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Transcript

Midnight Towboy (S19E03) · Four Finger Discount (Simpsons Podcast)

• 0:01
  Maggie's crying. She's not crying. She's celebrating her independence. Don't crash that
• 0:07
  party. One hug can't hurt, Yes it can. Hugs are drugs,
• 0:12
  and your daughter's an addict. I guess it's time to let my little girl
• 0:17
  grow up. Four finger discount, dude, Welcome to four figure discount where
• 0:40
  this week we hit the review episode three of season nineteen. It is not
• 0:43
  Midnight Towboy. It is midnight towboy. I'm Dano and I am guy,
• 0:47
  And yes, I'm looking across at a very uh oh, no watery gentleman,
• 0:52
  a very misty eyed fellow, because this is the episode that may well.
• 0:55
  This is an episode that made Dando gray. He cries at the drop
• 0:57
  of the hat these days. Umm, I, on a hand, had
• 1:00
  no soul. I felt nothing at all. You didn't like this one.
• 1:03
  I liked it fine. There were bits that that I enjoyed. Certainly,
• 1:07
  there were a few little green lines on my notes here, because there were
• 1:11
  bits that I enjoyed. But did it strike me as deeply and for family
• 1:15
  as it did you? I'm not sure. But then again, I'm a
• 1:19
  solo artist, man, I'm rolling alone through as well. You could have
• 1:23
  little baby guys out there somewhere, but I think it is more than likely.
• 1:26
  I think it's an episode that you need to really be a parent and
• 1:29
  live through the moment of them finding the independence to truly appreciate that bee pop
• 1:33
  because I think the b PLoP with Marge and Maggie was better than the a
• 1:34
  plot in this episode. I just thought, and I'm watching this going this
• 1:40
  just has a woman's touch, with a mother's touch to it, I should
• 1:42
  say, And it was. It was Stephanie Gillis al Jeane's wife who wrote
• 1:44
  this episode. Al Jane's wife here saying yes, al Jane's wife. She
• 1:47
  did such a great job with this episode. I just thought there were so
• 1:49
  many elements to it and the ending. We always say here on this show,
• 1:53
  when you hit the landing, it leaves you happy. You sort of
• 1:56
  think the episodes is better than what it did. Sometimes you can have a
• 1:57
  good episode has a really crappy ending and the endything wasn't as good as I
• 2:01
  thought it was. This one here for me stuck the landing and I thought
• 2:04
  it was just so sweet. It wasn't on the do it for her levels.
• 2:08
  But I'll tell you what I was getting there. I thought, when
• 2:10
  when when she says that but drugs are drugs, hugs a drug and she
• 2:15
  says, shouldn't say it, but she goes to pacified slash dummy in her
• 2:19
  mouth and gives her that big squeeze. I thought that was beautiful. I
• 2:22
  thought it was one of my favorite endings in a long time. I'm glad
• 2:25
  you felt that way. I'm very happy that you're you know that you conjuct
• 2:29
  emotions for you. I'm feeling good for you in that regard because we brought
• 2:31
  in the counselor for the trying to get them to go to sleep and things
• 2:35
  like that, my kids, Holly and Alliott, and I was how Marge
• 2:38
  approached this. That was very much me. It was almost like I was
• 2:42
  watching myself. I never I didn't near in the groin obviously, but they
• 2:46
  they came in and it was just the I know what's best for your kid,
• 2:50
  and I've gotten my notes. There's one of my fa I'll spoil one
• 2:53
  of my favorite moments here because the line of all the cancelors are available day
• 2:55
  and night because they don't have families of their own, and none of these
• 2:59
  people had their own kids. But yet they're experts on how to raise children,
• 3:01
  yet they're never raised children. Not all of them obviously, but the
• 3:05
  ones that we hired, and they her mentality was let them cry it out,
• 3:09
  And I'm like, you know what, I'm not going to do.
• 3:12
  Let my child just cry it out. I know it worked to an extent
• 3:15
  in this episode. Sometimes it does work for people, but it's hard and
• 3:19
  sitting there listening to your child cry. I know you have to be a
• 3:22
  little bit tough, but you've got to find that balance between them finding their
• 3:24
  independence and still nurturing them because you can't just be crawns let them cry out.
• 3:28
  Some parents choose to do that, and it probably works for them.
• 3:30
  I couldn't do it. So I've really related to margin this episode as a
• 3:34
  result. Okay, the one I can say why you appreciated this episode more
• 3:37
  because well, yeah, look, all these experiences that you're talking about are
• 3:39
  you know, one hundred percent foreign to me. Anytime my baby starts crying,
• 3:43
  I'm out of there. But but also Marge having to come to terms
• 3:46
  with the child being independent. Now, so I wake up and Elliott will
• 3:49
  make you his own breakfast and put the TV on and things and I think
• 3:52
  you don't really need me, and then I go, wait a minute.
• 3:53
  Your bag's not packed. You know, you haven't flushed the toilet properly,
• 3:57
  you haven't done this, you haven't made your bed, you haven't. Ah,
• 4:00
  you still need me because you're still it's still an animal. My work
• 4:02
  here is not done. No, exactly. So they you need to let
• 4:06
  them think they're being not let them think, but let them be themselves and
• 4:10
  let them be a little bit independent, but also make them aware you aren't
• 4:14
  quite ready to take on the world yet. Yeah. Look, I imagine,
• 4:18
  yes, that there is a it's a fairly difficult time for parents because
• 4:23
  you understand that well, no, you brought them into this world. You're
• 4:27
  responsible for just about everything that your babies. Yeah, they need so much
• 4:30
  from you, and to have that reduced ever so slightly pretty much every single
• 4:35
  day. Yeah, there's going to be a feeling about that. I imagine
• 4:39
  that's going to be ongoing, probably for the rest of your life. Yeah.
• 4:42
  Yeah, your kids will always be your kids. That's why I thought
• 4:45
  this the ending here of Maggie's still saying, I am you know, I'm
• 4:47
  still have to look after myself in other ways now, but I'll always need
• 4:50
  to hope for my mum. And that's just thought was just the perfect way
• 4:54
  to end this story. I thought it was just so sweet. Okay,
• 4:57
  then, like I said, I'm very glad that you got that out of
• 5:00
  that. I was personally looking at this going I'm not really buying Maggie breaking
• 5:03
  out of the house and riding sands little help like a horse to track down
• 5:06
  Homer. Oh, she's done this since the start of the show, though
• 5:10
  she's always been you know, when Homer alone, I think it's season three,
• 5:13
  season four, I see them three. I think when Marge goes surround
• 5:15
  Chevlaxo and Maggie goes looking for her Right, granted, she's just a baby
• 5:19
  going for a wander looking for her mum, but she's still getting out of
• 5:23
  the house and going to do things. I liked the montage of her Sands
• 5:26
  walt to help. I guess the circumstances surround the episode. Surrounding specific incidents
• 5:32
  within an episode will have something to do with how you take those moments and
• 5:40
  how you not how you feel about them. I was like, Okay,
• 5:44
  this is happening. I guess when just being an oblivious dumb jerk to this.
• 5:49
  I think I'd rather take this for you the lesser of two evils,
• 5:53
  then let's call it that. Yeah, I just but I really really liked
• 5:58
  this episode. I liked the a plot as well. Well. What I
• 6:00
  will say though, is that, well, what I liked about it was
• 6:01
  the fact that I can buy Homer as a toe driver. He was good
• 6:04
  at his job. And the thing I didn't like was that we didn't really
• 6:09
  get a resolution to the story because because Maggie breaks them out, Louis knows
• 6:14
  where he lives. Louis doesn't come and try and resolve. Hey, come
• 6:16
  back, I still know you still owe me money or whatever for going on
• 6:19
  my territory. But also Springfield broke into chaos and there's no resolution to that.
• 6:24
  The last thing we see is the train go through the city and the
• 6:27
  blimp and it's a pirate ship. But then that's it. Like that,
• 6:30
  we don't have Springfield go wait, we do need order. It was just
• 6:32
  they break out into chaos and that's that's the last we see of it.
• 6:35
  Why wasn't Springfield chaotic before Homer started doing his toe job. That's true.
• 6:41
  Yeah, they allude to Chief Wigham Ah gave that fatman. Sorry, I'm
• 6:46
  mixing up my voices. Basically got to be Quimby say about Wigham, just
• 6:49
  if I wanted everything to be ordered and structured, I wouldn't have hired this
• 6:53
  guy to be the police chief, right, he said, Hey, look,
• 6:56
  Ralph, the man knows that his name or whatever it is. Yeah.
• 7:00
  Right. I didn't actually think of the element either. It's just they
• 7:01
  break into chaos all of a sudden because Homer wasn't giving them tickets, but
• 7:04
  so that they broke out because it's because maybe you playing Devil's advocate ding Ninding
• 7:10
  as you say, Homer showed them what it is like to actually have some
• 7:14
  sort of structure and not illegally park. And then once they saw someone else
• 7:18
  doing it again, they went, hey, wait a minute, because it
• 7:20
  was more of a spiteful wasn't it. It was very Oh, if you're
• 7:24
  doing it, I'm going to do it, and then everyone that's going to
• 7:26
  chain reaction. Yeah, but still I thought we needed a resolution to it.
• 7:30
  Oh yeah, absolutely, I mean I think it's something that it's the
• 7:31
  main story of the episode. Yeah, that The Simpsons has maybe dropped the
• 7:35
  ball on in recent episodes, maybe even recent seasons. It's like, we
• 7:40
  don't so much end as we stop. I really liked Matt Dylan as Louis,
• 7:44
  though loved Matt Dylan is Louis. When I first heard that voice,
• 7:47
  I'm like, that's familiar, Mat Dylan. H this is how you use
• 7:51
  a guest star, you know, as we've said, you don't have Hey,
• 7:55
  look it's Matt Dylan. It's just him playing a role. And you
• 7:58
  get to the in credit and go, oh shit, that was Matt Dylon.
