Latest / Take #2: Movie Reviews / Episode 10: Quentin Tarantino Movies Ranked - Top 10 Battle

Transcript

Episode 10: Quentin Tarantino Movies Ranked - Top 10 Battle · Take #2: Movie Reviews

• 0:00
  All right, ladies and gentlemen, welcome back to another episode
• 0:03
  of the Take Two pod with Mom and Dad.
• 0:06
  I'm Dad. And I'm mom.
• 0:09
  The kids are down while they're in bed at least.
• 0:12
  Little man still fussing around but.
• 0:14
  Yeah, you might hear our toddler.
• 0:16
  He likes to lay in bed and talk and sing to himself, sometimes
• 0:20
  for two hours before he actually.
• 0:22
  Falls asleep. He needs to stop napping at
• 0:24
  daycare. It's killing this.
• 0:26
  I I agree. But what do you do right?
• 0:28
  He's actually been awesome lately.
• 0:31
  Like we said in the last episode, he's been doing a lot
• 0:33
  better with his potty training. Five days in a row.
• 0:35
  Of pooping, Amazing, amazing. And his attitude.
• 0:39
  Lily is so good. He's like, so joyful.
• 0:42
  I took him for a haircut and he's looking real sharp.
• 0:45
  Yeah, he looks really nice. Our baby's actually the bigger
• 0:48
  issue at the moment. Yeah, they are.
• 0:51
  This child does not like to eat. She doesn't want to eat
• 0:54
  anything. Well, maybe she's watching her
• 0:56
  figure. Well, we're we're.
• 0:57
  Working on solids, we're trying baby led weaning and we're
• 0:59
  trying purees. We're going to see what works,
• 1:02
  but I'll tell you what, she's not a big fan of either.
• 1:05
  But I mean, she could afford to lose some weight.
• 1:07
  I mean, let's be real. She got a lot of roles she got.
• 1:10
  More roles than a bakery. OK, little Popeye arms.
• 1:14
  Or something. So we're on episode 10 and we've
• 1:17
  decided to switch things up a little bit for episode 10.
• 1:21
  We're actually going to do a top ten list and we're going to call
• 1:25
  this segment or this format the Top 10 battle.
• 1:29
  And basically what we're going to do is we've decided to
• 1:33
  review. I love you, pumpkin.
• 1:36
  I love you, honey Bunny. Alright everybody be cool.
• 1:40
  This is a robbery. If any of you motherfuckers
• 1:43
  move, I'll execute every motherfucking last one of you.
• 1:52
  The movies of the Amazing Quentin Tarantino.
• 1:56
  That's right, Quentin Tarantino's top ten list.
• 1:59
  And yes, we've split Kill Bill one and two into two separate
• 2:02
  movies. Because they are.
• 2:04
  Because we believe they are. Even though he released them as
• 2:07
  one whole bloody affair recently, we still think they're
• 2:10
  two separate movies. Yeah, they have two different
• 2:13
  fields in my opinion. Yes, I agree.
• 2:16
  So what we're going to do in this format is we're going to
• 2:19
  spin the wheel literally, and we're going to, it's going to
• 2:23
  choose a movie from the movies at random, at random.
• 2:27
  We're going to talk about them and where they rank personally
• 2:30
  on our personal lists. If you don't agree with our
• 2:33
  personal lists, that's too fucking bad.
• 2:35
  This is our list, and then we're going to make a master list
• 2:39
  where we try to figure out, we try to compromise and see where
• 2:44
  our movies actually should. Land Yeah, we both have to agree
• 2:48
  how, how and where to rank each movie because we have some
• 2:51
  different opinions about Tarantino's movies.
• 2:53
  We do so am I getting a little heated?
• 2:55
  But that makes for good content, so agreed.
• 2:58
  Are you ready? I'm ready, Dad.
• 3:00
  OK, first movie. Ooh, Reservoir Dogs, his first
• 3:16
  movie is our first movie tonight.
• 3:18
  And in my opinion, his worst movie.
• 3:21
  This is number 10 on my list. Coming out with fire number. 10
• 3:27
  #10. Yo, you're trying to get.
• 3:30
  Killed. No, Listen, all of Tarantino's
• 3:32
  movies are good. This is just the worst of the
• 3:35
  good in my opinion. I've got it at #8.
• 3:39
  OK, it's pretty low on your. List too and I agree his worst
• 3:42
  movie Like out of his 10 movies his worst one is better than
• 3:45
  most directors best movies so. Yeah, him on a bad day is what
• 3:50
  most directors dream of being on a good day.
• 3:52
  OK, why are you putting it at #10 Explain yourself.
• 3:55
  So not to be sexist, but I do feel like this is a boy movie
• 4:01
  and I don't feel that way about all of this movies.
• 4:03
  OK, but for me it just didn't hit.
• 4:05
  I found it a little bit gross. All the talk about this, the the
• 4:10
  the gunshot in the stomach I thought was really nasty.
• 4:14
  The torture scene is really nasty.
• 4:17
  I do like the diner scene at the beginning with everybody's code
• 4:20
  names and I do believe that Steve Buscemi is an absolute
• 4:26
  jewel. But for for me, this movie just
• 4:30
  it's low budget and it feels low budget in my opinion.
• 4:34
  OK, so this movie Reservoir Dogs I, I'm, I agree it's it's
• 4:40
  probably not aged the best. It is low budget, but that's,
• 4:44
  you know, it was an independent film.
• 4:45
  It was at Cannes. This movie was like very well,
• 4:51
  critically acclaimed actually, because of how different it was.
• 4:55
  Um, but I wouldn't give it a 10. Like, I wouldn't put it on the
• 4:58
  bottom of the list. I'm shocked.
• 5:00
  I felt bad putting it at #8. You and I have very different
• 5:04
  opinions about. There's several Tarantino movies
• 5:06
  that we feel very. Differently, Reservoir Dogs has
• 5:08
  its has its charm. It has its issues.
• 5:10
  My biggest issue with it, honestly, is some of the lines,
• 5:14
  some of the dialogues seem forced.
• 5:16
  Tarantino was still really early in his game, so his dialogue
• 5:20
  game wasn't all polished yet. Like the opening scene with the
• 5:23
  breakfast. That scene, it's very clever,
• 5:26
  it's very well shot, the way it's spinning around the table
• 5:29
  and everything. But the dialogue, some of the
• 5:32
  some of the dialogue from Harvey Keitel especially, is really
• 5:36
  just forced. And that guy's a pretty good
• 5:39
  actor, But every time I see him overact and try to like, force
• 5:43
  things kind of takes me out of the movie.
• 5:45
  Yeah, I felt the dialogue was a little bit odd as well.
• 5:48
  You do definitely start to see sparks of Tarantino's genius in
• 5:52
  this movie, but I don't feel like it was a full roaring fire
• 5:56
  yet. No, it wasn't.
• 5:57
  This was just sparks for sure. But I don't I don't think it
• 6:00
  believe it belongs in 10. But hey, that's that's your
• 6:03
  opinion. So, so you put it at #7 or #8, I
• 6:06
  put it at #10. Can we compromise with putting
• 6:09
  it at #9 on the master list for now?
• 6:12
  We, we, we may, we may have to move.
• 6:14
  OK, I can live with that. Let's put it at #9.
• 6:16
  All right. All right, so the next movie on
• 6:19
  our list. You ready to move on, Mom?
• 6:21
  Yeah. OK, next movie on our list.
• 6:23
  Let's spin the wheel. Ooh, the wheel has stopped.
• 6:31
  What's your name? I see Stuntman Mike likes your
• 6:37
  name, you ask? Hey Warren, who is this guy and
• 6:47
  who the hell is stuntman Mike Death proof?
• 6:50
  Death proof. OK, I'll go first this.
• 6:54
  Time part of part of Grindhouse. So I put death proof at #9.
• 6:59
  I put death roof at #6. Whoa.
• 7:03
  Death proof. How are you doing?
• 7:04
  Death Proof has a very special place in my heart.
• 7:07
  OK. This is a girl movie.
• 7:10
  OK, I'm I'm gonna go first. Go ahead.
• 7:13
  We have to. You can't be starting everything
• 7:15
  by yourself. Death Proof is number 9.
• 7:18
  I've seen it maybe 3 times. It is a Robert Rodriguez
• 7:25
  complete like combination movie where he collaborated with him
• 7:29
  for Planet Terror. It looks like it's filmed in the
• 7:34
  70s, but it takes place in modern day because everybody's
• 7:37
  got flip phones and stuff like that.
• 7:40
  I like the concept of a serial killer stuntman who basically
• 7:46
  goes around and picks up women and then like drives around and
• 7:51
  tells them that this car's death proof unless you're in the
• 7:54
  drivers or if you're unless you're not in the driver seat.
• 7:57
  And he just kills them. And like, it's kind of cool, but
• 8:01
  I don't think it deserves to be an hour and 40 minute movie.
• 8:05
  It's just wild enough to work. So like dad said, it's a serial
• 8:09
  killer stuntman and it shows two different scenarios of two
• 8:13
  different nights where he comes across women who he then
• 8:16
  attempts to murder. OK, one of them is a successful
• 8:20
  murder and the second time he gets his ass handed to him by
• 8:22
  some bad ass women who are also stunt women.
• 8:27
  I think you put this at 6:00 because of the women, and you
• 8:30
  put Reservoir Dogs because there's no women.
• 8:33
  You put it at 10. I think there's some bias.
• 8:35
  Here, No, no, no, no. Some sexism going on.
• 8:38
  You'll you'll you'll eat those words when you see what I.
• 8:40
  Have OHS stop. What I have that higher
• 8:42
  high-ranking, but I discovered Death Proof actually have a
• 8:45
  really sweet story about how I discovered Tarantino in general.
• 8:49
  So when I was turning 18, I I gone home from school for the
• 8:56
  summer because my birthday is in June.
• 8:58
  And my older brother was like, I want to get you a birthday gift,
• 9:02
  which is really sweet. So a giant tiger had just opened
• 9:06
  up in Berry. So he takes me to the giant
• 9:09
  tiger and he said pick whatever you want as your birthday gift,
• 9:13
  whatever. And they had a Tarantino box set
• 9:17
  and it had every Tarantino movie except for the really new ones.
• 9:21
  So it had Pulp Fiction, it had Kill Bill One and two, it had
• 9:25
  Death Proof, it had Jackie Brown, and it had Reservoir
• 9:28
  Dogs, and it was like 3 or 4 discs.
• 9:34
  Yeah. Um, so I picked that and then I
• 9:37
  picked a tub of gummy octopuses. He bought it for me and I
• 9:43
  thought that was really sweet that he took me.
• 9:45
  He said, but by whatever you want.
• 9:46
  And then the first movie I watched, I went home.
• 9:49
  I put it in my little DVD player was death proof and I was A
• 9:52
  teenage girl and it was this badass girl movie and it hit so
• 9:56
  good. And ever since then I've just
• 9:59
  loved it. I loved the lap dance scene.
• 10:01
  I love the women with their legs hanging out the the windows of
• 10:05
  the car. I love the short shorts.
• 10:08
  It's summer, they're in bars it. Feels along with.
• 10:11
  It feels a little sweaty, It feels like there's rain.
• 10:14
  It doesn't belong at #6. It has such a specific vibe and
• 10:17
  it has a special place in my heart, which is why it's my
• 10:20
  number. Six OK, but there's several
• 10:21
  scenes that need to be cut out because they're just boring and
• 10:24
  dry. It takes about 40 minutes before
• 10:27
  the 1st kill happens. But that's the thing.
• 10:30
  It's not even a slow burn. It's.
• 10:31
  Just more for their ride with these girls.
• 10:33
  They're they're, they're going away for the weekend.
• 10:35
  They're gonna have a fun time. They're going to their friends
• 10:37
  lake house. They're just chilling at a bar.
• 10:40
  Yeah, it's trying to be a horror movie, but there's no horror
• 10:42
  about it. It's actually comical.
