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Rolling Out The Welcome Mat With JARRYD RODGER From ROSWELL DEATHSQUAD · HEAVY Music Interviews

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  Yep. So my name's Jared, vocalist for rosewelld death Swad. We're a
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  four piece from Melbourne City. More or less. Yeah, we're like a
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  technical, death metal, deathcore, proggy kind of band. I guess like
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  we don't really sit in a genre, so's it's a bit of a weird
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  one. But yeah, we've got We've got our release show coming up on
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  the thirtieth of March for our album Welcome Home. Technically we dropped it in
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  January, however, doing like a I guess a relaunch for it to actually
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  showcase the actual album itself, which is down at the Workers Club in Melbourne
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  on the thirty. I think tickets are fifteen bucks for pre sale or twenty
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  five on the door, So come down for East Long Weekend, a couple
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  of bebes and some death metal. So good brother, thanks for joining us
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  today, jan Thank you my pleasure. So ros Well Despot released your debut
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  album, Welcome Home, back on January the fifth. Mate, so she's
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  been out a couple of months now, saiday, how's it been received?
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  Pretty good? A lot of the feedback that we have had has been absolutely
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  phenomenal, you know, from whether it be you know just old mate down
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  the street or you know a few people overseas. Had had a few reviews
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  come through from overseas and everyone's been loving it. Yeah, I guess it
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  hits the heavy mark, It hits the metal corey kind of chorus e mark
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  as well and gives it it gives everyone a bit of everything rather than just
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  being stale, so which is kind of what we aim for. But it's
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  been great. It's it's been received a lot better than what we didn't anticipated,
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  and especially releasing like just randomly, it's out of the year, you
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  know, Like our Spotify numbers are sitting at like two to three thousand every
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  month, and for a new band that you know, no one really knows,
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  it's pretty pretty good market the moment. So doing pretty well. Oh
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  so tell us a bit more, like a bit deeper into it. First
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  prayer, In the musical side of the album, what are you going for
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  with it? So musically more or less the boys from like a guitar you
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  know, like from a musicality side of things, they were more going for,
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  you know, like the technical death metal, thrash metal kind of proggy
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  sound, and that's what that hard. Before I joined the band, last
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  year. Last year, when I joined band, it was pretty much at
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  like very straight tech death They just wanted, you know, like a vocalist
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  that did like some weird noises and you know, to meet up with the
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  death core kind of scene and you know, try and get the music to
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  work with like a death core vote. So it's kind of where I came
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  in. I walked in and more or less went for with this with these
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  tracks, went more with the metalcore voice or like you know, harsher metalcore
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  kind of like for ice screamy kind of stuff to add in. I guess
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  a bit of variance between just being straight death technical death metal and you know
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  your classic fucking guttural oil a bowl vocals like give it some give it some
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  some life or some feeling into it, and bring in that like you know,
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  more emotional vocal. So that way you can get a bit of emotion
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  across and a bit of a storytelling side of things. So I feel like
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  that's that's kind of where both things have kind of come together, and you
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  know, we don't necessarily sit in that type of genre where it's you know,
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  straight technical death metal or it's death core or its metal core. It's
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  something a bit weird, something a bit different, which is, you know,
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  kind of what I look for in music myself, and that's what the
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  boys also looked for as well, so I think we'll get the mark there
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  as well. These days made like probably more so than ever before, there's
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  so much music out there for people listening. So as a fresh band going
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  into your debut album, like, what sorts of things do you focus on
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  to make sure that you're not just going to get lost in the masses?