• 8:00
  That's the best guest start of me. Yeah, of course by this
• 8:03
  stage, because what year are we talking in there? What two thousand and
• 8:05
  seven? This would have been two thousand and seven. Yeah, yeah,
• 8:09
  I mean Matt Dylan's one of those guys who's been around since what the early
• 8:13
  eighties or whatever, been in some big movies. Is a name that people
• 8:16
  automatically recognize. For the most part. I wouldn't say he's never never been
• 8:20
  like a megastar on the the level of say Tom Cruise or like some of
• 8:26
  his contemporaries, like even like Rob Lowe or someone like that, but he's
• 8:28
  someone who's always been around. It is always very very dependable, will occasionally
• 8:33
  break out and make you realize I woned about that guy. Yeah, he's
• 8:35
  really good and he's been good in everything. The first time I saw him
• 8:39
  as a kid. You remember how many a nineties kid was there's something about
• 8:41
  mary. Yes, exactly right. So every once, every once in a
• 8:45
  while, every few years or so, he'll being in something a high profile
• 8:48
  and like, oh yeah, this guy, yeah, yeah, always delivers.
• 8:52
  But I was thinking about this when you know, watching him in this
• 8:54
  episode, it's like, I don't really know anything about Matt Dillon his life.
• 8:58
  I don't know he's married and he has kids. That's true. He
• 9:01
  just seems like he's someone's friend. Yeah, but he's a guy who worked
• 9:05
  constantly always, you know, gives you the good story. Would you like
• 9:07
  to know would you like to know him? I would like to, or
• 9:11
  maybe I wouldn't. Maybe the well, I'm going to look it up.
• 9:15
  You look it up. How do you think he is. I think he's
• 9:18
  going to be somewhere like sixty two now he's sixty. Yes, he has
• 9:22
  brothers and sisters. Well, we all know about Kevin d Okay, Johnny
• 9:24
  Drama. Oh so I didn't realize he was dating Diaz during the ear of
• 9:28
  the Something about Mary was he his partners with Kaptain Diaz for three years ninety
• 9:31
  five to ninety eight. The dude keeps it life profile. I like that,
• 9:35
  and it says here Roberta Mastro Michelle. I don't know her forty seven
• 9:41
  years. She sounds like a resident of Guido Town or what. Yeah,
• 9:46
  I'm not too sure she's really She's an actress known for nine. She was
• 9:50
  in nine The Tourist as well. Anyway, he was dating her until this
• 9:52
  year, so maybe they've just split up, or maybe he's still dating her.
• 9:54
  I'm not too sure, but that he's been dating her since it says
• 9:58
  here twenty fourteenth, the last ten years, so I don't think he has
• 10:03
  kids. The upshot of this is, oh, he was wild things,
• 10:07
  of course, and he was wild things. He doesn't need to get married.
• 10:11
  He had the threesome witham that's going to keep him busy for the rest
• 10:15
  of his life. That he was dating Karon Diaz, Molly mat you scamp,
• 10:24
  but in two thousand and seven. I don't think it's necessarily going to
• 10:26
  draw in the punters. If they say this week on The Simpsons, it's
• 10:28
  bad down, they'll be like, okay, and He's definitely the kind of
• 10:33
  guy that you can tell people who work on the show with love. Oh
• 10:35
  yeah, we're getting let's get Ma Dylan in. That'd be cool. Let's
• 10:37
  get a role for him. And I thought he just played Lully so well,
• 10:39
  he really did. I really liked this new town of the Springfield universe
• 10:46
  that's obviously close enough to be well, it's on the border obviously Shelbyville.
• 10:50
  It felt like it'd been there forever. I really liked the parody of them
• 10:54
  all being you know, you just your typical yo yo. Yeah, yeah,
• 10:58
  what was it? It's called it Guido. I mean it's Gweedo on
• 11:01
  the name Gweydopolis, Guidopolis. Yeah. So, Also, Louis apparently is
• 11:07
  dressed similar to Steve Randall played by Tom Cruise from the movie The Outsiders,
• 11:11
  which also started at Dylan. It was Dallas in that. Oh God,
• 11:15
  for joy, my favorite. Did you have any favorite moments in the episode?
• 11:20
  I've written down here Props to Matt Dylan. I mean, I'd just
• 11:22
  like the way he delivered lines like that murder murder, murder, suicide.
• 11:26
  Well that was fantastic. It also where he was talking about the various nicknames
• 11:31
  that he had the cars and Homo side. Those were pretty funny. I
• 11:35
  went to the mudflaps. That's still two sexy for my wife. You do
• 11:39
  one silhouette and odds forever. I just like the initial note sexy young thing,
• 11:45
  average body, Homer body, just as you got a bit of a
• 11:50
  teary moment, a sentimental moment out of the ending. Yeah, I did
• 11:56
  like when Lee, when Maggie rescued Homer home was to pee you back and
• 12:01
  returning your news. Yes again, Homer was a good father. And this
• 12:05
  you think, how can you go from Homer being that joke with mister Burns
• 12:07
  and the plane two episodes ago to this where he goes, oh wait a
• 12:11
  bit, that's Lisa's nose. I was like, see you still know how
• 12:13
  to write in to be a good father? What are you doing? You
• 12:16
  know that's such a good line. You're hitting the target every once in a
• 12:20
  while. It just annoys me that you think you obviously still know how to
• 12:24
  write it, So why do you take the easy way out? And remember
• 12:26
  when it was on the plane, he's he's a joke to Flannders here studios,
• 12:31
  it's Homer, you idiots, And I think, what well, I'm
• 12:35
  sad to say we got a bit of that in this episode. I mean
• 12:37
  I wrote this down twice. Stop spelling out jokes. Yeah it happens more
• 12:43
  than once in this episode. Yeah, I'm getting that just by looking at
• 12:46
  the screen. It works for everybody. You don't have to, you know,
• 12:48
  nudge me in the ribs and go do you get it? I did
• 12:52
  like Moe's line of because you know how we don't like side J malt tout
• 12:54
  side J malt oh fitter tickets. Huh yeah, we now you get nothing.
• 12:58
  I was like, thank you, Moe speaking for all of us.
• 13:03
  Anything else you enjoyed, or I's got the counselor the councilors avaiable day and
• 13:07
  night because I have no families. And just the ending, I thought,
• 13:11
  I thought this was one of the better endings we've had in a long time.
• 13:13
  I really really liked the ending of this of making in march. Next
• 13:16
  question, you there eating the beast? All right, it is trivia time,
• 13:20
  mister Davis. My first question for you, what are the three shades
• 13:24
  of white that my mode reads out? I see you're reading off a list,
• 13:28
  so I will always check my notes, unlike you. Eggshell Malibar Ivory
• 13:33
  and Mediterranean ekrew as. That was also one of mad questions. Let me
• 13:37
  ask you one though. At the toga party being held at the Simpsons House,
• 13:41
  who else was there? There was not a Simpsons, Vember and Millhouse.
• 13:45
  Ralph. I watched it going How old are they? Sort of like
• 13:48
  part of the gang? Now Ralph and Milhouse is randomly there? What's going
• 13:52
  on? Anyway? It doesn't matter. My next question is where is mister
• 13:56
  T going to be playing in the Lion King? Oh? See where?
• 14:00
  I just saw the rest of the I just saw that mister T was the
• 14:03
  line king. This is at the Capitol City Playhouse. Okay, hey,
• 14:05
  how long has Ogdenbill been been without milk? Oh? Was it seventy three?
• 14:09
  It was since nineteen seventy three? What was the radio dial that Louis
• 14:13
  had on before he turns it off? Because how do you expect you to
• 14:16
  know? This? Was it close up and he turned it off? I
• 14:16
  looked away at that. It was eighty seven point nine. Okay, then
• 14:18
  great, while we're doing that thing, then you probably already get this.
• 14:22
  But what was the vanity plate? D ui guy? No? Different one?
• 14:26
  That was Lenny's. That Lenny's one. I wasn't going to add that,
• 14:30
  but the other one for Louis. Was it? Well, when Homer
• 14:33
  went to pick up the car that was in actually in Guidopolis, but he
• 14:35
  thought it was in Springfield and tickets it had started with I didn't it.
• 14:41
  It was iHeart something, so I says I love something. It wasn't.
• 14:43
  Now what was it? Z v LX. I don't know what that means.
• 14:48
  Z v LX flex I heart flex, I don't know. I don't
• 14:54
  know either, but that's what it was. Since is Mailbager gmail dot com,
• 14:56
  please write in let us know we are silly. It's probably right there
• 15:01
  in front of our eyes, like what what is it? We don't know
• 15:03
  we're talking about? All right, mister Davis, this is now time to
• 15:15
  read out some incredible names of some amazing stonecutters. My favorite part of the
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  episode. Yes, of course we'll be started with Kati G with her one
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  hundred dollars support every single episode. We absolutely love you, katG. Think
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  you for supporting us here at four finger discount. Of course, our men
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  Andrews to Bias Lunch, Yes, what do you what do you call him?
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  Andrew? Andrew? Andrew Andrew you call him? Is it Andrew South?
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  You had another name for him? I always called him Sir Andrew.
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  Andrew is okay. So if you'd like another nick name, Andrew, let
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  me know. We've got Zach prud Our Main Mayor, Alliot j O'Neil.