• 10:45
  It's not. Scary.
• 10:46
  Supposed to be campy. Yeah, it's too campy.
• 10:49
  It's. I also love Rosario Dawson.
• 10:51
  It's pure Robert Rodriguez influence which takes me away
• 10:54
  from Tarantino. So I have to go away.
• 10:56
  I, I can't, I can't be compromising with this one.
• 10:59
  I'm sorry. OK, but this is not going at #9.
• 11:02
  I will not put it lower than #8I.
• 11:04
  Was going at 8 then. I'll put it at 8.
• 11:06
  It's going at 8:00. If you're going to move
• 11:08
  Reservoir Dogs to 9, this is going to aid.
• 11:10
  But I I I do believe that it deserves a higher ranking.
• 11:16
  Yeah, you have a sentimental connection with this movie,
• 11:21
  unfortunately. Yeah, which is why I'm agreeing
• 11:23
  to put it lower on on the master list, but on my personal.
• 11:26
  List. It's it's 6.
• 11:28
  I felt bad putting it that low because I have such a love for
• 11:31
  it. All right.
• 11:32
  OK. You ready for the next one?
• 11:34
  Let's do it. All he wanted.
• 11:47
  Was a blanket. You'd be surprised what a man
• 11:52
  backed cold would do for Blank. You won't know what your boy.
• 11:59
  Did the Hateful 8? The hateful 8 ohm boy.
• 12:04
  Where do you have this ranked at?
• 12:07
  I have Hateful 8 at #5. I have Hateful 8 at #4.
• 12:11
  Ohe close close. Wow 4.
• 12:14
  I adore this movie. I really like this movie.
• 12:17
  It's OK. So I think this movie is super
• 12:20
  underrated. Well, you actually didn't like
• 12:23
  it and I suggested we watch it again and it happened to be a
• 12:27
  very snowy wintery night when we watched it and now dad, it's
• 12:31
  very cute. Dad loves watching it when it's
• 12:34
  very snowy outside because it it gives you the vibes.
• 12:37
  The cosy movie and when we rewatched it you were like, I
• 12:40
  was wrong. That movie hits.
• 12:42
  We watched it in theatres when it came out, so this is one of
• 12:44
  the few Tarantino movies that we actually got to see in theatres
• 12:47
  together, and I wasn't a huge fan of it.
• 12:51
  The thing that really turned me off was the third act.
• 12:55
  And Tarantino does struggle sometimes with finishing off his
• 12:59
  movies. We're gonna talk about that in
• 13:01
  another movie where it's a big problem.
• 13:04
  I kind of got over it and you know which part I'm talking
• 13:07
  about when they reveal. Yeah, after the twist.
• 13:10
  Basically the twist happens. By the way, this is a whodunit,
• 13:13
  which is amazing. Really good act characters,
• 13:16
  really good acting dialogue. And it's amazing.
• 13:20
  All takes place in the cabin. It what I love about it is it
• 13:22
  feels like a play. Feels like a play.
• 13:24
  You could easily make this a stage play.
• 13:27
  Yeah, yeah. And it would work so well, Yeah.
• 13:29
  Cause the, the character development is amazing.
• 13:32
  There's lots of monologues, there's lots of talking right.
• 13:34
  But it builds the characters in such a unique and specific way.
• 13:38
  So, hatefully, as soon as the twist is revealed, spoiler alert
• 13:43
  that Channing Tatum is in the basement.
• 13:47
  He's in the basement. Right.
• 13:48
  Yeah, he's been in the basement the whole the whole God damn.
• 13:50
  Time Channing Tatum's in the basement and they kind of show
• 13:55
  what happens to the haberdashery before Samuel Jackson and Kurt
• 14:00
  Russell get there. I was kind of like, OK, and then
• 14:03
  there's this standoff that's kind of underwhelming little
• 14:07
  bit. And I think my I love Channing
• 14:10
  Tatum, but I think it was really miscast.
• 14:14
  I don't think it should have been him as the brother.
• 14:17
  It's underwhelming too because he pops out and spoiler alert,
• 14:20
  he gets his head blown off pretty much immediately.
• 14:22
  But I think he wasn't the right guy for that role.
• 14:25
  Yeah, he The thing is the sister that he's there to save is like
• 14:30
  a white trash dirtbag. And they needed a I'm sorry, but
• 14:33
  that's true. And they needed a white trash or
• 14:35
  Big Brother. And Channing Tatum is a little
• 14:37
  too clean cut and like, he doesn't work in that role.
• 14:40
  Yeah, he, he just, it didn't sit.
• 14:43
  It didn't sit right. Like it could have been anybody
• 14:46
  honestly. Channing Tatum was just miscast
• 14:48
  unfortunately. It wasn't an outstanding role.
• 14:50
  For him, he's awesome. He makes good movies.
• 14:53
  Step up was one of my favorite movies growing up.
• 14:57
  It coach Carter. He's in that, he's pretty good
• 14:59
  in that, but I'm sorry, he just something about it just seems
• 15:04
  out of place and maybe I'm a Channing Tatum hater.
• 15:07
  He was out of place in Gambit too, as gambit.
• 15:11
  People like, Oh my God, Gambit in the the third Deadpool movie,
• 15:15
  Deadpool and Wolverine, he was Gambit and I'm like, ohf, he
• 15:19
  doesn't look good on him. It just doesn't.
• 15:21
  I don't know. I think he he needs to be in
• 15:24
  specific roles. But yeah, I do feel that he may
• 15:26
  have been a little bit miscast. I do like that they went into
• 15:29
  the haberdashery and they they murdered everybody and they're
• 15:33
  hiding it and the old man sitting by the fire just going
• 15:36
  along with it doesn't care. So I do like that part of it
• 15:39
  because it does add that suspicion and.
• 15:42
  But. Like why is he helping?
• 15:44
  The third act is actually really good, but the Channing Tatum
• 15:48
  part, I don't know what it is. He was good in Blink twice.
• 15:51
  Remember that movie where they go on that rich?
• 15:54
  He's a rich guy and he invites them to their.
• 15:55
  Island because that seems believable for him.
• 15:58
  He he needs to play roles where it's believable exactly.
• 16:01
  And he wasn't believable as like an outlaw.
• 16:03
  Cowboy, Can you imagine if it was Christian Bale that came out
• 16:06
  of that basement? Oh my God, you just, you fixed
• 16:08
  it. You know what?
• 16:09
  I. Mean you just fixed it.
• 16:11
  If Christian or even Russell Crowe just dirtbag Russell Crowe
• 16:15
  like from. With a scraggly beard.
• 16:17
  Oh fuck yeah, that that would have worked better.
• 16:20
  I agree. But the the movie itself, really
• 16:23
  interesting. We start out on like in a
• 16:26
  Stagecoach, really snowy, really dangerous old Midwest.
• 16:32
  We get to the haberdashery. Everybody's freezing.
• 16:34
  Like you feel the wind and the cold, the doors blowing open.
• 16:37
  They always have to nail it shut.
• 16:39
  It feels so like it. It just feels like a vibe.
• 16:44
  Yeah. And it's so spooky.
• 16:45
  There's some guitar playing. They're eating like hot Stew.
• 16:48
  There's just, it's it's such a good movie.
• 16:51
  I really like it. So that's why I put it as my
• 16:53
  number 4. You put it as your number 5.
• 16:57
  What do we do here? And our master list, where
• 17:01
  should it go? Should be 4 or should it be 5,
• 17:02
  but obviously has to be one of those.
• 17:04
  Uh, I compromised with the well, I I would keep it at 5:00.
• 17:11
  I'll keep it at 5, OK? It's in the middle.
• 17:13
  I'm, I'm willing, I'm willing to put it to five.
• 17:15
  I don't want it any lower than that.
• 17:16
  So I'm actually, I'm, I'm glad and surprised.
• 17:19
  I didn't think hatefully it was going to be this high on your
• 17:21
  list. I thought it was going to be
• 17:23
  lower. I'm really interested to find
• 17:26
  out what your number 10 is. I have no idea.
• 17:28
  Alright, ready for the next one? Mom, let's do it, OK?
• 17:38
  Oh boy. I know he didn't qualify that
• 17:42
  shit. So you can just kiss my mother
• 17:45
  fucking ass black Mamba? Mama.
• 17:50
  I should have been motherfucking black mom.
• 17:52
  Weapon of choice. If you want to stick with your
• 17:54
  butcher knife, that's fine with me.
• 17:58
  Very funny bitch. Very funny.
• 18:03
  Kill Bill, Volume 1. Volume 1, OK.
• 18:09
  You go ahead. This is my #5.
• 18:13
  What? Kill Bill volume 1 is my number.
• 18:16
  5. What about you?
• 18:19
  Wow, I've got it a #3. Wow.
• 18:24
  Kill Bill Volume 1 and I'll tell you why.
• 18:29
  So this movie, my brother came home one day.
• 18:33
  He's like, I rented Kill Bill Volume 1.
• 18:36
  I said, yo, I saw all the commercials, right?
• 18:40
  I think I was 12 or 13. So he brings it in the house.
• 18:44
  We put the DVD in and we watch it and I'm just like, my
• 18:50
  eyeballs are like popping out of my head because of.
• 18:53
  Because the violence. Cause the violence, the colours,
• 18:57
  the the, the spectacle, the like, it's campy Kung Fu vibes,
• 19:02
  but it's modern day. And I've seen all those old Kung
• 19:05
  Fu movies with Jackie Chan, all the old ones like the the
• 19:12
  Shaolin monks, Charlie Shaolin style.
• 19:15
  They're 36 chambers. I watched that.
• 19:18
  Sorry, we'll cut that out. I watched 36 chambers.
• 19:21
  I watched all the Jackie Chan ones, Drunken Master, the Bruce
• 19:26
  Lee movies, Game of Death, you know, Fist of Fury, all of those
• 19:30
  movies with the bad dubbing and the crazy music and the the
• 19:34
  quick zooms and this quick zoom outs.
• 19:37
  Like I'm watching this. And it was the addition where
• 19:40
  when the she fights the crazy 88 it goes black and white because
• 19:44
  they wouldn't allow it. It would have been X-rated.
• 19:46
  It was the R rated. Version.
• 19:48
  Is that why? Yeah, you didn't know that it
• 19:50
  was black and white because. I know it was black and white,
• 19:53
  but I thought that was just a directorial.
• 19:54
  Choice, the MPAA rating. They were like, we're not gonna
• 19:57
  let you release this in colour. You have to do something about
• 20:00
  this because there's so much blood.
• 20:02
  It honestly does help that it's in black and white because it
• 20:05
  before that it's starting a little.
• 20:06
  Disturbing it leaves. A little bit.
• 20:08
  It leaves something to the imagination, but this movie, it
• 20:11
  had the anime sequence. It's jaw dropped when I saw
• 20:16
  that. Cause when I.
• 20:17
  Seen somebody do this? This is Tarantino going here's
• 20:22
  my budget. I have all this money available
• 20:25
  to me now, right? They're letting me make whatever
• 20:28
  fucking movie I want to make. So he does it.
• 20:31
  He's like, I'm going to mix it with, it's like a western.
• 20:35
  I'm gonna make it like a Kung Fu movie, like it's like Kung Fu
• 20:40
  exploitation, like those kind of movies.
• 20:42
  Throw some anime in. There some anime in there, some
• 20:45
  blood, like whatever, you know, all the old homage things that
• 20:50
  are happening into this. Like you've got Sonny Chiba who
• 20:55
  makes the sword, the Hattori Hanzo.
• 20:58
  That is so like that whole sequence is.
• 21:01
  Amazing. And then you've got David
• 21:03
  Carradine from the show Kung Fu who plays Bill, which is like,
• 21:08
  it's like meta. It's super meta because, yeah.
• 21:10
  And did you know that he was cast as the guy in Kung Fu over
• 21:15
  Bruce Lee? They cast him because Bruce Lee
• 21:18
  was Asian. They're like, people don't want
• 21:20
  to watch. At the time, they were like, oh,
• 21:23
  people aren't gonna watch Chinese guy on TV.
