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80: Top 10 Denzel Movies | #thebaldbrotherspodcast · The Bald Brothers Podcast

• 0:01
  Speaker 1: Red added, what up, y'all. My name is Kevin Allen Fredericks.
• 0:06
  Speaker 1: This is Anthony Charles Baker. This is the Ball brother Podcast.
• 0:11
  Speaker 1: Me and Tone like the wax poetic on whatever we want,
• 0:15
  Speaker 1: movie centric, movie have it because we like movies and
• 0:17
  Speaker 1: television program today. And we're just gonna say this up front.
• 0:23
  Speaker 1: It's gonna be tough, y'all, gonna be upset. It's okay,
• 0:27
  Speaker 1: top ten Denzel movies. Okay, okay, Now I want to
• 0:33
  Speaker 1: say this real quick. When we do top ten, it
• 0:35
  Speaker 1: can't be either of our favorite tens. Really only getting.
• 0:38
  Speaker 2: Five, yeah, alright, bringing five ease to five. Then we're
• 0:42
  Speaker 2: not even really in order. We just be told.
• 0:44
  Speaker 1: We just be talking and you can't. We ain't saying
• 0:49
  Speaker 1: in order, man, We're just saying. These are the top
• 0:51
  Speaker 1: ten Denzel movies. Tony Jump Out First.
• 0:54
  Speaker 3: Malcolm X, Out the Gate, Malcolm X.
• 0:59
  Speaker 4: I Am Malcom X.
• 1:01
  Speaker 2: Yes, Malcolm X is a tremendous piece, tremendous performance, tremendous film,
• 1:07
  Speaker 2: so good, so great, still good, still great, And it's
• 1:12
  Speaker 2: just Denzel's performance.
• 1:13
  Speaker 3: It was like you believed him.
• 1:17
  Speaker 1: This is Malcolm X. I don't think that's even been
• 1:20
  Speaker 1: there's been other Malcolm X's. I think the last one
• 1:24
  Speaker 1: was Once Upon a Time Miami. Yes, a full Malcolm
• 1:29
  Speaker 1: X movie, right right, you know.
• 1:31
  Speaker 3: What I'm saying.
• 1:31
  Speaker 2: He's also Malcolm X is also on Godfather Harlem on
• 1:35
  Speaker 2: the regular.
• 1:35
  Speaker 4: Yes, I like that dude.
• 1:37
  Speaker 1: He looks a lot like he's in Ali as Ali
• 1:40
  Speaker 1: as well. But that's Malcolm X is the Malcolm X movie.
• 1:44
  Speaker 1: Get your hand out my Pocket? Yeah, for sure, Malcolm X.
• 1:47
  Speaker 1: That brother starting tremendous piece. I love I love how
• 1:52
  Speaker 1: they just showed us his transition d Detroit Red, Detroit Red. Yeah,
• 1:57
  Speaker 1: Malcolm X until he was falling out with the nation.
• 2:00
  Speaker 1: You know what I'm saying. We learned it actually read
• 2:02
  Speaker 1: his biography because of the movie. I learned My first
• 2:05
  Speaker 1: big learning about him was from the.
• 2:07
  Speaker 3: Movie because you realize how human he was.
• 2:10
  Speaker 2: Yeah, It's just like, yo, this this dude was a
• 2:12
  Speaker 2: human being because, like you know, you look at it
• 2:14
  Speaker 2: from the surface, he just looked like an angry black
• 2:15
  Speaker 2: man that put up with.
• 2:17
  Speaker 3: This ship no more and there was way more to it.
• 2:18
  Speaker 2: But then there was so much more to it to me.
• 2:21
  Speaker 2: That makes him He's probably one of my favorite historical
• 2:25
  Speaker 2: figures because of the humanity and the changes that he
• 2:28
  Speaker 2: went through, even even when he got to the height
• 2:31
  Speaker 2: of just like yo man, the pro blackness of it,
• 2:34
  Speaker 2: and then it was just like you know, the white
• 2:35
  Speaker 2: man and the devil, and he was like, well, actually no,
• 2:40
  Speaker 2: not automatically the devil. And to see his whole art,
• 2:44
  Speaker 2: like when he goes to Mecca and has a change
• 2:46
  Speaker 2: of perspective.
• 2:47
  Speaker 3: Sure, just that whole thing is just and.
• 2:49
  Speaker 4: Denzel just he's so iconic in that role. Yeah, like
• 2:52
  Speaker 4: that's a really good bio pic.
• 2:54
  Speaker 1: Yeah, like him and Jimmie Fox's rare probably my two
• 2:58
  Speaker 1: favorite actor like bigo pics, Like they are so good
• 3:02
  Speaker 1: at that character.
• 3:03
  Speaker 4: I feel like the person who they portrayed probably be like.
• 3:05
  Speaker 1: Dang brother, he was in your back Thenzel went on
• 3:10
  Speaker 1: the picture.
• 3:12
  Speaker 2: And just the way he spoke and like you know,
• 3:14
  Speaker 2: it was just dope and when you and when you
• 3:16
  Speaker 2: look at like, uh, you know how people say this
• 3:20
  Speaker 2: Zell ain't got no range.
• 3:21
  Speaker 3: He's always the same.
• 3:22
  Speaker 2: Listen to how he sounds in Malcolm, like his tone
• 3:26
  Speaker 2: and the way he delivers his words, just like you
• 3:28
  Speaker 2: don't see.
• 3:29
  Speaker 3: That absolutely just because he didn't do.
• 3:31
  Speaker 2: A flat out blading where it's just like, oh he
• 3:33
  Speaker 2: sounds and looks unrecognizable.
• 3:36
  Speaker 3: The subtleties was like, oh shit.
• 3:38
  Speaker 1: And some of what works against Nzael it's his star
• 3:40
  Speaker 1: power is so strong, his charisma is so strong. He
• 3:43
  Speaker 1: overwhelms any character because he is the gravitazed. So it
• 3:47
  Speaker 1: works against him in that way, where like Jeffrey Right
• 3:50
  Speaker 1: or even Daniel de Lewis, they can become the character.
• 3:52
  Speaker 3: Because it's they're understanding.
• 3:54
  Speaker 2: They don't have as much no disrespect not they don't
• 3:56
  Speaker 2: have as much natural charisma for sure Denzil's, so they
• 4:00
  Speaker 2: can just comeleion, they can change easier.
• 4:02
  Speaker 1: And as an actor, baby, you got to play to
• 4:04
  Speaker 1: your strengths. That's a strength of Denzel, but it's always
• 4:07
  Speaker 1: often used as a negative.
• 4:09
  Speaker 4: I'm gonna go.