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  Also Jordan Moulman, Richie, Jonathan Rossie, Stephen Roberts, Seawan d V
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  Pete Anderson, Timothy Belson, Andrew Davis, Ryan Dunlap, Kevin Dentel,
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  Oh, it's like you're winning the Big Mac Challenge. You're doing the whole
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• 16:41
  Indeed, all right, so let's get into a review of Midnight Towboy,
• 16:44
  shall we? Right, let's do it. The original air date of Midnight
• 16:47
  Towboy was October seventh, two thousand and seven. Production code jab F two
• 16:51
  one, written by as we said, Stephanie Gillis, the wife of Al
• 16:55
  Jean, and directed by Matthew Nastak. I feel like he's directing a lot
• 16:57
  of episodes lately of Matthew. Yeah, I didn't we should start calling al
• 17:00
  Jeane the husband of Stemini Gillis. We should have right in this episode of
• 17:04
  course, Matt Dylan, of course, as louis the couch gag the family
• 17:07
  is. I thought it was one of the better couch gags. Very creative.
• 17:10
  They're building them out of Lego home originally has hair, takes off the
• 17:12
  hair and puts there. I thought it was good, not too bad.
• 17:15
  Yeah, there's a Lego episode of the Simpsons, but cgi'd Lego. It's
• 17:18
  all stop motion, so Lego movie, Lego movie, Lego. I remember
• 17:22
  it being all right, Yeah, it's just something different. Yeah. So
• 17:26
  the episode kicks off with what was a kick off with this the Davis as
• 17:30
  I get up trying to put to make in the bed. Yes, that's
• 17:32
  right, Marge trying to put make it to bed, and she just will
• 17:33
  not have it, and I resually go here straight away relatable. Every night
• 17:40
  you planned the kids, you have to as a parent. You'll learn.
• 17:41
  You gotta give them half an hour warning. I won't learn. I'm not
• 17:45
  doing this. You got to go all right, So we're putting a bed
• 17:48
  at seven thirty, ten to seven, Hey, kids, all right,
• 17:49
  just let you know you can finish watching this, finish doing that. We
• 17:52
  gotta bush our teeth, get ready for bed. We're gonna go to bed
• 17:55
  in half an hour. Give them ten minute warning again, ten minutes later,
• 17:57
  remind him again, ten minutes later, remind we get it right,
• 18:00
  don't forget ten minutes going to bed, get to bedtime? What what do
• 18:03
  you mean in bedtime? You've been getting warnings forever, kid like, and
• 18:06
  then it's just and now they've worked it out my kids, So, Holynally,
• 18:10
  if you ever watch this, I'm onto you. They get to bed,
• 18:12
  they get to bed, and then they go I've got a ship.
• 18:15
  That's exact words, that's actually but it's like I've got to do a poo.
• 18:18
  I'm all right, then I'm gonna do a poo too. I'm like,
• 18:22
  I asked you, if you want to go to the toilet, guess
• 18:23
  what you're gonna sleep in it? I asked them, every night before you
• 18:27
  get a bed, to go toilet. No, no, no, no
• 18:29
  no. Literally, the second we walk out of that room, we sit
• 18:32
  it in the chair in the land room. Its nesting into our couch whatever
• 18:34
  we're going to watch them SVU or whatever we're gonna nest in will fortune,
• 18:37
  whatever it is we're gonna watch. It's very extreme example wheel of SVU.
• 18:44
  And then we hear this pit a pat on the hallway floor, like,
• 18:45
  what are you doing? I just got a pooh? I literally asked your
• 18:48
  kid, I asked your kid. That's their thing. Now, or it's
• 18:52
  I heard something at the door. I thought I heard someone knock at the
• 18:53
  door. I'm like, no, you didn't. You're getting played. They
• 18:56
  are gaming the system because they think they they think they're falling it. That's
• 19:00
  the best part. And you think I don't have anything? Yeah, how
• 19:04
  can I quash this youthful engine in imagination? But Maggie, she won't go
• 19:07
  to bed here. She's got just in Timberwolf with her. Holly has an
• 19:11
  entire bed of stuff animals, and she gets to bed every night and goes,
• 19:14
  I'm gonna take this one and this one and this one. Then she
• 19:17
  wakes up middle the night and goes where I'm like, it's on the pile
• 19:21
  of toys, and then your bed. Get up and get a kid.
• 19:22
  But yes, Maggie won't go down home. And the kids that are up
• 19:26
  partying. You're taking parenting dips from Mo. Grab that one kid, Yeah,
• 19:33
  Homer and the kids are partying. This is what happens. So kids
• 19:34
  go to bed, But why are you guys? Allie's new thing is why
• 19:37
  do your mummy get to stay up? Because we're grown ups. That means
• 19:41
  we get to stay up, grown up, stay up. He's like,
• 19:42
  oh, okay, makes sense checks out. You've got to have the argument.
• 19:47
  Yes, I'm a big fan of your your half hour ten minutes.
• 19:51
  You have to warn them, Oh absolutely yeah. I mean, of course,
• 19:53
  have no kids, but my hypothetic kids. I mean, you know
• 19:56
  you read parenting advice. I'm like, I like the idea, the well
• 20:00
  you've given a half hour warning with ten minute brackets. I was always like,
• 20:03
  yeah, I got to give them the five to ten minute warnings,
• 20:06
  like right, we're at the door in ten minutes. If you're not,
• 20:08
  yeah, yeah, you get left. Yeah. You can't just say right,
• 20:11
  you're going to bed, because then it's just fiasco. It's just World
• 20:15
  War three, whatever you want to call it. It's just chaos. It's
• 20:18
  fucking it's pirate ships and fucking blimps and it it's World War Z. But
• 20:22
  in this case, the Z doesn't say for zombies. It's yeah, yeah,
• 20:26
  okay, it's pretty happy with that. That's pretty good nothing. So
• 20:32
  they questioning why why, or Maggie says why do you get a bit?
• 20:34
  She doesn't say, but she's she's saying that through her eyes. And the
• 20:37
  kids are up partying with Homer and Ralph and millhouse very much like animal house.
• 20:42
  Then she says, I want to bottle's another thing like the kids like,
• 20:45
  I'm first and you too. Good water, So Maggie she goes get
• 20:47
  a bottle of water, bottle of milk. Sorry, She jumps from hom
• 20:49
  onto March. March therefore to drop the bottle and Home cries over spill builder,
• 20:53
  which I thought was quite funny. Well, yes, but this is
• 20:56
  where I said the first time. Stop spelling out jokes. It's spilt milk.
• 21:00
  Just have him cried. You don't necessarily have him have him say spilled
• 21:04
  milk. I mean, just allow us to add two and two and come
• 21:08
  up with you. Remember there are kids watching the show too, and that's
• 21:12
  that's where you kids, You're throwing the adults of bone by letting them say
• 21:18
  he's crying over spilled milk, and you necessarily watching the kids will look around
• 21:22
  it and going, wow, the kids, how do I get to stay
• 21:26
  up late? I know what you're saying. I think you just need to
• 21:27
  tone it down a little bit with your critiquing. I mean, you're more
• 21:30
  than more than able to go for it and crucify it. I'm here,
• 21:34
  I'm here to critique you can crucify this. But I didn't think it was
• 21:37
  too bad considering what I have not yet begun to crucify. Okay, considering
• 21:42
  the ship that we've had lately, I thought this was not But the teens
• 21:45
  have all bought their milk because apparently in this era, that's when everyone was
• 21:49
  doing the diet coke and the mentos thing with the people have been doing that
• 21:52
  forever though, But the urban legend about pop rocks and coke. But this
• 21:57
  it became like a viral insidet at that time, wasn't it remember doing it?
• 22:02
  Every generation learns, Yeah, to be a dumber. Yeah, it's
• 22:06
  funny. Now. I found myself getting older because I realized I'm getting older
• 22:11
  because I will say, oh, that's just a sample from a song from
• 22:14
  years ago. When I hear a new song that's a original, and I
• 22:17
  look back and go a lot of the songs that I liked when I was
• 22:18
  a kid, also samples from songs twenty it's been happening forever. It's a
• 22:22
  it's a tough thing. It's a tough beat when that happens, because part
• 22:26
  of you is like you want to tell the kids listen to the original.
• 22:30
  It's the best and it's like, no, it's cicklical, and I hated
• 22:34
  it when adults was saying me, you should be listening there really good stuff.
• 22:38
  Well yeah, bing Crosby is good, thanks dad. I just don't
• 22:42
  like it when they cover a song and it's just the same song with just
• 22:45
  like a techno beat, because they've just covered stumbling in Oh yeah, terrible.
• 22:51
  It's just the same fucking song. It's the same song with Yeah,
• 22:55
  it's the same thing you've done. You've done nothing creative here, you've done
• 22:59
  nothing. We get. Just play the vision because the visional is a fucking
• 23:03
  banger. Just play the hits. Just play the hits, great classic hits.
• 23:07
  I love time in great song, fine song, fine song, great
• 23:10
  song. We'll agree to disagree. I've actually interviewed Susy Quatra before Lovely Lady,
• 23:18
  have you? Yes, I had her in the studio. Pulsive am
• 23:19
  here in Geelong like a London that's easy. Quatrocab on. But he goes
• 23:26
  to Pinky Tascadera, goes to the quickie mark to get some milk, but
• 23:30
  it's all been purchased by the teenage as we said, because they're combining milk
• 23:33
  mentos and a lot of scrapings to make shitty jet packs. Yeah, it
• 23:37
  works, but not quiet. Yeah, should you're a parent, as you've
• 23:42
  spent the last half hour reminding me, would babies just drink regular milk or
• 23:48
  do you have to get them like formula? Oh? It depends on the
• 23:52
  age of Maggie. What is Makey's age? So you wouldn't give him regular
• 23:53
  milk until their stomach can handle it. So it's either breast milk or formula
• 24:00
  until a certain age. I'm not sure what the age is, maybe like
• 24:02
  eighteen months of his Yes, Yeah, it just seems like they're using regular
• 24:06
  ass cow milk because my margs wouldn't be britt I think. Yeah, it
• 24:10
  does feel that way, doesn't it. Yeah, because they're just gone to
• 24:12
  the quick amount to buy it. It's not formula. Yeah. Yeah.
