 2: So you want to.
• 10:28
  Speaker 10: Go with Speed, your big number?
• 10:31
  Speaker 12: No, I like I'm Coming. That's my favorite.
• 10:34
  Speaker 2: Is that the orgy scene?
• 10:36
  Speaker 9: Very subtle. Great references.
• 10:40
  Speaker 1: I'm coming.
• 10:45
  Speaker 16: For you now I'm coming coming for you let me.
• 10:57
  Speaker 17: Tempt you and tease you and hold you and squeeze
• 11:00
  Speaker 17: you and feel every inch of.
• 11:03
  Speaker 1: Your love let me show you things you never dreamed.
• 11:09
  Speaker 18: Of coming Coming for you. Now I'm coming. Coming for you.
• 11:27
  Speaker 17: Come and take me and shake me and mold me
• 11:31
  Speaker 17: and make me and fill me up with your fire.
• 11:39
  Speaker 19: Come to me.
• 11:41
  Speaker 1: I'll come for you.
• 12:00
  Speaker 17: And harder and faster and faster And when you think
• 12:04
  Speaker 17: you can't keep it up I'll take you deeper and
• 12:08
  Speaker 17: deeper And tighter and tighter And drain every drop of your.
• 12:13
  Speaker 20: Love coming for you. Now I'm coming, coming just for you.
• 12:51
  Speaker 12: Yeah, you're very, very subtle. Well, you know, The Apple
• 12:55
  Speaker 12: was a subtle film.
• 12:57
  Speaker 9: It's an amazing film.
• 12:59
  Speaker 2: Significance only to be determined by.
• 13:04
  Speaker 9: I still thank you every time.
• 13:05
  Speaker 10: I somehow had seen all of your other stuff and
• 13:08
  Speaker 10: had missed that one. So that first time we sat
• 13:10
  Speaker 10: down and you started talking.
• 13:11
  Speaker 9: I'm like, what is this movie?
• 13:13
  Speaker 12: Yeah.
• 13:13
  Speaker 9: I have now rewatched it many times.
• 13:14
  Speaker 12: And can you explain it to me, please?
• 13:16
  Speaker 10: Because what is this movie? It's got a story, a
• 13:20
  Speaker 10: very large story to tell.
• 13:22
  Speaker 9: And God drives a luxury sedan. I know.
• 13:25
  Speaker 12: Yeah, this is what we learn in the end. If
• 13:27
  Speaker 12: you're a hippie and you're living in a park in Berlin,
• 13:30
  Speaker 12: you get to go to heaven with God in a gold.
• 13:33
  Speaker 10: The rest of you bim mark idiots are just going
• 13:35
  Speaker 10: to be left behind.
• 13:36
  Speaker 3: That's right.
• 13:37
  Speaker 12: Well, there's only so much room, you know.
• 13:39
  Speaker 9: Rapture, yes.
• 13:40
  Speaker 2: And if you are a politician that advocates abstinence, please
• 13:44
  Speaker 2: show your child this movie.
• 13:47
  Speaker 9: This will take care of it.
• 13:48
  Speaker 2: The Archie scene would be like, yeah, no.
• 13:51
  Speaker 22: Yeah, yeah, yeah.
• 13:52
  Speaker 10: Yeah, the Apple number is like an amazing couple of
• 13:55
  Speaker 10: minutes there. Just everything going on in that scene.
• 13:58
  Speaker 12: Yeah, there's a lot going on in every scene in
• 14:01
  Speaker 12: that movie.
• 14:03
  Speaker 9: Well, and then we had, again, they just released this.
• 14:07
  Speaker 10: I'm assuming you've seen, I've gotten my copy of the
• 14:10
  Speaker 10: Night of the Comet original soundtrack that they brought back out.
• 14:13
  Speaker 10: And we can definitely work in a few of the,
• 14:16
  Speaker 10: what's funny is how well, like, because I hadn't ever
• 14:20
  Speaker 10: heard them by themselves. So, like, there's a couple of
• 14:23
  Speaker 10: tracks that we kick in, and it was just, like,
• 14:25
  Speaker 10: it clicked in my head. Like, it's in, and I'm, like,
• 14:28
  Speaker 10: in that scene. Like, they're so woven into that.
• 14:31
  Speaker 9: Movie that I watched way too many times.
• 14:33
  Speaker 10: And I'm just like, it's weird when you hear the,
• 14:36
  Speaker 10: what is the.
• 14:38
  Speaker 12: Girls just want to have fun, of course.
• 14:39
  Speaker 2: Oh, yeah.
• 14:40
  Speaker 12: That's the mall scene, right?
• 14:43
  Speaker 2: That's the one.
• 14:43
  Speaker 10: That looks right in there.
• 14:45
  Speaker 9: I like the unbelievable.
• 14:48
  Speaker 10: It's one of those that got stuck in my head.
• 14:50
  Speaker 12: And here's some other changes. Most of you guys had
• 14:53
  Speaker 12: finals this week.
• 14:55
  Speaker 23: Later.
• 14:56
  Speaker 12: Their history, they're canceled. The legal drinking age is now 10,
• 15:00
  Speaker 12: but you will need ID. Let's be real.
• 15:03
  Speaker 1: I'll be taking requests from all you teenage comment zombies
• 15:06
  Speaker 1: on the hit line.
• 15:08
  Speaker 23: That's 555-4487.
• 15:09
  Speaker 12: Did you get it?
• 15:10
  Speaker 3: 555-HITLINE.
• 15:31
  Speaker 1: How did it be so easy Been on the case
• 15:34
  Speaker 1: for quite a while She told me home, we skipped
• 15:38
  Speaker 1: the party Who guessed that she'd be mine Oh, it
• 15:40
  Speaker 1: was unbelievable Oh, if I only knew How did it
• 15:47
  Speaker 1: be so unbelievable.
• 16:10
  Speaker 24: I recollect my adolescence And all the words I kept
• 16:15
  Speaker 24: inside Those days are gone, now in my flashback I'll
• 16:22
  Speaker 24: call you up to say goodnight It's unbelievable Oh, if
• 16:29
  Speaker 24: I only knew How you could be so unbeatable.
• 16:39
  Speaker 1: It's beyond me that.
• 16:41
  Speaker 15: I'm beside you.
• 16:43
  Speaker 1: Oh, it's unbelievable. Oh, if I only knew how you
• 16:49
  Speaker 1: could be so unbelievable.
• 16:54
  Speaker 15: It's beyond me that I'm beside you. I wonder more,
• 17:13
  Speaker 15: we watch the.
• 17:14
  Speaker 24: Movies Into the.
• 17:17
  Speaker 1: Night, I hear a riot So good.
• 17:19
  Speaker 13: To know, you're right beside me I look in your
• 17:24
  Speaker 13: eyes and say goodnight It's unbelievable, oh.
• 17:38
  Speaker 1: How you can be so unbelievable It's beyond me, no
• 17:44
  Speaker 1: one besides you Oh, it's unbelievable Oh, if I only
• 17:49
  Speaker 1: knew How you can be so unbelievable It's beyond me,
• 17:55
  Speaker 1: no one besides you.
• 18:08
  Speaker 10: The one I really remember is the learn to love
• 18:10
  Speaker 10: again is the big that's at the radio station and
• 18:13
  Speaker 10: that's sort of that romance moment of you and Hector
• 18:17
  Speaker 10: and like then you get that sad realization your sister's
• 18:20
  Speaker 10: like the last girl on earth without a date so
• 18:22
  Speaker 10: like it's a weird little moment.
• 18:24
  Speaker 12: You know earth shattering moments like that.
• 18:27
  Speaker 10: What's a teenage girl to do there's no guys now
• 18:29
  Speaker 10: you know you go shopping of course shopping and shooting
• 18:33
  Speaker 10: guns is what.
• 18:34
  Speaker 9: You do laughing.
• 18:37
  Speaker 12: It's a sexist movie yet so not somehow.
• 18:40
  Speaker 2: I don't know.
• 18:41
  Speaker 9: They have guns. That makes it feminist, right?
• 18:44
  Speaker 12: As long as they shoot guns.
• 18:45
  Speaker 25: Yeah.
• 18:46
  Speaker 9: I don't think that's how that works.
• 18:47
  Speaker 12: We can look after ourselves is the point, I think.
• 18:50
  Speaker 2: Walking the tightrope.
• 18:52
  Speaker 10: Yeah.
• 19:05
  Speaker 26: That it's over but you can't explain why you wait
• 19:12
  Speaker 26: at home waiting for the phone to.
• 19:14
  Speaker 1: Ring but your spirit's.
• 19:18
  Speaker 26: Up dragging and you're wandering this scene trying to forget
• 19:25
  Speaker 26: about how happy we used to be as if.
• 19:29
  Speaker 6: It's like We got a.
• 19:31
  Speaker 26: Lot of love for giving. We got a lot of
• 19:37
  Speaker 26: life worth living. We're going to find it sometime.
• 19:42
  Speaker 1: We got a lot of love for giving. We got
• 19:48
  Speaker 1: a lot of life worth living.
• 19:52
  Speaker 26: We're gonna find it sometime, baby.
• 19:57
  Speaker 1: We can learn to love again. Ooh, and love is magic.
• 20:02
  Speaker 17: And you're not sure how to feel.
• 20:05
  Speaker 27: But if you can, It has to be real I
• 20:12
  Speaker 27: know it's tragic To give up so easily So now
• 20:18
  Speaker 27: I'm giving everything Just.
• 20:21
  Speaker 1: To make you see If it's right Don't try to
• 20:26
  Speaker 1: fight it And if it's wrong We can let it
• 20:32
  Speaker 1: slip away We got a lot of love we're giving
• 20:39
  Speaker 1: We got a lot of life we're living We're gonna
• 20:47
  Speaker 1: find it.
• 20:48
  Speaker 26: Sometime, baby We can learn to love again Listen to
• 20:56
  Speaker 26: your heart if you can Pick up your mind A
• 21:00
  Speaker 26: moment can be lost so easily, yeah Hopefully you will
• 21:11
  Speaker 26: see And they'll.