• 4:11
  Speaker 1: Training day, Oh yeah, training day is so good because
• 4:15
  Speaker 1: I mean, I'm sure I knew Denzel could do that,
• 4:22
  Speaker 1: but he had a string of movies where he hadn't
• 4:25
  Speaker 1: done nothing unconventional. So and I didn't know that training
• 4:29
  Speaker 1: Day was based off a real officer. Wasn't yes, yes,
• 4:35
  Speaker 1: la he was like a Hispanic dude though he it
• 4:39
  Speaker 1: was it was closer to oh yeah, oh yeah, And
• 4:44
  Speaker 1: I didn't know that for years.
• 4:45
  Speaker 3: Wow, but damn.
• 4:49
  Speaker 4: Training Day.
• 4:52
  Speaker 1: I'm the type of person this is not a good quality.
• 4:54
  Speaker 1: But I every trick in twisting the movie, I'd be like,
• 4:58
  Speaker 1: who what. So when I first watch Training Day, it
• 5:01
  Speaker 1: didn't dawn on me what he was really doing. Like
• 5:04
  Speaker 1: when he visiting Mixing Gray, when he visiting Roger, I'm
• 5:07
  Speaker 1: not when he's visiting The Wise Man, I wasn't putting
• 5:09
  Speaker 1: it together yet.
• 5:10
  Speaker 4: Making Jake smoke the weed. I was just like, this
• 5:12
  Speaker 4: is crazy.
• 5:13
  Speaker 1: But as an actor, you realize his ultimate goal at
• 5:16
  Speaker 1: the end and then you rewatch the movie then it's
• 5:19
  Speaker 1: really obvious and just his like he was just so great. Yeah,
• 5:28
  Speaker 1: he played against type. It's such a great film. He
• 5:31
  Speaker 1: can really did his thing too, Like he was a
• 5:33
  Speaker 1: perfect time now.
• 5:34
  Speaker 3: He think it's overlooked, but he was delivering.
• 5:38
  Speaker 4: To he was That's what makes such a great movie.
• 5:40
  Speaker 4: But Denzel was cool.
• 5:42
  Speaker 3: It was just because you went back and forth. It's
• 5:45
  Speaker 3: not many villains and movies that made me go back
• 5:48
  Speaker 3: and forth that many times.
• 5:49
  Speaker 4: Yeah.
• 5:50
  Speaker 3: No, he's a good guy.
• 5:52
  Speaker 2: Yeah, you know what, I like this with the hold
• 5:54
  Speaker 2: on Now, he had me doing all those changes throughout
• 5:58
  Speaker 2: the whole film until he said Jake up in the
• 6:00
  Speaker 2: bathtub with the essays.
• 6:02
  Speaker 3: That's when I was.
• 6:02
  Speaker 4: Like, oh, he really is no redemption.
• 6:04
  Speaker 2: There was no even he had already killed somebody, and
• 6:07
  Speaker 2: I was still hanging on like, well, maybe Rogers was bad.
• 6:11
  Speaker 2: It's a dirty cop. So I was like, you know
• 6:13
  Speaker 2: he was dirty. Yeah, I get it, you know he
• 6:15
  Speaker 2: crossed the line. But I mean, you know, he's just
• 6:17
  Speaker 2: trying to But then at that moment.
• 6:19
  Speaker 1: And what Jake had done that saved his life makes
• 6:22
  Speaker 1: Jake seem better, right, So it's both like Denzel was
• 6:25
  Speaker 1: really bad back and I didn't even see what's happening there.
• 6:28
  Speaker 4: I was like to play cards, like, oh no, Denzael's.
• 6:30
  Speaker 3: Going oh oh. I was like, I'm finna get pushed
• 6:34
  Speaker 3: in real.
• 6:37
  Speaker 4: Stripping.
• 6:39
  Speaker 3: I was like.
• 6:40
  Speaker 1: Yo until the end, like I really still felt like
• 6:43
  Speaker 1: Denzel was gonna get it, like get out of this,
• 6:46
  Speaker 1: until they Russian shot him.
• 6:47
  Speaker 4: I was like, oh yeah, because he was still defiant.
• 6:50
  Speaker 3: He was jack Jack.
• 6:52
  Speaker 4: I was like, dang, Jake.
• 6:55
  Speaker 2: He was calling Jake ain't coming back, Jake coming so good?
• 7:00
  Speaker 3: Yes, all right, what you got.
• 7:02
  Speaker 2: I'm gonna go with the hurricane. Ruben Carter Ruben Carter
• 7:08
  Speaker 2: Man he.
• 7:09
  Speaker 3: Was fantastic in that movie.
• 7:11
  Speaker 2: That's one of my favorite Denzel performances a short acting standpoint,
• 7:15
  Speaker 2: even down to his fighting, his fighting technique in that film,
• 7:21
  Speaker 2: I was just like, Yo, this is dope. In that
• 7:23
  Speaker 2: scene where he was in a solitary and he was
• 7:26
  Speaker 2: just flipping out in solitary confinement, and he was three
• 7:29
  Speaker 2: different individuals in that cell. He was a scared dude
• 7:32
  Speaker 2: like no, no, and then the extra violent one and
• 7:35
  Speaker 2: then the one in the middle like no, I don't
• 7:37
  Speaker 2: talk to him like that.
• 7:38
  Speaker 3: He's standing up for the weak one. But it's all
• 7:40
  Speaker 3: the Zael.
• 7:41
  Speaker 2: So I'm just like, yo, this scene is incredible based
• 7:44
  Speaker 2: on the true stories.
• 7:45
  Speaker 3: I like that element.
• 7:47
  Speaker 2: And I feel like he should have got that Oscar too,
• 7:50
  Speaker 2: for sure with you yet again, he should have got
• 7:52
  Speaker 2: the Malcolm Oscar. You should have got the Hurricane Oscar.
• 7:54
  Speaker 2: He got the training day And I don't like our
• 7:56
  Speaker 2: people down play the training day work like they just
• 8:00
  Speaker 2: gave it to him. He was a villain regardless, he
• 8:04
  Speaker 2: was a great actress. Well though villains deserve oscars, y'all.
• 8:08
  Speaker 2: I don't know where y'all did this notion that black
• 8:10
  Speaker 2: people are only good people and we should just be
• 8:12
  Speaker 2: only seeing as good people in movies. Yeah, a good
• 8:16
  Speaker 2: juicy villain role is a good ass time yea.
• 8:21
  Speaker 3: And he killed it. He killed it in that.
• 8:23
  Speaker 4: I was like, he still ly fromim, even though I
• 8:24
  Speaker 4: know he's bad.
• 8:25
  Speaker 1: I was just like, it was hard for me to
• 8:27
  Speaker 1: hate him. Get the money, kill the dude, you know
• 8:29
  Speaker 1: what I'm saying. But I'm gonna go with glory. Okay,
• 8:34
  Speaker 1: Now it's not a Denzel movie.
