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Throw back Thursday with CeCe Peniston · The Breakfast Club

• 0:00
  Speaker 1: Charlomagne, the gods. This is the Breakfast Club. The Breakfast
• 0:03
  Speaker 1: Club my solo Envy angela Ye and Charlomagne the gods. Well,
• 0:08
  Speaker 1: y'all looking a long way. I think that y'all have
• 0:12
  Speaker 1: a certain amount of respect for you know what everybody
• 0:15
  Speaker 1: else does, and yo are just the best of what
• 0:17
  Speaker 1: y'all do. This platform, the reach y'all have that you earned.
• 0:21
  Speaker 1: Make space for somebody like me. You guys have a
• 0:23
  Speaker 1: direct line to the coaches. Oh my god, I don't
• 0:25
  Speaker 1: want the ready Endo Dolomagne, and all I do is
• 0:30
  Speaker 1: read about the Breakfast Club every morning. Good you guys
• 0:33
  Speaker 1: are trending every you know, I dragged my ass out
• 0:37
  Speaker 1: of that. I'm like, uh, what happened on the Breakfast
• 0:39
  Speaker 1: Club today? Get yours Good morning Usa yo yo yo
• 0:54
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:56
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:58
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:59
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:01
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 1:03
  Speaker 1: yo yo yo yo yo yo yo. Good mornings, laye Hey,
• 1:08
  Speaker 1: Good morning jamby Charlot Migne. The got piece to the
• 1:11
  Speaker 1: planet is Thursday, Toronto, what up, Good morning, guys. All right,
• 1:26
  Speaker 1: last night was a great Last night was a great night.
• 1:30
  Speaker 1: We all gathered around like a family as we should have,
• 1:33
  Speaker 1: and watched, um, one of the best moments, uh and
• 1:37
  Speaker 1: that we've seen during this whole versus thing, Snoop Dog
• 1:41
  Speaker 1: versus DMX, the Battle of the Dogs. Okay, Um, it
• 1:46
  Speaker 1: was everything we thought it would be. You know, we
• 1:47
  Speaker 1: knew that it was gonna be entertaining, yea. Um, we
• 1:51
  Speaker 1: knew that Snoop was going to wash DMX what he
• 1:56
  Speaker 1: did on the scorecard, but it was a lot closer
• 1:59
  Speaker 1: justin spe it, you know what I'm saying, Just because
• 2:02
  Speaker 1: DM Mex is such an annointed person and he's such
• 2:04
  Speaker 1: an amazing spirit, and he has he has good records,
• 2:07
  Speaker 1: he even has great records. But you know, when you
• 2:10
  Speaker 1: take those good records, though, these great records, those bombs,
• 2:12
  Speaker 1: and you put them up against some institutions, some some
• 2:16
  Speaker 1: some some weapons of mass destruction like Snoop DOGG got,
• 2:19
  Speaker 1: it's just an imbalance, you know what I mean. But
• 2:21
  Speaker 1: it was still an entertaining versus. Nevertheless, and I want
• 2:24
  Speaker 1: y'all to know in this room, our Boardop named DJ
• 2:27
  Speaker 1: Dramos never ever trust his opinion on anything ever again,
• 2:32
  Speaker 1: because even this morning he is still saying rough Riders
• 2:35
  Speaker 1: Anthem is a better record than Doctor Dreane Snoop Dogg.
• 2:39
  Speaker 1: Nothing but a G Thing, Nothing but nothing but a
• 2:42
  Speaker 1: G Thing is one of the top five, maybe greatest
• 2:45
  Speaker 1: hip hop records of all time. It is a perfect
• 2:48
  Speaker 1: hip hop song. Rough Riders Anthem, Nothing but a G
• 2:50
  Speaker 1: Thing are not in the same league. Bro, He's a
• 2:53
  Speaker 1: twenty two year old from Washington Nights. Nothing about the
• 3:00
  Speaker 1: hip hop we know he's got the years. Nothing but
• 3:03
  Speaker 1: the g is probably No, that's probably one of the
• 3:05
  Speaker 1: biggest records ever. You don't think top five what hip
• 3:11
  Speaker 1: hop records, Dramas record it probably means more. It probably
• 3:16
  Speaker 1: means more to DJ Dramas because of his age. No,
• 3:19
  Speaker 1: I mean, I can't say that Rough Riders an't them
• 3:21
  Speaker 1: meant a lot to me and put me in the
• 3:23
  Speaker 1: time and place in New York City. But that G thing,
• 3:26
  Speaker 1: that G thing wanted me to I wanted to buy
• 3:29
  Speaker 1: six four war Chucks like like you know, it puts
• 3:32
  Speaker 1: you in that mood, it makes it. Those West Coast
• 3:35
  Speaker 1: beats just put you some someplace else. How How old
• 3:39
  Speaker 1: were your dramas, but nothing but the g thing came out.
• 3:42
  Speaker 1: I want you to come out. I mean like nineteen
• 3:45
  Speaker 1: ninety two or nineteen ninety three. Yeah, I was like one. Okay,
• 3:48
  Speaker 1: So that's why probably do you have Timmy He'll figure
• 3:52
  Speaker 1: underwear on your face right now. It's not it's a
• 3:55
  Speaker 1: customer man, that's underwear, bro, it's not underwear. That is
• 3:59
  Speaker 1: the second. That's the second reason to never trust anything
• 4:03
  Speaker 1: that comes out of DJ Dromos's mouth. Because you got
• 4:06
  Speaker 1: Tommy Hills. Un Tommy Hill figures underwear on his face.
• 4:08
  Speaker 1: It's a mask, yes, that you made out of underwear.
• 4:11
  Speaker 1: I've seen the crotch part. I can see that. It's
• 4:14
  Speaker 1: not smelling happy. Okay, smelling makes you happy. Whatever makes
• 4:20
  Speaker 1: you wear a mask, bro, whatever makes you keep that
• 4:22
  Speaker 1: mask on your face all day? The crotch part that comes,
• 4:25
  Speaker 1: you know, comes out a little bit that's just right
• 4:27
  Speaker 1: on his nose, And don't judge him and be just stop. Drop,
• 4:32
  Speaker 1: shut up, roll them down, shot whatever the hell they say?
• 4:34
  Speaker 1: What do they say on that song? Okay? Drop, shut
• 4:37
  Speaker 1: them down? Up shop shop? Okay? Who who? All right? Great?
• 4:42
  Speaker 1: Great battle though drop one of clue bombs backs and
• 4:45
  Speaker 1: Snoop Dog shout the Swiss and Timbo Great battle, great battle, man.
• 4:49
  Speaker 1: I love it, I love love love, I even I
• 4:52
  Speaker 1: even want to bet. We had a bet going. Uh
• 4:55
  Speaker 1: b Dot from rap Radar asked what color thims would
• 4:59
  Speaker 1: DMX wear and what did you say? I said? I said, First,
• 5:03
  Speaker 1: I said orange, and then I said, don't Actually he'll
• 5:06
  Speaker 1: be on the West coast where he might wear red.
• 5:08
  Speaker 1: And then I say, actually he might wear black because
• 5:10
  Speaker 1: he's on the West coast, just to stay neutral. But
• 5:12
  Speaker 1: I was closest because I said red. I definitely it
• 5:15
  Speaker 1: was gonna be red. I knew it was gonna be red.
• 5:18
  Speaker 1: All right, Well, it's throw Back Thursday, and we have
• 5:21
  Speaker 1: a throwback artist joining us this morning, CC Peniston movie
• 5:24
  Speaker 1: joining us. Hey, it's happened to me. Cc Peniston got
• 5:31
  Speaker 1: a lot of hit records or damn so. Cc Peniston
• 5:33
  Speaker 1: had five number ones on the Billboard DAN charts back
• 5:38
  Speaker 1: in the day, back in the nineties. Love keep on walking,
• 5:43
  Speaker 1: we gotta love thing and of course finally we gotta
• 5:46
  Speaker 1: we got a lot. Okay, I'm here for this, Okay, right,
• 5:53
  Speaker 1: Thursday Interview. That's right, Well, let's get the show cracking
• 5:55
  Speaker 1: front page there's what we're talking about. Let's talk about
• 5:58
  Speaker 1: Donald Trump and this Chicago mayor Lourie Lightfoot and federal
• 6:02
  Speaker 1: aid being sent to Chicago. All right, we'll get into
• 6:05
  Speaker 1: that next. Keeping lock this to Breakfast CLUGO Morning Morning.
• 6:08
  Speaker 1: Everybody is DJ Envy angeluis Charlemagne the Gay We are
• 6:12
  Speaker 1: the Breakfast Clublet's getting some front page news where we're starting. You. Well,
• 6:18
  Speaker 1: Donald Trump is going to be sending federal agents to
• 6:22
  Speaker 1: Chicago because of the surge of violent crime. Now, we
• 6:25
  Speaker 1: did have a news conference to discuss this, and after
• 6:28
  Speaker 1: that news conference, he also called the mayor of Chicago,
• 6:31
  Speaker 1: Laurie Lightfoot, and here's what he had to say. The
• 6:33
  Speaker 1: Department of Justice will immediately surge federal law enforcement to
• 6:37
  Speaker 1: the city of Chicago. The FBI, atf d EA, US
• 6:43
  Speaker 1: Marshall Service, and Homeland Security will together be sending hundreds
• 6:47
  Speaker 1: of skilled law enforcement officers to Chicago to help drive
• 6:51
  Speaker 1: down violent crime. We will find them, arrest them, and
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  Speaker 1: prosecute them. They will be in jail for many years
• 6:58
  Speaker 1: to come. But we must remember that the job of
• 7:02
  Speaker 1: policing a neighborhood falls on the shoulders of local elected leadership. Now,
• 7:10
  Speaker 1: Laurie Lightfoot, Oh God, I was just gonna say. Laurie
• 7:14
  Speaker 1: Lightfoot said, if those agents are here to actually work
• 7:18
  Speaker 1: in partnership and support of gun violence and violent cases,
• 7:21
  Speaker 1: plugging into existing infrastructure of federal agents and not trying
• 7:24
  Speaker 1: to play police in our streets, then that's something different.
• 7:27
  Speaker 1: But the proof is going to be in the pudding.
• 7:30
  Speaker 1: You know. Donald Trump told us in the Rolls Garden
• 7:33
  Speaker 1: a while ago that he was going to send the
• 7:35
  Speaker 1: military into American cities, and he has done just that.
• 7:38
  Speaker 1: He has sent all those militarized federal agents into American cities, Portland,
• 7:43
  Speaker 1: now Chicago. Chicago could turn into a bloodbath. And what
• 7:47
  Speaker 1: bothers me about this is those folks in Chicago don't
• 7:50
  Speaker 1: need force, they need funds, They need resources. Send federal aid,
• 7:55
  Speaker 1: not agents. So kay, invest the money into those point
• 7:57
  Speaker 1: disenfranchise areas in Chicago so they can have better schools,
• 8:00
  Speaker 1: create job training programs, build STEM centers, provide three free
• 8:04
  Speaker 1: therapy and grief counseling. Give those people some opportunity. Okay,
• 8:09
  Speaker 1: like what y'all gonna do with the military, militarize They
• 8:11
  Speaker 1: just gonna going there and do but cause more trouble
• 8:15
  Speaker 1: and cause more chaos and cause more and then you
• 8:17
  Speaker 1: haven't and then you haven't solved a problem at all,
• 8:20
  Speaker 1: and then yeah, and you don't understand. So this was
• 8:23
  Speaker 1: after a shooting outside of a South Side funeral home.
• 8:27
  Speaker 1: Fifteen people were injured at that shooting. And the city
• 8:29
  Speaker 1: has had one of its most violent years in a
• 8:31
  Speaker 1: recent memory, with four hundred and fourteen homicides through Sunday
• 8:35
  Speaker 1: this year. That's compared with two hundred and seventy five
• 8:38
  Speaker 1: at the same time last year. I bet you the
• 8:41
  Speaker 1: unemployment rate in that area is super high, just like
• 8:44
  Speaker 1: the unemployment rate is high all across the country. It's
• 8:47
  Speaker 1: just like, Yo, our government has failed us, you know,
• 8:50
  Speaker 1: federally and locally on on so many different levels. Man
• 8:53
  Speaker 1: Like once again, they don't need you know, federal agents.
• 8:58
  Speaker 1: They need federal aid, you know, puts some money into
• 9:00
  Speaker 1: those points. This franchise cities, create some job training programs,
• 9:04
  Speaker 1: some opportunity for those folks. That's what they need. And
• 9:08
  Speaker 1: I think in Chicago in particular, the mayor is looking
• 9:11
  Speaker 1: at what's happening in Portland with these federal agents, and
• 9:13
  Speaker 1: she said, in Portland, they ignored the US Attorney put
• 9:16
  Speaker 1: these agents on the street. And I don't think anyone
• 9:18
  Speaker 1: can quiver with the fact that what happened was not
• 9:20
  Speaker 1: only unconstitutional, it was undemocratic. So she's concerned that they'll
• 9:25
  Speaker 1: try to do the same thing in Chicago. I'm telling you, man,
• 9:28
  Speaker 1: there's only one there's really only one thing to do.
• 9:32
  Speaker 1: And you gotta get Donald Trump out of the White House,
• 9:35
  Speaker 1: and you gotta, you know, put somebody in the White
• 9:37
  Speaker 1: House who actually cares. All right, That's why in November,
• 9:42
  Speaker 1: I'm telling everybody to vote for Kanye was okay, shut up,
• 9:46
  Speaker 1: all right, well, last foot page lose. Hey, Kanye would
• 9:50
  Speaker 1: never send militarize federal agents into Chicago, his hometown. Get
• 9:55
  Speaker 1: it off your chest eight five eight five one on
• 9:58
  Speaker 1: five one. If you need to, didn't hit it up
• 10:00
  Speaker 1: right now, Phone lines a wide open again. Eight hundred
• 10:03
  Speaker 1: five eighty five one O five one is to Breakfast club.
• 10:05
  Speaker 1: Good morning the Breakfast Club. This is your time to
• 10:11
  Speaker 1: get it off your chest. Whether you're man fast, Thank
• 10:15
  Speaker 1: you from you on the Breakfast Club. But you got
• 10:17
  Speaker 1: something on your mind. Hello, who's this? This is stick
• 10:22
  Speaker 1: kid from the last Hey, mamma, get it off your chesty.
• 10:27
  Speaker 1: So stout out to my brother Trader true trade was yesterday.
• 10:31
  Speaker 1: We didn't get to go to trade a this year,
• 10:34
  Speaker 1: so turn out to him right now. He bummed out
• 10:36
  Speaker 1: about that, but you know, he's celebrated on the ground
• 10:40
  Speaker 1: form so so good. But I want to talk about
• 10:42
  Speaker 1: this birthday. So I got my entire life last night.
• 10:46
  Speaker 1: I went straight that to high school. Last night. It
• 10:49
  Speaker 1: was everything. I'm still high off the last night. This
• 10:52
  Speaker 1: morning beautiful, it was great. What do you think? It
• 10:56
  Speaker 1: was amazing? It was amazing. It was amazing. As I
• 11:00
  Speaker 1: was disappointed because I was a super big fan back
• 11:03
  Speaker 1: in the day. I'm like, ro you got hit do
• 11:07
  Speaker 1: come on? But he pulled it together forwards the middle
• 11:11
  Speaker 1: in the end, so I was good. He was playing
• 11:15
  Speaker 1: his hitch. But you know, sometimes those good records pale
• 11:19
  Speaker 1: in comparison to great records, and that's what happened in
• 11:22
  Speaker 1: this battle. That's all. He played all his records. There
• 11:25
  Speaker 1: was nothing that I think that he missed out on.
• 11:27
  Speaker 1: I can't think of anything. But he played all his
• 11:29
  Speaker 1: great records. He was playing. You wasn't. He came out
• 11:35
  Speaker 1: with absolute fire in the beginning. It's just snoop records
• 11:39
  Speaker 1: are just better and bigger. Okay, but didn't you enjoy
• 11:45
  Speaker 1: seeing the two of them there together celebrating each other.
• 11:49
  Speaker 1: That was the win. It was so amazing. It was great.
• 11:53
  Speaker 1: Started off with the intro that it's darkin Hell's hot,
• 11:56
  Speaker 1: winning to what's my name? Get at me dogs and
• 11:59
  Speaker 1: stopped being money cash holes come back in one piece,
• 12:03
  Speaker 1: X gonna give it to you. Who we be? Get
• 12:05
  Speaker 1: it on the Floorpari it is pale a comparison to
• 12:09
  Speaker 1: Deep Cover, Who am I? Gin and Juice trade A
• 12:12
  Speaker 1: two of America's most wanted down for my hitters. Ain't
• 12:16
  Speaker 1: no fun be please. One of the funniest parts when
• 12:20
  Speaker 1: when when DMX was like, oh we know your name,
• 12:22
  Speaker 1: now let me tell you my name. It was just
• 12:25
  Speaker 1: dead and nothing happened. He said, uh, shut us again,
• 12:29
  Speaker 1: very very job rule are you? Funniest part? One of
• 12:34
  Speaker 1: the funniest possis when DMX said the snoop said the
• 12:37
  Speaker 1: Swiss man? What's what's over? They're doing? Smoken chalko off
• 12:40
  Speaker 1: a plate? You didn't know what whoka was? Get it
• 12:46
  Speaker 1: off you look at another line? Hello, who's this cam? Hey?
• 12:49
  Speaker 1: What's up? Bro? Get it off your chests? Just calling
• 12:52
  Speaker 1: the spread some positive energy this morning. I woke up
• 12:55
  Speaker 1: in a good mood, feeling good. Hope everybody was feeling
• 12:58
  Speaker 1: like me. Okay, we love that wad morning. Actually all right, brother,
• 13:04
  Speaker 1: I appreciate it. Hey, hold on, Hey, you know how
• 13:08
  Speaker 1: old Charlemagney hit us with the yo every morning? Right
• 13:12
  Speaker 1: you you could? You think you can hit us with
• 13:14
  Speaker 1: the hay sound after that? All right? I did it
• 13:17
  Speaker 1: on Fridays or something. I got you tomorrow, all right,
• 13:20
  Speaker 1: all right, but I don't know. They tell dramas. He needed,
• 13:25
  Speaker 1: he needed, he need to find another vibe. But we
• 13:27
  Speaker 1: got going on this morning. That ain't that? Ain't it?