• 24:15
  Whenever people are talking about, oh, you've got to give the baby a
• 24:17
  button, I'm like, I'm pretty sure you're not giving them. Oh make
• 24:19
  devon now in front of the pod. How old is maybe? I think
• 24:22
  she's like two. Maybe at this point I'm not too sure she might be
• 24:25
  old enough for regular milk. Well, she's walking, but you know,
• 24:27
  she's Simpsons Walking. Yeah, I think I can buy at this age.
• 24:32
  Probably milk will be fine. Okay, yeah, all right, we'll clear
• 24:34
  that up. Yes, anyway, I'm now given this episode an extra stuff.
• 24:38
  He goes to Moe's to get some milk. He's only got paint though,
• 24:41
  Homa drinks it and because it's white, it's gonna cost him. Then
• 24:45
  Lisa suggests go on a website to try and solve this cleaning. Baby,
• 24:48
  I like this is why because it very much felt like my mum when she
• 24:52
  goes near a phone or a computer screen with that one. Mom, not
• 24:55
  go af keep going, but the blue ones are that's the jewel bar.
• 24:57
  You've opened, work closing, don't say this, stop cooking, don't go
• 25:02
  there. Why are you buying a freezer? Don't click the corner you bought
• 25:04
  it, you click the card. If you're so smart, you do it.
• 25:12
  Hmmm cry. What does that stand for? Creative responses for infant egg?
• 25:19
  You loving oohed you love it. They come to your home to help
• 25:23
  you raise independent, self actualized children. The counselors can come day and night
• 25:29
  because they have no families themselves. Okay, you'll sign up. You just
• 25:33
  bought another freezer. Well maybe I wanted another freezer. Could you relate in
• 25:37
  this exp what's Margaret Mary log with a phone or a computer? Well,
• 25:41
  not with the phone. And she's she's big on the iPad because it allows
• 25:45
  her to watch various streaming services and take photographs. Is she very much?
• 25:51
  She's got a pattern of how she opens up absent. If something else pops
• 25:52
  up, it's game over kind of, I'll find out, I'll find it
• 25:56
  with my name before she passed god w rest of So she think she knew,
• 26:00
  turn on the TV, do this, do this, do this.
• 26:03
  But if like accidentally she pushed like the HDMI button whatever, it went to
• 26:06
  a different, different source, it was done. Finish. That's pretty good
• 26:10
  with the iPad. But she has limited options on that. I mean there
• 26:15
  have been occasions where I've had to go over and say, Okay, now
• 26:18
  you've got this, I'm gonna log you down. Then i'm gonna log you
• 26:19
  back. Oh you're a genius, and yeah, I am all right.
• 26:22
  You just have all the Sky News podcasts all line up for it. And
• 26:25
  that's very got a need. I need to get her on ticket Masters so
• 26:29
  she could go see Tucker Carlson. I can't believe that's out. The other
• 26:33
  night, Tucker Carlson and Clive Palmer in conversations like, well, you might
• 26:37
  as well just shoot me now. But I get I. Yes, it
• 26:44
  is very very relatable, even to well, even someone of your age.
• 26:48
  I mean you're probably looking at the internet pop ups. Yes, you know
• 26:52
  what I hate the most with pop ups? It's the ones where you go
• 26:55
  into a website and they don't load for about three seconds, and you're about
• 26:57
  to click on something, and then they bumped him down because the banner pops
• 27:02
  up and then he cook the banner and you're like, you motherfucker. I
• 27:06
  didn't want this. No, I specifically requested the opposite. I trusted you
• 27:11
  Internet. I trusted I didn't my margins. I don't want to bother my
• 27:15
  Internet with my problems. Yeah, but but fixes it quickly. And then
• 27:18
  they say here, the counselors can come day or not, because they don't
• 27:21
  have any families for themselves. I'm like, that's exactly how I felt as
• 27:23
  well. Then Homo goes for a drive looking for some milk. He eventually
• 27:26
  arrives in Greedopolis. Yeah, and look at the mookie mart. What's the
• 27:32
  lady's name Angelica, get over here doesn't mean nothing. Yes, but I
• 27:36
  got some milk field right here. But I didn't like this that we so
• 27:40
  you were saying, break out, That explained the joke. This was very
• 27:41
  much explained the joke. Oholy, you were going to point to your crutch.
• 27:45
  You didn't need to say that. You did not know it ruined the
• 27:48
  joke. I thought by doing that, and just it was funny in itself.
• 27:51
  It's like, ah, yeah, we all thought that too, that
• 27:53
  was the joke. He didn't have to explain that to me. But Homer
• 27:56
  then gets told because he's parked outside the bank, and then he ends up
• 28:00
  giving home a ride to the impound and yeah, so basically he realizes here
• 28:03
  that he is the boss. Louis his own boss. He can work whenever
• 28:06
  he wants. Is sometimes you want to go to work. And I like
• 28:08
  the I don't know it's sexist thing over eyeball in the highway. Honeys.
• 28:15
  I love the word. I use the word honey's all the time. I'm
• 28:17
  like, what a honey? I do think it's a nice way. In
• 28:19
  my opinion, it's a polite way saying. It's a respectful way to objectify
• 28:26
  you know what I mean, it's just like, well, what a honey?
• 28:27
  You know, well, I think the same with saying what a hunk?
• 28:33
  Don't you reckon? Because what a hunk is objectifying a man? Oh
• 28:36
  absolutely, it is so what I always feel completely objectivey referred to as such,
• 28:40
  exactly right. So when someone honks their horn says what a hunk,
• 28:41
  you should feel the same way a woman would feel when they say what a
• 28:44
  honey. I mean, so you're pro cat calling. I just wish I
• 28:48
  could wolf whistle. I just can't do it. Can you wolf whistle?
• 28:51
  Oh? Absolutely not, you can't do it. Now. I've always been
• 28:53
  a fairly human whistle. I've been I've been jealous my whole life of people
• 28:57
  who can do the finger one oh yeah, oh, particularly the one hand
• 29:00
  time. Oh, man, like you are a hunk, you go to
• 29:04
  a party and you need some order, and someone and just bust that that
• 29:07
  and you're like, oh, I wish I could do that, damn it.
• 29:11
  Yeah. But anytime that happens, of course, that person is gonna
• 29:14
  get bodily fluids on the hamburger. Someone whistling at a party or a restaurant
• 29:18
  or something like that. I don't know. But when it's like you get
• 29:21
  attention, it's like right time of the cake. Everyone listened. No's just
• 29:25
  and everyone stops. What's that? Sam? That was a pretty good while.
• 29:27
  That's just a normous That's just a whistle. Do you know how I
• 29:30
  do? You know how? I learned to whistle by practicing the intro to
• 29:33
  patients from Guns and Roses because I try to do it, and I did
• 29:45
  the whole thing. I was just practice when I was a kid, and
• 29:48
  that's how I trained myself to change the tone to my whistle. Thanks the
• 29:52
  Axle Rose, you did at least one thing right, one thing. He
• 29:56
  went up the rail for a while. It seems you've got his life back
• 29:57
  on track. No, that's good. I think I think I know about
• 30:00
  as much about Axl Rose I do about Mandellen. I went and saw Guns
• 30:03
  and Roses last year. Last year they're touring again as the original band.
• 30:07
  Is he still were in the Dreadlocks? No, No, he's misbarides.
• 30:10
  No, he's he's got through his mid life crisis and he just seems to
• 30:12
  have He was doing charity ship like in Australia. I'm like a rose doing
• 30:17
  charity. What is happening? Here. He always seemed like not a softie,
• 30:22
  but he seems like he had a good heart. Yes, even though
• 30:26
  he was that kind of thing. Now, if he reminded me of people
• 30:30
  that I grew up with. I grew up in Cryer in or Lane,
• 30:32
  and they're rough as bags, but you know that'd always be there for you
• 30:34
  if he needed them, but you always wanted them on your side and on
• 30:37
  the other side. I'm gonna start to using the term rough as bags.
• 30:41
  Heard that before, never heard it roughest guts, rough as bags, I
• 30:45
  know, rough as gud. Rough as bags is the plat way of saying.
• 30:47
  It's like the honey's roughest guts. I feel like I'm getting a terrific
• 30:52
  education. Yeah, you learn a lot when you grew up in Cryer,
• 30:56
  I believe me. But he ends up getting to the to the impound and
• 31:00
  there's already a lot of people. There's a wine line, as he calls
• 31:03
  them, and Crusty's once he's blow or he's blow better still be in the
• 31:07
  glove box. When he gets there and he's like, oh my god,
• 31:10
  you people miss ball. There's nothing can do about it. You're like God.
• 31:12
  Then he offers Homer flatbed friend's job for five hundred dollars for the truck.