• 8:35
  Speaker 3: Like only he stood out. He did so.
• 8:39
  Speaker 1: I remember I watched that movie in school and I
• 8:43
  Speaker 1: was like, we did to. I don't know if we
• 8:45
  Speaker 1: watched this school too, But when he got that whooping
• 8:47
  Speaker 1: and he took the one the glory tear, I said, dang,
• 8:51
  Speaker 1: his feet was messed up.
• 8:53
  Speaker 4: He was always saying what had to be saying. And
• 8:55
  Speaker 4: then you heard his story.
• 8:57
  Speaker 3: I was like, oh, that's why he liked this.
• 8:59
  Speaker 1: But that glory Glory tears scene. I remember being like, this,
• 9:03
  Speaker 1: this is a good actor. And I was young, right,
• 9:05
  Speaker 1: but he was the defiance.
• 9:09
  Speaker 3: Snatched his shirt out just that. God damn sure, grabber tip.
• 9:16
  Speaker 2: You gotta do eye contact the whole time, fighting internally,
• 9:22
  Speaker 2: and the iconic scene, iconic the glory tear is still used.
• 9:30
  Speaker 3: To this day. This until this. Alright, what you got?
• 9:36
  Speaker 1: He got such a good resume, He's got so many
• 9:38
  Speaker 1: it's gonna be tough, y'all gonna be mad.
• 9:40
  Speaker 4: Get over it.
• 9:42
  Speaker 3: Let's do remember the title. Let's throw that up in there.
• 9:46
  Speaker 3: I don't feel good now, does it? Huh?
• 9:49
  Speaker 4: I don't feel good. I don't feel good.
• 9:52
  Speaker 2: Denzel as a coach. Come on, man, you can't lose
• 9:58
  Speaker 2: so good Denzel as a.
• 10:01
  Speaker 3: You know what I mean? This is a no brainer.
• 10:02
  Speaker 1: My mother went to that school really in Virginia after
• 10:06
  Speaker 1: the integration.
• 10:07
  Speaker 3: Wow.
• 10:08
  Speaker 1: But I did not know that was a based on
• 10:10
  Speaker 1: true story at first. The movie is perfect.
• 10:14
  Speaker 4: Chita, Chita, let the boys play. He's so good. This
• 10:20
  Speaker 4: story is so good.
• 10:21
  Speaker 3: It was just like zel Man Man so good.
• 10:28
  Speaker 4: Yes, all right, let me think.
• 10:30
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• 12:09
  Speaker 4: There's so many and we're already in. We're already five in.
• 12:12
  Speaker 3: We're already five in. Man, come on, y'all, don't be
• 12:18
  Speaker 3: upset with me.
• 12:19
  Speaker 1: So I'm trying to think of what like if I go,
• 12:22
  Speaker 1: if I only had ten to go with, I would
• 12:25
  Speaker 1: want my different ones.
• 12:28
  Speaker 4: I'm gonna go American gangster. Okay, I really love him.
• 12:32
  Speaker 1: Lucas man I when he's when he killed uh in yourself,
• 12:39
  Speaker 1: his character when he ol Paka they.
• 12:42
  Speaker 4: Tried to kill it gives you everything you want about
• 12:44
  Speaker 4: the zel they try to kill my wife.
• 12:48
  Speaker 3: I was like, y'all gonna get it right.
• 12:51
  Speaker 1: But the like the coolness he has, the anger, I
• 12:56
  Speaker 1: was just like, this is good.
• 12:57
  Speaker 4: And in the end with with Russell crow and they
• 12:59
  Speaker 4: knew he had him dead to.
• 13:00
  Speaker 2: He was snitching and that was a good time. He
• 13:03
  Speaker 2: was on the bulletin boarding like yeah. And then this
• 13:05
  Speaker 2: dude bringing in the drugs. Really you can cofee daffing
• 13:09
  Speaker 2: and there, like look at.
• 13:10
  Speaker 3: Him snitching fixed even this snitch, and I was like, man,
• 13:14
  Speaker 3: I'm like this.
• 13:14
  Speaker 1: They couldn't put the wood and it bend him.
• 13:23
  Speaker 3: He changed his whole setup. Like I like you, man,
• 13:28
  Speaker 3: I like you too.
• 13:29
  Speaker 1: So anyway, yeah, the picture on him, it's little Tony.
• 13:34
  Speaker 1: He was American gangster for me good.
• 13:38
  Speaker 2: I'm coming in with Man on fire Man on fire Man,
• 13:44
  Speaker 2: John Creasy. I loved him in this movie. I love
• 13:49
  Speaker 2: this movie so good. The lines he was spinning off
• 13:53
  Speaker 2: during that movie. Man, he was not playing no games
• 13:56
  Speaker 2: to get that little girl back.
• 13:58
  Speaker 4: He was bleeding in the man, crazy Creasy Beard.
• 14:04
  Speaker 3: That's my that's my email.
• 14:05
  Speaker 5: I know.
• 14:06
  Speaker 1: When I saw that, I said, oh, you really loved it.
• 14:09
  Speaker 1: I loved that movie man.
• 14:10
  Speaker 2: Yeah, it was fire My only my only note on
• 14:13
  Speaker 2: that movie was just Tony Scott was doing a tad
• 14:15
  Speaker 2: too much visually.
• 14:18
  Speaker 4: He was just going over the color grade was kind
• 14:20
  Speaker 4: of crazy in that movie. I was like, why did
• 14:22
  Speaker 4: this get this Instagram filter off?
• 14:24
  Speaker 3: He was doing a lot.
• 14:25
  Speaker 4: It was like hot Arabian sun filter for scenes where
• 14:29
  Speaker 4: it didn't make sense.
• 14:30
  Speaker 2: And I noticed that with Tony Scott's movies after a
• 14:33
  Speaker 2: certain point he started getting very visually flashy, because if
• 14:39
  Speaker 2: you look at if you look at Beverly Hills, Cop
• 14:40
  Speaker 2: two and Days of Thunder and The Last Boy, Scout
• 14:45
  Speaker 2: and Crimson tied even with Denzel. Also, it wasn't as
• 14:50
  Speaker 2: pronounced as Man on Fire because then after he did
• 14:52
  Speaker 2: Man on Fire and it did Unstoppable and like Domino
• 14:57
  Speaker 2: and uh that that movie with Brad Pitton a reference
• 15:00
  Speaker 2: spy game.
• 15:01
  Speaker 3: I was just like, yo, chill on the.
• 15:04
  Speaker 2: On the visuals man, because I already liked Tony's visual style.
• 15:08
  Speaker 2: And I was just like, man, you must who was
• 15:10
  Speaker 2: he talking to that?