• 21:13
  Speaker 1: See That you and me We got a lot of
• 21:16
  Speaker 1: love for giving We got a lot of life for
• 21:19
  Speaker 1: living We're gonna find our place Among the stars Hey, hey,
• 21:28
  Speaker 1: hey I know this dream Is far from over Starting
• 21:33
  Speaker 1: tonight Gonna start it all over We're gonna find it
• 21:37
  Speaker 1: sometime I know.
• 21:38
  Speaker 11: That But Lance, I didn't want to leave you out
• 21:54
  Speaker 11: in the other movies.
• 21:55
  Speaker 9: A lot of yours are just like instrumental tracks.
• 22:00
  Speaker 13: Yeah.
• 22:00
  Speaker 3: Yeah.
• 22:00
  Speaker 9: So I was thinking Last Starfighter.
• 22:02
  Speaker 10: Even Halloween, you're going to get nothing but John Carpenter.
• 22:05
  Speaker 9: So I had to go into it.
• 22:07
  Speaker 10: And actually, for the movie, I think you're going to
• 22:09
  Speaker 10: have to come back for a whole episode. Because I'm
• 22:11
  Speaker 10: assuming you have many, many stories from Jaws the Revenge.
• 22:15
  Speaker 2: Not so much regarding music, though. Well, no.
• 22:19
  Speaker 10: I'm assuming there's an entire episode of just things that
• 22:22
  Speaker 10: came along with that.
• 22:23
  Speaker 2: It was a five-month shoot.
• 22:25
  Speaker 12: Oh, my God.
• 22:26
  Speaker 9: That's insane.
• 22:27
  Speaker 2: It was a five-month shoot.
• 22:28
  Speaker 10: But, yeah, there is, again, since we're knee-deep in the
• 22:32
  Speaker 10: 80s in this one anyway, there is somewhere in there
• 22:35
  Speaker 10: they work in You Got It All from The Jet. I,
• 22:40
  Speaker 10: I was the game he would play.
• 23:08
  Speaker 28: He brought the clouds to my.
• 23:10
  Speaker 1: Head Then like a ray of light You came my way.
• 23:17
  Speaker 28: One night Just one look and I knew You would
• 23:26
  Speaker 28: make everything clear Make all the clouds disappear Who do
• 23:37
  Speaker 28: I love the best?
• 23:43
  Speaker 1: Don't you know.
• 23:44
  Speaker 19: Don't you know You got it all over him You
• 23:50
  Speaker 19: got me over him Honey, it's true There's just you
• 23:58
  Speaker 19: You must have been heaven sent Hearing me call you
• 24:03
  Speaker 19: in Out on a.
• 24:05
  Speaker 1: Limb And you're all that he's not Just look what.
• 24:12
  Speaker 28: I got, cause you got it all over here. No,
• 24:18
  Speaker 28: don't let him worry you so. Once I met you,
• 24:41
  Speaker 28: I let go Oh, you can surely see You're so
• 24:48
  Speaker 28: much more to me Just one look and I knew.
• 24:57
  Speaker 1: You would make everything clear Make all the clouds disappear
• 25:07
  Speaker 1: You're better than all the rest Who do I love
• 25:12
  Speaker 1: the best?
• 25:15
  Speaker 19: Don't you know, don't you.
• 25:17
  Speaker 1: Know You've got it all over him You got me
• 25:23
  Speaker 1: over him Honey, it's true.
• 25:27
  Speaker 19: There's just you. You must have been heaven sent. Hearing
• 25:34
  Speaker 19: me call you.
• 25:35
  Speaker 1: Went out on a limb. And you're all that he's not.
• 25:42
  Speaker 1: Just look what I got. Cause you got it all.
• 25:59
  Speaker 1: It's true. There's just you.
• 26:04
  Speaker 19: You must have been heaven sent. Hearing me call you
• 26:10
  Speaker 19: went out of nothing.
• 26:14
  Speaker 1: And you're all that he's not. Just look what I got.
• 26:20
  Speaker 1: You got it all. All over him.
• 26:28
  Speaker 10: You got it which is very and i heard oh
• 26:31
  Speaker 10: yeah i heard this constantly back in the day.
• 26:33
  Speaker 2: Wait in in jaws in jaws.
• 26:35
  Speaker 9: I'm assuming on a radio somewhere.
• 26:37
  Speaker 2: It might have been in the new year's eve party
• 26:39
  Speaker 2: yeah because there was a new year's eve party uh
• 26:41
  Speaker 2: that was happening which.
• 26:42
  Speaker 10: Again i like that's one of the things i like
• 26:44
  Speaker 10: about these episodes is like you get the ones that
• 26:46
  Speaker 10: are like the go-to very obvious oh yeah that's the
• 26:49
  Speaker 10: song that goes with this movie and then you get
• 26:51
  Speaker 10: all these other ones that get worked in in a
• 26:53
  Speaker 10: business deal somewhere they're like look you put this in
• 26:55
  Speaker 10: our movie somewhere And they have to find a way
• 26:57
  Speaker 10: to kind of be like, oh, yeah, we're going to.
• 26:59
  Speaker 2: Put that in there. What's funny is when they do
• 27:00
  Speaker 2: original music in an 80s movie, they were already self-conscious
• 27:05
  Speaker 2: of what the 80s sound was. There's a difference between, say,
• 27:10
  Speaker 2: some track by Simple Minds or something, and then something
• 27:15
  Speaker 2: that a composer goes, huh, okay, lots of synth, this beat,
• 27:19
  Speaker 2: 120 BPM, zip, zip. It's like when a composer goes, okay,
• 27:24
  Speaker 2: we have to do this, this, this, and this, it
• 27:26
  Speaker 2: becomes a little less special.
• 27:29
  Speaker 10: I feel like we get a lot of that now
• 27:31
  Speaker 10: because we have so many things trying to mimic the 80s.
• 27:34
  Speaker 1: Yeah.
• 27:34
  Speaker 10: And some do it successfully, both movies and TV shows
• 27:38
  Speaker 10: and music too. So we've got, there's such a weird
• 27:41
  Speaker 10: synth uprising now.
• 27:43
  Speaker 14: It is weird.
• 27:43
  Speaker 2: I mean, there's obviously a lot of new instruments that
• 27:46
  Speaker 2: were involved in the drum machines and the sequencers and
• 27:49
  Speaker 2: stuff like that. That made it possible to do all
• 27:52
  Speaker 2: that dance stuff.
• 27:53
  Speaker 9: Yeah.
• 27:53
  Speaker 2: Dance heavy stuff that they did in the 80s. But, Often,
• 27:56
  Speaker 2: you know, the people in the 80s were not trying
• 27:58
  Speaker 2: to be 80s bands. They were trying to do something different.
• 28:00
  Speaker 16: Yeah.
• 28:01
  Speaker 2: So that became the 80s.
• 28:03
  Speaker 10: Became the 80s thing, yeah. Everything was alternative before alternative
• 28:07
  Speaker 10: was a term, which was the 90s, and then spun
• 28:10
  Speaker 10: off into a whole other thing.
• 28:11
  Speaker 1: That's right.
• 28:13
  Speaker 9: Blues explosion.
• 28:15
  Speaker 1: Ladies and gentlemen, thank you so much.
• 28:17
  Speaker 14: We got to do this thing right now.
• 28:20
  Speaker 4: Yeah, holding one little spot, though.
• 28:25
  Speaker 1: This is john spencer and you're listening to movie meltdown
• 28:29
  Speaker 1: in the.
• 28:29
  Speaker 3: Mood for hot coffee when.
• 28:31
  Speaker 19: You are nothing else will satisfy.
• 28:33
  Speaker 1: We should have our coffee i know you like coffee
• 28:37
  Speaker 1: oh my.
• 28:38
  Speaker 9: God is this a segue to something.
• 28:55
  Speaker 2: What?
• 28:56
  Speaker 10: You don't want to run out to Heine Brothers right now?
• 28:58
  Speaker 29: Actually, now that you mention it, I'm drinking some fine
• 29:01
  Speaker 29: coffee here, but I feel like enjoying a nice hot
• 29:04
  Speaker 29: cup from my local Heine Brothers might actually be an
• 29:07
  Speaker 29: even better idea.
• 29:08
  Speaker 10: Well, really, you don't even have to leave the house.
• 29:10
  Speaker 9: You could just have it ordered right.
• 29:12
  Speaker 10: To your doorstep.
• 29:13
  Speaker 2: Really?
• 29:14
  Speaker 1: Yeah.
• 29:14
  Speaker 2: I can do that now?
• 29:15
  Speaker 9: It's not just something you can do.
• 29:17
  Speaker 10: You can also get a deal from your friends at
• 29:19
  Speaker 10: Movie Meltdown.
• 29:20
  Speaker 2: No way.
• 29:21
  Speaker 29: Movie Meltdown?
• 29:22
  Speaker 2: That's the show we're on, right?
• 29:24
  Speaker 9: Yeah, this one right now.
• 29:25
  Speaker 29: Oh, that's awesome. Hey, insert a sound of me kicking
• 29:27
  Speaker 29: over this table with this substandard coffee.
• 29:30
  Speaker 12: There.
• 29:31
  Speaker 9: Right there.
• 29:31
  Speaker 29: Yeah, you heard it. And then let's run out, jump
• 29:35
  Speaker 29: in the car, and then screech sound effect as we
• 29:37
  Speaker 29: head on down to our local heinie brothers there man
• 29:45
  Speaker 29: subtle subtle segue i.
• 29:48
  Speaker 10: Want to tell you about the heinie brothers coffee subscription
• 29:51
  Speaker 10: wherever you are home work or out on the road
• 29:54
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• 29:57
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• 30:02
  Speaker 10: home or office automatically. You select the frequency, the quantity,
• 30:06
  Speaker 10: and the variety of coffee, and Heine Brothers will take
• 30:08
  Speaker 10: care of the rest, shipping included. So just order online
• 30:12
  Speaker 10: at heinebrotherscoffee.com slash subscription and use the offer code MELTDOWN
• 30:16
  Speaker 10: for $ 5 off any gift subscription.