• 13:29
  Speaker 1: And that ain't it right exactly? He thinks. He thinks
• 13:32
  Speaker 1: Rough Riders Anthem is better than Doctor Dre and Snoop
• 13:35
  Speaker 1: Dogg nothing. But I'm not allowed to have an opinion.
• 13:37
  Speaker 1: I can't like something better. I'm understand. I can't hear
• 13:40
  Speaker 1: you with the underwear in your face, bron get it
• 13:43
  Speaker 1: off your chest sign? So I don't really know either,
• 13:46
  Speaker 1: but all right, y'all, just hang up on the man,
• 13:50
  Speaker 1: get it off your chest. Eight hundred five eight five
• 13:53
  Speaker 1: one on five one. It is the Breakfast Club, Good morning,
• 13:55
  Speaker 1: the Breakfast Club, got wake up, Wake ya, your time
• 14:03
  Speaker 1: to get it off your chat with your man or Blake.
• 14:07
  Speaker 1: We want to hear from you on the breakfast Black. Hello,
• 14:10
  Speaker 1: who's this? Yeah? Yeah, it was going on. Good morning
• 14:12
  Speaker 1: every charmin. Good morning. We going on the jams. What's
• 14:17
  Speaker 1: up I got doing? Man? I just calling to talk
• 14:19
  Speaker 1: about the battle last night. Man, it's a very good battle,
• 14:22
  Speaker 1: very good battle. I've know a lot of people throw
• 14:24
  Speaker 1: the egg is gonna what's going to hold his own
• 14:27
  Speaker 1: and game song Snoop, But he definitely held his own
• 14:30
  Speaker 1: and shout out to Swiss will help us all DMX
• 14:33
  Speaker 1: with that right there. Because it wasn't for the Swiss,
• 14:37
  Speaker 1: I think, thanks Snoop probably would have washed him. I
• 14:40
  Speaker 1: mean Snoop did wash him. I mean, let's be honest,
• 14:42
  Speaker 1: all right. Even though we love DMX and he has
• 14:45
  Speaker 1: good records, like I said all week, they pale in
• 14:48
  Speaker 1: comparison to Snoop's weapons of mass destruction. I gave I
• 14:52
  Speaker 1: gave X like four to five round five. He got
• 14:55
  Speaker 1: about five five goings, but a couple with ties. I'm
• 14:59
  Speaker 1: gonna say with the about it is though, it's the
• 15:01
  Speaker 1: line of the way that Swiss did it for him.
• 15:02
  Speaker 1: You know, before I realized Swiss was even on the
• 15:05
  Speaker 1: Boys back then. I was like, oh, they gotta explain
• 15:08
  Speaker 1: some bingers early too, So it was pretty strategic, really,
• 15:11
  Speaker 1: hood Party. I saw people being disrespectful, saying essentially this
• 15:16
  Speaker 1: battle was Um Snoop Doctor dre versus Swiss. But I
• 15:20
  Speaker 1: think y'all forget too that the good brother Dame Grease
• 15:23
  Speaker 1: produced a lot of those early DMX records as well.
• 15:26
  Speaker 1: Crease definitely produced SLI those Oh yeah, I was hoping
• 15:29
  Speaker 1: to hear more on Exit and locks yo. U then
• 15:35
  Speaker 1: started something man that ring off, that ring off last night,
• 15:40
  Speaker 1: and and and I would I would give that round
• 15:42
  Speaker 1: the DMX, but Doggy Dog World is a very very
• 15:45
  Speaker 1: tough tune man, very tough tune. But I still gave
• 15:47
  Speaker 1: that round the DMX, even though that's very debatable between
• 15:51
  Speaker 1: and words. Don started something in Doggy Dog World. Thank
• 15:54
  Speaker 1: you brother? Hello, who's this? What's going on? This is
• 15:57
  Speaker 1: over Phoenix coming out of Queen awesome bro to all
• 16:01
  Speaker 1: you on the show. Just one of the big ups
• 16:05
  Speaker 1: to Charlot Man, big ups, udj Envy, what's going on? Angela? Yee?
• 16:09
  Speaker 1: We know each other? Of course. Where I was coming
• 16:11
  Speaker 1: to wealth Wednesday lighteblood dot com. I just wanted to
• 16:15
  Speaker 1: talk about what I just heard. That's what you guys
• 16:18
  Speaker 1: are talking about. With President Trump trying to send in
• 16:20
  Speaker 1: the fellow agents into Chicago. I think it's crazy. I
• 16:23
  Speaker 1: think it's nuts. People do not do not need a
• 16:25
  Speaker 1: heavy hand. People don't need an army coming to Chicago.
• 16:28
  Speaker 1: We have a problem and economic problems. It's he's economically
• 16:33
  Speaker 1: depressed neighborhoods that need funding in their neighborhoods. They need
• 16:36
  Speaker 1: job opportunities, they need social programs to get backed up
• 16:39
  Speaker 1: off their feet. This is not rocket science. These are
• 16:43
  Speaker 1: what the people need. And it's just not Chicago where
• 16:46
  Speaker 1: they keep on highlighting Chicago because of course all they
• 16:49
  Speaker 1: want to do is just enforced police invading these communities
• 16:53
  Speaker 1: of color. This is a problem, the economic problems happening
• 16:56
  Speaker 1: across America. You can highlight any neighborhood in the America
• 17:00
  Speaker 1: and you're gonna have greats. You're gonna have murder, you're
• 17:02
  Speaker 1: gonna have gun violence. These are the things that are
• 17:05
  Speaker 1: affect affecting America and deteriorating, and we need to focus
• 17:11
  Speaker 1: on the issue to try to uplift these neighborhoods. It's night.
• 17:15
  Speaker 1: Send to get armies into neighborhoods. Let's get to the
• 17:18
  Speaker 1: root of the problem. Donald Trump had once said that
• 17:21
  Speaker 1: Chicago's crime problem could be solved within a week. That
• 17:24
  Speaker 1: sounds ridiculous. No, they don't need they don't need force,
• 17:27
  Speaker 1: They need funds. They don't need federal agents. They need
• 17:30
  Speaker 1: federal aid. Period. Invest the money into the hood. That's it.
• 17:33
  Speaker 1: Give us some opportunity, job training programs. That's it. That's it.
• 17:40
  Speaker 1: Get it off your chest. Eight hundred five eight five
• 17:42
  Speaker 1: one on five one. We got rumors on the way. Yeah,
• 17:45
  Speaker 1: let's start off with talking about the Versus battle that
• 17:47
  Speaker 1: went down while it's still fresh and everybody's head this morning.
• 17:50
  Speaker 1: I want to hear what some of your highlights were,
• 17:52
  Speaker 1: and we'll tell you some of the things that we
• 17:55
  Speaker 1: learned from the battle. All Right, we'll get into that
• 17:57
  Speaker 1: next Keep a lot just to Breakfast Club. Good morning,
• 18:00
  Speaker 1: Breakfast Club Morning. Everybody is DJ Envy, Angela Yee, Charlemagne
• 18:07
  Speaker 1: the guy we are the Breakfast Club. Let's get to
• 18:09
  Speaker 1: the rumors. Let's talk versus. It's about is the rumor report?
• 18:19
  Speaker 1: Angela Yee on the Breakfast Club. Well, last night was
• 18:23
  Speaker 1: an epic night again Snoop Dogg versus DMX, and it
• 18:28
  Speaker 1: was a great time. I mean, look, I think unanimously
• 18:31
  Speaker 1: people will say that Snoop Dogg won that battle, but
• 18:34
  Speaker 1: unanimously people will also say it was one of the
• 18:37
  Speaker 1: best versus battles, right, Yes, yeah, dogs can be true. Yes. Well,
• 18:43
  Speaker 1: and that in the Beanie Man Mounty Call, I think
• 18:45
  Speaker 1: I thought that was dope too. Yeah. I like Erica
• 18:47
  Speaker 1: Boyd and Jill Scott. That's my Erica boy doing. Jill Scott, D,
• 18:50
  Speaker 1: m X and Snoop are tied from my favorite. All right, Well,
• 18:54
  Speaker 1: it all started off with DMX doing a prayer just
• 18:57
  Speaker 1: by our hearts and not by our mistakes, that we
• 18:59
  Speaker 1: get our breakthrough however long and it takes man, you
• 19:02
  Speaker 1: feel it voiding our souls that will lay our fears
• 19:04
  Speaker 1: to rest. But there's no way we can live for
• 19:06
  Speaker 1: Jesus when we're living in the flesh. So I pray
• 19:08
  Speaker 1: that you allow our spirits to be born girl strong
• 19:11
  Speaker 1: with all no right from wrong. First John Chapter two,
• 19:13
  Speaker 1: ver fifteen. Do not love the world or anything in
• 19:16
  Speaker 1: the world. And we know what that means. But listen,
• 19:18
  Speaker 1: we knew that distance we need to be away from
• 19:20
  Speaker 1: fire to keep it missing. That's mean. We'll listen, and
• 19:24
  Speaker 1: we love when DMX comes on the Breakfast Club and
• 19:26
  Speaker 1: doesn't pay also, so that's an amazing way to start
• 19:29
  Speaker 1: put down that blunt. Let's do this prayer. The man
• 19:31
  Speaker 1: is annointed man like like Bishop TD Jake's annoying him. Now.
• 19:35
  Speaker 1: Don't think just because he's not a pastor, deacon, ar
• 19:37
  Speaker 1: reverend officially that he's not annoying it. He is now.
• 19:41
  Speaker 1: One thing we also learned was the hook for a
• 19:43
  Speaker 1: get at Me dog that actually was because of Snoop Dog.
• 19:46
  Speaker 1: Listen to what DMX said happened to get at me phrasing.
• 19:50
  Speaker 1: I got that from you. Tell me how well you
• 19:52
  Speaker 1: remember you came to New York right right, y'all came
• 19:56
  Speaker 1: by the studio after we show you in the club. Yeah,
• 20:00
  Speaker 1: what up? You're yo get at me dogs? I'm like, hmm,
• 20:03
  Speaker 1: that's some he was just you know, I made him
• 20:06
  Speaker 1: my own. I mean it makes makes sense. New Dog
• 20:08
  Speaker 1: one of the most influential people and rap ever, debatably
• 20:12
  Speaker 1: probably the most famous rapper of all times. So I'm
• 20:15
  Speaker 1: sure he's inspired and influenced a lot of rappers. I
• 20:18
  Speaker 1: love it. I love it, but it was just their interaction.
• 20:21
  Speaker 1: I think that stuff. You could. You could say something
• 20:23
  Speaker 1: to somebody like yo, get at me dog, and then
• 20:25
  Speaker 1: next thing, you know, like that really isn't dope ass line.
• 20:28
  Speaker 1: I'm gonna use that. You made it a hot line.
• 20:30
  Speaker 1: I made it a hot song. You know who else
• 20:33
  Speaker 1: said that? The other greatest rapper of all time, Hope
• 20:37
  Speaker 1: Now DMX also wants rappers to write about what's going
• 20:40
  Speaker 1: on in their life, including their pain. Listen to this.
• 20:43
  Speaker 1: When you write the truth, that's the expression that you
• 20:46
  Speaker 1: give my field. What you wrote that night, that you
• 20:48
  Speaker 1: wrote that record, you understand what I'm saying. Write that pain,
• 20:51
  Speaker 1: write that pain. At thirteen, I was the bitch twenty six,
• 20:54
  Speaker 1: sexual abusive, but I was getting my kicks that they
• 20:57
  Speaker 1: say something broke, they need to be fixed, because all
• 20:59
  Speaker 1: I want to do is a lot of tricks. I
• 21:01
  Speaker 1: used to get by Mama do so I grew up
• 21:03
  Speaker 1: thinking that just running away, but where to run too?
• 21:07
  Speaker 1: Chapter seven. I'm must have been wrong too, right that page.
• 21:10
  Speaker 1: That's that's such a common theme for a lot of men,
• 21:13
  Speaker 1: whether you grew up in the hood or a rural
• 21:15
  Speaker 1: area in South Carolina, like I've always told the story
• 21:18
  Speaker 1: about how I got, you know, touched on by a
• 21:21
  Speaker 1: twenty something year old woman when I was eight. So yeah,
• 21:24
  Speaker 1: that's a very common theme. I've heard Dale Huguly say,
• 21:26
  Speaker 1: that's a lot of people who have had that similar store.
• 21:29
  Speaker 1: All right, Well, they closed everything out with some freestyles
• 21:32
  Speaker 1: and yeah, and you know, I mean, are there songs
• 21:36
  Speaker 1: that y'all felt like we're missing from the battle. I
• 21:39
  Speaker 1: think that was one of the biggest things people were
• 21:41
  Speaker 1: talking about. Yeah, I mean, Um, Snoop definitely left a
• 21:44
  Speaker 1: lot of Snoop. Snoop left some records on the table.
• 21:47
  Speaker 1: Um Snoop left, Uh what kind of records that he live? Like?
• 21:50
  Speaker 1: I want to rock still, Dre Still, Dre didn't he
• 21:56
  Speaker 1: was just on the hook on that one and jay
• 21:58
  Speaker 1: Z so he couldn't have did that. Yeah. Really, for me,
• 22:00
  Speaker 1: it was just like Life of the Party. I thought
• 22:03
  Speaker 1: Life of the Party couldn't rang off for the party. Yeah,
• 22:06
  Speaker 1: and and maybe that I want to rock you anything,
• 22:08
  Speaker 1: I want to rock right yeah, I want to rock
• 22:10
  Speaker 1: yeah now right now, those those two played. I thought
• 22:13
  Speaker 1: he left on the table, but he played. I think
• 22:15
  Speaker 1: he played it great. DMX just didn't play uh twenty
• 22:19
  Speaker 1: four Hours to Live, Right, he didn't play twenty fi
• 22:20
  Speaker 1: Hours to Live. He killed that. And did he play Blackout?
• 22:24
  Speaker 1: He didn't play Blackout. He didn't play Blackout of twenty
• 22:27
  Speaker 1: five Hours to Live, he didn't play murder X played
• 22:30
  Speaker 1: the Joys too. But as I've been telling y'all since
• 22:33
  Speaker 1: this battle was announced, DMX has good records. DMX has
• 22:36
  Speaker 1: records that of bombs. But it's a difference between great
• 22:39
  Speaker 1: records and weapons of mass destruction. Okay, deep cover is
• 22:43
  Speaker 1: a weapon of mass destruction. Gin and Juice is a
• 22:45
  Speaker 1: weapon of mass destruction. Drade as a weapon of mass destruction,
• 22:48
  Speaker 1: g things a weapon of mass destruction, two of America's
• 22:51
  Speaker 1: most wanted weapon of mass destruction. Is hard to beat
• 22:54
  Speaker 1: those kinds of records, just this, So, which rounds did
• 22:58
  Speaker 1: DMX win? DMAX handedly won round ten? That was the
• 23:03
  Speaker 1: Shi Nit versus getting on the floor. I gave that
• 23:06
  Speaker 1: to getting on the floor. Um he see, twelve is
• 23:10
  Speaker 1: very debate. The rounds I gave X are kind of debatable.
• 23:13
  Speaker 1: Twelve is debatable because it's what they just want versus beautiful.
• 23:17
  Speaker 1: I didn't two sex different songs, you know, and and
• 23:21
  Speaker 1: I'm saying I probably get that to snoop see what
• 23:24
  Speaker 1: I'm saying, How's it going down? Versus Pump Pump by
• 23:27
  Speaker 1: Snoop Dog. I gave that the x what How's it
• 23:29
  Speaker 1: going down? How was going down? Absolutely and and and
• 23:32
  Speaker 1: and uh. Sixteen is very debatable. And words done started
• 23:36
  Speaker 1: something versus Doggy dog World personally preference wise, I love
• 23:40
  Speaker 1: dog uh and words done started something, But Doggy dog
• 23:43
  Speaker 1: World is a beyond classic record. What about slipping versus murder?
• 23:47
  Speaker 1: Slipping versus murder was the case? Murder was the case
• 23:50
  Speaker 1: all the way out of him? Murder was chasing, Murder
• 23:54
  Speaker 1: was the chase gets slipping all the way out of him?
• 23:57
  Speaker 1: That that one wasn't close at all. And yet the
• 24:02
  Speaker 1: East Side has loved it for its four three two
• 24:04
  Speaker 1: one single hand. I gave it to four three two one,
• 24:08
  Speaker 1: and then and then another respect very debatable. I gave
• 24:12
  Speaker 1: it the money power respect old pi MP remix to
• 24:18
  Speaker 1: so so so and so the round ten is the
• 24:20
  Speaker 1: only round to me that DMX one without question, without
• 24:24
  Speaker 1: no debate. And four three two one was the only
• 24:26
  Speaker 1: thing he won without question. What about party of being
• 24:29
  Speaker 1: here versus drop it like his hot debatable, very debatable.
• 24:34
  Speaker 1: I never I never liked Party Up like that party.
• 24:36
  Speaker 1: I never liked Party of I never liked Party two.
• 24:38
  Speaker 1: And drop It like It's Hot was just so damn big.
• 24:41
  Speaker 1: That was such like like like I would say one
• 24:43
  Speaker 1: thing to Cholemie said, is is Snoop makes records that
• 24:46
  Speaker 1: my mama dances too? You know, like my mom danced
• 24:49
  Speaker 1: a lot of these records. You know what I mean,
• 24:50
  Speaker 1: she knows a lot of these records. It's Snoop. Now
• 24:53
  Speaker 1: in twenty twenty, when you listen to Party Up, you
• 24:55
  Speaker 1: think about how much white people like it, and you
• 24:57
  Speaker 1: think about the fact that white mex one of the
• 25:00
  Speaker 1: most suspect lines, and that yes he did say one
• 25:03
  Speaker 1: of them, say one of them? Say what of them?
• 25:04
  Speaker 1: Are all your men have been in the jail before? Something?
• 25:07
  Speaker 1: My you man's remind me of a script club because
• 25:09
  Speaker 1: every time you come around, I just gotta get my like, okay,
• 25:16
  Speaker 1: well I'm letting that's your room report. Something else that
• 25:20
  Speaker 1: was crazy last day was with stupid was like yo,
• 25:21
  Speaker 1: where my ladies at money? That hip hop used to
• 25:27
  Speaker 1: be so fun and problematic, like those problematic raft tunes
• 25:33
  Speaker 1: hit all right, well we got front page. Was Snoop
• 25:37
  Speaker 1: gotta get ten extra points for playing bitches. Ain't in
• 25:40
  Speaker 1: two thousand and twenty he had. That's a courage. That's
• 25:44
  Speaker 1: a courage. I just want you all to understand cultural
• 25:46
  Speaker 1: context and just realize we were really caving back then.