• 15:11
  Speaker 3: We like, you got jazz it up.
• 15:13
  Speaker 2: I wonder if his brother Ridley was like, hey, man,
• 15:15
  Speaker 2: jazz up your visuals. You always get the same dusty
• 15:19
  Speaker 2: red looks.
• 15:20
  Speaker 3: And you move it. Man.
• 15:21
  Speaker 2: Look at Gladdy and look at what I did with
• 15:23
  Speaker 2: Gladdy and jazz it up.
• 15:26
  Speaker 3: Glady is fine? All right?
• 15:27
  Speaker 4: Let me think, man, Yeah, this is tough.
• 15:32
  Speaker 3: We got three left. This is tough.
• 15:36
  Speaker 4: I'm gonna tell you my mindset.
• 15:38
  Speaker 3: I'm telling you my mindset.
• 15:40
  Speaker 4: He might have been his most believable to me of
• 15:42
  Speaker 4: the ones left John Q.
• 15:44
  Speaker 3: He was like, I was like, John Ces.
• 15:48
  Speaker 1: I just watched a clip of that last night. He
• 15:50
  Speaker 1: were't gonna get the car? He was like, no, he
• 15:54
  Speaker 1: turned the gun sideways in his mouth.
• 15:56
  Speaker 3: Man, I can't even look at the pictures of that movie.
• 16:01
  Speaker 1: Oh my god, when the kid comes around the corner,
• 16:03
  Speaker 1: he so believability there. I'm thinking, I just rewatched Deja Vu.
• 16:11
  Speaker 1: It's such a good movie, and he's and it's such
• 16:15
  Speaker 1: a good rewatchability, charisma through the roof. He was premium
• 16:20
  Speaker 1: Denzel there, I love that equalizer.
• 16:23
  Speaker 4: I didn't. I was surprised by that.
• 16:26
  Speaker 2: And hey, this is Dinzel and full action.
• 16:31
  Speaker 3: That's why I'm trying to decide full action.
• 16:34
  Speaker 4: How do I do it?
• 16:35
  Speaker 1: Is it like believability, is it charisma or is it surprise?
• 16:39
  Speaker 1: And you can really choose the movies based on and
• 16:42
  Speaker 1: he can give you each you know, or even fences
• 16:45
  Speaker 1: like he was great, but the Davis was great, but
• 16:51
  Speaker 1: he wasn't bad.
• 16:53
  Speaker 4: So mm hmm.
• 16:59
  Speaker 1: He had so many good even even book Eli wouldn't
• 17:01
  Speaker 1: rank it that high. But actually Eli was like, Okay,
• 17:06
  Speaker 1: I like boli.
• 17:08
  Speaker 3: Dang, I forgot about it.
• 17:10
  Speaker 4: I'm gonna go, man, I'm gonna go.
• 17:15
  Speaker 3: I'm gonna go. I'm gonna go. John Q.
• 17:18
  Speaker 1: Okay, John Q is so quinn essentially Denzel. It's like
• 17:22
  Speaker 1: you need that to tell his full story. That's believability
• 17:26
  Speaker 1: to the max. It was hogh stakes, I hate that.
• 17:29
  Speaker 1: Uh Dennis is it? Dennis Woods? James James Woods hate him?
• 17:36
  Speaker 1: He plays that role so well. Kimberly Release yelling at
• 17:39
  Speaker 1: him on the phone. The kid was so sweet. He
• 17:43
  Speaker 1: went to jail, which I thought was good, Like you
• 17:46
  Speaker 1: gotta go to jail, man, Like, come on, bro, yeah,
• 17:48
  Speaker 1: you still gotta go.
• 17:50
  Speaker 4: I'm gonna go, John.
• 17:51
  Speaker 2: Okay, I'm coming in with a personal pick, personal pick.
• 17:54
  Speaker 4: This is what we do it.
• 17:56
  Speaker 2: This is super personal because you know it's gonna be
• 17:58
  Speaker 2: it's gonna be other movies that could have been ahead.
• 18:00
  Speaker 3: Of this for sure.
• 18:02
  Speaker 4: You know you're gonna cry for edom.
• 18:05
  Speaker 2: No, okay, now, this is my this is my personal
• 18:09
  Speaker 2: It's one of my favorite Denzel movies. Is probably and
• 18:11
  Speaker 2: probably honestly, my most watched Denzel movie of all times.
• 18:16
  Speaker 2: I just rewatched it a lot. Devil in the Blue
• 18:19
  Speaker 2: Dress today. I love a good movie. This movie, man,
• 18:24
  Speaker 2: I cannot stop watching it. I wanted to see more
• 18:27
  Speaker 2: of these movies with the same characters because there was
• 18:30
  Speaker 2: so many books. I love Devil in the Blue Dress.
• 18:34
  Speaker 2: The transition of him, uh, you know, just being desperate
• 18:38
  Speaker 2: for work, being thrust into an environment that he wasn't
• 18:43
  Speaker 2: used to, and then him doing what he had to
• 18:45
  Speaker 2: do to survive all that was going on while unraveling
• 18:49
  Speaker 2: the mystery in existing and also being a good friend
• 18:53
  Speaker 2: to a.
• 18:54
  Speaker 3: Wild boy in Mouse that was at Franklin directed, No, No,
• 19:01
  Speaker 3: was who was Mouse? Yeah?
• 19:04
  Speaker 2: And then I'm thinking blues Oh, okay, yeah, you wait
• 19:10
  Speaker 2: did you see that one?
• 19:11
  Speaker 3: Okay?
• 19:12
  Speaker 2: And so and then him coming into his own by
• 19:16
  Speaker 2: the end and being like, yo, I can be a
• 19:18
  Speaker 2: private investigator. Yeah, and so it was just like that.
• 19:22
  Speaker 2: That to me is probably one of my favorite Denzil movies. Personally,
• 19:27
  Speaker 2: I don't want to do this no more.
• 19:29
  Speaker 3: So. There's so many we got. Reef is good, Pelican.
• 19:33
  Speaker 1: Brief is good, Hump for Red, October is good, you're right,
• 19:36
  Speaker 1: Crimson Time, Crimson Time. Those movies all came out around
• 19:40
  Speaker 1: the same time, there was a lot of movies about submarines.
• 19:42
  Speaker 1: I feel like in a four year period, it was
• 19:44
  Speaker 1: like it was like all that October.
• 19:46
  Speaker 3: Was ninety Crimson time was ninety five.
• 19:49
  Speaker 2: Yeah, and then it was it was like some some
• 19:51
  Speaker 2: sub joints because October humpher red, October did so well.
• 19:55
  Speaker 3: It was like, yeah, we got these submarine foot f.
• 19:57
  Speaker 4: Could man it was it was a submarine but military.