• 30:18
  Speaker 9: And if you're not familiar with Heine.
• 30:19
  Speaker 10: Brothers coffee or the spelling or any of that that
• 30:22
  Speaker 10: might make it a little harder... Just go to MovieMeltdown.com
• 30:25
  Speaker 10: and look on the right-hand side of the page and
• 30:27
  Speaker 10: you'll find a link to take you right to HoneyBrothersCoffee.com.
• 30:30
  Speaker 10: That's right, the Meltdown Caffeinated Movie Geeks are hooking you up,
• 30:33
  Speaker 10: so get your subscription started today.
• 30:37
  Speaker 30: It's just Bernie!
• 30:39
  Speaker 10: So yeah, the only other one I came up with is,
• 30:41
  Speaker 10: and again, this I kind of wanted to address just
• 30:43
  Speaker 10: because you end up in all these sub-genre kind of things,
• 30:47
  Speaker 10: but when you do something that kind of breaks in
• 30:49
  Speaker 10: a weird, super popular way... One of the few was
• 30:53
  Speaker 10: in Weekend at Bernie's, you get Hot and Cold from
• 30:56
  Speaker 10: Jermaine Stewart.
• 30:57
  Speaker 12: Yeah, yeah.
• 30:58
  Speaker 9: That's her closing song, I believe.
• 30:59
  Speaker 2: That's right.
• 31:00
  Speaker 10: So, again, you think, like, of all the stuff people
• 31:03
  Speaker 10: know you from, do you think that's probably the most widespread?
• 31:07
  Speaker 9: Because I feel like.
• 31:07
  Speaker 10: That's the one that hit. And it feels like everybody's mom.
• 31:11
  Speaker 9: Kind of watched that on cable at some point.
• 31:13
  Speaker 10: So everybody ended up seeing that eventually.
• 31:15
  Speaker 12: Yeah, that definitely was the iconic music piece for that movie.
• 31:20
  Speaker 12: I mean, that's what they identify it with, you know.
• 31:40
  Speaker 1: I like it, I like.
• 31:41
  Speaker 25: It, yeah Everyone would like a good feeling When you're
• 31:49
  Speaker 25: hot or when.
• 31:51
  Speaker 1: You're cold Keep on rockin', keep.
• 31:55
  Speaker 31: On reelin' If you're young or if you're old.
• 32:00
  Speaker 1: Some like it hot, oh yes Some like it cold
• 32:07
  Speaker 1: Did you hear that? Some never know. Some never know.
• 32:15
  Speaker 25: If you're high and always flying, remember where you are today.
• 32:22
  Speaker 31: Keep this good time, keep this feeling.
• 32:26
  Speaker 1: Don't ever let it fade away. Sun like and high. Oh, yes.
• 32:35
  Speaker 1: Some like it cold. Did you hear that? Some never know.
• 32:42
  Speaker 1: Some never know. Some like it hot. I like it,
• 32:47
  Speaker 1: I like it. Some like it cold. Some like it cold.
• 32:57
  Speaker 1: Some never know. Some never know.
• 33:01
  Speaker 13: A new day is done.
• 33:08
  Speaker 1: Get up from your.
• 33:09
  Speaker 31: Slumber And let your light shine Oh yeah And let
• 33:54
  Speaker 31: your light shine.
• 33:56
  Speaker 1: Oh yeah.
• 34:12
  Speaker 25: Everyone would like a good feeling When you're hot or
• 34:17
  Speaker 25: when you're cold Keep on rocking, keep on reeling If
• 34:23
  Speaker 25: you're young or if you're.
• 34:25
  Speaker 1: Old Some like it hot Some like it hot Some
• 34:31
  Speaker 1: like it cold I like it, I like it Some
• 34:36
  Speaker 1: never know Some never know Some like it hot Some
• 34:46
  Speaker 1: like it cold Some never know Some like it hot
• 35:01
  Speaker 1: Some like it cold Some love alone Some love alone
• 35:10
  Speaker 1: Some like it hot Some like it cold Some love alone.
• 35:25
  Speaker 12: I mean, I don't know if they, I never saw
• 35:27
  Speaker 12: Weekend at Bernie's 2, but I don't know if it
• 35:29
  Speaker 12: carried on into that movie as well.
• 35:31
  Speaker 10: It's sad to be like, it really just doesn't hold
• 35:33
  Speaker 10: up to the quality of Weekend at Bernie's.
• 35:34
  Speaker 12: Well, I'm just talking about the, of course not, but
• 35:37
  Speaker 12: I'm just talking about.
• 35:38
  Speaker 10: That song per se.
• 35:40
  Speaker 9: Right, exactly.
• 35:41
  Speaker 12: But that, Bernie's 2, the whole Bernie's dance was born.
• 35:47
  Speaker 9: Yeah.
• 35:48
  Speaker 12: And a weird story about that is when my son
• 35:52
  Speaker 12: was in high school, he was in grade 12, and
• 35:56
  Speaker 12: he did African dance at the school that they went to.
• 35:58
  Speaker 12: African dance was a very, very popular class to take.
• 36:02
  Speaker 12: So he'd been taking it years and years. And he
• 36:05
  Speaker 12: got to do a solo to an African.
• 36:08
  Speaker 10: Beat, which is similar to the beat, of course.
• 36:11
  Speaker 12: And as opposed to doing like pure African dance, he
• 36:15
  Speaker 12: did the Bernie dance. And I was sitting there watching
• 36:18
  Speaker 12: him going, oh, my God.
• 36:20
  Speaker 32: I've influenced my children.
• 36:23
  Speaker 9: Was he also pretending to be dead the whole time?
• 36:25
  Speaker 12: Well, I guess that's what you do when you do
• 36:28
  Speaker 12: the Bernie dance.
• 36:29
  Speaker 1: I don't know.
• 36:29
  Speaker 9: A little voodoo is required.
• 36:30
  Speaker 12: It was kind of like, I don't know if he
• 36:32
  Speaker 12: was intentionally tipping his hat to me, but I was like, oh. Anyway,
• 36:36
  Speaker 12: because most of the time teenage kids are just like,
• 36:38
  Speaker 12: I hate you.
• 36:38
  Speaker 9: I don't want anything to do with my mom.
• 36:40
  Speaker 2: Please don't dance, Mom and Dad.
• 36:42
  Speaker 9: Yeah, really. But if they can somehow find a way
• 36:44
  Speaker 9: to embarrass you in the process.
• 36:46
  Speaker 3: Yeah, right.
• 36:46
  Speaker 9: Oh, absolutely.
• 36:47
  Speaker 1: Then it's correct.
• 36:47
  Speaker 10: Then it's okay. Well, and then the other, you know,
• 36:51
  Speaker 10: Ty and Lance, I guess you've got a huge musical
• 36:55
  Speaker 10: background that I don't know if you want to at
• 36:57
  Speaker 10: least tell people how you ended up Million Dollar Quartet.
• 37:01
  Speaker 9: That's pretty huge. Especially the character you get to play.
• 37:05
  Speaker 2: Well, to tell you the truth, it was very easy
• 37:09
  Speaker 2: to do. Actually, what I needed mostly to do, I
• 37:12
  Speaker 2: played Johnny Cash in the original production of Million Dollar Quartet,
• 37:16
  Speaker 2: which is about Sun Records 1956. A reunion of Elvis,
• 37:21
  Speaker 2: Jerry Lee, Carl Perkins, and John, and Sam Phillips. And
• 37:26
  Speaker 2: so what I had to learn really was to sort
• 37:31
  Speaker 2: of simplify my guitar playing. Because I used to play
• 37:34
  Speaker 2: a much more, you know, I learned to play guitar
• 37:36
  Speaker 2: in the 70s and stuff. Everybody was playing more intricate.
• 37:39
  Speaker 2: Stephen Sills kind of, you know. And our musical director,
• 37:43
  Speaker 2: Chuck Mead, was like, yeah, Lance, you can't do that.
• 37:45
  Speaker 2: These guys were not that complicated. It was kind of
• 37:48
  Speaker 2: like boom, chicka-boom, chicka-boom, chicka-boom, chicka-boom. And so Chuck sort
• 37:53
  Speaker 2: of quite brilliantly, actually, sort of retooled my guitar style
• 37:57
  Speaker 2: after 45 years of playing the guitar. And so I
• 38:03
  Speaker 2: just had to– it was very simple music. Those arrangements
• 38:06
  Speaker 2: were very simple but hard to do well. Like there's–
• 38:12
  Speaker 2: You know, they're easy to play but hard to play well.
• 38:14
  Speaker 2: And you need really good players to do it. And
• 38:16
  Speaker 2: I was kind of on the low end of musical mastery.
• 38:24
  Speaker 2: You know, we had a lead guitar player that was great. Actually,
• 38:26
  Speaker 2: two that were pretty great. A great piano player and
• 38:29
  Speaker 2: drummer and bass player. So I've been playing a long time,
• 38:33
  Speaker 2: but I'm basically a picker. I'm a guitar picker. I
• 38:37
  Speaker 2: don't read music. I'm, you know.
• 38:38
  Speaker 10: What, again, I guess at some point had to... I've
• 38:41
  Speaker 10: already been a fan of his. What's sort of one
• 38:42
  Speaker 10: of your favorites of his?
• 38:44
  Speaker 2: Of John's? Of John, yeah. My favorite? I have several.
• 38:49
  Speaker 2: I really have several.
• 38:50
  Speaker 9: He's got quite a list of songs.
• 38:53
  Speaker 2: Just from a musical standpoint, I love Get Rhythm. I
• 38:55
  Speaker 2: think it has a lot of poppy kind of sound.
• 38:57
  Speaker 2: I love.