• 25:49
  Speaker 1: Who didn't know no better? But it was ain't no
• 25:51
  Speaker 1: fun at my daughter walking in the room while was
• 25:54
  Speaker 1: seeing it. No fun us like, get out right now.
• 25:56
  Speaker 1: Ain't no fun from me too. Anthem. Even when d M,
• 26:00
  Speaker 1: who's naming all the women from how they're going down,
• 26:01
  Speaker 1: I was like at least two or three of them
• 26:03
  Speaker 1: going to meet two dnbax geez all right, front page news.
• 26:07
  Speaker 1: What we're talking about, Well, let's talk about Joe Biden
• 26:10
  Speaker 1: and Barack Obama teaming up for a new video. All right,
• 26:14
  Speaker 1: we'll get into that next. Keeping lock this to Breakfast club.
• 26:16
  Speaker 1: Good morning morning. Everybody is dj mvy Angela Yee, Charlomagne
• 26:20
  Speaker 1: the guy We all to Breakfast Club. Let's get in
• 26:22
  Speaker 1: some front page news when we starting you, Well, let's
• 26:28
  Speaker 1: start with Joe Biden and Barack Obama. They have debuted
• 26:31
  Speaker 1: a new video where they are talking about Donald Trump
• 26:34
  Speaker 1: and how he has not taken responsibility for everything that's
• 26:37
  Speaker 1: happening right now with coronavirus. So let's start it off
• 26:41
  Speaker 1: with a teaser from their campaign trailer. Can you imagine
• 26:46
  Speaker 1: standing up when you're in president? It's not my responsibility.
• 26:50
  Speaker 1: Little those words didn't come out of our mouths while
• 26:52
  Speaker 1: we were at office. I don't understand his inability to
• 26:55
  Speaker 1: get a sense of what people are going through. And
• 26:59
  Speaker 1: one of the things I have always known about you, Joe.
• 27:02
  Speaker 1: It's the reason why I wanted you to be my
• 27:04
  Speaker 1: vice president and the reason why you were so effective.
• 27:07
  Speaker 1: It all starts with being able to relate to you.
• 27:09
  Speaker 1: If you can sit down with a family and see
• 27:13
  Speaker 1: your own family and them, then you're gonna work hard
• 27:16
  Speaker 1: for and that's always what's motivated you to get into
• 27:19
  Speaker 1: public service. Yeah, Barack Obama enborsement endorsements do nothing for
• 27:28
  Speaker 1: Joe Biden, at least not for me, because you know,
• 27:30
  Speaker 1: then Biden just turns around and says things like Trump
• 27:33
  Speaker 1: is the first racist president, as if twelve other presidents
• 27:36
  Speaker 1: weren't slave on us, and as if other presidents didn't
• 27:38
  Speaker 1: create racist legislation and policies. So whatever, Okay, there's November,
• 27:43
  Speaker 1: hurry up in complice, let's figure this out all right.
• 27:46
  Speaker 1: They also announced that there will be another fundraiser with
• 27:49
  Speaker 1: Barack Obama four and next week they'll appear together again
• 27:52
  Speaker 1: on Tuesday at a virtual fundraiser. And here's some more
• 27:55
  Speaker 1: from this video. You know what it's like to be
• 28:00
  Speaker 1: in the White House during a crisis. You know what
• 28:02
  Speaker 1: it's like to have to get laws passed through Congress.
• 28:08
  Speaker 1: You know what it's like to deal with foreign leaders.
• 28:10
  Speaker 1: You know what it's like to make tough decisions and
• 28:13
  Speaker 1: to take responsibility for it. And the thing I've got
• 28:16
  Speaker 1: confidence in, Joe is your heart and your character and
• 28:20
  Speaker 1: the fact that you are going to be able to
• 28:23
  Speaker 1: reassemble the kind of government that cares about people and
• 28:28
  Speaker 1: brings people together. You know the saddest part about November,
• 28:34
  Speaker 1: it just feels like the same old, same old, And
• 28:37
  Speaker 1: now doesn't feel like a moment for the same old,
• 28:41
  Speaker 1: same old. Now, it feels like a moment for radical
• 28:45
  Speaker 1: change in leadership in this country. Old white male leadership
• 28:49
  Speaker 1: has failed us, and the fact that we're back having
• 28:53
  Speaker 1: to choose between two old white males just doesn't feel
• 28:57
  Speaker 1: right at a moment like this doesn't feel progressive at all,
• 29:00
  Speaker 1: doesn't feel like where the country is going right, but
• 29:03
  Speaker 1: everybody please make sure you get out and vote still
• 29:06
  Speaker 1: and right all right. Now. In addition to that, and
• 29:11
  Speaker 1: I know this has been an ongoing discussion, what are
• 29:13
  Speaker 1: we going to do about sending kids back to school? Well,
• 29:16
  Speaker 1: here's what Donald Trump had to say during his coronavirus briefing.
• 29:20
  Speaker 1: Some live with their grandparents. There's there's a real risk.
• 29:22
  Speaker 1: Would you understand if so many people say that they
• 29:25
  Speaker 1: don't transmit very easily, and a lot of people are
• 29:28
  Speaker 1: saying they don't transmit, and we're looking at that, we're
• 29:30
  Speaker 1: studying john very hard, that they don't bring it home
• 29:33
  Speaker 1: with them. Now, they don't catch it easily, they don't
• 29:36
  Speaker 1: bring it home easily, and if they do catch it,
• 29:38
  Speaker 1: they get better fairs that I feel like the toughest
• 29:42
  Speaker 1: decision that's definitely to the presidential election is not a
• 29:49
  Speaker 1: tough decision. That is a tough decision. Am I sending
• 29:51
  Speaker 1: my twelve year old and my soon to be five
• 29:55
  Speaker 1: year old back to school in the fall? My daughter,
• 29:58
  Speaker 1: my oldest daughter, she's twelve, told me she don't want
• 30:00
  Speaker 1: to go. She says she don't feel safe. I am
• 30:02
  Speaker 1: a person who trust my instincts, so I have to
• 30:04
  Speaker 1: trust my daughter's instincts in this situation. So she's telling
• 30:07
  Speaker 1: me she don't want to go. If that don't change,
• 30:10
  Speaker 1: then I guess we're gonna have to figure out this
• 30:11
  Speaker 1: homeschool and thing. Yeah, I got a seven to six
• 30:14
  Speaker 1: and a three, and I don't think I'm gonna think
• 30:16
  Speaker 1: I'm a home school and I think I'm gonna keep
• 30:18
  Speaker 1: him home. Yeah, you know, but again, like for some people,
• 30:22
  Speaker 1: they don't really have that option because they have to work.
• 30:24
  Speaker 1: And so people are making choices like what will I
• 30:27
  Speaker 1: do with my kids if I have to work to
• 30:29
  Speaker 1: make money, where can my kids be? Who's gonna watch
• 30:32
  Speaker 1: my kids? So it is a lot going on as
• 30:34
  Speaker 1: people are making these decisions. And you know, Donald Trump
• 30:37
  Speaker 1: has been holding these briefings and he hasn't had any
• 30:39
  Speaker 1: coronavirus tax forts members with him. I would have rather
• 30:42
  Speaker 1: heard more information. I don't know. Donald Trump was just
• 30:45
  Speaker 1: saying things, and he says that he's getting brief So
• 30:48
  Speaker 1: here's what he has to say about why he's doing
• 30:50
  Speaker 1: these briefings by himself and where he's getting this information. Well,
• 30:54
  Speaker 1: I'm the health texpert for no longer joining you these briefings.
• 30:58
  Speaker 1: Can you explain one because briefing me, I'm meeting them.
• 31:01
  Speaker 1: I just spoke to doctor Fauci. Doctor Burkes's right outside,
• 31:06
  Speaker 1: and they're giving me all of everything they know is
• 31:09
  Speaker 1: if this point in time, and I'm giving the information
• 31:12
  Speaker 1: to you, and I think it's probably a very concise
• 31:16
  Speaker 1: way of doing it. It seems to be working out
• 31:18
  Speaker 1: very well. They're very much involved, they're very much with
• 31:21
  Speaker 1: the relationships are all very good. Well, he doesn't realize
• 31:25
  Speaker 1: how bad that's gonna hurt him because when the information
• 31:27
  Speaker 1: is wrong, which we know it will be, he can't
• 31:29
  Speaker 1: blame it on anyone but himself because we see you.
• 31:32
  Speaker 1: At least when doctor Faucci and doctor Burke is on
• 31:35
  Speaker 1: the stage with you, you know, if something's not right,
• 31:37
  Speaker 1: you can point to them and put them round him
• 31:39
  Speaker 1: on them. But now since we only see you, yes,
• 31:42
  Speaker 1: we already know it's your fault. But now we know
• 31:44
  Speaker 1: it's your fault. Well, he was still I'm sure I
• 31:47
  Speaker 1: continue to say it's not his fault. Even he'll say, well,
• 31:50
  Speaker 1: this is the information I was given. Well we got eyes,
• 31:53
  Speaker 1: all right, Well that is your front page news. All right,
• 31:57
  Speaker 1: thank you, miss ye. Now when we come back, it's
• 32:00
  Speaker 1: back Thursday. CC Peniston movie joining us, So we'll kicking
• 32:04
  Speaker 1: with CC Peniston when we come back to don't move
• 32:06
  Speaker 1: It to the Breakfast Club. Cj Envy, Angela Yee, Charlomagne
• 32:15
  Speaker 1: the guy. We are the breakfast club. We got a
• 32:17
  Speaker 1: special guest in the building. We have CC Peniston. Welcome too,
• 32:22
  Speaker 1: Thank you, thanks for having me morning. I feel like
• 32:25
  Speaker 1: they should have been some team music playing or something.
• 32:28
  Speaker 1: We have CC Peniston here finally, right, you know, how
• 32:33
  Speaker 1: are you quarantining? I'm sorry gonna say, how are you quarantine?
• 32:36
  Speaker 1: And where are you at? How's everything going in this
• 32:38
  Speaker 1: in this pandemic? Man, I'm in Arizona. Everything is you
• 32:42
  Speaker 1: know what. It's been a lot of different things going on.
• 32:44
  Speaker 1: I've had some people that were dealing with COVID, a
• 32:47
  Speaker 1: couple of people in the hospital. Just um, I'm just
• 32:49
  Speaker 1: trying to be even more creative, you know, saying to myself,
• 32:53
  Speaker 1: do a little spiritual growth, you know, just working on
• 32:55
  Speaker 1: me and joining the fan when I can't you know that.
• 32:58
  Speaker 1: You know, when you're traveling for years, y'all already know
• 32:59
  Speaker 1: for in the music business, it's like, dang, I'll finally
• 33:02
  Speaker 1: get a chance to like be home for a minute
• 33:04
  Speaker 1: kind of you know, have a woe software a second
• 33:07
  Speaker 1: and not the wou so I asked for, But I
• 33:11
  Speaker 1: I get a second to like you know, yeah, you know, Cec,
• 33:15
  Speaker 1: I wanted to ask you. I know in the nineties
• 33:16
  Speaker 1: you had a five number one hits on the on
• 33:19
  Speaker 1: the Billboard dance charts. Can a person sustained financially forever
• 33:24
  Speaker 1: with that? Why not? I'm still been getting my royalties
• 33:27
  Speaker 1: for thirty years off the final Okay, ever since finally
• 33:30
  Speaker 1: came out in the nineties, I was thinking my royaltie shotment.
• 33:33
  Speaker 1: Now is it the royalties I should be getting? No?
• 33:38
  Speaker 1: But however, yeah, you can get paid off of it.
• 33:41
  Speaker 1: That's why, you know what. That's why people are so
• 33:43
  Speaker 1: funny about doing publishing and I'm doing their paperwork and everything,
• 33:47
  Speaker 1: because people really don't know how artists can really be
• 33:50
  Speaker 1: taken care of by their body of work. You did
• 33:53
  Speaker 1: your first contract, did you get got with? Was it
• 33:55
  Speaker 1: a horrible contract or did you know early on? You
• 33:58
  Speaker 1: know what? Um, Actually I didn't have a horrible contract.
• 34:01
  Speaker 1: What happened was finally started gaining some success and then
• 34:04
  Speaker 1: things started changing around after people kind of started seeing
• 34:06
  Speaker 1: where finally went and ask me what people don't know
• 34:09
  Speaker 1: is Iway was recouped in nineteen ninety seven was finally,
• 34:14
  Speaker 1: so finally has been like good to me and the
• 34:16
  Speaker 1: other and the thing that happened finally is well, finally
• 34:19
  Speaker 1: came out and it's hard to see this. So when
• 34:21
  Speaker 1: finally came out, it was on the charts for thirty
• 34:23
  Speaker 1: three out of fifty two weeks, which you don't see
• 34:25
  Speaker 1: now because artists are putting out music like every three months,
• 34:28
  Speaker 1: like our world show you for they want to hear
• 34:31
  Speaker 1: music like all the time. So I think that's the
• 34:33
  Speaker 1: difference now, like as then you will work a record
• 34:36
  Speaker 1: for like eight months. Now it's just like you know,
• 34:38
  Speaker 1: every three months, people are putting stuff down everyone. And
• 34:41
  Speaker 1: you've been very very vocal about making sure you do
• 34:43
  Speaker 1: have your business in order because you had some accounting
• 34:46
  Speaker 1: issues and business manager issues and all of those things
• 34:49
  Speaker 1: to deal with early on. Yeah, definitely, you know what
• 34:52
  Speaker 1: it is. And when stuff happens at your own hand,
• 34:56
  Speaker 1: it's different when someone spends your money for you and
• 34:59
  Speaker 1: get you in track problem. You want to get your gun,
• 35:05
  Speaker 1: you know what I'm saying. You know the thing about
• 35:08
  Speaker 1: it is when you first get into music business is
• 35:10
  Speaker 1: kind of like, hey, here's the accountant, here's the lawyer.
• 35:14
  Speaker 1: You don't know what you're doing. You just know that
• 35:15
  Speaker 1: you want to sing, right, and then what happens after
• 35:19
  Speaker 1: that is then everything starts tappening from there. The album
• 35:23
  Speaker 1: was like, hey, we want you to finish the album
• 35:26
  Speaker 1: within three months of you traveling, and I was like, oh, okay,
• 35:29
  Speaker 1: y'all want me to finish the album. Okay, So in
• 35:32
  Speaker 1: between gigs, I was going in the studio and stuff right,
• 35:35
  Speaker 1: and then finally had a different type of success because
• 35:39
  Speaker 1: who would have known that, Like, I'm still doing what
• 35:42
  Speaker 1: I'm doing. In fact, this was funny. But when I
• 35:44
  Speaker 1: first did it the first year, I was only home
• 35:46
  Speaker 1: for like three three weeks out of the year, and
• 35:48
  Speaker 1: I wouldn't go get a house because I was like, yo,
• 35:50
  Speaker 1: I gotta wait a minute, because I don't know how
• 35:52
  Speaker 1: long this is gonna last. You know, when when did
• 35:55
  Speaker 1: you realize your accountant was messing up your money? Because
• 35:57
  Speaker 1: I think I read somewhere when they got you for
• 35:59
  Speaker 1: like a million, he caught me for a meal at
• 36:02
  Speaker 1: least a mill or more and then tried to tell
• 36:04
  Speaker 1: me I owe him money, which was funny. I was like, oh,
• 36:06
  Speaker 1: you real bold right now. I hope you sleep good
• 36:09
  Speaker 1: at night. And then I realized I had a problem
• 36:12
  Speaker 1: with him because my tax situation. I realized he got
• 36:16
  Speaker 1: me in a tax situation. I'm like, wait a minute,
• 36:18
  Speaker 1: Now I got to look into some other things. And
• 36:20
  Speaker 1: you know, it was kind of a real traumatic experience
• 36:23
  Speaker 1: for me actually, because you know, you worked all these
• 36:27
  Speaker 1: years and you're like, dang, I built a nestake for myself,
• 36:30
  Speaker 1: and then you look back and see, hey, you know
• 36:32
  Speaker 1: someone has made a choice for me that I didn't
• 36:35
  Speaker 1: make right. You know, Yeah, what made you get into
• 36:38
  Speaker 1: a dance in the nineties? Why why why dance instead
• 36:42
  Speaker 1: of like regular R and B H you know what?
• 36:45
  Speaker 1: I feel like, kind of like it just happened that way.
• 36:47
  Speaker 1: It's funny because I was always the person that came
• 36:49
  Speaker 1: to like the different contests right now. I was the
• 36:51
  Speaker 1: one slowing the party down when I when I did
• 36:53
  Speaker 1: like talent shows and karaoke contests and stuff before I
• 36:56
  Speaker 1: got into music business, right and so when I got there,
• 36:59
  Speaker 1: I had written I lead just kind of happened that way, um, phelipe.
• 37:03
  Speaker 1: I had this this melody in my head and then
• 37:05
  Speaker 1: I had the you know, the lyrics written down, and
• 37:08
  Speaker 1: I was like, hey, this is what I hear and
• 37:10
  Speaker 1: so he did the bet for him in RK and
• 37:13
  Speaker 1: you know what happened is what you here now was
• 37:16
  Speaker 1: dance big. You know how you when you was growing up,
• 37:18
  Speaker 1: was dance a big thing? Because that was like a
• 37:20
  Speaker 1: New York uptown club type of thing. Was it big
• 37:24
  Speaker 1: where you were from? You know what? The thing about
• 37:25
  Speaker 1: it is, so I grew up in Arizona more than Dayton.
• 37:29
  Speaker 1: My father was in the military, and so him being
• 37:32
  Speaker 1: in the military, I moved here when I was about
• 37:33
  Speaker 1: like nine, and uh, in Arizona there was no house scene.