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  I guess. I guess for me personally, it's keeping up with, you
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  know, with the with what's being released or what the what the new big
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  thing is so like at the time of writing, especially like the lyrical content
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  for this album. Lorna Show were a huge, like a huge thing at
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  that point in time last year, And one thing that kind of worked for
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  me really well is like it's a band that I actually really looked like look
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  up to. So keeping in mind, like you trying to work out how
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  he like Will does all those crazy US vocals and stuff and all the stranger
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  sounds that come out of that guy's mouth is interesting in itself, but just
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  keeping up to date with, you know, the music that is out there
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  because you don't want to come across I guess like you're recycling something as someone
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  else has already done, or not keeping things fresh, especially like within the
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  scene, because it's ever growing and it's always so fast paced, especially with
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  you know, like new bands coming out or new sounds or this, that
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  and the other. Like there's always something that comes into the mix. So
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  it's just keeping up with that new sound just coming out every week, or
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  you know, keeping it and keeping an eye on what's local and what's big
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  and what's working in the industry at the moment, so that way, you
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  know, you can be on part with that. Yeah. So I always
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  said Bra that time is the best judging character. So the album's been out
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  for two months now, So are you personally still happy with it or the
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  things that they think you could have done different? I mean I'm stoked with
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  it overall, Absolutely stoked with it. Yeah, there are obvious like there's
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  always going to be that critical point for any musician or just anyone that's an
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  artist in general that can critique their own work. So you know, like
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  if I could do it over again, I'd love to go back to the
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  studio and re record vocals or go and re record guitar or you know this,
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  that and the other, and you know, change a little bits and
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  pieces here and there, but overall like pretty much like pretty happy with it
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  overall. Now, the press release is Welcome Home is a breathless leap into
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  the unknown. Can you elaborate on that a bit for us? Yeah,
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  So, I guess more or less like what we're going for, like storytelling
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  wise and just lyrical content wise, was just a bit of like an introduction
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  into where we're going to go with the story arcs. So part of Welcome
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  Home is literally welcoming home our alien overlords, just being that, you know,
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  Like I guess a part of the subtext of the band itself is,
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  you know, it's very alien influenced or kind of sits in that like alien
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  metal subgenre. So a few songs like say, for instance, like Part
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  one and Part two, So the last two songs on the album, they
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  come from a story that myself and our guitarist Jack have written together more or
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  less about aliens coming through like a portal or like a wormhole in existence and
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  trying to trying to salvage what their lifetime was in their world by taking over
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  hours and exterminating the human race to pretty much utilize our world as theirs or
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  our earth as theirs. And yeah, I guess like going back to the
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  breathless step into the unknown, the unknown is the you know, these beings
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  that might exist or do exist, or to us they do exist, and
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  just exploring that that idea or the existence of something higher power than ourselves.
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  That's well, that's one beautiful thing about music, bro. Like everything that
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  you've just said then, because you've woven it into the concept of an album,
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  like, someone will sit there and go, yes, that's pretty interesting
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  theory. But if you're sitting the pub talk to someone about it, they
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  go, fuck, I've made you're off your head. So along those sides
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  of those two songs that you mentioned, mate, like the press says that
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  the last song hard of the Universe to Flatline brings to a close person we
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  perceive like it sounds beautiful and romantic on the surface, but it's dark as
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  funk when you think about it. Yeah, yeah, so it's look,
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  I went more for the emotional feel of it, and it is extremely like
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  like if you read between the lines, it is extremely dark, omnious,
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  ominous, and like just terrifying. What could happen or what would happen if
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  we were to step into that unknown and that is you know, obviously having
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  them come and take over the universe. You know, a part like the
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  last line of that that song is just undefined. So the final word of
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  that song is undefined, and the meaning of undefined is yeah, more or
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  less, the universe itself will implode within itself to then be undefined within our
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  existence or within our capability of nderstanding. So you know, as as someone
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  comes through like wormhole, they try and pull something through that, whether it
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  be their universe or their world or their spaceships and so on, and then
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  the universe employes within itself, and that in itself is undefined, because then
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  we are undefined and we're just back to square one. More or less cool
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  Rose Rod Descoy only came on the scene last year. They formed out of
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  past and present members of bands like Bestationan, Harlotte Karpa's Mistress of Misery and
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  Fear the Fall and made say, what parts of each of those bands did
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  you just bring to the table to create the sound that became ros Or Descott.