• 31:18
  It's pretty cheap for a truck. Well, Loui's actually doing good bye
• 31:22
  homie. Yeah, and then he changes the mudflaps, as we've already discussed,
• 31:25
  threatens him though, saying you say, out of this territory, and
• 31:27
  you're like, okay, well that's going to come into play at some point
• 31:30
  down the track. That's the driver. I just remember two rules. One
• 31:33
  stick to Springfield. If I catch you on my turf, I'll rip off
• 31:37
  your head, vomit down your neck, pull out your heart, show it
• 31:40
  to your head, then shove them both down your neck. Hall to which
• 31:42
  I previously alluded, there are two l's and eluded rule number two. Always
• 31:48
  keep your hook pointed out right. What happens if I pointed this way,
• 31:52
  Oh, hello, hello captain hook. Oh spoil spoils. Oh you're no
• 31:59
  fun? And what do you think of they always have your hook pointed out
• 32:04
  gag Oh, I said, you're making it very difficult to defend these gay
• 32:07
  jokes that the Simpsons keeps doing. Yes, it felt very two thousand and
• 32:10
  seven. I just watched this going. There's clearly no diversity in the writer's
• 32:15
  room. It's very evident when you watch these episodes of The Simpsons, there's
• 32:19
  no one in there who's either a diverse enough from the LGBTQ plus community,
• 32:27
  or there's no one in the white writer's room who feels like they can stand
• 32:30
  up and say this probably shouldn't go into the show. I would say that's
• 32:34
  the case. There's always the again Devil's advocate ding ding Ding argument of like,
• 32:38
  well, we're including everybody and making fun of everybody, and you know
• 32:42
  this isn't really making this is sledging gay people. It's just having gay people
• 32:45
  in a joke and making a joke about that kind of thing. Well,
• 32:50
  it was very much like the in the nineties. Remember it was if you
• 32:52
  had an earring in your right ear, that meant you were gay. Left
• 32:55
  ear was okay. A lot of my friends had it in their left ears,
• 32:58
  like you're right here because that means you gay. And I was like,
• 33:00
  okay, sure if that's There's this great Alpiacino movie called Cruising Have you
• 33:06
  ever heard of this one made in the early eighties, where there's a string
• 33:09
  of serial murders in a sub section of the gay community, guys who are
• 33:14
  into sort of s and M and heavy leather and all this kind of stuff,
• 33:15
  and they all sort of look like Albacina, who's this cop? And
• 33:19
  so I'm going to send you deep undercover in this community. And Alpiacina is
• 33:23
  supposedly straight, although when he's exposed to this world, he's like, no,
• 33:27
  man' just don't have feelings. Sounds like a movie that's probably should get
• 33:30
  talked about a lot more of these days. It feels pretty progressive. It
• 33:35
  kind of it is in a lot of ways, and it's also very much
• 33:37
  of its time in a lot of way. Okay, but there's a great
• 33:40
  scene where Pacino goes to this particular shop and he's saying, what's the there
• 33:45
  with all these bandannas he goes, all right, if you wear a blue
• 33:47
  bandana in your left hand pocket, it means this. If you wear in
• 33:50
  your right pocket, it means this. Yellow ones, brown ones, red
• 33:52
  ones, et cetera. And they all have different codes. I'm going to
• 33:58
  go home and think about it, but that's I would surprise me. It's
• 34:04
  a little bit of a play on that. It's like you've got to have
• 34:05
  your hook turned out words otherwise or inwards inwards means that you're on that side.
• 34:09
  Yes, okay, always make sure it's outwards. That's all it has
• 34:14
  to do. I just know I'll be interested to hear of anyone who was
• 34:16
  gay, whether they were not necessarily offended by. But I think it's funny
• 34:22
  because you brought up that it's offensive so much as this is kind of tired.
• 34:28
  It does feel old hat, doesn't it. Yeah, yeah, just
• 34:30
  having them again spell it out so much like, oh you're and I found
• 34:34
  all that kind of business. I mean, just have a car sort of
• 34:37
  pulling up, playing house music, playing and playing the camp be oh you
• 34:42
  voice, you know. Yeah, that's a bit kind of don't overdo it.
• 34:45
  It's because they've just they've had a couple of episodes. They had the
• 34:47
  episode if you must do it, don't overdo it homosphobia, because I also
• 34:52
  had the heart stuff coming through, had the all albums and John Waters is
• 34:54
  very campy in himself right of course. But you also had the episode where
• 35:00
  had he came out and she got married, and they kind of ruined it
• 35:02
  there with the actually being a male pretending to be a female. It was
• 35:07
  a male, wasn't it a male pretend to be a female. But Adam's
• 35:08
  apple, wasn't it that? It? Yeah, pretty sure it was a
• 35:12
  male pretending to be a female or something like that. I don't know,
• 35:14
  but still you've shown that, and I'm pretty sure is where Paddy goes.
• 35:17
  No, No, I'm not going to marry you because I like chicks or
• 35:20
  whatever. You've shown. You've shown the progressiveness of the writer's room that you
• 35:25
  can be progressive, but then you go back to this stuff again. It
• 35:29
  feels like with women it's one thing, but the male dominated writers room still
• 35:34
  see that as funny in two thousand and seven, which is not a shame.
• 35:37
  It's just sort of know, it's eye opening when you go back and
• 35:39
  revisit the episodes and go ah, at the time, probably wouldn't stood out
• 35:43
  so much, but in twenty twenty four it really stands out because I never
• 35:45
  I never saw The Simpsons as a show that was so heavy on the not
• 35:50
  anti gay jokes, but just the what would you call these lazy gay jokes?
• 35:53
  Yeah, and there's a lot of them, I want to ock.
• 35:55
  In the last three seasons, it's probably one in every two or three episodes.
• 35:59
  Absolutely we're pointed it out. Yeah, every single and We're not doing
• 36:01
  this to be like finger wagging soules or anything like that. I've just never
• 36:06
  realized it at the time. How many they were? Yeah, and they
• 36:08
  are. They are lazy yep. But yeah, moving on, So the
• 36:14
  Homer has got his first home. He breaks off the the what do they
• 36:16
  call the bumpo and everything, the Toba axle whatever. I don't nothing about
• 36:21
  cars. I shoed to just build them. That's it. That's great news
• 36:23
  for anyone driving a forward and for it is no longer a business. Have
• 36:29
  you driven a forward? Likely? No? This next scene was kind of
• 36:31
  I'm not too sure about this. So he takes the rich Texans car.
• 36:35
  He says he's got po pogonophobia whatever it is where he's afraid of mustaches and
• 36:38
  beards. Actual condition, let's find out. I will google that right now.
• 36:44
  Is that I feel like you can't make that up right, overwhelming fear
• 36:47
  of worry about beards. Yeah, so it's a real thing. But then
• 36:51
  he the woman's got everything in it? Does it really does? Yeah?
• 36:54
  He goes into the Santa School to call a cab and then shoots some Santas
• 36:59
  because he's afraid of the beer years and I thought, I don't know about
• 37:01
  that. I wasn't necessarily all that concern. I wasn't concerned. I was
• 37:06
  kids watching. But Bart is now skating. I like this, So I
• 37:09
  actually, really I really liked the end of this scene because it could have
• 37:12
  gone two ways. Right, So he's having a great time, faster,
• 37:15
  more dangerous, slams to stop sign because how he's doing the right thing stop
• 37:17
  sign, but he hits his head. He's laying there and Homer Tones looks
• 37:21
  at him and I've got I have my hand on the keyboard, read the
• 37:23
  type. If he fucking leaves Bart on the road, I'm done. And
• 37:27
  then Bart wakes up start laughing. They both laugh, and I was like,
• 37:30
  oh, okay, okay. Well played as almost like Stephanie was like,
• 37:32
  see, this is what the guys would have done with Homer. But
• 37:35
  I made you, I fooled you. But I just like that they're both
• 37:38
  okay. So it's all good. But it feels like we're at that point
• 37:42
  Tho where it feels like, were you expecting Homy to drive off? No?
• 37:45
  I wasn't. I was okay. Yeah. Now having said this,
• 37:49
  we've just spent a little while talking about the writer's room, and saying,
• 37:52
  oh, the guys are responsible for this laimemark gay joke, but they're also
• 37:59
  crediting Stephanie with this thing. Okay, can we have can we have it
• 38:01
  both ways? Would stephan is Stephanie gillis responsible for that, for that lazy
• 38:06
  gay joke? Maybe possibly think about it. Yeah, there you go.
• 38:09
  I'm just asking questions. I'm Alex Jones. Whilst Sephanie name is on the
• 38:15
  episode right, as Carolyn Amine always says to me when we're talking about her
• 38:19
  episode, she writes the episode and they are their Yeah, absolutely this was
• 38:24
  this. It's a writer's room, but the person gets their name that she
• 38:28
  writes the spec Now I am well aware. I mean, just again as
• 38:32
  we are regular segment on the show, what guys saw on Twitter? But
• 38:38
  believe it's how old are you? Fuck man? X? Never going to
• 38:42
  call it X, fuck you? Whel Kingdom of the Planet of Apes is
• 38:46
  out. Everyone's tilling apes. Everyone's going ape at the moment and justify poppin
• 38:50
  apes. But they were talking about stop the plane of the Apes. I
• 38:57
  want to get off and either two things. Yeah, the two minute thing
• 39:00
  there and I think it was Josh Weinstein or Winstein. He probably does want
• 39:05
  to have a pronounced Like Harvey's saying, here's here's a case for writer's room
• 39:09
  because we all put a lot of ideas and this this is not one person,
• 39:15
  This is not even a handful of it. There's a lot of people.
• 39:19
  He literally says, one person could not have written this. One person
• 39:21
  could not have written this, exactly right. So yeah, the point all
• 39:24
  the ideas bouts because we're talking about how Stephanie would have had her names on
• 39:28
  the on the on the episodes of Writer. But it's a writer's room,
• 39:30
  and you feel like writer's rooms are becoming a dying art now though there's not
• 39:34
  having him in. It's like someone who writes something, they'll send it an
• 39:36
  email of this person. I'll add their little contribution. But having a you
• 39:38
  can't you can't manufacture the energy of being in a writer's room. I've never
• 39:42
  been a part of one, but I can just imagine the ideas being thrown
• 39:45
  around. It's like yes, no, and just writing everything down and feeling
• 39:47
  the atmosphere and feeling the energy that's coming from absolutely collaboration creat stuff or just
• 39:52
  creates a good mood that's conducive to creating stuff. I mean I remember them
• 39:55
  when we were working in the call it the marketing department of of pop culture.