• 38:57
  Speaker 9: And stuff they weren't really doing at that age.
• 39:00
  Speaker 2: Boy Named Sue technically was written by Shel Silverstein, but
• 39:03
  Speaker 2: that was the first song I ever learned, like memorized
• 39:05
  Speaker 2: when I was nine or ten years old. You know,
• 39:10
  Speaker 2: I like, you know, obviously Folsom Prison.
• 39:13
  Speaker 9: They're all amazing, yeah.
• 39:13
  Speaker 2: San Quentin is a great song. Starkville City Jail.
• 39:18
  Speaker 9: That last wave is pretty amazing, too.
• 39:20
  Speaker 2: Yeah, yeah.
• 39:20
  Speaker 9: It gets super dark.
• 39:21
  Speaker 2: That was crazy.
• 39:22
  Speaker 10: When the man comes around and covering Nine Inch Nails songs.
• 39:26
  Speaker 2: Yeah, that's the thing about Johnny Cash is that everybody
• 39:29
  Speaker 2: loves him, no matter. what they always said that charlie
• 39:32
  Speaker 2: daniel said this whatever you know whatever end of the
• 39:34
  Speaker 2: political spectrum you're on everybody loves johnny cash you know
• 39:38
  Speaker 2: the the hippest trendiest you know tattooed scrawny yeah you
• 39:44
  Speaker 2: know death metal dude and the biggest redneck in the world,
• 39:48
  Speaker 2: you know? So it's like everybody.
• 39:50
  Speaker 9: Loved Johnny Cash.
• 39:51
  Speaker 10: He was one of those that could straddle, like people
• 39:53
  Speaker 10: in country music will still love him, but he's in
• 39:55
  Speaker 10: the Rock.
• 39:56
  Speaker 9: And Roll Hall of Fame.
• 39:56
  Speaker 10: So it's like he is that era when it started
• 39:59
  Speaker 10: to break through and become something bigger. And he was
• 40:02
  Speaker 10: instrumental in that.
• 40:04
  Speaker 2: Yeah, he was really quite remarkable. And it was really
• 40:07
  Speaker 2: fun to play him because it was... Because he's such
• 40:10
  Speaker 2: an interesting guy.
• 40:12
  Speaker 9: What I've seen is a pretty dialed down. It's not
• 40:14
  Speaker 9: an over the top. Trying to be Johnny.
• 40:16
  Speaker 10: As much as just getting into the character.
• 40:19
  Speaker 2: Well that's the thing. He wasn't a forced guy. He
• 40:22
  Speaker 2: was not even a loud singer. He had to suck
• 40:26
  Speaker 2: on the mic a lot of the time. And that's
• 40:30
  Speaker 2: one of the reasons. He has that great sound. Because
• 40:32
  Speaker 2: you can get really low like this. If you sit down.
• 40:36
  Speaker 2: It's like you don't have to. It's not Pavarotti, you know,
• 40:40
  Speaker 2: where they have to fill a 1,200-seat house.
• 40:42
  Speaker 3: Hey, get rhythm when you get the blues. Come on,
• 40:47
  Speaker 3: get rhythm when you get the blues. Get a rock
• 40:52
  Speaker 3: and roll feeling in your bones. Put taps on your
• 40:54
  Speaker 3: toes and get going. Get rhythm when you get the blues.
• 41:01
  Speaker 3: A little shoeshine boy, he never gets low down, but
• 41:04
  Speaker 3: he's got the dirtiest job in town. Bending low at
• 41:07
  Speaker 3: the people's feet on a windy corner of a dirty street. Well,
• 41:11
  Speaker 3: I asked him while he shined my shoes, how'd he
• 41:13
  Speaker 3: keep from getting the blues? He grinned as he raised
• 41:15
  Speaker 3: his little head, he popped his shoeshine ragging, and he said,
• 41:19
  Speaker 3: get rhythm. When you get the blues, come on, get rhythm.
• 41:25
  Speaker 3: When you get the blues, a jumpy rhythm makes you
• 41:29
  Speaker 3: feel so fine. It'll shake all your trouble from your
• 41:31
  Speaker 3: worried mind. Get rhythm when you get the blues.
• 41:47
  Speaker 28: Get rhythm when you get the blues Come on, get
• 41:49
  Speaker 28: rhythm when you get the blues Get a rock and
• 41:52
  Speaker 28: roll feeling in your bones Put taps on your toes
• 41:54
  Speaker 28: and get.
• 41:55
  Speaker 3: Going Get rhythm when you get the blues Well, I
• 42:14
  Speaker 3: sat down to listen to the shoeshine boy, and I
• 42:17
  Speaker 3: thought I was gonna jump with joy. Slapped on the
• 42:19
  Speaker 3: shoe polish left and right, he took his shoeshine rag
• 42:21
  Speaker 3: and he held it tight. He stopped once to wipe
• 42:24
  Speaker 3: the sweat away, I said, you mighty little boy to
• 42:26
  Speaker 3: be a-workin' that way. He said, I like it with
• 42:28
  Speaker 3: a big white grin, kept on a-poppin' and he said again,
• 42:31
  Speaker 3: get rhythm. When you get the blues, come on, get rhythm.
• 42:38
  Speaker 3: When you get the blues, it only costs a dime,
• 42:41
  Speaker 3: just a nickel a shoe. It does a million dollars
• 42:43
  Speaker 3: worth of good for you.
• 42:44
  Speaker 1: Get rhythm.
• 42:47
  Speaker 3: When you get the blues.
• 42:52
  Speaker 10: From 1985's Desert Hearts, that was, of course, Get Rhythm.
• 42:56
  Speaker 9: From the beloved Johnny Cash. Hey, Regina.
• 43:00
  Speaker 2: Regina, give that thing a rest, will you?
• 43:01
  Speaker 3: In a minute, Mel.
• 43:03
  Speaker 1: Look, I don't pay you to do that kind of
• 43:04
  Speaker 1: stuff around here.
• 43:10
  Speaker 2: Hey there, this is John Doe. You're listening to Movie Meltdown.
• 43:17
  Speaker 9: Glad you are, because otherwise you'd be.
• 43:18
  Speaker 2: Wasting your time playing some stupid video game.
• 43:22
  Speaker 1: Wait a minute.
• 43:26
  Speaker 12: Somebody named DMK in sixth place? When did this happen?
• 43:29
  Speaker 9: Look, don't be an overachiever.
• 43:30
  Speaker 2: You'll fit in better with your age group, okay?
• 43:33
  Speaker 14: This is really annoying.
• 43:35
  Speaker 10: Well, I was going to let you guys pick some
• 43:37
  Speaker 10: of your favorite songs used in movies.
• 43:39
  Speaker 9: So I know, Lance, you have many.
• 43:42
  Speaker 2: I have a few.
• 43:42
  Speaker 10: You got all excited when I threw this idea out
• 43:45
  Speaker 10: to you.
• 43:45
  Speaker 2: But sadly, I mean, like I said, going along with
• 43:47
  Speaker 2: this feeling, not this feeling, this theme, almost all of
• 43:52
  Speaker 2: my choices are preexisting songs.
• 43:55
  Speaker 10: Which is, again, that's another one of these things I like,
• 43:58
  Speaker 10: is you see the difference between people creating music specifically
• 44:01
  Speaker 10: for a project versus, and I think equally as artistic sometimes,
• 44:06
  Speaker 10: is finding a pre-existing song and perfectly working into a scene.
• 44:10
  Speaker 12: Right.
• 44:11
  Speaker 10: There's an artistry to that, too.
• 44:12
  Speaker 2: Totally. And my first choice, the first thing that comes
• 44:15
  Speaker 2: to mind is the bus scene in Almost Famous when
• 44:19
  Speaker 2: everybody's singing Tiny Dancer. I mean, to me, that's one
• 44:21
  Speaker 2: of the greatest pieces of film ever. I've ever seen
• 44:24
  Speaker 2: with regards to pop music.
• 44:25
  Speaker 9: Ladies and gentlemen, the evening is over.
• 44:29
  Speaker 3: We hope you all enjoyed yourselves, and we'll see.
• 44:31
  Speaker 1: You all again in 1974.
• 44:32
  Speaker 9: Good evening!
• 44:35
  Speaker 7: Blue jean baby L.A. lady Seamstress for the band.
• 44:51
  Speaker 33: Ballerina, you must have.
• 44:55
  Speaker 34: Seen her Dancing in the sand Now she's in me,
• 45:08
  Speaker 34: always with me Tiny dancer in my hand.
• 45:15
  Speaker 1: Guitar solo.
• 45:21
  Speaker 33: Jesus freaks Out in the street Pending tickets are for gone.
• 45:33
  Speaker 1: He's turning back She just laughs The boulevard is not
• 45:43
  Speaker 1: that bad Can't hold my hand He makes his stand
• 45:55
  Speaker 1: in the auditorium. Looking on, she sings her songs. The
• 46:08
  Speaker 1: words she knows, the tune she loves. Hold me closer,
• 46:23
  Speaker 1: tiny dancer.
• 46:24
  Speaker 31: I have to go home.
• 46:27
  Speaker 1: Count the headlights on the highway.
• 46:33
  Speaker 3: You are home.
• 46:35
  Speaker 1: Lady darling, she's the lady. You haven't been so dead today.
• 46:47
  Speaker 2: Basically all the songs in that movie were perfect for that.
• 46:52
  Speaker 2: The Led Zeppelin songs.
• 46:53
  Speaker 10: It's all Nancy Wilson kind of piecing that together.
• 46:57
  Speaker 2: And so that was, that was to me, that was like,
• 46:59
  Speaker 2: that's my favorite of all time. Second is Scotland PA.
• 47:03
  Speaker 2: I don't know if you ever saw Scotland PA.
• 47:05
  Speaker 9: I know the title.
• 47:06
  Speaker 2: Yeah. I always say it's not, not 1973, not 1975.
• 47:09
  Speaker 2: It's 1974. It's a very.
• 47:10
  Speaker 10: Specific, very tiny window.