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  So I guess the drama his name is Dan. He came from the
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  band Harlot a couple of years ago. He was a touring drama for them
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  for like Big four or five years. So more or less, he's brought
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  in that like that thrash technical death Natalie like drum technique with into the band.
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  Festation was the guitarist Jack his old band as well. He's brought in
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  a lot of that more tech, deathy, technical run slot kind of guitar
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  work, so he doesn't he doesn't like to play a lot of single notes
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  throughout songs. He plays on an eighth string and does things that aren't technically,
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  you know, allowed to happen on a guitar, but for some reason
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  it fucking works. Yeah, he's absolutely mad Men. And then the bassist
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  he's from Carthlas, he's you know, just brought in his smooth, groovy
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  based hone into the band, very thrashy background as well. And then myself
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  with Mistress and Misery fore of the Fallen. They were both very like metal
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  core death core bands. Mistress and Misery more so much from more so from
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  Melbourne scene, and then Fear the Fallen was from the Gold Coast back in
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  Queensland. More or less. Yeah, that those two bands were very like
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  metalcorey hardcore death core, kind of like bands that I fronted as well,
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  And yeah, I just kind of brought in that that kind of sound back
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  into the tech death side. Now you sort of touched on this before made
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  but you blame metal core, thrash metal, death metal and a bit of
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  prog in there that somehow all sounds really good together. Bro. But in
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  the writing process, how hard does it to strike the balance between all of
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  them? Like is it is it your trial and error or how do you
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  know what enough's enough? Look, it is very difficult. Like at the
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  moment where we're in the we're in the process of currently writing another EP,
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  which we have three songs for at the moment, but we're trying to get
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  to the fourth or fifth currently. It's been a bit of a difficult step
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  just being that we're trying to one up what we've already done. But yeah,
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  that's tech like doing the tech death stuff and then you know, trying
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  to add in a bit of like you know, a breakdown here or there.
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  So it does come back to that like more death called metal core sound
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  and having that space in between the songs whereas like if you listen to you
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  know, classic technical death metal, it's just consistent, just not like absolute
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  nonsense for way four or five minutes and you're just blown away by it.
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  But we're trying to add in like the craziness, but also let the music
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  breathe, so that way, you know, the fan or the punter at
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  the show can then you know, utilize that space to breathe to you know,
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  whether it be thrown down or th hands or do whatever start appear,
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  do the whole thing, you know, like give it, give it a
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  little bit of breath, so that way there's that opening for it. Now
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  announced an album launch party called Unsacred Saturday on March and thirtieth the Worker's Club
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  in Vizory. So tell us a bit more about that. Yeah, So,
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  been working with a company called Outcasts Bookings for the better part of three
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  or four years now, and more or less they've reached out to me in
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  order to set up like a show. You know, we've been in contact
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  for a couple of months just about an album release show in general, and
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  the guys over there, Scott and Finn, have graciously added us into their
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  work list in order to get us on some shows down here and get the
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  word out about it more or less. This show that's coming up, we've
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  got a Discovery on headlining which are like, I guess, a death metal
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  thrash metal kind of band from Melbourne. It's got a band called three or
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  eight from Queensland that are coming down to help us out with it a couple
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  of weeks ago. Bloody good Yeah, good shit. Yeah, I've been
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  I've been jamming them out last couple of weeks and they're a good time,
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  good time that. We've got Rise from the Ashes, which are a metalcore
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  earth or like a death metal outfit from Melbourne. Then ourselves Roswell deathk Squad,
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  as well as Pendall Hill and He Who Seeks Vengeance which are a huge
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  like kind of like Parkway Drive, Frankston Band, and a new band called
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  boyd Out. This is their first ever show and they are top tier metal
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  core at its finest, so it's going to be a good time. Blackgan
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  probably the best thing about that bro The doors open at four point thirty and
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  the last band finishes at eleven, so he could feasibly be home drunk and
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  passed out before midnight. Yeah, it's literally literally just get on the pisce
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  all weekend and just keep the bender going, mate,