• 37:37
  Speaker 1: There was none of that. And so I found out
• 37:39
  Speaker 1: later on that like New York, Chicago, Alton were you know,
• 37:43
  Speaker 1: house spots the people love to go to and they
• 37:45
  Speaker 1: enjoyed in so um, you know, it was something like
• 37:48
  Speaker 1: I said, it was a learning lesson. I had no
• 37:50
  Speaker 1: idea about the house scene until I got into it. Yeah,
• 37:54
  Speaker 1: so are you stilling in the house scene and you
• 37:55
  Speaker 1: you don't listen to the house music no more? What? Hell? Yeah? Dude, Look,
• 38:00
  Speaker 1: look I definitely listened to house definitely. I'm a part
• 38:03
  Speaker 1: of the culture. And you know. So for me, it's
• 38:06
  Speaker 1: like I'll never stop listening to it, but I do
• 38:07
  Speaker 1: definitely listen to other types of music. How many guys
• 38:11
  Speaker 1: you're a queen of the culture, Thank you, queen. How
• 38:16
  Speaker 1: many guys try to high at you that fit the
• 38:18
  Speaker 1: description and finally you know what's funny? Okay, thank you
• 38:22
  Speaker 1: Charlot Mane for the compliment. Um. You know when I
• 38:25
  Speaker 1: when finally first came out, I actually got married right away. Um,
• 38:29
  Speaker 1: I found him. Okay, I found him, girl. I wrote
• 38:31
  Speaker 1: about him, and then I found him like right after
• 38:33
  Speaker 1: I wrote about him, So I had gotten right away.
• 38:35
  Speaker 1: And he was like, dang, your career just start, you
• 38:37
  Speaker 1: know while you get married right away. And I was like, oh,
• 38:40
  Speaker 1: he writes me poetry. I want to you know, I
• 38:42
  Speaker 1: want to marry him. I love him. And then you know,
• 38:45
  Speaker 1: that lasted for about a year, and I think it
• 38:47
  Speaker 1: was you know, me being on the road a lot
• 38:50
  Speaker 1: and then you know, not being at home, brand new
• 38:53
  Speaker 1: marriage and everything, and it was like, this is not
• 38:55
  Speaker 1: what I signed up for a type of thing. So
• 38:58
  Speaker 1: you know, keep out working, then keep out working now yeah, girl,
• 39:01
  Speaker 1: I was like okay, So it was like finally we
• 39:03
  Speaker 1: got the love thing, but keep on walking because we
• 39:06
  Speaker 1: had a crazy love. So how my things coming out
• 39:09
  Speaker 1: was how my life was going actually, which was crazy.
• 39:12
  Speaker 1: We got more with CC Peniston. When we come back
• 39:14
  Speaker 1: and throw back Thursday, it's the Breakfast Club, Good morning morning.
• 39:18
  Speaker 1: Everybody is DJ Envy Angela Yee. Charlomagne, the guy we
• 39:22
  Speaker 1: are the Breakfast Club was still kicking it with CC Peniston. Charlomagne.
• 39:26
  Speaker 1: I think I reached some way too that your royalties
• 39:28
  Speaker 1: had gotten messed up. Um, I'm gonna see messed up,
• 39:32
  Speaker 1: not really messed up. So there's a lot of things.
• 39:36
  Speaker 1: I feel like the people don't know about themediate business
• 39:39
  Speaker 1: like you can start so I'm so. The thing about
• 39:42
  Speaker 1: it is when you start out with an original body
• 39:45
  Speaker 1: of work. You start out with an original I SRC code,
• 39:49
  Speaker 1: and along the way there was like different things that happened.
• 39:54
  Speaker 1: I can't speak on everything, but I will tell you
• 39:56
  Speaker 1: there's different misspellings, there's different bodies of work for Instant.
• 40:00
  Speaker 1: Let me give you an examples. The other day, I
• 40:03
  Speaker 1: was get ready to post something. I go on the
• 40:05
  Speaker 1: story and it says it has me Investor Williams on
• 40:09
  Speaker 1: the picture. You can go look this up right on
• 40:12
  Speaker 1: the side of it, it says CC Peniston and the
• 40:15
  Speaker 1: Four Tops. So when things like that happened, that's right,
• 40:19
  Speaker 1: I'm like, what do I do a record with the
• 40:20
  Speaker 1: Four Tops? What happened? You know what I'm saying. So
• 40:24
  Speaker 1: it was like, when you see stuff like that, that
• 40:27
  Speaker 1: means you're not getting paid properly as the artist. When
• 40:30
  Speaker 1: they misspell your name, you're not getting paid properly. So
• 40:34
  Speaker 1: I've seen a lot of different things, just like um
• 40:36
  Speaker 1: with Priscilla Quin of the Desert it was called finale
• 40:40
  Speaker 1: an overture instead of finally, So that's a whole other
• 40:43
  Speaker 1: body of work now where someone has done something different.
• 40:46
  Speaker 1: So it's like little little ways that people slip stuff in,
• 40:50
  Speaker 1: don't get your permission, don't give you the right writer's credit,
• 40:53
  Speaker 1: or the greedy Like I find that a lot of
• 40:55
  Speaker 1: people are just greedy, you know, for real track of
• 41:00
  Speaker 1: that money though, because I know people, I don't know
• 41:02
  Speaker 1: if that's like a publishing thing, is it a well
• 41:05
  Speaker 1: how do you figure that out and make sure you
• 41:07
  Speaker 1: get your money? The thing about it is I have lawyers,
• 41:10
  Speaker 1: I have people that look over my paperwork, but at
• 41:12
  Speaker 1: the end of the day, people can kind of do
• 41:14
  Speaker 1: what they want to do. They can slant things a
• 41:17
  Speaker 1: certain way to make it look a certain way, or like, hey,
• 41:21
  Speaker 1: this is what this was for, or this is the
• 41:23
  Speaker 1: account that that's going into. And a lot of times
• 41:27
  Speaker 1: I feel like I've been misunderstood because people think I'm
• 41:29
  Speaker 1: screaming or being unreasonable, and I'm like, no, I'm not
• 41:33
  Speaker 1: being unreasonable and I'm not screaming. I'm not you know,
• 41:35
  Speaker 1: the real But I try to also understand, you know what,
• 41:39
  Speaker 1: It's still a business, so you still got to come
• 41:41
  Speaker 1: like a business person whenever you're doing stuff. I saw
• 41:44
  Speaker 1: you talking about Lizzo and saying that you like Lizzo
• 41:47
  Speaker 1: and love Lizzo as an artist, but then there was
• 41:49
  Speaker 1: that issue with her song and with your song and
• 41:53
  Speaker 1: interpretation and all of that. So it wasn't an attack
• 41:55
  Speaker 1: on her. It was just as an artist, you want
• 41:57
  Speaker 1: to make sure you get what you're supposed to get. Well,
• 42:00
  Speaker 1: whatever you read Angela is what it is. And what
• 42:03
  Speaker 1: I'm gonna say is I loved is those musics. It
• 42:06
  Speaker 1: sounds familiar, so I will say that. But the thing
• 42:09
  Speaker 1: about it is I feel like right is right, wrong
• 42:11
  Speaker 1: is wrong, whatever it seems to be. Um if someone takes. Okay,
• 42:16
  Speaker 1: let me ask you this is I'm the only one
• 42:20
  Speaker 1: that has done a certain signature since I started, and
• 42:24
  Speaker 1: somebody else does it. If that was you, that's like
• 42:27
  Speaker 1: you're doing a body work doing to hold you to sho.
• 42:29
  Speaker 1: Someone starts reciting and then people think, to shoot, how
• 42:33
  Speaker 1: would that feeling be? And and originally MB so I'm
• 42:38
  Speaker 1: gonna say that I was just putting out a post
• 42:41
  Speaker 1: like hey, you know, I'm the type of person I
• 42:44
  Speaker 1: pay homage to people who I need to pay homage
• 42:47
  Speaker 1: to a different things. Right, So it's just like, hey,
• 42:49
  Speaker 1: thisish you know, blah blah blah blah blah was like
• 42:52
  Speaker 1: more of just like a statement. I had no idea
• 42:55
  Speaker 1: that it was really gonna go as far as it did,
• 42:58
  Speaker 1: or like it was gonna go up like that. And
• 43:00
  Speaker 1: I'm like, wait a minute, So I mean, I mean
• 43:03
  Speaker 1: it is what it is. I mean, y'all listen to
• 43:06
  Speaker 1: music all the time. Y'all listening to you know, different
• 43:09
  Speaker 1: genres of music. I'm sure you can probably you probably
• 43:12
  Speaker 1: can't admit it here, but you might have heard some
• 43:15
  Speaker 1: similarities or not. Yeah, I just I just assume that
• 43:20
  Speaker 1: they got it cleared. Whenever I hear, Yeah, we don't know.
• 43:24
  Speaker 1: Do you have a team though, Like I know Sugar
• 43:26
  Speaker 1: Hill Gang, they have a team of people that that's
• 43:28
  Speaker 1: their job and old day they listen to see if
• 43:30
  Speaker 1: people sample their type of records, because I know you
• 43:33
  Speaker 1: had I think a problem with Chris Brown and join
• 43:35
  Speaker 1: the Lucas of possibly sampling your stuff. Do you have
• 43:37
  Speaker 1: a team that that goes out and listens for that.
• 43:40
  Speaker 1: I have an absolute team. But once again, people can't
• 43:43
  Speaker 1: slant things to be whatever. And I actually have writers
• 43:46
  Speaker 1: credit on to join the Lucas and Chris Brown track, um,
• 43:49
  Speaker 1: so certain things um get cleared um professionally the way
• 43:54
  Speaker 1: that they should be, and other things is just like, hey,
• 43:57
  Speaker 1: we kind of like screwed over this way. Maybe nobody
• 44:01
  Speaker 1: will say anything, and I'm not the first artist and
• 44:04
  Speaker 1: I won't be the last that this has happened to.
• 44:06
  Speaker 1: I mean, I feel like this system has kind of
• 44:08
  Speaker 1: been set up to, you know, being in favor of
• 44:11
  Speaker 1: you know, who ever signed you, as you know, you're
• 44:15
  Speaker 1: a business product at the end of the day to
• 44:17
  Speaker 1: whoever signed you, and so you have to you know,
• 44:20
  Speaker 1: understand that that's what it is. But you know, I
• 44:23
  Speaker 1: just I don't feel like I should have to be
• 44:26
  Speaker 1: quiet if something isn't right somebody else's ideas of what
• 44:32
  Speaker 1: I should do. Did you ever take legal action against
• 44:34
  Speaker 1: Chris Brown and join the Lucas? Like, how did your
• 44:36
  Speaker 1: name end up being in the writing credit? Well, because
• 44:40
  Speaker 1: they actually used finally in the in the hook right,
• 44:44
  Speaker 1: and they used the melody line in the hook and
• 44:47
  Speaker 1: they called the song finally, So I'm actually on the
• 44:49
  Speaker 1: writer's credit. You go to genius dot com M. Charlotte Magne.
• 44:52
  Speaker 1: You can see where the writer's credit and everything is
• 44:55
  Speaker 1: on there. My name is on there. I saw what
• 44:57
  Speaker 1: you said joining Chris said they didn't take the propert
• 45:00
  Speaker 1: apps to use the record, but I didn't know what
• 45:01
  Speaker 1: that meant. No, I wasn't sure until I wasn't sure.
• 45:07
  Speaker 1: Sometimes you know what it is. The company has put
• 45:09
  Speaker 1: out bodies to work. They don't give me an announcement
• 45:12
  Speaker 1: about what they're doing. And someone would be like, yo,
• 45:14
  Speaker 1: I heard your song on blah blah blah, I saw
• 45:17
  Speaker 1: it on the shore or whatever. And you know, again,
• 45:21
  Speaker 1: I'm supposed to be notified of those things. And if
• 45:25
  Speaker 1: you're not notifying me, and you know you're supposed to
• 45:29
  Speaker 1: see the system is not always set up to be
• 45:31
  Speaker 1: an artist's favor. It's just not. But if you own
• 45:35
  Speaker 1: the record, shouldn't you have to sign off? If you
• 45:37
  Speaker 1: own the record, shouldn't they have to sign off? Every
• 45:39
  Speaker 1: time everybody samples it should be you getting that. They
• 45:42
  Speaker 1: have to clear it through you. That's what I think.
• 45:46
  Speaker 1: That's what I say. Empty, Um, that's my paperwork then,
• 45:49
  Speaker 1: but I got it because you can be sowing it
• 45:55
  Speaker 1: something sing everybody's asshole, because if you don't get the
• 45:57
  Speaker 1: proper clearance, like I know, certain artists, whether it's preying
• 46:00
  Speaker 1: so it's either Michael Jackson or certain accounts if they
• 46:03
  Speaker 1: don't get the proper clearance to them, If they don't
• 46:05
  Speaker 1: get the okay, it's not going to get clear because
• 46:08
  Speaker 1: I remember even when I would did my album, like,
• 46:09
  Speaker 1: it was certain samples that we couldn't get the clearance.
• 46:12
  Speaker 1: We asked that state and the state was like, no,
• 46:14
  Speaker 1: it's too much Curson on it, or it's secular music
• 46:16
  Speaker 1: or certain things, and we couldn't get the clarance. Now,
• 46:18
  Speaker 1: we tried to play it over and do an interpolation,
• 46:21
  Speaker 1: but if we did it, we had to clare it
• 46:23
  Speaker 1: or we would get sued. You know what I wish
• 46:26
  Speaker 1: I knew what to do was and I wish I
• 46:27
  Speaker 1: could give you an answer on why they do that,
• 46:30
  Speaker 1: because I feel like I've had integrity in the things
• 46:32
  Speaker 1: that I do or how I push stuff, because why
• 46:34
  Speaker 1: wouldn't you want the artists to actually push the body
• 46:36
  Speaker 1: of work that you do, and especially when you know
• 46:39
  Speaker 1: I'm recouped, you know, I'm recouped that I pay my dudes.
• 46:42
  Speaker 1: Finally has been done, like seriously, like it's been on
• 46:45
  Speaker 1: at least five thousand compilations different artists on stuff. If
• 46:49
  Speaker 1: you go to Who Sample Who, you can at least
• 46:51
  Speaker 1: find a hundred things of artists who have sampled my music,
• 46:55
  Speaker 1: from Travis Scott to Join the Lucas to what Belton
• 47:01
  Speaker 1: Wetzel to Parks did my song over a Dell did it,
• 47:04
  Speaker 1: and come to Lady Goda did it in her tour
• 47:06
  Speaker 1: and so did adle. So it's like I've been blessed
• 47:10
  Speaker 1: to have a body of work that people still love
• 47:12
  Speaker 1: because you know what, everybody doesn't get that, so you know,
• 47:15
  Speaker 1: but it is one of the things like there's a
• 47:17
  Speaker 1: lot of questions for me as well, right, So why
• 47:23
  Speaker 1: like like why y'all still like why can't we all eat.
• 47:27
  Speaker 1: Why can't we all eat? Like I don't understand when
• 47:30
  Speaker 1: people like, hey, I like to it. I've learned. I
• 47:33
  Speaker 1: will tell you what this did for me. Dog. I felt,
• 47:36
  Speaker 1: you know, bovie, by the whole situation, to be honest
• 47:39
  Speaker 1: with you, because I can see what's wrong, but I
• 47:42
  Speaker 1: can't fix it. I can't see when there's a misspelling
• 47:45
  Speaker 1: or I can see when something came out. So what
• 47:48
  Speaker 1: it did is it called me to be a better
• 47:49
  Speaker 1: a better businesswoman. And I'm really you know, I'll see
• 47:52
  Speaker 1: something and I'll be like, hey, I'm on top of it.
• 47:54
  Speaker 1: So I learned my lessons. I mean, I think that's
• 47:56
  Speaker 1: really all you can do. All right, we got them all.
• 47:58
  Speaker 1: With CC Peniston, we come back. A matter of fact,
• 48:01
  Speaker 1: let's get into a mini mixes throw back Thursday. It's
• 48:03
  Speaker 1: the Breakfast Club Good Morning. That was a CC Peniston
• 48:08
  Speaker 1: mini mix Morning. Everybody is DJ Envy, Angela Yee, Charlomagne
• 48:13
  Speaker 1: the guy. We are the Breakfast Club. We're still kicking it.
• 48:15
  Speaker 1: With CC Peniston, you're also the first foreign female entertainer
• 48:20
  Speaker 1: of performing post apartheid South Africa. M yeah, that definitely, um,
• 48:27
  Speaker 1: you know what, And I enjoyed that that was like
• 48:29
  Speaker 1: a real spiritual experience for me. Um. And it's funny
• 48:33
  Speaker 1: because they had asked me to come over before a
• 48:34
  Speaker 1: parteid and I was like, no, I really don't want
• 48:36
  Speaker 1: to come over before apartheid. And I end up hitting
• 48:39
  Speaker 1: the stage and I was like, damn, you know, I'm
• 48:41
  Speaker 1: in the Motherland. And I was like happy, you know
• 48:42
  Speaker 1: what I'm saying. I was excited. And you know, so,
• 48:46
  Speaker 1: by the way, y'all can ask me, you know whatever,
• 48:48
  Speaker 1: shall want to ask me, y'a don't have to be
• 48:50
  Speaker 1: in the safe zone with me. Just so y'all know,
• 48:52
  Speaker 1: and you don't have to you're on the safe zone.
• 48:55
  Speaker 1: Because Wikipedia, I feel like they're still opinionated. I've never
• 48:59
  Speaker 1: seen in two pages with opinionated, okay, opinionated attitude in
• 49:06
  Speaker 1: the Wikipedia. You know how they usually do give the info.
• 49:10
  Speaker 1: What is Wikipedia say? Let me go look at your
• 49:14
  Speaker 1: Wikipedia saying about you. I don't Wikipedia. Let's see what's
• 49:19
  Speaker 1: on the Oh. She cc did so much. She performed
• 49:23
  Speaker 1: in private engagement for Rifa Franklin's private birthday party, perform
• 49:27
  Speaker 1: for Pope John Paul the Second at the Vatican. Thank you,
• 49:31
  Speaker 1: thank you, wow, thank you. I know about South Africa.