• 21:26
  So they cast David Carradine for Kung Fu.
• 21:28
  And he was really, his heart was broken.
• 21:30
  Then he went to China to make Kung Fu movies because the
• 21:36
  Hollywood didn't want him. Yeah, it was a it was a
• 21:38
  difficult time then, if you were, if you were.
• 21:40
  Chinese but Oh my God this movie is so good.
• 21:43
  This movie introduced me to Tarantino.
• 21:45
  This was the one and this. Is your first.
• 21:47
  Was my first Tarantino and people were like, oh, you gotta
• 21:50
  watch Reservoir dogs. And then I, I found a copy of
• 21:53
  reservoir dogs at and like a bargain bin on VHS and I bought
• 21:58
  it for like 7 bucks and I took it home and I was like what am I
• 22:01
  watching? You know, like the ear cutting
• 22:04
  scene. So I'm like, oh, this is this is
• 22:07
  what this guy does. He's just pure chaos and blood.
• 22:11
  Yeah, so for me, the Kill Bill, I have brothers.
• 22:15
  So I had seen Kill Bill, I'd seen them watching Kill Bill one
• 22:18
  and two, seeing bits and pieces of it, was never really
• 22:21
  interested. And then my brother bought me
• 22:23
  that Tarantino box set. And that was the first time I
• 22:26
  really sat down and watched Kill Bill 1 and Kill Bill 2 all the
• 22:29
  way through. And I was like, yo, I've been
• 22:31
  sleeping on these movies. This is a good it's a good
• 22:34
  story. And the interesting thing about
• 22:36
  the first movie, Kill Bill Volume 1, is we don't really
• 22:40
  hear we we sort of that like why she's on this revenge rampage,
• 22:47
  but we don't really know the whole story yet.
• 22:49
  We don't really know what's going.
• 22:50
  On you don't. We kind of are just along for
• 22:52
  this ride with this woman who's, you know, very vengeful and
• 22:55
  wants to kill all these people. We don't really know why.
• 22:58
  We go to Vegeta Greens house. We see that whole thing happen
• 23:02
  overnight. Vernita Green.
• 23:04
  Vanita Green, the Black Mamba? Yeah, just call her Black.
• 23:08
  Mamba no no. Black Mamba is Beatrix Kiddo.
• 23:12
  Ohe yeah, she says. I'm the motherfucker, Black
• 23:14
  Mamba. No, she's the She's Copperhead.
• 23:19
  Copperhead's a black girl. I believe so cause cottonmouth
• 23:22
  is already she I'll driver is the California mountain snake.
• 23:28
  Just call her Vivica A Fox. That's the actress's name.
• 23:31
  I forget her fucking name. OK, well, anyway, she goes, she
• 23:34
  goes to her house, they have this standoff, they're both
• 23:36
  really good fighters. There's knife fight going on.
• 23:39
  She takes her unaware, throws a frigging dagger at her head.
• 23:44
  And then of course, we have the whole scene with the Crazy 88.
• 23:48
  Yeah, it starts off really strong with the O&E back story,
• 23:51
  with the anime scene. Yeah, so we see that she has a
• 23:55
  very tragic back story, but she's also a world class
• 23:58
  assassin. And then we see that she has
• 24:02
  become the leader of what's it called?
• 24:05
  What's the Japanese mob called? The Japanese mob that the
• 24:09
  Yakuza. Yeah, she's she's become the
• 24:11
  leader of the ACUSA. Yeah.
• 24:13
  And then we go into the whole Crazy 88 scene, which is great.
• 24:16
  But the reason this ranks #5 on my list is because I feel like
• 24:20
  that whole sequence is too long and it gets a little bit boring.
• 24:24
  I know it's really epic fight scene when she's killing all of
• 24:27
  them, but it runs a little too long.
• 24:29
  I don't think. So it's gratuitously violent, I
• 24:32
  think, and we're not getting any character development.
• 24:34
  We're just seeing she's a badass I could take.
• 24:36
  On all these people, honestly it ends and I'm like ohhhhh I
• 24:39
  wanted more. I didn't want more, I want it
• 24:41
  less. So you put it at 5:00 because of
• 24:43
  that. Basically after the scene with
• 24:46
  Gogo and until the scene with when she fights Oren, I find
• 24:51
  that whole like I kind of don't, I like I kind of zone out.
• 24:54
  I don't really watch that. Part go go scene is really.
• 24:56
  Good, the Gogo scenes amazing, but when she's fighting all the
• 24:58
  crazy 88, it doesn't really hold that much value for me because
• 25:01
  it's just it gets kind of repetitive and boring.
• 25:03
  It's like in a video game where you have one of those levels
• 25:06
  where it's like Mario versus the Kirby team or Mario versus the
• 25:10
  Yoshi team, like it's a bunch of NPC's basically that she's
• 25:15
  killing. Yeah.
• 25:17
  I did look up online, though, that she in, in the course of
• 25:20
  these two movies, she kills between 70 to 80 people.
• 25:24
  And it can't be confirmed because not all of the blows she
• 25:27
  hits, her death blows. But the Crazy 88 scene, I'll
• 25:30
  tell you this, we've seen it a bunch of times.
• 25:33
  The first time you watch it, she's standing there with the
• 25:35
  sword and they've all surrounded her and they're slowly walking
• 25:39
  up to her and she just fucking goes to town and she rips that
• 25:42
  guy's eye out. Right when that happens, it goes
• 25:45
  black and white. It's.
• 25:47
  First time you see it, it's like holy shit.
• 25:50
  And then for me, it's a holy shit all the time.
• 25:54
  It runs a little bit too long. So that's why I put Kill Bill
• 25:58
  Volume 1 as #5 still an incredible movie, still an
• 26:02
  amazing story, but I, I, I felt that it was it, it ranked five
• 26:07
  on my list. So since you rated it three, I
• 26:09
  think we should put it for four on the master list.
• 26:12
  Kill Bill one on four. OK, yeah, alright.
• 26:16
  This is going to be a moment where we both really disagree.
• 26:19
  We can always move things. We're just, we're just, you
• 26:22
  know, we're going to figure out the master list at the end.
• 26:24
  OK, you're ready for the next one.
• 26:26
  I'm ready. I don't dodge guilt.
• 26:36
  And I don't chew out of him, I come uppance.
• 26:41
  Can we just forget the past? Bad woman desires her revenge.
• 26:57
  And we deserve to die. Kill Bill, Volume 2.
• 27:02
  No way they kick it back. To back-to-back in in in
• 27:06
  chronological order too. So where is this on your list,
• 27:09
  Dad? I put this at six.
• 27:12
  How did this is my #3? OK, so you put one at 5 and you
• 27:17
  put. OK, OK.
• 27:19
  I think that Kill Bill Volume 2 is superior for, and I'll tell
• 27:23
  you one reason, the cruel tutelage scene.
• 27:27
  That scene is one of when she's learning how to how to fight,
• 27:32
  basically learning Kung Fu. That is one of the best scenes
• 27:34
  in any movie ever. It's more of a sequence.
• 27:37
  The sequence? Sure.
• 27:38
  Amazing. He is so hard on her but we
• 27:42
  watch her win him over with her like straight tenacity.
• 27:46
  We see her running up the hill with the with the buckets of
• 27:48
  water. We see her fight him with her
• 27:50
  samurai sword. We see her relentlessly hitting
• 27:53
  that board at close range with her fist trying to break it.
• 27:57
  It's it's on par with the rocky scene where he runs on the beach
• 28:00
  and it shows his up close, really muscular thighs.
• 28:03
  Yeah, the slomo with Carl. Weathers, if you want to be
• 28:06
  inspired to work out, watch that scene.
• 28:08
  Really. Yeah.
• 28:10
  Yeah, this is your point of view is that of a girl for sure,
• 28:14
  because for me it was it's OK. It's not super inspirational but
• 28:21
  kill Bill volume to like my brother rented one and then when
• 28:24
  2 came out a few months later he rented #2 and I was like OK and
• 28:33
  my problem with this movie and this is the reason why I think
• 28:36
  it should be two separate movies.
• 28:38
  It is 2 separate movies. It is completely.
• 28:42
  Different. It's very, very different.
• 28:44
  Yeah, there's less martial arts. The whole Kung Fu vibe is gone.
• 28:48
  There's a few moments, but that. Becomes, yeah, there's there's
• 28:52
  way less samurai sword fighting and it becomes more of a Western
• 28:56
  Yeah, and #2 with the exception of the cruel tutelage scene.
• 28:59
  My issue with it is I liked the beginning.
• 29:03
  I like Kill Bill Volume 1 because of the Kung Fu part.
• 29:06
  The Western part, I was like, oh, I want some of the Kung Fu
• 29:10
  stuff back. Take me back to Japan.
• 29:11
  Like I don't want, I don't want this.
• 29:13
  So she does a cruel tutelage, which is kind of Kung Fu.
• 29:16
  It is, but then the rest doesn't really.
• 29:19
  But the rest isn't even her fucking fight with Bill at the
• 29:22
  end. It's so anticlimactic.
• 29:24
  It's the five point palm exploding.
• 29:25
  Heart technique. It's anticlimactic.
• 29:29
  I think it's, I think he kind of phoned that.
• 29:33
  This is the thing. The third act of that movie,
• 29:35
  like the whole reveal with the daughter was like, OK, like he's
• 29:39
  been taking care of the daughter.
• 29:41
  Yeah, it's shocking. Beatrix finds out that her
• 29:44
  daughter lived. I don't know.
• 29:46
  And also, we get the bride scene at the very beginning of the
• 29:49
  movie. We find out scene, we find out
• 29:52
  what happened. Finally, great sequence.
• 29:54
  And we have the pregnancy test sequence where she finds out
• 29:57
  she's pregnant. Yeah, I like the sequence with
• 29:59
  the the beginning where they show us what happened before
• 30:02
  they shot up the the Chapel, and also when she breaks out of the
• 30:07
  the little grave and that she's buried alive by Michael.
• 30:09
  Madsen Epic. Really disturbing.
• 30:12
  Yeah, very epic. But I don't know, there's a lot
• 30:16
  of dialogue in this movie. I just didn't really care.
• 30:20
  I I was like, give me the fucking revenge nonstop, just
• 30:24
  one after the other. But this is this is.
• 30:26
  Giving this is giving us motive. And we also see why a hot little
• 30:32
  piece like Kiddo is with David Carradine in this movie.
• 30:36
  Because if you look at him physically, you're like you.
• 30:41
  Yeah, he's Grandpa. But then we have the scene where
• 30:44
  they're camping out. He's playing his little flute
• 30:47
  for her. He's telling her the story.
• 30:49
  Didn't didn't fight with me. I'm sorry.
• 30:51
  It make it makes him sexy. No, no, he's grandpa.
• 30:54
  He's very. Chilling a story on a campfire
• 30:56
  and he's basically. OK, let me tell her from a
• 30:59
  woman's perspective, he's very charming and sweet and his voice
• 31:03
  is lulling you in that scene. He comes off as very sexy in
• 31:07
  that scene. And then you're like, OK, I
• 31:08
  understand why she's with him. I get it.
• 31:11
  I get how he gets all these women.
• 31:13
  I mean, I don't understand it personally.
• 31:16
  Well, because if you just look at him, you're like you.
• 31:18
  Yeah, and he doesn't see menacing in the first movie.
• 31:21
  They don't show his face. He's not menacing.
• 31:23
  That's why she felt she felt comfortable when he got.
• 31:25
  There he no, but in the first movie they don't show his face.
• 31:28
  They show him playing with the sword.
• 31:29
  He's on the phone. He's like very scary.
• 31:33
  He's like Thanos. And then the second movie they
• 31:35
  just fucking showed me just some old guy who hires people.
• 31:38
  Well, that's the thing. When he showed up at the Chapel,
• 31:39
  she wasn't afraid. She talked to him and they were
• 31:42
  like flirting and she felt. Exactly, that's my point.