• 47:14
  Speaker 2: The filmmakers could, uh, would, might, might, uh, Dispute me
• 47:19
  Speaker 2: on that, but, you know, Marshall Tucker and Bad Company,
• 47:22
  Speaker 2: and it's just a brilliant, brilliant, brilliant score.
• 47:26
  Speaker 1: ¶ ¶ ¶ ¶ Can't you see? Oh, can't you
• 47:46
  Speaker 1: see what that woman, Lord, she's been doing to me?
• 47:49
  Speaker 1: Can't you see?
• 47:53
  Speaker 5: Can't you see what that woman, Lord, she's been doing
• 47:58
  Speaker 5: to me? Gonna buy a ticket now As far as
• 48:17
  Speaker 5: I can Ain't never coming back.
• 48:26
  Speaker 4: Ride me southbound All the way to.
• 48:29
  Speaker 35: Georgia now To the train.
• 48:33
  Speaker 5: And run out of track Can't you see.
• 48:40
  Speaker 1: Oh, can't you see.
• 49:02
  Speaker 36: Thank you. Can't you see? Oh, can't you see?
• 49:29
  Speaker 5: What that woman long, she been doing to me Can't
• 49:32
  Speaker 5: you see?
• 49:33
  Speaker 1: Lord, I can't stand to.
• 49:37
  Speaker 2: Wait Sweet and Lowdown, Woody Allen's movie, which is a
• 50:05
  Speaker 2: little bit of a cheat because it is about a musician,
• 50:08
  Speaker 2: so it's all that Django Reinhardt type of music, which
• 50:12
  Speaker 2: is just awesome. And probably the one that I bought,
• 53:22
  Speaker 2: the soundtrack that I'm like, I'm getting this, was, of course,
• 53:24
  Speaker 2: Oh Brother, Where Art Thou? T-Bone Burnett's brilliant, brilliant.
• 53:28
  Speaker 37: Oh death Oh death.
• 53:43
  Speaker 35: Won't you spare me over till another year?
• 53:47
  Speaker 1: What is this?
• 53:53
  Speaker 35: That I can't see with eyes cold hands taking hold
• 53:57
  Speaker 35: of me.
• 54:00
  Speaker 8: Well, this is death none can excel.
• 54:04
  Speaker 7: I hold the key for heaven or hell.
• 54:09
  Speaker 37: Oh, death.
• 54:19
  Speaker 1: Oh, death.
• 54:24
  Speaker 14: Won't you fire me over.
• 54:26
  Speaker 5: Till another year?
• 54:40
  Speaker 24: Well, I'll bridle your tongue till you can't talk.
• 54:44
  Speaker 35: I'll stiffen your limb till you can't walk.
• 54:50
  Speaker 8: I'll blind your eyes till you can't see.
• 54:53
  Speaker 7: This very hour, come and go with me.
• 54:57
  Speaker 23: Oh, dear.
• 54:59
  Speaker 26: Oh.
• 55:08
  Speaker 35: Won't you spy me over till another year guitar.
• 55:18
  Speaker 14: Solo Oh, death, how you're treating me.
• 55:31
  Speaker 35: You're blinding my eyes till I can't see.
• 55:37
  Speaker 8: You're stiffening my limbs and making me cold, taking my
• 55:42
  Speaker 8: body from my soul.
• 55:49
  Speaker 1: Oh, death.
• 56:03
  Speaker 38: I think that changed an entire movement of music.
• 56:22
  Speaker 10: Like I think it is funny watching that people who
• 56:25
  Speaker 10: would have never even like who would have, either not
• 56:28
  Speaker 10: known what bluegrass was or would have shrugged it off
• 56:31
  Speaker 10: and laughed again because they were like, ugh, country music.
• 56:34
  Speaker 10: It's a different thing. It's a very different mode and
• 56:38
  Speaker 10: world than what traditional, especially modern country is. It opened
• 56:43
  Speaker 10: that up for everyone.
• 56:44
  Speaker 2: I should say this is in no particular order because
• 56:48
  Speaker 2: that is in a class by itself. Oh Brother is
• 56:50
  Speaker 2: totally in a class by itself because it's not just
• 56:53
  Speaker 2: like taking classic rock songs from this time and go, hey,
• 56:56
  Speaker 2: let's jam together. Which I think is great, you know.
• 57:00
  Speaker 2: My other one is Coming Home. Hal Ashby's movie, Coming Home,
• 57:04
  Speaker 2: used a lot of Rolling Stones, which I always think
• 57:06
  Speaker 2: are just inherently theatrical.
• 57:09
  Speaker 9: That's a specific one of theirs.
• 57:12
  Speaker 2: Yeah. They used Sympathy for the Devil when Bobby Carradine is,
• 57:17
  Speaker 2: you know, playing that character where he's killing himself. And
• 57:19
  Speaker 2: You're Out of Touch, My Baby, the very beginning.
• 57:27
  Speaker 1: Thank you. Well, baby, baby, baby, you're out of time
• 57:57
  Speaker 1: I said, baby, baby, baby, you're out of time You
• 58:03
  Speaker 1: are left out Out of there with a lot of
• 58:14
  Speaker 1: doubt Cause, baby, baby, baby, you're out of time Girl
• 58:24
  Speaker 1: who wants to run away.
• 58:26
  Speaker 15: Discovers that you had a.
• 58:30
  Speaker 24: Day It's no good you thinking that you're all.
• 58:37
  Speaker 6: Still mad You're out of touch my baby, I might
• 58:42
  Speaker 6: want my favor baby I said baby baby baby.
• 58:48
  Speaker 1: You're out of my mind Well, baby, baby, baby, you're
• 58:56
  Speaker 1: out of my mind. I said, baby, baby, baby, you're
• 59:04
  Speaker 1: out of my mind. Yes, you're all left out.
• 59:12
  Speaker 9: Out of there with an out of doubt.
• 59:16
  Speaker 1: Baby, baby, baby, you're out of time.
• 59:25
  Speaker 30: A better girl Giving up in the social world But
• 59:32
  Speaker 30: you can't come back Be the first in line Oh
• 59:36
  Speaker 30: no You're absolutely my baby My.
• 59:41
  Speaker 1: Poor old-fashioned baby I said baby, baby, baby You're out
• 59:49
  Speaker 1: of time Yes, you're all left out.
• 1:00:11
  Speaker 30: Out of there with an out of doubt.
• 1:00:16
  Speaker 1: Baby, baby, baby, you're out of hand. Sing a song.
• 1:00:24
  Speaker 12: Baby.
• 1:00:54
  Speaker 1: You don't know what's going.
• 1:00:57
  Speaker 14: On You've been away for much.
• 1:01:00
  Speaker 30: Too long But you can't come back and think you
• 1:01:05
  Speaker 30: are still there.
• 1:01:10
  Speaker 1: I said, baby, baby, baby, you're out of time.
• 1:01:37
  Speaker 9: Yes, you are left out.
• 1:01:39
  Speaker 1: Yes, you are.
• 1:01:41
  Speaker 6: I said, you're left out of there and out of doubt.
• 1:01:46
  Speaker 1: I said, baby, baby, baby, you're out of time. All right.
• 1:01:52
  Speaker 1: I said, baby, baby, baby, you're out of time. I said, baby, baby, baby,
• 1:02:11
  Speaker 1: I said, baby, baby, baby, you're out of time. I said, baby, baby, baby,
• 1:02:26
  Speaker 1: you're out of time. I said, baby, baby, baby, you're
• 1:02:33
  Speaker 1: out of time.
• 1:02:36
  Speaker 2: And aren't you glad you asked me?
• 1:02:38
  Speaker 1: And, uh, yeah, because she was like, I.
• 1:02:42
  Speaker 9: Might come up with one. And you were like, wait, wait, wait,
• 1:02:44
  Speaker 9: I got this.
• 1:02:45
  Speaker 12: I'm just like terrified now.
• 1:02:48
  Speaker 9: Just wait until you hear my answer.
• 1:02:50
  Speaker 2: I am effectively a classic rock nerd, you know? So, uh, uh, and, but,
• 1:02:55
  Speaker 2: but in terms of non pre-recorded stuff, uh, my favorite is, um,
• 1:03:01
  Speaker 2: I think it was Ry Cooter that did Paris, Texas.
• 1:03:04
  Speaker 1: Yeah.
• 1:03:04
  Speaker 2: Do you remember Paris, Texas?
• 1:03:05
  Speaker 10: Oh, yeah.
• 1:03:05
  Speaker 2: And that great, like.
• 1:03:06
  Speaker 10: We had Hunter, the kid. We had him on as
• 1:03:10
  Speaker 10: an adult now. And, like, interesting still, like, being a
• 1:03:12
  Speaker 10: kid in that scenario. But, yeah, that entire soundtrack is amazing. And, again,
• 1:03:19
  Speaker 10: the whole thing is so tailor-made. Like, it's tailor-made for
• 1:03:22
  Speaker 10: Harry Dean. It's tailor-made for that music. Like, everything about
• 1:03:26
  Speaker 10: that movie is so tweaked to it. Like, it can
• 1:03:28
  Speaker 10: only exist in its own little world.
• 1:03:30
  Speaker 2: And so American. Yeah. And, you know, of course, Sam
• 1:03:32
  Speaker 2: Shepard is, like, such a.
• 1:03:33
  Speaker 9: Yeah, yeah. And Vin Vendors, like, the visuals are amazing.
• 1:03:35
  Speaker 2: But Vin Vendors is like a German guy. He's like, okay,
• 1:03:37
  Speaker 2: let me make an American movie.
• 1:03:38
  Speaker 12: Thank you.
• 1:03:39
  Speaker 2: You're welcome.
• 1:03:39
  Speaker 10: Coming here and seeing these visuals and being like, no, no,
• 1:03:42
  Speaker 10: I want to capture this.
• 1:03:43
  Speaker 2: Yeah, totally. Yeah.
• 1:03:45
  Speaker 1: Yeah.