• 49:36
  Speaker 1: Let me let me find the dirt, let me see,
• 49:37
  Speaker 1: let me see. We gotta go to contrary. Look, here
• 49:40
  Speaker 1: we go, look with plastic surgery. Surgery. So I'm gonna
• 49:46
  Speaker 1: say this. I'm gonna say that sometimes when people see me,
• 49:49
  Speaker 1: they don't really ask me the questions that they really
• 49:51
  Speaker 1: want to ask me. Sometime they stay in the safe,
• 49:54
  Speaker 1: don't what me and I know it's a form of
• 49:55
  Speaker 1: respect and I appreciate it, but I want people to
• 49:58
  Speaker 1: ask me the questions that they want asked me. Okay,
• 50:01
  Speaker 1: So what happened with you and Monica? You and Monica
• 50:03
  Speaker 1: had a beef? I see that a missunderstand. You know,
• 50:04
  Speaker 1: we don't go to Wikipedia because Wikipedia is usually a
• 50:08
  Speaker 1: lot they lie sometimes, Like, but but what happened with
• 50:10
  Speaker 1: you in Monica? Oh it really wasn't a beat. So
• 50:12
  Speaker 1: this is what happened, right, I feel like it was
• 50:14
  Speaker 1: a miscommunication or did anything me and Monica. This is
• 50:17
  Speaker 1: before Monica had gotten in the business. So I was
• 50:19
  Speaker 1: at a performance and she had come up to me
• 50:23
  Speaker 1: and I had to end up leaving. You know, he
• 50:25
  Speaker 1: handled's be like, hey, we gotta go. She thought I
• 50:28
  Speaker 1: was shading her, but I really wasn't shading her, right,
• 50:30
  Speaker 1: but that's how she felt. So later on, um, I
• 50:34
  Speaker 1: and I loved all her music. This was I love
• 50:36
  Speaker 1: all her music right. So I ended up Um, I
• 50:39
  Speaker 1: ended up hearing that she had a beef for me,
• 50:42
  Speaker 1: and I was like, what yo, I didn't even know
• 50:44
  Speaker 1: she had a beat for me, Like in my mind,
• 50:47
  Speaker 1: I don't remember the situation going down that way. But
• 50:50
  Speaker 1: since she felt that way, I said, let me address it.
• 50:52
  Speaker 1: So I addressed it. I put a letter out, I
• 50:55
  Speaker 1: send something to her and it ended up on the
• 50:57
  Speaker 1: Jazzline brand and so I was like, oh okay, I
• 51:00
  Speaker 1: was like and she and she wrote me back. She
• 51:03
  Speaker 1: wrote me back and we were cool after that. That's good.
• 51:07
  Speaker 1: So yeah, definitely, yeah, won't a misscommunication like she felt
• 51:13
  Speaker 1: like I had was being funny style And I was like, nah,
• 51:15
  Speaker 1: since I wouldn't being funny style to you. I mean,
• 51:17
  Speaker 1: I love your body, working music and stuff. So did
• 51:20
  Speaker 1: you do you have a reputation for being rude to people? Um,
• 51:24
  Speaker 1: I have a reputation for being a drect. I'm just wondering. No,
• 51:29
  Speaker 1: I always listen. I was excited. I said, City Pani
• 51:31
  Speaker 1: say you know so, but I know people always tell
• 51:34
  Speaker 1: me this. They'd be like, well, Angela left. People treat
• 51:36
  Speaker 1: you differently than they treat other people. So that's why
• 51:40
  Speaker 1: I don't think so I'll feel like I'm direct and
• 51:44
  Speaker 1: I feel like I just like I feel like sometimes
• 51:47
  Speaker 1: people are abruptly to meet and then I have to
• 51:49
  Speaker 1: soldier up and be like, okay, is that what we're doing?
• 51:52
  Speaker 1: Like what do I have noticed? During pandemic? And it
• 51:55
  Speaker 1: be pissing me off? Sometimes people be like do you
• 51:57
  Speaker 1: want to need this? And you feel like, oh are
• 52:00
  Speaker 1: you doing today? How's everything? How's the family? Is your
• 52:04
  Speaker 1: family good? You all right? Like they just keep coming
• 52:07
  Speaker 1: at you like any type of way, and so you know,
• 52:10
  Speaker 1: I don't I feel like people are insensitive during this
• 52:12
  Speaker 1: time when we have a lot of suitativity going on
• 52:15
  Speaker 1: in the whole wild world, you know what I mean?
• 52:17
  Speaker 1: Right now, a lot of plastic surgery come up when
• 52:20
  Speaker 1: when when it says controversies, have you had a lot
• 52:22
  Speaker 1: of plastic surgery? Is that something that that's that's big?
• 52:25
  Speaker 1: Or I don't understand why why that's coming up. I
• 52:28
  Speaker 1: had life bol done and I put it up there
• 52:31
  Speaker 1: that I had light food done, but I also got
• 52:33
  Speaker 1: on a m weight loss plan and started working out
• 52:36
  Speaker 1: in the gym and all that stuff. But I'm I
• 52:38
  Speaker 1: ain't funny to all about sharing because you can't do life.
• 52:41
  Speaker 1: I not work out. After that won't work out, it
• 52:44
  Speaker 1: might start going to other places, right, So I decided
• 52:48
  Speaker 1: to get in shape and you know, getting on the
• 52:50
  Speaker 1: lifestyle type thing work out. Now, you've us have been
• 52:53
  Speaker 1: really open about about miscarriages too, and you've been up
• 52:56
  Speaker 1: about a suffering from miscarriages, and it was how many?
• 53:00
  Speaker 1: How many did you have? Fives? That had to be
• 53:05
  Speaker 1: a really difficult time for you as well. Definitely, I
• 53:09
  Speaker 1: was definitely a traumatic experience, but it was with the
• 53:11
  Speaker 1: same man, by the way, just so you know. But
• 53:14
  Speaker 1: the thing about it was, it's like I had to
• 53:17
  Speaker 1: cover those things. And sometimes when I looked heavier, it's
• 53:20
  Speaker 1: like my booze was full because I was just pregnant
• 53:22
  Speaker 1: and people didn't know that, or I was heavier, or
• 53:25
  Speaker 1: my mindset wasn't right and my spirit was off because
• 53:28
  Speaker 1: I just felt, you know, some type of way. But
• 53:31
  Speaker 1: you know, artists, our job is to make your Our
• 53:35
  Speaker 1: job is to make your bad day a good day.
• 53:38
  Speaker 1: So I learned how to cover because that's what people
• 53:41
  Speaker 1: wanted to see They didn't want to see you up
• 53:42
  Speaker 1: there complaining or part of about how you feel, you
• 53:45
  Speaker 1: know what I mean? Yeah, but then that's part of
• 53:47
  Speaker 1: the healing process too, to be able to express how
• 53:50
  Speaker 1: you really feel instead of having to cover that as well,
• 53:54
  Speaker 1: because people can relate to it. I always say, you
• 53:56
  Speaker 1: only have to tell the truth one time, and then
• 53:59
  Speaker 1: you're able to heal from that point. Other people may
• 54:02
  Speaker 1: have their judgments about it. And the reason I didn't
• 54:04
  Speaker 1: really talk about assumans because I felt like people would
• 54:08
  Speaker 1: not really understand how I felt about it. I had
• 54:12
  Speaker 1: to get over at first so that if somebody said
• 54:14
  Speaker 1: something off I felt some type of way, I could say, hey,
• 54:17
  Speaker 1: that was then and this is now. You know, So
• 54:21
  Speaker 1: how does a person heal from that? Though, because not
• 54:23
  Speaker 1: only are you reliving that trauma from one miscarriage, you
• 54:27
  Speaker 1: keep getting traumatized because they keep happening, Like, how do
• 54:30
  Speaker 1: you heal from there? You know what? I would always
• 54:33
  Speaker 1: say this, there's always a little part of me that
• 54:35
  Speaker 1: wonders and wishes and says, what if I had children,
• 54:39
  Speaker 1: how my life would be different. However, you get to
• 54:42
  Speaker 1: a place and say that, you know, God just had
• 54:44
  Speaker 1: another thing for me to do. You had another mission
• 54:46
  Speaker 1: for me, and so I had to get to that
• 54:49
  Speaker 1: place first so I could just get to the healing part.
• 54:53
  Speaker 1: But it wasn't easy. I mean, I still have moments
• 54:55
  Speaker 1: where I get emotional about it, where I'm like looking
• 54:58
  Speaker 1: at something like damgn, I wonder how that would have
• 55:00
  Speaker 1: turned out, you know. So yeah, yeah, And you did
• 55:04
  Speaker 1: say you suffered from depression also, right, and ye definitely.
• 55:09
  Speaker 1: Well you think those things were related, was it? Um?
• 55:14
  Speaker 1: I think was an accumulation of things at the time.
• 55:17
  Speaker 1: That's when I had signed off the stuff about the accountant,
• 55:20
  Speaker 1: and it was the babies, and until your money funny,
• 55:22
  Speaker 1: and now I got to be an entertainer. My money's funny,
• 55:26
  Speaker 1: and i'd have been pregnant. Now I got to go perform,
• 55:29
  Speaker 1: and then I'm not getting the same pay grade that
• 55:32
  Speaker 1: I would getting before, and I was agitated and my
• 55:35
  Speaker 1: feelings were hurt. And then your marriage is weird because
• 55:38
  Speaker 1: you become a stranger to that person because now you're
• 55:41
  Speaker 1: out on the road and so y'all don't really get
• 55:42
  Speaker 1: to communicate the way that you really need to communicate.
• 55:45
  Speaker 1: So um, all those things just made it weird for me.
• 55:50
  Speaker 1: What helped you. Um, just saying that I try to
• 55:54
  Speaker 1: wake up. One of my things I do is I
• 55:56
  Speaker 1: write poetry late at night and I keep it to myself.
• 56:01
  Speaker 1: The other things. It's like I journal and I just say, hey,
• 56:05
  Speaker 1: you wake up tomorrow differently, and I kind of us that, like,
• 56:08
  Speaker 1: hey you get a day to go to hell off
• 56:11
  Speaker 1: or feel some type of way. And I isolate. So
• 56:14
  Speaker 1: people always took me and you so animated all the time, right,
• 56:17
  Speaker 1: and I'm like, I know, I said, but I have
• 56:19
  Speaker 1: my client moments too, so sometimes I just take time
• 56:22
  Speaker 1: to myself. CEC. We appreciate you checking in. CC, thank
• 56:25
  Speaker 1: you so much. I thought that was really gonna give
• 56:28
  Speaker 1: me this morning. Now that's never the goal. CC. I
• 56:33
  Speaker 1: thought y'all was gonna give me this morning. And we look.
• 56:40
  Speaker 1: But even if it be excited, it's CC Peniston. We
• 56:43
  Speaker 1: got here, okay, even if it's respecting love though we
• 56:46
  Speaker 1: can only get get you on was out there les
• 56:49
  Speaker 1: making stuff up. Now you get you clean out here. Yeah,
• 56:51
  Speaker 1: you clean you're good wood. Thank you. That's what's up well, Ceci,
• 56:56
  Speaker 1: thank you for joining us a CC Peniston, all right,
• 56:59
  Speaker 1: thanks for having me all wanting everybody is DJ Envy,
• 57:03
  Speaker 1: Angela Yee, Charlomagne, the guy, We all the Breakfast Club.
• 57:06
  Speaker 1: Let's get to the rumors. Let's talk. Kim Kardashian's the team.
• 57:13
  Speaker 1: This is the rumor report with Angela Yee on the
• 57:17
  Speaker 1: Breakfast Club. Yes, So, Kim Kardashian took to social media
• 57:21
  Speaker 1: to let people know what's happening with Kanye. She said,
• 57:24
  Speaker 1: as many of you know, Kanye has bipolar disorder. Anyone
• 57:27
  Speaker 1: who has this, or has a loved one in their
• 57:29
  Speaker 1: life who does, knows how incredibly complicated and painful it
• 57:32
  Speaker 1: is to understand. I've never spoken publicly about how this
• 57:35
  Speaker 1: has affected us at home because I am very protective
• 57:38
  Speaker 1: of our children and Kanye's right to privacy when it
• 57:41
  Speaker 1: comes to his health. But today I feel like I
• 57:43
  Speaker 1: should comment on it. Because of the stigma and misconceptions
• 57:46
  Speaker 1: about mental health. Those that understand mental illness or even
• 57:49
  Speaker 1: compulsive behavior know that the family is powerless unless the
• 57:53
  Speaker 1: member is a minor. So he wants you to know.
• 57:56
  Speaker 1: She wants you to know that living a bipolar disorder
• 57:58
  Speaker 1: does not diminish or invalidate his dreams and his creative ideas,
• 58:01
  Speaker 1: no matter how big or unobtainable. They may fail to
• 58:03
  Speaker 1: some this is part of his genius and as we
• 58:06
  Speaker 1: have all witnessed, many of his dreams have actually come true.
• 58:10
  Speaker 1: And she's absolutely right, you know, And even though Kanye
• 58:13
  Speaker 1: has been diagnosed with bipolar disorder, I don't want, you know,
• 58:17
  Speaker 1: anyone to act like this hasn't always been Kanye West.
• 58:21
  Speaker 1: Exactly what she said is true. The same thing that
• 58:23
  Speaker 1: makes him Kanye is what got people manage him. Now.
• 58:26
  Speaker 1: He's got an album coming off Friday, a movie, a
• 58:28
  Speaker 1: new sneaker. He wants to run for president and he
• 58:30
  Speaker 1: thinks he can win. So he's doing what he always
• 58:32
  Speaker 1: does when he wants to do something, telling the whole
• 58:35
  Speaker 1: world about it in a very grandiose, that ass way.
• 58:40
  Speaker 1: But the Damon Dash is actually with Kanye right now
• 58:45
  Speaker 1: at his Wyoming ranch, and he's saying that Kanye is
• 58:48
  Speaker 1: not crazy. And he said, people think he lost his
• 58:51
  Speaker 1: mind just because he cried the way he lost his
• 58:53
  Speaker 1: mind and jumped on the jet and then jumped off
• 58:55
  Speaker 1: the jet to come back to his forty thousand acre ranch. Yeah,
• 58:59
  Speaker 1: I'd like to lose my mind like that, he said.
• 59:01
  Speaker 1: There's definitely people around him that love him and he's
• 59:03
  Speaker 1: going to be all right. We are praying, we are working.
• 59:05
  Speaker 1: People think like we are in a sane asylum, but
• 59:08
  Speaker 1: we got an album coming out. Yeah. And also, Kanye
• 59:11
  Speaker 1: is a crier. He cried when Virgil you know, became
• 59:15
  Speaker 1: the head of Louis Vauton. He cried when he reunited
• 59:17
  Speaker 1: with you know, kid Cutty on stage. He cried in
• 59:20
  Speaker 1: an interview with Kendrew g on w GCI, I got it. Yeah,
• 59:24
  Speaker 1: it's just so weird that we've been watching It's weird.
• 59:26
  Speaker 1: We've been watching do these things all the time for years,
• 59:30
  Speaker 1: but now when we don't agree with him, he's all
• 59:33
  Speaker 1: of a sudden crazy. No, I wouldn't say that that's
• 59:36
  Speaker 1: the reason why some of the tweets that he put
• 59:38
  Speaker 1: out on his Instagram about his family and I'm trying
• 59:40
  Speaker 1: to lock him up and all that. That just seems
• 59:43
  Speaker 1: like maybe he needs some help, Maybe he needs to hug,
• 59:45
  Speaker 1: maybe he needs to speak to somebody. That doesn't necessarily
• 59:47
  Speaker 1: mean crazy, just means he's going through something right now
• 59:49
  Speaker 1: and he needs help. And his wife said he's bipolar.
• 59:52
  Speaker 1: We know he's bob. Or maybe they just need a
• 59:54
  Speaker 1: marriage counselor maybe some deporting something he's happened or maybe
• 1:00:00
  Speaker 1: you know what I mean, but definitely something. But Damon
• 1:00:02
  Speaker 1: Dasha also said, people watch the rally and think he's crazy,
• 1:00:05
  Speaker 1: but that's how the average person thinks. Everyone that listens
• 1:00:08
  Speaker 1: to him who thinks he's crazy is not a billionaire.
• 1:00:10
  Speaker 1: But some reason, Elon must doesn't think he's crazy. I
• 1:00:13
  Speaker 1: don't think he's crazy. Billionaires don't think it's crazy because
• 1:00:15
  Speaker 1: he talks that billy talk and most people don't talk
• 1:00:18
  Speaker 1: that talk. He speaks like the general to people that
• 1:00:20
  Speaker 1: are generally soldiers. You know. Steve Jobs had one of
• 1:00:24
  Speaker 1: the best quotes about crazy. You know, Steve Jobs says,
• 1:00:27
  Speaker 1: the people who usually change the world are the ones
• 1:00:30
  Speaker 1: who are crazy enough to think that they can do it.
• 1:00:34
  Speaker 1: It's a whole thing on YouTube called the Crazy Ones
• 1:00:36
  Speaker 1: is actually I might post that to Day by the way,
• 1:00:38
  Speaker 1: all right, And Kim Kardashian's a meeting with Meek was
• 1:00:41
  Speaker 1: not a one on one meeting, just the fyi. As
• 1:00:43
  Speaker 1: you know, Kanye tweeted about that that they met at
• 1:00:45
  Speaker 1: the Waldorff Historia. They were joined by Clara Wousai, who,
• 1:00:50
  Speaker 1: as you know, she's one of the nuts, one of them.
• 1:00:54
  Speaker 1: What do they call it. Now, since you don't say ownership,
• 1:00:56
  Speaker 1: what's the way you're supposed to use partnership? Person one
• 1:01:00
  Speaker 1: of the ball and I don't even person yes for
• 1:01:04
  Speaker 1: the nets so she was present as well, So that's it.
• 1:01:09
  Speaker 1: That's just straight insecurity. That's just straight fragile ego that
• 1:01:13
  Speaker 1: you thought your wife couldn't go to a hotel and
• 1:01:17
  Speaker 1: have a meeting with somebody and actually handle business as
• 1:01:20
  Speaker 1: if hotels are not meeting places for a lot of people,
• 1:01:24
  Speaker 1: right Waldorf, Come on, bro, that's all right, now, let's
• 1:01:28
  Speaker 1: discuss it. Drea. She was recently doing an interview with
• 1:01:32
  Speaker 1: Van Leathan and when she was asked about Meg, the
• 1:01:35
  Speaker 1: Stallion and Tory Lanes. Here's what happened. I predict that
• 1:01:39
  Speaker 1: they had some sort of Bobby and Whitney love that
• 1:01:42
  Speaker 1: you know, drove them down this snapped esque type of road,
• 1:01:47
  Speaker 1: and I'm here for it. I like that. I want
• 1:01:49
  Speaker 1: you to like me so much you shoot me in
• 1:01:51
  Speaker 1: a foot two like but what you want you what?