• 31:45
  You went. From high then he fucking.
• 31:47
  He went from Thanos to a little bitch.
• 31:49
  No, he wasn't, because he brought in all those people to
• 31:52
  murder her. No, after that scene where they
• 31:55
  basically made amends. He didn't seem menacing and.
• 31:58
  That's very menacing in. The first movie he seen
• 32:00
  menacing. To me, Michael Madsen was more
• 32:03
  menacing than he was in the second movie.
• 32:06
  And the second movie, there was this sense of like, regret from
• 32:09
  him, and he was like, oh, don't kill me, No.
• 32:12
  He felt guilty for what he did to her.
• 32:15
  Well, it's too late for the. Character arc he he acted out in
• 32:19
  a moment of jealousy and anger and then he felt guilty about it
• 32:21
  and he raised her daughter until she came and collected her
• 32:24
  basically. That's a bit much.
• 32:26
  OK what? Where did you have it?
• 32:27
  You had. It at three at #3.
• 32:29
  You had it #6. Oh, so we moved hatefully to 4,
• 32:34
  right? No, hatefully, it is number 5.
• 32:37
  What's at 4 right now? Kill Bill 1.
• 32:39
  I can leave it at three. Yeah, yeah, it's close enough.
• 32:43
  Alright, I know you're gonna fight for the top spots.
• 32:47
  You ready for the next one? Yeah.
• 32:55
  OHP, here we go. Jesus Christ.
• 33:04
  Fuck Cute. Damn it Rick, fucking lines and
• 33:11
  verse yourself like that in front of all those God damn
• 33:14
  people when you're drinking all night.
• 33:16
  Fucking drinking again. 8 God damn fucking whiskey sours.
• 33:20
  Once Upon a time in Hollywood. Fucking A.
• 33:23
  You asked me what I'm putting at #10.
• 33:26
  This is going at #10. For real.
• 33:29
  Yeah, I have a fucking huge problem.
• 33:32
  With this, well, I have it at #9.
• 33:34
  I have a huge fucking problem with this movie.
• 33:36
  I have several problems with this movie.
• 33:38
  OK, the the the thing that bothers me about this movie,
• 33:42
  there's so much promise. There are good parts, but it's
• 33:46
  it fucking got ruined. It's too long.
• 33:50
  So that's part of the issue. It's way too fucking long we
• 33:55
  working. So just for context, we watched
• 33:57
  this the week it came out. We were camping in the US and we
• 34:01
  went with your cousins. A bunch of us went like 7 of.
• 34:04
  Us went. We were pumped.
• 34:05
  We were so. Excited Tarantino movie opening
• 34:08
  weekend. Opening weekend, wall camping.
• 34:10
  So we leave the campsite, we get all dressed up.
• 34:13
  We're like, let's go do some human functional things like eat
• 34:16
  popcorn. Yeah.
• 34:17
  And it was raining. Conditioning.
• 34:18
  It was raining at. The camp layout.
• 34:20
  So we go and we're excited and I enjoyed it the first time I
• 34:24
  watched it because that's my problem with this movie.
• 34:28
  It's a one time watch because it's too fucking long, there's
• 34:32
  minimal payoff and Tarrant. It's not a Tarantino movie.
• 34:37
  The only scene that's a Tarantino movie is the murder
• 34:40
  scene at the end. That's the only scene that feels
• 34:42
  like Tarantino. Let me give you something that I
• 34:45
  noticed recently. Alright, every Tarantino movie
• 34:50
  starts, the opening scene fucking draws you in.
• 34:55
  Every single one. Kill Bill?
• 34:58
  She gets shot, remember? Inglorious bastards.
• 35:03
  Hans Landa shows up at the farm. Pulp Fiction.
• 35:06
  The diner scene. The diner scene, exactly.
• 35:10
  Every single one starts with a bang.
• 35:12
  This movie does not. This movie starts with a fucking
• 35:17
  clip of Leonardo DiCaprio. Rick Dalton and his stunt double
• 35:24
  by played by Ben. Brad.
• 35:25
  Brad, Brad Pitt. OK.
• 35:28
  And they're just sitting there being interviewed and he's
• 35:31
  talking about how he's my stunt double and he does this and
• 35:35
  that, and then it cuts to them and Leo is in a restaurant and
• 35:39
  he meets up Al Pacino. Big fucking waste of Al Pacino,
• 35:42
  if you ask me. He's never been.
• 35:44
  Interior got that? Al Pacino is even in this.
• 35:46
  Big waste of Al Pacino, OK, Huge waste of him.
• 35:50
  And he's just talking to him and he's like, yeah, you should
• 35:53
  probably go to Italy and do Italian movies.
• 35:57
  And Leo comes out crying. It's not interesting.
• 36:00
  It's fucking boring. And then there's this half an
• 36:04
  hour fucking sequence of them driving home.
• 36:07
  He drives them home. And then you have Kurt Russell
• 36:11
  narrating. It's just boring and long.
• 36:14
  He's not a sympathetic character, it's a problem.
• 36:16
  He's a piece of shit, so we don't care about him.
• 36:18
  The thing with this movie is, yeah, I don't care for Leo's
• 36:22
  character not losing his fame. It feels like Tarantino has a
• 36:26
  crush on Margot Robbie. He does a bunch of sequences
• 36:30
  with her, dancing and looking cute and sexy, either in her
• 36:34
  room, folding laundry or just at a party.
• 36:38
  Yeah, but she's wasted in this. Movie.
• 36:39
  No, I know. But she just looks good.
• 36:41
  That's it. And I think it's just him being
• 36:44
  like, I think she's hot and I'm gonna make it.
• 36:47
  This is my excuse for doing this.
• 36:48
  And people call it the love letter to Hollywood in the 70s.
• 36:51
  His love letter to Hollywood because he used to drive around
• 36:54
  in a in a convertible with his stepdad and he saw Hollywood
• 36:58
  showing what he saw as a kid. And there are some beautiful
• 37:01
  shots showing off Hollywood. But the story itself, we we
• 37:06
  don't, we see Charlie Manson once.
• 37:08
  We don't feel we don't get to know Sharon Tate at all.
• 37:12
  I agree. There's a red herring scene on
• 37:15
  Manson's compound that takes like 40 minutes. 40 minutes of
• 37:20
  build up and you're like something's gonna fucking go
• 37:22
  down. And nothing happens.
• 37:24
  And nothing happens. Nothing happens and I'm like
• 37:27
  what the? Fuck situation where you should
• 37:29
  be spending 40 minutes on a red herring.
• 37:31
  It is so annoying. And the scene where Sharon Tate
• 37:35
  goes to see her movie Completely boring.
• 37:38
  She's just sitting in a movie theatre making popcorn.
• 37:40
  I don't want to see this. I want to see something
• 37:42
  interesting, build a character. Up.
• 37:44
  I've seen this movie 2 times from start to.
• 37:46
  Finish. I've never finished it.
• 37:48
  A second and the third time I could never get through it.
• 37:51
  I tried to watch it recently. I didn't tell you this.
• 37:54
  I was watching it recently and I was forwarding through a bunch
• 37:57
  of the scenes and the part that makes me wanna fucking just turn
• 38:01
  this fucking movie off. And I love these actors, Leo.
• 38:05
  Brad Yeah. Margot Robbie.
• 38:07
  I fucking love these actors when he's that whole like, I don't
• 38:13
  know, 40 minutes sequence where he's on set and the recording
• 38:18
  the TV show and they're asking him to say this and that.
• 38:23
  We're basically watching the TV show episode where he's
• 38:26
  recording it. Yeah.
• 38:27
  It's so long, it's fucking boring.
• 38:29
  I don't care. I don't care.
• 38:33
  And the fucking disrespect to Bruce Lee in this movie.
• 38:38
  Bruce Lee would have dummied that alcoholic old ass stuntman.
• 38:42
  He would have dummied him. Fuck you Tarantino for that
• 38:46
  moment in this movie, because that sucks.
• 38:48
  Unfortunately, this movie doesn't feel like it's this
• 38:51
  movie. It feels like Hollywood, you
• 38:54
  know, snatched him up. They cloned him and they made a
• 38:56
  fucking movie. Because it doesn't come.
• 38:58
  It doesn't seem like his movie. It feels like an overhyped
• 39:01
  director jerking off for. 3. Hours and us watching.
• 39:06
  It's three hours. Cause there's amazing beautiful
• 39:08
  shots, there's like semi interesting characters but
• 39:13
  they're not used well and the story itself is boring and and
• 39:18
  it's it's disjointed. This is the first episode of the
• 39:22
  podcast where we're bashing movies.
• 39:23
  Well, this is this is because we have a lot of respect for
• 39:26
  Tarantino and we love most of his movies.
• 39:28
  But we were. We're both deeply.
• 39:30
  Disappointed in this from the list.
• 39:32
  I would. I don't.
• 39:34
  I fucking hate this. Movie Tarantino claims he's only
• 39:36
  gonna do one more movie. He better do better than this
• 39:40
  because his last movie could not be another Once Upon a Time in.
• 39:43
  Hollywood the critic, right? And they're filming it.
• 39:45
  Now, no. It got it got pandemic or it got
• 39:48
  trashed. It's not happening.
• 39:50
  The movie critic got trashed. Yeah.
• 39:52
  OHS. Oh, OK, he wrote his script and
• 39:55
  he changed his mind about it or something.
• 39:56
  OK, so that's actually not gonna be his temple.
• 39:58
  We don't know what his 10th movie is gonna be at.
• 40:00
  What a waste anyway. It was a waste of money.
• 40:03
  It was a waste of really talented actors.
• 40:05
  It was a bad story. And if you're going to tell a
• 40:07
  story about Charlie Manson, why don't you put Charlie Manson in
• 40:11
  it? More than 5 seconds.
• 40:12
  More than 5 seconds. Yeah, he's a really freaky
• 40:15
  character. You could have done some amazing
• 40:17
  stuff. And I get the whole revisionist
• 40:18
  history thing about Sharon Tate being saved and stuff, but you
• 40:23
  don't need to make it about Rick Dalton.
• 40:26
  The honestly, the last 25 minutes of this movie where they
• 40:30
  show up at Brad Pitt's house or Rick Dalton's house and Rick
• 40:35
  Dalton's in the pool and you bust out the flame thrower and
• 40:38
  then Brad Pitt's dog. That's the only part that's
• 40:40
  interesting. That's like.
• 40:41
  The best scene? No, that's the only part.
• 40:43
  I'm not sitting through almost 3 hours to see 20 minutes of
• 40:47
  action or entertainment. The rest is fucking boring.
• 40:50
  I agree. His stuntman is depressing as
• 40:53
  fuck. Yeah, when it shows him in his
• 40:55
  in his trailer, Yeah, that scene is like 20 minutes.
• 40:59
  Yeah, of him making Mac and cheese and feeding his dog.
• 41:01
  Why are we watching? This and there's like 15
• 41:04
  minutes, maybe we'd have to add it up, but there's, I guarantee
• 41:08
  you there's about 20 minutes of just driving sequences.
• 41:11
  And it's not a chasing, it's just driving around.
• 41:13
  This is a Big Brother. We don't want to see people just
• 41:15
  living their lives. We wanna see something
• 41:17
  interesting. Show us something interesting.
• 41:19
  And it's a waste of Al Pacino. I'm perfectly comfortable
• 41:22
  putting this all. Pacino, listen.
• 41:23
  Al Pacino and Leonardo DiCaprio in the same scene at a table
• 41:29
  talking to each other, and that's what we got.
• 41:34
  Thank you. I'm like mad just talking about
• 41:36
  I'm comfortable putting this in #10 actually I actually think it
• 41:39
  is worse than rest of our dogs upon upon discussion.
• 41:42
  Honestly. No offence, I love Tarantino,
• 41:44
  fuck this movie. I agree.
• 41:47
  All right, it was my #9 it was your number 10.
• 41:49
  It belongs to the bottom of the list.