• 1:03:59
  Speaker 22: Thank you.
• 1:05:02
  Speaker 24: All right.
• 1:05:03
  Speaker 2: I didn't want to take up too much time.
• 1:05:05
  Speaker 9: No, no, no.
• 1:05:05
  Speaker 8: Definitely.
• 1:05:06
  Speaker 9: Please, I don't even want to talk anymore. You can
• 1:05:08
  Speaker 9: throw a couple out there.
• 1:05:10
  Speaker 12: Okay, I'm going to go to the other end of
• 1:05:12
  Speaker 12: the spectrum here for all you people that know nothing
• 1:05:15
  Speaker 12: about music and just sort of go, God, I kind
• 1:05:17
  Speaker 12: of like that sound.
• 1:05:18
  Speaker 14: Come on, you're a dancer.
• 1:05:20
  Speaker 9: I'm going way back. I don't know that you're still currently.
• 1:05:22
  Speaker 1: You know.
• 1:05:23
  Speaker 12: You grew up with music?
• 1:05:25
  Speaker 1: Yeah.
• 1:05:26
  Speaker 2: Oh, well, I did.
• 1:05:26
  Speaker 12: I was like a 70s kind of music person. I
• 1:05:29
  Speaker 12: liked kind of like the Earth, Wind & Fire funk and,
• 1:05:32
  Speaker 12: you know, brick house, that kind of thing.
• 1:05:36
  Speaker 9: They're back on tour now.
• 1:05:37
  Speaker 1: Are they?
• 1:05:38
  Speaker 10: It never goes away.
• 1:05:39
  Speaker 2: Yeah, yeah.
• 1:05:39
  Speaker 12: Well, Earth, Wind & Fire.
• 1:05:40
  Speaker 9: I'm sure the Commodores will be around.
• 1:05:41
  Speaker 14: Yeah. Well, okay.
• 1:05:43
  Speaker 12: I hate you so much, Lance. I'm so sorry. Oh,
• 1:05:46
  Speaker 12: my God.
• 1:05:47
  Speaker 9: The friendship is over as of this episode. We've ruined it.
• 1:05:50
  Speaker 12: Well, I'm so not what that is just that you've
• 1:05:53
  Speaker 12: heard for the last half hour.
• 1:05:54
  Speaker 9: That's fine.
• 1:05:56
  Speaker 12: But having said that, I know that there are many
• 1:05:58
  Speaker 12: people out there that will appreciate my book. So the
• 1:06:03
  Speaker 12: first thing that came to mind for me was... Jesus
• 1:06:07
  Speaker 12: Christ Superstar. One of my favorite movies ever. I mean,
• 1:06:13
  Speaker 12: I also saw that at a pivotal time in my life,
• 1:06:16
  Speaker 12: knowing nothing truly about Christianity even. Not even really knowing
• 1:06:21
  Speaker 12: who this person was. And I was like, oh my God,
• 1:06:24
  Speaker 12: that's what the story is. And how 70s is that?
• 1:06:28
  Speaker 12: The movie itself, the choreography, Robert Iscoff choreographed that stuff. I...
• 1:06:35
  Speaker 12: And I was getting into dance at that time and
• 1:06:38
  Speaker 12: that was the kind of dance that we did. I
• 1:06:42
  Speaker 12: was passionate about that movie and I knew every single
• 1:06:45
  Speaker 12: song in it. So that's sort of like the number.
• 1:06:49
  Speaker 10: One thing for me.
• 1:06:50
  Speaker 1: What's the go-to though?
• 1:06:50
  Speaker 9: Which is your favorite?
• 1:06:51
  Speaker 22: Oh, Jesus.
• 1:06:52
  Speaker 9: Exactly. Exactly.
• 1:06:56
  Speaker 10: See, my favorite, again, I thought Carl Anderson was amazing.
• 1:07:00
  Speaker 10: Like still one of the best voices.
• 1:07:02
  Speaker 9: Sadly, he's gone.
• 1:07:04
  Speaker 10: I did see one of the last touring, I think
• 1:07:06
  Speaker 10: the year before he died, he toured and I saw
• 1:07:08
  Speaker 10: him and he still year before he was gone, still
• 1:07:11
  Speaker 10: had that voice and was like still in shape. Like
• 1:07:14
  Speaker 10: he was up there and like, again, they modernized it.
• 1:07:16
  Speaker 10: So he's just wearing like a black leather vest. And
• 1:07:19
  Speaker 10: I'm like, he was still just like amazing. So his big,
• 1:07:23
  Speaker 10: finale number his big that white outfit is my favorite
• 1:07:26
  Speaker 10: outfit maybe of all movie times ever and.
• 1:07:29
  Speaker 12: Honestly i don't think i could i loved every song
• 1:07:32
  Speaker 12: on that i just did i can't help it i
• 1:07:34
  Speaker 12: i can't break it down and get really super.
• 1:07:37
  Speaker 10: Again i didn't love tons of musicals and i again
• 1:07:40
  Speaker 10: i've told you i've gotten worse and worse about religion
• 1:07:43
  Speaker 10: over the years So now my status as religion is just.
• 1:07:47
  Speaker 9: Jesus Christ Superstar? Does that count? That's really all I.
• 1:07:49
  Speaker 2: Need is that.
• 1:07:50
  Speaker 12: That's sort of, it's sad in a way, but you're right.
• 1:07:54
  Speaker 2: But it's, I think, a very humanist approach.
• 1:07:57
  Speaker 12: I just loved it.
• 1:07:58
  Speaker 10: I did.
• 1:07:59
  Speaker 26: It seems to me a strange thing.
• 1:08:02
  Speaker 1: Mystifying That a man like.
• 1:08:06
  Speaker 10: You Can waste his time On women of her kind.
• 1:08:13
  Speaker 29: I call it man yes.
• 1:08:16
  Speaker 26: I can understand that she amuses but to let her
• 1:08:23
  Speaker 26: kiss you stroke your hair that's hardly in your line
• 1:08:29
  Speaker 26: it's not that.
• 1:08:30
  Speaker 1: I object to her profession but.
• 1:08:34
  Speaker 9: She doesn't fit in well.
• 1:08:36
  Speaker 1: With what you teach and say it doesn't help us
• 1:08:39
  Speaker 1: if you're.
• 1:08:40
  Speaker 26: Inconsistent They only need a small excuse to put us
• 1:08:45
  Speaker 26: all away.
• 1:08:47
  Speaker 1: Who are you.
• 1:08:48
  Speaker 14: To criticize her? Who are you to despise her?
• 1:08:51
  Speaker 1: Leave her, leave her.
• 1:08:52
  Speaker 14: Let her be now.
• 1:08:53
  Speaker 1: Leave her, leave her.
• 1:08:55
  Speaker 25: She's with me now. If your slate is clean, then
• 1:08:57
  Speaker 25: you can throw stones.
• 1:09:03
  Speaker 10: It's just a good, that's what I realized after watching
• 1:09:05
  Speaker 10: it so many times. I was like, it just is
• 1:09:06
  Speaker 10: such a great story that if you detach yourself, if
• 1:09:09
  Speaker 10: you don't know who these characters are, if you don't
• 1:09:12
  Speaker 10: know what it's based on, it's still such an effective
• 1:09:15
  Speaker 10: story because it's such drama. Like, it's just so heightened
• 1:09:19
  Speaker 10: drama that it works.
• 1:09:28
  Speaker 1: Hello, everybody.
• 1:09:29
  Speaker 2: This is Ted Neely from Jesus Christ Superstar, and you're
• 1:09:33
  Speaker 2: listening to Movie Meltdown.
• 1:09:36
  Speaker 1: I will drink.
• 1:10:02
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• 1:10:04
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• 1:10:07
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• 1:10:09
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• 1:10:11
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• 1:10:12
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• 1:10:15
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• 1:10:19
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• 1:10:42
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• 1:10:46
  Speaker 9: Save the Meltdown.
• 1:10:51
  Speaker 12: Yeah, and just heads up, I'm not going to be
• 1:10:54
  Speaker 12: able to get as specific about every individual song and
• 1:10:57
  Speaker 12: scene and even the artist. I'm just like, that's okay.
• 1:11:03
  Speaker 9: It's really fascinating. It's really interesting.
• 1:11:05
  Speaker 12: I'm going, oh my God, I'm going to be so
• 1:11:06
  Speaker 12: bad at this. So I'm just going to give you
• 1:11:08
  Speaker 12: blanket statements.
• 1:11:09
  Speaker 3: All right.
• 1:11:10
  Speaker 12: So then this was also a time when I was
• 1:11:16
  Speaker 12: getting into dance professionally and considering training some more in
• 1:11:20
  Speaker 12: London and everything. And this movie Fame came out.
• 1:11:23
  Speaker 2: Oh, yeah.
• 1:11:23
  Speaker 15: I loved it.
• 1:11:24
  Speaker 9: It changed everything.
• 1:11:26
  Speaker 12: I loved this movie. I loved the story. I loved
• 1:11:28
  Speaker 12: the music. And I just was drawn to it. in
• 1:11:32
  Speaker 12: a different kind of way.
• 1:11:34
  Speaker 9: Just hope you don't turn out like Coco, but all right.
• 1:11:35
  Speaker 12: Right, exactly. Well, it was interesting because it's a cautionary tale.
• 1:11:40
  Speaker 9: It is, like it is, and it's tough.
• 1:11:41
  Speaker 10: Girls, obviously, in the industry, girls are still going through that.
• 1:11:45
  Speaker 9: As we know, finally, we're getting some sort of.
• 1:11:47
  Speaker 12: So are boys, trust me. Oh, yeah, definitely.
• 1:11:49
  Speaker 9: It's not just girls.
• 1:11:50
  Speaker 12: So, yeah, I mean, I fortunately kind of, I don't know,
• 1:11:55
  Speaker 12: skidded over all that stuff.
• 1:11:57
  Speaker 32: Thank the powers that be.