• 20:00
  Speaker 3: Military military was Jane was late nineties. No, that was
• 20:05
  Speaker 3: really Scott really Scotty's brother.
• 20:07
  Speaker 4: Falling is a good.
• 20:11
  Speaker 1: Is on my side, Yes, John Goodman was so Falling
• 20:15
  Speaker 1: is really good.
• 20:17
  Speaker 6: Collector collect the collector, goddamn man. That's why they want
• 20:21
  Speaker 6: to do this flight. We talked about flight hungry right
• 20:25
  Speaker 6: drunk right now, he got game. He was tremendous And I.
• 20:29
  Speaker 4: Just can't do that because Ray Allen I hate, but
• 20:32
  Speaker 4: he was good.
• 20:33
  Speaker 3: Ray Allen.
• 20:34
  Speaker 4: It does bad enough to ruin soldier's story.
• 20:36
  Speaker 3: Not a lot of people know about that.
• 20:37
  Speaker 1: Yeah, that's a good one, that old the old light
• 20:40
  Speaker 1: skin dude. People hate him because of that, because of that.
• 20:45
  Speaker 4: Out of time.
• 20:47
  Speaker 3: The Inside Man.
• 20:48
  Speaker 1: I loved Inside Man such a different take from Spike Lee.
• 20:53
  Speaker 4: Preacher's wife is good too. It was cute, it was good.
• 20:56
  Speaker 1: It was you don't like romantic comedies do but you
• 20:59
  Speaker 1: didn't want angels. Say everybody wanted angel sexy. That movie
• 21:02
  Speaker 1: man we angel sex man wanted and her husband wasn't
• 21:07
  Speaker 1: even bad. He was just trying to go She was
• 21:09
  Speaker 1: a good Ye have sex with the angel.
• 21:11
  Speaker 2: Though, y'all wanted him. Y'all wanted Denzel to smash Whinnie
• 21:16
  Speaker 2: Houston so bad. That's why i'd be like chare up
• 21:20
  Speaker 2: from cheeks. Y'all stood up here and be like cheats,
• 21:25
  Speaker 2: but you want to. You won't admit it now, but
• 21:28
  Speaker 2: you wanted Denzel to take.
• 21:30
  Speaker 3: Her ass down.
• 21:31
  Speaker 2: You didn't care if it was gonna be in the church,
• 21:33
  Speaker 2: in the basement of the church where the radiator is.
• 21:36
  Speaker 2: You didn't care if it was gonna be in the snow.
• 21:39
  Speaker 2: Y'all know, y'all wanted this. Courtney b Vance was minding
• 21:45
  Speaker 2: God cheat, so he wasn't even bad.
• 21:49
  Speaker 1: Ice skating here, Dudley's having a great time. Man take
• 21:53
  Speaker 1: her have sex with her, shet on your husband with
• 21:55
  Speaker 1: that angel.
• 21:56
  Speaker 3: Y'all wanted this. Y'all won't admit it, but I know
• 21:59
  Speaker 3: what you want.
• 22:00
  Speaker 1: He had an overcoat all and a boy's grin. You're wanted,
• 22:03
  Speaker 1: the angelic, angelic idultery, adultry that.
• 22:06
  Speaker 2: Ain't worth a damn man, the double standing of these
• 22:11
  Speaker 2: women out here. Y'all be loving you, and you damn right.
• 22:16
  Speaker 2: Meg Ryan was shady and sleepless in Seattle, and.
• 22:20
  Speaker 3: You got male. She was shady from the gym, and
• 22:23
  Speaker 3: y'all love it. The notebook terrible.
• 22:26
  Speaker 4: She's a terrible human.
• 22:27
  Speaker 2: Terrible women in these romantic comedies. Angel look at you'll, man,
• 22:34
  Speaker 2: I'm gonna go.
• 22:35
  Speaker 4: Yeah, I'm gonna go Equalizer.
• 22:37
  Speaker 3: Okay, I'm gonna go Equalizer.
• 22:39
  Speaker 1: I I love it at the time. Yeah, I love
• 22:46
  Speaker 1: how he was always really particular.
• 22:48
  Speaker 3: With the stuff. Oh my god, you get your throat chop,
• 22:58
  Speaker 3: you're getting your throat.
• 23:00
  Speaker 4: Watchability is just so high off for sure.
• 23:02
  Speaker 3: Man.
• 23:02
  Speaker 4: I heard I haven't seen three. I heard really good.
• 23:05
  Speaker 3: It's waiting on. I don't know, man, I like three.
• 23:08
  Speaker 3: I like three too. I mean two.
• 23:10
  Speaker 4: I like one because the thing is like, I feel
• 23:13
  Speaker 4: like three is low.
• 23:13
  Speaker 3: Key my favorite.
• 23:14
  Speaker 4: Oh is that good?
• 23:16
  Speaker 3: It's just to me.
• 23:18
  Speaker 2: I just fell in love with that town he was in, too.
• 23:21
  Speaker 2: I just like that whole element I feel like it's
• 23:23
  Speaker 2: light on action.
• 23:25
  Speaker 4: But because Petro Pascalzen too, right.
• 23:27
  Speaker 1: Yeah, that scene when they're outside, when he's as his
• 23:30
  Speaker 1: family's are. Yeah, I watched that on YouTube all the time,
• 23:33
  Speaker 1: called you man, I just the wife.
• 23:37
  Speaker 2: You got a family, a wife, kid all y'all regret
• 23:42
  Speaker 2: so they could do it once.
• 23:43
  Speaker 3: Yeah, I was like, oh that's crazy shot, so good man.
• 23:49
  Speaker 3: All right.
• 23:49
  Speaker 4: Top ten Denzel movies.
• 23:51
  Speaker 1: If you don't like it, make your own list, docom
• 23:54
  Speaker 1: Max Training Day, Hurricane Glory, remember the tie into American
• 23:58
  Speaker 1: gangs and Man on Fire, John Q Devil in the
• 24:00
  Speaker 1: Blue Dress, which is a good pick and equalizer. All right,
• 24:03
  Speaker 1: Now we're doing our personal five favorite Beyonce song.
• 24:09
  Speaker 2: This was not struggled, not necessarily because I was flooded
• 24:14
  Speaker 2: with good Beyonce songs, just because I don't listen to
• 24:20
  Speaker 2: a ton of Beyonce, and so I was just and
• 24:24
  Speaker 2: I'm heavy on damn show when my.
• 24:28
  Speaker 3: Whole five was Love that Fire.
• 24:33
  Speaker 1: You might be her biggest advocate for that album.
• 24:37
  Speaker 3: You bring that album up, then that's the best Beyonce.
• 24:45
  Speaker 1: Yeah, I'm gonna go first as a nigga. Love on Top,
• 24:51
  Speaker 1: I love love.