• 41:51
  OK, you ready for the next one? Let's do it.
• 42:01
  Your palm flat on that table top.
• 42:03
  If you lift those palms off that turtle shell tabletop, Mr. Putin
• 42:07
  is going to lose both fails that start off.
• 42:11
  There have been a lot of lies said around this dinner table
• 42:13
  here tonight, but that you can't believe.
• 42:18
  Ah yes, I do believe you were just getting ready to make me a
• 42:22
  proposition to Baboom Hilda, am I right?
• 42:26
  Django Unchained. Django the D is silent.
• 42:34
  Where is this on your list, Dad? I have it at #4.
• 42:38
  I have it at #7. Oh, OK, that's your #7.
• 42:42
  That's my #7. So let's talk about it.
• 42:45
  This is a really, really great movie.
• 42:49
  Yeah, for the 1st 2/3. The third act is boring and
• 42:54
  garbage and it ruins the whole movie.
• 42:57
  As soon as Christoph Waltz dies, yeah, the movie goes to shit.
• 43:01
  And Leo, you took out the two best characters because what's
• 43:06
  his name? What's Who's Django?
• 43:08
  Who plays Django? Jamie Foxx.
• 43:10
  Jamie Foxx cannot carry this movie.
• 43:12
  He needs Christoph Waltz and Leo and once they both die, the
• 43:15
  movie sucks. Your thoughts?
• 43:17
  OK, so I don't disagree. The first two acts of this movie
• 43:21
  are fucking sublime. You've got really good.
• 43:24
  You've got and you're right, I don't think Jamie Foxx as good
• 43:27
  as he was in Collateral and in Ray.
• 43:32
  I don't think he could carry this movie because you have you
• 43:36
  have three really good actors on screen.
• 43:39
  You have him, you have Leo and you have Christoph Waltz, but
• 43:42
  you have two fucking juggernauts in my opinion, standing next to
• 43:46
  Jamie Foxx because Jamie Foxx is a he started as a community.
• 43:51
  He's multi talented. He's a great talent, don't get
• 43:53
  me wrong. He's very, but when you're
• 43:55
  standing next to Christoph Waltz, who's basically in his
• 43:58
  prime, he's like 93 Michael Jordan.
• 44:01
  And then you've got Leo, who's 2006, 2007, Kobe Bryant, You
• 44:07
  know, he's looking kinda, he's looking kind of basic.
• 44:11
  Yeah, he's a he's a great actor, but also his character is the
• 44:15
  least interesting of the three. Christoph Waltz is very he's a
• 44:18
  very interesting character. Very, very unique, very
• 44:22
  eccentric. Well, it's the dialogue that
• 44:24
  they're given, right? But Jamie Foxx's character is
• 44:27
  like Django is interesting. His back story, he's trying to
• 44:30
  save his. Wife.
• 44:30
  But he's the least interesting of the three, I'm saying.
• 44:32
  But yeah I agree. But The thing is, once Christoph
• 44:37
  Waltz and Leo were killed, the tension is gone.
• 44:40
  That's the problem. Yeah, because they had really
• 44:42
  good tension and Leo is like a dangerous person, like the can,
• 44:47
  the yeah, the candy man, like. He's the antagonist, and the
• 44:50
  antagonist is gone, and then Samuel Jackson slides in.
• 44:54
  He tries to take over. But he's a slave.
• 44:56
  He doesn't have that kind. Of power, it doesn't, it doesn't
• 44:58
  really good. Like it doesn't work as well.
• 45:01
  It doesn't. Yeah.
• 45:02
  So, I mean, I think if Christoph Waltz was killed and Leo
• 45:07
  survived somehow and then they imprisoned Django, that would
• 45:11
  have been good because you'd still have that cloud above him
• 45:15
  that he might not, you know, as soon as Leo died, I'm like, he's
• 45:19
  getting, he's gonna get away. He's gonna get away.
• 45:22
  He's going to get his wife. And they're going to, they're
• 45:24
  going to piece. The tensions gone and then it's
• 45:26
  a very drawn out shootout in the house.
• 45:29
  It's I saw this in theatres. Shooting out again against a
• 45:33
  bunch of NPCS. There's nobody in that group
• 45:35
  that were like oh shit, so and so is coming.
• 45:37
  He's gonna end this all like, no.
• 45:38
  I saw this in theatres as well and when I watched it initially
• 45:42
  like I was like fuck this is amazing because just the certain
• 45:47
  sequences when he finds those two brothers at that plantation.
• 45:53
  Yeah. That's any fucking grabs the
• 45:54
  whip and he beats the fuck out of them.
• 45:58
  It is so satisfying. And then?
• 46:02
  The scene, the scene where they kill the sheriff and the sheriff
• 46:05
  turned out to be an outlaw and the whole town comes running and
• 46:09
  Christoph Waltz takes out the most wanted poster.
• 46:11
  And the scene were they parked his little wagon and all the KKK
• 46:17
  guys show up with Jonah Hill. Yeah, Jonah Hills randomly,
• 46:20
  that's. So funny.
• 46:22
  That's such a great scene. It is.
• 46:23
  It's it's awesome. This movie is great.
• 46:26
  And the motivation to save his wife is like, it's, it's
• 46:30
  awesome. Everybody's down for that.
• 46:31
  And it's a Western. And Christoph Waltz is a big
• 46:34
  fuck you to slavery character for sure.
• 46:36
  He's like slavery's bullshit. I'm going to free you, we're
• 46:38
  going to go get your wife. And he and he speaks German to
• 46:41
  her. Like it works on so many.
• 46:43
  Levels so good just after he gets killed and Leo gets killed.
• 46:48
  It kind of and my biggest issue from when I saw it in the
• 46:51
  theatres to this day and it still doesn't work for me.
• 46:55
  Tarantino is a fucking magician when it comes to musical
• 46:58
  choices, but when they're walking, they're going back to
• 47:03
  Leo's place. He starts blasting Rick Ross in
• 47:09
  a western. Yeah, that's it, I felt.
• 47:11
  Like that didn't fit. It did not fit.
• 47:13
  And then at the end he does a remix to a Tupac song during the
• 47:18
  shootout in the house, and it's kind of cool, but it doesn't
• 47:23
  work. It just doesn't work, man.
• 47:26
  I love his musical choices. I love Tupac, but then but it
• 47:31
  doesn't belong. It doesn't belong in that scene.
• 47:33
  I I wanted to see some, you know, he took some liberties.
• 47:37
  He took some creative liberties, which he's known for.
• 47:39
  And sometimes, in a lot of times, they fucking hit.
• 47:42
  It, it works for most of the movie, but then we just, we get
• 47:45
  that last scene and when he runs away from the house and his wife
• 47:47
  like plugs her ears and smiles cause they're gonna blow up the
• 47:50
  house. It feels cheesy at that point.
• 47:52
  There's no longer any fear. There's no longer like any build
• 47:55
  up. It just, it feels like a like a
• 47:57
  fairy tale ending to a movie that was not a fairy tale.
• 48:01
  It doesn't fit. It's a western, but yeah,
• 48:04
  anyway, I still love this movie. I could watch it over and over.
• 48:07
  And also, just to shout out, Leo should have fucking won an Oscar
• 48:11
  for this movie 100%. This is the movie he should have
• 48:14
  won his best actor or Best Supporting Actor in because.
• 48:17
  He cuts his hand. For real.
• 48:19
  For real. He breaks that.
• 48:21
  And then he rubs the blood on on Jamie Foxx's wife or Django's
• 48:25
  wife's face. That is such an that is an
• 48:28
  artist. That is a.
• 48:29
  Decision an artist would. Make that's fucking.
• 48:32
  Absolutely should have won an Oscar for it.
• 48:34
  It's an amazing. Sort of Wall Swan for this and
• 48:37
  he was great. Should have, but no, I think Leo
• 48:39
  should have won. I think Leo was better in this
• 48:41
  as Calvin Candy. He he was amazed.
• 48:43
  Better. No, he was better.
• 48:44
  But he hear me out. It's it's a #7 for me because it
• 48:48
  the the third act really wrecks it and really makes it a lot
• 48:51
  lower on the list and a lot of my other choices.
• 48:54
  So are you comfortable with putting it at six?
• 48:58
  OHS what what? What else is open that's higher
• 49:02
  than 6? One and two unless you want to
• 49:07
  move Hateful 8 down or Kill Bill one or two down.
• 49:11
  No to sex. Let's put Jango at six, OK,
• 49:15
  let's what's what's ahead of it's.
• 49:17
  Hateful 8 and Kill Bill 1 and 2 are ahead of it, which I think
• 49:20
  rightfully so. Flip Hateful 8 was no hatefully.
• 49:23
  It's better. I like hate flight better than
• 49:26
  Django. The third act is better.
• 49:29
  Oh yeah, the third act is way better.
• 49:30
  So 6. 6. OK.
• 49:34
  I can, I can live with Django at six because like I said, it's
• 49:37
  still amazing and I love it and I will watch it again.
• 49:40
  Yeah, but for me, it was on the lower half of my list just
• 49:43
  because that third act really, it really costs the movie a lot
• 49:46
  of its a lot of its prestige, I feel.
• 49:50
  OK, ready next one. Let's do.
• 49:51
  It running out of running out of options.
• 49:54
  Here we have a few left. Oh, this one's going to be
• 50:02
  interesting. All you got to do is lay in here
• 50:06
  and hold on to this motherfucker, right?
• 50:09
  I'm going to tell him I'm going in the trunk to show him the
• 50:11
  goods. When I open the trunk, you pop
• 50:12
  up. Rack this motherfucker, man.
• 50:15
  Fuck that shit. Ain't gonna shoot nobody.
• 50:16
  Ain't saying nothing about you. Shoot nobody.
• 50:18
  All you got to do is hold on to it.
• 50:19
  They'll get the idea. Now.
• 50:20
  You must be out of your fucking mind if you think I'm going to
• 50:23
  get in this dirty ass Trump. Maria down man.
• 50:26
  You ain't going to be in here no more than 10 minutes.
• 50:30
  The damn truck for no minute, man.
• 50:31
  It working right up front with you.
• 50:32
  Came right up front with me. The surprise element is 90% of
• 50:35
  it. I'm sorry man, but I ain't
• 50:36
  getting no God damn Trump. Jackie Brown.
• 50:40
  Jackie Brown, Yeah. You're not going to like this.
• 50:44
  I put Jackie Brown at #8. Ah, that's not terrible.
• 50:49
  I got it at 7:00. Oh, really?
• 50:51
  Yeah. I thought you really liked
• 50:52
  Jackie Brown. I do.
• 50:55
  I recently watched it. I do think that this is one of
• 51:00
  his more honestly, this move. There's nothing wrong with this
• 51:03
  movie. It's very well done, it's
• 51:05
  polished. Feel very Tarantino.
• 51:07
  It still does. It does, but it's very polished.
• 51:11
  Like there's no randomness. Like a lot of his movies have
• 51:14
  randomness where it's a crazy cut or crazy.
• 51:18
  I would say Robert De Niro's character in everything he's he
• 51:21
  does is very random. Having sex with the Stoner girl
• 51:25
  going in, being in the RV trying to drive out like he, I think
• 51:28
  he's very random. He's on an RV.
• 51:29
  It's the it's the camper van. The camper.
• 51:31
  Van it's the VW Van he, he shoots Samuel Jackson's wife or
• 51:36
  girlfriend. Sorry.
• 51:37
  Well, it's, it's just some girl who gets high with.
• 51:40
  It's not really his girlfriend because he bangs her and he's
• 51:42
  like, yeah, I don't care if you bang her.
• 51:44
  But I, I put it at #7 because I the story is great.
• 51:50
  I like the character of Jackie Brown.
• 51:52
  I don't find her that likable. She's likable but they hype her
• 51:56
  up to be really attractive. And she's not.
• 52:00
  Which is kind of weird. She's pretty, don't get me
• 52:02
  wrong. She's a.
• 52:03
  Pretty Woman, mind you, there are.