• 40:00
  You know, there was the room that had you me our power role,
• 40:04
  and you know and Alex Pwell all these people, and when we sort
• 40:08
  of got on a roll when we should have been working work. That's true,
• 40:15
  but if someone told a good joke, it would invariably sort of create
• 40:20
  a bit of a snowball effect where you know, everyone would end up laughing
• 40:23
  because everyone was sort of like more atlandish in the next wasn't it not necessarily
• 40:29
  wanting to top each other? But it's like it's very much like the Parker
• 40:31
  and Stone thing of like it's not and then it's therefore and butt like oh
• 40:37
  but also this, you know, that's it. I get that. I
• 40:40
  get the feeling. That's what a great writer's room is like, where just
• 40:44
  ideas beget great ideas, beget great ideas, be get great ideas and occasionally
• 40:47
  dad ideas. We're just like you all feel confident enough and safe enough to
• 40:52
  go. That's not it? Not what about though? Yeah not that but
• 40:57
  this yeah, now people at home. S man here came of one of
• 41:00
  the greatest marketing campaigns that popcorch has ever seen called turn down for what?
• 41:07
  But how many times did I do something? Turned down for what? Until
• 41:12
  we got turned down for what? Many many times? But one hit it
• 41:15
  was? It worked, didn't you have the was it? The who was?
• 41:19
  The davidly hoff Is what you said had a fairly limited range. But
• 41:27
  with then that range, George Lougas, give me a call. Actually no,
• 41:31
  Kathleen Kennedy, give me a call. Turn last word into Star Wars
• 41:36
  reference. Well, I was the one suggested that Brindon Dando called his first
• 41:43
  son Lando nearly. I nearly got Marlin over the line. I know Nicholas,
• 41:50
  like n I just can't do it. Marlon Dando? What he would
• 41:53
  have been a stud? That's it. And it became to some overweight alcoholic
• 41:59
  mess. Look my boy, what would he say though? Look at the
• 42:06
  massacre my breakfast? Did someone say gipsy? Oh boy, we were worth
• 42:19
  it just for that right? It would it would have been in a day.
• 42:22
  Now we were up to Santa School. Santa School, Yeah, but
• 42:25
  bart skating and skating yea yeah, yes, So now the counselor is at
• 42:29
  Marge's house and I really like this. The demonstraatet care or just all these
• 42:32
  buzzwords and terms of everything right. And that's how it felt like when she
• 42:36
  came, I'll never forget. When she goes, I know he's crying,
• 42:37
  but just leave you, and I'm thinking I'm not gonna know, and she
• 42:42
  goes, I want to go in there. She goes, no, you
• 42:43
  can't go in there, and I'm like, I know i'm paying you,
• 42:45
  but you're actually in my fucking house and I'm going to do what I want
• 42:47
  to do. And we have to find that balance of let him cry a
• 42:50
  little bit. And then but what we found was with alliot crying, is
• 42:53
  he go in there, don't cuddle him everything, just sort of like put
• 42:57
  him on the back, make him away that you're still here, and then
• 43:00
  go outside. And eventually that is assured. That's the thing. Yeah,
• 43:04
  I just like that now you're fee to live like a human being. And
• 43:07
  then she hears Maggie, and I just thought this was just so me.
• 43:10
  She's not crying, she's celebrating your independence. And I was like, hugs
• 43:14
  of drugs. Your daughter's like, shut up, that's not how it is.
• 43:17
  But march kicker on the crutch and entering, I think you should have
• 43:21
  been more angry about that, but I liked that. Marjor's like goes in
• 43:24
  there and it turns out it has worked. Now she says here, I'm
• 43:27
  pretty sure as I am okay on the blocks, which apparently is a reference
• 43:30
  to my mother the carjacker when Marge's mum was writing the letters in the newspaper,
• 43:36
  remember the first letter of every sentence. Yeah, So Homer is now
• 43:39
  towing Artie pye. I thought you might have appreciated it. You're in the
• 43:43
  sky now, my demand. Yes, until he throws the wrench into the
• 43:46
  propeller blaze and caused it to crash, and he draps me away home.
• 43:50
  Is now buying a round of lobster politans at Moe's well because he's got Toto
• 43:54
  that he's looking to blow them. Yes, and then he overhears Leny saying
• 43:58
  he's been parking at the front for eighty one minutes, which is past the
• 44:00
  one hour mark, so he tows Lenny's car away. Maggie then climbs into
• 44:05
  her own chair, gets herself a banana. Marchin just notices his oh you've
• 44:07
  helped yourself. Oh okay, andeminates I like where this story is going,
• 44:12
  very relatable. Where have you been March. When you're married to a midnight
• 44:16
  toe boy, you might not see him for days on end. I don't
• 44:20
  want to live like that. Hey, when you married a man who would,
• 44:22
  years later, with a warning, become a tow truck driver, you
• 44:27
  knew what the deal would eventually be. Well, no one's disputing there,
• 44:31
  but he's Toad Skinner's car. He's now in a chair with a stick,
• 44:34
  which a bit silly one. Yeah, Flanners here rocks up, causing Toma.
• 44:38
  Homer's just route to him for no apparent reason. But Homer has he
• 44:44
  towed the Sunday school bus with the kids still involved, so Homer's there to
• 44:46
  pay. Flanders had to pay the bill. Now everyone's throwing darts at home.
• 44:50
  They all hate him because he's towing all their cars away. I think
• 44:52
  it is no other tow drivers in Springfield. It's asking him, don't,
• 44:57
  don't, don't do the wrong thing. That's how going to make some big
• 45:00
  leaps. Yeah, Agnes has a plan known because she's married three Tojo's in
• 45:04
  the past. And this is where side show. Malt Is roundly is nervous,
• 45:07
  doesn't want to come close, so she says she might gum him and
• 45:08
  I was like, oh my, I was like, oh what, and
• 45:13
  he might like it. Then they paint the fake disabled park on the road
• 45:16
  and they change the billboard to say he's still in Springfield and they're gonna be
• 45:20
  playing a trick on Homer. But Mel wants to get out of the because
• 45:22
  he's got theater tickets and Mo rips them up. You got nothing. Marge
• 45:27
  then watches Maggie with her own baby book, putting her hair in there and
• 45:29
  things like that, and she she has the sack of potatoes because she thinks
• 45:31
  they're neat. That's like, oh, okay, well that's nice. Yeah,
• 45:36
  it's a little callback. Homer then sees the trap and if my life
• 45:39
  were a teleplay, this would be the end of act two. I don't
• 45:42
  mind breaking the fourth wall. I thought that was pretty funny because they paid
• 45:45
  off at the end. So Louis sees him hits him an end of at
• 45:49
  two, put me down your loading, Okay, I'm warning him, Wow,
• 45:57
  I'll kill you. You've done all right, buddy, that I don't
• 46:02
  well, this reminds me of you know, when he's like must kill Mode
• 46:14
  throws him into the trapdoor and he uses the JOm bon Jovi Bust, which
• 46:17
  is very much like Batman, very much like Batman. You're right, Yeah,
• 46:20
  who doesn't use John bun Jovi? No, who does he use?
• 46:22
  Who does he use? I'm guessing it's like them. It's either something US
• 46:25
  sixties, some man bust, trapdoor, some Roman general or the mayor of
• 46:30
  Gotham City. It is uh Shakespeare, Shakespeare, Yes, that's Batman.
• 46:37
  Apparently Shakespeareeah, there is Shakespeare. I just rewatched his sixties Batman. I've
• 46:40
  got him on Blu Ray do you now? Well? Oh, speaking of
• 46:44
  little I heard you. I heard you went wild on Marketplace the other day.
• 46:47
  So much physical media, but inside scoop for all you are physical media
• 46:52
  fans out there, Jemi High fans me Jemi High fight believe either next week
• 46:55
  or the week after, depending on when you listen to this. So we're
• 46:58
  recording from the fourteenth, so it'll be last week maybe or the second last
• 47:01
  week of May in twenty twenty four. Buy one, get one free on
• 47:05
  offical media box sets. Anything interesting? Okay? Then they had the twenty
• 47:10
  percent sales. Well I fell for it like a sucker because you didn't know
• 47:15
  about the boy and get one free. No, you do have you opened
• 47:16
  them? One of them yes, the other one no, return it and
• 47:19
  then you get it for free next time. Wow. When you go to
• 47:22
  buy the next one, say I just want to return this. By the
• 47:23
  way, I want to buy it again, please, they can't say no,
• 47:27
  I've done it before many times I returned something and then paid less money
• 47:30
  for it. Well, that sounds like a good plan. Yeah. I
• 47:31
  was like, I'll have my money back, thanks, and now I want
• 47:34
  it for free and they're like, oh, good scam man, we didn't
• 47:37
  see this. I love our little scams. It is good to beat the
• 47:44
  system. It is good to beat when it seems like the systems have to
• 47:46
  beat us up on the regular bit buy one, get one free. Yeah,
• 47:49
  I'm going to be buying me some box sets. Okay, you get
• 47:51
  some. Yes. I got The Ocean's Trilogy on four K. Do you
• 47:54
  don't own it on Blu ray? I did? But the four k A
• 47:58
  upgrades and it does. I believe me. I'm a cheapskate. I went
• 48:01
  online and I said, okay, worth it to upgrade, and people who's
• 48:06
  opinion I respect and trust said they look better, they sound better. I
• 48:09
  just can't see that enough of a difference to justify buying them again. If
• 48:15
  if I own them on Blu Ray, I'll buy them on four cap.
• 48:17
  But it've already owned, unless it's a movie like Jaws or something like that,
• 48:20
  where I just have to own every copy of it, every version of
• 48:22
  it. Well, Oceans is like that for me. I love the ocean
• 48:25
  of the movies. So the other drivers are all down in the trap door,
• 48:28
  have all been kept there. They are actually a capella group. They've
• 48:30
  been practicing. They're sitting under the ball work, which kind of goes nowhere,
• 48:34
  it really does. Homer then looks out the window and he's sort of
• 48:37
  he's trapped there now. I did like though that they planted earlier on.