• 24:54
  Speaker 4: I can never not enjoy it. I can't hit the
• 24:59
  Speaker 4: know she but I'll be up there.
• 25:01
  Speaker 1: Yeah wow wow, I can't go with her.
• 25:06
  Speaker 4: Internally I'm hitting every No.
• 25:07
  Speaker 1: Of course it's such a fun video too, but I
• 25:11
  Speaker 1: really love that song big Love on Top.
• 25:14
  Speaker 3: Guy Love on Top is on Top, good fun song.
• 25:20
  Speaker 4: Love it, y'all know what I love.
• 25:23
  Speaker 1: And I was like, then you're modulating way up there,
• 25:26
  Speaker 1: you know the Black Church kid. The modulations is know
• 25:29
  Speaker 1: you changing key by Richard Beyond saying she was singing
• 25:33
  Speaker 1: good in that she was she was giving, so yeah,
• 25:36
  Speaker 1: all right, what you got?
• 25:37
  Speaker 3: So I got me myself and I I know it's
• 25:41
  Speaker 3: dangerously in love. That's my favorite Beyonce song.
• 25:45
  Speaker 2: Bune Beild Build and Beldy Fume really.
• 25:55
  Speaker 3: Beauty.
• 25:57
  Speaker 2: Yes, me myself and I man, that's my ship, really yes.
• 26:01
  Speaker 2: And I loved her in that video. That was like
• 26:04
  Speaker 2: that was premium. I had a crush on Beyonce, as
• 26:08
  Speaker 2: everybody did sooner or later. You know what I'm saying,
• 26:10
  Speaker 2: male female whatever. At that point in time, that's when
• 26:15
  Speaker 2: I was in premium Beyonce lust mood.
• 26:19
  Speaker 3: Like I was just like, take me now, but you're
• 26:25
  Speaker 3: married tone that was married. Damn. I was like, take
• 26:28
  Speaker 3: us both, please take us both.
• 26:33
  Speaker 2: And when she was in that video, she was just
• 26:36
  Speaker 2: prime sexy in that video. Man, she was in the
• 26:39
  Speaker 2: tub and she was just walking down the hallway.
• 26:41
  Speaker 3: I was just like, this is everything tone you all right?
• 26:47
  Speaker 6: Yeah?
• 26:47
  Speaker 3: Yeah, you know what I'm saying. Just me myself and
• 26:50
  Speaker 3: now and Beyonce, me myself and that it's all I
• 26:57
  Speaker 3: got in the end. That's what I found out.
• 26:59
  Speaker 4: If you want to go in.
• 27:00
  Speaker 1: This is a deep cut, deep cut premium lust Rocket Rocket, Let.
• 27:06
  Speaker 3: Me sit this.
• 27:08
  Speaker 2: Oh that's name of us all yes, hm, you know
• 27:15
  Speaker 2: what else? Remember that video she did for the when
• 27:22
  Speaker 2: she was in Austin. Powers is a work it Wait
• 27:26
  Speaker 2: what was the name of check on check on it? Yeah,
• 27:29
  Speaker 2: she was doing the Oh my god, man, she looks
• 27:34
  Speaker 2: so good in that video. But this, we won't get
• 27:39
  Speaker 2: banned for this.
• 27:42
  Speaker 3: It's all right if we do. She's talking in this Hey,
• 28:04
  Speaker 3: you want something? Drink? Some to drink. I don't know
• 28:09
  Speaker 3: if I ever seen this video. Hoee Baker.
• 28:12
  Speaker 4: I closed the door to my office.
• 28:14
  Speaker 5: Damn, shut out, shut up, don't do your homework, go
• 28:20
  Speaker 5: to bed.
• 28:21
  Speaker 3: It's three o'clock.
• 28:23
  Speaker 4: Shut up.
• 28:24
  Speaker 3: School, don't know.
• 28:27
  Speaker 1: I didn't know she was capable premium loves. I wouldn't
• 28:31
  Speaker 1: even go that way to get a premium.
• 28:32
  Speaker 2: I mean you gotta go premium premium blood.
• 28:37
  Speaker 3: All right, what you got sorry from Lemonade?
• 28:40
  Speaker 4: Oh?
• 28:40
  Speaker 3: Really sorry a little bit.
• 28:42
  Speaker 2: I ain't sorry, Hi, Hi, I ain't thinking about you,
• 28:55
  Speaker 2: love you when she turned it up?
• 28:57
  Speaker 3: Man, sorry as Manaul, she can have whatever. She won't
• 29:16
  Speaker 3: be in there. That song is fire man, Okay, I'm.
• 29:21
  Speaker 4: Gonna go with you. This is another deep cut.
• 29:23
  Speaker 3: This is our personal personal man.
• 29:26
  Speaker 4: Love Drought is.
• 29:29
  Speaker 3: This is on Lemonade. It's my favorite Beyonce album.
• 29:32
  Speaker 1: Let me tap in on a little bit of love
• 29:35
  Speaker 1: Drought Love Drought, just really well written song.
• 29:40
  Speaker 4: I love this.
• 29:41
  Speaker 1: This is my jam this. Remember the writer was talking
• 29:47
  Speaker 1: about how she this. This song is actually about Beyonce's
• 29:49
  Speaker 1: record label. The writer wrote it such a well written song.
• 30:02
  Speaker 4: Whoa you better sing?
• 30:07
  Speaker 3: Be Yeah?
• 30:15
  Speaker 1: Yeah, I'm killing the basically day and Thursday enough Oka.
• 30:32
  Speaker 2: What the chorus sounds like I'm gonna get there, man,
• 30:35
  Speaker 2: like I ain't never heard you heard it.
• 30:39
  Speaker 3: This is a chorus. It's a nice vibe.
• 30:53
  Speaker 1: Such a good song man, Lemonade, Lemonade Love drafts my favorite.
• 30:59
  Speaker 4: It's a macium opens to me, Okay, it's a great story.
• 31:02
  Speaker 4: It was so personal. I felt like I shouldn't.
• 31:04
  Speaker 1: Even be hearing it. I was like, I want to
• 31:06
  Speaker 1: be to be in you know, this is from public consumption.
• 31:11
  Speaker 1: She's like, no, listen to this.
• 31:12
  Speaker 3: Should I turn it off with the mask?
• 31:13
  Speaker 4: It's a story.
• 31:14
  Speaker 3: Listen.
• 31:15
  Speaker 4: She got back with him at the end, but the beginning,
• 31:17
  Speaker 4: I'm go ahead, tone you up.
• 31:20
  Speaker 2: I'm taking it back the dangerously. I'm taking it back
• 31:26
  Speaker 2: the dangerous man. Love baby boy, Man, baby boy, there
• 31:30
  Speaker 2: on my mind.