• 52:04
  Sorry. There are a couple scenes where
• 52:06
  she's all dolled up and she actually looks.
• 52:08
  Really. Good.
• 52:09
  I actually think she looks like a Barbie.
• 52:10
  She, she looks really good. She's.
• 52:12
  In her. Stewardess outfit she looks
• 52:13
  like. A Barbie, but she's not like
• 52:15
  I've seen better looking women. Yeah, and the Bill bondsman is
• 52:19
  basically the guy from Breaking Bad, the vacuum cleaner guy,
• 52:22
  because he takes money, he gets people out of trouble who are in
• 52:25
  the law. He drives them around, he picks
• 52:28
  them up, he drops them off. Like I was like, yo, Vince
• 52:32
  Gilligan basically saw Jake, Jackie Brown and like, I wanted
• 52:35
  this guy to be the vacuum repair guy.
• 52:38
  Yeah, it's it's a good movie. It's interesting.
• 52:40
  It has that whole heist movie part of it.
• 52:42
  But I don't find Jackie Brown to actually be that great of a
• 52:46
  character. Yeah, this is one of Samuel
• 52:48
  Jackson's weaker roles. I'd actually say, especially in
• 52:51
  a Tarantino movie. I didn't find him to really be
• 52:55
  magnetic or enthralling at all. I really don't find him
• 52:58
  interesting in this movie at all.
• 53:00
  And the story itself feels like it drags a little bit.
• 53:04
  It doesn't. It doesn't.
• 53:05
  It's not like go, go, go. Exciting, exciting, exciting.
• 53:07
  Yeah, it has its moments, but I feel like like we made a movie
• 53:12
  about this story. So this movie is more of a, it's
• 53:15
  like a, it's a low key comedy. There's a lot of funny dialogue.
• 53:20
  Yeah, there is. Like with Samuel Jackson shows
• 53:22
  up at Jackie Brown's house after she is out on bail and he's
• 53:26
  basically scaring her. He's turning off her lights and
• 53:29
  he's got his hands around her neck to threaten her.
• 53:32
  Basically to say like, don't fucking say anything or I'm
• 53:34
  going to kill you. And then.
• 53:36
  Yeah, she thinks she's going to die and.
• 53:37
  That's and then she just all you hear, because it's dark, all you
• 53:40
  hear is a gun caulking and he's like, what is that?
• 53:43
  And then she's like, what do you think it is?
• 53:45
  And he's like, I think it's a gun on my Dick.
• 53:48
  And she's like, yeah. And she's like, get your mother
• 53:51
  fucking hands off me. And he's like, yeah, I was just
• 53:54
  joking. I was just playing.
• 53:55
  He's like, no, no, no. He's like, yeah, you wasn't
• 53:57
  playing with where you was playing with me.
• 53:59
  Now you ain't. And then she turns the light on
• 54:02
  and Samuel Jackson's on the couch.
• 54:04
  She's like, put your mother fucking hands up on your head.
• 54:06
  And he's like, yo, what are we doing?
• 54:08
  He's like, I was just joking around.
• 54:09
  We're friends. And she's like, yeah, I forgive
• 54:11
  you. She's got a gun pointed at him.
• 54:13
  Like that's really cool, but it is a slower, chill Tarantino
• 54:20
  movie. Michael Keaton's in it, which is
• 54:22
  great. I I do love Michael Keaton.
• 54:25
  Any movie Michael Keaton is in, I always just.
• 54:27
  Call him Jacksonville Jackson dialogues in it and it is really
• 54:30
  good. He Chris Tucker, young Chris
• 54:32
  Tucker makes an appearance right when he he's a Bhutan, Bhutan.
• 54:37
  I can't remember his name. Anyway, Chris Tucker's in it for
• 54:42
  a bit and then it's a big waste of Robert De Niro.
• 54:46
  Robert De Niro's character is weird and he's not in it that
• 54:49
  much. And when he is in it, he's not
• 54:51
  really. Yeah, he's he's.
• 54:52
  Very prime Robert De Niro post Goodfellas.
• 54:55
  What the fuck is this? Like give him something better?
• 54:58
  He's just some fucking idiot from Detroit who gets high and
• 55:02
  then. Well, it's showing he has range.
• 55:05
  He doesn't. He barely, he's barely in the
• 55:06
  movie. He's barely in the movie.
• 55:08
  He's he's just getting high all the time.
• 55:10
  And he, and then he. Has like they go to the mall.
• 55:12
  They even do in the movie. He has no point.
• 55:15
  No, he goes to the mall with with Blondie and they go pick up
• 55:19
  the bag. Yeah.
• 55:20
  And then Samuel Jackson is picked up from De Niro, picks
• 55:25
  him up from the strip strip club and finds out that Jackie Brown
• 55:29
  took his money. That's it, he's in it.
• 55:31
  And then he, Samuel Jackson, accuses him of stealing his
• 55:36
  money. He's like, I didn't do it.
• 55:37
  And he's like, how could you say that?
• 55:38
  You know, cause they went to prison together and he fucking
• 55:41
  shoots them. Yeah, he does.
• 55:43
  Hero dies. It's like, OK, like it's pretty
• 55:45
  underwhelming. It's one of his weakest roles if
• 55:48
  you ask me, for dinero. I also think it's a Samuel
• 55:52
  Jackson. It's a weak role and I think
• 55:53
  that Jackie, the girl that plays Jackie Brown, does not have
• 55:56
  leading lady charisma. Yeah, it's good dialogue,
• 56:01
  though. Like the bartender, it's.
• 56:03
  Good dialogue. It's still a good.
• 56:04
  Movies Jackie Brown and he's like, he's like how you doing?
• 56:08
  And she's like, he says, how are you?
• 56:10
  It's like I'm fine. He's like, yes you are.
• 56:14
  It's a good movie. I just, I put it at #8 on my
• 56:16
  list because it's always one of those put in Tarantino movies
• 56:20
  that for me, I'm like, this does not hit like a Tarantino movie.
• 56:25
  Have 7 open. We have 7 open so I.
• 56:28
  Think I think 7. I think that's where it should
• 56:30
  go. Alright, we've got 2 left and we
• 56:34
  haven't come across these yet so this should be interesting.
• 56:46
  Oh, you were finished. Oh well, allow me to retort.
• 56:51
  What does Marcellus Wallace look like?
• 56:55
  What? What country are you from?
• 56:59
  Watch what? Ain't no country I ever heard
• 57:01
  of. They speak English.
• 57:02
  In what? What English, Mother, do you
• 57:06
  speak it? Yes, and you know what I'm
• 57:07
  saying. Describe what Marcellus Wallace
• 57:11
  looks like. Pulp Fiction.
• 57:13
  I've been waiting. OK, I've been waiting.
• 57:17
  This is my number one. This movie.
• 57:20
  We have a poster of this movie in my basement.
• 57:23
  This is, this is Tarantino. This is Tarantino in his
• 57:27
  essence. Where do you have it?
• 57:29
  Don't tell me it's #2. It's #2 on my fuck off.
• 57:32
  I got it at #2 fuck off, OK? How dare you?
• 57:37
  What do you mean? How dare.
• 57:38
  We watch this movie and die laughing because we both love it
• 57:41
  so much. It's a great movie, we know #2
• 57:43
  on my. List beat The opening scene in
• 57:46
  the diner with the was a honey bun and honey Bunny.
• 57:53
  Honey Bunny? And what's the guy?
• 57:54
  I don't know. It's Tim Roth, the actor.
• 57:56
  The scene, they're talking about robbing a diner and then they
• 58:00
  just fucking do it. I know.
• 58:02
  And little do they know Samuel Jackson fucking John Travolta
• 58:06
  are like hitman in there. Yeah, yeah.
• 58:08
  Oh so. Good flashback.
• 58:11
  It's a flashback, flash forward, the whole movie is all.
• 58:13
  Over the place? Yeah, it's out of order.
• 58:15
  You know what they actually do in this movie that is kind of a
• 58:17
  full paw? They show John Travolta getting
• 58:22
  killed. Spoiler alert by Bruce Willis in
• 58:24
  his apartment. Halfway through.
• 58:25
  And then he shows up alive again.
• 58:28
  You're not supposed to do that in movies because this character
• 58:31
  died and now we're seeing him still living his life.
• 58:33
  It's kind of weird, but it works.
• 58:36
  It works in this movie. The movie is all over the place
• 58:38
  in the in the timeline, but it's amazing.
• 58:41
  The diner scene is amazing. The scene where they go get the
• 58:44
  car cleaned up after accidentally shooting that guy
• 58:46
  in the face. Amazing.
• 58:48
  The scene in the apartment where they get the suitcase is
• 58:51
  amazing. What's in the suitcase so
• 58:53
  incredibly? Like Mcguffin the suitcase
• 58:56
  Mcguffin. So interesting.
• 58:57
  What is that? Why is it glowing?
• 58:59
  Is it is it Marcellus Wallace's soul?
• 59:01
  We don't know. Does he look like a?
• 59:04
  Bitch, does he look like a bitch.
• 59:07
  So good. And the whole sequence with
• 59:10
  Bruce Willis I absolutely love. I love when he's in the car with
• 59:14
  the cab driver. I love when he goes home to
• 59:16
  Fabian. Fucking hate his girlfriend.
• 59:18
  I love his girlfriend. Useless.
• 59:20
  I love when they lay in bed. She heavily implies that she's
• 59:23
  pregnant in that scene. Love it.
• 59:26
  Love all of it. Love that she wants to get
• 59:29
  blueberry waffles and a blueberry piece of pie in the
• 59:31
  morning. Love that she's a dumb ass.
• 59:33
  I forgot his father's watch. Love the Christopher Walken
• 59:36
  scene where he talks about his father having them watch up his
• 59:38
  ass. How would you rate this number
• 59:40
  two? It's so good.
• 59:41
  OK, so it sounds like we're we're arguing for each other's
• 59:45
  Movies Now, so I'm going to argue for Inglorious Masters.
• 59:49
  Take your Wiener Schnitzel. Your boy out on this map, What I
• 59:52
  wanna know? Fuck you and your judo dogs.
• 1:00:01
  Actually, we're all tickled to hear you say that.
• 1:00:03
  Quite frankly, watching Donnie beat Nazi's death is close.
• 1:00:05
  We ever get going the movies, Donnie?
• 1:00:08
  Yeah, gosh, German here, once docked country oblige him.
• 1:00:14
  I got inglorious bastards as my #1.
• 1:00:18
  I love this. Fucking it's an incredible
• 1:00:20
  movie. It's my number 2.
• 1:00:22
  And Pulp Fiction is your #2 right?
• 1:00:23
  Yeah, so OK, I saw this movie in theatres with some friends.
• 1:00:28
  So did I. And I think you got a standing
• 1:00:32
  ovation at the theatre. I can't remember when there was
• 1:00:35
  some. Glazing.
• 1:00:36
  So Pulp Fiction is pure Tarantino, and I agree 100% and
• 1:00:42
  it's phenomenal. I think it's probably yeah.
• 1:00:45
  It's his best movie up to Inglorious.
• 1:00:48
  Bastards is one of the best movies of all time.
• 1:00:50
  Yeah, yeah, I agree. It changed Cinema.
• 1:00:53
  It changed. The movie, yeah, completely
• 1:00:54
  changed. Cinema.
• 1:00:55
  But I think Tarantino took that formula any polished it and
• 1:01:00
  polished it and polished it. And he came out with Inglorious
• 1:01:04
  Bastards because that is polished finesse Tarantino.
• 1:01:10
  The acting, the characters, the fucking dialogue in different.
• 1:01:16
  Like this guy directed people in German and he doesn't speak
• 1:01:21
  German. He directed people in French.
• 1:01:24
  He would go up to Christoph Waltz.
• 1:01:26
  He discovered he gave Hollywood Christoph Waltz.
• 1:01:29
  He did. He did.
• 1:01:31
  He discovered. Him, he would go up to herself,
• 1:01:33
  Waltz and he said, I need you to say it like this.