• 48:42
  Stephanie thought ahead and went, Okay, marg is going to be worried,
• 48:45
  why hasn't home he come home yet? Because he told her earlier on there
• 48:47
  may be some times why I don't come home for a couple of nights,
• 48:50
  but don't you worry about me. So at least she covered the Oh,
• 48:52
  will you just cover your tracks at least make an effort, you know what
• 48:54
  I mean when you cover your button. Yeah, So everyone is now illegally
• 48:59
  parking, just cutting into each other, Yeah, I get where this was
• 49:02
  coming from, was like, oh, okay, it descends into anarchy.
• 49:05
  I would have liked it was a little bit based in reality, where you
• 49:07
  know how it always is when I just need one thing, I'm only going
• 49:13
  to be five minutes, so you don't pay for parking, or you park
• 49:15
  in the so the handicaps, taxi zone or something all the taxi zone or
• 49:17
  whatever, or the loading zone, and that way sort of is that that's
• 49:22
  the roots of anarchy. And I would have been like, if everyone was
• 49:25
  saying I just need one thing or I'm just gotta go do this, it'll
• 49:29
  be two minutes, and that sets the ball rolling, which is like,
• 49:32
  oh no, yeah, it's parking chaos in Springfield. So it's more this
• 49:36
  is out of spite, isn't it. It is, yeah, which also
• 49:38
  works, but it's a small change that would have made me feel so much
• 49:43
  happier. And of course this is what they should be thinking about. Well,
• 49:45
  the Sensu's right, it's room at all times. I don't mind if
• 49:47
  you do this, though, just give it a payoff. Because there was
• 49:50
  no payoff to it. I think we didn't explain this behavior. There was
• 49:52
  no sort of repercussions. No, no, the only payoff was just escalation.
• 49:57
  And that's it. The last thing we see is the train going through
• 49:59
  this. Well, there was no It just felt like you didn't need to
• 50:01
  have that at all. Really, it didn't. It didn't. It didn't
• 50:05
  need to have Springfield breaking into anarchy at all because you open up a new
• 50:08
  story thread that just was left open. Yeah, I don't understand why they
• 50:12
  brought then maybe he's a deleted scene or something. I'm not too sure.
• 50:15
  But Homer then calls Lisa. Is his one phone call. Don't call the
• 50:17
  police. Oh no, forgot, It's a ransom call, isn't it.
• 50:21
  Yeah? Yeah, yeah, don't call the police or I will kill me
• 50:22
  goodbye forever. And I thought, okay, Springfield and break breaking, the
• 50:27
  cast of the ship, the Blimp of the Trainers we discussed earlier than homes
• 50:30
  telling stories of Transformers and Shrek three. Taking the mickey out of Shrek three.
• 50:34
  Sometimes he speaks Medieval times, sometimes he speaks today times. Reminds me
• 50:37
  of your favorite quote from Cable Guy with the PEPSI. That's right, there
• 50:42
  was no cutlor in medieval times, so there's no cutlery out medieval times.
• 50:45
  Yes, but and millhouse and no cutting ways out of the the Bible.
• 50:51
  Sorry to see which words I can say. I didn't really get this.
• 50:53
  He just calls them a dumb ass whore. Is it just their way of
• 50:57
  swearing having swearing on because it doesn't go anywhere that No, one doesn't doesn't.
• 51:00
  No, it's just there. For one scene, Marge is worried at
• 51:04
  home. It's been a couple of days since he's been there. Maggie over
• 51:06
  here, so she goes to rescue Homer. She takes Sanders little helper,
• 51:08
  how she found him, how she knew he was in Guidopolis. I'm not
• 51:10
  too sure about that. Actually, yeah, I think we needed a bit
• 51:14
  if you're going to be steering into this not necessarily fantasy. She holds something
• 51:17
  in front of the dog's face to say, I was wondering about if is
• 51:21
  there a scent? Bit? Maybe I missed that. I'm not too sure
• 51:23
  when I was writing my notes, because that would at least offer some sort
• 51:25
  of explanation. I did not see it either, but I was also looking
• 51:30
  away from the screen. Yes, let's assume they did. Let's let's give
• 51:34
  these guys a benefit of the debt. I was liking the Et Moon parody
• 51:37
  as they walked with you would yeah, big et fan. Of course they
• 51:40
  arrive at Guidopolis, how she sees Thomas's face on the moon and mean another
• 51:45
  gay line here, that's yeah. Basically Homer says, I'm in charge,
• 51:49
  so I'll be able to decide how far we can go with each other without
• 51:51
  being gay. There's love making them taking them me yet of gay gays.
• 51:57
  But Maggie attaches the truck to the bars, smash is it out? And
• 52:00
  then that's how they get free and that's the end of Louis. That's the
• 52:05
  end of the Matt Damon plot subplot, but it's Maddylant Damon. Yeah,
• 52:10
  I'll tell you interview Matt Didylan once he did I did call me bro,
• 52:15
  bro. What was the reference? Is that? How you doing, bro?
• 52:17
  Or what was it? I think we must have had a bad connection
• 52:21
  or I sort of said something with a weird inflection goes, oh you we
• 52:23
  restrained? Yeah, goes sound american bro come to you. But hearing Matt
• 52:34
  Dylan call me bro one of those moments. It's always nice when you feel
• 52:37
  like you're their friend, or when they when they're clever enough to make you
• 52:40
  feel that way. Yes, they are actors. Yes, Maggie, you
• 52:45
  did all this, and you pay you back. I'm returning your notes.
• 52:51
  You know, would you beg you know? Oh wait, least knows.
• 52:57
  But I really, as you mentioned earlier, really liked the way ended.
• 53:00
  So Homer returns Maggie's nose as a payment for saving him. Very sweet,
• 53:02
  a very sweet gesture. Yeap, Yes, I liked theole. So that's
• 53:06
  Lisa's nose. I thought, well done. So Marge then says that she's
• 53:09
  moved on. Maggie. Don't worry, I've moved on with the potatoes now.
• 53:12
  Maggie says, I'm not having any of that. She punches the potato
• 53:14
  bag. She just wants a hug. Are you sure? Because hugs a
• 53:16
  drug puts a dummy in her mouth, and that's it. That's it.
• 53:20
  I've got here. A beautiful ending, I think. For me, the
• 53:22
  way it ended really made me feel like the episode overall was really good.
• 53:27
  When you break things down, every episode of Simpson is gonna have it's weird,
• 53:29
  what the fuck moments. This one had a lot less than what we've
• 53:31
  had previously this season, so there's definitely the best one of the season so
• 53:34
  far. Well, Daddy Dando thinks this, Yeah, look it was I
• 53:38
  I think it was perfectly It was perfectly fine. You like this better than
• 53:42
  the Homer of Seville. You start that episode by going, do we have
• 53:44
  to talk about this one? And on before that we had fucking the one
• 53:46
  with Stephen Colbert as the It is the best episode so far, yeah,
• 53:52
  by a long margin in my opinion. But I really really liked this episode
• 53:55
  of Midnight Toe Boy. The b plot for me, as I said,
• 53:58
  was a lot more enjoyable related just because you said in the first one,
• 54:00
  I think that the had more laughs. But I enjoyed overall the margin and
• 54:05
  Maggie plot. And it's a story that I'm surprised I haven't already done so
• 54:08
  far, because it's just it's one of the classic parts of parenting is seeing
• 54:13
  your kids grow up. And it's an episode the Reason of Carolyn and Meine
• 54:15
  where I interviewed it for it. I can't remember what it was called,
• 54:20
  but it excased me. I apologies Carolyn, but it's the one where March
• 54:23
  has come to terms with the fact that Bart isn't her little boy anymore.
• 54:25
  Oh yes, And it has an incredible ending, very similar to this,
• 54:30
  and it just feels like the March Stories. Now it's weird. Never used
• 54:35
  to really like the March episodes. The March Stories seem to have the best
• 54:37
  endings in my opinion of the when Bart is the shoplifter this episode here,
• 54:43
  as well as the urban moaning Lisa, which she says to Lisa, if
• 54:46
  you want to be sad, be sad, I'll be here for you.
• 54:49
  March. Good character, just not written well all the time. You're a
• 54:52
  big softy down Yeah, I have a big softie probab. We love you
• 54:54
  for it. What do we learn, Bom? What'd you learn from the
• 54:58
  episode with Davis? Okay, what I didn't learn? How far you can
• 55:00
  go without being game? Would you like to know more? He's confused,
• 55:08
  Like, I don't have to say you say that the meme of Johnny Rico
• 55:15
  has got desire to know more intensifies. It's great. I learned that you
• 55:21
  should always have your hawk pointing outwards or inwards, whatever flows you boat,
• 55:23
  whatever gets you through the night, as Lendon would say, Indeed, indeed
• 55:28
  we both went for the for the low hanging fruit, so to speak.
• 55:31
  Oh sorry, that's a worthy of the Simpsons Writing Room from forward, your
• 55:37
  names will be all right. It's time for the Guy Davis New Name Championship
• 55:40
  that currently the board stands at this mister Davis in first position. We have
• 55:45
  Adam Wolhouse, phil Hawkins Philip Jay Hawkins because he's in first position, as
• 55:49
  well as Kyle Muldoon clever, Kyle Heath Apple be in second position now on
• 55:52
  three points. Heath that would be on two points, and Matt Collins on
• 55:54
  one point. Hit me? Do we only refer to Philip Jay Hawkins with
• 55:59
  the jay when he lugging well I said that in the last episode. Yeah,
• 56:02
  position, Then we show him his proper respect, so he gets the
• 56:07
  one two three this week, mister Davis. Okay. One point goes to
• 56:09
  small Time Hooks. Oh, that goes through her first time ever on the
• 56:14
  leaderboard. I think it's Rage Beasley Beasley, well done, McKim no relation.