• 31:31
  Speaker 3: I feel I think I about you all the time.
• 31:38
  Speaker 2: Come on, man, just dancing real close in the corner
• 31:42
  Speaker 2: of the Pas County every time I close my eyes
• 31:47
  Speaker 2: and everyone left but you and me.
• 31:50
  Speaker 3: You know, a little world. The music is.
• 31:52
  Speaker 2: The sun, the dance mood that comes to scene. Man,
• 31:55
  Speaker 2: come on, man to love it, baby boy.
• 32:00
  Speaker 4: I love that you love it to.
• 32:03
  Speaker 3: That album to me is a classic.
• 32:05
  Speaker 1: I'm gonna go with this. And I thought you would
• 32:07
  Speaker 1: have said this by now. This is my cute though.
• 32:14
  Speaker 3: Oh yeah, this.
• 32:16
  Speaker 2: This is my this, this is on my list too,
• 32:19
  Speaker 2: this is my number five.
• 32:20
  Speaker 3: I love this song.
• 32:26
  Speaker 4: I'm maybe young man.
• 32:28
  Speaker 3: I'm ready.
• 32:29
  Speaker 4: It's such a good like summer time. What's something now, y'all?
• 32:33
  Speaker 4: Now we got the we got.
• 32:35
  Speaker 3: The dogs on. I can't call me ribs.
• 32:37
  Speaker 5: Gonna be up there to grab yourself something to drink.
• 32:40
  Speaker 5: Listen there, yeah, go say hey, how are you mamma?
• 32:44
  Speaker 5: Now come on, come on, we got plenty of food.
• 32:47
  Speaker 5: Bring the kids. You know, the kids are welcome. Bringing
• 32:51
  Speaker 5: those kids. Zay and Joe is in there. Yeah, they
• 32:55
  Speaker 5: on the slide. We got a bouncy house, y'all, bring
• 32:59
  Speaker 5: them in. Just bring some cops then it's fine. We're
• 33:05
  Speaker 5: gonna be on a spaces We're playing word with Tony
• 33:07
  Speaker 5: coming through. We got carrot dogs.
• 33:10
  Speaker 4: Come on, y'all.
• 33:11
  Speaker 1: We like to farty and I love Andre's verse on
• 33:18
  Speaker 1: this soul.
• 33:21
  Speaker 3: Yeah, oh this is this is a double up.
• 33:25
  Speaker 4: It's so perk.
• 33:27
  Speaker 1: Can we just listen to and I mean, why not Day.
• 33:36
  Speaker 4: Three thousand degrees.
• 33:39
  Speaker 7: About me?
• 33:40
  Speaker 1: I got a home the homebody geeze rello.
• 33:51
  Speaker 4: This just makes me feel old.
• 33:53
  Speaker 3: I like the j Cole verse too, Yes, good time,
• 34:03
  Speaker 3: that doesn't mean.
• 34:12
  Speaker 4: What a great.
• 34:15
  Speaker 7: Rembert he that's a good man man.
• 34:27
  Speaker 1: Yeah man, what you got off the off the dangerous love?
• 34:34
  Speaker 1: Because I know you're gonna.
• 34:35
  Speaker 2: Come Come b Bird the Dangerously in Love album, Hello
• 34:38
  Speaker 2: God damn It, Hello.
• 34:40
  Speaker 3: Hello, Hello Hello Halo?
• 34:45
  Speaker 2: Really yeah, man, that is surprising, Helo. That is you're
• 34:50
  Speaker 2: singing hard?
• 34:51
  Speaker 3: Man?
• 34:52
  Speaker 2: Is it makes your hands rings? Gotta go Halo? Man,
• 34:57
  Speaker 2: I'm with you.
• 34:58
  Speaker 3: Yeah.
• 34:59
  Speaker 1: Now I'm a go oh, I'm gonna go back to
• 35:02
  Speaker 1: that album. I'm gonna go Crazy in Love because you
• 35:06
  Speaker 1: went to Dan look at you. I'm gonna go there
• 35:09
  Speaker 1: because from me, Beyonce was already famous right she was.
• 35:16
  Speaker 1: She was, Dessie Child was around. It was strong, it
• 35:18
  Speaker 1: was it was good.
• 35:21
  Speaker 4: I was I was. I'm not how do I describe this?
• 35:28
  Speaker 4: When she dropped this single, I.
• 35:30
  Speaker 3: Was like, oh, she got it like she was.
• 35:35
  Speaker 4: Because you knew she was the lead singer. But in
• 35:38
  Speaker 4: the group she never felt like.
• 35:41
  Speaker 1: I'm trying to say this with respect and not make
• 35:44
  Speaker 1: it seem like it's negative. But she never felt like
• 35:46
  Speaker 1: I'm gonna blow, like you know, justin Timberlake is going
• 35:49
  Speaker 1: solow he behind you know what I'm saying.
• 35:51
  Speaker 4: Like Beyonce, that always felt like a good group.
• 35:54
  Speaker 1: So when Crazy in Love came out, I was like,
• 35:58
  Speaker 1: she is she had something that you It's like on
• 36:01
  Speaker 1: a rookie quarterback come from college, like we see gonna
• 36:03
  Speaker 1: do it the league. He throw her eight touchdowns in
• 36:05
  Speaker 1: two games. No picture, Like what dad? I thought he
• 36:08
  Speaker 1: was gonna struggle. Like Crazy in Love was such a
• 36:11
  Speaker 1: great introduction song. I was like, she gonna be big
• 36:14
  Speaker 1: and then she's just kind of gotten ye, like nobody
• 36:18
  Speaker 1: gets better. Six albums, like six solo albums in Man
• 36:22
  Speaker 1: still still killing renaissance? Is that late in your solo career?
• 36:27
  Speaker 1: That's not still after a solid group career.
• 36:30
  Speaker 4: You don't.
• 36:31
  Speaker 2: You have the solid group career, the killing solo career
• 36:35
  Speaker 2: that's still going.
• 36:37
  Speaker 4: That's unusual.
• 36:38
  Speaker 1: I'm outside of like Stevie Wonder, Like, I'm trying to
• 36:43
  Speaker 1: think of artists whose albums were continually to get good
• 36:47
  Speaker 1: with six albums in.
• 36:48
  Speaker 3: You got artists like that, but they were already solo.
• 36:51
  Speaker 3: That's true. A group from a group come out.
• 36:54
  Speaker 1: Who else even like that six albums in Not this
• 36:59
  Speaker 1: Deep in Knocking was justin Timberlake.
• 37:00
  Speaker 4: He came out good, but he's like his first three
• 37:03
  Speaker 4: maybe four or three.
• 37:05
  Speaker 3: It was.