• 1:01:37
  And Christoph Waltz would say it exactly like he wanted in
• 1:01:40
  German. And Christoph Waltz is like,
• 1:01:43
  this guy is a genius. He's like, I don't understand
• 1:01:46
  how he could do this, but he fucking did it.
• 1:01:49
  There's no question that Quentin Tarantino is a creative genius.
• 1:01:52
  When people can take a kernel of an idea and explode it the way
• 1:01:57
  he does into a beautiful piece of popcorn that you can then eat
• 1:02:01
  while you watch one of his masterpieces, this is a creative
• 1:02:05
  genius. So Inglorious Bastards took a
• 1:02:08
  really fucked up situation and that happened in real life.
• 1:02:12
  World War 2 Nazi Germany and made a fictional story about it
• 1:02:18
  that rivals true World War Two stories and movies.
• 1:02:23
  It's a Hitler revenge story too. For sure, it's revisionist
• 1:02:26
  history, but it's Hitler murder. It is like it's phenomenal.
• 1:02:31
  I can't even the the There's two scenes in this movie that are
• 1:02:36
  probably the two best written scenes in the history of
• 1:02:39
  filmmaking. You can literally they could be
• 1:02:42
  their own movies. The opening sequence with Hans
• 1:02:45
  Landa OHP Missoula Pedit when he shows up at his farm and he sits
• 1:02:52
  there and asks for the glass of milk.
• 1:02:54
  Holy fuck man. I I like that scene, but I I
• 1:02:58
  find it a little bit too long. That's the point.
• 1:03:01
  It's a slow burn. You think that you're getting
• 1:03:03
  eased into comfort, right? Because he's like, there's
• 1:03:06
  nobody here. I don't know what happened to
• 1:03:08
  their family. And then he starts fucking
• 1:03:10
  questioning. And then he starts saying, you
• 1:03:13
  know, it doesn't occur to a German soldier, but it does
• 1:03:16
  occur to me. It's such good writing.
• 1:03:20
  And I agree it's good writing, but honestly whenever we watch
• 1:03:22
  that movie, when that scene comes out, I'm like oh it's a
• 1:03:24
  fucking boring scene and then. Once.
• 1:03:26
  Are you fucking serious? Once we get past.
• 1:03:28
  That scene, it's a great. Movie.
• 1:03:30
  You cannot. Pulp Fiction does not have a
• 1:03:33
  moment You're that I feel that way.
• 1:03:35
  Insane. You're insane.
• 1:03:36
  I find it. A little nobody says that scene
• 1:03:38
  is boring or long. That scene is fucking insanely
• 1:03:42
  good. You think of this is the strudel
• 1:03:45
  scene, right? Because that is an.
• 1:03:46
  Amazing Christoph Waltz won the Oscar.
• 1:03:48
  That's the clip that showed in the fucking Academy Awards
• 1:03:51
  because that, you know, we're all sitting there watching this
• 1:03:55
  and we're. Like awards are rigged.
• 1:03:56
  How are you using that? I'm saying that scene, it's
• 1:03:59
  universally known as one of the greatest pieces of directing,
• 1:04:03
  acting, everything, even the music.
• 1:04:05
  He's got fucking bait Beethoven playing but in like a very scary
• 1:04:10
  way on the piano as he pulls up his.
• 1:04:12
  There's some tension in that scene, but I.
• 1:04:14
  I. Think it's the most boring?
• 1:04:16
  Part of the movie. You're your argument is invalid
• 1:04:18
  for saying that. And then the other scene, which
• 1:04:21
  is probably even better, is in the fucking basement in the bar
• 1:04:25
  with Michael Fassbender. He also discovered Michael
• 1:04:28
  Fassbender for us. He and Michael.
• 1:04:31
  Gave us Michael Fassbender. He yeah, he's a treasure.
• 1:04:34
  Exactly. And they're in the basement.
• 1:04:37
  They're sitting down. He's speaking German.
• 1:04:40
  And Fassbender is only in it for 2 short scenes and he makes such
• 1:04:43
  an impact. And then the other German
• 1:04:45
  soldier, he's like the guys arguing.
• 1:04:48
  He's like Wilhelm, He's like my son Maximilian, Can you sign it?
• 1:04:52
  And he's like, you have a weird accent.
• 1:04:53
  And he tells him to fuck off. And then the other German
• 1:04:56
  soldier from the officer from the other room, he's reading a
• 1:04:59
  book. He notices the accent and it's
• 1:05:02
  20 minutes of pure tension. Yeah, no, I love that scene.
• 1:05:06
  I love the movie. Don't get me.
• 1:05:08
  Wrong Pitt. Brad Pitt does some crazy
• 1:05:10
  southern accent. I love fucking.
• 1:05:12
  Works. Gore, Alami.
• 1:05:14
  Golani It works, and we quote Pulp Fiction all the time too.
• 1:05:19
  But this to me is and just if Tarantino's listening.
• 1:05:25
  I mean, he knows that this is better than Pulp Fiction because
• 1:05:29
  he calls it his masterpiece at the end of the movie.
• 1:05:32
  OK. But literally calls.
• 1:05:33
  It, like you said Inglorious, would not happen without Pulp
• 1:05:36
  Fiction. It's a chicken or.
• 1:05:38
  The egg fiction wouldn't have happened without Reservoir Dogs,
• 1:05:40
  and you put it at. 10 It's a chicken or the egg.
• 1:05:42
  Situation with. 10 But nobody can dispute that Pulp Fiction is
• 1:05:45
  pure Tarantino. There's not a dull moment and it
• 1:05:48
  is such an interesting movie, whereas Inglorious Bastards it
• 1:05:52
  does. I'm sorry, but I think that
• 1:05:54
  painting scene is a little bit boring.
• 1:05:56
  And my God, you're fucking insane.
• 1:06:00
  And some people may not like the subtitles.
• 1:06:01
  Honestly, I forget that they're even there because it's so
• 1:06:04
  engrossing. Another reason why it's so good.
• 1:06:07
  Which is why it's by #2 It's an amazing movie, but it's not as
• 1:06:10
  good as Pulp Fiction. Oh, I forgot this.
• 1:06:13
  And it's missing John Travolta. John Travolta.
• 1:06:16
  I'm good. John Travolta is amazing in Pulp
• 1:06:18
  Fiction. It revitalized his career.
• 1:06:21
  Yeah, but that doesn't mean anything.
• 1:06:24
  The fucking scene where he sits with Shoshana and orders her a
• 1:06:28
  glass of milk. That scene is fucking terrifying
• 1:06:33
  because we're like, is he gonna question her?
• 1:06:35
  He fucking knows it's her. That's why you orders the milk.
• 1:06:39
  He knows it's her, but he's just playing his cards because he
• 1:06:42
  wants to see what happens. I don't think it's ever
• 1:06:44
  confirmed that. He does sushi is he knows who
• 1:06:46
  she is 100%. He knows who she is because she
• 1:06:50
  discovers that there's the Operation Kino happening.
• 1:06:53
  He kills the actress, right? He could have stopped Shanna.
• 1:06:57
  He knows it's her, but he doesn't.
• 1:06:58
  He discovered it because. He's on his way.
• 1:07:00
  The terrible Italian accents. You would have known.
• 1:07:04
  No, he he knows. He found the her shoe and he
• 1:07:08
  found the napkin with her lipstick on it.
• 1:07:10
  Yes. So he knows the German actress
• 1:07:12
  is is a double agent. Yeah, but she doesn't know who
• 1:07:15
  Shoshana is. He knows he orders her a glass
• 1:07:18
  of milk. And then he says there's one
• 1:07:19
  more thing I was gonna talk to you about.
• 1:07:21
  And there's this long pause and then.
• 1:07:23
  He's like, he makes and he makes that face so seriously
• 1:07:28
  terrifying. He makes that same face in the
• 1:07:30
  opening sequence. Yeah, that.
• 1:07:31
  Face fucking terrifying. And I love Pulp Fiction.
• 1:07:34
  I love it. There are two completely
• 1:07:36
  different movies. But if you ask anybody, Well,
• 1:07:39
  not anybody, But if you ask me, Pulp Fiction is amazing.
• 1:07:44
  It's a plus. But Inglorious Bastards is a
• 1:07:48
  plus plus. For me though, like.
• 1:07:52
  He makes a scene with Hitler in it.
• 1:07:54
  Funny. Who and what is a private?
• 1:07:57
  Fund have a list of my ten favorite movies Pulp Fiction
• 1:08:00
  makes the Kind and Glorious doesn't.
• 1:08:02
  Oh my God. Wow, that's why it's my #2 it's
• 1:08:06
  so. Good thing I give Pulp Fiction
• 1:08:08
  over poster. The poster is way.
• 1:08:10
  Fucking amazing. It's, it's a great piece of art.
• 1:08:14
  It's Tarantino's second best movie.
• 1:08:16
  Yeah. But I, I, I can't put Pulp
• 1:08:18
  Fiction at #2 I can't do. It.
• 1:08:19
  So here's where I find. The number one.
• 1:08:21
  Story. To me, there's no moment in
• 1:08:24
  Inglorious Bastards and the third act is fucking perfect
• 1:08:28
  fiction. My concern with it.
• 1:08:30
  Here's my issue. The third act is great.
• 1:08:33
  The third act is the diner. It's amazing.
• 1:08:36
  So a lot of people like this scene, but I don't when they
• 1:08:39
  call the wolf played by Harvey Keitel and this is what I
• 1:08:43
  mentioned earlier about Harvey Keitel.
• 1:08:45
  I don't like that whole scene. Harvey Keitel.
• 1:08:49
  I like them cleaning the car, but you got Tarantino in it and
• 1:08:53
  you can barely act, so it takes me out of the movie a little bit
• 1:08:57
  and then you have him talking. Harvey Kartel is overselling his
• 1:09:01
  wolf role. He's overacting.
• 1:09:04
  It's not believable. He's not a tough guy.
• 1:09:06
  He's plays a tough guy in in Reservoir Dogs too, and I don't.
• 1:09:11
  It's not believable. Going to change your mind right
• 1:09:13
  now? You know how?
• 1:09:14
  How? You know what?
• 1:09:15
  The wolf Very very probably inspired what Mike in Breaking
• 1:09:21
  Bad. Mike in Breaking Bad is the wolf
• 1:09:25
  you you call him to clean up messes.
• 1:09:27
  Mike and Breaking Bad. No, no, no.
• 1:09:29
  I don't think we'd have that scene where he is called When
• 1:09:32
  Jesse's Girlfriend Is Dead without Pulp Fiction.
• 1:09:35
  Pulp Fiction is the inspiration for that scene.
• 1:09:38
  It does if it if it inspires something as amazing as Breaking
• 1:09:41
  Bad as a portion of bringing out whatever.
• 1:09:44
  Reservoir Dogs inspired Pulp Fiction.
• 1:09:47
  That doesn't make it better. You put it at #10 you can't.
• 1:09:51
  You can't have it both ways. OK, what are we gonna do?
• 1:09:53
  We're an impasse. What are we gonna?
• 1:09:55
  Do I don't? Know rock, paper, scissors?
• 1:09:58
  Rock, paper, scissors. Rock, paper, scissors for it,
• 1:10:00
  because I'm not putting Pulp Fiction at #2.
• 1:10:03
  Oht man OK, go down the list starting at 10 countdown. #10
• 1:10:09
  Once Upon a time in Hollywood #9 Reservoir dogs #8 Death proof #7
• 1:10:17
  Jackie Brown number six. Django #5 Hateful 8 #4 Kill Bill
• 1:10:25
  Volume 1 and #3 Kill Bill Volume 2.
• 1:10:30
  The two best movies are inglorious Bastards in Pulp
• 1:10:33
  Fiction. I have no argument about that.
• 1:10:35
  Pulp Fiction, slightly better. Slightly.
• 1:10:39
  I don't know man, that's a tough one.
• 1:10:43
  What poster do we have in our basement?