• 56:22
  Probably Rach Beasley, well done. One point, Rage, very nice
• 56:25
  to have you, congratulations on joining the leaderboard and joining the New Name Challenge.
• 56:30
  Two points goes to hook Wine and Stinker Wine with a w H.
• 56:36
  I'm assuming that is correct. You stinker wine? Should they stinker or sinkerk
• 56:43
  stinker. Yeah, yeah, you was thinking pretty sure we you said it
• 56:45
  off the air. Yeah, every time we here see the word stinker,
• 56:46
  your stinker? What was that? What was the production company for that?
• 56:49
  That's David E. Kelly isn't the maker of Ally McBeal and Boston Legals?
• 56:53
  And that one is okay? So that would be Clever Kyle. Clever Carle
• 56:58
  is now in first position. That can it in from three points to five
• 57:00
  points? Well, Clever Kyle very well now, but three points goes to
• 57:07
  toe life. That is another new b Jared Hornby. There we go.
• 57:10
  We've got two new people on the lid of what I like this. We
• 57:14
  got a competition, yes, all about it. Yeah, So Jared Hornby
• 57:15
  with the three points there, which means we have Clever Kyle on five points
• 57:20
  in the first position we have Adam Moorehouse, Jared Hornby and Phil Hawkins and
• 57:23
  second position Phil all right, a serious moment, Yeah, on four finger
• 57:29
  discount. We're talking about the new name channels we pointed out last week or
• 57:32
  even the week before that. Yeah, some of you are very eager.
• 57:37
  You go right for it, and we appreciate that, but we must stipulate
• 57:43
  two entries per person. You know more than that, but some people are
• 57:45
  putting in like ten entries and it was just getting way out of hands.
• 57:49
  So you've got two entries, and always look to see what other people have
• 57:52
  written as well, because if they've written it and you write it writ after
• 57:54
  them, then it's completely just it's null and void. So you have to
• 57:58
  have two original ones to get in to make sure yours don't get copied.
• 58:00
  Yes, and if you do submit more than two, we're only going to
• 58:05
  pick the first two that you do. Yes, And unfortunately, what's happened
• 58:07
  this week is I'm going to name it Fergus Chef's right, Gus guy,
• 58:13
  like your fifth one that you put in there. But we have to follow
• 58:15
  the rules and make it fair for everybody. You're number five, which was
• 58:19
  what Reap, What your Toe? What your Toe, would have got the
• 58:22
  three points this week, but unfortunately you had four other names before it,
• 58:25
  which means we couldn't use it. Yeah, Fergus, we don't make the
• 58:28
  rules, except we really make the rules. We really do make the rules.
• 58:30
  Yeah, and in this case we got all a buye bye. Sorry
• 58:34
  man, it's really good. Don't get me wrong. You're capable of good
• 58:37
  stuff, So keep so many the names, but only two maketual lugan one,
• 58:39
  two, three, four five. Yes, so it was the fifth
• 58:42
  one that you put in there. Fergus apologies, you would have gotten the
• 58:45
  leader board this week three points. But everybody pay attention to the rules two
• 58:49
  per person to keep it fair and make sure you don't copy. Look look
• 58:52
  what everyone else is written first, so you don't copy as well, because
• 58:53
  we don't want your name to be the same as someone that wins. And
• 58:55
  you go, well, what didn't mine get it because he came second.
• 58:58
  So look what's been on there, and only put two in that way,
• 59:00
  it's all fair for everybody. Now focus. We are sorry for naming names
• 59:04
  and making an example out of you, but for example, it was a
• 59:07
  great name and it's a shame we couldn't get a point. But that's why
• 59:09
  it didn't get a point. Yeah, but at the same time, you're
• 59:12
  also getting your name said out a lot on the podcast, which is something
• 59:14
  the people pay top dollar for, and you reput your toe. That's why
• 59:22
  he's the king, all right. I don't forget guys. You want to
• 59:24
  be part of the Guy Davis new name championship. We just got to be
• 59:28
  a supporter of ours on Patreons. So for the little one single dollar we
• 59:30
  do a month, that's all. It is, one dollar a month.
• 59:32
  Think of all the money you waste on coffees and pop vinyls and ship that
• 59:37
  you don't need to be in the house to buy one get one free salor
• 59:39
  JB exactly. Would I be happy with a dollar? No, going down
• 59:43
  to be much happy with that one dollar. So put that one dollar in
• 59:45
  our pocket by being supported ours on Patreon and help the show flourish and grow.
• 59:49
  That's a hell of the sales pitch. All right. Time for the
• 59:51
  mail bags A Davis mail bag. First question here from Keith Nedham. I
• 59:58
  just want to be the first to say that I'm not do JP. There
• 1:00:00
  you go. That's not a question, Keith, but there you go.
• 1:00:02
  Andrew JP says, aside from the wonderful John bon Jovi, who's your favorite
• 1:00:07
  Italian American celebrity goalie? Isino Italian American? I believe he is? Yeah,
• 1:00:13
  Baina is a good one. You have to be out there, wouldn't
• 1:00:14
  he Sinatra? Okay? Is Matt Dylan or do you just playing Italian?
• 1:00:22
  If he is he's doing it really well. Let's have a look an American
• 1:00:25
  actor. Let's see where he was born? Though, where do you reckon
• 1:00:29
  he was born? Joys? Probably not? It feels like a New York.
• 1:00:32
  He was raised in New York. Yes, okay by Mary Allen and
• 1:00:37
  Paul Dylon, a portrait painter and sales manager for toy bear manufacturer Union Camp.
• 1:00:43
  So we go. He's not Italian? Okay, let's go with the
• 1:00:46
  the the obvious choices like Bacino and Sinatra and Rachel McLean. Have you ever
• 1:00:52
  had your car toad for doing something wrong? Have you had your cart toad
• 1:00:54
  at all? I have? Really? Yes? What did you do wrong?
• 1:00:58
  Well? I parked in a disabled zone in front of a fire hydrant
• 1:01:00
  and parking No, I was working a place in Melbourne. Uh, and
• 1:01:07
  you chase after it? I honestly thought that my car had been stolen?
• 1:01:12
  Really? Yeah, I would think that as well. Yeah, I parked
• 1:01:15
  in a Yeah what do you call it? A clearing zone or a loading
• 1:01:20
  zone? But do they leave a thing behind us? Say you've been robbed
• 1:01:22
  by night burglar? So how do you know? How do you? I
• 1:01:25
  think you just have to twig and realize oh, I parked in the place
• 1:01:29
  where they say they'll tell your car if you are there at a certain time.
• 1:01:35
  Okay, yeah, so I was in I think Hawthorne. I came
• 1:01:37
  out, there's my car? Where the funk is it? I literally said,
• 1:01:44
  dude, where's my cat? And this, and then stole the hell
• 1:01:52
  and then I'd be freaking out. Yeah, look up the signs. I
• 1:01:55
  think they might have told it. So then you start doing your online research.
• 1:02:00
  It's like, okay, who would I call the vine if my car's
• 1:02:02
  actually been toed? Here's my license, Oh, here's my my my Regione
• 1:02:07
  number. Whatever. Yeah, we've taken your car. It's gonna cost you
• 1:02:12
  three hundred bucks or whatever. You you stinker, your stinker. And then
• 1:02:15
  on top of that, there's you know, the fine, but there's also,
• 1:02:17
  yeah, the money to Luckily, I had a really good i'dn't been
• 1:02:21
  working there long. I was sort of like a contractor. Yeah, and
• 1:02:22
  I said, oh, I come and sit down, we'll make your coffee,
• 1:02:24
  and okay, look a lord at you and uber all this kind of
• 1:02:28
  stuff, and you know, you can go get it. Are really nice
• 1:02:30
  about it. But honestly, yeah, my car was toired. That was
• 1:02:32
  the first and only time. It's never happening again. I'm keeping on the
• 1:02:36
  signs because holy shit, that was really stressful. Oh yeah, walking in
• 1:02:39
  in your car dost not being some ofs. You walk out and you can't
• 1:02:42
  re where you parked. That's stress full enough. Oh yeah, and I've
• 1:02:45
  had I've had that too. I did it last week. I was thinking
• 1:02:47
  I parked my car here like I would have backed my house on it,
• 1:02:51
  that my car was part here, but it was the next level left.
• 1:02:52
  I'm thinking, Am I Am I so out of touch? No, it's
• 1:02:57
  the chicken. It's the parking lot that is. It is the children who
• 1:02:59
  are wrong. It's the children. Wholluck drive me crazy. I can't come
• 1:03:01
  my short term memory, mate, Shot. I can't tell you what I
• 1:03:04
  did yesterday. I can tell you anything from like nineteen ninety four through to
• 1:03:07
  like two thousand and one yesterday. Nah, seriously, think about short term
• 1:03:10
  memory. Shot. We did record some episodes, but recorded in an episode.
• 1:03:15
  We did a South Bargin. Yes. Oh great episode by the way,
• 1:03:17
  we did well. It was it happens you hit the fan hit the
• 1:03:20
  fan. Yes. Anyway, if you do like South Park, check out
• 1:03:23
  going down to South Park available on all your podcast streaming services, right,
• 1:03:27
  miss Davis. That has been our review of Midnight toe Boy. Next week
• 1:03:30
  we're going to be reviewing the episode Cold I don't want to know why the
• 1:03:34
  cage Bird sings, Missus Davis. Any final words for those incredible supporters out
• 1:03:38
  there, Well, if you'd like to become a patron of the show,
• 1:03:42
  that'd be great because we'd like show though that we'd be looking to blow