• 1:11:58
  Speaker 12: But I think that I had... I just had an
• 1:12:00
  Speaker 12: instinct to kind of like... see that and not I
• 1:12:04
  Speaker 12: wasn't so career driven that it was like you're willing
• 1:12:07
  Speaker 12: to put.
• 1:12:08
  Speaker 9: That above everything else even.
• 1:12:09
  Speaker 12: Your own safety exactly or integrity or whatever.
• 1:12:15
  Speaker 21: Baby look at me and tell me what you see
• 1:12:22
  Speaker 21: you ain't seen the best of me yet give me
• 1:12:26
  Speaker 21: time I'll make you forget.
• 1:12:57
  Speaker 1: People will see me and cry I'm gonna make it
• 1:13:02
  Speaker 1: to heaven Light up the sky like a flame I'm
• 1:13:08
  Speaker 1: gonna live forever Baby, remember my name Remember, remember, remember Remember, remember, remember.
• 1:13:38
  Speaker 39: Me tight cause you can make it right you can
• 1:13:43
  Speaker 39: shoot me straight to the top give me love and
• 1:13:48
  Speaker 39: take all i got baby i'll be tough but just not.
• 1:13:56
  Speaker 12: Enough A soundtrack that I love, and I haven't listened
• 1:16:03
  Speaker 12: to it for years and years, but I was drawn
• 1:16:07
  Speaker 12: to was from a movie called Baghdad Cafe. Do you
• 1:16:10
  Speaker 12: remember that movie?
• 1:16:11
  Speaker 9: I remember it, yeah.
• 1:16:12
  Speaker 12: I was like looking it up this morning because I
• 1:16:14
  Speaker 12: was like, I used to listen to the soundtrack over
• 1:16:17
  Speaker 12: and over and over again.
• 1:16:18
  Speaker 30: Really.
• 1:16:20
  Speaker 12: Kind of quiet, bluesy. It's an odd story about this
• 1:16:24
  Speaker 12: overweight German woman who ends up in the middle of
• 1:16:26
  Speaker 12: the desert. Her husband is taken off and she sort
• 1:16:31
  Speaker 12: of changes this rundown cafe and as a result she
• 1:16:35
  Speaker 12: changes and the character she's involved with changes. It's a
• 1:16:38
  Speaker 12: really cool little movie and the soundtrack is fantastic.
• 1:16:42
  Speaker 40: A desert road from Vegas to nowhere Someplace better than
• 1:16:52
  Speaker 40: where you've been. A coffee machine that needs some fixing.
• 1:17:04
  Speaker 40: In a little cafe just around the bend.
• 1:17:11
  Speaker 1: I am calling you Can't you hear me? I am calling.
• 1:17:31
  Speaker 32: You A hot, dry wind blows right.
• 1:17:44
  Speaker 37: Through me.
• 1:17:48
  Speaker 40: The baby's crying and I can't speak But we both know.
• 1:17:56
  Speaker 41: A change is coming Coming closer, sweet relief.
• 1:18:10
  Speaker 1: I am calling you. I know you hear me. I
• 1:18:23
  Speaker 1: am calling Calling you Calling you I am calling you
• 1:19:10
  Speaker 1: I know you hear me I am calling you.
• 1:19:38
  Speaker 23: Calling you A desert road from Vegas to nowhere.
• 1:19:52
  Speaker 40: Someplace better than where you've been.
• 1:19:59
  Speaker 42: A coffee machine that needs some fixing In a little
• 1:20:07
  Speaker 42: cafe just around the bend A hot dry wind blows
• 1:20:17
  Speaker 42: right through me The baby's crying and I can't.
• 1:20:24
  Speaker 1: Sleep And I can feel a change is coming.
• 1:20:35
  Speaker 43: Coming closer so we release.
• 1:20:49
  Speaker 1: I am calling you can't you hear me I am
• 1:21:03
  Speaker 1: calling you oh oh oh Mm-hmm. Mm-hmm. Mm-hmm. Mm-hmm.
• 1:21:55
  Speaker 12: And then most recently, probably, it started out as a play.
• 1:22:01
  Speaker 3: I guess.
• 1:22:02
  Speaker 2: No, didn't it?
• 1:22:03
  Speaker 9: Excuse me.
• 1:22:04
  Speaker 12: It started out as a movie and became a play
• 1:22:05
  Speaker 12: on Broadway once.
• 1:22:06
  Speaker 9: That keeps happening now. Once, yeah.
• 1:22:08
  Speaker 2: Once.
• 1:22:08
  Speaker 12: I just love the soundtrack for Once.
• 1:22:11
  Speaker 23: Are you really here?
• 1:22:14
  Speaker 34: Or am I dreaming?
• 1:22:17
  Speaker 23: I can't tell dreams from truth For.
• 1:22:23
  Speaker 12: It's been so long.
• 1:22:26
  Speaker 17: Since I have seen you I can hardly remember your face.
• 1:22:33
  Speaker 1: Anymore When I get really lonely And the distance calls
• 1:22:44
  Speaker 1: its only silence.
• 1:22:49
  Speaker 23: I think of you smiling With pride in your.
• 1:22:58
  Speaker 34: That side.
• 1:23:36
  Speaker 23: Are you really sure that you'd believe me.
• 1:23:43
  Speaker 1: When others say I lie? I wonder if you could.
• 1:23:51
  Speaker 23: Ever despise me.
• 1:24:01
  Speaker 1: A better one.
• 1:24:03
  Speaker 16: To satisfy you for your everything.
• 1:24:09
  Speaker 9: To me.
• 1:25:14
  Speaker 1: Thank you.
• 1:25:54
  Speaker 2: There's lots.
• 1:25:55
  Speaker 12: I love soundtracks.
• 1:25:56
  Speaker 9: I have a whole bunch.
• 1:25:57
  Speaker 12: I was like going through all my soundtrack CDs. I
• 1:26:00
  Speaker 12: still have them on CD.
• 1:26:01
  Speaker 10: As I'm holding mine, I can't call you out for that.
• 1:26:03
  Speaker 9: Yeah, exactly.
• 1:26:04
  Speaker 12: But these were, you know, just going through them right now,
• 1:26:07
  Speaker 12: those are probably Philadelphia was wonderful. Mambo Kings.
• 1:26:12
  Speaker 16: Yeah.
• 1:26:12
  Speaker 12: Talking about a specific genre of music. I loved Vangelis,
• 1:26:18
  Speaker 12: you know, 1492.
• 1:26:18
  Speaker 2: Oh, yeah.
• 1:26:20
  Speaker 12: Um i thought that was a very powerful instrumental soundtrack
• 1:26:24
  Speaker 12: very powerful um anyway that's that's i'm not gonna even
• 1:26:28
  Speaker 12: try to attempt to discuss the details.
• 1:26:37
  Speaker 10: Don't apologize oh my god i'm in awe i.
• 1:26:42
  Speaker 2: Lived with mike girley for you know six years and
• 1:26:44
  Speaker 2: so i thought like you know.
• 1:26:45
  Speaker 12: He You are a savant. Well, it's really bad. He
• 1:26:53
  Speaker 12: is in his home in L.A. He has a studio
• 1:26:58
  Speaker 12: in his basement. And they have lots of parties and
• 1:27:02
  Speaker 12: big gatherings. You guys are really great at just having
• 1:27:05
  Speaker 12: these incredible gatherings. His wife is an incredible cook, as
• 1:27:08
  Speaker 12: are you. But they'll always end up doing a jam
• 1:27:11
  Speaker 12: session in the basement. And it is fantastic.
• 1:27:15
  Speaker 2: Oh, my gosh.
• 1:27:16
  Speaker 12: You go down there and I sit in the saddle.
• 1:27:20
  Speaker 12: And it's heaven. It's absolute heaven watching these musicians jam.
• 1:27:25
  Speaker 2: Way too much gear.
• 1:27:26
  Speaker 10: Well, I think that's what most, again, anything that becomes
• 1:27:30
  Speaker 10: a weird hobby then becomes a weird obsession and Anything
• 1:27:33
  Speaker 10: you can buy tech-wise as I continue to buy mics
• 1:27:36
  Speaker 10: and gadgets. Recording, like, yeah, I have tubs of old
• 1:27:39
  Speaker 10: microphones that I don't even use now. So, yeah, it
• 1:27:42
  Speaker 10: becomes a weird obsession, buying more gadgets.
• 1:27:46
  Speaker 12: You get tons of guitars and stuff hanging up. It's fantastic, though.
• 1:27:49
  Speaker 2: It's fun.
• 1:27:50
  Speaker 9: Thank you.
• 1:27:50
  Speaker 2: It's very nice of you to say. No, it's great.
• 1:27:52
  Speaker 2: It's really fun. It's a 16-year-old's dream, as Cameron says.
• 1:27:58
  Speaker 9: It's come full circle. Now you actually have, which as
• 1:28:01
  Speaker 9: a kid, you're like, I just want a guitar.
• 1:28:02
  Speaker 2: I just want a guitar. I got all these guitars. See,
• 1:28:04
  Speaker 2: I didn't have an electric guitar when I was a kid.
• 1:28:05
  Speaker 2: I didn't even have, I didn't really even have an
• 1:28:07
  Speaker 2: electric guitar until I was like 30, 35.
• 1:28:10
  Speaker 9: Had to learn to play the old fashioned way.
• 1:28:12
  Speaker 2: That's right, baby.
• 1:28:14
  Speaker 37: All right.
• 1:28:14
  Speaker 9: Well, thanks for coming on and doing that.
• 1:28:17
  Speaker 2: This is the best one of these we've ever done.
• 1:28:19
  Speaker 2: That's right.
• 1:28:19
  Speaker 12: I'm so glad that you agreed to do this because
• 1:28:23
  Speaker 12: I knew that being the musician that you are and
• 1:28:27
  Speaker 12: as knowledgeable as you are in music. I may as
• 1:28:29
  Speaker 12: well not have been here.
• 1:28:30
  Speaker 2: That's not true.