• 1:01:56
  Speaker 1: I want you to like me so much that if
• 1:01:58
  Speaker 1: I'm trying to get out the car and you're like, no,
• 1:02:00
  Speaker 1: sit your nash in the car, and I'm like no,
• 1:02:04
  Speaker 1: I'm getting out the car. No, you're not slew to
• 1:02:08
  Speaker 1: my guy Van Layton. No, but we gotta give my
• 1:02:09
  Speaker 1: my man a sterling brim. That's his podcast. That's Steel
• 1:02:12
  Speaker 1: Little Brimm's podcast. I think it's called a whining weed
• 1:02:16
  Speaker 1: if I'm not thinking, my god, steel, y'all steel from Ridiculousness. Yeah, yeah,
• 1:02:21
  Speaker 1: that's his podcast. What did you think? I think that's
• 1:02:24
  Speaker 1: a terrible thing to say. Nobody wants that. Tests not
• 1:02:27
  Speaker 1: love at all. I would not want that. I would
• 1:02:29
  Speaker 1: never want anybody to do anything like that. And you know,
• 1:02:32
  Speaker 1: Make the Stallion's been very The only thing she has
• 1:02:34
  Speaker 1: said is that she doesn't like these jokes. She's seriously
• 1:02:36
  Speaker 1: going through some trauma, which she would talk about when
• 1:02:39
  Speaker 1: she's good and ready to talk about it. So you know,
• 1:02:42
  Speaker 1: all you can do is say, look, we're just praying
• 1:02:44
  Speaker 1: for Meg. We don't know exactly what happened. And she
• 1:02:47
  Speaker 1: did respond. Make the Stallion took to Twitter and said,
• 1:02:49
  Speaker 1: and f all the whole ass and words making jokes
• 1:02:51
  Speaker 1: about it too. I'll talk about Ish when I get ready,
• 1:02:55
  Speaker 1: dumb bitch that Ish ain't FF and funny who the
• 1:02:57
  Speaker 1: f jokes about getting shot by in word and by
• 1:03:01
  Speaker 1: the way, Dreya did apologize after that, just as an FII.
• 1:03:05
  Speaker 1: She did say that she was sorry and that she
• 1:03:08
  Speaker 1: should not have made a joke about that. I feel
• 1:03:10
  Speaker 1: sorry for anyone dealing with trauma and the social media era.
• 1:03:13
  Speaker 1: You can never properly heal if you keep checking your mentions.
• 1:03:17
  Speaker 1: And yeah, what Drea said was stupid. And the sad
• 1:03:19
  Speaker 1: part about that is if God forbid, a man ever
• 1:03:23
  Speaker 1: violently attacks Dreya, she will get no sympathy from social media.
• 1:03:27
  Speaker 1: In fact, they will be on there saying, oh, that's
• 1:03:30
  Speaker 1: what you wanted, that's what that's what you wish for,
• 1:03:33
  Speaker 1: that's what you like, right. So yeah, well Dreya said
• 1:03:37
  Speaker 1: it was the prediction. Guys, I have no idea what
• 1:03:39
  Speaker 1: really happened, and I hope nothing but the best for
• 1:03:41
  Speaker 1: both of them. And I really shouldn't have been joking
• 1:03:44
  Speaker 1: about it. It's a foul for me. I truly don't
• 1:03:46
  Speaker 1: glorify domestic violence. I was trying to say, just love
• 1:03:49
  Speaker 1: me deeply, but while trying to be funny, I offended many,
• 1:03:52
  Speaker 1: including Meg and I'm sorry she knew that in the moment. Okay,
• 1:03:57
  Speaker 1: by the way, that's a pre tape podcast that could
• 1:03:59
  Speaker 1: have been at it did as well. She could have
• 1:04:00
  Speaker 1: asked for got that taken out. It's not like Van
• 1:04:03
  Speaker 1: didn't correct her in the moment, so she knew it
• 1:04:05
  Speaker 1: was wrong. Van told her they're gonna light your ass up.
• 1:04:08
  Speaker 1: It's gonna go viral. She wanted that out there. She
• 1:04:10
  Speaker 1: got what she wanted. All right, Well, I'm Angela Yee
• 1:04:13
  Speaker 1: and that is your rumor report. All right, thank you,
• 1:04:15
  Speaker 1: miss ye. Charlemagne whore you giving that donkey too? You know,
• 1:04:18
  Speaker 1: I need the presumptive Democratic nominee Joe Biden to come
• 1:04:22
  Speaker 1: to the front of the congregation. We'd like to have
• 1:04:23
  Speaker 1: a world with him. Plice. All right, we'll get into
• 1:04:25
  Speaker 1: that next. Keeping lock this to breakfast club. Good morning,
• 1:04:30
  Speaker 1: it's time for Donkey of the Day. A Democrat, so
• 1:04:35
  Speaker 1: being Dunky of the day a little bit of a mix,
• 1:04:38
  Speaker 1: like a dope day. Now. I've been called a lot
• 1:04:46
  Speaker 1: of my twenty three years, but Donkey of the Day
• 1:04:48
  Speaker 1: is a new wife. Donkey of the Day for Thursday,
• 1:04:50
  Speaker 1: July twenty third goes to the presumptive Democratic nominee for President,
• 1:04:54
  Speaker 1: Joe Biden Vice President Joe Biden. I really wish Joe
• 1:04:58
  Speaker 1: Biden would shut that up. Forever and continue to act
• 1:05:02
  Speaker 1: like he's starring in the movie A Quiet Place, because
• 1:05:05
  Speaker 1: as soon as he opens his mouth and makes noise,
• 1:05:08
  Speaker 1: he gets us all killed. Okay, it's already so many
• 1:05:11
  Speaker 1: people who are reluctantly only voting for Joe Biden because
• 1:05:15
  Speaker 1: he's the only option and because Donald J. Trump is
• 1:05:18
  Speaker 1: that trash. In fact, back in early June, there was
• 1:05:22
  Speaker 1: a poll done that showed out of people who are
• 1:05:25
  Speaker 1: registered to vote and would vote for Biden, thirty seven
• 1:05:29
  Speaker 1: percent are enthused about voting for Biden, but sixty percent
• 1:05:33
  Speaker 1: are more enthused about voting against Trump. Now, on the
• 1:05:38
  Speaker 1: flip side, out of the people who would vote for Trump,
• 1:05:41
  Speaker 1: seventy percent are enthused about actually voting for Donald okay,
• 1:05:47
  Speaker 1: about actually voting for him. The rest just want to
• 1:05:52
  Speaker 1: vote against Biden. Okay. I think it's like twenty seven
• 1:05:55
  Speaker 1: percent or something like that. The moral of the story
• 1:05:57
  Speaker 1: is people aren't enthused about Biden. They just don't like Trump.
• 1:06:00
  Speaker 1: And that's not good. That's not a great motivator. That's
• 1:06:02
  Speaker 1: not something that makes you get up on election day
• 1:06:05
  Speaker 1: and say, hey, I have to vote. And when Joe
• 1:06:07
  Speaker 1: Biden says certain things he caused it's even more of
• 1:06:10
  Speaker 1: a lack of enthusiasm, casing point yesterday, America, it's tired. Okay,
• 1:06:17
  Speaker 1: we're tired, and we're fed up, and we're really fed
• 1:06:19
  Speaker 1: up with old white male leadership. Okay, old white male
• 1:06:23
  Speaker 1: leadership has gotten us to this point. That's the reason
• 1:06:25
  Speaker 1: we're in this situation that we're in right now. Doesn't
• 1:06:28
  Speaker 1: matter if it's Democrat or Republican, local or federal, Old
• 1:06:32
  Speaker 1: white male leadership has failed America. And there's nothing worse
• 1:06:36
  Speaker 1: than an old white male who can't recognize defaults and
• 1:06:40
  Speaker 1: flaws of other old white males. We live in a
• 1:06:43
  Speaker 1: country where everyone now is trying to act soul woke.
• 1:06:46
  Speaker 1: They're acting like they see us. Okay, they are acting
• 1:06:49
  Speaker 1: like they see what's really going on in this country,
• 1:06:52
  Speaker 1: as if the ban has been taken off. And it's
• 1:06:54
  Speaker 1: very hard for me to believe they are sincere simply
• 1:06:57
  Speaker 1: because they won't acknowledge how we got here here, how
• 1:07:01
  Speaker 1: we got here in this position, systemic racism. How we
• 1:07:04
  Speaker 1: got here is systemic oppression. Racism is the American way. Okay.
• 1:07:08
  Speaker 1: Donald Trump is not the first, and sadly he won't
• 1:07:12
  Speaker 1: be the last. All Right, he's just more overt with
• 1:07:16
  Speaker 1: his racism than most presidents we've had in recent times.
• 1:07:19
  Speaker 1: That's that's why when Joe Biden incorrectly refers to Donald
• 1:07:23
  Speaker 1: Trump as America's first racist president, okay, like he did
• 1:07:28
  Speaker 1: yesterday during a virtual town hall hosted by the Service
• 1:07:30
  Speaker 1: Employees International Union, we have to check that immediately. Okay.
• 1:07:35
  Speaker 1: Can't have no revisionist history here. Saying Donald Trump is
• 1:07:37
  Speaker 1: the first racist president is a lie. Okay. It's a
• 1:07:41
  Speaker 1: lie that relinquishes America of all responsibility of its biggest
• 1:07:46
  Speaker 1: Try listen to what Joe Biden said. Please listen what
• 1:07:50
  Speaker 1: President Trump has done. His spreading of racism, the way
• 1:07:54
  Speaker 1: he deals with people based on the color of their scanner,
• 1:07:59
  Speaker 1: national argy, where they're from. It's absolutely sickening. No sitting
• 1:08:04
  Speaker 1: president has ever done this. No Republican president has done this,
• 1:08:07
  Speaker 1: No Democratic president. We've have racist and they've existed, they've
• 1:08:11
  Speaker 1: tried to get elected president. He's the first one that has.
• 1:08:14
  Speaker 1: How are we ever going to atone for America's original
• 1:08:17
  Speaker 1: sins if we don't acknowledge them now. I graduated from
• 1:08:20
  Speaker 1: Berkeley High School in Moss Corner, South Carolina, dropped on
• 1:08:23
  Speaker 1: a clues bound for Berkeley High School. Okay, I graduate
• 1:08:25
  Speaker 1: two years behind scheduled. I was supposed to be class
• 1:08:27
  Speaker 1: in ninety six. I was class in ninety eight. And
• 1:08:29
  Speaker 1: I graduated in nice school. Okay. Got kicked out of
• 1:08:31
  Speaker 1: two high school, two high schools right, Berkeley High School
• 1:08:33
  Speaker 1: and Scrafford High School. So I am not the smartest,
• 1:08:36
  Speaker 1: our strongest avenger. But with my limited formal education, I
• 1:08:41
  Speaker 1: know that the USA may have been founded on the
• 1:08:43
  Speaker 1: idea that all men are created equal, But in the
• 1:08:45
  Speaker 1: eighteenth and nineteenth century that was malarkey, all right, bs,
• 1:08:49
  Speaker 1: How could all men be created equal in a country
• 1:08:51
  Speaker 1: where black people will looked at his three fifths of
• 1:08:53
  Speaker 1: a human being. You didn't even look at us as
• 1:08:55
  Speaker 1: a whole human So how could we ever be equal?
• 1:08:58
  Speaker 1: Not to mention, slave holding was far too common back then,
• 1:09:02
  Speaker 1: all right. In fact, so much so that twelve count them, twelve,
• 1:09:07
  Speaker 1: a whole dozen chief executives, heads of states, presidents, whatever
• 1:09:10
  Speaker 1: you want to call them, owned slaves. How to hell
• 1:09:13
  Speaker 1: can Donald J. Trump be the first racist president in
• 1:09:15
  Speaker 1: a country with twelve presidents before him owned slaves. What
• 1:09:19
  Speaker 1: you're gonna tell me slavery wasn't racist, It was just business.
• 1:09:22
  Speaker 1: Do you want me to grasp the cultural context of
• 1:09:24
  Speaker 1: what the times were missed me with all that slaves
• 1:09:27
  Speaker 1: built the White House? Okay? James Madison, James Monroe, Andrew
• 1:09:30
  Speaker 1: Jackson all owned several dozen slaves. Martin Van Buren, William
• 1:09:35
  Speaker 1: Henry Harrison, John Tyler, and James K. Polk A owned slaves. Okay.
• 1:09:40
  Speaker 1: George Washington, Mister Dollar, Dollabelle y'all alright had three hundred
• 1:09:44
  Speaker 1: male slaves on his plantation. Dude on the nickel, Okay.
• 1:09:47
  Speaker 1: Thomas Jefferson, even though he once called slavery and as
• 1:09:51
  Speaker 1: symbolage of horrors, he had one hundred and seventy five slaves.
• 1:09:54
  Speaker 1: And this is why you can't let them get away
• 1:09:57
  Speaker 1: with saying slavery was just business and the culture was
• 1:10:01
  Speaker 1: different back then. They weren't racist. They were just men
• 1:10:04
  Speaker 1: at the times. No, no, no, dude on the nickel.
• 1:10:07
  Speaker 1: Thomas Jefferson said racism was an assembolage of horrors. They
• 1:10:12
  Speaker 1: knew exactly what they were doing and why and why
• 1:10:15
  Speaker 1: they were doing it. Okay. Zachary Taylor owned one hundred
• 1:10:18
  Speaker 1: and fifty slaves when he was in the White House,
• 1:10:20
  Speaker 1: all right. Andrew Johnson and Ulyssius, as Grant also owned slaves.
• 1:10:25
  Speaker 1: The moral of the story is Donald J. Trump is
• 1:10:27
  Speaker 1: not the first racist president, He's the latest racist president. Like,
• 1:10:31
  Speaker 1: come on, we had presidents who ruled over a country
• 1:10:34
  Speaker 1: where black people, Native Americans, Latinos didn't have to write
• 1:10:37
  Speaker 1: the vote. Andrew Jackson called abolitionists urging black equality unconstitutional
• 1:10:42
  Speaker 1: and wicked. Thomas Jefferson said in his book Notes on
• 1:10:45
  Speaker 1: the State of Virginia, if every black slave would ever freed,
• 1:10:48
  Speaker 1: they should be departed, because he believed black and white
• 1:10:51
  Speaker 1: could not live together peacefully. Woodrow Wilson worked to keep
• 1:10:54
  Speaker 1: blacks out of Princeton University while starving at the school's president,
• 1:10:58
  Speaker 1: and when he became President of the States of America,
• 1:11:01
  Speaker 1: he refused to reverse the segregation of civil service, even
• 1:11:04
  Speaker 1: though he won the White House with the support of
• 1:11:07
  Speaker 1: some black men, even Lyndon B. Johnson, who I would
• 1:11:10
  Speaker 1: like to see Joe Biden be as far as policy
• 1:11:14
  Speaker 1: and legislation when he gets in the White House, even
• 1:11:17
  Speaker 1: Lyndon B. Johnson, who on paper was probably the most
• 1:11:19
  Speaker 1: progressive president in regard of the race relations. Ever, in
• 1:11:22
  Speaker 1: tapes of private conversations, he routinely used racist rhetoric to
• 1:11:26
  Speaker 1: describe black people he appointed to keep positions. You know,
• 1:11:30
  Speaker 1: Joe Biden, I know that you said in twenty twenty,
• 1:11:32
  Speaker 1: if you don't vote for me, you ain't black. It
• 1:11:35
  Speaker 1: seems to me that in the eighteenth and nineteenth century
• 1:11:37
  Speaker 1: you could not be president if you ain't racist. I
• 1:11:40
  Speaker 1: ask again, how will America ever atone for its original
• 1:11:45
  Speaker 1: sins if it won't even acknowledge them. Joe, you gotta
• 1:11:49
  Speaker 1: hurry up and announce your black woman VP so I
• 1:11:51
  Speaker 1: can be enthused about voting for her, because I will
• 1:11:54
  Speaker 1: never be about voting for you. And you know, America
• 1:11:58
  Speaker 1: is in a terrible place when Kanye West seems like
• 1:12:01
  Speaker 1: a viable option. Okay, America, we need a change. I
• 1:12:06
  Speaker 1: don't know how we ended up in a position where
• 1:12:08
  Speaker 1: in November we have to vote for two old white
• 1:12:12
  Speaker 1: males again. Okay, the option is old white male leadership again.
• 1:12:17
  Speaker 1: But we are here and the country is at a
• 1:12:19
  Speaker 1: tipping point. The energy of change is all around us.
• 1:12:22
  Speaker 1: America is going in a new direction. But the ballot
• 1:12:25
  Speaker 1: on November third does not reflect at it at all.
• 1:12:29
  Speaker 1: Could your police give Vice President Joe Biden the presumptive
• 1:12:35
  Speaker 1: Democratic dominee for president in twenty twenty, the biggest he hall.
• 1:12:42
  Speaker 1: All right, well, thank you for that. Donkey Today up next,
• 1:12:46
  Speaker 1: ask ye eight hundred five eight five one oh five one.
• 1:12:49
  Speaker 1: If you need relationship advice, any type of advice, hit
• 1:12:52
  Speaker 1: ye right now. It's the breakfast cloud of morning. What
• 1:12:55
  Speaker 1: what what? What? What you wanna know? Baby Mama issues,
• 1:12:58
  Speaker 1: sneaks and words and wisdom. Call up now for asking
• 1:13:01
  Speaker 1: eight hundred five eight five one five one. Breakfast Club
• 1:13:08
  Speaker 1: the relationship advice, need personal advice, just need real advice?
• 1:13:13
  Speaker 1: Call up now for ask ye. Running. Everybody is DJ Envy, Angela, Yee, Charlomagne,
• 1:13:21
  Speaker 1: Ni Gay. We are the Breakfast Club. Good morning, It's
• 1:13:24
  Speaker 1: time to ask yee. Hello. Who's this? And it's just Frank? Frank,
• 1:13:29
  Speaker 1: what's up? Brother? What's your question for you? So? I'm
• 1:13:32
  Speaker 1: actually with my two friends right here, and we're all
• 1:13:36
  Speaker 1: talking to the same girl and we don't know what
• 1:13:38
  Speaker 1: to do about it. Wait, you guys are all dating her? No,
• 1:13:42
  Speaker 1: Like we all maddened through school and like she's kind
• 1:13:46
  Speaker 1: of leading us all on and we all like her
• 1:13:48
  Speaker 1: and we don't know what to do about it. Yeah,
• 1:13:51
  Speaker 1: it's really not up to y'all. It's up to her. Well,
• 1:13:54
  Speaker 1: I mean, but she's like messing with all of us.