• 37:05
  Speaker 1: It was the justified justified sexy us your sex love
• 37:09
  Speaker 1: sounds that the experience one and two in the sequel
• 37:13
  Speaker 1: and then Man in the Woods and.
• 37:17
  Speaker 4: I didn't even like the second part of twenty twenty experience.
• 37:20
  Speaker 3: I didn't pay attention.
• 37:21
  Speaker 1: I was like, you should have just done one. The
• 37:23
  Speaker 1: Black and White was good, the Black and Gold was It's.
• 37:25
  Speaker 2: Hard to sustain, like when you come out because look
• 37:27
  Speaker 2: at look at Bobby Brown for example. Yeah, but don't
• 37:30
  Speaker 2: be cruel. But then Bobby took a dip. I mean,
• 37:33
  Speaker 2: it's still double platinum, but it was like everything was
• 37:35
  Speaker 2: dipping off. Everybody dipped off fast, yes, even even Lone Richie,
• 37:39
  Speaker 2: like you know, when he left the Commodores, he was huge.
• 37:44
  Speaker 3: And then yeah, slowly but surely.
• 37:46
  Speaker 2: But Beyond is maintaining the momentum renaissance with her fifth
• 37:52
  Speaker 2: solo album, maybe even more.
• 37:54
  Speaker 5: I don't know.
• 37:54
  Speaker 1: If a lot of people don't call count they don't
• 37:58
  Speaker 1: count The Lion King one.
• 38:01
  Speaker 2: Uh, well, she got Sasha Fears, she got Dangerously in.
• 38:04
  Speaker 3: Love Sasha for the Beyonce album.
• 38:10
  Speaker 2: So she got one, two, three, four, five, So renaissance
• 38:17
  Speaker 2: is six if you don't count the Lion King. Yes,
• 38:19
  Speaker 2: and then she just came out with Cowboy, which is good.
• 38:22
  Speaker 3: So it's like.
• 38:26
  Speaker 1: Surprising, all right, where are you at?
• 38:29
  Speaker 3: So since we already did. Party was the last one.
• 38:33
  Speaker 2: Yep, that's technically you know, to pick out won't, but
• 38:38
  Speaker 2: I'm gonna I'm gonna throw something else in so for me,
• 38:42
  Speaker 2: and the reason I'm putting this in this countdown is
• 38:45
  Speaker 2: because I saw a live version of it and I
• 38:47
  Speaker 2: was just mesmerized.
• 38:48
  Speaker 3: End of time, end of time? Yeah, what's that like?
• 38:51
  Speaker 4: Let me pull that up.
• 38:53
  Speaker 3: It's end of time. I saw her do it, not
• 38:56
  Speaker 3: live as I was there.
• 38:58
  Speaker 2: I just saw her performance staff and I was just
• 39:03
  Speaker 2: mesmerized by the whole the way they were dancing, the
• 39:07
  Speaker 2: way she was singing. I was just like, Yo, this
• 39:09
  Speaker 2: ship is. I was like, damn.
• 39:14
  Speaker 1: It was just so epic and just so like, look
• 39:17
  Speaker 1: at the was it the Homecoming? I mean the coach premiere,
• 39:20
  Speaker 1: I mean Coachell Live. I think it was before that? Okay, yeah,
• 39:25
  Speaker 1: I think it was before that.
• 39:26
  Speaker 2: When I saw a performance of it, that might be it, right,
• 39:31
  Speaker 2: that might be it right there, fast forward towards the end.
• 39:37
  Speaker 3: Oh, it's probably it.
• 39:38
  Speaker 1: Yeah.
• 39:41
  Speaker 2: Oh they mixing and matching the one or something because
• 39:47
  Speaker 2: they mixing and matching. The one I saw was just
• 39:50
  Speaker 2: like a straight straight through performance. But I was just mesmerized.
• 39:54
  Speaker 3: By that song just perform. I was just like, Yo,
• 39:56
  Speaker 3: this is incredible.
• 39:58
  Speaker 4: So that's it.
• 40:01
  Speaker 1: We got love on top, me and myself and I
• 40:03
  Speaker 1: Rocket Sorry, Love Dropt, baby Boy Party, Hello, Crazy and
• 40:06
  Speaker 1: Loving in the Time Top I guess Top ten Beyonce
• 40:10
  Speaker 1: songs Personal five for Me and Tom. Thank you for
• 40:12
  Speaker 1: hanging out with us. Man, it's just a good time.
• 40:14
  Speaker 1: Good way to waste the time together. You feel your job?
• 40:17
  Speaker 1: Quit your job, man, get that job.
• 40:21
  Speaker 3: Quit your jobs, Dan love, hold On.
• 40:25
  Speaker 4: I got a funny thing about this. Hold On. We'll
• 40:28
  Speaker 4: play this video for you. I don't know if you heard,
• 40:31
  Speaker 4: if you ever heard this you're late for work thing
• 40:33
  Speaker 4: from Mark rebela.
• 40:35
  Speaker 3: Yeah, we can't style it. I'm down for that. This,
• 40:50
  Speaker 3: ain't it?
• 40:50
  Speaker 4: Hold On?
• 40:51
  Speaker 3: Mark's so funny.
• 40:51
  Speaker 1: I need you to see this tone because I like
• 40:54
  Speaker 1: saved this on my fold because it's so funy funny
• 41:00
  Speaker 1: to me. The way he be dancing be cracking me up.
• 41:05
  Speaker 3: Dude, it's funny.
• 41:08
  Speaker 4: This is it?
• 41:08
  Speaker 1: Like you work?
• 41:09
  Speaker 3: Who gets a fuck.
• 41:15
  Speaker 7: Your life?
• 41:15
  Speaker 3: Be fuck you boss.
• 41:21
  Speaker 5: I'm nobody say I'm playing.
• 41:29
  Speaker 1: I'm playing.
• 41:30
  Speaker 3: I'm playing. Looks like you gotta fire me. There's no
• 41:32
  Speaker 3: one else there, bitch, I'm like, I'm like fire that.
• 41:42
  Speaker 1: Late.
• 41:43
  Speaker 4: I'm late.
• 41:46
  Speaker 2: Yeah, it's so funny.
• 41:50
  Speaker 1: There's so many bosses that I wanted to tell this to. Man,
• 41:54
  Speaker 1: I don't care. The way he was dancing.
• 41:58
  Speaker 4: Was really.
• 42:01
  Speaker 3: Late. That is me, all right, y'all. We love y'all.
• 42:06
  Speaker 4: Man, watch the Bob, Kevin.
• 42:10
  Speaker 1: Uh Ball, Brothers, Tony, We're gonna have a good time.
• 42:14
  Speaker 4: I'm gonna go home and watch it. What y'all buy,
• 42:16
  Speaker 4: you know,