• 1:10:45
  We have Pulp Fiction because the poster is better.
• 1:10:47
  What movie do you and I watch and just laugh because like all
• 1:10:50
  the seasons are so good. I've had so many good
• 1:10:53
  experiences. Watching Pulp Fiction with I
• 1:10:54
  watch and the scene starts and then we stop and freeze because
• 1:10:57
  it's fucking so tense. Pulp Fiction is number 1.
• 1:11:00
  I don't. Know OK, let's bench this.
• 1:11:03
  Tell me your favorite Tarantino character supporting character.
• 1:11:07
  You're not gonna like. This supporting.
• 1:11:10
  It's Fabian. What?
• 1:11:13
  I love her. Bruce Willis kills somebody and
• 1:11:17
  he's. He's.
• 1:11:17
  Listen, listen. Bruce Willis kills somebody.
• 1:11:21
  He drives home in a cab, he goes to a hotel and he meets his
• 1:11:24
  girlfriend. He gets into bed.
• 1:11:25
  He snuggles with her. She talks about the fact that
• 1:11:28
  she'd love to have her skinny arms and legs in a pot belly.
• 1:11:32
  She heavily implies that she's pregnant in the scene.
• 1:11:34
  She's gentle, loving, welcoming him back.
• 1:11:37
  It's sexual. It's it's like this vibe and
• 1:11:42
  it's showing us what Bruce Willis is fighting for.
• 1:11:45
  He killed that guy. He rigged that game.
• 1:11:47
  He did all this so that he had run away with her because she is
• 1:11:50
  like this, gentle, loving. Dad's watch is up his ass.
• 1:11:53
  She's this gentle, loving person in his life and she's worth it.
• 1:11:58
  Fabian is such a good character. She has a childlike innocence
• 1:12:02
  about her with a raw sexuality. I love it.
• 1:12:07
  She's she's the best. Who's your favorite sporting
• 1:12:09
  character? My favorite supporting character
• 1:12:12
  is the officer in the basement. We both paid.
• 1:12:18
  That fucking guy is in the movie for 10 minutes and he's
• 1:12:23
  terrifying. He reminds me of Matt Nicholson.
• 1:12:26
  He is terrifying. He sits down, he imposes himself
• 1:12:31
  on the part, on the drinking. He orders drinks after drink,
• 1:12:35
  and they're like, OK, we're done, go away.
• 1:12:38
  But he's like, Nope, I'm not going away.
• 1:12:40
  I know what's going. On I want to play this game with
• 1:12:43
  you guys. This game, I want to make you
• 1:12:45
  feel like you're comfortable and I want you to dread every moment
• 1:12:49
  of it. Sorry, make you feel
• 1:12:50
  uncomfortable and make you dread every moment of it.
• 1:12:53
  Because I know what's going on and I recognize Hugo Stiglitz at
• 1:12:58
  the table and he's like, none of us are leaving from this
• 1:13:02
  basement. He fucking sends it to him.
• 1:13:04
  Like that guy stole the show. He didn't know what was going
• 1:13:09
  on. He didn't know until the he held
• 1:13:11
  up the three. Oh yeah, the high glazing.
• 1:13:14
  He didn't hold up the gem in three.
• 1:13:16
  We order sleep glasses. That is the German 3.
• 1:13:20
  He ordered 3. Glasses towards the other looks
• 1:13:24
  odd. A German wood and did notice
• 1:13:29
  exactly like he's in it for a few seconds, a few minutes and
• 1:13:33
  it's like fuck, he almost steals the show from Christoph Waltz.
• 1:13:36
  Yeah. It's crazy how good he.
• 1:13:39
  Doesn't steal from Christoph Waltz, but he that scene he's
• 1:13:42
  fighting. Out in the scenes.
• 1:13:43
  Fighting against a Michael Fassbender and it's, it's a,
• 1:13:46
  it's a close fight. And they're both.
• 1:13:49
  You wanna see the Michael Fassbender?
• 1:13:51
  Quote might as well go out speaking the language of the
• 1:13:53
  kings. Yeah, so good.
• 1:13:55
  It's so good. OK, who's your least favorite
• 1:13:58
  Tarantino character? So my least favorite is L Driver
• 1:14:03
  from the kill Bills, the one eyed blonde.
• 1:14:06
  Oh, really? She is such a cunt and I don't
• 1:14:09
  say that word lightly. She is.
• 1:14:13
  She's amazing, yeah, but she's hateful as hell.
• 1:14:17
  Well that's one thing I noticed about the Kill Bill movies.
• 1:14:20
  He makes really shitty people as characters because he's in that
• 1:14:24
  phase of, I guess his career. He's writing really horrible
• 1:14:28
  people because Miley's favorites in that movie too.
• 1:14:31
  Who is it? My least favorite character is
• 1:14:33
  in Kill Bill volume 1 and it's Buck the fucking nurse who
• 1:14:37
  brings people in and he rapes people in comas that are like
• 1:14:41
  paralyzed. That's a really, really nasty
• 1:14:45
  awful. Character and The Dirty ass
• 1:14:47
  little Vaseline tub he throws the guy.
• 1:14:49
  Oh yeah, I'm gonna vomit. Why did you bring that up?
• 1:14:53
  Because it's like, yeah, you not only are you a rapist, but
• 1:14:56
  you're carrying around this dirty ass little Vaseline tub to
• 1:14:59
  rape coma victims. His name is Buck and he's here
• 1:15:02
  to fuck. And Beatrix Kiddo killed the
• 1:15:05
  shit out of him with a door. Yeah, she gave him brain.
• 1:15:08
  Damage as she shut. 2 seconds. OK, we're going to flip a coin
• 1:15:13
  for #1 OK. OK, that's fair.
• 1:15:16
  OK, we're gonna spin. Dad has a Flip a Coin app.
• 1:15:19
  That's why you're not gonna hear a coin.
• 1:15:22
  We're gonna spend the wheel. Sorry.
• 1:15:24
  Is it has or tails or there? Those two movies are the only
• 1:15:27
  ones you have on there. It's just the 2 movies.
• 1:15:29
  OK. Pick a colour.
• 1:15:31
  Red. Red for pulp.
• 1:15:33
  Red for pulp. OK, Blue for Inglorious.
• 1:15:36
  Ready. Yeah, I want to see it, you
• 1:15:39
  little sketch bag. Yeah, no, it landed on blue.
• 1:15:58
  That's a bingo. Damn it.
• 1:16:02
  Honestly it could have gone either way.
• 1:16:05
  I love both those movies but. I love, I love them both too.
• 1:16:11
  I'm, I'm, I'm comfortable with having a glorious #1 I just Pulp
• 1:16:16
  Fiction so. Good, I know it's so good.
• 1:16:18
  I want to watch both of them right now.
• 1:16:19
  Paul fiction first. Shouldn't.
• 1:16:22
  Yeah, first, because we saved the best for the last Gotti.
• 1:16:27
  OK, go ahead. Read your top 10.
• 1:16:29
  Read the master list. You ready?
• 1:16:31
  Am I going one to 10 or 10 to 0 or 10?
• 1:16:33
  To 1:10 to 1:00. Alright, our master list of
• 1:16:37
  Tarantino's movies ranked are #10 Once Upon a Time in
• 1:16:42
  Hollywood #9 Reservoir dogs #8 Death proof #7, Jackie Brown
• 1:16:53
  Number Six, Django Unchained #5 Hateful 8 #4 Kill Bill Volume 1
• 1:17:01
  #3 Kill Bill Volume to #2 Pulp Fiction, and #1 Inglorious
• 1:17:09
  Bastards. The big brains on Mom that is a
• 1:17:15
  tasty. Burger, Does he look like a
• 1:17:19
  bitch? Does he look like a bitch?
• 1:17:24
  Well that was pretty fun. I enjoyed that.
• 1:17:27
  Go ahead and reach in that bag and get my wallet.
• 1:17:29
  It's the one that says bad motherfucker on it.
• 1:17:34
  That's funny. That's fun.
• 1:17:39
  Yeah, the metrics is Royale with cheese.
• 1:17:43
  Anyways, that was fun. I like that we that was good and
• 1:17:46
  I like that our our list was pretty close.
• 1:17:49
  It wasn't too bad. There was a couple of outliers,
• 1:17:51
  but it wasn't bad. There was some good compromises.
• 1:17:53
  I knew you were going to rate Jackie Chan higher or Jackie
• 1:17:56
  Chan, Jackie Brown higher than me.
• 1:17:59
  I didn't know you had a Jackie Chan movie.
• 1:18:01
  And I had a, I had a really strong inclination.
• 1:18:04
  I, I pretty much knew that you were going to do Inglorious
• 1:18:06
  Bastards as one. And I knew from the minute we
• 1:18:08
  talked about this I was going to pull action is #1.
• 1:18:10
  Really. Yeah, I was flip flopping a
• 1:18:13
  couple times. I did.
• 1:18:14
  What did you think I was gonna put for #1?
• 1:18:17
  I was like, maybe she'll put, I said maybe he'll put Pulp
• 1:18:21
  Fiction. I was like, maybe you'll put
• 1:18:23
  Inglorious. But I was like, is she gonna, is
• 1:18:26
  she gonna do like a zig? And.
• 1:18:29
  Zig zag and do a kill bill instead.
• 1:18:31
  Do kill bill or hateful aid just randomly?
• 1:18:34
  I love Hatefully but it's not his best movie.
• 1:18:36
  But yeah, I think like I said in the beginning, all those movies
• 1:18:42
  are great except for Once Upon a Time in Hollywood.
• 1:18:46
  Still a good entertainment compared to other.
• 1:18:48
  Movies. It's a good one time watch.
• 1:18:50
  Yeah, I can't watch it again. It's so fucking long.
• 1:18:55
  I agree I I can watch any of this movies again but that one I
• 1:18:57
  have a hard time. Yeah, it's just really hard to
• 1:19:00
  watch. I can't.
• 1:19:01
  Like I can't. Everyone's allowed to have one
• 1:19:04
  blunder. Yeah, and it happens.
• 1:19:05
  I mean, you know, we love Christopher Nolan and maybe
• 1:19:09
  he'll be our another next top 10.
• 1:19:10
  But who knows? We got to do some Christopher
• 1:19:14
  Nolan movies though, but we will do a deep dive episode on at
• 1:19:19
  least one or two Tarantino movies.
• 1:19:22
  OHT absolutely. We you haven't heard the Last of
• 1:19:24
  Us with Tarantino's. We just wanted to do an episode
• 1:19:26
  where we talked briefly about each one and rank them.
• 1:19:29
  And like I said, probably every 10th episode we're going to do
• 1:19:33
  something a little bit different just to keep things interested,
• 1:19:36
  interesting, keep everybody on their toes.
• 1:19:39
  So so look out for that and we're open to suggestions too.
• 1:19:42
  If you guys want to leave us a comment on stuff you want to
• 1:19:44
  hear us talk about, leave us a comment on Instagram or Spotify.
• 1:19:49
  Yeah, um, follow us on Spotify, us follow us on Instagram, Take
• 1:19:55
  two mom with mom and us take two mom, take two pod with mom and
• 1:19:58
  dad. If you have any questions or
• 1:20:01
  want us to do anything, just send us an e-mail and take two
• 1:20:04
  Pod with momanddad@gmail.com. Yes.
• 1:20:06
  And please rate US on Spotify. It really helps if you follow
• 1:20:09
  and rate, Yeah, Yeah. If you follow us and rate US
• 1:20:11
  five stars, that really helps. We really hope you enjoyed that
• 1:20:13
  episode. Go and watch your Tarantino
• 1:20:15
  Movies Now if you haven't. If you have, watch them again.
• 1:20:18
  Yeah, and tell us if you agree or disagree with our list,
• 1:20:21
  because I think I think we did a pretty good job.
• 1:20:23
  Yeah. I think we paid a good tribute
• 1:20:26
  to A, to a great director. Thanks for listening everyone.
• 1:20:29
  Thanks for listening.