• 1:13:56
  Speaker 1: What do you mean by messing with and leading all? Like?
• 1:13:59
  Speaker 1: What what is she doing? We're like in an entanglement.
• 1:14:04
  Speaker 1: Is she going on dates with any of you? Have
• 1:14:07
  Speaker 1: any of you kissed her? Has it? Okay? And you
• 1:14:11
  Speaker 1: guys have all kissed her? Yeah? Like everything okay? And
• 1:14:16
  Speaker 1: she just hasn't chosen any one of you. Nope. And
• 1:14:19
  Speaker 1: you guys, all three of you would like to be
• 1:14:22
  Speaker 1: in a relationship with her. Yeah, we don't know. We
• 1:14:24
  Speaker 1: don't know how to figure it out, like what to do?
• 1:14:27
  Speaker 1: Like who got her? Well, first of all, it's really
• 1:14:30
  Speaker 1: not your decision. It's her decision, is what it sounds like. Okay,
• 1:14:34
  Speaker 1: So it's not that you don't know what you should do.
• 1:14:37
  Speaker 1: You're waiting to find out what she does. Now, if
• 1:14:39
  Speaker 1: any of you feel like it's affecting your friendship and
• 1:14:42
  Speaker 1: you want to step back and say, you know what
• 1:14:43
  Speaker 1: I'm not doing, it's kind of like there's something about Mary.
• 1:14:46
  Speaker 1: Did you ever see that movie? Yeah, it's kind of
• 1:14:49
  Speaker 1: like that. Is it affecting? Is it affecting your friendship? No,
• 1:14:52
  Speaker 1: we're all kind of chilling, but she's been doing this
• 1:14:55
  Speaker 1: for like a while now, she's not really picking any
• 1:14:57
  Speaker 1: of so well, y'all kind of let we should decide
• 1:15:01
  Speaker 1: like between us, like who the two are going to
• 1:15:03
  Speaker 1: back off? I don't think it's up to you guys.
• 1:15:06
  Speaker 1: It's up to who she likes, and you know, personally,
• 1:15:09
  Speaker 1: like if you are in a one on one situation
• 1:15:11
  Speaker 1: when you're talking to her, you should let her. And now, look,
• 1:15:14
  Speaker 1: I'm not who with this. I feel like you got
• 1:15:16
  Speaker 1: to figure out which one of us you want to
• 1:15:17
  Speaker 1: talk to because two of you could back off and
• 1:15:20
  Speaker 1: the one left could not be the person she wants
• 1:15:21
  Speaker 1: to be with. Well, how fair to us because she's
• 1:15:24
  Speaker 1: just leading us all on. Yeah, but you guys are
• 1:15:26
  Speaker 1: allowing yourselves to be let on. You know what the
• 1:15:28
  Speaker 1: deal is, right, everything's on the table. So that's why
• 1:15:32
  Speaker 1: I wanted to say, two of my friends back off
• 1:15:34
  Speaker 1: and then one together. How do you decide that? Maybe
• 1:15:38
  Speaker 1: like a fight? Listen, it sounds to me like she
• 1:15:44
  Speaker 1: has all the power in this situation. But when you
• 1:15:46
  Speaker 1: are in something like this and the person is being
• 1:15:48
  Speaker 1: honest and you know everything, you can't blame anyone but yourselves.
• 1:15:52
  Speaker 1: So as long as she's being honest with you. You
• 1:15:53
  Speaker 1: know what the deal is. If you want to try
• 1:15:55
  Speaker 1: to hang in there, Maybe it's challenging for you. Maybe
• 1:15:57
  Speaker 1: I really light like that. Whatever it is, the ultimate
• 1:16:00
  Speaker 1: decision is on her, and at least she's not lying,
• 1:16:04
  Speaker 1: so you can say it's leading you on. But you
• 1:16:06
  Speaker 1: know what's happening. If you ask her which one of
• 1:16:08
  Speaker 1: us do you like the best? What does she say?
• 1:16:10
  Speaker 1: She doesn't really answer, She kind of avoids the question.
• 1:16:13
  Speaker 1: All right, how old are you? I'm eighteen? Oh well
• 1:16:17
  Speaker 1: you guys are still young? Well may the best man win?
• 1:16:21
  Speaker 1: May the best man? Could we just fight for her?
• 1:16:23
  Speaker 1: All right? Can you shoot us something on Instagram so
• 1:16:26
  Speaker 1: I can see what all of you look like. I
• 1:16:27
  Speaker 1: want to see who might win this fight? All right?
• 1:16:30
  Speaker 1: But no, but seriously, don't fight over a girl. It's
• 1:16:34
  Speaker 1: just you know, if maybe there's somebody else out there
• 1:16:37
  Speaker 1: for one of you or whatever it is. But right,
• 1:16:39
  Speaker 1: you guys, none of you are in a relationship. Y'all
• 1:16:41
  Speaker 1: all just dating the same girl. And she has the power,
• 1:16:44
  Speaker 1: so more power to her. I guess you're right, all right, guys,
• 1:16:49
  Speaker 1: been doing this forever? Asking ye eight hundred five eight
• 1:16:53
  Speaker 1: five one o five one. If you need relationship advice
• 1:16:55
  Speaker 1: and any type of advice called ye Now, it's the
• 1:16:57
  Speaker 1: breakfast club. Good morning, I conna keep a real wait
• 1:17:01
  Speaker 1: waits up for you. There's some real advice with Angela Ye.
• 1:17:04
  Speaker 1: It's ask ye morning. Everybody is DJ Envy, Angela Yee,
• 1:17:08
  Speaker 1: Charlomagne n Gay. We are the breakfast club. But in
• 1:17:11
  Speaker 1: the middle of ask yee, Hello, who's this? Yeah? What's happening? Man?
• 1:17:15
  Speaker 1: What's going on? What's up? My question is is that, UM,
• 1:17:20
  Speaker 1: me and my showy we've been separated for about seven
• 1:17:22
  Speaker 1: months now, and UM, you know kind of forced me
• 1:17:25
  Speaker 1: to we've been living together and to force me to
• 1:17:28
  Speaker 1: live with family members while we work on our issues.
• 1:17:31
  Speaker 1: But I've been still paying our bills, still paying ranch,
• 1:17:33
  Speaker 1: still doing this in out of there. But che want
• 1:17:35
  Speaker 1: let me back in the house. I won't let you know,
• 1:17:38
  Speaker 1: give me any leeway to make it seem like you
• 1:17:40
  Speaker 1: want to get better. I just want to know when
• 1:17:42
  Speaker 1: when it is a point where I gotta say enough
• 1:17:44
  Speaker 1: is enough and I have to just focus on myself. Um.
• 1:17:47
  Speaker 1: We have a one year old together. UM, I try
• 1:17:50
  Speaker 1: to keep our family together, but it just doesn't seem
• 1:17:52
  Speaker 1: like that's not what she's interested in shows, keeps saying,
• 1:17:55
  Speaker 1: I just need to find myself. Things haven't been happy
• 1:17:59
  Speaker 1: for me, and the past year I try to do
• 1:18:01
  Speaker 1: everything that I possibly can as a man to make
• 1:18:03
  Speaker 1: her feel loved supported, make her feel like a woman.
• 1:18:08
  Speaker 1: But it's just you know, you wine and dine. I'm
• 1:18:11
  Speaker 1: doing all these things, and it seems like it's getting nowhere.
• 1:18:13
  Speaker 1: And you know, we're not intimate in the past several months.
• 1:18:17
  Speaker 1: I've held it down for the past seven months. You're
• 1:18:19
  Speaker 1: trying to let her know how much I love her
• 1:18:20
  Speaker 1: and I support her, But one is a enough for you.
• 1:18:23
  Speaker 1: Yere one year old lives with her right well, actually,
• 1:18:26
  Speaker 1: you know, it's kind of crazy since she's finding herself.
• 1:18:30
  Speaker 1: Our daughter's kind of been with me for the past
• 1:18:32
  Speaker 1: two and a half months, so it's kind of been weak,
• 1:18:35
  Speaker 1: the weak type of thing. And then it kind of
• 1:18:37
  Speaker 1: shifted to where she's kind of been with me for
• 1:18:40
  Speaker 1: the past two months and your child is only only one.
• 1:18:44
  Speaker 1: Do you feel like she's gone through like maybe some
• 1:18:46
  Speaker 1: postpartum depression. M Well, you know, obviously, you know I didn't.
• 1:18:50
  Speaker 1: I didn't play the best part in it, you know,
• 1:18:52
  Speaker 1: like I said, you know, I made my mistakes. Um
• 1:18:55
  Speaker 1: you know, Um, yeah, you know, I made my mistakes. Um.
• 1:18:58
  Speaker 1: You know. I'm not going to say like I che
• 1:19:00
  Speaker 1: but you know, I maybe kind of fiddled around it,
• 1:19:02
  Speaker 1: maybe has some text messages that probably shouldn't have been
• 1:19:05
  Speaker 1: you know, been spoken about. But um, and when did
• 1:19:08
  Speaker 1: this happen? This happened about three years ago. Okay, so
• 1:19:13
  Speaker 1: she's kind of just been holding on to something that
• 1:19:16
  Speaker 1: has been bothering her for the past three years. And
• 1:19:18
  Speaker 1: trust me, I've been in that doghouse then. So I've
• 1:19:22
  Speaker 1: just been doing the best that I can to just
• 1:19:24
  Speaker 1: not ever have to worry about looking back in the
• 1:19:26
  Speaker 1: past and focus on trying to better the future. But
• 1:19:29
  Speaker 1: I just don't know where to the point where I
• 1:19:31
  Speaker 1: have to say, you know what, even though I love
• 1:19:32
  Speaker 1: this woman so much, it's financially hurting me because not
• 1:19:37
  Speaker 1: only am I living with a family member that I'm
• 1:19:39
  Speaker 1: splitting bills with here, but I'm also paying for her
• 1:19:42
  Speaker 1: bills and makes her she's straight as well. But she
• 1:19:44
  Speaker 1: won't let me back in the house. She doesn't want to.
• 1:19:47
  Speaker 1: You know, have you guys tried to get professional help,
• 1:19:49
  Speaker 1: like go to therapy together? You know, it's so crazy
• 1:19:52
  Speaker 1: you know, it's like I've even came to her and
• 1:19:54
  Speaker 1: I was like, you know, what, what can I possibly
• 1:19:56
  Speaker 1: do to show you how much I care. Actually, a
• 1:19:58
  Speaker 1: family friend told me that him and his girlfriend went
• 1:20:01
  Speaker 1: through a certain situation and she mentioned therapy and he
• 1:20:04
  Speaker 1: thought it was mad corny to be completely real with you,
• 1:20:07
  Speaker 1: but he gave it a try, and he said that
• 1:20:09
  Speaker 1: was probably one of the best things that's ever happened
• 1:20:11
  Speaker 1: in their relationship was for them to talk to somebody
• 1:20:15
  Speaker 1: their problems. And I mentioned it to her, and she's
• 1:20:18
  Speaker 1: just a very I don't want to say, a very
• 1:20:23
  Speaker 1: independent person where she feels like she don't need to
• 1:20:25
  Speaker 1: talk to anybody about her problems. But you know what,
• 1:20:28
  Speaker 1: I was trying to do anything that I possibly could
• 1:20:31
  Speaker 1: to just show her that I was willing to make
• 1:20:33
  Speaker 1: it work. Well, you know what, maybe maybe she needs
• 1:20:36
  Speaker 1: to go and individually herself first, you know, just to
• 1:20:40
  Speaker 1: sift through some things that might be really personal to her.
• 1:20:43
  Speaker 1: And you should actually get a reference from your friend
• 1:20:46
  Speaker 1: whoever they used that was beneficial and see if she
• 1:20:50
  Speaker 1: can start going on her own. And it could be
• 1:20:52
  Speaker 1: through Zoom. Right now, I know a lot of people
• 1:20:53
  Speaker 1: are doing tele mental health things right now, so she
• 1:20:57
  Speaker 1: doesn't even have to leave the house to do that
• 1:20:59
  Speaker 1: and see if that can help. But it could be
• 1:21:01
  Speaker 1: some postpartum depression as well. You know, she has a
• 1:21:03
  Speaker 1: one year old, and it might be something that she
• 1:21:05
  Speaker 1: hasn't even been able to identify herself. And I think
• 1:21:08
  Speaker 1: it's great that you've been supportive. You know what your
• 1:21:10
  Speaker 1: role is and you know you guys having issues in
• 1:21:12
  Speaker 1: the relationship. Now time to fix these things. And you know,
• 1:21:16
  Speaker 1: I think that she should definitely get some professional help.
• 1:21:20
  Speaker 1: And then as a family, you guys need to do
• 1:21:22
  Speaker 1: that because you have a one year old, so more
• 1:21:24
  Speaker 1: than us it being about your relationship with her, it's
• 1:21:26
  Speaker 1: about your relationship as a family. So whether or not
• 1:21:29
  Speaker 1: you guys will end up together, you want to make
• 1:21:31
  Speaker 1: sure that you can function for the sake of this child, absolutely,
• 1:21:35
  Speaker 1: and so I would approach it that way. And maybe
• 1:21:38
  Speaker 1: a better approach is also not necessarily trying to repair
• 1:21:41
  Speaker 1: the relationship, but for her to be able to figure
• 1:21:43
  Speaker 1: out what it is that she needs to change, she
• 1:21:45
  Speaker 1: needs to find herself. So maybe as an individual, she
• 1:21:49
  Speaker 1: needs to figure out her happiness and what is really
• 1:21:52
  Speaker 1: bothering her, And it could be postpartum, and those are
• 1:21:55
  Speaker 1: things that she needs to work out on her own
• 1:21:57
  Speaker 1: before she can even be part of a relationship. I
• 1:21:59
  Speaker 1: always feel like, as individuals, we need to be comfortable
• 1:22:01
  Speaker 1: in ourselves before we can be with someone else. Should
• 1:22:05
  Speaker 1: I look should I even look forward to even trying
• 1:22:07
  Speaker 1: to return back to the home. It sounds like she's
• 1:22:09
  Speaker 1: the one that really really needs some support right now.
• 1:22:11
  Speaker 1: And with the woman's patty and her hormones and everything
• 1:22:14
  Speaker 1: that she's going through from having had a baby not
• 1:22:16
  Speaker 1: that long ago, it could be something that is really difficult.
• 1:22:19
  Speaker 1: And I think it's just important for you to be
• 1:22:21
  Speaker 1: supportive of her right now because it feels like she's
• 1:22:24
  Speaker 1: the one really in need. And I understand financially, you
• 1:22:27
  Speaker 1: know it's been hard and it's been a struggle for you.
• 1:22:29
  Speaker 1: But this is a period of time right now where
• 1:22:31
  Speaker 1: she needs your support the most, and the support should
• 1:22:33
  Speaker 1: come in the form of I just want you to
• 1:22:36
  Speaker 1: feel good. It's not even about Sometimes we sacrifice that
• 1:22:39
  Speaker 1: for periods of time, right because you want her to
• 1:22:41
  Speaker 1: feel better. So I think in this situation, it's more
• 1:22:43
  Speaker 1: about her. I just so basically I just got to
• 1:22:46
  Speaker 1: focus on just making sure that it's not my time. Yeah,
• 1:22:49
  Speaker 1: make sure. Let's just get her back to being happy,
• 1:22:52
  Speaker 1: because she's told you specifically that she needs help and
• 1:22:55
  Speaker 1: she needs to find herself. So because of that, it's
• 1:22:58
  Speaker 1: not really about you at this time. And it could be,
• 1:23:00
  Speaker 1: like I said, something she hasn't identified. So let's identify
• 1:23:03
  Speaker 1: what that is. Let's get professional help for her, and
• 1:23:05
  Speaker 1: you just be supportive. And it's not about when are
• 1:23:07
  Speaker 1: we're gonna be together. I'm paying these bills. I'm going
• 1:23:09
  Speaker 1: to be back in the house, you know. I think
• 1:23:11
  Speaker 1: that I'll just make it even worse if you bring
• 1:23:12
  Speaker 1: those things up. Right now, I respect that, I appreciate you,
• 1:23:16
  Speaker 1: all right, all right, be a good man, you got
• 1:23:19
  Speaker 1: this all right, all right, thank you. You'll have a
• 1:23:21
  Speaker 1: good deal, all right, ask ye eight hundred five eight
• 1:23:24
  Speaker 1: five one oh five one. We got rumors on a wigi. Yes,
• 1:23:27
  Speaker 1: Jay Cole has two new songs out, just like he promised.
• 1:23:30
  Speaker 1: We got those previews for you, all right. We'll get
• 1:23:32
  Speaker 1: into that next. It's the Breakfast Club, Good Morning, the
• 1:23:35
  Speaker 1: Breakfast Club Blister. It's just say, oh gosh, reports angel
• 1:23:45
  Speaker 1: Angela's Report Club. Yes, so it looks like Dave franco
• 1:23:50
  Speaker 1: Is going to be playing rapper Vanilla Ice. That biopic
• 1:23:54
  Speaker 1: is called so Far to the Extreme. That's the working
• 1:23:56
  Speaker 1: title right now. From my high school dropout selling car
• 1:24:00
  Speaker 1: in Dallas to having the first hip hop single to
• 1:24:02
  Speaker 1: top the Billboard charts with Ice Ice Baby, a young
• 1:24:05
  Speaker 1: Vanilla Ice struggles with stardom, extortion attempts, and selling out
• 1:24:09
  Speaker 1: as he makes music history. Hey man, I'm here for that.
• 1:24:13
  Speaker 1: My first reaction is not right now, but no, I'm
• 1:24:16
  Speaker 1: here for that. We all owned two the Extreme and
• 1:24:18
  Speaker 1: A Vanilla Ice had a had had a couple of records.
• 1:24:21
  Speaker 1: I really liked the Ice Sized Baby is a tough tune.
• 1:24:24
  Speaker 1: But boy, that Goddamn Ninja rap off the Teenage Mutant
• 1:24:27
  Speaker 1: Ninja Turtle soundtrack, Now that was fire dropping the clues
• 1:24:30
  Speaker 1: bombs for Goddamn Ninja rap Baby, Nja rap O, Golden
• 1:24:34
  Speaker 1: Golden Ninja, Go Go go, remember I do remember, Yo,
• 1:24:38
  Speaker 1: It's the Green Machine gonna rock to town without being seen?