• 1:28:31
  Speaker 9: I was ready to get up early.
• 1:28:33
  Speaker 2: Everybody loves you.
• 1:28:36
  Speaker 10: But yeah, do you have stuff you're working on you
• 1:28:38
  Speaker 10: want to tell people or appearances? or anything you want
• 1:28:40
  Speaker 10: to get out there to the world?
• 1:28:44
  Speaker 12: Yeah. No, I don't have anything coming up right away.
• 1:28:46
  Speaker 12: Any appearances?
• 1:28:48
  Speaker 2: I'm doing a play, it looks like. I hope it
• 1:28:52
  Speaker 2: all comes together, but so far we have it. Is
• 1:28:54
  Speaker 2: this the musical or no?
• 1:28:56
  Speaker 1: No, no, no.
• 1:28:56
  Speaker 2: This is no musical. This is something I don't know
• 1:28:59
  Speaker 2: what I told you about. No, I don't think you have.
• 1:29:01
  Speaker 2: For all you out there, this is breaking news. I've
• 1:29:03
  Speaker 2: only told a few people, but I might as well
• 1:29:04
  Speaker 2: go over the airwaves. The writer-producer will appreciate this. There
• 1:29:09
  Speaker 2: was this special in 1978 called the Star Wars Holiday Special.
• 1:29:13
  Speaker 3: Oh, I see.
• 1:29:18
  Speaker 9: I'm very familiar with it.
• 1:29:19
  Speaker 2: You did mention this. It is one of the weirdest.
• 1:29:23
  Speaker 10: I couldn't watch it.
• 1:29:24
  Speaker 2: I started to watch it.
• 1:29:25
  Speaker 10: You represent most of the world. Everyone kind of has
• 1:29:29
  Speaker 10: watched a few minutes of it.
• 1:29:30
  Speaker 2: One of the weirdest things ever to be committed to
• 1:29:32
  Speaker 2: a television, the airwaves on television. And it's all about
• 1:29:37
  Speaker 2: how all of these incredibly cool, qualified, talented people were
• 1:29:42
  Speaker 2: all thrown together.
• 1:29:43
  Speaker 9: And somehow it still came out well.
• 1:29:46
  Speaker 2: Tone deaf mishmash of like, wait, this is, wait, what,
• 1:29:49
  Speaker 2: what is this? And all these, like all these writers
• 1:29:52
  Speaker 2: are all, they all had great careers and all these
• 1:29:54
  Speaker 2: directors and whatever, you know, actors and stuff. And it's
• 1:29:57
  Speaker 2: this weird piece of seventies television history that is, is almost,
• 1:30:05
  Speaker 2: it's like Dada performance art.
• 1:30:06
  Speaker 10: I mean, it's, it's coming off of that when the
• 1:30:08
  Speaker 10: tail end of that variety show and like people, they
• 1:30:11
  Speaker 10: don't really do that now. Now we just have like
• 1:30:13
  Speaker 10: the talent show and vote for people. But like, We
• 1:30:16
  Speaker 10: don't have the variety show thing.
• 1:30:18
  Speaker 2: Yeah, and we did, and that was such a big
• 1:30:19
  Speaker 2: deal in the 70s.
• 1:30:19
  Speaker 9: Yeah, it was what they did.
• 1:30:20
  Speaker 2: It was so many big– Sonny and Cher and Carol Burnett.
• 1:30:22
  Speaker 9: It's Donny and Osmond.
• 1:30:23
  Speaker 2: Donny and Marie.
• 1:30:23
  Speaker 9: Donny and Marie doing the Star Wars special.
• 1:30:26
  Speaker 2: Essentially, which also exists. It was such a strange– and
• 1:30:30
  Speaker 2: it's a great comment to me on the over-merchandising, marketization–
• 1:30:37
  Speaker 2: is that a word? Of the film business. It is now.
• 1:30:40
  Speaker 2: And this is when they were trying to figure out
• 1:30:42
  Speaker 2: what to do. Anyways, our play is about the making
• 1:30:46
  Speaker 2: of it and who's involved and all the people involved
• 1:30:48
  Speaker 2: in it. And I have to say, I love the
• 1:30:51
  Speaker 2: script and the writer is really terrific. And it's called
• 1:30:55
  Speaker 2: Special and we're doing it in Hollywood, you know, like
• 1:30:57
  Speaker 2: around Christmas time.
• 1:30:58
  Speaker 9: Have you cast Art Kearney yet?
• 1:31:01
  Speaker 2: I don't think Art's going to be in this one.
• 1:31:03
  Speaker 2: Damn it. But B is definitely in there.
• 1:31:05
  Speaker 1: Oh, I hope.
• 1:31:06
  Speaker 2: And as we say, may the force be Arthur.
• 1:31:08
  Speaker 42: Yeah, well.
• 1:31:10
  Speaker 10: To me, the only saving grace is that animated piece
• 1:31:13
  Speaker 10: in the middle is amazing.
• 1:31:16
  Speaker 9: You can pull that out and show it to people
• 1:31:18
  Speaker 9: and they'll love it.
• 1:31:19
  Speaker 10: Everything around it is just confusion.
• 1:31:22
  Speaker 9: What am I watching?
• 1:31:23
  Speaker 2: That is a very central point in the piece.
• 1:31:26
  Speaker 9: It's right at the halfway point.
• 1:31:28
  Speaker 2: The writer has his finger on the pulse of what
• 1:31:31
  Speaker 2: people like, what people think is crazy, what we all go, what?
• 1:31:35
  Speaker 2: They did what? And... You know, it's just, to me,
• 1:31:39
  Speaker 2: a really funny bit of, in a sort of similar
• 1:31:42
  Speaker 2: vein as the disaster artist, where you take something that
• 1:31:46
  Speaker 2: is like, how did this get made? And then we
• 1:31:47
  Speaker 2: go like, oh, this is how it got made.
• 1:31:49
  Speaker 9: I'll show you. You still won't believe it.
• 1:31:51
  Speaker 12: Yeah, yeah.
• 1:31:53
  Speaker 2: All right.
• 1:31:53
  Speaker 9: We'll definitely look for that. And I was, again, my
• 1:31:58
  Speaker 9: go-to is the final track here. The whole world is celebrating.
• 1:32:05
  Speaker 9: Like there is no G even on the title here.
• 1:32:07
  Speaker 1: Celebrating.
• 1:32:08
  Speaker 9: It's the 80s. The rules were loose.
• 1:32:11
  Speaker 10: So yeah, that's again, in my head, I only hear
• 1:32:14
  Speaker 10: the song with credits rolling. So I figured we need
• 1:32:16
  Speaker 10: to go out, roll the credits in your head as
• 1:32:18
  Speaker 10: you're listening. So I think that needs to be our
• 1:32:20
  Speaker 10: final track.
• 1:32:22
  Speaker 9: Otherwise, thank you for being here.
• 1:32:23
  Speaker 2: Great to talk to you.
• 1:32:24
  Speaker 10: Yeah, good to talk to you.
• 1:32:25
  Speaker 9: That was fun.
• 1:32:25
  Speaker 10: That was really fun.
• 1:32:26
  Speaker 9: Thank you.
• 1:32:26
  Speaker 39: Really, really fun.
• 1:32:27
  Speaker 10: I'll remind you guys to get a life. We'll provide
• 1:32:30
  Speaker 10: the soundtrack.
• 1:32:43
  Speaker 26: Going to a great big party The whole world is
• 1:32:47
  Speaker 26: gonna turn out Everybody's there for a.
• 1:32:50
  Speaker 1: Good time People getting.
• 1:32:53
  Speaker 26: Ready to shout New York City, Moscow We're all getting
• 1:32:58
  Speaker 26: ready for a ball Make the all three seem like
• 1:33:03
  Speaker 26: no Celebrating And now it's a final moment For me
• 1:33:17
  Speaker 26: to take the whole world And celebrate with you Don't
• 1:34:02
  Speaker 26: worry about tomorrow Don't have some reason why Just stop,
• 1:34:11
  Speaker 26: take a look at yourself Take a look.
• 1:34:16
  Speaker 22: At yourself People getting right out of bed.
• 1:34:29
  Speaker 1: The whole world is celebrating. Tonight is about romance. Hey, baby.
• 1:34:34
  Speaker 1: The whole world is celebrating. Yeah, you got everything in
• 1:34:39
  Speaker 1: the sky. The whole world is celebrating. Girl, it's the
• 1:34:44
  Speaker 1: love of God.
• 1:34:52
  Speaker 26: Cause I know it's just a natural thing Maybe once
• 1:34:59
  Speaker 26: in a thousand years, yeah Don't try to explain us
• 1:35:06
  Speaker 26: that subject Cause tonight the message is clear The whole
• 1:35:11
  Speaker 26: world is celebrating.
• 1:35:17
  Speaker 1: People getting rid.
• 1:35:18
  Speaker 15: Of the dead.
• 1:35:22
  Speaker 1: Tonight is the final romance. Hey, baby. The whole world
• 1:35:26
  Speaker 1: is out of faith. Gazing at the thing in the sky.
• 1:35:30
  Speaker 1: The whole world is out of faith. The brother keeps
• 1:35:33
  Speaker 1: his lover goodbye. The whole world is out of faith.
• 1:35:39
  Speaker 1: People get ready, yeah. The whole world.
• 1:35:45
  Speaker 26: Is out of faith. Tonight is the final romance. Everybody's home.
• 1:36:11
  Speaker 12: All right.
• 1:36:15
  Speaker 10: All right.
• 1:36:16
  Speaker 9: This episode is a production of movie meltdown produced and
• 1:36:19
  Speaker 9: edited by the out of two studios for more on
• 1:36:21
  Speaker 9: how to sponsor or support the show.
• 1:36:23
  Speaker 2: Email producer at movie meltdown.com.
• 1:36:25
  Speaker 1: Talk hard.
• 1:36:37
  Speaker 9: This program is a proud member of the Battleship Pretension Fleet.