• 1:24:41
  Speaker 1: Have you ever seen a Turtle get down slamming and
• 1:24:43
  Speaker 1: jamming to the new swing sound? Didn't? I didn't like that,
• 1:24:50
  Speaker 1: But you know, I don't know that much about Vanilla
• 1:24:52
  Speaker 1: Ice other than he had that one huge hit song,
• 1:24:55
  Speaker 1: and I think Shug Knight extarted him or try to be. Yeah,
• 1:25:02
  Speaker 1: I'll be interested to see this, And they said it'll
• 1:25:04
  Speaker 1: be kind of like how they took a liking to
• 1:25:07
  Speaker 1: The Disaster Artist, which I thought that movie was hilarious.
• 1:25:10
  Speaker 1: So I mean, as long as you don't get a
• 1:25:12
  Speaker 1: theatrical release, you know what I'm saying. As long as
• 1:25:15
  Speaker 1: it's something like a maid for TV movie, I'm fine
• 1:25:17
  Speaker 1: with that. If it gets like a big budget theatrical release,
• 1:25:20
  Speaker 1: I'm screaming white privilege, Oh goddamn day. Okay, but I'm
• 1:25:25
  Speaker 1: sure it'll bring up a lot of issues about like
• 1:25:26
  Speaker 1: a white rapper topping the hip hop charts and all
• 1:25:29
  Speaker 1: of those things. So I think it'll be interesting all right. Now.
• 1:25:32
  Speaker 1: J Cole has put out two new singles, just like
• 1:25:34
  Speaker 1: he promised from his new album, The Falloff, titled their
• 1:25:39
  Speaker 1: colewer Street, The Climbback and Lion King on Ice. So
• 1:25:44
  Speaker 1: let's hear a snippet from The Climback. Hey Saint, comeback
• 1:25:48
  Speaker 1: around full circle wide? Or lie sound pleasant? What the truth? Hurtful?
• 1:25:53
  Speaker 1: Everybody gotta cry once in a whip, But hollo will
• 1:25:56
  Speaker 1: it take for you? Slap? This is that come back
• 1:25:59
  Speaker 1: to light my to getick me up, and we gonna
• 1:26:01
  Speaker 1: light the city up as if the sun had the
• 1:26:04
  Speaker 1: knife and painting hand read for myne found head too soon. Yeah,
• 1:26:09
  Speaker 1: to the left of that decimal. I need seven figures
• 1:26:12
  Speaker 1: to play the joint. Turn up your decibol Pepa decimator joint.
• 1:26:16
  Speaker 1: Check out my projects like the workers detection native points.
• 1:26:19
  Speaker 1: Then you'll see how I flipped like exclamation points. So
• 1:26:22
  Speaker 1: I'll go m And here is Lion King on Ice
• 1:26:26
  Speaker 1: dedication on another eleven never seen in their life, celebrating
• 1:26:30
  Speaker 1: all your first down like it touched down to bring
• 1:26:32
  Speaker 1: a price. Young Simon had to bust down. You're the
• 1:26:35
  Speaker 1: lion King on Ice. I just wanted me to look
• 1:26:38
  Speaker 1: the part. I had to stop taking that vice. But
• 1:26:40
  Speaker 1: the journey to the side had to find me. He
• 1:26:42
  Speaker 1: had to find guy has to tie. We be passified
• 1:26:44
  Speaker 1: within bat from us. But that's touch of us, that's
• 1:26:46
  Speaker 1: the least of us. I need y'all to see every
• 1:26:48
  Speaker 1: bothered me, every star and every artery, every story that
• 1:26:51
  Speaker 1: I can recall, then I can fall. I got blood
• 1:26:54
  Speaker 1: on my hand, I ain't gonna lie. I got hurt
• 1:26:57
  Speaker 1: on my shoe. I ain't gonna lie all right, that
• 1:27:03
  Speaker 1: sounds dope as well. I haven't listened to either, and
• 1:27:05
  Speaker 1: this entirety, I have to be in a mood to
• 1:27:08
  Speaker 1: listen to. J Cole sot him too. It sounds pretty
• 1:27:11
  Speaker 1: dope though, So he posted it and he says available now,
• 1:27:15
  Speaker 1: so you already know. So let's see how this goes
• 1:27:18
  Speaker 1: because I see now people are like, Okay, Kendrick, you
• 1:27:21
  Speaker 1: see what Jay Coole did. Give us some music, and
• 1:27:23
  Speaker 1: people are really hungry for music right now. I am
• 1:27:27
  Speaker 1: definitely anticipating the new Kendrick Lamar album. Kendrick Lamar is
• 1:27:31
  Speaker 1: to me the leader of the new school when it
• 1:27:33
  Speaker 1: comes to this due generation. I know people like Draking,
• 1:27:36
  Speaker 1: those guys sell more, get more radio played, but Kendrick
• 1:27:39
  Speaker 1: is that guy to me, So I'm looking forward to
• 1:27:40
  Speaker 1: a new Kindrick. Kendrick and Rapsody are my favorite rappers
• 1:27:43
  Speaker 1: of the past decade. Kendrick and raps all right now.
• 1:27:46
  Speaker 1: Phaedria Parks says her business is booming amid coronavirus. She
• 1:27:50
  Speaker 1: talked to pay six podcasts we hear and she said
• 1:27:53
  Speaker 1: it's going great because you know, she's a mortician, so
• 1:27:56
  Speaker 1: that mortician businesses is doing amazing. She said, I'm not
• 1:28:00
  Speaker 1: a physician. However, I do have a mortuary. And I'll
• 1:28:03
  Speaker 1: tell you this. Normally in the summer months, we're waiting
• 1:28:05
  Speaker 1: for a boating accident or a motorcycle crash, because otherwise
• 1:28:08
  Speaker 1: we're pretty empty. She said, we are a jam packed
• 1:28:10
  Speaker 1: to be working like it's our heaviest season. So I
• 1:28:13
  Speaker 1: tell people when they say it's a joke, it's not
• 1:28:15
  Speaker 1: that big of a deal. Well, let me put it
• 1:28:16
  Speaker 1: to you in real terms. I'm getting seventeen calls a
• 1:28:19
  Speaker 1: day for pickups and that's at one location last week,
• 1:28:22
  Speaker 1: all of the people were under fifty nine. Damn. I mean,
• 1:28:25
  Speaker 1: it sounds horse but a sad but she's yeah, she's profiting,
• 1:28:30
  Speaker 1: but it's sad. Man. People die. That's just the reality
• 1:28:33
  Speaker 1: of the world that we live in. And we need mortuaries.
• 1:28:36
  Speaker 1: So you need mortuaries. You're never going to be a mortuary. Yeah,
• 1:28:41
  Speaker 1: not at all. All right, Real Househoves of Atlanta. In
• 1:28:44
  Speaker 1: the meantime, it's filming again, even with coronavirus, and they're
• 1:28:47
  Speaker 1: taking all kinds of precautions for safety. So some of
• 1:28:51
  Speaker 1: the things that they're doing is are doing temperature checks
• 1:28:53
  Speaker 1: every day, that's for cast and crew members. If anybody
• 1:28:56
  Speaker 1: has any coronavirus symptoms or a fever of one hundred
• 1:28:59
  Speaker 1: point for are higher, they cannot film, plain and simple,
• 1:29:03
  Speaker 1: and the show showrunners are implementing things to keep people safe.
• 1:29:07
  Speaker 1: The plan is to film the housewives themselves in more
• 1:29:09
  Speaker 1: outdoor locations rather than indoors if they can help it,
• 1:29:13
  Speaker 1: and it'll keep away from large crowds and stick to
• 1:29:15
  Speaker 1: their immediate families as much as possible. And it's only
• 1:29:17
  Speaker 1: going to be essential crew members around like camera people
• 1:29:20
  Speaker 1: here and make up, and they will only be around
• 1:29:23
  Speaker 1: when absolutely necessary. You know, I think we're taking to
• 1:29:26
  Speaker 1: people's temperature. It really doesn't. You know, there's so many
• 1:29:28
  Speaker 1: people that have it that have no symptoms, so that
• 1:29:31
  Speaker 1: taking temperature is it's kind of like a protocol. But
• 1:29:35
  Speaker 1: I'm sure there's so many people out there that have
• 1:29:37
  Speaker 1: it that don't have a temperature that got spread that thing.
• 1:29:39
  Speaker 1: So it's you got to be safe. Even when my
• 1:29:41
  Speaker 1: son goes to practice and they take a temperature every
• 1:29:43
  Speaker 1: day and I'm like, yeah, but some of them kids
• 1:29:45
  Speaker 1: might happen have no temperature, But I guess it's one indication,
• 1:29:48
  Speaker 1: so you can meet out some people that might have it,
• 1:29:51
  Speaker 1: they have the two day coronavirus test too too. I
• 1:29:53
  Speaker 1: mean a lot of TV tapings that are happening, I
• 1:29:56
  Speaker 1: will say, man, a lot of the TV tap tapings
• 1:29:58
  Speaker 1: that I'm supposed to do. It does slow it down
• 1:30:01
  Speaker 1: because it makes you realize what's important. It's things that
• 1:30:05
  Speaker 1: I'm supposed to go tape and I'm like, no, I
• 1:30:07
  Speaker 1: don't want to go anywhere because you pull up somewhere,
• 1:30:09
  Speaker 1: you do a coronavirus test and give it back to you.
• 1:30:11
  Speaker 1: Now you got a quarantine for fourteen days. I'm cool. Well,
• 1:30:14
  Speaker 1: when we did when we were in Ohio, that was
• 1:30:16
  Speaker 1: a fifteen minute one. So you get your results back
• 1:30:19
  Speaker 1: in fifteen minutes. Did they stick it in your nose?
• 1:30:22
  Speaker 1: That's that's the way they stuck in your nose. And yep,
• 1:30:25
  Speaker 1: and let me tell you something. Was thinking about it. No,
• 1:30:29
  Speaker 1: I'm good, And let me tell you something. It was
• 1:30:32
  Speaker 1: like a very nervous fifteen minutes for us as we
• 1:30:35
  Speaker 1: were waiting to get those results, because I was like, lawya,
• 1:30:37
  Speaker 1: please don't make me have to go to a hotel
• 1:30:39
  Speaker 1: and quarantine for fourteen days, because then you can't even
• 1:30:41
  Speaker 1: travel and get back on the road. That's why I quarantine.
• 1:30:45
  Speaker 1: That's that's why I would never ever take one of
• 1:30:48
  Speaker 1: them fast HIV age results test. I'm old school. I
• 1:30:50
  Speaker 1: took mine back in Wait two weeks. You got time
• 1:30:53
  Speaker 1: to pray. Those are a pay right now effective? Yes,
• 1:30:58
  Speaker 1: right away you find out I just did win a
• 1:31:00
  Speaker 1: couple of months ago. I do it every few months,
• 1:31:03
  Speaker 1: just because we do our HIV testing at the Juice
• 1:31:05
  Speaker 1: Bar twice a year. Time. You give God some time
• 1:31:09
  Speaker 1: to correct your wrong All right, Well, I'm Angela Yee
• 1:31:14
  Speaker 1: and that is your rumor report. We're not gonna four
• 1:31:18
  Speaker 1: four dogs dogs four two dog two dog. He's from Detroit. Okay,
• 1:31:25
  Speaker 1: you want to talk about that fake story. Oh it's fake. Yes,
• 1:31:29
  Speaker 1: he wasn't what he's saying it. Oh okay, because there was.
• 1:31:33
  Speaker 1: He was. He had a lyric where he said that
• 1:31:34
  Speaker 1: what they said he said I was. I was just
• 1:31:41
  Speaker 1: gonna come to his defense and said, look, we just
• 1:31:43
  Speaker 1: watched Snoop DOGG and DMX last night. Four two ducks
• 1:31:47
  Speaker 1: sounds like a nineties rapper to me, because even if
• 1:31:49
  Speaker 1: that was, even if they said what he said, he said,
• 1:31:52
  Speaker 1: can you really beat all your man's that have been
• 1:31:55
  Speaker 1: the jail before us stuck to my and you capt
• 1:31:57
  Speaker 1: remind me of a script club every time you come around.
• 1:31:59
  Speaker 1: I just got to get my duck. Can you really
• 1:32:02
  Speaker 1: come on? Come on now, let's not just somebody somebody
• 1:32:05
  Speaker 1: dicted the song and did that just to be funny,
• 1:32:08
  Speaker 1: so that's not what the song really is. Nobody, what
• 1:32:12
  Speaker 1: are you thinking about Charlomagne today? What are you thinking
• 1:32:14
  Speaker 1: about this morning? Nothing? I just don't like when they
• 1:32:17
  Speaker 1: give the young kids flak for things that are are
• 1:32:20
  Speaker 1: our guys from our generation. Did okay? And that was doctor,
• 1:32:24
  Speaker 1: So shout out the U twenty four Dougie what's his
• 1:32:27
  Speaker 1: name for a too doug too dog? All right, well,
• 1:32:32
  Speaker 1: that is your room of report, Revolte. We'll see you tomorrow.
• 1:32:34
  Speaker 1: Everybody else to People's Choice mixes up. Next, it's the
• 1:32:36
  Speaker 1: Breakfast Club. God, morning morning. Everybody is cj Envy Angela Ye,
• 1:32:41
  Speaker 1: Charlomagne the guy. We are the Breakfast Club Now. I
• 1:32:45
  Speaker 1: shout to CC Peniston for joining us. Yes and listen,
• 1:32:52
  Speaker 1: Sloot the DM Mexus Snoop DOGG, Swiss Beach, Timberland for
• 1:32:56
  Speaker 1: a great versus last night. Um. Some of your favorite
• 1:32:59
  Speaker 1: problematic rap tunes rang off last night. I got a
• 1:33:02
  Speaker 1: salute Snoop Dog for having the courage to play bitches
• 1:33:06
  Speaker 1: ain't but oh I'm sorry, but yeah that that song. Okay,
• 1:33:11
  Speaker 1: and twenty and also, man, you gotta give DMX courage
• 1:33:15
  Speaker 1: for doing Where the Hood At in two thousand and twenty.
• 1:33:18
  Speaker 1: I just encourage y'all to go read the lyrics to
• 1:33:22
  Speaker 1: the first verse of Where the Hood At? All. Right,
• 1:33:26
  Speaker 1: that's all, let's go. Just go read the first verse. Okay,
• 1:33:31
  Speaker 1: that's it, Dmax, Where the Hood? That read the first
• 1:33:33
  Speaker 1: verse and then then then get back to me. I
• 1:33:37
  Speaker 1: give them both courage for letting them problematic rap tunes
• 1:33:39
  Speaker 1: play off. Okay, hip hop was much better when it
• 1:33:42
  Speaker 1: was problematic. Let me think of these verses. I think
• 1:33:45
  Speaker 1: we'll always think about this pandemic too, just how it
• 1:33:48
  Speaker 1: all started and blew up during this time. It's really,
• 1:33:51
  Speaker 1: I think, been something that's been such a bonding experience
• 1:33:53
  Speaker 1: for people. And then you know that you know, the
• 1:33:56
  Speaker 1: reinforces it reinforces that appreciation of people because I think
• 1:33:59
  Speaker 1: that you know, this pandemic has made us all appreciate
• 1:34:02
  Speaker 1: life more, not just our own, but the people we
• 1:34:04
  Speaker 1: love and care for. And that's what this Versus does
• 1:34:06
  Speaker 1: it makes you appreciate these artists that we grew up on.
• 1:34:09
  Speaker 1: It really, you know, certifies these these these legends, these
• 1:34:13
  Speaker 1: icons in a real way. So yes, salute to versus.
• 1:34:18
  Speaker 1: And I also want to shout out every everybody where
• 1:34:20
  Speaker 1: I'm at because I'm actually in Mexico right now and
• 1:34:23
  Speaker 1: imply a Del Carmen and I'm at the Fives Beach Hotel.
• 1:34:27
  Speaker 1: But I'm out here because Rohan Marley is opening up
• 1:34:29
  Speaker 1: a beach house, the Roll Marley Beach House, at another
• 1:34:31
  Speaker 1: Five's location that they're doing the grand opening for, so
• 1:34:34
  Speaker 1: it's not even open yet, so we'll be there, and
• 1:34:38
  Speaker 1: you know, I'm just happy to be here. It's an
• 1:34:40
  Speaker 1: amazing experience. I was kind of like not being able
• 1:34:44
  Speaker 1: to go on vacation. You know, I don't have like
• 1:34:46
  Speaker 1: a huge backyard outdoor area, so it's been nice to
• 1:34:49
  Speaker 1: be here, able to go on my little rooftop and
• 1:34:52
  Speaker 1: lay out and have a little pool here. So it's
• 1:34:54
  Speaker 1: been really nice to just kind of get away. I
• 1:34:57
  Speaker 1: was a little apprehensive about it, but I think with
• 1:35:00
  Speaker 1: all the precautions people are taking, you know, and then
• 1:35:02
  Speaker 1: I can go home and I live by myself, so
• 1:35:04
  Speaker 1: I can quarantine when I leave here, so I feel good.
• 1:35:07
  Speaker 1: I'm happy, all right, Well, when we come back, we
• 1:35:10
  Speaker 1: got the positive note. It's the Breakfast Club. Good mornings,
• 1:35:15
  Speaker 1: DJ Envy, Angela Yee, Charlomagne, the guy. We are the
• 1:35:18
  Speaker 1: Breakfast Club. Now, Charlemagne, you got a positive note for
• 1:35:21
  Speaker 1: the people I do. Man, I want to tell y'all
• 1:35:25
  Speaker 1: I have two that I want to do, actually, but
• 1:35:27
  Speaker 1: I'm just gonna go at one. I love and approve
• 1:35:29
  Speaker 1: of myself. I want people to say that to themselves
• 1:35:32
  Speaker 1: right now. Say it, repeat after me. I love and
• 1:35:34
  Speaker 1: approve of myself. I appreciate all that I do. I
• 1:35:38
  Speaker 1: am good enough just as I am. I speak up
• 1:35:41
  Speaker 1: for myself. I ask for what I want. I claim
• 1:35:43
  Speaker 1: my power. Say that to yourself three times to dead people,
• 1:35:47
  Speaker 1: Breakfast Club. I'm finish for y'all, dumb